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All present and accounted for, sir. | 0:00:19 | 0:00:22 | |
Thank you, Captain. | 0:00:22 | 0:00:24 | |
DRUM ROLL | 0:00:27 | 0:00:31 | |
As of this moment, | 0:00:31 | 0:00:33 | |
you are the property of the Penal Administration, French Guiana. | 0:00:33 | 0:00:39 | |
After serving your full terms in prison, | 0:00:39 | 0:00:43 | |
those of you with sentences of eight years or more, | 0:00:43 | 0:00:48 | |
will remain in Guiana | 0:00:48 | 0:00:51 | |
as workers and colonists, for a period equal to that of your original sentences. | 0:00:51 | 0:00:58 | |
As for France, the nation has disposed of you. | 0:00:58 | 0:01:03 | |
France has rid herself of you altogether. | 0:01:04 | 0:01:07 | |
Forget France. | 0:01:07 | 0:01:10 | |
And put your clothes on. | 0:01:10 | 0:01:12 | |
Papillon! Papi! | 0:03:02 | 0:03:04 | |
You'll be back, Papillon. | 0:03:06 | 0:03:08 | |
Don't worry. You'll be back. | 0:03:08 | 0:03:10 | |
No, you won't. | 0:03:16 | 0:03:18 | |
You! That way. Down there. | 0:03:30 | 0:03:32 | |
You, too. | 0:03:32 | 0:03:34 | |
Next, over here. Come along! | 0:03:34 | 0:03:36 | |
Come on. In here. | 0:03:36 | 0:03:39 | |
You, too. Over there. | 0:03:40 | 0:03:43 | |
Come along, up there. Hurry up! | 0:03:43 | 0:03:45 | |
Come along, now. Down, come on down. | 0:03:54 | 0:03:57 | |
Down there. | 0:03:57 | 0:04:00 | |
Come on up there. | 0:04:05 | 0:04:06 | |
In there. In there. | 0:04:06 | 0:04:08 | |
DOOR SLAMS | 0:04:48 | 0:04:49 | |
DOOR SHUTS | 0:05:11 | 0:05:15 | |
We're really something. | 0:05:49 | 0:05:50 | |
The only animals that shove things up their ass for survival. | 0:05:50 | 0:05:54 | |
First time I shoved one up my gut, it infected me so bad the camp doctor had to cut it out. | 0:05:54 | 0:06:01 | |
He doesn't have any ether. | 0:06:01 | 0:06:03 | |
So he knocks me out with rum. | 0:06:03 | 0:06:06 | |
Know what he did? | 0:06:06 | 0:06:07 | |
Stole it. | 0:06:07 | 0:06:09 | |
The butterfly. | 0:06:12 | 0:06:14 | |
You're Papillon, aren't you? | 0:06:14 | 0:06:16 | |
Yeah. | 0:06:16 | 0:06:18 | |
The bastards gave you life. | 0:06:18 | 0:06:20 | |
Right to the end of the line... they think. | 0:06:21 | 0:06:24 | |
May not be as long as you think. | 0:06:24 | 0:06:26 | |
40% will die the first year out. | 0:06:26 | 0:06:30 | |
SIGHING > | 0:06:30 | 0:06:32 | |
They gave him life too. | 0:06:34 | 0:06:36 | |
He's only 18. | 0:06:36 | 0:06:38 | |
Look at him. No wonder he dreams. | 0:06:38 | 0:06:41 | |
(He'll never make it.) | 0:06:41 | 0:06:43 | |
But a man like you could make it. | 0:06:46 | 0:06:49 | |
If you have enough money. | 0:06:49 | 0:06:50 | |
How long were you there? | 0:06:50 | 0:06:52 | |
Nine years at work camp. | 0:06:53 | 0:06:56 | |
Nine years a colonist. | 0:06:56 | 0:06:58 | |
You were outside the walls. Why didn't you run? | 0:06:58 | 0:07:01 | |
There's no place to run to. | 0:07:01 | 0:07:03 | |
You're in the middle of the swamp. | 0:07:03 | 0:07:06 | |
If you've got a lot of money, that's different. | 0:07:06 | 0:07:10 | |
Take somebody like Dega there. Back there. | 0:07:10 | 0:07:13 | |
Louis Dega - the best counterfeiter in France. | 0:07:14 | 0:07:17 | |
National Defence bonds. | 0:07:18 | 0:07:20 | |
-Series of 1928. -Right! | 0:07:20 | 0:07:23 | |
If you've got money like he has, there's a chance to buy your way out. | 0:07:23 | 0:07:28 | |
That is, unless somebody cuts his guts open first to get at all that cash. | 0:07:28 | 0:07:34 | |
Everybody up! Let's go! | 0:07:34 | 0:07:36 | |
Come on! | 0:07:36 | 0:07:38 | |
Let's go! | 0:07:39 | 0:07:41 | |
Mind if I sit down here? | 0:08:09 | 0:08:11 | |
If you wish. | 0:08:12 | 0:08:14 | |
You're Dega, aren't you? | 0:08:17 | 0:08:19 | |
Louis Dega. | 0:08:19 | 0:08:21 | |
Sorry to see you here. | 0:08:24 | 0:08:26 | |
I presume most of us have earned our passage. | 0:08:26 | 0:08:30 | |
You got life for killing a pimp, then had the bad taste | 0:08:30 | 0:08:34 | |
to tell the prosecutor you would escape and kill him too. | 0:08:34 | 0:08:38 | |
-I'm innocent. -No-one is innocent. | 0:08:38 | 0:08:40 | |
I'm no pimp killer, for Christ's sake. | 0:08:40 | 0:08:42 | |
I'm a safe-cracker. | 0:08:42 | 0:08:44 | |
That's a profession of which I disapprove. | 0:08:44 | 0:08:47 | |
I put almost everything I had into National Defence bonds. | 0:08:47 | 0:08:51 | |
Series 1928. | 0:08:52 | 0:08:54 | |
1928. | 0:08:54 | 0:08:56 | |
Your instincts were sound. How much did you lose? | 0:08:56 | 0:09:01 | |
I wouldn't put money into those bonds! | 0:09:01 | 0:09:04 | |
I'm relieved to hear that. But why are we having this chat? | 0:09:04 | 0:09:08 | |
Every convict here knows who you are. | 0:09:11 | 0:09:13 | |
Any of them would slit your belly open to get what you're carrying. | 0:09:13 | 0:09:17 | |
So? | 0:09:18 | 0:09:20 | |
You need protection. | 0:09:20 | 0:09:22 | |
From you? | 0:09:22 | 0:09:25 | |
Remember what the chicken said to the weasel? | 0:09:27 | 0:09:30 | |
If he was healthy, the chicken didn't get a chance to speak. | 0:09:31 | 0:09:35 | |
Think about that. | 0:09:35 | 0:09:37 | |
COUGHING > | 0:09:49 | 0:09:52 | |
DOOR OPENS | 0:09:54 | 0:09:56 | |
Hose down! | 0:09:58 | 0:10:00 | |
Come on! Off your asses! | 0:10:00 | 0:10:02 | |
Come on, you got a fever. | 0:10:09 | 0:10:11 | |
Julot. | 0:10:14 | 0:10:16 | |
I got a question. | 0:10:18 | 0:10:19 | |
If I wanted a boat when I got there - maybe a 15 footer - how much would it be? | 0:10:19 | 0:10:25 | |
35 hundred, 45 maybe. It all depends. | 0:10:25 | 0:10:28 | |
-What if I could pick up the money to buy one? -You'd have a boat. | 0:10:28 | 0:10:32 | |
You know the country. We could escape, huh? | 0:10:32 | 0:10:35 | |
Nothing against you, but the answer is no. | 0:10:35 | 0:10:39 | |
If I gotta go to solitary for some half-assed escape, I want the mistake to be mine, understand? | 0:10:39 | 0:10:46 | |
The answer is no. | 0:10:46 | 0:10:48 | |
How do you feel, kid? | 0:10:48 | 0:10:50 | |
PIERCING WHISTLE | 0:11:40 | 0:11:42 | |
All right, come on. Move it! | 0:12:09 | 0:12:11 | |
Move it a little. Let's go! | 0:12:15 | 0:12:18 | |
Let's move. | 0:12:22 | 0:12:23 | |
What do you want? | 0:12:44 | 0:12:46 | |
Almost unbearable, isn't it? | 0:12:46 | 0:12:49 | |
What? | 0:12:49 | 0:12:51 | |
-The heat. -It's not too bad. | 0:12:51 | 0:12:54 | |
You're closer to it than I am. | 0:12:54 | 0:12:56 | |
Oh, yes, you're referring to last night, aren't you? | 0:12:56 | 0:13:01 | |
Well, aren't you? | 0:13:01 | 0:13:03 | |
May I tell you something? | 0:13:03 | 0:13:05 | |
At first glance I'm afraid I regarded you with rather a large degree of unworthy suspicion. | 0:13:05 | 0:13:12 | |
-Am I clear? -No. | 0:13:12 | 0:13:14 | |
Well, it now seems quite possible | 0:13:14 | 0:13:16 | |
that until we get to a decent jail with bribable guards, | 0:13:16 | 0:13:20 | |
I may stand in some need of... rather close physical protection. | 0:13:20 | 0:13:26 | |
-Depends on how long you want to live. -A long time. | 0:13:27 | 0:13:31 | |
Well, you got a problem. | 0:13:33 | 0:13:35 | |
I presume you have some goal... some particular need... | 0:13:35 | 0:13:40 | |
that outweighs all others. | 0:13:40 | 0:13:42 | |
If so, may I ask what it is? | 0:13:44 | 0:13:47 | |
-Money. -For what? | 0:13:47 | 0:13:49 | |
Escape. | 0:13:49 | 0:13:50 | |
Very good. | 0:13:50 | 0:13:52 | |
You keep me alive until we land in Guiana, | 0:13:52 | 0:13:55 | |
and I'll underwrite any escape you care to arrange. | 0:13:55 | 0:13:59 | |
Escape for me - not for us. | 0:13:59 | 0:14:03 | |
Oh, of course... | 0:14:03 | 0:14:05 | |
I-I have no intention of even attempting an escape. Ever. | 0:14:05 | 0:14:10 | |
Done. | 0:14:12 | 0:14:14 | |
Thank you. | 0:14:16 | 0:14:18 | |
DOORS SLAM SHUT | 0:14:35 | 0:14:39 | |
Aaaaagh! | 0:15:15 | 0:15:16 | |
AAAAAAGH! | 0:15:17 | 0:15:19 | |
AAAGH! WHISTLE BLOWS | 0:15:19 | 0:15:21 | |
Leave him alone. | 0:15:24 | 0:15:26 | |
Hide this. | 0:15:29 | 0:15:30 | |
SCREAMING AND SHOUTING | 0:15:32 | 0:15:35 | |
Over there is St Joseph's. | 0:15:57 | 0:15:59 | |
The other island is Royal. | 0:15:59 | 0:16:02 | |
The one on the right is Devil. | 0:16:02 | 0:16:04 | |
Julot, why's it so hard to escape from there? | 0:16:04 | 0:16:08 | |
A man could almost swim to the mainland. | 0:16:08 | 0:16:11 | |
There must be a better way than swimming. | 0:16:11 | 0:16:14 | |
Swimming's not the way. | 0:16:14 | 0:16:15 | |
The current's so strong it'll push you back. | 0:16:15 | 0:16:19 | |
No, when you're on those islands, you're there for keeps. | 0:16:19 | 0:16:24 | |
Where do we go? | 0:16:26 | 0:16:29 | |
We go up the Moroni River. | 0:16:29 | 0:16:32 | |
Then we dock at St Laurent. | 0:16:32 | 0:16:34 | |
There they decide to send you to the work camps or the islands. | 0:16:34 | 0:16:39 | |
COMMANDS ARE SHOUTED | 0:16:39 | 0:16:41 | |
See those two on the dock with guns? | 0:17:15 | 0:17:18 | |
Right over there. | 0:17:18 | 0:17:20 | |
They served their time. Now they're colonists. | 0:17:20 | 0:17:24 | |
-They've turned manhunter. -Manhunter? | 0:17:24 | 0:17:28 | |
Yeah, you escape, they hunt. | 0:17:28 | 0:17:30 | |
For money, I presume. For reward. | 0:17:30 | 0:17:33 | |
Jesus! | 0:17:33 | 0:17:34 | |
Get ready to move. Line up to disembark. | 0:17:34 | 0:17:38 | |
I'm going to have an accident going down that gangplank. | 0:17:57 | 0:18:01 | |
Lend me your chiv. | 0:18:01 | 0:18:03 | |
What the hell for? | 0:18:03 | 0:18:05 | |
Because I'm a two-time loser. I'll be sent onto the islands on the next transport. | 0:18:05 | 0:18:10 | |
I've got to get into that hospital to give me time to think. | 0:18:10 | 0:18:14 | |
You're crazy, Julot. | 0:18:43 | 0:18:45 | |
GUARD: Single file. March! | 0:18:45 | 0:18:48 | |
Hold it! Hold it! | 0:19:01 | 0:19:04 | |
Let's go! | 0:19:23 | 0:19:25 | |
Single file. | 0:19:25 | 0:19:27 | |
Move. Move! Let's go! | 0:19:31 | 0:19:34 | |
Bring a stretcher. | 0:19:34 | 0:19:36 | |
Take him away. | 0:19:43 | 0:19:45 | |
All right. Move. Move! Let's go. | 0:19:46 | 0:19:49 | |
Come on, march! | 0:20:46 | 0:20:49 | |
Pick him up quick. | 0:22:02 | 0:22:04 | |
CHURCH BELLS RING | 0:22:08 | 0:22:11 | |
Attention! | 0:23:11 | 0:23:13 | |
DRUM ROLL | 0:23:13 | 0:23:15 | |
Welcome to the penal colony of French Guiana, | 0:23:20 | 0:23:24 | |
whose prisoners you are, | 0:23:24 | 0:23:28 | |
and from which there is no escape. | 0:23:28 | 0:23:30 | |
First attempts at escape, add two years in solitary to existing sentences. | 0:23:30 | 0:23:36 | |
Second attempts, add five more. | 0:23:37 | 0:23:39 | |
Of course, more serious offences are dealt with... | 0:23:39 | 0:23:44 | |
..in this fashion. | 0:23:45 | 0:23:47 | |
Make the best of what we offer you and you will suffer less than you deserve. | 0:23:54 | 0:23:59 | |
Dismissed. | 0:23:59 | 0:24:01 | |
DRUM ROLL | 0:24:01 | 0:24:05 | |
GUARD SHOUTS: Into the bunkhouse! | 0:24:05 | 0:24:09 | |
One, two, three, four! GET A MOVE ON! | 0:24:09 | 0:24:13 | |
Mr Dega. | 0:24:19 | 0:24:21 | |
Oh, yes, I know all about you, Mr Dega. | 0:24:21 | 0:24:24 | |
-Very intelligent man. -Thank you. I seem to be known in all the wrong places. | 0:24:24 | 0:24:30 | |
I have a friend who is a guard. | 0:24:30 | 0:24:32 | |
For... | 0:24:32 | 0:24:33 | |
Yes, go ahead. | 0:24:33 | 0:24:35 | |
For very little money, he can arrange for certain people to stay here | 0:24:35 | 0:24:40 | |
instead of being sent to a work camp on one of the islands. | 0:24:40 | 0:24:44 | |
Can he get us a job here? | 0:24:44 | 0:24:46 | |
Perhaps a selection from which we may choose? | 0:24:46 | 0:24:50 | |
Yes, indeed. That is, my friend can. | 0:24:50 | 0:24:52 | |
-If you take our money, then you put your life on the line. -Of course. | 0:24:52 | 0:24:57 | |
How much will it cost? | 0:24:57 | 0:24:59 | |
My friend has a very large family - many children, you understand? | 0:24:59 | 0:25:04 | |
His sergeant has a mother - heart... | 0:25:04 | 0:25:06 | |
He was asking how much, not how many. | 0:25:06 | 0:25:09 | |
I'll do the negotiating. | 0:25:09 | 0:25:11 | |
How much? | 0:25:14 | 0:25:16 | |
For you, 500. | 0:25:16 | 0:25:18 | |
For him, 1,500. | 0:25:18 | 0:25:20 | |
-He made trouble. -Indeed he did. | 0:25:20 | 0:25:23 | |
Nevertheless, I'll give you 1,250 for the both of us. | 0:25:23 | 0:25:27 | |
Take it or leave it, as you wish. | 0:25:27 | 0:25:30 | |
Try again. | 0:25:47 | 0:25:48 | |
Very well. | 0:25:48 | 0:25:50 | |
I want two pairs of comfortable shoes for us both. | 0:25:50 | 0:25:53 | |
And you get the 2,000. | 0:25:53 | 0:25:55 | |
Don't you have to go to the toilet? | 0:25:55 | 0:25:57 | |
Of course. Would you excuse me a moment? | 0:25:57 | 0:26:00 | |
You don't need to, Mr Dega, unless, of course, you want to. | 0:26:00 | 0:26:04 | |
I can pick it up in the morning. | 0:26:04 | 0:26:07 | |
DRUM ROLL Get moving! | 0:26:38 | 0:26:41 | |
Let's go! All right, let's go. Come on! | 0:26:42 | 0:26:45 | |
Move it! ON YOUR FEET! | 0:26:46 | 0:26:48 | |
Move it! Come on! | 0:26:49 | 0:26:50 | |
DRUM ROLL CONTINUES | 0:26:57 | 0:26:59 | |
MAN RESISTS GUARDS | 0:27:07 | 0:27:09 | |
Atten-tion! | 0:27:30 | 0:27:32 | |
Pre-sent arms! | 0:27:32 | 0:27:35 | |
No! NO! | 0:27:41 | 0:27:43 | |
PRIEST SAYS PRAYER | 0:27:45 | 0:27:48 | |
NO! | 0:27:49 | 0:27:51 | |
Mr Dega, did you get the money? | 0:28:08 | 0:28:11 | |
Move! Move it! | 0:28:16 | 0:28:18 | |
GUNSHOTS | 0:28:21 | 0:28:23 | |
What's wrong? Son of a bitch broke out of the hospital. | 0:28:26 | 0:28:29 | |
Julot. | 0:28:31 | 0:28:33 | |
All right, break it up. We'll get him. | 0:28:33 | 0:28:35 | |
Next. | 0:28:36 | 0:28:38 | |
Next. | 0:28:42 | 0:28:44 | |
You're fine. Next! | 0:28:51 | 0:28:53 | |
I must be better than I feel. | 0:28:53 | 0:28:55 | |
You're in wonderful shape. | 0:28:55 | 0:28:58 | |
-How do you fail an examination like this? -Next! | 0:28:58 | 0:29:02 | |
75 - 51. | 0:29:06 | 0:29:07 | |
HE COUGHS | 0:29:07 | 0:29:09 | |
(Dega?) | 0:29:10 | 0:29:12 | |
Yes, sir. Louis Dega. | 0:29:12 | 0:29:14 | |
-It was suggested to me that I speak... -I have it right here. | 0:29:14 | 0:29:18 | |
We'll keep you on here. The cleaning squad. | 0:29:18 | 0:29:21 | |
-There's my friend... -You're Louis Dega? | 0:29:21 | 0:29:24 | |
Yes. This is my friend, Papillon. | 0:29:24 | 0:29:26 | |
I'm very glad to see you. | 0:29:26 | 0:29:29 | |
Why, thank you, sir. If... | 0:29:29 | 0:29:32 | |
My family lost everything they had in counterfeit bonds. | 0:29:32 | 0:29:36 | |
I'm very sorry to hear that, sir. | 0:29:39 | 0:29:41 | |
Even so, buying them was a tribute to their patriotism. | 0:29:41 | 0:29:46 | |
-And you're Mr Dega's friend? -Well... | 0:29:47 | 0:29:49 | |
There's one thing about St Laurent that you'll like. We never separate old friends. | 0:29:49 | 0:29:56 | |
Kilo 40, both of them. Today's transport. | 0:29:56 | 0:29:58 | |
What is Kilo 40? | 0:30:05 | 0:30:07 | |
MOVE! HEAVE! | 0:30:10 | 0:30:12 | |
HEAVE! PULL! | 0:30:14 | 0:30:17 | |
HEAVE! | 0:30:17 | 0:30:20 | |
HEAVE! PULL! | 0:30:20 | 0:30:23 | |
PULL! | 0:30:23 | 0:30:25 | |
Don't touch him. You'll wind up worse off. | 0:30:27 | 0:30:30 | |
Get moving! | 0:30:30 | 0:30:31 | |
Duck! | 0:30:37 | 0:30:39 | |
Get up, you lazy bastards! Bring that croc along. | 0:30:42 | 0:30:46 | |
You! Pick another man and grab that croc. | 0:30:46 | 0:30:49 | |
Come on, move! Come on, move! Move! | 0:30:59 | 0:31:02 | |
That son of a bitch isn't dead. They've just irritated him. | 0:31:21 | 0:31:25 | |
-Get his tail. -You get his tail! | 0:31:25 | 0:31:28 | |
-Where's his tail? -Over there. | 0:31:28 | 0:31:31 | |
-Are you ready? -Yeah. | 0:31:33 | 0:31:35 | |
-So am I. -Go ahead. -OK. | 0:31:35 | 0:31:38 | |
Ready? | 0:31:42 | 0:31:43 | |
-Is that the tail? -No. -Oh. | 0:31:44 | 0:31:46 | |
-You get the head. -The head? -Yeah. | 0:31:50 | 0:31:53 | |
You try the tail. | 0:31:53 | 0:31:55 | |
OK, now, you try the head. | 0:31:57 | 0:32:00 | |
Grab him! | 0:32:02 | 0:32:03 | |
-He's dead. -He's still talking! | 0:32:05 | 0:32:08 | |
He's dead. | 0:32:09 | 0:32:11 | |
He's dead? | 0:32:12 | 0:32:13 | |
Move it. | 0:32:21 | 0:32:23 | |
Come on, come on. Hands up. | 0:32:32 | 0:32:34 | |
Bring it around here. Just lay the croc right there. | 0:32:40 | 0:32:43 | |
Just drop it. Search them. | 0:32:43 | 0:32:45 | |
Move. | 0:32:47 | 0:32:48 | |
It's pretty big. The skin's worth some money. | 0:32:49 | 0:32:53 | |
MOVE! What the hell are you looking at? | 0:33:01 | 0:33:04 | |
You're Louis Dega. | 0:33:24 | 0:33:26 | |
Yes, sir. | 0:33:26 | 0:33:28 | |
I'm Clusiot. | 0:33:28 | 0:33:30 | |
How come you ended up in a place like this? | 0:33:30 | 0:33:34 | |
Favouritism? | 0:33:34 | 0:33:36 | |
Your friend's kind of quiet, isn't he? | 0:33:40 | 0:33:44 | |
He's dead. | 0:33:44 | 0:33:45 | |
He jammed a piece of wood down his throat and choked himself to death. | 0:33:45 | 0:33:50 | |
Three-way split. | 0:33:51 | 0:33:54 | |
Fair, isn't it? | 0:33:54 | 0:33:56 | |
Quinine. | 0:34:12 | 0:34:14 | |
Worst country in the world for malaria. | 0:34:14 | 0:34:17 | |
Here - take them. | 0:34:25 | 0:34:27 | |
Go ahead. I've got some left. | 0:34:28 | 0:34:31 | |
Well, if I'm going to get my sleep, I'll have to take this poor bastard with me. | 0:34:31 | 0:34:39 | |
Decent man. | 0:34:42 | 0:34:44 | |
Hmm. | 0:34:44 | 0:34:46 | |
Dega...the manhunters. | 0:34:47 | 0:34:51 | |
The ones we saw down at the dock. | 0:34:51 | 0:34:53 | |
Son of a bitches. | 0:34:53 | 0:34:55 | |
-Butterflies? -Yeah, that's right. | 0:35:01 | 0:35:03 | |
Some guy named Rickter. He works every camp on the river. | 0:35:03 | 0:35:09 | |
We catch them. He buys them. | 0:35:09 | 0:35:12 | |
The guards get the big pay off. | 0:35:12 | 0:35:14 | |
The Blue Morphus butterfly. | 0:35:14 | 0:35:16 | |
Its wings are used for dye in making American currency. | 0:35:16 | 0:35:20 | |
How often does he come up here? | 0:35:20 | 0:35:23 | |
-Couple of times a month. -Boat? | 0:35:23 | 0:35:25 | |
No other way. | 0:35:25 | 0:35:27 | |
-Why? -Thinking. | 0:35:27 | 0:35:29 | |
I handle a boat pretty good myself, you know. | 0:35:29 | 0:35:33 | |
Yeah? | 0:35:33 | 0:35:34 | |
You're supposed to catch them, you clumsy bastard! | 0:36:00 | 0:36:03 | |
Where do you send these bugs, sir? | 0:37:06 | 0:37:08 | |
United States. | 0:37:08 | 0:37:09 | |
How much for this one | 0:37:15 | 0:37:16 | |
to go to Panama? | 0:37:16 | 0:37:17 | |
Guard, come here. | 0:37:21 | 0:37:23 | |
Don't turn me in. I've got a thousand for you. | 0:37:24 | 0:37:26 | |
-I didn't hear you. -I said I got two thousand - on me. | 0:37:26 | 0:37:29 | |
What's the trouble? | 0:37:29 | 0:37:32 | |
This man brought me the finest Morphus I've ever seen. | 0:37:35 | 0:37:39 | |
Why don't you get him a net? | 0:37:39 | 0:37:42 | |
Right away, sir. | 0:37:42 | 0:37:43 | |
I want a seaworthy boat, new sail. | 0:37:43 | 0:37:46 | |
It'll cost you four thousand, my friend. | 0:37:46 | 0:37:49 | |
Half now, half on delivery. | 0:37:49 | 0:37:50 | |
-When? -One week from tonight. | 0:37:50 | 0:37:53 | |
-Where will the boat be? -Half a mile downriver. | 0:37:53 | 0:37:57 | |
300 yards this side of the river, there's a big tree. You can't miss it. | 0:37:57 | 0:38:01 | |
I'll be there. | 0:38:01 | 0:38:03 | |
You bring me the rest of the money. | 0:38:03 | 0:38:05 | |
I'll take you to your boat. | 0:38:05 | 0:38:08 | |
You're a goddamn burglar. | 0:38:13 | 0:38:16 | |
And that proves it. | 0:38:16 | 0:38:18 | |
-Are you asleep? -HE MURMURS | 0:38:38 | 0:38:40 | |
I've been thinking. | 0:38:43 | 0:38:45 | |
When you decide to go... | 0:38:46 | 0:38:49 | |
..I'd very much appreciate going with you. | 0:38:51 | 0:38:54 | |
Why? | 0:38:57 | 0:38:58 | |
-Can you handle a boat? -No. | 0:39:03 | 0:39:06 | |
Can you even see a boat without your glasses? | 0:39:06 | 0:39:10 | |
-I can help. -Jesus Christ, you didn't want to escape. | 0:39:10 | 0:39:14 | |
I didn't. | 0:39:14 | 0:39:16 | |
Now I have no choice. | 0:39:16 | 0:39:19 | |
If I stay, here in this place... | 0:39:19 | 0:39:22 | |
..I'll die. | 0:39:26 | 0:39:28 | |
Well, it's your money. | 0:39:31 | 0:39:33 | |
You two, I got a job for you! | 0:39:50 | 0:39:52 | |
Load the stiffs into the boat, right now. | 0:39:52 | 0:39:56 | |
Julot. | 0:40:08 | 0:40:09 | |
Pick him up. | 0:40:15 | 0:40:16 | |
Dega! | 0:40:26 | 0:40:27 | |
Don't puke here! Hey, Guard! | 0:40:29 | 0:40:32 | |
Sarge! | 0:40:32 | 0:40:35 | |
He didn't mean it, sir. He's sick. | 0:40:35 | 0:40:36 | |
I'll take care of him. | 0:40:36 | 0:40:39 | |
Stop that, you pig! | 0:40:40 | 0:40:42 | |
He didn't mean it. I'll take care of him, sir. | 0:40:56 | 0:41:00 | |
Aaaaah! | 0:41:05 | 0:41:07 | |
WHISTLE BLOWS Stop, you bastard! | 0:41:08 | 0:41:10 | |
GUNSHOT | 0:41:26 | 0:41:27 | |
You realise that the first man who carved a wheel out of stone used it as an ornament? | 0:41:33 | 0:41:41 | |
I've always admired him for that. | 0:41:43 | 0:41:46 | |
That's one search party that gave up. | 0:41:49 | 0:41:52 | |
Instead of making the orifice fit the lens, | 0:41:58 | 0:42:01 | |
I made the lens fit the orifice. | 0:42:01 | 0:42:03 | |
What do you think? Did he make it, or didn't he? | 0:42:10 | 0:42:14 | |
I'd say his chances are very poor, wouldn't you? | 0:42:16 | 0:42:19 | |
Jesus, is that all you can say? | 0:42:19 | 0:42:23 | |
What do you expect me to say? | 0:42:23 | 0:42:27 | |
That man risked his life to save mine. | 0:42:27 | 0:42:31 | |
For me, that's a new experience. | 0:42:32 | 0:42:35 | |
These may work better than I had hoped. | 0:42:40 | 0:42:44 | |
RADIO PLAYS | 0:42:44 | 0:42:47 | |
FOOTSTEPS APPROACH | 0:42:51 | 0:42:54 | |
I told you, you couldn't miss it. | 0:43:01 | 0:43:04 | |
The only trouble is, you're a week early. | 0:43:08 | 0:43:12 | |
It's up to you. | 0:43:14 | 0:43:16 | |
You're worth just as much dead as you are alive. | 0:43:16 | 0:43:20 | |
The rule here is total silence. | 0:43:57 | 0:44:00 | |
We make no pretence at rehabilitation here. We're not priests. We're processors. | 0:44:00 | 0:44:07 | |
Meat packers process animals into edible ones. We process dangerous men into harmless ones. | 0:44:07 | 0:44:12 | |
This we accomplish by breaking you. | 0:44:12 | 0:44:15 | |
Breaking you physically, spiritually and here. | 0:44:16 | 0:44:20 | |
Strange things happen to the head here. Put all hope out of your mind. | 0:44:20 | 0:44:25 | |
Masturbate as little as possible. It drains the strength. | 0:44:25 | 0:44:30 | |
That's all. Take him away. | 0:44:30 | 0:44:31 | |
-WHISPERS: -One, two... | 0:46:38 | 0:46:41 | |
three, four, five. | 0:46:41 | 0:46:44 | |
One, two, three, four, five. | 0:46:46 | 0:46:50 | |
SHRILL WHISTLE | 0:47:09 | 0:47:11 | |
DOOR LATCH OPENS | 0:47:12 | 0:47:14 | |
SLAM! | 0:47:42 | 0:47:43 | |
-WHISPERS: -Oh, Jesus. | 0:48:12 | 0:48:14 | |
No. You'll eat everything they give you. | 0:48:17 | 0:48:21 | |
I'm going to be fine. | 0:48:30 | 0:48:33 | |
I'm going to be fine. | 0:48:35 | 0:48:37 | |
I'm going to be fine. | 0:48:37 | 0:48:39 | |
One, two, three, four, five. | 0:48:39 | 0:48:42 | |
SHRILL WHISTLE | 0:48:44 | 0:48:46 | |
DOOR RATTLES | 0:48:46 | 0:48:48 | |
WHISPERS: I'm Jo Jo. | 0:49:19 | 0:49:21 | |
Papillon. | 0:49:21 | 0:49:22 | |
How do I look? | 0:49:24 | 0:49:26 | |
I feel pretty good, | 0:49:27 | 0:49:29 | |
but I need somebody to tell me how I look. | 0:49:29 | 0:49:32 | |
Fine. You look fine. | 0:49:33 | 0:49:36 | |
WHISTLE | 0:49:42 | 0:49:43 | |
"Chew the coconut well. | 0:50:26 | 0:50:29 | |
-WHISPERS: -"Then swallow the pulp. One each day. For strength. | 0:50:31 | 0:50:37 | |
"My thoughts are with you. | 0:50:37 | 0:50:40 | |
"Squinter. Dega." | 0:50:40 | 0:50:43 | |
I'll be a son of a bitch! Dega. | 0:50:43 | 0:50:46 | |
-WHISPERS: -I'm still here, you bastards! | 0:51:36 | 0:51:39 | |
SQUEAKING | 0:51:55 | 0:51:57 | |
WHISTLE | 0:52:13 | 0:52:15 | |
RATTLE OF HATCH | 0:52:15 | 0:52:17 | |
Prisoner, show yourself! | 0:52:47 | 0:52:49 | |
You've been receiving coconuts. | 0:53:03 | 0:53:05 | |
Unless you tell us who sent them, your rations will be halved. | 0:53:05 | 0:53:10 | |
-How can I tell you who sent me stuff I didn't get? -WHAT stuff? | 0:53:11 | 0:53:17 | |
Well...I... | 0:53:18 | 0:53:20 | |
I-I don't know. You-you said coconuts. | 0:53:20 | 0:53:24 | |
I want that name and I want it now. | 0:53:25 | 0:53:27 | |
Put him on half rations and screen his cell for six months. | 0:53:31 | 0:53:35 | |
Darkness does wonders for a bad memory. | 0:53:37 | 0:53:40 | |
DOOR SLAMS AND LOCKS | 0:53:46 | 0:53:49 | |
You know the charge! | 0:54:29 | 0:54:31 | |
I'm innocent! | 0:54:31 | 0:54:33 | |
I didn't kill that pimp. | 0:54:33 | 0:54:35 | |
You couldn't get anything on me and you framed me. | 0:54:35 | 0:54:39 | |
That is quite true. | 0:54:39 | 0:54:41 | |
But your real crime has nothing to do with a pimp's death. | 0:54:41 | 0:54:47 | |
Well, then? | 0:54:48 | 0:54:49 | |
What is it? | 0:54:50 | 0:54:51 | |
Yours is the most terrible crime | 0:54:51 | 0:54:54 | |
a human being can commit. | 0:54:54 | 0:54:56 | |
I accuse you... | 0:54:56 | 0:54:59 | |
of a wasted life. | 0:54:59 | 0:55:02 | |
Guilty. | 0:55:04 | 0:55:06 | |
The penalty for that is death. | 0:55:07 | 0:55:10 | |
Guilty. | 0:55:12 | 0:55:13 | |
Guilty. | 0:55:16 | 0:55:17 | |
Guilty. | 0:55:21 | 0:55:22 | |
CRASH! | 0:55:42 | 0:55:43 | |
WHISPERS: They know. | 0:56:15 | 0:56:17 | |
Hey! | 0:56:23 | 0:56:25 | |
How did you hear? | 0:56:40 | 0:56:42 | |
Trusty. He works on the launch between here and St Joseph. | 0:56:42 | 0:56:46 | |
That's all that he said? | 0:56:46 | 0:56:49 | |
Then it's only a matter of time. | 0:56:50 | 0:56:53 | |
-Think so? -He's on half rations now. He can't exist on that. | 0:56:53 | 0:56:57 | |
Forced to choose between starvation and telling, what would you do? | 0:56:57 | 0:57:01 | |
We're not talking about me. What would YOU do? | 0:57:01 | 0:57:05 | |
I'd tell. | 0:57:05 | 0:57:07 | |
I'd HAVE to. | 0:57:07 | 0:57:09 | |
You get weak, you get delirious, you lose control... | 0:57:09 | 0:57:13 | |
and you talk. | 0:57:13 | 0:57:15 | |
Then you won't blame him, huh? | 0:57:17 | 0:57:19 | |
Blame is for God and small children. | 0:57:24 | 0:57:27 | |
THUNDER RUMBLES | 0:57:57 | 0:57:59 | |
I eat bugs! | 0:58:14 | 0:58:15 | |
I-I-I don't have enough sense to get out of the rain. | 0:58:15 | 0:58:20 | |
Prisoner, show yourself! | 0:59:19 | 0:59:21 | |
Give me the name and you're back on full rations. | 0:59:41 | 0:59:44 | |
Just one name. | 0:59:45 | 0:59:47 | |
-CROAKS: -I don't get that hungry. | 0:59:49 | 0:59:52 | |
You starve. You should see yourself. | 0:59:54 | 0:59:57 | |
I was born skinny. | 0:59:57 | 1:00:00 | |
Then you'll die. | 1:00:03 | 1:00:04 | |
COUGHING | 1:00:16 | 1:00:18 | |
WHEEZING | 1:00:27 | 1:00:31 | |
THUD | 1:00:54 | 1:00:55 | |
-WHISPERS: -I'm Papillon. | 1:01:10 | 1:01:12 | |
Francisco. | 1:01:12 | 1:01:14 | |
How do I look? | 1:01:14 | 1:01:16 | |
Do I look OK? | 1:01:16 | 1:01:18 | |
You look swell. | 1:01:18 | 1:01:19 | |
That's 30 days more, pimp-killer. | 1:02:02 | 1:02:04 | |
I want to talk to the warden. | 1:02:04 | 1:02:07 | |
I have something I wanna tell him! | 1:02:07 | 1:02:09 | |
Who gave you the food? | 1:02:47 | 1:02:49 | |
I...I... | 1:02:58 | 1:03:00 | |
Jesus...warden... | 1:03:01 | 1:03:04 | |
I-I-I-I... | 1:03:05 | 1:03:07 | |
I had the name, honest to God, | 1:03:09 | 1:03:12 | |
I must be light... | 1:03:12 | 1:03:15 | |
I must be light-headed... | 1:03:16 | 1:03:19 | |
or something...I... | 1:03:19 | 1:03:21 | |
I'm trying... | 1:03:22 | 1:03:24 | |
I'm trying. | 1:03:24 | 1:03:26 | |
I can't remember. | 1:03:27 | 1:03:30 | |
Honest to God, I can't... | 1:03:30 | 1:03:32 | |
It's not there, Mr Prosecutor... | 1:03:36 | 1:03:39 | |
no, it's not there. | 1:03:39 | 1:03:42 | |
No. | 1:03:42 | 1:03:44 | |
He's dying. | 1:03:55 | 1:03:56 | |
BRASS BAND MUSIC | 1:04:23 | 1:04:26 | |
LOUD CHEERING | 1:04:28 | 1:04:30 | |
SILENCE | 1:05:10 | 1:05:13 | |
Y-ou-ou-'re...d-ea-d. | 1:05:53 | 1:05:56 | |
CLINK OF KEY IN LOCK | 1:06:14 | 1:06:16 | |
Your term is completed. | 1:06:26 | 1:06:29 | |
-WHISPERS: -Five. | 1:07:14 | 1:07:17 | |
Six. | 1:07:20 | 1:07:22 | |
Oh, yes, this is seven... | 1:07:23 | 1:07:26 | |
Welcome to the Penal Colony of French Guiana, | 1:07:38 | 1:07:43 | |
whose prisoners you are, | 1:07:43 | 1:07:46 | |
and from which there is no escape. | 1:07:46 | 1:07:49 | |
First attempts at escape, add two years in solitary to existing sentences. | 1:07:52 | 1:07:58 | |
Second attempts, add five more. | 1:08:01 | 1:08:04 | |
Of course, more serious offences | 1:08:06 | 1:08:08 | |
are dealt with in this fashion. | 1:08:08 | 1:08:11 | |
Hello, Papi. | 1:08:25 | 1:08:27 | |
-WHISPERS: -Don't take advantage. I'm in handcuffs. | 1:08:30 | 1:08:34 | |
I have hot soup with real meat in it. | 1:09:11 | 1:09:14 | |
Dega sent it to you. | 1:09:14 | 1:09:16 | |
My name is Maturette. | 1:09:31 | 1:09:33 | |
How are you? | 1:10:46 | 1:10:48 | |
I'm pretty good. | 1:10:48 | 1:10:50 | |
You'd be in much better health if you'd given them my name. | 1:10:51 | 1:10:55 | |
I almost did. | 1:10:56 | 1:10:58 | |
Someone once said that temptation resisted | 1:10:59 | 1:11:03 | |
is the true measure of character. | 1:11:03 | 1:11:06 | |
How did you get out of Kilo 40? | 1:11:07 | 1:11:10 | |
It was the rankest sort of corruption. | 1:11:10 | 1:11:13 | |
Suffice it to say, the warden now has a new house, and I've become his chief clerk. | 1:11:13 | 1:11:19 | |
Papillon, | 1:11:19 | 1:11:21 | |
my wife and lawyer have convinced certain members | 1:11:21 | 1:11:25 | |
in the Ministry of Justice that my sentence was harsh. | 1:11:25 | 1:11:28 | |
Some months back, I asked them to look into your case | 1:11:28 | 1:11:32 | |
and they've made some headway. | 1:11:33 | 1:11:35 | |
One of the principal witnesses against you may be willing to change his story for a price. | 1:11:35 | 1:11:43 | |
If this happened, when would it be? | 1:11:43 | 1:11:46 | |
You could be out in three years. | 1:11:46 | 1:11:48 | |
Too long. | 1:11:48 | 1:11:49 | |
No, it isn't. | 1:11:49 | 1:11:51 | |
With a good job, the time would pass quickly. | 1:11:51 | 1:11:53 | |
Listen, my friend, | 1:11:54 | 1:11:56 | |
you owe me nothing. | 1:11:56 | 1:11:59 | |
Tell me what you want. | 1:12:05 | 1:12:07 | |
A boat. | 1:12:07 | 1:12:09 | |
I should have known. | 1:12:15 | 1:12:17 | |
DOOR OPENS | 1:12:27 | 1:12:29 | |
KEY TURNS IN LOCK | 1:13:43 | 1:13:46 | |
DOOR SLAMS AND LOCKS | 1:13:48 | 1:13:51 | |
Papi, don't you remember me? | 1:14:28 | 1:14:30 | |
-Clusiot. -Yeah. | 1:14:30 | 1:14:33 | |
What happened to your eyes? | 1:14:33 | 1:14:35 | |
I put some ground-up castor beans in 'em so I'd look sick enough to get in here. | 1:14:38 | 1:14:43 | |
-Why? -I'm going with you. | 1:14:43 | 1:14:45 | |
-What? -Yeah. | 1:14:45 | 1:14:48 | |
Dega's got you on the x-ray list for tomorrow. | 1:14:49 | 1:14:52 | |
The x-ray doctor - he's a convict, some kind of Hindu or something. | 1:14:52 | 1:14:56 | |
He knows somebody who can sell you a boat. | 1:14:56 | 1:14:59 | |
If the price is right. | 1:14:59 | 1:15:02 | |
When do we run, Papi? | 1:15:04 | 1:15:06 | |
I'll talk to that doctor tomorrow. | 1:15:11 | 1:15:13 | |
The last boat I obtained was for a sex murderer. | 1:15:23 | 1:15:28 | |
They shot him to pieces down the river, poor man. | 1:15:28 | 1:15:31 | |
But the boat stood up very well. | 1:15:31 | 1:15:33 | |
You have the heart of an ox. | 1:15:33 | 1:15:35 | |
-What kind of boat? -14 feet. | 1:15:35 | 1:15:37 | |
Complete with compass, sails, tools, clothes. | 1:15:37 | 1:15:42 | |
Ah! The generator begins. Science takes over. | 1:15:42 | 1:15:46 | |
X-rays are quite worthless. They always have been. | 1:15:46 | 1:15:50 | |
Lie down please, on the back. | 1:15:50 | 1:15:52 | |
-How much would it cost? -3,000 in advance, | 1:15:52 | 1:15:56 | |
which you pay to me, and I pay to Pascal who provides everything. | 1:15:56 | 1:16:00 | |
Draw a deep breath, please, and hold completely still. | 1:16:00 | 1:16:04 | |
Another 3,000 you pay directly to Pascal when he delivers the boat. | 1:16:04 | 1:16:08 | |
Exhale please and turn over. | 1:16:08 | 1:16:10 | |
If I decide to make a deal | 1:16:11 | 1:16:13 | |
how do we handle it? | 1:16:13 | 1:16:15 | |
Have no fear. Ways will be found. | 1:16:15 | 1:16:18 | |
Trust me for everything. | 1:16:18 | 1:16:21 | |
Last time I did that, it cost me two years in solitary. | 1:16:21 | 1:16:25 | |
Ah, so, you have been cheated, eh? | 1:16:25 | 1:16:28 | |
Happily for you, money doesn't tempt me. I'm after bigger game. | 1:16:28 | 1:16:33 | |
Draw a deep breath. | 1:16:33 | 1:16:35 | |
You see... I killed my whole family. | 1:16:35 | 1:16:39 | |
All of them. | 1:16:39 | 1:16:41 | |
A wife, and four little ones. | 1:16:41 | 1:16:43 | |
Exhale, if you haven't already. | 1:16:43 | 1:16:46 | |
You double-cross me, I'll kill you. | 1:16:48 | 1:16:52 | |
Of course. | 1:16:52 | 1:16:54 | |
I would consider that a favour. | 1:16:54 | 1:16:56 | |
A very great favour. | 1:16:56 | 1:16:59 | |
One night I might ask you to take that turnkey into the toilet. | 1:17:17 | 1:17:22 | |
Show him a good time. After, you'll get 1,000. | 1:17:22 | 1:17:25 | |
Why? | 1:17:26 | 1:17:28 | |
That's my business. Your business is to make him happy for ten minutes. | 1:17:28 | 1:17:33 | |
One thousand. | 1:17:33 | 1:17:35 | |
He's filthy. | 1:17:35 | 1:17:37 | |
2,000. Does that make him cleaner? | 1:17:37 | 1:17:39 | |
-You think I'm a whore. -Easy. | 1:17:44 | 1:17:47 | |
Well, you're wrong. | 1:17:47 | 1:17:49 | |
Next! | 1:17:49 | 1:17:51 | |
I'll do what you ask, | 1:19:09 | 1:19:12 | |
on one condition. | 1:19:12 | 1:19:14 | |
Take me with you. | 1:19:14 | 1:19:16 | |
No. | 1:19:16 | 1:19:18 | |
I'm the only one who can get you out of here. | 1:19:18 | 1:19:22 | |
-Uh, uh. You're a f... -I know. | 1:19:27 | 1:19:29 | |
I'm a queer. | 1:19:29 | 1:19:31 | |
A fairy. A poof. | 1:19:31 | 1:19:34 | |
But there's one thing you forgot. | 1:19:36 | 1:19:38 | |
You may have been framed as you say you were, but I wasn't. | 1:19:38 | 1:19:43 | |
Between the two of us, I'm the one who's killed a man - not you. | 1:19:43 | 1:19:49 | |
OK. | 1:19:53 | 1:19:55 | |
It's tonight during the concert. | 1:20:37 | 1:20:39 | |
I'll be there. | 1:20:39 | 1:20:41 | |
I have to. I'm serving refreshments. | 1:20:41 | 1:20:44 | |
I think you ought to go with us. | 1:20:44 | 1:20:46 | |
-You ought to. -Thank you. | 1:20:46 | 1:20:49 | |
But my wife is arranging for my release. The letter is overdue. | 1:20:49 | 1:20:53 | |
Listen to me. | 1:20:56 | 1:20:58 | |
If your wife was here and you were in Paris with that money, how much would you pay to get her back? | 1:20:58 | 1:21:05 | |
Everything I have. | 1:21:05 | 1:21:07 | |
And how much would SHE pay... | 1:21:08 | 1:21:11 | |
to get you back? | 1:21:11 | 1:21:13 | |
That's why you should run. | 1:21:17 | 1:21:19 | |
NOW, Louis, while you've got a chance. | 1:21:19 | 1:21:22 | |
But I have a chance without running. | 1:21:22 | 1:21:25 | |
Me, they can kill, | 1:21:27 | 1:21:29 | |
you, they own. | 1:21:29 | 1:21:32 | |
Goodbye. | 1:21:37 | 1:21:38 | |
Good luck. | 1:21:38 | 1:21:40 | |
BAND PLAYS | 1:21:58 | 1:22:01 | |
-WHISPERS: -Clusiot! | 1:26:36 | 1:26:38 | |
Dega, you bastard! | 1:27:07 | 1:27:12 | |
Shit! | 1:27:12 | 1:27:14 | |
Ohhhh! | 1:27:14 | 1:27:16 | |
CLATTER | 1:27:16 | 1:27:17 | |
Pull! | 1:27:23 | 1:27:25 | |
Pull! | 1:27:25 | 1:27:26 | |
Hold on! | 1:27:32 | 1:27:34 | |
Ow! | 1:27:43 | 1:27:44 | |
Let's go! | 1:27:46 | 1:27:48 | |
-Clusiot? -A guard got him. | 1:27:49 | 1:27:51 | |
Let's go. | 1:27:51 | 1:27:53 | |
Here! Here!> | 1:28:07 | 1:28:09 | |
-Where's the other one? -Right here. | 1:28:09 | 1:28:11 | |
A little twist. | 1:28:11 | 1:28:13 | |
Come on! | 1:28:13 | 1:28:15 | |
There's your boat over there. | 1:28:56 | 1:28:58 | |
3,000. | 1:28:59 | 1:29:01 | |
Better check her out, see if everything's OK. I'm in a hurry. | 1:29:07 | 1:29:11 | |
Let's go. Let's go. | 1:29:11 | 1:29:13 | |
Don't use those guns if you don't want the manhunters down on you. | 1:29:15 | 1:29:20 | |
I put two gallons of rum aboard. | 1:29:21 | 1:29:23 | |
Send me a postcard from Honduras. | 1:29:23 | 1:29:25 | |
Let's have a drink of that rum. | 1:29:41 | 1:29:43 | |
Goddamn boat's no good. Look at it! | 1:29:56 | 1:29:59 | |
I'll kill that bastard! | 1:29:59 | 1:30:01 | |
-It's just made out of kindling. -So's my leg. | 1:30:01 | 1:30:04 | |
I didn't twist my ankle. I fractured it. | 1:30:06 | 1:30:08 | |
You broke your leg? Why didn't you say something? | 1:30:08 | 1:30:11 | |
I had the unworthy suspicion | 1:30:11 | 1:30:14 | |
-you might leave me behind. -Right! | 1:30:14 | 1:30:16 | |
It must be set. I need your help. | 1:30:16 | 1:30:19 | |
-I presume it will be painful. -You bet! | 1:30:19 | 1:30:22 | |
Just remember, that's my money that's sinking. | 1:30:22 | 1:30:26 | |
I prevented a guard from shooting you! | 1:30:26 | 1:30:29 | |
He probably would have missed me! | 1:30:29 | 1:30:32 | |
-Now, relax. -What? | 1:30:32 | 1:30:33 | |
-Relax! -You're at the wrong end. | 1:30:33 | 1:30:35 | |
It'll only last a couple of minutes. | 1:30:39 | 1:30:42 | |
-Jesus! -Hold him above the knee. | 1:30:46 | 1:30:49 | |
Ready? | 1:30:49 | 1:30:50 | |
That finishes it. | 1:30:58 | 1:31:00 | |
How did you do that? | 1:31:00 | 1:31:01 | |
We've all got our sensitive spots. | 1:31:02 | 1:31:04 | |
-What? -He found a sensitive spot you didn't know you had. | 1:31:04 | 1:31:07 | |
CRY OF BIRD | 1:31:07 | 1:31:10 | |
CRIES CONTINUE | 1:31:19 | 1:31:21 | |
Move and you're dead. | 1:31:26 | 1:31:28 | |
Turn around. | 1:31:28 | 1:31:30 | |
Throw that gun out in front of you. | 1:31:32 | 1:31:34 | |
You know, I get 200 for one of these. | 1:31:37 | 1:31:40 | |
I wouldn't want to lose it. | 1:31:40 | 1:31:42 | |
Turn around. | 1:31:42 | 1:31:43 | |
-You and two others broke out of St Laurent last night. -That's right. | 1:31:45 | 1:31:50 | |
-Are the others at the boat? -That's right. | 1:31:50 | 1:31:53 | |
-And the boat's no good? -Not worth a damn. | 1:31:53 | 1:31:55 | |
Been expecting you. | 1:31:56 | 1:31:58 | |
Come on. | 1:32:04 | 1:32:06 | |
CRY OF BIRD | 1:32:08 | 1:32:10 | |
Don't shoot. | 1:32:12 | 1:32:13 | |
It's OK. | 1:32:13 | 1:32:15 | |
I caught these two manhunters asleep just before sun-up. | 1:32:19 | 1:32:23 | |
They've been hanging around waiting on you. | 1:32:23 | 1:32:27 | |
Each time he sells that boat, it's in worse shape than the last. | 1:32:27 | 1:32:31 | |
Do you like this? | 1:32:32 | 1:32:33 | |
Oh, very much. | 1:32:33 | 1:32:36 | |
I did too at the time, but I was drunk. | 1:32:36 | 1:32:39 | |
Here - take this. | 1:32:39 | 1:32:41 | |
Cut yourself some bamboo and lash it together with sail-cloth. I'll be back at sunset. | 1:32:41 | 1:32:48 | |
I'll tow you up river to Pigeon Island. | 1:32:50 | 1:32:52 | |
You can get a boat there if you've got enough money. | 1:32:53 | 1:32:57 | |
If you haven't they'll probably kill you. | 1:32:57 | 1:33:00 | |
They're all lepers. | 1:33:00 | 1:33:02 | |
MUSIC PLAYS SOFTLY | 1:33:31 | 1:33:34 | |
DOG BARKS | 1:33:35 | 1:33:38 | |
You noisy son of a bitch. | 1:33:48 | 1:33:50 | |
Do dogs carry leprosy? | 1:33:50 | 1:33:52 | |
Well...the hell with it. | 1:34:05 | 1:34:07 | |
-Here take this. -Sshhh. | 1:34:07 | 1:34:09 | |
I don't want to fight these people. | 1:34:11 | 1:34:14 | |
Just want to try and talk them out of a boat. | 1:34:14 | 1:34:18 | |
MUSIC STOPS | 1:34:40 | 1:34:42 | |
Who are you? | 1:35:02 | 1:35:04 | |
A state prisoner, Papillon. | 1:35:07 | 1:35:09 | |
Where are the other two? | 1:35:09 | 1:35:12 | |
They're down on the beach. | 1:35:12 | 1:35:14 | |
One's got a broken ankle. | 1:35:14 | 1:35:16 | |
Come in. | 1:35:16 | 1:35:17 | |
You have two rifles. | 1:35:59 | 1:36:02 | |
-That's right. -And you want a boat. | 1:36:02 | 1:36:05 | |
That's right. | 1:36:05 | 1:36:07 | |
But you're short of money. | 1:36:07 | 1:36:09 | |
That's right, too. | 1:36:11 | 1:36:13 | |
Why don't you have the courtesy to look at me when you speak? | 1:36:13 | 1:36:18 | |
We do a lot of smuggling here. | 1:36:29 | 1:36:31 | |
We raid the mainland and we steal boats. | 1:36:31 | 1:36:35 | |
When an outsider comes in, we generally kill him as a security measure. | 1:36:35 | 1:36:39 | |
That makes sense. | 1:36:39 | 1:36:42 | |
Well...a man of Christian understanding. | 1:36:43 | 1:36:47 | |
Do you like cigars? | 1:36:49 | 1:36:51 | |
When I can get 'em. | 1:36:51 | 1:36:53 | |
Try this one. | 1:36:56 | 1:36:58 | |
How did you know I have dry leprosy? | 1:37:27 | 1:37:30 | |
That it isn't contagious? | 1:37:30 | 1:37:32 | |
I didn't. | 1:37:33 | 1:37:36 | |
LAUGHTER | 1:37:37 | 1:37:39 | |
In normal weather you should sight Honduras in about 3½ weeks. | 1:38:00 | 1:38:05 | |
When you get there, you'll need some money. | 1:38:05 | 1:38:08 | |
We passed the hat. | 1:38:08 | 1:38:10 | |
Take it! It's disinfected. | 1:38:10 | 1:38:13 | |
If you're going to catch leprosy, it's better to catch it from money than from people. | 1:38:14 | 1:38:21 | |
Take it. | 1:38:24 | 1:38:26 | |
All we use it for is gambling, bringing in women lepers from Albina. | 1:38:28 | 1:38:35 | |
We've always got enough for that. | 1:38:35 | 1:38:37 | |
Hurry up. | 1:38:44 | 1:38:45 | |
Get on board. You'll miss the tide. | 1:38:45 | 1:38:49 | |
Goodbye. | 1:39:01 | 1:39:02 | |
Honduras. | 1:39:37 | 1:39:38 | |
Aaaagh! | 1:39:59 | 1:40:01 | |
Get it off my leg! Goddammit! | 1:40:03 | 1:40:07 | |
All right, come on. | 1:41:04 | 1:41:07 | |
One more. | 1:41:07 | 1:41:09 | |
I'm already so drunk, I can't think. | 1:41:09 | 1:41:11 | |
Yeah, that's what I want. | 1:41:11 | 1:41:14 | |
Put this between your teeth. | 1:41:17 | 1:41:20 | |
It's going to hurt you, Louis. | 1:41:22 | 1:41:24 | |
If you want to yell, you yell. | 1:41:27 | 1:41:30 | |
I certainly will. | 1:41:30 | 1:41:32 | |
Mmmmm. Mmmmm! | 1:41:45 | 1:41:47 | |
-I fooled you. -What? | 1:42:00 | 1:42:03 | |
I fooled you, didn't I? | 1:42:05 | 1:42:08 | |
IN SPANISH: 'One moment, please, senors.' What do you want? | 1:43:22 | 1:43:25 | |
IN SPANISH: Identification. Who are you? | 1:43:25 | 1:43:28 | |
We're fishermen. Our friend here... | 1:43:28 | 1:43:31 | |
Goddammit, we-we made it. | 1:43:42 | 1:43:45 | |
GUNSHOTS | 1:43:50 | 1:43:52 | |
Oya! | 1:44:10 | 1:44:12 | |
Amigo! | 1:44:12 | 1:44:14 | |
Por favor. | 1:44:19 | 1:44:21 | |
HE SPEAKS IN SPANISH | 1:44:21 | 1:44:24 | |
Huh? | 1:44:27 | 1:44:29 | |
HE SPEAKS IN SPANISH | 1:44:30 | 1:44:34 | |
HE SPEAKS IN SPANISH | 1:45:54 | 1:45:55 | |
HE SPEAKS IN SPANISH | 1:46:30 | 1:46:32 | |
IN SPANISH: Trackers. | 1:46:32 | 1:46:35 | |
IN SPANISH: Show your papers, please. | 1:57:49 | 1:57:51 | |
Buenos dias. Buenos dias. | 1:58:02 | 1:58:04 | |
Por favor. | 1:58:10 | 1:58:13 | |
Senor. | 1:58:16 | 1:58:18 | |
Dinero, por favor. | 1:58:20 | 1:58:22 | |
What was your crime? | 1:59:20 | 1:59:22 | |
Murder. | 1:59:23 | 1:59:25 | |
I wasn't guilty. I've never killed. | 1:59:26 | 1:59:29 | |
If you regained your freedom, what would you do? | 1:59:31 | 1:59:34 | |
I haven't had much time to think about that. | 1:59:35 | 1:59:38 | |
If you are a thief or murderer, by morning you might have stolen everything we have. | 1:59:38 | 1:59:43 | |
These are mine. They were a gift. | 1:59:49 | 1:59:52 | |
You keep them until I leave. | 1:59:52 | 1:59:55 | |
KNOCK AT DOOR | 2:00:07 | 2:00:11 | |
Are you awake? | 2:00:13 | 2:00:15 | |
Yes, ma'am. | 2:00:15 | 2:00:16 | |
If you are sinful, | 2:00:31 | 2:00:33 | |
you've made amends by feeding half the poor here. | 2:00:33 | 2:00:35 | |
If you are truly not sinful, you have nothing to fear. God will watch over you. | 2:00:35 | 2:00:41 | |
Aaaagh! | 2:01:02 | 2:01:04 | |
Your five years in solitary confinement are at an end. | 2:01:53 | 2:01:57 | |
You've paid part of your debt to France. | 2:01:57 | 2:02:00 | |
Papi... | 2:02:49 | 2:02:50 | |
BELL TOLLS | 2:03:30 | 2:03:32 | |
CLANG! | 2:03:35 | 2:03:37 | |
CLANG! | 2:03:40 | 2:03:42 | |
CLANG! | 2:03:46 | 2:03:48 | |
CLANG! | 2:03:51 | 2:03:54 | |
That's the only way off Devil's Island. | 2:04:37 | 2:04:41 | |
We try to take things easy here. | 2:04:42 | 2:04:45 | |
The sharks and the tide do all the real guard work, so it's live and let live. | 2:04:47 | 2:04:51 | |
Unless you make trouble. | 2:04:52 | 2:04:54 | |
That one's empty. You might as well take it. | 2:04:54 | 2:05:00 | |
Watch round the other huts. You might be taken for a poacher, and be killed. | 2:05:00 | 2:05:05 | |
How dare you sit there? | 2:05:45 | 2:05:47 | |
This bench belongs to Captain Dreyfus! | 2:05:47 | 2:05:50 | |
Who are you to sit on that bench? | 2:05:50 | 2:05:52 | |
Nobody. | 2:05:53 | 2:05:55 | |
That's right - nobody! | 2:05:55 | 2:05:58 | |
Do you know who I am? | 2:05:59 | 2:06:01 | |
Dega? | 2:06:25 | 2:06:27 | |
Dega! | 2:06:33 | 2:06:34 | |
Dega. | 2:06:40 | 2:06:41 | |
Dega! | 2:06:52 | 2:06:54 | |
Louis. | 2:07:12 | 2:07:13 | |
Louis. | 2:07:17 | 2:07:19 | |
I wish you hadn't come here. | 2:07:23 | 2:07:26 | |
Are you fond of crayfish? | 2:07:35 | 2:07:38 | |
Good. | 2:08:08 | 2:08:08 | |
-You really think so? -Best I've had. | 2:08:10 | 2:08:14 | |
In years. | 2:08:14 | 2:08:15 | |
Did you hear about my wife? | 2:08:20 | 2:08:23 | |
She married my attorney. | 2:08:23 | 2:08:25 | |
Or else, he married her. | 2:08:25 | 2:08:27 | |
Although actually, it doesn't really matter. | 2:08:27 | 2:08:31 | |
I mean, it all works out to the same thing, don't you think? | 2:08:31 | 2:08:36 | |
Well...I-I have not heard from her in about... | 2:08:39 | 2:08:45 | |
It is nice here, isn't it? | 2:08:47 | 2:08:50 | |
You've made it nice, Louis. | 2:08:50 | 2:08:52 | |
Really nice. | 2:08:53 | 2:08:56 | |
Funny. | 2:08:58 | 2:09:00 | |
You and me ending up here. | 2:09:01 | 2:09:03 | |
We're the only ones left. | 2:09:05 | 2:09:07 | |
Do you ever wonder about it? | 2:09:10 | 2:09:12 | |
No. | 2:09:12 | 2:09:13 | |
I do. | 2:09:15 | 2:09:17 | |
Get away! | 2:09:20 | 2:09:22 | |
Get away! | 2:09:23 | 2:09:25 | |
GET AWAY! | 2:09:25 | 2:09:26 | |
THAT'S ENOUGH! | 2:09:26 | 2:09:28 | |
They come and steal from my garden. | 2:09:40 | 2:09:42 | |
Who does? | 2:09:42 | 2:09:43 | |
Maybe I'd better go. | 2:09:48 | 2:09:50 | |
Yes. | 2:09:50 | 2:09:51 | |
I know your house. | 2:09:54 | 2:09:57 | |
There's no ghost in it. | 2:09:57 | 2:09:59 | |
"My thoughts are with you." | 2:10:32 | 2:10:35 | |
Jesus! | 2:11:02 | 2:11:04 | |
Louis! Loui-s. | 2:11:33 | 2:11:35 | |
Remember those seeds Sergeant Santini gave me? They've come up. | 2:11:35 | 2:11:40 | |
Louis. | 2:11:40 | 2:11:41 | |
-It said six weeks, but it's only taken four. -Louis! | 2:11:41 | 2:11:44 | |
If I could find a way to get off here, would you come? | 2:11:44 | 2:11:48 | |
Yes, of course. | 2:11:48 | 2:11:49 | |
Freddy, you know better than that. Get away! | 2:11:49 | 2:11:53 | |
-I've got no money. They took it all. -Forget that! | 2:11:54 | 2:11:57 | |
-You can't buy your way out. -How? | 2:11:57 | 2:11:59 | |
I don't know yet. | 2:12:00 | 2:12:02 | |
Then we don't have to discuss it. | 2:12:02 | 2:12:04 | |
Tell me, do you like tomatoes? | 2:12:04 | 2:12:07 | |
I have extra seeds. You might like to start your own garden. | 2:12:07 | 2:12:10 | |
You see, it's a horseshoe. | 2:12:33 | 2:12:36 | |
When the waves break, | 2:12:36 | 2:12:39 | |
they have no place else to go, except go back out again. | 2:12:39 | 2:12:43 | |
You can't launch a boat from here. | 2:12:43 | 2:12:45 | |
There's no place you can launch one from. | 2:12:45 | 2:12:49 | |
Bags of coconuts. Tie them together and throw them over. | 2:12:49 | 2:12:53 | |
-Float out on a wave. -Oh. | 2:12:53 | 2:12:55 | |
Then what happens? | 2:12:56 | 2:12:58 | |
The mainland's only 24 miles. | 2:12:58 | 2:13:01 | |
You just drift with the current. | 2:13:01 | 2:13:03 | |
I'll need two days. | 2:13:05 | 2:13:07 | |
-You're certain? -Yeah. | 2:13:07 | 2:13:09 | |
Seems so...so desperate. | 2:13:11 | 2:13:15 | |
Yeah. | 2:13:15 | 2:13:17 | |
You think it will work? | 2:13:17 | 2:13:19 | |
Does it matter? | 2:13:21 | 2:13:23 | |
That's not yours. | 2:13:30 | 2:13:32 | |
Get away! I won't tell you again. | 2:13:32 | 2:13:34 | |
Here you are, Freddy. | 2:13:34 | 2:13:36 | |
Freddy's not feeling well today, and you should appreciate that. | 2:13:36 | 2:13:40 | |
Freddy! | 2:13:49 | 2:13:51 | |
Freddy, that's not for you. That's Adam's. | 2:13:51 | 2:13:54 | |
Come here, Adam! | 2:13:54 | 2:13:57 | |
-Let's take a walk. -Certainly. | 2:13:57 | 2:14:00 | |
Isn't that a little small? | 2:14:00 | 2:14:02 | |
-It's just to try it with. -Certainly. | 2:14:03 | 2:14:06 | |
You know, I've been thinking of building a porch. | 2:14:07 | 2:14:11 | |
There's not a home on this entire island with a porch. | 2:14:11 | 2:14:15 | |
Not even Sergeant Santini has a porch. | 2:14:15 | 2:14:18 | |
What do you think, huh? | 2:14:18 | 2:14:20 | |
Come on. | 2:14:20 | 2:14:22 | |
It was the wrong wave. | 2:16:42 | 2:16:44 | |
Oh. | 2:16:45 | 2:16:46 | |
They come in a series of seven. | 2:16:48 | 2:16:50 | |
The seventh wave is big enough to take us both out beyond the point of return. | 2:16:50 | 2:16:56 | |
Are you certain? | 2:16:57 | 2:16:59 | |
Yeah. | 2:16:59 | 2:17:01 | |
Excellent. | 2:17:02 | 2:17:03 | |
Oh, if we're going, I'd better pick those carrots. | 2:17:07 | 2:17:11 | |
Fourth wave. | 2:17:25 | 2:17:27 | |
Ready? | 2:17:36 | 2:17:37 | |
I must tell you something. | 2:17:37 | 2:17:39 | |
Loui-s, you don't have to say anything. | 2:17:40 | 2:17:44 | |
I meant to. | 2:17:44 | 2:17:46 | |
I'm sorry. | 2:17:47 | 2:17:49 | |
I know. | 2:17:50 | 2:17:52 | |
You'll be killed. You know that? | 2:17:56 | 2:17:59 | |
Maybe. | 2:17:59 | 2:18:01 | |
Please don't do it. | 2:18:02 | 2:18:04 | |
Hey, you bastards, I'm still here. | 2:20:41 | 2:20:45 | |
Papillon made it to freedom. | 2:20:56 | 2:20:59 | |
And for the remaining years of his life, he lived a free man. | 2:21:00 | 2:21:05 | |
This, the infamous penal system in French Guiana, | 2:21:05 | 2:21:10 | |
did not survive him. | 2:21:10 | 2:21:12 | |
Subtitles by Hazel Towell, BBC | 2:23:23 | 2:23:27 |