Browse content similar to The Saint Strikes Back. Check below for episodes and series from the same categories and more!
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JAZZY DANCE MUSIC | 0:01:38 | 0:01:42 | |
One minute to go. | 0:02:02 | 0:02:05 | |
One minute to go. | 0:02:07 | 0:02:09 | |
Happy new year! ALL: Hooray! | 0:02:32 | 0:02:34 | |
CHEERING | 0:02:34 | 0:02:36 | |
BAND PLAYS "Auld Lang Syne" | 0:02:37 | 0:02:40 | |
SHOT FIRED | 0:02:53 | 0:02:55 | |
Come on, let's get out of here. | 0:03:04 | 0:03:06 | |
Cabs are scarce tonight, aren't they? | 0:03:20 | 0:03:22 | |
Escorts are scarce, too. One of yours came out of the main entrance just a few minutes before you. | 0:03:22 | 0:03:28 | |
Your other escort, Mr Tommy Voss, is lying among the whispering palms. | 0:03:28 | 0:03:32 | |
Potted, you might say. | 0:03:32 | 0:03:34 | |
He tried to pot someone and someone else potted him. | 0:03:34 | 0:03:37 | |
I don't know what you're talking about. | 0:03:37 | 0:03:39 | |
I wouldn't run away, Miss Travers, because I know where you live. Who are you? | 0:03:39 | 0:03:43 | |
Well, not the man who knows everything, just the man who knows the important things. | 0:03:43 | 0:03:48 | |
You're important to me, so I know you. | 0:03:48 | 0:03:50 | |
I've never even seen you before. You will again. | 0:03:50 | 0:03:52 | |
I like you, I like this charming city. It reminds me of Naples in the spring. | 0:03:52 | 0:03:56 | |
The only difference being that it's San Francisco in winter. | 0:03:56 | 0:03:59 | |
That's quite a difference. But I shall see you often. | 0:03:59 | 0:04:02 | |
Not if I can help it. I'll only follow you if you leave me. | 0:04:02 | 0:04:05 | |
Or perhaps you'd prefer I had the police do it. | 0:04:05 | 0:04:08 | |
I see they're getting rather active. | 0:04:08 | 0:04:10 | |
All right, inside, please. Inside and stay in there. | 0:04:10 | 0:04:13 | |
Don't let anybody in or out, Moriarty. All right, Sergeant, aye. | 0:04:13 | 0:04:17 | |
Hey, you people just come out of this place? | 0:04:20 | 0:04:22 | |
IRISH ACCENT: It was entering we were, Officer. But I says to myself, "Mr Callaghan, | 0:04:22 | 0:04:27 | |
"I don't like the looks nor smell of the place." | 0:04:27 | 0:04:30 | |
So it's Mr Callaghan here? | 0:04:30 | 0:04:31 | |
Yes, and me father before me. And I says to Mrs Callaghan... Wait a minute. | 0:04:31 | 0:04:35 | |
Is this your wife? Or the banns deceive us. | 0:04:35 | 0:04:39 | |
And me thinking for a moment she looked like Val Travers, | 0:04:39 | 0:04:42 | |
who's been making a hornet's nest out of this town, my apologies to you. | 0:04:42 | 0:04:46 | |
And a happy new year. Thank you. | 0:04:46 | 0:04:47 | |
And now it's home we're going, me darlin', whether you like it or not. | 0:04:49 | 0:04:53 | |
Taxi! | 0:04:53 | 0:04:55 | |
Number 17, Juliet Street. | 0:05:00 | 0:05:03 | |
I suppose I should thank you. | 0:05:07 | 0:05:09 | |
Oh, don't thank me, you'll be retracting it sooner or later. Why? | 0:05:09 | 0:05:13 | |
Because I'm determined to make you hate me. Are you crazy? | 0:05:13 | 0:05:16 | |
My mental longitude has given birth to such rumours, circulated entirely by dwarves, you understand. | 0:05:16 | 0:05:22 | |
Go ahead, you're doing fine. I may do better if I tell you I sometimes lend my talents to the police. | 0:05:22 | 0:05:29 | |
We had quite an open season on your kind in New York. | 0:05:29 | 0:05:32 | |
You hate the police because they kicked your father out of the department. | 0:05:32 | 0:05:37 | |
They found he was mixed up with the Waldman gang, didn't they? | 0:05:37 | 0:05:40 | |
Tell me about it, Miss Travers. Why? You know the important things. | 0:05:40 | 0:05:44 | |
No, I don't. That's why I wanted to make your acquaintance. | 0:05:44 | 0:05:47 | |
You should invite me to your house. You'd find a surprising welcome(!) | 0:05:47 | 0:05:50 | |
Really? In that case I'd better tell you my name is not Mr Callaghan. | 0:05:50 | 0:05:56 | |
It is Simon Templar. | 0:05:56 | 0:05:58 | |
The Saint. | 0:05:59 | 0:06:01 | |
We interrupt this new year programme for a special news bulletin. | 0:06:10 | 0:06:14 | |
Gang war flared again tonight, when Tommy Voss was mysteriously killed | 0:06:14 | 0:06:19 | |
at the Colony Club in San Francisco. | 0:06:19 | 0:06:21 | |
Tommy Voss was well-known in New York underworld circles, | 0:06:21 | 0:06:24 | |
escaping grand jury indictments for the alleged killing of a police officer there last year. | 0:06:24 | 0:06:29 | |
His killer tonight is unknown. | 0:06:29 | 0:06:30 | |
We have just received a further bulletin. | 0:06:31 | 0:06:33 | |
Simon Templar, known as The Saint, has been reported seen in the club | 0:06:33 | 0:06:37 | |
at approximately the time of the Voss murder. | 0:06:37 | 0:06:39 | |
When sought for questioning, he could not be found. | 0:06:39 | 0:06:42 | |
This is Captain Taylor, get me the New York Police Department. | 0:06:42 | 0:06:45 | |
San Francisco calling, San Francisco calling New York. | 0:06:45 | 0:06:49 | |
Hello, San Francisco? This is New York. | 0:06:56 | 0:06:58 | |
PHONE RINGS | 0:06:58 | 0:06:59 | |
Yes? | 0:07:00 | 0:07:01 | |
Yes, this is Vanson, New York Police. | 0:07:01 | 0:07:04 | |
The Saint? | 0:07:06 | 0:07:07 | |
You don't say. | 0:07:07 | 0:07:08 | |
Yes, we can send you a man who can get to the bottom of whatever he's mixed up in out there. | 0:07:08 | 0:07:14 | |
That's right. | 0:07:14 | 0:07:15 | |
The only man in this country who knows The Saint very well is right here in our department. | 0:07:15 | 0:07:20 | |
Inspector Henry Fernack. | 0:07:20 | 0:07:22 | |
I've just read all about it, Henry. | 0:07:30 | 0:07:31 | |
Why you concern yourself with something in San Francisco is beyond me. | 0:07:31 | 0:07:36 | |
Haven't they enough policemen of their own without you? | 0:07:36 | 0:07:39 | |
Orders is orders. A police commissioner's work can't be laid out for him by his wife. Oh. | 0:07:39 | 0:07:44 | |
When The Saint worked for the New York Police Department, I was the best acquainted with him. | 0:07:44 | 0:07:49 | |
You weren't fussy about your associations. | 0:07:49 | 0:07:51 | |
He never victimised anybody except criminals. I'd trust him with my shirt. | 0:07:51 | 0:07:56 | |
He's a criminal himself. When he's not working with the police, he's against them. | 0:07:56 | 0:08:00 | |
He did lead them a merry chase in London and Paris last year, South America, too. | 0:08:00 | 0:08:04 | |
But when they got down to cases, they couldn't pin one thing on him. | 0:08:04 | 0:08:08 | |
Robbing people, and you stand up for him. Redistribution of ill gotten gains, he says. | 0:08:08 | 0:08:12 | |
I never expected you to become fond of a man like that. | 0:08:12 | 0:08:16 | |
Oh, I don't know, I was fond of Robin Hood when I was a boy. | 0:08:16 | 0:08:19 | |
The Saint is really a very charming fella. I'll tell you what I'll do. | 0:08:19 | 0:08:23 | |
I'll ask him to dinner sometime, then you'll see. Not in this house. | 0:08:23 | 0:08:27 | |
All right, all right, now off to bed with you. | 0:08:27 | 0:08:29 | |
I'll come to see you before I go. Did you pack your vitamin chart? | 0:08:29 | 0:08:33 | |
Yes, dear. And remember you're allergic to shellfish. Yes, dear, I won't eat the shells. | 0:08:33 | 0:08:37 | |
Betty, don't you ever think that I'm a lot more allergic to bullets? | 0:08:37 | 0:08:42 | |
Yes, I think about it. | 0:08:42 | 0:08:44 | |
WHISTLING | 0:08:54 | 0:08:56 | |
The Saint! It can't be. | 0:08:58 | 0:09:00 | |
Ah, but it is, Henry. | 0:09:00 | 0:09:02 | |
How are you? | 0:09:02 | 0:09:03 | |
Simon, I am glad to see you. | 0:09:03 | 0:09:05 | |
But...you are not in San Francisco. | 0:09:05 | 0:09:07 | |
San Francisco? I was under the impression we were in New York. | 0:09:07 | 0:09:11 | |
I'm under the impression we're in my house. How did you get in? Through the front door. | 0:09:11 | 0:09:15 | |
There are nasty people in this town, I should keep it locked. | 0:09:15 | 0:09:18 | |
It was locked. Oh, was it? I don't remember. | 0:09:18 | 0:09:21 | |
And you don't remember being in San Francisco either? | 0:09:21 | 0:09:24 | |
Henry, you always believe what you read in the paper. | 0:09:24 | 0:09:27 | |
I don't, but if there's a man-sized muss you're usually in it. | 0:09:27 | 0:09:30 | |
Yes, they've had some trouble in the Rocky mountains. | 0:09:30 | 0:09:33 | |
You've had a three-ring crime circus. San Francisco's not in the Rockies. | 0:09:33 | 0:09:37 | |
Oh, that's right. The newspapers out there always confuse me with a tawdry contemporary of mine. | 0:09:37 | 0:09:43 | |
Fellow called Waldman, nasty piece of work. But he's a clever chap. | 0:09:43 | 0:09:47 | |
He's supposedly out there now operating as the head of crime ring. | 0:09:47 | 0:09:51 | |
Did you ever get a look at this Waldman? | 0:09:51 | 0:09:54 | |
Oh, Henry, you're surely not insinuating that I might be Waldman? | 0:09:54 | 0:09:58 | |
I never insinuate, Templar. | 0:09:58 | 0:09:59 | |
No, that's right, you don't, you're usually quite blunt. | 0:09:59 | 0:10:03 | |
Your police records show no-one for sure has set eyes on Mr Waldman, | 0:10:03 | 0:10:06 | |
unless it was Chief Inspector Travers of the San Francisco department. | 0:10:06 | 0:10:10 | |
He was discharged for having been hooked with Waldman. | 0:10:10 | 0:10:13 | |
Go on. For a guy who's never been to San Francisco, you're full of local colour. | 0:10:13 | 0:10:18 | |
I get it all from the papers. | 0:10:18 | 0:10:20 | |
How Travers committed suicide because of the disgrace, | 0:10:20 | 0:10:23 | |
how Valerie Travers followed her father, outwitting the police at every turn. | 0:10:23 | 0:10:27 | |
That's why I don't believe what I read, how could a girl as pretty as that be so clever? | 0:10:27 | 0:10:32 | |
Course you couldn't have seen her, never having been out there? I've seen a picture. | 0:10:32 | 0:10:37 | |
She was holding a cigarette in a slim, white hand and looked beautifully startled. | 0:10:37 | 0:10:41 | |
I'm more interested in Mr Waldman. | 0:10:41 | 0:10:43 | |
You wouldn't be changing your name now and then, would you? | 0:10:43 | 0:10:47 | |
Oh, Henry, have I ever lied to you? | 0:10:47 | 0:10:49 | |
No, I guess I was a little cruel. What are you doing? | 0:10:49 | 0:10:52 | |
Helping you unpack. No, you don't, you can't do that to me, Simon. | 0:10:52 | 0:10:55 | |
I have orders to go to San Francisco and, by golly, I'm going. | 0:10:55 | 0:10:58 | |
That's fine, I'll go along with you to give you an excuse for going. | 0:10:58 | 0:11:02 | |
Give myself an excuse to meet a girl who is much too pretty to be clever. | 0:11:02 | 0:11:06 | |
Templar, oh, Templar. | 0:11:19 | 0:11:22 | |
I'm sorry I even thought you were mixed up in that situation there. | 0:11:22 | 0:11:26 | |
That's all right, I forgave you the moment you thought it. | 0:11:26 | 0:11:29 | |
What happened to Tommy Voss sounded kinda like you. Did you know Voss? | 0:11:29 | 0:11:33 | |
Yes, he killed Sergeant McElroy, beat the rap, same old story. | 0:11:33 | 0:11:38 | |
He got what he deserved, didn't he? | 0:11:38 | 0:11:41 | |
Goodnight. | 0:11:41 | 0:11:43 | |
Goodnight. | 0:11:43 | 0:11:45 | |
Pleasant dreams, Mr Templar. Oh, thank you. | 0:11:46 | 0:11:48 | |
Much smoother than when we flew east yesterday. | 0:11:48 | 0:11:51 | |
Yes, very smooth. Yeah, very smooth and there goes your alibi, Templar. | 0:11:51 | 0:11:55 | |
No matter what Voss had coming, it'll be my duty to deliver you to the police. | 0:11:55 | 0:11:59 | |
I'm sorry, Simon. | 0:11:59 | 0:12:02 | |
We're both sorry. | 0:12:02 | 0:12:03 | |
Don't forget, I'll keep my eye on you all the way. | 0:12:03 | 0:12:06 | |
I shall be grateful to you, Henry, if you will. | 0:12:06 | 0:12:09 | |
'Attention, please. Plane number four now arriving from New York, Washington and Memphis, | 0:12:10 | 0:12:16 | |
'will leave in five minutes for El Paso, Los Angeles and San Francisco.' | 0:12:16 | 0:12:22 | |
Well, we're in Fort Worth. | 0:12:38 | 0:12:40 | |
Simon, come on, get up. | 0:12:47 | 0:12:49 | |
Simon! | 0:12:51 | 0:12:52 | |
Hey! | 0:12:52 | 0:12:53 | |
Why didn't you tell me Mr Templar had left the plane? | 0:13:06 | 0:13:09 | |
I'm sorry but you didn't say anything... Hah. | 0:13:09 | 0:13:11 | |
Goodbye. Bye-bye. | 0:13:15 | 0:13:16 | |
Here you are. Thank you. | 0:13:18 | 0:13:21 | |
Your friend was looking for you, he went over there. | 0:13:26 | 0:13:28 | |
He always likes to take a walk before breakfast. | 0:13:28 | 0:13:31 | |
We can't hold up the schedule for him. | 0:13:31 | 0:13:33 | |
Did you have a nice trip, ma'am? Splendid, James. | 0:13:33 | 0:13:35 | |
And this is for you. | 0:13:35 | 0:13:37 | |
That's what I need, a nickel. | 0:13:37 | 0:13:39 | |
Hey! Oh, you'll get it back, I'm a police officer. | 0:13:39 | 0:13:42 | |
Says you! | 0:13:42 | 0:13:44 | |
Gimme police headquarters. | 0:13:55 | 0:13:56 | |
..Yes, police headquarters, and quick. | 0:13:56 | 0:13:58 | |
'Attention, please. Plane number four leaving gate two, in two minutes, | 0:13:58 | 0:14:02 | |
'for El Paso, Los Angeles and San Francisco.' | 0:14:02 | 0:14:06 | |
Hello, police headquarters? | 0:14:09 | 0:14:11 | |
This is Inspector Fernack of the New York police. | 0:14:11 | 0:14:14 | |
Simon Templar has just slipped off a plane at the airport here. | 0:14:14 | 0:14:17 | |
..Yes, The Saint and he's gone hoodlum again. | 0:14:17 | 0:14:20 | |
..Yes, now send a squad to search the airport, if he's spotted anywhere pick him up. | 0:14:20 | 0:14:24 | |
..Yes, I'm at the airport. ..All right. | 0:14:24 | 0:14:27 | |
Hey, Mister, there's something on your back. | 0:14:27 | 0:14:29 | |
Hey, hey! Hold that plane! | 0:14:42 | 0:14:45 | |
Hey! Hey! Come back here! | 0:14:48 | 0:14:50 | |
When they get going, sir, they awfully hard to stop. | 0:14:52 | 0:14:55 | |
They can't take off without me. Maybe not, but they're sure trying. | 0:14:55 | 0:14:59 | |
"Dear Miss Travers, | 0:15:06 | 0:15:08 | |
"I've finally summoned up enough courage to accept your kind invitation. | 0:15:08 | 0:15:13 | |
"I shall drop in to see you this afternoon, at 4.30. | 0:15:13 | 0:15:18 | |
"And please, don't make any special plans to entertain me. | 0:15:18 | 0:15:24 | |
"Sentimentally yours, Simon Templar." | 0:15:24 | 0:15:29 | |
Now here's the address, and you get that radiogrammed right off, please. | 0:15:31 | 0:15:35 | |
Yes, Mr Templar. | 0:15:35 | 0:15:37 | |
I'd like to see Miss Travers. | 0:15:51 | 0:15:53 | |
What name, please? Simon Templar. | 0:15:53 | 0:15:56 | |
I'll see him. | 0:15:56 | 0:15:57 | |
I got your message. | 0:16:00 | 0:16:01 | |
What do you want? | 0:16:01 | 0:16:03 | |
A simple question, but the answer would involve complexities too numerous to discuss in a hallway. | 0:16:03 | 0:16:09 | |
You may find my hospitality a little complex, too. | 0:16:09 | 0:16:12 | |
Here he is. Oh, so you're the faithful friend, Mr...? | 0:16:12 | 0:16:16 | |
Breck is the name, Allan Breck. | 0:16:16 | 0:16:18 | |
And I'm quite a good friend of Miss Travers, if you make a point of it. | 0:16:18 | 0:16:21 | |
Gallantly spoken. | 0:16:21 | 0:16:23 | |
And where are those charming lads who infest nightclubs with you? | 0:16:23 | 0:16:27 | |
Couldn't the police tell you where? I'm afraid not. | 0:16:27 | 0:16:29 | |
The San Francisco police and I were never properly introduced. | 0:16:29 | 0:16:33 | |
If you phone headquarters, they'll probably reward you for turning me in. We're not stool pigeons. | 0:16:33 | 0:16:38 | |
You won't phone them because you know they won't be fooled by these sweet, suburban pretensions - | 0:16:38 | 0:16:43 | |
a little commodious for a lowly police inspector's daughter, but cheerful, lovely furniture, tea, | 0:16:43 | 0:16:49 | |
tennis... Oh, I beg your pardon. It's all right, Allan. | 0:16:49 | 0:16:52 | |
Your near-sighted friend couldn't even hit a balloon in slow motion. | 0:16:52 | 0:16:56 | |
Before my hospitality wears thin, Mr Templar, just what do you want? | 0:16:56 | 0:16:59 | |
A brilliant gentleman named Waldman. I've never even met Waldman. | 0:16:59 | 0:17:03 | |
Strange, he was your father's best friend. | 0:17:03 | 0:17:05 | |
It's a lie, cooked up by someone in the police department. | 0:17:05 | 0:17:08 | |
Believe me, if there's one person Miss Travers detests, it's Waldman. | 0:17:08 | 0:17:12 | |
He framed her father's discharge from the department, | 0:17:12 | 0:17:16 | |
simply because he was making it too hot for crime in this town. | 0:17:16 | 0:17:19 | |
A delightful fable, but I don't believe it. | 0:17:19 | 0:17:22 | |
What do you believe? That your father was guilty, | 0:17:22 | 0:17:24 | |
and you have his knowledge of police methods and his bad associations. | 0:17:24 | 0:17:28 | |
You really shouldn't be seen with a man like Tommy Voss. | 0:17:28 | 0:17:31 | |
He was once connected with the Waldman crowd, | 0:17:31 | 0:17:33 | |
he took me to the club to point one of them out. | 0:17:33 | 0:17:36 | |
With his gun? Anyone connected with Waldman has no right to live. | 0:17:36 | 0:17:39 | |
That's what I felt about Tommy Voss. | 0:17:39 | 0:17:41 | |
And you think my father was the same species? Quite. | 0:17:43 | 0:17:46 | |
I wonder why no-one's ever tried to remove you, Mr busybody? | 0:17:46 | 0:17:50 | |
People have tried, never quite su... | 0:17:50 | 0:17:52 | |
..succeeded somehow. | 0:17:54 | 0:17:56 | |
But, er, there's still hope. | 0:17:56 | 0:17:58 | |
He plays nicely for a copper, doesn't he? | 0:17:59 | 0:18:02 | |
There's another man up the street with an ice-cream cart. | 0:18:03 | 0:18:07 | |
There's ten in all spread around the block. | 0:18:07 | 0:18:10 | |
I knew you were lying when you said you weren't with the police. No, you weren't sure. | 0:18:10 | 0:18:14 | |
No matter how angry I make you, you can't afford to have a shot heard from this house. | 0:18:14 | 0:18:19 | |
Mr Templar! I'm very sorry, but under certain conditions I can't resist the temptation to be a cad. | 0:18:21 | 0:18:27 | |
I can see by this gentleman's manner that he's never kissed you, but would like to. | 0:18:27 | 0:18:31 | |
Get out of here. I will. | 0:18:31 | 0:18:33 | |
As you get to know me better, you'll realise I have moments of almost maudlin sentimentality. | 0:18:33 | 0:18:38 | |
Actually we're quite alike - you can't live without adventure, and neither can I. | 0:18:38 | 0:18:42 | |
You wouldn't understand that, Mr Breck? No, I'm afraid not. | 0:18:42 | 0:18:46 | |
There our likeness ends. I could forgive your meddling, but not what you said about my father. | 0:18:46 | 0:18:51 | |
Will you do something drastic about it? Soon you'll be talked of in the past tense. | 0:18:51 | 0:18:55 | |
Good, I'll compose a nice obituary for myself. | 0:18:55 | 0:18:58 | |
You won't keep me in suspense? No. | 0:18:58 | 0:19:00 | |
Can I depend on that? Completely. Thank you. | 0:19:02 | 0:19:06 | |
So that was The Saint. If I could only get my hands... Oh, keep quiet. | 0:19:11 | 0:19:15 | |
I want you to sing a serenade to the lady who lives there. | 0:19:17 | 0:19:21 | |
Sing for the lady in there? That's right, can you sing this? | 0:19:21 | 0:19:24 | |
I wonder if he was bluffing. | 0:19:24 | 0:19:26 | |
We'll soon find out. | 0:19:26 | 0:19:28 | |
MUSIC STARTS | 0:19:31 | 0:19:33 | |
He wasn't bluffing. | 0:19:33 | 0:19:35 | |
That cover's gonna sing now. | 0:19:35 | 0:19:37 | |
# Here is a fella who wants to tell a lady who is a-grand | 0:19:39 | 0:19:45 | |
# Praisin' her beauty, hardly ever travel a-hand in hand | 0:19:45 | 0:19:52 | |
# She would find it better | 0:19:52 | 0:19:56 | |
# If she didn't try to think | 0:19:56 | 0:20:00 | |
# What better a-luck next time he said | 0:20:00 | 0:20:03 | |
# He's a-going to get a drink. # | 0:20:03 | 0:20:06 | |
Stop grinning. And get away from the window! | 0:20:11 | 0:20:14 | |
PHONE RINGS Hello. | 0:20:20 | 0:20:22 | |
Hello there, beautiful. | 0:20:22 | 0:20:24 | |
If that serenade is annoying you, just call a policeman. | 0:20:24 | 0:20:27 | |
I'd do it for you except that I haven't seen one all day, | 0:20:27 | 0:20:30 | |
and the ones in this town don't like me. | 0:20:30 | 0:20:33 | |
Who was it? | 0:20:38 | 0:20:39 | |
The Saint. | 0:20:39 | 0:20:42 | |
He might have been bluffing, | 0:20:42 | 0:20:44 | |
but I wasn't. | 0:20:44 | 0:20:46 | |
Good morning, Henry. | 0:21:11 | 0:21:12 | |
I checked when your plane was arriving. Breakfast is about ready. | 0:21:12 | 0:21:17 | |
You got a lot of cheek, Templar. | 0:21:17 | 0:21:19 | |
You've got some yourself wearing that outfit. If I'd been there, I'd have helped you improve it. | 0:21:19 | 0:21:24 | |
There are some people I want to see before you turn me in. | 0:21:24 | 0:21:27 | |
The police will be as glad to see you today as yesterday. Come in. | 0:21:27 | 0:21:30 | |
Good morning, sir. Good morning. | 0:21:32 | 0:21:35 | |
Algernon, did you find the inspector's diet chart in his luggage? Yes. | 0:21:35 | 0:21:39 | |
Algernon? Yes, I submitted several names to him and that's the one he liked best. | 0:21:39 | 0:21:45 | |
Now sit down, Henry, and have a hearty breakfast. | 0:21:45 | 0:21:49 | |
Ham and eggs, the best thing that's happened to me since yesterday morning. | 0:21:49 | 0:21:53 | |
Oh, no, you don't, it isn't good for your diet. | 0:21:53 | 0:21:55 | |
I'm determined to get in the good graces of your wife. | 0:21:55 | 0:21:58 | |
Some nice prunes for you. | 0:21:58 | 0:22:00 | |
The only other thing I want you to do for me, | 0:22:00 | 0:22:02 | |
is to get into a decent outfit before we go to police headquarters. | 0:22:02 | 0:22:05 | |
I wouldn't be seen on the gallows with you in that array. | 0:22:05 | 0:22:09 | |
You won't be so particular after you get your head shaved. | 0:22:09 | 0:22:12 | |
Some nice fresh cream for the prunes. | 0:22:12 | 0:22:14 | |
Prunes. And you won't be having any cream with them either. | 0:22:14 | 0:22:17 | |
What goes on here? | 0:22:17 | 0:22:19 | |
Algernon, bring me that milk bottle. Yes. | 0:22:19 | 0:22:22 | |
Doesn't it strike you as being rather chilly for milk to curdle so quickly? | 0:22:26 | 0:22:30 | |
It strikes me I'm being done out of my breakfast. | 0:22:30 | 0:22:33 | |
If I saved you from being poisoned, | 0:22:33 | 0:22:35 | |
you might conveniently forget that this isn't my first trip west. | 0:22:35 | 0:22:38 | |
What's all this bunk about poison? | 0:22:38 | 0:22:40 | |
I shall be disappointed in her if it is bunk. Her, who? | 0:22:40 | 0:22:43 | |
If isn't true, I shall throw away that lantern in disgust. | 0:22:43 | 0:22:46 | |
Lantern?! Looks like a milk bottle. | 0:22:46 | 0:22:48 | |
I'm sorry, Henry, but it's a lantern. | 0:22:48 | 0:22:50 | |
and I am Diogenes, who thinks he's discovered an honest woman. | 0:22:50 | 0:22:54 | |
You're right, there's enough in that to fill the morgue. | 0:22:58 | 0:23:01 | |
Here's the analysis, Commissioner. | 0:23:01 | 0:23:03 | |
We'll pick up the milkmen on that round. I wouldn't. | 0:23:03 | 0:23:06 | |
It was put in after he left the bottle. How do you know? | 0:23:06 | 0:23:09 | |
Because I know who had it put in. | 0:23:09 | 0:23:11 | |
Before I go into that, I want you to know that I called on Miss Travers yesterday. | 0:23:11 | 0:23:15 | |
As a result, I'm convinced you're wasting time trying to link her to Waldman's activities. | 0:23:15 | 0:23:20 | |
You surprise me, Mr Templar. Here's another surprise. | 0:23:20 | 0:23:23 | |
It's my theory that her father was framed by Waldman, | 0:23:23 | 0:23:26 | |
and someone with access to the inside of your police department. | 0:23:26 | 0:23:29 | |
I don't know who you are, but I think we know our job. | 0:23:29 | 0:23:32 | |
You need to know more than that to get to the bottom of this. | 0:23:32 | 0:23:35 | |
You gathered all this from one talk with Miss Travers? | 0:23:35 | 0:23:38 | |
Yes, she's a woman of resolute purpose. | 0:23:38 | 0:23:40 | |
She's pretty enough to make you believe anything. | 0:23:40 | 0:23:43 | |
She's had this whole town in an uproar. | 0:23:43 | 0:23:45 | |
Jail deliveries, raids spoiled by tip-offs, banditry, | 0:23:45 | 0:23:49 | |
right in my own house while a party was going on. | 0:23:49 | 0:23:52 | |
Why don't you arrest her? | 0:23:52 | 0:23:53 | |
She's full of airtight alibis, she got that training from her father. | 0:23:53 | 0:23:57 | |
Not from her father, but because of him. | 0:23:57 | 0:23:59 | |
She thinks he got a bad deal from the police so she enlisted a bunch of crooks to annoy you. | 0:23:59 | 0:24:04 | |
So far she's accomplished it neatly. | 0:24:04 | 0:24:06 | |
Yes, but Inspector Fernack and I can break up her organisation, | 0:24:06 | 0:24:10 | |
and get Waldman into the bargain. | 0:24:10 | 0:24:12 | |
Would you mind introducing us to this modest young man? | 0:24:12 | 0:24:15 | |
I beg your pardon. Mr Cullis, the celebrated criminologist. | 0:24:15 | 0:24:20 | |
And Chief Inspector Webster. | 0:24:20 | 0:24:22 | |
Gentlemen, meet The Saint. Hi. | 0:24:22 | 0:24:24 | |
Show them into the office I arranged for Inspector Fernack. | 0:24:26 | 0:24:29 | |
Good luck, call on us for anything you want. | 0:24:29 | 0:24:32 | |
I don't mean to criticise... That fellow is notorious, you can't be serious. | 0:24:34 | 0:24:39 | |
He proved his worth in New York. | 0:24:39 | 0:24:40 | |
Gentlemen, sometimes where there is gangrene, a red-hot iron is the best cure. | 0:24:40 | 0:24:45 | |
Did it occur to you that Waldman may just be a handy name for The Saint? | 0:24:45 | 0:24:49 | |
When the Central Trust was tapped for $90,000, | 0:24:49 | 0:24:52 | |
every move on that job was geared to The Saint's method. | 0:24:52 | 0:24:56 | |
Theories. If you really believe that bunk, you have him in the perfect spot to keep your eyes on him. | 0:24:56 | 0:25:01 | |
That's all, gentlemen. | 0:25:01 | 0:25:03 | |
Thank you. | 0:25:04 | 0:25:05 | |
This is very nice. Could you get me the Colony Club, please. | 0:25:06 | 0:25:11 | |
Right. Colony Club? Yes, you'll find out why. | 0:25:11 | 0:25:14 | |
Operator? Colony Club, please. | 0:25:14 | 0:25:16 | |
Nice speech you made in there, what are you up to now? | 0:25:16 | 0:25:19 | |
What's the difference? You want to grab Waldman, don't you? | 0:25:19 | 0:25:22 | |
You'll be the most famous man in America. Hello, Colony Club? | 0:25:22 | 0:25:25 | |
Police Department calling, just a minute, please. | 0:25:25 | 0:25:28 | |
Hello. I want some information out of you bozos. | 0:25:28 | 0:25:33 | |
Bozos? The right word in the right place. | 0:25:33 | 0:25:36 | |
Yes, bozos. You remember the night Tommy Voss was knocked off at your place? | 0:25:36 | 0:25:41 | |
..Well, he had a reserved table there. | 0:25:41 | 0:25:44 | |
..See if you can remember whose table he asked to be placed next to. | 0:25:44 | 0:25:48 | |
..Well, check your list. | 0:25:48 | 0:25:50 | |
..Now, listen, you give me the information I want or I'll flit over there and shake your joint up. | 0:25:50 | 0:25:56 | |
Down, sir. Oh, down, thank you. | 0:25:56 | 0:25:58 | |
Now, hello? | 0:25:58 | 0:26:00 | |
..Voss ordered his table next to Eastman. | 0:26:00 | 0:26:03 | |
..Martin Eastman. | 0:26:03 | 0:26:05 | |
Who's Eastman? Oh, everybody knows Mr Eastman. | 0:26:05 | 0:26:08 | |
You'll pardon me, but we mustn't annoy Mr Eastman. | 0:26:08 | 0:26:11 | |
Here's all the dope, here. | 0:26:11 | 0:26:13 | |
Eastman, Eastman. | 0:26:13 | 0:26:15 | |
Begins with an E, doesn't it? | 0:26:15 | 0:26:17 | |
Thank you, Travers. Miss Travers. | 0:26:43 | 0:26:45 | |
You'll be plain "Travers" to the judge if you don't stay away from my milk. | 0:26:45 | 0:26:49 | |
Like to know a secret, Travers? Not from you. | 0:26:53 | 0:26:56 | |
Oh, but you've made telling the truth very dear to me. | 0:26:56 | 0:26:59 | |
Listen carefully, I AM with the police. | 0:26:59 | 0:27:01 | |
Shall I drive on, Miss Travers? | 0:27:01 | 0:27:02 | |
As for you, you vegetable-eared son of a misanthropy, | 0:27:02 | 0:27:05 | |
if I catch you loitering here with your lights on, | 0:27:05 | 0:27:08 | |
I'll polish the pavement with you. Gee, would ya? Drive on. | 0:27:08 | 0:27:11 | |
HE WHISTLES | 0:27:26 | 0:27:29 | |
What have you got there? | 0:27:35 | 0:27:37 | |
There is something in that house she wants. | 0:27:37 | 0:27:39 | |
I caught him trying to jimmy the window. I was waiting for a friend. | 0:27:39 | 0:27:43 | |
Was the friend Miss Travers? Speak up, if you know what's good for you. | 0:27:43 | 0:27:47 | |
Yeah, Travers, there's a wad of money in the safe she wants. Good, I'll help you get it. | 0:27:47 | 0:27:52 | |
You'll help me get it? I never seen such a cop. | 0:27:52 | 0:27:56 | |
Nor you never will again, I won't stand for it. | 0:27:56 | 0:27:59 | |
Now, now, Henry. You go and wait in the car. | 0:27:59 | 0:28:02 | |
You've got to trust me. | 0:28:02 | 0:28:03 | |
Hey. What's your name, in case the winds of destiny waft us apart? | 0:28:09 | 0:28:14 | |
Dyson, sir, Zipper Dyson. | 0:28:14 | 0:28:16 | |
Zipper, are you good at your trade? | 0:28:16 | 0:28:18 | |
Am I! All right, my friend, then follow me. | 0:28:18 | 0:28:21 | |
Cut that wire. | 0:28:41 | 0:28:43 | |
HE OPENS SAFE | 0:29:40 | 0:29:42 | |
WINDOW OPENS | 0:29:55 | 0:29:56 | |
Brown! | 0:30:48 | 0:30:52 | |
Brown! | 0:30:56 | 0:30:58 | |
Hello? Hello! Hello! | 0:31:02 | 0:31:05 | |
Hello! | 0:31:08 | 0:31:10 | |
Hello! Hello! | 0:31:11 | 0:31:12 | |
What's the matter, sir? Burglars, now the line is dead. | 0:31:12 | 0:31:15 | |
Don't stand there like a fool! Have my car brought around, at once! | 0:31:15 | 0:31:19 | |
I must get to the police. Very good, sir. | 0:31:19 | 0:31:22 | |
I'll say once again, I've never seen such a cop. | 0:31:25 | 0:31:28 | |
I have another job for you. Go to the Travers's house and be my special representative. | 0:31:28 | 0:31:32 | |
My silent partner, if you know what I mean. | 0:31:32 | 0:31:35 | |
Oh, me conscience wouldn't permit me to do that, sir. | 0:31:35 | 0:31:38 | |
But I'll do it, though it's against me principles. | 0:31:39 | 0:31:42 | |
Besides, you're a man after me own heart. | 0:31:42 | 0:31:45 | |
Tell them I caught you but couldn't make you squeal, and that you hate me because I gave you a black eye. | 0:31:45 | 0:31:50 | |
Yes, but I haven't a black eye, sir. Well, we can rectify that. How? | 0:31:50 | 0:31:54 | |
Just look up there. | 0:31:54 | 0:31:56 | |
There. Now I can guarantee you'll have a black eye. | 0:31:59 | 0:32:02 | |
Goodnight. | 0:32:02 | 0:32:04 | |
Don't shut the door. Why not? | 0:32:11 | 0:32:14 | |
I've got a reason. If you took anything from that house, Templar... | 0:32:14 | 0:32:18 | |
Give me the Sergeant's desk. | 0:32:18 | 0:32:20 | |
If there had been a robbery, it would have been reported by now. | 0:32:20 | 0:32:23 | |
Yeah, give me that telephone. ..Yes, Sergeant. | 0:32:23 | 0:32:26 | |
Did a Mr Eastman report a burglary tonight? | 0:32:26 | 0:32:29 | |
..No? ..Oh, I'm sorry. | 0:32:29 | 0:32:31 | |
..That's all right, just forget about it. | 0:32:31 | 0:32:33 | |
That's very well but don't tell me Eastman was shooting at clay pigeons. Quiet. | 0:32:33 | 0:32:38 | |
Good evening, Mr Eastman. Oh, er, good evening. | 0:32:38 | 0:32:41 | |
If there wasn't a robbery, why is he here? | 0:32:44 | 0:32:47 | |
Going into Cullis's office. You did take something out of that house. | 0:32:47 | 0:32:51 | |
Well, I can promise you one thing, Eastman isn't going to report it. | 0:32:51 | 0:32:54 | |
Why not? Because there were 80 federal reserve notes in that safe for $1,000 each. | 0:32:54 | 0:32:58 | |
They had the serial numbers of the money stolen from the Central Trust. Eastman is in the Waldman ring? | 0:32:58 | 0:33:04 | |
He's a false front for them. The money was too... Too hot! Yes. | 0:33:04 | 0:33:07 | |
If Cullis is in it too, we can grab them right now! | 0:33:07 | 0:33:10 | |
You don't want to scare Waldman off. One of them might be Waldman. Anybody might be. | 0:33:10 | 0:33:14 | |
Yeah, anybody(!) Look, Templar, didn't you take that 80 grand out of Eastman's house? | 0:33:14 | 0:33:19 | |
Oh, now, Henry, do you think I'd do a thing like that? Yes! | 0:33:19 | 0:33:23 | |
So do I. | 0:33:23 | 0:33:25 | |
We'll have a showdown on this now! You, Eastman and Cullis doing the talking. | 0:33:25 | 0:33:29 | |
I warn you, you'll only upset the applecart. | 0:33:29 | 0:33:32 | |
I believe you left a message at the desk, you wanted to speak with me? | 0:33:50 | 0:33:54 | |
That's right. The Commissioner told me you had an unusual memory. | 0:33:54 | 0:33:58 | |
Won't you sit down? As a matter of fact, I haven't time, very late... | 0:33:58 | 0:34:01 | |
I wonder if you remember the serial numbers of the money found in possession of Inspector Travers? | 0:34:01 | 0:34:07 | |
Certainly. But you could have them from the files. I haven't had time. | 0:34:07 | 0:34:11 | |
Well, that disappearing key trick's rather good. | 0:34:11 | 0:34:14 | |
That's just a hobby of mine. Really? | 0:34:14 | 0:34:16 | |
Amateur magic. It's a hobby of mine too, we must get together more often. | 0:34:16 | 0:34:20 | |
Would you be so kind as to give me a memo of those numbers? | 0:34:20 | 0:34:24 | |
Why, certainly. | 0:34:24 | 0:34:25 | |
And tell me, is it true that you linked Waldman with Travers | 0:34:25 | 0:34:29 | |
by tapping Travers's private office phone? | 0:34:29 | 0:34:32 | |
Exactly. Would it have been possible for someone else to use the phone? | 0:34:32 | 0:34:36 | |
Yourself, perhaps? Yes(!) | 0:34:36 | 0:34:38 | |
Yes, it's very possible that the money we found in Travers's box was put there by Captain Kidd(!) | 0:34:38 | 0:34:44 | |
There's a nice little disappearing trick for you. | 0:34:44 | 0:34:46 | |
You could probably do it yourself. | 0:34:46 | 0:34:48 | |
After you'd done it, you could take it out of your ear, or Travers's safe deposit box, | 0:34:48 | 0:34:53 | |
with lots of people watching you. | 0:34:53 | 0:34:55 | |
Go ahead, Templar, keep on kidding yourself with these absurd notions. | 0:34:55 | 0:34:59 | |
But don't bother me with them, I'm busy. | 0:34:59 | 0:35:01 | |
Oh, just a moment. | 0:35:01 | 0:35:03 | |
That's valuable, if you don't mind. | 0:35:03 | 0:35:05 | |
Oh, so sorry. Thanks. | 0:35:05 | 0:35:07 | |
The little trick of the disappearing numbers. | 0:35:10 | 0:35:13 | |
I bet the ones he planted on Travers came out of this very same bundle. | 0:35:13 | 0:35:16 | |
Yes, right again, Henry. | 0:35:16 | 0:35:18 | |
Nice magic, Templar, but you're not trying to garble the facts by slinging dirt at other people? | 0:35:18 | 0:35:23 | |
You get some sleep, Henry, I'll visit Miss Travers, before Cullis gets there. | 0:35:23 | 0:35:28 | |
Where you go, I go, till I see how far you're going with that money. | 0:35:28 | 0:35:31 | |
All right. Have it your own way. | 0:35:31 | 0:35:33 | |
Er, turn out the light, will you, Henry? | 0:35:33 | 0:35:36 | |
What for? I'll explain later. | 0:35:36 | 0:35:39 | |
I've got a little scheme. | 0:35:45 | 0:35:48 | |
A very interesting little scheme. HE SHOOTS | 0:35:49 | 0:35:52 | |
Who are you shooting at? | 0:35:54 | 0:35:56 | |
Hey, come back here! | 0:35:58 | 0:36:00 | |
Unlock that door, let me out of here! | 0:36:00 | 0:36:03 | |
I forgot to tell you, I'm calling on Miss Travers alone. | 0:36:03 | 0:36:05 | |
You're sticking with her and that dough. | 0:36:05 | 0:36:08 | |
Hello? Hello? | 0:36:08 | 0:36:10 | |
This is Fernack, send a radio car to the Travers house, | 0:36:10 | 0:36:13 | |
pick up Simon Templar the moment he tries to enter the house. | 0:36:13 | 0:36:16 | |
Say, send somebody to let me out of my office, will you? | 0:36:16 | 0:36:19 | |
..Yes, out of my office! I'm...I'm locked in. | 0:36:19 | 0:36:23 | |
Looks like someone throwed a slug into it. Get me another car! | 0:36:26 | 0:36:29 | |
They're all out right now. Number 25's due, but you'll have to wait. | 0:36:29 | 0:36:33 | |
Call me at my office as soon as it comes back. Yes, sir. | 0:36:33 | 0:36:36 | |
What a rainbow! | 0:36:45 | 0:36:47 | |
He done it himself? | 0:36:47 | 0:36:48 | |
If he'd had an axe, he'd have used it on me. | 0:36:48 | 0:36:51 | |
Oh, he's a merciless man. | 0:36:51 | 0:36:53 | |
"Did Miss Travers send you round to this house to take some valuables?" Said he. | 0:36:53 | 0:36:58 | |
"Upon me honour," said I, "I was taking a short cut across Walnut Street because cement hurts my feet." | 0:36:58 | 0:37:04 | |
What a souvenir! | 0:37:04 | 0:37:05 | |
You raised a rumpus that almost got me slammed off. | 0:37:05 | 0:37:08 | |
You can take that up with The Saint. I will if he ever comes in throwing distance again. | 0:37:08 | 0:37:12 | |
That hair trigger will get you into trouble, Darnell. | 0:37:12 | 0:37:15 | |
And it'll get Val into trouble. Are you sure Eastman didn't get a look at you? Sure. | 0:37:15 | 0:37:20 | |
If what you think of Eastman is true, he's no spot the squawk. | 0:37:20 | 0:37:23 | |
We'd have found out if we hadn't bungled. We'd have been on our way... | 0:37:23 | 0:37:27 | |
To making a lot of dough? | 0:37:27 | 0:37:28 | |
You don't have to tell me that. | 0:37:30 | 0:37:32 | |
I was interested only in the numbers on that money. | 0:37:32 | 0:37:35 | |
Maybe I don't believe you. Watch what you're saying, Darnell! | 0:37:35 | 0:37:38 | |
I'll say what I please. | 0:37:38 | 0:37:40 | |
Val, I'm afraid you've asked for all this. | 0:37:42 | 0:37:45 | |
Why don't you pack up and move out? | 0:37:45 | 0:37:47 | |
I've thought of that. That's what your father would want you to do. | 0:37:47 | 0:37:50 | |
My father said you'd be a great attorney some day. | 0:37:50 | 0:37:53 | |
Whatever happened to it? You're just a nice busybody giving me a daily sermon. | 0:37:53 | 0:37:57 | |
We used to talk about you, Val, your father and I, how I'd gather glory and lay it in your hands. | 0:37:57 | 0:38:02 | |
Now you find they're rather soiled. But it's not too late. | 0:38:02 | 0:38:06 | |
So far they have nothing on you. | 0:38:06 | 0:38:08 | |
We could start a new game, not a spite game. | 0:38:08 | 0:38:11 | |
Maybe it's just that I'm tired. | 0:38:11 | 0:38:14 | |
You almost won an argument. We could go away, any place, it doesn't matter. | 0:38:14 | 0:38:21 | |
With you I could make good anywhere. With me, Allan? Uh-huh. | 0:38:21 | 0:38:24 | |
That's a point that'll take a lot of arguing. | 0:38:24 | 0:38:27 | |
Allow me. | 0:39:28 | 0:39:30 | |
It would be rather precarious to let you have a gun to play with. | 0:39:30 | 0:39:33 | |
But as you have your share of feminine curiosity, | 0:39:33 | 0:39:36 | |
you won't shoot me till you hear why I came through that window. Be a miracle if I don't. | 0:39:36 | 0:39:40 | |
A Mr Cullis is on his way because he suspects you filched a bundle of velvet | 0:39:40 | 0:39:45 | |
from the home of a fellow miscreant named Eastman. | 0:39:45 | 0:39:48 | |
So what? Mr Cullis doesn't want the police here, | 0:39:48 | 0:39:50 | |
he'd much rather submit you to the coroner. | 0:39:50 | 0:39:53 | |
Because he suspects you purloined the velvet to incriminate him with some serial numbers on it. | 0:39:53 | 0:39:58 | |
Why are you telling me all this? | 0:39:58 | 0:40:00 | |
Because... Well, because I love you. | 0:40:00 | 0:40:03 | |
But don't let's get sticky about it, I'm really a very shallow person. | 0:40:03 | 0:40:06 | |
I also love fireflies and mocking birds and pink sunsets. | 0:40:06 | 0:40:09 | |
I think, however, that we could find each other more diverting than a pink sunset, don't you? | 0:40:09 | 0:40:15 | |
I dislike you intensely. No, you don't, you're very fond of me. | 0:40:15 | 0:40:18 | |
Why should I be fond of you? | 0:40:18 | 0:40:20 | |
Tell me and you'll answer the riddle of the world. | 0:40:20 | 0:40:23 | |
My dear Val, that is what has made history, literature and even chemistry - | 0:40:23 | 0:40:27 | |
a man and a woman. | 0:40:27 | 0:40:29 | |
The Saint. | 0:40:30 | 0:40:31 | |
There's a police car outside. We knew he couldn't be far away. You're wasting valuable time. | 0:40:31 | 0:40:36 | |
You didn't waste any time slapping me around, did you? | 0:40:36 | 0:40:39 | |
Using your copper's authority to abuse a harmless citizen. | 0:40:39 | 0:40:42 | |
If you were half smart, you'd have done a better job, | 0:40:42 | 0:40:45 | |
because, so help me son, I'm going to lay you on the breaks. No, you don't. | 0:40:45 | 0:40:50 | |
Not lining up with the police, are you? | 0:40:50 | 0:40:52 | |
No, I'm not, in spite of his pretty talk. | 0:40:52 | 0:40:55 | |
Go ahead and tell them what I said. I'd love to hear you say it. | 0:40:55 | 0:40:58 | |
Some fantastic tale about Cullis coming here. He's nothing on us. | 0:40:58 | 0:41:02 | |
Were you lying when you said you didn't touch Eastman's money? Not even close to it. | 0:41:02 | 0:41:06 | |
If this bird thinks he can hang this on me... Let me give it to him. | 0:41:06 | 0:41:10 | |
If there were such a miracle that you were telling the truth, I'd be surprised but grateful. | 0:41:10 | 0:41:15 | |
As for you, don't do a thing till you get your orders from me, understand? | 0:41:15 | 0:41:19 | |
What's the matter now? | 0:41:32 | 0:41:34 | |
It's Cullis! | 0:41:37 | 0:41:38 | |
He's right, Cullis is here. | 0:41:45 | 0:41:47 | |
I get it now. If you use that gun, you'll be taken in. | 0:41:50 | 0:41:52 | |
I'll be taken in anyway. You sold them the idea I took that dough. | 0:41:52 | 0:41:56 | |
So you're gonna get yours, right now. | 0:41:56 | 0:41:57 | |
So you're gonna get yours, SHOT FIRED | 0:41:57 | 0:41:58 | |
Now, I think you'll let me get you out of here. | 0:42:06 | 0:42:08 | |
If I can. | 0:42:08 | 0:42:10 | |
KNOCKING AT DOOR | 0:42:12 | 0:42:14 | |
Don't ask me how I got in, Breck, you can help us by detaining Cullis. | 0:42:19 | 0:42:22 | |
She just shot Darnell. Running away will convict her, Val, I can work this out if you'd stay. | 0:42:22 | 0:42:27 | |
She shot him in front of witnesses. And witnesses want to get away fast. Here's the gun. | 0:42:27 | 0:42:32 | |
Come on, let's get going. | 0:42:32 | 0:42:33 | |
Break it down. Come on, let's go. | 0:42:33 | 0:42:36 | |
BANGING ON DOOR | 0:42:36 | 0:42:38 | |
This is Breck, sir. | 0:43:02 | 0:43:04 | |
Your misplaced loyalty has lead you into serious trouble, Mr Breck. | 0:43:04 | 0:43:07 | |
Maybe you know, some banknotes stolen from Martin Eastman have been traced to this house. | 0:43:07 | 0:43:12 | |
I'm sure you're mistaken. | 0:43:12 | 0:43:14 | |
The Travers dame got out the back, they jumped me. | 0:43:14 | 0:43:17 | |
Shall I phone him to broadcast? No, not yet. | 0:43:17 | 0:43:21 | |
Mr Cullis is right, you'd only be broadcasting a libel. | 0:43:21 | 0:43:24 | |
Val Travers has never seen that money. | 0:43:24 | 0:43:27 | |
Where is Harry Darnell? | 0:43:27 | 0:43:29 | |
Upstairs. I killed him. | 0:43:29 | 0:43:32 | |
Self-defence. | 0:43:32 | 0:43:34 | |
Take him down and book him. | 0:43:37 | 0:43:38 | |
I'll have a look upstairs. | 0:43:38 | 0:43:40 | |
Where's Templar? Where's Simon Templar? | 0:43:41 | 0:43:43 | |
He made a getaway with the Travers girl. | 0:43:43 | 0:43:45 | |
He got away with much more than that. | 0:43:45 | 0:43:47 | |
He got away with 80,000 bucks out of Eastman's safe. | 0:43:47 | 0:43:50 | |
What? I saw it on him. | 0:43:50 | 0:43:53 | |
Sorry, Mr Cullis, it seems that I'm the one mistaken about somebody. | 0:43:55 | 0:43:58 | |
I'll phone them to broadcast. Right. | 0:43:58 | 0:44:01 | |
That guy is making a monkey out of me. | 0:44:03 | 0:44:05 | |
A first-class monkey. | 0:44:07 | 0:44:10 | |
He was kind of a swell guy in some ways. | 0:44:10 | 0:44:12 | |
Oh, he took me in all right, but I don't want you to get the idea I was completely tossed, I wasn't. | 0:44:12 | 0:44:17 | |
I've had a theory for some time. Another theory. | 0:44:17 | 0:44:20 | |
The mastermind you overheard Travers phoning to was The Saint, no other. Travers called him Waldman. | 0:44:20 | 0:44:25 | |
Call him anything you like, same guy, same theory. | 0:44:25 | 0:44:28 | |
I presume that's why you acted quickly without filing a police report, Mr Cullis? | 0:44:28 | 0:44:32 | |
With The Saint around, a general alarm was impractical. Seems you were right. | 0:44:32 | 0:44:36 | |
The only one here more stupid than me is the man who kept such a large sum in his home. | 0:44:36 | 0:44:41 | |
That is my privilege, sir. | 0:44:41 | 0:44:44 | |
Mr Cullis and I will check the details at your house in the morning, Mr Eastman. | 0:44:44 | 0:44:48 | |
Locking the barn after the horse is stolen, this is a fine situation(!) | 0:44:48 | 0:44:52 | |
Have you been able to get anything out of this Breck? | 0:44:54 | 0:44:57 | |
No, except he's the lawyer who's helped Val Travers plan her moves. | 0:44:57 | 0:45:01 | |
He was sweet on her until she left with The Saint and the dough. Probably trying to take the rap. | 0:45:01 | 0:45:06 | |
Exactly and now he refuses to sign it. | 0:45:06 | 0:45:09 | |
I believe if I had time, I could get him to talk. | 0:45:09 | 0:45:12 | |
Let Cullis have him for a few days. | 0:45:12 | 0:45:16 | |
In the meantime, I'm going home. | 0:45:16 | 0:45:18 | |
Not that I expect to sleep. | 0:45:18 | 0:45:20 | |
Good morning, sir. | 0:45:26 | 0:45:28 | |
I served coffee to the gentleman in the guest room, | 0:45:30 | 0:45:33 | |
he said he'd be down for breakfast. What gentleman? | 0:45:33 | 0:45:35 | |
A very pleasant gentleman, full of quips and twigs. | 0:45:35 | 0:45:38 | |
One of the guests I presume you brought in last night. What guests?! | 0:45:38 | 0:45:42 | |
Don't you recall what guests? | 0:45:42 | 0:45:44 | |
Call the police somehow. | 0:45:44 | 0:45:45 | |
He doesn't really want you to call the police, Trockmorton, | 0:45:45 | 0:45:49 | |
My name is Brown, sir. I prefer Throckmorton. | 0:45:49 | 0:45:51 | |
Get out of here, Brown. | 0:45:51 | 0:45:53 | |
How did you get in here? Just walked in. | 0:45:56 | 0:45:59 | |
A criminal always returns to the scene of his crime. | 0:45:59 | 0:46:02 | |
What do you want? I want to have some breakfast. | 0:46:02 | 0:46:04 | |
Will you join me? | 0:46:04 | 0:46:06 | |
Come on. | 0:46:06 | 0:46:08 | |
Keep moving. | 0:46:23 | 0:46:25 | |
Morning, Mr Eastman, hope you slept well. Lovely morning, isn't it? | 0:46:27 | 0:46:30 | |
It's the most dreadful morning I've ever seen! You haven't seen anything yet. | 0:46:30 | 0:46:34 | |
DOORBELL RINGS Now just keep quiet. | 0:46:34 | 0:46:37 | |
Is Eastman in? Yes, sir. Tell him Inspector Webster and Mr Cullis are here. The police. | 0:46:43 | 0:46:47 | |
Er, yes, sir. I understand, sir. Will you take a seat in here, sir? | 0:46:47 | 0:46:51 | |
Yeah. | 0:46:51 | 0:46:52 | |
All right, Mr Eastman, you can go ahead and entertain your guests, | 0:46:53 | 0:46:57 | |
but don't be too indiscreet, will you? | 0:46:57 | 0:46:59 | |
I'll be keeping a fatherly eye on you from here. Go on. | 0:46:59 | 0:47:02 | |
Mr Cullis and a police officer to see you, sir. All right, you can go. | 0:47:07 | 0:47:11 | |
Good morning, Martin. Not a trace of them yet. | 0:47:13 | 0:47:15 | |
Every road out of town is being watched. | 0:47:15 | 0:47:18 | |
I can't imagine where they've gone. What's the matter with you? | 0:47:18 | 0:47:22 | |
Me? Er, nothing. | 0:47:22 | 0:47:24 | |
Shock of my loss, I suppose, and all the rest of it, I... | 0:47:24 | 0:47:27 | |
We'll have a look at the safe. That's hardly necessary, is it? | 0:47:27 | 0:47:31 | |
Just one of the customary details, Mr Eastman. Oh, all right. It's over here. | 0:47:31 | 0:47:35 | |
Nothing was disturbed, this chest was where you see it now. | 0:47:35 | 0:47:39 | |
There's the safe. Was it forced open? | 0:47:39 | 0:47:41 | |
No. It was definitely done by someone who... | 0:47:41 | 0:47:45 | |
who knew the...combination. | 0:47:45 | 0:47:48 | |
Why... | 0:47:52 | 0:47:54 | |
Here it is. | 0:47:56 | 0:47:57 | |
Is that the missing money? | 0:47:57 | 0:48:00 | |
You're due for some fast explaining, Eastman. | 0:48:00 | 0:48:03 | |
We have trouble enough without idiots like you yelling "wolf" to watch us scamper. | 0:48:03 | 0:48:07 | |
Well, speak up. | 0:48:07 | 0:48:09 | |
I tell you, it was stolen, last night. | 0:48:09 | 0:48:12 | |
He fired at me, I fired back at him. | 0:48:12 | 0:48:15 | |
You can see where the bullet struck. | 0:48:15 | 0:48:17 | |
I just about have your number, Eastman. | 0:48:23 | 0:48:26 | |
I wasn't lying, what reason could I have had? | 0:48:26 | 0:48:29 | |
How should I know? People have reported false thefts to get out of paying obligations. | 0:48:29 | 0:48:34 | |
In most cases, it cost them more than they saved. | 0:48:35 | 0:48:38 | |
Cullis, you see, I... | 0:48:38 | 0:48:40 | |
I went on a wild goose chase, | 0:48:43 | 0:48:45 | |
believed that crazy story Fernack told about seeing The Saint packing that money around. | 0:48:45 | 0:48:50 | |
There's a bullet hole all right. | 0:48:52 | 0:48:54 | |
You'll be summoned, Eastman, better get your explanation straight. | 0:48:56 | 0:49:00 | |
Let's go. | 0:49:00 | 0:49:01 | |
Cullis. Well? Cullis, I can... | 0:49:04 | 0:49:07 | |
There's nothing to say. | 0:49:07 | 0:49:10 | |
You'll never have anything to say, Martin. | 0:49:11 | 0:49:14 | |
I must congratulate you, Mr Eastman, you really behaved very nicely. | 0:49:19 | 0:49:23 | |
You put that money back in the safe, you knew what Cullis would think if he found it. You planned this. | 0:49:23 | 0:49:28 | |
Flattery is unnecessary. You're lucky Mr Webster didn't examine it too closely. | 0:49:28 | 0:49:32 | |
But that will come out when they subpoena you, don't worry. | 0:49:32 | 0:49:35 | |
You knew this would mean my finish. | 0:49:35 | 0:49:37 | |
You've finished many other people. Tell us what happened to my father. I don't know! | 0:49:37 | 0:49:42 | |
I won't talk, not to anybody. | 0:49:42 | 0:49:45 | |
Now don't keep us in suspense, Mr Eastman, otherwise we won't keep you in suspense. | 0:49:45 | 0:49:49 | |
Either you talk nicely, or else... | 0:49:49 | 0:49:51 | |
Ah, how's the telephone system? | 0:49:51 | 0:49:53 | |
I can break it or make it, sir. | 0:49:53 | 0:49:55 | |
I've just...made it. | 0:49:55 | 0:49:57 | |
How very thoughtful of you. | 0:49:57 | 0:49:59 | |
The telephone is, perhaps, one of man's most important contributions to the scheme of things. | 0:49:59 | 0:50:04 | |
Give me the police department. | 0:50:04 | 0:50:06 | |
You've got a chance to clear out if you talk to us. No! | 0:50:06 | 0:50:09 | |
..Hello? This is The Saint. | 0:50:09 | 0:50:11 | |
..Don't get excited. I'm at the Eastman house. | 0:50:11 | 0:50:13 | |
Just send out the coroner. | 0:50:13 | 0:50:15 | |
That is unless Mr Eastman wishes to divulge some facts. | 0:50:15 | 0:50:18 | |
No! | 0:50:18 | 0:50:20 | |
Hello, the reason I suggested the coroner was because | 0:50:21 | 0:50:24 | |
if Mr Eastman stays in this house, he may die of high blood pressure. | 0:50:24 | 0:50:27 | |
Whereas if he leaves the house, I'm quite sure you'll need the coroner. | 0:50:27 | 0:50:33 | |
Don't go out, Pinky! | 0:50:33 | 0:50:34 | |
SHOT FIRED | 0:50:34 | 0:50:36 | |
Here's the latest bulletin. | 0:50:39 | 0:50:41 | |
Mr Eastman has just left the house. | 0:50:41 | 0:50:44 | |
Here we are. No shenanigans, Templar. | 0:51:02 | 0:51:05 | |
Ah, Valerie, this is the great Inspector Fernack. | 0:51:05 | 0:51:08 | |
I knew I'd find you here, no other gendarme would think I'd get the whim to come home. | 0:51:08 | 0:51:12 | |
No other officer knows what a nerve you've got. And foresight, Henry. | 0:51:12 | 0:51:16 | |
I made sure you came alone. Put away the gun, I won't resist you. | 0:51:16 | 0:51:20 | |
Give me that money. With pleasure. | 0:51:20 | 0:51:22 | |
You'll take care of it, won't you? We might need it later. | 0:51:22 | 0:51:25 | |
You won't need it in jail. | 0:51:25 | 0:51:26 | |
I've cooked that dinner you phoned about, Mr Templar. | 0:51:26 | 0:51:29 | |
Good, I'm hungry. You won't be when I get through with you. | 0:51:29 | 0:51:32 | |
Won't you let us have a bite of dinner? No, he's got no heart. | 0:51:32 | 0:51:36 | |
I doubt very much if he's even got a stomach. | 0:51:36 | 0:51:38 | |
Well, I'm not unreasonable. Then pitch in. | 0:51:38 | 0:51:41 | |
I haven't much appetite for anything under the circumstances but... | 0:51:41 | 0:51:44 | |
it is a long time since breakfast. Algernon! | 0:51:44 | 0:51:47 | |
Coming, sir. | 0:51:47 | 0:51:49 | |
Did you consult the Inspector's diet chart. Wait a minute! | 0:51:49 | 0:51:52 | |
If that's what you're up to, you're going to the jug double quick! | 0:51:52 | 0:51:55 | |
What would you like? The same as you! All right. | 0:51:55 | 0:51:58 | |
Bring on the feast. Yes, sir, there's plenty of it. | 0:51:58 | 0:52:01 | |
Have some more coffee, Henry. | 0:52:05 | 0:52:07 | |
Yeah, don't mind if I do. | 0:52:07 | 0:52:09 | |
Thanks. | 0:52:12 | 0:52:13 | |
Ah, domesticity. | 0:52:13 | 0:52:15 | |
I'd like to paint you at a spinning wheel perhaps. | 0:52:15 | 0:52:18 | |
Or over a washtub? No, no, as you are, a symbol of American womanhood. | 0:52:18 | 0:52:23 | |
American womanhood, sewing on a button. No, sewing up a bullet hole, if you don't mind. | 0:52:23 | 0:52:29 | |
You will sew it up for me, won't you, Val? | 0:52:35 | 0:52:37 | |
When did you get this? When you thought you shot Darnell. | 0:52:39 | 0:52:43 | |
I hate to tell you this, Val, but you missed him by about five yards. | 0:52:43 | 0:52:46 | |
I got him, through that pocket. | 0:52:46 | 0:52:49 | |
That news was worth waiting for, Templar, | 0:52:49 | 0:52:51 | |
why even Breck thought she did it and tried to take the rap for her. | 0:52:51 | 0:52:55 | |
I thought he would. I thought I'd get some dope out of you if I waited long enough. | 0:52:55 | 0:52:59 | |
You're coming with me right now. Boy, get my hat and coat. | 0:52:59 | 0:53:02 | |
Was that lobster all right? Scrumptious, sir. That diet chart said shellfish's mighty bad for you. | 0:53:02 | 0:53:09 | |
Yeah, I know, get me some soda quick, will you? Yes. | 0:53:09 | 0:53:12 | |
Well, Valerie? You're telling me you shot Darnell hoping Allan Breck would take the blame. | 0:53:14 | 0:53:19 | |
It was the only way to get you out of there. You're clever, all right. | 0:53:19 | 0:53:23 | |
But Allan's honest. It's so easy to be romantic, but not so easy to be loyal. | 0:53:23 | 0:53:27 | |
I believe you're pretty fond of Breck. | 0:53:27 | 0:53:29 | |
In fact, I'd go so far as to say you love him. | 0:53:29 | 0:53:31 | |
Perhaps you're right, because of comparison. | 0:53:31 | 0:53:34 | |
What you pretended to do for me, you did for adventure. What he's done, he did for me. | 0:53:34 | 0:53:39 | |
Oh, but I have my excuse. | 0:53:39 | 0:53:41 | |
You're so lovely to see and touch and think of. | 0:53:41 | 0:53:44 | |
As all women should be and so few are. | 0:53:44 | 0:53:47 | |
Remember this, Valerie, no matter what you choose to think of me, | 0:53:47 | 0:53:51 | |
I'm still going to help you. | 0:53:51 | 0:53:52 | |
And Fernack is gonna help you, too. | 0:53:52 | 0:53:56 | |
You're barking up the wrong tree this time, Templar. | 0:53:56 | 0:53:59 | |
I'm delivering you straight to headquarters. | 0:53:59 | 0:54:01 | |
Now, Henry, do you think I looked you up just for the privilege of being tossed into jail? | 0:54:01 | 0:54:06 | |
I went all the way to New York to be sure you didn't miss your big opportunity. | 0:54:06 | 0:54:11 | |
Now, listen carefully. | 0:54:11 | 0:54:12 | |
In exactly three hours, I want you to come to the service entrance of Cullis's apartment. | 0:54:12 | 0:54:17 | |
No, no, I'm taking you in right now. | 0:54:17 | 0:54:20 | |
Right now. You don't look very well, Henry. | 0:54:22 | 0:54:25 | |
I don't feel so good either. | 0:54:25 | 0:54:27 | |
Perhaps you should sit down for a moment? | 0:54:27 | 0:54:29 | |
Are you sure you had enough to eat? | 0:54:29 | 0:54:32 | |
Ooh. You wouldn't like a little more ice cream...? No, no. | 0:54:32 | 0:54:35 | |
Or perhaps some more lobster? | 0:54:35 | 0:54:37 | |
Or how about a big, black cigar? No, no. | 0:54:38 | 0:54:41 | |
There now, Henry, just relax. | 0:54:42 | 0:54:45 | |
We'll take care of you. | 0:54:47 | 0:54:49 | |
Mr Fernack? | 0:55:08 | 0:55:09 | |
Mr Fernack? Huh? | 0:55:09 | 0:55:12 | |
Mr Templar said, dead or alive, wake you up at 8.30 sharp. | 0:55:12 | 0:55:15 | |
They've gone I suppose. Yes, they've gone. | 0:55:15 | 0:55:17 | |
The money? Guess it's gone, too. | 0:55:17 | 0:55:20 | |
Another note. | 0:55:20 | 0:55:21 | |
BUZZER RINGS | 0:55:50 | 0:55:52 | |
RADIO MUSIC PLAYS | 0:55:52 | 0:55:54 | |
Miss Travers? Yes. | 0:55:56 | 0:55:58 | |
Good evening, Miss Travers. Good evening. | 0:56:02 | 0:56:04 | |
Well, this is a pleasure. | 0:56:06 | 0:56:08 | |
But you, of course, came here on business. | 0:56:08 | 0:56:11 | |
You expect to buy some information from me that might be good for the name of Travers. | 0:56:11 | 0:56:15 | |
That's right, Mr Cullis. | 0:56:15 | 0:56:17 | |
But not that way. | 0:56:17 | 0:56:19 | |
I have the money but The Saint advised me to throw it out of the window if you grew impatient. | 0:56:19 | 0:56:23 | |
Oh, well, I think we can talk. | 0:56:27 | 0:56:29 | |
Good. | 0:56:29 | 0:56:30 | |
Do you mind if I turn that music off? | 0:56:30 | 0:56:33 | |
No, not at all. | 0:56:33 | 0:56:35 | |
Miss Travers, I may as well be frank about this whole matter. | 0:56:36 | 0:56:40 | |
I planted some of the stolen money in your father's safe deposit box, | 0:56:40 | 0:56:44 | |
merely by a trick of sleight of hand. Go on. | 0:56:44 | 0:56:47 | |
I also made the incriminating telephone calls on your father's private phone, | 0:56:47 | 0:56:52 | |
to Mr Waldman, the genius of our successful operations. | 0:56:52 | 0:56:55 | |
Meaning Mr Eastman? HE LAUGHS: Certainly not. | 0:56:55 | 0:56:58 | |
Eastman was a very excellent front for us, but stupid. | 0:56:58 | 0:57:01 | |
Very stupid. | 0:57:03 | 0:57:04 | |
That is why Mr Waldman disposed of him this morning. That's all. | 0:57:06 | 0:57:11 | |
Except, I wouldn't want you to spread such things. | 0:57:11 | 0:57:14 | |
Now here's something really important to you - | 0:57:14 | 0:57:17 | |
I've held Breck in personal custody, | 0:57:17 | 0:57:19 | |
ostensibly to see what I could get out of him regarding you and The Saint. | 0:57:19 | 0:57:24 | |
Naturally, he wasn't very happy to find he'd taken the rap for an $80,000 romance. | 0:57:24 | 0:57:29 | |
He told me if he ever went free, he'd hunt you both down. | 0:57:31 | 0:57:34 | |
That won't be necessary now. | 0:57:34 | 0:57:37 | |
I think your friend The Saint will probably enter by the rear door. | 0:57:37 | 0:57:41 | |
You see we kept all the doors unlocked for him... | 0:57:44 | 0:57:47 | |
'I don't think anybody would be unreasonable enough to blame me for his escape. | 0:57:47 | 0:57:51 | |
'He did away with two people here and that would prove he was a very desperate case.' | 0:57:51 | 0:57:56 | |
Let's go. | 0:57:56 | 0:57:58 | |
Look out, Fernack! | 0:58:27 | 0:58:29 | |
TWO SHOTS FIRED | 0:58:29 | 0:58:30 | |
Give me that key! | 0:58:36 | 0:58:38 | |
Give me that key! | 0:58:39 | 0:58:40 | |
I'm saving you to sign a confession, Mr Cullis. | 0:58:50 | 0:58:53 | |
Come on, over here. | 0:58:54 | 0:58:56 | |
Oh, Commissioner, I, er... | 0:58:56 | 0:58:58 | |
Before you go into details, you might know that we wired this room while you were out today. | 0:58:58 | 0:59:03 | |
Any court would understand the absurdity of the story I told her. | 0:59:03 | 0:59:06 | |
I knew that fable would bring The Saint to her side. | 0:59:06 | 0:59:09 | |
I wanted to grab both of them for you. | 0:59:09 | 0:59:11 | |
Well, The Saint was working for me a long time before you knew it. | 0:59:11 | 0:59:15 | |
Everything he's done in this town was with full authority. | 0:59:15 | 0:59:18 | |
Come on, let's have that money. | 0:59:18 | 0:59:20 | |
Here's the loot, Commissioner. Your friend in the kitchen couldn't shoot very straight. | 0:59:24 | 0:59:29 | |
I found these glasses out on the Eastman target range this morning. | 0:59:29 | 0:59:34 | |
Those belong to Allan Breck. | 0:59:34 | 0:59:36 | |
Yes, Miss Travers, even after I had him released last night, | 0:59:36 | 0:59:39 | |
I found he wanted no freedom without you. You're speaking of Breck? | 0:59:39 | 0:59:43 | |
Or Waldman, whichever you choose to call him. | 0:59:43 | 0:59:46 | |
Here's the man who got him. Congratulations, Inspector. | 0:59:46 | 0:59:50 | |
You see, Henry, I told you so, now you're a hero. | 0:59:50 | 0:59:52 | |
Latest paper here! Paper! | 0:59:58 | 1:00:00 | |
Paper! | 1:00:00 | 1:00:01 | |
Val, tomorrow morning you'll be reading the story for which you waited so long - | 1:00:01 | 1:00:06 | |
the clearing of your father's name. | 1:00:06 | 1:00:08 | |
Now his daughter has to clear hers, too. | 1:00:08 | 1:00:10 | |
I've got a lot to do, a lot to forgive, | 1:00:10 | 1:00:13 | |
and a lot to remember. | 1:00:13 | 1:00:16 | |
Mr Templar, sir, I was making so bold as to ask if you'd be wanting an assistant? | 1:00:16 | 1:00:20 | |
I'm sorry, Zipper, but it's always been my motto that he travels fastest... Who travels alone. | 1:00:20 | 1:00:25 | |
Goodbye, Saint. | 1:00:26 | 1:00:28 | |
Goodbye, Val. | 1:00:32 | 1:00:34 | |
I never seen such a cop. | 1:00:37 | 1:00:40 | |
HE WHISTLES | 1:00:59 | 1:01:02 | |
Subtitles by Louise Seddon Red Bee Media Ltd - 2005 | 1:01:12 | 1:01:15 | |
E-mail [email protected] | 1:01:15 | 1:01:17 |