Browse content similar to Gone Baby Gone. Check below for episodes and series from the same categories and more!
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This programme contains very strong language. | 0:00:20 | 0:00:28 | |
'I always believed it was the things you don't choose | 0:00:34 | 0:00:38 | |
'that makes you who you are. | 0:00:38 | 0:00:40 | |
'Your city. | 0:00:41 | 0:00:43 | |
'Your neighbourhood. | 0:00:43 | 0:00:45 | |
'Your family. | 0:00:47 | 0:00:49 | |
'People here take pride in these things, | 0:00:51 | 0:00:55 | |
'like it was something they'd accomplished. | 0:00:55 | 0:00:58 | |
'The bodies around their souls, | 0:01:00 | 0:01:04 | |
'the cities wrapped around those. | 0:01:04 | 0:01:08 | |
'I lived on this block my whole life. | 0:01:31 | 0:01:33 | |
'Most of these people have. | 0:01:35 | 0:01:38 | |
'When your job is to find people who are missing, | 0:01:38 | 0:01:42 | |
'it helps to know where they started. | 0:01:42 | 0:01:45 | |
'I find the people who started in the cracks,... | 0:01:46 | 0:01:49 | |
'and then fell through. | 0:01:49 | 0:01:52 | |
'This city can be hard. | 0:01:57 | 0:01:59 | |
'When I was young, I asked my priest how you could get to heaven | 0:02:01 | 0:02:05 | |
'and still protect yourself from all the evil in the world.' | 0:02:05 | 0:02:09 | |
'He told me what God said to his children. | 0:02:10 | 0:02:14 | |
'"You are sheep among wolves." | 0:02:15 | 0:02:17 | |
'"Be wise as serpents,... | 0:02:20 | 0:02:23 | |
'"yet innocent as doves."' | 0:02:23 | 0:02:26 | |
The things is, she always had a smile on her face. | 0:02:47 | 0:02:50 | |
That was her. She was always smiling. | 0:02:50 | 0:02:54 | |
I mean, who would take my little girl? She never hurt anybody... | 0:02:55 | 0:02:59 | |
Whoever you are, if you have her... | 0:02:59 | 0:03:02 | |
..you just let her go. | 0:03:03 | 0:03:05 | |
Now, we won't charge you. | 0:03:05 | 0:03:08 | |
'If you're out there, let her come home. | 0:03:09 | 0:03:11 | |
'All right? Let her come home.' | 0:03:12 | 0:03:15 | |
HE SIGHS | 0:03:15 | 0:03:17 | |
Fuckin' cops. | 0:03:18 | 0:03:20 | |
-'She's a sweetheart...' -It's just unbelievable. | 0:03:20 | 0:03:25 | |
The whole force standing outside the house, gathered on the sidewalk, | 0:03:25 | 0:03:29 | |
with their arms crossed. | 0:03:29 | 0:03:31 | |
I mean, are the kidnappers comin' back? | 0:03:31 | 0:03:34 | |
'Amanda McCready was taken from her home between 8.00 and 8.30 | 0:03:34 | 0:03:37 | |
'Wednesday night. She's four years old, | 0:03:37 | 0:03:40 | |
'has blonde hair and green eyes, weighs 35 pounds, and...' | 0:03:40 | 0:03:45 | |
-You know I love you, right? -Yeah, I know. | 0:03:45 | 0:03:48 | |
'..and a wary citizenry have been left with so little to cling to. | 0:03:48 | 0:03:52 | |
'A blanket, a back door and a doll named Mirabelle.' | 0:03:52 | 0:03:55 | |
The neighbourhood's coming together. | 0:03:55 | 0:03:57 | |
We're gonna have a rally. Everyone's gonna have a vigil tonight. | 0:03:57 | 0:04:01 | |
Erm... The neighbourhood's all alert. | 0:04:01 | 0:04:03 | |
everyone's alert of what's going on and everything, the surroundings. | 0:04:03 | 0:04:08 | |
We got flyers up, posters up. We have all that stuff up, | 0:04:08 | 0:04:11 | |
so everybody's well aware and looking for Amanda. | 0:04:11 | 0:04:14 | |
In related news, the Boston police captain | 0:04:14 | 0:04:17 | |
responsible for preventing crimes against children | 0:04:17 | 0:04:19 | |
spoke a few words a moment ago, words of comfort. | 0:04:19 | 0:04:23 | |
I know the pain of losing a daughter." | 0:04:23 | 0:04:26 | |
"We will not fail. We will pursue every avenue... | 0:04:26 | 0:04:30 | |
Do you know the mother? | 0:04:30 | 0:04:32 | |
A little bit. | 0:04:33 | 0:04:35 | |
I was a freshman, she was a senior. | 0:04:35 | 0:04:38 | |
She was blowing Michael, the postman. | 0:04:38 | 0:04:40 | |
He was still 14 and innocent, and milking cows up Vermont. | 0:04:40 | 0:04:44 | |
I don't know about innocent. | 0:04:44 | 0:04:46 | |
Amanda may be carrying a little girl of her own. | 0:04:46 | 0:04:49 | |
Mirabelle was last seen with Amanda. It's her favourite doll. | 0:04:49 | 0:04:52 | |
This is horrible. | 0:04:54 | 0:04:56 | |
Not if you're Channel Nine. | 0:04:56 | 0:04:58 | |
Turn it off. | 0:04:58 | 0:05:00 | |
Good night. | 0:05:04 | 0:05:05 | |
DOOR BUZZER | 0:05:07 | 0:05:09 | |
DOOR BUZZER | 0:05:09 | 0:05:12 | |
Angie, get the door. | 0:05:13 | 0:05:15 | |
-I'm in the bathroom. -DOOR BUZZER | 0:05:15 | 0:05:18 | |
It's seven o'clock! Seven in the fuckin' morning! | 0:05:20 | 0:05:23 | |
What?! | 0:05:23 | 0:05:25 | |
Are you Patrick Kenzie? | 0:05:25 | 0:05:28 | |
Er, yeah. | 0:05:28 | 0:05:29 | |
Bea and Lionel McCready. Our niece was kidnapped three days ago. | 0:05:29 | 0:05:33 | |
Please, come on in. Come on in. I have to apologise. | 0:05:33 | 0:05:37 | |
There's been some trouble with kids, ding-dong-ditch, | 0:05:37 | 0:05:40 | |
running away. That's the reason for the language. | 0:05:40 | 0:05:43 | |
-We can come back later? -No, make yourself comfortable. | 0:05:43 | 0:05:46 | |
I'm sorry about the mess. We've been, er... | 0:05:46 | 0:05:49 | |
I had a late case, a lot of cases. We've been working a lot. | 0:05:49 | 0:05:52 | |
We were working on a case last night, you know, so we just... | 0:05:52 | 0:05:56 | |
Please sit down, though. | 0:05:56 | 0:05:58 | |
Or, er... My associate will be in in a minute. She's in the other room. | 0:06:00 | 0:06:05 | |
How can we help you? | 0:06:05 | 0:06:08 | |
Do you know people in the hood who don't talk to police? | 0:06:08 | 0:06:12 | |
Yeah. One or two. | 0:06:12 | 0:06:14 | |
We want to hire you to augment the investigation of Amanda. | 0:06:14 | 0:06:18 | |
-Is that right? -You know how in JonBenet Ramsey, | 0:06:18 | 0:06:21 | |
the family hired investigators? | 0:06:21 | 0:06:24 | |
Are the police OK with you hiring outside help? | 0:06:24 | 0:06:26 | |
They need to worry about finding my niece. | 0:06:26 | 0:06:29 | |
Hi. I'm Angie Gennaro. I work with Patrick. | 0:06:29 | 0:06:32 | |
I'm Bea McCready. This is my husband, Lionel. | 0:06:32 | 0:06:34 | |
They want to hire us to, er, augment... the investigation. | 0:06:34 | 0:06:38 | |
They should talk to Precision Investigators. | 0:06:38 | 0:06:41 | |
-Who? What? -Well, let's hear them out, Ange. | 0:06:41 | 0:06:44 | |
Well, aren't you missing persons detectives? | 0:06:44 | 0:06:46 | |
Yeah, that's what your ad says. | 0:06:46 | 0:06:48 | |
Yeah, we are missing persons detectives. I'm sorry. | 0:06:48 | 0:06:51 | |
I think what Angie means to say is, just for the sake of disclosure, | 0:06:51 | 0:06:55 | |
up to this point, our experience has been primarily, | 0:06:55 | 0:06:58 | |
you know, finding, erm, missing persons who've gone missing, | 0:06:58 | 0:07:02 | |
that had stopped payments on their jet-ski... | 0:07:02 | 0:07:05 | |
Every police officer in this state is looking for your niece right now. | 0:07:05 | 0:07:09 | |
I'm not sure how much help we could be. | 0:07:09 | 0:07:11 | |
-You're not gonna do any harm. -All right, look. | 0:07:11 | 0:07:14 | |
I got a pension comin' up with Edison, so that's collateral if... | 0:07:14 | 0:07:17 | |
-No, it's not that. -Why is this so hard? | 0:07:17 | 0:07:20 | |
The cops and Lionel don't want me comin' here. | 0:07:20 | 0:07:23 | |
-Now you don't want the job? -It's not that - | 0:07:23 | 0:07:25 | |
-We consult privately before we make decisions like these. -We do. | 0:07:25 | 0:07:29 | |
Helene puts her to bed. | 0:07:29 | 0:07:31 | |
She goes to Dottie's, maybe gone half-hour, watches TV. | 0:07:31 | 0:07:34 | |
Then she comes home and Amanda is gone. | 0:07:34 | 0:07:36 | |
She was watching Wife Swap. It's her favourite show. | 0:07:36 | 0:07:40 | |
-You live upstairs? -Yeah. When our folks died, | 0:07:40 | 0:07:42 | |
they left us a unit, my sister a unit. Basically, we got no choice. | 0:07:42 | 0:07:47 | |
With the acoustics in the apartment... | 0:07:47 | 0:07:49 | |
Just come over to the house, talk to Helene. | 0:07:49 | 0:07:52 | |
Lionel, talk to Helene?! | 0:07:52 | 0:07:54 | |
-Look, she don't show it, but she's hurtin'. -Please, please. | 0:07:54 | 0:07:58 | |
Look, I was no saint. All right? I had my own problems. | 0:07:58 | 0:08:01 | |
I took a hard bust at 22. Bea straightened me out. | 0:08:01 | 0:08:04 | |
My sister Helene has not had that. | 0:08:04 | 0:08:07 | |
Talkin' to the mother's the least we could do. We'll come right over. | 0:08:07 | 0:08:12 | |
-Thanks a lot. -Pleasure. | 0:08:12 | 0:08:14 | |
-It's the brown three-decker by the park. -It'd be hard to miss today. | 0:08:14 | 0:08:19 | |
GENERAL BUSTLE | 0:08:19 | 0:08:21 | |
Look at this. Jesus! It's like a fuckin' block party here. | 0:08:38 | 0:08:43 | |
Four Cape Verdians got killed here last year, | 0:08:45 | 0:08:49 | |
no-one gave a shit. | 0:08:49 | 0:08:51 | |
We have a good life, right? | 0:08:56 | 0:08:59 | |
Is that a trick question? | 0:08:59 | 0:09:01 | |
I don't want to find a little kid in a dumpster. | 0:09:03 | 0:09:06 | |
Maybe she's not in a dumpster, babe. | 0:09:06 | 0:09:09 | |
I don't want to find a little kid | 0:09:09 | 0:09:11 | |
after they've been abused for three days. | 0:09:11 | 0:09:14 | |
Yeah, nobody does. | 0:09:17 | 0:09:19 | |
All right. Listen, we'll just go and talk to 'em. | 0:09:23 | 0:09:28 | |
You don't wanna do it after that, I won't argue with you. | 0:09:28 | 0:09:31 | |
OK. | 0:09:31 | 0:09:33 | |
GENERAL STREET NOISE | 0:09:33 | 0:09:35 | |
KNOCK AT DOOR | 0:09:40 | 0:09:42 | |
Hi. Please, come on in. | 0:09:42 | 0:09:45 | |
Helene, this is Patrick Kenzie and Angela Gennaro. | 0:09:47 | 0:09:51 | |
Hi. | 0:09:51 | 0:09:53 | |
I remember you from high school. | 0:09:53 | 0:09:55 | |
I see you're still a little conceited, huh? | 0:09:56 | 0:09:59 | |
-Would you excuse us, Dottie? -Dottie's my best friend. | 0:09:59 | 0:10:02 | |
She can be in my house if she wants. | 0:10:02 | 0:10:04 | |
We don't wanna get in your hair. We'll just ask you a few questions. | 0:10:04 | 0:10:09 | |
-Everyone wants their part now. -I know. | 0:10:09 | 0:10:12 | |
I already talked to the cops 40 times. | 0:10:12 | 0:10:14 | |
-Sorry to take up your time. -We're not the cops. | 0:10:14 | 0:10:17 | |
Beatrice asked us to come over here and see if we could help out. | 0:10:17 | 0:10:20 | |
Why don't Bea mind her business? It's my kid. | 0:10:20 | 0:10:24 | |
-Cos everyone's gotta have their moment. -Right. | 0:10:24 | 0:10:27 | |
Beatrice hired them to find Amanda with her own money. | 0:10:27 | 0:10:30 | |
So, show them the goddamn courtesy and respect... | 0:10:30 | 0:10:32 | |
-She's in grievin', prick. -She can grieve how she wants! | 0:10:32 | 0:10:36 | |
-You don't live here! -Don't you fucking yell at her! | 0:10:36 | 0:10:38 | |
-You ain't her father! -Fuck you, Lionel! | 0:10:38 | 0:10:42 | |
-Go fuck yourself, cocksucker. -Get the fuck outta here. | 0:10:42 | 0:10:46 | |
I'm sorry. I'm sorry. | 0:10:46 | 0:10:49 | |
-Maybe we should go. -I understand. I'm sorry. | 0:10:49 | 0:10:52 | |
Maybe we should go? | 0:10:52 | 0:10:54 | |
Can we all just have a few words in the hallway, please? | 0:10:55 | 0:10:58 | |
Excuse us, Helene. | 0:11:00 | 0:11:02 | |
-Helene's got emotional problems. -It's not that. | 0:11:12 | 0:11:15 | |
-What is it, then? -She's a cunt! | 0:11:15 | 0:11:17 | |
-Don't use that word! -God help me, it's true. | 0:11:17 | 0:11:20 | |
This is a child. | 0:11:27 | 0:11:30 | |
-QUIVERING: -And I don't know where she is. | 0:11:30 | 0:11:33 | |
Well... | 0:11:47 | 0:11:49 | |
We can't do any harm, right? | 0:11:52 | 0:11:55 | |
It's all right, Bea. It's all right, Bea. Huh? | 0:12:01 | 0:12:04 | |
Thank you. | 0:12:04 | 0:12:06 | |
Well, she's, er, quiet. | 0:12:09 | 0:12:11 | |
She tries very hard to be a good girl. | 0:12:11 | 0:12:14 | |
What about Helene? People she hangs out with? | 0:12:15 | 0:12:17 | |
She got a lot of people come by the house? | 0:12:17 | 0:12:20 | |
-I don't know. She's at the Fillmore all the time. -The Fillmore Lounge? | 0:12:20 | 0:12:25 | |
Yeah, she drinks every day. | 0:12:26 | 0:12:28 | |
She's got the gene. You know, the disease. Our parents had it, too. | 0:12:28 | 0:12:32 | |
-She use drugs? -I think she does a little coke. | 0:12:32 | 0:12:36 | |
How much is "a little"? | 0:12:36 | 0:12:39 | |
I don't know. A few times a week, maybe. | 0:12:39 | 0:12:43 | |
-I mean, how much is a lot? -A few times a week's a lot. | 0:12:43 | 0:12:46 | |
Then she does a lot. I don't know anything about that. | 0:12:47 | 0:12:50 | |
I put the plug in the jug myself. I got 23 years' sobriety, so I'm good. | 0:12:50 | 0:12:54 | |
Congratulations. | 0:12:57 | 0:13:00 | |
You mind if we see her room? | 0:13:01 | 0:13:03 | |
-They kidnapped the furniture, too? -Patrick. | 0:13:19 | 0:13:22 | |
VOICE OVER POLICE RADIO | 0:13:38 | 0:13:40 | |
Solved it yet? | 0:13:42 | 0:13:44 | |
Captain. Patrick Kenzie. This is my associate, Angie Gennaro. | 0:13:44 | 0:13:48 | |
Mmm-hmm. | 0:13:48 | 0:13:50 | |
I see Beatrice went on and hired someone. | 0:13:50 | 0:13:53 | |
So, it wasn't your recommendation? | 0:13:53 | 0:13:55 | |
It was not. | 0:13:55 | 0:13:57 | |
She would mortgage her home to every snake doctor | 0:13:57 | 0:14:00 | |
taking credit cards if she thought it would help. | 0:14:00 | 0:14:03 | |
My job's hard enough without inviting the circus in here. | 0:14:03 | 0:14:06 | |
Captain, this isn't about the money for us. | 0:14:06 | 0:14:09 | |
You ever investigated an abduction before? | 0:14:11 | 0:14:14 | |
She was hopin' we could help with the neighbourhood aspect, the people. | 0:14:14 | 0:14:18 | |
How old are you? | 0:14:18 | 0:14:20 | |
-I'm 31. -He just looks young. | 0:14:21 | 0:14:24 | |
A four-year-old child is on the street. | 0:14:29 | 0:14:32 | |
It's 76 hours and counting. | 0:14:32 | 0:14:35 | |
The prospects for where she might be are looking grim. | 0:14:35 | 0:14:38 | |
You understand? Half of all children in these cases are killed flat out. | 0:14:38 | 0:14:43 | |
If we don't catch the abductor by day one, | 0:14:43 | 0:14:45 | |
only about ten per cent are ever solved. | 0:14:45 | 0:14:48 | |
This is day three. | 0:14:48 | 0:14:50 | |
He may look young,... | 0:14:52 | 0:14:55 | |
but if he wants to work this case, he'd better not act it. | 0:14:55 | 0:14:59 | |
Well, he's been hired by a woman who's the victim of a crime. | 0:14:59 | 0:15:02 | |
He's entitled, as her representative, to be cooperated with | 0:15:02 | 0:15:05 | |
by the Boston Police Department. So he expects to be. | 0:15:05 | 0:15:09 | |
And he will be. | 0:15:11 | 0:15:13 | |
He and his... better half will be contacted by two of my senior men, | 0:15:14 | 0:15:19 | |
at their convenience, and be permitted to observe. | 0:15:19 | 0:15:23 | |
We're just trying to help, Captain. | 0:15:26 | 0:15:28 | |
Look, I don't care who does it. | 0:15:31 | 0:15:34 | |
I just want it done. | 0:15:34 | 0:15:36 | |
Good afternoon. | 0:15:39 | 0:15:41 | |
Ready to start? | 0:15:43 | 0:15:45 | |
GUITAR SOLO INTRO | 0:15:45 | 0:15:48 | |
SOFT ROCK MUSIC | 0:15:50 | 0:15:54 | |
All I'm saying is, we heard Helene comes here. | 0:15:55 | 0:15:58 | |
We're not asking for the combination to the safe. | 0:15:58 | 0:16:01 | |
Listen, I ain't sayin' a fuckin' word. I already talked to the cops. | 0:16:01 | 0:16:04 | |
All right. | 0:16:05 | 0:16:07 | |
-Dave, right? -Big Dave! | 0:16:07 | 0:16:09 | |
Big Dave, all right. | 0:16:09 | 0:16:12 | |
I'm Medium Patrick. Nice to meet you. | 0:16:12 | 0:16:15 | |
You're fuckin' light in the ass to be talkin' shit. | 0:16:15 | 0:16:18 | |
Jesus, man, I'm just playin'! | 0:16:18 | 0:16:20 | |
Listen, buy a couple of fuckin' drinks or screw. | 0:16:20 | 0:16:23 | |
OK, we'll take a couple of tonics. | 0:16:23 | 0:16:26 | |
SIGHS: Christ. | 0:16:27 | 0:16:29 | |
Steve Penteroudakis! The Grecian Formula! | 0:16:30 | 0:16:33 | |
Oh, shit. What are you doin' here? | 0:16:33 | 0:16:35 | |
Look at this little motherfucker. | 0:16:35 | 0:16:37 | |
Gyro, beers and Keno. | 0:16:37 | 0:16:40 | |
Two in the afternoon. What up? | 0:16:40 | 0:16:42 | |
Listen, I've been fuckin' everywhere puttin' up posters, man. | 0:16:42 | 0:16:46 | |
You know? Every project hallway. | 0:16:46 | 0:16:49 | |
All over City Point. Everywhere. | 0:16:49 | 0:16:51 | |
It's a tragedy. She used to come and sit at the bar. | 0:16:51 | 0:16:54 | |
-She was our mascot. -Helene brought Amanda in? | 0:16:54 | 0:16:57 | |
Mostly in the afternoons. I mean, it's no place for a child at night. | 0:16:57 | 0:17:01 | |
-Really? -Oh, yeah. | 0:17:01 | 0:17:03 | |
Hot tempers. Lot of drugs. Trust me. | 0:17:03 | 0:17:06 | |
So, how often is Helene in here? | 0:17:06 | 0:17:08 | |
Five nights a week. C'mon, guys, please. | 0:17:08 | 0:17:11 | |
She's a coke ho, OK? She's fuckin' doing lines just about every night. | 0:17:11 | 0:17:15 | |
Trust me, it's not a real shocker. | 0:17:15 | 0:17:17 | |
She's that bad, huh? | 0:17:17 | 0:17:19 | |
Huh? Oh, she's fuckin' terrible! | 0:17:19 | 0:17:21 | |
Listen. Remember when the kid got kidnapped? You saw her on the news? | 0:17:21 | 0:17:25 | |
She's sayin', "Oh, I was at my neighbour's house for a half-hour." | 0:17:25 | 0:17:29 | |
Bullshit! She was in here for, like, two hours, bumpin' rails. | 0:17:29 | 0:17:32 | |
-Oh, yeah. -What time did she come in? | 0:17:32 | 0:17:34 | |
-Eight o'clock. -Are you sure it was that night? | 0:17:34 | 0:17:37 | |
Fuckin' positive, cos she was in the shitter bangin' down rails with Ray. | 0:17:37 | 0:17:41 | |
-I was bangin' on the fuckin' door. -Skinny Ray? | 0:17:41 | 0:17:44 | |
Yeah. Ray Likanski. He's in there duckin' me like a faggot. | 0:17:44 | 0:17:48 | |
He thought I didn't know he was in there... | 0:17:48 | 0:17:50 | |
Hey, Stevie? | 0:17:50 | 0:17:52 | |
-What the fuck you doin'? -Nothin'. | 0:17:53 | 0:17:56 | |
-What's up, Lenny? -Don't talk about people you don't know. | 0:17:56 | 0:17:59 | |
These are my friends, I've known them years! | 0:17:59 | 0:18:02 | |
-What's up, guy? -You said you weren't a cop, guy. | 0:18:02 | 0:18:05 | |
-I'm not a cop. -Then why don't you fuck off? | 0:18:05 | 0:18:07 | |
-Why don't you mind your business? -He's gonna be a smartass? | 0:18:07 | 0:18:11 | |
You're awfully worried about people's asses, Dave. | 0:18:11 | 0:18:14 | |
You probably got a fuckin' ass like a Skippy jar. | 0:18:14 | 0:18:17 | |
What are you doin' here? Dave can't make a martini worth a shit. | 0:18:17 | 0:18:21 | |
Trying to help Helene find her daughter. | 0:18:21 | 0:18:24 | |
Don't be runnin' your mouth like you're better than me. | 0:18:24 | 0:18:27 | |
-I'm not the fuckin' one. -All right, just cool it. | 0:18:27 | 0:18:30 | |
-Cool it? Listen to this douche bag. -Bet she fucks the asshole in half. | 0:18:30 | 0:18:34 | |
What the fuck is the matter with you guys?! | 0:18:34 | 0:18:37 | |
You, you punk-fuckin' jackass. | 0:18:37 | 0:18:39 | |
We're leavin', alL right? CLICK | 0:18:47 | 0:18:50 | |
You know, Dave, I think it's your good looks. | 0:18:52 | 0:18:55 | |
Cos there is some fine pussy in here tonight. | 0:18:57 | 0:19:01 | |
Open that door. | 0:19:09 | 0:19:11 | |
-Open the door, Mike. -Now! DOOR UNLOCKS | 0:19:13 | 0:19:16 | |
If ya ever wanna get fucked, let me know. | 0:19:27 | 0:19:29 | |
CRASHING | 0:19:29 | 0:19:32 | |
How's that, motherfucker? HE SPITS | 0:19:32 | 0:19:34 | |
Now you know. Keep your fuckin' mouths closed. | 0:19:34 | 0:19:37 | |
-You wanna say some shit, Fat Dave? -Fuck you! | 0:19:38 | 0:19:40 | |
Fuck you! Make me a martini, you fat bastard! | 0:19:40 | 0:19:43 | |
-Get the fuck out! -Make me a fuckin' martini, you fat fuckin' retard! | 0:19:43 | 0:19:47 | |
Fuckin' unbelievable! | 0:19:47 | 0:19:49 | |
Ow... | 0:19:52 | 0:19:54 | |
SIRENS WAIL | 0:20:02 | 0:20:04 | |
-Can I help you? -Detective Bressant? | 0:20:24 | 0:20:26 | |
-That's right. -Patrick Kenzie. You just called me? | 0:20:26 | 0:20:29 | |
Oh, sorry. Sergeant Detective Remy Bressant. | 0:20:29 | 0:20:33 | |
How you doin'? | 0:20:33 | 0:20:35 | |
-Should we, er,... sit down? -Something wrong? | 0:20:35 | 0:20:38 | |
-No. It's just... -I think Nick was expecting an older couple, maybe. | 0:20:38 | 0:20:42 | |
Well, life's full of surprises. | 0:20:42 | 0:20:45 | |
Corwin Earle, molester. Recently work released. | 0:20:45 | 0:20:49 | |
Went AWOL around the time Amanda disappeared. | 0:20:49 | 0:20:51 | |
Known associates, Leon Trett, | 0:20:51 | 0:20:54 | |
and his handsome wife, Roberta. | 0:20:54 | 0:20:58 | |
The Tretts were released six and eight months ago respectively. | 0:20:58 | 0:21:02 | |
They have drug habits. We think Corwin's with 'em. | 0:21:02 | 0:21:05 | |
Jailhouse snitch claims that Corwin confided in him | 0:21:05 | 0:21:09 | |
and told him, when he got out, he was gonna move in with his family. | 0:21:09 | 0:21:13 | |
The three of 'em have some kind of Addams Family deal goin' on. | 0:21:13 | 0:21:17 | |
Corwin's plan is to keep a kid in the house to have sex with. | 0:21:17 | 0:21:21 | |
-Sounds promising. -Not for Amanda it doesn't. | 0:21:21 | 0:21:24 | |
-You think he has Amanda? -There's lots of holes in the theory. | 0:21:24 | 0:21:27 | |
Corwin likes little boys, you know? He likes 'em seven or eight or nine. | 0:21:27 | 0:21:32 | |
So, that's it? No other leads, three days in? | 0:21:33 | 0:21:36 | |
No, we got more. We got six psychics tellin' us to look in six states, | 0:21:36 | 0:21:40 | |
Lionel and Bea with airtight alibis, we've interviewed neighbours | 0:21:40 | 0:21:44 | |
and we got a finger blaster who cut off his ankle bracelet. | 0:21:44 | 0:21:47 | |
-Take it easy. -No! Who the fuck is this guy?! | 0:21:47 | 0:21:50 | |
Jack Doyle extended you a courtesy. You got something to contribute, | 0:21:51 | 0:21:55 | |
be my guest. Otherwise, you can go back to your Harry Potter book. | 0:21:55 | 0:21:59 | |
Isn't it usually somebody who knows the victim? | 0:22:01 | 0:22:04 | |
There's plenty of people in Helene's life that are capable of doin' this. | 0:22:04 | 0:22:09 | |
So you've probably talked to Ray Likanski? | 0:22:10 | 0:22:13 | |
-Who? -Ray Likanski. | 0:22:13 | 0:22:15 | |
Skinny Ray, they call him. 6'2", about 160 pounds, does blow. | 0:22:15 | 0:22:20 | |
Helene's boyfriend. No? | 0:22:20 | 0:22:23 | |
Never heard of him. | 0:22:23 | 0:22:25 | |
Well, with all due respect, we can contribute on that point. | 0:22:25 | 0:22:28 | |
-Really? How? -The night Amanda went missing, | 0:22:28 | 0:22:31 | |
Ray was at the Fillmore Lounge doing coke between eight and ten. | 0:22:31 | 0:22:34 | |
Fascinating(!) | 0:22:34 | 0:22:36 | |
With Helene McCready. | 0:22:37 | 0:22:38 | |
You're shittin' me? | 0:22:38 | 0:22:41 | |
-She did bullshit us. -I'm gonna tear her a new asshole. | 0:22:42 | 0:22:45 | |
We'll meet you down there. | 0:22:45 | 0:22:48 | |
So, what kind of name is Bressant? | 0:22:50 | 0:22:53 | |
It's the kind they give you in Louisiana. | 0:22:53 | 0:22:55 | |
I thought you were from here? | 0:22:55 | 0:22:57 | |
Well, it all depends on how you look at it. | 0:22:57 | 0:23:00 | |
I mean, you might think that you're more from here than me, for example, | 0:23:00 | 0:23:05 | |
but I've been living here longer than you've been alive. | 0:23:05 | 0:23:09 | |
-So, who's right? -I'll mull it over. | 0:23:09 | 0:23:12 | |
-What's up, sucker? -Bubba! Good to see you, man. | 0:23:12 | 0:23:16 | |
-Everything good? -Yeah. What's up? How're you doin'? | 0:23:16 | 0:23:19 | |
Have you seen those people? | 0:23:19 | 0:23:22 | |
Drug addict, drug addict, fuckin'... paedophile. | 0:23:22 | 0:23:26 | |
What makes you think I know people like this? | 0:23:26 | 0:23:29 | |
I know you don't pay your rent doin' people's taxes. | 0:23:30 | 0:23:32 | |
I don't pay it sellin' penny rocks to child molesters neither. | 0:23:32 | 0:23:36 | |
They're not all child molesters. Just, er... | 0:23:36 | 0:23:40 | |
Just one, Corwin Earle. The others, he hangs out with. | 0:23:40 | 0:23:43 | |
-SCOFFS: -What are you two, crime dogs? | 0:23:43 | 0:23:46 | |
We got hired to find that little girl. | 0:23:46 | 0:23:48 | |
The mother was at the Fillmore all night when the kid was taken. | 0:23:48 | 0:23:52 | |
-With Skinny Ray. -He's a fuckin' bitch! | 0:23:52 | 0:23:54 | |
-I thought Ray was your boy? -Work for me? | 0:23:54 | 0:23:57 | |
He's a fuckin' cokehead! He works for the Haitian. | 0:23:57 | 0:24:00 | |
-Ray works for Cheese? -Yeah. Cheese, Ray, Chris Mullen, | 0:24:00 | 0:24:04 | |
-the whole trash-picker crew. -Did you sell to Helene? | 0:24:04 | 0:24:07 | |
There's reasons why there ain't Plexiglas between us right now. | 0:24:07 | 0:24:11 | |
I don't fuck with skeezers like Helene, or coconuts like Cheese. | 0:24:11 | 0:24:15 | |
You know better. I'm king of the motherfuckin' jungle! | 0:24:15 | 0:24:18 | |
I'll let you know if I hear anything, though. | 0:24:18 | 0:24:21 | |
-Thanks. -Peace. | 0:24:21 | 0:24:22 | |
How well do you know Cheese Jean Baptiste? | 0:24:22 | 0:24:25 | |
How well do you know Cheese Jean Baptiste? | 0:24:25 | 0:24:29 | |
-Who? -C'mon, sweetheart. | 0:24:29 | 0:24:31 | |
Cheese. Jean Baptiste. | 0:24:31 | 0:24:34 | |
-Oh, sounds familiar. -No, no. It don't sound familiar, Helene. | 0:24:36 | 0:24:42 | |
He's a violent, sociopathic, Haitian criminal named Cheese. | 0:24:42 | 0:24:49 | |
Either you know him or you don't. | 0:24:50 | 0:24:52 | |
-Who is he? -BEA: -He's a drug lord, isn't he? | 0:24:54 | 0:24:58 | |
-LIONEL: -Helene, who is he? -He's just a guy, Lionel. | 0:24:58 | 0:25:02 | |
-Thank you. -He is, among other things, Mrs McCready, a drug dealer. | 0:25:02 | 0:25:06 | |
-What other things? -I don't know! | 0:25:06 | 0:25:08 | |
-Why don't you answer him? -Why don't you suck a nigger's dick? | 0:25:08 | 0:25:12 | |
Listen! Don't disrespect my wife or make racial remarks in my kitchen! | 0:25:12 | 0:25:16 | |
-Who is he? -It's my kitchen. -You know what I mean! | 0:25:16 | 0:25:19 | |
Hey, take it easy. He's a drug dealer, | 0:25:19 | 0:25:21 | |
-a pimp, a pornographer, all right? -You associate with a pimp? | 0:25:21 | 0:25:25 | |
-BEA: A pornographer?! -And we think he rolled Pokey Jackson | 0:25:25 | 0:25:28 | |
in a carpet and shot him in the head. There's that, too. | 0:25:28 | 0:25:31 | |
-REMY: -What do you do for him? | 0:25:31 | 0:25:34 | |
I just mule. Occasionally, not making a habit out of it. | 0:25:34 | 0:25:38 | |
-Lionel, what does that mean? -She's a drug runner, Bea. | 0:25:38 | 0:25:42 | |
-She carries drugs. Isn't that right? -Oh, my God! A few times! | 0:25:42 | 0:25:45 | |
-Where? -Providence... Does it fuckin' matter? | 0:25:45 | 0:25:50 | |
Do you think I'm fuckin' around here? Of course it matters! | 0:25:50 | 0:25:54 | |
You better answer his question. For what? | 0:25:58 | 0:26:02 | |
For fuck's sake, Lionel. What do you think? Money, taste... | 0:26:02 | 0:26:06 | |
-Of drugs? -No, heart stickers for my locker(!) | 0:26:06 | 0:26:09 | |
-What drugs? -Cocaine and heroin. | 0:26:09 | 0:26:11 | |
-No, I would've seen the track marks. -Not if you snort it. | 0:26:11 | 0:26:14 | |
-Right, Sugar? -Yeah. | 0:26:14 | 0:26:16 | |
Less addictive that way. | 0:26:16 | 0:26:18 | |
Piece of work. | 0:26:20 | 0:26:22 | |
What the fuck is that? Where you goin'? | 0:26:24 | 0:26:27 | |
OPENS CAN | 0:26:28 | 0:26:31 | |
Oh, yeah. I keep thinking about this thing I heard. | 0:26:32 | 0:26:36 | |
-You know where I'm going with this? -No. | 0:26:37 | 0:26:39 | |
-Did you know I used to work DCU? -I give a fuck? | 0:26:39 | 0:26:43 | |
-LAUGHS: -OK. | 0:26:43 | 0:26:45 | |
I still know some of those guys real well. | 0:26:45 | 0:26:48 | |
Anyway, I heard someone ripped Cheese off on a New Hampshire run. | 0:26:49 | 0:26:53 | |
-Did you hear anything about that? -No. | 0:26:53 | 0:26:56 | |
-Care to take a polygraph? -I already took one. | 0:26:56 | 0:26:59 | |
Different questions this time. | 0:26:59 | 0:27:02 | |
C'mon! | 0:27:02 | 0:27:04 | |
It's all right. | 0:27:04 | 0:27:06 | |
We don't care about a couple of hopheads beatin' each other. | 0:27:06 | 0:27:10 | |
We care about your child. | 0:27:10 | 0:27:13 | |
So, come on. How much? | 0:27:13 | 0:27:16 | |
Do you give a fuck about your kid? | 0:27:19 | 0:27:21 | |
Of course I do. | 0:27:22 | 0:27:24 | |
We know you took the money. | 0:27:24 | 0:27:26 | |
So just tell us how much you took. | 0:27:26 | 0:27:29 | |
How much? | 0:27:29 | 0:27:31 | |
How much?! | 0:27:34 | 0:27:36 | |
HOW MUCH?! | 0:27:37 | 0:27:39 | |
130. | 0:27:40 | 0:27:43 | |
HE SIGHS | 0:27:43 | 0:27:45 | |
REMY WHISTLES, CLEARS THROAT | 0:27:45 | 0:27:48 | |
130,000? | 0:27:48 | 0:27:51 | |
Yes, Bea! | 0:27:51 | 0:27:53 | |
How'd you do it? | 0:27:53 | 0:27:55 | |
-Me and Ray had to do this run up Nashua, right? -Yeah. | 0:27:59 | 0:28:03 | |
We drop four keys on these bikers. | 0:28:03 | 0:28:05 | |
When we walked through the motel with the money, | 0:28:05 | 0:28:08 | |
these cops just swooped in and went right for the bikers. | 0:28:08 | 0:28:11 | |
And Amanda was with us, so, erm,... | 0:28:11 | 0:28:14 | |
we just pretended to be a family, got in the car and took off. | 0:28:14 | 0:28:18 | |
-You took Amanda? -What am I gonna do, leave her in the car, Bea? | 0:28:18 | 0:28:22 | |
I don't got no day care. | 0:28:23 | 0:28:26 | |
It's really hard bein' a mother. | 0:28:26 | 0:28:28 | |
It's hard raisin' a family, you know? | 0:28:28 | 0:28:31 | |
All on my own. | 0:28:31 | 0:28:33 | |
But God made you barren, so you wouldn't fuckin' know so... | 0:28:33 | 0:28:37 | |
-You are an abomination. -Hey, hey! Right here, right here. | 0:28:37 | 0:28:40 | |
What happened next? | 0:28:40 | 0:28:43 | |
We was driving back. | 0:28:43 | 0:28:45 | |
And Ray... | 0:28:45 | 0:28:47 | |
Fuckin' Ray was, "Everyone's gonna think the cops got the money." | 0:28:47 | 0:28:51 | |
You told Cheese the cops got it? | 0:28:51 | 0:28:53 | |
But you and Ray kept the money? | 0:28:53 | 0:28:55 | |
This whole fuckin' thing is Ray's fault! | 0:28:56 | 0:28:59 | |
Where's the money now, Helene? | 0:28:59 | 0:29:01 | |
-It's with Ray. -And where's Ray? | 0:29:03 | 0:29:07 | |
Chelsea. | 0:29:08 | 0:29:10 | |
Let's go. C'mon. She rides with you. I don't want her in my car. | 0:29:10 | 0:29:14 | |
KIDS SHOUT | 0:29:26 | 0:29:28 | |
TYRES SCREECH C'mon, move the bike! | 0:29:30 | 0:29:33 | |
-Go fuck your mother! -What? | 0:29:33 | 0:29:35 | |
Beat it, sucker! | 0:29:35 | 0:29:37 | |
-Helene, you went with Scott Flaherty, didn't you? -How do you know? | 0:29:42 | 0:29:46 | |
I was at St Mark's. I was a freshman, you were a senior. Remember? | 0:29:46 | 0:29:49 | |
No. | 0:29:49 | 0:29:51 | |
Whatever happened to Scott? | 0:29:51 | 0:29:53 | |
Ah, he stabbed a foreign exchange student in the chest. | 0:29:53 | 0:29:57 | |
He got life in Walpole. | 0:29:57 | 0:29:59 | |
He's a faggot now. | 0:29:59 | 0:30:01 | |
He was a faggot in high school. | 0:30:02 | 0:30:04 | |
-LAUGHING: -Oh, man! | 0:30:04 | 0:30:06 | |
-You're terrible. -SHE CHUCKLES | 0:30:06 | 0:30:08 | |
-He was cute. -Well, he'd wear them tight shorts. | 0:30:08 | 0:30:12 | |
Oh, who's a faggot now? | 0:30:12 | 0:30:14 | |
You're datin' a faggot! | 0:30:14 | 0:30:17 | |
So, how did the money end up in Chelsea? | 0:30:19 | 0:30:21 | |
I thought you and Ray went home after. | 0:30:21 | 0:30:24 | |
No, we dropped off Amanda and went back to Ray's. | 0:30:24 | 0:30:27 | |
Then retarded Ray left his baby rock at my place. | 0:30:27 | 0:30:30 | |
I'm like, "I'm gonna drop this motherfucker." | 0:30:30 | 0:30:33 | |
"I don't care if he got a big dick." | 0:30:33 | 0:30:35 | |
So, we went back to the apartment and Ray was hollerin'. | 0:30:35 | 0:30:39 | |
He was gonna wake Amanda. She needs her sleep. | 0:30:39 | 0:30:41 | |
You know? So, we went back to Ray's, or Ray's mother's, whatever. | 0:30:41 | 0:30:46 | |
I don't know where she went, but she left her fuckin' cats | 0:30:46 | 0:30:49 | |
and it smells like cock. | 0:30:49 | 0:30:52 | |
And Cheese never contacted you? | 0:30:52 | 0:30:55 | |
No. We didn't hear from Cheese, and Ray said, "Don't say shit." | 0:30:55 | 0:30:59 | |
It wasn't worth it, for Amanda's sake, to say what happened? | 0:30:59 | 0:31:02 | |
Cheese has your kid! | 0:31:02 | 0:31:05 | |
God fuckin' knows what he's doing to her. | 0:31:05 | 0:31:08 | |
What am I gonna do? Call Cheese and be like, "You got my daughter?" | 0:31:08 | 0:31:12 | |
-"Cos I just ripped you off..." -Yeah! | 0:31:12 | 0:31:15 | |
-Helene, sit back. -Oh, my God! | 0:31:15 | 0:31:17 | |
I'm gonna call the cops, too, and be like, "Oh, just so you know, | 0:31:17 | 0:31:21 | |
"I run coke and heroin, in case that's relevant"? | 0:31:21 | 0:31:25 | |
-All right, calm down. Calm down. -You make me sick. | 0:31:25 | 0:31:28 | |
What makes you think Ray hasn't spent the money? | 0:31:29 | 0:31:32 | |
Nigger, please. I hid it. | 0:31:32 | 0:31:34 | |
Pull over. | 0:31:34 | 0:31:35 | |
Looks like somebody talked with Ray before they shot him. | 0:32:00 | 0:32:03 | |
Looks like he held out pretty good. | 0:32:03 | 0:32:05 | |
-He didn't have it. -Hmm? | 0:32:05 | 0:32:08 | |
He couldn't say where the money was cos he didn't know. Helene hid it. | 0:32:08 | 0:32:12 | |
-HE SCOFFS -Ray made poor relationship choices. | 0:32:12 | 0:32:16 | |
-I guess they didn't believe him. -Poor prick. | 0:32:16 | 0:32:20 | |
-DOOR OPENS -I am not waitin' in the fuckin' car. | 0:32:20 | 0:32:24 | |
-Where's the money? -I don't give a fuck about the money! | 0:32:38 | 0:32:41 | |
-Helene... -I just want my daughter home! | 0:32:42 | 0:32:45 | |
I know. I... I know. I'm sorry. It's very upsetting about Ray, but, er... | 0:32:45 | 0:32:49 | |
-Where's the money? -Right there. -Where? | 0:32:50 | 0:32:52 | |
I buried it when Ray was passed out. | 0:32:52 | 0:32:55 | |
What was that book, "Everything you need is in your own backyard"? | 0:32:55 | 0:33:00 | |
-A French book. -That wasn't a book. | 0:33:00 | 0:33:03 | |
-That was a book. -No, it was a cartoon. | 0:33:03 | 0:33:06 | |
-It was a cartoon. Right, Helene? -Fuck you both! | 0:33:06 | 0:33:09 | |
-Should we get the FBI? -That's the worst thing we could do. | 0:33:09 | 0:33:12 | |
I don't want Cheese to kill Amanda after he sees a bag of paper. | 0:33:12 | 0:33:16 | |
-It's kidnapping. -I don't see a note. | 0:33:16 | 0:33:18 | |
-You see a note? -Nope. No note. | 0:33:18 | 0:33:21 | |
This is a missing children's case. | 0:33:21 | 0:33:23 | |
Kidnapping has nothing to do with it. Fastest way to get Amanda home | 0:33:23 | 0:33:27 | |
is to swap the money for her and walk away. Plain and simple. | 0:33:27 | 0:33:30 | |
-Do you know Cheese? -I knew his brother better, Jude. | 0:33:30 | 0:33:34 | |
He was a sweet kid. Cheese went another way. | 0:33:34 | 0:33:37 | |
-He wouldn't hurt her, right? -Ask Ray. | 0:33:38 | 0:33:42 | |
All he cares about is his money. If he gets it back, he won't hurt her. | 0:33:42 | 0:33:46 | |
Just keep your mouth shut, OK? We'll get her back. It'll be fine. | 0:33:46 | 0:33:49 | |
-You're gonna talk to him? -Yeah. | 0:33:49 | 0:33:52 | |
Well, tell him I'm sorry. He knows me. Just tell him I apologise. | 0:33:52 | 0:33:56 | |
-HE LAUGHS -I'm sure that'll fix everything(!) | 0:33:56 | 0:33:59 | |
-Take her home. We'll take care of this. -We'll meet you over there. | 0:33:59 | 0:34:02 | |
-I'm hungry. -I'll get you something. | 0:34:02 | 0:34:05 | |
No, her. That's what she said to me before I put her to bed. | 0:34:05 | 0:34:09 | |
She said, "I'm hungry." They fed her, right? She's not still hungry? | 0:34:09 | 0:34:13 | |
I don't know. | 0:34:14 | 0:34:16 | |
-SOBS: -I know I fucked up! | 0:35:00 | 0:35:04 | |
I just want my daughter back. I swear I won't do no drugs no more. | 0:35:04 | 0:35:09 | |
I won't even go out. I'll be fuckin' straight. Cross my heart. | 0:35:09 | 0:35:12 | |
It's all right. We're gonna find her. | 0:35:13 | 0:35:16 | |
You have to. You promise? | 0:35:16 | 0:35:18 | |
Yeah. I'm gonna try. | 0:35:19 | 0:35:22 | |
I will. | 0:35:22 | 0:35:24 | |
Promise. | 0:35:24 | 0:35:25 | |
You have to promise me. | 0:35:25 | 0:35:28 | |
I promise. | 0:35:28 | 0:35:30 | |
-Where are you going? -To talk to Cheese. | 0:35:52 | 0:35:54 | |
-No, you're not. Get back in the car. -That's a mistake. | 0:35:54 | 0:35:57 | |
-He won't talk to a badge. -No. No way! | 0:35:57 | 0:36:00 | |
You want her back or not? I know him. If there's a deal to be had, we... | 0:36:00 | 0:36:04 | |
We're handling this. Get back in the car. | 0:36:04 | 0:36:06 | |
Guys, you negotiate a ransom for a little girl, | 0:36:06 | 0:36:09 | |
then it is the FBI, cos it's kidnapping. | 0:36:09 | 0:36:12 | |
All you'll do is scare him. The more you do, the worse it is for her. | 0:36:12 | 0:36:16 | |
All right, go ahead. | 0:36:21 | 0:36:22 | |
Just... relax, sit tight. I know him. I'll take care of it. | 0:36:23 | 0:36:27 | |
Good luck. | 0:36:27 | 0:36:29 | |
HE SNORTS | 0:36:30 | 0:36:33 | |
It's been a long time. | 0:36:35 | 0:36:37 | |
Nah, I quit. | 0:36:39 | 0:36:41 | |
I'm gonna talk some private shit. | 0:36:48 | 0:36:50 | |
Hey... don't get too far. | 0:36:52 | 0:36:55 | |
You know I'll be right here. | 0:36:55 | 0:36:58 | |
Bitches love the Cheddar. | 0:36:58 | 0:37:00 | |
-How you been, Chris? -Better than you. | 0:37:06 | 0:37:10 | |
-Yeah. Good to hear it. -Fuck you! | 0:37:11 | 0:37:14 | |
All right, be cool. It's been too long not to see a fool. | 0:37:14 | 0:37:19 | |
I grant you audience. | 0:37:20 | 0:37:24 | |
-Go. -We found what you were looking for in Chelsea. | 0:37:24 | 0:37:27 | |
What I care about Chelsea? | 0:37:30 | 0:37:32 | |
Cos one of the idiots that robbed you lived there. | 0:37:32 | 0:37:35 | |
What idiot? | 0:37:35 | 0:37:37 | |
The one that you and Chris beat with a pipe and shot in the chest. | 0:37:37 | 0:37:41 | |
I don't know about nobody gettin' killed. | 0:37:43 | 0:37:47 | |
But if somebody robbed me and end up dead, | 0:37:47 | 0:37:51 | |
well, you know, life... is a mo'fucker. | 0:37:51 | 0:37:55 | |
Cheese, we got your money. | 0:37:56 | 0:37:58 | |
It was buried in Ray's back yard. | 0:37:58 | 0:38:01 | |
We wanna give it back to you in exchange for Amanda McCready. | 0:38:02 | 0:38:06 | |
The two police outside are the only others who know. | 0:38:06 | 0:38:09 | |
No-one gives a fuck about what you did. | 0:38:09 | 0:38:11 | |
Man, I didn't even like Ray. | 0:38:11 | 0:38:13 | |
You get your money, a mother gets her daughter back | 0:38:13 | 0:38:16 | |
and we say we found the kid in the bushes. | 0:38:16 | 0:38:19 | |
It's either this, real quiet, or it's a thousand fuckin' cops | 0:38:19 | 0:38:23 | |
kickin' your door in, puttin' their fat knees in your neck. | 0:38:23 | 0:38:26 | |
Hold up. | 0:38:29 | 0:38:31 | |
Whoa. Whoa! COCKS GUN | 0:38:32 | 0:38:35 | |
What the fuck is this?! | 0:38:35 | 0:38:37 | |
-Lift up your shirt. -C'mon, man. | 0:38:39 | 0:38:42 | |
Motherfucker, you heard me. | 0:38:42 | 0:38:44 | |
Lift up your shirt. | 0:38:44 | 0:38:47 | |
-It ain't like that, Cheese. -But see, I ain't down with you. | 0:38:47 | 0:38:51 | |
Lift up your shirt! | 0:38:51 | 0:38:53 | |
You too, baby. Ain't no gender immunity. Let me see some tit. | 0:38:59 | 0:39:03 | |
Don't never come in my spot like that. | 0:39:08 | 0:39:10 | |
Ma boss, moi. | 0:39:10 | 0:39:14 | |
You got my money? | 0:39:14 | 0:39:15 | |
You leave that shit in the mailbox on your ass way out. You feel me? | 0:39:15 | 0:39:19 | |
Some other motherfuckers let fools rob on 'em. I don't play scrimmage. | 0:39:19 | 0:39:23 | |
But I don't fuck with no kids. | 0:39:23 | 0:39:25 | |
And if that girl only hope is you, | 0:39:28 | 0:39:31 | |
well, I pray for her. | 0:39:31 | 0:39:33 | |
Cos she's gone, baby. | 0:39:33 | 0:39:36 | |
Gone. | 0:39:36 | 0:39:38 | |
Cheese, if you ever disrespect her again, I'll pull your fucking card. | 0:39:47 | 0:39:52 | |
OK? | 0:39:52 | 0:39:54 | |
So you're saying you didn't do it? Fine. | 0:39:59 | 0:40:01 | |
We'll take your money and we'll be on our way. | 0:40:01 | 0:40:05 | |
But if it turns out you're lying, | 0:40:05 | 0:40:07 | |
I'm gonna spend all that money to fuck you up. | 0:40:07 | 0:40:10 | |
I'm gonna bribe cops to go after you, pay guys to go after your crew | 0:40:10 | 0:40:14 | |
and I'll tell everyone I know you're a CI and a rat. | 0:40:14 | 0:40:17 | |
And I know a lot of people. | 0:40:17 | 0:40:20 | |
And you'll wish you'd listened to me, | 0:40:20 | 0:40:22 | |
cos your shitty crime syndicate headquarters is gonna get raided, | 0:40:22 | 0:40:26 | |
your doped-up bitches will be sent back to Laos | 0:40:26 | 0:40:28 | |
and this retard will testify against you for a reduced sentence | 0:40:28 | 0:40:32 | |
while you get corn-holed in your cell by a gang of crackers. | 0:40:32 | 0:40:35 | |
Cos from what I heard, | 0:40:37 | 0:40:38 | |
the guys that get sent up to Concord for killing kids, | 0:40:38 | 0:40:42 | |
life a motherfucker. | 0:40:42 | 0:40:45 | |
If I see you again, I'm gonna get discourteous on you. | 0:40:55 | 0:40:58 | |
And get that sausage off my lawn. | 0:41:10 | 0:41:12 | |
-What happened? -He said he didn't know anything, | 0:41:13 | 0:41:16 | |
but you can put his money in his mailbox. | 0:41:16 | 0:41:18 | |
-That's what he told you? -That's it. | 0:41:18 | 0:41:21 | |
Nothing else? | 0:41:21 | 0:41:23 | |
Yeah. He said that he wanted you two off his lawn. | 0:41:23 | 0:41:26 | |
I thought you knew this guy? | 0:41:27 | 0:41:29 | |
Half the guys he knows are degenerates. | 0:41:29 | 0:41:32 | |
-You know what the other half are? -What? | 0:41:32 | 0:41:34 | |
Cops. But don't hold it against me. | 0:41:34 | 0:41:37 | |
No, no. | 0:41:37 | 0:41:39 | |
I won't hold it against you. | 0:41:39 | 0:41:41 | |
Know what I'll hold against you? | 0:41:42 | 0:41:45 | |
We had one chance to make this deal. | 0:41:45 | 0:41:47 | |
You said you knew him, and you fucked it up. | 0:41:48 | 0:41:51 | |
Now I gotta get a warrant, start surveillance, | 0:41:52 | 0:41:55 | |
hope to Christ we get lucky. You know, if Amanda dies cos of this... | 0:41:55 | 0:42:00 | |
-HE SIGHS -I'm gonna have to hold it against you. | 0:42:00 | 0:42:04 | |
You'll hold it against yourself for a long, long time. | 0:42:04 | 0:42:07 | |
HE SIGHS | 0:42:29 | 0:42:31 | |
Hopefully, I didn't fuck this up. | 0:42:32 | 0:42:35 | |
PHONE RINGS | 0:42:40 | 0:42:42 | |
-Yeah? -Cheese called in. | 0:42:44 | 0:42:46 | |
-He'll take the deal with Amanda, but he wants to go tonight. -Great. | 0:42:46 | 0:42:50 | |
It is and it isn't. They record calls at the station. | 0:42:50 | 0:42:53 | |
-"Jack got a hold of the transcript." -What does that mean? | 0:42:53 | 0:42:57 | |
It means our badges are forfeited at this point. | 0:42:57 | 0:43:00 | |
He wants you both down here now. | 0:43:00 | 0:43:02 | |
Cheese said he left something in the mailbox to prove he's got Amanda. | 0:43:02 | 0:43:06 | |
This is a transcript of a recorded call that came in this morning. | 0:43:26 | 0:43:30 | |
Care to read the highlighted portion? | 0:43:33 | 0:43:36 | |
Aloud. | 0:43:37 | 0:43:40 | |
Er... | 0:43:40 | 0:43:42 | |
"Caller... CLEARS THROAT | 0:43:42 | 0:43:45 | |
'..Bitch, you better have my money.'" | 0:43:45 | 0:43:47 | |
"Detective Bressant, 'Who is this?'" | 0:43:49 | 0:43:51 | |
"Caller, 'You know who the fuck this is, fool.' Creole curse words." | 0:43:51 | 0:43:56 | |
"'If you want that girl back, you need to meet me up Quincy tonight.'" | 0:43:56 | 0:44:00 | |
"'Fuck around, I'll throw her in the lake.'" | 0:44:00 | 0:44:03 | |
The lake he refers to is the water in the abandoned quarry. | 0:44:03 | 0:44:07 | |
Detective Bressant goes on to make an unauthorised ransom arrangement | 0:44:07 | 0:44:11 | |
to exchange Amanda for 130,000 tonight in just that location. | 0:44:11 | 0:44:18 | |
After some discussion, | 0:44:18 | 0:44:20 | |
Detective Bressant was kind enough to produce this. | 0:44:20 | 0:44:23 | |
Do you recognise it? | 0:44:23 | 0:44:26 | |
You have involved me in an illegal activity | 0:44:26 | 0:44:28 | |
without my knowledge or consent, and I don't fuckin' appreciate it. | 0:44:28 | 0:44:32 | |
-You don't have to be part of it. -The hell I don't! | 0:44:32 | 0:44:35 | |
If I delay this, I further endanger the life of that child. | 0:44:35 | 0:44:39 | |
Is that something you expect me to do? | 0:44:39 | 0:44:42 | |
No, Sir. | 0:44:42 | 0:44:44 | |
-I'll accept responsibility. -You'll accept nothing! | 0:44:44 | 0:44:48 | |
Don't come in here trying to get noble, boy. | 0:44:48 | 0:44:51 | |
Let me see that note. | 0:44:53 | 0:44:56 | |
My God. | 0:45:01 | 0:45:03 | |
He wants to separate us. The note instructs you guys to be here | 0:45:06 | 0:45:09 | |
waiting for Amanda, me and Nick to be at the clearing with the money. | 0:45:09 | 0:45:13 | |
Once Amanda's turned over to you, | 0:45:13 | 0:45:15 | |
you call us on the radio and we turn over the cash. | 0:45:15 | 0:45:18 | |
-Who is he likely to bring with him? -Chris Mullen. | 0:45:19 | 0:45:22 | |
-He was at the club when we made the offer. -What do you know about him? | 0:45:22 | 0:45:25 | |
He probably killed Ray for Cheese. | 0:45:25 | 0:45:28 | |
-If I had to guess. -All right. | 0:45:28 | 0:45:31 | |
-Nobody else knows about this. -I don't know. | 0:45:31 | 0:45:33 | |
Yes? | 0:45:33 | 0:45:35 | |
Is keeping it quiet better for Amanda or is it better for us? | 0:45:35 | 0:45:39 | |
Do you have any children, Miss Gennaro? | 0:45:40 | 0:45:43 | |
No, Sir. | 0:45:43 | 0:45:45 | |
My only child was murdered. | 0:45:46 | 0:45:48 | |
She was 12. Did you hear about it? | 0:45:48 | 0:45:51 | |
What you probably didn't hear, Miss Gennaro, | 0:45:52 | 0:45:55 | |
is what that feels like. What I have to deal with. | 0:45:55 | 0:45:59 | |
Knowing that... | 0:45:59 | 0:46:01 | |
my little girl likely died crying out for me to come and save her. | 0:46:01 | 0:46:06 | |
And I never did. | 0:46:06 | 0:46:08 | |
My little girl died afraid and alone... | 0:46:08 | 0:46:12 | |
in a shallow ditch bank by the side of the road, | 0:46:12 | 0:46:15 | |
not... ten minutes from our house. | 0:46:15 | 0:46:18 | |
I know what it feels like to lose a child. | 0:46:21 | 0:46:24 | |
Now, damn it, you force my hand | 0:46:26 | 0:46:29 | |
and then question the way I handle it? | 0:46:29 | 0:46:31 | |
No one's questioning you, Sir. | 0:46:31 | 0:46:34 | |
I honour my child with this division, | 0:46:34 | 0:46:37 | |
so that no parent has to go through what I've known. | 0:46:37 | 0:46:40 | |
This child... | 0:46:41 | 0:46:43 | |
..is all I care about. | 0:46:46 | 0:46:49 | |
I'm gonna bring her home. | 0:46:49 | 0:46:51 | |
Why would he bring us all the way up here? | 0:47:06 | 0:47:08 | |
I don't know. It's big, dark, easy to get away. | 0:47:10 | 0:47:13 | |
No. | 0:47:13 | 0:47:14 | |
They're gonna kill her. | 0:47:16 | 0:47:19 | |
This asshole could have found some level fuckin' ground somewhere. | 0:47:41 | 0:47:45 | |
This is where we part ways. You guys'll be on top of that cliff. | 0:47:45 | 0:47:49 | |
We'll be right across from you. Radio us when you have him. | 0:47:49 | 0:47:52 | |
-We will. -Well, good luck. | 0:47:54 | 0:47:57 | |
INSECTS CHIRP | 0:48:03 | 0:48:05 | |
How they gonna get Amanda up here? | 0:48:38 | 0:48:40 | |
GUNFIRE RADIO: 'Ambush! Ambush! | 0:48:40 | 0:48:43 | |
'It's fucking Cheese! | 0:48:43 | 0:48:46 | |
'Where is he?' GRUNTING AND GROANING | 0:48:46 | 0:48:48 | |
INDISTINCT SHOUTING OVER RADIO/ GUNFIRE CONTINUES | 0:48:48 | 0:48:52 | |
-Sure you heard something? -Over there! | 0:48:57 | 0:48:59 | |
-Where? -I heard a splash down there. | 0:48:59 | 0:49:02 | |
Somebody took Cheese out, then all hell broke loose. | 0:49:02 | 0:49:05 | |
-Where's Amanda? -Something went in the water. | 0:49:05 | 0:49:07 | |
-Are you sure? -Yes. | 0:49:07 | 0:49:09 | |
-Where? -There! Right there. -Oh, my God. | 0:49:09 | 0:49:12 | |
Oh, no. | 0:49:13 | 0:49:15 | |
Jesus Christ! | 0:49:26 | 0:49:28 | |
SHE GASPS | 0:49:30 | 0:49:32 | |
DOOR OPENS | 0:50:26 | 0:50:28 | |
Hey. | 0:50:38 | 0:50:40 | |
Hi. | 0:50:40 | 0:50:42 | |
How's the leg? | 0:50:42 | 0:50:44 | |
It'll be fine. | 0:50:44 | 0:50:46 | |
They find anything? | 0:50:48 | 0:50:50 | |
They got divers in there now. | 0:50:52 | 0:50:54 | |
She could still be alive. | 0:50:55 | 0:50:58 | |
Maybe she's hiding. She could be stuck. | 0:50:59 | 0:51:02 | |
Right? | 0:51:03 | 0:51:05 | |
I don't think so. | 0:51:06 | 0:51:08 | |
Hmm. | 0:51:19 | 0:51:21 | |
SHE SNIFFS | 0:51:22 | 0:51:24 | |
TV PLAYS | 0:51:24 | 0:51:26 | |
Hey. | 0:51:26 | 0:51:28 | |
SHE SIGHS | 0:51:31 | 0:51:33 | |
-DOYLE ON TV: -'This quarry is extremely deep and treacherous, | 0:51:33 | 0:51:37 | |
'and all too often... she keeps that which she takes in.' | 0:51:37 | 0:51:41 | |
-REPORTER 1: A sad end to that story. REPORTER 2: -It sure is. | 0:51:41 | 0:51:44 | |
-Ron is next with sports. The Bruins in action tonight? -Yes, they are. | 0:51:44 | 0:51:49 | |
RON CONTINUES COMMENTARY | 0:51:49 | 0:51:51 | |
PATRICK: 'And like that... she was gone. | 0:51:53 | 0:51:57 | |
'We gave our statements, Nick and Remy the same. | 0:51:59 | 0:52:03 | |
'All of us spared any blame for Amanda's death. | 0:52:03 | 0:52:07 | |
'Jack Doyle resigned on the condition that he, | 0:52:07 | 0:52:10 | |
'and he alone, be held accountable.' | 0:52:10 | 0:52:12 | |
-ON TV: -'The legendary captain of a unit dedicated to children | 0:52:12 | 0:52:15 | |
'stepped down today in the aftermath of controversy...' | 0:52:15 | 0:52:18 | |
'He was granted the dignity of early retirement, | 0:52:18 | 0:52:22 | |
'but the humiliation of half a pension. | 0:52:22 | 0:52:25 | |
'It was an ignominious end to an illustrious career. | 0:52:28 | 0:52:32 | |
'Chris's run lasted a day and a half, until, from what they could tell, | 0:52:32 | 0:52:37 | |
'he ran into someone who wanted the money more than he did.' | 0:52:37 | 0:52:40 | |
'..Chris Mullen was gunned down in an apparent robbery. | 0:52:40 | 0:52:43 | |
'The Police Commissioner defended the rising tide of crime | 0:52:43 | 0:52:46 | |
'as a statistical aberration...' | 0:52:46 | 0:52:49 | |
'Enough time went by, and they called off the search. | 0:52:55 | 0:52:58 | |
'They issued Helene a death certificate. | 0:52:58 | 0:53:01 | |
'The frame and the casket were donated by the funeral home... | 0:53:15 | 0:53:18 | |
'..but had to be returned at the end of the afternoon.' | 0:53:21 | 0:53:24 | |
You know I love you, right? | 0:53:27 | 0:53:30 | |
Yeah. | 0:53:30 | 0:53:32 | |
I just wanna be alone for a while. | 0:53:32 | 0:53:34 | |
'I don't know if she blamed me, or if she blamed herself.' | 0:53:41 | 0:53:45 | |
CLOSES DOOR QUIETLY | 0:53:45 | 0:53:47 | |
'But when she didn't think I was home, | 0:53:49 | 0:53:52 | |
'or if she thought I couldn't hear... | 0:53:52 | 0:53:54 | |
'she would cry. | 0:53:54 | 0:53:57 | |
'I couldn't stop running it over and over and over in my mind. | 0:54:04 | 0:54:09 | |
'The vague and distant suspicion | 0:54:09 | 0:54:11 | |
'that we never understood what happened that night, | 0:54:11 | 0:54:14 | |
'what our role was. | 0:54:14 | 0:54:16 | |
'Or maybe it was just that, like hundreds of other children | 0:54:18 | 0:54:21 | |
'who disappear each year and never return... | 0:54:21 | 0:54:25 | |
'..Amanda was even more haunting for never being found. | 0:54:26 | 0:54:30 | |
'What they did find was another big story. | 0:54:33 | 0:54:37 | |
'And I couldn't help but find it strange. | 0:54:37 | 0:54:40 | |
'Not two months later, and not far away... | 0:54:40 | 0:54:45 | |
'another child went missing.' | 0:54:45 | 0:54:48 | |
-WOMAN ON TV: -'A bicycle left roadside, a tyre left spinning...' | 0:54:48 | 0:54:52 | |
Late breaking news on that story. Little Johnny Pietro is also wearing | 0:54:52 | 0:54:56 | |
what this reporter believes may be a sign. | 0:54:56 | 0:54:58 | |
Johnny is wearing a medallion of St Christopher... | 0:54:58 | 0:55:01 | |
'Johnny Pietro and his medallion. | 0:55:02 | 0:55:05 | |
'What I didn't find strange, was that, this time, | 0:55:05 | 0:55:09 | |
no relatives came knockin' on our door.' | 0:55:09 | 0:55:11 | |
-Hey, Patrick. -Hey. | 0:55:14 | 0:55:16 | |
-I need you to come on a ride with me. -Where? | 0:55:16 | 0:55:19 | |
-To Everett. -What? No parties in Lynn? | 0:55:19 | 0:55:22 | |
That ain't funny. You got your toast with you, right? | 0:55:22 | 0:55:25 | |
-My what? -Your gun, dummy. | 0:55:25 | 0:55:28 | |
Er, yeah. | 0:55:28 | 0:55:30 | |
URBAN MUSIC ON RADIO | 0:55:30 | 0:55:32 | |
This ain't no strip club in... in Lynn, Patrick. | 0:55:39 | 0:55:43 | |
Got somethin' better for you, buddy. | 0:55:43 | 0:55:46 | |
TURNS RADIO OFF | 0:55:53 | 0:55:54 | |
You asked me to find some people. I think I found 'em. | 0:55:59 | 0:56:02 | |
-What are you gettin' me into? -Don't give a fuck about Corwin Earle now? | 0:56:02 | 0:56:06 | |
Yo, cos the fat bitch and the old dude are in there. | 0:56:06 | 0:56:10 | |
My man didn't know about the diddler. | 0:56:10 | 0:56:13 | |
Come in with me, we'll find out if this motherfucker's in there. | 0:56:13 | 0:56:16 | |
You know what? If you don't wanna come in, don't come in. Fuck it. | 0:56:18 | 0:56:23 | |
Let's go. | 0:56:27 | 0:56:29 | |
BANGS ON DOOR | 0:56:48 | 0:56:50 | |
DOOR UNLOCKS | 0:56:50 | 0:56:53 | |
-Guess who. -Jerome Miller? | 0:56:54 | 0:56:56 | |
-No, it's the coke fairy. Open up. -I got the money right here. | 0:56:56 | 0:57:00 | |
You think you're gonna hand me money on a fuckin' porch? | 0:57:00 | 0:57:03 | |
Open the door. | 0:57:03 | 0:57:05 | |
-Who's he? -Your father. Open the fuckin' door! | 0:57:05 | 0:57:08 | |
UNLOCKS DOOR | 0:57:10 | 0:57:12 | |
-Look out. -OK, man. Chill, chill. | 0:57:13 | 0:57:16 | |
MUSIC BLARES WITHIN | 0:57:16 | 0:57:18 | |
-What, are you guys startin' a band? -Startin' a band... | 0:57:25 | 0:57:30 | |
It's a taste. Cocaine for the old man. | 0:57:34 | 0:57:38 | |
Fuckin' Christ! | 0:57:38 | 0:57:40 | |
Want me to change a roll of quarters for you? | 0:57:41 | 0:57:43 | |
APPROACHING FOOTSTEPS | 0:57:44 | 0:57:47 | |
-I told you to tell me when it got here! -It just got here. | 0:57:47 | 0:57:51 | |
-You already did some! -It was a taste bag! | 0:57:51 | 0:57:53 | |
Sorry, love. | 0:57:53 | 0:57:55 | |
Here, count this fuckin' mess. | 0:57:57 | 0:57:59 | |
-SHE SNORTS -Where's the rest, man? | 0:58:02 | 0:58:04 | |
-Huh? -Soon as he's finished countin' that fuckin' mess. | 0:58:04 | 0:58:07 | |
RATTLES DOOR | 0:58:10 | 0:58:13 | |
KICKS DOOR | 0:58:16 | 0:58:18 | |
-Mr Miller, do you mind? -No, I don't mind. | 0:58:18 | 0:58:22 | |
-Excuse me. -You're excused. | 0:58:22 | 0:58:24 | |
-Please don't snoop around. -Relax, handsome. -Excuse me! | 0:58:24 | 0:58:27 | |
Where the fuck do you think you're goin'? | 0:58:27 | 0:58:30 | |
Mr Miller, I'm warning you! | 0:58:30 | 0:58:32 | |
Stop! | 0:58:33 | 0:58:35 | |
Patrick, shoot this bitch. | 0:58:39 | 0:58:41 | |
You fat, busted cunt. | 0:58:46 | 0:58:48 | |
You put a gun on me, you better use it. | 0:58:49 | 0:58:51 | |
Just give us our fuckin' wizza! | 0:58:51 | 0:58:54 | |
You don't wanna shoot her, Patrick? | 0:58:57 | 0:59:00 | |
-Who's this guy? -Corwin, go back to your room! | 0:59:05 | 0:59:09 | |
It's not a party? | 0:59:09 | 0:59:11 | |
Nope. It's not a party. | 0:59:13 | 0:59:16 | |
-How much money is there, Patrick? -Enough. | 0:59:17 | 0:59:20 | |
Want this? | 0:59:24 | 0:59:26 | |
HE SPITS | 0:59:28 | 0:59:30 | |
What are you doin'? Pick up the fuckin' money. | 0:59:34 | 0:59:37 | |
-At least two guns in the house. Roberta's carrying hers. -What else? | 0:59:41 | 0:59:45 | |
-They're high. -On what? -Cocaine. | 0:59:45 | 0:59:47 | |
Your friend tell you that, too? | 0:59:47 | 0:59:49 | |
-Squad'll be here in five minutes. -You're not waiting? | 0:59:49 | 0:59:52 | |
Did you tell me you saw Corwin Earle | 0:59:52 | 0:59:55 | |
with a St Christopher medallion on his wrist? | 0:59:55 | 0:59:57 | |
-I definitely saw him. -We're not waiting. -COCKS GUN | 0:59:57 | 1:00:01 | |
Stay here. And don't fuck around, all right? | 1:00:01 | 1:00:03 | |
Good job. | 1:00:03 | 1:00:05 | |
GUNFIRE | 1:00:16 | 1:00:18 | |
SQUELCHING GRUNTS: Oh, fuck! | 1:00:47 | 1:00:50 | |
HE MOANS | 1:00:53 | 1:00:55 | |
Hello? Shots are fired. An officer down... Shots... | 1:00:59 | 1:01:02 | |
Listen to me! A police officer has been shot at 33 German Road. | 1:01:02 | 1:01:06 | |
GUNFIRE | 1:01:06 | 1:01:08 | |
SINGLE GUNSHOT | 1:01:12 | 1:01:14 | |
HE PANTS | 1:01:14 | 1:01:16 | |
HE PANTS | 1:01:24 | 1:01:26 | |
HEEXCLAIMS | 1:01:29 | 1:01:31 | |
CLATTERING | 1:01:31 | 1:01:34 | |
THUD | 1:01:34 | 1:01:36 | |
HE GASPS | 1:01:38 | 1:01:41 | |
CLATTERING | 1:01:51 | 1:01:53 | |
-Get away from him! -FIRES GUN | 1:01:53 | 1:01:55 | |
-Get away! -GASPS | 1:01:57 | 1:02:00 | |
HE PANTS | 1:02:08 | 1:02:10 | |
DOOR CREAKS | 1:02:42 | 1:02:44 | |
(GASPS) | 1:02:44 | 1:02:46 | |
It was an accident. | 1:02:49 | 1:02:51 | |
QUIVERS | 1:02:54 | 1:02:56 | |
It was an accident. | 1:03:01 | 1:03:03 | |
VOMITS | 1:03:29 | 1:03:31 | |
GASPS AND QUIVERS | 1:03:32 | 1:03:34 | |
PANTS | 1:03:35 | 1:03:37 | |
Wait! | 1:03:40 | 1:03:42 | |
FIRES GUN | 1:03:43 | 1:03:45 | |
INAUDIBLE | 1:04:09 | 1:04:11 | |
Hey. | 1:04:50 | 1:04:52 | |
Are you OK? | 1:04:55 | 1:04:57 | |
They told me what happened. | 1:04:58 | 1:05:01 | |
I'm proud of you. | 1:05:05 | 1:05:08 | |
That man killed a child. | 1:05:10 | 1:05:13 | |
He had no right to live. | 1:05:14 | 1:05:16 | |
-You're proud of me? -Of course I am. | 1:05:19 | 1:05:22 | |
You did what you had to do. | 1:05:24 | 1:05:27 | |
Let's go home. | 1:05:30 | 1:05:32 | |
I need to stay here awhile. | 1:05:36 | 1:05:39 | |
See you at home. | 1:05:43 | 1:05:45 | |
Yeah. | 1:05:45 | 1:05:47 | |
NOISE FROM TRAFFIC | 1:05:52 | 1:05:55 | |
It's fucked up, right? | 1:06:07 | 1:06:09 | |
HE SIGHS They tell you anything about Nick? | 1:06:11 | 1:06:14 | |
They said he could be OK. | 1:06:14 | 1:06:17 | |
I don't know. | 1:06:18 | 1:06:20 | |
Did they say how old that little boy was? | 1:06:22 | 1:06:25 | |
Seven. | 1:06:25 | 1:06:27 | |
Second grade. | 1:06:29 | 1:06:31 | |
You should be proud of yourself. | 1:06:31 | 1:06:33 | |
Most guys would have stayed outside. | 1:06:33 | 1:06:36 | |
I don't know. | 1:06:38 | 1:06:40 | |
What don't you know? | 1:06:40 | 1:06:42 | |
My priest says, "Shame is God telling you what you did was wrong." | 1:06:42 | 1:06:46 | |
Fuck him. | 1:06:47 | 1:06:50 | |
Murder's a sin. | 1:06:51 | 1:06:53 | |
It depends on who you do it to. | 1:06:53 | 1:06:56 | |
That's not how it works. It is what it is. | 1:06:56 | 1:06:59 | |
I planted evidence on a guy once. | 1:07:11 | 1:07:14 | |
Back in '95. We were paying 100 an eight ball to snitches. | 1:07:17 | 1:07:21 | |
We got a call from our pal, Ray Likanski. | 1:07:21 | 1:07:24 | |
He couldn't find enough guys to rat out. | 1:07:24 | 1:07:26 | |
He tells us there's a guy pumpin' up at a club in Columbia Point. | 1:07:26 | 1:07:31 | |
We go in, me and Nicky. | 1:07:31 | 1:07:33 | |
Fifteen years ago, when Nicky went in, it was no joke. | 1:07:33 | 1:07:37 | |
So it's a stash house, right? The old lady's beat to shit, | 1:07:37 | 1:07:41 | |
the husband's mean, cracked out, tries to give us trouble. | 1:07:41 | 1:07:44 | |
Nicky lays him down. | 1:07:44 | 1:07:47 | |
We're doin' an inventory, but we messed up. There's no dope. | 1:07:47 | 1:07:50 | |
And I go in the back room... | 1:07:50 | 1:07:52 | |
Now, this place was a shithole, mind you, | 1:07:52 | 1:07:55 | |
rats and roaches all over the place. | 1:07:55 | 1:07:58 | |
But the kid's room in the back? | 1:07:58 | 1:08:02 | |
It was spotless. | 1:08:03 | 1:08:06 | |
No, I mean, he swept it, mopped it. | 1:08:06 | 1:08:08 | |
It was immaculate. | 1:08:08 | 1:08:11 | |
The boy was on the bed, holding onto his PlayStation for dear life. | 1:08:11 | 1:08:16 | |
There was no expression on his face. | 1:08:16 | 1:08:19 | |
Tears streaming down. | 1:08:20 | 1:08:22 | |
He wants to tell me he just learned his multiplication tables. | 1:08:22 | 1:08:26 | |
-And his... -I mean, the father's got him in this crack den, | 1:08:27 | 1:08:30 | |
subsisting on Twinkies and ass-whippings. | 1:08:30 | 1:08:33 | |
And this little boy, | 1:08:33 | 1:08:36 | |
he just wants someone to tell him that he's doing a good job. | 1:08:36 | 1:08:40 | |
Are you worried what's Catholic? | 1:08:40 | 1:08:43 | |
I mean, kids forgive. | 1:08:43 | 1:08:46 | |
Kids... don't judge. | 1:08:46 | 1:08:49 | |
Kids turn the other cheek. And what do they get for it? | 1:08:49 | 1:08:54 | |
So I went back out, put an ounce of heroin on the living-room floor | 1:08:55 | 1:08:59 | |
and I sent the father on a ride. Seven to nine. | 1:08:59 | 1:09:02 | |
-That was the right thing? -Fuckin' A! | 1:09:05 | 1:09:08 | |
You gotta take a side! | 1:09:10 | 1:09:13 | |
You molest a child... | 1:09:14 | 1:09:17 | |
you beat a child... | 1:09:17 | 1:09:19 | |
you're not on my side. If you see me coming, you best run, | 1:09:19 | 1:09:22 | |
because I am gonna lay you the fuck down! | 1:09:22 | 1:09:25 | |
Easy. | 1:09:28 | 1:09:31 | |
It don't feel easy. | 1:09:35 | 1:09:37 | |
Is the kid better off without his father? | 1:09:37 | 1:09:41 | |
Yeah. | 1:09:41 | 1:09:42 | |
But, OK, he could be out there now, | 1:09:43 | 1:09:45 | |
pumpin' with a gun in his waistband. It's a war, man. | 1:09:45 | 1:09:50 | |
Are we winning? | 1:09:52 | 1:09:54 | |
No. | 1:09:55 | 1:09:57 | |
Would you do it again? | 1:10:02 | 1:10:04 | |
Clip Corwin Earle? | 1:10:04 | 1:10:06 | |
No. | 1:10:08 | 1:10:10 | |
Does that make it right? | 1:10:11 | 1:10:13 | |
-Hmm? -I don't know. | 1:10:16 | 1:10:19 | |
It doesn't make it wrong, though, does it? | 1:10:19 | 1:10:23 | |
HE SIGHS | 1:10:29 | 1:10:31 | |
PUTS KEYS IN BOWL | 1:10:31 | 1:10:33 | |
LOCKS DOOR | 1:10:34 | 1:10:36 | |
-Hey. -Hey. | 1:10:38 | 1:10:40 | |
How's Remy? | 1:10:41 | 1:10:43 | |
He lied to me. | 1:10:45 | 1:10:48 | |
What did Remy say about Ray in Roxbury? | 1:10:48 | 1:10:50 | |
"Never heard of him." | 1:10:50 | 1:10:52 | |
Now he says Ray's been snitchin' for him for 15 years. | 1:10:52 | 1:10:55 | |
Called him his old pal. | 1:10:55 | 1:10:57 | |
-Said he couldn't find enough people to snitch out. -Patrick. | 1:10:57 | 1:11:01 | |
Ray's the reason Amanda got taken, and Remy lies about knowin' him. | 1:11:01 | 1:11:06 | |
-Let it go. -Why would he lie? | 1:11:10 | 1:11:12 | |
-What does he have to hide? -Amanda's dead. | 1:11:12 | 1:11:15 | |
Let it go. | 1:11:15 | 1:11:17 | |
HE SIGHS | 1:11:21 | 1:11:23 | |
Babe? | 1:11:25 | 1:11:27 | |
Nick died. | 1:11:28 | 1:11:30 | |
Mr Kenzie? | 1:11:51 | 1:11:53 | |
Nice fuckin' job on Corwin Earle. | 1:11:53 | 1:11:55 | |
PRIEST CHANTS FUNERAL LITURGY | 1:12:00 | 1:12:03 | |
Sorry about Nick. | 1:12:44 | 1:12:46 | |
Yeah, thanks. | 1:12:46 | 1:12:48 | |
I was thinking about our conversation the other night. | 1:12:49 | 1:12:53 | |
I said some things I shouldn't have. | 1:12:53 | 1:12:55 | |
You know, too much rum. | 1:12:55 | 1:12:58 | |
Like what? | 1:12:58 | 1:13:00 | |
Don't fuck with me, Patrick. Not today. | 1:13:01 | 1:13:04 | |
No, I wouldn't fuck with you. | 1:13:05 | 1:13:07 | |
Oh, you wanna play it like that, huh? | 1:13:08 | 1:13:11 | |
OK. | 1:13:11 | 1:13:13 | |
Forget about the other night and we can be friends. | 1:13:13 | 1:13:17 | |
What if I don't? | 1:13:18 | 1:13:20 | |
That's not an "if" you want to bring into your life. | 1:13:20 | 1:13:24 | |
GENERAL CHATTERING | 1:13:27 | 1:13:29 | |
Excuse me. | 1:13:29 | 1:13:31 | |
-Devin? -Hey! How you doin'? | 1:13:32 | 1:13:36 | |
-All right. How you been? -Can't complain. | 1:13:36 | 1:13:39 | |
-Can I talk to you? -Yeah. | 1:13:39 | 1:13:42 | |
-Not here. -Huh. | 1:13:42 | 1:13:44 | |
If it's like that, you're gonna have to buy me lunch. | 1:13:44 | 1:13:48 | |
-How's the Chart House? Half-hour? -Sounds about right. | 1:13:48 | 1:13:52 | |
-Hey, Remy worked narcotics with you, right? -DCU, yeah. What's up? | 1:13:53 | 1:13:57 | |
-Why'd he leave? -He had a habit of just rubbin' people the wrong way. | 1:13:57 | 1:14:02 | |
-Like what? What did he do? -Like marry a prostitute, for one. | 1:14:02 | 1:14:05 | |
-Come on! -You don't do that if you're a cop. | 1:14:06 | 1:14:09 | |
You don't do that if you're a plumber! HE LAUGHS | 1:14:09 | 1:14:12 | |
-So, what happened? -He says he loves her. | 1:14:12 | 1:14:15 | |
-Tells Mike Snell to go fuck himself and asks for a transfer. -To Doyle? | 1:14:15 | 1:14:19 | |
Doyle brought Remy from Louisiana back in '72. | 1:14:19 | 1:14:23 | |
-You don't think that Remy's dirty, though, do ya? -What's "dirty"? | 1:14:23 | 1:14:28 | |
I know he planted evidence once. | 1:14:29 | 1:14:32 | |
Oh, you do? | 1:14:32 | 1:14:34 | |
-Yeah. Why? -Look, man, CSI is killin' us out here. | 1:14:34 | 1:14:38 | |
Every other juror, all they want to know is where the micro fibres are. | 1:14:38 | 1:14:42 | |
Certain people are workers. They don't wanna plant it, but... | 1:14:42 | 1:14:45 | |
They don't mind it? | 1:14:45 | 1:14:47 | |
So, tell me somethin', | 1:14:49 | 1:14:51 | |
what you fuckin' with him for? | 1:14:51 | 1:14:54 | |
He lied to me. I can't think of one reason big enough for him to lie | 1:14:54 | 1:14:59 | |
that's small enough not to matter. | 1:14:59 | 1:15:01 | |
All right, look. I know one thing, | 1:15:06 | 1:15:09 | |
but it's third party, so you gotta play it like that. | 1:15:09 | 1:15:12 | |
-Helene and Ray took Cheese's money back in June, right? -Yeah? | 1:15:12 | 1:15:16 | |
One week later, Remy goes to a cop in DCU | 1:15:16 | 1:15:19 | |
-asking if anybody knew who robbed Cheese. -So what? | 1:15:19 | 1:15:23 | |
So, my informant tells me, | 1:15:23 | 1:15:25 | |
Cheese didn't know he got robbed until two weeks later. | 1:15:25 | 1:15:28 | |
So, Remy knew Cheese got robbed before Cheese did? How? | 1:15:28 | 1:15:33 | |
Let me tell you. You better think long and hard | 1:15:34 | 1:15:37 | |
before you start investigating the police. | 1:15:37 | 1:15:40 | |
You try and take the food out of their mouths, they will fuck you up. | 1:15:40 | 1:15:45 | |
Thanks for the steak. | 1:15:47 | 1:15:49 | |
All right. | 1:15:49 | 1:15:51 | |
Hey. | 1:16:04 | 1:16:06 | |
I got it. | 1:16:07 | 1:16:09 | |
-PHONE: 'We need to talk to you, Lionel. -About what? | 1:16:09 | 1:16:13 | |
'The acoustics in your apartment. | 1:16:13 | 1:16:15 | |
-'What? -We live in a three decker, too. | 1:16:15 | 1:16:19 | |
'I got nothin' to talk about. | 1:16:19 | 1:16:21 | |
'That's fine. We can talk to the State Police. | 1:16:21 | 1:16:24 | |
-'Meet me at Murphy's Law.' -HANGS UP | 1:16:25 | 1:16:27 | |
-LIONEL: -If I don't go, he'll call the States. | 1:16:45 | 1:16:47 | |
-REMY: -He's putting a move on ya. Don't go down there. | 1:16:47 | 1:16:50 | |
-This is an oath we took. -I started this! | 1:16:50 | 1:16:54 | |
This has to be protected. Listen to me! | 1:16:54 | 1:16:57 | |
You leave that house, you're an enemy to me. | 1:16:57 | 1:16:59 | |
-Trust me, all right? -No, trust me! Where I come from! | 1:16:59 | 1:17:03 | |
You die with your secrets! | 1:17:04 | 1:17:07 | |
'How long have you known Remy?' | 1:17:31 | 1:17:33 | |
Detective Bressant? | 1:17:33 | 1:17:35 | |
-Just in... Met him through the investigation of Amanda. -That's it? | 1:17:35 | 1:17:40 | |
Yeah. | 1:17:40 | 1:17:42 | |
How long have you known Remy? | 1:17:44 | 1:17:48 | |
-What is this? -They got the Internet now. | 1:17:48 | 1:17:50 | |
You know how it is, everybody knows everybody. | 1:17:51 | 1:17:54 | |
No. Everybody don't know everybody. Why are you lyin'? | 1:17:54 | 1:17:58 | |
-I'm not. -You bragged about taking a hard bust. | 1:17:58 | 1:18:02 | |
-No, I didn't. -Bullshit. You're hidin' something. | 1:18:02 | 1:18:05 | |
You better fuckin' tell it, cos you asked us for help, | 1:18:05 | 1:18:08 | |
and we killed ourselves tryin' to save Amanda. | 1:18:08 | 1:18:11 | |
I know you ain't bein' 100 per cent with me, and it's pissin' me off. | 1:18:11 | 1:18:15 | |
-So you better interrupt me... -OK, fine. Don't have a heart attack. | 1:18:15 | 1:18:19 | |
I haven't been honest with you. | 1:18:21 | 1:18:23 | |
It's not something I'm proud of, you know? | 1:18:23 | 1:18:26 | |
I got in a bar fight back in the day. Other guy cracked his skull. | 1:18:26 | 1:18:31 | |
I must have said, "I'll kill ya," so they had me up for attempted. | 1:18:31 | 1:18:35 | |
It's my word against this guy's. | 1:18:35 | 1:18:37 | |
-Witness testified to my version. The jury believed him. -Cos he was a cop. | 1:18:37 | 1:18:41 | |
-Yeah. He testified for me. -So you knew Detective Bressant. | 1:18:41 | 1:18:44 | |
-We weren't best friends. -But you lied! -Why call Remy? | 1:18:44 | 1:18:47 | |
-He's a cop. -That's not why you called him. | 1:18:47 | 1:18:51 | |
-Come on... -It's a small place. You heard 'em arguing. They were loud. | 1:18:51 | 1:18:55 | |
So, you called Remy, and you and him took Amanda to blackmail your sister. | 1:18:55 | 1:18:59 | |
LAUGHS INCREDULOUSLY | 1:18:59 | 1:19:02 | |
-Why would I do that? -I don't know, Lionel. | 1:19:02 | 1:19:06 | |
Maybe because after all the "I put the fuckin' plug in the jug" | 1:19:06 | 1:19:10 | |
and the "count your blessings", you're just like everybody else. | 1:19:10 | 1:19:14 | |
You saw a bag of money. You wanted it and thought you'd get away with it. | 1:19:14 | 1:19:17 | |
But Bea called the media, then she called us, and then you were fucked. | 1:19:17 | 1:19:22 | |
The case is closed, Patrick. | 1:19:22 | 1:19:24 | |
A coke-dealin' Haitian is easy to frame. | 1:19:24 | 1:19:26 | |
-Lionel? -Excuse me? -Look at me! | 1:19:26 | 1:19:28 | |
-You took your niece. -Pardon me? | 1:19:28 | 1:19:31 | |
-Tell me what happened. -Can I get some service?! | 1:19:31 | 1:19:34 | |
Yeah. | 1:19:34 | 1:19:35 | |
HE SIGHS | 1:19:38 | 1:19:41 | |
What? | 1:19:41 | 1:19:44 | |
-Three shots of Cutty and a TallBoy. -Yeah. | 1:19:44 | 1:19:47 | |
Thank you. | 1:19:47 | 1:19:49 | |
-Just give me a second. -HE SIGHS | 1:19:50 | 1:19:53 | |
23 years is something, right? | 1:20:22 | 1:20:24 | |
Go. | 1:20:37 | 1:20:39 | |
I come up to check on Amanda. She was alone, as usual. | 1:20:42 | 1:20:46 | |
'I was reading to her when Helene and Ray come home.' | 1:20:47 | 1:20:50 | |
-'They didn't know I was there.' -Stop yellin'. My daughter's asleep! | 1:20:50 | 1:20:54 | |
They talked about how they'd robbed a dealer. | 1:20:56 | 1:20:59 | |
-You know what he'll do if he finds out? -What the fuck's he gonna do?! | 1:20:59 | 1:21:04 | |
Then they were talkin' about leaving the state. | 1:21:04 | 1:21:07 | |
So I called Remy and told him. | 1:21:07 | 1:21:09 | |
..a drug run up to Nashua... | 1:21:09 | 1:21:11 | |
And then what? | 1:21:11 | 1:21:13 | |
We took her. | 1:21:17 | 1:21:19 | |
'Remy laid out this plan.' | 1:21:21 | 1:21:23 | |
We take her, force Helene and Ray to cough up the cash and put her back. | 1:21:23 | 1:21:28 | |
Amanda gets to spend a weekend in the country, Helene learns a lesson. | 1:21:28 | 1:21:32 | |
And fuck it, everybody gets paid on top. | 1:21:32 | 1:21:34 | |
I got no problem taking money from Cheese. | 1:21:34 | 1:21:37 | |
They were gonna handle the cops, but Bea? She went nuts. | 1:21:37 | 1:21:41 | |
-'Called the papers, hired you.' -Lionel don't want me comin' here... | 1:21:41 | 1:21:45 | |
Once you found the money, they had Amanda and the money. | 1:21:45 | 1:21:50 | |
They decided to set up a fake exchange for you to witness. | 1:21:50 | 1:21:53 | |
'They got Chris Mullen to set up Cheese | 1:21:53 | 1:21:56 | |
at the quarry for 15K and... a chance to be the boss. | 1:21:56 | 1:22:01 | |
'Cheese figured it out. Even though it was too late, | 1:22:03 | 1:22:06 | |
-he started shooting, panickin'.' -GUNFIRE | 1:22:06 | 1:22:09 | |
'And she just fell. I mean, she just...' | 1:22:13 | 1:22:15 | |
She fell in. | 1:22:15 | 1:22:18 | |
She's gone. | 1:22:18 | 1:22:20 | |
It was an accident. Just an accident. | 1:22:20 | 1:22:22 | |
She was your sister's kid, Lionel. | 1:22:22 | 1:22:24 | |
-Your sister's child. -You think I don't miss her? | 1:22:26 | 1:22:29 | |
She was more my kid than Helene's. | 1:22:29 | 1:22:32 | |
Last summer, Helene and Dottie took Amanda to the beach. | 1:22:33 | 1:22:37 | |
A real hot day. | 1:22:37 | 1:22:39 | |
Amanda fell asleep. | 1:22:39 | 1:22:42 | |
They left her in the car, while they go in the dunes and smoke a doobie. | 1:22:42 | 1:22:45 | |
Two hours! | 1:22:45 | 1:22:48 | |
Amanda literally roasted. | 1:22:49 | 1:22:52 | |
She was three. | 1:22:53 | 1:22:55 | |
Later on... | 1:22:57 | 1:22:59 | |
I was holding her, trying to help her get to sleep. | 1:22:59 | 1:23:02 | |
My little Amanda. | 1:23:02 | 1:23:04 | |
She was so hot. | 1:23:05 | 1:23:07 | |
She felt like something just... come out of the oven. | 1:23:08 | 1:23:12 | |
Like a fuckin' pot roast. | 1:23:13 | 1:23:15 | |
So, don't feel too sorry for my sister, | 1:23:17 | 1:23:19 | |
because she never gave a shit about anyone but herself. | 1:23:19 | 1:23:23 | |
-DOOR BANGS OPEN -Bartender? Open the safe, now! | 1:23:24 | 1:23:27 | |
Everybody needs to shut up and stay calm. On the floor. | 1:23:29 | 1:23:33 | |
-On the floor! Hands on your head. -WOMAN: -Oh, God! | 1:23:33 | 1:23:35 | |
Stay calm, this'll be over in a minute. | 1:23:35 | 1:23:37 | |
You know whose bar this is, shithead? SMACK! | 1:23:37 | 1:23:40 | |
Or you can get wise. It's up to you. | 1:23:40 | 1:23:43 | |
What did you say? | 1:23:45 | 1:23:47 | |
You're a talker, huh? | 1:23:47 | 1:23:49 | |
-Keep yapping, motherfucker. -WOMAN: -Don't antagonise him. | 1:23:49 | 1:23:53 | |
-Just keep yapping away. -I didn't say nothin'. | 1:23:53 | 1:23:56 | |
-You should keep your mouth shut. -Shut the fuck up! | 1:23:56 | 1:24:00 | |
-Keep talkin' trash. -I didn't say nothin'. | 1:24:00 | 1:24:02 | |
-Close your eyes. -Aw, fuck! | 1:24:02 | 1:24:04 | |
Remy Bressant! Amanda was taken by Remy Bressant! | 1:24:04 | 1:24:07 | |
Oh! Amanda McCready was taken by Remy Bressant! | 1:24:07 | 1:24:10 | |
-Wait! -Who told you that name? -Damn it! | 1:24:10 | 1:24:13 | |
-Remy Bressant! Amanda was taken... -I told him we took her for ransom! | 1:24:13 | 1:24:18 | |
Remy. Please. I told him we took her for ransom. I did it. | 1:24:18 | 1:24:22 | |
Remy, please. | 1:24:22 | 1:24:24 | |
-QUIVERING: -Please. | 1:24:24 | 1:24:26 | |
GUNSHOTS | 1:24:28 | 1:24:31 | |
GLASSES SMASH | 1:24:35 | 1:24:37 | |
GRUNTING, GROANING | 1:24:37 | 1:24:39 | |
COCKS GUN | 1:24:41 | 1:24:43 | |
-Are you all right? -PANTS: Stay with him. | 1:24:43 | 1:24:47 | |
BANG WITHIN | 1:25:11 | 1:25:13 | |
Drop your gun! | 1:25:46 | 1:25:48 | |
Put it down! | 1:25:50 | 1:25:52 | |
DROPS GUN | 1:25:54 | 1:25:56 | |
That bartender... wasn't fuckin' around. | 1:25:56 | 1:26:00 | |
What did you do? | 1:26:08 | 1:26:11 | |
Did you get her killed? | 1:26:11 | 1:26:13 | |
Say "yes". | 1:26:15 | 1:26:17 | |
Say "yes"! | 1:26:21 | 1:26:23 | |
Say "yes"! | 1:26:23 | 1:26:26 | |
What are you gonna do, shoot me? | 1:26:26 | 1:26:28 | |
Yeah, yeah, yeah. | 1:26:28 | 1:26:30 | |
She was a child. | 1:26:43 | 1:26:46 | |
I love children. | 1:26:47 | 1:26:49 | |
Why would I expose a conspiracy that I was a part of? | 1:27:24 | 1:27:28 | |
I mean, did Lionel contradict anything I've said? | 1:27:29 | 1:27:33 | |
Did the witnesses at the bar contradict anything I've said? | 1:27:34 | 1:27:37 | |
A police officer was killed today. That's not looked on lightly. | 1:27:37 | 1:27:41 | |
Is corruption looked on lightly? | 1:27:41 | 1:27:43 | |
-Is a child getting killed looked on lightly? -Hold on. | 1:27:43 | 1:27:46 | |
You charge people money as a detective. | 1:27:46 | 1:27:48 | |
Now, you're at the quarry the other night. Right? | 1:27:48 | 1:27:52 | |
And you have no idea that this is a set-up? | 1:27:52 | 1:27:55 | |
You're baffled. | 1:27:55 | 1:27:57 | |
Right? | 1:27:57 | 1:27:59 | |
No. Because, strange as it might seem, | 1:27:59 | 1:28:03 | |
I believe the police when they tell me somethin'. | 1:28:03 | 1:28:07 | |
-You're a fresh prick. -Because I had Amanda's blanket put in my mailbox, | 1:28:07 | 1:28:11 | |
-and because I read a transcript of the call Cheese put in. -A 911 call? | 1:28:11 | 1:28:15 | |
No. It was a call Cheese made to the station, to Remy Brassant, | 1:28:15 | 1:28:20 | |
or that Chris Mullen made pretending to be Cheese, | 1:28:20 | 1:28:23 | |
but it was recorded! There was a call! | 1:28:23 | 1:28:26 | |
We don't record incoming calls, and we don't do transcripts. | 1:28:26 | 1:28:30 | |
So, did you hear a tape? | 1:28:32 | 1:28:35 | |
-No, I didn't hear a tape. -OK. | 1:28:36 | 1:28:38 | |
Did you see a transcript? | 1:28:38 | 1:28:40 | |
No. I must have remembered it wrong. | 1:28:45 | 1:28:47 | |
Kids forgive. What do they get for it? | 1:28:57 | 1:29:00 | |
Amanda literally roasted. | 1:29:00 | 1:29:03 | |
You think I don't miss her? She was more my kid than Helene's. | 1:29:12 | 1:29:15 | |
I love children. | 1:29:15 | 1:29:17 | |
This is the kind of thing that, if you do, you want to be sure. | 1:29:21 | 1:29:26 | |
Are you sure? | 1:29:28 | 1:29:30 | |
No. | 1:29:30 | 1:29:32 | |
Are you comin'? | 1:29:35 | 1:29:37 | |
No. | 1:29:37 | 1:29:39 | |
'Doyle brought Remy from Louisiana in '72.' | 1:29:50 | 1:29:53 | |
'Read the highlighted portion.' | 1:29:53 | 1:29:55 | |
GUNSHOTS | 1:29:55 | 1:29:57 | |
Takin' a trip? | 1:30:06 | 1:30:08 | |
Patrick Kenzie. | 1:30:08 | 1:30:10 | |
To what do I owe the pleasure? | 1:30:12 | 1:30:14 | |
Remy Bressant died last night. | 1:30:14 | 1:30:17 | |
I was told. | 1:30:17 | 1:30:20 | |
It's a shame. | 1:30:20 | 1:30:22 | |
Yeah, it's hard to understand... | 1:30:22 | 1:30:25 | |
-because he seemed like a good man. -He was. | 1:30:25 | 1:30:28 | |
We don't know why people do what they do. | 1:30:29 | 1:30:32 | |
Everybody looks out his own window. | 1:30:32 | 1:30:35 | |
And everyone's got their reasons. | 1:30:35 | 1:30:37 | |
DOOR OPENS | 1:30:39 | 1:30:41 | |
-Hey. -Hi. | 1:30:47 | 1:30:49 | |
-How are you? -Good. -INDISTINCT SHOUTING | 1:30:49 | 1:30:52 | |
SHOUTING CONTINUES | 1:30:52 | 1:30:54 | |
-Something hit the water! -Ambush! Ambush! | 1:30:54 | 1:30:57 | |
-Something went in! -GUNFIRE | 1:30:57 | 1:31:00 | |
-LIONEL: -'Panickin'. Amanda got scared and she started runnin. | 1:31:01 | 1:31:04 | |
'And she just fell. I mean, she just fell in.' | 1:31:04 | 1:31:07 | |
TV: "..Chris Mullen was gunned down last night in an apparent robbery." | 1:31:12 | 1:31:16 | |
You go back inside with Franny. I'll come in soon | 1:31:16 | 1:31:18 | |
-and make you a sandwich. -OK. -That's my girl. | 1:31:18 | 1:31:21 | |
-REMY: -'Don't go down there.' | 1:31:21 | 1:31:23 | |
-I'll take care of it. -Fuck up and it's Amanda's life. | 1:31:23 | 1:31:28 | |
-'I got things to protect, too.' -'If you go, | 1:31:28 | 1:31:30 | |
'you are an enemy to me, a danger to Amanda.' | 1:31:30 | 1:31:33 | |
I told him we took her for ransom. I did it. Remy, please. | 1:31:33 | 1:31:36 | |
'GUNSHOT' | 1:31:36 | 1:31:38 | |
So now you know. | 1:31:41 | 1:31:43 | |
-LIONEL: -'My sister's on crack and talkin' about leaving the state.' | 1:31:43 | 1:31:47 | |
-I'm scared for my niece. -We have to do something. We'll figure it out. | 1:31:47 | 1:31:51 | |
She's an addict, drug mule. | 1:31:51 | 1:31:54 | |
The child'll be dead or on the street in ten years. | 1:31:54 | 1:31:57 | |
-What about the uncle? -He'll tell no-one, not even his wife. | 1:31:57 | 1:32:00 | |
He'll never see her again. | 1:32:00 | 1:32:03 | |
It's worth it to him, knowing she'll have a better life. | 1:32:03 | 1:32:07 | |
We'll do one last good thing before we hang it up. | 1:32:07 | 1:32:10 | |
-How many children have we seen destroyed? -Enough. | 1:32:11 | 1:32:16 | |
Does it make you feel better? | 1:32:18 | 1:32:21 | |
Telling yourself you did it for the right reasons? | 1:32:21 | 1:32:24 | |
That you took her to be saved? From her own mother? | 1:32:24 | 1:32:28 | |
We're just trying to give a little girl a life. | 1:32:30 | 1:32:33 | |
It wasn't your life to give. Helene's her mother. | 1:32:34 | 1:32:37 | |
If you thought she was a bad mother, go to social services. | 1:32:37 | 1:32:40 | |
She's her mother, and that's where she belongs. | 1:32:40 | 1:32:43 | |
You turn around, you go back to your fuckin' car | 1:32:46 | 1:32:50 | |
and you wait 30 years. | 1:32:50 | 1:32:53 | |
You don't know what the world is made of yet. | 1:32:53 | 1:32:56 | |
I'm calling the police. They'll be here in ten. | 1:32:57 | 1:33:00 | |
Thought you would've done that by now. | 1:33:00 | 1:33:02 | |
You know why you haven't? | 1:33:05 | 1:33:07 | |
Because you think this might be an irreparable mistake. | 1:33:09 | 1:33:13 | |
Because, deep inside, you know it doesn't matter what the rules say. | 1:33:13 | 1:33:18 | |
When you ask yourself, "Is she better off here or there?", | 1:33:18 | 1:33:21 | |
you know the answer, and you always will. | 1:33:21 | 1:33:25 | |
You... | 1:33:27 | 1:33:29 | |
You could do a right thing here, | 1:33:29 | 1:33:32 | |
a good thing. | 1:33:32 | 1:33:35 | |
Men live their whole lives without this chance. You walk away from it, | 1:33:35 | 1:33:39 | |
you may not regret it when you get home, or not regret it for a year, | 1:33:39 | 1:33:42 | |
but when you get to where I am, I promise you, you will. | 1:33:42 | 1:33:47 | |
I'll be dead, you'll be old, but she... | 1:33:47 | 1:33:52 | |
She'll be draggin' around tattered, damaged children of her own, | 1:33:52 | 1:33:57 | |
and you'll be the one who has to tell them you're sorry. | 1:33:57 | 1:34:01 | |
You know what? Maybe that'll happen. | 1:34:01 | 1:34:04 | |
And if it does, I'll tell 'em I'm sorry | 1:34:04 | 1:34:07 | |
and I'll live with it. | 1:34:07 | 1:34:09 | |
But what's never gonna happen, and what I won't do, | 1:34:09 | 1:34:12 | |
is apologise to a grown woman who comes to me and says, | 1:34:12 | 1:34:15 | |
"I was kidnapped when I was a girl and my aunt hired you to find me. | 1:34:15 | 1:34:19 | |
"And you did. You found me with some strange family. | 1:34:19 | 1:34:23 | |
"But you broke your promise and left me there. | 1:34:23 | 1:34:25 | |
"Why? Why didn't you bring me home? | 1:34:25 | 1:34:29 | |
"Because all the snacks, the outfits and the family trips don't matter. | 1:34:29 | 1:34:33 | |
"They stole me. | 1:34:34 | 1:34:37 | |
"It wasn't my family. | 1:34:37 | 1:34:40 | |
"And you knew about it, and you knew better, and you did nothin'." | 1:34:40 | 1:34:43 | |
Maybe that grown woman will forgive me, but I'll never forgive myself. | 1:34:45 | 1:34:50 | |
I did what I did... | 1:34:53 | 1:34:56 | |
for the sake of the child. | 1:34:56 | 1:34:59 | |
All right. For me, too. | 1:35:00 | 1:35:03 | |
But now I'm asking you... | 1:35:05 | 1:35:08 | |
..for the sake of the child. | 1:35:09 | 1:35:11 | |
I'm begging you. | 1:35:13 | 1:35:15 | |
You think about it. | 1:35:20 | 1:35:22 | |
She's happy. | 1:35:31 | 1:35:33 | |
-What? -She's happy here. | 1:35:34 | 1:35:37 | |
I saw her. | 1:35:37 | 1:35:39 | |
Angie, don't do this. | 1:35:41 | 1:35:43 | |
The police will send her back. | 1:35:43 | 1:35:45 | |
I'm not sending her anywhere. Helene's her mother! | 1:35:45 | 1:35:48 | |
-She's better off here. -Why? Cos he's got money and makes her sandwiches? | 1:35:49 | 1:35:54 | |
-Because he loves her. -Helene loves her, too! | 1:35:55 | 1:35:58 | |
-Helene doesn't treat her that way. -Maybe she'll change. | 1:35:58 | 1:36:02 | |
She won't change. People don't change. Helene is arsenic. | 1:36:02 | 1:36:05 | |
Angie, I know that this is hard. | 1:36:05 | 1:36:08 | |
Look at me. I know it's hard. | 1:36:08 | 1:36:10 | |
But I need you to stand by me. | 1:36:11 | 1:36:13 | |
I need you to say we'll make the right decision and make it all OK. | 1:36:13 | 1:36:17 | |
Everything will be OK, because we're gonna leave her here, | 1:36:17 | 1:36:20 | |
and, every now and then, we're gonna talk about her, | 1:36:20 | 1:36:23 | |
about what grade she's in. | 1:36:23 | 1:36:25 | |
-SOBBING: -And that'll be OK, because we'll know what school she's in, | 1:36:25 | 1:36:29 | |
that she's happy, and she's got parties, | 1:36:29 | 1:36:32 | |
and she smiles every day, and she has sleepovers. | 1:36:32 | 1:36:35 | |
Baby, I'm sorry. But you can't ask me to do something that I can't do. | 1:36:37 | 1:36:42 | |
And you can't ask me to live with it. | 1:36:45 | 1:36:48 | |
Patrick, for me... please. | 1:36:49 | 1:36:54 | |
I will hate you for doing this. | 1:36:57 | 1:36:59 | |
And I don't want to. | 1:37:00 | 1:37:03 | |
INAUDIBLE | 1:37:59 | 1:38:02 | |
-ON TV: -"..once an icon of justice and a model for crusaders, | 1:38:26 | 1:38:30 | |
Jack Doyle is behind bars tonight. Evelyn?" | 1:38:30 | 1:38:33 | |
Social Services, as demanded by law, will take time to examine Amanda | 1:38:33 | 1:38:37 | |
before returning her to home, and a mother | 1:38:37 | 1:38:40 | |
who never gave up hope that she would see her daughter again. SIRENS | 1:38:40 | 1:38:45 | |
REPORTERS FIRE QUESTIONS | 1:38:50 | 1:38:53 | |
-WOMAN: -Amanda, how do you feel to see your mom? | 1:38:59 | 1:39:02 | |
-You'll have her in your arms. -Helene, how are you feeling? | 1:39:02 | 1:39:05 | |
-Oh, my sweetheart. -Give us your feelings. | 1:39:05 | 1:39:08 | |
Helene, the whole world wants to know what you're feeling right now. | 1:39:08 | 1:39:12 | |
How are you, sweetheart? Er, my heart is brimmin'. I dunno. | 1:39:12 | 1:39:17 | |
Just God bless to everyone and, erm... | 1:39:17 | 1:39:20 | |
Thank you to all... to all the policemen and the firemen. | 1:39:20 | 1:39:25 | |
I feel like 9/11 right now. | 1:39:25 | 1:39:28 | |
'Oh, I swear to God. Just, erm...' | 1:39:28 | 1:39:32 | |
'Any comments for parents in your situation? | 1:39:32 | 1:39:35 | |
'Never let your kids out of your sight. | 1:39:35 | 1:39:37 | |
'Don't trust 'em to no-one. | 1:39:37 | 1:39:40 | |
'Just keep them in your arms. | 1:39:40 | 1:39:42 | |
'As much as they're in your heart, keep 'em in your arms.' | 1:39:42 | 1:39:45 | |
'How about that? Great end to that story. Good news for everybody...' | 1:39:45 | 1:39:50 | |
Sorry. I had to get some stuff. | 1:40:14 | 1:40:16 | |
It's all right. | 1:40:16 | 1:40:18 | |
Wanna talk for a minute? | 1:40:21 | 1:40:23 | |
There's nothing to say. | 1:40:26 | 1:40:29 | |
Sorry for being rude. I gotta go in two minutes. | 1:41:29 | 1:41:32 | |
Yeah, do your thing. | 1:41:32 | 1:41:34 | |
TV IS ON | 1:41:35 | 1:41:37 | |
Think he'll like me? | 1:41:42 | 1:41:44 | |
-Who? -My date. | 1:41:44 | 1:41:46 | |
Oh, how could he not? | 1:41:46 | 1:41:48 | |
-LAUGHS: -Oh, you're sweet. | 1:41:48 | 1:41:51 | |
He seen me on American Victim. | 1:41:51 | 1:41:53 | |
He wrote me letters. I was like, whatever. | 1:41:53 | 1:41:56 | |
But then he seen my Meredith Viera. He drove down here from Providence. | 1:41:56 | 1:42:00 | |
That's romantic, right? | 1:42:00 | 1:42:03 | |
-How's your girlfriend? -She's at the North Shore with her sister. | 1:42:03 | 1:42:07 | |
Hope she's got better family than I do. Those dirty motherfuckers. | 1:42:07 | 1:42:11 | |
If she don't get smart, I'll take ya out. | 1:42:15 | 1:42:18 | |
-How's Bea? -Fuck Bea! I banned her from the apartment. | 1:42:20 | 1:42:24 | |
She sold her unit, moved out to fancy-pants Melrose. | 1:42:24 | 1:42:28 | |
Don't think she don't hate you for Lionel going to jail. | 1:42:28 | 1:42:31 | |
-Probably why she never paid my bill. -You should fuckin' sue! | 1:42:31 | 1:42:35 | |
-How about you, Helene? -Hmm? | 1:42:35 | 1:42:38 | |
You hate me? | 1:42:38 | 1:42:40 | |
Fuck, no! Brother or not, he took my kid. Fuck him! She coulda been hurt. | 1:42:40 | 1:42:45 | |
-What about Amanda? -What about Amanda? | 1:42:45 | 1:42:49 | |
-Who's gonna watch her? -Dottie. | 1:42:51 | 1:42:54 | |
Yeah? Dottie know that? | 1:42:54 | 1:42:56 | |
-She will in five minutes! -Great. | 1:42:56 | 1:42:59 | |
Fuck, I'm gonna be late, too. | 1:42:59 | 1:43:01 | |
Unless you don't mind sitting for her? | 1:43:01 | 1:43:03 | |
-Yeah, sure. -For real? | 1:43:06 | 1:43:09 | |
Yeah, it's fine. | 1:43:10 | 1:43:12 | |
She likes you. | 1:43:12 | 1:43:14 | |
Bye, sweetheart. | 1:43:16 | 1:43:17 | |
You're a godsend, Patrick. | 1:43:18 | 1:43:21 | |
Bye! | 1:43:22 | 1:43:24 | |
Is that, er, Mirabelle? | 1:43:40 | 1:43:42 | |
Annabelle. | 1:43:44 | 1:43:46 | |
MUSIC: "Through the Dark" by Alexi Murdoch | 1:43:58 | 1:44:00 | |
# Somewhere... | 1:44:35 | 1:44:38 | |
# Reaching for me now | 1:44:41 | 1:44:44 | |
# Through...the dark | 1:44:50 | 1:44:56 | |
# Reaching for me now... # | 1:44:56 | 1:44:59 | |
HARMONISES | 1:45:05 | 1:45:08 | |
IMS Subtitles | 1:45:08 | 1:45:10 |