
Browse content similar to Brighton Rock. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains some violent scenes. | 0:00:10 | 0:00:16 | |
This film contains very strong language. | 0:00:16 | 0:00:22 | |
PHONE RINGS | 0:00:57 | 0:01:00 | |
Come on, Spicer. | 0:01:09 | 0:01:12 | |
Pick up the phone, you drunkard, curse on you. | 0:01:12 | 0:01:15 | |
You old drunk. Get off the fucking sofa, you old cow. | 0:01:17 | 0:01:20 | |
Come on, Spicer. I need the boys. | 0:01:21 | 0:01:25 | |
I'm in a bit of trouble here. | 0:01:25 | 0:01:27 | |
Fuck. | 0:01:30 | 0:01:32 | |
Hello? | 0:01:33 | 0:01:35 | |
Hello? | 0:01:36 | 0:01:37 | |
He's got two lads on his tail. Let's get out of here. | 0:01:37 | 0:01:42 | |
Come on. | 0:01:53 | 0:01:55 | |
GRUMBLES THREATS | 0:01:57 | 0:01:59 | |
YELLS | 0:02:04 | 0:02:06 | |
Kite should never have taken on Colleoni. | 0:03:01 | 0:03:03 | |
Without Kite, this mob's finished. | 0:03:03 | 0:03:07 | |
-I say we lay low. -If we lay low, they'll stamp on us. | 0:03:07 | 0:03:10 | |
I say we hit back. Dallow? | 0:03:10 | 0:03:13 | |
No-one gets near Colleoni. | 0:03:14 | 0:03:16 | |
Then we carve his cronies. | 0:03:16 | 0:03:18 | |
Start with the cunt what stuck Kite. | 0:03:18 | 0:03:20 | |
What do you say, Spicer? | 0:03:20 | 0:03:23 | |
Pinkie, did you get a look at him? | 0:03:23 | 0:03:26 | |
Listen, Mr Colleoni. | 0:03:31 | 0:03:34 | |
It was an accident. | 0:03:34 | 0:03:36 | |
It's true. | 0:03:36 | 0:03:38 | |
Mr Colleoni? | 0:03:38 | 0:03:40 | |
WHISTLES "I DO LIKE TO BE BESIDE THE SEASIDE" | 0:04:19 | 0:04:22 | |
If you purchase some, | 0:04:46 | 0:04:49 | |
you better be ready to use it. | 0:04:49 | 0:04:51 | |
The young have captured this ancient island and taken command | 0:05:08 | 0:05:11 | |
in a country where youth has always before | 0:05:11 | 0:05:13 | |
been kept properly in its place. | 0:05:13 | 0:05:17 | |
Suddenly, the young own the town. | 0:05:17 | 0:05:20 | |
Hello, Ida. | 0:05:21 | 0:05:23 | |
-Port and lemon. -You were young once, you old ghost. | 0:05:23 | 0:05:27 | |
One minute they want the vote | 0:05:27 | 0:05:29 | |
and the next minute the feckless little gobshites | 0:05:29 | 0:05:31 | |
are tearing up the south coast. | 0:05:31 | 0:05:33 | |
Bring back the birch, that's what I say. | 0:05:33 | 0:05:36 | |
You want to take care. | 0:05:36 | 0:05:38 | |
First Hastings then Margate. Brighton'll be bleeding next. | 0:05:38 | 0:05:42 | |
Give us a moment, sweetheart. | 0:05:45 | 0:05:48 | |
Right you are, Ida. | 0:05:49 | 0:05:51 | |
Fancy a dance, girl? | 0:06:01 | 0:06:05 | |
Hello, Fred. | 0:06:05 | 0:06:06 | |
Usual? | 0:06:06 | 0:06:08 | |
Yes. Just a quickie. | 0:06:08 | 0:06:11 | |
Port and lemon. | 0:06:11 | 0:06:12 | |
Not having one yourself? | 0:06:14 | 0:06:16 | |
No. I've had enough. Don't want to be sleepy. | 0:06:16 | 0:06:19 | |
What is it this time? | 0:06:21 | 0:06:22 | |
I'm in dutch, you know. | 0:06:25 | 0:06:28 | |
-How much? -90 or 80. -I haven't got it. | 0:06:29 | 0:06:34 | |
Fancy some lunch? | 0:06:36 | 0:06:37 | |
-What was it? Dogs or gee-gees? -It's complicated. | 0:06:37 | 0:06:42 | |
It's that bad, is it? | 0:06:42 | 0:06:45 | |
Come for a bite, please. | 0:06:45 | 0:06:48 | |
Old times. | 0:06:48 | 0:06:50 | |
You don't look well. | 0:06:54 | 0:06:57 | |
-You're not sick, are you? -Come to lunch, please. | 0:06:57 | 0:06:59 | |
-I need the company. -Why don't you have a bite here? | 0:06:59 | 0:07:02 | |
Bill can make you a sandwich. You can make a sandwich. | 0:07:02 | 0:07:05 | |
-I can make him a sandwich. -No, thanks. | 0:07:05 | 0:07:08 | |
Best be getting on. | 0:07:12 | 0:07:14 | |
Thanks anyway. | 0:07:16 | 0:07:18 | |
CHATTER | 0:07:34 | 0:07:36 | |
Ready? One, two, three. | 0:07:54 | 0:07:57 | |
Yes. | 0:07:57 | 0:07:58 | |
Do you want a cigarette? | 0:08:01 | 0:08:03 | |
I don't smoke. | 0:08:03 | 0:08:05 | |
Fuck off then. | 0:08:05 | 0:08:06 | |
Give us a stick of rock. | 0:08:10 | 0:08:11 | |
Cigarette? | 0:08:43 | 0:08:45 | |
No, thanks. | 0:08:45 | 0:08:46 | |
You down for the day, are you? | 0:08:49 | 0:08:50 | |
-On a break from Snow's. -That's nice. | 0:08:50 | 0:08:54 | |
-Are you gonna sit on your own all day? -I got to get back in a minute. | 0:08:55 | 0:08:59 | |
You fancy a stroll? | 0:08:59 | 0:09:00 | |
-We can pop up the prom and I'll buy you an ice-cream. -I can't be late back from lunch. | 0:09:00 | 0:09:05 | |
-I'm Fred, by the way. -Rose. | 0:09:07 | 0:09:09 | |
Fancy a drink? | 0:09:12 | 0:09:14 | |
You're very kind but I better get back. | 0:09:14 | 0:09:15 | |
Never mind. I'll walk you. I know Snow's. | 0:09:15 | 0:09:18 | |
There you are, Fred. | 0:09:18 | 0:09:20 | |
This is my new friend Rose. | 0:09:22 | 0:09:23 | |
I'm pleased to meet you. Where are we going? | 0:09:23 | 0:09:26 | |
-We're going for something to eat. -I've got to get back. | 0:09:26 | 0:09:29 | |
-I know a good place. -Does it do sundaes? She loves sundaes. | 0:09:29 | 0:09:32 | |
The best sundaes. | 0:09:32 | 0:09:35 | |
Forget it. Rose likes splits best. | 0:09:36 | 0:09:39 | |
Let's go, Fred. | 0:09:39 | 0:09:40 | |
-I said let's move it. -Say cheese! | 0:09:40 | 0:09:42 | |
Lovely. You have been Pom-Pommed. | 0:09:43 | 0:09:46 | |
Whatever you do, don't lose the slip. | 0:09:48 | 0:09:51 | |
No slip, no photo. Pomp-Poms, just there. | 0:09:51 | 0:09:55 | |
HE YELLS | 0:11:00 | 0:11:01 | |
We was only supposed to carve him. | 0:11:57 | 0:11:59 | |
Just enough to let Colleoni know we ain't finished. | 0:11:59 | 0:12:03 | |
-He knows. -You're a runner, Pinkie. | 0:12:03 | 0:12:05 | |
You don't do nothing without our say-so. | 0:12:05 | 0:12:07 | |
If we meant to kill him, we'd have done it ourselves. | 0:12:07 | 0:12:10 | |
Spicer, did the bird get a good look? | 0:12:10 | 0:12:12 | |
She got more than a good look. She got a bloody photograph! | 0:12:12 | 0:12:15 | |
-That ain't the kid's fault. -Whose fault is it? | 0:12:15 | 0:12:18 | |
Lousy seaside snap wouldn't matter if it wasn't accessory to murder. | 0:12:18 | 0:12:23 | |
Christ al-fucking-mighty. We could hang for this. | 0:12:23 | 0:12:26 | |
-We better get hold of that photo. -Oh, well done. | 0:12:26 | 0:12:28 | |
-Before anyone else does. -Brilliant. | 0:12:28 | 0:12:32 | |
Pinkie, you'll get hold of the photograph, won't you? | 0:12:32 | 0:12:35 | |
-Why me? -You're a pickpocket. | 0:12:38 | 0:12:40 | |
Don't be soft, I ain't got the slip. | 0:12:40 | 0:12:42 | |
No slip, no photo. Everyone knows that. | 0:12:42 | 0:12:44 | |
So snatch the slip. | 0:12:44 | 0:12:46 | |
CHATTER | 0:13:30 | 0:13:32 | |
THUDS | 0:13:57 | 0:13:59 | |
-Can I help you, sir? -I wanna order. | 0:14:05 | 0:14:08 | |
You're late for lunch. | 0:14:08 | 0:14:09 | |
I don't want lunch. I want a cup of tea. | 0:14:09 | 0:14:11 | |
Would you mind sitting at one of the tables laid for tea? | 0:14:11 | 0:14:14 | |
This table suits me. | 0:14:16 | 0:14:18 | |
I think it does. It's right next to the door you'll be leaving through | 0:14:18 | 0:14:21 | |
as soon as you've finished. | 0:14:21 | 0:14:22 | |
-And a plate of biscuits. -Rose. | 0:14:22 | 0:14:26 | |
-Sorry to keep you waiting, sir. -That's all right. | 0:14:26 | 0:14:30 | |
Miss Arnold just gave me a lecture. | 0:14:35 | 0:14:37 | |
I wouldn't mind but it wasn't my fault | 0:14:37 | 0:14:39 | |
I was late back from lunch. | 0:14:39 | 0:14:41 | |
A man on the pier. | 0:14:43 | 0:14:45 | |
Sorry, I get nervous and I talk too much. | 0:14:45 | 0:14:47 | |
Out for a stroll? | 0:14:48 | 0:14:50 | |
-Sorry? -You and your boyfriend? | 0:14:50 | 0:14:52 | |
I never seen him before my life. | 0:14:52 | 0:14:55 | |
I was on my lunch break and a friend of his turned up and he ran off. | 0:14:55 | 0:15:00 | |
Why would someone do that? | 0:15:00 | 0:15:02 | |
Some fellas don't know how to treat a girl. | 0:15:02 | 0:15:05 | |
You're like me. Old-fashioned. | 0:15:05 | 0:15:08 | |
Am I? | 0:15:08 | 0:15:10 | |
You and me got a bit in common. | 0:15:10 | 0:15:12 | |
You're the kind of girl I like. | 0:15:12 | 0:15:14 | |
I like a girl who's friendly. | 0:15:16 | 0:15:18 | |
Some of them freeze you. | 0:15:20 | 0:15:22 | |
They freeze me. | 0:15:22 | 0:15:24 | |
You're sensitive. That's what that is. | 0:15:26 | 0:15:29 | |
Like me. | 0:15:29 | 0:15:31 | |
You and me should go out one evening. | 0:15:31 | 0:15:34 | |
Go to the pictures. | 0:15:34 | 0:15:36 | |
-What's your name? -Rose. | 0:15:39 | 0:15:41 | |
-CLEARS THROAT -Rose. | 0:15:41 | 0:15:43 | |
-I'm Pinkie. -Pleased to meet you. | 0:15:44 | 0:15:47 | |
-Your tea... -We've been talking and I had an appointment at 4:30. | 0:15:50 | 0:15:54 | |
-Sorry, you should have stopped me. -That's all right. | 0:15:54 | 0:15:57 | |
I liked it. | 0:15:57 | 0:15:59 | |
It's only ten to anyway. What time do you get off? | 0:15:59 | 0:16:02 | |
We don't close until half-past six. Except on Sundays. | 0:16:02 | 0:16:07 | |
What about tonight? | 0:16:07 | 0:16:09 | |
-Quarter to eight? -Oh. | 0:16:09 | 0:16:11 | |
-Unless you got other plans. -No. | 0:16:12 | 0:16:15 | |
Tonight then. | 0:16:15 | 0:16:16 | |
Pavilion Gardens. | 0:16:16 | 0:16:18 | |
You and me got things in common. | 0:16:20 | 0:16:22 | |
Rose. | 0:16:23 | 0:16:25 | |
Pinkie. | 0:16:25 | 0:16:26 | |
Thank you, Pinkie. | 0:16:48 | 0:16:50 | |
Stick it on your wall and pray. | 0:16:50 | 0:16:52 | |
You're a Roman, ain't you? | 0:16:54 | 0:16:56 | |
This? | 0:16:59 | 0:17:01 | |
Told you we have things in common. | 0:17:01 | 0:17:03 | |
I'm a Roman too. | 0:17:14 | 0:17:16 | |
I used to be in the choir. | 0:17:17 | 0:17:19 | |
Do you go to Mass? | 0:17:19 | 0:17:21 | |
-But you believe though. -Course I do. | 0:17:25 | 0:17:28 | |
It's the only thing that makes any sense. | 0:17:28 | 0:17:30 | |
Them atheists got it all wrong. | 0:17:31 | 0:17:33 | |
Course there's a hell. | 0:17:35 | 0:17:37 | |
Flames. Damnation. | 0:17:37 | 0:17:39 | |
And torment. | 0:17:41 | 0:17:42 | |
And a heaven too, Pinkie. | 0:17:42 | 0:17:45 | |
Heaven? | 0:17:46 | 0:17:48 | |
Maybe. | 0:17:51 | 0:17:52 | |
MUSIC: "I'll Never Stop Loving You" by Doris Day | 0:18:08 | 0:18:12 | |
Want to dance? | 0:18:36 | 0:18:38 | |
Yes, Pinkie. | 0:18:40 | 0:18:42 | |
Come on then. | 0:18:44 | 0:18:46 | |
You ever been in love? | 0:19:44 | 0:19:47 | |
Oh, yes. | 0:19:47 | 0:19:50 | |
You would say that. | 0:19:50 | 0:19:52 | |
You're green. | 0:19:54 | 0:19:57 | |
You don't know what people do. | 0:19:57 | 0:19:59 | |
You can keep doing that. | 0:20:03 | 0:20:06 | |
If you like it. | 0:20:06 | 0:20:08 | |
Don't be soft. | 0:20:12 | 0:20:14 | |
Did I do something wrong? | 0:20:27 | 0:20:29 | |
-Let's go. -It's him. | 0:20:31 | 0:20:34 | |
-Who? -The man on the pier, the one I told you about. | 0:20:34 | 0:20:37 | |
You sure? Maybe it looks like him. | 0:20:39 | 0:20:42 | |
It is him. | 0:20:42 | 0:20:44 | |
I never forget a face. | 0:20:45 | 0:20:47 | |
"Police... appeal for witnesses." | 0:20:50 | 0:20:53 | |
One minute he was sitting on the pier just here and now... | 0:20:53 | 0:20:57 | |
-What now? -I almost forgot. | 0:20:59 | 0:21:01 | |
A man from Pom-Poms took a photo. | 0:21:01 | 0:21:03 | |
All three of us. Me and Hale and the other man. | 0:21:03 | 0:21:07 | |
I've still got the slip. | 0:21:07 | 0:21:09 | |
-I don't understand. -You lost it? | 0:21:11 | 0:21:13 | |
-It was in my coat pocket. -You must have dropped it. | 0:21:13 | 0:21:16 | |
-I put it right here. -It must have fallen out. | 0:21:16 | 0:21:18 | |
-I buttoned it. -Never mind. | 0:21:18 | 0:21:19 | |
-There'll be a picture in the window. -Never mind! | 0:21:19 | 0:21:22 | |
He was frightened, Fred Hale. | 0:21:28 | 0:21:32 | |
So what? | 0:21:32 | 0:21:33 | |
He probably owed the other bloke money. | 0:21:33 | 0:21:36 | |
It happens all the time. | 0:21:36 | 0:21:38 | |
Chances are the other geezer was a bookie. | 0:21:38 | 0:21:41 | |
Did he look like a bookie to you? The other fellow? | 0:21:41 | 0:21:44 | |
I wouldn't know. | 0:21:45 | 0:21:47 | |
You probably didn't get a good look at him then. | 0:21:47 | 0:21:50 | |
Oh, yes, I got a memory for faces. | 0:21:50 | 0:21:52 | |
I like you. | 0:22:01 | 0:22:02 | |
So I'm going to warn you. | 0:22:04 | 0:22:07 | |
This bloke, Hale, I heard he was mixed up in stuff. | 0:22:07 | 0:22:11 | |
-What stuff? -Never mind what stuff. | 0:22:12 | 0:22:16 | |
You heard of Peggy Baron, right? | 0:22:16 | 0:22:19 | |
You must have, it was in all the papers. | 0:22:19 | 0:22:22 | |
She got herself mixed up with a mob. | 0:22:22 | 0:22:25 | |
-They come after her. -What happened to her? | 0:22:25 | 0:22:29 | |
She wouldn't keep her mouth shut. | 0:22:32 | 0:22:34 | |
So they splashed acid in her face. | 0:22:34 | 0:22:37 | |
She lost an eye. | 0:22:37 | 0:22:38 | |
Acid? | 0:22:41 | 0:22:43 | |
Sulphuric acid. | 0:22:46 | 0:22:49 | |
It burns. | 0:22:53 | 0:22:55 | |
Smell it. | 0:22:57 | 0:22:59 | |
I'm only pulling your leg. It's nice. It's just spirit. | 0:22:59 | 0:23:02 | |
I had to warn you, that's all. | 0:23:02 | 0:23:05 | |
You and me are friends. | 0:23:05 | 0:23:08 | |
Well, I wouldn't want a friend with her face burned off, would I? | 0:23:08 | 0:23:11 | |
You tell me if anyone asks any questions. Anyone. | 0:23:16 | 0:23:20 | |
You get me on the blower straight off. | 0:23:20 | 0:23:23 | |
Brighton 33945. | 0:23:23 | 0:23:25 | |
You have to swear to me, you'll keep your mouth shut. | 0:23:26 | 0:23:30 | |
I swear. | 0:23:36 | 0:23:38 | |
Spot of bother? | 0:23:50 | 0:23:52 | |
No bother. | 0:23:54 | 0:23:56 | |
She's safe. | 0:24:04 | 0:24:06 | |
No bet she's safe. | 0:24:07 | 0:24:09 | |
She loves me. | 0:24:32 | 0:24:34 | |
She loves me not. | 0:24:36 | 0:24:38 | |
What do you want? | 0:24:41 | 0:24:42 | |
Don't you talk to me like that. | 0:24:42 | 0:24:45 | |
You're just a kid. I run this mob now. | 0:24:45 | 0:24:48 | |
I got experience. I put in the years. | 0:24:48 | 0:24:50 | |
-It's a lot of years. -Maybe. But I got nous. | 0:24:50 | 0:24:54 | |
-RADIO: -"Brighton police today intensified their hunt | 0:24:56 | 0:24:59 | |
for the killer of ex-naval officer Frederick Hale | 0:24:59 | 0:25:01 | |
with a county-wide appeal." | 0:25:01 | 0:25:03 | |
"The body of Mr Hale, who died with severe head injuries, | 0:25:03 | 0:25:06 | |
was found beneath Palace Pier in Brighton yesterday morning." | 0:25:06 | 0:25:10 | |
"Youth riots in Clacton -" | 0:25:10 | 0:25:12 | |
Pinkie. | 0:25:12 | 0:25:13 | |
-If that girl talks - -She won't talk. | 0:25:13 | 0:25:15 | |
Not if she knows what's good for her. | 0:25:18 | 0:25:20 | |
Enjoy it. | 0:25:25 | 0:25:26 | |
Rose. | 0:25:36 | 0:25:37 | |
I want to have a word with you. | 0:25:37 | 0:25:39 | |
That man you met. | 0:25:44 | 0:25:47 | |
What man? | 0:25:47 | 0:25:48 | |
The bloke on the pier. The one who tried to pick you up. | 0:25:48 | 0:25:51 | |
Don't be shy. You were late for afternoon tea. | 0:25:51 | 0:25:54 | |
-I remember. -What did he look like? | 0:25:54 | 0:25:57 | |
Ordinary. | 0:26:01 | 0:26:03 | |
-Skinny fellow? -Not especially. | 0:26:03 | 0:26:05 | |
-Tattoos. -I can't remember. | 0:26:05 | 0:26:07 | |
Is this him? | 0:26:07 | 0:26:09 | |
I wasn't wearing my glasses. | 0:26:11 | 0:26:13 | |
His name was Fred Hale. | 0:26:15 | 0:26:17 | |
He was a friend of mine. | 0:26:17 | 0:26:19 | |
A friend? | 0:26:19 | 0:26:20 | |
Yeah. Gentleman friend. | 0:26:20 | 0:26:23 | |
Nothing serious. | 0:26:23 | 0:26:25 | |
But I was fond of him. | 0:26:25 | 0:26:27 | |
Poor old Fred. | 0:26:27 | 0:26:29 | |
I'm sorry, Miss Arnold. | 0:26:32 | 0:26:35 | |
What's the matter? You don't look well, sweetheart. | 0:26:36 | 0:26:40 | |
Nothing. Nothing's the matter. I just - | 0:26:40 | 0:26:42 | |
I'm sorry to hear about your friend. | 0:26:43 | 0:26:46 | |
My father's not been well and I haven't been eating properly. | 0:26:46 | 0:26:49 | |
I should really get back to work. | 0:26:49 | 0:26:51 | |
-You go have a lie-down in my office. -I should get back to afternoon tea. | 0:26:51 | 0:26:55 | |
I said have a lie down in my office. | 0:26:55 | 0:26:57 | |
HORSE RACING ON RADIO | 0:27:05 | 0:27:07 | |
I'm here to collect. | 0:27:10 | 0:27:11 | |
You? | 0:27:11 | 0:27:13 | |
Excuse me. | 0:27:15 | 0:27:17 | |
This is a top-notch business, it needs top-notch protection. | 0:27:17 | 0:27:20 | |
You lot's glory days are over. | 0:27:20 | 0:27:22 | |
Kite's mob. They couldn't even protect Kite. | 0:27:23 | 0:27:27 | |
I can't pay you both. | 0:27:32 | 0:27:34 | |
I would have been stabbed in the heart if I hadn't paid Colleoni. | 0:27:34 | 0:27:39 | |
Look around you. Colleoni is running things now. | 0:27:39 | 0:27:42 | |
Bigger and better than Kite ever could. | 0:27:42 | 0:27:45 | |
Take my advice, kid. | 0:27:47 | 0:27:49 | |
Clear out of Brighton. | 0:27:49 | 0:27:51 | |
Christ al-fucking-mighty. You're in the shit now. | 0:27:56 | 0:28:02 | |
I've got protection! | 0:28:02 | 0:28:03 | |
Look at him, Dallow. He's got protection. | 0:28:03 | 0:28:06 | |
That's so you know who's protecting you. | 0:28:09 | 0:28:11 | |
Expenses. | 0:28:27 | 0:28:28 | |
-Where next? -Home. | 0:28:31 | 0:28:33 | |
We lay low until we're in the clear for Hale. | 0:28:33 | 0:28:35 | |
-Spicer's orders. -Spicer's milky. | 0:28:35 | 0:28:38 | |
We lay low and they'll bury us alive. | 0:28:38 | 0:28:40 | |
There's betting shops opening all over town. | 0:28:40 | 0:28:42 | |
-Colleoni's betting shops. -It's our town, isn't it? | 0:28:42 | 0:28:45 | |
Colleoni's boys. | 0:28:46 | 0:28:48 | |
That squealer Corkery. | 0:28:48 | 0:28:50 | |
Fuck. | 0:28:54 | 0:28:56 | |
You know better than Spicer, Cubitt. | 0:28:57 | 0:28:59 | |
I don't know about you, but I could do with the exercise. | 0:28:59 | 0:29:02 | |
Leave it to me. | 0:29:02 | 0:29:04 | |
No, I ain't running. | 0:29:04 | 0:29:06 | |
Get out the way. | 0:29:47 | 0:29:49 | |
PHONE RINGS | 0:29:52 | 0:29:54 | |
-Hello. -Pinkie? -Who wants him? | 0:29:55 | 0:29:58 | |
Who is this? | 0:30:14 | 0:30:16 | |
It's Rose. | 0:30:16 | 0:30:17 | |
There's no Pinkie here. | 0:30:17 | 0:30:19 | |
Is this Brighton 33945? | 0:30:19 | 0:30:21 | |
You've got the wrong number. | 0:30:21 | 0:30:23 | |
There appears to have been some mistake. | 0:31:41 | 0:31:43 | |
Mr Colleoni is expecting someone... older. | 0:31:43 | 0:31:48 | |
His boys tried to nab me. | 0:31:49 | 0:31:52 | |
If talking is what he wants, he might as well talk to me. | 0:31:52 | 0:31:55 | |
-I doubt Mr Colleoni - -He can talk to me. | 0:31:55 | 0:31:58 | |
Who sent you? | 0:32:13 | 0:32:15 | |
You did. | 0:32:15 | 0:32:17 | |
I mean who's running your mob, if Kite's dead. | 0:32:20 | 0:32:23 | |
I am. | 0:32:23 | 0:32:25 | |
Something funny? | 0:32:29 | 0:32:31 | |
-What happened to Hale? -What happened to Kite? | 0:32:31 | 0:32:34 | |
There's a difference. | 0:32:34 | 0:32:36 | |
-I don't see no difference. -You don't see much. | 0:32:36 | 0:32:39 | |
Kite was an accident. | 0:32:40 | 0:32:43 | |
People make mistakes. | 0:32:43 | 0:32:45 | |
Now. | 0:32:48 | 0:32:49 | |
As it stands, bogies have turned a blind eye | 0:32:49 | 0:32:52 | |
to our little... contretemps. | 0:32:52 | 0:32:56 | |
But if I give the signal... | 0:32:56 | 0:32:59 | |
Gambling is a legitimate business now. | 0:33:06 | 0:33:08 | |
I keep it clean. | 0:33:11 | 0:33:13 | |
And tidy. | 0:33:13 | 0:33:15 | |
-They like it that way. -Then you better stop trespassing. | 0:33:15 | 0:33:18 | |
It ain't healthy. | 0:33:20 | 0:33:22 | |
I like you. | 0:33:26 | 0:33:27 | |
You're a promising young man. | 0:33:29 | 0:33:33 | |
That's why I'm talking to you like a father. | 0:33:34 | 0:33:36 | |
You need a job, you come to me. | 0:33:39 | 0:33:42 | |
You can't damage a business like ours. | 0:33:42 | 0:33:45 | |
I could damage you. | 0:33:45 | 0:33:46 | |
Mr Corkery has been complaining. | 0:33:54 | 0:33:57 | |
You don't do that again. Not here. | 0:33:57 | 0:33:59 | |
Brighton's on the move. | 0:34:01 | 0:34:04 | |
She's not what she used to be. | 0:34:05 | 0:34:07 | |
And you, whoever you think you are, you won't last. | 0:34:09 | 0:34:15 | |
I haven't even started. | 0:34:20 | 0:34:22 | |
What do you want? | 0:34:40 | 0:34:42 | |
Hello. Got a warrant? | 0:34:43 | 0:34:46 | |
Bogies. | 0:35:04 | 0:35:05 | |
Doing Colleoni's job for him. | 0:35:06 | 0:35:08 | |
Are you seriously telling me you are running Kite's gang now? | 0:35:12 | 0:35:17 | |
What good is a young lad like you up against the Colleoni mob? | 0:35:19 | 0:35:23 | |
How much is he paying you? | 0:35:23 | 0:35:25 | |
Right. | 0:35:25 | 0:35:27 | |
Let's talk about Hale. | 0:35:29 | 0:35:31 | |
I'm looking into things. | 0:35:33 | 0:35:35 | |
Motives. | 0:35:35 | 0:35:37 | |
Bully for you. | 0:35:37 | 0:35:38 | |
Kite was like a father to you. | 0:35:39 | 0:35:42 | |
-You got nothing on me. -Yet. | 0:35:44 | 0:35:47 | |
But sooner or later, someone is going to talk. | 0:35:48 | 0:35:52 | |
And when they do, I'm going to put a rope | 0:35:55 | 0:35:59 | |
around your scrawny little neck. | 0:35:59 | 0:36:01 | |
And drop you through a trapdoor. | 0:36:02 | 0:36:05 | |
And bury you in fucking lime. | 0:36:06 | 0:36:09 | |
He came to me for help. | 0:36:45 | 0:36:48 | |
A girl feels sorry for a geezer. | 0:36:50 | 0:36:53 | |
Don't have to get mixed up in things. | 0:36:53 | 0:36:55 | |
Someone's got to. | 0:36:55 | 0:36:57 | |
It's the least you can do for anyone is ask questions. | 0:36:57 | 0:37:00 | |
I'd do the same for you. | 0:37:00 | 0:37:02 | |
Would you? | 0:37:02 | 0:37:04 | |
Course I would. | 0:37:06 | 0:37:08 | |
Who is this Kite fellow that you say Fred got into a fight with? | 0:37:08 | 0:37:12 | |
Who was Kite? | 0:37:12 | 0:37:15 | |
I telephoned you just like you said. | 0:37:24 | 0:37:26 | |
To tell you someone was asking questions. | 0:37:26 | 0:37:28 | |
The man who answered sounded just like - | 0:37:28 | 0:37:30 | |
Come on, we're going for a walk. | 0:37:30 | 0:37:33 | |
You're saying that of one of Kite's boys killed my Fred. | 0:37:38 | 0:37:41 | |
I don't know that, Ida. | 0:37:41 | 0:37:43 | |
Neither do you. | 0:37:43 | 0:37:45 | |
All you can do is walk away that's what I'm saying. | 0:37:45 | 0:37:49 | |
Walk away, Ida, for Christ's sake. | 0:37:49 | 0:37:52 | |
You're frightened. | 0:37:52 | 0:37:54 | |
-I ain't frightened of a kid. -Kid? | 0:37:54 | 0:37:57 | |
What kid? | 0:37:58 | 0:38:00 | |
-Who's been asking questions? -Ida Arnold who runs Snow's. | 0:38:01 | 0:38:04 | |
She said Fred was a gentleman friend. | 0:38:04 | 0:38:07 | |
What did you tell her? | 0:38:07 | 0:38:09 | |
I told her I never saw him before. | 0:38:09 | 0:38:12 | |
I don't think I should go back to Snow's. | 0:38:12 | 0:38:14 | |
Of course you go back. | 0:38:14 | 0:38:16 | |
If you quit now, it'll look bad. | 0:38:16 | 0:38:19 | |
Besides, Fred Hale died natural. | 0:38:19 | 0:38:21 | |
You said he was mixed up with the mob. | 0:38:21 | 0:38:25 | |
Come on. | 0:38:25 | 0:38:26 | |
Stop blabbing your mouth off. | 0:38:29 | 0:38:31 | |
If you keep blabbing your mouth off, geezers will come after you. | 0:38:31 | 0:38:35 | |
I'm trying to help you. Why can't you understand that? | 0:38:35 | 0:38:39 | |
I do. | 0:38:39 | 0:38:40 | |
If it weren't for you... | 0:38:40 | 0:38:42 | |
I trust you, honestly. I do. | 0:38:42 | 0:38:44 | |
I wouldn't trust anyone that far. | 0:38:51 | 0:38:53 | |
Scared? | 0:38:57 | 0:38:58 | |
Not when I'm with you. | 0:39:04 | 0:39:05 | |
(JEERING OUTSIDE) | 0:39:32 | 0:39:34 | |
-(RADIO) -"After youth riots up and down the south-east coast of England | 0:39:44 | 0:39:48 | |
"residents are warned police anticipate a weekend of violence | 0:39:48 | 0:39:52 | |
"as scooter riding Mods clash with rival gang the Rockers." | 0:39:52 | 0:39:56 | |
Spot of bother, Spicer? | 0:40:01 | 0:40:03 | |
You're clearing out. | 0:40:05 | 0:40:08 | |
I thought the filth had got you. | 0:40:08 | 0:40:09 | |
-I thought - -You thought what? | 0:40:09 | 0:40:12 | |
I didn't know what to think. | 0:40:12 | 0:40:14 | |
Why didn't you bring me Rose's message? | 0:40:17 | 0:40:19 | |
I came looking for you as soon as she called. | 0:40:19 | 0:40:22 | |
I saw two plainclothes coppers pick you up outside the Cosmopolitan. | 0:40:22 | 0:40:26 | |
You're too old for this life. | 0:40:26 | 0:40:28 | |
-This life? -This racket. | 0:40:28 | 0:40:32 | |
You get nervous. You drink too much. | 0:40:32 | 0:40:35 | |
And then you mess things up. | 0:40:36 | 0:40:38 | |
First with the photo. | 0:40:38 | 0:40:41 | |
Then on the blower to Rose. | 0:40:41 | 0:40:42 | |
Now she thinks we're pals. | 0:40:42 | 0:40:44 | |
You should have dealt with her. I told you time and time again. | 0:40:44 | 0:40:48 | |
-No bitch is safe. -Not with you about. | 0:40:48 | 0:40:49 | |
It ain't my fault. | 0:40:52 | 0:40:54 | |
I can't take the strain. | 0:40:55 | 0:40:57 | |
That's why I thought I'd go on holiday. | 0:41:01 | 0:41:03 | |
Just go somewhere. | 0:41:05 | 0:41:08 | |
Retire. | 0:41:08 | 0:41:10 | |
You're not going anywhere. | 0:41:10 | 0:41:12 | |
You're staying here where I can keep an eye on you. | 0:41:12 | 0:41:14 | |
You've got me wrong, Pinkie. | 0:41:14 | 0:41:16 | |
If I was going to rat on you, I'd have done it by now. | 0:41:16 | 0:41:19 | |
You don't want to be threatening me. | 0:41:21 | 0:41:24 | |
What do you want, Spicer? | 0:41:24 | 0:41:26 | |
You want to run this mob, you got to buy me out. | 0:41:26 | 0:41:29 | |
Or? | 0:41:34 | 0:41:35 | |
-I talk. -You talk, we'll hang. | 0:41:35 | 0:41:38 | |
I never touched Fred Hale, Pinkie. | 0:41:39 | 0:41:42 | |
There's a little pub up north. | 0:41:47 | 0:41:50 | |
In Nottingham. | 0:41:50 | 0:41:52 | |
The Blue Anchor. | 0:41:53 | 0:41:55 | |
I've looked into it. | 0:41:56 | 0:41:58 | |
She serves a lovely pint. | 0:41:58 | 0:42:00 | |
All I need is my cut. | 0:42:00 | 0:42:03 | |
I worked my whole life for this racket. | 0:42:03 | 0:42:06 | |
I deserve a slice of it. | 0:42:06 | 0:42:08 | |
You can trust me, Pinkie. | 0:42:10 | 0:42:12 | |
You got to trust me. | 0:42:14 | 0:42:17 | |
Way I see it, you got no choice. | 0:42:17 | 0:42:19 | |
You're right. | 0:42:23 | 0:42:25 | |
I've got no choice. | 0:42:25 | 0:42:27 | |
I want to talk to Mr Colleoni. | 0:42:30 | 0:42:33 | |
Tell him it's Mr Brown. | 0:42:33 | 0:42:35 | |
I've been thinking things over. | 0:42:40 | 0:42:43 | |
I want to accept your offer of a joint operation. | 0:42:43 | 0:42:45 | |
Certain people are a liability. | 0:42:50 | 0:42:53 | |
To all of us. | 0:42:54 | 0:42:56 | |
You have your boys wait under the Palace Pier. | 0:42:57 | 0:43:00 | |
I'll give the signal. | 0:43:00 | 0:43:02 | |
Hand him a stick of rock. | 0:43:02 | 0:43:04 | |
Something to remember Brighton by. | 0:43:04 | 0:43:06 | |
(HE LAUGHS AND PUTS RECEIVER DOWN) | 0:43:06 | 0:43:08 | |
Mr Colleoni? | 0:43:08 | 0:43:09 | |
(JEERING) | 0:45:31 | 0:45:33 | |
I wouldn't trust Dallow or Cubitt with this. | 0:45:54 | 0:45:56 | |
They're too tasty. | 0:45:56 | 0:45:58 | |
I might as well tell you, I'm making peace with Colleoni. | 0:45:58 | 0:46:01 | |
I'm all for peace. I always have been. | 0:46:01 | 0:46:03 | |
That's what I'm going to arrange. A peace that lasts. | 0:46:03 | 0:46:06 | |
You can't get me out of Brighton a moment too soon. | 0:46:14 | 0:46:18 | |
(JEERING) | 0:46:49 | 0:46:51 | |
First we'll meet Colleoni's boys. Then you get your cut. | 0:47:26 | 0:47:29 | |
Very generous. It'd be an honour. | 0:47:29 | 0:47:32 | |
I always said Kite was right to take you on. | 0:47:32 | 0:47:34 | |
You ought to see that pub. You'd be welcome. | 0:47:34 | 0:47:37 | |
Nottingham's a fine town. | 0:47:37 | 0:47:39 | |
The air is fine and you couldn't ask for a better bitter | 0:47:39 | 0:47:41 | |
than you get at the Blue Anchor. | 0:47:41 | 0:47:43 | |
Forgot, you don't drink. Still, you'd always be welcome. | 0:47:43 | 0:47:46 | |
Well, this is it. | 0:47:46 | 0:47:49 | |
Goodbye, Spicer. | 0:47:49 | 0:47:51 | |
What I about Colleoni, aren't you and I going to...? | 0:47:51 | 0:47:54 | |
Here. | 0:48:18 | 0:48:20 | |
A little souvenir to remember Brighton by. | 0:48:20 | 0:48:22 | |
Pinkie! | 0:48:23 | 0:48:24 | |
(YELLS) | 0:48:32 | 0:48:34 | |
Help me. | 0:48:37 | 0:48:38 | |
It's him. | 0:48:38 | 0:48:39 | |
Not me. It's him. | 0:48:39 | 0:48:41 | |
It's him! | 0:48:43 | 0:48:44 | |
They're everywhere. | 0:49:19 | 0:49:21 | |
(PRAYS RAPIDLY) | 0:49:21 | 0:49:23 | |
I offered him a partnership. | 0:49:41 | 0:49:43 | |
Fair and square. | 0:49:43 | 0:49:45 | |
I brung him Frank Spicer and he done him in just as we agreed. | 0:49:45 | 0:49:48 | |
Only he tried to do me in too. | 0:49:48 | 0:49:51 | |
Just when the bogies had their hands full. | 0:49:51 | 0:49:53 | |
-(IDA) -Rose! -You better go before she finds you. | 0:49:53 | 0:49:56 | |
There isn't time to pray. | 0:49:56 | 0:49:59 | |
Not properly. | 0:49:59 | 0:50:01 | |
-Not when they mean to murder you. -I won't let them get you. | 0:50:01 | 0:50:05 | |
You can trust me. | 0:50:06 | 0:50:08 | |
Pinkie. | 0:50:08 | 0:50:10 | |
Cross my heart and hope to die. | 0:50:12 | 0:50:14 | |
Rose? | 0:50:16 | 0:50:18 | |
I was just looking for the mop. | 0:50:19 | 0:50:22 | |
In the dark? | 0:50:22 | 0:50:24 | |
You stay away from us, you old bitch. | 0:50:27 | 0:50:29 | |
(SIRENS) | 0:50:34 | 0:50:36 | |
Fuck me. What happened to Spicer? | 0:50:51 | 0:50:54 | |
It was Colleoni. | 0:50:54 | 0:50:56 | |
They waited until the fighting started | 0:50:56 | 0:50:58 | |
and then they got Spicer on the front. | 0:50:58 | 0:51:00 | |
They nearly got me too. | 0:51:01 | 0:51:04 | |
But Spicer's in his room. | 0:51:04 | 0:51:06 | |
I heard him just now. | 0:51:06 | 0:51:08 | |
Come back for your precious booze? | 0:51:32 | 0:51:35 | |
I thought you were dead. | 0:51:35 | 0:51:37 | |
You must have heard me when you come in. | 0:51:37 | 0:51:40 | |
You weren't going to clear out without saying goodbye, were you? | 0:51:42 | 0:51:46 | |
Without letting me know you're alive. | 0:51:47 | 0:51:49 | |
I got away. | 0:51:50 | 0:51:52 | |
Don't forget your going-away present. | 0:52:01 | 0:52:04 | |
I came as soon as I could. | 0:52:22 | 0:52:25 | |
I'm so sorry. | 0:52:25 | 0:52:27 | |
Never thought I'd live in fear of anything. | 0:52:27 | 0:52:29 | |
Except the atom bomb. | 0:52:29 | 0:52:31 | |
Certainly not a bunch of kids. | 0:52:31 | 0:52:33 | |
One kid. | 0:52:33 | 0:52:36 | |
You had a fright, Ida. | 0:52:36 | 0:52:39 | |
Still... | 0:52:39 | 0:52:41 | |
-It's all over now. -It's not over. | 0:52:43 | 0:52:46 | |
It's not over by a long chalk. | 0:52:51 | 0:52:54 | |
You let me in this flat, Rose Wilson. | 0:53:25 | 0:53:27 | |
What happened that day on the pier? | 0:53:32 | 0:53:35 | |
Come on. You can talk to me. | 0:53:37 | 0:53:39 | |
There's no need to be scared. | 0:53:39 | 0:53:41 | |
I'm not scared. | 0:53:41 | 0:53:43 | |
Course you're not, you're sweet on him. | 0:53:44 | 0:53:47 | |
-You poor fool. -What do you know? | 0:53:47 | 0:53:49 | |
-You're throwing your life away. -(THUMPING) | 0:53:50 | 0:53:52 | |
-(MAN) -Rose? | 0:53:52 | 0:53:54 | |
You gotta go. | 0:53:55 | 0:53:57 | |
Listen, I threw Fred Hale to the wolves. | 0:53:59 | 0:54:02 | |
I'm not going to do the same thing to you. | 0:54:02 | 0:54:04 | |
-Please. -Come on. You can talk to me. | 0:54:04 | 0:54:08 | |
-I can't. -(THUMPING) -Rose? | 0:54:08 | 0:54:11 | |
There'll be other boys. Believe me. I should know. | 0:54:11 | 0:54:14 | |
It's a good old world out there if you don't weaken. | 0:54:14 | 0:54:17 | |
-Rose! -Please go. | 0:54:17 | 0:54:19 | |
Your boy is a murderer. | 0:54:21 | 0:54:23 | |
Don't have any proof yet but I think you do. | 0:54:24 | 0:54:27 | |
I got nothing. | 0:54:27 | 0:54:29 | |
I think you know more than you're letting on. | 0:54:29 | 0:54:32 | |
Either you talk to the police | 0:54:33 | 0:54:34 | |
or you're an accessory after the fact. Do you understand? | 0:54:34 | 0:54:37 | |
It means if they hang him, they'll hang you. | 0:54:37 | 0:54:40 | |
-Pinkie's not a murderer. -Pinkie? | 0:54:40 | 0:54:43 | |
So that's his name. | 0:54:43 | 0:54:45 | |
You tell that to the police if you want to keep your job. | 0:54:45 | 0:54:48 | |
-I don't. -Of course you do, you silly girl. | 0:54:48 | 0:54:51 | |
-Stuff your job. -(THUMPING) -Rose! | 0:54:51 | 0:54:54 | |
You don't care what happens to me. | 0:54:56 | 0:54:59 | |
And you think he does? | 0:54:59 | 0:55:01 | |
Pinkie. | 0:55:02 | 0:55:04 | |
(RECITES "HAIL MARY") | 0:55:59 | 0:56:02 | |
-(RADIO) -"Riots up and down the south east coast | 0:56:31 | 0:56:33 | |
"would make it impossible to repeal capital punishment | 0:56:33 | 0:56:36 | |
"in this country at this time. | 0:56:36 | 0:56:38 | |
"In such a state of lawlessness, the opposition leader went on to say, | 0:56:38 | 0:56:41 | |
"the death penalty represents our last line of defence." | 0:56:41 | 0:56:45 | |
-It won't wash. Not with the filth. -It'll wash. | 0:56:45 | 0:56:49 | |
Inflammation of the throat is what happens when you drown. | 0:56:50 | 0:56:53 | |
Two tanks of booze in his bloodstream and a suicide note in his pocket. | 0:56:56 | 0:57:01 | |
No-one can say any different. | 0:57:01 | 0:57:03 | |
Not even you. | 0:57:03 | 0:57:04 | |
I want out. | 0:57:07 | 0:57:08 | |
You took a stiff for a drive down the coast. | 0:57:14 | 0:57:17 | |
That makes you an accessory. | 0:57:17 | 0:57:20 | |
Both of you. | 0:57:20 | 0:57:22 | |
You told me he was killed. | 0:57:45 | 0:57:47 | |
Not here. | 0:57:50 | 0:57:52 | |
Wait till we're alone. | 0:57:52 | 0:57:54 | |
By Colleoni's mob. | 0:57:54 | 0:57:56 | |
So what? | 0:57:58 | 0:57:59 | |
What's got you? | 0:57:59 | 0:58:01 | |
I said, what's got you? | 0:58:04 | 0:58:06 | |
I want you to tell me the truth. | 0:58:06 | 0:58:08 | |
Do it, if you're going to do it. | 0:58:26 | 0:58:29 | |
Do what? | 0:58:29 | 0:58:31 | |
You know what. | 0:58:33 | 0:58:34 | |
There's two men dead. | 0:58:41 | 0:58:43 | |
Somehow you're mixed up in it. | 0:58:43 | 0:58:45 | |
If you could only trust me. | 0:58:47 | 0:58:50 | |
Why won't you trust me? | 0:59:08 | 0:59:10 | |
Let go of me. I'll scream! | 0:59:19 | 0:59:21 | |
-You're a good girl. -I don't want to be good! | 0:59:21 | 0:59:24 | |
You're good. | 0:59:32 | 0:59:33 | |
And I'm bad. | 0:59:33 | 0:59:35 | |
We're made for each other. | 0:59:35 | 0:59:37 | |
-Do you mean it, Pinkie? -Of course I do. | 0:59:37 | 0:59:40 | |
-We're made for each other? -I said so, didn't I? | 0:59:41 | 0:59:45 | |
Do you know what this means? | 0:59:45 | 0:59:47 | |
It means you'll never fink on me. | 0:59:49 | 0:59:50 | |
It means I'll never let you down. | 0:59:50 | 0:59:53 | |
Never, never, never. | 0:59:53 | 0:59:55 | |
What do you get out of this? | 1:00:27 | 1:00:29 | |
A life. | 1:00:32 | 1:00:33 | |
Be careful, Pinkie. | 1:00:41 | 1:00:43 | |
He gets moods. | 1:00:48 | 1:00:49 | |
I thought maybe... | 1:01:13 | 1:01:14 | |
..50 quid might be of use to you. | 1:01:15 | 1:01:17 | |
We don't want your money. | 1:01:17 | 1:01:19 | |
Take it or leave it. | 1:01:19 | 1:01:22 | |
You get out of here. | 1:01:22 | 1:01:23 | |
We don't want no truck with you never. | 1:01:23 | 1:01:25 | |
100. | 1:01:28 | 1:01:29 | |
I couldn't let Rose go. | 1:01:38 | 1:01:41 | |
Not to a complete stranger. | 1:01:41 | 1:01:42 | |
Not for 100 Guineas. | 1:01:44 | 1:01:46 | |
125. | 1:01:46 | 1:01:48 | |
How do I know you'd treat her right? | 1:01:54 | 1:01:57 | |
150. | 1:01:58 | 1:02:00 | |
-She's too young. -Not with your consent. | 1:02:04 | 1:02:07 | |
-200. -You've had my final offer. | 1:02:10 | 1:02:13 | |
You can't do nothing without my say-so. | 1:02:13 | 1:02:15 | |
Well, I'm not all that keen. | 1:02:15 | 1:02:17 | |
-175. -I'll be seeing you. | 1:02:17 | 1:02:20 | |
150. | 1:02:20 | 1:02:21 | |
You'll have to sign this. | 1:02:34 | 1:02:36 | |
It's the letter of consent. | 1:02:36 | 1:02:38 | |
Give me that. | 1:02:38 | 1:02:40 | |
You going to pull out? | 1:03:22 | 1:03:23 | |
Am I the only one in this outfit with any brains? | 1:03:24 | 1:03:28 | |
Rose Wilson has hands on the lever of the trapdoor. | 1:03:28 | 1:03:31 | |
One word from her and we'll swing. | 1:03:31 | 1:03:33 | |
But you're a gent, though. | 1:03:33 | 1:03:36 | |
Others would have done things differently, but not you. | 1:03:36 | 1:03:39 | |
That girl's only alive because you've got heart. | 1:03:39 | 1:03:42 | |
Don't be a mug. I'm buying time, that's all. | 1:03:45 | 1:03:48 | |
Sure, Pinkie. | 1:03:52 | 1:03:53 | |
Where you been? You're late. | 1:03:59 | 1:04:04 | |
Excuse me. | 1:04:04 | 1:04:05 | |
I was late because I went to church. | 1:04:05 | 1:04:07 | |
To ask forgiveness. | 1:04:10 | 1:04:11 | |
You got to understand. | 1:04:13 | 1:04:15 | |
This isn't a real ceremony. Not like when the priest says it. | 1:04:16 | 1:04:20 | |
This is sin, Rose. | 1:04:21 | 1:04:24 | |
Mortal sin. | 1:04:24 | 1:04:26 | |
It'll be no good going to a church ever again. | 1:04:27 | 1:04:30 | |
Therefore, if any man can show any just cause | 1:04:42 | 1:04:46 | |
why they may not be lawfully joined, | 1:04:46 | 1:04:48 | |
let him now speak or forever hold his peace. | 1:04:48 | 1:04:52 | |
If the witnesses would come forward for the exchange of vows. | 1:04:56 | 1:04:59 | |
The ring? | 1:05:07 | 1:05:09 | |
-No ring? -This ain't a church. | 1:05:13 | 1:05:15 | |
Restless youth. | 1:05:24 | 1:05:27 | |
The ravaged and disputed territory between the two eternities. | 1:05:27 | 1:05:31 | |
That's poetry. | 1:05:35 | 1:05:37 | |
Rose Wilson needs protection. | 1:05:39 | 1:05:42 | |
What ever you may think I am, Ms Arnold, | 1:05:42 | 1:05:45 | |
I'm a legitimate businessman. | 1:05:45 | 1:05:47 | |
What ever you may think I am, Mr Colleoni, | 1:05:47 | 1:05:51 | |
I'm no Brighton lady here on holiday. | 1:05:51 | 1:05:53 | |
Three sheets to the wind, looking for nothing better to do | 1:05:53 | 1:05:56 | |
than have my palm read | 1:05:56 | 1:05:57 | |
and dabble in a spot of amateur detection. | 1:05:57 | 1:06:00 | |
Pinkie Brown killed a man. | 1:06:00 | 1:06:02 | |
And he's going to be punished for it. | 1:06:03 | 1:06:05 | |
An eye for an eye. | 1:06:05 | 1:06:07 | |
He's going to suffer. | 1:06:07 | 1:06:09 | |
I don't care how much it costs. | 1:06:10 | 1:06:13 | |
With all due respect, Pinkie Brown is like any other angry young man. | 1:06:13 | 1:06:18 | |
Give him enough rope. | 1:06:19 | 1:06:21 | |
Putting Rose Wilson in the witness box | 1:06:21 | 1:06:23 | |
is the only legal way to get rid of Pinkie Brown. | 1:06:23 | 1:06:25 | |
He knows it and that puts that girl in... | 1:06:25 | 1:06:27 | |
..in the most grave danger. | 1:06:30 | 1:06:32 | |
Can we get one of those as a souvenir? | 1:06:55 | 1:06:57 | |
They don't cost much. | 1:06:57 | 1:06:59 | |
Don't be soft. What's the point in that? | 1:06:59 | 1:07:01 | |
If you don't want me, why don't you leave me alone?! | 1:07:01 | 1:07:05 | |
-What do you want me for?! -Jesus Christ. | 1:07:05 | 1:07:08 | |
I'd rather drown. | 1:07:10 | 1:07:12 | |
You can have your record. | 1:07:15 | 1:07:16 | |
All right? | 1:07:18 | 1:07:20 | |
I said, you can have your record. | 1:07:21 | 1:07:22 | |
I'm sorry. I don't know what came over me. | 1:07:26 | 1:07:29 | |
What do you want me to say? | 1:07:34 | 1:07:36 | |
Anything. | 1:07:36 | 1:07:38 | |
Say something to me. | 1:07:40 | 1:07:41 | |
All right. | 1:07:43 | 1:07:44 | |
You've asked me to make a record of my voice. | 1:08:04 | 1:08:06 | |
Here it is. | 1:08:09 | 1:08:10 | |
What you want me to say is I love you. | 1:08:12 | 1:08:16 | |
But I don't. | 1:08:18 | 1:08:20 | |
I hate you. | 1:08:23 | 1:08:24 | |
I hate the way you look. | 1:08:26 | 1:08:28 | |
I hate the way you talk. | 1:08:28 | 1:08:31 | |
I hate everything about you. | 1:08:31 | 1:08:33 | |
You make me sick. | 1:08:33 | 1:08:35 | |
God damn, you little bitch, why don't you just go back | 1:08:37 | 1:08:39 | |
from where you came from and leave me alone forever. | 1:08:39 | 1:08:42 | |
We don't even have a record player. | 1:08:51 | 1:08:53 | |
Don't touch me. | 1:08:59 | 1:09:01 | |
Fucking touch me and I'll carve your fucking face. | 1:09:01 | 1:09:03 | |
Where is he? | 1:09:03 | 1:09:04 | |
I asked for Colleoni. | 1:09:05 | 1:09:07 | |
Mr Colleoni is occupied. | 1:09:07 | 1:09:10 | |
Occupied. | 1:09:10 | 1:09:12 | |
That's a nice word. Occupied. | 1:09:12 | 1:09:14 | |
You're drunk. | 1:09:14 | 1:09:15 | |
If you're looking for a job, forget it. | 1:09:15 | 1:09:17 | |
What possible use could one of Pinkie's boys be to Mr Colleoni? | 1:09:17 | 1:09:21 | |
If you don't mind. | 1:09:21 | 1:09:22 | |
Run along, Phil. | 1:09:24 | 1:09:26 | |
This is woman's work. | 1:09:26 | 1:09:28 | |
I don't like this, Ida. | 1:09:28 | 1:09:29 | |
You don't have to like it. Just let me get on with it. | 1:09:29 | 1:09:31 | |
I'll be in the bar. If you need me, you know where I am. | 1:09:32 | 1:09:35 | |
He's with me. | 1:09:43 | 1:09:44 | |
I couldn't help hearing just now. | 1:09:48 | 1:09:51 | |
-You know Pinkie. -Pinkie? | 1:09:51 | 1:09:53 | |
Yeah. | 1:09:53 | 1:09:55 | |
-Are you a friend of..? -Pinkie's, yeah. | 1:09:55 | 1:09:58 | |
-Are you thirsty? -That's it. Thirsty. | 1:09:58 | 1:10:01 | |
-Whisky, sweetheart? -Whisky. | 1:10:01 | 1:10:03 | |
Could we have a couple of whiskies? Make that large. | 1:10:03 | 1:10:07 | |
Take it or leave it. | 1:10:30 | 1:10:33 | |
-I'll tidy the place up tomorrow. -Don't touch anything. | 1:10:33 | 1:10:36 | |
For Christ's sake, take that hat off. | 1:10:39 | 1:10:41 | |
You're staying, aren't you? | 1:10:45 | 1:10:47 | |
You're scared. | 1:11:21 | 1:11:23 | |
Aren't you? | 1:11:25 | 1:11:27 | |
Me? | 1:11:27 | 1:11:28 | |
Poor, old Spicer. | 1:12:58 | 1:13:00 | |
I can't see a stick of Brighton Rock without thinking... | 1:13:03 | 1:13:07 | |
Carving's different. | 1:13:09 | 1:13:11 | |
Pinkie, he stops at nothing. | 1:13:12 | 1:13:14 | |
Now getting married. | 1:13:14 | 1:13:16 | |
-Married? Who's getting married? -Pinkie, of course. | 1:13:18 | 1:13:21 | |
Who to? | 1:13:22 | 1:13:23 | |
-Not the girl from Snow's? -Of course. | 1:13:23 | 1:13:26 | |
The fool. | 1:13:27 | 1:13:29 | |
He's no fool. He knows what's good for him. | 1:13:29 | 1:13:32 | |
If she chose to say a thing or two... | 1:13:32 | 1:13:35 | |
How did you know? | 1:13:37 | 1:13:39 | |
I want some air. It's stuffy in here. | 1:13:40 | 1:13:44 | |
Don't rush off. Have another whisky. | 1:13:44 | 1:13:46 | |
It's the central heating. It's not healthy. | 1:13:46 | 1:13:48 | |
Come on, sit next to me. | 1:13:48 | 1:13:50 | |
I can only apologise. | 1:13:50 | 1:13:52 | |
How much is it? | 1:13:54 | 1:13:56 | |
Pinkie's lot. Where can I find them? | 1:14:06 | 1:14:08 | |
"I love you, Pinkie." | 1:15:12 | 1:15:14 | |
"I don't care what you do, I love you forever." | 1:15:14 | 1:15:17 | |
"Wherever you go, I go too." | 1:15:17 | 1:15:19 | |
Hi, kid. | 1:18:13 | 1:18:15 | |
You got a visitor. | 1:18:15 | 1:18:18 | |
-Who? -Your mum. | 1:18:18 | 1:18:20 | |
You. They said my mother was here. | 1:18:26 | 1:18:28 | |
I had to tell them something, didn't I? | 1:18:28 | 1:18:30 | |
I'll get Pinkie. | 1:18:32 | 1:18:34 | |
Get him. I want a word with him. | 1:18:34 | 1:18:36 | |
I don't let no-one bother him. | 1:18:36 | 1:18:38 | |
He's going to have plenty to bother him soon. | 1:18:38 | 1:18:40 | |
-He killed Frank Spicer. -I know. | 1:18:42 | 1:18:46 | |
I know everything. | 1:18:46 | 1:18:48 | |
Do you? | 1:18:48 | 1:18:50 | |
Do you know your precious Pinkie | 1:18:50 | 1:18:51 | |
battered Fred Hale to death with a stone? | 1:18:51 | 1:18:54 | |
He choked Frank Spicer to death with a stick of Brighton Rock. | 1:18:54 | 1:18:57 | |
I need you to give evidence. | 1:18:58 | 1:19:00 | |
Stay away from me. | 1:19:00 | 1:19:01 | |
You're next in line. | 1:19:01 | 1:19:03 | |
No. | 1:19:03 | 1:19:05 | |
Spicer knew about Hale so Pinkie killed him. | 1:19:05 | 1:19:07 | |
You know about Hale and Spicer, | 1:19:07 | 1:19:09 | |
so what makes you think he won't kill you too? | 1:19:09 | 1:19:11 | |
-He loves me. -He doesn't. | 1:19:11 | 1:19:13 | |
-He married me. -Yeah. | 1:19:13 | 1:19:15 | |
But only because they can't make a wife give evidence | 1:19:15 | 1:19:18 | |
against her own husband. | 1:19:18 | 1:19:20 | |
Sweetheart. | 1:19:26 | 1:19:28 | |
I only want to help you. | 1:19:30 | 1:19:32 | |
Stop saying that. | 1:19:32 | 1:19:34 | |
I'll do anything. | 1:19:37 | 1:19:39 | |
-Anything. -That's more like it. | 1:19:42 | 1:19:44 | |
You just leave us alone. | 1:19:44 | 1:19:46 | |
All right. No need to get agitated. | 1:19:47 | 1:19:50 | |
You're already an accessory. | 1:19:51 | 1:19:52 | |
If they take Pinkie, you think I care what happens to me? | 1:19:52 | 1:19:55 | |
I hope you're on the pill, love. | 1:20:04 | 1:20:07 | |
You don't want to have a murderer's baby. | 1:20:09 | 1:20:12 | |
What the hell are you doing here? | 1:20:28 | 1:20:30 | |
If you're bothering my girl... | 1:20:31 | 1:20:33 | |
They can't force her to give evidence but she can volunteer. | 1:20:33 | 1:20:37 | |
She won't. | 1:20:37 | 1:20:38 | |
She'll do whatever she damn well pleases | 1:20:38 | 1:20:40 | |
and there's bugger all you can do about it. | 1:20:40 | 1:20:42 | |
Because if you touch one hair on that girl's head, | 1:20:42 | 1:20:46 | |
there is nothing, nothing on this dear green earth | 1:20:46 | 1:20:49 | |
I will not do to make you suffer. | 1:20:49 | 1:20:51 | |
Her mum? | 1:21:09 | 1:21:10 | |
Her mum, Pinkie. | 1:21:10 | 1:21:12 | |
-Did Rose say that? -She didn't say nothing. | 1:21:12 | 1:21:16 | |
We'll see. | 1:21:19 | 1:21:20 | |
-Nice dress. -You like it? | 1:21:44 | 1:21:47 | |
I love it. | 1:21:48 | 1:21:50 | |
Give us another twirl. | 1:21:52 | 1:21:54 | |
Pinkie. | 1:21:59 | 1:22:01 | |
Yes, Rose? | 1:22:01 | 1:22:03 | |
I've done something awful. | 1:22:07 | 1:22:08 | |
Go on. | 1:22:10 | 1:22:11 | |
I took ten quid from the tin. | 1:22:13 | 1:22:16 | |
I'll pay it back as soon as I get a job. | 1:22:16 | 1:22:18 | |
Dallow says your mum's been. | 1:22:24 | 1:22:26 | |
She ain't much of a mother, Pinkie. | 1:22:33 | 1:22:35 | |
Only turns up when she wants something. | 1:22:44 | 1:22:46 | |
She's been talking. | 1:22:53 | 1:22:56 | |
-Who to? -To the tart who runs Snow's. | 1:22:56 | 1:23:00 | |
Hale's bird. | 1:23:02 | 1:23:03 | |
If she's been talking, why not to the police? | 1:23:03 | 1:23:06 | |
She said she'd never let me down. | 1:23:06 | 1:23:08 | |
Never, never, never. | 1:23:08 | 1:23:10 | |
She married you, didn't she? | 1:23:10 | 1:23:12 | |
If she loves me, that'd make it easier. | 1:23:12 | 1:23:16 | |
She'd do anything I say. | 1:23:16 | 1:23:18 | |
I could take her Hastings way. | 1:23:33 | 1:23:35 | |
To the old lighthouse. | 1:23:39 | 1:23:41 | |
I trust her. | 1:23:47 | 1:23:49 | |
All the way. | 1:23:49 | 1:23:51 | |
I wouldn't trust anyone that far. | 1:23:51 | 1:23:54 | |
Not even you. | 1:23:55 | 1:23:57 | |
(BABY CRIES) | 1:24:41 | 1:24:43 | |
If it was mine... | 1:24:51 | 1:24:53 | |
If it was mine, I wouldn't leave it alone. | 1:24:58 | 1:25:01 | |
It ain't yours. | 1:25:03 | 1:25:04 | |
No, but it might be. | 1:25:06 | 1:25:09 | |
Everything will be all right. | 1:25:18 | 1:25:20 | |
Will it? | 1:25:21 | 1:25:23 | |
I promise. | 1:25:25 | 1:25:26 | |
Get dressed. I'm taking you out. | 1:25:36 | 1:25:39 | |
You look worried, Pinkie. | 1:25:44 | 1:25:46 | |
I'm not worried. | 1:25:47 | 1:25:48 | |
I've got it all straight. | 1:25:50 | 1:25:52 | |
In a box here. | 1:25:55 | 1:25:57 | |
(BABY CRIES) | 1:26:18 | 1:26:20 | |
What do you want to stop here for? | 1:26:47 | 1:26:51 | |
It's where you brought me our first night, remember? | 1:26:51 | 1:26:54 | |
Too many people here. Let's get some air. | 1:26:54 | 1:26:57 | |
Let's go for a ride in the country. | 1:26:57 | 1:27:01 | |
Can't we say goodbye to the pier first? | 1:27:01 | 1:27:04 | |
Goodbye? | 1:27:05 | 1:27:07 | |
I lied to you. | 1:27:10 | 1:27:12 | |
About my mum. | 1:27:12 | 1:27:14 | |
I didn't want to, Pinkie. | 1:27:14 | 1:27:17 | |
She knows. Ms Arnold, about Fred Hale. | 1:27:17 | 1:27:20 | |
And Frank Spicer. | 1:27:23 | 1:27:24 | |
I lied because I didn't want to worry you. | 1:27:26 | 1:27:28 | |
I think maybe you should worry. | 1:27:28 | 1:27:32 | |
I think maybe we should leave. | 1:27:33 | 1:27:35 | |
Tonight. | 1:27:35 | 1:27:37 | |
Together. | 1:27:38 | 1:27:40 | |
Do you believe me? | 1:27:42 | 1:27:44 | |
Saw her coming, did you? | 1:27:55 | 1:27:58 | |
I told you we should leave. She'll never give up. | 1:28:01 | 1:28:04 | |
I saw a ferret out by the track once. | 1:28:04 | 1:28:06 | |
She'd blow your cover, is that it? Is that why you confessed? | 1:28:06 | 1:28:09 | |
Doesn't matter one way or another. I'd find out and you knew it. | 1:28:09 | 1:28:13 | |
All the time you wondered what you had to do to cover your lie. | 1:28:13 | 1:28:16 | |
I told you I didn't want you to worry. | 1:28:16 | 1:28:18 | |
Get on. | 1:28:19 | 1:28:21 | |
I got to pack first, Pinkie. | 1:28:21 | 1:28:23 | |
We haven't got time for that. | 1:28:24 | 1:28:26 | |
You said so yourself, she'll never give up. | 1:28:26 | 1:28:28 | |
You saw a ferret once out by the track. | 1:28:28 | 1:28:30 | |
Why are we stopping? | 1:29:12 | 1:29:13 | |
You saw her on the pier. She'll never give up. | 1:29:13 | 1:29:16 | |
She'll keep hounding us and hanging on. | 1:29:16 | 1:29:18 | |
Waiting for us to slip up and one day it'll happen. | 1:29:18 | 1:29:21 | |
We'll be finished. | 1:29:21 | 1:29:23 | |
-She can't go on for ever. -Yes, she can. | 1:29:23 | 1:29:25 | |
People don't change. It's like a stick of rock. | 1:29:25 | 1:29:28 | |
Bite it all the way down and you still read Brighton. | 1:29:28 | 1:29:31 | |
Read it. | 1:29:34 | 1:29:35 | |
"I love you, Pinkie." | 1:29:38 | 1:29:41 | |
"I don't care what you do." | 1:29:41 | 1:29:43 | |
"I love you forever." | 1:29:43 | 1:29:45 | |
"Wherever you go, I go too." | 1:29:50 | 1:29:52 | |
You mean that, don't you? | 1:29:55 | 1:29:57 | |
-Of course. -Every word. With all your heart. | 1:29:57 | 1:30:00 | |
Do you mean it or don't you? | 1:30:06 | 1:30:08 | |
Can't we wait. | 1:30:10 | 1:30:12 | |
Until what? Until it's too late? | 1:30:12 | 1:30:15 | |
Remember, Rose. | 1:30:15 | 1:30:16 | |
What you said to me outside the cafe. | 1:30:16 | 1:30:19 | |
You said you'd never let me down. | 1:30:19 | 1:30:21 | |
Never, never, never. | 1:30:22 | 1:30:24 | |
Double rum. | 1:30:32 | 1:30:34 | |
Cubitt's been arrested on his way to the port. | 1:30:40 | 1:30:43 | |
It's only a matter of time before he tells the police what he told me. | 1:30:43 | 1:30:47 | |
-Where's that girl? -How should I know? | 1:30:47 | 1:30:49 | |
You're the one who put the fear of God up him. | 1:30:49 | 1:30:52 | |
They was fine until you showed up. He was sweet on her. | 1:30:52 | 1:30:55 | |
It's your meddling that's tipped him over. | 1:30:55 | 1:30:58 | |
Anything happens to that girl, I blame you. | 1:30:58 | 1:31:01 | |
I put up the safety. | 1:31:18 | 1:31:21 | |
All you have to do is pull the trigger. | 1:31:21 | 1:31:23 | |
It isn't hard. | 1:31:23 | 1:31:25 | |
Put it in your ear. That'll hold it steady. | 1:31:27 | 1:31:30 | |
Go on. | 1:31:31 | 1:31:32 | |
Take it. | 1:31:34 | 1:31:35 | |
(ENGINE STUTTERS) | 1:31:48 | 1:31:50 | |
Fuck's sake. | 1:31:51 | 1:31:53 | |
You know where he's taken her and I can guess what for. | 1:31:55 | 1:31:58 | |
If you want to keep out of trouble, let me into this car. | 1:31:58 | 1:32:02 | |
What if I don't shoot? | 1:32:10 | 1:32:13 | |
Then I shoot myself. Do you want me to do it first? | 1:32:13 | 1:32:15 | |
No. | 1:32:15 | 1:32:17 | |
It won't hurt, Rose. | 1:32:28 | 1:32:30 | |
I promise. | 1:32:31 | 1:32:33 | |
Do you love me, Pinkie? | 1:32:43 | 1:32:45 | |
We wouldn't be together, would we? | 1:32:52 | 1:32:54 | |
Not if they hang me. | 1:32:56 | 1:32:58 | |
And you have to go on without me. | 1:32:58 | 1:33:00 | |
That's it. | 1:33:21 | 1:33:22 | |
There! There they are. | 1:33:29 | 1:33:30 | |
Rose! | 1:33:38 | 1:33:39 | |
Rose. | 1:33:39 | 1:33:40 | |
Get in the car. | 1:33:42 | 1:33:43 | |
It's no use. They got Cubitt. | 1:33:43 | 1:33:46 | |
You come with me. Get in the car. | 1:33:46 | 1:33:49 | |
(YELLS) | 1:34:14 | 1:34:16 | |
(SIZZLING) | 1:34:29 | 1:34:30 | |
-Pinkie. -(YELLS) | 1:34:32 | 1:34:35 | |
Pinkie! | 1:34:48 | 1:34:50 | |
Pinkie. | 1:34:54 | 1:34:55 | |
Pinkie! | 1:35:00 | 1:35:02 | |
Pinkie. | 1:35:02 | 1:35:03 | |
Come on, Rose. Come on. | 1:35:20 | 1:35:23 | |
Come on, Rose. | 1:35:23 | 1:35:24 | |
Come on. Come away. | 1:35:24 | 1:35:27 | |
Come on, sweetheart. | 1:35:27 | 1:35:30 | |
What about the girl? | 1:36:06 | 1:36:08 | |
Poor little kid. | 1:36:10 | 1:36:13 | |
She thought he was in love with her. | 1:36:14 | 1:36:18 | |
And was he? In love? | 1:36:18 | 1:36:21 | |
What difference would that make? | 1:36:21 | 1:36:24 | |
It would show there was some good. | 1:36:24 | 1:36:27 | |
Phil. | 1:36:27 | 1:36:29 | |
I think it's a bleeding miracle | 1:36:31 | 1:36:33 | |
that nature should have planted love in every man jack of us. | 1:36:33 | 1:36:37 | |
And every woman. | 1:36:39 | 1:36:42 | |
Even though in some of us, it's as useless as an appendix. | 1:36:42 | 1:36:47 | |
I'm sorry, Ida. | 1:36:57 | 1:36:59 | |
No, you're right. | 1:37:00 | 1:37:01 | |
Let's celebrate. | 1:37:10 | 1:37:11 | |
Shall I get us a bottle of champagne? | 1:37:13 | 1:37:16 | |
Yes, a bottle of champagne. | 1:37:16 | 1:37:19 | |
And a room. | 1:37:19 | 1:37:20 | |
Blimey. Talk about miracles. | 1:37:25 | 1:37:28 | |
-It's expensive. -It's all right, I'll settle it. | 1:37:33 | 1:37:36 | |
-A man likes to - -Trust me, Phil... | 1:37:36 | 1:37:38 | |
I know what a man likes. | 1:37:39 | 1:37:41 | |
I don't care what anyone says. | 1:38:17 | 1:38:19 | |
You don't know a thing about love. | 1:38:23 | 1:38:25 | |
How can you persist in this delusion? | 1:38:26 | 1:38:29 | |
After what he tried to do to you. | 1:38:29 | 1:38:31 | |
(I should have pulled the trigger.) | 1:38:37 | 1:38:39 | |
I don't want your absolution. | 1:38:43 | 1:38:45 | |
I want to be with Pinkie. | 1:38:49 | 1:38:51 | |
What is going on over here? | 1:38:52 | 1:38:55 | |
Get back to your beds. | 1:38:55 | 1:38:56 | |
You believe in all that crap? | 1:39:01 | 1:39:04 | |
Of course I do. | 1:39:05 | 1:39:07 | |
Of course there's an hell. | 1:39:07 | 1:39:10 | |
What about heaven? | 1:39:10 | 1:39:12 | |
Saints. Miracles. | 1:39:13 | 1:39:15 | |
Miracles? | 1:39:18 | 1:39:20 | |
Maybe. | 1:39:24 | 1:39:26 | |
(PINKIE) "You've asked me to make a record of my voice." | 1:40:53 | 1:40:56 | |
"Here it is." | 1:40:58 | 1:41:00 | |
"What you want me to say is I love you." | 1:41:01 | 1:41:05 | |
(RECORD SKIPS) "I love you. I love you." | 1:41:09 | 1:41:14 | |
(REPEATS) "I love you." | 1:41:14 | 1:41:16 | |
"I love you." | 1:41:16 | 1:41:18 | |
"I love you." | 1:41:19 | 1:41:21 | |
"I love you." | 1:41:21 | 1:41:23 | |
MUSIC - "There's A Storm A-Coming" by Richard Hawley | 1:41:55 | 1:41:59 | |
# There's a storm a-coming | 1:41:59 | 1:42:05 | |
# You'd better run | 1:42:05 | 1:42:08 | |
# There's a storm a-coming | 1:42:08 | 1:42:12 | |
# Goodbye to the sun | 1:42:12 | 1:42:15 | |
# There's a ship that's sailing | 1:42:15 | 1:42:20 | |
# Out in the night | 1:42:20 | 1:42:24 | |
# There's a heart that's breaking | 1:42:24 | 1:42:28 | |
# I think it's mine | 1:42:28 | 1:42:31 | |
# There's a storm a-coming | 1:42:31 | 1:42:34 | |
# You'd better | 1:42:37 | 1:42:39 | |
# Run, boy, run... # | 1:42:39 | 1:42:42 | |
Subtitles by Red Bee Media Ltd | 1:42:43 | 1:42:46 | |
E-mail [email protected] | 1:42:46 | 1:42:49 |