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This film contains prolonged violent scenes and very strong language | 0:00:03 | 0:00:11 | |
# ..Their names I don't know | 0:00:11 | 0:00:13 | |
# They strayed away one bright summer's day | 0:00:13 | 0:00:20 | |
# Those two little babies got lost on their way | 0:00:20 | 0:00:25 | |
# Pretty babes in the wood Pretty babes in the wood. # | 0:00:25 | 0:00:31 | |
Well, that's that, then. | 0:00:41 | 0:00:42 | |
Let's get a cab. I can't face the walk. | 0:00:44 | 0:00:46 | |
'Situated on the outskirts of the city | 0:00:49 | 0:00:52 | |
'on the first day of a weeklong series | 0:00:52 | 0:00:54 | |
'of special reports from Iraq | 0:00:54 | 0:00:56 | |
'to mark the fifth anniversary of the Allied invasion. | 0:00:56 | 0:01:00 | |
'Five years on we've commissioned the most comprehensive survey | 0:01:00 | 0:01:03 | |
'of the Iraqi people ever undertaken, | 0:01:03 | 0:01:05 | |
'and it seems like the nation | 0:01:05 | 0:01:07 | |
'is deeply pessimistic about the future. | 0:01:07 | 0:01:09 | |
'The people are concerned over the continued rise in violence | 0:01:09 | 0:01:13 | |
'and about the remaining deep divides | 0:01:13 | 0:01:15 | |
'in their society.' | 0:01:15 | 0:01:17 | |
Garvey's here. | 0:01:21 | 0:01:23 | |
Oh. | 0:01:23 | 0:01:25 | |
Hey, big Bill! | 0:01:25 | 0:01:27 | |
Can't keep a good man down, can they? | 0:01:27 | 0:01:30 | |
-Nice to see you, mate. -Yeah, you too. | 0:01:30 | 0:01:32 | |
Karl, make us some tea, will you? | 0:01:32 | 0:01:34 | |
I've gotta get out of this monkey suit. | 0:01:34 | 0:01:36 | |
Eh, full acquittal though, yeah? | 0:01:36 | 0:01:38 | |
-Get in! Come here. -Thanks, man. | 0:01:38 | 0:01:40 | |
I knew it was bollocks. They'd never make that stick, would they? | 0:01:40 | 0:01:43 | |
It's a fucking waste of the taxpayers' money. | 0:01:43 | 0:01:44 | |
Tell you what, it should be legalised anyway, shouldn't it? | 0:01:44 | 0:01:47 | |
-Yeah. Anyway, do you want some tea? -Yeah. | 0:01:47 | 0:01:49 | |
Maggie, would you make Garvey some tea, please? | 0:01:49 | 0:01:52 | |
Oh! | 0:02:07 | 0:02:08 | |
Jesus Christ, it's like a fucking noose! | 0:02:10 | 0:02:13 | |
Undo the knot. Come here. | 0:02:13 | 0:02:15 | |
-You're just tightening it. -Fucking get it off me, man! | 0:02:15 | 0:02:19 | |
Calm down. Just let us have a look. | 0:02:19 | 0:02:21 | |
How long has he been here, Maggie? | 0:02:32 | 0:02:34 | |
-He's had a sandwich. -The disgusting fat locust. | 0:02:34 | 0:02:37 | |
He's not fat. He's got big bones, Bill. | 0:02:37 | 0:02:39 | |
Well, he's peasant stock, isn't he? | 0:02:39 | 0:02:41 | |
Now, you know, it's all beer and armchairs and TVs, | 0:02:41 | 0:02:45 | |
and they're just a load of slobs. It sickens me. | 0:02:45 | 0:02:48 | |
His dad was a moron as well. | 0:02:48 | 0:02:51 | |
Good to see a friendly face. | 0:02:52 | 0:02:53 | |
I thought I'd pop in, make sure you're all right. | 0:02:53 | 0:02:55 | |
Tough four months for you boys, I'd imagine. | 0:02:55 | 0:02:59 | |
I just thought I'd come and put your mind at rest. | 0:02:59 | 0:03:02 | |
Everything's running smoothly. | 0:03:02 | 0:03:04 | |
I knew it was all in safe hands. | 0:03:04 | 0:03:06 | |
Well, I'll pop to the little boys' room. | 0:03:06 | 0:03:08 | |
Hey, you've put on a bit of weight there, Garv. | 0:03:08 | 0:03:10 | |
-I don't think so. -I think you're getting a little bit heavier. | 0:03:10 | 0:03:14 | |
Yeah, I can see it on the sides... like handles. | 0:03:14 | 0:03:17 | |
Right, thanks. | 0:03:17 | 0:03:19 | |
Hello, Eric. | 0:03:24 | 0:03:26 | |
Thanks. | 0:03:27 | 0:03:29 | |
-Boys! -Eric. | 0:03:30 | 0:03:33 | |
-They gave you cake for the way out, did they? -Oh, yeah. | 0:03:33 | 0:03:35 | |
-All right, Eric? -Yeah, I'm all right. You? | 0:03:35 | 0:03:37 | |
-Yeah, not too bad now. -Looks like a slab of concrete. | 0:03:37 | 0:03:40 | |
Yeah. Ah, it's all right. | 0:03:40 | 0:03:42 | |
A little bit stale. Taste's a bit like petrol, but it's OK. | 0:03:42 | 0:03:44 | |
Looks like a dog's crapped on it. Look at it. | 0:03:44 | 0:03:48 | |
I quite liked it. | 0:03:48 | 0:03:49 | |
-I thought it was all right. -Oh, it's all right. | 0:03:50 | 0:03:52 | |
If you swill it down with enough tea, | 0:03:52 | 0:03:53 | |
it'll be getting there, you know. | 0:03:53 | 0:03:55 | |
Well, don't break your teeth on it. | 0:03:55 | 0:03:58 | |
-Where'd you get it? -I got it from the shop at the end of the road. | 0:03:58 | 0:04:01 | |
-Those Pakis are thieves, man. -You shouldn't say that - | 0:04:01 | 0:04:03 | |
"Pakis" - any more, should you? | 0:04:03 | 0:04:05 | |
-What's someone from Afghanistan? -Uh, Afghani. | 0:04:05 | 0:04:09 | |
-There you go. -Yeah, that's true. | 0:04:09 | 0:04:11 | |
-Brain of Britain. -Yeah. | 0:04:11 | 0:04:14 | |
This needs painting over, Maggie. | 0:04:14 | 0:04:16 | |
Yeah, everything's a mess here. | 0:04:16 | 0:04:20 | |
We can't be too conspicuous. That's the golden rule. | 0:04:20 | 0:04:23 | |
I wouldn't want a new house. They've always got problems. | 0:04:25 | 0:04:28 | |
You can't trust builders. | 0:04:28 | 0:04:31 | |
This situation needs sorting out, tidying up. | 0:04:31 | 0:04:35 | |
-Yeah. -It's someone close in, obviously. | 0:04:35 | 0:04:38 | |
Yeah. | 0:04:38 | 0:04:40 | |
Well, it's an informant culture, isn't it? | 0:04:40 | 0:04:42 | |
-Listen, about that money... -Don't worry about that now. | 0:04:42 | 0:04:45 | |
-That's good of you, Garv. -That's all right. | 0:04:45 | 0:04:48 | |
-I'll sort it out next week. -No sweat. | 0:04:48 | 0:04:51 | |
-I'll bring it round to your house. -Or down the club. | 0:04:51 | 0:04:53 | |
-Yeah, OK. Thanks, man. -It's only money, isn't it? | 0:04:53 | 0:04:56 | |
-Any beer about? -Only what you brought, mate. | 0:04:58 | 0:05:01 | |
I thought this was meant to be a big party. | 0:05:01 | 0:05:03 | |
Well, I'll pop down the offy. Who wants what? | 0:05:03 | 0:05:06 | |
Get us some whisky, some wine and some beer. | 0:05:06 | 0:05:11 | |
And some matches or a lighter. | 0:05:11 | 0:05:12 | |
-No, a lighter. -All right. | 0:05:12 | 0:05:15 | |
OK. | 0:05:15 | 0:05:16 | |
PHONE RINGS | 0:05:16 | 0:05:17 | |
Oh, fuck's sake. | 0:05:19 | 0:05:21 | |
Where's Garvey getting the booze from? | 0:05:26 | 0:05:28 | |
-Just the offy over the road. -Valda's coming round. | 0:05:28 | 0:05:30 | |
-Who's coming over? -Valda's coming round. | 0:05:30 | 0:05:32 | |
Ah. That's his new bird. | 0:05:32 | 0:05:35 | |
-Is it? -I've been going out with her for a year. | 0:05:35 | 0:05:38 | |
He's not been going out with her for a year at all. | 0:05:38 | 0:05:40 | |
How long have you actually known her? | 0:05:40 | 0:05:42 | |
-I haven't seen her in about six months. -He hasn't seen her. | 0:05:42 | 0:05:45 | |
-How long did you go out for? -About a year...ten months. | 0:05:45 | 0:05:48 | |
I thought I heard she done one. | 0:05:48 | 0:05:51 | |
She did, but she's just rung up. She's coming round. | 0:05:51 | 0:05:53 | |
Maybe she's pregnant. | 0:05:53 | 0:05:56 | |
Yeah, that's... | 0:05:56 | 0:05:59 | |
That's extremely unlikely. | 0:05:59 | 0:06:02 | |
I fast for January. | 0:06:02 | 0:06:04 | |
No to poisons, no to drugs, no food. | 0:06:04 | 0:06:07 | |
I only allow myself tea. | 0:06:07 | 0:06:09 | |
-And whisky. -Fucking hell, Bill. | 0:06:09 | 0:06:10 | |
-I feel like a teenage tantric Superman. -Yeah, so do I. | 0:06:10 | 0:06:15 | |
I'm a simple person. | 0:06:15 | 0:06:17 | |
I like to reconnect to the essentials. | 0:06:17 | 0:06:19 | |
Go on. Come on. | 0:06:21 | 0:06:23 | |
Come on, Eric, you're strong, | 0:06:23 | 0:06:25 | |
you big-boned bastard. | 0:06:25 | 0:06:27 | |
This is like tempered steel. Come on. | 0:06:27 | 0:06:29 | |
You do it to me, then I'll do it to you. | 0:06:29 | 0:06:30 | |
-Come on! -Bad-tempered steel. | 0:06:30 | 0:06:32 | |
Come on, Eric, I'll let you have a go. | 0:06:32 | 0:06:34 | |
-Come on, then. -Let's have it. | 0:06:34 | 0:06:37 | |
-Looks like a crossover. -Go on, take a dig. | 0:06:41 | 0:06:43 | |
-Take a fucking dig, Eric! -Feel that. | 0:06:43 | 0:06:46 | |
-It's soft as shite. -Oh, you bastard! | 0:06:46 | 0:06:49 | |
I forgot to pick the kids up. | 0:06:49 | 0:06:52 | |
-Oh, a man out of time. -Shit. | 0:06:52 | 0:06:55 | |
What's happened? | 0:06:55 | 0:06:57 | |
Oh, that's them outside now. | 0:06:57 | 0:06:58 | |
I'd better go. | 0:06:58 | 0:07:00 | |
Who's out there? | 0:07:02 | 0:07:03 | |
-It's his missus. -Is she coming in? | 0:07:03 | 0:07:07 | |
No, no, no. I'd better go. | 0:07:07 | 0:07:08 | |
I gotta feed the kids and that, but... | 0:07:08 | 0:07:10 | |
Is that Helen? I ain't seen her in years. | 0:07:10 | 0:07:11 | |
Yeah, yeah. We gotta go. | 0:07:11 | 0:07:13 | |
Well, er, nice one. Well done and everything. | 0:07:13 | 0:07:15 | |
-Yeah, well done. -Cheers, Garv. | 0:07:15 | 0:07:16 | |
Yeah, see you later. | 0:07:16 | 0:07:18 | |
See you, Maggie. | 0:07:18 | 0:07:20 | |
See you, everyone. | 0:07:22 | 0:07:23 | |
Cheers, Garv. Have a good one, mate. | 0:07:23 | 0:07:25 | |
She looks absolutely furious. | 0:07:25 | 0:07:27 | |
Give 'em a kiss for me, Garv. | 0:07:27 | 0:07:29 | |
She's fit... his missus, mate. | 0:07:29 | 0:07:31 | |
-Hoo-hoo. -That's his old missus. | 0:07:31 | 0:07:35 | |
His new missus is like a hippo-croco-pig. | 0:07:35 | 0:07:38 | |
-A bit short-sighted. -Looks a bit like him in a lady mirror. | 0:07:41 | 0:07:45 | |
A female version of Garvey. Can you imagine it? | 0:07:45 | 0:07:49 | |
Give us one of those beers. Oh, these are from Garvey. | 0:07:49 | 0:07:52 | |
-Good old Garvin, eh? -Yeah, cheers. | 0:07:52 | 0:07:54 | |
-What a little superstar. -He's shaken 'em up, hasn't he? | 0:07:54 | 0:07:57 | |
He's totally fucking depth-charged me. | 0:07:57 | 0:08:00 | |
Why don't you just pour it over the carpet? | 0:08:00 | 0:08:04 | |
Karl. Oi. | 0:08:04 | 0:08:07 | |
-Yeah? Hello, mate. -Come here, I've got something to show you. | 0:08:07 | 0:08:10 | |
Hold on a second. | 0:08:10 | 0:08:11 | |
By the way, when are you coming back to work? | 0:08:11 | 0:08:13 | |
Soon. Just got to be a bit careful, that's all. | 0:08:13 | 0:08:15 | |
Well, you need to hurry up. | 0:08:15 | 0:08:17 | |
I'm running round like a blue-arsed fly. | 0:08:17 | 0:08:18 | |
This thing don't run itself, you know? | 0:08:18 | 0:08:20 | |
-Everything's going all right, though, yeah? -Yeah. | 0:08:20 | 0:08:22 | |
A bit of trouble in Whitehawk, but otherwise shway shway. | 0:08:22 | 0:08:25 | |
-Sweet. -Come on out. | 0:08:25 | 0:08:27 | |
I've got something to show you. | 0:08:27 | 0:08:29 | |
You are coming back to work, aren't you? | 0:08:29 | 0:08:32 | |
Yeah, I told you. I'm coming in. | 0:08:32 | 0:08:35 | |
So I don't have to run this whole bloody operation by myself. | 0:08:35 | 0:08:38 | |
Get in there. I've got something to show you. | 0:08:38 | 0:08:40 | |
-They're not going to come up, are they? -Doubt it. | 0:08:40 | 0:08:43 | |
Oh, fucking hell! It's gone right through the lining on my jacket. | 0:08:43 | 0:08:47 | |
-What's that, Eric? -A fucking gun, mate. | 0:08:47 | 0:08:50 | |
-Got it off Don the Gun. -Fuck off. | 0:08:50 | 0:08:51 | |
That looks totally real, man. | 0:08:51 | 0:08:54 | |
It is fucking totally real.. What are you talking about? | 0:08:54 | 0:08:57 | |
-You serious? -It's a real gun, yeah. | 0:08:57 | 0:08:59 | |
I just bought it for 200 quid. | 0:08:59 | 0:09:02 | |
Are you serious? This is a real shooter? | 0:09:04 | 0:09:06 | |
Yeah, it's a real shooter. I just bought it. | 0:09:06 | 0:09:08 | |
I just told you. I need it, don't I? | 0:09:08 | 0:09:11 | |
-What, you never seen a fucking gun before? -Eric, Eric, | 0:09:13 | 0:09:15 | |
are you out of your fucking mind, mate? | 0:09:15 | 0:09:17 | |
What? | 0:09:17 | 0:09:18 | |
-Put it away and take it home. -All right, all right. | 0:09:18 | 0:09:21 | |
Well, he's not going to see it, is he? | 0:09:21 | 0:09:24 | |
I've just got my... I've just got my prints all over a gun. | 0:09:24 | 0:09:26 | |
Oh, for fuck's sake. What are you, paranoid or what? | 0:09:26 | 0:09:28 | |
What do you mean? I've just come back from court. | 0:09:28 | 0:09:30 | |
Oh, for Christ's sake, mate. | 0:09:30 | 0:09:33 | |
-What's up with you? -Has this been fired? | 0:09:33 | 0:09:35 | |
Don't know. Didn't ask. | 0:09:35 | 0:09:37 | |
Mate... | 0:09:37 | 0:09:39 | |
Look, give it to me. I'll do that. | 0:09:39 | 0:09:41 | |
-Come on... -No, I'll do it. Thanks very much, Eric. | 0:09:41 | 0:09:43 | |
It don't mean the old Bill are going to come | 0:09:45 | 0:09:47 | |
straight round now, are they? | 0:09:47 | 0:09:49 | |
Put it away. I don't want to see it again. | 0:09:52 | 0:09:54 | |
Was he always such an unctuous little prick... | 0:09:57 | 0:10:00 | |
fucking Garvey? | 0:10:00 | 0:10:02 | |
I'll say he's pretty consistent. Why? | 0:10:02 | 0:10:04 | |
I can't believe the old man's left him running that fucking club. | 0:10:04 | 0:10:07 | |
He's making a fortune, man. | 0:10:07 | 0:10:09 | |
I mean, he's just moved into some flash new drum. | 0:10:09 | 0:10:11 | |
Well, that should have me and you on it. | 0:10:11 | 0:10:13 | |
What can you say? Bill is Bill. | 0:10:13 | 0:10:15 | |
-How's he holding up? -A bit rattled, I'd say. | 0:10:15 | 0:10:18 | |
-Minor. -What about you? | 0:10:18 | 0:10:20 | |
Fine. I'm just trying not to think about it. | 0:10:20 | 0:10:23 | |
You know I'm right behind you, don't you? | 0:10:23 | 0:10:25 | |
What, leading from the rear, yeah? | 0:10:25 | 0:10:27 | |
I've got your back, mate. | 0:10:29 | 0:10:31 | |
Where's Garvey? | 0:10:34 | 0:10:36 | |
If Benson had testified... | 0:10:38 | 0:10:40 | |
It's all right, mate. Calm down. | 0:10:42 | 0:10:44 | |
It's all sorted. | 0:10:44 | 0:10:46 | |
There you go. | 0:10:46 | 0:10:48 | |
Oh, hang on. Here. | 0:10:48 | 0:10:51 | |
-All right. Thanks, Karl. -How you holding up? | 0:10:51 | 0:10:54 | |
Well, they've shown their hand now, haven't they? | 0:10:59 | 0:11:03 | |
Yeah, we're home and dry now though, right? | 0:11:03 | 0:11:05 | |
Are we? | 0:11:05 | 0:11:07 | |
I feel like I've been fighting this corner for ever, mate. | 0:11:07 | 0:11:10 | |
40 years...not a bad run. | 0:11:12 | 0:11:14 | |
Oh, it was a run, was it? | 0:11:16 | 0:11:19 | |
I mean, I was a smoker. | 0:11:19 | 0:11:21 | |
I mean, I was a... I was an artist, a poet. | 0:11:21 | 0:11:25 | |
-The head. -I was a head, you know. | 0:11:25 | 0:11:28 | |
And I said I would do it. | 0:11:29 | 0:11:31 | |
I started doing it | 0:11:31 | 0:11:32 | |
and I could have as much gear as I wanted, | 0:11:32 | 0:11:35 | |
which was all I was interested in. | 0:11:35 | 0:11:37 | |
The funny thing was... this is what I noticed | 0:11:37 | 0:11:39 | |
first of all when I got into it... | 0:11:39 | 0:11:41 | |
was everybody else was into making money, except me. | 0:11:41 | 0:11:46 | |
I mean, me and Timothy Leary, you know. | 0:11:46 | 0:11:48 | |
I believed that this was a revolution of consciousness | 0:11:48 | 0:11:52 | |
and there was going to be an evolution taking place. | 0:11:52 | 0:11:55 | |
And we were going to find out all these discoveries | 0:11:55 | 0:11:57 | |
about the brain and the future | 0:11:57 | 0:12:00 | |
and how to be high and stay high | 0:12:00 | 0:12:02 | |
and how to be magical, how to live in the world in this sort of new way. | 0:12:02 | 0:12:07 | |
But all these other characters basically were into bread. | 0:12:07 | 0:12:09 | |
They made money and I ended up just becoming | 0:12:09 | 0:12:12 | |
just another criminal like them because of force majeure. | 0:12:12 | 0:12:15 | |
Because of Maggie and then you and the rest of it, | 0:12:15 | 0:12:17 | |
I had to do something. | 0:12:17 | 0:12:19 | |
You know? | 0:12:19 | 0:12:20 | |
Studied the Tibetan Book of the Dead. | 0:12:20 | 0:12:22 | |
I learned how to control my consciousness when I got into acid. | 0:12:22 | 0:12:25 | |
I knew how to sort of... | 0:12:25 | 0:12:27 | |
I did the full lotus, | 0:12:27 | 0:12:29 | |
where you can get into that little pyramid shape. | 0:12:29 | 0:12:31 | |
And then it all starts to unfold, you know, and curl up. | 0:12:31 | 0:12:35 | |
It goes out the top of your head and there you are, man. | 0:12:35 | 0:12:39 | |
And you're like, "Hey, I'm God. | 0:12:39 | 0:12:41 | |
"I am all men. I can be Everyman. | 0:12:41 | 0:12:44 | |
"I'm no better, no worse... | 0:12:44 | 0:12:47 | |
"certainly no worse than anyone else in the world. | 0:12:47 | 0:12:49 | |
"I am Man. I am Adam Kadmon." | 0:12:49 | 0:12:51 | |
Three things...that's what I found at the top level. | 0:12:51 | 0:12:55 | |
You know what? It's a triangle. | 0:12:55 | 0:12:57 | |
It's goodness, truth and beauty. | 0:12:57 | 0:13:00 | |
And if things aren't good, | 0:13:00 | 0:13:03 | |
they're not true and they're not beautiful. | 0:13:03 | 0:13:05 | |
If it's good, it's also true and beautiful. | 0:13:05 | 0:13:07 | |
And that was the aim... | 0:13:07 | 0:13:09 | |
to get that little triangle in your forehead | 0:13:09 | 0:13:13 | |
so you could see through that lens of goodness, truth and beauty, | 0:13:13 | 0:13:17 | |
and see the goodness and see the truth and see the beauty. | 0:13:17 | 0:13:20 | |
I've just become some sort of, you know, grim recluse | 0:13:20 | 0:13:22 | |
living in my diamond cave. | 0:13:22 | 0:13:24 | |
There were good drugs to start with, | 0:13:24 | 0:13:27 | |
and then the freak-out of the laws | 0:13:27 | 0:13:29 | |
and the paranoia began. | 0:13:29 | 0:13:30 | |
And everybody splintered off | 0:13:30 | 0:13:32 | |
and went into their rooms and closed their curtains. | 0:13:32 | 0:13:34 | |
And the communities were all closed off from one another | 0:13:34 | 0:13:37 | |
so nobody knew what anybody else was doing. | 0:13:37 | 0:13:39 | |
Everybody else was just paranoid. | 0:13:39 | 0:13:41 | |
You're only as good as the people you're with. | 0:13:41 | 0:13:44 | |
Yeah, I know. | 0:13:46 | 0:13:48 | |
OK, lads, | 0:13:50 | 0:13:52 | |
double bubbles all round. | 0:13:52 | 0:13:54 | |
Yeah. | 0:13:54 | 0:13:56 | |
What are we going to do, then, Bill? | 0:14:24 | 0:14:27 | |
Well, we're going to find out who's behind all this. | 0:14:27 | 0:14:29 | |
# She is the little queen of spades | 0:14:37 | 0:14:41 | |
# And the men will not let her be | 0:14:41 | 0:14:44 | |
# Hmm, she's the little queen of spades | 0:14:48 | 0:14:51 | |
# And the men will not let her be | 0:14:51 | 0:14:54 | |
# Every time she makes a spread | 0:14:58 | 0:15:01 | |
# Hoo, fair brown, cold chill just runs all over me. # | 0:15:01 | 0:15:05 | |
-Oh, all right. How you doing? -All right, Bill? | 0:15:11 | 0:15:14 | |
Good result, eh? | 0:15:14 | 0:15:16 | |
What's the point of you being on the inside | 0:15:16 | 0:15:18 | |
when you don't help us out, Dave? | 0:15:18 | 0:15:20 | |
I'm only a counsellor, Bill. | 0:15:20 | 0:15:22 | |
Look, I done all I could. | 0:15:22 | 0:15:25 | |
You've been well lucky this time. | 0:15:25 | 0:15:27 | |
Have we? It doesn't feel like we have. | 0:15:27 | 0:15:30 | |
So have you any idea where all this has come from? | 0:15:30 | 0:15:33 | |
Nobody specific. | 0:15:33 | 0:15:36 | |
But it's someone close in. | 0:15:36 | 0:15:38 | |
You don't get paid to speculate, David. | 0:15:38 | 0:15:40 | |
You get paid for intelligence. | 0:15:40 | 0:15:41 | |
The police have got this document. | 0:15:41 | 0:15:43 | |
I've told you, it's like a family tree with it all mapped out. | 0:15:43 | 0:15:47 | |
And it's well comprehensive, Bill. | 0:15:47 | 0:15:49 | |
All kinds of people are on it, mate. | 0:15:49 | 0:15:51 | |
It goes right back to your grandfather. | 0:15:51 | 0:15:54 | |
It's basically the complete fucking picture. | 0:15:54 | 0:15:56 | |
I doubt that. | 0:15:56 | 0:15:58 | |
The Barneses, the Cowells, | 0:15:58 | 0:16:01 | |
the Pikes... they're all on it, mate. | 0:16:01 | 0:16:03 | |
All their marriages back and forth. | 0:16:03 | 0:16:05 | |
Well, that's all public knowledge. | 0:16:05 | 0:16:06 | |
So? What can they prove? | 0:16:06 | 0:16:08 | |
They don't have to prove anything, do they? | 0:16:08 | 0:16:10 | |
Listen to me, Bill. | 0:16:10 | 0:16:12 | |
They've just got to look at you | 0:16:12 | 0:16:14 | |
and eventually something happens. | 0:16:14 | 0:16:16 | |
They know it'll balance out. | 0:16:16 | 0:16:17 | |
Well, maybe they need balancing out. | 0:16:17 | 0:16:20 | |
In the next life, yeah. | 0:16:22 | 0:16:23 | |
Oh, lovely. | 0:16:56 | 0:16:58 | |
Fuck! | 0:17:04 | 0:17:06 | |
-Give me a minute, that's all. -OK. | 0:17:14 | 0:17:16 | |
My God. | 0:17:16 | 0:17:20 | |
You've put on a bit of weight, ain't you? | 0:17:20 | 0:17:22 | |
For God's sake, Bill, she's... | 0:17:22 | 0:17:24 | |
-You're going to be a grandad, Bill. -What?! | 0:17:24 | 0:17:26 | |
I've heard of sudden death, but sudden birth? | 0:17:26 | 0:17:29 | |
Where's all this come from, Karl? | 0:17:29 | 0:17:32 | |
Just... | 0:17:32 | 0:17:34 | |
When were you going to tell me? | 0:17:47 | 0:17:49 | |
I'm telling you now. | 0:17:49 | 0:17:51 | |
My dad's downstairs. My mum is downstairs. | 0:17:51 | 0:17:53 | |
He's fucking loving it. | 0:17:53 | 0:17:56 | |
I'm never... I'm never going to hear the end of this. This is... | 0:17:56 | 0:17:59 | |
I don't think your dad is the biggest problem here. | 0:17:59 | 0:18:01 | |
Oh, come off it. | 0:18:01 | 0:18:02 | |
Just give me a second. | 0:18:05 | 0:18:07 | |
This is quite a number. This... | 0:18:09 | 0:18:11 | |
I must be going through a bad phase. | 0:18:19 | 0:18:22 | |
Maybe a baby's the thing to pull me out of it. | 0:18:25 | 0:18:27 | |
I don't know. Who fucking knows? | 0:18:27 | 0:18:30 | |
Or this kid's going to make it... | 0:18:32 | 0:18:35 | |
this kid's going to make it worse. | 0:18:35 | 0:18:37 | |
How does he know this one? I get confused. | 0:18:37 | 0:18:40 | |
They was pen pals last time he was in prison. | 0:18:40 | 0:18:43 | |
How do you go to prison for assault | 0:18:43 | 0:18:46 | |
when you're the one that's assaulted? | 0:18:46 | 0:18:48 | |
Well, you know, | 0:18:48 | 0:18:50 | |
it was that unreasonable force thing. | 0:18:50 | 0:18:52 | |
That other lad's still not right. | 0:18:52 | 0:18:55 | |
-He's not ready. -What's that, Grandad? | 0:18:55 | 0:18:59 | |
Grandad to a bastard. | 0:18:59 | 0:19:01 | |
-Is there a word for that? -Cunt. | 0:19:01 | 0:19:04 | |
Those letters you wrote me in prison were really nice. | 0:19:19 | 0:19:22 | |
Good. | 0:19:22 | 0:19:24 | |
I've got some... I've got some just here. | 0:19:24 | 0:19:28 | |
-You can do a live reading. -OK. | 0:19:28 | 0:19:31 | |
They were just here. | 0:19:39 | 0:19:41 | |
-Doesn't matter. -Fuck. | 0:19:41 | 0:19:44 | |
They were just fucking here. | 0:19:45 | 0:19:47 | |
-It's OK. It doesn't matter. -It's...it's not OK. | 0:19:47 | 0:19:50 | |
Somebody's moved them. | 0:19:50 | 0:19:51 | |
Where the fuck are they? | 0:19:53 | 0:19:55 | |
They were just fucking here. | 0:19:55 | 0:19:58 | |
Oh, for fuck's sake! | 0:20:00 | 0:20:02 | |
-Fuck! -There's some letters down here. | 0:20:02 | 0:20:05 | |
They might be down here. | 0:20:05 | 0:20:06 | |
They're not down... They were fucking here, man! | 0:20:06 | 0:20:09 | |
-It's OK. -It's not OK, it's fucked! | 0:20:09 | 0:20:12 | |
It's fucking typical. It's fucking fucked right up. | 0:20:12 | 0:20:16 | |
Mum! | 0:20:20 | 0:20:22 | |
Mum... | 0:20:23 | 0:20:25 | |
Mum! Mum! | 0:20:31 | 0:20:35 | |
Mum, have you seen those letters? | 0:20:35 | 0:20:38 | |
-Calm down. It's OK. -It's not OK! | 0:20:38 | 0:20:41 | |
Oh, there they are. | 0:20:42 | 0:20:44 | |
I never knew you liked reading so much. | 0:20:48 | 0:20:50 | |
This is all just shit we sell on eBay. | 0:20:50 | 0:20:53 | |
Oh, I see. | 0:20:53 | 0:20:55 | |
Do you like Hitler? | 0:20:55 | 0:20:57 | |
Got a rare book about him here. | 0:20:57 | 0:20:59 | |
That's Hitler's dog, Blondie, | 0:20:59 | 0:21:03 | |
the Alsatian. | 0:21:03 | 0:21:05 | |
Got poisoned. | 0:21:05 | 0:21:07 | |
Not really his fault, but there you go. | 0:21:09 | 0:21:12 | |
That's war. | 0:21:12 | 0:21:14 | |
-Oh, to you, son. -Cheers, Dad. | 0:21:16 | 0:21:19 | |
I was thinking it's going to be really nice out there when you paint that room. | 0:21:19 | 0:21:22 | |
Yeah, it'll be lovely. Come on, baby. | 0:21:22 | 0:21:23 | |
And maybe while you're doing it, | 0:21:23 | 0:21:25 | |
you could think about doing in here. | 0:21:25 | 0:21:26 | |
Yeah, no, absolutely. Yeah, sure. | 0:21:26 | 0:21:28 | |
-Would you like a whisky, Valda? -I'm pregnant. | 0:21:28 | 0:21:31 | |
Thanks, anyway, Bill. | 0:21:31 | 0:21:32 | |
Oh, well, I suppose it's about time | 0:21:32 | 0:21:34 | |
we did pair off, isn't it? | 0:21:34 | 0:21:36 | |
-How old are you now? -27. | 0:21:36 | 0:21:38 | |
-Ah. And how old are you now, Karl? -34. | 0:21:38 | 0:21:42 | |
-Come on. -Anyway, see you later. | 0:21:42 | 0:21:44 | |
Yeah. | 0:21:44 | 0:21:46 | |
Bye, sweetie. | 0:21:48 | 0:21:50 | |
See you later. Bye. | 0:21:51 | 0:21:53 | |
The trap slams shut. | 0:21:54 | 0:21:57 | |
How do you know it's your kid? | 0:21:58 | 0:22:01 | |
Fucking hell, Dad. | 0:22:01 | 0:22:02 | |
You don't want to find yourself bringing up | 0:22:02 | 0:22:04 | |
some other bloke's bastard. | 0:22:04 | 0:22:06 | |
Oh, f... | 0:22:08 | 0:22:10 | |
It's so typical. | 0:22:10 | 0:22:12 | |
Why do you have to be so fucking negative? | 0:22:12 | 0:22:15 | |
-You are my fucking son. -No, fuck you! | 0:22:17 | 0:22:20 | |
-You're lazy. You're a fucking bastard. -Fuck you! | 0:22:20 | 0:22:22 | |
You don't know who the fuck she is or where she's come from. | 0:22:22 | 0:22:25 | |
I went out with her for a year, Dad! I know who she is. | 0:22:25 | 0:22:28 | |
-What else might she be keeping from us? -That's fucking bullshit. | 0:22:28 | 0:22:30 | |
This is a critical period at the moment. | 0:22:30 | 0:22:32 | |
I won't let you fuck it up with this baby bullshit. | 0:22:32 | 0:22:35 | |
What the fuck has it got to do with you anyway? | 0:22:35 | 0:22:37 | |
Tell her to get rid of it. | 0:22:37 | 0:22:39 | |
-Oh! -Bill, it's too late for that. | 0:22:39 | 0:22:41 | |
-You've upset your mother now. -Get in here. | 0:22:41 | 0:22:45 | |
# You poor injured fair one | 0:22:53 | 0:22:55 | |
# Your pardon I crave | 0:22:55 | 0:22:59 | |
# How soon must I follow you | 0:23:01 | 0:23:03 | |
# Down to the grave? | 0:23:03 | 0:23:06 | |
# There is none but you, fair one | 0:23:08 | 0:23:11 | |
# To see that sad sight | 0:23:11 | 0:23:14 | |
# And by her distraction | 0:23:14 | 0:23:16 | |
-# He died the same night. -# | 0:23:16 | 0:23:20 | |
Well, what's your intuition about her? | 0:23:21 | 0:23:23 | |
Well, you know, I'm not really involved | 0:23:23 | 0:23:24 | |
in that any more... sort of thing, Bill. | 0:23:24 | 0:23:26 | |
I'm kept pretty busy at the club, you know. | 0:23:26 | 0:23:28 | |
I've got kids and that. | 0:23:28 | 0:23:31 | |
And to be honest with you, I don't feel as comfortable with it physically | 0:23:31 | 0:23:34 | |
as when I was a bit younger. | 0:23:34 | 0:23:36 | |
You're getting fat. You don't need to make excuses, mate. | 0:23:36 | 0:23:38 | |
-All right, yeah. -You know? | 0:23:38 | 0:23:42 | |
You and my dad used to be proper terrors, didn't you, back in the day? | 0:23:42 | 0:23:46 | |
Your dad was one of my best mates. | 0:23:46 | 0:23:48 | |
In fact, he was my closest friend. | 0:23:48 | 0:23:52 | |
Yeah. I mean, your dad was... I would say your dad | 0:23:52 | 0:23:54 | |
was the smartest and the funniest man in town. | 0:23:54 | 0:23:57 | |
He was the one to beat. | 0:23:57 | 0:23:59 | |
-I miss him quite a lot. -We all miss him. | 0:23:59 | 0:24:01 | |
What happened to your old man was... was terrible. | 0:24:01 | 0:24:05 | |
I never got over it really. | 0:24:05 | 0:24:07 | |
I'm still sick inside about that. | 0:24:07 | 0:24:09 | |
You know I think he was murdered, don't you? | 0:24:09 | 0:24:12 | |
-Really? -Yeah. | 0:24:12 | 0:24:14 | |
-I thought it was just a fire. -Well, yeah. | 0:24:14 | 0:24:17 | |
I sometimes think I should avenge his death. | 0:24:17 | 0:24:19 | |
That's what I'm supposed to do as the son. | 0:24:19 | 0:24:21 | |
But is that bad that I just don't want to? | 0:24:21 | 0:24:25 | |
Well, it's all changed now, isn't it? | 0:24:25 | 0:24:27 | |
There are no fathers left, or hardly any fathers. | 0:24:27 | 0:24:29 | |
All these fucking slags living off the state like fucking parasites, | 0:24:29 | 0:24:33 | |
leaving all the men in fucking rooms. | 0:24:33 | 0:24:35 | |
-So where are the fathers to avenge? -Yeah. | 0:24:35 | 0:24:38 | |
It's all gone, mate. You know what I mean? | 0:24:38 | 0:24:40 | |
-Yeah, I know what you mean. -But still... | 0:24:40 | 0:24:44 | |
-No, you're doing all right, you know? -Yeah. | 0:24:44 | 0:24:46 | |
I mean, you were lucky because you had a dad | 0:24:46 | 0:24:49 | |
that was, you know...it was OK. | 0:24:49 | 0:24:51 | |
I had him for a bit, yeah. | 0:24:51 | 0:24:52 | |
I mean, my fucking old man... he died in his bed | 0:24:52 | 0:24:55 | |
and let me find him naked and dead when I was 13. | 0:24:55 | 0:24:57 | |
Bloody hell. That's terrible, Bill. | 0:24:57 | 0:25:00 | |
I'm still sick inside. | 0:25:00 | 0:25:02 | |
Never got over that. | 0:25:02 | 0:25:04 | |
-What a bastard. -Yeah. | 0:25:04 | 0:25:06 | |
That's what dads do...they die. | 0:25:06 | 0:25:08 | |
-You know? -Yeah. | 0:25:08 | 0:25:10 | |
Well, anyway, I'll keep my ear out about what happened. | 0:25:10 | 0:25:14 | |
Lots of people come through the club. | 0:25:14 | 0:25:15 | |
Someone might say something. | 0:25:15 | 0:25:17 | |
Well, if you hear anything, mate, | 0:25:17 | 0:25:19 | |
just let Karl know... | 0:25:19 | 0:25:21 | |
-Of course, yeah. -..and I'll hear it. | 0:25:21 | 0:25:25 | |
-You're all right, son. You're all right. -Cheers, Bill. | 0:25:25 | 0:25:28 | |
-Cheers. -Yeah, no worries. | 0:25:28 | 0:25:30 | |
Cheers, Bill. | 0:25:35 | 0:25:37 | |
-Cheers, mate. -Thanks a lot. | 0:25:37 | 0:25:39 | |
Cheers. | 0:25:39 | 0:25:41 | |
Garvey. | 0:25:47 | 0:25:49 | |
Garvey? That's left of field. | 0:25:49 | 0:25:53 | |
I don't like him...never did. | 0:25:53 | 0:25:55 | |
He's too nice. It's a weakness. | 0:25:55 | 0:25:58 | |
Being nice is a weakness? | 0:25:58 | 0:26:00 | |
Don't be sentimental. | 0:26:00 | 0:26:02 | |
Who has the most to gain by you going to prison? | 0:26:02 | 0:26:05 | |
There's a lot of people who would gain. | 0:26:05 | 0:26:08 | |
I don't trust him. | 0:26:08 | 0:26:10 | |
Didn't trust his father either, | 0:26:10 | 0:26:12 | |
and we know how that turned out. | 0:26:12 | 0:26:14 | |
Yeah, point taken. | 0:26:14 | 0:26:16 | |
It's him and his wife | 0:26:16 | 0:26:18 | |
and his kids. | 0:26:18 | 0:26:22 | |
The police love to get their claws into idiots like that. | 0:26:22 | 0:26:26 | |
Oh, Garvey's all right. | 0:26:26 | 0:26:28 | |
Based on what? | 0:26:28 | 0:26:30 | |
Well, you know, my instincts. | 0:26:30 | 0:26:32 | |
Yeah, well, that's bullshit. | 0:26:32 | 0:26:35 | |
We quite like the name Enoch | 0:26:42 | 0:26:45 | |
or Norbert. | 0:26:45 | 0:26:47 | |
Norbert? | 0:26:47 | 0:26:49 | |
-It's all right. -Look... | 0:26:49 | 0:26:51 | |
Unusual... it's an unusual name. | 0:26:51 | 0:26:53 | |
It's medieval apparently. | 0:26:53 | 0:26:55 | |
-Bill is a good strong name. -Bill? | 0:26:55 | 0:26:58 | |
-Oh, yeah, like, no prejudice. -Sure. | 0:26:58 | 0:27:01 | |
I don't know how Valda would feel about that, | 0:27:01 | 0:27:03 | |
but I'm having a feeling though that she probably | 0:27:03 | 0:27:05 | |
wouldn't like the idea very much at all. | 0:27:05 | 0:27:07 | |
-Or Billina for a girl. -Billina's not even a name. | 0:27:07 | 0:27:10 | |
Check the book. It's not in there. I guarantee it. | 0:27:10 | 0:27:12 | |
I think you'll find the feminine version of William is... | 0:27:12 | 0:27:16 | |
-It's Wilhelmina. -Wilhelmina. | 0:27:16 | 0:27:18 | |
So it could be Billelmina, or short...Billina. | 0:27:18 | 0:27:23 | |
How come there's no pictures of me in this album? | 0:27:25 | 0:27:27 | |
This is 1979. I should be all over this album. | 0:27:27 | 0:27:31 | |
I've told you a million times... | 0:27:31 | 0:27:33 | |
photos were expensive in those days. | 0:27:33 | 0:27:35 | |
Now hang on a second. There's loads of pictures. | 0:27:35 | 0:27:37 | |
There's loads of pictures of you two, of this dog that I don't remember. | 0:27:37 | 0:27:41 | |
And then... | 0:27:41 | 0:27:43 | |
I think that's my foot. | 0:27:45 | 0:27:47 | |
I never took any photos. | 0:27:48 | 0:27:52 | |
Well, somebody took a lot of pictures. | 0:27:52 | 0:27:54 | |
It wasn't me. | 0:27:54 | 0:27:57 | |
# Aaah-aaah-aaah-aaah-aaah! | 0:27:57 | 0:28:02 | |
# Aaah-aaah-aaah-aaah-aaah! Aaah! | 0:28:02 | 0:28:07 | |
-# Are you going to...? # -Is that my Gibson? | 0:28:07 | 0:28:10 | |
# Are you going | 0:28:10 | 0:28:13 | |
# To Scarborough Fair? # | 0:28:13 | 0:28:16 | |
That guitar's worth more than you are. | 0:28:16 | 0:28:19 | |
It's not a fucking Gibson! | 0:28:19 | 0:28:22 | |
Jesus, I gotta fucking listen to you play, like, night and fucking day | 0:28:22 | 0:28:25 | |
the whole time with your pals and whatnot. | 0:28:25 | 0:28:27 | |
Why don't you learn some chords? | 0:28:27 | 0:28:29 | |
I... | 0:28:29 | 0:28:30 | |
I mean somewhere else. | 0:28:32 | 0:28:34 | |
-Hey, Karl. -Hi, Chris. | 0:28:44 | 0:28:45 | |
-You all right? -How's tricks? | 0:28:45 | 0:28:47 | |
-Come in. -Not too bad, mate. Not too bad. | 0:28:47 | 0:28:49 | |
-Good to see you two out and about, anyway. -Can you close the door? | 0:28:49 | 0:28:52 | |
Hello. Hello. How are you? | 0:28:52 | 0:28:55 | |
-Oop! -Where are we? In here? | 0:28:55 | 0:28:57 | |
-Out the back. -All right. | 0:28:57 | 0:28:59 | |
I'll leave this pram here in the hall. Is that all right? | 0:28:59 | 0:29:01 | |
It's Chris Pringle. Yeah, that's fine, mate. | 0:29:01 | 0:29:03 | |
It'll be safe enough, won't it? | 0:29:03 | 0:29:05 | |
-There you go. -Hello, Mr Pringle. | 0:29:05 | 0:29:07 | |
-How you doing? You all right? -Yeah, yeah. | 0:29:07 | 0:29:09 | |
Good to see you two out and about. | 0:29:09 | 0:29:10 | |
-I want Grandpappy. -All right, sweetheart. | 0:29:10 | 0:29:13 | |
Grandpa. | 0:29:13 | 0:29:16 | |
-Lovely, isn't he? -Good boy. | 0:29:16 | 0:29:18 | |
-Grandpa, Grandpa. -How old's your boy now? | 0:29:18 | 0:29:21 | |
Um...three. | 0:29:21 | 0:29:25 | |
Ah, that's a nice age. | 0:29:25 | 0:29:28 | |
-Had his first fight the other day. -Yeah? | 0:29:28 | 0:29:32 | |
-He's an indi... -A little snapper. | 0:29:32 | 0:29:33 | |
He's an individual, is he? Like his dad? | 0:29:33 | 0:29:35 | |
Yeah, twatted this kid with a xylophone. | 0:29:35 | 0:29:38 | |
-It was brilliant. -Really? | 0:29:38 | 0:29:39 | |
Yeah, yeah, yeah. In nursery, right? | 0:29:39 | 0:29:41 | |
He twats him with a xylophone | 0:29:41 | 0:29:43 | |
and I'd taught him the two fingers into the throat routine, right? | 0:29:43 | 0:29:45 | |
-Yeah. -I'd seen his eyes go... cos he's got his dad's eyes. | 0:29:45 | 0:29:47 | |
The next minute, he's across the table with a finger in... | 0:29:47 | 0:29:49 | |
"No!" Pulls him back. | 0:29:49 | 0:29:51 | |
He's at him like he's a fucking junior ninja. So they pulled him back. | 0:29:51 | 0:29:54 | |
I sees the look in the teacher's eyes, man. He shat himself. | 0:29:54 | 0:29:56 | |
-A brick in his underpants. -Oi, Chris... | 0:29:56 | 0:29:58 | |
Chris, he looks just like you. | 0:29:58 | 0:30:00 | |
Of course he fucking does. | 0:30:00 | 0:30:02 | |
Yeah, come on, then, Kurt. | 0:30:02 | 0:30:03 | |
Do you want to help me make the tea? | 0:30:03 | 0:30:05 | |
When I was out in Bosnia, you know... | 0:30:05 | 0:30:06 | |
well, actually I went down to have a holiday | 0:30:06 | 0:30:08 | |
and ended up just having a go in the war. | 0:30:08 | 0:30:10 | |
-Cheap beer. -Were you in the army, Chris? | 0:30:10 | 0:30:12 | |
Which one? Floated about. | 0:30:12 | 0:30:15 | |
Don't fight for no king, no country...no queen, no country. | 0:30:15 | 0:30:18 | |
-I'm my own principality. Know what I'm saying? -Amen. | 0:30:18 | 0:30:20 | |
Yeah. Amen. Testify, brother. | 0:30:20 | 0:30:22 | |
-You know the truth. -Passport to Pringle. | 0:30:22 | 0:30:24 | |
-Huh? -Passport to Pringle. | 0:30:24 | 0:30:26 | |
-What does that mean? -Oh. | 0:30:26 | 0:30:29 | |
So I'm standing there in the court... | 0:30:29 | 0:30:32 | |
...and all of a sudden... | 0:30:32 | 0:30:33 | |
Less of that bit, will you? | 0:30:33 | 0:30:35 | |
-Sorry? -Less of that. | 0:30:35 | 0:30:37 | |
I don't mind the cuddling, but none of the kissing | 0:30:37 | 0:30:39 | |
and farting noises, all right? | 0:30:39 | 0:30:42 | |
Just stay where I can see you. | 0:30:42 | 0:30:44 | |
Play up and down the hall if you want. That's fine. | 0:30:44 | 0:30:46 | |
But don't be taking him into your other room or anything. | 0:30:46 | 0:30:49 | |
Listen, if youse boys need anything done, | 0:30:50 | 0:30:53 | |
just give me a shout, won't you? | 0:30:53 | 0:30:55 | |
-So... -Hmm? | 0:30:55 | 0:30:58 | |
SCRAPING | 0:30:58 | 0:30:59 | |
Oh, of course. Don't worry. | 0:30:59 | 0:31:03 | |
Got the car out the back... hatchback. | 0:31:03 | 0:31:05 | |
A roll of carpet, gaffer tape, | 0:31:05 | 0:31:07 | |
lump hammer...it's all there. | 0:31:07 | 0:31:09 | |
Good to go. Shovel, small handle. | 0:31:09 | 0:31:12 | |
Give me 15 minutes... boom, South Downs. | 0:31:12 | 0:31:14 | |
-Good boy. -All right? | 0:31:14 | 0:31:17 | |
Modern life these days, you see? | 0:31:17 | 0:31:19 | |
-You gotta market. -You got a point there, Chris. | 0:31:19 | 0:31:21 | |
-Have you got a web presence? -Not yet. | 0:31:21 | 0:31:24 | |
Listen, catch youse later, all right? | 0:31:24 | 0:31:26 | |
Nice to see you. Keep it... | 0:31:26 | 0:31:29 | |
-Keep it tight. -Have a good one. | 0:31:29 | 0:31:31 | |
-Nice to see your kid as well, man. -He's lovely, isn't he? | 0:31:31 | 0:31:34 | |
He took to you, didn't he? | 0:31:34 | 0:31:35 | |
Come on. Come on, sweetheart. | 0:31:35 | 0:31:37 | |
-You going to go with your dad? -Is he up the stairs? | 0:31:37 | 0:31:39 | |
I was thinking about having Valda round, | 0:31:42 | 0:31:45 | |
having a bit of dinner. | 0:31:45 | 0:31:46 | |
I suppose. Maggie? | 0:31:46 | 0:31:48 | |
I haven't got much in. | 0:31:48 | 0:31:50 | |
I'll cook it. | 0:31:50 | 0:31:52 | |
Yeah, fine. | 0:31:53 | 0:31:56 | |
-Karl. -Yeah? -Look at this glass | 0:31:57 | 0:32:00 | |
you've just given me. | 0:32:00 | 0:32:03 | |
Say again? | 0:32:03 | 0:32:04 | |
Well, I'm not going to say anything. | 0:32:04 | 0:32:06 | |
Would you mind having a look at that? | 0:32:06 | 0:32:09 | |
It's fine. | 0:32:09 | 0:32:11 | |
You know, this is the first time I've come over for dinner. | 0:32:13 | 0:32:16 | |
-Really? -Hmm. -That was rude of us. | 0:32:16 | 0:32:19 | |
How long did you go out together? About three weeks? | 0:32:19 | 0:32:21 | |
-A year. -A year? | 0:32:21 | 0:32:24 | |
Is that right, Maggie? | 0:32:24 | 0:32:26 | |
-Was it that long? -A year. | 0:32:26 | 0:32:28 | |
Oh, yeah. Well, what do you see in him then? | 0:32:28 | 0:32:31 | |
What do you mean? There's lots to see in him. | 0:32:31 | 0:32:33 | |
Dad, just... Please, Dad, just... | 0:32:33 | 0:32:35 | |
It's not an interrogation, yeah? It's just... | 0:32:35 | 0:32:37 | |
SHE CLEARS HER THROAT | 0:32:39 | 0:32:41 | |
To happy families, all right? | 0:32:41 | 0:32:43 | |
Tonight at least. Happy families. | 0:32:43 | 0:32:45 | |
-Happy families. -All right, OK. | 0:32:45 | 0:32:47 | |
-Happy families. -Cheers, everyone. Cheers, Mum. | 0:32:47 | 0:32:49 | |
Do you need a hand? | 0:32:49 | 0:32:51 | |
Oh, fuck. Shit, fuck. | 0:32:51 | 0:32:53 | |
I don't really see my parents much any more. | 0:32:53 | 0:32:56 | |
-Oh, why's that? -Personal reasons. | 0:32:56 | 0:32:58 | |
Mum, have we got a... a thing for the pasta? | 0:32:58 | 0:33:02 | |
Oh, it's all right. I found it. | 0:33:02 | 0:33:04 | |
So he does a lot of cooking | 0:33:04 | 0:33:05 | |
around here then, Bill? | 0:33:05 | 0:33:07 | |
-No. He hardly ever cooks. -Shit. | 0:33:07 | 0:33:08 | |
He's only cooking because you're here. | 0:33:08 | 0:33:10 | |
It's very nice of him to make the effort, isn't it? | 0:33:10 | 0:33:13 | |
Well, he can be a good lad, yeah. | 0:33:13 | 0:33:16 | |
He's all right really. | 0:33:16 | 0:33:17 | |
Only the best tonight. | 0:33:17 | 0:33:19 | |
Do you know what this is called, this pattern? | 0:33:19 | 0:33:22 | |
-Is it the willow? -Yeah, it's the willow pattern. | 0:33:22 | 0:33:24 | |
It's a story about runaway lovers, isn't it? | 0:33:24 | 0:33:27 | |
Going over the bridge, I think. | 0:33:27 | 0:33:29 | |
Is that right? | 0:33:29 | 0:33:31 | |
-Did they have a happy ending? -I don't think so. | 0:33:31 | 0:33:33 | |
Oh, I think that's what the birds are. | 0:33:33 | 0:33:35 | |
I think maybe that's the souls of the lovers after they've been murdered. | 0:33:35 | 0:33:39 | |
What it is, I can tell you, | 0:33:39 | 0:33:41 | |
is the lovers... | 0:33:41 | 0:33:44 | |
..got chased over the bridge by her dad, | 0:33:46 | 0:33:51 | |
who's the fisherman, and he trapped them on the island | 0:33:51 | 0:33:54 | |
and broke down the bridge. | 0:33:54 | 0:33:57 | |
They were trapped for ever, but then they turned into birds and they were free. | 0:33:57 | 0:34:00 | |
-He's a fountain of knowledge, isn't he? -I never knew that. | 0:34:00 | 0:34:03 | |
-Had those since our wedding... never knew. -Ah. | 0:34:03 | 0:34:06 | |
-Lovely. -Mm, you win 20p. | 0:34:06 | 0:34:09 | |
A bit of salad there, Mum? | 0:34:09 | 0:34:11 | |
Well, I can't say that you're not pretty. | 0:34:11 | 0:34:14 | |
-There he goes, the charmer. -Thanks. | 0:34:14 | 0:34:16 | |
-Yeah. -Aren't you? | 0:34:16 | 0:34:19 | |
Well, you know, if I was 20 years younger... | 0:34:19 | 0:34:23 | |
-He was a devil. -It's more like 35 years younger, Dad. | 0:34:23 | 0:34:26 | |
Oh, all right, 35 years. | 0:34:26 | 0:34:28 | |
When he had hair. | 0:34:31 | 0:34:33 | |
Karl, could you get me some water, please? | 0:34:33 | 0:34:35 | |
Thank you. | 0:34:36 | 0:34:38 | |
I think your problem is you don't give Karl enough credit. | 0:34:38 | 0:34:41 | |
That's not true. | 0:34:42 | 0:34:44 | |
Well, if I'm honest, I think you bully him. | 0:34:44 | 0:34:47 | |
You just pick at him all the time. | 0:34:47 | 0:34:48 | |
Pick, pick, pick. You just get at him all the time. | 0:34:48 | 0:34:52 | |
Look, it's banter. You don't understand how this house works. | 0:34:52 | 0:34:54 | |
I think I do. | 0:34:54 | 0:34:56 | |
-Is she always this mouthy? -What? | 0:34:56 | 0:34:58 | |
We can't all be Father Christmas, can we? | 0:34:58 | 0:35:00 | |
-I'm just being myself, Karl, don't worry. -Girls like you... | 0:35:00 | 0:35:04 | |
-pregnant... -Dad. -I bet you don't even know who by. | 0:35:04 | 0:35:07 | |
Karl, are you going to say anything? | 0:35:07 | 0:35:09 | |
-Dad... -Look... | 0:35:09 | 0:35:10 | |
Dad, Dad! | 0:35:10 | 0:35:12 | |
Look, if she says it's mine, it's mine, all right? Mum... | 0:35:12 | 0:35:17 | |
You should have known, Karl. | 0:35:18 | 0:35:21 | |
You should have known that this was not a good idea. | 0:35:21 | 0:35:23 | |
I know, but she's got... she's got my baby. | 0:35:23 | 0:35:26 | |
I've got a fucking headache now. | 0:35:26 | 0:35:29 | |
Mum, listen, just... please, can you just stop him? | 0:35:29 | 0:35:33 | |
-I'll be all right. Get back in there. -Just help me. | 0:35:33 | 0:35:35 | |
I'll be all right when I've had a drink. | 0:35:35 | 0:35:37 | |
Beam me up. | 0:35:41 | 0:35:43 | |
Do you want some help, Karl? | 0:35:52 | 0:35:55 | |
Yeah, well, there's a bit of pudding. I'll bring it in. | 0:35:55 | 0:35:57 | |
I thought there was some vino coming. | 0:36:02 | 0:36:03 | |
No, I'll bring it in in a minute, Dad. | 0:36:03 | 0:36:05 | |
Let me get the pudding sorted out, get it ready to serve. | 0:36:05 | 0:36:07 | |
-Yeah, thanks, Maggie. -I just wanted to have a look at you. | 0:36:07 | 0:36:10 | |
-Yeah. Why was it you and he split up, then? -I don't know. | 0:36:10 | 0:36:16 | |
It just didn't work out. | 0:36:16 | 0:36:18 | |
Quite a lot of temper, fights. | 0:36:18 | 0:36:21 | |
But he seems to have, you know, mellowed a bit. | 0:36:21 | 0:36:24 | |
Yeah, he's got a temper on him, | 0:36:24 | 0:36:26 | |
but we're on top of it now. | 0:36:26 | 0:36:28 | |
He got new pills. | 0:36:28 | 0:36:29 | |
What do you mean? | 0:36:29 | 0:36:31 | |
Well, he has a few mood swings, doesn't he? | 0:36:33 | 0:36:37 | |
-But he's a lovely lad. -He's...he is a lovely lad. | 0:36:37 | 0:36:40 | |
Good night. | 0:36:41 | 0:36:44 | |
-I'm sorry it was a bit harsh. -Don't worry about it. | 0:36:44 | 0:36:47 | |
-It was entertaining. -I'm sorry you didn't like the food. | 0:36:47 | 0:36:50 | |
It was fine. It was fine. | 0:36:50 | 0:36:51 | |
It was very sweet that you cooked. | 0:36:51 | 0:36:54 | |
I thought you were, you know, on good form tonight. | 0:36:54 | 0:36:57 | |
I know. | 0:36:57 | 0:36:59 | |
OK, I'm going to go. | 0:37:07 | 0:37:10 | |
-Give me a call. -I will do. | 0:37:10 | 0:37:11 | |
-I'll see you out. -OK. | 0:37:11 | 0:37:13 | |
What a fucking little imbecile. | 0:37:13 | 0:37:15 | |
Not in front of the boy. | 0:37:15 | 0:37:17 | |
She's a sheep. She's a follower. | 0:37:17 | 0:37:19 | |
I don't bully him. It's non-aggressive advice. | 0:37:19 | 0:37:22 | |
Yeah, she's got her hooks right in. | 0:37:22 | 0:37:24 | |
It's absolutely typical of him. | 0:37:24 | 0:37:26 | |
-That was good rowdy fun, yeah? -Oh, yeah, oh, yeah. | 0:37:26 | 0:37:29 | |
-It was good to see her again. -Yeah, I'm really glad she's back. | 0:37:29 | 0:37:32 | |
Yeah. She should lay off the fatuous advice, though. | 0:37:32 | 0:37:35 | |
-You know? -She was just telling it how she saw it. | 0:37:35 | 0:37:37 | |
Well, I think she should keep | 0:37:37 | 0:37:39 | |
that internal monologue to herself | 0:37:39 | 0:37:40 | |
and not share it with the adults. | 0:37:40 | 0:37:42 | |
I'm playing at devil's advocate here, Karl, | 0:37:42 | 0:37:44 | |
but she's a bit, you know, full of herself. | 0:37:44 | 0:37:47 | |
In a nice way, I mean. Conceited. | 0:37:47 | 0:37:50 | |
DISCORDANT TONE | 0:37:50 | 0:37:52 | |
I had a nice time. | 0:37:53 | 0:37:54 | |
DISCORDANT TONE CONTINUES | 0:37:54 | 0:37:57 | |
Garvey'll be around in a bit. | 0:38:43 | 0:38:45 | |
Hide the fucking pies, yeah? | 0:38:47 | 0:38:49 | |
-Where does your missus think you are? -Late at the club. | 0:38:49 | 0:38:53 | |
I don't know why I couldn't tell her what's happening. | 0:38:53 | 0:38:55 | |
I told you, it's so she can't be put in a position later on. | 0:38:55 | 0:38:57 | |
-And no phones. -Yeah, I left it at home. Don't worry. | 0:38:57 | 0:39:00 | |
-So what's going on? -Nothing much. | 0:39:00 | 0:39:01 | |
Just tying up a few loose ends. | 0:39:01 | 0:39:03 | |
-Was it you? -What? | 0:39:06 | 0:39:09 | |
Fucking hell! Are you mental? | 0:39:11 | 0:39:13 | |
I've done... I've done fuck all to deserve this? | 0:39:13 | 0:39:15 | |
-Calm down. -What's going on? You lure me out here... | 0:39:15 | 0:39:18 | |
What's this? | 0:39:18 | 0:39:20 | |
Look, listen, I couldn't get a sitter. Can we sort this out now? | 0:39:28 | 0:39:31 | |
-Fuck's sake. -Ears! | 0:39:31 | 0:39:33 | |
Shit, that's Chris Pringle! | 0:39:33 | 0:39:35 | |
Calm down, lad. It's nothing personal. | 0:39:35 | 0:39:37 | |
-What the fuck's he doing here? -An impartial observer. | 0:39:37 | 0:39:40 | |
Fuck that! | 0:39:40 | 0:39:41 | |
Come here, you fat bastard. | 0:39:44 | 0:39:47 | |
-Bill, what's going on? -Everything's OK, Maggie. Don't worry. | 0:39:53 | 0:39:57 | |
Yeah, it's just a bit of boisterous fun, Ma. | 0:39:57 | 0:40:00 | |
-Put it through, Bill? -No, don't break it down. It's Victorian. | 0:40:00 | 0:40:04 | |
So what have...what have youse got here? Like, you got any tools? | 0:40:04 | 0:40:06 | |
Like a knife? A knife would be good. | 0:40:06 | 0:40:08 | |
-You didn't bring anything? -This is amateur hour. | 0:40:08 | 0:40:10 | |
-No, I was in a rush. -Dude, what the fuck? | 0:40:10 | 0:40:13 | |
-I've got a kid, you know. -Are you on a fucking... You on a meter? | 0:40:13 | 0:40:16 | |
Even leaving the fucking house is like a lifestyle choice. | 0:40:16 | 0:40:18 | |
You're like my fucking missus. Nyah-nyah-nyah! | 0:40:18 | 0:40:20 | |
I've got the fucking kid. I've got to go to work with the kid. | 0:40:20 | 0:40:23 | |
-Yeah. He's having a kid as well. -Oh, are you? You having a kid? | 0:40:23 | 0:40:26 | |
That's brilliant. Congratulations, son. | 0:40:26 | 0:40:29 | |
Come on, hug it up, bitch. | 0:40:29 | 0:40:31 | |
-Cheers, Pringle. -Oh, man. | 0:40:31 | 0:40:33 | |
-Dude, what are we going to do...? -Look, let's finish this amateur hour. | 0:40:33 | 0:40:36 | |
-Oh, fuck, yeah. -Keep it down, man. He's in there. | 0:40:36 | 0:40:39 | |
Well, he knows we're fucking out here. | 0:40:39 | 0:40:42 | |
-Let's flush him out. -I don't want any... | 0:40:42 | 0:40:45 | |
Come out, you little fucker. | 0:40:45 | 0:40:47 | |
I'm going to come in there and get you. | 0:40:47 | 0:40:48 | |
I'm going to fuck you up the arse and set your hair on fire. | 0:40:48 | 0:40:51 | |
-Fuck off, Pringle. -I'm fucking sick of this shit. | 0:40:51 | 0:40:53 | |
A little bit strong. Come on, he's a mate. | 0:40:53 | 0:40:56 | |
Look, sorry about that. Sorry, all right? | 0:40:56 | 0:40:58 | |
Would little Kurt like some squash, Christopher? | 0:41:01 | 0:41:03 | |
-Nothing artificial, Maggie. Thanks, though. -Oh, OK. | 0:41:03 | 0:41:06 | |
-Are my vitamin supplements ready, Maggie? -Yeah, come through. | 0:41:06 | 0:41:09 | |
Come on, out. | 0:41:09 | 0:41:11 | |
Come out, come out, wherever you are. | 0:41:11 | 0:41:14 | |
Come out, come out, wherever you are. | 0:41:14 | 0:41:17 | |
# As I was a-walkin' | 0:41:21 | 0:41:25 | |
# Down by the Royal Arsenal... # | 0:41:25 | 0:41:29 | |
Come on, mate. | 0:41:31 | 0:41:32 | |
You'll have to come out at some point. | 0:41:32 | 0:41:34 | |
No, I won't. | 0:41:34 | 0:41:36 | |
You going to spend the rest of your life in there? | 0:41:36 | 0:41:39 | |
Maybe. | 0:41:39 | 0:41:41 | |
SINGING CONTINUES | 0:41:41 | 0:41:42 | |
Come on, mate, don't be a fucking helmet. | 0:41:45 | 0:41:47 | |
Come on, this went far enough, don't you think? | 0:41:47 | 0:41:49 | |
# In white linen | 0:41:49 | 0:41:52 | |
# And cold as the clay | 0:41:52 | 0:41:56 | |
# So beat the drum slowly | 0:41:58 | 0:42:02 | |
# And play your fife for him... # | 0:42:02 | 0:42:05 | |
-He's right... -I know, he's in there. | 0:42:05 | 0:42:09 | |
He's hiding in there. | 0:42:09 | 0:42:11 | |
Tell him you can see him. Say, "I can see you." | 0:42:11 | 0:42:14 | |
I can see you. | 0:42:14 | 0:42:17 | |
Oh, fuck's sake. | 0:42:17 | 0:42:19 | |
# Oh, whose life was squandered | 0:42:19 | 0:42:23 | |
# And another young soldier | 0:42:25 | 0:42:29 | |
-# Cut down in his prime. -# | 0:42:29 | 0:42:31 | |
What's taking him so fucking long? | 0:42:38 | 0:42:41 | |
Shall we go and see Mummy? | 0:42:41 | 0:42:43 | |
-Shall we go and see Mummy? -Yeah. | 0:42:43 | 0:42:44 | |
-Yeah, come on. I've had enough. -Mummy. | 0:42:44 | 0:42:47 | |
-Where's my mummy? -Good luck to you. -My mummy. Mummy. | 0:42:47 | 0:42:51 | |
I'm sorry. I can't do it. | 0:42:52 | 0:42:54 | |
This is an absolutely disgraceful cock-up. | 0:42:54 | 0:42:57 | |
Listen, I'm not used to having him | 0:42:57 | 0:42:59 | |
under my feet all frickin' day when I'm doing a job. | 0:42:59 | 0:43:01 | |
You oughta toughen up, mate. | 0:43:01 | 0:43:03 | |
You've left me right in the shit. | 0:43:03 | 0:43:04 | |
Is he still up there? | 0:43:04 | 0:43:06 | |
Oh, fucking hell. Nice one, Pringle, you spastic. | 0:43:06 | 0:43:09 | |
Fucking forget about it. I'm outta here. | 0:43:09 | 0:43:10 | |
Come on, love. | 0:43:10 | 0:43:12 | |
-Yeah, cheers. -That's lame. | 0:43:13 | 0:43:17 | |
-Are you going to wait this out? -My eyes are shutting. | 0:43:19 | 0:43:21 | |
I'm taking my sleepers, OK? | 0:43:21 | 0:43:23 | |
-I don't want any noise. -Yeah, night, Mum. | 0:43:23 | 0:43:26 | |
KNOCKS ON DOOR | 0:43:36 | 0:43:38 | |
-Garv, are you coming out? -No. Fuck off. | 0:43:39 | 0:43:42 | |
Mate, it's just getting silly now. | 0:43:42 | 0:43:45 | |
Garv, I don't know what you think we're doing, mate, | 0:43:46 | 0:43:49 | |
but you've got it all wrong. | 0:43:49 | 0:43:50 | |
This has just... this has just been a test. | 0:43:50 | 0:43:53 | |
I've been nothing but nice to you lot. | 0:43:53 | 0:43:56 | |
Yeah, Garv, but it's, like, been a test of character | 0:43:56 | 0:43:59 | |
and you've passed it, mate... flying colours. | 0:43:59 | 0:44:01 | |
-It's all sweet now. -Really? | 0:44:01 | 0:44:03 | |
Yeah, come down and smoke the peace pipe. | 0:44:03 | 0:44:05 | |
We'll forget all about this. | 0:44:05 | 0:44:08 | |
Garv, I swear on my unborn kid | 0:44:08 | 0:44:12 | |
we're not going to do anything. | 0:44:12 | 0:44:14 | |
-Is that fucking animal Pringle out there? -Pringle's gone, mate. | 0:44:14 | 0:44:17 | |
I don't even know what he was doing here. | 0:44:17 | 0:44:20 | |
All right, I'm coming out. | 0:44:20 | 0:44:23 | |
Come on, you great lump. | 0:44:25 | 0:44:28 | |
We never suspected you for a minute, mate. | 0:44:28 | 0:44:30 | |
You're getting paranoid in your old age. | 0:44:30 | 0:44:32 | |
Yeah, you are, Garv. | 0:44:32 | 0:44:34 | |
It's not him, is it? | 0:44:37 | 0:44:39 | |
I don't know. I'm tired. | 0:44:39 | 0:44:41 | |
He reacted all wrong. I'm good at reading people. | 0:44:41 | 0:44:43 | |
He made a run for it. | 0:44:43 | 0:44:45 | |
Not an unnatural response in the circumstances. | 0:44:45 | 0:44:48 | |
No, I'm talking about your general aura. | 0:44:48 | 0:44:50 | |
You know, he's a clown. He's a fool. | 0:44:50 | 0:44:51 | |
He's innocent. | 0:44:51 | 0:44:54 | |
All right. | 0:44:54 | 0:44:56 | |
Garv. | 0:44:57 | 0:44:59 | |
-So you having a baby, eh? -Yep. | 0:45:02 | 0:45:04 | |
It's the best thing that ever happened to me. | 0:45:04 | 0:45:07 | |
I was trying for months with Helen, | 0:45:07 | 0:45:10 | |
but she had a problem with her uterus. | 0:45:10 | 0:45:12 | |
-Well, I did not know that, Garv. -I'll tell you what. | 0:45:12 | 0:45:14 | |
I want to ask you something. | 0:45:14 | 0:45:16 | |
On the night the twins were conceived | 0:45:16 | 0:45:19 | |
I made this, like, roaring noise. | 0:45:19 | 0:45:21 | |
I'd never done that before. | 0:45:21 | 0:45:22 | |
-Did you make a noise? -Fuck knows. | 0:45:22 | 0:45:25 | |
I don't know, but... | 0:45:25 | 0:45:27 | |
So what's the name of the lucky mum-to-be? | 0:45:27 | 0:45:30 | |
-Valda. -Valda. | 0:45:30 | 0:45:32 | |
Valda Newland? | 0:45:32 | 0:45:34 | |
-Why? Do you know her? -Yeah, yeah. | 0:45:35 | 0:45:37 | |
She went out with my brother a few months ago. | 0:45:37 | 0:45:40 | |
-Really? -Yeah, yeah, yeah. | 0:45:40 | 0:45:42 | |
They were pen pals together. | 0:45:42 | 0:45:44 | |
-Oh, yeah? -Yeah. | 0:45:44 | 0:45:46 | |
She's had loads of pen pals from prison. | 0:45:46 | 0:45:49 | |
She's a... she's a lovely girl. She's got a big heart. | 0:45:49 | 0:45:52 | |
Well done. | 0:45:52 | 0:45:54 | |
I'm painting tomorrow. | 0:45:59 | 0:46:01 | |
-What, in here? -Yeah, all around. | 0:46:01 | 0:46:03 | |
-What colour? -Just white. | 0:46:03 | 0:46:05 | |
Oh, yeah, nice. Fresh start. | 0:46:05 | 0:46:07 | |
-Can you do me a favour for a second, Garv? -Yeah, of course. | 0:46:07 | 0:46:10 | |
-Can you just hold this up? -Right. | 0:46:10 | 0:46:13 | |
-Just there. -Yeah. | 0:46:13 | 0:46:16 | |
Actually, I'm pretty knackered. | 0:46:16 | 0:46:18 | |
You couldn't do us a tea, could you, Karl? | 0:46:18 | 0:46:20 | |
-Yeah, sure. -What time is it? | 0:46:20 | 0:46:22 | |
I've got the kids tomorrow. | 0:46:22 | 0:46:24 | |
SMACK! | 0:46:24 | 0:46:25 | |
Fuck your kids. | 0:46:26 | 0:46:29 | |
PHONE RINGS | 0:46:32 | 0:46:33 | |
Eric, it's Karl. ..Yeah. | 0:46:34 | 0:46:38 | |
Any chance you could possibly pop over? | 0:46:38 | 0:46:41 | |
Yeah, I'm going to need your help with something. | 0:46:43 | 0:46:45 | |
Come the back way, yeah? | 0:46:45 | 0:46:47 | |
Wicked. See you then. | 0:46:47 | 0:46:50 | |
# 'Twas on one summer's evening | 0:46:56 | 0:47:00 | |
# All in the month of May | 0:47:00 | 0:47:04 | |
# Down by a flowery garden | 0:47:04 | 0:47:07 | |
# Where Betsy did lay... # | 0:47:07 | 0:47:09 | |
Fat sack of shit, he's done my back in. | 0:47:09 | 0:47:12 | |
KARL COUGHS | 0:47:12 | 0:47:13 | |
Oh, fucking hell. | 0:47:13 | 0:47:16 | |
Bill will have a full-blown fit if he finds out about this. | 0:47:19 | 0:47:22 | |
-I just don't want to hear his voice. -Don't worry about it. | 0:47:22 | 0:47:26 | |
Tell you what, this is a blessing in disguise. | 0:47:26 | 0:47:28 | |
For us anyway. | 0:47:28 | 0:47:30 | |
Jesus Christ, there's probably snakes in here. | 0:47:30 | 0:47:32 | |
Yeah, we're going to put another snake in there in a minute. | 0:47:32 | 0:47:35 | |
Mate, the ground is well too hard. | 0:47:35 | 0:47:37 | |
We are never going to do this. | 0:47:37 | 0:47:39 | |
It's going to take all day. | 0:47:39 | 0:47:41 | |
Stop your fucking whingeing and get on with it. | 0:47:41 | 0:47:43 | |
I... What exactly are you here to do? | 0:47:43 | 0:47:45 | |
I'm here to help, all right? | 0:47:45 | 0:47:48 | |
-But you've only brought one shovel. -Take a fucking turn! | 0:47:48 | 0:47:50 | |
It's not a fucking two-man shovel, is it? | 0:47:50 | 0:47:52 | |
You take your turn, then I'll take over. | 0:47:52 | 0:47:55 | |
This is bollocks. We'll never get him into this ground, mate. | 0:47:55 | 0:47:57 | |
-We're just going to have to leave him. -We can't fucking leave him. | 0:47:57 | 0:48:00 | |
We'll just have to fucking think of something else. | 0:48:00 | 0:48:02 | |
You have a fucking go. Get in there and dig up... | 0:48:02 | 0:48:04 | |
For fuck's sake. You're fucking useless, you are. | 0:48:04 | 0:48:07 | |
Here's a bit of fucking soft ground here. | 0:48:07 | 0:48:09 | |
There's no fucking soft ground in there. | 0:48:09 | 0:48:11 | |
Yes, there is. It's fine. | 0:48:11 | 0:48:13 | |
Fucking coming out here | 0:48:13 | 0:48:14 | |
to commune with fucking nature. | 0:48:14 | 0:48:16 | |
-Fucking hell. -I don't know how you do this as a job. | 0:48:19 | 0:48:22 | |
You're fucking useless at it. | 0:48:22 | 0:48:23 | |
Christ on a bike. Look at you. | 0:48:23 | 0:48:25 | |
Jesus, mate, hold the fucking gate. | 0:48:25 | 0:48:26 | |
I ought to fucking knock you off, you ponce. | 0:48:26 | 0:48:29 | |
I should fucking do you with that shovel. | 0:48:29 | 0:48:32 | |
# Are you leaving for the country? | 0:48:32 | 0:48:37 | |
# You say the city brings you down | 0:48:37 | 0:48:43 | |
# Leave the iron clown behind | 0:48:43 | 0:48:48 | |
# And feel the circus moving on | 0:48:48 | 0:48:53 | |
# Are you leaving for the country? | 0:48:54 | 0:48:59 | |
# I know a little country town | 0:48:59 | 0:49:05 | |
# Where dogs are sleeping in the cold | 0:49:05 | 0:49:09 | |
# And the flagpole's falling down... # | 0:49:09 | 0:49:12 | |
I wonder if it's going to be a girl or a boy. | 0:49:12 | 0:49:15 | |
-What, your forthcoming progeny? -Yeah. | 0:49:15 | 0:49:18 | |
Science suggests it'll be a girl. | 0:49:18 | 0:49:20 | |
Why would it suggest that? | 0:49:23 | 0:49:25 | |
Because the man determines the sex of the child. | 0:49:25 | 0:49:28 | |
So, what diff...? What does that mean? | 0:49:28 | 0:49:32 | |
-Well, you're that type. -What type? | 0:49:32 | 0:49:36 | |
Well, the type that science talks about. | 0:49:36 | 0:49:38 | |
What, the type of person that only has girls? | 0:49:38 | 0:49:40 | |
What, you think I've only got girl sperm? | 0:49:40 | 0:49:43 | |
Listen, man, you can't argue with science. | 0:49:43 | 0:49:46 | |
Who'd call their kid Misery? | 0:49:49 | 0:49:51 | |
KNOCK ON DOOR | 0:49:51 | 0:49:53 | |
Dad, that's the door. | 0:49:55 | 0:49:57 | |
Pa, that's the door. | 0:50:01 | 0:50:02 | |
KNOCKING CONTINUES | 0:50:02 | 0:50:04 | |
Oh, fucking hell. Don't get up. | 0:50:06 | 0:50:08 | |
-All right, Karl. -All right, Dave. | 0:50:12 | 0:50:14 | |
-I hear you're getting married. -That's right. | 0:50:14 | 0:50:16 | |
Ducked ten years and ended up getting life, eh? | 0:50:16 | 0:50:20 | |
-All right, Bill. -Hello, Dave. | 0:50:20 | 0:50:23 | |
Garvey never went home last night. | 0:50:23 | 0:50:26 | |
Oh, yeah? Is that official? | 0:50:26 | 0:50:28 | |
Yeah. I've had his missus on the phone to mine. | 0:50:28 | 0:50:30 | |
After one night? He's on a short leash. | 0:50:30 | 0:50:32 | |
He never goes away, does he? | 0:50:32 | 0:50:35 | |
So, er, was he here? | 0:50:35 | 0:50:37 | |
-No. -Not seen him. | 0:50:37 | 0:50:41 | |
-Well, who was here last night? -Just...just Pringle. | 0:50:41 | 0:50:45 | |
Fucking hell. Pringle. | 0:50:45 | 0:50:48 | |
That's non-helpful. Right, well, look, if you see Garvey, | 0:50:48 | 0:50:54 | |
you get him to give me a bell, yeah? | 0:50:54 | 0:50:55 | |
-Sure. -Sure, will do. | 0:50:55 | 0:50:57 | |
-Yeah, well, I... -We'll see you later, man. | 0:50:57 | 0:51:00 | |
I just don't want his missus... | 0:51:00 | 0:51:02 | |
-Take it easy, Dave. -..scaring up a big search party. | 0:51:02 | 0:51:05 | |
I'll see you later. | 0:51:06 | 0:51:09 | |
-Well, where do you think Garvey is? -I don't know. -He's... | 0:51:09 | 0:51:13 | |
I don't like this. | 0:51:16 | 0:51:17 | |
Do you think Eric's into much with Garvey? | 0:51:17 | 0:51:20 | |
Eric owes Garvey money. | 0:51:21 | 0:51:23 | |
Quite a bit, knowing Eric. | 0:51:23 | 0:51:26 | |
Why? What's wrong? What's Eric got to do with it? | 0:51:26 | 0:51:29 | |
Garvey's missing, that's all. Nothing to worry about. | 0:51:29 | 0:51:32 | |
I think someone must have picked him up between here and his drum. | 0:51:39 | 0:51:43 | |
-I can't go to prison, man. -I know. -I'll never come out. | 0:51:46 | 0:51:51 | |
It's a confessional culture, man. | 0:52:00 | 0:52:02 | |
People just can't shut up. | 0:52:02 | 0:52:04 | |
Pringle will go, then, yeah? | 0:52:04 | 0:52:07 | |
-But who has he told? -He lives with his mum. | 0:52:07 | 0:52:10 | |
The kid's with his ex-missus. | 0:52:10 | 0:52:13 | |
It's unlikely he's going to say anything germane to her. | 0:52:13 | 0:52:15 | |
Yeah, let's hope not, eh? What do you think, Bill? | 0:52:15 | 0:52:17 | |
I don't know. | 0:52:17 | 0:52:20 | |
Mags? | 0:52:20 | 0:52:22 | |
Pringle tells his war stories to whoever will listen. | 0:52:22 | 0:52:25 | |
The mum's a notorious chatterbox. | 0:52:25 | 0:52:27 | |
Just to be safe then, yeah? | 0:52:27 | 0:52:29 | |
OK. This is on me, then, yeah? | 0:52:29 | 0:52:32 | |
I'll deal with Pringle and his people. | 0:52:34 | 0:52:36 | |
This is turning into a right fucking massacre. | 0:52:36 | 0:52:38 | |
-Yay. -What about the kid? He's got a kid. | 0:52:38 | 0:52:41 | |
Yeah, the kid's about two. He can't even talk, can he? | 0:52:41 | 0:52:44 | |
I mean, what's going to happen to the kid? | 0:52:44 | 0:52:46 | |
He'll probably end up getting sent to a decent school. | 0:52:46 | 0:52:48 | |
Would you want Pringle as your old man? | 0:52:48 | 0:52:52 | |
Can't believe they've brought this on themselves. | 0:52:52 | 0:52:54 | |
They're so selfish. | 0:52:54 | 0:52:57 | |
Disappearances and accidents, Eric. | 0:52:57 | 0:52:59 | |
No showboating. | 0:52:59 | 0:53:00 | |
Bill, come on. | 0:53:00 | 0:53:04 | |
Here, Pa. | 0:53:08 | 0:53:10 | |
-Cheers. -To Garvey. | 0:53:10 | 0:53:12 | |
ALL: Garvey. | 0:53:12 | 0:53:14 | |
-And Pringle. -Yeah, and Pringle. | 0:53:16 | 0:53:20 | |
ALL: Pringle. | 0:53:20 | 0:53:23 | |
-Shame about his kid. -Yeah. | 0:53:23 | 0:53:25 | |
Don't think about it. I'm not. | 0:53:25 | 0:53:29 | |
Still... | 0:53:29 | 0:53:31 | |
that's the way it goes, isn't it? | 0:53:31 | 0:53:32 | |
A lot of children die. | 0:53:32 | 0:53:34 | |
What time is it? | 0:53:34 | 0:53:37 | |
What, now? | 0:53:37 | 0:53:39 | |
It's about 25 past four. | 0:53:39 | 0:53:42 | |
-Why, have you got an appointment? -Nah, I was just wondering. | 0:53:42 | 0:53:45 | |
-It's just nice to be out of the house. -Mm. | 0:53:54 | 0:53:57 | |
Sometimes don't you think you could just walk | 0:53:59 | 0:54:02 | |
straight out into the sea and never come back? | 0:54:02 | 0:54:05 | |
You're full of cheery little introspective observations today. | 0:54:07 | 0:54:13 | |
What did you want to be when you grew up? | 0:54:13 | 0:54:15 | |
Nothing. | 0:54:18 | 0:54:21 | |
How much do you love me? | 0:54:21 | 0:54:23 | |
Grrr! | 0:54:36 | 0:54:38 | |
Oi, Pringle. | 0:54:40 | 0:54:41 | |
-You all right, mate? -How you doing? | 0:54:41 | 0:54:43 | |
-I've got a little job for you. -Oh, yeah? | 0:54:43 | 0:54:45 | |
-Yeah. You up for it? -Yeah, nice. | 0:54:45 | 0:54:47 | |
Come on, mate. | 0:54:47 | 0:54:49 | |
Come on, jump in. | 0:54:49 | 0:54:50 | |
It's lovely here, isn't it? | 0:54:50 | 0:54:52 | |
-Stinks of shit, mate. -Yeah. | 0:54:52 | 0:54:54 | |
But I like those fresh country smells. | 0:54:54 | 0:54:56 | |
-You know what I mean? -So what's this all about? | 0:54:56 | 0:54:59 | |
Just gotta see a geezer over here. Don't worry about it. | 0:54:59 | 0:55:02 | |
-Whereabouts? -Just over here. | 0:55:02 | 0:55:05 | |
-By this caravan? -No, no, just by the side of the caravan. | 0:55:05 | 0:55:07 | |
Nothing to worry about. Don't worry. | 0:55:07 | 0:55:11 | |
Aw, come on, man. What about my son? | 0:55:15 | 0:55:17 | |
Oh, don't fucking cry, mate. Oi! | 0:55:17 | 0:55:21 | |
Oh, for fuck's sake, where do you think you're going? | 0:55:21 | 0:55:23 | |
TWO MORE GUNSHOTS | 0:55:24 | 0:55:26 | |
DOGS BARK | 0:55:28 | 0:55:30 | |
Twat. | 0:55:30 | 0:55:32 | |
Ma, I'm going to move out. | 0:55:41 | 0:55:46 | |
I thought Valda was going to move in here. | 0:55:46 | 0:55:49 | |
Val wants our own space. I think she's right. | 0:55:49 | 0:55:52 | |
Well, you'll need help with the baby. I mean, she looks frail. | 0:55:52 | 0:55:55 | |
I'm having a kid. I can't go to prison. | 0:55:55 | 0:55:58 | |
Nobody's going to prison and you're going to do as you're told. | 0:55:58 | 0:56:02 | |
I don't want to do any of this any more. | 0:56:03 | 0:56:05 | |
I just want to be a... | 0:56:05 | 0:56:07 | |
I just want to be a normal dad. | 0:56:07 | 0:56:09 | |
SLAP! | 0:56:09 | 0:56:10 | |
-Mrs Pringle? -Yeah? | 0:56:12 | 0:56:14 | |
I'm a friend of your son's. | 0:56:14 | 0:56:16 | |
Eric - yeah? You remember me? | 0:56:16 | 0:56:18 | |
-Is he all right? -Yeah, he's fine, yeah. | 0:56:18 | 0:56:20 | |
You been shopping? You bought anything nice? | 0:56:20 | 0:56:22 | |
Oh, just a few bits for the kids, you know. | 0:56:22 | 0:56:24 | |
-Trying to cut back a bit these days. -Yeah, times is tight. | 0:56:24 | 0:56:27 | |
-We've all got too much anyway, haven't we? -That is true. | 0:56:27 | 0:56:29 | |
I can't believe how much he looks like his old dad. | 0:56:29 | 0:56:32 | |
Yeah, poor little thing, eh? | 0:56:32 | 0:56:34 | |
What time is this bus coming, then? | 0:56:34 | 0:56:36 | |
TYRES SCREECH | 0:56:36 | 0:56:39 | |
And the fat man? | 0:56:40 | 0:56:42 | |
Oh, he's really shit the bed on this one, mate. | 0:56:42 | 0:56:44 | |
Looked all over for him... high and low, here and there. | 0:56:44 | 0:56:47 | |
-Yeah? -Pie shop. | 0:56:47 | 0:56:49 | |
-He's gone. -Yeah, I thought so. I had a feeling. | 0:56:49 | 0:56:53 | |
-You want a whisky? -Yeah, lovely. | 0:56:53 | 0:56:55 | |
What's going on, you know, with the business and... | 0:56:55 | 0:56:57 | |
and the club? | 0:56:57 | 0:56:59 | |
Well, looks like I'm going to need a new manager, doesn't it? | 0:56:59 | 0:57:02 | |
Yeah, I've been having a little think about that. | 0:57:02 | 0:57:05 | |
-Cheers. -Yeah? | 0:57:05 | 0:57:07 | |
Yeah, just, you know, about who to put in there. | 0:57:07 | 0:57:12 | |
-Yeah. -And then I thought, "I ran Foxy's," didn't I, | 0:57:12 | 0:57:16 | |
-for ten years down in Eastbourne? -Oh, yeah. | 0:57:16 | 0:57:18 | |
We did a great job down there, mate. Great job. | 0:57:18 | 0:57:20 | |
Yeah, yeah, yeah, yeah. | 0:57:20 | 0:57:22 | |
-That was a long time ago, Eric. -I mean me and Karl... | 0:57:22 | 0:57:25 | |
-it would keep us busy. -Karl's a very busy boy. | 0:57:25 | 0:57:28 | |
Yeah. No, he's probably too busy, but I've still got time. | 0:57:28 | 0:57:32 | |
I could help out down there. | 0:57:32 | 0:57:34 | |
I thought it'd, like, dovetail with the business. | 0:57:34 | 0:57:38 | |
Yeah. Well, I mean, obviously I understand | 0:57:40 | 0:57:44 | |
where you're coming from, but I'll leave it with you. | 0:57:44 | 0:57:47 | |
Have a little think about it, mate. | 0:57:47 | 0:57:50 | |
I'll tell you what, I'll think about it. | 0:57:50 | 0:57:52 | |
Yeah, yeah, nice, nice. OK. So what? | 0:57:52 | 0:57:55 | |
I'll call you later maybe, have a chat? | 0:57:55 | 0:57:58 | |
I mean, it's a good idea... a good idea, Bill, | 0:57:59 | 0:58:02 | |
because I feel that the club could be... | 0:58:02 | 0:58:06 | |
I've got some ideas for the club, | 0:58:06 | 0:58:09 | |
strategic ideas. | 0:58:09 | 0:58:10 | |
Running a club. | 0:58:16 | 0:58:18 | |
-Helen. -Where is he? | 0:58:21 | 0:58:23 | |
-Bill? -My husband! | 0:58:23 | 0:58:26 | |
How should I know? I'm cooking. | 0:58:26 | 0:58:27 | |
-I just want his body! -Shh, keep it down. | 0:58:27 | 0:58:30 | |
-Whatever's left! -Keep it down, keep it down. | 0:58:30 | 0:58:32 | |
I don't want him lying out there in a ditch! | 0:58:32 | 0:58:34 | |
-Keep it...keep it... -I won't keep it down! | 0:58:34 | 0:58:36 | |
Getting eaten up by... by things and foxes, you fuck. | 0:58:36 | 0:58:41 | |
Look, you're under a lot of stress, Helen. | 0:58:41 | 0:58:43 | |
I understand it, but it's totally out of order. | 0:58:43 | 0:58:44 | |
You cold bitch. You're just like your father. | 0:58:44 | 0:58:47 | |
-Get out of here. -You'll end up just like him. | 0:58:47 | 0:58:49 | |
SHE BANGS AND SHOUTS | 0:58:49 | 0:58:51 | |
Unacceptable, Bill. | 0:58:52 | 0:58:53 | |
I told you when we started this... no drama. | 0:58:53 | 0:58:57 | |
She's a prime candidate for shock treatment. | 0:58:57 | 0:58:59 | |
-Nobody is going to listen to her ravings. -Not listen? | 0:58:59 | 0:59:03 | |
I am surprised they didn't hear that in fucking Kent. | 0:59:03 | 0:59:06 | |
Why'd she start talking about my dad? | 0:59:06 | 0:59:08 | |
Why'd she have to say that? | 0:59:08 | 0:59:11 | |
Oh, Jonny. How you doing, buddy? | 0:59:37 | 0:59:40 | |
-Jonny. -Good journey, yeah? -Not really, no. | 0:59:53 | 0:59:59 | |
Well, what brings you all the way down from London, Jon? | 0:59:59 | 1:00:02 | |
I told Jacob I didn't want to come down, Bill. | 1:00:03 | 1:00:06 | |
Well, why didn't he come down himself? | 1:00:06 | 1:00:09 | |
Jacob's a little, er, disappointed in you, Bill. | 1:00:11 | 1:00:16 | |
A general vibe of confusion | 1:00:18 | 1:00:22 | |
and carnage coming from your end. | 1:00:22 | 1:00:25 | |
-There's been a few ructions, but it's evening out. -Is it? | 1:00:25 | 1:00:29 | |
Because it doesn't feel that way. | 1:00:29 | 1:00:31 | |
It feels like it's spiralling into chaos, Bill. | 1:00:31 | 1:00:34 | |
You and your idiot son in and out of court, | 1:00:34 | 1:00:37 | |
police sniffing around everything, | 1:00:37 | 1:00:39 | |
known associates doing moonlight flits. | 1:00:39 | 1:00:41 | |
It's the last thing we fucking need, Bill. | 1:00:41 | 1:00:44 | |
-Well, agree with me at least! -All right, I agree. | 1:00:44 | 1:00:47 | |
I don't think you even know what problems you have, Bill. | 1:00:47 | 1:00:49 | |
-Well, you tell me, then? -I'm not here to explain things, Bill. | 1:00:49 | 1:00:54 | |
I'm here symbolically, yeah? | 1:00:55 | 1:01:00 | |
As a reminder that we're all in this together, yeah? | 1:01:00 | 1:01:05 | |
-Yeah. -Some straight thinking is called for, Bill. | 1:01:05 | 1:01:08 | |
-You've let things slip away. -But I mean, look, | 1:01:08 | 1:01:11 | |
give this to Jacob and tell him we're not falling behind. | 1:01:11 | 1:01:13 | |
This, Bill...this is money, yeah? | 1:01:15 | 1:01:18 | |
You know there's more to this than money. | 1:01:18 | 1:01:21 | |
-Sorted, Jonny? -Sorted, Maggie. | 1:01:35 | 1:01:38 | |
Make sure he doesn't get too excited, eh? | 1:01:38 | 1:01:40 | |
Yeah, I'm watching him, Jonny. | 1:01:40 | 1:01:42 | |
I know you can see the bigger picture, yeah? | 1:01:44 | 1:01:47 | |
Yeah. | 1:01:47 | 1:01:49 | |
-This house, eh? A lot of nice memories. -Oh, yeah. | 1:01:50 | 1:01:54 | |
I don't want anything to mess with that. | 1:01:54 | 1:01:56 | |
Well, it's only work, eh? | 1:01:59 | 1:02:03 | |
Nobody's going to mess it up, Jonny. | 1:02:06 | 1:02:08 | |
# You poor injured fair one | 1:02:24 | 1:02:27 | |
# Your pardon I crave | 1:02:27 | 1:02:30 | |
# How soon must I follow you down to the grave? | 1:02:32 | 1:02:38 | |
# There's none but you, fair one | 1:02:40 | 1:02:42 | |
# To see that sad sight | 1:02:42 | 1:02:45 | |
# And by her distraction he died the same night. # | 1:02:45 | 1:02:50 | |
Maggie... | 1:02:58 | 1:03:01 | |
I'm not right. | 1:03:01 | 1:03:04 | |
I'm... | 1:03:04 | 1:03:05 | |
I'm having a stroke, Mags. | 1:03:07 | 1:03:09 | |
Call an ambulance. | 1:03:09 | 1:03:10 | |
I've poisoned you, Eric. | 1:03:10 | 1:03:13 | |
What? | 1:03:13 | 1:03:14 | |
What with? What have you done? | 1:03:14 | 1:03:18 | |
You informed on my husband and my kid | 1:03:18 | 1:03:21 | |
and then you killed Garvey. | 1:03:21 | 1:03:23 | |
It's causing all kinds of complications. | 1:03:23 | 1:03:25 | |
It's not true. | 1:03:25 | 1:03:27 | |
Maggie, it's not. I swear. | 1:03:27 | 1:03:30 | |
You always was a wriggler, | 1:03:30 | 1:03:32 | |
even when you were a kid. | 1:03:32 | 1:03:33 | |
It's not true. It wasn't me. | 1:03:36 | 1:03:39 | |
If you weren't family, I wouldn't have anything to do with you. | 1:03:43 | 1:03:47 | |
I mean, look at this bloody mess. | 1:03:47 | 1:03:50 | |
All I ever do is clear up after bloody men. | 1:03:50 | 1:03:55 | |
Are you listening, Eric? | 1:03:58 | 1:04:01 | |
Christ. | 1:04:04 | 1:04:06 | |
Oh, well. | 1:04:07 | 1:04:09 | |
I mean, he could be all right, your brother. | 1:04:11 | 1:04:13 | |
-We had some great laughs. -Did we? | 1:04:13 | 1:04:17 | |
Yeah. It's a rotten thing to have happened, | 1:04:17 | 1:04:19 | |
but tough decisions have to be made. | 1:04:19 | 1:04:23 | |
It's not the decisions that are tough, Bill. | 1:04:23 | 1:04:26 | |
It's the actions. | 1:04:26 | 1:04:28 | |
Well, a general can't regret decisions | 1:04:28 | 1:04:30 | |
made in the heat of battle. | 1:04:30 | 1:04:32 | |
When all is said and done, we will believe we were right. | 1:04:32 | 1:04:37 | |
It's important to have the right intentions, no matter the outcome. | 1:04:37 | 1:04:40 | |
-Do you want to make some tea? -Yeah. | 1:04:40 | 1:04:43 | |
# I'm the man that rolls | 1:04:43 | 1:04:46 | |
# When icicles is hangin' on the tree | 1:04:46 | 1:04:49 | |
# I'm the man that rolls | 1:04:52 | 1:04:56 | |
# When icicles is hangin' on the tree. # | 1:04:56 | 1:04:59 | |
For fuck's sake, stop doing that! | 1:05:01 | 1:05:03 | |
Where's Eric? | 1:05:08 | 1:05:10 | |
I haven't seen him in a few days. | 1:05:10 | 1:05:12 | |
Eric's in Spain. | 1:05:12 | 1:05:14 | |
What? Now? | 1:05:14 | 1:05:16 | |
-Yeah, he's got troubles of his own. -Oh, great. | 1:05:16 | 1:05:19 | |
All hands to the pump and I'm the only one left to do the donkey work. | 1:05:19 | 1:05:21 | |
-Yeah, well, people are unreliable. -What? -He's gone down there | 1:05:21 | 1:05:27 | |
I think to... to buy a bar. | 1:05:27 | 1:05:30 | |
-I think he's going to start a club called Los Foxos. -No! | 1:05:30 | 1:05:35 | |
El Foxo! | 1:05:38 | 1:05:40 | |
-That's nice. -Yeah. Bingo. -A bit of bingo. | 1:05:44 | 1:05:48 | |
I can see Eric leading the conga, up at the front. | 1:05:48 | 1:05:51 | |
Yeah. I think he must have caught a whiff of a senorita. | 1:05:51 | 1:05:54 | |
You know what I mean? Got straight to the airport and disappeared. | 1:05:54 | 1:05:58 | |
Sounds like a retard's dream. | 1:05:58 | 1:06:01 | |
Well, that's about the size of it. | 1:06:01 | 1:06:04 | |
Fucking hell, he's not... | 1:06:04 | 1:06:05 | |
-El Foxos... That's brilliant. -Yeah. | 1:06:05 | 1:06:08 | |
# We'll rant and we'll roar | 1:06:18 | 1:06:21 | |
# Like true British sailors | 1:06:21 | 1:06:25 | |
# Range and roam | 1:06:25 | 1:06:27 | |
# All on the salt sea | 1:06:27 | 1:06:30 | |
# Until we strike soundings | 1:06:30 | 1:06:33 | |
# In the channel of old England | 1:06:33 | 1:06:36 | |
# From Ushant to Scilly | 1:06:36 | 1:06:39 | |
# Is 35 leagues | 1:06:39 | 1:06:43 | |
# We sailed past Beachy | 1:06:43 | 1:06:45 | |
# Past Fairlight and Dover | 1:06:45 | 1:06:48 | |
# And then we bore up | 1:06:48 | 1:06:51 | |
# For the South Foreland light... | 1:06:51 | 1:06:53 | |
All together now, boys. | 1:06:53 | 1:06:55 | |
# We'll rant and we'll roar | 1:06:55 | 1:06:57 | |
# Like true British sailors | 1:06:57 | 1:07:01 | |
# Range and roam | 1:07:01 | 1:07:03 | |
# All on the salt sea | 1:07:03 | 1:07:07 | |
# Until we strike soundings | 1:07:07 | 1:07:10 | |
# In the channel of old England | 1:07:10 | 1:07:13 | |
# From Ushant to Scilly | 1:07:13 | 1:07:15 | |
# Is 35 leagues. # | 1:07:15 | 1:07:19 | |
Oh, come on, Maggie. | 1:07:26 | 1:07:27 | |
Sweetheart, come back to the party. | 1:07:27 | 1:07:29 | |
Come on. Come on. | 1:07:29 | 1:07:32 | |
I can't, Bill. | 1:07:32 | 1:07:34 | |
It's too much, Bill. | 1:07:50 | 1:07:52 | |
-Come on. -SHE CRIES | 1:07:55 | 1:07:59 | |
Oh, God. | 1:07:59 | 1:08:00 | |
# Are you leaving for the country? | 1:08:39 | 1:08:44 | |
# You say the city brings you down | 1:08:44 | 1:08:51 | |
# Leave the iron clown behind | 1:08:51 | 1:08:55 | |
# And feel the circus moving on | 1:08:55 | 1:09:00 | |
# Are you leaving for the country? | 1:09:01 | 1:09:06 | |
# I know a little country town | 1:09:06 | 1:09:12 | |
# Where dogs are sleeping in the cold | 1:09:12 | 1:09:17 | |
# And the flagpole's falling down. # | 1:09:17 | 1:09:22 | |
I knew I couldn't last. | 1:09:39 | 1:09:41 | |
You're as strong as an ox, Dave. | 1:09:43 | 1:09:46 | |
No... I'm done. | 1:09:46 | 1:09:50 | |
You got any last words? Any thoughts? | 1:09:50 | 1:09:53 | |
-I'm tired. -Yeah, you have a sleep, mate. | 1:09:53 | 1:09:59 | |
I'm sure you'll pull through. | 1:09:59 | 1:10:01 | |
Yeah, maybe. | 1:10:01 | 1:10:04 | |
The doctors said... Oh, Dave... | 1:10:04 | 1:10:08 | |
Don't listen to what the doctors say, mate. What do they know? | 1:10:08 | 1:10:12 | |
What is it, mate? | 1:10:17 | 1:10:20 | |
Bill's a liability, Karl. | 1:10:20 | 1:10:22 | |
Yeah? | 1:10:23 | 1:10:25 | |
It's all over for him. | 1:10:25 | 1:10:28 | |
It's just a matter of time now. | 1:10:28 | 1:10:31 | |
What makes you say that? | 1:10:31 | 1:10:32 | |
I hear things. | 1:10:32 | 1:10:34 | |
What, on Ceefax? | 1:10:34 | 1:10:37 | |
You say goodbye to him for me, will you? | 1:10:37 | 1:10:40 | |
Yeah. | 1:10:40 | 1:10:42 | |
I always liked your dad. | 1:10:42 | 1:10:45 | |
That makes one of us, Dave. | 1:10:45 | 1:10:48 | |
Eric's been found. | 1:10:48 | 1:10:51 | |
-Where is he? -He's dead, Karl. | 1:10:54 | 1:10:58 | |
No. | 1:10:58 | 1:11:01 | |
-I'm sorry, mate. -He's in Spain, mate. | 1:11:01 | 1:11:04 | |
-He was a police informer, Karl. -Bullshit. | 1:11:04 | 1:11:08 | |
That's bullshit. That's... that's bullshit. | 1:11:08 | 1:11:12 | |
Eric, Garvey, | 1:11:12 | 1:11:16 | |
your old man... | 1:11:16 | 1:11:19 | |
they all talk to plod. | 1:11:19 | 1:11:21 | |
How else do you think your court case got squashed? | 1:11:23 | 1:11:26 | |
No. | 1:11:26 | 1:11:28 | |
Look at the fucking state of me. | 1:11:36 | 1:11:40 | |
Why would I lie? | 1:11:40 | 1:11:42 | |
Huh? | 1:11:46 | 1:11:49 | |
Why would I lie? | 1:11:49 | 1:11:51 | |
You'd better fucking die, Dave. | 1:11:59 | 1:12:02 | |
Oh. | 1:12:06 | 1:12:09 | |
Berman's dead. | 1:12:11 | 1:12:13 | |
To Dave Berman having a drink in heaven. | 1:12:19 | 1:12:22 | |
-GLASSES CLINK -Dave. | 1:12:22 | 1:12:24 | |
Dave. | 1:12:24 | 1:12:27 | |
Had a good run, though, didn't he? | 1:12:27 | 1:12:29 | |
He's left us right in it though really, didn't he? | 1:12:29 | 1:12:31 | |
I mean, it's a bit selfish. | 1:12:31 | 1:12:33 | |
I mean, would a bit of exercise have hurt? | 1:12:33 | 1:12:35 | |
His poor wife. | 1:12:35 | 1:12:37 | |
Yeah, the old ones all drop away. | 1:12:40 | 1:12:42 | |
It suddenly feels like the end of the world. | 1:12:51 | 1:12:53 | |
You're just tired. | 1:12:55 | 1:12:56 | |
It's all a bit fucking tiring. | 1:12:56 | 1:12:59 | |
You know, I liked it best when it was just you and me. | 1:12:59 | 1:13:04 | |
HE GRUNTS | 1:13:42 | 1:13:43 | |
BLOOD DROPS | 1:14:15 | 1:14:16 | |
Oh, Christ. | 1:15:27 | 1:15:29 | |
You see? | 1:15:29 | 1:15:31 | |
And you want to leave this house? | 1:15:31 | 1:15:32 | |
It's not safe for you out there on your own. | 1:15:32 | 1:15:34 | |
-Who did this to you? -One of yours, was he? | 1:15:39 | 1:15:43 | |
-What you are talking about? -Well, it feels like your style. | 1:15:43 | 1:15:47 | |
And you call me sloppy. | 1:15:47 | 1:15:49 | |
-I don't know what you're talking about. -Come off it. | 1:15:49 | 1:15:52 | |
Own up to it. Own it! Fucking own it! | 1:15:52 | 1:15:55 | |
-Look what you fucking did to me. -The situation's... | 1:15:55 | 1:15:57 | |
Look what you fucking did to me. | 1:15:57 | 1:15:59 | |
It's got nothing to do with me. It's probably London. | 1:15:59 | 1:16:02 | |
That's bullshit and you fucking know it, you fucking liar! | 1:16:02 | 1:16:06 | |
It could be a local faction making a move. | 1:16:06 | 1:16:08 | |
How the fucking hell do I know? | 1:16:08 | 1:16:10 | |
I mean, I don't run this town, man. | 1:16:10 | 1:16:12 | |
-It's like juggling oil now. -You said it was all under control. | 1:16:12 | 1:16:15 | |
You fucking told me it was all under control. | 1:16:15 | 1:16:17 | |
That's an arrogant illusion. | 1:16:17 | 1:16:18 | |
It fucking is an arrogant illusion, | 1:16:18 | 1:16:20 | |
and you're the fucking arrogant one, you prick. | 1:16:20 | 1:16:23 | |
-Look, all... -Fucking leave me alone, Dad. | 1:16:23 | 1:16:25 | |
I'm serious. Get out of my fucking business. | 1:16:25 | 1:16:27 | |
I'm fucking serious. | 1:16:27 | 1:16:29 | |
I don't want to hear another fucking word from you. | 1:16:29 | 1:16:32 | |
-I'll fucking knock you out. -Yeah? | 1:16:32 | 1:16:34 | |
Well, all I know is, all right, | 1:16:34 | 1:16:36 | |
one, investigations - | 1:16:36 | 1:16:37 | |
two, that fucking woman turns up - | 1:16:37 | 1:16:41 | |
three, a trusted associate goes missing... | 1:16:41 | 1:16:44 | |
Stand fucking back, man. I'll put these glasses in your fucking face. | 1:16:44 | 1:16:47 | |
I'm not kidding. | 1:16:47 | 1:16:49 | |
Yeah? And four, | 1:16:51 | 1:16:52 | |
a representative of London comes down - | 1:16:52 | 1:16:54 | |
and five, you get attacked. | 1:16:54 | 1:16:56 | |
I mean, those are the facts, right? | 1:16:56 | 1:16:58 | |
Saying them in a row doesn't connect them. | 1:16:59 | 1:17:02 | |
It's got nothing to do with me. | 1:17:02 | 1:17:04 | |
Where's Eric? | 1:17:05 | 1:17:07 | |
-Do you even know if it's your kid? -It is! | 1:17:07 | 1:17:09 | |
What the fuck? Where is Eric? | 1:17:09 | 1:17:11 | |
Look, I'll be absolutely honest with you, Karl. | 1:17:11 | 1:17:14 | |
She has to go. | 1:17:14 | 1:17:16 | |
-What are you talking about? -It's her... Valda. | 1:17:16 | 1:17:20 | |
-Before the baby's born. -What? | 1:17:20 | 1:17:24 | |
You'll be too attached to her by then. | 1:17:24 | 1:17:25 | |
Are you out of your fucking mind, Dad? | 1:17:25 | 1:17:27 | |
-We're getting married. -Well, that's off. | 1:17:27 | 1:17:29 | |
No, we're getting married, Dad. We're having a kid. | 1:17:29 | 1:17:31 | |
We're...we're getting married and we're having a kid. | 1:17:31 | 1:17:33 | |
-Trust me, son, you're too weak. -I'm not weak. | 1:17:33 | 1:17:36 | |
Look... I'm not fucking weak. | 1:17:36 | 1:17:37 | |
You've grown up privileged and spoiled and soft, | 1:17:37 | 1:17:40 | |
and now you're unconcerned about other people's needs. | 1:17:40 | 1:17:42 | |
What the fuck are you talking about? | 1:17:42 | 1:17:44 | |
I do everything for you, Dad. | 1:17:44 | 1:17:46 | |
I do everything for you. I make your fucking tea, your fucking breakfast. | 1:17:46 | 1:17:49 | |
I make your fucking dinner half the time. | 1:17:49 | 1:17:51 | |
I run your errands all over town. | 1:17:51 | 1:17:53 | |
What more do you want from me? | 1:17:53 | 1:17:54 | |
Come on, seriously. | 1:17:54 | 1:17:56 | |
-She's unbalanced your mind. -Fucking hell. | 1:17:56 | 1:17:59 | |
She's driven you crazy and you're not making any sense. | 1:17:59 | 1:18:02 | |
One more word from you about her, Dad... | 1:18:02 | 1:18:05 | |
Just keep your beak out, all right? | 1:18:05 | 1:18:06 | |
You want your mother and I to go to prison? | 1:18:06 | 1:18:08 | |
-You want us to be murdered in our beds? -No! | 1:18:08 | 1:18:10 | |
Look, listen to me. She's got to go. | 1:18:10 | 1:18:13 | |
She's the rogue element. | 1:18:13 | 1:18:15 | |
You could have had the breakfast room decorated by now. | 1:18:15 | 1:18:19 | |
Who are you siding with? Your blood or some stranger you rocked up? | 1:18:19 | 1:18:21 | |
She's not just rocked up. | 1:18:21 | 1:18:23 | |
I've been going out with her for a year. | 1:18:23 | 1:18:24 | |
She's carrying my child. | 1:18:24 | 1:18:26 | |
What fucking qualifications does she need, Dad? | 1:18:26 | 1:18:29 | |
Oh, I see. You're thinking, "Wait till the old ones | 1:18:29 | 1:18:31 | |
"pop their clogs and then get the house." | 1:18:31 | 1:18:33 | |
-Is that it? -I don't want your fucking house! | 1:18:33 | 1:18:35 | |
I'd rather give it to a cats' home than to you and that fucking slag. | 1:18:35 | 1:18:38 | |
I don't want your fucking house. | 1:18:38 | 1:18:40 | |
You'd betray your family just to bring up | 1:18:40 | 1:18:41 | |
another man's bastard? | 1:18:41 | 1:18:43 | |
Don't talk to me about betrayal. | 1:18:43 | 1:18:44 | |
I know that Eric is dead. | 1:18:44 | 1:18:46 | |
And I know that you, Eric and Garvey | 1:18:46 | 1:18:49 | |
-have been talking to the police. -What?! | 1:18:49 | 1:18:51 | |
-Where'd all this come from? -Berman told me. | 1:18:51 | 1:18:53 | |
Death-bed confession, was it? | 1:18:53 | 1:18:55 | |
-As it turns out. -He was addled with morphine. | 1:18:55 | 1:18:57 | |
Fucking hell, he was chatting his bollocks | 1:18:57 | 1:18:59 | |
to anyone who came into the room. | 1:18:59 | 1:19:00 | |
-Was he? -Yes. -Was he? -Yes! | 1:19:00 | 1:19:04 | |
Look, you can just tell it to me straight, Dad. | 1:19:04 | 1:19:09 | |
Just fucking be honest with me | 1:19:09 | 1:19:10 | |
for just... for just a minute. | 1:19:10 | 1:19:13 | |
Just one minute. | 1:19:13 | 1:19:15 | |
Just fucking tell me what's going on in there. | 1:19:15 | 1:19:18 | |
Oh, you can't fucking do it, can you? | 1:19:21 | 1:19:24 | |
You fucking coward! | 1:19:24 | 1:19:26 | |
This is disappointing. | 1:19:29 | 1:19:32 | |
Take no notice of him. | 1:19:32 | 1:19:34 | |
He just says the first thing that comes into his head. | 1:19:34 | 1:19:36 | |
How can you stand him? He's a fucking nightmare. | 1:19:36 | 1:19:39 | |
-No, he's not a nightmare actually. -He is a fucking nightmare. | 1:19:39 | 1:19:42 | |
-Karl, calm down. -Mum, just fucking leave me alone, all right? | 1:19:42 | 1:19:46 | |
It's not him, Karl. It's you. | 1:19:46 | 1:19:48 | |
I mean, why don't you just get a blood test? | 1:19:48 | 1:19:50 | |
And then if the baby's yours, it could come and live here. | 1:19:50 | 1:19:53 | |
It'll be... It'll work out. It'll be fine. | 1:19:53 | 1:19:56 | |
What about Valda? | 1:19:57 | 1:19:59 | |
Oh, Valda, darling... she'll be like all the rest. | 1:19:59 | 1:20:02 | |
-She'll leave you. -What are you talking about? | 1:20:02 | 1:20:05 | |
Oh, God. | 1:20:05 | 1:20:08 | |
When you was little, right? | 1:20:08 | 1:20:10 | |
When you was born, | 1:20:10 | 1:20:12 | |
it was very different then, Karl. | 1:20:12 | 1:20:13 | |
And they... | 1:20:13 | 1:20:15 | |
you know, they couldn't help babies out like they do now. | 1:20:15 | 1:20:18 | |
And there was something wrong... | 1:20:18 | 1:20:19 | |
something went wrong. I don't know. | 1:20:19 | 1:20:21 | |
The incubator... Oh, God knows what went on really. | 1:20:21 | 1:20:24 | |
I'm sure that's why... all this business about Eric... | 1:20:24 | 1:20:27 | |
Please stop. No, please stop. | 1:20:27 | 1:20:29 | |
All this business about Eric... and you know your dad... | 1:20:29 | 1:20:32 | |
we had nothing to do with that. | 1:20:32 | 1:20:34 | |
You all are fakes. | 1:20:34 | 1:20:37 | |
Oh, I'm sorry. I didn't want to tell you. | 1:20:37 | 1:20:40 | |
Come here, darling. Come here. | 1:20:40 | 1:20:43 | |
Come... | 1:20:44 | 1:20:47 | |
I'll tell you what. I'll get you your pills, eh? | 1:20:47 | 1:20:50 | |
You need a nice lie-down. | 1:20:51 | 1:20:54 | |
# Tell me why | 1:20:54 | 1:20:58 | |
# The stars do shine | 1:20:58 | 1:21:01 | |
# Tell me why | 1:21:03 | 1:21:07 | |
# The ivy twines | 1:21:07 | 1:21:10 | |
# Tell me why | 1:21:11 | 1:21:16 | |
# The ocean's blue | 1:21:16 | 1:21:20 | |
# And I will tell you | 1:21:20 | 1:21:24 | |
# Just why I love you | 1:21:24 | 1:21:29 | |
# Because God made | 1:21:32 | 1:21:35 | |
# The stars to shine | 1:21:35 | 1:21:39 | |
# Because God made | 1:21:39 | 1:21:43 | |
# The ivy twine | 1:21:43 | 1:21:46 | |
# Because God made | 1:21:48 | 1:21:52 | |
# The ocean blue... | 1:21:52 | 1:21:55 | |
# Because God made you | 1:21:57 | 1:22:02 | |
# That's why I love you. # | 1:22:02 | 1:22:07 | |
Sorry, Mum. | 1:22:24 | 1:22:27 | |
# Oh, don't you remember | 1:22:28 | 1:22:32 | |
# A long time ago? | 1:22:32 | 1:22:35 | |
# Those two little babies | 1:22:35 | 1:22:38 | |
# Their names I don't know | 1:22:38 | 1:22:41 | |
# They strayed away | 1:22:41 | 1:22:44 | |
# One bright summer's day | 1:22:44 | 1:22:48 | |
# Those two little babies | 1:22:48 | 1:22:51 | |
# Got lost on their way | 1:22:51 | 1:22:54 | |
# Pretty babes in the wood | 1:22:54 | 1:23:00 | |
# Oh, don't you remember | 1:23:00 | 1:23:04 | |
-# Those babes in the wood? -# | 1:23:04 | 1:23:08 | |
-You expecting someone? -Yeah. It's Valda, Mum. | 1:23:30 | 1:23:33 | |
-I thought we were going into town? -Yeah, I know. | 1:23:33 | 1:23:35 | |
-I thought maybe you could go with her instead. -Why? | 1:23:35 | 1:23:38 | |
-Just talk to her a little bit. -What about? | 1:23:38 | 1:23:41 | |
Well, she's just freaking out, Mum. | 1:23:41 | 1:23:43 | |
What, about the baby? | 1:23:43 | 1:23:46 | |
Yeah. Maybe you could just settle her down a bit? | 1:23:46 | 1:23:49 | |
-I'm not a counsellor, Karl. -Mum, please, Mum. | 1:23:49 | 1:23:53 | |
Fine. | 1:23:53 | 1:23:55 | |
-How are you feeling? -Feeling pretty good, actually. | 1:23:55 | 1:23:59 | |
Yeah, not for long. | 1:23:59 | 1:24:00 | |
-What do you mean? -Oh, getting it out. | 1:24:00 | 1:24:03 | |
Boy, the pain. You want someone to shoot you. | 1:24:03 | 1:24:07 | |
It's the great conspiracy of women... | 1:24:07 | 1:24:09 | |
no-one ever tells you. | 1:24:09 | 1:24:11 | |
I didn't speak to my mother for days. | 1:24:11 | 1:24:15 | |
Karl weighed 9lbs 10oz. | 1:24:15 | 1:24:17 | |
There's the car. | 1:24:18 | 1:24:20 | |
Nice bit of fresh air anyway. | 1:24:20 | 1:24:22 | |
Can you grab my cardie out of the boot, please, Maggie? | 1:24:25 | 1:24:28 | |
Yeah. | 1:24:28 | 1:24:30 | |
Oh, what's all this plastic? | 1:24:32 | 1:24:34 | |
-Do you know where your mother is? -She's gone out. | 1:24:40 | 1:24:44 | |
-Yeah? Gone where? -She's gone out with Valda. | 1:24:44 | 1:24:49 | |
-They're up on the downs. -Oh. | 1:24:49 | 1:24:51 | |
I wonder if we're still having sausages tonight, then. | 1:24:51 | 1:24:54 | |
I don't know. | 1:24:55 | 1:24:57 | |
You all right, Karl? | 1:24:57 | 1:24:59 | |
Got a bit of a problem, Dad. | 1:25:11 | 1:25:14 | |
That sounds ominous. | 1:25:14 | 1:25:16 | |
It's like that, is it? | 1:25:22 | 1:25:24 | |
It's for the best...for everyone. | 1:25:26 | 1:25:29 | |
Look, why don't you just have a cup of tea with me and talk about it, Karl? | 1:25:29 | 1:25:32 | |
No, it's all right. | 1:25:32 | 1:25:35 | |
You have one. | 1:25:35 | 1:25:36 | |
Do you love me? I love you. | 1:25:45 | 1:25:47 | |
I can't talk to you any more. You just confuse me. | 1:25:47 | 1:25:52 | |
What's your mother going to say? | 1:25:52 | 1:25:54 | |
She's gone already. | 1:25:58 | 1:26:01 | |
-What's happened? -Dad, just sit down. | 1:26:01 | 1:26:04 | |
-Just sit down. -Karl, where's Maggie? | 1:26:04 | 1:26:09 | |
-Karl, where is Maggie? -Just sit down, Dad. | 1:26:09 | 1:26:12 | |
KARL SOBS | 1:26:30 | 1:26:32 | |
KARL WAILS | 1:26:48 | 1:26:50 | |
-Hello? -We're in the breakfast room. | 1:27:11 | 1:27:14 | |
-Well, there he is. -Yeah. | 1:27:21 | 1:27:26 | |
How did it go? | 1:27:26 | 1:27:28 | |
He was all right with it, actually. | 1:27:30 | 1:27:32 | |
He was fucking shattered, wasn't he? | 1:27:34 | 1:27:37 | |
He was knackered. | 1:27:37 | 1:27:39 | |
# Where is now my father's family | 1:28:12 | 1:28:16 | |
# That was here so long ago? | 1:28:16 | 1:28:21 | |
# Sitting round the kitchen fireside | 1:28:21 | 1:28:25 | |
# Brightened by the ruddy glow | 1:28:25 | 1:28:29 | |
# But we shall all be reunited | 1:28:29 | 1:28:34 | |
# In that land beyond the skies | 1:28:34 | 1:28:38 | |
# Where there'll be no separation | 1:28:38 | 1:28:42 | |
# No more marching, no more sighs | 1:28:42 | 1:28:47 | |
# Some have gone to lands far distant | 1:28:47 | 1:28:51 | |
# And with others made their home | 1:28:51 | 1:28:56 | |
# Some upon the world of waters | 1:28:56 | 1:29:00 | |
# All their lives have chose to roam | 1:29:00 | 1:29:04 | |
# We shall all be reunited | 1:29:04 | 1:29:08 | |
# In that land beyond the skies... # | 1:29:08 | 1:29:11 |