
Browse content similar to The Saint Takes Over. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Here. Four spades vulnerable. | 0:01:25 | 0:01:28 | |
If you'd returned my lead, they wouldn't have made it. | 0:01:28 | 0:01:30 | |
WOMAN: That gives us the rubber. | 0:01:30 | 0:01:33 | |
MAN: Want to play another one? | 0:01:33 | 0:01:36 | |
No, I don't think so. | 0:01:36 | 0:01:37 | |
Let's see, that's, er, exactly 460. | 0:01:37 | 0:01:42 | |
Have you a pen? | 0:01:42 | 0:01:43 | |
Yes, yes. | 0:01:43 | 0:01:44 | |
SOMEONE WHISTLES A TUNE | 0:01:44 | 0:01:46 | |
Just a minute. I wouldn't bother to pay that if I were you. | 0:01:49 | 0:01:54 | |
Why not? What do you mean? | 0:01:54 | 0:01:55 | |
Well, it's hardly fair, is it? | 0:01:55 | 0:01:57 | |
After all, you know so many more card tricks than she does. | 0:01:57 | 0:01:59 | |
You mean to insinuate there's anything wrong with this game? | 0:01:59 | 0:02:02 | |
Oh, no, I'm not insinuating anything. | 0:02:02 | 0:02:03 | |
I'm just telling you. Excuse me. | 0:02:03 | 0:02:07 | |
A very interesting device known to the profession as "readers." | 0:02:07 | 0:02:10 | |
Hence the old saying, | 0:02:14 | 0:02:16 | |
"Don't go to bridge classes with men who wear glasses." | 0:02:16 | 0:02:19 | |
I think you might as well forget about it. | 0:02:19 | 0:02:21 | |
Don't you? | 0:02:21 | 0:02:24 | |
Shall we go? | 0:02:24 | 0:02:26 | |
Good night. | 0:02:27 | 0:02:29 | |
I suppose I should thank you, | 0:02:33 | 0:02:34 | |
but I feel such an awful fool. | 0:02:34 | 0:02:36 | |
You know, there are notices all over the ship | 0:02:36 | 0:02:38 | |
warning little girls not to play cards with strangers. | 0:02:38 | 0:02:40 | |
I know, but... | 0:02:40 | 0:02:41 | |
But they seem such nice, respectable people. | 0:02:41 | 0:02:43 | |
Of course, they always do. That's part of their stock and trade. | 0:02:43 | 0:02:46 | |
All right, go on, trample on me. | 0:02:46 | 0:02:48 | |
I'd much rather buy you a drink. | 0:02:48 | 0:02:50 | |
Do you have one of these things? | 0:02:54 | 0:02:56 | |
Now, then, what will it be? | 0:03:00 | 0:03:01 | |
Ahem, scotch and soda. | 0:03:01 | 0:03:02 | |
One with plain water. | 0:03:02 | 0:03:04 | |
Yes, sir. | 0:03:04 | 0:03:06 | |
Crime seems to be quite a business for some people. | 0:03:11 | 0:03:14 | |
What have you got there? | 0:03:14 | 0:03:16 | |
"New York police inspector cries foul play." | 0:03:18 | 0:03:20 | |
Et cetera, et cetera. | 0:03:20 | 0:03:21 | |
"John Henry Fernack of the Homicide Bureau... | 0:03:21 | 0:03:25 | |
"unable to explain the source of 50,000 found in his safe." | 0:03:25 | 0:03:29 | |
And so forth. | 0:03:29 | 0:03:30 | |
Could have said he won it on a horse | 0:03:30 | 0:03:32 | |
or roulette or something. | 0:03:32 | 0:03:33 | |
Fernack is much too honest for that. | 0:03:33 | 0:03:35 | |
Or too stupid. | 0:03:35 | 0:03:36 | |
Well, let's drink to him, anyway. | 0:03:36 | 0:03:38 | |
Seems to me he'll need more than that. | 0:03:38 | 0:03:41 | |
Maybe he needs a guardian angel. | 0:03:41 | 0:03:42 | |
Or a patron saint. | 0:03:42 | 0:03:44 | |
Aren't they both just about the same? | 0:03:46 | 0:03:48 | |
I was thinking of that fellow that they call "The Saint," | 0:03:50 | 0:03:52 | |
the one that the newspapers refer to | 0:03:52 | 0:03:54 | |
as a sort of modern Robin hood. | 0:03:54 | 0:03:56 | |
Oh, yes. | 0:03:56 | 0:03:58 | |
Sounds like something you read about | 0:03:58 | 0:03:59 | |
in a magazine. | 0:03:59 | 0:04:00 | |
I don't believe much of it, anyway. | 0:04:00 | 0:04:03 | |
But it is sort of an idea to daydream about. | 0:04:03 | 0:04:05 | |
You know, if there really were someone like that, | 0:04:05 | 0:04:07 | |
that went out after these racketeers who are getting away with murder... | 0:04:07 | 0:04:11 | |
Of course, he'd be tall, dark, handsome... | 0:04:11 | 0:04:15 | |
Did you ever see a picture of him? | 0:04:15 | 0:04:16 | |
Oh, no, I don't think so. | 0:04:16 | 0:04:18 | |
Well, I did once. | 0:04:18 | 0:04:19 | |
He's fat and bald-headed, | 0:04:19 | 0:04:20 | |
and he's got a wart on the end of his nose. | 0:04:20 | 0:04:23 | |
Oh. Let's talk about something else, shall we? | 0:04:23 | 0:04:26 | |
Well, would you like to get some fresh air? | 0:04:26 | 0:04:28 | |
Mm-hmm. | 0:04:28 | 0:04:29 | |
By the way, you still haven't told me your name. | 0:04:31 | 0:04:33 | |
Ruth. Well, if it comes to that, I don't know yours, either. | 0:04:33 | 0:04:36 | |
Tombs. ..It was my father's. | 0:04:36 | 0:04:41 | |
Why, only a few more hours, and this happy interlude will be over. | 0:04:46 | 0:04:49 | |
Yes, I know. I'll go my way, and you'll go yours. | 0:04:49 | 0:04:52 | |
Not if I know where your way is. | 0:04:52 | 0:04:53 | |
That's one thing I'm not going to tell you. | 0:04:53 | 0:04:56 | |
Won't you even tell me where you live? | 0:04:56 | 0:04:57 | |
No. Or your phone number? | 0:04:57 | 0:04:58 | |
Uh-uh. | 0:04:58 | 0:04:59 | |
I shall track you down. | 0:04:59 | 0:05:01 | |
I'll stay on your trail like a bloodhound, | 0:05:01 | 0:05:03 | |
sniffing in a high falsetto. | 0:05:03 | 0:05:04 | |
Please don't. I'd much rather it stay like this. | 0:05:04 | 0:05:06 | |
I know what I'd much rather do. | 0:05:06 | 0:05:08 | |
And I think I'll do it. | 0:05:08 | 0:05:10 | |
Your technique isn't very original. | 0:05:11 | 0:05:13 | |
I suppose you wouldn't believe that it's sincere. | 0:05:13 | 0:05:14 | |
I'm not interested. Thanks for the drink. | 0:05:14 | 0:05:16 | |
Good night. | 0:05:16 | 0:05:18 | |
Good night, Mr Tombs. | 0:05:19 | 0:05:21 | |
Oh, steward, is the flower shop open? | 0:05:25 | 0:05:27 | |
Yes, sir. | 0:05:27 | 0:05:28 | |
Would you buy a corsage of red roses | 0:05:28 | 0:05:29 | |
and have them delivered to Miss Ruth, er... | 0:05:29 | 0:05:31 | |
Yes, sir. | 0:05:32 | 0:05:34 | |
TELEPHONE RINGS | 0:05:51 | 0:05:53 | |
Hello? ..Oh, hello, Ben. | 0:05:55 | 0:05:58 | |
What's the good word? | 0:05:58 | 0:05:59 | |
Have you looked over the morning paper yet, Rocky? | 0:05:59 | 0:06:01 | |
It informs the people in general | 0:06:01 | 0:06:03 | |
that Henry Fernack has been removed in his official capacity | 0:06:03 | 0:06:06 | |
as a nosy dick. | 0:06:06 | 0:06:07 | |
He is now at liberty until he can explain to a judge | 0:06:07 | 0:06:09 | |
why Santa Claus dropped 50,000 into his safe. | 0:06:09 | 0:06:13 | |
Only he can't find a judge who still believes in Santa Claus! | 0:06:13 | 0:06:16 | |
Neither can I. | 0:06:17 | 0:06:19 | |
What's it costing me? | 0:06:19 | 0:06:21 | |
We're sharing the expenses among all the boys, Rocky. | 0:06:21 | 0:06:23 | |
The whole show will cost about 90,000. | 0:06:23 | 0:06:26 | |
Four into 90 is what you owe. | 0:06:26 | 0:06:28 | |
That's just 22,500. Bring it to my house at 11, will you? | 0:06:28 | 0:06:33 | |
OK, Ben. Right. | 0:06:33 | 0:06:35 | |
What does it say, you dope? Read it. | 0:06:40 | 0:06:41 | |
Well, he walks into the room where this mob is at, see, | 0:06:41 | 0:06:44 | |
and he gives them the fish-eye. | 0:06:44 | 0:06:45 | |
Now, they don't know this guy's got a whole sleeve full of aces. | 0:06:45 | 0:06:48 | |
So Blackjack Moran puts a gat on him, | 0:06:48 | 0:06:49 | |
and he's just gonna let him have it... | 0:06:49 | 0:06:51 | |
Wait a minute. What do you think you're reading? | 0:06:51 | 0:06:52 | |
Dick Tracy. The guy's terrific! | 0:06:52 | 0:06:54 | |
Give it to me! Hey! | 0:06:54 | 0:06:56 | |
I'm on the front page, and you read the funnies! | 0:06:56 | 0:06:57 | |
I was coming to that, Rocky. | 0:06:57 | 0:07:00 | |
"Graft charges follow nightclub owner's acquittal." | 0:07:00 | 0:07:02 | |
Hey, what's it say about Fernack? | 0:07:02 | 0:07:04 | |
"Following the killing last Monday of Johnny Summers, | 0:07:04 | 0:07:06 | |
"chief witness for the State in the unsuccessful attempt | 0:07:06 | 0:07:09 | |
"to convict Albert Rocky Weldon on charges of race-fixing, | 0:07:09 | 0:07:12 | |
"Commissioner Doyle yesterday called in the badge | 0:07:12 | 0:07:14 | |
"of Inspector Henry Fernack, ace detective who arrested Weldon." | 0:07:14 | 0:07:16 | |
Well, Lucy, looks like I'm famous. | 0:07:21 | 0:07:23 | |
Maybe we better start a scrapbook. | 0:07:23 | 0:07:24 | |
Let's see it, Henry. | 0:07:24 | 0:07:26 | |
Oh, I don't think that's a very good picture of you. | 0:07:28 | 0:07:30 | |
You look like... | 0:07:30 | 0:07:31 | |
Like a man who's just made a haul, | 0:07:31 | 0:07:32 | |
that's why they picked it. | 0:07:32 | 0:07:34 | |
Commissioner Doyle doesn't actually believe this nonsense, does he? | 0:07:34 | 0:07:36 | |
Oh, I hope not, but there's nothing he can do about it. | 0:07:36 | 0:07:38 | |
The evidence doesn't give him any choice. | 0:07:38 | 0:07:40 | |
I can't for the life of me understand | 0:07:40 | 0:07:42 | |
how that money got into the safe. | 0:07:42 | 0:07:43 | |
It just doesn't seem possible. | 0:07:43 | 0:07:45 | |
Oh, it's possible to open safes without damaging them. | 0:07:45 | 0:07:48 | |
This house isn't so hard to get into. | 0:07:48 | 0:07:50 | |
Couldn't you tell the Commissioner that? | 0:07:51 | 0:07:53 | |
Yes, dear. | 0:07:53 | 0:07:54 | |
Well, then, it's ridiculous. | 0:07:54 | 0:07:56 | |
Anyway, you are a wonderful detective. | 0:07:56 | 0:07:59 | |
And you can easily prove your innocence. | 0:07:59 | 0:08:01 | |
Yes, of course, darling. | 0:08:01 | 0:08:03 | |
It's as easy as eating ham and eggs. | 0:08:03 | 0:08:05 | |
Well, then, everything's going to be all right. | 0:08:05 | 0:08:07 | |
Well, I hope so. | 0:08:07 | 0:08:08 | |
But it won't be if I don't do something about it myself. | 0:08:08 | 0:08:11 | |
Seems funny not to be going to work, Lucy. | 0:08:15 | 0:08:18 | |
So, that's what you think, is it? | 0:08:18 | 0:08:20 | |
That's your mistake, Henry. | 0:08:20 | 0:08:22 | |
You're just going to find out what real work is! | 0:08:22 | 0:08:24 | |
22,500. No tax on that, is there, Ben? | 0:08:36 | 0:08:39 | |
Thank you, Leo. That takes care of everything. | 0:08:39 | 0:08:42 | |
Well, gentlemen, I hope you're all satisfied. | 0:08:42 | 0:08:46 | |
Well, it just seems to me | 0:08:46 | 0:08:47 | |
that Rocky here ought to stand | 0:08:47 | 0:08:49 | |
for more than one-fourth of the cost. | 0:08:49 | 0:08:50 | |
I agree with Max. | 0:08:50 | 0:08:52 | |
It was Rocky's trouble. | 0:08:52 | 0:08:53 | |
He ought to pay more than we do. | 0:08:53 | 0:08:54 | |
Suppose it had been your trouble, Sam? | 0:08:54 | 0:08:57 | |
It wasn't my trouble. | 0:08:57 | 0:08:58 | |
I don't get into that kind of trouble. | 0:08:58 | 0:09:00 | |
I can spot a stool pigeon two miles away with my eyes shut. | 0:09:00 | 0:09:04 | |
You're very clever, Sam. | 0:09:04 | 0:09:05 | |
Some of us aren't quite so lucky when we make mistakes. | 0:09:05 | 0:09:08 | |
Johnny Summers was taken care of, wasn't he? | 0:09:08 | 0:09:11 | |
MAX: Yes... | 0:09:11 | 0:09:12 | |
but not soon enough. | 0:09:12 | 0:09:14 | |
He found out plenty before we spotted him. | 0:09:14 | 0:09:16 | |
Gentlemen, our agreement calls for equal shares of all profits and expenses, | 0:09:16 | 0:09:22 | |
except in a case like this, of course, | 0:09:22 | 0:09:24 | |
where my end of it was taken care of by my professional services. | 0:09:24 | 0:09:27 | |
I think we ought to congratulate ourselves | 0:09:27 | 0:09:29 | |
that it all came out so well. | 0:09:29 | 0:09:32 | |
Now, there are a couple of other things. | 0:09:35 | 0:09:37 | |
First of all, I think we oughta keep very quiet for a while. | 0:09:37 | 0:09:40 | |
Just because we got Fernack out of the way | 0:09:40 | 0:09:43 | |
doesn't mean there's nobody else watching us. | 0:09:43 | 0:09:45 | |
Well, gentlemen, how about a drink? | 0:09:47 | 0:09:48 | |
Sure. I'll join you. | 0:09:48 | 0:09:50 | |
MAN: I'm on the wagon. | 0:09:50 | 0:09:51 | |
Just a minute. There's the other thing. | 0:09:51 | 0:09:55 | |
I had some news from a friend of mine in London | 0:09:55 | 0:09:56 | |
I thought you'd want to hear. | 0:09:56 | 0:09:58 | |
It seems there's someone we might be very interested in | 0:09:58 | 0:10:01 | |
arriving this morning. | 0:10:01 | 0:10:03 | |
I sent a welcoming committee down to the dock. | 0:10:03 | 0:10:05 | |
I like your roses. | 0:10:28 | 0:10:29 | |
Are you free? | 0:10:34 | 0:10:35 | |
Well, that depends on what you got in your luggage. | 0:10:35 | 0:10:38 | |
I've only got a couple of bags, | 0:10:38 | 0:10:39 | |
and I left all my jewellery at home. | 0:10:39 | 0:10:40 | |
There they are, all open and ready for you. | 0:10:40 | 0:10:42 | |
Well, where's your declaration? | 0:10:44 | 0:10:45 | |
Yes... | 0:10:45 | 0:10:46 | |
Here you are, lady. Thank you. | 0:10:46 | 0:10:48 | |
Take care of those for me, please, porter. | 0:10:48 | 0:10:49 | |
Yes, ma'am. Thank you. | 0:10:49 | 0:10:51 | |
Oh, oh, please don't go without saying goodbye. | 0:10:51 | 0:10:54 | |
We said that last night. | 0:10:54 | 0:10:55 | |
You staying long? | 0:10:55 | 0:10:56 | |
I'll be through in a minute. | 0:10:56 | 0:10:57 | |
I don't know. Just got some business to attend to. | 0:10:57 | 0:11:00 | |
Well, did you have a nice trip? | 0:11:00 | 0:11:02 | |
Yes, wonderful. | 0:11:02 | 0:11:03 | |
Those are what they call "pyjamas". | 0:11:06 | 0:11:08 | |
Those funny little things are socks. | 0:11:14 | 0:11:16 | |
Uh, I know, I know. And I get paid for doing this. | 0:11:16 | 0:11:20 | |
Porter? Yes, sir? | 0:11:20 | 0:11:21 | |
See if you can get these things delivered to the Carlton Hotel | 0:11:21 | 0:11:23 | |
sometime within the next ten years. | 0:11:23 | 0:11:25 | |
OK. | 0:11:25 | 0:11:26 | |
Come along, now, sister, don't make it tough. | 0:11:33 | 0:11:35 | |
But I don't understand! | 0:11:35 | 0:11:36 | |
You will. We'll see! | 0:11:36 | 0:11:37 | |
Yah! | 0:11:37 | 0:11:39 | |
What goes on here? | 0:11:53 | 0:11:55 | |
I don't know, Officer. | 0:11:55 | 0:11:56 | |
Or is this what you call a "civic welcome"? | 0:11:56 | 0:11:58 | |
Reach for it! | 0:12:04 | 0:12:06 | |
Someday, you're gonna see your own face in the mirror | 0:12:06 | 0:12:08 | |
and drop dead with fright. | 0:12:08 | 0:12:09 | |
It's my nerves. You know, I ought to have a psychology. | 0:12:09 | 0:12:13 | |
All I dream about is prisons and executions. | 0:12:13 | 0:12:16 | |
I gotta do something to get that trial off my brain. | 0:12:16 | 0:12:19 | |
I may have a job for you tonight. | 0:12:19 | 0:12:21 | |
What's up? | 0:12:21 | 0:12:22 | |
I know where to find 90,000, Pearly. | 0:12:22 | 0:12:24 | |
Where at? | 0:12:24 | 0:12:25 | |
You're gonna pay a call on Mr Eagan. | 0:12:25 | 0:12:27 | |
Is he in on it? | 0:12:27 | 0:12:29 | |
Not unless you wake him up. | 0:12:29 | 0:12:30 | |
Oh. ..Oh! | 0:12:30 | 0:12:34 | |
Ooh! | 0:13:34 | 0:13:36 | |
Hello, Pearly. | 0:13:42 | 0:13:43 | |
Don't try anything sudden. | 0:13:47 | 0:13:49 | |
You might startle me. | 0:13:49 | 0:13:51 | |
Get up. | 0:13:54 | 0:13:56 | |
I can't. | 0:13:57 | 0:13:58 | |
Don't be a fool. You haven't been shot. | 0:13:58 | 0:14:01 | |
Not with this gun, anyway. | 0:14:01 | 0:14:03 | |
Gee, I thought I had a paralysation from the slug or something. | 0:14:11 | 0:14:14 | |
Haven't you ever had your picture taken before? | 0:14:14 | 0:14:16 | |
You mean that's what that flash was? | 0:14:18 | 0:14:19 | |
It was just an ordinary flash bulb. | 0:14:19 | 0:14:21 | |
And with any luck, | 0:14:21 | 0:14:23 | |
we should have a beautiful picture of you | 0:14:23 | 0:14:25 | |
with the safe half-open. | 0:14:25 | 0:14:26 | |
What were you looking for? | 0:14:26 | 0:14:28 | |
Nothing. | 0:14:29 | 0:14:31 | |
You think I'm a half-wit? | 0:14:31 | 0:14:32 | |
Why, no, Mr Eagan. | 0:14:32 | 0:14:34 | |
You wouldn't have been looking | 0:14:34 | 0:14:36 | |
for 90,000 in cash, by any chance? | 0:14:36 | 0:14:38 | |
Why, gee, I didn't know | 0:14:38 | 0:14:40 | |
there was that much money in the world! | 0:14:40 | 0:14:41 | |
Who told you to come here and find out? | 0:14:41 | 0:14:42 | |
Nobody! I was... Well, I just thought... | 0:14:42 | 0:14:45 | |
Don't waste my time! | 0:14:45 | 0:14:46 | |
You never thought up anything like that yourself! | 0:14:46 | 0:14:48 | |
You're just a hired safe-cracker. | 0:14:48 | 0:14:50 | |
I know your record. | 0:14:50 | 0:14:52 | |
I'll tell you what I'm going to do. | 0:14:52 | 0:14:54 | |
I'm going to give you just ten seconds to tell me who sent you. | 0:14:54 | 0:14:58 | |
And if you don't tell me, | 0:14:58 | 0:14:59 | |
you know what's going to happen? | 0:14:59 | 0:15:01 | |
No. | 0:15:01 | 0:15:03 | |
I'm going to have to shoot you. | 0:15:03 | 0:15:05 | |
Yeah. | 0:15:05 | 0:15:07 | |
I have a picture to prove that you were opening my safe. | 0:15:07 | 0:15:10 | |
I'll plant a gun on you. | 0:15:10 | 0:15:11 | |
And I'll say that you were trying to draw it as I came in. | 0:15:11 | 0:15:14 | |
Well, I never squealed on anybody in my life. | 0:15:14 | 0:15:16 | |
If you don't start now, you'll never have another chance. | 0:15:16 | 0:15:19 | |
Well... | 0:15:20 | 0:15:22 | |
..it was Rocky. | 0:15:23 | 0:15:25 | |
Oh...! | 0:15:26 | 0:15:28 | |
Thank you, Pearly. | 0:15:30 | 0:15:31 | |
That's all right. | 0:15:31 | 0:15:32 | |
You are being very helpful. | 0:15:32 | 0:15:35 | |
I'm going to ask you to do just one more thing for me... | 0:15:35 | 0:15:38 | |
then we'll forget all about it. | 0:15:38 | 0:15:40 | |
Well, sure, Mr Eagan. Anything you say. | 0:15:40 | 0:15:42 | |
Go back to Rocky. Don't tell him anything about this. | 0:15:42 | 0:15:46 | |
Tell him that I ran into you on the street | 0:15:46 | 0:15:47 | |
when you were on the way here. | 0:15:47 | 0:15:49 | |
Say that I sent you to tell him | 0:15:49 | 0:15:51 | |
that I particularly want to see him here tonight. | 0:15:51 | 0:15:53 | |
Sure, sure. | 0:15:53 | 0:15:54 | |
And don't forget, | 0:15:54 | 0:15:55 | |
if you don't get this story right, | 0:15:55 | 0:15:56 | |
some of the boys at headquarters might like to see | 0:15:56 | 0:15:58 | |
that picture I have of you. | 0:15:58 | 0:15:59 | |
That's OK, Mr Eagan. | 0:15:59 | 0:16:01 | |
I'll tell him. | 0:16:01 | 0:16:02 | |
Good night, Pearly. | 0:16:02 | 0:16:03 | |
Good night, Mr Eagan. | 0:16:03 | 0:16:04 | |
DOOR OPENS | 0:16:14 | 0:16:16 | |
GUNSHOT | 0:16:16 | 0:16:18 | |
SOMEONE WHISTLES A TUNE | 0:17:16 | 0:17:18 | |
Simon! | 0:17:21 | 0:17:23 | |
Templar, you crazy fool! | 0:17:23 | 0:17:25 | |
Hello, Henry. How are you? | 0:17:25 | 0:17:27 | |
Glad to see you again. | 0:17:27 | 0:17:30 | |
Well, you seem to be adding to your woes. | 0:17:30 | 0:17:32 | |
Who is this gentleman? | 0:17:32 | 0:17:33 | |
Eagan. Now, you know that as well as I do! | 0:17:33 | 0:17:35 | |
Oh, yes, of course. | 0:17:35 | 0:17:36 | |
One of the members of that race-fixing fraternity | 0:17:36 | 0:17:38 | |
that made you a present of 50,000. | 0:17:38 | 0:17:41 | |
Henry, I call it most ungrateful of you. | 0:17:41 | 0:17:43 | |
Biting the hand that fed you! | 0:17:43 | 0:17:44 | |
Listen to me, now...! | 0:17:44 | 0:17:45 | |
By all means, Henry. By all means. | 0:17:45 | 0:17:47 | |
That's exactly what I came all the way across the Atlantic to do. | 0:17:47 | 0:17:49 | |
I read something in the newspaper about your fall from grace, | 0:17:49 | 0:17:52 | |
and I simply couldn't wait to hear the whole story from your own lips. | 0:17:52 | 0:17:54 | |
Now, confide in me. | 0:17:54 | 0:17:56 | |
Was he threatening to cut off your subsidy? | 0:17:56 | 0:17:59 | |
Now, this is no joking matter. | 0:17:59 | 0:18:01 | |
You realise I'll have to book you for this. | 0:18:01 | 0:18:03 | |
Let me see your badge, Officer. | 0:18:03 | 0:18:06 | |
Well, I can still turn you over to the authorities... | 0:18:08 | 0:18:10 | |
as a citizen who witnessed a crime. | 0:18:10 | 0:18:12 | |
Did you witness a crime, Henry? | 0:18:12 | 0:18:14 | |
Well, maybe not technically. | 0:18:14 | 0:18:19 | |
Once right through the heart, eh? | 0:18:19 | 0:18:22 | |
Simon, I know you did this for me, | 0:18:22 | 0:18:25 | |
but I've got my duty to perform. | 0:18:25 | 0:18:27 | |
All right, Henry, search me. | 0:18:27 | 0:18:28 | |
In the name of the law. | 0:18:28 | 0:18:30 | |
Can't shoot a man unless you have a gun, you know? | 0:18:30 | 0:18:32 | |
Uh, may I? | 0:18:32 | 0:18:34 | |
I see. Reloaded it before I got here. | 0:18:37 | 0:18:41 | |
All right, I won't tell anyone. | 0:18:41 | 0:18:43 | |
Now, let's have the rest of it. What were you doing here? | 0:18:43 | 0:18:45 | |
Well, I came to have a look in that safe. | 0:18:45 | 0:18:48 | |
Eagan kept books for the entire organisation. | 0:18:48 | 0:18:50 | |
Blackmail, Henry? | 0:18:50 | 0:18:53 | |
You seem to forget I've been suspended from duty! | 0:18:53 | 0:18:55 | |
I've got to clear myself. Nobody else is going to! | 0:18:55 | 0:18:58 | |
Yes, of course. | 0:18:58 | 0:18:59 | |
Well, it makes a pretty good story so far. | 0:18:59 | 0:19:00 | |
Somebody beat you to it, was interrupted by Eagan, | 0:19:00 | 0:19:04 | |
but wasn't quite fast enough on the draw. | 0:19:04 | 0:19:06 | |
That's what it looks like. | 0:19:06 | 0:19:09 | |
I wish Eagan lived a little longer. | 0:19:09 | 0:19:10 | |
Why? Didn't you have enough time to gloat over him? | 0:19:10 | 0:19:13 | |
Don't talk like that. You know I didn't do this! | 0:19:13 | 0:19:16 | |
Now, what good would it do me? | 0:19:16 | 0:19:17 | |
Somebody's got to make a confession to clear me. | 0:19:17 | 0:19:19 | |
Now, why should I kill one of the five men I might've got a confession from? | 0:19:19 | 0:19:21 | |
I know, Henry, but I expect you have your motives. | 0:19:21 | 0:19:23 | |
Far be it for me to interfere with your private business. | 0:19:23 | 0:19:27 | |
Now, before we get out of here, | 0:19:27 | 0:19:30 | |
I suggest we look around | 0:19:30 | 0:19:32 | |
to see if you haven't left any clues behind. | 0:19:32 | 0:19:36 | |
Did you notice this, Henry? | 0:19:36 | 0:19:39 | |
A very interesting device. | 0:19:40 | 0:19:43 | |
Rather a clever chap, your Mr Eagan. | 0:19:43 | 0:19:45 | |
Yeah? Then what's he doing down there on the floor? | 0:19:45 | 0:19:47 | |
Oh, we all miss sometimes, Henry. | 0:19:47 | 0:19:49 | |
It's a good thing we found this gadget. | 0:19:49 | 0:19:51 | |
Let's take it home and develop it. | 0:19:51 | 0:19:53 | |
See if it really flatters you. | 0:19:53 | 0:19:55 | |
What have you got there? | 0:20:09 | 0:20:10 | |
Oh, nothing, just a rose petal. | 0:20:10 | 0:20:12 | |
Say, Henry, what did you do with that 50,000? | 0:20:16 | 0:20:19 | |
Not so loud. You'll wake up my wife. | 0:20:19 | 0:20:21 | |
Do you mean to say you didn't share it with her? | 0:20:21 | 0:20:23 | |
One more crack like that and I'll make you eat that negative. | 0:20:23 | 0:20:26 | |
Now, Henry, if you want me to work with you, | 0:20:26 | 0:20:28 | |
you'll have to make a clean breast of the whole thing. | 0:20:28 | 0:20:30 | |
I had enough on that Eagan bunch to hang the whole mob. | 0:20:30 | 0:20:33 | |
And they had just enough on you to get your badge, eh? | 0:20:33 | 0:20:37 | |
Ah, Henry, you're getting old. | 0:20:37 | 0:20:38 | |
Yeah, I started ageing when Eagan got rid of my prize witness. | 0:20:38 | 0:20:42 | |
You mean Johnny Summers? Yeah. | 0:20:42 | 0:20:43 | |
He was a smart boy, | 0:20:43 | 0:20:44 | |
and I had him planted at Weldon. | 0:20:44 | 0:20:45 | |
He got a dose of lead poisoning. | 0:20:45 | 0:20:47 | |
That was careless of him. | 0:20:47 | 0:20:49 | |
Very careless. The papers resented it almost as much as he did. | 0:20:49 | 0:20:52 | |
Is the developer ready? It is. | 0:20:52 | 0:20:54 | |
You're going to see a picture of a very beautiful woman. | 0:20:56 | 0:20:58 | |
Now, remember, Henry, you're a married man. | 0:21:01 | 0:21:03 | |
I'll try to control myself. | 0:21:03 | 0:21:06 | |
Hey! | 0:21:15 | 0:21:16 | |
Gorgeous, isn't she? | 0:21:16 | 0:21:18 | |
I guess I can still struggle along with Lucy. | 0:21:23 | 0:21:27 | |
Now, whatever made you think it was a woman, anyway? | 0:21:27 | 0:21:29 | |
I don't know. | 0:21:29 | 0:21:31 | |
I suppose it was just my romantic soul getting the better of me again. | 0:21:31 | 0:21:34 | |
Well, for the benefit of your romantic soul, | 0:21:34 | 0:21:36 | |
that monkey puss belongs to "Pearly" Gates, | 0:21:36 | 0:21:38 | |
Rocky Weldon's muscle man. | 0:21:38 | 0:21:40 | |
So he killed Eagan, eh? | 0:21:40 | 0:21:41 | |
I wonder why. | 0:21:41 | 0:21:43 | |
Probably some beef over a pay-off. | 0:21:43 | 0:21:46 | |
Let's see, it's one o'clock. | 0:21:46 | 0:21:47 | |
Rocky's still at his night club... | 0:21:47 | 0:21:49 | |
Now, wait a minute, Simon. | 0:21:49 | 0:21:50 | |
Why? Can't I go to a nightclub? | 0:21:50 | 0:21:52 | |
I'll not be party to any rough stuff. | 0:21:52 | 0:21:53 | |
You toddle off to bed like a good boy. | 0:21:53 | 0:21:55 | |
These dens of iniquity are no place for respectably married men. | 0:21:55 | 0:21:57 | |
I'll just drift into Rocky's gin palace and see what's going on. | 0:21:57 | 0:22:01 | |
You better be careful, Simon. | 0:22:01 | 0:22:03 | |
Don't worry. | 0:22:03 | 0:22:04 | |
And if I can squeeze a confession out of him, | 0:22:04 | 0:22:06 | |
will you split those 50,000 smackers with me? | 0:22:06 | 0:22:09 | |
DOOR CLOSES | 0:22:11 | 0:22:13 | |
Good evening. Good evening. | 0:22:33 | 0:22:35 | |
Table this evening, sir? | 0:22:35 | 0:22:36 | |
No, thanks. I'm just going to the bar. | 0:22:36 | 0:22:38 | |
Thank you. | 0:22:38 | 0:22:39 | |
Evening, sir. Good evening. | 0:22:50 | 0:22:51 | |
Scotch and plain water. | 0:22:51 | 0:22:53 | |
Well, well, well, fancy meeting you. | 0:23:11 | 0:23:14 | |
Haven't you made some mistake? | 0:23:14 | 0:23:15 | |
Oh, no. You should take more care over your disguise. | 0:23:15 | 0:23:17 | |
No use hanging all that mosquito netting over your face | 0:23:17 | 0:23:20 | |
while you're still wearing that bracelet. | 0:23:20 | 0:23:21 | |
I noticed it on the boat. | 0:23:21 | 0:23:23 | |
I'd hoped I'd lost you. | 0:23:23 | 0:23:24 | |
I warned you I'd stay on your trail. | 0:23:24 | 0:23:26 | |
And it seems you don't take me seriously. | 0:23:26 | 0:23:28 | |
I'm glad you liked my roses. | 0:23:28 | 0:23:31 | |
Thanks for sending them. | 0:23:31 | 0:23:32 | |
They were a peace offering. | 0:23:32 | 0:23:33 | |
And since you're wearing them, you must have forgiven me. | 0:23:33 | 0:23:35 | |
What makes you think so? | 0:23:35 | 0:23:37 | |
Well, because if you were still mad at me, | 0:23:37 | 0:23:39 | |
you would probably have thrown them on the floor | 0:23:39 | 0:23:41 | |
and jumped up and down on them, foaming at the mouth. | 0:23:41 | 0:23:43 | |
Ahh! That's better. | 0:23:44 | 0:23:46 | |
You know, for a long time, | 0:23:46 | 0:23:48 | |
I was afraid you weren't going to like me, | 0:23:48 | 0:23:49 | |
especially when you made such a quick getaway from the dock. | 0:23:49 | 0:23:52 | |
Of course, I had no idea you were going to be met. | 0:23:52 | 0:23:54 | |
Who were they? | 0:23:54 | 0:23:56 | |
Just a couple of friends. | 0:23:56 | 0:23:57 | |
Yes, I noticed how affectionate they were. | 0:23:57 | 0:23:59 | |
I was quite jealous. | 0:23:59 | 0:24:01 | |
You shouldn't have made a scene. | 0:24:01 | 0:24:02 | |
I realised that afterwards. | 0:24:02 | 0:24:03 | |
You must have been terribly embarrassed. | 0:24:03 | 0:24:06 | |
Of course! That's why you ran away! | 0:24:06 | 0:24:08 | |
Exactly. | 0:24:08 | 0:24:09 | |
And your friends didn't stay very long, either. | 0:24:09 | 0:24:11 | |
I think they were rather upset, too. | 0:24:11 | 0:24:13 | |
It's a pity. I would have liked to have known them better. | 0:24:13 | 0:24:16 | |
May I? | 0:24:18 | 0:24:20 | |
Making a collection? | 0:24:23 | 0:24:24 | |
Yes, I was thinking of starting one. | 0:24:24 | 0:24:27 | |
A man was murdered this evening. | 0:24:27 | 0:24:30 | |
Really? Anyone interesting? | 0:24:31 | 0:24:34 | |
A man named Eagan. | 0:24:34 | 0:24:36 | |
He was reputed to be the mouthpiece | 0:24:36 | 0:24:38 | |
of this bunch of race-fixers | 0:24:38 | 0:24:40 | |
that Fernack got himself in trouble about. | 0:24:40 | 0:24:42 | |
You remember, we were talking about it on the boat. | 0:24:42 | 0:24:44 | |
Oh, yes, I remember. | 0:24:44 | 0:24:45 | |
Would you be interested if I told you who killed him? | 0:24:45 | 0:24:48 | |
Do you know? | 0:24:48 | 0:24:49 | |
I have a theory. | 0:24:49 | 0:24:50 | |
Go on. | 0:24:50 | 0:24:52 | |
I think it was a jealous woman. | 0:24:52 | 0:24:53 | |
Oh! Jealous women don't do those things these days. | 0:24:53 | 0:24:56 | |
They just sue the man and retire on the proceeds. | 0:24:56 | 0:24:58 | |
That's true. | 0:24:58 | 0:24:59 | |
Of course, Eagan's safe had been broken open, | 0:24:59 | 0:25:01 | |
so maybe she paid herself off that way. | 0:25:01 | 0:25:03 | |
Yes, sir? | 0:25:10 | 0:25:11 | |
Brandy and a paper. | 0:25:11 | 0:25:12 | |
A glass of milk. | 0:25:12 | 0:25:15 | |
Wish I knew why I ever hired a moron like you. | 0:25:15 | 0:25:17 | |
I suppose you know the spot you put me in? | 0:25:17 | 0:25:19 | |
But you should have seen the spot I was in! | 0:25:19 | 0:25:21 | |
That's the sort of risk you get paid to take. | 0:25:21 | 0:25:23 | |
Should have thought of something else to say | 0:25:23 | 0:25:25 | |
without telling him I sent you. | 0:25:25 | 0:25:26 | |
Listen, Rocky, I had to tell him! | 0:25:26 | 0:25:28 | |
He said he knew I never got an idea like that out of my own head. | 0:25:28 | 0:25:31 | |
Why, he was gonna blast me right there if I didn't squeal. | 0:25:31 | 0:25:34 | |
And I told you about it, ain't I? | 0:25:34 | 0:25:35 | |
So, when you go see him, you can go heeled. | 0:25:35 | 0:25:38 | |
Why didn't you shoot him when you got outside | 0:25:42 | 0:25:44 | |
and had the chance? | 0:25:44 | 0:25:45 | |
I never thought of it, boss. I was too scared. | 0:25:45 | 0:25:48 | |
All I could think of was to get back here and tip you off. | 0:25:48 | 0:25:50 | |
Eh, you nit-wit! | 0:25:50 | 0:25:52 | |
They tell me you ought to chew this stuff. | 0:25:52 | 0:25:54 | |
Now I ask ya, how is a guy gonna chew milk? | 0:25:54 | 0:25:57 | |
Chew that! | 0:26:02 | 0:26:04 | |
Gee! | 0:26:06 | 0:26:07 | |
So you never thought of that, eh? | 0:26:07 | 0:26:09 | |
Aw, now, wait a minute, Rocky! | 0:26:10 | 0:26:12 | |
And you wanted me to go out there heeled | 0:26:12 | 0:26:13 | |
so I could be caught with a gun | 0:26:13 | 0:26:14 | |
and charged with killing Eagan? | 0:26:14 | 0:26:15 | |
Listen, you rat! | 0:26:15 | 0:26:17 | |
I'll give you just 15 minutes flat | 0:26:17 | 0:26:18 | |
to bring that money upstairs. | 0:26:18 | 0:26:20 | |
You understand? | 0:26:20 | 0:26:21 | |
But I, I... | 0:26:21 | 0:26:22 | |
Excuse me, I want to say hello to a friend. | 0:26:22 | 0:26:25 | |
Certainly. | 0:26:25 | 0:26:26 | |
And don't run away this time. | 0:26:26 | 0:26:28 | |
Hello, Pearly. Hi. | 0:26:33 | 0:26:36 | |
Hey, I don't know you! | 0:26:36 | 0:26:37 | |
I know you. | 0:26:37 | 0:26:38 | |
Yeah? What are ya, a cop? | 0:26:38 | 0:26:40 | |
Well, they call me "The Saint". | 0:26:40 | 0:26:42 | |
You may have heard about me. | 0:26:42 | 0:26:43 | |
Saint who? | 0:26:43 | 0:26:45 | |
The Saint?! | 0:26:45 | 0:26:46 | |
I figured you and I ought to get acquainted. | 0:26:46 | 0:26:48 | |
Yeah, well, what do you want with me? | 0:26:48 | 0:26:50 | |
I want to show you a picture. | 0:26:50 | 0:26:52 | |
Hey, this is me! | 0:26:56 | 0:26:57 | |
Exactly. | 0:26:57 | 0:26:58 | |
I don't really think it does you justice, | 0:26:58 | 0:26:59 | |
but it's quite recognisable. | 0:26:59 | 0:27:01 | |
Hey, this looks like... | 0:27:03 | 0:27:04 | |
That's just what it is, brother. | 0:27:04 | 0:27:06 | |
It's Mr Eagan's safe. | 0:27:06 | 0:27:08 | |
Ahh. | 0:27:14 | 0:27:15 | |
Now, don't you wish that was the negative? | 0:27:15 | 0:27:17 | |
Now, look, I didn't do it. | 0:27:21 | 0:27:23 | |
He caught me at the safe, that's all, | 0:27:23 | 0:27:25 | |
then he told me to go back to Rocky. | 0:27:25 | 0:27:26 | |
And I'm telling ya, I didn't do it! | 0:27:26 | 0:27:28 | |
Did you tell that to Rocky? | 0:27:28 | 0:27:29 | |
Yeah, sure. | 0:27:29 | 0:27:30 | |
What did he say? | 0:27:30 | 0:27:31 | |
I got 15 minutes to raise 90,000 bucks. | 0:27:31 | 0:27:33 | |
Hey, I gotta lam out of here. | 0:27:33 | 0:27:35 | |
Just a minute, what 90,000 bucks? | 0:27:35 | 0:27:36 | |
The dough that was supposed to be in Eagan's safe! | 0:27:36 | 0:27:38 | |
What did you do with it? | 0:27:38 | 0:27:39 | |
I didn't get it, I tell ya. It wasn't there. | 0:27:39 | 0:27:41 | |
I'm on the spot! | 0:27:41 | 0:27:43 | |
Don't be in such a hurry. | 0:27:43 | 0:27:44 | |
Supposing I show that picture to Rocky? | 0:27:44 | 0:27:47 | |
Or supposing I just mailed it to police headquarters, | 0:27:47 | 0:27:48 | |
you'd be even more on the spot then, | 0:27:48 | 0:27:50 | |
wouldn't you? | 0:27:50 | 0:27:51 | |
I get it. You killed Eagan. | 0:27:51 | 0:27:54 | |
You got that dough! | 0:27:54 | 0:27:55 | |
Well, that's hardly the point, is it? | 0:27:55 | 0:27:56 | |
The point is that I can prove you did it. | 0:27:56 | 0:28:00 | |
Yeah. | 0:28:00 | 0:28:02 | |
OK, what's the deal? | 0:28:02 | 0:28:04 | |
I can't be any worse off than I am. | 0:28:04 | 0:28:05 | |
Well, supposing that I don't send that picture to the police? | 0:28:05 | 0:28:07 | |
Supposing I tell Rocky that you didn't do it | 0:28:07 | 0:28:10 | |
and that you haven't got the money? | 0:28:10 | 0:28:11 | |
On account of you done it? | 0:28:11 | 0:28:12 | |
Maybe. | 0:28:12 | 0:28:14 | |
Eh, so what do I do? | 0:28:14 | 0:28:15 | |
You help me to prove that Rocky and his pals framed Fernack. | 0:28:15 | 0:28:18 | |
Hey, I'd be taking an awful chance. | 0:28:18 | 0:28:21 | |
It's a better risk than the electric chair | 0:28:21 | 0:28:22 | |
or waking up in a ditch somewhere | 0:28:22 | 0:28:24 | |
with the top of your head blown off. | 0:28:24 | 0:28:25 | |
I ain't got no choice, have I? | 0:28:27 | 0:28:29 | |
I'm afraid not. | 0:28:29 | 0:28:31 | |
Let's go and see Rocky together. | 0:28:31 | 0:28:33 | |
He's got an apartment upstairs, hasn't he? | 0:28:33 | 0:28:35 | |
Yeah. | 0:28:35 | 0:28:37 | |
Yeah, we can go out that door. | 0:28:37 | 0:28:38 | |
He's got a private elevator. | 0:28:38 | 0:28:40 | |
All right. Let's go. | 0:28:40 | 0:28:41 | |
I just wish I knew your angle, Saint. | 0:29:02 | 0:29:05 | |
Whose side are you on? | 0:29:05 | 0:29:06 | |
I'm on my own side. | 0:29:06 | 0:29:08 | |
Where does that put me? | 0:29:10 | 0:29:12 | |
That depends. | 0:29:12 | 0:29:13 | |
If you were cleverer than you look, | 0:29:13 | 0:29:14 | |
you'd be on my side. | 0:29:14 | 0:29:15 | |
Gee, the weighing machine said I'd be clever. | 0:29:15 | 0:29:17 | |
I'm just wondering if you're cleverer than Rocky. | 0:29:17 | 0:29:21 | |
ELEVATOR STOPS | 0:29:21 | 0:29:22 | |
Now, see here, Templar... | 0:29:43 | 0:29:44 | |
Why, hello, Henry. | 0:29:44 | 0:29:46 | |
What a small world it is. | 0:29:46 | 0:29:48 | |
And what's your alibi this time? | 0:29:48 | 0:29:50 | |
Rocky. | 0:29:50 | 0:29:52 | |
Pearly, this time we've got you | 0:29:55 | 0:29:58 | |
dead to rights. | 0:29:58 | 0:29:59 | |
Who, me? | 0:29:59 | 0:30:00 | |
Yes, you. | 0:30:00 | 0:30:01 | |
First Eagan, then you took care of Weldon here. | 0:30:01 | 0:30:03 | |
I'm downstairs, I'm talking to Rocky, | 0:30:03 | 0:30:05 | |
he goes upstairs, so I'm talking to The Saint. | 0:30:05 | 0:30:07 | |
So we go upstairs. | 0:30:07 | 0:30:09 | |
What am I, a magician? | 0:30:09 | 0:30:10 | |
That's right, Henry. | 0:30:10 | 0:30:12 | |
If you ask me, | 0:30:12 | 0:30:13 | |
this flatfoot is trying to squeeze the two of us | 0:30:13 | 0:30:14 | |
behind the eight ball, Saint. Am I right? | 0:30:14 | 0:30:16 | |
Certainly looks like it. | 0:30:16 | 0:30:18 | |
For heaven's sake, quit clowning, Templar. | 0:30:18 | 0:30:20 | |
You know better than that. | 0:30:20 | 0:30:21 | |
I hope so, for your sake. | 0:30:21 | 0:30:23 | |
Pearly, what was this money that was in Eagan's safe? | 0:30:24 | 0:30:27 | |
You think we oughta discuss it in front of him? | 0:30:27 | 0:30:29 | |
Oh, he's all right. | 0:30:29 | 0:30:31 | |
Well, that 90 grand was the fix money. | 0:30:31 | 0:30:34 | |
All the boys chipped in, see? | 0:30:34 | 0:30:35 | |
What boys? | 0:30:35 | 0:30:36 | |
Well, there was Big Ben and Rocky. | 0:30:36 | 0:30:39 | |
There was Sam Reese and Leo Sloan, | 0:30:39 | 0:30:40 | |
and there was Max Bremer. | 0:30:40 | 0:30:42 | |
Don't ask me how they fixed this dick, | 0:30:42 | 0:30:43 | |
I wasn't in on their private confidences. | 0:30:43 | 0:30:45 | |
I see. Now, that leaves Sloan, Bremer, and Reese | 0:30:45 | 0:30:47 | |
still among the living. | 0:30:47 | 0:30:49 | |
Maybe. Unless this phony's already's been to call on them. | 0:30:49 | 0:30:51 | |
Tell me, Pearly, | 0:30:51 | 0:30:52 | |
after Eagan and Weldon, | 0:30:52 | 0:30:54 | |
who do you think rates number three? | 0:30:54 | 0:30:55 | |
Well, that oughta be Leo Sloan. | 0:30:55 | 0:30:57 | |
He and Eagan did most of the brain work for the bunch. | 0:30:57 | 0:30:59 | |
Hey, wait a minute. | 0:30:59 | 0:31:02 | |
Maybe I'm tagged with a number, too. | 0:31:02 | 0:31:05 | |
You know, I think it'd be a good idea if we had a conference about this | 0:31:05 | 0:31:08 | |
and did some powerful thinking. | 0:31:08 | 0:31:11 | |
But this is hardly the place for it. | 0:31:11 | 0:31:14 | |
Because somebody else might butt in here at any moment, | 0:31:14 | 0:31:16 | |
and we certainly don't want to be caught | 0:31:16 | 0:31:18 | |
with any more dead bodies strewn around us, | 0:31:18 | 0:31:20 | |
do we, Henry? | 0:31:20 | 0:31:21 | |
Hey, I ain't got any place else to go. | 0:31:21 | 0:31:24 | |
I used to live here, too. | 0:31:24 | 0:31:25 | |
Well, you've got a home, Henry. | 0:31:25 | 0:31:27 | |
Yes, but my wife...! | 0:31:27 | 0:31:28 | |
Oh, yes, of course. I was forgetting. | 0:31:28 | 0:31:30 | |
You haven't told her anything | 0:31:30 | 0:31:31 | |
about this new racket of yours, have you? | 0:31:31 | 0:31:33 | |
Well, can't you get her out of the way, | 0:31:33 | 0:31:35 | |
tell her you want to be free to work on this case by yourself | 0:31:35 | 0:31:37 | |
or send her off to comfort | 0:31:37 | 0:31:39 | |
her paralytic old aunt in Podunk or something? | 0:31:39 | 0:31:41 | |
Well, I suppose... | 0:31:41 | 0:31:42 | |
All right. That's settled, then. | 0:31:42 | 0:31:44 | |
We'll meet at your place tomorrow morning. | 0:31:44 | 0:31:45 | |
So what happens to me? | 0:31:45 | 0:31:46 | |
You can come along to my hotel with me, if you like. | 0:31:46 | 0:31:48 | |
Then I'll be sure you keep out of mischief. | 0:31:48 | 0:31:51 | |
Henry, how did you get in here? | 0:31:51 | 0:31:53 | |
The fire escape. | 0:31:53 | 0:31:54 | |
Oh. Well, what's good enough for you | 0:31:54 | 0:31:56 | |
is good enough for me. | 0:31:56 | 0:31:57 | |
Pearly, go downstairs and get my hat and coat | 0:31:57 | 0:31:59 | |
and meet us outside. | 0:31:59 | 0:32:00 | |
Oh, if we only knew who was going around | 0:32:13 | 0:32:15 | |
murdering all these men. | 0:32:15 | 0:32:16 | |
Ain't he the slick one, though? | 0:32:16 | 0:32:18 | |
Well, you know, all this isn't getting us anywhere at all. | 0:32:18 | 0:32:20 | |
Here's how it stacks up. | 0:32:20 | 0:32:21 | |
It's perfectly simple. | 0:32:21 | 0:32:23 | |
We can kill two birds with one stone... | 0:32:23 | 0:32:24 | |
if you'll pardon the expression, Henry. | 0:32:24 | 0:32:26 | |
How? | 0:32:26 | 0:32:27 | |
We just borrow comrade Sloan. | 0:32:27 | 0:32:30 | |
What? | 0:32:30 | 0:32:31 | |
Take him away. | 0:32:31 | 0:32:32 | |
You can't do that. | 0:32:32 | 0:32:33 | |
We can try. | 0:32:33 | 0:32:35 | |
And if we make it, we do two things. | 0:32:35 | 0:32:36 | |
We save his life, perhaps. | 0:32:36 | 0:32:38 | |
And then we can work on him a little, | 0:32:38 | 0:32:39 | |
and maybe we can persuade him | 0:32:39 | 0:32:40 | |
to tell us all about this graft business. | 0:32:40 | 0:32:42 | |
Oh, we'd never get away with it. | 0:32:42 | 0:32:43 | |
We've got to, Henry. | 0:32:43 | 0:32:45 | |
I suppose you're right, but... | 0:32:45 | 0:32:46 | |
We need you, too, Pearly. | 0:32:46 | 0:32:48 | |
Me? What for? | 0:32:48 | 0:32:50 | |
You got to keep Leo safe for us | 0:32:50 | 0:32:51 | |
until we can pick him up. | 0:32:51 | 0:32:53 | |
Now, I'd rather leave that until after dark. | 0:32:53 | 0:32:55 | |
It'll make it much easier. | 0:32:55 | 0:32:56 | |
So I want you to call him and tell him that Weldon | 0:32:56 | 0:32:58 | |
told you something before he died. | 0:32:58 | 0:33:00 | |
Tell him he's in danger. | 0:33:00 | 0:33:01 | |
Tell him to lock all his doors and windows | 0:33:01 | 0:33:03 | |
and not to move a step until you get there this evening. | 0:33:03 | 0:33:04 | |
But, hey, that puts me between the devil and the frying pan. | 0:33:04 | 0:33:07 | |
Ah, but you've got something to look forward to. | 0:33:07 | 0:33:10 | |
The day one of these gentlemen decides to confess, | 0:33:10 | 0:33:12 | |
I'll get rid of that little negative. | 0:33:12 | 0:33:14 | |
Yeah, if they don't get rid of me first. | 0:33:14 | 0:33:16 | |
Well, suppose we do get away with it. | 0:33:16 | 0:33:18 | |
Now, where are you going to take him? | 0:33:18 | 0:33:20 | |
Now that Lucy's gone, | 0:33:20 | 0:33:21 | |
what's wrong with that nice little cellar | 0:33:21 | 0:33:22 | |
you've got downstairs? | 0:33:22 | 0:33:24 | |
Yes, sir? | 0:33:33 | 0:33:34 | |
Scotch and water. | 0:33:34 | 0:33:35 | |
I don't want anything. | 0:33:35 | 0:33:36 | |
I want a glass of milk. | 0:33:36 | 0:33:37 | |
All right, Pearly, you can call him now. | 0:33:39 | 0:33:42 | |
Why do we have to take him along? | 0:33:42 | 0:33:44 | |
We need him to get into Sloan's. | 0:33:44 | 0:33:46 | |
Besides, I'm getting fond of him. | 0:33:46 | 0:33:48 | |
I'd like to keep him for a pet. | 0:33:48 | 0:33:50 | |
Hello, Leo? | 0:33:50 | 0:33:51 | |
Pearly. | 0:33:51 | 0:33:53 | |
I'm on my way now. | 0:33:53 | 0:33:54 | |
I'll see you in a few minutes. | 0:33:54 | 0:33:55 | |
OK. | 0:33:55 | 0:33:57 | |
Well, ain't nothing happened to HIM yet. | 0:34:00 | 0:34:02 | |
Well, I hope we get there before it does. | 0:34:02 | 0:34:04 | |
Oh, I don't figure there's no rush. | 0:34:04 | 0:34:05 | |
Just so long as YOU'RE still with us. | 0:34:05 | 0:34:08 | |
Hey, it says here my life is gonna take a change. | 0:34:29 | 0:34:31 | |
And to "watch out for a man who will pose | 0:34:31 | 0:34:33 | |
"as a loyal partner in a risky enterprise." | 0:34:33 | 0:34:37 | |
You stay in the car, Henry, | 0:34:55 | 0:34:57 | |
and if anybody comes, blow the horn. | 0:34:57 | 0:34:58 | |
Say, what sort of man is your pal Sloan? | 0:35:14 | 0:35:16 | |
He's smart like an owl. | 0:35:16 | 0:35:17 | |
But he's about as tough as a butterfly. | 0:35:17 | 0:35:19 | |
Hey, what am I gonna tell him? | 0:35:20 | 0:35:22 | |
I'll do the talking. | 0:35:22 | 0:35:23 | |
SLOAN: Who is it? | 0:35:23 | 0:35:25 | |
Hello, Leo, this is me, Pearly. | 0:35:25 | 0:35:26 | |
All right, Pearly. | 0:35:26 | 0:35:28 | |
Ain't gonna shoot him, are you? | 0:35:28 | 0:35:30 | |
Not if I can help it. | 0:35:30 | 0:35:32 | |
Gee, I wish I'd been an architect | 0:35:32 | 0:35:33 | |
like my old lady wanted. | 0:35:33 | 0:35:35 | |
Hello, Pearly. | 0:35:35 | 0:35:37 | |
Hello, Leo. | 0:35:37 | 0:35:38 | |
What's this all about? | 0:35:38 | 0:35:41 | |
Oh, er, this here's a pal of mine, Leo. | 0:35:41 | 0:35:43 | |
I'm Simon Templar. | 0:35:43 | 0:35:45 | |
Templar? The Saint?! | 0:35:45 | 0:35:46 | |
I wouldn't. | 0:35:46 | 0:35:47 | |
Neither would I, Leo. | 0:35:47 | 0:35:49 | |
You dirty double-crosser! | 0:35:49 | 0:35:50 | |
You murdered Eagan for that money, | 0:35:50 | 0:35:51 | |
and then Weldon. | 0:35:51 | 0:35:53 | |
What do you want with me? I haven't got anything. | 0:35:53 | 0:35:54 | |
But I think you know something, Leo. | 0:35:54 | 0:35:56 | |
Anyway, we're going to find out. | 0:35:56 | 0:35:57 | |
You don't think you're gonna | 0:35:57 | 0:35:59 | |
get away with this, do you? | 0:35:59 | 0:36:00 | |
You'll be surprised what I think I can get away with. | 0:36:00 | 0:36:02 | |
Now, you just be a good boy and come along for a ride with us. | 0:36:02 | 0:36:04 | |
What...? | 0:36:04 | 0:36:06 | |
Where are we going? | 0:36:06 | 0:36:07 | |
Oh, come on, Leo. We ain't got all night. | 0:36:07 | 0:36:09 | |
Hello, Leo. | 0:36:17 | 0:36:19 | |
Fernack! | 0:36:19 | 0:36:20 | |
You're a police officer, Fernack. | 0:36:35 | 0:36:36 | |
You can't let them do this to me. | 0:36:36 | 0:36:38 | |
I WAS an officer, you mean. | 0:36:38 | 0:36:40 | |
Don't let them do it, Fernack! | 0:36:40 | 0:36:42 | |
Give me a chance! | 0:36:42 | 0:36:43 | |
Cool down, Leo. | 0:36:43 | 0:36:44 | |
We're going to give you a chance. | 0:36:44 | 0:36:45 | |
Have you heard any good new tricks | 0:36:48 | 0:36:49 | |
in the third degree lately? | 0:36:49 | 0:36:51 | |
Well, they say you can do a lot with a dentist's drill. | 0:36:51 | 0:36:54 | |
I've always wanted to try that. | 0:36:54 | 0:36:55 | |
Oh, that must be rather amusing. | 0:36:55 | 0:36:56 | |
Hot irons are getting so old-fashioned. | 0:36:56 | 0:36:59 | |
Well, you got to know how to use them. | 0:36:59 | 0:37:01 | |
That's right. You've got to get the temperature right. | 0:37:01 | 0:37:02 | |
If you get them too hot, they don't hurt so much. | 0:37:02 | 0:37:05 | |
This way, Mr Sloan. | 0:38:00 | 0:38:01 | |
Oh, I'm so sorry. | 0:38:02 | 0:38:04 | |
I do hope you didn't hurt yourself. | 0:38:04 | 0:38:06 | |
Here, sit down, won't you? | 0:38:06 | 0:38:08 | |
Aah! | 0:38:10 | 0:38:12 | |
What happened? | 0:38:12 | 0:38:13 | |
I think Mr Sloan is just a little excited, that's all. | 0:38:13 | 0:38:16 | |
Try again, Mr Sloan. | 0:38:16 | 0:38:17 | |
I'm sure it'll be all right this time. | 0:38:17 | 0:38:20 | |
Now, then, Henry... | 0:38:40 | 0:38:42 | |
..what should we start with? | 0:38:45 | 0:38:48 | |
Maybe a little fancy hammer work on the shins | 0:38:48 | 0:38:50 | |
just to warm him up, eh? | 0:38:50 | 0:38:52 | |
No, no, no, no! | 0:38:52 | 0:38:53 | |
No! I'll do it! | 0:38:53 | 0:38:54 | |
I'll do anything you say. | 0:38:54 | 0:38:55 | |
Don't do anything to me! | 0:38:55 | 0:38:56 | |
I'll tell you everything I know! | 0:38:56 | 0:38:58 | |
We better get it in writing. | 0:38:58 | 0:38:59 | |
Pearly, go upstairs to the icebox and get some cold beer. | 0:38:59 | 0:39:02 | |
I think this is going to be a thirsty session. | 0:39:02 | 0:39:04 | |
You got some paper down here? | 0:39:04 | 0:39:05 | |
No. I'll get some. | 0:39:05 | 0:39:06 | |
I'll get it. Where is it? | 0:39:06 | 0:39:07 | |
It's in Lucy's desk. | 0:39:07 | 0:39:08 | |
All right. | 0:39:08 | 0:39:09 | |
GUNSHOT | 0:39:14 | 0:39:16 | |
Well, Henry? | 0:39:24 | 0:39:26 | |
What happened? | 0:39:26 | 0:39:28 | |
Oh, I get it. | 0:39:28 | 0:39:29 | |
Somebody shot him through that window. | 0:39:29 | 0:39:31 | |
Pearly, you may as well go outside | 0:39:31 | 0:39:33 | |
and see if you can find anyone. | 0:39:33 | 0:39:35 | |
Tsk, tsk, tsk! | 0:39:35 | 0:39:37 | |
Henry, I used to think I was pretty good, | 0:39:38 | 0:39:40 | |
but I've never seen anybody run up a score | 0:39:40 | 0:39:41 | |
like you can. | 0:39:41 | 0:39:42 | |
Templar, I'm telling you...! | 0:39:42 | 0:39:44 | |
That's all right, Henry. You don't have to tell me. | 0:39:44 | 0:39:46 | |
I'm not a policeman. | 0:39:46 | 0:39:47 | |
What worries me is what the boys | 0:39:47 | 0:39:48 | |
down at headquarters are going to say. | 0:39:48 | 0:39:50 | |
And then there's the jury to face. | 0:39:50 | 0:39:52 | |
Juries are so dumb. | 0:39:52 | 0:39:53 | |
Of course they haven't any artistic sense. | 0:39:53 | 0:39:55 | |
They just don't appreciate a good story when they hear one. | 0:39:55 | 0:39:58 | |
Well, if there's anything I can do, | 0:39:58 | 0:40:01 | |
help you with your will, for instance... | 0:40:01 | 0:40:03 | |
I'd like to will you a headache. | 0:40:03 | 0:40:04 | |
Now, is that kind, Henry? | 0:40:04 | 0:40:05 | |
Here I am trying to help you... | 0:40:05 | 0:40:07 | |
I couldn't find anybody. | 0:40:07 | 0:40:08 | |
Well, it happened just after you left the room. | 0:40:08 | 0:40:10 | |
A hand come through that window with a gun. | 0:40:10 | 0:40:12 | |
I took a wild shot at it. | 0:40:12 | 0:40:13 | |
Look! See here, Templar. | 0:40:13 | 0:40:14 | |
I only heard one shot. | 0:40:14 | 0:40:16 | |
Well, you don't think I did it. | 0:40:16 | 0:40:18 | |
Not much. | 0:40:18 | 0:40:20 | |
Hey, hang on to that rod. | 0:40:21 | 0:40:23 | |
This guy's a mad killer. | 0:40:23 | 0:40:24 | |
Yeah. | 0:40:24 | 0:40:25 | |
That leaves only two of the boys | 0:40:25 | 0:40:26 | |
that can clear you now, Henry. | 0:40:26 | 0:40:27 | |
Simon, we have to find them. | 0:40:27 | 0:40:29 | |
So you can plug 'em? | 0:40:29 | 0:40:30 | |
Not me. I'm wiping my hands of this crime wave. | 0:40:30 | 0:40:33 | |
You're too late, Pearly. | 0:40:33 | 0:40:34 | |
You've got to help us get a hold of Bremer and Reese | 0:40:34 | 0:40:36 | |
before they get it, too. | 0:40:36 | 0:40:37 | |
Because after them... | 0:40:37 | 0:40:40 | |
Me? | 0:40:42 | 0:40:43 | |
Pearly, my entire career depends on the lives of five men. | 0:40:43 | 0:40:47 | |
Three of them are dead already. | 0:40:47 | 0:40:48 | |
Now, a bullet from that gun didn't kill Leo Sloan. | 0:40:48 | 0:40:51 | |
That can be proven. | 0:40:51 | 0:40:52 | |
And if you want to duck, you're welcome to go now. | 0:40:52 | 0:40:54 | |
On the other hand, if you want to stay with us, | 0:40:54 | 0:40:56 | |
perhaps we can prevent this killer from counting up to six. | 0:40:56 | 0:40:58 | |
Well... OK. | 0:40:59 | 0:41:02 | |
What are we going to do with Leo here? | 0:41:04 | 0:41:05 | |
Maybe Henry would like to keep him as a souvenir. | 0:41:05 | 0:41:09 | |
But then Lucy wouldn't like that very much, would she? | 0:41:09 | 0:41:12 | |
So I suppose we better take him back to where we found him. | 0:41:12 | 0:41:14 | |
The sooner the better. | 0:41:14 | 0:41:16 | |
Why not now? | 0:41:16 | 0:41:17 | |
I'll feel a lot better when we get Leo home. | 0:41:19 | 0:41:21 | |
Only one more block, Pearly. | 0:41:21 | 0:41:23 | |
Extra! Paper! Extra! | 0:41:23 | 0:41:25 | |
Night club owner found murdered! | 0:41:25 | 0:41:27 | |
Extra! Paper! Read all about it! | 0:41:27 | 0:41:30 | |
Police baffled by murder wave! | 0:41:30 | 0:41:32 | |
They really got you baffled, ain't they, Mike? | 0:41:32 | 0:41:34 | |
They ain't got me baffled, sonny. | 0:41:34 | 0:41:35 | |
Yeah, you guys on the beat | 0:41:35 | 0:41:37 | |
always have it figured out ahead of the big brains. | 0:41:37 | 0:41:39 | |
Extra! Paper! Extra! Read all about it! | 0:41:39 | 0:41:41 | |
Henry, pull up at the corner. | 0:41:41 | 0:41:43 | |
I want to get a paper and see if there's any more news. | 0:41:43 | 0:41:45 | |
Don't be a fool. See that officer standing there? | 0:41:45 | 0:41:48 | |
Henry, the one sure way to attract suspicion | 0:41:48 | 0:41:50 | |
is to start evading policeman. | 0:41:50 | 0:41:52 | |
Go on, pull up. | 0:41:52 | 0:41:54 | |
Extra paper! Read all about it! | 0:41:54 | 0:41:56 | |
Let's have a paper, sonny. | 0:41:56 | 0:41:57 | |
Here you are, sir. Thanks. | 0:41:57 | 0:42:00 | |
Another murder? | 0:42:00 | 0:42:02 | |
Yeah, but Mike here has got it all solved. | 0:42:02 | 0:42:04 | |
Have you a theory, Officer? | 0:42:04 | 0:42:06 | |
Well, here's the way I analyse it. | 0:42:06 | 0:42:10 | |
This Eagan mob framed a dick named Fernack, see? | 0:42:10 | 0:42:13 | |
The way I look at it, | 0:42:13 | 0:42:15 | |
this Fernack put the slug on both of these guys, see? | 0:42:15 | 0:42:17 | |
To scare the rest of the mob into talking, see? | 0:42:17 | 0:42:21 | |
SAINT: Sounds plausible. | 0:42:21 | 0:42:22 | |
Haven't any of the big boys thought of that? | 0:42:22 | 0:42:24 | |
Maybe. Only now they can't find Fernack. | 0:42:24 | 0:42:28 | |
I wouldn't care to be in his shoes. | 0:42:28 | 0:42:30 | |
No, and I wouldn't care to be any of the guys he's after, neither. | 0:42:30 | 0:42:33 | |
I bet they're ready to cut their own throats by this time. | 0:42:33 | 0:42:36 | |
Hey, that's an idea. | 0:42:36 | 0:42:38 | |
Huh? | 0:42:38 | 0:42:39 | |
Good night, chief. | 0:42:39 | 0:42:41 | |
Well, er, take it easy. | 0:42:41 | 0:42:43 | |
Good night, Mr Sloan. | 0:42:43 | 0:42:45 | |
Did you say Sloan? | 0:42:48 | 0:42:50 | |
Sure. He's one of my best customers. | 0:42:50 | 0:42:52 | |
But I never saw him tight like that before. | 0:42:52 | 0:42:54 | |
What do you mean, tight? | 0:42:54 | 0:42:55 | |
I never seen him tight neither. | 0:42:55 | 0:42:57 | |
Well, look at him now. | 0:42:57 | 0:42:58 | |
Has he got a snootful! | 0:42:58 | 0:43:01 | |
This thing is getting out of control, Templar. | 0:43:19 | 0:43:21 | |
You know, that policeman gave me an idea. | 0:43:21 | 0:43:23 | |
He gave me a nervous breakdown. | 0:43:23 | 0:43:25 | |
Did you hear him say that the rest of the mob | 0:43:25 | 0:43:27 | |
must be ready to cut their own throats? | 0:43:27 | 0:43:29 | |
Are you suggestin' that I cut mine? | 0:43:29 | 0:43:30 | |
Not yet. | 0:43:30 | 0:43:31 | |
But if we can pretend to frame | 0:43:31 | 0:43:33 | |
Sloan's murder on to Reese, | 0:43:33 | 0:43:34 | |
we might be able to scare him into squealing. | 0:43:34 | 0:43:36 | |
Well, how are you going to do that | 0:43:36 | 0:43:37 | |
when you haven't got the gun that killed Sloan? | 0:43:37 | 0:43:39 | |
I'll get it. | 0:43:39 | 0:43:40 | |
I see, you'll just find the killer | 0:43:40 | 0:43:41 | |
and ask him to turn over the gun. | 0:43:41 | 0:43:42 | |
That's all. | 0:43:42 | 0:43:43 | |
TELEPHONE RINGS | 0:43:43 | 0:43:46 | |
You take it. Well, what do I say? | 0:43:46 | 0:43:48 | |
I'll tell you when I know who it is. | 0:43:48 | 0:43:50 | |
Hello? | 0:43:50 | 0:43:52 | |
Hello, Leo? | 0:43:52 | 0:43:53 | |
It's Bremer. | 0:43:55 | 0:43:56 | |
Tell him it's you. | 0:43:56 | 0:43:58 | |
No, it's me - Pearly. | 0:43:58 | 0:44:00 | |
Leo just stepped out for a minute. | 0:44:00 | 0:44:01 | |
Well, when's he coming back? | 0:44:01 | 0:44:03 | |
He didn't say. | 0:44:04 | 0:44:06 | |
BREMER: Are you waiting for him? | 0:44:06 | 0:44:07 | |
Yeah. | 0:44:07 | 0:44:08 | |
'Well, will you give him a message? | 0:44:08 | 0:44:10 | |
'Tell him I've just seen the papers. | 0:44:10 | 0:44:12 | |
'I'm taking the 2:43 train back to town tomorrow. | 0:44:12 | 0:44:15 | |
'I'd like him to meet me at the Penn station.' | 0:44:15 | 0:44:17 | |
Ask him where he's calling from. | 0:44:17 | 0:44:18 | |
Where're you at? | 0:44:18 | 0:44:19 | |
'Baltimore. | 0:44:19 | 0:44:20 | |
'I came down to see the horses at Laurel.' | 0:44:20 | 0:44:22 | |
OK, I'll tell him. | 0:44:22 | 0:44:24 | |
Well, that solves one problem. | 0:44:25 | 0:44:27 | |
With Bremer out of town, the odds are | 0:44:27 | 0:44:29 | |
that our assassin will take Reese next | 0:44:29 | 0:44:30 | |
and then wait for Bremer to come back. | 0:44:30 | 0:44:32 | |
Henry, I've often wondered | 0:44:32 | 0:44:33 | |
whether the perfect crime could be committed. | 0:44:33 | 0:44:36 | |
I'd say somebody beat us to it. | 0:44:36 | 0:44:38 | |
Now, cheer up, Henry. | 0:44:38 | 0:44:39 | |
The sun'll soon be shining. | 0:44:39 | 0:44:40 | |
Just make yourself comfortable | 0:44:40 | 0:44:41 | |
while I go and get the gun. | 0:44:41 | 0:44:43 | |
You come along with me, Pearly. | 0:44:43 | 0:44:44 | |
You're not going to leave me here alone with this? | 0:44:44 | 0:44:46 | |
I shan't be long, Henry. | 0:44:46 | 0:44:48 | |
Turn on the radio if you're frightened. | 0:44:48 | 0:44:50 | |
And if any more hands appear at the window, just take an aspirin. | 0:44:50 | 0:44:53 | |
They'll disappear. Come along, Pearly. | 0:44:53 | 0:44:55 | |
Now, here's what you do. | 0:45:05 | 0:45:06 | |
I've got to fix up this Sloan business, | 0:45:06 | 0:45:07 | |
and I want you to see that nothing happens to Reese | 0:45:07 | 0:45:09 | |
until I can get to him. | 0:45:09 | 0:45:11 | |
So ring him up and tell him to meet you | 0:45:11 | 0:45:12 | |
some place where it'll be safe for him. | 0:45:12 | 0:45:14 | |
Where? | 0:45:14 | 0:45:15 | |
Oh, Weldon's club'll be all right, | 0:45:15 | 0:45:17 | |
as long as he stays downstairs. | 0:45:17 | 0:45:18 | |
Well, what do I tell him? | 0:45:18 | 0:45:20 | |
Say that you've got something important | 0:45:20 | 0:45:21 | |
about these other killings | 0:45:21 | 0:45:23 | |
and that you'll meet him as soon as you can. | 0:45:23 | 0:45:24 | |
Then go to my hotel. | 0:45:24 | 0:45:26 | |
OK. | 0:45:26 | 0:45:27 | |
CLOCK CHIMES | 0:46:21 | 0:46:23 | |
GLASS CLINKS | 0:47:15 | 0:47:16 | |
SOMEONE TRIES DOOR HANDLE | 0:47:25 | 0:47:28 | |
Why don't you turn on the light? | 0:47:37 | 0:47:41 | |
Won't you sit down? | 0:47:44 | 0:47:46 | |
I fixed you a drink. | 0:47:50 | 0:47:52 | |
You won't need that any more. | 0:47:52 | 0:47:54 | |
What are you doing here? | 0:47:54 | 0:47:55 | |
Waiting for you. | 0:47:55 | 0:47:56 | |
Who are you? | 0:47:56 | 0:47:58 | |
I might have known. | 0:48:12 | 0:48:15 | |
Where's Reese? | 0:48:15 | 0:48:16 | |
Last time I saw him, he seemed to be quite healthy. | 0:48:16 | 0:48:19 | |
I wanted to get Eagan, Weldon and Sloan the same way, | 0:48:19 | 0:48:21 | |
but you anticipated me. | 0:48:21 | 0:48:23 | |
Did I? | 0:48:23 | 0:48:24 | |
I didn't mind so much about the others, | 0:48:24 | 0:48:26 | |
but after all, comrade Sloan was more or less under my protection. | 0:48:26 | 0:48:30 | |
Your real name is Ruth Summers, isn't it? | 0:48:30 | 0:48:33 | |
Yes. | 0:48:33 | 0:48:34 | |
Johnny Summers' sister? | 0:48:34 | 0:48:35 | |
Yes. | 0:48:35 | 0:48:36 | |
I see. | 0:48:36 | 0:48:37 | |
And you think these men killed Johnny? | 0:48:37 | 0:48:39 | |
I know it. | 0:48:39 | 0:48:40 | |
Couldn't we join forces? | 0:48:40 | 0:48:42 | |
I'd rather do this alone. | 0:48:42 | 0:48:45 | |
Supposing I talk to the police? | 0:48:46 | 0:48:48 | |
What would you tell them? | 0:48:48 | 0:48:50 | |
They do the most amazing things | 0:48:50 | 0:48:52 | |
in police laboratories these days. | 0:48:52 | 0:48:53 | |
It wouldn't be any trick at all to prove that this was the gun. | 0:48:53 | 0:48:57 | |
Eagan, Weldon and Sloan. | 0:48:57 | 0:48:59 | |
Two for Bremer and Reese, and one to spare. | 0:48:59 | 0:49:02 | |
All right. | 0:49:02 | 0:49:03 | |
I'd do it again if I had the chance. | 0:49:03 | 0:49:04 | |
Now, won't you sit down? | 0:49:04 | 0:49:06 | |
You know, I'm still rather interested to know what happened | 0:49:08 | 0:49:10 | |
to that 90,000 that was in Eagan's safe. | 0:49:10 | 0:49:13 | |
Please don't try to find out about that. | 0:49:13 | 0:49:15 | |
Johnny's wife doesn't know where it came from. | 0:49:15 | 0:49:17 | |
Oh, I see. | 0:49:17 | 0:49:18 | |
If only you hadn't been so clever for another two days. | 0:49:18 | 0:49:20 | |
I wasn't trying to be clever. | 0:49:20 | 0:49:22 | |
I was only trying to help a friend. | 0:49:22 | 0:49:24 | |
Just another knight errant. | 0:49:24 | 0:49:25 | |
Maybe I am. | 0:49:25 | 0:49:26 | |
You remember what we were talking about on the boat? | 0:49:26 | 0:49:29 | |
I wanted to believe in The Saint then. | 0:49:29 | 0:49:31 | |
I wish I could do it now. | 0:49:31 | 0:49:33 | |
Well, you must. | 0:49:33 | 0:49:34 | |
Now, listen. | 0:49:34 | 0:49:36 | |
I've got Sloan back at his house. | 0:49:36 | 0:49:38 | |
I can arrange to get Reese there. | 0:49:38 | 0:49:40 | |
Then Fernack and I walk in and pretend to catch him red-handed. | 0:49:40 | 0:49:43 | |
He'll do plenty of talking then | 0:49:43 | 0:49:44 | |
to get himself out of that jam. | 0:49:44 | 0:49:46 | |
What kind of talking? | 0:49:46 | 0:49:47 | |
About the framing of Fernack, I hope. | 0:49:47 | 0:49:50 | |
But if I leave Bremer and Reese to you, | 0:49:50 | 0:49:51 | |
I'll never be able to do it. | 0:49:51 | 0:49:53 | |
But they killed my brother. | 0:49:53 | 0:49:55 | |
I know. I want to get them for that, too. | 0:49:55 | 0:49:58 | |
But it'd be much better for all of us | 0:49:58 | 0:49:59 | |
if we did it legally. | 0:49:59 | 0:50:00 | |
Eventually, this whole thing | 0:50:00 | 0:50:01 | |
will have to be ironed out in court, anyway, | 0:50:01 | 0:50:04 | |
and you've got yourself into plenty of trouble already. | 0:50:04 | 0:50:06 | |
But if you'll help, Fernack, I know, will be grateful, | 0:50:06 | 0:50:08 | |
and I'll do anything in the world for you. | 0:50:08 | 0:50:11 | |
But suppose you don't get the confession? | 0:50:11 | 0:50:13 | |
Let's worry about that if I fail. | 0:50:13 | 0:50:15 | |
Pick up some cigarettes | 0:50:27 | 0:50:29 | |
and keep driving around the block until I come out. | 0:50:29 | 0:50:32 | |
And wish me luck. | 0:50:32 | 0:50:34 | |
I do. | 0:50:34 | 0:50:35 | |
Was that the guy, Mike? | 0:50:43 | 0:50:45 | |
That's him. | 0:50:45 | 0:50:46 | |
Now, look, Grady, I could be wrong. | 0:50:46 | 0:50:48 | |
All I say is, the other guy looked like | 0:50:48 | 0:50:50 | |
the pictures of Fernack that was in the paper, see? | 0:50:50 | 0:50:53 | |
Ten'll still get you 20 it ain't Fernack. | 0:50:53 | 0:50:56 | |
I'll bet a year's salary against Mike's badge | 0:50:56 | 0:50:58 | |
that Fernack's in the clear on both killings. | 0:50:58 | 0:51:00 | |
Come on, Mike. | 0:51:00 | 0:51:01 | |
We'll show you how easy it is | 0:51:01 | 0:51:02 | |
to make a monkey out of yourself in this racket. | 0:51:02 | 0:51:05 | |
Are you sure this is the gun that killed Eagan and Weldon? | 0:51:06 | 0:51:09 | |
That's right, Henry. | 0:51:09 | 0:51:10 | |
As the District Attorney would say, | 0:51:10 | 0:51:11 | |
that is the lethal weapon. | 0:51:11 | 0:51:14 | |
Now, then, let's see... | 0:51:14 | 0:51:16 | |
Yes, that's about the way his arm would be, | 0:51:16 | 0:51:18 | |
don't you think so, Henry? | 0:51:18 | 0:51:19 | |
Sure. Where did you get this gun? | 0:51:19 | 0:51:21 | |
TEMPLAR: You wouldn't want me | 0:51:21 | 0:51:22 | |
to violate a confidence, would you? | 0:51:22 | 0:51:23 | |
Why not? We've done practically everything else. | 0:51:23 | 0:51:25 | |
Well, it was accidental. | 0:51:25 | 0:51:26 | |
The road to Sing Sing is paved with accidents. | 0:51:26 | 0:51:28 | |
This is going to be an exception. | 0:51:28 | 0:51:29 | |
Right now, I'd settle for a ticket to Mexico. | 0:51:29 | 0:51:32 | |
You would? | 0:51:32 | 0:51:33 | |
I just lost a bet on you, Henry. | 0:51:33 | 0:51:36 | |
Uh, the gun. Sure, Grady. | 0:51:36 | 0:51:37 | |
That's the weapon that killed Eagan, Weldon and Sloan. | 0:51:37 | 0:51:39 | |
He's loco. | 0:51:39 | 0:51:41 | |
Just plead insanity and you'll be a cinch. | 0:51:41 | 0:51:42 | |
We can explain the whole business. | 0:51:42 | 0:51:45 | |
Can you explain it to Leo, too? | 0:51:45 | 0:51:47 | |
That's not MY gun! | 0:51:47 | 0:51:49 | |
Whose is it? | 0:51:49 | 0:51:51 | |
Well, I, I don't know. | 0:51:51 | 0:51:53 | |
Well, where'd you get it? | 0:51:53 | 0:51:54 | |
Well... where DID we get it, Templar? | 0:51:54 | 0:51:57 | |
Templar? | 0:51:57 | 0:51:58 | |
The Saint? | 0:51:58 | 0:52:00 | |
Henry, did I hear you say something about the road to Sing Sing | 0:52:00 | 0:52:02 | |
being paved with accidents? | 0:52:02 | 0:52:04 | |
An eavesdropper, eh? | 0:52:04 | 0:52:05 | |
Yeah, and we ain't selling any tickets to Mexico, either. | 0:52:05 | 0:52:08 | |
Well, what are we waiting for? | 0:52:08 | 0:52:10 | |
What's the idea, Templar? | 0:52:10 | 0:52:11 | |
Henry, I owe you an apology. | 0:52:11 | 0:52:12 | |
There's no such thing as a perfect crime. | 0:52:12 | 0:52:14 | |
But I'll show you the perfect getaway. | 0:52:14 | 0:52:16 | |
Now, you stand right here in the doorway, | 0:52:16 | 0:52:17 | |
with your arms raised. | 0:52:17 | 0:52:19 | |
And if anybody moves, you'll get it first. | 0:52:19 | 0:52:21 | |
Is he gone yet, Phillips? | 0:52:43 | 0:52:44 | |
Let's wait just a second longer, to make sure, huh? | 0:52:44 | 0:52:48 | |
Something must have happened. | 0:52:51 | 0:52:53 | |
Yes, the unexpected. | 0:52:53 | 0:52:55 | |
The police? | 0:52:55 | 0:52:57 | |
They interrupted us. | 0:52:57 | 0:52:58 | |
It was rather embarrassing, particularly for Fernack. | 0:52:58 | 0:53:01 | |
Where is he? | 0:53:01 | 0:53:03 | |
By now, he's probably on his way to a psychopathic ward. | 0:53:03 | 0:53:06 | |
They'll accuse him of murder. | 0:53:06 | 0:53:08 | |
Probably three murders. | 0:53:08 | 0:53:10 | |
We'd better park the car here. | 0:53:10 | 0:53:12 | |
We can walk until we get a cab. | 0:53:12 | 0:53:13 | |
After all, it's Henry's car, you know. | 0:53:13 | 0:53:15 | |
What are you going to do? | 0:53:23 | 0:53:25 | |
That, darling, is the big problem of the moment. | 0:53:25 | 0:53:28 | |
You can save Fernack by turning me in. | 0:53:28 | 0:53:30 | |
They wouldn't believe me. | 0:53:30 | 0:53:32 | |
They'd believe me. | 0:53:32 | 0:53:33 | |
No. There must be some other way. | 0:53:33 | 0:53:37 | |
Now, wait a minute. | 0:53:37 | 0:53:39 | |
I'm getting an idea... | 0:53:39 | 0:53:41 | |
one of my most stupendous ideas! | 0:53:41 | 0:53:44 | |
Calling all cars, calling all cars. | 0:53:45 | 0:53:48 | |
Pick up Simon Templar, alias "The Saint", | 0:53:48 | 0:53:51 | |
wearing blue suit, light grey hat... | 0:53:51 | 0:53:54 | |
Look, Henry, | 0:55:35 | 0:55:36 | |
the whole department'll go to bat for you. | 0:55:36 | 0:55:38 | |
But you can't sell no jury that story you told us. | 0:55:38 | 0:55:41 | |
Wade, we've been going over the same ground all day. | 0:55:41 | 0:55:44 | |
I've told you exactly what happened, | 0:55:44 | 0:55:46 | |
from the time I got myself involved | 0:55:46 | 0:55:48 | |
up to where Grady and Phillips here walked in on us. | 0:55:48 | 0:55:51 | |
Now, if you want to call me a liar, | 0:55:51 | 0:55:52 | |
I won't even feel insulted. | 0:55:52 | 0:55:54 | |
You say you found Ben Eagan dead. | 0:55:54 | 0:55:56 | |
Then Weldon. | 0:55:56 | 0:55:57 | |
Then Leo Sloan. Yeah. | 0:55:57 | 0:55:58 | |
All right, so you found 'em. | 0:55:58 | 0:56:00 | |
But there's one thing I want to know. | 0:56:00 | 0:56:02 | |
If this here is the lethal weapon, | 0:56:02 | 0:56:04 | |
and that's what it is, | 0:56:04 | 0:56:06 | |
then whose is it and where did you get it? | 0:56:06 | 0:56:08 | |
I don't know. | 0:56:08 | 0:56:09 | |
Beat it, boys. | 0:56:25 | 0:56:27 | |
OK, Henry, where'd it come from? | 0:56:33 | 0:56:36 | |
I wasn't born yesterday, neither. | 0:56:37 | 0:56:39 | |
But we got the DA to answer to. | 0:56:39 | 0:56:41 | |
Wade, if I knew, I'd talk, | 0:56:41 | 0:56:43 | |
but I don't know. | 0:56:43 | 0:56:46 | |
KEY IN LOCK | 0:57:08 | 0:57:10 | |
Maybe he's here already. | 0:57:13 | 0:57:15 | |
I'll go in first. | 0:57:16 | 0:57:17 | |
Get 'em up! | 0:57:20 | 0:57:22 | |
That's him, that's the guy - | 0:57:22 | 0:57:23 | |
The Saint. | 0:57:23 | 0:57:25 | |
That's right, gentlemen - Simon Templar. | 0:57:25 | 0:57:28 | |
But some people do call me The Saint. | 0:57:28 | 0:57:30 | |
Search him, Pearly. Keep 'em up. | 0:57:30 | 0:57:32 | |
Three shots fired - Eagan, Weldon and Sloan. | 0:57:35 | 0:57:37 | |
And you were going to plant it here. | 0:57:37 | 0:57:39 | |
That's what I told you, ain't I? | 0:57:39 | 0:57:40 | |
Well, you must admit it was a good idea. | 0:57:40 | 0:57:41 | |
Only I shouldn't have let you in on it. | 0:57:41 | 0:57:43 | |
I suppose you thought Pearly was gonna play right along with you. | 0:57:43 | 0:57:46 | |
We all make mistakes sometimes. | 0:57:46 | 0:57:48 | |
But there's always the last time. | 0:57:48 | 0:57:49 | |
Hey, there's something screwy coming in over the radio | 0:57:49 | 0:57:51 | |
on the police wavelength - | 0:57:51 | 0:57:52 | |
something about The Saint. | 0:57:52 | 0:57:54 | |
TEMPLAR, ON RADIO: 'Now look here, can't we be reasonable about this? | 0:57:56 | 0:57:58 | |
'It's true you've got me for the moment, | 0:57:58 | 0:57:59 | |
'and I suppose you could shoot me if you wanted to. | 0:57:59 | 0:58:01 | |
'But what satisfaction would that be?' | 0:58:01 | 0:58:03 | |
REESE: 'Plenty - | 0:58:03 | 0:58:04 | |
'more than I can tell you right now.' | 0:58:04 | 0:58:06 | |
That sounds like Sam Reese's voice. | 0:58:06 | 0:58:08 | |
TEMPLAR: 'Probably the same sort of satisfaction | 0:58:08 | 0:58:09 | |
'you got out of murdering Johnny Summers.' | 0:58:09 | 0:58:11 | |
BREMER: 'That wasn't so bad, either. | 0:58:11 | 0:58:12 | |
'At least he won't bother us any more.' | 0:58:12 | 0:58:15 | |
Bremer. | 0:58:15 | 0:58:16 | |
TEMPLAR: 'You did arrange to have Johnny Summers murdered, didn't you?' | 0:58:16 | 0:58:20 | |
BREMER: 'Murder is such a crude word. | 0:58:20 | 0:58:22 | |
'We all have to die sometime. | 0:58:22 | 0:58:24 | |
'Let's just say that we caused Johnny Summers to die | 0:58:24 | 0:58:27 | |
'a little sooner than the rest of us. | 0:58:27 | 0:58:29 | |
'And it's going to be a pleasure to do the same thing | 0:58:29 | 0:58:30 | |
'for you, Mr Templar.' | 0:58:30 | 0:58:31 | |
TEMPLAR: 'The question is, is it worthwhile?' | 0:58:31 | 0:58:32 | |
BREMER: 'You bet it is.' | 0:58:32 | 0:58:34 | |
You flatter me, gentlemen. | 0:58:34 | 0:58:36 | |
I never thought it'd be worth 90,000 of anybody's money | 0:58:36 | 0:58:39 | |
to shoot me. | 0:58:39 | 0:58:40 | |
What do you mean? | 0:58:40 | 0:58:42 | |
I mean the 90,000 that Eagan had | 0:58:42 | 0:58:44 | |
before his death was, er, put forward. | 0:58:44 | 0:58:48 | |
FAINT CONVERSATION ON RADIO | 0:58:54 | 0:58:57 | |
CONVERSATION BECOMES CLEARER | 0:58:58 | 0:58:59 | |
TEMPLAR: '...You would all subscribe to it. | 0:58:59 | 0:59:01 | |
'It was the expense money | 0:59:01 | 0:59:02 | |
'for getting Weldon out of his little spot of trouble, | 0:59:02 | 0:59:05 | |
'money to pay for taking Johnny Summers for a ride, | 0:59:05 | 0:59:08 | |
'money to fix up Weldon's trial. | 0:59:08 | 0:59:10 | |
'And, of course, 50,000 that you'd had planted | 0:59:10 | 0:59:13 | |
'in Fernack's safe at home, | 0:59:13 | 0:59:14 | |
'so that you could get him cashiered | 0:59:14 | 0:59:16 | |
'because he was too hot on your trail. | 0:59:16 | 0:59:19 | |
'You did plant that 50,000 on Fernack, didn't you?' | 0:59:19 | 0:59:22 | |
BREMER: 'I didn't.' | 0:59:22 | 0:59:24 | |
TEMPLAR: 'Now, why quibble about it? | 0:59:24 | 0:59:25 | |
'You and the rest of the bunch arranged it. | 0:59:25 | 0:59:27 | |
'You were all in on it, weren't you?' | 0:59:27 | 0:59:29 | |
REESE: 'What of it?' | 0:59:29 | 0:59:31 | |
TEMPLAR: 'You were all in on it, weren't you?' | 0:59:31 | 0:59:32 | |
Why do we have to go on talking? | 0:59:32 | 0:59:33 | |
Now, wait a minute. | 0:59:33 | 0:59:36 | |
Suppose we did? | 0:59:36 | 0:59:37 | |
Well, did you? | 0:59:37 | 0:59:38 | |
If we're going to get anywhere, | 0:59:38 | 0:59:39 | |
we've got to be honest with each other. | 0:59:39 | 0:59:41 | |
You've got nothing to be afraid of. | 0:59:41 | 0:59:43 | |
You've got me here, and if you don't like my proposition | 0:59:43 | 0:59:45 | |
you don't have to do anything about it. | 0:59:45 | 0:59:47 | |
But you may as well listen. | 0:59:47 | 0:59:50 | |
All right. | 0:59:50 | 0:59:51 | |
We did it. | 0:59:51 | 0:59:52 | |
BREMER: 'We got rid of Johnny Summers. | 0:59:52 | 0:59:54 | |
'We framed Fernack. | 0:59:54 | 0:59:56 | |
'We planted 50,000 in his safe. | 0:59:56 | 0:59:59 | |
'Now what?' | 0:59:59 | 1:00:00 | |
TEMPLAR: 'Now, perhaps, we can make a deal. | 1:00:00 | 1:00:02 | |
'How much would it be worth to you to let me go?' | 1:00:02 | 1:00:04 | |
It's coming from somewhere in the East 40s. | 1:00:04 | 1:00:06 | |
East 40s? | 1:00:06 | 1:00:07 | |
Bremer's office is on 49th. | 1:00:07 | 1:00:08 | |
Let's go. | 1:00:08 | 1:00:11 | |
Calling all cars, calling all cars. | 1:00:11 | 1:00:15 | |
Converge immediately on 86 East, 49th street. | 1:00:15 | 1:00:18 | |
'8-6 East, 4-9 street, code 30.' | 1:00:18 | 1:00:22 | |
SIREN | 1:00:22 | 1:00:23 | |
'Calling all cars, converge immediately on 86 East, 49th street.' | 1:00:25 | 1:00:30 | |
SIRENS | 1:00:30 | 1:00:32 | |
How do we know this is on the level? | 1:00:32 | 1:00:34 | |
I should have thought that was obvious. | 1:00:34 | 1:00:35 | |
I want to stay alive. | 1:00:35 | 1:00:36 | |
He's already killed Ben and Rocky and Leo. | 1:00:36 | 1:00:38 | |
If we let him go... | 1:00:38 | 1:00:39 | |
I didn't kill them. Then who did? | 1:00:39 | 1:00:41 | |
I can't tell you. That's not part of the bargain. | 1:00:41 | 1:00:43 | |
Was it Fernack? | 1:00:43 | 1:00:44 | |
No, it wasn't Fernack. | 1:00:44 | 1:00:45 | |
It was somebody else. | 1:00:45 | 1:00:47 | |
But I can promise you this, | 1:00:47 | 1:00:48 | |
the eliminator has retired. | 1:00:48 | 1:00:50 | |
There'll be no more killings. | 1:00:50 | 1:00:51 | |
All right, then, where's the money? | 1:00:51 | 1:00:53 | |
Why don't you ask Mr Reese about that? | 1:00:53 | 1:00:57 | |
What? That's a laugh. | 1:00:57 | 1:00:59 | |
I told you there would be a trick, Max. | 1:00:59 | 1:01:01 | |
What's the gag, Saint? | 1:01:01 | 1:01:03 | |
There's no gag. | 1:01:03 | 1:01:04 | |
This is one thing I didn't tell Pearly. | 1:01:04 | 1:01:07 | |
I admit I was after some of that money. | 1:01:07 | 1:01:08 | |
But I didn't see why HE should have any. | 1:01:08 | 1:01:10 | |
I never saw the money, Max. | 1:01:10 | 1:01:12 | |
Would I be here if I had it? | 1:01:12 | 1:01:14 | |
SIRENS | 1:01:14 | 1:01:16 | |
TEMPLAR, OVER RADIO: 'Why do you think | 1:01:16 | 1:01:17 | |
'I was going to plant the gun here, Bremer? | 1:01:17 | 1:01:20 | |
'Because after I'd turned you in to the police, | 1:01:20 | 1:01:22 | |
'I could then go to you, Reese, and say, | 1:01:22 | 1:01:24 | |
' "either you split that money with me | 1:01:24 | 1:01:26 | |
' "or I'll tell Bremer that you killed the others and planted the gun here." ' | 1:01:26 | 1:01:29 | |
You don't believe any of that stuff, do you, Max? | 1:01:29 | 1:01:31 | |
I don't know. | 1:01:31 | 1:01:33 | |
That's right, Max, that's what he told me, | 1:01:33 | 1:01:35 | |
right after he took Leo back to his house. I see. | 1:01:35 | 1:01:37 | |
What do you mean, he told you? | 1:01:37 | 1:01:40 | |
I mean, that's what I heard him tell Fernack, | 1:01:40 | 1:01:42 | |
when they were talkin' together. | 1:01:42 | 1:01:43 | |
What do you mean, | 1:01:43 | 1:01:44 | |
right after he took Leo back to his house? | 1:01:44 | 1:01:46 | |
Well, I mean... I mean, they... | 1:01:46 | 1:01:48 | |
You dirty stool pigeon! | 1:01:48 | 1:01:49 | |
You've been working for The Saint all the time. | 1:01:49 | 1:01:51 | |
He fixed it for you to get us here. | 1:01:51 | 1:01:52 | |
What for? | 1:01:52 | 1:01:53 | |
I don't know, Max. Honest I don't, I... | 1:01:53 | 1:01:55 | |
You'd better start talkin' fast. | 1:01:55 | 1:01:56 | |
You haven't got much more time. | 1:01:56 | 1:01:57 | |
And you haven't any more time, Max. | 1:01:57 | 1:01:59 | |
Take a look. | 1:01:59 | 1:02:01 | |
SIRENS | 1:02:01 | 1:02:03 | |
Max, the cops! | 1:02:06 | 1:02:08 | |
It's no use, Max. | 1:02:08 | 1:02:09 | |
Every policeman in town has heard our conversation. | 1:02:09 | 1:02:10 | |
There's a microphone under that coat. | 1:02:10 | 1:02:13 | |
And the transmitter's in your filing cabinet. | 1:02:13 | 1:02:15 | |
It's been broadcasting every single word | 1:02:15 | 1:02:17 | |
that was said in this room. | 1:02:17 | 1:02:19 | |
Don't anyone move. | 1:02:27 | 1:02:29 | |
DOOR HANDLE RATTLES | 1:02:29 | 1:02:31 | |
Come on, help me break in this door. | 1:02:31 | 1:02:34 | |
If anyone comes in while I'm here, | 1:02:34 | 1:02:36 | |
The Saint gets it first. | 1:02:36 | 1:02:37 | |
Get 'em up. | 1:02:44 | 1:02:45 | |
Here you are, boys. | 1:02:45 | 1:02:47 | |
Get an ambulance. | 1:03:14 | 1:03:15 | |
Who are you? | 1:03:19 | 1:03:21 | |
She's Ruth Summers, Johnny Summers' sister. | 1:03:21 | 1:03:24 | |
I want to tell you before I... | 1:03:25 | 1:03:27 | |
I killed them. | 1:03:28 | 1:03:29 | |
Weldon? Eagan? | 1:03:29 | 1:03:32 | |
And the other one. | 1:03:32 | 1:03:35 | |
I gave him my gun. | 1:03:35 | 1:03:38 | |
He didn't have anything to do with it. | 1:03:38 | 1:03:40 | |
Neither did his friend. | 1:03:40 | 1:03:41 | |
Who? | 1:03:41 | 1:03:43 | |
Fernack. Yes. | 1:03:43 | 1:03:45 | |
Don't talk. Just take it easy. | 1:03:49 | 1:03:54 | |
You talk. | 1:03:54 | 1:03:56 | |
I'll just listen. | 1:03:56 | 1:03:59 | |
Don't worry about anything. | 1:03:59 | 1:04:01 | |
I'm still on your side. | 1:04:01 | 1:04:04 | |
I've been on your side ever since I first saw you. | 1:04:04 | 1:04:07 | |
Remember? | 1:04:07 | 1:04:10 | |
And I'll make you a promise. | 1:04:10 | 1:04:12 | |
I'll get you out of this. | 1:04:12 | 1:04:15 | |
SHE MOANS | 1:04:15 | 1:04:17 | |
All right, wait and see. | 1:04:17 | 1:04:20 | |
Give me a cigarette. | 1:04:21 | 1:04:24 | |
Now perhaps I'll have a chance to tell you | 1:04:30 | 1:04:31 | |
something I'd have told you before, | 1:04:31 | 1:04:34 | |
if you hadn't been so elusive. | 1:04:34 | 1:04:37 | |
Here's a present for you, Pearly. | 1:04:47 | 1:04:50 | |
Gee, thanks, Saint. | 1:04:51 | 1:04:54 | |
You know, Fernack, I gotta apologise to you, | 1:04:56 | 1:04:58 | |
for suspicioning you all along. | 1:04:58 | 1:05:00 | |
Aw, that's all right, Pearly. | 1:05:00 | 1:05:02 | |
It was almost unanimous. | 1:05:02 | 1:05:03 | |
I began to suspect myself. | 1:05:03 | 1:05:04 | |
Boy, I wouldn't want no dame like that tailin' me. | 1:05:04 | 1:05:08 | |
Huh, Saint? | 1:05:08 | 1:05:10 | |
I been mullin' it over in my brain, | 1:05:13 | 1:05:15 | |
and I figure maybe I better go legitimate. | 1:05:15 | 1:05:17 | |
That's a good idea. | 1:05:17 | 1:05:19 | |
Don't know how to thank you, Simon. | 1:05:27 | 1:05:30 | |
Took five years off my life, | 1:05:30 | 1:05:31 | |
but I couldn't have done it alone. | 1:05:31 | 1:05:34 | |
Nor could I. | 1:05:34 | 1:05:36 | |
No, that's right. | 1:05:36 | 1:05:37 | |
This here says, "Your skill in executing..." | 1:05:39 | 1:05:43 | |
Hey, I gained six pounds! | 1:05:43 | 1:05:47 | |
Where're you goin', Saint? | 1:05:52 | 1:05:55 | |
I'm just going to look for some roses. | 1:05:55 | 1:05:57 | |
HE WHISTLES A TUNE | 1:06:06 | 1:06:08 |