
Browse content similar to Death of a Scoundrel. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Miss Kelly, good morning. | 0:00:36 | 0:00:38 | |
-Where's Mr Sabourin? -He's still asleep, Miss. -No, he's not. | 0:00:38 | 0:00:42 | |
He left strict orders not to be disturbed, Miss. | 0:00:47 | 0:00:51 | |
Miss Kelly, please! Miss Kelly! | 0:00:54 | 0:00:56 | |
Clementi! | 0:01:03 | 0:01:05 | |
I'll call the police. | 0:01:19 | 0:01:22 | |
SIREN WINDS DOWN | 0:02:40 | 0:02:43 | |
All right! Stand back! Stand back! Break it up! | 0:02:43 | 0:02:47 | |
Upstairs, Captain. | 0:02:50 | 0:02:53 | |
All right, buddy, stay down there. Captain's orders. I don't care. Stay there. Nobody's allowed up. Sorry. | 0:03:06 | 0:03:14 | |
-Hi, Captain. -Hiya. Get me the lab report as soon as you can. -Right. | 0:03:20 | 0:03:25 | |
-How long's he been dead? -Three hours at most. -Cause of death? -Gunshot. | 0:03:25 | 0:03:30 | |
-I'll give you a full report after the autopsy. OK to move him now? WE'RE done. -Go ahead. -Stretcher! | 0:03:30 | 0:03:37 | |
-Who'd want to kill him, d'you suppose? -Everybody! -Yeah. | 0:03:40 | 0:03:44 | |
-Who found him? -Miss Kelly. She was first in the room. I followed immediately after. -Who's Miss Kelly? | 0:03:44 | 0:03:51 | |
-She works for Mr Sabourin, sir. -Where is she? -She's in his mother's room. -His mother lives here with him? | 0:03:51 | 0:03:58 | |
-Since she came from Europe, yes. -Let's look over the rest. Show me his personal things. -This way, sir. | 0:03:58 | 0:04:05 | |
-It couldn't have been robbery. -If it was, they overlooked a lot of cash and jewellery in these boxes. | 0:04:09 | 0:04:15 | |
Diamond cuff links, diamond rings, women's jewellery. Look - golden handcuffs! Must be a dozen in here! | 0:04:15 | 0:04:22 | |
They're all over town. He liked to think his women were his slaves. | 0:04:22 | 0:04:28 | |
-Show me his mother's room. -Yes, sir. | 0:04:28 | 0:04:31 | |
This way, sir. | 0:04:36 | 0:04:39 | |
Sorry to break in. We're police. | 0:04:45 | 0:04:48 | |
-I'm her doctor. You can't disturb her now. -He can ask me anything. | 0:04:48 | 0:04:54 | |
I'm sorry I have to do this, but... | 0:04:59 | 0:05:02 | |
But do you know anything about this? | 0:05:02 | 0:05:04 | |
No. I know nothing about who killed my son. | 0:05:04 | 0:05:09 | |
Do YOU know anything about this? | 0:05:19 | 0:05:22 | |
Yes. I know ALL about it. | 0:05:24 | 0:05:27 | |
You could say I killed him. If he'd never met me, he might still be alive. | 0:05:29 | 0:05:35 | |
He was the most hated man on earth. | 0:05:35 | 0:05:38 | |
But he could have been one of the great men of the world. | 0:05:39 | 0:05:44 | |
He had a big mind. When they talk about him, they'll be talking about a giant. A genius. | 0:05:44 | 0:05:51 | |
Some people called him an evil genius. | 0:05:52 | 0:05:56 | |
Go on. | 0:05:57 | 0:06:00 | |
He lifted me out of the gutter. | 0:06:01 | 0:06:04 | |
He made me SOMEBODY. | 0:06:04 | 0:06:06 | |
He was the only man I ever loved. | 0:06:06 | 0:06:09 | |
I was only really happy when I was with him. | 0:06:09 | 0:06:13 | |
Could you tell us anything about his activities? | 0:06:13 | 0:06:17 | |
Well, he started his career only a few years ago in Europe. | 0:06:19 | 0:06:24 | |
It doesn't seem possible... | 0:06:24 | 0:06:27 | |
he could have accomplished so much... | 0:06:27 | 0:06:30 | |
in such a short time. | 0:06:30 | 0:06:33 | |
KNOCKING CONTINUES | 0:07:07 | 0:07:10 | |
Clementi. | 0:07:37 | 0:07:39 | |
Well, aren't you going to ask me in? | 0:07:39 | 0:07:42 | |
What are you staring at? Is this how a man greets his own brother? | 0:07:52 | 0:07:57 | |
-They said you died in that concentration camp. -Who? -Everyone who came back. | 0:07:57 | 0:08:03 | |
-So I came back from the dead. Where's mother? -I don't know. | 0:08:03 | 0:08:08 | |
-Haven't you taken care of her? -I don't have much money. | 0:08:08 | 0:08:12 | |
-What about the money I gave you to hold for me? -I bought all this. I couldn't sell much. | 0:08:12 | 0:08:19 | |
It may interest you that I heard mother was starving in a town called Poldestadt! | 0:08:19 | 0:08:25 | |
-I couldn't get money even for myself. -Where's Zina? Have you taken care of her like I asked? -Yes. | 0:08:25 | 0:08:32 | |
At least I can thank you for that. | 0:08:32 | 0:08:34 | |
You're gonna have to sell some of this stuff. I need the money. | 0:08:34 | 0:08:39 | |
I'm gonna marry Zina. | 0:08:39 | 0:08:42 | |
Where is she? | 0:08:44 | 0:08:46 | |
Zina! | 0:08:53 | 0:08:55 | |
-They said you died in the German camp. -Did Jerry tell you that, too? | 0:08:58 | 0:09:03 | |
Yes. | 0:09:03 | 0:09:05 | |
Jerry told me you were dead. | 0:09:05 | 0:09:08 | |
Well, I'm glad I'm here to dispute that. | 0:09:11 | 0:09:16 | |
I married Jerry. I'm his wife. | 0:09:18 | 0:09:21 | |
You didn't even have to tell me. | 0:09:21 | 0:09:24 | |
Mother always said you were the one with brains. | 0:09:24 | 0:09:27 | |
I was the dreamer! | 0:09:27 | 0:09:30 | |
I was the dreamer they took to the Nazi prison. | 0:09:32 | 0:09:36 | |
I loved you, Zina. | 0:09:37 | 0:09:40 | |
That was the dream. And what became of it? | 0:09:40 | 0:09:44 | |
Don't you remember what you used to say to me? You SWORE you'd wait for me! | 0:09:44 | 0:09:50 | |
She was convenient for you, wasn't she? Because she was here. | 0:09:50 | 0:09:56 | |
You took very good care of mother and Zina(!) Very good care(!) | 0:09:56 | 0:10:02 | |
-What are you going to do? -Nothing. | 0:10:02 | 0:10:05 | |
I leave you to each other. | 0:10:05 | 0:10:07 | |
Are you all right? | 0:10:23 | 0:10:26 | |
Yes, thank you. | 0:10:26 | 0:10:28 | |
Oh, wait! Take me to the police station. | 0:10:28 | 0:10:32 | |
-Your name? -Clementi Sabourin. | 0:10:45 | 0:10:48 | |
What do you want? | 0:10:48 | 0:10:50 | |
I have some valuable information. | 0:10:50 | 0:10:53 | |
Information concerning whom? | 0:10:53 | 0:10:56 | |
Concerning a very rich man who's in this country illegally, forged papers. | 0:10:56 | 0:11:02 | |
-I'm sure you'll know what to do with his considerable assets. -Anything we impound goes to the government. | 0:11:02 | 0:11:09 | |
Naturally. | 0:11:09 | 0:11:11 | |
What's this man's name? | 0:11:11 | 0:11:14 | |
If I tell you, I want the necessary papers to take me to America. | 0:11:14 | 0:11:19 | |
If you are telling the truth, it will be arranged. | 0:11:19 | 0:11:23 | |
Right. | 0:11:23 | 0:11:26 | |
He's living here under the name of Jerry Monte. | 0:11:26 | 0:11:30 | |
His real name is Sabourin. | 0:11:30 | 0:11:33 | |
He's originally from Czechoslovakia. | 0:11:33 | 0:11:35 | |
He runs a little antique shop near the Porto San Guiseppe. | 0:11:35 | 0:11:40 | |
Treasures stolen from all over the world. | 0:11:40 | 0:11:44 | |
Thank you. | 0:11:44 | 0:11:47 | |
-By the way, do YOU have any papers? -No. | 0:11:47 | 0:11:51 | |
Lock him up. | 0:11:51 | 0:11:54 | |
KNOCK AT DOOR | 0:12:00 | 0:12:03 | |
Your information proved to be correct. The man had very considerable assets. | 0:12:32 | 0:12:38 | |
This is enough money for your fare. | 0:12:38 | 0:12:41 | |
This is a passport to America. You are now a French citizen. | 0:12:41 | 0:12:45 | |
The man you caught... | 0:12:50 | 0:12:53 | |
will never know about this? | 0:12:53 | 0:12:55 | |
You mean...your brother? | 0:12:55 | 0:12:58 | |
He will never know. | 0:12:58 | 0:13:00 | |
-Did anything happen to him? -He resisted my men. | 0:13:00 | 0:13:04 | |
-He died. -He died?! -Yes. | 0:13:04 | 0:13:07 | |
It was one of those unfortunate things. | 0:13:07 | 0:13:11 | |
-Your first look? -Yes, I've only seen pictures before. | 0:13:34 | 0:13:39 | |
It's a big country. There's millions of people beyond those buildings, all needing something, buying something. | 0:13:39 | 0:13:46 | |
-And what do you sell them? -Oil. -Oh. | 0:13:46 | 0:13:50 | |
Oil. Are you an honest man? | 0:13:50 | 0:13:52 | |
What kind of a question is that? | 0:13:54 | 0:13:56 | |
-I don't see anything wrong with it. Did you make your way honestly? -Yes. Isn't that the only way? -Is it? | 0:13:56 | 0:14:03 | |
I have a friend, who was honest all his life, and didn't get anywhere. | 0:14:03 | 0:14:09 | |
So, he decided to join the devil. He said the devil would watch over him. | 0:14:09 | 0:14:14 | |
-What happened to him? -He's very rich, very prosperous now. -But is he happy? -Supremely. | 0:14:14 | 0:14:21 | |
-The race isn't even when we're born. Some people have a head start. -You just have to run faster. | 0:14:21 | 0:14:27 | |
With the devil at your side. | 0:14:27 | 0:14:30 | |
< Please have your luggage ready for customs inspection. | 0:14:30 | 0:14:34 | |
-'S' is over there. -I didn't get your name. -Clementi Sabourin. | 0:14:34 | 0:14:39 | |
-Have my card. I'm Wilson, of Wilson Oil, Canada. -Thank you. -Look me up. | 0:14:39 | 0:14:44 | |
I'll do that. | 0:14:44 | 0:14:46 | |
Please have your luggage ready for customs inspection. > | 0:14:50 | 0:14:54 | |
< Name and reservation? | 0:15:09 | 0:15:12 | |
-Officer? -Yes, sir? -I seem to have lost my wallet. -When did you last have it? | 0:15:36 | 0:15:43 | |
-I had it in the line. -Was there anyone near you? -There was a man there. -Which way did he go? | 0:15:43 | 0:15:49 | |
-I think that way, but I'm not sure HE took it. -Come on. | 0:15:49 | 0:15:54 | |
-Did everything go all right. -Not now. | 0:16:01 | 0:16:05 | |
-All right, Kelly? -My regular, Willy. -Right. | 0:16:06 | 0:16:10 | |
-Two more beers, Willy. -Here you are. | 0:16:12 | 0:16:15 | |
-Buy you a drink? -I got one. | 0:16:21 | 0:16:24 | |
-Hi, buddy. What'll you have? -This is for hers, and I'll have a Cognac. | 0:16:24 | 0:16:29 | |
Thanks. | 0:16:29 | 0:16:32 | |
-You just get off the boat? -Yes. | 0:16:32 | 0:16:35 | |
-How did you know? -It shows all over. | 0:16:35 | 0:16:38 | |
-Where you from? -France. | 0:16:38 | 0:16:40 | |
Mm. Where'd you learn to speak English so good? | 0:16:40 | 0:16:45 | |
I studied at a place called Oxford. | 0:16:45 | 0:16:47 | |
Oxford? I oughtta go there. | 0:16:47 | 0:16:50 | |
THEY'D be more likely to study YOU there. | 0:16:50 | 0:16:54 | |
-You being insulting? -No, I just meant you'd make a fascinating course in anatomy. | 0:16:54 | 0:17:01 | |
Thanks. How come you just get off a boat and head straight for a bar? | 0:17:03 | 0:17:08 | |
-Looking for company. -Oh? What sort of company? -Your sort. | 0:17:08 | 0:17:12 | |
How do you know what my sort is? | 0:17:12 | 0:17:15 | |
Well, you're not a school teacher. | 0:17:15 | 0:17:18 | |
Oh, I don't know! I could teach you your ABCs. | 0:17:18 | 0:17:22 | |
In that case, I might be a willing pupil. | 0:17:23 | 0:17:26 | |
Are you one of those rich refugees coming here looking for more money? And sympathy? | 0:17:26 | 0:17:33 | |
-I'm not in the sympathy market, but I guess we're both in the money market. -Whatcha gonna do in America? | 0:17:33 | 0:17:40 | |
Oh, maybe I'll steal a little. What do you do? | 0:17:40 | 0:17:44 | |
I float. I drift. I look. | 0:17:44 | 0:17:48 | |
That's the man, officer. | 0:17:55 | 0:17:57 | |
-What's the trouble? -You were on the ship that just came in? -I'm awfully sorry, but my wallet was stolen. | 0:17:57 | 0:18:04 | |
-Would you care to search me? -With your permission. | 0:18:04 | 0:18:09 | |
That's not my wallet. | 0:18:10 | 0:18:13 | |
Clementi Sabourin. That's your name? | 0:18:15 | 0:18:18 | |
-Yes. Is that what people do to each other in America? Everybody frisking everybody else? -I'm sorry. | 0:18:18 | 0:18:25 | |
Tell me, did you have very much money in that wallet? | 0:18:25 | 0:18:29 | |
I had about 500 in currency, | 0:18:29 | 0:18:32 | |
and a cashier's cheque for 20,000. | 0:18:32 | 0:18:35 | |
Of course, I can have that stopped at the bank. But there was a very important document. | 0:18:35 | 0:18:41 | |
-Well, I'm sorry you couldn't find it. -So am I. | 0:18:43 | 0:18:47 | |
This man does not have your wallet. We'll have to go back to the pier. | 0:18:47 | 0:18:52 | |
-You know, whoever took that wallet is about the most stupid sneak-thief in the world. -Why'd you say that? | 0:18:55 | 0:19:02 | |
Because the risks are too great and the reward is too small. | 0:19:02 | 0:19:07 | |
I always say if you're going to steal at all, steal in a way that'll be admired. | 0:19:07 | 0:19:13 | |
Let's get out of here. Hmm? | 0:19:13 | 0:19:16 | |
Where'll we go? | 0:19:16 | 0:19:18 | |
Anywhere. | 0:19:18 | 0:19:21 | |
I know the perfect place. | 0:19:22 | 0:19:25 | |
First time I've ever been in the subway. A fascinating experience. | 0:19:33 | 0:19:38 | |
Everyone who comes wants to ride in the subway. You'll get over it. | 0:19:38 | 0:19:42 | |
-What about those ABCs you were telling me about? -We'll get to that. This is where I live. | 0:19:46 | 0:19:53 | |
-What kind of district is this? -See for yourself. Park Avenue's three blocks away, but I'll never make it! | 0:19:53 | 0:20:01 | |
-You know, I think I'm gonna like you. You won't tire my mind. -I might wear it out my way! | 0:20:01 | 0:20:07 | |
Go on in. It's safe. | 0:20:13 | 0:20:16 | |
Thanks. | 0:20:16 | 0:20:18 | |
Fix yourself a drink. | 0:20:26 | 0:20:29 | |
Fix me one too. | 0:20:29 | 0:20:31 | |
What'll you have? | 0:20:33 | 0:20:36 | |
Bourbon. | 0:20:36 | 0:20:38 | |
How? | 0:20:38 | 0:20:41 | |
Straight. | 0:20:41 | 0:20:43 | |
OK. | 0:20:43 | 0:20:46 | |
-Aren't you rushing things? -I find you irresistible! -I'll bet! | 0:20:57 | 0:21:02 | |
You know something? Take off three inches of paint and you'd be quite attractive. | 0:21:06 | 0:21:12 | |
How do you like our country? | 0:21:14 | 0:21:16 | |
-After tonight, I'm going to become a citizen. -After tonight, you'll be entitled to citizenship. | 0:21:16 | 0:21:23 | |
KNOCK AT DOOR | 0:21:23 | 0:21:26 | |
-How long are you gonna be? -Can't you see I'm busy? | 0:21:34 | 0:21:38 | |
-Who was that? -My husband. -Your husband?! -Relax - we're not married any more. We're just good friends. | 0:21:44 | 0:21:51 | |
-He lives down the hall. Oh, come on. Let's get out of here. -Where to? | 0:21:51 | 0:21:56 | |
I'll change my dress and I'll show you the town. | 0:21:56 | 0:22:00 | |
-Which one? -I don't know. You're a better judge of that than I am! | 0:22:02 | 0:22:07 | |
This is my new one. | 0:22:07 | 0:22:09 | |
Say, that's pretty! | 0:22:09 | 0:22:12 | |
I'll get into it. | 0:22:13 | 0:22:16 | |
-Listen, I won't be a minute. -Well, uh...take your time. | 0:22:17 | 0:22:22 | |
-You married? -No. | 0:22:25 | 0:22:27 | |
-Never been? -No. | 0:22:27 | 0:22:30 | |
-How come? -I don't know. It never occurred to me to get married. | 0:22:30 | 0:22:35 | |
I've never been in love in my life. Is something wrong with me? | 0:22:37 | 0:22:42 | |
-There must have been something wrong with your husband. -He was all right. | 0:22:42 | 0:22:47 | |
I just didn't love him. | 0:22:47 | 0:22:50 | |
Love is a very unsatisfactory thing anyway. | 0:22:50 | 0:22:54 | |
Life is a regular battle. | 0:22:54 | 0:22:57 | |
There. | 0:23:03 | 0:23:06 | |
Chuck! Chuck! | 0:23:24 | 0:23:27 | |
-What's the matter? -Chuck, he stole my money! -I'll get him! | 0:23:27 | 0:23:32 | |
-AA-AARGH! -CHUCK! | 0:24:11 | 0:24:15 | |
-All right, get back on the kerb. -Let me through! | 0:24:24 | 0:24:27 | |
Watch out! Get outta my way! | 0:24:27 | 0:24:30 | |
Chuck! Chuck! Oh, no! | 0:24:30 | 0:24:33 | |
-< -The man suddenly darted out in front of the truck. I couldn't miss him! Is he dead? | 0:24:33 | 0:24:40 | |
I'm due at hospital in 30 minutes. | 0:24:42 | 0:24:44 | |
I've tried the drug out. Miraculous. They're going to announce it at the convention in Atlantic City. | 0:24:44 | 0:24:51 | |
Oh, what's the stock selling at? | 0:24:51 | 0:24:54 | |
2? I think I'll have my broker buy me about 300 shares. Bye-bye. | 0:24:54 | 0:24:59 | |
-Doctor, this is an emergency. This man has been shot. -Well, come on in. Let's have a look at you. | 0:24:59 | 0:25:06 | |
Here you go. | 0:25:06 | 0:25:09 | |
Let's get some of these things off so we can take a look at it. | 0:25:09 | 0:25:14 | |
There you are. Now, get up here on the table. | 0:25:14 | 0:25:18 | |
Right, now turn a little bit. | 0:25:19 | 0:25:22 | |
-When did this happen? -Just a little while ago, on the street. | 0:25:22 | 0:25:27 | |
-Mm-hmm, you know I'm gonna have to report this to the police? Do you know who did it? -A sniper, I think. | 0:25:27 | 0:25:34 | |
Get me a shot. A sniper, huh? | 0:25:34 | 0:25:36 | |
-Is it serious? -Well, if you mean, are you gonna die, I don't think so! | 0:25:36 | 0:25:41 | |
You know, one of the greatest dangers arising from a gunshot wound is...is infection. | 0:25:41 | 0:25:48 | |
But we got a cure for that now, which just came out. I've had some very dramatic results with it. | 0:25:48 | 0:25:55 | |
-What's it called? -Penicillin. | 0:25:55 | 0:25:57 | |
Here we are. Now forceps. | 0:25:57 | 0:26:01 | |
-That hurt? -No. What's the name of the company making it? -Wentworth Drug. | 0:26:01 | 0:26:07 | |
-This is gonna hurt somewhat. -OK. -I've gotta remove the bullet. | 0:26:07 | 0:26:12 | |
Hello, is this Nielsen and Company Brokerage Office? Give me your customers man, please. | 0:26:12 | 0:26:18 | |
Hello, my name is Clementi Sabourin. I'm at the Savoy Drake. I'd like to open a new account. | 0:26:18 | 0:26:25 | |
What are the margin requirements? 50%? Then buy me 20,000 shares of Wentworth Drug at the market price. | 0:26:25 | 0:26:33 | |
What is the stock selling at? 2? | 0:26:33 | 0:26:36 | |
Well, I'll be at your office with the money before the market opens. | 0:26:38 | 0:26:43 | |
What is your name? Mr O'Hara, thank you very much. | 0:26:43 | 0:26:47 | |
-Can you tell me where I could find Mr O'Hara? -That desk over there, sir. -Thank you. | 0:27:19 | 0:27:25 | |
-Mr O'Hara? -Yes. -My name is Clementi Sabourin. We spoke on the telephone. | 0:27:28 | 0:27:33 | |
Oh, yes. You're the gentleman who wants to open a margin account. | 0:27:33 | 0:27:38 | |
-Would you sign? Just a formality. I'll do the rest. Can you tell me the name of your bank? -I can do better. | 0:27:38 | 0:27:45 | |
-I've brought a cashier's cheque for £20,000. -Well, good! | 0:27:45 | 0:27:50 | |
-I'll deposit it and bring you your receipt. Now, that's 20,000 shares of Wentworth Drug at 2? -That's right. | 0:27:50 | 0:27:57 | |
Looking for a stock to buy? | 0:28:10 | 0:28:12 | |
Why? Do you know of a good one? | 0:28:12 | 0:28:15 | |
-Have you heard of Wentworth Drug? -I don't use drugs. | 0:28:15 | 0:28:19 | |
-How much does it sell for? -2. | 0:28:19 | 0:28:22 | |
-I never buy cheap stock. -Well, this one may become expensive. | 0:28:22 | 0:28:27 | |
-Somebody just bought 20,000 shares! -Yes, so I see. | 0:28:30 | 0:28:36 | |
-You just bought 20,000 at two, Mr Sabourin. -Thank you. | 0:28:36 | 0:28:40 | |
-You bought it! What if it goes down to a dollar? -Then I'll buy more. | 0:28:40 | 0:28:45 | |
-CHIME -Look. | 0:28:45 | 0:28:48 | |
Still think it'll go to a dollar? | 0:28:58 | 0:29:01 | |
I've got to get some. Mr O'Hara! | 0:29:01 | 0:29:03 | |
< Yes, Mrs Ryan? | 0:29:03 | 0:29:06 | |
-Get me 50,000 shares at two. -You'll never get it at two, not after THAT announcement! -Look! | 0:29:06 | 0:29:13 | |
Three and a half. | 0:29:13 | 0:29:15 | |
Three and five eighths. | 0:29:17 | 0:29:19 | |
Three and seven eighths. | 0:29:19 | 0:29:23 | |
-All right. Buy it at four. -I'll try. | 0:29:23 | 0:29:26 | |
-You knew something! -Well, I told you. -It was too late! | 0:29:26 | 0:29:30 | |
-If I'd had the pleasure of knowing you before... -Do you think he'll get it at four? -No, but five is good. | 0:29:30 | 0:29:37 | |
-I couldn't get it. -All right. Buy it at five. -I'm sorry - it's going to six. -Buy it at six! | 0:29:37 | 0:29:44 | |
I won't buy it at all! Cancel the order! | 0:29:44 | 0:29:47 | |
You mustn't get mad just because you missed a good buy. | 0:29:47 | 0:29:52 | |
-Who gave you this tip? -I specialise in tips. -Give me your card. | 0:29:52 | 0:29:56 | |
-I don't have one with me, but I'll be happy to call you when I get the next tip. -I usually don't do this. | 0:29:56 | 0:30:04 | |
-I'll call you, Mrs Ryan, and if you're not in I'll leave the message with your husband. -I'm a widow. | 0:30:05 | 0:30:12 | |
-Who was your husband? -Peter Ryan. | 0:30:12 | 0:30:15 | |
-Peter Ryan?! -Did you know him? -Everybody knew Peter Ryan, the financial wizard! | 0:30:15 | 0:30:21 | |
-We married in Europe, he brought me to this country, a short while after, he died. -Very thoughtful. | 0:30:21 | 0:30:28 | |
-What did you say? -What a spectacular rise! You have made 120,000! | 0:30:28 | 0:30:33 | |
Congratulations. | 0:30:33 | 0:30:35 | |
Shall I sell? | 0:30:37 | 0:30:40 | |
Let's just hang on for a while, and I'll be back shortly. | 0:30:43 | 0:30:48 | |
DOOR BUZZER | 0:30:49 | 0:30:52 | |
-Mrs Ryan in? -No, she isn't. -But she's expected? -May I ask who's calling, please? | 0:30:55 | 0:31:02 | |
Clementi Sabourin. | 0:31:02 | 0:31:05 | |
And may I ask who you are? | 0:31:05 | 0:31:08 | |
-Well, I'm Mrs Ryan's secretary. -Oh, have you worked for Mrs Ryan long? | 0:31:08 | 0:31:13 | |
A few months. Why? | 0:31:13 | 0:31:15 | |
-I'm an investigator. -For whom? | 0:31:17 | 0:31:20 | |
For myself. I'm the prying kind. Tell me, my dear, where do you come from? | 0:31:20 | 0:31:26 | |
-I'm from Texas. -Oh, yes, I've heard of it. | 0:31:26 | 0:31:31 | |
-Well, may I say that Mrs Ryan has found herself a most attractive secretary? -Thank you, sir. | 0:31:31 | 0:31:37 | |
Well...hello. | 0:31:37 | 0:31:40 | |
-Hello. -How did YOU get here so soon? | 0:31:40 | 0:31:43 | |
-Hannah! I just left you in the broker's office. -My driver knows all the short cuts of New York. | 0:31:43 | 0:31:50 | |
-I must say I didn't expect you THAT soon. -Neither did your secretary. -Stephanie, dear, you may leave now. | 0:31:50 | 0:31:57 | |
-The stock is up to eight and three eights. I've made 120,000 so far! -Good for you. -You need me. | 0:31:57 | 0:32:04 | |
Maybe you need me even more. | 0:32:04 | 0:32:07 | |
-Is that your husband? -Yes. | 0:32:07 | 0:32:10 | |
-Was that painted before or after he died? -Six months he sat for that. | 0:32:10 | 0:32:14 | |
-Maybe THAT killed him! -You ARE wicked! | 0:32:14 | 0:32:18 | |
-Tell me, where did you learn the markets so thoroughly? -I studied in Europe. | 0:32:21 | 0:32:28 | |
-How would you like to make 12,000 cash immediately? -I would love to. | 0:32:28 | 0:32:33 | |
-What do I have to do for it? -Just write me a cheque for 20,000. -Do you think I'm an idiot? | 0:32:33 | 0:32:39 | |
Look, I'll sell you 4,000 shares of Wentworth Drug at 5. It's selling at 8. You'll make three points - | 0:32:39 | 0:32:47 | |
-roughly £12,000 less commission. It's a gift. -Why would you do that? | 0:32:47 | 0:32:52 | |
Well, let's say it's because you appeal to me. | 0:32:52 | 0:32:56 | |
12,000 is a pretty good price, | 0:32:56 | 0:32:59 | |
but I cannot be bought. | 0:32:59 | 0:33:01 | |
I might be influenced, but never bought. | 0:33:01 | 0:33:05 | |
Mr O'Hara, please. | 0:33:18 | 0:33:20 | |
Mr O'Hara, this is Mrs Ryan. What's the latest quote on Wentworth Drug? | 0:33:20 | 0:33:25 | |
I see. | 0:33:25 | 0:33:28 | |
Would you please transfer 4,000 shares from Mr Sabourin's account to mine? He's right here to confirm. | 0:33:28 | 0:33:35 | |
O'Hara? It's all right to transfer the stock to Mrs Ryan's account. I'll come and sign the papers later. | 0:33:37 | 0:33:44 | |
-Here. -Thank you. -Now, we have a deal. -Right. | 0:33:44 | 0:33:48 | |
The stock is now up to ten. | 0:33:48 | 0:33:50 | |
-What? -I made roughly 20,000 instead of 12,000. | 0:33:50 | 0:33:56 | |
I outsmarted you, Mr Sabourin! | 0:33:56 | 0:33:58 | |
Well, I always admire anyone who can outsmart me! Goodbye. | 0:34:00 | 0:34:05 | |
Thank you very much, Mrs Dodds. | 0:34:17 | 0:34:19 | |
-Oh, Mr Sabourin! I have that transfer ready for you to sign. -Fine. | 0:34:19 | 0:34:24 | |
-What's the latest quote on Wentworth Drug? -Fifteen. You've made a profit of 200,000. Not a bad day's work! | 0:34:24 | 0:34:31 | |
I have some friends. Now look, this is Mrs Ryan's cheque for 20,000 made out to me. | 0:34:31 | 0:34:37 | |
-Do me a favour and get my cheque back. -That cashier's cheque? -Yes. | 0:34:37 | 0:34:42 | |
-I don't know if I CAN. It may have gone down to the bank. -I need it! | 0:34:42 | 0:34:47 | |
-Why? It's just as good a cheque as Mrs Ryan's! -I know but I need it for a transaction after business hours. | 0:34:47 | 0:34:54 | |
-Nobody'll honour a personal cheque. -Oh, I see! -It's endorsed. -I know. | 0:34:54 | 0:34:59 | |
-Miss Watkins. -Yes, Mr O'Hara? -Do you still have Mr Sabourin's cheque? | 0:34:59 | 0:35:04 | |
-What was the transaction? -Wentworth Drug. -Sabourin, Sabourin, Sabourin... | 0:35:04 | 0:35:10 | |
Oh! I'm sorry, that went to the bank about an hour ago. Something wrong? | 0:35:10 | 0:35:15 | |
No, no. | 0:35:15 | 0:35:18 | |
-I'm sorry - it went to the bank. -How long ago? -About an hour ago. We make several deposits a day. | 0:35:18 | 0:35:25 | |
-We've got to get it back! -Get it back?! -It's life and death! -How do I get it? | 0:35:25 | 0:35:31 | |
-You know the manager, don't you? -Yes. -Tell him you want it back! -That's highly irregular... -Look! | 0:35:31 | 0:35:38 | |
-Get me that cheque, I'll give you 5,000! -I'll try. I don't guarantee anything. -I'll be in the coffee shop. | 0:35:38 | 0:35:45 | |
-Something else, sir? -Another cup of coffee, please. -You've HAD six. | 0:35:50 | 0:35:55 | |
-Well, make it seven. -Yes, sir! | 0:35:55 | 0:35:58 | |
Hello? This is Mr Sabourin. Has Mr O'Hara come back yet? | 0:36:24 | 0:36:29 | |
No, sir, he hasn't. By the way, Mr Sabourin, Wentworth Drug is up two more points. Isn't that nice? | 0:36:29 | 0:36:36 | |
Yes. Yes, thank you. | 0:36:36 | 0:36:39 | |
Well? | 0:36:49 | 0:36:52 | |
Let's talk about me. What do I get? | 0:36:53 | 0:36:57 | |
-What do you mean? 5,000. -Oh, no. | 0:36:57 | 0:37:01 | |
No, Mr Sabourin. That cheque was stopped! | 0:37:01 | 0:37:06 | |
-You bought stock with a bad cheque. That's fraud. People go to prison for that! -Never mind the sermon. | 0:37:06 | 0:37:13 | |
-Have you got the cheque? -Let's talk about a better arrangement. -All right. Call your shots. | 0:37:13 | 0:37:19 | |
And so I can. I'm now your junior partner, an interest in the business to be mutually agreed on. | 0:37:19 | 0:37:27 | |
What if I say no? | 0:37:27 | 0:37:30 | |
Then you don't get the cheque. | 0:37:30 | 0:37:32 | |
You've got a deal. | 0:37:34 | 0:37:37 | |
It's lucky the bank teller was a girl I've known for several years. | 0:37:40 | 0:37:44 | |
You know, a man called Thorstein Veblen once said business is the art of getting something for nothing. | 0:37:44 | 0:37:52 | |
-Yes? -Hello, is Mr Sabourin here? | 0:37:53 | 0:37:56 | |
-Yes, he is, Madam. -I'm Mrs Ryan. He's expecting me. | 0:37:56 | 0:38:00 | |
-The only thing I don't like about this painting is the face. -Oh, we'll have the face changed for you. | 0:38:06 | 0:38:13 | |
-Hello. -Hello. -This is Miss Howell of the real estate office. Mrs Ryan. | 0:38:13 | 0:38:18 | |
-How do you do? -What's going on? -I'm buying this house if you approve. | 0:38:18 | 0:38:22 | |
Louis XIV? | 0:38:22 | 0:38:25 | |
Absolutely authentic. And the staircase came from Switzerland! | 0:38:25 | 0:38:30 | |
Ah. Do you like it? | 0:38:30 | 0:38:32 | |
I know this house. I have been often here when Jimmy Edwards owned it, the banker. It brought him luck. | 0:38:32 | 0:38:39 | |
-He made millions. -I'll take it. -You'll never be sorry, Mr Sabourin! | 0:38:39 | 0:38:44 | |
-Isn't this a rather large house for you? -Oh, I don't know. In Europe I lived in a palace for some time! | 0:38:45 | 0:38:53 | |
So did I. But when the king was unfaithful...I moved. | 0:38:53 | 0:38:59 | |
-You know the price is 300,000. -I'll give you a fairly substantial deposit - 5,000 in cash. | 0:38:59 | 0:39:06 | |
-I'll sign the rest of the papers tomorrow. -You really make up your mind fast, don't you? | 0:39:06 | 0:39:12 | |
-You! -Yes, sir? -Who do you work for? | 0:39:12 | 0:39:15 | |
No-one, sir, now you've bought the house. | 0:39:15 | 0:39:18 | |
-You work for me, now. -Thank you, sir! -I want dinner for two tonight, the best you can get. | 0:39:18 | 0:39:25 | |
-Get a cook, maid, anything you want. -Yes, sir, and thank you, sir! | 0:39:25 | 0:39:29 | |
-In view of the small deposit, this procedure is a little unusual... -Miss Howell, please leave my house. | 0:39:29 | 0:39:37 | |
I have some very important business to discuss with Mrs Ryan. Come into the garden, my dear. | 0:39:37 | 0:39:44 | |
-How do you like it? -It's lovely! | 0:39:44 | 0:39:47 | |
-Oh, just wonderful flowers! -Oh, that's nothing! I'm gonna have some orchids flown in from Hawaii! | 0:39:47 | 0:39:55 | |
But what a beautiful setting! | 0:39:56 | 0:39:59 | |
You know, a place like this inspires romance, don't you think? | 0:39:59 | 0:40:04 | |
-How long is it since you lost your husband? -Five years. | 0:40:05 | 0:40:10 | |
-And you've been without a companion all that time? -I'm doing all right. | 0:40:10 | 0:40:15 | |
I want you to give a party. Invite all your friends. | 0:40:15 | 0:40:19 | |
-We'll celebrate. -Celebrate what? | 0:40:19 | 0:40:22 | |
My making 20,000? That's nothing! | 0:40:22 | 0:40:25 | |
-Well, there'll be much more in the future. -Future? I'm going to Europe soon. -Why go to Europe? | 0:40:25 | 0:40:31 | |
I've brought Europe to you. | 0:40:31 | 0:40:34 | |
You're a fast worker, aren't you? | 0:40:34 | 0:40:37 | |
In my country, I'm considered a slowpoke. | 0:40:37 | 0:40:40 | |
-We weren't even formally introduced yet. -We know each other pretty well. -Only financially. -Well... | 0:40:40 | 0:40:47 | |
finance is the basis of most relationships, don't you think? | 0:40:47 | 0:40:52 | |
Don't play with me, Mr Sabourin. | 0:40:52 | 0:40:54 | |
I'm a tigress. I'll bite you. | 0:40:54 | 0:40:57 | |
I accept your offer. | 0:40:57 | 0:41:00 | |
26th floor, Miss. | 0:41:03 | 0:41:05 | |
-Yes? -I'd like to see Mr Sabourin. | 0:41:14 | 0:41:17 | |
-Do you have an appointment? -No, but he'll see me. Just give him this. | 0:41:17 | 0:41:22 | |
-What is your name, please? -Just say Kelly. -Wait right here, Miss Kelly. | 0:41:22 | 0:41:28 | |
Our plan is to buy companies in financial trouble and build them up. | 0:41:28 | 0:41:33 | |
-I'm interested in this company in Canada. -Wilson Oil? It sells at a dollar. Doesn't look active lately. | 0:41:33 | 0:41:40 | |
-I want you to get the background on it, and then go into the legal aspects with Herb. -All right. | 0:41:40 | 0:41:47 | |
-Where is she? -In the reception room. | 0:41:53 | 0:41:56 | |
Show her in. You must forgive me - I have a private meeting. | 0:41:56 | 0:42:01 | |
You may go in now, Miss Kelly. | 0:42:01 | 0:42:04 | |
Hello. Mrs Ryan, I'd like you to meet Miss Kelly. | 0:42:09 | 0:42:14 | |
-Miss Kelly, Mrs Ryan. -How do you do? | 0:42:14 | 0:42:16 | |
I'll call you tonight. Won't you sit down, Miss Kelly? | 0:42:16 | 0:42:21 | |
Hmm! My money do all this? | 0:42:31 | 0:42:34 | |
Yes, your money and my brains. | 0:42:35 | 0:42:38 | |
Except that it wasn't YOUR money. | 0:42:38 | 0:42:41 | |
-You stole it from me. -To steal from a thief is no crime. | 0:42:41 | 0:42:45 | |
Look, I'm broke because of you. | 0:42:47 | 0:42:49 | |
Well, how would you like a job? | 0:42:49 | 0:42:52 | |
-Doing what? -Working for me. | 0:42:53 | 0:42:55 | |
-I could use a pretty thief in my business. -I'd wind up in jail. -Not my way, you wouldn't. Yours, yes. | 0:42:55 | 0:43:03 | |
-I'd be no use to you. I'm not really a thief. -I saw you pull a job. Small stuff, but it showed promise. | 0:43:03 | 0:43:10 | |
The wallet dropped on the floor! I was tempted. I was broke. | 0:43:10 | 0:43:15 | |
-I never dreamed that picking up that wallet would end that way for Chuck. -He tried to kill me. | 0:43:15 | 0:43:21 | |
He loved me. He was just trying to help me. | 0:43:21 | 0:43:26 | |
-You know, you and I are very much alike. -We're both crooks! | 0:43:30 | 0:43:34 | |
Only there's a difference - I don't wanna be. You can't help yourself! | 0:43:34 | 0:43:39 | |
-I like you! I think you're gonna work out fine. -You sure? -I can help you to move among the best people. | 0:43:39 | 0:43:46 | |
-You one of the best people? -In my own field, I am. -What field is that? | 0:43:46 | 0:43:51 | |
-I have a talent, a unique one. I can turn small sums into large ones. -You're not as bright as you think. | 0:43:51 | 0:43:59 | |
I can call Mr Wilson and have you thrown in jail. I saw you steal his wallet. I'm an eye-witness. | 0:43:59 | 0:44:06 | |
-How would you explain your taking it from me? -I took it to return to him, which is what I intend to do. | 0:44:06 | 0:44:12 | |
-I'm leaving for Canada tomorrow. Do you want to join me? -As what? | 0:44:12 | 0:44:18 | |
My assistant in charge of giving back the wallet. I'll give you a share in the business. | 0:44:18 | 0:44:24 | |
-KNOCK -Yes? | 0:44:24 | 0:44:27 | |
Oh, excuse me. I've got that report for you. | 0:44:27 | 0:44:30 | |
-It's all right. Miss Kelly's joined our organisation. This is Mr O'Hara. -How do you do? -How do you do? | 0:44:30 | 0:44:38 | |
Well, here's the story - | 0:44:38 | 0:44:40 | |
Wilson Oil is practically broke. They've drilled nothing but dry holes up there. Wilson's desperate. | 0:44:40 | 0:44:47 | |
-A lot of people have approached him but nobody can get his stock. -Maybe they've used the wrong approach. | 0:44:47 | 0:44:54 | |
-Miss Kelly and I are leaving for Canada tomorrow. -Are we? -Yes. | 0:44:54 | 0:44:59 | |
I'm going to show you how to take Wilson's money without taking his wallet. | 0:44:59 | 0:45:06 | |
Mr Sabourin is here with a lady. | 0:45:19 | 0:45:22 | |
Show them in. | 0:45:22 | 0:45:24 | |
You remember me, Mr Wilson? | 0:45:29 | 0:45:31 | |
-Of course. -This is Miss Kelly, my executive assistant. | 0:45:31 | 0:45:36 | |
Miss Kelly...you look familiar. | 0:45:36 | 0:45:39 | |
-Recognise this? -My wallet! | 0:45:41 | 0:45:43 | |
Well, look inside - see if everything's in order. | 0:45:44 | 0:45:49 | |
This is the 500...and my cheque! | 0:45:55 | 0:45:57 | |
The endorsement is all scratched out. | 0:45:59 | 0:46:02 | |
-That's how I found it. The thief must have panicked and ditched it. -Let it go. I'm grateful to have it. | 0:46:02 | 0:46:10 | |
-Are all your papers in order? -Yes. | 0:46:10 | 0:46:13 | |
Especially this one. | 0:46:13 | 0:46:15 | |
A confidential financial statement. Not in good shape, are you? | 0:46:15 | 0:46:20 | |
-I sank over half a million dollars into my company. -Those are the risks of the oil business. | 0:46:20 | 0:46:26 | |
I KNOW there's oil on our property! | 0:46:26 | 0:46:29 | |
Then why haven't you found a drop? You're throwing good money after bad. | 0:46:29 | 0:46:35 | |
What would YOU suggest? | 0:46:37 | 0:46:40 | |
I suggest selling ME your company. | 0:46:40 | 0:46:42 | |
You!? | 0:46:42 | 0:46:45 | |
-Where would YOU get the money to buy it? -America's a land of opportunity. I've had a friend watching over me. | 0:46:45 | 0:46:52 | |
-What's your offer? -50 cents a share. | 0:46:54 | 0:46:57 | |
-50 cents?! It's selling for a dollar... -It's 40 cents, and it may go lower. I'm being generous! | 0:46:57 | 0:47:04 | |
Have you seen today's paper? The financial section? | 0:47:04 | 0:47:08 | |
My financial statement! You... You PUBLISHED it! | 0:47:11 | 0:47:15 | |
But it was news, Mr Wilson. | 0:47:15 | 0:47:18 | |
So that's...why you came here. | 0:47:18 | 0:47:22 | |
-That's why you brought back my wallet. You STOLE it! -Oh, no, I didn't. | 0:47:22 | 0:47:29 | |
But I advise you to accept my offer before your stock drops to a penny. | 0:47:29 | 0:47:34 | |
-Buerk! What's our stock doing? -'Dropping, sir. Somebody ran a financial statement in the paper.' | 0:47:37 | 0:47:44 | |
What's your offer? | 0:47:52 | 0:47:55 | |
You sell your stock to me, turn over control, and I'll give you a seat on the board of directors, | 0:47:59 | 0:48:06 | |
and a substantial salary to be mutually agreed upon. | 0:48:06 | 0:48:10 | |
I won't do it! | 0:48:12 | 0:48:15 | |
-There's a telephone call for you, Mr Sabourin. -Oh. | 0:48:15 | 0:48:19 | |
Hello? Oh, there is? | 0:48:22 | 0:48:25 | |
Well, all right. I'll take the first plane out of here. | 0:48:26 | 0:48:30 | |
Oh, you can only get one seat? My assistant will take the plane out in the morning. Thank you. | 0:48:30 | 0:48:37 | |
As that is your final answer, Mr Wilson, I shall be leaving for New York tonight. | 0:48:38 | 0:48:45 | |
I'm sure you won't mind Miss Kelly staying until the morning plane. | 0:48:45 | 0:48:50 | |
I'm sure that Mr Wilson will help you find somewhere to stay. | 0:48:50 | 0:48:55 | |
Call for you on your private line, Mr Wilson. | 0:48:55 | 0:48:59 | |
What are you leaving me here for? | 0:49:03 | 0:49:06 | |
I have a feeling that our Mr Wilson has an eye for the ladies. | 0:49:06 | 0:49:11 | |
Now, you make him sell, and don't come back until he does. | 0:49:11 | 0:49:15 | |
-I might cross you. -I shouldn't even try! | 0:49:15 | 0:49:19 | |
-Good morning, sir. -Morning, Henry. | 0:49:22 | 0:49:25 | |
-There's a telephone call for you from Canada, sir. -Thank you. Hello? | 0:49:26 | 0:49:31 | |
Well, I'm back in my hotel room. | 0:49:31 | 0:49:34 | |
Mr Wilson has decided to sell at the figure you quoted, 50 cents a share. | 0:49:34 | 0:49:40 | |
-It closed at 30 cents, yesterday. -But you offered him 50, Mr Sabourin! | 0:49:42 | 0:49:47 | |
-Are you on his side? -No, but I told him you were a man of honour. | 0:49:47 | 0:49:53 | |
Well, I'll stick to my word. | 0:49:55 | 0:49:57 | |
I'm going to pull a phoney oil strike on his property. I'll explain soon. I'll be on the next plane. | 0:49:57 | 0:50:04 | |
Goodbye. | 0:50:04 | 0:50:07 | |
I've never been here before. Mr Sabourin just took over the company. | 0:50:17 | 0:50:22 | |
-This is Wilson Oil all right. I used to cover it for the paper. -Hi! | 0:50:22 | 0:50:26 | |
Oh, hi! | 0:50:26 | 0:50:29 | |
-I'd like you to meet a friend of mine, Herb Ashton. -How do you do? -He writes for a Montreal newspaper. | 0:50:29 | 0:50:36 | |
How's the company since you took over? | 0:50:36 | 0:50:39 | |
-Mostly exploration. That's a test rig, but it's pretty discouraging. -It's been that way for years. -Yeah. | 0:50:39 | 0:50:46 | |
Herb's taking me to his mother's place. D'you want a lift to town? | 0:50:46 | 0:50:51 | |
-Well, thanks, yes. -Mr Sabourin! | 0:50:51 | 0:50:54 | |
-They just called from drill nine, five miles down. It's a miracle! -What? -They hit a gusher! | 0:50:54 | 0:51:00 | |
-A riverful! -No, I don't want this in the papers! -Sure! You can trust me! | 0:51:00 | 0:51:05 | |
-Mr Sabourin is here. -Show him in, please. | 0:51:37 | 0:51:41 | |
-Darling, you've got to act fast. -What happened? | 0:51:41 | 0:51:45 | |
I've been in Canada. Buy 50,000 shares of Wilson Oil at 10. It'll go to 20. Don't wait another minute! | 0:51:45 | 0:51:52 | |
-Wilson Oil, isn't that the company that struck an oil field? -Oceans of it! The reports are all true. | 0:51:52 | 0:51:59 | |
It's the miracle of the century! | 0:51:59 | 0:52:02 | |
Hello, Burton. This is Mrs Ryan. | 0:52:02 | 0:52:05 | |
What is the latest quote on Wilson Oil? Ten. | 0:52:05 | 0:52:09 | |
Buy me 50,000 shares at ten. | 0:52:11 | 0:52:13 | |
Thank you. See how I trust you? You tell me something, I throw half a million after it. | 0:52:13 | 0:52:21 | |
-You'll make 3 million. I've got to rush now. -Darling, you're always running. Money isn't everything. | 0:52:21 | 0:52:28 | |
No, but it's the nearest thing. Bye. | 0:52:28 | 0:52:30 | |
All right, O'Connell, start unloading 50,000 shares of Wilson Oil at 10 or better. Yeah. | 0:52:30 | 0:52:37 | |
-Have you been spreading it around to all our old customers? -Every last one, down to a poor, blind widow. | 0:52:37 | 0:52:44 | |
-They're all buying. I even tipped off stockbroker friends. -What's wrong? -This is shady! It's fraud! | 0:52:44 | 0:52:51 | |
-We could go to prison! -For what? Is it our fault the geologists were wrong? The engineers made a mistake. | 0:52:51 | 0:52:58 | |
They THOUGHT they'd struck oil, and the tipsters let it get out of hand. | 0:52:58 | 0:53:03 | |
But you issued a fraudulent statement confirming the strike! | 0:53:03 | 0:53:08 | |
-If the FCC finds out the truth, they'll prosecute. -Look, I fell for the engineers' reports too! | 0:53:08 | 0:53:15 | |
Nobody hits anybody over the head to buy stock! The public buys what it likes! It just likes Wilson Oil! | 0:53:15 | 0:53:22 | |
-Those people are my friends. -The only friend you've got is me, and you know why? | 0:53:22 | 0:53:29 | |
-I need an honest man like you. -Maybe we ought to leave town for a while. -What for? | 0:53:29 | 0:53:35 | |
Hello, Kelly. Back already? | 0:53:35 | 0:53:38 | |
-How's Wilson? -I left him in Canada. | 0:53:39 | 0:53:42 | |
-You still got that stock? -No. Got rid of every share. Sabourin Enterprises is now worth 5 million! | 0:53:42 | 0:53:50 | |
-Guess what? -What? -I wouldn't have believed it, but I saw it with my own eyes. | 0:53:50 | 0:53:56 | |
-Saw what? -They struck oil! | 0:53:56 | 0:53:59 | |
-Say that again. -They struck oil, a river of oil! | 0:54:00 | 0:54:05 | |
-Yes? -Get me Jim at the brokerage office. -You're not going to try and buy that stock back?! -I certainly am! | 0:54:06 | 0:54:13 | |
Jim, what's Wilson Oil selling at? That much?! | 0:54:13 | 0:54:17 | |
-Never mind. -What's it at? 20? -30. | 0:54:17 | 0:54:20 | |
-We can't touch it. -Well, life is no longer black - it's just dark brown. | 0:54:20 | 0:54:25 | |
If you want me, I'll be in my office. | 0:54:25 | 0:54:28 | |
Cheer up, Mr Sabourin. You've had a 5 million day! | 0:54:33 | 0:54:38 | |
It could have been 15 million! | 0:54:38 | 0:54:41 | |
-You made 5 million dollars and you're miserable?! -Could have been 15 million. They beat me! | 0:54:41 | 0:54:48 | |
Who beat you? I can remember the time when 500 was big money to you. | 0:54:48 | 0:54:53 | |
-I remember when you were working the boats like a starving bird waiting for scraps! -Why don't you stop? | 0:54:53 | 0:55:00 | |
-I was small-time compared to you. -To think that I told a lie and it turned out to be the truth! | 0:55:00 | 0:55:06 | |
-So that's what's bothering you! -Oh, don't moralise, you tramp! | 0:55:06 | 0:55:11 | |
-We're both tramps! That's what you said! Only I'm satisfied with less. -BUZZ | 0:55:11 | 0:55:17 | |
-Yes? -'Mrs Ryan on one, Mr Sabourin.' | 0:55:19 | 0:55:22 | |
-Hello. -Clementi, you're wonderful! | 0:55:24 | 0:55:27 | |
-Thanks. -You're a genius, a genius! | 0:55:27 | 0:55:30 | |
I'm going to give the most wonderful party in your honour! With the finest people in New York. | 0:55:30 | 0:55:37 | |
-I can't be there. -Why? -I don't feel well. -Darling, what is the matter? | 0:55:37 | 0:55:43 | |
Please stop asking inane questions. You made a million dollars. Isn't that enough for a day? | 0:55:43 | 0:55:49 | |
-Hello? -'This is Clementi Sabourin. Who is this?' | 0:56:07 | 0:56:11 | |
This is Mrs Ryan's secretary. | 0:56:11 | 0:56:14 | |
Oh, yes. Would you tell Mrs Ryan that she can arrange that party at my house after all? | 0:56:14 | 0:56:22 | |
-Would you also convey my apologies for having been short with her? -Yes, Mr Sabourin. | 0:56:22 | 0:56:28 | |
-By the way, would you like to come to the party? -I don't think Mrs Ryan would like that. -I'M inviting you. | 0:56:28 | 0:56:35 | |
It's MY party in MY house. You know where it is. I want you to be there. | 0:56:35 | 0:56:40 | |
Thank you, Mr Sabourin. | 0:56:40 | 0:56:43 | |
BALLROOM MUSIC | 0:56:48 | 0:56:51 | |
You wanted to be in society, I brought society to you! | 0:56:57 | 0:57:01 | |
Is that Mr and Mrs Van Renassalear? | 0:57:11 | 0:57:14 | |
Mm-hmm. He owns one of the biggest mail-order houses in Chicago. | 0:57:14 | 0:57:19 | |
-I know. Where did he buy her? Through the mail? -She owns 50% of his stock. | 0:57:19 | 0:57:25 | |
Introduce me. | 0:57:28 | 0:57:31 | |
Edith, dear. Oswald. I want you to meet our host, Mr Sabourin. | 0:57:31 | 0:57:35 | |
-How do you do? -How do you do? -It was nice of you to come. Do you mind if I dance with your wife? -Not at all. | 0:57:35 | 0:57:42 | |
-May I? -Certainly. -O'Connell, you can dance with Mrs Ryan. | 0:57:42 | 0:57:47 | |
-Your husband has eyes for the ladies. -Why do you say that? | 0:57:55 | 0:57:59 | |
-Just now, when you were dancing with him, it seemed to me that he had a roving eye. -He's living in the past! | 0:57:59 | 0:58:06 | |
-Where are you going after the party? -We'll return to Chicago tomorrow. -Do you like Chicago? -It's all right. | 0:58:06 | 0:58:13 | |
Why don't you stay over for a while? | 0:58:13 | 0:58:16 | |
-What for? -You might learn to like New York better. | 0:58:16 | 0:58:20 | |
-Oh! -Oh! Allow me. -Thank you. | 0:58:29 | 0:58:33 | |
-You're Mr Van Renassalear, aren't you? -Yes. How did you know? | 0:58:33 | 0:58:38 | |
Everybody knows you! I've seen your pictures in the paper. | 0:58:38 | 0:58:43 | |
-Where's your wife? -She's dancing with our host. | 0:58:43 | 0:58:47 | |
-May I get you a drink? -Of course. | 0:58:47 | 0:58:51 | |
-Where are you staying? -At the Sheraton. Why do you ask? | 0:58:53 | 0:58:57 | |
-I thought you might like lunch tomorrow at the Malmaison. At one o'clock? -You forget I'm married. | 0:58:57 | 0:59:04 | |
-Well, does that preclude your having lunch with me? -You're very direct. | 0:59:04 | 0:59:09 | |
-And taken by you. -I'm already taken. | 0:59:09 | 0:59:13 | |
-I don't want to take - just to borrow. -Interesting! | 0:59:13 | 0:59:17 | |
Er, Mr Sabourin is quite a crude man, isn't he? | 0:59:20 | 0:59:25 | |
-Do you think so? -Not USED to money. | 0:59:25 | 0:59:28 | |
-He looks out of place in these surroundings. -You certainly fit in, Mr Van Renassalear! | 0:59:28 | 0:59:35 | |
-Why, you flatter me! -Not at all. You're a very distinguished gentleman. -Thank you, m'dear! | 0:59:35 | 0:59:41 | |
What is your name? | 0:59:44 | 0:59:47 | |
-Miss Kelly. -MISS Kelly, hm-mm. | 0:59:47 | 0:59:50 | |
Yes, what are you doing for lunch tomorrow? | 0:59:50 | 0:59:54 | |
Why? What have you got in mind? | 0:59:56 | 0:59:58 | |
Roast beef? | 0:59:58 | 1:00:01 | |
-Where? -Well, how about the Malmaison restaurant? | 1:00:02 | 1:00:07 | |
About one o'clock? | 1:00:07 | 1:00:09 | |
Well, I don't know where it is, but I'll find it! | 1:00:09 | 1:00:14 | |
-Would you care to dance? -But... Yes, thank you. | 1:00:22 | 1:00:26 | |
Stephanie! What are YOU doing here? | 1:00:35 | 1:00:38 | |
Well, really...I don't know. | 1:00:38 | 1:00:41 | |
-Who invited you, dear? -Mr Sabourin. | 1:00:41 | 1:00:43 | |
Do you think you should have come? | 1:00:45 | 1:00:47 | |
You don't know anyone here. These people are not your friends. | 1:00:47 | 1:00:52 | |
Of course. | 1:00:53 | 1:00:56 | |
Herbert! Mrs Van Renassalear is the greatest dancer in the world. | 1:00:59 | 1:01:04 | |
-This is Herbert Palmer, my lawyer. -Hello. -How do you do? | 1:01:04 | 1:01:08 | |
-What's the matter? -You shouldn't have invited me here tonight. | 1:01:15 | 1:01:20 | |
-I shouldn't have come. -Why not? | 1:01:20 | 1:01:23 | |
Mrs Ryan isn't very happy. I think she's gonna fire me. | 1:01:24 | 1:01:29 | |
But, why? | 1:01:29 | 1:01:31 | |
Because I'm not on the same social level. I just don't belong. | 1:01:31 | 1:01:36 | |
How silly! I'll get you a job. | 1:01:36 | 1:01:39 | |
They're not so easy to find. I've got lessons I have to pay for. | 1:01:41 | 1:01:45 | |
What lessons? | 1:01:45 | 1:01:48 | |
-I'm...I'm studying drama. -Drama?! Whatever for? | 1:01:49 | 1:01:55 | |
You see, I came to New York to become an actress. I go to dramatic classes at night. | 1:01:55 | 1:02:01 | |
-Well, do you have to be an actress? Couldn't you be something else? -No, Mr Sabourin. I HAVE to be an actress. | 1:02:01 | 1:02:08 | |
What shows have you been in? | 1:02:08 | 1:02:11 | |
Not any, yet. Not on Broadway. Just little theatres back home. Some day, I'll get a lucky break. | 1:02:13 | 1:02:20 | |
Let me tell you - nobody can afford to wait for a lucky break. A person makes his own destiny. | 1:02:20 | 1:02:27 | |
-Maybe I can help. -Are you connected to a theatre? -No, but I have friends. | 1:02:27 | 1:02:33 | |
Come and see me tomorrow morning at ten. Don't tell Mrs Ryan. Let's keep it our secret. | 1:02:33 | 1:02:40 | |
-Why are you doing this for me? -Perhaps you have talent. If you do, people should know about it. | 1:02:40 | 1:02:46 | |
-You're very kind. -I try to be. I'd better be going. Tomorrow morning at ten o'clock at the office. | 1:02:46 | 1:02:53 | |
Thank you, Mr Sabourin. | 1:02:53 | 1:02:56 | |
-The date's made. Tomorrow, the Malmaison restaurant, one o'clock. -Nice of you to come. | 1:03:11 | 1:03:18 | |
-Good night, Clementi. Lovely party. -See you in the office. | 1:03:18 | 1:03:22 | |
-Good morning, everybody! -Good morning. -Good morning. Goodbye. | 1:03:25 | 1:03:30 | |
-Lovely party, last night. -Very nice. -Nice. -Great! | 1:03:30 | 1:03:34 | |
-I want to know what Broadway shows need money. -All of them, I hear. | 1:03:34 | 1:03:39 | |
-This is a special situation. There has to be a part for a young girl in the lead. -Mrs Ryan's secretary? | 1:03:39 | 1:03:46 | |
-What of it? What does it cost to put on a Broadway show these days? -My friend put one on recently. | 1:03:46 | 1:03:53 | |
Folded in a week, buried up 75,000. | 1:03:53 | 1:03:56 | |
Well, call a few producers. | 1:03:56 | 1:03:58 | |
-I know one - Max Freundlich, ALWAYS needs money! -A good man, but he has a sharp lawyer. -You'll handle him! | 1:03:58 | 1:04:06 | |
You can't mean she's worth 75,000! | 1:04:07 | 1:04:11 | |
I don't mind if she costs me a million! See, you don't understand. She's a NICE girl. | 1:04:11 | 1:04:18 | |
She's clean and wholesome. | 1:04:18 | 1:04:20 | |
I might even marry her! | 1:04:20 | 1:04:23 | |
-Yes, right away, sir. Yes? -I have an appointment with Mr Sabourin. | 1:04:44 | 1:04:49 | |
-Your name, please? -Stephanie North. -Oh, yes. He's expecting you. Will you follow me, please? | 1:04:49 | 1:04:56 | |
-Miss Stephanie North is here by appointment. -Of course. Come in. | 1:04:59 | 1:05:04 | |
-Hello, Mr Sabourin. -You're right on time. -Yes. | 1:05:04 | 1:05:08 | |
-They're casting a play called The Walking Doll. -I read about it. They're rehearsing right away. | 1:05:08 | 1:05:15 | |
-Yes, but they're having trouble casting the girl's part. -What sort of part is it? -The lead. | 1:05:15 | 1:05:21 | |
-They'd never give it to ME. -Why not? | 1:05:21 | 1:05:24 | |
Why should they entrust a big Broadway role to someone with no name or experience? I haven't a chance. | 1:05:24 | 1:05:31 | |
-You go and see Max Freundlich, the producer. I know he'll consider you. -For the lead?! I haven't a prayer! | 1:05:31 | 1:05:39 | |
-Have a good thought. You never can tell about these things! -All right. | 1:05:39 | 1:05:44 | |
Maybe it is a part I could read for. | 1:05:44 | 1:05:46 | |
Thanks again, Mr Sabourin. | 1:05:48 | 1:05:51 | |
-Mr Freundlich? -Yes? -Miss Stephanie North wants to see you. -Oh, yes. Show her in. -OK. | 1:05:52 | 1:05:58 | |
Well, boys, here comes the lead if we want the money, so get ready for anything! | 1:05:58 | 1:06:05 | |
-Mr Freundlich? -Yes? | 1:06:06 | 1:06:09 | |
-I'm Stephanie North. -Oh. | 1:06:09 | 1:06:11 | |
Well, you know, this is a big part. | 1:06:13 | 1:06:16 | |
Yes, sir. I've heard. | 1:06:16 | 1:06:18 | |
-This is our director, Mr Claypole. -How do you do? -And our staff aid. -Hello. -Did you ever act before? | 1:06:18 | 1:06:25 | |
-Yes, sir. A little? -Where? -Well, in little theatres back home. -Well, would you walk a little? | 1:06:25 | 1:06:32 | |
-I beg your pardon? -Walk. Surely you know how to walk? -Yes, sir. | 1:06:32 | 1:06:37 | |
At least, she can walk. | 1:06:44 | 1:06:47 | |
Well, MISS NORTH? | 1:06:47 | 1:06:49 | |
Come here. I want the director to work with you at the weekend and start preparing you for the role. | 1:06:49 | 1:06:56 | |
-What role? -For the lead. | 1:06:56 | 1:06:59 | |
-You mean I've got the part?! -That's the idea. -I can't believe it! | 1:07:01 | 1:07:06 | |
-Believe it, believe it. -Yes, sir! | 1:07:06 | 1:07:09 | |
Thank you very much! | 1:07:09 | 1:07:12 | |
Thank you, Mr Freundlich! | 1:07:12 | 1:07:14 | |
A telephone call, Mr Sabourin. | 1:07:20 | 1:07:23 | |
Oh, thank you. Excuse me. Hello? | 1:07:23 | 1:07:27 | |
Mr Sabourin? Oh, I had to call you. Your office gave me this number. I got the part, Mr Sabourin! | 1:07:27 | 1:07:34 | |
-You did? -I want to thank you. You have enormous influence! | 1:07:34 | 1:07:39 | |
-All I did was to open a door. -I'll never be able to repay you! -Yes, you will! What are you doing tonight? | 1:07:39 | 1:07:46 | |
-I have to be at the theatre for rehearsal. -I may drop over to watch. | 1:07:46 | 1:07:51 | |
I'm sure I shall find the entire procedure satisfactory. Goodbye. | 1:07:51 | 1:07:56 | |
-You must forgive me, dear. You know what business calls are like. -I've heard about you as far as Chicago. | 1:07:57 | 1:08:04 | |
-Nice things? -The whole financial world is talking about you. -I wish other people would. | 1:08:04 | 1:08:11 | |
-Who, for instance? -You, for instance. Or would you rather talk about your husband? | 1:08:11 | 1:08:18 | |
-My husband is completely wrapped up in his business. He has neither time nor... -Nor the ability? | 1:08:18 | 1:08:25 | |
-I think you underestimate your husband. -Isn't that your secretary? | 1:08:29 | 1:08:34 | |
-She works for me. -What's he doing with her? -Perhaps they became friends at my party. | 1:08:34 | 1:08:40 | |
-I've been waiting for a chance like this. -Now, don't make a scene. | 1:08:42 | 1:08:46 | |
-Just a little one. Where will you be later? -At my house. | 1:08:46 | 1:08:51 | |
Am I interrupting, Oswald? | 1:08:55 | 1:08:57 | |
Edith! | 1:08:57 | 1:09:00 | |
Now I understand why you were too busy to go back to Chicago today. | 1:09:04 | 1:09:09 | |
Don't look for me in the hotel. I won't be in. You're going home alone. | 1:09:09 | 1:09:14 | |
Don't blame me! He invited me here. | 1:09:14 | 1:09:17 | |
How could I resist him? | 1:09:17 | 1:09:20 | |
What an unreasonable woman! | 1:09:24 | 1:09:27 | |
-It was a lovely dinner! -I flew the lobster in from Maine and the onions from Bermuda. | 1:09:29 | 1:09:35 | |
This is for you. | 1:09:38 | 1:09:40 | |
-What's this? -A little token of my affection. | 1:09:40 | 1:09:44 | |
Handcuffs. | 1:09:44 | 1:09:47 | |
You want me to be chained to you. | 1:09:47 | 1:09:50 | |
Isn't that what love is? | 1:09:50 | 1:09:52 | |
People chained to one another? | 1:09:52 | 1:09:55 | |
Getting a divorce is rather drastic. | 1:09:58 | 1:10:01 | |
But why should you be married to a man that you don't love? | 1:10:01 | 1:10:06 | |
-He gives me security. -But you saw how faithless he is. He engaged in cheap flirtation with my assistant - | 1:10:06 | 1:10:13 | |
-a public rendezvous. -You arranged it. -I admit it, but I wanted you to see what an inveterate chaser he is. | 1:10:13 | 1:10:20 | |
If I get a divorce, how do I know you'll wait for me? | 1:10:22 | 1:10:27 | |
If you don't trust me, then you shouldn't even consider it! | 1:10:27 | 1:10:31 | |
-KNOCK AT DOOR -Come in. | 1:10:33 | 1:10:35 | |
Mrs Ryan is here, sir. | 1:10:35 | 1:10:39 | |
What's SHE doing here? | 1:10:41 | 1:10:44 | |
-This is no time for questions. Show her in. -Yes. | 1:10:44 | 1:10:48 | |
-My car will be in the street. My butler will bring your coat. -Don't tell her I was here. -Of course not. | 1:10:48 | 1:10:55 | |
Mrs Ryan, sir. | 1:11:02 | 1:11:04 | |
Darling, what a nice surprise. | 1:11:07 | 1:11:10 | |
I shouldn't have come. You don't deserve it, especially since you didn't even thank me for the party. | 1:11:10 | 1:11:17 | |
But I was next door with some of my friends and I thought about you, so I dropped by. | 1:11:17 | 1:11:24 | |
-Is anything wrong? -No, no! Nothing. | 1:11:24 | 1:11:27 | |
What a pretty cup! | 1:11:32 | 1:11:34 | |
-The funniest thing happened. My secretary, Stephanie quit. She got herself a job in a play. -In a play? | 1:11:34 | 1:11:41 | |
-It's unbelievable - the lead, no less! -How did she do that? -I don't know. Maybe she's a good actress. | 1:11:41 | 1:11:48 | |
-Or maybe she knows someone. -I don't think she's that sort of girl. | 1:11:51 | 1:11:55 | |
I'm glad you came. I have something very important to tell you. Remember the killing we made on Wilson Oil? | 1:11:55 | 1:12:03 | |
-Hm-mm. I made a million dollars. -I want you to invest the whole million. -In what? | 1:12:03 | 1:12:10 | |
Tomorrow I'm issuing a new stock - Sabouranium. | 1:12:10 | 1:12:13 | |
-And what is that? -I bought a tract of land. It's loaded with uranium. We'll capitalise at £10 million. | 1:12:13 | 1:12:20 | |
-Tomorrow the stock will sell at 1. Then, 2. -How many do you want me to buy? -I put you down for two million. | 1:12:20 | 1:12:27 | |
-Two million shares?! -Well, you made a million, and I looked you up. You're loaded. | 1:12:27 | 1:12:34 | |
-That doesn't mean I throw it away. -You'll double it like before! -KNOCK AT DOOR | 1:12:34 | 1:12:40 | |
-Yes? -Excuse me, please, sir. There's a telephone call for you. | 1:12:40 | 1:12:45 | |
-Hello? -Hello, Mr Sabourin. This is Max Freundlich. -How are you? | 1:12:47 | 1:12:53 | |
We had the first rehearsal today, Mr Sabourin, and that girl is great! | 1:12:53 | 1:12:58 | |
-She really can act! -So you liked the stock? -Hm? Oh, it's a great piece of stock! Where did you find her? | 1:12:58 | 1:13:05 | |
-I found it in Texas, loaded with uranium. -Uranium? | 1:13:05 | 1:13:10 | |
Oh! You mean she's an atomic bomb, huh? | 1:13:10 | 1:13:14 | |
-Worth millions. -We open out of town in New Haven in four weeks. Mr Sabourin, I'm so happy! | 1:13:14 | 1:13:20 | |
-I hope you'll be there. -I intend to explore the territory in four weeks. | 1:13:20 | 1:13:26 | |
That territory is worth exploring, sir! | 1:13:26 | 1:13:29 | |
I'll see you soon. | 1:13:29 | 1:13:32 | |
Bye. That was a broker, very excited about Sabouranium. The whole country'll be buying it tomorrow. | 1:13:32 | 1:13:39 | |
All right, darling. I'm going to buy two million shares. | 1:13:39 | 1:13:44 | |
But stay away from my secretary. | 1:13:45 | 1:13:48 | |
Enjoying the view? | 1:13:52 | 1:13:55 | |
-Palmer, will you come in when you have a moment? -Yes, sir. | 1:13:57 | 1:14:01 | |
-We had lunch. -What's going on between you? -I don't like your inference. -You seem to be getting very chummy. | 1:14:01 | 1:14:09 | |
Why are YOU so interested? You've got four cases going on I know of. | 1:14:09 | 1:14:14 | |
-You remind me of a doctor treating all his patients at once. -You act as if you were married to Miss Kelly. | 1:14:14 | 1:14:21 | |
-I just don't wanna have any secrets behind my back. -We have no secrets. | 1:14:21 | 1:14:26 | |
Look, let's keep it that way. | 1:14:26 | 1:14:28 | |
-Here's a cheque for 2 million from Mrs Ryan. -What for? | 1:14:28 | 1:14:33 | |
-She just bought two million shares of Sabouranium. -What's Sabouranium? -It's a company we're forming today. | 1:14:33 | 1:14:40 | |
-We capitalise at 10 million. -Just like that!? Where do we dig? -Nowhere. | 1:14:40 | 1:14:45 | |
-We buy some land, show a lot of expenses and throw the company into receivership. Simple! -Go to work! | 1:14:45 | 1:14:52 | |
Max called today. | 1:14:56 | 1:14:58 | |
-That show opens in New Haven in four weeks. He wants a cheque for 75,000. -OK, write him a cheque. | 1:14:58 | 1:15:05 | |
-D'you really think that girl can carry the show? -What's it to you? | 1:15:07 | 1:15:12 | |
Well, you oughtta get SOMETHING for your money. | 1:15:12 | 1:15:16 | |
Don't worry. I will! | 1:15:16 | 1:15:19 | |
-Please come in, dear. -Am I late? -It doesn't matter. You're here. I'm so glad you could come. | 1:15:37 | 1:15:44 | |
Did you order midnight supper sent up to my suite? | 1:15:44 | 1:15:48 | |
Champagne, flowers, the whole setting. | 1:15:48 | 1:15:52 | |
-Where is everyone? -My other guests couldn't make it. It's just the two of us. Sit down. Dinner is served. | 1:15:52 | 1:15:59 | |
-You know, I've never been to a man's apartment before. -What difference...? | 1:16:01 | 1:16:07 | |
Interesting actress. | 1:16:07 | 1:16:09 | |
Interesting play! | 1:16:09 | 1:16:12 | |
-Champagne? -No, no, thank you. | 1:16:13 | 1:16:16 | |
You don't LIKE Champagne? | 1:16:16 | 1:16:19 | |
-I never acquired the taste. -Why did I order Champagne? | 1:16:19 | 1:16:24 | |
-Would you care for something else? -I don't drink, Tom. -Oh. | 1:16:24 | 1:16:29 | |
If you want to be my girl, you'll have to be more worldly. | 1:16:29 | 1:16:33 | |
He's doing your job for you. | 1:16:33 | 1:16:36 | |
-What does being your girl mean? -How can one explain why two people fall in love? | 1:16:36 | 1:16:43 | |
A man meets a girl and suddenly they're in tune. They're in love. He feels he's known her all his life. | 1:16:43 | 1:16:50 | |
You'll have all you can possibly need - | 1:16:50 | 1:16:54 | |
clothes, a car, an apartment, a charge account. I'm sure you'll find the arrangement quite satisfactory. | 1:16:54 | 1:17:02 | |
-Did you write this play? -Shut up! | 1:17:02 | 1:17:05 | |
-I'm sorry, this is all wrong. Get my coat, please. -What's the matter? -I'd like to go home. -Go home?! Why? | 1:17:05 | 1:17:12 | |
I'm afraid I've never been in sympathy with men who stage things. | 1:17:12 | 1:17:17 | |
I thought you had a little more imagination. I thought you had decent instincts. I guess I was wrong. | 1:17:17 | 1:17:24 | |
You're pretty rotten, Tom. | 1:17:24 | 1:17:27 | |
-Goodbye, Tom. -I thought you loved me. | 1:17:27 | 1:17:29 | |
No, I could never love you, Tom. | 1:17:32 | 1:17:34 | |
Love is something that has to be shared. | 1:17:34 | 1:17:38 | |
It's a perfect union of two people united in understanding. | 1:17:38 | 1:17:44 | |
You did make me see one thing. | 1:17:44 | 1:17:47 | |
You made me realise what a wonderful boy I left back home. And so help me, I'm going back to him on my knees. | 1:17:47 | 1:17:54 | |
APPLAUSE | 1:17:54 | 1:18:01 | |
-How are you going to follow that scene? -You forget it's still a play. | 1:17:55 | 1:18:01 | |
Wonderful! Wonderful! Magnificent! I'm so proud of you, dear! | 1:18:03 | 1:18:07 | |
Do that all week and you are a cinch to become a star in New York. | 1:18:07 | 1:18:12 | |
-Was I really all right, Mr Freundlich? -All right?! Great! | 1:18:12 | 1:18:16 | |
-Mr Sabourin! I didn't know you were coming. -I'm proud of you. -Did you really like me? -More than words. Max? | 1:18:16 | 1:18:24 | |
-Would you and your friends excuse us, please? -Of course. -You must get dressed for supper in my hotel. | 1:18:24 | 1:18:30 | |
-I thought you said there was to be a party. -This IS a party. | 1:18:36 | 1:18:40 | |
For you and me. An intimate party. | 1:18:40 | 1:18:44 | |
-When did you have time to plan all this? -Oh, I had it done. | 1:18:47 | 1:18:51 | |
-Champagne? -No, thank you. | 1:18:54 | 1:18:57 | |
You don't LIKE Champagne? | 1:18:57 | 1:18:59 | |
-No. -Oh. | 1:18:59 | 1:19:02 | |
Well, I knew you didn't like it in the play. | 1:19:02 | 1:19:06 | |
But that was just a play. | 1:19:06 | 1:19:09 | |
I don't care for it on stage or off, Mr Sabourin. | 1:19:09 | 1:19:13 | |
My dear, I must tell you I thought you were just wonderful tonight. | 1:19:13 | 1:19:18 | |
Thank you, but I didn't think so. | 1:19:18 | 1:19:21 | |
Well, the audience did...and that's the important thing. You might find that in Broadway you'll be a star. | 1:19:21 | 1:19:28 | |
-I'm not a star. I'm just an actress who's working. -I admire your modesty. | 1:19:28 | 1:19:34 | |
Tonight is a very important night in your life...and also in mine. | 1:19:36 | 1:19:41 | |
I don't understand. | 1:19:41 | 1:19:44 | |
-I'm very fond of you, Stephanie. -But you don't even know me. | 1:19:44 | 1:19:49 | |
How should one explain such things? | 1:19:50 | 1:19:53 | |
A man meets a girl, and...she strikes a responsive chord in him. | 1:19:53 | 1:19:58 | |
He...feels that he's known her all his life. He feels alive. | 1:20:00 | 1:20:04 | |
Those lines have a familiar sound. | 1:20:04 | 1:20:08 | |
I mean them. When you're a star, you'll have to fight to stay on top. | 1:20:09 | 1:20:14 | |
-You'll need a sponsor. -Well, just what would this sponsorship entail? | 1:20:14 | 1:20:20 | |
The return of my affection. | 1:20:20 | 1:20:22 | |
Why are you laughing? | 1:20:27 | 1:20:30 | |
-You don't understand. -I'm afraid I understand too well, Mr Sabourin. | 1:20:30 | 1:20:35 | |
I didn't think you were like that. | 1:20:39 | 1:20:41 | |
You needn't have gone to all this trouble. You could have invited me backstage. We have the same scenery. | 1:20:41 | 1:20:48 | |
Good night, Mr Sabourin. | 1:20:52 | 1:20:55 | |
-Hello, Mr Sabourin. We got a hit on our hands! -Yes. | 1:21:07 | 1:21:12 | |
Back so soon? Where is she? | 1:21:12 | 1:21:14 | |
She learnt her part too well. | 1:21:14 | 1:21:17 | |
-You mean all that beautiful food... She didn't eat it? -She didn't touch a morsel. | 1:21:17 | 1:21:23 | |
75,000 supper! | 1:21:23 | 1:21:26 | |
Well, you finally met someone you couldn't buy with money. | 1:21:26 | 1:21:31 | |
Can you imagine the gall? The unmitigated gall of her? | 1:21:31 | 1:21:35 | |
-She's a star. It doesn't happen too often. We've got a star! -I want you to take her out of the part. | 1:21:35 | 1:21:42 | |
-What? -You heard me - take her out! | 1:21:42 | 1:21:45 | |
-How can you do that? It's HER show! -It's MY show. -But your investment! | 1:21:45 | 1:21:50 | |
-How soon can you get a replacement? -I don't know. I'd have to send to New York. But it's terrible! | 1:21:50 | 1:21:57 | |
That girl had a tender quality. A certain inner beauty, charm! She's no commercial hype! She is good! | 1:21:57 | 1:22:04 | |
-Can you get a replacement? -But it's insane. -Let me be insane for my money. -You've a right to be insane! | 1:22:04 | 1:22:11 | |
Good night, Mr Sabourin. | 1:22:11 | 1:22:13 | |
Would you join me in a little private supper? | 1:22:16 | 1:22:20 | |
-Good morning. -Good morning, sir. | 1:22:40 | 1:22:42 | |
Hello. I thought you were in Boston. | 1:22:42 | 1:22:45 | |
Don't you read the papers? | 1:22:45 | 1:22:48 | |
No. Come into my office. | 1:22:48 | 1:22:50 | |
No, what's the matter? What happened? | 1:22:55 | 1:22:59 | |
I lost the part. | 1:23:02 | 1:23:05 | |
You lost the part?! Why? | 1:23:05 | 1:23:07 | |
I don't know, really. You didn't have anything to do with it, did you? | 1:23:07 | 1:23:14 | |
Me?! How can you say that? | 1:23:14 | 1:23:16 | |
-I'll call Max... -I'm sorry, Mr Sabourin. I know you didn't. | 1:23:16 | 1:23:21 | |
Well, what did Max say when he took you out? | 1:23:21 | 1:23:25 | |
He... He just told me that he thought the part was too big for me. | 1:23:25 | 1:23:30 | |
He didn't want to risk taking it on to New York with me, when he could get someone more experienced. | 1:23:32 | 1:23:40 | |
And since I don't have a run-of-the-play contract, he gave me two weeks' salary. | 1:23:40 | 1:23:47 | |
How awful! What are you going to do? | 1:23:48 | 1:23:51 | |
I guess I'm going home. | 1:23:55 | 1:23:57 | |
Guess I just don't have it. | 1:23:57 | 1:24:00 | |
But I'm not gonna make the mistake most actresses make. | 1:24:01 | 1:24:06 | |
My mother used to say that WANTING to be an actress and BEING one are two different things. | 1:24:06 | 1:24:13 | |
One mustn't confuse desire and talent. | 1:24:13 | 1:24:17 | |
I guess I was a little too high on desire... | 1:24:19 | 1:24:23 | |
and low on talent. | 1:24:23 | 1:24:25 | |
I'm sorry, Mr Sabourin. I don't know why I'm bothering you with my problems. You've been very kind. | 1:24:32 | 1:24:39 | |
So, I'll say goodbye. | 1:24:39 | 1:24:42 | |
Where are you going? | 1:24:42 | 1:24:44 | |
I wanna get the whole thing out of my system. | 1:24:46 | 1:24:51 | |
I'm leaving New York. I'm leaving the theatre. | 1:24:51 | 1:24:55 | |
-No hard feelings about what happened in New Haven. -No hard feelings. | 1:24:55 | 1:25:00 | |
Feel better? | 1:25:13 | 1:25:16 | |
You got even, but she cost you 75,000. | 1:25:16 | 1:25:21 | |
She didn't quite pay off, did she? | 1:25:21 | 1:25:23 | |
I know what's eating you. She just didn't love you. I suppose you didn't think that was possible. | 1:25:25 | 1:25:32 | |
She thought you were just being kind. | 1:25:32 | 1:25:36 | |
Why didn't you let her know how you felt about her? | 1:25:38 | 1:25:42 | |
I did. She laughed at me. | 1:25:42 | 1:25:45 | |
Funny thing, but I know what you're going through. | 1:25:49 | 1:25:53 | |
Sometimes a woman can love a man the same way, | 1:25:55 | 1:25:59 | |
and all along he's laughing at her. | 1:25:59 | 1:26:03 | |
Clementi... | 1:26:04 | 1:26:07 | |
didn't you know I loved you? | 1:26:07 | 1:26:09 | |
I do. | 1:26:09 | 1:26:12 | |
I try to talk myself out of it by telling myself you're no good. | 1:26:12 | 1:26:17 | |
But I love you. | 1:26:17 | 1:26:19 | |
I could have made you better. I could have made myself better. I wanted to be better for you. | 1:26:19 | 1:26:26 | |
Kelly, forget about me. | 1:26:26 | 1:26:29 | |
I stopped being a human being the day I left Europe. I resigned from the human race then. | 1:26:29 | 1:26:36 | |
-It's too late, Kelly. I have to achieve my goal. -Money?! | 1:26:36 | 1:26:41 | |
Is that all you're living for? I've watched you make all that money. What's it done for you? | 1:26:41 | 1:26:48 | |
BUZZ | 1:26:48 | 1:26:51 | |
-Hello? -Hello, Mr Sabourin. This is Max. | 1:26:51 | 1:26:55 | |
-Yes, Max? -The girl who replaced Stephanie - nothing at all! | 1:26:55 | 1:26:59 | |
Can't you reconsider? The play is no longer the same! You're going to blow your money. | 1:26:59 | 1:27:06 | |
All right. Put her back in. | 1:27:08 | 1:27:11 | |
But don't tell her why. | 1:27:13 | 1:27:15 | |
-Yes? -Special delivery letter for you. It's from Europe. | 1:27:17 | 1:27:22 | |
Read it. | 1:27:32 | 1:27:34 | |
"My dearest son...I do not know if you have found a job in America, | 1:27:42 | 1:27:47 | |
"but if you could make it possible for me to come there, I would not be in your way. | 1:27:47 | 1:27:53 | |
"I cannot tell you how awful it is in this country. | 1:27:53 | 1:27:57 | |
"If possible I would like to be with you in America. | 1:27:57 | 1:28:02 | |
"Now that your brother and father are both dead, I have no-one else. | 1:28:02 | 1:28:07 | |
"Your loving mother." | 1:28:07 | 1:28:09 | |
-She's always writing to me. Tear it up. -What?! -Tear it up! | 1:28:09 | 1:28:14 | |
What's the matter? | 1:28:14 | 1:28:16 | |
-Are you afraid to face her? -BUZZ | 1:28:16 | 1:28:19 | |
-Yes? -'Mrs Van Renassalear is calling for you from Chicago.' -Thank you. | 1:28:19 | 1:28:24 | |
-Hello? -Hello, darling. | 1:28:24 | 1:28:28 | |
I'm so excited I just had to call! I just signed the divorce papers, my lawyer is filing suit immediately, | 1:28:28 | 1:28:35 | |
-and my husband has agreed to the financial settlement. -Good. You still have your stock? -Yes. | 1:28:35 | 1:28:42 | |
-We're going to take over your husband's company. -How do you expect to do that? | 1:28:42 | 1:28:48 | |
There's a stockholders' meeting next week in Chicago. | 1:28:48 | 1:28:53 | |
-Your block and shares we can buy will give us control. You'll make a killing. -Are you coming to Chicago? | 1:28:53 | 1:29:00 | |
-Of course. I want you to sign those proxies over to me right away. Where will me meet? -The Winston Hotel. | 1:29:00 | 1:29:07 | |
I'll be there in the morning. | 1:29:07 | 1:29:10 | |
-INTERCOM: Yes? -Get me a reservation on the midnight plane for Chicago. If you'll excuse me, I must pack. | 1:29:10 | 1:29:17 | |
-I'm taking the plane to Chicago. Would you pack a bag? -Yes. There's a lady waiting in the library. -A lady? | 1:29:29 | 1:29:36 | |
-What lady? -She didn't give her name, sir. | 1:29:38 | 1:29:42 | |
Thank you. | 1:29:42 | 1:29:44 | |
Shut that door! | 1:29:48 | 1:29:50 | |
Zina! When did YOU get to America? | 1:29:56 | 1:29:59 | |
-Never mind. I'm here now, and I'm going to kill you! -Why? | 1:29:59 | 1:30:04 | |
-Why would you kill me? -You killed your brother. -That's not true. -You turned him in. -No! -I KNOW it! -How? | 1:30:04 | 1:30:11 | |
-You sold your information. I had to buy mine at a much higher price. -What price? | 1:30:11 | 1:30:18 | |
I had to become friendly with the police inspector to get the story. | 1:30:18 | 1:30:23 | |
-The police inspector for whom you degraded yourself was lying! -PHONE RINGS | 1:30:23 | 1:30:29 | |
-Shall I answer that? He'll come in if I don't. -Go ahead. | 1:30:29 | 1:30:34 | |
-Yes? -'Shall you be needing your dress clothes, sir?' -No, Henry. Just pack a business suit. | 1:30:40 | 1:30:47 | |
Why listen to a European policeman? | 1:30:49 | 1:30:51 | |
I've waited such a long time! | 1:30:51 | 1:30:54 | |
Every mile I travelled, I said, "One minute nearer." And now, here I am. | 1:30:54 | 1:31:01 | |
He died without a chance! | 1:31:01 | 1:31:03 | |
And so will you, you murderer! | 1:31:03 | 1:31:06 | |
Wait! It's true - I did inform upon him. | 1:31:06 | 1:31:10 | |
When I saw what he had done to me, | 1:31:10 | 1:31:13 | |
when I saw that he had married you, | 1:31:13 | 1:31:15 | |
I was so hurt! I didn't think they'd kill him. I just thought they would confiscate his money, MY money! | 1:31:15 | 1:31:22 | |
I just wanted to teach him a lesson. | 1:31:22 | 1:31:25 | |
Oh, I've died many times since then. | 1:31:26 | 1:31:29 | |
Do you know what it means never to be able to sleep? | 1:31:29 | 1:31:34 | |
To live in a prison of one's own making? Always to see his face? | 1:31:34 | 1:31:39 | |
I see it in your eyes now. | 1:31:41 | 1:31:44 | |
Help me, Zina! Help me to find some sort of peace! And don't tell my poor mother. | 1:31:45 | 1:31:52 | |
Let me spend all the money that I've made, trying to make it up to you. | 1:31:52 | 1:31:57 | |
Zina, I'm begging you! | 1:31:58 | 1:32:01 | |
Try to find it in your heart | 1:32:01 | 1:32:04 | |
to forgive someone who has committed a terrible sin. | 1:32:04 | 1:32:08 | |
I'm as helpless as you are. | 1:32:10 | 1:32:12 | |
Oh, Zina! | 1:32:12 | 1:32:15 | |
PHONE RINGS | 1:32:15 | 1:32:18 | |
-Yes? -'The car is waiting, sir.' | 1:32:19 | 1:32:22 | |
All right. | 1:32:22 | 1:32:24 | |
Look, they want me to go to Chicago. | 1:32:26 | 1:32:29 | |
I don't want to go without your permission. Come with me. | 1:32:29 | 1:32:34 | |
Go to your hotel and pack. | 1:32:34 | 1:32:36 | |
I'll be over as soon as I can. | 1:32:36 | 1:32:39 | |
-Where are you staying? -At the Belloc Hotel. | 1:32:44 | 1:32:48 | |
I'll be over right away. | 1:32:48 | 1:32:51 | |
You pick me up at my hotel, and now I'm in an aeroplane on my way to Chicago. I don't understand. | 1:33:01 | 1:33:08 | |
When we get to Chicago I have some business to transact, but then I'll spend all my time with you. | 1:33:08 | 1:33:15 | |
You're in 782, sir. The lady's in 786. | 1:33:24 | 1:33:27 | |
You can set those down right there. | 1:33:35 | 1:33:38 | |
-Thank you. -Thank YOU, sir. | 1:33:40 | 1:33:42 | |
-This is your suite. -I don't know quite what to make of all this. | 1:33:44 | 1:33:49 | |
-I don't even know why I came to Chicago with you. -Zina, I know that you're troubled and upset. | 1:33:50 | 1:33:57 | |
But maybe things can be the way the used to be. Maybe you can believe in me once again. | 1:33:57 | 1:34:03 | |
Hello, Edith? I'm in room 782. | 1:34:11 | 1:34:14 | |
Come up. | 1:34:14 | 1:34:17 | |
Thank you. | 1:34:21 | 1:34:24 | |
-Mr Sabourin? -Yes? -Police. | 1:34:56 | 1:34:59 | |
-We wanna talk to you. -What about? | 1:34:59 | 1:35:01 | |
-Who is this lady? Is she with you? -I never saw this man before in my life. | 1:35:01 | 1:35:07 | |
-You'd better come with us. -Where to? | 1:35:07 | 1:35:09 | |
-You know a young lady by the name of Zina Monte? -Yes. -Living here? | 1:35:09 | 1:35:14 | |
-Yes. -All right. | 1:35:14 | 1:35:17 | |
-Do you recognise this woman? -Yes. | 1:35:25 | 1:35:28 | |
It's Zina Monte, my brother's wife. | 1:35:28 | 1:35:31 | |
Here's a note we found with the body. It's in HER handwriting. I'll read it to you. | 1:35:32 | 1:35:39 | |
"My brother-in-law, Clementi Sabourin, put something in my drink, and I'm trying to call the police." | 1:35:39 | 1:35:46 | |
It's all she was able to write. | 1:35:46 | 1:35:49 | |
She did manage to call the police, but we got here too late. | 1:35:49 | 1:35:53 | |
Somebody put poison in her drink. She says it was you. | 1:35:53 | 1:35:58 | |
So Zina got her revenge after all. | 1:36:01 | 1:36:04 | |
Palmer's on his way in. He had quite a session with the District Attorney. I understand he may have a solution. | 1:36:17 | 1:36:24 | |
-The District Attorney is quite a man, QUITE a man! -Well? | 1:36:27 | 1:36:31 | |
-It doesn't look good for our side. -I didn't have anything to do with it. You know that! | 1:36:31 | 1:36:38 | |
Clementi, the note is definitely in her handwriting. This was established from letters in her bag. | 1:36:38 | 1:36:44 | |
-You think they can find me guilty of something I haven't done? -You never know. -Can't we make a deal? | 1:36:44 | 1:36:51 | |
I tried that. They'll make no deals. | 1:36:51 | 1:36:55 | |
BUT they seem to be interested in deporting you back to Czechoslovakia. They want you out. | 1:36:56 | 1:37:03 | |
They wanna get rid of you. | 1:37:03 | 1:37:06 | |
Czechoslovakia - that means my money will be confiscated. | 1:37:06 | 1:37:11 | |
I'll be thrown in jail. | 1:37:11 | 1:37:13 | |
Kelly. | 1:37:19 | 1:37:21 | |
Send for my mother. Cable her to come over right away. | 1:37:21 | 1:37:26 | |
-And then dress for dinner - I'm taking you out. -All right. | 1:37:26 | 1:37:31 | |
This table is reserved, sir. | 1:37:45 | 1:37:47 | |
-Oh, well then perhaps we could have some other table? -ALL tables are reserved. -For whom? | 1:37:47 | 1:37:54 | |
For anybody but you, Mr Sabourin! | 1:37:54 | 1:37:57 | |
This is an embarrassing situation! | 1:37:58 | 1:38:01 | |
-I'll buy this place and fire everybody in it! -Your money's bought you a lot of enemies. | 1:38:01 | 1:38:08 | |
Sometimes dreams can come true, son. | 1:38:41 | 1:38:44 | |
I never thought I would see America and you again. | 1:38:45 | 1:38:50 | |
This is really New York! | 1:38:50 | 1:38:52 | |
Yes, this is really New York. | 1:38:52 | 1:38:55 | |
-Are all the taxi cabs like this in New York? -This is no taxi cab. This is a limousine, and it's mine! | 1:38:55 | 1:39:02 | |
This beautiful automobile is yours?! | 1:39:02 | 1:39:05 | |
-Yes. -Who gave it to you? | 1:39:05 | 1:39:07 | |
The people. | 1:39:07 | 1:39:10 | |
There he is! | 1:39:15 | 1:39:18 | |
You crook! You're a swindler, you! | 1:39:18 | 1:39:21 | |
What did they want? Why are they so angry? | 1:39:38 | 1:39:42 | |
When a man becomes successful, everybody envies him. Come and see your room. You stay here. | 1:39:42 | 1:39:49 | |
-They wanted to kill you! -Don't worry about it, mother! You'll like your room. You'll be very comfortable. | 1:39:49 | 1:39:56 | |
Thank you, son. | 1:39:56 | 1:39:59 | |
This will be my room?! | 1:40:18 | 1:40:21 | |
-ALL for me?! -All for you. | 1:40:21 | 1:40:24 | |
How did you do all this? | 1:40:24 | 1:40:26 | |
-You are a rich man! -Well, in America, everybody's rich. -Yes! I heard that. I heard that. | 1:40:26 | 1:40:33 | |
-Oh, I only wish your father and brother were alive to see this. -Yes, so do I. | 1:40:33 | 1:40:40 | |
Mother, there's something I have to tell you. | 1:40:43 | 1:40:48 | |
They're trying to deport me. | 1:40:48 | 1:40:50 | |
Deport you? Why? | 1:40:50 | 1:40:53 | |
-Zina was here. -Zina? | 1:40:53 | 1:40:55 | |
-When? -A few weeks ago. She died. | 1:40:55 | 1:40:59 | |
-Zina? Dead? -She killed herself, and then left a note saying that I did it. -Why? | 1:40:59 | 1:41:07 | |
-She thought I had something to do with Jerry's death. It was revenge. Now they want to deport me. -Where? | 1:41:07 | 1:41:14 | |
The land of my birth, Czechoslovakia. France won't take me. You know what'll happen there. | 1:41:14 | 1:41:21 | |
They'll take my money and jail me. | 1:41:21 | 1:41:23 | |
-You know what that's like now, with the Communists! You've got to help! -How can I help you? | 1:41:23 | 1:41:30 | |
You've got to say I'm your illegitimate son, | 1:41:33 | 1:41:37 | |
you met a man in Switzerland and I was your child by him. Then they have to deport me there! | 1:41:37 | 1:41:44 | |
Switzerland is neutral. I can keep my millions! We can live there for good, rich! | 1:41:44 | 1:41:51 | |
That's why you brought me to America? | 1:41:52 | 1:41:55 | |
You didn't really want to see me! | 1:41:55 | 1:41:58 | |
You wanted to USE me! | 1:41:58 | 1:42:01 | |
You want me to say I was a bad woman! | 1:42:02 | 1:42:05 | |
-Oh, mother! -You want me to disgrace the name of your dead father. | 1:42:05 | 1:42:11 | |
Maybe I am old-fashioned, | 1:42:13 | 1:42:16 | |
but this I cannot do. | 1:42:16 | 1:42:18 | |
You are no longer my son! | 1:42:21 | 1:42:25 | |
Not even my illegitimate son! | 1:42:25 | 1:42:28 | |
-Crowd gone yet? -Yes. | 1:42:43 | 1:42:45 | |
What's that? | 1:42:45 | 1:42:48 | |
Someone threw it through the window. | 1:42:48 | 1:42:50 | |
-Those dogs! -It was wrapped in an editorial - today's paper. | 1:42:50 | 1:42:56 | |
-It's about you. -Read it. | 1:42:56 | 1:42:59 | |
-It's called The Barbarian. -SABOURIN LAUGHS. | 1:42:59 | 1:43:04 | |
"Sabourin is a barbarian who represents the decline of morality. | 1:43:04 | 1:43:09 | |
"And yet we are responsible for him, | 1:43:09 | 1:43:11 | |
"because we permitted him to flourish. | 1:43:11 | 1:43:15 | |
-"We are guilty of not destroying him already." -Throw it in the garbage! | 1:43:15 | 1:43:20 | |
Goodbye, Clementi. | 1:43:22 | 1:43:25 | |
-Where are you going? -I don't know. Anywhere. | 1:43:28 | 1:43:32 | |
Back to where you found me, maybe. | 1:43:32 | 1:43:34 | |
I think I was better off. | 1:43:34 | 1:43:37 | |
-So you're running out on me too, eh? -You've run away from yourself, Clementi. | 1:43:37 | 1:43:44 | |
I've tried to beat the world your way. It doesn't work your way. | 1:43:44 | 1:43:49 | |
But you have done one thing for me - made me SURE your way is wrong. | 1:43:49 | 1:43:54 | |
It's unclean. | 1:43:54 | 1:43:56 | |
Now, I'm going over to the other side. | 1:43:56 | 1:44:00 | |
I wanted you to come with me. You'd have been better off. | 1:44:00 | 1:44:04 | |
But you could never see that. | 1:44:07 | 1:44:09 | |
You going moral on me or something? | 1:44:15 | 1:44:18 | |
A lot of people invested in you. They weren't gambling. They were just trying to better themselves. | 1:44:19 | 1:44:26 | |
They trusted you. Now they're all broke. | 1:44:26 | 1:44:31 | |
Why don't you give the money back? | 1:44:33 | 1:44:36 | |
You're not a rich man really. | 1:44:36 | 1:44:39 | |
You're very poor, Clementi, | 1:44:39 | 1:44:41 | |
only you don't know it. | 1:44:41 | 1:44:44 | |
-You'll be joining the Salvation Army next. -Maybe you oughtta go to church. Maybe you oughtta pray. | 1:44:44 | 1:44:52 | |
Where are you going? | 1:44:58 | 1:45:00 | |
Goodbye, Clementi. | 1:45:00 | 1:45:03 | |
PHONE RINGS | 1:45:30 | 1:45:33 | |
-Hello? -Palmer? I'm going to give the money back. | 1:45:35 | 1:45:39 | |
I'm going to give it all back to the people. I'm endorsing the stock certificates now. | 1:45:39 | 1:45:46 | |
Tell me, if I give the money back, will the government let me stay? I want to stay in America! | 1:45:47 | 1:45:55 | |
-I'll present it in the morning. It may weigh in your favour. -Call Kelly and tell her what I'm doing. | 1:45:55 | 1:46:02 | |
What are you doing here at this hour? | 1:46:08 | 1:46:12 | |
I knew you were going to do this. | 1:46:12 | 1:46:14 | |
I think it's very worthy of you. | 1:46:14 | 1:46:17 | |
Palmer and I know you're going to love Czechoslovakia. Thinking of yourself, weren't you? | 1:46:17 | 1:46:24 | |
What about us? Why do you think I stuck it out, Mr Sabourin? | 1:46:24 | 1:46:30 | |
Just to give the money back now? Oh, no! I risked prison with you! You can't keep the money, but I can! | 1:46:30 | 1:46:37 | |
I've given the money back. | 1:47:20 | 1:47:22 | |
Good evening, Mr Sabourin. | 1:47:41 | 1:47:44 | |
-Working late tonight? -Yes, Frank. | 1:47:44 | 1:47:47 | |
-Hello, Bessie. -Mr Sabourin! | 1:47:57 | 1:48:00 | |
Seen tonight's paper? | 1:48:13 | 1:48:15 | |
Thank you. | 1:48:15 | 1:48:18 | |
-I see they're gonna deport this guy, Sabourin. -Yes. | 1:48:18 | 1:48:22 | |
Deport him? They oughtta shoot him! My wife bought his phoney stock. Didn't even tell me! | 1:48:22 | 1:48:29 | |
He'll take off and live like a king in Europe. It's a big man's world! | 1:48:29 | 1:48:34 | |
-What number on Park Avenue do you want? -Stop at the next corner. -Right. | 1:48:47 | 1:48:52 | |
-Mother, are you asleep? -No. | 1:50:36 | 1:50:39 | |
Don't come in. | 1:50:41 | 1:50:44 | |
I want to tell you something. | 1:50:44 | 1:50:47 | |
I don't want to hear it. | 1:50:47 | 1:50:50 | |
I'm going home tomorrow. | 1:50:50 | 1:50:53 | |
Mother, you've got to forgive me. | 1:50:56 | 1:50:59 | |
I caused Jerry's death. | 1:50:59 | 1:51:01 | |
I informed on him. | 1:51:01 | 1:51:04 | |
Mother! | 1:51:07 | 1:51:10 | |
I need your forgiveness! | 1:51:10 | 1:51:12 | |
Have you nothing to say? | 1:51:17 | 1:51:20 | |
PHONE RINGS | 1:51:36 | 1:51:39 | |
-Clementi, are you all right? -Kelly. | 1:51:48 | 1:51:51 | |
I haven't very much time. | 1:51:53 | 1:51:56 | |
There's something I have to tell you. | 1:51:56 | 1:52:00 | |
You were right, Kelly. | 1:52:00 | 1:52:03 | |
You were right all along. | 1:52:03 | 1:52:05 | |
I should have listened to you. | 1:52:07 | 1:52:10 | |
Forgive me. | 1:52:12 | 1:52:14 | |
In my way...I DID love you, Kelly. | 1:52:14 | 1:52:18 | |
I did. | 1:52:18 | 1:52:21 | |
Forgive me! | 1:52:21 | 1:52:24 | |
That's how he died. | 1:52:27 | 1:52:30 | |
Alone, asking forgiveness. | 1:52:30 | 1:52:33 | |
I didn't find him until it was too late. | 1:52:33 | 1:52:37 | |
Here are the papers with which he turns back everything to the people he took it from. | 1:52:42 | 1:52:49 | |
I didn't forgive him. | 1:53:00 | 1:53:03 | |
Maybe he's been forgiven now. | 1:53:03 | 1:53:06 | |
Subtitles by BBC | 1:54:19 | 1:54:22 |