
Browse content similar to The Big Steal. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Canastas! Canastas! | 0:01:09 | 0:01:11 | |
De todos precios y tamanos!! Canastas! | 0:01:11 | 0:01:14 | |
Turn around. | 0:01:39 | 0:01:40 | |
You're on the wrong track, pal... | 0:01:40 | 0:01:42 | |
With the wrong man. | 0:01:42 | 0:01:44 | |
Save it for Washington. | 0:01:44 | 0:01:45 | |
We're flying back today. We're taking it with us. | 0:01:45 | 0:01:48 | |
No, we're not. I haven't got it. | 0:01:48 | 0:01:51 | |
Where is it, Halliday? | 0:01:51 | 0:01:52 | |
I told you you're on the wrong track. | 0:01:52 | 0:01:54 | |
Stop pointing that gun and let me talk... | 0:01:54 | 0:01:57 | |
Shut up! You've got nothing to talk about. | 0:01:57 | 0:02:00 | |
Get your bag. | 0:02:00 | 0:02:01 | |
Put it down. | 0:02:14 | 0:02:16 | |
I'm only going to drink. Do you mind? | 0:02:16 | 0:02:17 | |
We got no time. | 0:02:17 | 0:02:19 | |
All right? | 0:02:54 | 0:02:55 | |
Hay pasteles! | 0:02:55 | 0:02:57 | |
Todo esta bien, senora. | 0:02:57 | 0:02:59 | |
Oh, me senorita. | 0:02:59 | 0:03:00 | |
Mil perdones, senorita. | 0:03:00 | 0:03:02 | |
Pinas! Pinas! Aqui estan las pinas! | 0:03:02 | 0:03:05 | |
Pasteles calientes! | 0:03:07 | 0:03:09 | |
Todo esta bien, senor. | 0:03:09 | 0:03:10 | |
Gracias. | 0:03:10 | 0:03:11 | |
Sombreros de jipi japa! | 0:03:11 | 0:03:13 | |
Ah, vamos, will you? | 0:03:23 | 0:03:24 | |
Tiene mucha prisa. | 0:03:24 | 0:03:26 | |
Que paso? | 0:03:26 | 0:03:28 | |
Scram, por favor. | 0:03:28 | 0:03:29 | |
It's men like you | 0:03:29 | 0:03:31 | |
who make them contemptuous of tourists. | 0:03:31 | 0:03:33 | |
Don't you realize they don't understand? | 0:03:33 | 0:03:34 | |
I spoke to them in Spanish. | 0:03:34 | 0:03:36 | |
Oh, is that what it was? | 0:03:36 | 0:03:38 | |
200 pesos, senor. | 0:03:38 | 0:03:39 | |
No quiere. | 0:03:39 | 0:03:40 | |
100 pesos. | 0:03:40 | 0:03:41 | |
I don't want any. | 0:03:41 | 0:03:43 | |
- 30 pesos. - Vamos, will you? | 0:03:43 | 0:03:45 | |
20 pesos. Thank you, senor. | 0:03:45 | 0:03:46 | |
Gracias. | 0:03:46 | 0:03:47 | |
Por nada. Adios, Chiquita. | 0:03:47 | 0:03:49 | |
PARROT SQUAWKS IN SPANISH | 0:03:49 | 0:03:51 | |
If that means what I think it does... | 0:03:51 | 0:03:53 | |
It does. | 0:03:53 | 0:03:54 | |
You know so much about etiquette, | 0:03:56 | 0:03:58 | |
Get to work on Chiquita. | 0:03:58 | 0:04:00 | |
Canastas! Canastas! | 0:04:06 | 0:04:08 | |
Taxi! | 0:04:09 | 0:04:10 | |
Taxi! | 0:04:10 | 0:04:11 | |
Libre! | 0:04:11 | 0:04:12 | |
Gracias. | 0:04:38 | 0:04:40 | |
Gracias. | 0:04:40 | 0:04:41 | |
Y el perico? | 0:04:41 | 0:04:42 | |
Oh, you can have it. | 0:04:42 | 0:04:43 | |
Para usted. Me van a matar! | 0:04:43 | 0:04:46 | |
Bruto! Me matan! Me matan! | 0:04:46 | 0:04:49 | |
PARROT SQUAWKS | 0:04:49 | 0:04:50 | |
KNOCK ON DOOR | 0:04:53 | 0:04:54 | |
KNOCK ON DOOR | 0:05:00 | 0:05:01 | |
Who is it? | 0:05:01 | 0:05:02 | |
It's Joan. Come on, Jim, open the door. | 0:05:02 | 0:05:05 | |
Why, Joan, darling. Where did you drop from? | 0:05:09 | 0:05:12 | |
Never mind locking it. I'm not staying. | 0:05:15 | 0:05:18 | |
Oh, now, Joan, don't let's start a fight... | 0:05:18 | 0:05:21 | |
Now you can give me back my 2,000. | 0:05:21 | 0:05:23 | |
That's a fine way to greet your fiance. | 0:05:23 | 0:05:26 | |
What did you expect, kisses? | 0:05:26 | 0:05:28 | |
I don't understand. I thought... | 0:05:28 | 0:05:30 | |
No, you thought I was the type | 0:05:30 | 0:05:31 | |
who would cry her eyes out. | 0:05:31 | 0:05:33 | |
I don't get it. What's to cry about? | 0:05:33 | 0:05:36 | |
The 2,000 you borrowed. | 0:05:36 | 0:05:37 | |
If you put the dollar sign in front of everything, | 0:05:37 | 0:05:41 | |
I'm lucky to find out before we got married. | 0:05:41 | 0:05:43 | |
A woman has to have faith in a man. | 0:05:43 | 0:05:46 | |
You're a fine one to talk about faith. | 0:05:46 | 0:05:49 | |
You don't know what it means. | 0:05:49 | 0:05:51 | |
Oh, don't I? | 0:05:51 | 0:05:52 | |
Oh, stop it. | 0:05:52 | 0:05:53 | |
Last time, that cost me my bank account. | 0:05:53 | 0:05:55 | |
There's that dollar sign. | 0:05:55 | 0:05:56 | |
Where? I don't see it. | 0:05:56 | 0:05:58 | |
Hand it over. | 0:05:58 | 0:05:59 | |
I was saving that money for my trousseau. | 0:05:59 | 0:06:02 | |
Your pride's hurt because I left without a word. | 0:06:02 | 0:06:05 | |
And stayed away without several. | 0:06:05 | 0:06:07 | |
Try to believe there was a reason, | 0:06:07 | 0:06:08 | |
A good one. | 0:06:08 | 0:06:09 | |
Sure. You wanted to surprise me... | 0:06:09 | 0:06:11 | |
By not coming back. | 0:06:11 | 0:06:13 | |
But, darling, I planned on starting back tomorrow. | 0:06:13 | 0:06:16 | |
Go on. | 0:06:16 | 0:06:18 | |
I wanted to dump a fortune in your lap. | 0:06:18 | 0:06:20 | |
I don't want a fortune, just what you owe me. | 0:06:20 | 0:06:23 | |
I'll give it back with interest. | 0:06:23 | 0:06:25 | |
As soon as I finish this job | 0:06:25 | 0:06:27 | |
Then I'll just wait. | 0:06:27 | 0:06:28 | |
It won't take long. | 0:06:28 | 0:06:30 | |
I have to deliver something to a man. | 0:06:30 | 0:06:32 | |
All right. Where do we deliver it? | 0:06:32 | 0:06:34 | |
We? | 0:06:34 | 0:06:35 | |
You won't mind my going along? | 0:06:35 | 0:06:37 | |
No, of course not. | 0:06:37 | 0:06:38 | |
I was going to rent a car. | 0:06:38 | 0:06:40 | |
We'll leave in an hour. | 0:06:40 | 0:06:42 | |
You freshen up, and I'll be right back. | 0:06:42 | 0:06:44 | |
Is that what we're delivering? | 0:06:49 | 0:06:50 | |
Uh, yes. | 0:06:50 | 0:06:52 | |
How long a trip is it? | 0:06:52 | 0:06:54 | |
Oh, couple of hundred kilometers. | 0:06:54 | 0:06:57 | |
We go through a little place | 0:06:58 | 0:07:00 | |
called, uh... Libres. | 0:07:00 | 0:07:01 | |
Not Tehuacan? | 0:07:01 | 0:07:03 | |
No. That was another trip. | 0:07:04 | 0:07:07 | |
Oh. | 0:07:07 | 0:07:08 | |
Wait a minute. That's the only map I've got. | 0:07:08 | 0:07:11 | |
I'll keep it safe. | 0:07:11 | 0:07:13 | |
I hope this is waterproof, Mr Fiske, | 0:07:15 | 0:07:17 | |
Because I'm taking a shower, | 0:07:17 | 0:07:18 | |
and it's taking one with me. | 0:07:18 | 0:07:22 | |
El cuarto del Senor Fiske esta a la vuelta. | 0:07:34 | 0:07:36 | |
Gracias, Chico. Yo comprende. | 0:07:36 | 0:07:38 | |
SHOWER RUNS | 0:08:03 | 0:08:04 | |
All right, Fiske. Come on out. | 0:08:09 | 0:08:10 | |
What? | 0:08:12 | 0:08:13 | |
Come on out, sister. | 0:08:17 | 0:08:19 | |
Who is it? | 0:08:19 | 0:08:21 | |
Captain Vincent Blake, United States Army. | 0:08:21 | 0:08:24 | |
Open the door. | 0:08:24 | 0:08:25 | |
I will not. | 0:08:25 | 0:08:26 | |
All right, then I'm coming in there. | 0:08:26 | 0:08:29 | |
No, no, no! Wait, wait! Just a minute! | 0:08:29 | 0:08:32 | |
Chiquita... | 0:08:46 | 0:08:47 | |
What are you doing here? | 0:08:47 | 0:08:49 | |
Get out. | 0:08:49 | 0:08:50 | |
You army men might be accustomed to group showers. | 0:08:50 | 0:08:53 | |
I like mine alone. | 0:08:53 | 0:08:54 | |
Where's Fiske? | 0:08:54 | 0:08:55 | |
Taking the parrot for a walk. | 0:08:55 | 0:08:57 | |
You, uh, you wouldn't be his wife, would you? | 0:08:57 | 0:09:00 | |
No, I wouldn't. | 0:09:00 | 0:09:02 | |
Mm-hmm. | 0:09:02 | 0:09:04 | |
I don't like that "mm-hmm". | 0:09:04 | 0:09:06 | |
I'm not his wife. | 0:09:06 | 0:09:07 | |
If you were, I wouldn't be saying "mm-hmm". | 0:09:07 | 0:09:10 | |
What are you looking for? | 0:09:19 | 0:09:21 | |
Huh? | 0:09:21 | 0:09:22 | |
Just a few hundred thousand dollars. | 0:09:22 | 0:09:24 | |
There's nothing here. | 0:09:24 | 0:09:26 | |
All right, where is it? | 0:09:28 | 0:09:30 | |
I don't know what you're talking about. | 0:09:30 | 0:09:32 | |
When Mr Fiske comes back... | 0:09:32 | 0:09:33 | |
You want to know something? | 0:09:33 | 0:09:35 | |
I don't think Mr Fiske is coming back. | 0:09:35 | 0:09:37 | |
Look here, whatever your name is... Blake. | 0:09:37 | 0:09:39 | |
You'll find Jim down at the bar. | 0:09:39 | 0:09:41 | |
Sure. He's probably buying the parrot a drink. | 0:09:41 | 0:09:43 | |
It looks like you were sort of caught holding the bag. | 0:10:03 | 0:10:06 | |
You thought it was there, too. | 0:10:06 | 0:10:08 | |
You weren't planning on a few minks | 0:10:08 | 0:10:11 | |
and new convertibles, were you? | 0:10:11 | 0:10:12 | |
I... | 0:10:12 | 0:10:13 | |
Are you always so chivalrous to strange women, | 0:10:15 | 0:10:17 | |
Captain Blake? | 0:10:17 | 0:10:18 | |
We'll kick that around some other time. | 0:10:20 | 0:10:23 | |
Buena suerte. Setenta y cinco mil pesos. | 0:10:33 | 0:10:35 | |
Muchas gracias. | 0:10:35 | 0:10:36 | |
Setenta y cinco mil pesos para hoy! | 0:10:36 | 0:10:39 | |
Setenta y cinco mil pesos! Juega!! Juega! | 0:10:39 | 0:10:41 | |
Boy! Boy! | 0:10:41 | 0:10:44 | |
Cuidado, Pepe! Cuidado! | 0:10:44 | 0:10:46 | |
What do you mean yelling at him? | 0:10:46 | 0:10:48 | |
He almost dropped it! | 0:10:48 | 0:10:49 | |
I'm sorry. | 0:10:49 | 0:10:50 | |
That wouldn't put the pieces together. | 0:10:50 | 0:10:52 | |
This is almost 400 years old! | 0:10:52 | 0:10:54 | |
I wanted to ask where I can rent a car. | 0:10:54 | 0:10:56 | |
Go ahead. | 0:10:56 | 0:10:57 | |
Where can I rent a car? | 0:10:57 | 0:10:59 | |
I can recommend you only Baguez and Compania. | 0:10:59 | 0:11:01 | |
One block down Calle Vista, two blocks right. | 0:11:01 | 0:11:04 | |
Gracias. | 0:11:04 | 0:11:05 | |
Usted sigue, senor. | 0:11:13 | 0:11:15 | |
Mister! Mister, you next. | 0:11:18 | 0:11:20 | |
El loco. | 0:11:28 | 0:11:29 | |
Americano. | 0:11:29 | 0:11:30 | |
There will be a 500 peso deposit, senor. | 0:11:35 | 0:11:38 | |
Where is the highway for Tehuacan? | 0:11:38 | 0:11:40 | |
Drive six blocks down Calle Internacional. Turn right. | 0:11:40 | 0:11:42 | |
You checked the spare? | 0:11:42 | 0:11:44 | |
Thank you, senor. | 0:11:44 | 0:11:45 | |
I was just coming for you. | 0:11:51 | 0:11:53 | |
Sure, you were. | 0:11:53 | 0:11:54 | |
You might need a clean shirt. | 0:11:54 | 0:11:57 | |
Who else have you stolen from? | 0:11:57 | 0:11:58 | |
What do you mean? | 0:11:58 | 0:11:59 | |
I talked to an army man. | 0:11:59 | 0:12:01 | |
He searched your rooms after you left. | 0:12:01 | 0:12:03 | |
We opened the same briefcase. | 0:12:03 | 0:12:05 | |
Is the money in there? | 0:12:05 | 0:12:07 | |
Uh, who said anything about money? | 0:12:07 | 0:12:09 | |
Captain Blake. | 0:12:09 | 0:12:10 | |
Blake? But... | 0:12:10 | 0:12:12 | |
What did he look like? | 0:12:12 | 0:12:14 | |
HORN HONKS | 0:12:15 | 0:12:17 | |
That's Duke Halliday! | 0:12:17 | 0:12:19 | |
Que lo que pasa? | 0:12:27 | 0:12:29 | |
HE SPEAKS SPANISH | 0:12:29 | 0:12:31 | |
No habla... so fast. | 0:12:31 | 0:12:33 | |
HE SPEAKS SPANISH | 0:12:33 | 0:12:35 | |
Having trouble, Mr Halliday? > | 0:12:35 | 0:12:37 | |
Hey, give me a hand. I can't understand him. | 0:12:37 | 0:12:40 | |
So your name is Halliday. | 0:12:40 | 0:12:41 | |
No - you know what it is. | 0:12:41 | 0:12:43 | |
Get this guy off my neck. | 0:12:43 | 0:12:45 | |
Do it yourself. You speak spanish. | 0:12:45 | 0:12:47 | |
HE SPEAKS SPANISH | 0:12:47 | 0:12:49 | |
SHE SPEAKS SPANISH | 0:12:49 | 0:12:51 | |
What did you say? | 0:12:51 | 0:12:52 | |
I said we were complete strangers. | 0:12:52 | 0:12:54 | |
No, no! Es mi mujer. | 0:12:54 | 0:12:55 | |
Es mi es, uh, esposa. Now wait a minute! | 0:12:55 | 0:12:58 | |
Entonces vengan conmigo. Vamos a la inspeccion. | 0:12:58 | 0:13:00 | |
A ver! Adran paso! | 0:13:00 | 0:13:02 | |
Now you've done it. | 0:13:02 | 0:13:03 | |
Why'd you get me into it? | 0:13:03 | 0:13:05 | |
I don't know what i got myself into. | 0:13:05 | 0:13:07 | |
The Inspector General's office. | 0:13:07 | 0:13:08 | |
You'll have some explaining to do. | 0:13:08 | 0:13:10 | |
In that case, keep your mouth shut | 0:13:10 | 0:13:13 | |
If you want to keep Fiske out of jail. | 0:13:13 | 0:13:15 | |
If you want to stay out of jail, do the same. | 0:13:15 | 0:13:18 | |
THEY SPEAK SPANISH | 0:13:21 | 0:13:23 | |
Buenos dias. | 0:13:26 | 0:13:27 | |
Buenos dias, senor. Buenos dias. | 0:13:27 | 0:13:29 | |
Senor, hablando pronto... | 0:13:29 | 0:13:33 | |
Mucho tarde, importante. | 0:13:33 | 0:13:34 | |
No entiendo una palabra. | 0:13:34 | 0:13:36 | |
El caballero desea irse pronto. | 0:13:36 | 0:13:39 | |
Ah. Si, entiendo. | 0:13:39 | 0:13:40 | |
Oh, I speak English. | 0:13:40 | 0:13:42 | |
Oh, I didn't know. | 0:13:42 | 0:13:44 | |
Oh, yes. I am student of my lieutenant. | 0:13:44 | 0:13:46 | |
He is University of California alumni. | 0:13:46 | 0:13:48 | |
Alumnus. | 0:13:48 | 0:13:49 | |
That's fine, Captain, but... | 0:13:49 | 0:13:51 | |
Inspector General. | 0:13:51 | 0:13:52 | |
Oh, sorry. Inspector General. | 0:13:52 | 0:13:54 | |
I've got to get out of here. If you'll listen... | 0:13:54 | 0:13:57 | |
Certainly. Your tourist card, please. | 0:13:57 | 0:14:00 | |
Hurry it up, will you? | 0:14:03 | 0:14:05 | |
Thank you very much. | 0:14:07 | 0:14:09 | |
"Joan Graham, age 24. | 0:14:09 | 0:14:14 | |
"Miami, Florida. | 0:14:14 | 0:14:15 | |
"Secretary to Vice President, | 0:14:15 | 0:14:17 | |
"Mexican-American import corporation." | 0:14:17 | 0:14:20 | |
This explains your excellent Spanish. | 0:14:20 | 0:14:22 | |
Inspector, | 0:14:22 | 0:14:23 | |
please... | 0:14:23 | 0:14:24 | |
I am sorry. There are other formalities. | 0:14:24 | 0:14:26 | |
Your tourist card, please. | 0:14:26 | 0:14:27 | |
Thank you. | 0:14:32 | 0:14:34 | |
"Captain Vincent Blackie." | 0:14:34 | 0:14:37 | |
Blake. Blackie. | 0:14:37 | 0:14:39 | |
Blake. | 0:14:39 | 0:14:40 | |
Blake. | 0:14:40 | 0:14:41 | |
"United States Army." | 0:14:41 | 0:14:43 | |
Mm-hmm. | 0:14:43 | 0:14:45 | |
Officer Morales spoke of some alter, um... | 0:14:46 | 0:14:49 | |
Alter, uh... | 0:14:49 | 0:14:50 | |
Altercation. Fight. | 0:14:50 | 0:14:53 | |
Oh, yes. | 0:14:53 | 0:14:54 | |
Would you mind explaining, Captain Blake? | 0:14:54 | 0:14:56 | |
I was trying to stop a man. | 0:14:56 | 0:14:58 | |
The army has reason for questioning him. | 0:14:58 | 0:15:01 | |
His name, please. | 0:15:01 | 0:15:02 | |
Uh... | 0:15:02 | 0:15:03 | |
Fisher. James fisher. | 0:15:03 | 0:15:05 | |
Fisher. Mm-hmm. | 0:15:05 | 0:15:07 | |
Has extradition been arranged? | 0:15:07 | 0:15:09 | |
Well, a request has been put in. | 0:15:09 | 0:15:12 | |
It's unfortunate I haven't been advised. | 0:15:12 | 0:15:15 | |
I meant to do that, but I ran into him. | 0:15:15 | 0:15:17 | |
I guess I acted on the spur of the moment, but there he was. | 0:15:17 | 0:15:21 | |
There you were - there was Morales, | 0:15:21 | 0:15:23 | |
So, here we are. | 0:15:23 | 0:15:24 | |
Next time you won't be so impulsive perhaps. | 0:15:24 | 0:15:27 | |
No, sir. | 0:15:27 | 0:15:30 | |
Then you may go. | 0:15:30 | 0:15:32 | |
Unless Miss Graham has something to add. | 0:15:32 | 0:15:35 | |
No, nothing. | 0:15:35 | 0:15:36 | |
You and Captain Blake are, uh, old friends? | 0:15:36 | 0:15:38 | |
Well, uh... | 0:15:38 | 0:15:40 | |
We have a mutual interest. | 0:15:40 | 0:15:42 | |
Birds. Oh. | 0:15:42 | 0:15:44 | |
Thank you for your courtesy, sir. | 0:15:44 | 0:15:46 | |
We are always glad to assist army officials. | 0:15:46 | 0:15:49 | |
I trust we shall see each other again, Captain, uh... | 0:15:49 | 0:15:52 | |
Blake. Uh, yes. Captain. | 0:15:52 | 0:15:54 | |
My English is improving, no? | 0:15:57 | 0:15:59 | |
Oh, yes, Inspector. | 0:15:59 | 0:16:00 | |
HE SPEAKS SPANISH | 0:16:00 | 0:16:01 | |
I'll tell you a little story. | 0:16:02 | 0:16:05 | |
In English. | 0:16:05 | 0:16:07 | |
Once upon a time, | 0:16:07 | 0:16:09 | |
there was a cat with a little mouse right in its paws. | 0:16:09 | 0:16:13 | |
But he let the mouse go, | 0:16:13 | 0:16:15 | |
that later he could follow that mouse | 0:16:15 | 0:16:17 | |
into a group of other little mouses. | 0:16:17 | 0:16:19 | |
Mice. | 0:16:19 | 0:16:20 | |
You're a clever cat, Inspector. | 0:16:20 | 0:16:23 | |
So is the mouse. | 0:16:23 | 0:16:26 | |
Please let go. I don't like being mauled. | 0:16:33 | 0:16:35 | |
This isn't mauling. It's called hanging on. | 0:16:35 | 0:16:37 | |
Whatever it's called, I don't like it. | 0:16:37 | 0:16:38 | |
You'll learn to, or tell me where your friend went. | 0:16:38 | 0:16:41 | |
I said I didn't know. | 0:16:41 | 0:16:43 | |
You must know something. | 0:16:43 | 0:16:44 | |
You have the worst manners of anyone I've met. | 0:16:44 | 0:16:48 | |
Come on in here. | 0:16:51 | 0:16:53 | |
SHOUTING IN SPANISH | 0:17:17 | 0:17:21 | |
Aqui esta el Capitan Blackie. | 0:17:24 | 0:17:25 | |
Blake? Otra vez? | 0:17:25 | 0:17:27 | |
Que pase. | 0:17:27 | 0:17:29 | |
Uh...no habla Spanish so good. | 0:17:31 | 0:17:35 | |
I speak English good. | 0:17:35 | 0:17:37 | |
Well, what a break. | 0:17:37 | 0:17:38 | |
I'm Captain Blake of the United States Army. | 0:17:38 | 0:17:41 | |
I need your help, Inspector. | 0:17:41 | 0:17:43 | |
In what way can I help you, Captain? | 0:17:43 | 0:17:45 | |
I'm looking for a man named Duke Halliday. | 0:17:45 | 0:17:47 | |
He arrived on the Santa Maria a couple of hours ago. | 0:17:47 | 0:17:51 | |
He's probably using an alias... | 0:17:51 | 0:17:53 | |
I hate to interrupt, | 0:17:53 | 0:17:54 | |
but can I see your credentials? | 0:17:54 | 0:17:57 | |
Unfortunately, I had an encounter with Halliday onboard the ship. | 0:17:57 | 0:18:01 | |
He pulled a fast one on me and stole them. | 0:18:01 | 0:18:04 | |
I see. | 0:18:04 | 0:18:05 | |
However, if you'll contact army headquarters | 0:18:05 | 0:18:07 | |
and ask for a description of Captain Vincent Blake, | 0:18:07 | 0:18:09 | |
you'll find a crescent-shaped scar indicated on my record. | 0:18:09 | 0:18:13 | |
That won't be necessary. | 0:18:13 | 0:18:14 | |
Thank you, sir. | 0:18:14 | 0:18:15 | |
I had extradition papers, but he took them, too. | 0:18:15 | 0:18:19 | |
I'm sending for duplicates. | 0:18:19 | 0:18:20 | |
May I proceed before they arrive? | 0:18:20 | 0:18:23 | |
You have my permission. | 0:18:23 | 0:18:24 | |
Good. | 0:18:24 | 0:18:25 | |
When I find him, I'll let you know | 0:18:25 | 0:18:27 | |
so you can make the arrest. | 0:18:27 | 0:18:29 | |
Good luck, Captain. Good day. | 0:18:29 | 0:18:32 | |
What means, "He pulled a fast one"? | 0:18:33 | 0:18:37 | |
Copped a Sunday. | 0:18:37 | 0:18:40 | |
Strange language, but colourful. | 0:18:40 | 0:18:42 | |
Call the American consulate | 0:18:42 | 0:18:44 | |
and get the complete report on Captain Blake. | 0:18:44 | 0:18:47 | |
The cat reaches out with his other paw, huh? | 0:18:47 | 0:18:50 | |
To toy with another mouse? | 0:18:50 | 0:18:52 | |
Bueno. | 0:18:52 | 0:18:53 | |
Americano. | 0:19:28 | 0:19:31 | |
Shall we follow the mouse? | 0:19:59 | 0:20:01 | |
Yes. | 0:20:01 | 0:20:02 | |
Better, no. | 0:20:02 | 0:20:03 | |
Let us rush to the airport instead, Lieutenant. | 0:20:03 | 0:20:06 | |
Yes, Inspector. | 0:20:06 | 0:20:07 | |
What do you think you're doing? | 0:20:37 | 0:20:39 | |
I just thought you might be lonely. | 0:20:39 | 0:20:42 | |
Just step all over me. | 0:20:42 | 0:20:43 | |
Sorry. I don't like women drivers. | 0:20:43 | 0:20:45 | |
It's rented, and I'm responsible for it. | 0:20:45 | 0:20:48 | |
What do you know? A road map. | 0:20:48 | 0:20:51 | |
With the route marked nice and clear. | 0:20:51 | 0:20:53 | |
Being moderately intelligent, | 0:20:53 | 0:20:55 | |
I can only come to one conclusion - | 0:20:55 | 0:20:57 | |
we follow the pencil line and we find Fiske. | 0:20:57 | 0:21:00 | |
Uh-uh. | 0:21:00 | 0:21:01 | |
You're too young to read a map. | 0:21:01 | 0:21:03 | |
It's the right turn, not straight ahead. | 0:21:03 | 0:21:05 | |
That is, if you're going via Providencia, | 0:21:05 | 0:21:08 | |
which, according to the map, you are. | 0:21:08 | 0:21:11 | |
Gasolina, gasolina. | 0:21:37 | 0:21:39 | |
Si. | 0:21:39 | 0:21:40 | |
Diez - diez gallons. | 0:21:40 | 0:21:41 | |
Si. !Pronto!!Pronto! | 0:21:41 | 0:21:43 | |
Si, senor. | 0:21:43 | 0:21:44 | |
Cerveza. | 0:21:52 | 0:21:53 | |
Si, senor. | 0:21:53 | 0:21:55 | |
Cincuenta centavos, por favor. | 0:22:02 | 0:22:04 | |
Gracias. | 0:22:09 | 0:22:10 | |
Por nada. | 0:22:10 | 0:22:11 | |
I don't, uh... | 0:22:26 | 0:22:28 | |
I don't usually make it a habit | 0:22:28 | 0:22:30 | |
to butt into women's affairs, but... | 0:22:30 | 0:22:32 | |
What's this guy Fiske to you? | 0:22:32 | 0:22:34 | |
Don't change your habits because of me. | 0:22:34 | 0:22:36 | |
I wouldn't if we didn't have so much in common. | 0:22:36 | 0:22:39 | |
Fiske. | 0:22:39 | 0:22:40 | |
I'm interested in him. | 0:22:40 | 0:22:41 | |
You're interested in him. | 0:22:41 | 0:22:43 | |
He's not a bad-looking fella. | 0:22:43 | 0:22:45 | |
Is that why you're interested in him? | 0:22:45 | 0:22:46 | |
Chiquita. | 0:22:46 | 0:22:47 | |
Stop calling me Chiquita. | 0:22:47 | 0:22:49 | |
You don't say that to girls you don't know. | 0:22:49 | 0:22:52 | |
Where I learned Spanish, you do. | 0:22:52 | 0:22:53 | |
Come on. Hurry up, will you? | 0:22:55 | 0:22:57 | |
Pronto! Pronto! | 0:22:57 | 0:23:00 | |
Hey, senor! Pagame mi dinero! | 0:23:12 | 0:23:13 | |
THEY SHOUT IN SPANISH | 0:23:13 | 0:23:15 | |
Give me the suitcase! | 0:23:15 | 0:23:16 | |
Who's holding the bag now? | 0:23:36 | 0:23:39 | |
Gentlemen, you don't know how sorry I am. | 0:23:42 | 0:23:44 | |
Muchas gracias. | 0:23:44 | 0:23:46 | |
SHE SPEAKS SPANISH | 0:23:46 | 0:23:49 | |
Let's get out of here! | 0:23:50 | 0:23:52 | |
SHOUTING IN SPANISH | 0:23:52 | 0:23:54 | |
One thing about Jim - he's no dope. | 0:24:05 | 0:24:08 | |
Are you praising him or taking me apart? | 0:24:08 | 0:24:10 | |
Both. | 0:24:10 | 0:24:11 | |
What do you suppose he did with that money? | 0:24:11 | 0:24:15 | |
He probably swallowed it. | 0:24:15 | 0:24:16 | |
What's the matter? Nosebleed. | 0:24:16 | 0:24:18 | |
Ran into a wall. | 0:24:18 | 0:24:20 | |
Nothing to worry about. | 0:24:20 | 0:24:22 | |
Here... Here, let me. | 0:24:22 | 0:24:24 | |
And who's worrying? | 0:24:25 | 0:24:27 | |
I am. | 0:24:27 | 0:24:28 | |
Worrying my nose might stop bleeding. | 0:24:28 | 0:24:31 | |
Keep your mind on the road. | 0:24:31 | 0:24:32 | |
I can't. | 0:24:32 | 0:24:34 | |
In that case, you'd better let me drive for a while. | 0:24:34 | 0:24:38 | |
Ok, but remember my weakened condition. | 0:24:38 | 0:24:41 | |
HE HONKS HORN | 0:25:03 | 0:25:07 | |
Look, uh... | 0:25:14 | 0:25:16 | |
I want to get there fast but in one piece. | 0:25:16 | 0:25:19 | |
Would you mind not taking the curves so haphazard-like? | 0:25:19 | 0:25:21 | |
Did you learn English | 0:25:21 | 0:25:23 | |
In the same place you learned Spanish, | 0:25:23 | 0:25:25 | |
Captain Vincent Duke Blake Halliday? | 0:25:25 | 0:25:27 | |
Not the same place, but several just like it. | 0:25:27 | 0:25:30 | |
You know how it is in the army, Miss Gram. | 0:25:30 | 0:25:33 | |
Graham. | 0:25:33 | 0:25:34 | |
How do you do? My name's Halliday. | 0:25:34 | 0:25:36 | |
I was beginning to suspect it might be. | 0:25:36 | 0:25:38 | |
Bright girl. | 0:25:38 | 0:25:39 | |
Bright enough, but a little confused. | 0:25:39 | 0:25:42 | |
You tell so many different stories. | 0:25:42 | 0:25:44 | |
I'm just fishing around | 0:25:44 | 0:25:46 | |
for one that will keep me out of jail. | 0:25:46 | 0:25:48 | |
That's where I'm going if I lose Fiske. | 0:25:48 | 0:25:51 | |
I know what happened. | 0:25:51 | 0:25:52 | |
You're being blamed for something Jim did. | 0:25:52 | 0:25:54 | |
May I fill in a few details? | 0:25:54 | 0:25:57 | |
As long as it isn't too sad. | 0:25:57 | 0:25:59 | |
When I hear sad stories, I cry, | 0:25:59 | 0:26:02 | |
and when I cry, I can't drive. | 0:26:02 | 0:26:04 | |
Never mind where you've been. | 0:26:04 | 0:26:06 | |
Worry about where you're going. | 0:26:06 | 0:26:08 | |
I'm what you call a finance officer. | 0:26:17 | 0:26:19 | |
I handle payrolls. | 0:26:19 | 0:26:20 | |
Pick up the money at the bank | 0:26:20 | 0:26:22 | |
and take it back to the post. | 0:26:22 | 0:26:24 | |
Last time, I didn't quite make the post. | 0:26:24 | 0:26:27 | |
Fiske waylaid me. | 0:26:27 | 0:26:28 | |
He had a gun, | 0:26:28 | 0:26:30 | |
so what could I do but hand over the payroll? | 0:26:30 | 0:26:33 | |
You told this story to the army? | 0:26:33 | 0:26:35 | |
Well, sure, I did - to my superior Blake. | 0:26:35 | 0:26:38 | |
Didn't believe me. | 0:26:38 | 0:26:39 | |
He thought I put Fiske up to it. | 0:26:39 | 0:26:41 | |
So I took out after Fiske, | 0:26:41 | 0:26:43 | |
And Blake took out after me. | 0:26:43 | 0:26:45 | |
You're a big boy - as big as Fiske is. | 0:26:45 | 0:26:48 | |
Why didn't you give him an argument? | 0:26:48 | 0:26:51 | |
Didn't you have a gun? | 0:26:51 | 0:26:52 | |
Yeah, but I was looking down the barrel of his, | 0:26:52 | 0:26:55 | |
so I gave him the 300,000. | 0:26:55 | 0:26:56 | |
300,000? | 0:26:56 | 0:26:58 | |
Now don't cry, please. | 0:26:58 | 0:27:00 | |
I'm not crying, but 300,000... | 0:27:00 | 0:27:02 | |
When I gave Jim 2,000, | 0:27:02 | 0:27:04 | |
I thought it was a fortune. | 0:27:04 | 0:27:05 | |
Don't tell me he clipped you. | 0:27:05 | 0:27:07 | |
He called it "borrowing". | 0:27:07 | 0:27:09 | |
No security? | 0:27:09 | 0:27:10 | |
Unless you call a nice smile security. | 0:27:10 | 0:27:13 | |
That's all you got for your money? | 0:27:13 | 0:27:16 | |
It certainly was. | 0:27:18 | 0:27:20 | |
I'll tell you what, Chiquita. | 0:27:20 | 0:27:22 | |
You believe me, and I'll believe you. | 0:27:22 | 0:27:25 | |
Step on it, Chiquita! | 0:27:55 | 0:27:57 | |
Look out for the cow! | 0:28:19 | 0:28:21 | |
Don't use the brake. | 0:28:29 | 0:28:30 | |
Throw it in second. You won't lose speed. | 0:28:30 | 0:28:33 | |
A fine time for driving lessons! | 0:28:33 | 0:28:35 | |
Keep your eyes on the road. | 0:28:35 | 0:28:37 | |
HORNS HONK | 0:30:03 | 0:30:05 | |
Whatever I said about women drivers, I take back. | 0:30:13 | 0:30:17 | |
Watch the road! | 0:30:17 | 0:30:19 | |
SHEEP BLEAT | 0:30:30 | 0:30:32 | |
Stop just past those goats. | 0:30:41 | 0:30:43 | |
Come on! Get out of here! | 0:30:57 | 0:30:58 | |
Get! Come on! Move! | 0:30:58 | 0:31:00 | |
Get! Come on! | 0:31:00 | 0:31:01 | |
Get out! Come on! Get out of there! | 0:31:01 | 0:31:04 | |
Move! | 0:31:04 | 0:31:05 | |
Hyah! Get out! Move! | 0:31:05 | 0:31:08 | |
Come on! Vamonos! | 0:31:08 | 0:31:10 | |
Get out! Come on! Move! | 0:31:10 | 0:31:12 | |
HONKS HORN | 0:31:18 | 0:31:20 | |
HONKS HORN | 0:31:24 | 0:31:26 | |
HONKS HORN | 0:31:32 | 0:31:33 | |
That stopped him, Captain Halliday. | 0:31:34 | 0:31:36 | |
Lieutenant Halliday, Miss Graham. | 0:31:36 | 0:31:38 | |
A man who thinks that fast should be promoted. | 0:31:38 | 0:31:40 | |
It's nothing. | 0:31:40 | 0:31:41 | |
Whenever I get in a tight spot with Blake, | 0:31:41 | 0:31:44 | |
I turn goats loose. | 0:31:44 | 0:31:45 | |
One thing I can't figure out... | 0:31:45 | 0:31:46 | |
You have a gun. | 0:31:46 | 0:31:48 | |
Why didn't you use it? | 0:31:48 | 0:31:49 | |
In the army they hang you for shooting captains. | 0:31:49 | 0:31:53 | |
I've got a crazy notion. | 0:31:53 | 0:31:54 | |
Maybe you're on the level. | 0:31:54 | 0:31:57 | |
Maybe Jim did steal your money. | 0:31:57 | 0:32:01 | |
You know, I got a notion, too. | 0:32:01 | 0:32:03 | |
Maybe he stole your money. | 0:32:03 | 0:32:07 | |
Get out of here! | 0:32:07 | 0:32:08 | |
Beat it! | 0:32:08 | 0:32:09 | |
Shoo! Scat! | 0:32:09 | 0:32:12 | |
Get out of here! | 0:32:12 | 0:32:13 | |
Get out of the way! | 0:32:13 | 0:32:15 | |
HORN HONKS | 0:32:20 | 0:32:21 | |
Baaa! | 0:32:22 | 0:32:24 | |
Baaa! | 0:32:25 | 0:32:27 | |
Muchacho, donde un garage? | 0:32:44 | 0:32:47 | |
< Mi automobile no bueno. | 0:32:47 | 0:32:49 | |
< Comprendo? | 0:32:49 | 0:32:50 | |
< Mi quiere "tyre". | 0:32:50 | 0:32:51 | |
Pronto! Pronto! Comprendo? | 0:32:51 | 0:32:53 | |
May I interpret you, sir? | 0:32:53 | 0:32:54 | |
I was looking for a garage. | 0:32:54 | 0:32:56 | |
I am Inspector General Ortega. | 0:32:56 | 0:32:58 | |
I'm pleased to meet you. | 0:32:58 | 0:32:59 | |
I'd like this wheel changed. | 0:32:59 | 0:33:01 | |
Which did you say was your name? | 0:33:01 | 0:33:03 | |
Uh, Fiske. I'm in a hurry. | 0:33:03 | 0:33:06 | |
You Americans are always in a hurry. | 0:33:06 | 0:33:08 | |
HE SPEAKS SPANISH | 0:33:08 | 0:33:10 | |
Si, senor. | 0:33:10 | 0:33:11 | |
Tomas will attend to everything. | 0:33:11 | 0:33:13 | |
Meantime, let me show you the hotel. | 0:33:13 | 0:33:16 | |
Perhaps I better go with him. | 0:33:16 | 0:33:18 | |
Please, I am learning English. | 0:33:18 | 0:33:20 | |
It's so seldom I meet few people who speak it. | 0:33:20 | 0:33:23 | |
I have to get a new tyre. | 0:33:23 | 0:33:25 | |
A man likes to know what he's getting. | 0:33:25 | 0:33:27 | |
Lieutenant, accompany Tomas. | 0:33:27 | 0:33:28 | |
Si, Senor Inspector. | 0:33:28 | 0:33:30 | |
No mechanic can pull a Sunday on my Lieutenant. | 0:33:30 | 0:33:33 | |
Will you hurry it up, please? | 0:33:33 | 0:33:35 | |
No more for me. | 0:33:56 | 0:33:57 | |
I better be on my way. | 0:33:57 | 0:33:59 | |
But your car is not ready, Mr Fiske. | 0:33:59 | 0:34:02 | |
Duke, there's his car. | 0:34:08 | 0:34:10 | |
You ask the questions while I look around. | 0:34:22 | 0:34:25 | |
Senor, por favor - | 0:34:25 | 0:34:26 | |
donde esta el dueno de este automovil? | 0:34:26 | 0:34:30 | |
En el hotel, senorita. | 0:34:30 | 0:34:31 | |
El coche lo trajo un botones. | 0:34:31 | 0:34:34 | |
MISS GRAHAM: Gracias. MECHANIC: De nada. | 0:34:34 | 0:34:36 | |
Did you hear what he said? | 0:34:48 | 0:34:50 | |
Yeah. What did he say? | 0:34:50 | 0:34:52 | |
Jim's at the hotel. | 0:34:52 | 0:34:53 | |
Nice to have met you, Inspector. | 0:35:12 | 0:35:14 | |
I hope we meet again. | 0:35:14 | 0:35:16 | |
I look forward. Thank you. | 0:35:16 | 0:35:18 | |
There he is. | 0:35:22 | 0:35:24 | |
Uh-oh. He's got company. | 0:35:24 | 0:35:27 | |
Miss Graham, Captain Blake. | 0:35:40 | 0:35:41 | |
If this were not Tehuacan, I would be surprised, | 0:35:41 | 0:35:44 | |
But everyone comes to Tehuacan | 0:35:44 | 0:35:46 | |
later or sooner. | 0:35:46 | 0:35:47 | |
Yeah, don't they? | 0:35:47 | 0:35:48 | |
Miss Graham, Captain Blake, Mr Fiske. | 0:35:48 | 0:35:50 | |
How do you do? How are you? | 0:35:50 | 0:35:52 | |
Getting better all the time. How are you? | 0:35:52 | 0:35:54 | |
I was just leaving. | 0:35:55 | 0:35:56 | |
So were we. | 0:35:56 | 0:35:58 | |
Please, you just arrived. | 0:35:58 | 0:36:00 | |
I've changed my mind about that drink. | 0:36:00 | 0:36:02 | |
Someone mention a drink? | 0:36:02 | 0:36:03 | |
Someone will be very glad to mention one. | 0:36:03 | 0:36:06 | |
Mesero! | 0:36:06 | 0:36:07 | |
There is a typic drink I want you to try - | 0:36:07 | 0:36:09 | |
pulque curado. Quatro pulque curado. | 0:36:09 | 0:36:11 | |
Forgive a bad custom of me, | 0:36:11 | 0:36:13 | |
making others minds before they do, | 0:36:13 | 0:36:16 | |
or try to. | 0:36:16 | 0:36:17 | |
I'm getting used to having my mind made up for me. | 0:36:17 | 0:36:20 | |
Are you really? | 0:36:20 | 0:36:21 | |
It's the country, you know. | 0:36:21 | 0:36:23 | |
She's been watching the Mexican women. | 0:36:23 | 0:36:26 | |
Our women are like all women. | 0:36:26 | 0:36:28 | |
They listen, they smile, | 0:36:28 | 0:36:29 | |
they agree... and then they don't! > | 0:36:29 | 0:36:33 | |
Who did you say was watching the women? | 0:36:34 | 0:36:37 | |
Too bad you are in a hurry up, Captain Blake. | 0:36:40 | 0:36:43 | |
Oh, I'm in no rush. Not now. This place grows on you. | 0:36:43 | 0:36:46 | |
Then why not stay? | 0:36:46 | 0:36:48 | |
We can always get one more room. | 0:36:48 | 0:36:50 | |
Two rooms. | 0:36:52 | 0:36:53 | |
There is always room for another. | 0:36:53 | 0:36:55 | |
Why don't you stay? It will give you a different outlook. | 0:36:55 | 0:36:59 | |
My outlook's getting different by the minute. | 0:36:59 | 0:37:01 | |
Are you staying? > | 0:37:01 | 0:37:03 | |
I have been asking him to, | 0:37:03 | 0:37:04 | |
but he's also in a hurry rush. | 0:37:04 | 0:37:06 | |
I'm the impatient type, Miss Graham. | 0:37:06 | 0:37:08 | |
Not nearly so impatient as I, Mr Fiske. | 0:37:08 | 0:37:11 | |
Such a well chance to practise my English. | 0:37:11 | 0:37:14 | |
But if you must go, you will. | 0:37:14 | 0:37:16 | |
Sorry to disappoint you. | 0:37:16 | 0:37:18 | |
Well, I'm not going to disappoint him. | 0:37:18 | 0:37:21 | |
I'm staying. | 0:37:21 | 0:37:22 | |
< Good. | 0:37:22 | 0:37:23 | |
You won't regret, Mr Fiske. > | 0:37:23 | 0:37:25 | |
No, I'm sure I won't. | 0:37:25 | 0:37:26 | |
I'll speak to the manager now. | 0:37:26 | 0:37:28 | |
Inspector, there might not be another time. | 0:37:28 | 0:37:31 | |
I think we'll stay, too. | 0:37:31 | 0:37:33 | |
Wonderful! | 0:37:33 | 0:37:34 | |
Before you change your mind, we go. | 0:37:34 | 0:37:37 | |
Going somewhere? | 0:38:11 | 0:38:13 | |
205. | 0:38:27 | 0:38:28 | |
Doscientos y cinco. | 0:38:31 | 0:38:33 | |
PHONE RINGS | 0:38:42 | 0:38:44 | |
Hang up your receiver. It's liable to keep me awake. | 0:38:44 | 0:38:46 | |
Joan's watching your window, if you're thinking of getting out that way. | 0:38:48 | 0:38:52 | |
PHONE RINGS | 0:38:52 | 0:38:55 | |
OK, you win. | 0:38:57 | 0:38:59 | |
You don't have to throw your hand in, Fiske. | 0:38:59 | 0:39:02 | |
Draw another card. | 0:39:02 | 0:39:03 | |
I've had enough. Can't we talk? | 0:39:03 | 0:39:05 | |
You mean that? | 0:39:05 | 0:39:07 | |
Yeah. | 0:39:07 | 0:39:08 | |
PHONE RINGS | 0:39:08 | 0:39:09 | |
Now you're talking sense. | 0:39:09 | 0:39:11 | |
There's no reason why we can't talk this over. | 0:39:11 | 0:39:14 | |
208. | 0:39:38 | 0:39:39 | |
Doscientos y ocho, por favor. | 0:39:42 | 0:39:44 | |
Hello, Chiquita? | 0:39:46 | 0:39:47 | |
That guy that owes you money wants to talk to you... | 0:39:47 | 0:39:52 | |
And I'm in his room. | 0:39:52 | 0:39:53 | |
All right, where is it? | 0:39:58 | 0:40:00 | |
Why ask me? | 0:40:00 | 0:40:01 | |
You saw those two guys get the suitcase. | 0:40:01 | 0:40:04 | |
Close it, Chiquita. | 0:40:04 | 0:40:05 | |
Yeah, I saw you throw them the suitcase, | 0:40:05 | 0:40:07 | |
And I saw what was in it. | 0:40:07 | 0:40:09 | |
Now where's the money? | 0:40:09 | 0:40:11 | |
Money? Who said anything about money? | 0:40:12 | 0:40:15 | |
A friend gave me a suitcase to deliver. | 0:40:15 | 0:40:17 | |
I don't know what was in it. | 0:40:17 | 0:40:20 | |
Maybe you better look the other way. | 0:40:20 | 0:40:22 | |
Where did you hide it? | 0:40:23 | 0:40:25 | |
I didn't hide anything. | 0:40:25 | 0:40:27 | |
Duke, maybe it's in the car. | 0:40:29 | 0:40:32 | |
Sure. | 0:40:33 | 0:40:35 | |
It's got to be there. | 0:40:35 | 0:40:36 | |
Here. | 0:40:38 | 0:40:39 | |
You think you can handle him? | 0:40:39 | 0:40:42 | |
You got a cigarette, Joan? | 0:40:57 | 0:40:59 | |
I quit smoking. Just now. | 0:40:59 | 0:41:00 | |
Joan, you've got to believe... | 0:41:00 | 0:41:02 | |
Don't move! | 0:41:02 | 0:41:03 | |
I said don't move. | 0:41:09 | 0:41:11 | |
Darling, I don't think you'll shoot me. | 0:41:12 | 0:41:15 | |
You're taking Halliday's word against mine. | 0:41:16 | 0:41:19 | |
The word of a guy you don't even know. | 0:41:20 | 0:41:23 | |
Why, Joan? | 0:41:25 | 0:41:27 | |
I haven't changed. | 0:41:27 | 0:41:28 | |
I'm the same guy who held you in his arms. | 0:41:28 | 0:41:32 | |
Who still loves you. | 0:41:32 | 0:41:34 | |
You lost something? | 0:41:41 | 0:41:42 | |
No, not me. | 0:41:42 | 0:41:44 | |
Mr Fiske, his glasses. | 0:41:44 | 0:41:45 | |
Can't see a thing without them. | 0:41:45 | 0:41:47 | |
I'll help you look. | 0:41:47 | 0:41:48 | |
Uh, no need. I found them. | 0:41:48 | 0:41:51 | |
Then we'll go back to the hotel, us two. | 0:41:51 | 0:41:54 | |
Yeah. | 0:41:54 | 0:41:55 | |
DOORKNOB RATTLES | 0:42:19 | 0:42:20 | |
Oh, Duke, I tried, but I couldn't... | 0:42:23 | 0:42:26 | |
You only had to pull the trigger, | 0:42:26 | 0:42:28 | |
unless you wanted him to get away. | 0:42:28 | 0:42:30 | |
Don't blame me. You left me here. | 0:42:30 | 0:42:33 | |
Ok. I'm sorry. I shouldn't have left you alone. | 0:42:33 | 0:42:36 | |
Scared I'd find the money? | 0:42:36 | 0:42:37 | |
Shh! Quiet, Chiquita. | 0:42:37 | 0:42:39 | |
Donde esta hombre? | 0:42:39 | 0:42:43 | |
Hombre! Hombre! | 0:42:43 | 0:42:45 | |
Hombre en esteautomobile. | 0:42:46 | 0:42:48 | |
No se, senor. | 0:42:48 | 0:42:49 | |
No vi llegar el coche. | 0:42:49 | 0:42:51 | |
You don't know the birdcage trick, do you? | 0:43:05 | 0:43:08 | |
Or the Indian rope trick? | 0:43:08 | 0:43:10 | |
That's all we need. | 0:43:10 | 0:43:11 | |
I lose Fiske, I get Blake. | 0:43:11 | 0:43:13 | |
I'm dead. | 0:43:13 | 0:43:15 | |
Duke... | 0:43:15 | 0:43:17 | |
Will you give me one more chance? | 0:43:17 | 0:43:20 | |
Sure, Chiquita. | 0:43:20 | 0:43:21 | |
Hey! Hey! | 0:43:37 | 0:43:39 | |
Que paso con mi dinero? | 0:43:39 | 0:43:40 | |
Going somewhere, miss? | 0:43:55 | 0:43:56 | |
I beg your pardon? | 0:43:56 | 0:43:57 | |
Where's Halliday? Halliday? | 0:43:57 | 0:43:59 | |
Where's the guy who was with you? | 0:43:59 | 0:44:02 | |
The one I gave a lift? His name's Blake. | 0:44:02 | 0:44:05 | |
When did he tell you that, | 0:44:05 | 0:44:07 | |
when I was shooting at him? | 0:44:07 | 0:44:08 | |
Not so fast. | 0:44:08 | 0:44:10 | |
Let go! I haven't done anything. | 0:44:10 | 0:44:11 | |
You've done plenty.1 | 0:44:11 | 0:44:12 | |
You've helped him escape. I'm Captain Blake. | 0:44:12 | 0:44:15 | |
But he said... | 0:44:15 | 0:44:16 | |
Never mind what he said. | 0:44:16 | 0:44:17 | |
Before I arrest you, where is he? | 0:44:17 | 0:44:20 | |
He's in the hotel, room 206. | 0:44:20 | 0:44:22 | |
Move over! | 0:44:42 | 0:44:43 | |
HORN HONKS | 0:44:51 | 0:44:52 | |
Thanks, amigo. | 0:44:56 | 0:44:57 | |
Amiga. Feminine. | 0:44:57 | 0:44:59 | |
I better stick to Chiquita. Thanks, Chiquita. | 0:44:59 | 0:45:02 | |
Por nada, grandote. | 0:45:02 | 0:45:03 | |
Por plenty. That was a tight spot. | 0:45:03 | 0:45:06 | |
So tight I stopped thinking. | 0:45:06 | 0:45:07 | |
I should've put his car out of action. | 0:45:07 | 0:45:09 | |
I wouldn't worry too much. | 0:45:09 | 0:45:11 | |
ENGINE SPLUTTERS | 0:45:18 | 0:45:19 | |
Boy! Muchacho! Boy! | 0:45:28 | 0:45:30 | |
Get me a mechanic! | 0:45:30 | 0:45:31 | |
Automobile, get me an automobile. | 0:45:31 | 0:45:33 | |
Pronto! Rapido! | 0:45:33 | 0:45:35 | |
Automobile! | 0:45:35 | 0:45:36 | |
CHILDREN SING IN SPANISH | 0:45:49 | 0:45:51 | |
Now what? | 0:46:10 | 0:46:11 | |
OK, senor. | 0:46:19 | 0:46:20 | |
Cuanto? | 0:46:20 | 0:46:21 | |
Cuarenta pesos, senor. | 0:46:21 | 0:46:22 | |
Gracias, senor. | 0:46:26 | 0:46:27 | |
HORN HONKS | 0:46:34 | 0:46:36 | |
TYRES SCREECH | 0:46:36 | 0:46:37 | |
Hey, come on! Move over, will you? | 0:46:43 | 0:46:45 | |
Get out of the way! | 0:46:45 | 0:46:48 | |
Tell me that's not the polite thing to do. | 0:46:48 | 0:46:50 | |
I never said a word. | 0:46:50 | 0:46:52 | |
No, but you're thinking plenty. | 0:46:52 | 0:46:54 | |
I bet you're fun to travel with. | 0:46:54 | 0:46:56 | |
A little trouble, you jump all over people. | 0:46:56 | 0:46:58 | |
This is a little trouble? | 0:46:58 | 0:47:00 | |
Move over! Get out of the road! | 0:47:00 | 0:47:03 | |
I'm in it, too, or didn't you notice? | 0:47:03 | 0:47:06 | |
Will you vamoose? Get off the road! | 0:47:06 | 0:47:09 | |
I'm sorry, doll. | 0:47:38 | 0:47:39 | |
It must have been some of the dust I'm eating. | 0:47:39 | 0:47:43 | |
Didn't you hear me? I said I'm sorry. | 0:47:43 | 0:47:46 | |
I heard you. | 0:47:46 | 0:47:47 | |
Aw... | 0:47:48 | 0:47:50 | |
HORN HONKS | 0:47:53 | 0:47:54 | |
Alto alli! A donde van? | 0:48:23 | 0:48:24 | |
HORN HONKS | 0:48:25 | 0:48:26 | |
Get out of the way! | 0:48:27 | 0:48:29 | |
Alto! | 0:48:30 | 0:48:31 | |
I didn't say a word, but I'm thinking. | 0:48:33 | 0:48:35 | |
HE SPEAKS SPANISH | 0:48:35 | 0:48:36 | |
He says can't we see the road's blocked? | 0:48:36 | 0:48:39 | |
Of course we can see. | 0:48:39 | 0:48:40 | |
SHE SPEAKS SPANISH | 0:48:40 | 0:48:41 | |
HE SPEAKS SPANISH | 0:48:41 | 0:48:44 | |
The highway's OK. The sign was across this road. | 0:48:47 | 0:48:50 | |
Are you thinking what I'm thinking? | 0:48:50 | 0:48:52 | |
Jim. | 0:48:52 | 0:48:53 | |
Sweet guy. Like you said, no dope. | 0:48:53 | 0:48:56 | |
So why wait? Turn around. | 0:48:56 | 0:48:58 | |
Guys like me don't turn around. | 0:48:58 | 0:49:00 | |
Someone's following with a gun, remember? | 0:49:00 | 0:49:02 | |
Ask how far to the highway. | 0:49:02 | 0:49:04 | |
SHE SPEAKS SPANISH | 0:49:04 | 0:49:05 | |
HE SPEAKS SPANISH | 0:49:05 | 0:49:08 | |
Hear what he said? | 0:49:09 | 0:49:10 | |
Of course I heard! | 0:49:10 | 0:49:12 | |
What did he say? | 0:49:12 | 0:49:13 | |
Under a mile, but try and get there. | 0:49:13 | 0:49:15 | |
That's exactly what I'm going to do. | 0:49:15 | 0:49:18 | |
A trabajar, muchachos! | 0:49:19 | 0:49:21 | |
Es imposible pasar. | 0:49:22 | 0:49:23 | |
Es no imposible. | 0:49:23 | 0:49:25 | |
No tiempo regresando... | 0:49:25 | 0:49:27 | |
Uh,es... vida y muerte. Comprendo? | 0:49:27 | 0:49:30 | |
HE SPEAKS SPANISH | 0:49:30 | 0:49:32 | |
Uno momentito. > | 0:49:33 | 0:49:35 | |
El senor no entiende. Vamos de prisa a casarnos. | 0:49:37 | 0:49:41 | |
Oh, a casarse! | 0:49:41 | 0:49:42 | |
Muchas felicidades. | 0:49:42 | 0:49:43 | |
Gracias. | 0:49:43 | 0:49:44 | |
Why's he congratulating us? | 0:49:44 | 0:49:46 | |
We're eloping. | 0:49:46 | 0:49:47 | |
SHE SPEAKS SPANISH | 0:49:47 | 0:49:49 | |
What's the matter with me? | 0:49:57 | 0:49:59 | |
I said my father dislikes you. | 0:49:59 | 0:50:01 | |
Verdad que es grande y hermoso? | 0:50:01 | 0:50:05 | |
Grande, si, pero yo no le llamaria hermoso. | 0:50:05 | 0:50:08 | |
Thanks. What's that for? | 0:50:08 | 0:50:10 | |
Take it and like it. | 0:50:10 | 0:50:12 | |
I like it. Keep it up. | 0:50:12 | 0:50:14 | |
Don't be jealous if I mention the man | 0:50:14 | 0:50:16 | |
my father wants me to marry. | 0:50:16 | 0:50:18 | |
SHE SPEAKS SPANISH | 0:50:18 | 0:50:20 | |
HE SPEAKS SPANISH | 0:50:23 | 0:50:24 | |
HE SPEAKS SPANISH | 0:50:37 | 0:50:39 | |
HE SPEAKS SPANISH | 0:50:41 | 0:50:43 | |
Uno, dos, tres, | 0:50:48 | 0:50:49 | |
cuatro, cinco, seis, siete, ocho, nueve, | 0:50:49 | 0:50:52 | |
Y diez. Gracias. | 0:50:52 | 0:50:54 | |
Ten what? | 0:50:55 | 0:50:57 | |
Children. Ten kids! | 0:50:57 | 0:50:59 | |
Su padre! Correrle aprisa! Vamonos! | 0:51:01 | 0:51:05 | |
HORN HONKS | 0:51:05 | 0:51:06 | |
HORN HONKS | 0:51:07 | 0:51:09 | |
HE SPEAKS SPANISH | 0:51:14 | 0:51:17 | |
HORN HONKS | 0:51:17 | 0:51:18 | |
HORN HONKS | 0:51:27 | 0:51:29 | |
Get those planks out of there! | 0:51:37 | 0:51:38 | |
HE SPEAKS SPANISH | 0:51:38 | 0:51:39 | |
Put those planks back! | 0:51:39 | 0:51:41 | |
What's the matter with you guys? | 0:51:41 | 0:51:42 | |
HE SPEAKS SPANISH | 0:51:42 | 0:51:44 | |
I'm trying to stop that car! | 0:51:46 | 0:51:48 | |
HE SPEAKS SPANISH | 0:51:49 | 0:51:51 | |
Now you're the one that's up for promotion. | 0:51:54 | 0:51:57 | |
It's nothing. When I find a bridge out, | 0:51:57 | 0:51:59 | |
I always dig up a romance. | 0:51:59 | 0:52:01 | |
I didn't get all you said. | 0:52:01 | 0:52:03 | |
You know where I learned Spanish. | 0:52:03 | 0:52:05 | |
Yes, I know. | 0:52:05 | 0:52:07 | |
I said we were running away to get married, | 0:52:07 | 0:52:09 | |
and my cruel father was chasing us with a shotgun. | 0:52:09 | 0:52:12 | |
He wanted me to marry a small ugly man. | 0:52:12 | 0:52:15 | |
I preferred the big pretty one. | 0:52:15 | 0:52:17 | |
You know, he was nice, that foreman. | 0:52:17 | 0:52:19 | |
I hated to lie to him. | 0:52:19 | 0:52:21 | |
Everything you said, lies? | 0:52:22 | 0:52:24 | |
Well, not everything. | 0:52:25 | 0:52:27 | |
You are big. | 0:52:27 | 0:52:29 | |
Thanks. | 0:52:30 | 0:52:31 | |
Here, busy yourself with this for a while. | 0:52:33 | 0:52:36 | |
SHOUTING IN SPANISH | 0:52:37 | 0:52:39 | |
Get those planks up! | 0:52:42 | 0:52:44 | |
The turn-off should be around here somewhere. | 0:52:48 | 0:52:50 | |
It should be ten kilometers from that town we passed. | 0:52:50 | 0:52:54 | |
Think you're old enough to read a map now? | 0:52:54 | 0:52:57 | |
I've aged a lot in the last few hours. | 0:52:57 | 0:53:00 | |
What are you doing? | 0:53:34 | 0:53:35 | |
Eenie, meenie, minie, mo. | 0:53:35 | 0:53:38 | |
It comes out mo. | 0:53:38 | 0:53:39 | |
Yeah, but the tyre tracks come out minie. | 0:53:39 | 0:53:42 | |
Is your name Fiske? | 0:54:14 | 0:54:15 | |
You the guy I was supposed to meet? | 0:54:15 | 0:54:17 | |
No. He's at the hacienda down the road. | 0:54:17 | 0:54:20 | |
I'm the reception committee. | 0:54:20 | 0:54:21 | |
Slide over. | 0:54:21 | 0:54:22 | |
Wait. I can find it. | 0:54:22 | 0:54:24 | |
I think you better stay here. I'm being tailed. | 0:54:24 | 0:54:27 | |
We'll take care of that. | 0:54:27 | 0:54:29 | |
Gonzales. | 0:54:29 | 0:54:31 | |
Si. | 0:54:31 | 0:54:32 | |
I hope this is the right road. | 0:54:42 | 0:54:45 | |
GUNSHOT | 0:54:52 | 0:54:53 | |
GUNSHOT | 0:54:55 | 0:54:56 | |
GUNSHOT Down! | 0:55:01 | 0:55:03 | |
Make for the rocks! | 0:55:13 | 0:55:15 | |
This thing only holds six. | 0:55:26 | 0:55:28 | |
I should've left you in Tehuacan. | 0:55:28 | 0:55:30 | |
You'd have been lonesome. | 0:55:30 | 0:55:32 | |
In a spot like this, a guy's better off lonesome. | 0:55:32 | 0:55:35 | |
If you're thinking what I think you're thinking... | 0:56:08 | 0:56:11 | |
Yeah? | 0:56:11 | 0:56:12 | |
He's a good shot, too. | 0:56:13 | 0:56:15 | |
He'd have us both before we got to the car. | 0:56:15 | 0:56:18 | |
I got an awful yen for that rifle. | 0:56:18 | 0:56:20 | |
I don't want to spend the night | 0:56:20 | 0:56:22 | |
with an empty revolver. | 0:56:22 | 0:56:23 | |
There's always me. | 0:56:23 | 0:56:25 | |
Tonight you got to pick. | 0:56:25 | 0:56:27 | |
Duke. | 0:56:27 | 0:56:29 | |
Duke, don't go. | 0:56:29 | 0:56:31 | |
Please don't go. | 0:56:31 | 0:56:33 | |
Chiquita, amor mio. | 0:56:35 | 0:56:37 | |
GUNSHOT | 0:56:37 | 0:56:39 | |
It'll have to wait till later. | 0:56:40 | 0:56:42 | |
Adios, Chiquita. | 0:56:42 | 0:56:43 | |
This time, don't forget to squeeze the trigger. | 0:56:43 | 0:56:47 | |
Keep reaching, mister. | 0:57:06 | 0:57:08 | |
GUNSHOT | 0:57:14 | 0:57:16 | |
Tell her to come down here. | 0:57:16 | 0:57:18 | |
Tell her before I plug you. | 0:57:18 | 0:57:20 | |
No! No, don't! | 0:57:20 | 0:57:22 | |
Don't shoot! | 0:57:22 | 0:57:24 | |
Put it on the table. | 0:57:39 | 0:57:41 | |
Here it is, Mr Fiske. | 0:57:42 | 0:57:45 | |
Good cold American dollars. | 0:57:45 | 0:57:47 | |
How many? | 0:57:47 | 0:57:48 | |
150,000. | 0:57:48 | 0:57:50 | |
Now wait a minute, Seton. | 0:57:50 | 0:57:52 | |
You're making 100% profit on this deal. | 0:57:52 | 0:57:55 | |
It's hot, Mr Fiske. | 0:57:55 | 0:57:56 | |
Much hotter than the goods I usually handle. | 0:57:56 | 0:57:59 | |
Now if you'd robbed a bank or a jewellery store | 0:57:59 | 0:58:02 | |
like most of my clients... | 0:58:02 | 0:58:04 | |
But you had to rob the US Army. | 0:58:04 | 0:58:07 | |
That outfit has a long memory | 0:58:07 | 0:58:09 | |
when it comes to money stolen from it. | 0:58:09 | 0:58:11 | |
Look at the risk I took. Your risk has ended. | 0:58:11 | 0:58:14 | |
Mine's just beginning. | 0:58:14 | 0:58:16 | |
I've got to get rid of this. | 0:58:16 | 0:58:18 | |
Now that you can spend, | 0:58:18 | 0:58:20 | |
So wrap it up and be thankful. | 0:58:20 | 0:58:23 | |
Oh, you were being followed. | 0:58:24 | 0:58:27 | |
Uh, you've all met, I take it. | 0:58:30 | 0:58:32 | |
Yes, we've met. | 0:58:32 | 0:58:34 | |
Stop it, you clumsy fool! | 0:58:34 | 0:58:36 | |
You almost broke it! This is priceless. | 0:58:36 | 0:58:38 | |
Looks like something they give you for hitting milk bottles. | 0:58:38 | 0:58:41 | |
Get back. Away from the table. | 0:58:41 | 0:58:43 | |
Cole, get them back. | 0:58:43 | 0:58:44 | |
You heard him. Get moving. | 0:58:44 | 0:58:46 | |
Jose got killed. | 0:58:50 | 0:58:52 | |
I want to get his body. | 0:58:52 | 0:58:54 | |
How about Madden giving me a hand? | 0:58:54 | 0:58:57 | |
Did he kill him? | 0:58:58 | 0:58:59 | |
Go and help Cole. | 0:58:59 | 0:59:01 | |
What did you stop him for? | 0:59:03 | 0:59:06 | |
They're your problem. | 0:59:06 | 0:59:07 | |
I can't take them. | 0:59:07 | 0:59:09 | |
You can't leave them here. | 0:59:09 | 0:59:10 | |
Not alive, anyway. | 0:59:10 | 0:59:12 | |
It'd be a pleasure taking care of him, but the girl... | 0:59:12 | 0:59:15 | |
Oh, scruples about killing women, huh? | 0:59:15 | 0:59:18 | |
Fiske, why don't you take her with you? | 0:59:18 | 0:59:21 | |
She'll keep her mouth shut. | 0:59:21 | 0:59:22 | |
No, Duke! | 0:59:22 | 0:59:23 | |
Shut up, Chiquita. | 0:59:23 | 0:59:25 | |
Do you want her on your conscience? | 0:59:25 | 0:59:27 | |
He has no conscience. | 0:59:27 | 0:59:28 | |
You're wasting your time, Duke. | 0:59:28 | 0:59:30 | |
If I was sure you wouldn't talk, I'd take you. | 0:59:30 | 0:59:33 | |
Go with him. | 0:59:34 | 0:59:36 | |
Go on. It's the only way. | 0:59:36 | 0:59:38 | |
Put up your hands. | 0:59:38 | 0:59:40 | |
Well, the Marines. | 0:59:41 | 0:59:42 | |
< Up, I said. | 0:59:42 | 0:59:43 | |
You, too, sister. | 0:59:43 | 0:59:45 | |
There's the money, Vince. | 0:59:46 | 0:59:47 | |
There's the guy that stole it. | 0:59:47 | 0:59:49 | |
Get over by that fireplace. | 0:59:49 | 0:59:51 | |
Watch out for him. He's got a gun. | 0:59:51 | 0:59:54 | |
Shut up. | 0:59:54 | 0:59:55 | |
Fiske stole the money. | 0:59:55 | 0:59:56 | |
Shut up, I said. | 0:59:56 | 0:59:57 | |
Let him in on the secret. | 0:59:57 | 1:00:00 | |
Is that my money? | 1:00:00 | 1:00:02 | |
Our money. > | 1:00:02 | 1:00:03 | |
I haven't taken my cut. | 1:00:03 | 1:00:05 | |
Take your cut and get on your horse. | 1:00:05 | 1:00:08 | |
He's keeping 150 grand. | 1:00:08 | 1:00:09 | |
That's the best I can do under the circumstances. | 1:00:09 | 1:00:13 | |
Army money is hot. | 1:00:13 | 1:00:14 | |
It's the best you can do. | 1:00:16 | 1:00:17 | |
I still get half. | 1:00:17 | 1:00:19 | |
Sure. Sure. You earned it. | 1:00:19 | 1:00:21 | |
We decided... that is, I decided | 1:00:21 | 1:00:23 | |
That the girl - Joan - should go with me. | 1:00:23 | 1:00:26 | |
The girl stays here. | 1:00:26 | 1:00:28 | |
I think it's better... | 1:00:30 | 1:00:31 | |
Let me do the thinking like always, Fiske. | 1:00:31 | 1:00:34 | |
Anything you say. | 1:00:35 | 1:00:36 | |
Jim! | 1:00:42 | 1:00:44 | |
Don't feel bad about him, sister. | 1:00:48 | 1:00:51 | |
He didn't put up a fight about you. | 1:00:51 | 1:00:53 | |
You can't trust a guy like that. | 1:00:53 | 1:00:56 | |
How you going to get out of this, Duke? | 1:00:56 | 1:00:59 | |
You got another bridge handy? | 1:00:59 | 1:01:00 | |
I'm not getting out of it. | 1:01:00 | 1:01:03 | |
Neither are you. | 1:01:03 | 1:01:04 | |
Think not? | 1:01:04 | 1:01:05 | |
It's going to be awful hard to keep your skirts clean. | 1:01:05 | 1:01:09 | |
They'll check every move. | 1:01:09 | 1:01:11 | |
I was chasing you. They know that. | 1:01:11 | 1:01:13 | |
What about the payroll? He's keeping it. | 1:01:13 | 1:01:15 | |
Of course. I bought it. | 1:01:15 | 1:01:18 | |
What do you tell the army? | 1:01:18 | 1:01:20 | |
Fiske has it. You gave it to him. | 1:01:20 | 1:01:23 | |
You came down here to meet him and get your share. | 1:01:23 | 1:01:27 | |
He got away. | 1:01:27 | 1:01:28 | |
You didn't. | 1:01:28 | 1:01:30 | |
There must be a safe place for his body. | 1:01:30 | 1:01:33 | |
Oh, there is. | 1:01:33 | 1:01:35 | |
Not bad. | 1:01:35 | 1:01:36 | |
Maybe the army will believe you. | 1:01:36 | 1:01:38 | |
What about the Mexican police? | 1:01:38 | 1:01:39 | |
I saw Ortega in Tehuacan... | 1:01:39 | 1:01:41 | |
Is he in Tehuacan? | 1:01:41 | 1:01:42 | |
A while ago. He was watching the girls | 1:01:42 | 1:01:45 | |
at the Hotel Penafiels' pool | 1:01:45 | 1:01:47 | |
when he wasn't watching us. | 1:01:47 | 1:01:48 | |
Thanks, pal. | 1:01:48 | 1:01:50 | |
Keep them covered, Seton. | 1:01:51 | 1:01:53 | |
Hotel Penafiels in Tehuacan. Gracias. | 1:02:00 | 1:02:04 | |
Everything figured out now. | 1:02:05 | 1:02:08 | |
Army training, Duke. | 1:02:08 | 1:02:10 | |
< Everything up through channels | 1:02:10 | 1:02:12 | |
< since I been tailing you. | 1:02:12 | 1:02:14 | |
< Regular reports, endorsements, | 1:02:14 | 1:02:15 | |
< travel orders... | 1:02:15 | 1:02:17 | |
You ought to see my file. Hello? | 1:02:17 | 1:02:20 | |
Inspector General Ortega, por favor. | 1:02:20 | 1:02:22 | |
Pronto! Pronto! | 1:02:22 | 1:02:24 | |
See what I mean, Duke? | 1:02:25 | 1:02:27 | |
Everything according to Hoyle. | 1:02:27 | 1:02:29 | |
It would be against regulations | 1:02:29 | 1:02:30 | |
for me to make the arrest myself. | 1:02:30 | 1:02:34 | |
Hello? Hello, Inspector. | 1:02:34 | 1:02:36 | |
This is Captain Blake. | 1:02:36 | 1:02:37 | |
Yes, sir. | 1:02:37 | 1:02:39 | |
I've got the man I was telling you about, | 1:02:39 | 1:02:41 | |
and I want you to take over. | 1:02:41 | 1:02:44 | |
That won't be necessary. | 1:02:44 | 1:02:45 | |
I'll bring him to you at the hotel. | 1:02:45 | 1:02:48 | |
Thank you, sir. | 1:02:48 | 1:02:50 | |
Oh, uh, there's just one complication, Inspector. | 1:02:50 | 1:02:54 | |
He was killed trying to get away from me. | 1:02:54 | 1:02:58 | |
All right, Duke, start running. | 1:03:00 | 1:03:04 | |
You were shot in the back | 1:03:04 | 1:03:06 | |
while trying to escape. | 1:03:06 | 1:03:07 | |
What about Seton? | 1:03:07 | 1:03:09 | |
You got to shoot him, too. | 1:03:09 | 1:03:11 | |
With him gone, you can give the army back its payroll | 1:03:11 | 1:03:15 | |
and come up smelling like roses | 1:03:15 | 1:03:17 | |
with 150,000 profit. | 1:03:17 | 1:03:18 | |
They might even up your rank. | 1:03:18 | 1:03:21 | |
Start running. | 1:03:21 | 1:03:22 | |
Drop that gun, Captain. Don't turn around. | 1:03:22 | 1:03:24 | |
See what he's up to? | 1:03:24 | 1:03:26 | |
Possibly, but on the other hand, | 1:03:26 | 1:03:28 | |
considering the way you treated your partner, | 1:03:28 | 1:03:30 | |
there might be something in what he says. | 1:03:30 | 1:03:32 | |
I plan to come out of this alive. | 1:03:32 | 1:03:35 | |
Don't be... | 1:03:37 | 1:03:38 | |
GUN FIRES | 1:04:04 | 1:04:05 | |
Please! | 1:04:07 | 1:04:09 | |
Please! | 1:04:09 | 1:04:10 | |
Please stop it! Please stop it. | 1:04:10 | 1:04:12 | |
Nice shooting, Chiquita. | 1:04:38 | 1:04:39 | |
I didn't mean to. It just went off. | 1:04:39 | 1:04:42 | |
Huh? | 1:04:42 | 1:04:43 | |
When your teeth stop chattering, | 1:04:43 | 1:04:44 | |
get Ortega on the phone. | 1:04:44 | 1:04:46 | |
Tell him to come down here pronto. | 1:04:46 | 1:04:49 | |
Muy pronto. | 1:04:49 | 1:04:51 | |
Senorita, por favor, Hotel Penafiels. | 1:04:51 | 1:04:54 | |
Urgente. | 1:04:54 | 1:04:56 | |
What was what you called Seton? | 1:05:21 | 1:05:23 | |
Oh. Fence. | 1:05:23 | 1:05:24 | |
Fence? Oh. | 1:05:24 | 1:05:26 | |
This English. | 1:05:26 | 1:05:27 | |
Well, thanks for everything, Inspector. | 1:05:27 | 1:05:29 | |
The thanks are to you. | 1:05:29 | 1:05:31 | |
Yes. For helping me get the goods? | 1:05:31 | 1:05:33 | |
Goods. | 1:05:33 | 1:05:34 | |
Goods on Seton. Such a clever man. | 1:05:34 | 1:05:37 | |
We knew he was a fence, | 1:05:37 | 1:05:39 | |
but we could not prove nothing. | 1:05:39 | 1:05:41 | |
We had to wait until someone led us to him. | 1:05:41 | 1:05:45 | |
Along came Fiske, you, and Blake. | 1:05:45 | 1:05:47 | |
We have nothing to worry for Seton. | 1:05:47 | 1:05:50 | |
Or Blake or Fiske. | 1:05:50 | 1:05:51 | |
Or you. Goodbye, Lieutenant. | 1:05:51 | 1:05:52 | |
- Buenos noches. - Tardes. | 1:05:52 | 1:05:54 | |
Tardes, Inspector General. | 1:05:54 | 1:05:56 | |
Muy bien. | 1:05:56 | 1:05:57 | |
You're looking at a man | 1:06:02 | 1:06:03 | |
without a thing to worry about. | 1:06:03 | 1:06:05 | |
Travel orders in my pocket | 1:06:05 | 1:06:07 | |
and no guys with handcuffs waiting. | 1:06:07 | 1:06:09 | |
That's wonderful, Duke. | 1:06:09 | 1:06:10 | |
"Home," the man said, in 2,000 well-chosen words. | 1:06:10 | 1:06:13 | |
Do you really want to go home? | 1:06:22 | 1:06:25 | |
Of course I want to. | 1:06:25 | 1:06:26 | |
Maybe you think what we've been doing was fun. Not me. | 1:06:26 | 1:06:30 | |
Oh? | 1:06:30 | 1:06:31 | |
Why oh? | 1:06:31 | 1:06:32 | |
Just oh. | 1:06:32 | 1:06:33 | |
Two-letter word meaning nothing in particular. | 1:06:33 | 1:06:36 | |
When are you leaving? | 1:06:36 | 1:06:37 | |
- Tomorrow morning. - Oh. | 1:06:37 | 1:06:39 | |
There's that two-letter word again. | 1:06:39 | 1:06:42 | |
What do you want me to say? | 1:06:42 | 1:06:44 | |
Anything. Oh, wasn't the scenery great. | 1:06:44 | 1:06:47 | |
You hate to leave. | 1:06:47 | 1:06:48 | |
Oh, I'm not leaving. | 1:06:48 | 1:06:50 | |
Did you hear what I said? | 1:06:50 | 1:06:52 | |
Yeah, I heard. | 1:06:52 | 1:06:53 | |
What are they doing? | 1:06:53 | 1:06:55 | |
It's a form of lovemaking. | 1:06:55 | 1:06:58 | |
Oh. | 1:06:58 | 1:06:59 | |
Now you got me doing it. | 1:06:59 | 1:07:02 | |
What happens when their feet get tired? | 1:07:02 | 1:07:04 | |
They pair off and sit down. | 1:07:04 | 1:07:07 | |
Uh-huh. And then? | 1:07:07 | 1:07:08 | |
Then their chaperons sit down with them. | 1:07:08 | 1:07:11 | |
No. That I wouldn't like. | 1:07:11 | 1:07:13 | |
After a while, the boy takes the girl home. | 1:07:13 | 1:07:16 | |
With the chaperon, of course. | 1:07:16 | 1:07:20 | |
Then he stands outside her window and sings. | 1:07:20 | 1:07:23 | |
Oh. And if she likes the song, | 1:07:23 | 1:07:26 | |
then she opens the window and lets him in. | 1:07:26 | 1:07:29 | |
The windows have bars on them. | 1:07:29 | 1:07:32 | |
Oh. Well, it sounds like a charming custom, | 1:07:32 | 1:07:34 | |
but I think my way's better. | 1:07:34 | 1:07:37 | |
Waste an awful lot of time down here. | 1:07:42 | 1:07:46 | |
Oh, I don't know. | 1:07:48 | 1:07:50 | |
Subtitles by NCI | 1:08:10 | 1:08:13 | |
E-mail us at [email protected] | 1:08:13 | 1:08:16 |