Chico and Rita
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Transcript
| Line | From | To | |
|---|---|---|---|
This film contains some strong language and some scenes of a sexual nature | 0:00:02 | 0:00:10 | |
POP MUSIC PLAYS | 0:01:49 | 0:01:52 | |
HE GROANS | 0:02:26 | 0:02:28 | |
VARIOUS SPEAKERS ON RADIO | 0:02:41 | 0:02:46 | |
JAZZ MUSIC PLAYS | 0:02:50 | 0:02:54 | |
PIANO PLAYS | 0:03:34 | 0:03:38 | |
GIGGLING | 0:03:50 | 0:03:53 | |
THEY CHATTER AND LAUGH | 0:03:58 | 0:04:01 | |
APPLAUSE | 0:04:48 | 0:04:52 | |
SINGING CONTINUES | 0:05:23 | 0:05:26 | |
Hello! We're still here! | 0:06:18 | 0:06:22 | |
Hey! She's mine! | 0:07:47 | 0:07:48 | |
Forget it. Dance with me! Whoo-hoo! | 0:07:48 | 0:07:51 | |
SHE GIGGLES | 0:08:36 | 0:08:39 | |
Hey! | 0:09:10 | 0:09:12 | |
Hug me, Chico. I'm cold. | 0:09:33 | 0:09:37 | |
Whoo! | 0:09:37 | 0:09:40 | |
How I taught you! | 0:09:55 | 0:09:58 | |
HE WHISTLES | 0:09:58 | 0:09:59 | |
-Oh, yes. -The food is wonderful... | 0:10:41 | 0:10:45 | |
-..music, I love the beach... -And Cuban men. | 0:10:45 | 0:10:49 | |
Beautiful. Love it. Yeah! | 0:10:53 | 0:10:56 | |
Hey! Watch where you're going, jungle bunny! | 0:11:00 | 0:11:02 | |
Whoa, wait, wait, wait. You know this guy? | 0:11:21 | 0:11:23 | |
No. | 0:11:23 | 0:11:26 | |
Is he bothering you? | 0:11:34 | 0:11:36 | |
Sorry, honey. | 0:11:47 | 0:11:49 | |
What's going on? | 0:11:51 | 0:11:53 | |
APPLAUSE | 0:12:02 | 0:12:04 | |
Good evening, Havana. A year ago, a man named Igor came to see us play. | 0:12:04 | 0:12:08 | |
Turns out, he liked what he saw and wrote us a song. | 0:12:08 | 0:12:10 | |
We're going to play that song for you tonight. | 0:12:10 | 0:12:12 | |
Ebony Concerto by Igor Stravinsky. | 0:12:12 | 0:12:15 | |
HE GASPS | 0:12:15 | 0:12:17 | |
HE MUTTERS | 0:12:43 | 0:12:45 | |
-That was out of sight! -Gracias. | 0:13:11 | 0:13:14 | |
-You hit that one out of the park. -Thank you. -Chico! | 0:13:14 | 0:13:17 | |
-Cool, man. See you back in New York. -See you. | 0:13:19 | 0:13:21 | |
You really nailed that, man. Good job. You nailed it. | 0:13:21 | 0:13:24 | |
-Bitch! -TYRES SQUEAL | 0:13:54 | 0:13:57 | |
Hey, son of a bitch! You bastard! | 0:14:11 | 0:14:14 | |
Asshole! | 0:14:16 | 0:14:17 | |
-BELL RINGS -Argh! | 0:14:17 | 0:14:19 | |
Red light! Argh! | 0:14:40 | 0:14:41 | |
This is not safe! | 0:14:51 | 0:14:53 | |
-Watch out! -Argh! | 0:14:56 | 0:14:58 | |
Argh! | 0:15:00 | 0:15:02 | |
THEY CHEER | 0:15:14 | 0:15:17 | |
SHE SCATS | 0:17:17 | 0:17:20 | |
THEY LAUGH | 0:17:24 | 0:17:26 | |
PIANO PLAYS | 0:18:43 | 0:18:48 | |
SHE GIGGLES | 0:19:37 | 0:19:40 | |
SHE HUMS | 0:19:47 | 0:19:50 | |
SHE HUMS LOWER | 0:19:59 | 0:20:03 | |
KNOCKING | 0:20:27 | 0:20:29 | |
GIGGLING | 0:23:34 | 0:23:37 | |
SHE SINGS | 0:24:49 | 0:24:52 | |
SINGING CONTINUES | 0:25:15 | 0:25:18 | |
SINGING CONTINUES | 0:26:30 | 0:26:35 | |
CHEERING AND APPLAUSE | 0:27:00 | 0:27:03 | |
Rita. Rita! | 0:27:10 | 0:27:14 | |
Rita. | 0:27:16 | 0:27:17 | |
HORN BLARES | 0:28:36 | 0:28:38 | |
WOLF-WHISTLES | 0:29:27 | 0:29:29 | |
MAN SINGS | 0:30:31 | 0:30:35 | |
SINGING CONTINUES | 0:32:28 | 0:32:31 | |
APPLAUSE | 0:33:00 | 0:33:03 | |
-KNOCKING -Chico? | 0:35:20 | 0:35:23 | |
Chico! | 0:35:25 | 0:35:27 | |
MEN LAUGH | 0:35:44 | 0:35:46 | |
SHE SIGHS | 0:37:31 | 0:37:33 | |
Chico! | 0:38:03 | 0:38:05 | |
UPBEAT JAZZ NUMBER | 0:39:19 | 0:39:22 | |
SLOW PIANO TAKES OVER | 0:39:34 | 0:39:38 | |
Chico! | 0:40:35 | 0:40:37 | |
MUSIC: "New York, New York" from On The Town | 0:40:58 | 0:41:01 | |
SLOW BALLAD STARTS | 0:41:12 | 0:41:16 | |
UPBEAT JAZZ NUMBER STARTS | 0:41:24 | 0:41:28 | |
CUBAN MUSIC STARTS | 0:41:40 | 0:41:44 | |
MUSIC: "As Time Goes By" from Casablanca | 0:41:51 | 0:41:54 | |
BANGS ON PIANO | 0:42:03 | 0:42:05 | |
-AMERICAN ACCENT: -Keep playing, Sam. | 0:42:05 | 0:42:08 | |
Chico? | 0:42:20 | 0:42:22 | |
Chico? | 0:42:23 | 0:42:25 | |
New...York! | 0:42:48 | 0:42:49 | |
SHIP'S HORN BLASTS | 0:42:49 | 0:42:51 | |
TYRES SQUEAL | 0:43:50 | 0:43:52 | |
HE SIGHS | 0:44:22 | 0:44:24 | |
SHE SOBS | 0:45:39 | 0:45:43 | |
JAZZ MUSIC PLAYS | 0:45:56 | 0:45:58 | |
BAND PLAYS/SAXOPHONE SOLO | 0:46:09 | 0:46:13 | |
SAXOPHONE SOLO | 0:46:50 | 0:46:53 | |
APPLAUSE | 0:46:53 | 0:46:55 | |
BAND QUIETENS | 0:47:09 | 0:47:12 | |
APPLAUSE | 0:47:24 | 0:47:27 | |
Ha-ha, ha-ha! | 0:47:47 | 0:47:49 | |
TYRES SCREECH | 0:48:18 | 0:48:21 | |
INAUDIBLE EXCHANGE | 0:48:35 | 0:48:38 | |
SLURRING: | 0:48:52 | 0:48:57 | |
HE COUGHS | 0:49:15 | 0:49:18 | |
LATIN AMERICAN MUSIC PLAYS | 0:50:52 | 0:50:54 | |
THEY LAUGH | 0:50:58 | 0:51:01 | |
MUSIC CONTINUES | 0:51:25 | 0:51:28 | |
GUNSHOT | 0:51:35 | 0:51:38 | |
FURTHER GUNSHOTS | 0:51:38 | 0:51:42 | |
RECORD SCRATCHES/MUSIC STOPS | 0:51:42 | 0:51:45 | |
Chano! Chano! | 0:51:46 | 0:51:49 | |
SINGING: | 0:51:50 | 0:51:53 | |
Mwah! Ha-ha, ha-ha! | 0:54:15 | 0:54:18 | |
GLASSES CLINK | 0:54:53 | 0:54:55 | |
SOFT PIANO MUSIC PLAYS | 0:54:55 | 0:54:59 | |
You were marvellous, Rita! | 0:55:17 | 0:55:20 | |
From Broadway to Hollywood, aren't you a tad dizzy, Rita? | 0:55:20 | 0:55:24 | |
Not until tonight but... | 0:55:24 | 0:55:26 | |
I'm beginning to feel so. | 0:55:28 | 0:55:30 | |
Well, I'm dying to see the picture. | 0:55:30 | 0:55:31 | |
Imagine me! I paid a fortune for the rights. Ha-ha, ha-ha! | 0:55:31 | 0:55:35 | |
And aren't you taking a risk producing a feature with a Latin in the lead? | 0:55:46 | 0:55:49 | |
So? The only risk is that nobody will see me in the night scenes. | 0:55:49 | 0:55:55 | |
Excuse me. | 0:55:56 | 0:55:59 | |
< DOOR OPENS | 0:56:11 | 0:56:12 | |
ENGINE STUTTERS | 0:57:42 | 0:57:45 | |
HORN BLARES/TYRES SCREECH | 0:57:56 | 0:57:59 | |
Hey! Look out, dunce! | 0:57:59 | 0:58:01 | |
HORN BLARES | 0:58:19 | 0:58:23 | |
LATIN AMERICAN MUSIC PLAYS | 0:58:23 | 0:58:29 | |
Rita? | 0:59:15 | 0:59:17 | |
Good evening, sir. Welcome to the... | 0:59:28 | 0:59:31 | |
Get in. We need to talk business. | 0:59:31 | 0:59:34 | |
Business? That's my business. | 0:59:34 | 0:59:37 | |
Thank you. | 1:00:01 | 1:00:04 | |
# When the only sound in the empty street | 1:00:46 | 1:00:51 | |
# Is the heavy tread of the heavy feet | 1:00:51 | 1:00:55 | |
# That belong to a lonesome cop | 1:00:55 | 1:00:59 | |
# I open shop. # | 1:00:59 | 1:01:04 | |
IN FRENCH: | 1:02:34 | 1:02:36 | |
IN SPANISH: | 1:02:44 | 1:02:49 | |
# ..who's prepared to pay the price | 1:03:06 | 1:03:11 | |
# For a trip to paradise? | 1:03:11 | 1:03:15 | |
# Love | 1:03:15 | 1:03:20 | |
# For sale. # | 1:03:20 | 1:03:23 | |
PIANO PLAYS | 1:03:29 | 1:03:32 | |
CHICO SINGS: | 1:04:39 | 1:04:43 | |
You have an interview at 11, another one at 12 and in the afternoon... | 1:05:57 | 1:06:01 | |
-And then a photoshoot - it's huge for the film. -Shut up! | 1:06:01 | 1:06:05 | |
-RADIO: -Remember the name of the song Lily? | 1:06:05 | 1:06:09 | |
I wonder who the composer was thinking of when he wrote this tune. | 1:06:09 | 1:06:16 | |
I call you back. Rita! | 1:06:20 | 1:06:23 | |
What an honour to have you here... | 1:07:18 | 1:07:21 | |
PATRON: Look, here's Rita Labelle - the star! | 1:07:21 | 1:07:24 | |
Oh, thank you, thanks. | 1:07:24 | 1:07:26 | |
PATRON: Wow! She's even hotter in person. | 1:07:26 | 1:07:29 | |
-Will this do? -Mm-hm. | 1:07:29 | 1:07:32 | |
APPLAUSE | 1:08:11 | 1:08:13 | |
PATRON: All right, man! | 1:08:13 | 1:08:15 | |
Now, a beautiful ballad written by that guy seated right over there. | 1:08:15 | 1:08:21 | |
Lily. But today, we're going to dedicate it to a lady | 1:08:21 | 1:08:26 | |
who's with us here tonight. | 1:08:26 | 1:08:27 | |
Great artist, Rita Labelle. I hope the author doesn't mind. | 1:08:27 | 1:08:32 | |
Ha-ha! | 1:09:50 | 1:09:54 | |
THEY LAUGH DRUNKENLY | 1:10:43 | 1:10:46 | |
Ha-ha, ha-ha! | 1:10:56 | 1:10:58 | |
THUNDER CRASHES | 1:11:08 | 1:11:11 | |
Police! Nobody move! | 1:12:05 | 1:12:08 | |
It's a raid! | 1:12:08 | 1:12:12 | |
Argh! | 1:12:19 | 1:12:21 | |
Come on, faster! | 1:12:23 | 1:12:26 | |
-Oh, shit! -Stop! You're under arrest. | 1:12:26 | 1:12:30 | |
What am I charged with? | 1:12:36 | 1:12:39 | |
Drug trafficking. | 1:12:41 | 1:12:44 | |
What?! | 1:12:47 | 1:12:50 | |
-A telephone. I need to make a call. -Shut it! -Please. -Get in the car. | 1:12:51 | 1:12:58 | |
LINE RINGS | 1:13:39 | 1:13:44 | |
PHONE RINGS | 1:13:47 | 1:13:50 | |
# Should auld acquaintance be forgot... # | 1:14:01 | 1:14:07 | |
Does this work? | 1:14:56 | 1:15:00 | |
Happy New Year. | 1:15:01 | 1:15:04 | |
I wish you from the bottom of my heart | 1:15:05 | 1:15:08 | |
a marvellous year. | 1:15:08 | 1:15:10 | |
I wish it for myself too. | 1:15:10 | 1:15:13 | |
Not that the last one has been too... | 1:15:13 | 1:15:16 | |
But there are some things that I don't understand. | 1:15:16 | 1:15:20 | |
The life of a black artist is truly amazing. | 1:15:20 | 1:15:24 | |
What is she saying? | 1:15:24 | 1:15:26 | |
Here I am in this great club, in this beautiful hotel | 1:15:26 | 1:15:32 | |
but I cannot stay in it. | 1:15:32 | 1:15:36 | |
I have to sleep in a motel out of town. | 1:15:36 | 1:15:40 | |
She's finished. She won't work again. | 1:15:40 | 1:15:44 | |
Anyway, people tell me all the time | 1:15:44 | 1:15:49 | |
that I am a star. | 1:15:49 | 1:15:52 | |
What do you think? What kind of a star can I be? | 1:15:52 | 1:15:58 | |
SHE SHOUTS IN SPANISH | 1:16:28 | 1:16:30 | |
BAND WARMS UP | 1:16:39 | 1:16:42 | |
MAN/WOMEN EXCHANGE: | 1:17:19 | 1:17:24 | |
What are you doing?! Are you asleep or something? | 1:18:06 | 1:18:08 | |
Chico! | 1:18:08 | 1:18:09 | |
Moron! | 1:18:09 | 1:18:12 | |
FOOTSTEPS | 1:18:35 | 1:18:39 | |
SHE SINGS | 1:20:22 | 1:20:26 | |
SINGING CONTINUES AND INTENSIFIES | 1:25:10 | 1:25:15 |
