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| Line | From | To | |
|---|---|---|---|
This film contains prolonged violent scenes and very strong language. | 0:00:02 | 0:00:10 | |
There's 100,000 streets in this city. | 0:00:33 | 0:00:35 | |
You don't need to know the route. | 0:00:36 | 0:00:39 | |
You give me a time and a place, | 0:00:39 | 0:00:41 | |
I give you a five-minute window. | 0:00:41 | 0:00:44 | |
Anything happens in that five minutes and I'm yours. | 0:00:44 | 0:00:48 | |
No matter what. | 0:00:48 | 0:00:49 | |
Anything happens a minute either side of that | 0:00:49 | 0:00:52 | |
and you're on your own. | 0:00:52 | 0:00:54 | |
Do you understand? | 0:00:54 | 0:00:56 | |
Good. | 0:01:00 | 0:01:01 | |
And you won't be able to reach me on this phone again. | 0:01:04 | 0:01:07 | |
Hey, there you are! | 0:01:38 | 0:01:40 | |
She's down there. | 0:01:40 | 0:01:42 | |
Plain Jane Boring, just like you asked for, | 0:01:42 | 0:01:44 | |
but I dropped in 300 horses on the inside, | 0:01:44 | 0:01:46 | |
she is going to fly. | 0:01:46 | 0:01:48 | |
You look like a zombie, kid. | 0:01:49 | 0:01:51 | |
You getting any sleep? | 0:01:51 | 0:01:52 | |
Can I offer you some Benzedrine, Dexedrine, caffeine, nicotine? | 0:01:52 | 0:01:57 | |
Oh, you don't smoke. That's right. | 0:01:57 | 0:01:59 | |
Better off. | 0:01:59 | 0:02:00 | |
There she is! | 0:02:01 | 0:02:03 | |
Chevy Impala, the most popular car in the State of California. | 0:02:04 | 0:02:08 | |
No-one will be looking at you. | 0:02:09 | 0:02:11 | |
SIREN WAILING | 0:02:15 | 0:02:17 | |
BASKETBALL COMMENTARY ON RADIO | 0:02:26 | 0:02:28 | |
GUNSHOT | 0:03:06 | 0:03:08 | |
ALARM SOUNDING | 0:03:09 | 0:03:11 | |
BEEPS | 0:03:13 | 0:03:14 | |
STATIC | 0:03:14 | 0:03:15 | |
'..Robert-Victor-3. | 0:03:16 | 0:03:18 | |
'Licence 5-1-4-Robert-Victor-3...' | 0:03:18 | 0:03:21 | |
DISPATCH CONTINUES | 0:03:21 | 0:03:23 | |
TURNS UP COMMENTARY VOLUME | 0:03:23 | 0:03:25 | |
'Code 30 ringer located at 421 South Alameda. | 0:03:33 | 0:03:37 | |
'Reports of shots fired at Code 30.' | 0:03:39 | 0:03:41 | |
Come on. | 0:03:54 | 0:03:55 | |
Where the fuck is he? Come on. DISTANT SIREN WAILING | 0:03:56 | 0:04:01 | |
'Unit 5, what's your 20? | 0:04:01 | 0:04:03 | |
'We are approximately two minutes from that location.' | 0:04:03 | 0:04:06 | |
Come on, man. Where the hell are you? | 0:04:13 | 0:04:16 | |
Come on! | 0:04:19 | 0:04:20 | |
Come on! | 0:04:22 | 0:04:24 | |
Come on! Get in! Get in! Get in! | 0:04:25 | 0:04:27 | |
Come on, man. | 0:04:27 | 0:04:28 | |
Go, go, go, go, go! | 0:04:28 | 0:04:29 | |
'All units be advised. | 0:04:32 | 0:04:34 | |
'Possible vehicle in question - | 0:04:34 | 0:04:35 | |
'late model silver Impala.' | 0:04:35 | 0:04:37 | |
'1-Adam-3, South Bay at Seventh, clear. | 0:05:04 | 0:05:07 | |
'Roger, 1-Adam-3. | 0:05:09 | 0:05:12 | |
'Requesting air unit support.' | 0:05:12 | 0:05:15 | |
'Unit five to Dispatch, heading eastbound on Sixth. | 0:05:27 | 0:05:30 | |
'Copy that, Unit 5. | 0:05:30 | 0:05:32 | |
HELICOPTER HOVERING | 0:05:40 | 0:05:42 | |
'Base to Air 3. Any sign of that silver Impala? | 0:05:44 | 0:05:48 | |
'Air 3 to Base. Negative. | 0:05:48 | 0:05:50 | |
'Got a visual heading west on Seventh Street bridge.' | 0:05:57 | 0:06:00 | |
ENGINE REVS | 0:06:00 | 0:06:01 | |
'Copy, Air 3. All units, be advised...' | 0:06:03 | 0:06:05 | |
TYRES SCREECH | 0:06:11 | 0:06:13 | |
'Base, Air 3 here. We've lost visual on suspect.' | 0:06:30 | 0:06:32 | |
HELICOPTER PASSES OVERHEAD | 0:06:32 | 0:06:34 | |
'Base to Air 3. Possible gang shooting in progress. | 0:06:43 | 0:06:46 | |
-'Proceed immediately to Washington and La Brea.' -SIRENS WAIL | 0:06:46 | 0:06:50 | |
'Roger, Dispatch. I'm out.' | 0:06:50 | 0:06:51 | |
RADIO STATIC | 0:06:59 | 0:07:00 | |
'All westbound units, be advised. | 0:07:06 | 0:07:08 | |
'Suspect last seen near Seventh Street and Santa Fe.' | 0:07:08 | 0:07:11 | |
TURNS UP BASKETBALL COMMENTARY | 0:07:26 | 0:07:28 | |
'Dispatch, This is 1-Adam-6. | 0:07:38 | 0:07:40 | |
'Possible suspect vehicle sighted at stoplight. | 0:07:40 | 0:07:43 | |
'Stand by. | 0:07:43 | 0:07:44 | |
'Roger, Unit 6. | 0:07:45 | 0:07:46 | |
SIREN WAILS | 0:07:54 | 0:07:57 | |
TYRES SCREECH | 0:07:57 | 0:07:58 | |
COMMENTATOR: Time winding down. Four...three...two...one. | 0:08:19 | 0:08:24 | |
The Los Angeles Clippers win the ball game! | 0:08:24 | 0:08:28 | |
BRAKES SCREECH | 0:08:36 | 0:08:38 | |
CROWD CHEERING | 0:08:38 | 0:08:41 | |
SIRENS WAIL | 0:08:48 | 0:08:50 | |
MUSIC: "Nightcall" by Kavinsky | 0:09:06 | 0:09:08 | |
# I'm giving you a night call | 0:09:26 | 0:09:29 | |
# To tell you how I feel | 0:09:29 | 0:09:32 | |
# I want to drive you through the night | 0:09:36 | 0:09:40 | |
# Down the hills | 0:09:40 | 0:09:43 | |
# I'm gonna tell you something | 0:09:46 | 0:09:49 | |
# You don't want to hear | 0:09:49 | 0:09:53 | |
# I'm gonna show you where it's dark | 0:09:56 | 0:10:00 | |
# But have no fear | 0:10:00 | 0:10:03 | |
# There's something inside you | 0:10:08 | 0:10:11 | |
# It's hard to explain | 0:10:13 | 0:10:16 | |
# They're talking about you, boy | 0:10:18 | 0:10:22 | |
# But you're still the same | 0:10:23 | 0:10:26 | |
# There's something inside you | 0:10:28 | 0:10:31 | |
# It's hard to explain | 0:10:33 | 0:10:36 | |
# They're talking about you, boy | 0:10:38 | 0:10:43 | |
# But you're still the same | 0:10:43 | 0:10:46 | |
# There's something inside you | 0:10:48 | 0:10:53 | |
# It's hard to explain | 0:10:53 | 0:10:59 | |
# They're talking about you, boy | 0:10:59 | 0:11:04 | |
-# But you're still the same. -# | 0:11:04 | 0:11:07 | |
-What floor? -Fourth. Thanks. | 0:11:53 | 0:11:54 | |
Hey, kid, you know what? | 0:12:37 | 0:12:40 | |
Director wants to see a roll over. Are you OK with that? | 0:12:44 | 0:12:47 | |
Remember, if you don't feel good, just abort the shot. | 0:12:47 | 0:12:49 | |
There's no shame in that, all right? | 0:12:49 | 0:12:51 | |
I mean, you're... You're doubling for the star. | 0:12:51 | 0:12:53 | |
You're not like a day player or anything. | 0:12:53 | 0:12:56 | |
And I got you 500 more, huh. | 0:12:56 | 0:12:58 | |
Of course, we split that. | 0:12:58 | 0:13:00 | |
You OK? Ready to go? | 0:13:00 | 0:13:02 | |
All right. Counting on you! | 0:13:02 | 0:13:04 | |
Excuse me, pal. I just need a minute here. | 0:13:18 | 0:13:20 | |
Before I put you on camera, I need you to sign this contract. | 0:13:20 | 0:13:23 | |
It just basically releases liability to the company | 0:13:23 | 0:13:25 | |
in case you die, get maimed, or seriously injured. | 0:13:25 | 0:13:29 | |
And action! | 0:13:29 | 0:13:31 | |
All right, that's a cut! | 0:13:38 | 0:13:40 | |
Oh, kid! That was fantastic! | 0:13:40 | 0:13:42 | |
Just fantastic. | 0:13:42 | 0:13:43 | |
OK. How you doing? You all right? | 0:13:43 | 0:13:46 | |
You were good. You were good. That was perfect. | 0:13:46 | 0:13:48 | |
-You're a monkey. -No, you're the monkey. | 0:14:42 | 0:14:44 | |
-You're the monkey. -You're the monkey. | 0:14:44 | 0:14:45 | |
No, you're the monkey. | 0:14:45 | 0:14:46 | |
Hey, tell me one thing. | 0:14:46 | 0:14:48 | |
-I love you. -I love you. | 0:14:48 | 0:14:50 | |
CAR ENGINE HISSES | 0:15:21 | 0:15:22 | |
Ah! | 0:15:35 | 0:15:36 | |
-Where should I put this? -In the kitchen. | 0:15:43 | 0:15:45 | |
Thank you. | 0:15:45 | 0:15:46 | |
Just be a second. | 0:15:48 | 0:15:50 | |
Scary. | 0:16:00 | 0:16:01 | |
BOY LAUGHS | 0:16:01 | 0:16:03 | |
Hey, you want a toothpick? | 0:16:05 | 0:16:07 | |
You want a glass of water? | 0:16:13 | 0:16:15 | |
OK. | 0:16:15 | 0:16:16 | |
Thanks. | 0:16:27 | 0:16:28 | |
So, you just moved to LA? | 0:16:32 | 0:16:34 | |
No, I've been here for a while. | 0:16:35 | 0:16:38 | |
You're just new here? | 0:16:38 | 0:16:40 | |
Mmm-hmm. | 0:16:40 | 0:16:41 | |
That's Benicio's father. | 0:16:47 | 0:16:48 | |
Where is he? | 0:16:50 | 0:16:52 | |
He's in prison. | 0:16:52 | 0:16:54 | |
Oh. | 0:16:56 | 0:16:57 | |
What do you do? | 0:16:57 | 0:16:59 | |
I drive. | 0:17:01 | 0:17:02 | |
Like a limo driver? | 0:17:04 | 0:17:07 | |
No, like, for movies. | 0:17:07 | 0:17:09 | |
Oh. | 0:17:09 | 0:17:10 | |
You mean, all the car chases and stuff? | 0:17:11 | 0:17:14 | |
Yeah. | 0:17:14 | 0:17:15 | |
Is that dangerous? | 0:17:16 | 0:17:18 | |
It's only part-time. | 0:17:27 | 0:17:29 | |
Mostly I work at a garage. | 0:17:30 | 0:17:32 | |
Where? | 0:17:32 | 0:17:33 | |
Reseda Boulevard. | 0:17:33 | 0:17:35 | |
I gotta go. | 0:17:43 | 0:17:44 | |
OK. | 0:17:46 | 0:17:47 | |
Thanks for the water. | 0:17:50 | 0:17:51 | |
-Say bye. -Bye. | 0:17:51 | 0:17:53 | |
Mr Rose, your food, sir. | 0:18:30 | 0:18:31 | |
OK. | 0:18:31 | 0:18:32 | |
Chicken chow mein and some Peking duck. | 0:18:32 | 0:18:35 | |
OK. Where are the chopsticks? | 0:18:35 | 0:18:38 | |
Oh, you know, the guy just... | 0:18:38 | 0:18:40 | |
Go get them. Go get them. | 0:18:40 | 0:18:42 | |
I don't want that. I don't want that. You eat it. | 0:18:42 | 0:18:45 | |
Chopsticks and a fortune cookie. | 0:18:45 | 0:18:47 | |
Put out the fucking cigarette. I'm eating. | 0:18:47 | 0:18:49 | |
-Sorry. -What's the matter with you? | 0:18:49 | 0:18:53 | |
I'm just... What happened to all the ashtrays in this town? | 0:18:53 | 0:18:56 | |
You run a perfectly good business. | 0:18:57 | 0:18:58 | |
I don't know why you want to change now. | 0:18:58 | 0:19:01 | |
You know how much my business made last year? | 0:19:01 | 0:19:04 | |
Thirty grand. | 0:19:04 | 0:19:05 | |
I can build a car in six months | 0:19:05 | 0:19:07 | |
and in six seconds, these jerks write it off as a stunt | 0:19:07 | 0:19:10 | |
that won't even make it into the movie. | 0:19:10 | 0:19:11 | |
Mmm-hmm. | 0:19:11 | 0:19:12 | |
See, all I need is a hard-used stock car. | 0:19:12 | 0:19:16 | |
That's all. | 0:19:16 | 0:19:17 | |
I figure we start off with the small-town circuit and we work our way up. | 0:19:17 | 0:19:21 | |
And once we get to the show, we're talking millions. | 0:19:21 | 0:19:24 | |
-I have the chopsticks, sir. -Yeah. | 0:19:24 | 0:19:25 | |
Where's the cookies? | 0:19:25 | 0:19:26 | |
-Uh... -Forget it. Forget it. | 0:19:26 | 0:19:29 | |
So, you still haven't given me a number. | 0:19:30 | 0:19:32 | |
All right. | 0:19:32 | 0:19:33 | |
430,000. | 0:19:34 | 0:19:36 | |
Oh...! | 0:19:36 | 0:19:37 | |
Mr Rose, I wouldn't come to you with this | 0:19:37 | 0:19:39 | |
unless I was absolutely sure about it. | 0:19:39 | 0:19:42 | |
How can you be sure, Shannon? | 0:19:42 | 0:19:44 | |
What do you got that the big professional race teams don't? | 0:19:44 | 0:19:47 | |
I got the driver. | 0:19:49 | 0:19:51 | |
You just told me they had half a dozen drivers. | 0:19:51 | 0:19:53 | |
Not like this one. | 0:19:53 | 0:19:55 | |
This kid is special. | 0:19:55 | 0:19:57 | |
I've been working with him for a while. | 0:19:57 | 0:19:58 | |
I've never seen anything like it. | 0:19:58 | 0:20:00 | |
If I had the money, I'd back him myself. | 0:20:00 | 0:20:02 | |
Yeah, but you don't have the money. | 0:20:02 | 0:20:04 | |
Mr Rose, you put this kid behind the wheel, | 0:20:05 | 0:20:09 | |
there's nothing he can't do. | 0:20:09 | 0:20:11 | |
There's money here. You can't lose. | 0:20:11 | 0:20:15 | |
Fuck you eating chink food in my fucking restaurant?! | 0:20:15 | 0:20:17 | |
What's a Jew doing running a pizzeria? | 0:20:17 | 0:20:20 | |
You remember Shannon. | 0:20:20 | 0:20:22 | |
Take a fucking hike. I want to talk to my partner. | 0:20:25 | 0:20:28 | |
I'm just fucking with you. | 0:20:30 | 0:20:33 | |
How you doing, Shannon? How's the fucking leg? | 0:20:33 | 0:20:36 | |
I paid my debt. | 0:20:36 | 0:20:37 | |
I'll think about it. OK? | 0:20:39 | 0:20:42 | |
But I want to meet the kid first. | 0:20:42 | 0:20:44 | |
That's all I ask. | 0:20:44 | 0:20:46 | |
TYRES SCREECH | 0:20:53 | 0:20:54 | |
Come on, I want you to meet somebody. | 0:20:58 | 0:21:00 | |
And whatever you do like about the car, don't say anything. | 0:21:00 | 0:21:02 | |
I want to drive the price down a little bit. | 0:21:02 | 0:21:05 | |
Kid, I want you to meet Mr Bernie Rose. | 0:21:05 | 0:21:08 | |
Nice to meet you. | 0:21:08 | 0:21:10 | |
My hands are a little dirty. | 0:21:15 | 0:21:16 | |
So are mine. | 0:21:17 | 0:21:19 | |
Good driving out there. | 0:21:23 | 0:21:26 | |
Thanks. | 0:21:26 | 0:21:27 | |
He's a good kid. | 0:21:29 | 0:21:30 | |
So, what do you think? Do we get the 400? | 0:21:30 | 0:21:33 | |
I'll give you 300 for 70%. | 0:21:34 | 0:21:37 | |
Done. | 0:21:40 | 0:21:41 | |
Right. Good. | 0:21:43 | 0:21:44 | |
You won't be sorry. | 0:21:44 | 0:21:46 | |
-I'm Shannon. -Hi. Irene. | 0:21:53 | 0:21:54 | |
Irene. How can I help you? | 0:21:54 | 0:21:56 | |
It just broke down. | 0:21:56 | 0:21:57 | |
-Just broke down. Just like that. -Mmm-hmm. | 0:21:57 | 0:21:59 | |
-You want me to take a look at it? -Yes, please. | 0:21:59 | 0:22:00 | |
All right. Uh... | 0:22:00 | 0:22:02 | |
We got all our bays full. | 0:22:02 | 0:22:04 | |
Hey, pal, just drop it down here. | 0:22:04 | 0:22:05 | |
We'll push it in, all right? | 0:22:05 | 0:22:07 | |
We want to push her into number three. | 0:22:07 | 0:22:10 | |
-The car, not you. -Oh, good! | 0:22:10 | 0:22:12 | |
-Hi. -Hi. | 0:22:12 | 0:22:13 | |
You two know each other? | 0:22:15 | 0:22:17 | |
Don't. | 0:22:17 | 0:22:18 | |
Oh. Look at that. | 0:22:18 | 0:22:19 | |
We're neighbours. | 0:22:19 | 0:22:20 | |
-Neighbours? Very good. -Mmm-hmm. | 0:22:20 | 0:22:22 | |
Well, we'll try to be neighbourly too. | 0:22:22 | 0:22:23 | |
You blinked. | 0:22:43 | 0:22:45 | |
What? | 0:22:45 | 0:22:46 | |
Can I call a cab from here? | 0:22:47 | 0:22:48 | |
Yeah. Sure. What am I talking about? | 0:22:48 | 0:22:52 | |
You and the kid are neighbours, right? | 0:22:53 | 0:22:55 | |
-He can take you home. -Oh, no. | 0:22:55 | 0:22:56 | |
-I'd feel bad. -No, no. | 0:22:56 | 0:22:58 | |
Don't even think twice about it. | 0:22:58 | 0:22:59 | |
He'd be happy to do it. He's a good guy. | 0:22:59 | 0:23:02 | |
You know, he walked into my shop here about five or six years ago. | 0:23:03 | 0:23:06 | |
Right out of the blue. | 0:23:07 | 0:23:09 | |
Asking for a job. | 0:23:09 | 0:23:10 | |
So I put him to the test to see what he could do. | 0:23:10 | 0:23:14 | |
-The kid's amazing. -Yeah. | 0:23:14 | 0:23:16 | |
So, I hire him on the spot. Boom. | 0:23:16 | 0:23:18 | |
At about half the wages I normally pay. | 0:23:18 | 0:23:21 | |
He didn't blink an eye. | 0:23:21 | 0:23:22 | |
Hey, kid, come over here for a second, will you? | 0:23:23 | 0:23:26 | |
And I have been exploiting him ever since. | 0:23:26 | 0:23:29 | |
Shh. Don't tell him. | 0:23:31 | 0:23:33 | |
Looks like we have a bigger problem than I thought. | 0:23:34 | 0:23:36 | |
And we're going to have to keep the car here for a few days. | 0:23:36 | 0:23:39 | |
So I offered your services to take Benicio and Irene home. | 0:23:39 | 0:23:43 | |
That be OK? | 0:23:43 | 0:23:45 | |
-Yeah, sure. -Yeah. | 0:23:47 | 0:23:48 | |
I don't have wheels on my car. | 0:23:51 | 0:23:54 | |
OK. | 0:23:54 | 0:23:56 | |
It's one thing you should know about me. | 0:23:56 | 0:23:57 | |
Well, put the tyres on. | 0:23:57 | 0:23:59 | |
-You got five minutes? -Yeah. | 0:23:59 | 0:24:00 | |
Hey, do you want to see something? | 0:24:23 | 0:24:24 | |
Yeah. | 0:24:28 | 0:24:29 | |
OK. | 0:24:32 | 0:24:34 | |
# Back against the wall and odds | 0:24:37 | 0:24:41 | |
# With the strength of a will and a cause | 0:24:41 | 0:24:44 | |
# Your pursuits are called outstanding | 0:24:44 | 0:24:48 | |
# You're emotionally complex | 0:24:48 | 0:24:52 | |
# Against the grain of dystopic claims | 0:24:53 | 0:24:57 | |
# On the thoughts your actions entertained | 0:24:57 | 0:25:01 | |
# And you have proved to be | 0:25:01 | 0:25:06 | |
# A real human being | 0:25:07 | 0:25:12 | |
# And a real hero | 0:25:12 | 0:25:16 | |
# Real human being | 0:25:16 | 0:25:20 | |
# And a real hero | 0:25:20 | 0:25:24 | |
# Real human being | 0:25:24 | 0:25:27 | |
# A pilot on a cold, cold morn | 0:25:35 | 0:25:39 | |
# 155 people on board | 0:25:39 | 0:25:42 | |
# All safe and all rescued | 0:25:42 | 0:25:46 | |
# From the slowly sinking ship | 0:25:46 | 0:25:50 | |
# Water warmer than his head so cool | 0:25:50 | 0:25:55 | |
# In that tight bind knew what to do | 0:25:55 | 0:25:58 | |
# And you have proved to be | 0:25:58 | 0:26:04 | |
# A real human being | 0:26:05 | 0:26:08 | |
# Real human being. # | 0:26:13 | 0:26:17 | |
That was good. | 0:26:24 | 0:26:26 | |
He had a good time. | 0:26:26 | 0:26:28 | |
Me, too. | 0:26:36 | 0:26:37 | |
Sorry if I put you on the spot showing up like that. | 0:26:44 | 0:26:47 | |
It's OK. | 0:26:47 | 0:26:48 | |
I'm not doing anything this weekend. | 0:27:11 | 0:27:14 | |
If you want a ride or something. | 0:27:18 | 0:27:20 | |
BENICIO LAUGHS | 0:27:58 | 0:27:59 | |
Don't worry about her bumps and bruises, that's just fibreglass. | 0:28:51 | 0:28:53 | |
That's easily replaceable. | 0:28:53 | 0:28:55 | |
Put a coat of paint on there, some sponsor decals. | 0:28:55 | 0:28:58 | |
Look at the tread on the tyre's still good, huh? | 0:28:58 | 0:29:00 | |
We're in business. | 0:29:00 | 0:29:02 | |
We paid 300 fucking grand for this piece of shit? | 0:29:02 | 0:29:05 | |
I paid for it. Out of my own pocket. | 0:29:05 | 0:29:08 | |
This is just the shell. | 0:29:08 | 0:29:10 | |
It's the inside that counts, not the outside. | 0:29:10 | 0:29:12 | |
-Right, Shannon? -You are correct, sir. | 0:29:12 | 0:29:14 | |
Fuck that shit. I pay 300 for something, | 0:29:14 | 0:29:15 | |
I want everybody to fucking see it. | 0:29:15 | 0:29:17 | |
Of course you do. | 0:29:17 | 0:29:19 | |
Now, this. | 0:29:19 | 0:29:21 | |
That is one motherfucking fine-ass pussy mobile, motherfucker. | 0:29:21 | 0:29:25 | |
Damn! | 0:29:25 | 0:29:27 | |
Shannon, sell him the car. | 0:29:27 | 0:29:29 | |
(He wouldn't be able to find pussy in a whorehouse.) | 0:29:29 | 0:29:32 | |
You know what? This car will even make you good-looking. | 0:29:32 | 0:29:36 | |
I'm already good-looking, pal. | 0:29:36 | 0:29:38 | |
How's it going? | 0:29:38 | 0:29:39 | |
When's our first race? | 0:29:42 | 0:29:44 | |
Uh, pretty soon. | 0:29:45 | 0:29:47 | |
You gonna be ready? | 0:29:48 | 0:29:50 | |
I hope so. | 0:29:51 | 0:29:53 | |
"I hope so." | 0:29:53 | 0:29:55 | |
Hey, no false modesty. I got a lot of money in this. | 0:29:55 | 0:29:58 | |
Did Shannon ever tell you how we met? | 0:30:00 | 0:30:02 | |
No. | 0:30:04 | 0:30:05 | |
I used to produce movies. | 0:30:05 | 0:30:07 | |
In the '80s. | 0:30:07 | 0:30:08 | |
Kind of like action films. Sexy stuff. | 0:30:08 | 0:30:11 | |
One critic called them European. | 0:30:11 | 0:30:13 | |
I thought they were shit. | 0:30:13 | 0:30:15 | |
Anyway, he arranged all the cars for me. Did all the stunts. | 0:30:15 | 0:30:19 | |
I liked him. I liked having him around. | 0:30:19 | 0:30:21 | |
Even though he overcharged the shit out of me. | 0:30:21 | 0:30:23 | |
His next business venture, | 0:30:25 | 0:30:27 | |
he got involved with some of Nino's friends. | 0:30:27 | 0:30:29 | |
They didn't go for the overcharging bit. | 0:30:29 | 0:30:32 | |
They broke his pelvis. | 0:30:32 | 0:30:34 | |
He's never had a lot of luck. | 0:30:34 | 0:30:35 | |
The reason I'm telling you this | 0:30:38 | 0:30:39 | |
is that he has a lot invested in you. | 0:30:39 | 0:30:42 | |
And so do I. | 0:30:42 | 0:30:44 | |
So anything you need, you call me. | 0:30:44 | 0:30:47 | |
We're a team now. | 0:30:47 | 0:30:48 | |
I'm excited. | 0:30:50 | 0:30:53 | |
Nino, let's get the fuck out of here! | 0:30:53 | 0:30:55 | |
TELEVISION IS ON | 0:31:08 | 0:31:09 | |
Is he a bad guy? | 0:31:10 | 0:31:11 | |
Yeah. | 0:31:11 | 0:31:13 | |
How can you tell? | 0:31:13 | 0:31:15 | |
Because he's a shark. | 0:31:15 | 0:31:18 | |
There's no good sharks? | 0:31:19 | 0:31:21 | |
No. I mean, just look at him. KNOCK ON DOOR | 0:31:21 | 0:31:24 | |
Does he look like a good guy to you? | 0:31:24 | 0:31:26 | |
Hi. How are you? | 0:31:28 | 0:31:30 | |
-Good. How are you? -Good. | 0:31:30 | 0:31:31 | |
This is Cindy. | 0:31:36 | 0:31:37 | |
Hi. | 0:31:39 | 0:31:40 | |
PHONE RINGS | 0:31:44 | 0:31:45 | |
That was my husband's lawyer. | 0:32:17 | 0:32:20 | |
He's coming home in a week. | 0:32:20 | 0:32:22 | |
MUFFLED MUSIC PLAYS | 0:33:04 | 0:33:05 | |
# ..I do nothing but think of you | 0:33:27 | 0:33:30 | |
-# You keep me under your spell... -# | 0:33:32 | 0:33:39 | |
We're here celebrating, but it's a shameful thing...what I did. | 0:33:43 | 0:33:48 | |
And I have a lot of making up to do to everyone. | 0:33:50 | 0:33:54 | |
But second chances are rare. | 0:34:00 | 0:34:02 | |
Right? | 0:34:03 | 0:34:04 | |
And that's worth celebrating. Right? | 0:34:05 | 0:34:07 | |
So I want to make a toast to that lady right there. | 0:34:09 | 0:34:13 | |
Thanks for staying. I love you, Renie. | 0:34:15 | 0:34:18 | |
Salud. | 0:34:19 | 0:34:21 | |
# I don't sleep | 0:34:22 | 0:34:24 | |
# I do nothing but think of you | 0:34:24 | 0:34:28 | |
# I don't eat | 0:34:29 | 0:34:31 | |
# I don't sleep | 0:34:31 | 0:34:32 | |
# I do nothing but think of you | 0:34:32 | 0:34:36 | |
# You keep me under your spell | 0:34:37 | 0:34:44 | |
# You keep me under your spell | 0:34:46 | 0:34:51 | |
# You keep me under your spell... # | 0:34:51 | 0:34:53 | |
MUFFLED MUSIC CONTINUES | 0:35:15 | 0:35:17 | |
DOOR CLOSES | 0:35:26 | 0:35:27 | |
Hey. | 0:35:31 | 0:35:32 | |
Hi. | 0:35:34 | 0:35:35 | |
Sorry about the noise. | 0:35:43 | 0:35:44 | |
I was going to call the cops. | 0:35:48 | 0:35:50 | |
I wish you would. | 0:35:52 | 0:35:54 | |
You're getting heavier! | 0:35:57 | 0:35:58 | |
-Hey. -Hey. | 0:36:00 | 0:36:01 | |
Hey. | 0:36:04 | 0:36:06 | |
How you doing? | 0:36:07 | 0:36:09 | |
-Hi. -This guy's been telling me a lot about you. | 0:36:09 | 0:36:12 | |
Says you been coming around, helping out a lot. | 0:36:13 | 0:36:17 | |
Yeah? Helping out? | 0:36:17 | 0:36:18 | |
Is that right? | 0:36:18 | 0:36:19 | |
-Is that right? -Mmm-hmm. | 0:36:21 | 0:36:23 | |
Oh. | 0:36:24 | 0:36:25 | |
That's very nice. That's nice of you. Thank you. | 0:36:25 | 0:36:29 | |
You're welcome. | 0:36:29 | 0:36:30 | |
You drive for the movies? | 0:36:33 | 0:36:35 | |
Yeah. | 0:36:36 | 0:36:37 | |
-I can take that. -No, no, no. I got it. | 0:36:39 | 0:36:41 | |
Let Mommy talk to her friend. | 0:36:44 | 0:36:46 | |
Come on. | 0:36:47 | 0:36:49 | |
Have a good night. | 0:37:07 | 0:37:09 | |
You're Shannon's buddy, right? | 0:37:44 | 0:37:46 | |
We met last year. | 0:37:48 | 0:37:50 | |
You drove me and my brother back from Palm Springs. | 0:37:51 | 0:37:55 | |
We hired another wheelman. | 0:37:58 | 0:38:00 | |
I spent six months in jail. | 0:38:00 | 0:38:01 | |
My brother, he got himself killed. | 0:38:01 | 0:38:03 | |
I got this sweet job coming up. | 0:38:07 | 0:38:09 | |
How about this? | 0:38:09 | 0:38:11 | |
You shut your mouth. | 0:38:11 | 0:38:13 | |
Or I'll kick your teeth down your throat and I'll shut it for you. | 0:38:13 | 0:38:16 | |
Nice seeing you again. | 0:38:23 | 0:38:25 | |
Come on, it's OK. | 0:39:38 | 0:39:41 | |
Come here. Don't be scared. | 0:39:41 | 0:39:44 | |
Don't tell Mommy, OK? | 0:39:48 | 0:39:50 | |
OK? It's a secret between the boys. | 0:39:52 | 0:39:55 | |
Oh, fuck me. | 0:39:57 | 0:39:58 | |
TELEVISION IS ON | 0:40:28 | 0:40:30 | |
Who were they? | 0:40:56 | 0:40:57 | |
What the fuck are you going to do? | 0:40:57 | 0:40:59 | |
You're gonna go beat them up for me? | 0:40:59 | 0:41:02 | |
Huh, stunt guy? | 0:41:02 | 0:41:03 | |
Why the fuck do you want to know who they are? | 0:41:04 | 0:41:07 | |
Huh? | 0:41:08 | 0:41:09 | |
HE SIGHS | 0:41:13 | 0:41:14 | |
They're some guys that want me to do a job for them | 0:41:18 | 0:41:21 | |
and I'm not going to do it. | 0:41:21 | 0:41:22 | |
That's who they are. | 0:41:23 | 0:41:25 | |
What's the job? | 0:41:26 | 0:41:28 | |
-They want me to rob a pawnshop in the Valley. -Why? | 0:41:29 | 0:41:35 | |
Cos I owe them some protection money from when I was inside. | 0:41:35 | 0:41:38 | |
It's 2,000 bucks. | 0:41:38 | 0:41:39 | |
But as soon as I got out, oh, it's 5,000 bucks. | 0:41:40 | 0:41:43 | |
Oh, no, actually, It's 10,000. 20,000. | 0:41:43 | 0:41:46 | |
Tomorrow I don't know what the fuck It's going to be. | 0:41:46 | 0:41:49 | |
What are you going to do? | 0:41:51 | 0:41:53 | |
That's a really good question. | 0:41:53 | 0:41:55 | |
They said they were going to come after Benicio and Irene next. | 0:41:58 | 0:42:02 | |
You OK? | 0:42:23 | 0:42:24 | |
You want something to drink? | 0:42:25 | 0:42:28 | |
What is it you got there? | 0:42:31 | 0:42:33 | |
Can I see? | 0:42:35 | 0:42:36 | |
One of those men gave you that? | 0:42:50 | 0:42:52 | |
Mmm-hmm. | 0:42:52 | 0:42:53 | |
They told me not to lose it. | 0:42:53 | 0:42:55 | |
You want me to keep that for you? | 0:43:00 | 0:43:02 | |
OK. | 0:43:02 | 0:43:03 | |
How's Benice? | 0:43:28 | 0:43:30 | |
Good. | 0:43:30 | 0:43:31 | |
You just saying that? | 0:43:34 | 0:43:36 | |
No. | 0:43:36 | 0:43:37 | |
What do you mean? | 0:43:40 | 0:43:42 | |
I saw that Standard was in an accident. | 0:43:44 | 0:43:48 | |
Yeah. | 0:43:50 | 0:43:50 | |
What happened? | 0:43:54 | 0:43:56 | |
He got beat up. | 0:43:59 | 0:44:01 | |
Mmm-hmm. Why? | 0:44:02 | 0:44:05 | |
Just drunk kids. | 0:44:07 | 0:44:09 | |
You should come over. | 0:44:21 | 0:44:22 | |
You should come and see him. | 0:44:25 | 0:44:27 | |
You want to...you want to hear a story? | 0:44:34 | 0:44:36 | |
-Do you want to hear how Mommy and me met? -Yeah. | 0:44:36 | 0:44:39 | |
Yeah? OK. | 0:44:39 | 0:44:41 | |
We were at a party. And she was 19 years old. | 0:44:42 | 0:44:46 | |
-17. -You weren't 17. -I was. | 0:44:46 | 0:44:49 | |
-Wow. So it was illegal? -Yeah. | 0:44:49 | 0:44:51 | |
All right. So I illegally walked over to a 17-year-old girl. | 0:44:53 | 0:44:59 | |
And I walk up and I say, "Hello, miss. | 0:44:59 | 0:45:02 | |
"What is your name?" | 0:45:03 | 0:45:05 | |
And she didn't say anything. And then I said... | 0:45:05 | 0:45:08 | |
"Well, my name is Standard Gabriel." | 0:45:08 | 0:45:11 | |
Then what did you say? | 0:45:11 | 0:45:12 | |
I said... | 0:45:17 | 0:45:19 | |
"Where is the deluxe version?" STANDARD LAUGHS | 0:45:20 | 0:45:24 | |
She's good, man. | 0:45:28 | 0:45:30 | |
Sharp. | 0:45:30 | 0:45:31 | |
Oh, man. It killed me. | 0:45:31 | 0:45:34 | |
And then a year later, you popped out, man. | 0:45:37 | 0:45:39 | |
It was the best day of my life. | 0:45:45 | 0:45:48 | |
STARTS ENGINE | 0:46:21 | 0:46:22 | |
TYRES SCREECH | 0:46:24 | 0:46:26 | |
If I drive for you, you get your money. | 0:46:30 | 0:46:33 | |
You tell me where we start, where we're going, | 0:46:33 | 0:46:35 | |
where we're going afterwards. | 0:46:35 | 0:46:36 | |
I give you five minutes when we get there. | 0:46:36 | 0:46:38 | |
Anything happens in that five minutes and I'm yours. | 0:46:38 | 0:46:41 | |
No matter what. | 0:46:41 | 0:46:42 | |
Anything a minute either side of that and you're on your own. | 0:46:42 | 0:46:45 | |
I don't sit in while you're running it down. | 0:46:45 | 0:46:47 | |
I don't carry a gun. | 0:46:47 | 0:46:49 | |
I drive. | 0:46:49 | 0:46:50 | |
You look like you're hard to work with. | 0:46:51 | 0:46:53 | |
Not if we understand each other. | 0:46:54 | 0:46:57 | |
What's to understand? | 0:46:57 | 0:46:59 | |
I can't do this thing alone. | 0:46:59 | 0:47:01 | |
You got Blanche. | 0:47:01 | 0:47:02 | |
Come on, man. | 0:47:02 | 0:47:03 | |
She's beautiful. Look at her. | 0:47:05 | 0:47:07 | |
What the fuck you rolling your eyes at for? | 0:47:09 | 0:47:11 | |
You know what, get the fuck out of here. | 0:47:13 | 0:47:15 | |
Get up! | 0:47:15 | 0:47:16 | |
Standard, take her with you and go get her a fucking Coke! | 0:47:16 | 0:47:19 | |
OK, here's the deal. | 0:47:25 | 0:47:27 | |
This much for Blanche... | 0:47:29 | 0:47:31 | |
this much for that asshole, minus what he owes me... | 0:47:32 | 0:47:34 | |
and this much for you. | 0:47:36 | 0:47:38 | |
You still interested? | 0:47:42 | 0:47:44 | |
Good. Anything else? | 0:47:46 | 0:47:48 | |
When you get your money, his debt's paid. | 0:47:50 | 0:47:52 | |
He's out for good. | 0:47:53 | 0:47:55 | |
And you never go near his family again. | 0:47:55 | 0:47:57 | |
You understand? | 0:47:58 | 0:48:00 | |
I'm here with my family. | 0:48:04 | 0:48:05 | |
And my new friend. | 0:48:06 | 0:48:07 | |
And... | 0:48:08 | 0:48:09 | |
Toast to the future. | 0:48:11 | 0:48:12 | |
To our future. | 0:48:15 | 0:48:16 | |
Hey. | 0:48:35 | 0:48:36 | |
I'll see you in five minutes. | 0:48:40 | 0:48:42 | |
I'll see you in four. | 0:48:48 | 0:48:49 | |
WATCH TICKS | 0:49:37 | 0:49:40 | |
GUNSHOT, GLASS SHATTERS | 0:50:59 | 0:51:01 | |
GUNSHOTS CONTINUE | 0:51:11 | 0:51:12 | |
Shit! | 0:51:45 | 0:51:47 | |
My God! | 0:51:49 | 0:51:50 | |
HONKING | 0:52:01 | 0:52:02 | |
TELEVISION NEWS IN BACKGROUND | 0:53:02 | 0:53:04 | |
How much did Cook say we were going to get? | 0:53:17 | 0:53:19 | |
40 grand. | 0:53:23 | 0:53:24 | |
Stay here. | 0:53:32 | 0:53:33 | |
DIALS NUMBER ON PHONE | 0:53:40 | 0:53:41 | |
-WOMAN: -When was the last time you saw your husband? | 0:53:52 | 0:53:54 | |
Can you answer the question? | 0:53:57 | 0:53:59 | |
Ma'am? | 0:54:01 | 0:54:02 | |
PHONE RINGS | 0:54:02 | 0:54:04 | |
BENICIO: Hello? | 0:54:09 | 0:54:10 | |
Benicio? Is that you? | 0:54:10 | 0:54:12 | |
Yeah. | 0:54:12 | 0:54:13 | |
-Hey. -Hi. | 0:54:13 | 0:54:16 | |
Is your mother there? | 0:54:16 | 0:54:18 | |
Uh... She's sitting down talking to the police. | 0:54:18 | 0:54:22 | |
OK, just tell her I'm going to call her back, OK? | 0:54:23 | 0:54:26 | |
OK, bye. | 0:54:26 | 0:54:27 | |
In related news, an attempted robbery turned tragic today | 0:54:31 | 0:54:34 | |
when the owner of a local pawnshop opened fire on an intruder. | 0:54:34 | 0:54:37 | |
The armed robber was pronounced dead at the scene. | 0:54:37 | 0:54:39 | |
He has been identified as Standard Gabriel of Echo Park, Los Angeles. | 0:54:39 | 0:54:43 | |
Other details are unclear, but the owner of the pawnshop | 0:54:43 | 0:54:46 | |
told reporters that Gabriel acted alone | 0:54:46 | 0:54:48 | |
and that no money had been stolen. | 0:54:48 | 0:54:51 | |
In other news, four high school athletes were arrested... | 0:54:51 | 0:54:54 | |
If he saw you take the money... | 0:55:13 | 0:55:15 | |
and he saw you get in the car... | 0:55:16 | 0:55:18 | |
then why didn't he say anything? | 0:55:20 | 0:55:22 | |
I have no idea. | 0:55:24 | 0:55:25 | |
Did you have any idea there'd be a second car? | 0:55:37 | 0:55:39 | |
I already told you everything. | 0:55:44 | 0:55:46 | |
Now, you just got a little boy's father killed. | 0:55:52 | 0:55:54 | |
And you almost got us killed. | 0:55:55 | 0:55:57 | |
And now you're lying to me. | 0:55:58 | 0:55:59 | |
So, how about this? | 0:56:01 | 0:56:03 | |
From now on, every word out of your mouth is the truth. | 0:56:03 | 0:56:07 | |
SHE SOBS | 0:56:07 | 0:56:09 | |
Or I'm going to hurt you. | 0:56:09 | 0:56:11 | |
Do you understand? | 0:56:12 | 0:56:13 | |
Now what did Cook tell you? | 0:56:15 | 0:56:16 | |
He said there'd be another car to hold us up, | 0:56:18 | 0:56:21 | |
but he didn't say anything about all this money. | 0:56:21 | 0:56:23 | |
He didn't say anything about anyone getting killed. | 0:56:23 | 0:56:26 | |
You were going to rip us off? | 0:56:27 | 0:56:29 | |
What's his real name? | 0:56:35 | 0:56:38 | |
He says it's Chris, but I just call him Cook. | 0:56:38 | 0:56:40 | |
You're going to take me to him right now. | 0:56:44 | 0:56:48 | |
SHE WHIMPERS | 0:56:48 | 0:56:50 | |
Do you understand? | 0:56:50 | 0:56:52 | |
Yes. | 0:56:52 | 0:56:53 | |
PHONE VIBRATES | 0:57:26 | 0:57:28 | |
DOORKNOB RATTLES | 0:57:45 | 0:57:47 | |
BANGING | 0:58:10 | 0:58:12 | |
PHONE RINGS | 0:59:17 | 0:59:18 | |
CONTINUES RINGING | 0:59:29 | 0:59:31 | |
Easy. Easy. | 0:59:42 | 0:59:43 | |
What did you do with the cash? | 0:59:57 | 0:59:59 | |
Cos I could keep it safe for you... | 1:00:02 | 1:00:03 | |
Will you just stop it? | 1:00:03 | 1:00:05 | |
This guy Cook, does he have a real name? | 1:00:11 | 1:00:14 | |
Chris. | 1:00:15 | 1:00:16 | |
Maybe. | 1:00:17 | 1:00:19 | |
I'll ask Bernie. See if he knows him. | 1:00:21 | 1:00:23 | |
Jesus, I can't... | 1:00:26 | 1:00:27 | |
I can't stop thinking about what we could do with all that dough. | 1:00:27 | 1:00:30 | |
-Will you just stop? -All right. | 1:00:30 | 1:00:32 | |
A lot of guys mess around with married women, | 1:00:32 | 1:00:34 | |
but you're the only one I know who robs a joint | 1:00:34 | 1:00:36 | |
just to pay back the husband. | 1:00:36 | 1:00:39 | |
Crazy. | 1:00:39 | 1:00:41 | |
Don't worry about it. I'll take care of it. | 1:00:41 | 1:00:43 | |
Where's Cook? | 1:01:14 | 1:01:15 | |
He's in the dressing room. | 1:01:15 | 1:01:17 | |
Where's that? | 1:01:17 | 1:01:19 | |
It's over there. | 1:01:19 | 1:01:21 | |
HE SCREAMS | 1:01:34 | 1:01:36 | |
Whose money do I have? | 1:01:49 | 1:01:51 | |
Don't worry. They're going to come get it. | 1:01:53 | 1:01:54 | |
No! No! | 1:01:55 | 1:01:57 | |
Call them. | 1:01:57 | 1:01:59 | |
Somebody call Nino! | 1:01:59 | 1:02:00 | |
Do you remember this? | 1:02:12 | 1:02:13 | |
RINGING TONE | 1:02:32 | 1:02:34 | |
MAN: Hello. | 1:02:36 | 1:02:37 | |
Nino? | 1:02:38 | 1:02:40 | |
No, sorry, pal. Why don't you call back later? | 1:02:40 | 1:02:42 | |
We're closed. | 1:02:42 | 1:02:43 | |
I could, but I think Nino would be upset that you made him wait. | 1:02:43 | 1:02:47 | |
Can I ask what this is about? | 1:02:47 | 1:02:50 | |
I have something of his. | 1:02:50 | 1:02:52 | |
And that would be? | 1:02:52 | 1:02:54 | |
A million dollars. | 1:02:55 | 1:02:56 | |
Please hold. | 1:02:58 | 1:02:59 | |
You got something that fucking belongs to me? | 1:03:06 | 1:03:08 | |
It seems that way. | 1:03:13 | 1:03:15 | |
And you're calling me? Why? | 1:03:17 | 1:03:21 | |
You expect me to buy my own shit back from you? | 1:03:23 | 1:03:25 | |
I'm not selling it. | 1:03:25 | 1:03:28 | |
I'm going to give you a time and a place | 1:03:28 | 1:03:29 | |
and you're going to come and get it. | 1:03:29 | 1:03:31 | |
Do you understand? | 1:03:31 | 1:03:33 | |
And what do you get out of it? | 1:03:34 | 1:03:36 | |
Just that. | 1:03:37 | 1:03:38 | |
Out of it. | 1:03:39 | 1:03:41 | |
And your partners are happy with that? | 1:03:42 | 1:03:44 | |
I don't have any partners. | 1:03:46 | 1:03:47 | |
You discuss this with anybody else? | 1:03:48 | 1:03:52 | |
No, just you. | 1:03:53 | 1:03:55 | |
You're not very good at this, are you? | 1:03:56 | 1:03:58 | |
DIALLING TONE | 1:04:01 | 1:04:02 | |
Go check out who this fucking guy is. | 1:04:10 | 1:04:12 | |
KNOCK AT DOOR | 1:04:32 | 1:04:33 | |
Can I talk to you for a minute? | 1:04:49 | 1:04:51 | |
Can't talk. I have to go. | 1:04:52 | 1:04:54 | |
Can I just walk with you for a...? | 1:04:57 | 1:04:59 | |
Yeah. | 1:04:59 | 1:05:01 | |
I have to tell you something. | 1:05:20 | 1:05:21 | |
Standard was into some... | 1:05:27 | 1:05:31 | |
guys in prison for a lot of money. | 1:05:31 | 1:05:34 | |
And they were going to hurt you and Benicio if he didn't pay it. | 1:05:36 | 1:05:39 | |
He asked me for my help. | 1:05:43 | 1:05:44 | |
Everything went wrong. | 1:05:48 | 1:05:49 | |
I'm sorry. | 1:05:53 | 1:05:55 | |
I still got the money. | 1:05:59 | 1:06:01 | |
You can have it if you wanted to. | 1:06:05 | 1:06:07 | |
You could take Benicio... | 1:06:10 | 1:06:12 | |
I just thought you could get out of here if you wanted. | 1:06:23 | 1:06:26 | |
I could come with you. | 1:06:29 | 1:06:31 | |
I could look out for you. | 1:06:34 | 1:06:37 | |
LIFT DOOR OPENS | 1:06:37 | 1:06:39 | |
Sorry. Wrong floor. | 1:06:41 | 1:06:43 | |
They came to my apartment, Shannon. | 1:09:59 | 1:10:01 | |
How'd they know where I live? | 1:10:03 | 1:10:04 | |
I told you. I was going to call Bernie. | 1:10:06 | 1:10:08 | |
Ijust wanted him to know that... That it wasn't about... | 1:10:08 | 1:10:10 | |
That you're not interested in the money. | 1:10:10 | 1:10:12 | |
That you just did it for the girl. | 1:10:12 | 1:10:13 | |
GASPS No, no! | 1:10:16 | 1:10:18 | |
-I just... -Why did you have to fucking tell them about Irene? | 1:10:20 | 1:10:21 | |
Calm down! | 1:10:21 | 1:10:22 | |
You told them about Irene! | 1:10:22 | 1:10:24 | |
Calm down, kid. Just calm down. | 1:10:24 | 1:10:26 | |
I should fucking kill you! | 1:10:26 | 1:10:28 | |
You told them about Irene. | 1:10:28 | 1:10:30 | |
I just wanted him to know... | 1:10:30 | 1:10:31 | |
that as soon as you returned the money, that was the end of it. | 1:10:32 | 1:10:35 | |
That's all. I didn't know... | 1:10:35 | 1:10:36 | |
How was I supposed to know? | 1:10:36 | 1:10:38 | |
How was I supposed to know that? OK? | 1:10:38 | 1:10:40 | |
Look, let me just talk to Bernie, OK? | 1:10:40 | 1:10:43 | |
Why you got to fuck everything up, Shannon? | 1:10:44 | 1:10:46 | |
How was I supposed to know everything led to Nino? | 1:10:46 | 1:10:49 | |
They're gonna come looking for me. | 1:10:55 | 1:10:56 | |
And they're going to come for you. | 1:10:56 | 1:10:58 | |
Do you understand? | 1:10:58 | 1:11:00 | |
You got to get out of here. And you got to get out now. | 1:11:01 | 1:11:03 | |
-Listen to me. -Oh, God. | 1:11:04 | 1:11:06 | |
Listen to me, Shannon. | 1:11:06 | 1:11:07 | |
Listen. | 1:11:07 | 1:11:09 | |
You get out of here and you never fucking come back. | 1:11:09 | 1:11:11 | |
You never come back. | 1:11:13 | 1:11:14 | |
What are you going to do? | 1:11:20 | 1:11:22 | |
I already gave you my advice. | 1:11:38 | 1:11:40 | |
You should have taken the money and left the guy alone. | 1:11:41 | 1:11:44 | |
It's not that simple, Bernie. | 1:11:44 | 1:11:45 | |
No, of course not. Now that it's bounced up in your face. | 1:11:45 | 1:11:48 | |
Nino, I owe you this guy. | 1:11:48 | 1:11:49 | |
Just give me a little time and I'll get rid of him. | 1:11:49 | 1:11:51 | |
Shut the fuck up, | 1:11:51 | 1:11:53 | |
you fucking monkey. | 1:11:53 | 1:11:56 | |
The money belongs to some half-assed wise guy out of Philly. | 1:11:56 | 1:11:59 | |
Now, I got tipped off | 1:11:59 | 1:12:01 | |
he was stashing a million bucks in a pawnshop. | 1:12:01 | 1:12:03 | |
He was going to invest it here in LA. | 1:12:03 | 1:12:05 | |
He was going to set up a rival operation. | 1:12:05 | 1:12:07 | |
So you stole from the East Coast mob? | 1:12:07 | 1:12:09 | |
No. I stole from some jumped-up punk | 1:12:09 | 1:12:13 | |
who was trying to step on our action. | 1:12:13 | 1:12:14 | |
Yeah? Then why didn't you come to me | 1:12:14 | 1:12:16 | |
before you set up this dummy robbery? | 1:12:16 | 1:12:18 | |
Before you hire this piece of shit. | 1:12:20 | 1:12:22 | |
This is something off to the side, Bernie. | 1:12:22 | 1:12:23 | |
I didn't want to involve you in this. | 1:12:23 | 1:12:25 | |
Well, I'm involved now! | 1:12:25 | 1:12:27 | |
I'm going to tell you something. | 1:12:28 | 1:12:30 | |
Anybody... | 1:12:30 | 1:12:32 | |
Anybody finds out you stole from the family, | 1:12:32 | 1:12:36 | |
we're both dead. | 1:12:36 | 1:12:38 | |
What fucking family?! | 1:12:38 | 1:12:39 | |
The family who still calls me a fucking kike?! | 1:12:40 | 1:12:43 | |
To my face! | 1:12:44 | 1:12:46 | |
Yeah, I'm 59 years old, Bernie. | 1:12:47 | 1:12:49 | |
They still pinch my cheek like I'm some fucking kid. | 1:12:49 | 1:12:51 | |
Family. | 1:12:53 | 1:12:54 | |
The money always flows up, Izzy. | 1:12:54 | 1:12:57 | |
You know that. | 1:12:57 | 1:12:58 | |
NINO SIGHS | 1:12:58 | 1:13:00 | |
That's why this driver's gotta go, Bernie. | 1:13:00 | 1:13:02 | |
He's gotta go. | 1:13:04 | 1:13:05 | |
And your pal, Shannon. | 1:13:05 | 1:13:07 | |
These are the only two guys who can tie me to this robbery. | 1:13:07 | 1:13:09 | |
COOK SCREAMS | 1:13:29 | 1:13:31 | |
Now it's your turn to clean up after me. | 1:13:48 | 1:13:51 | |
All these priceless cars. | 1:14:52 | 1:14:54 | |
One would think you'd have better locks. | 1:14:54 | 1:14:56 | |
Why? | 1:14:58 | 1:14:59 | |
Door's always open to you. | 1:14:59 | 1:15:02 | |
Going somewhere? | 1:15:02 | 1:15:03 | |
Uh... | 1:15:05 | 1:15:07 | |
Thinking about it. | 1:15:09 | 1:15:10 | |
I'm looking for your driver. | 1:15:11 | 1:15:13 | |
You break in here, I figure it's bad news. | 1:15:15 | 1:15:18 | |
No, Shannon. It's bad luck. | 1:15:18 | 1:15:22 | |
2,000 heists a year in this city, | 1:15:22 | 1:15:25 | |
he has to pick the wrong one. | 1:15:25 | 1:15:27 | |
He tried to put it right. | 1:15:28 | 1:15:29 | |
Well, he picked the wrong guy for that, too. | 1:15:29 | 1:15:32 | |
My partner is a belligerent asshole with his back against the wall. | 1:15:32 | 1:15:36 | |
Right now, so am I. | 1:15:36 | 1:15:38 | |
If I don't set this straight, I'm in big trouble. | 1:15:39 | 1:15:42 | |
Any idea where he might be? | 1:15:45 | 1:15:47 | |
Mexico. | 1:15:50 | 1:15:52 | |
Or maybe it was Belize. | 1:15:52 | 1:15:54 | |
Really? | 1:15:57 | 1:15:59 | |
I was getting excited about this whole thing. | 1:16:05 | 1:16:08 | |
My name on a car! | 1:16:08 | 1:16:11 | |
I mean, look how beautiful. | 1:16:11 | 1:16:14 | |
I wanted to see my name on this thing. | 1:16:14 | 1:16:16 | |
I think we would have made a go at this business. | 1:16:18 | 1:16:21 | |
Don't worry. | 1:16:35 | 1:16:36 | |
Don't worry. That's it. | 1:16:36 | 1:16:38 | |
It's done. | 1:16:38 | 1:16:39 | |
There's no pain. It's over. It's over. | 1:16:40 | 1:16:42 | |
# Oh, my love | 1:18:31 | 1:18:35 | |
# Look and see | 1:18:35 | 1:18:40 | |
# The sun rising from the river | 1:18:41 | 1:18:48 | |
# Nature's miracle once more | 1:18:52 | 1:18:56 | |
# Will light the world | 1:18:58 | 1:19:02 | |
# But this light | 1:19:04 | 1:19:07 | |
# Is not for those men | 1:19:07 | 1:19:12 | |
# Still lost in | 1:19:12 | 1:19:16 | |
# An old black shadow | 1:19:16 | 1:19:19 | |
# Won't you help me to believe | 1:19:22 | 1:19:28 | |
# That they will see | 1:19:28 | 1:19:32 | |
# A day | 1:19:34 | 1:19:37 | |
# A brighter day | 1:19:37 | 1:19:41 | |
# When all the shadows | 1:19:41 | 1:19:45 | |
# Will fade away | 1:19:45 | 1:19:50 | |
# That day I'll cry | 1:19:50 | 1:19:54 | |
# That I believe | 1:19:54 | 1:20:03 | |
# Oh, my love | 1:20:06 | 1:20:11 | |
# High above us | 1:20:11 | 1:20:16 | |
# The sun now | 1:20:16 | 1:20:19 | |
# Embraces nature | 1:20:19 | 1:20:23 | |
# And from nature we should learn | 1:20:25 | 1:20:31 | |
# That all can start again | 1:20:31 | 1:20:38 | |
# As the stars must fade away | 1:20:41 | 1:20:47 | |
-# To give a bright new day. -# | 1:20:48 | 1:20:54 | |
What the fuck was that? | 1:21:09 | 1:21:11 | |
DOOR CLOSES | 1:21:40 | 1:21:42 | |
Let's get out of here. | 1:21:42 | 1:21:44 | |
Yeah. | 1:21:44 | 1:21:45 | |
ROSE: Hello? | 1:23:42 | 1:23:43 | |
You know the story about the scorpion and the frog? | 1:23:44 | 1:23:47 | |
Your friend Nino didn't make it across the river. | 1:23:50 | 1:23:53 | |
I think this has gone on long enough. | 1:23:55 | 1:23:58 | |
You see any reason for it to continue? | 1:23:59 | 1:24:01 | |
What do you say we meet? | 1:24:03 | 1:24:05 | |
Why? | 1:24:07 | 1:24:09 | |
Well, you, me, and your girlfriend are the only players left. | 1:24:11 | 1:24:15 | |
How's that for a reason? | 1:24:16 | 1:24:17 | |
When? | 1:24:20 | 1:24:21 | |
Tomorrow. | 1:24:21 | 1:24:22 | |
There's a place on Sherman Way, | 1:24:23 | 1:24:25 | |
it's a restaurant called The Great Wall. | 1:24:25 | 1:24:27 | |
Do you know it? | 1:24:27 | 1:24:29 | |
Can I talk to you? | 1:24:56 | 1:24:58 | |
I won't keep you long. | 1:25:00 | 1:25:02 | |
I have to go somewhere and I don't think I can come back. | 1:25:07 | 1:25:10 | |
But I just want you to know. | 1:25:15 | 1:25:17 | |
Getting to be around you and Benicio... | 1:25:17 | 1:25:20 | |
was the best thing that ever happened to me. | 1:25:22 | 1:25:24 | |
Did you bring the money? | 1:26:14 | 1:26:16 | |
Here's what I'm prepared to offer. | 1:26:22 | 1:26:24 | |
You give me the money, the girl is safe. | 1:26:25 | 1:26:28 | |
Forever. Nobody knows about her. | 1:26:28 | 1:26:30 | |
She's off the map. | 1:26:30 | 1:26:31 | |
I can't offer you the same. | 1:26:33 | 1:26:35 | |
So, this is what I would suggest. | 1:26:36 | 1:26:38 | |
We conclude our deal. We'll shake hands. | 1:26:39 | 1:26:42 | |
You start the rest of your life. | 1:26:42 | 1:26:44 | |
Any dreams you have, or plans, | 1:26:47 | 1:26:50 | |
or hopes for your future... | 1:26:50 | 1:26:51 | |
I think you're going to have to put that on hold. | 1:26:51 | 1:26:54 | |
For the rest of your life, you're going to be looking over your shoulder. | 1:26:55 | 1:26:58 | |
I'm just telling you this | 1:26:58 | 1:26:59 | |
because I want you to know the truth. | 1:26:59 | 1:27:01 | |
But the girl is safe. | 1:27:03 | 1:27:04 | |
Where's the money now? | 1:27:24 | 1:27:26 | |
It's in the car. | 1:27:28 | 1:27:29 | |
Come on. | 1:27:37 | 1:27:38 | |
# A pilot on a cold, cold morn | 1:30:12 | 1:30:16 | |
# 155 people on board | 1:30:16 | 1:30:20 | |
# All safe and all rescued | 1:30:20 | 1:30:23 | |
# From the slowly sinking ship | 1:30:23 | 1:30:28 | |
# Water warmer than his head so cool | 1:30:28 | 1:30:32 | |
# In that tight bind knew what to do | 1:30:32 | 1:30:36 | |
# And you have proved to be | 1:30:36 | 1:30:42 | |
# A real human being | 1:30:42 | 1:30:47 | |
# And a real hero | 1:30:47 | 1:30:50 | |
# Real human being | 1:30:51 | 1:30:55 | |
# And a real hero | 1:30:55 | 1:30:59 | |
# Real human being | 1:30:59 | 1:31:03 | |
# And a real hero | 1:31:03 | 1:31:07 | |
# Real human being | 1:31:07 | 1:31:11 | |
# And a real hero | 1:31:11 | 1:31:15 | |
# Real human being | 1:31:15 | 1:31:20 | |
# And a real hero | 1:31:20 | 1:31:24 | |
# Real human being | 1:31:24 | 1:31:28 | |
# And a real hero | 1:31:28 | 1:31:32 | |
# Real human being | 1:31:32 | 1:31:35 | |
# Real human being | 1:31:40 | 1:31:44 | |
# Real human being. # | 1:31:48 | 1:31:51 |