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This film contains some violent scenes and very strong language. | 0:00:11 | 0:00:18 | |
MAN: 'For the record, | 0:00:41 | 0:00:43 | |
'tell the ladies and gentlemen of the jury your name.' | 0:00:43 | 0:00:46 | |
MAN 2: 'Um, David Marks.' | 0:00:49 | 0:00:52 | |
'And where were you born?' | 0:00:52 | 0:00:55 | |
'Um, New York City.' | 0:00:55 | 0:00:56 | |
'Is your father still alive?' | 0:00:59 | 0:01:02 | |
'Yes, sir.' | 0:01:02 | 0:01:04 | |
'Is your mother still alive?' | 0:01:04 | 0:01:06 | |
'No, sir.' | 0:01:08 | 0:01:10 | |
'How old were you when your mother died?' | 0:01:12 | 0:01:14 | |
'Um, seven.' | 0:01:14 | 0:01:16 | |
'Were you present when she died?' | 0:01:19 | 0:01:22 | |
'Yes, sir.' | 0:01:22 | 0:01:24 | |
'And how did she die?' | 0:01:24 | 0:01:26 | |
'She died a violent death.' | 0:01:27 | 0:01:30 | |
'David, if you don't mind, | 0:01:41 | 0:01:43 | |
'I'm going to ask you some more about your past.' | 0:01:43 | 0:01:46 | |
David? | 0:01:49 | 0:01:50 | |
I'm sorry? | 0:01:54 | 0:01:56 | |
Your past. | 0:01:56 | 0:01:58 | |
MUSIC PLAYS THROUGHOUT | 0:02:02 | 0:02:05 | |
TRAFFIC AND SIRENS BLARE | 0:04:08 | 0:04:10 | |
FUNK MUSIC PLAYING | 0:04:10 | 0:04:12 | |
Yes, I'd like to make a collect call, please. | 0:04:17 | 0:04:20 | |
David Marks. | 0:04:20 | 0:04:21 | |
Dad, David. | 0:04:24 | 0:04:26 | |
Huh? How am I going to do that? | 0:04:28 | 0:04:30 | |
I got on the tuxedo. | 0:04:30 | 0:04:32 | |
Can't we just call a plumber? | 0:04:34 | 0:04:37 | |
Yeah right, why would we do that? | 0:04:37 | 0:04:38 | |
That doesn't make any sense. | 0:04:38 | 0:04:40 | |
Why would you send a plumber to do a plumber's job, huh? | 0:04:40 | 0:04:43 | |
CAR DOOR OPENS, HE GROANS | 0:04:43 | 0:04:45 | |
What are you looking at, huh? | 0:04:52 | 0:04:54 | |
KNOCKING | 0:04:59 | 0:05:02 | |
Hi. | 0:05:02 | 0:05:05 | |
Oh. Hi. | 0:05:05 | 0:05:07 | |
Um... | 0:05:08 | 0:05:10 | |
I've forgotten why I'm here. | 0:05:14 | 0:05:16 | |
I was going to make some coffee. | 0:05:29 | 0:05:31 | |
-Excuse me? -Do you want coffee? I was going to make some. | 0:05:31 | 0:05:35 | |
No, thank you. | 0:05:35 | 0:05:37 | |
Am I keeping you from something? | 0:05:44 | 0:05:46 | |
Yeah. | 0:05:46 | 0:05:49 | |
But it's something I'm dreading. | 0:05:49 | 0:05:53 | |
Hey, do you have some kind of... | 0:05:53 | 0:05:55 | |
-I don't know, something I could put under here? -Uh, yeah. | 0:05:55 | 0:05:59 | |
Here. | 0:05:59 | 0:06:00 | |
So how long ago did you move in? | 0:06:03 | 0:06:06 | |
-On Sunday. -Oh. | 0:06:06 | 0:06:08 | |
-From where? -Long island. | 0:06:08 | 0:06:10 | |
-Oh. -My mom's house. | 0:06:10 | 0:06:14 | |
-Are you done? -I think I should stop. | 0:06:17 | 0:06:21 | |
You know? I mean... | 0:06:21 | 0:06:24 | |
I'm not a plumber. | 0:06:24 | 0:06:26 | |
I mean, as you might have guessed. | 0:06:26 | 0:06:29 | |
And I can't get a plumber in here until Monday. | 0:06:29 | 0:06:32 | |
So, uh... | 0:06:32 | 0:06:36 | |
I guess what I've done | 0:06:36 | 0:06:39 | |
is, uh... | 0:06:39 | 0:06:41 | |
Do you want help with that? | 0:06:41 | 0:06:43 | |
Yeah. | 0:06:43 | 0:06:45 | |
Uh, anyway, so I guess what I did was | 0:06:48 | 0:06:51 | |
come out here to tell you that you have a leak | 0:06:51 | 0:06:54 | |
and, uh, | 0:06:54 | 0:06:56 | |
-that you should get it fixed. -HE CHUCKLES | 0:06:56 | 0:06:58 | |
You smell good. | 0:07:00 | 0:07:02 | |
You're going to be late. | 0:07:05 | 0:07:08 | |
So? I'm always late. | 0:07:08 | 0:07:11 | |
You could always blame me. | 0:07:11 | 0:07:13 | |
DINNER PARTY CHATTER | 0:07:15 | 0:07:18 | |
Hi, David Marks. | 0:07:20 | 0:07:22 | |
Sir, right this way. | 0:07:22 | 0:07:24 | |
-Oh, God. -Oh, look, there. | 0:07:24 | 0:07:26 | |
-Here, take this. -Go easy on him. | 0:07:26 | 0:07:28 | |
OK, I don't have to tell you...just ignore him | 0:07:28 | 0:07:31 | |
And I apologise for anything he says | 0:07:31 | 0:07:32 | |
between now and the time we leave. | 0:07:32 | 0:07:34 | |
Late. | 0:07:34 | 0:07:36 | |
ALWAYS late. | 0:07:36 | 0:07:38 | |
Anybody who didn't know you would think you were a busy man. | 0:07:38 | 0:07:41 | |
Oh, I see you brought a friend. | 0:07:43 | 0:07:45 | |
-Katie. -Katie. | 0:07:45 | 0:07:47 | |
Your full name, dear, always. | 0:07:47 | 0:07:49 | |
Oh, Katherine McCarthy. | 0:07:49 | 0:07:51 | |
Well, what a lovely young woman you are. | 0:07:51 | 0:07:53 | |
You've even managed to make my vagabond son look handsome. | 0:07:53 | 0:07:57 | |
He IS handsome. | 0:07:57 | 0:07:58 | |
David, I need you to meet the next senator from New York. | 0:07:58 | 0:08:01 | |
And I didn't invite you here to help you get laid. | 0:08:01 | 0:08:04 | |
-Ambassador Moynihan. -Sanford, congratulations. | 0:08:06 | 0:08:08 | |
-Thank you. Welcome back. -Thank you. | 0:08:08 | 0:08:10 | |
Liz. Always more gracious. | 0:08:10 | 0:08:12 | |
Ambassador, you remember my eldest son David? | 0:08:12 | 0:08:15 | |
David the heir apparent. Of course, how are you? | 0:08:15 | 0:08:17 | |
-Fine, thank you. -Oh, and this is... | 0:08:17 | 0:08:20 | |
-Katherine McCarthy. -Miss McCarthy. | 0:08:20 | 0:08:22 | |
-My wife Elizabeth. -Ambassador. | 0:08:22 | 0:08:25 | |
-Ah, the man himself. Thank you. -Here you go, Dad. | 0:08:25 | 0:08:27 | |
-Thanks, Daniel. -Hey, shouldn't you be wearing white gloves? | 0:08:27 | 0:08:30 | |
Screw you, David. | 0:08:30 | 0:08:31 | |
-Is that Irish? -Excuse me? | 0:08:33 | 0:08:34 | |
Moynihan, is that an Irish name? | 0:08:34 | 0:08:37 | |
Gaelic. Originally Scottish-Gaelic. | 0:08:37 | 0:08:39 | |
-But my family... -SILVERWARE CLINKS ON GLASS | 0:08:39 | 0:08:41 | |
My friends, a man who's old enough | 0:08:41 | 0:08:45 | |
to remember how 42nd Street | 0:08:45 | 0:08:48 | |
used to be... Sanford Marks! | 0:08:48 | 0:08:51 | |
APPLAUSE | 0:08:51 | 0:08:54 | |
Thank you, Mr Mayor. | 0:08:54 | 0:08:57 | |
My father had a vision for Times Square | 0:08:57 | 0:09:00 | |
and he passed it on to me. | 0:09:00 | 0:09:02 | |
Where there are peep shows and massage parlours, | 0:09:02 | 0:09:05 | |
I see Broadway theatres restored to their former glory. | 0:09:05 | 0:09:08 | |
And where there are dilapidated hotels, | 0:09:08 | 0:09:11 | |
I see gleaming office towers | 0:09:11 | 0:09:13 | |
bustling with the important business of this city. | 0:09:13 | 0:09:17 | |
It's my hope I can help breathe life | 0:09:17 | 0:09:20 | |
back into this neighbourhood that was so dear to my father, | 0:09:20 | 0:09:24 | |
A man who placed great trust in me to carry on his legacy. | 0:09:24 | 0:09:28 | |
To Howard Marks. | 0:09:29 | 0:09:31 | |
LAWYER: 'David, tell me about the family business. | 0:09:33 | 0:09:35 | |
'Has the Marks Organisation always been | 0:09:35 | 0:09:38 | |
'a powerful entity in New York?' | 0:09:38 | 0:09:41 | |
DAVID: 'We were always in the top five or six | 0:09:41 | 0:09:43 | |
'property owners in Manhattan.' | 0:09:43 | 0:09:45 | |
Was it work that you were interested in? | 0:09:45 | 0:09:48 | |
'Um...' | 0:09:48 | 0:09:49 | |
'No, sir.' | 0:09:51 | 0:09:53 | |
-A health food store? -Silly, right? | 0:09:53 | 0:09:55 | |
No, I... I think that's great. | 0:09:55 | 0:09:58 | |
-Really? -Yeah. Where? | 0:10:00 | 0:10:02 | |
I was thinking in Vermont, maybe. | 0:10:04 | 0:10:06 | |
What do you do? | 0:10:08 | 0:10:10 | |
I want to go to medical school, | 0:10:10 | 0:10:12 | |
but since my dad died... | 0:10:12 | 0:10:14 | |
It's funny how hard it is just to do what you want, huh? | 0:10:14 | 0:10:17 | |
Yeah. I bet you could do anything. | 0:10:17 | 0:10:20 | |
# Oklahoma, where the wind comes sweeping down the plains | 0:10:22 | 0:10:26 | |
# And the waving wheat | 0:10:26 | 0:10:28 | |
# Can sure smell sweet | 0:10:28 | 0:10:30 | |
# When the wind comes Right behind the plains! | 0:10:30 | 0:10:34 | |
# Then when we say-yyy | 0:10:34 | 0:10:36 | |
# Hey, ayipioeeay! | 0:10:36 | 0:10:39 | |
# We're only singing | 0:10:39 | 0:10:41 | |
# You're doing fine, Oklahoma... # | 0:10:41 | 0:10:43 | |
LAWYER: 'Did your father approve | 0:10:43 | 0:10:44 | |
'of you living with Katherine McCarthy?' | 0:10:44 | 0:10:47 | |
DAVID: 'Well, he didn't really have a problem with that, | 0:10:47 | 0:10:49 | |
'but he wanted me to live in New York | 0:10:49 | 0:10:51 | |
'and to go into the family business.' | 0:10:51 | 0:10:53 | |
Thank you. | 0:10:53 | 0:10:55 | |
'What did you do instead?' | 0:10:55 | 0:10:57 | |
'Katie and I moved to Vermont. | 0:10:57 | 0:11:01 | |
'We lived this sort of a back-to-the-land kind of lifestyle. | 0:11:01 | 0:11:05 | |
'Bought a small piece of land and we ran a health food store.' | 0:11:05 | 0:11:09 | |
CAMERA WHIRRING | 0:11:13 | 0:11:15 | |
It's perfect. | 0:11:20 | 0:11:22 | |
KATIE LAUGHING | 0:11:24 | 0:11:26 | |
She's certainly a very enthusiastic young woman. | 0:11:35 | 0:11:38 | |
-Where did you find her? -53rd Street. | 0:11:38 | 0:11:41 | |
She had a leaky faucet. | 0:11:41 | 0:11:43 | |
Ah, yes, the famous leaky faucet of 53rd Street. | 0:11:43 | 0:11:47 | |
Aren't you sorry you gave up a promising career | 0:11:47 | 0:11:49 | |
-in real estate? -No. | 0:11:49 | 0:11:51 | |
You're ignoring a very hard fact of life, David. | 0:11:54 | 0:11:58 | |
What's that? | 0:11:58 | 0:12:00 | |
-She's never going to be one of us. -No, I know. | 0:12:00 | 0:12:02 | |
Isn't that great? | 0:12:04 | 0:12:06 | |
Don't forget your racquet. | 0:12:10 | 0:12:13 | |
MUMBLING | 0:12:26 | 0:12:28 | |
...a million miles away. | 0:12:28 | 0:12:30 | |
It's just like picking off another part of your forehead. | 0:12:30 | 0:12:33 | |
I'll burn you. Just you. | 0:12:33 | 0:12:34 | |
The rest of you, you're fine, but that part, | 0:12:34 | 0:12:37 | |
-forget it. -David? | 0:12:37 | 0:12:39 | |
You're talking to yourself. | 0:12:39 | 0:12:42 | |
KNIFE WHIRRING | 0:12:52 | 0:12:54 | |
SHE SLURPS | 0:12:56 | 0:12:59 | |
WOMAN: David, I hope you brought an appetite! | 0:12:59 | 0:13:01 | |
The ham looks delicious, Mom. | 0:13:01 | 0:13:02 | |
You squeeze one time and you get ketchup and mustard, | 0:13:02 | 0:13:05 | |
-I call it kepustard. -LAUGHTER | 0:13:05 | 0:13:07 | |
Kepustard! | 0:13:07 | 0:13:10 | |
-We put the... -Katie, your brother's going to be a millionaire. | 0:13:10 | 0:13:13 | |
-WOMAN: Pass that ham down. -David, | 0:13:13 | 0:13:14 | |
what does your family usually do for the holidays? | 0:13:14 | 0:13:17 | |
We're going-ahem. We're going skiing. | 0:13:18 | 0:13:22 | |
Oh, skiing! | 0:13:22 | 0:13:23 | |
I'm going to teach David how to ski. | 0:13:23 | 0:13:25 | |
I'd be scared too. | 0:13:25 | 0:13:27 | |
-You look terrific. -Thank you. | 0:13:28 | 0:13:31 | |
-Doesn't she look terrific? -MAN: She's a beautiful girl. | 0:13:31 | 0:13:35 | |
GUESTS CHATTING | 0:13:35 | 0:13:37 | |
The Marks family. Marks. | 0:13:41 | 0:13:43 | |
Are you kidding? They own half of Times Square. | 0:13:43 | 0:13:45 | |
Can we please not talk about this now? | 0:13:45 | 0:13:48 | |
Which half of Times Square? What are you talking about? | 0:13:48 | 0:13:50 | |
-I'm just saying. -He's taking her to Paris. | 0:13:50 | 0:13:53 | |
-That's what she said. -Hey! | 0:13:53 | 0:13:55 | |
Whatever happened to my trip to Paris? | 0:13:55 | 0:13:58 | |
You'd be lucky to get a trip to Paris, New Jersey. | 0:13:58 | 0:14:00 | |
THEY LAUGH | 0:14:00 | 0:14:02 | |
KATIE: Mom's making coffee. | 0:14:06 | 0:14:09 | |
-What? -Why are you hiding? | 0:14:09 | 0:14:11 | |
I'm not. | 0:14:11 | 0:14:13 | |
Is it awful? | 0:14:15 | 0:14:17 | |
Awful? Is it awful? | 0:14:19 | 0:14:21 | |
No, it's not awful at all. | 0:14:21 | 0:14:23 | |
It's just different, that's all. | 0:14:23 | 0:14:25 | |
It's just very different. | 0:14:25 | 0:14:26 | |
You know, everybody talks to each other | 0:14:26 | 0:14:28 | |
and there's a ham with pineapples on it | 0:14:28 | 0:14:31 | |
with little cherries in the middle. | 0:14:31 | 0:14:33 | |
-Cherries, I like those cherries. -Yeah, I like them too. | 0:14:33 | 0:14:36 | |
It's just really different. | 0:14:36 | 0:14:38 | |
Will you marry me? | 0:14:44 | 0:14:45 | |
What? | 0:14:47 | 0:14:48 | |
Was that a yes? | 0:14:52 | 0:14:54 | |
-Thank you. -This was nice. | 0:15:12 | 0:15:15 | |
Yeah. | 0:15:15 | 0:15:17 | |
We just wanted to do it, to make it official. | 0:15:17 | 0:15:19 | |
It's 39.50 each. | 0:15:24 | 0:15:27 | |
That includes a generous tip. | 0:15:27 | 0:15:29 | |
Oh. | 0:15:33 | 0:15:34 | |
-SHE CHUCKLES -I'm sorry. | 0:15:36 | 0:15:38 | |
Yeah. | 0:15:40 | 0:15:44 | |
Thanks, Mom. | 0:15:44 | 0:15:46 | |
-You're welcome, sweetheart. -Thank you. | 0:15:46 | 0:15:48 | |
You're welcome. | 0:15:48 | 0:15:50 | |
SANFORD: So the guy's not selling | 0:16:03 | 0:16:05 | |
and his kids are starving. And he's sitting on the world's | 0:16:05 | 0:16:08 | |
most valuable butcher shop. | 0:16:08 | 0:16:10 | |
But my dad wouldn't give up. He used to say | 0:16:10 | 0:16:13 | |
"there's always a way to convince a holdout." | 0:16:13 | 0:16:16 | |
You know? I came around. | 0:16:16 | 0:16:19 | |
Sooner or later everybody does. | 0:16:19 | 0:16:21 | |
DOOR OPENS Oh, David. | 0:16:23 | 0:16:25 | |
-Look who's here. -Oh, speak of the devil. | 0:16:25 | 0:16:27 | |
Your grandfather didn't come hat in hand | 0:16:28 | 0:16:30 | |
to ask me to join the firm. | 0:16:30 | 0:16:32 | |
It was understood. I understood it. | 0:16:32 | 0:16:34 | |
Your brother understands it and you do too. | 0:16:34 | 0:16:36 | |
We're happy here, OK? | 0:16:36 | 0:16:38 | |
-I'm subsidising that. -Yeah, only until we get settled. | 0:16:38 | 0:16:42 | |
Settled? You think she's happy here? | 0:16:42 | 0:16:44 | |
-Isn't she? -You think she had this dump in mind | 0:16:46 | 0:16:49 | |
when she left Mineola? When she laid eyes on you? | 0:16:49 | 0:16:51 | |
No, she had more in mind | 0:16:51 | 0:16:53 | |
and she deserves better. She's a beautiful woman. | 0:16:53 | 0:16:57 | |
Just like your mother. | 0:16:57 | 0:16:58 | |
-Thanks for visiting. -Thank you, honey. | 0:17:02 | 0:17:04 | |
I'd better get back to work. | 0:17:04 | 0:17:06 | |
How do you think my son can afford to live like this? | 0:17:06 | 0:17:09 | |
What? | 0:17:19 | 0:17:20 | |
SANFORD: Take the Parkway. | 0:17:22 | 0:17:24 | |
Best of luck. Do you have a place picked out in New York yet? | 0:17:34 | 0:17:37 | |
KATIE: No. | 0:17:37 | 0:17:39 | |
LAWYER: 'Then why did you sell it?' | 0:17:43 | 0:17:45 | |
DAVID: 'I guess I thought it was what I SHOULD do. | 0:17:45 | 0:17:47 | |
'And I went along with my father's wishes | 0:17:47 | 0:17:50 | |
'and I agreed to go into the family business.' | 0:17:50 | 0:17:53 | |
Some of our Times Square tenants pay their rent in cash, | 0:17:57 | 0:18:00 | |
so you'll pick it up in person. | 0:18:00 | 0:18:02 | |
-Solly, give him the address of The Luxor. -Sure. | 0:18:02 | 0:18:05 | |
When you get down there, you'll see why I'm sending you. | 0:18:05 | 0:18:08 | |
These people are not really corporate. | 0:18:08 | 0:18:11 | |
But these properties need to pay for themselves. | 0:18:11 | 0:18:15 | |
That is, until we tear 'em down. | 0:18:15 | 0:18:17 | |
And ultimately, | 0:18:17 | 0:18:20 | |
I think maybe you can manage the whole area. | 0:18:20 | 0:18:22 | |
Well, it's good to have you here, son. | 0:18:26 | 0:18:29 | |
You keep Solly in the loop, huh? | 0:18:31 | 0:18:33 | |
LAWYER: 'Explain to the jury, please, | 0:18:51 | 0:18:53 | |
'what the family business consisted of.' | 0:18:53 | 0:18:57 | |
DAVID: 'My grandfather owned land in midtown | 0:18:57 | 0:18:59 | |
'which was, once upon a time, a farm. | 0:18:59 | 0:19:03 | |
'And as the area developed, | 0:19:03 | 0:19:06 | |
'we built apartments and office buildings | 0:19:06 | 0:19:08 | |
'and whatever was appropriate for the time.' | 0:19:08 | 0:19:11 | |
WOMAN: Here! | 0:19:16 | 0:19:18 | |
LAWYER: 'What did you do for the Marks Organisation?' | 0:19:18 | 0:19:21 | |
'Um, some leasing, but mostly | 0:19:21 | 0:19:24 | |
'you know, | 0:19:24 | 0:19:26 | |
'book-keeping.' | 0:19:26 | 0:19:29 | |
MAN: I followed the kid all night. | 0:19:37 | 0:19:39 | |
Massage parlours, peep shows, | 0:19:39 | 0:19:42 | |
porn theatres. | 0:19:42 | 0:19:44 | |
All people see are the fancy office towers. | 0:19:44 | 0:19:46 | |
But Marks owns some of the worst buildings in Times Square. | 0:19:46 | 0:19:50 | |
-He's the problem. -What do you want from me? | 0:19:50 | 0:19:53 | |
We need to take the offensive, Mr Mayor. | 0:19:53 | 0:19:56 | |
-Let me use the police. -Relax, Sidney. | 0:19:56 | 0:19:59 | |
We'll get what we want. | 0:19:59 | 0:20:02 | |
Remember, | 0:20:02 | 0:20:03 | |
we're just the custodians. | 0:20:03 | 0:20:05 | |
This guy owns the place. | 0:20:06 | 0:20:08 | |
-KEYS JINGLE -DAVID: Ow. | 0:20:10 | 0:20:11 | |
-KATIE: My eyes are closed. -Close your eyes. | 0:20:11 | 0:20:13 | |
-My eyes are closed. -I swear to God, | 0:20:13 | 0:20:15 | |
if I'm going to be a captain of industry, | 0:20:15 | 0:20:18 | |
we might as well enjoy the perks. | 0:20:18 | 0:20:21 | |
-You're looking. -No, I'm not. | 0:20:21 | 0:20:23 | |
OK. | 0:20:24 | 0:20:26 | |
-Do you want to count it down? -You do it. | 0:20:26 | 0:20:29 | |
-Five... -Mm-hmm. | 0:20:29 | 0:20:31 | |
...four, three, | 0:20:31 | 0:20:34 | |
two, | 0:20:34 | 0:20:35 | |
one. | 0:20:35 | 0:20:37 | |
Open them. | 0:20:37 | 0:20:39 | |
Oh. | 0:20:47 | 0:20:49 | |
Ohhh. | 0:20:52 | 0:20:54 | |
SHE LAUGHS Oh, my gosh. | 0:20:54 | 0:20:57 | |
You like it up there or you want to come down? | 0:21:01 | 0:21:03 | |
-I want to come down. -Come on down. | 0:21:03 | 0:21:06 | |
Hi. | 0:22:10 | 0:22:12 | |
It's going to be so beautiful here. | 0:22:22 | 0:22:24 | |
Do you ever think about having kids? | 0:22:34 | 0:22:37 | |
Come on. | 0:22:41 | 0:22:43 | |
Don't you want a little David | 0:22:43 | 0:22:45 | |
running around the house? | 0:22:45 | 0:22:47 | |
Pulling at your toes in the morning? | 0:22:50 | 0:22:53 | |
Smushing food in your hair? | 0:22:53 | 0:22:55 | |
Are you saying no? | 0:23:07 | 0:23:09 | |
Can't we just talk more about the apartment | 0:23:09 | 0:23:12 | |
and, you know, | 0:23:12 | 0:23:14 | |
whether this is going to be a dining room or a living room? | 0:23:14 | 0:23:17 | |
Or... You know? | 0:23:17 | 0:23:19 | |
Are you saying "not now" about kids | 0:23:22 | 0:23:25 | |
or not ever? | 0:23:25 | 0:23:27 | |
Not ever. | 0:23:32 | 0:23:35 | |
HE GROANS | 0:23:37 | 0:23:39 | |
David... | 0:23:39 | 0:23:41 | |
Is there something wrong with you? | 0:23:45 | 0:23:48 | |
Yeah. | 0:23:58 | 0:24:00 | |
There is something wrong with me. | 0:24:03 | 0:24:05 | |
DAVID MURMURING | 0:24:18 | 0:24:20 | |
Are you saying no? | 0:24:31 | 0:24:33 | |
MURMURING CONTINUES | 0:24:33 | 0:24:36 | |
Are you saying no? | 0:24:36 | 0:24:39 | |
David? | 0:24:41 | 0:24:43 | |
Yeah? | 0:24:45 | 0:24:46 | |
Are you OK? | 0:24:48 | 0:24:49 | |
LAWYER: 'David, did you ever have | 0:24:51 | 0:24:53 | |
'any kind of psychiatric treatment?' | 0:24:53 | 0:24:56 | |
DAVID: 'Well, after my mother died, I was sent to psychiatrists. | 0:24:56 | 0:25:00 | |
'A lot of them, actually.' | 0:25:00 | 0:25:02 | |
'I didn't find them very helpful.' | 0:25:04 | 0:25:06 | |
'Was there anyone in your life | 0:25:06 | 0:25:08 | |
'with whom you did talk openly about your past?' | 0:25:08 | 0:25:11 | |
David, you cocksucker! | 0:25:11 | 0:25:13 | |
Get over here and give me a hug. | 0:25:13 | 0:25:16 | |
# Boogie! | 0:25:17 | 0:25:20 | |
# Get down, boogie oogie oogie... # | 0:25:20 | 0:25:22 | |
-How are you? -# Get down | 0:25:22 | 0:25:25 | |
# Boogie oogie oogie | 0:25:25 | 0:25:27 | |
# Get down | 0:25:27 | 0:25:29 | |
-# Boogie oogie oogie... # -Look at her. | 0:25:29 | 0:25:31 | |
I swear to god, I had no idea that people like her even existed. | 0:25:33 | 0:25:37 | |
She's perfect. | 0:25:37 | 0:25:39 | |
-HE LAUGHS -What do you mean by perfect? | 0:25:39 | 0:25:40 | |
I mean there's nothing that I do that she doesn't like. | 0:25:42 | 0:25:45 | |
She hasn't known you long enough. | 0:25:49 | 0:25:51 | |
It must be so exciting, having your first book published? | 0:25:54 | 0:25:58 | |
You know, I was thinking of taking some classes. | 0:25:58 | 0:26:00 | |
-Maybe premed. -How's, uh... | 0:26:00 | 0:26:04 | |
How's David doing working for his dad? | 0:26:04 | 0:26:07 | |
Oh, he doesn't say or he just says "OK." | 0:26:07 | 0:26:11 | |
Well, that's him. It's like... | 0:26:11 | 0:26:14 | |
Like when he lost his mother. | 0:26:14 | 0:26:16 | |
-When did she pass away? -Pass away? | 0:26:16 | 0:26:20 | |
She jumped off the roof, | 0:26:20 | 0:26:21 | |
cracked her skull open like a walnut on the driveway. | 0:26:21 | 0:26:24 | |
David saw the whole thing. | 0:26:26 | 0:26:27 | |
He hid under a table for a week. When he came out, it was... | 0:26:27 | 0:26:31 | |
It was like he never had one. | 0:26:31 | 0:26:33 | |
One what? | 0:26:35 | 0:26:37 | |
A mother. | 0:26:37 | 0:26:39 | |
And... And that was it. | 0:26:39 | 0:26:43 | |
Excuse me, Katie. | 0:26:43 | 0:26:45 | |
WOMAN: Smile. | 0:26:50 | 0:26:52 | |
She's very sweet. | 0:26:57 | 0:26:59 | |
-Unbelievable. -What?! | 0:26:59 | 0:27:01 | |
You're the only person I know that can say "sweet" like you're cursing. | 0:27:01 | 0:27:04 | |
I did... sweet is a great thing. | 0:27:04 | 0:27:07 | |
-I wish I was sweet. -Yeah, I wish you were sweet too. | 0:27:07 | 0:27:09 | |
-Mm-hmm. -What'd you say to her? | 0:27:09 | 0:27:11 | |
Nothing. I didn't say anything to her. | 0:27:11 | 0:27:13 | |
-We were just talking. I just met her. -Nothing? Mm-hmm. | 0:27:13 | 0:27:15 | |
Anyway. | 0:27:15 | 0:27:18 | |
I've missed you. | 0:27:18 | 0:27:20 | |
Quit it! I'm being sweet. I've missed you. | 0:27:23 | 0:27:25 | |
I've missed you too. | 0:27:25 | 0:27:27 | |
You surprised me a little. | 0:27:29 | 0:27:31 | |
You're married to a nice blonde shiksa? | 0:27:31 | 0:27:35 | |
-THEY LAUGH -Well, I wouldn't put it like that. | 0:27:35 | 0:27:37 | |
You're working for... you're working for your DAD, David? | 0:27:37 | 0:27:40 | |
Which you said you'd never do. | 0:27:40 | 0:27:43 | |
-When's the baby shower? -Come on. | 0:27:43 | 0:27:46 | |
You know, it's still me. | 0:27:46 | 0:27:49 | |
Does that girl know how fucked up you are? | 0:27:49 | 0:27:53 | |
No, we're going to... we're going to straighten you out, David. | 0:27:53 | 0:27:57 | |
We are. I know a great therapist | 0:27:57 | 0:27:58 | |
and you're going to love her because... | 0:27:58 | 0:28:02 | |
Because she does house calls. | 0:28:02 | 0:28:03 | |
HE SCREAMS WILDLY | 0:28:06 | 0:28:10 | |
Try to focus on your breathing. | 0:28:13 | 0:28:15 | |
It's not so much the memory, but the feeling... | 0:28:17 | 0:28:20 | |
The feeling the memory evokes. | 0:28:20 | 0:28:22 | |
HE EXHALES OK? OK? | 0:28:22 | 0:28:25 | |
-Again? -Yeah. | 0:28:25 | 0:28:26 | |
DAVID SCREAMING | 0:28:28 | 0:28:31 | |
SCREAMING CONTINUES | 0:28:35 | 0:28:37 | |
LIGHTER FLICKS Shit. | 0:28:39 | 0:28:41 | |
Jesus. | 0:29:03 | 0:29:05 | |
LAWYER: 'How did you and Katie feel | 0:29:27 | 0:29:29 | |
'about your new life in the city?' | 0:29:29 | 0:29:32 | |
DAVID: 'Well, New York commercial real estate is very, | 0:29:32 | 0:29:35 | |
'you know, it's button-down and white shoe, | 0:29:35 | 0:29:37 | |
'and I really wasn't set up for that. | 0:29:37 | 0:29:39 | |
'But Katie seemed to like the city | 0:29:39 | 0:29:42 | |
'and she'd fixed up the apartment and... | 0:29:42 | 0:29:45 | |
'And eventually we even ended up buying a weekend place | 0:29:45 | 0:29:47 | |
'on a lake in Westchester.' | 0:29:47 | 0:29:49 | |
CLASSIC ROCK PLAYING | 0:29:49 | 0:29:52 | |
Am I...am I overdressed? | 0:30:00 | 0:30:02 | |
You look beautiful. | 0:30:02 | 0:30:03 | |
Oh! This place must have cost a pretty penny. | 0:30:07 | 0:30:11 | |
Do you think all of these people drove up from the city? | 0:30:11 | 0:30:14 | |
# In the morning you go gunning | 0:30:14 | 0:30:16 | |
# For the man who stole your water... # | 0:30:16 | 0:30:19 | |
JIM: Hey, we're looking for Katie. | 0:30:19 | 0:30:21 | |
Oh, my brother's here. | 0:30:21 | 0:30:23 | |
Come on. | 0:30:24 | 0:30:26 | |
-Katie. -Hi. | 0:30:26 | 0:30:28 | |
Oh, my God, disco people. | 0:30:31 | 0:30:33 | |
Honey, babe... | 0:30:33 | 0:30:36 | |
MUSIC PLAYS, LAUGHTER | 0:30:36 | 0:30:39 | |
You know, I really think it's quite unique. | 0:30:39 | 0:30:41 | |
Of course I'd love to pick your brain | 0:30:41 | 0:30:43 | |
-about the business plan. -MUSIC PLAYS | 0:30:43 | 0:30:46 | |
Get up. Dance with me. | 0:30:46 | 0:30:48 | |
# Wheel turnin' round and round | 0:30:48 | 0:30:50 | |
# You go back... # | 0:30:50 | 0:30:52 | |
Thank you for inviting us. | 0:30:53 | 0:30:55 | |
It's nice to finally meet the neighbours. | 0:30:55 | 0:30:58 | |
Can I touch your belly? | 0:30:59 | 0:31:01 | |
Sure. | 0:31:01 | 0:31:03 | |
It's moving. | 0:31:04 | 0:31:06 | |
She's moving. | 0:31:06 | 0:31:08 | |
-How do you know? -I just do. | 0:31:08 | 0:31:10 | |
Before we walked over, | 0:31:13 | 0:31:15 | |
Barry tried on every shirt he owns. | 0:31:15 | 0:31:17 | |
-THEY CHUCKLE -We don't get out much. | 0:31:17 | 0:31:20 | |
Most of these people are David's friends. | 0:31:20 | 0:31:23 | |
I don't even think he knows half of them. | 0:31:23 | 0:31:25 | |
Oh, I thought they were YOUR friends. | 0:31:25 | 0:31:27 | |
-Some of them. -I guess it's just the way people act around you. | 0:31:27 | 0:31:31 | |
They sort of favour you. | 0:31:31 | 0:31:33 | |
Maybe because I'm pregnant. | 0:31:36 | 0:31:38 | |
Are you?! | 0:31:38 | 0:31:39 | |
You're the first person I've told. | 0:31:41 | 0:31:44 | |
That's wonderful! How far along are you? | 0:31:44 | 0:31:46 | |
I just found out. | 0:31:46 | 0:31:48 | |
Um, I don't know how it happened. | 0:31:48 | 0:31:51 | |
It wasn't planned. | 0:31:51 | 0:31:53 | |
-That's not what I said. -You said that you couldn't, | 0:31:53 | 0:31:55 | |
-that it wasn't possible. -That's not what I said. | 0:31:55 | 0:31:57 | |
-That there was something wrong with you. -I didn't say that. | 0:31:57 | 0:32:00 | |
-Yes, you did. -What's the difference? | 0:32:00 | 0:32:02 | |
All the difference in the world. | 0:32:02 | 0:32:04 | |
Look, um, we've got an apartment in Manhattan. | 0:32:04 | 0:32:07 | |
We got a house in the country. | 0:32:07 | 0:32:10 | |
-We got a Mercedes. -I don't care about all of that. | 0:32:10 | 0:32:13 | |
-You don't care... -I care about you, David. | 0:32:13 | 0:32:16 | |
I want to have your child. David! | 0:32:16 | 0:32:18 | |
OK, if you don't care, we'll just go back to Vermont. | 0:32:18 | 0:32:21 | |
Fine, we'll go back to Vermont, fine. | 0:32:21 | 0:32:23 | |
We'll do whatever you want to do. | 0:32:23 | 0:32:25 | |
Please, David. | 0:32:25 | 0:32:27 | |
SHE SIGHS It won't be like when you grew up. | 0:32:29 | 0:32:31 | |
What do you know about it? | 0:32:34 | 0:32:36 | |
I'm not blind. | 0:32:39 | 0:32:41 | |
SHE EXHALES | 0:32:57 | 0:32:59 | |
David? | 0:33:09 | 0:33:10 | |
Look at me. | 0:33:13 | 0:33:15 | |
You make me out to be this person | 0:33:17 | 0:33:19 | |
that you... | 0:33:19 | 0:33:22 | |
think that I am. | 0:33:22 | 0:33:24 | |
But I'm not that person. | 0:33:25 | 0:33:28 | |
You can ask me anything you want. Anything, anything. | 0:33:30 | 0:33:33 | |
-HE SIGHS -Anything and I'll do it. | 0:33:35 | 0:33:37 | |
Just don't ask me this. I can't do this. | 0:33:40 | 0:33:43 | |
Are you ready? | 0:34:01 | 0:34:03 | |
Uh, I gotta make a stop. | 0:34:14 | 0:34:17 | |
On the way. | 0:34:18 | 0:34:20 | |
SIREN WAILS | 0:34:20 | 0:34:22 | |
What are we doing here? | 0:34:26 | 0:34:28 | |
What is this place? | 0:34:30 | 0:34:31 | |
I gotta make a call. | 0:34:31 | 0:34:33 | |
I'm at The Luxor and there's cops everywhere. | 0:34:39 | 0:34:42 | |
Listen to me, go over to The Avon. They may be next. | 0:34:42 | 0:34:46 | |
No, you gotta find somebody else, OK? I gotta take Katie somewhere. | 0:34:46 | 0:34:49 | |
What the hell are you talking about? | 0:34:49 | 0:34:52 | |
The mayor's not available. | 0:34:52 | 0:34:54 | |
David, get your ass over to The Avon and pick up the cash! | 0:34:54 | 0:34:58 | |
Jeez! | 0:34:58 | 0:34:59 | |
PEOPLE SHOUTING, SIREN BLARING | 0:34:59 | 0:35:03 | |
Uh... | 0:35:09 | 0:35:11 | |
You go ahead | 0:35:11 | 0:35:12 | |
and I'll be right behind you, OK? | 0:35:12 | 0:35:14 | |
I'll be there. | 0:35:14 | 0:35:16 | |
WOMAN MOANS ON FILM | 0:35:46 | 0:35:49 | |
Mr Marks? | 0:36:00 | 0:36:03 | |
Mrs Marks? | 0:36:03 | 0:36:04 | |
I'm sorry, we'll have to get started. | 0:36:12 | 0:36:16 | |
MAN: David! | 0:36:29 | 0:36:31 | |
Hey, David, David. | 0:36:33 | 0:36:35 | |
Hey, if it isn't the happy couple. | 0:36:35 | 0:36:37 | |
They can't seat us for like an hour. | 0:36:37 | 0:36:39 | |
Do you mind, David? Is that OK? | 0:36:39 | 0:36:40 | |
Uh, can we pull a chair over here, please? | 0:36:40 | 0:36:42 | |
Is that OK? Thank you. | 0:36:42 | 0:36:44 | |
-Thank you, thank you. -My pleasure. | 0:36:46 | 0:36:47 | |
So I heard about all the excitement today. | 0:36:51 | 0:36:53 | |
Your old man must have had you running all over town. | 0:36:53 | 0:36:55 | |
Sit. I'll go. I'll go, I'll go. | 0:37:01 | 0:37:03 | |
What is wrong with you? | 0:37:03 | 0:37:05 | |
PANTING | 0:37:11 | 0:37:13 | |
I'm sorry. That's just Todd. | 0:37:19 | 0:37:21 | |
He is completely unaware of anyone else around him. | 0:37:21 | 0:37:25 | |
Which just makes him an asshole. | 0:37:25 | 0:37:28 | |
Let's step into my office. | 0:37:30 | 0:37:32 | |
Come on, it'll cheer you up. | 0:37:33 | 0:37:35 | |
Have you done this before? | 0:37:38 | 0:37:41 | |
No. | 0:37:41 | 0:37:43 | |
You're just going to snort it back fast, | 0:37:45 | 0:37:48 | |
like this. | 0:37:48 | 0:37:49 | |
Trust me, whatever's on your mind now, | 0:37:55 | 0:37:57 | |
it won't be. | 0:37:57 | 0:37:59 | |
# Tonight | 0:38:00 | 0:38:03 | |
# Last dance # | 0:38:03 | 0:38:05 | |
# Last chance for love... # | 0:38:05 | 0:38:08 | |
Do you want something? | 0:38:08 | 0:38:10 | |
# For romance tonight | 0:38:13 | 0:38:16 | |
# Oh, I need you | 0:38:16 | 0:38:19 | |
# By me | 0:38:19 | 0:38:21 | |
# Beside me to guide me | 0:38:21 | 0:38:24 | |
-# To hold me... # -MUSIC FADING | 0:38:24 | 0:38:26 | |
# To scold me | 0:38:26 | 0:38:28 | |
# Cause when I'm bad, I'm so, so bad | 0:38:28 | 0:38:32 | |
# So let's dance... # | 0:38:32 | 0:38:34 | |
RADIO: '..tough comparisons and increased piracy may help. | 0:38:39 | 0:38:42 | |
'The inventory issue is likely one time in nature. | 0:38:42 | 0:38:44 | |
'However, piracy is an ongoing problem for Microsoft. | 0:38:44 | 0:38:47 | |
'The most damaging...' IGNITION CLICKS OFF | 0:38:47 | 0:38:49 | |
HEAVY THUD | 0:38:57 | 0:38:59 | |
LAWYER: 'In the next few years, how did things change?' | 0:39:15 | 0:39:18 | |
DAVID: 'We began sort of living separate lives. | 0:39:18 | 0:39:22 | |
'Katie lived at our lake house. She was going to college near there. | 0:39:22 | 0:39:25 | |
'So it made sense, I guess, and... | 0:39:25 | 0:39:27 | |
'I was still working in the city, so that kept me busy. | 0:39:30 | 0:39:33 | |
WOMAN: Did you even tell him you applied to medical school? | 0:39:34 | 0:39:37 | |
-KATIE: Not yet. -You have to tell him. | 0:39:37 | 0:39:40 | |
I know, I... | 0:39:40 | 0:39:42 | |
It's because of school, you know. | 0:39:42 | 0:39:44 | |
I'm here during the week and we only see each other on the weekends. | 0:39:44 | 0:39:47 | |
Yeah well, he's going to find out anyway, | 0:39:47 | 0:39:49 | |
because you're going to get in. | 0:39:49 | 0:39:51 | |
David? | 0:40:21 | 0:40:23 | |
SHE LAUGHS | 0:40:31 | 0:40:33 | |
SPRAY CAN HISSING | 0:41:28 | 0:41:30 | |
What are you doing? | 0:41:33 | 0:41:35 | |
It was drifting away. | 0:41:38 | 0:41:40 | |
I don't want anybody to steal it. | 0:41:40 | 0:41:42 | |
Oh, David. | 0:41:45 | 0:41:47 | |
THUNDER RUMBLING | 0:42:22 | 0:42:24 | |
PHONE RINGING | 0:42:24 | 0:42:27 | |
KATIE'S VOICE: Hi, you've reached David and Katie. | 0:42:31 | 0:42:34 | |
Leave a message. BEEP | 0:42:34 | 0:42:38 | |
KATIE: 'Hi, it's me. I don't know what time it is. | 0:42:38 | 0:42:40 | |
'It's late. | 0:42:40 | 0:42:42 | |
'It's so quiet here. | 0:42:42 | 0:42:44 | |
'The smallest sounds are keeping me up.' | 0:42:44 | 0:42:46 | |
'Anyway, I just wanted to say I miss you | 0:42:49 | 0:42:52 | |
'and I wanted to hear your voice. | 0:42:52 | 0:42:54 | |
'I hope you're still coming tomorrow. | 0:42:54 | 0:42:57 | |
'It would mean a lot to me.' | 0:42:57 | 0:42:58 | |
CHEERING, APPLAUSE | 0:43:00 | 0:43:02 | |
PARTY CHATTER | 0:43:13 | 0:43:15 | |
WOMAN: Harriet, just say it. | 0:43:17 | 0:43:19 | |
You can enjoy smoking, all right? | 0:43:19 | 0:43:21 | |
No, cos you called me. | 0:43:21 | 0:43:22 | |
My little sister's going to go to medical school. | 0:43:22 | 0:43:25 | |
Can you believe this? | 0:43:25 | 0:43:26 | |
Congratulations, David. You must be so proud. | 0:43:26 | 0:43:29 | |
-Where is the campus? -It's in The Bronx. It's in the city. | 0:43:34 | 0:43:36 | |
And it has one of the best paediatric programmes in the country. | 0:43:36 | 0:43:40 | |
Jim, I always thought you would become the doctor. | 0:43:40 | 0:43:43 | |
Thank you, Ma. That's nice. I feel much better about my life. | 0:43:43 | 0:43:45 | |
-THEY LAUGH -I'm kidding. -That's real nice, mom. It's all right, Jim. | 0:43:45 | 0:43:48 | |
Um, I can't find your jacket. Do you know where you put it? | 0:43:48 | 0:43:51 | |
Oh, you're not leaving? | 0:43:51 | 0:43:53 | |
-No. -Yes. | 0:43:53 | 0:43:55 | |
-I gotta drive... -Sit down, David. Come on, what are you drinking? | 0:43:55 | 0:43:58 | |
I gotta drive all the way back to the city. So, Katie? | 0:43:58 | 0:44:01 | |
Uh... | 0:44:01 | 0:44:03 | |
What? I-I... I'm not going anywhere. | 0:44:03 | 0:44:07 | |
Jim, Jim, sit down. | 0:44:07 | 0:44:09 | |
-I'm just... I'll go start the car. -Do whatever you want. | 0:44:09 | 0:44:12 | |
I'm not... I'm not leaving yet. | 0:44:12 | 0:44:14 | |
SHE SCOFFS | 0:44:18 | 0:44:20 | |
What? | 0:44:20 | 0:44:22 | |
What is so important that we have to rush home for? | 0:44:22 | 0:44:26 | |
What, David? | 0:44:30 | 0:44:33 | |
HE GROANS | 0:44:37 | 0:44:40 | |
I'll be waiting in the car. | 0:44:40 | 0:44:42 | |
-HE MUTTERS -"What's so important that we have to rush home for?" | 0:44:42 | 0:44:45 | |
ENGINE STARTS | 0:44:52 | 0:44:54 | |
RADIO: # That's the way I've always heard it should be | 0:44:54 | 0:44:57 | |
# You want to marry me... # | 0:44:57 | 0:45:01 | |
ENGINE SHUTS OFF | 0:45:01 | 0:45:03 | |
CHATTING | 0:45:06 | 0:45:08 | |
SHE SCREAMS, GLASS BREAKS | 0:45:08 | 0:45:10 | |
DOOR SLAMS | 0:45:14 | 0:45:16 | |
-DAVID: -Where are you going? | 0:45:21 | 0:45:23 | |
Where you going to go? | 0:45:23 | 0:45:25 | |
Where you going to live? Cos if you leave me, | 0:45:25 | 0:45:27 | |
I'm not going to be able to subsidise your lifestyle. | 0:45:27 | 0:45:30 | |
Which I don't think that you want. I don't want that. | 0:45:30 | 0:45:32 | |
Look, can we just... | 0:45:32 | 0:45:34 | |
Think about this for a second? | 0:45:34 | 0:45:36 | |
I've never been closer to anyone | 0:45:38 | 0:45:42 | |
and I don't know you at all. | 0:45:42 | 0:45:44 | |
SHE SCOFFS | 0:45:57 | 0:45:59 | |
Maybe I should go stay at my mom's until I sort things out. | 0:46:15 | 0:46:18 | |
You're joking, right? | 0:46:18 | 0:46:20 | |
Why would you give up everything you've done just because of him? | 0:46:20 | 0:46:23 | |
And you're not leaving New York to move back to... | 0:46:23 | 0:46:26 | |
Long Island - yuck. | 0:46:26 | 0:46:28 | |
Ma'am, I'm sorry. Your card was declined. | 0:46:28 | 0:46:31 | |
What? I... | 0:46:31 | 0:46:34 | |
-Try it again. -Well, I already did. | 0:46:34 | 0:46:37 | |
Um... I don't understand. | 0:46:37 | 0:46:39 | |
Um...do you have another card, | 0:46:39 | 0:46:41 | |
Or cash? It's only 22.75. | 0:46:41 | 0:46:45 | |
-I know how much it is. -Here. | 0:46:45 | 0:46:47 | |
What the hell are you looking at? | 0:46:48 | 0:46:50 | |
Eat your salad. | 0:46:50 | 0:46:52 | |
I just need enough money to get through school. | 0:46:54 | 0:46:57 | |
Look, I'm trying to explain. | 0:46:57 | 0:47:00 | |
Your husband is the beneficiary of a number of family trusts, | 0:47:00 | 0:47:03 | |
most of which were set up a long time ago. | 0:47:03 | 0:47:05 | |
-I know that. -That means that as long as you're married, | 0:47:05 | 0:47:08 | |
you can have access to his money, but if you separate, | 0:47:08 | 0:47:11 | |
if you divorce him, you won't get any money, | 0:47:11 | 0:47:13 | |
because he doesn't have any. | 0:47:13 | 0:47:15 | |
Not of his own. | 0:47:15 | 0:47:17 | |
-Motherfuckers. -Regardless, | 0:47:17 | 0:47:20 | |
families like the Marks set their assets up this way | 0:47:20 | 0:47:23 | |
-to protect them from divorces. -Motherfuckers! | 0:47:23 | 0:47:25 | |
OK, could you just not... just not do that? | 0:47:25 | 0:47:28 | |
These people play hardball. | 0:47:32 | 0:47:34 | |
If you want a settlement, | 0:47:35 | 0:47:37 | |
you're going to have to think of a way to motivate them. | 0:47:37 | 0:47:40 | |
THUNDER RUMBLING | 0:47:40 | 0:47:43 | |
How was your day? | 0:47:52 | 0:47:55 | |
Good. | 0:47:55 | 0:47:56 | |
I...had lunch with Lauren today. | 0:48:04 | 0:48:09 | |
What else did you do today? | 0:48:15 | 0:48:18 | |
CRASHING | 0:48:29 | 0:48:31 | |
What the hell is that? | 0:48:31 | 0:48:33 | |
-KNOCKING -Someone's up on the terrace. | 0:48:33 | 0:48:35 | |
Call the police. | 0:48:35 | 0:48:36 | |
Oh, God. | 0:48:39 | 0:48:41 | |
-Jesus, Jesus. -SHE PANTS | 0:48:45 | 0:48:47 | |
What happened? | 0:48:47 | 0:48:49 | |
What the hell happened?! | 0:48:52 | 0:48:53 | |
-Kel, call the police. -No, no! | 0:48:53 | 0:48:56 | |
No! No, no, no. No, no, no... | 0:48:56 | 0:48:58 | |
Shh-shh, OK. | 0:48:58 | 0:49:00 | |
David. | 0:49:04 | 0:49:06 | |
Katie's next door with us. | 0:49:08 | 0:49:09 | |
-She's scared to come home. -Mm-hmm. | 0:49:09 | 0:49:12 | |
Well, we had a fight. | 0:49:12 | 0:49:14 | |
But it's nothing, you know? | 0:49:14 | 0:49:17 | |
It's nothing. I mean, it's not nothing, | 0:49:17 | 0:49:19 | |
But you can tell her to come home. It's over. | 0:49:19 | 0:49:21 | |
Will you tell her to come home, please? | 0:49:21 | 0:49:23 | |
Actually I think she should stay with us tonight. | 0:49:23 | 0:49:25 | |
Just let things cool off between you. | 0:49:25 | 0:49:28 | |
Thank you. | 0:49:28 | 0:49:30 | |
Good night. Thank you. | 0:49:36 | 0:49:39 | |
LOCK CLICKS | 0:49:39 | 0:49:41 | |
TYPEWRITER CLACKING | 0:49:52 | 0:49:54 | |
-Hi, Lula. -Hello, Mrs Marks. | 0:49:54 | 0:49:57 | |
-Um, is David in? -No, he's upstairs with his brother. | 0:49:57 | 0:50:00 | |
OK, I'll be in his office. I'm just going to make some calls. | 0:50:00 | 0:50:03 | |
DIAL TONE | 0:50:16 | 0:50:18 | |
'At the tone, the time will be 11:59... | 0:50:18 | 0:50:22 | |
'At the tone, the time will be 11:59 and 20 seconds.' | 0:50:27 | 0:50:32 | |
'At the tone, the time will be | 0:50:46 | 0:50:48 | |
'11:59 and 40 seconds.' | 0:50:48 | 0:50:51 | |
ELEVATOR DINGS | 0:50:52 | 0:50:54 | |
ELEVATOR DINGS | 0:51:13 | 0:51:15 | |
KNOCKING | 0:51:22 | 0:51:24 | |
I'm going to lunch now, Mrs Marks. | 0:51:24 | 0:51:27 | |
OK, Lula. | 0:51:27 | 0:51:29 | |
Thanks! | 0:51:29 | 0:51:30 | |
'At the tone, the time will be | 0:52:09 | 0:52:11 | |
-'12:10 and 40 seconds.' -BEEP | 0:52:11 | 0:52:14 | |
Good evening, Mrs Marks. | 0:52:38 | 0:52:41 | |
SHE GASPS | 0:52:55 | 0:52:57 | |
-Send it back. -Excuse me, sir? | 0:54:00 | 0:54:02 | |
It's a family matter. It has nothing to do with us. | 0:54:02 | 0:54:05 | |
It's not just that you barely show up for work | 0:54:16 | 0:54:19 | |
or that you can't control your home situation, | 0:54:19 | 0:54:22 | |
when you are here, you're stoned most of the time. | 0:54:22 | 0:54:24 | |
This is untenable. | 0:54:24 | 0:54:26 | |
There's an office on three. It's out of the way. | 0:54:26 | 0:54:29 | |
No-one will bother you. You won't have to bother with anything. | 0:54:29 | 0:54:32 | |
You keep your secretary, get your mail... | 0:54:32 | 0:54:34 | |
I don't know what else to say. | 0:54:35 | 0:54:37 | |
Dad? | 0:54:39 | 0:54:40 | |
Why couldn't you just have given her what she wanted? | 0:54:50 | 0:54:53 | |
You're a very weak man, David. | 0:54:57 | 0:54:59 | |
LAWYER: 'Did there come a time | 0:55:03 | 0:55:05 | |
'When your father passed on control of the Marks Organisation? | 0:55:05 | 0:55:08 | |
'Not to you, but to your younger brother?' | 0:55:08 | 0:55:10 | |
DAVID: 'Oh, yeah, that's correct.' | 0:55:12 | 0:55:14 | |
'When that happened, how did you feel?' | 0:55:15 | 0:55:18 | |
'I was glad.' | 0:55:20 | 0:55:22 | |
Oh, my God, Katie. | 0:55:27 | 0:55:29 | |
-I'm sorry. -No, no, you said you weren't coming. | 0:55:29 | 0:55:33 | |
Is everything OK? | 0:55:33 | 0:55:35 | |
Oh, I-I don't know. No. Is Mom home? | 0:55:35 | 0:55:37 | |
No, she's still in Florida. | 0:55:37 | 0:55:40 | |
-GASPING -Oh! | 0:55:41 | 0:55:43 | |
I couldn't resist. | 0:55:43 | 0:55:46 | |
He... died when I was 16. | 0:55:55 | 0:55:59 | |
Uh, I don't remember much. | 0:56:01 | 0:56:04 | |
10 years! | 0:56:04 | 0:56:06 | |
How did that happen, you know? | 0:56:06 | 0:56:09 | |
And he does love me. | 0:56:09 | 0:56:12 | |
But I have to look out for me now. | 0:56:12 | 0:56:15 | |
I have my whole life to live. | 0:56:15 | 0:56:17 | |
KATIE: 'My father used to say | 0:56:20 | 0:56:22 | |
'"we should never regret the things we do, | 0:56:22 | 0:56:24 | |
'"Only the things we don't do."' | 0:56:24 | 0:56:26 | |
But... | 0:56:28 | 0:56:31 | |
I had...I had an abortion. | 0:56:31 | 0:56:33 | |
And I don't know what that is. | 0:56:36 | 0:56:38 | |
If it's something I did, | 0:56:39 | 0:56:41 | |
or something I didn't do. | 0:56:41 | 0:56:44 | |
LINE RINGING | 0:56:46 | 0:56:48 | |
DAVID: Hello? | 0:56:52 | 0:56:53 | |
David? | 0:56:53 | 0:56:55 | |
Katie? | 0:56:55 | 0:56:58 | |
Katie, don't cry. | 0:56:58 | 0:57:00 | |
-Don't cry. -SHE SNIFFS | 0:57:00 | 0:57:02 | |
You have to let me go. | 0:57:04 | 0:57:06 | |
This is killing me. | 0:57:06 | 0:57:08 | |
Oh, I know, I know. | 0:57:08 | 0:57:11 | |
I know that now. Just come home. | 0:57:11 | 0:57:14 | |
I can make this better, I promise. | 0:57:14 | 0:57:16 | |
Baby, just come home. Please. | 0:57:17 | 0:57:19 | |
Please. | 0:57:21 | 0:57:23 | |
Katie? | 0:57:24 | 0:57:25 | |
Katie? | 0:57:28 | 0:57:30 | |
What are you looking at? | 0:57:35 | 0:57:38 | |
Katie? Hey, Katie, where are you going? | 0:57:42 | 0:57:44 | |
I'm going home. I'll call you in the morning. | 0:57:44 | 0:57:46 | |
You can't drive like this. You've been drinking. | 0:57:46 | 0:57:49 | |
Come on. | 0:57:49 | 0:57:50 | |
DOOR CLOSES, ENGINE STARTS | 0:57:51 | 0:57:53 | |
Come on! | 0:57:53 | 0:57:54 | |
THUNDER RUMBLING | 0:58:40 | 0:58:43 | |
SHE SIGHS | 0:58:56 | 0:58:58 | |
-Hey. -SHE GASPS | 0:59:05 | 0:59:07 | |
What are you doing? | 0:59:08 | 0:59:10 | |
You hungry? | 0:59:12 | 0:59:14 | |
Where's Ivan? | 0:59:14 | 0:59:16 | |
Um... The kennel. | 0:59:16 | 0:59:19 | |
Oh, why? You know he hates it there. | 0:59:20 | 0:59:23 | |
Yeah, I know, but he bit me. | 0:59:23 | 0:59:26 | |
Here. | 0:59:26 | 0:59:28 | |
I'm cold. | 0:59:28 | 0:59:30 | |
What is it? | 0:59:48 | 0:59:50 | |
You would have made a good mother. | 0:59:59 | 1:00:01 | |
SHE PANTS | 1:01:23 | 1:01:26 | |
DRAGGING SHOVEL | 1:01:32 | 1:01:33 | |
SHE GASPS, THUNDER CRASHES | 1:02:02 | 1:02:04 | |
KETTLE WHISTLING | 1:02:40 | 1:02:43 | |
DOOR OPENS | 1:03:31 | 1:03:33 | |
DOOR CLOSES | 1:03:35 | 1:03:36 | |
KEYS CLATTER, LIQUOR POURING | 1:03:42 | 1:03:44 | |
SANFORD: So what am I doing here? | 1:03:47 | 1:03:49 | |
She must have hated you. | 1:03:58 | 1:04:01 | |
Your mother was a very sick woman, David. | 1:04:03 | 1:04:06 | |
She wasn't always like that though. She was happy. | 1:04:11 | 1:04:14 | |
I did everything I could for her, just like I did for you. | 1:04:19 | 1:04:22 | |
Y-you-you let me, uh... | 1:04:26 | 1:04:28 | |
..stay out there and watch her jump. | 1:04:31 | 1:04:33 | |
I told the nanny to take you inside. | 1:04:35 | 1:04:38 | |
That's not true. | 1:04:40 | 1:04:42 | |
You left me out there to watch. | 1:04:49 | 1:04:51 | |
I saw her there, you know? | 1:04:51 | 1:04:53 | |
On the driveway. | 1:04:56 | 1:04:57 | |
I thought she was sleeping | 1:04:59 | 1:05:01 | |
So I tried to wake her up. | 1:05:01 | 1:05:04 | |
-I touched her head... -This is morbid. | 1:05:04 | 1:05:06 | |
Give me that. | 1:05:06 | 1:05:08 | |
How come you didn't just pick me up, Dad? | 1:05:10 | 1:05:13 | |
How come you just didn't take me inside? | 1:05:16 | 1:05:18 | |
I thought if she saw you standing there... | 1:05:27 | 1:05:30 | |
She wouldn't jump. | 1:05:32 | 1:05:34 | |
I'm going to bed. | 1:05:52 | 1:05:54 | |
Go home to your wife. | 1:05:54 | 1:05:56 | |
She's gone. | 1:05:58 | 1:05:59 | |
What are you talking about? | 1:06:02 | 1:06:03 | |
Now I'm just like you. | 1:06:05 | 1:06:08 | |
DOOR OPENS | 1:06:21 | 1:06:22 | |
David! | 1:06:46 | 1:06:48 | |
LAWYER: 'Something happened in 1982 | 1:06:48 | 1:06:51 | |
'that kinda turned your world upside down.' | 1:06:51 | 1:06:54 | |
David! | 1:06:54 | 1:06:56 | |
DAVID: 'Yes, sir.' | 1:06:56 | 1:06:58 | |
We, uh... | 1:06:58 | 1:07:00 | |
We went to the lake for the weekend | 1:07:00 | 1:07:03 | |
and I put her on the train to go back into the city that evening | 1:07:03 | 1:07:06 | |
and that was the last time I ever saw her. | 1:07:06 | 1:07:08 | |
'But according to statements made to the police at the time | 1:07:11 | 1:07:14 | |
'she was in fact seen later that night | 1:07:14 | 1:07:17 | |
'at your apartment in the city.' | 1:07:17 | 1:07:19 | |
Miss Katie. | 1:07:19 | 1:07:21 | |
'Yes, sir.' | 1:07:21 | 1:07:23 | |
'Your doorman said he saw her the next morning, | 1:07:26 | 1:07:29 | |
'making a phone call and getting into a taxi cab. | 1:07:29 | 1:07:32 | |
'Is that correct?' | 1:07:32 | 1:07:33 | |
Uh, yeah, that's correct. | 1:07:36 | 1:07:39 | |
So at the time there was a substantial investigation | 1:07:39 | 1:07:42 | |
into Katie's disappearance. | 1:07:42 | 1:07:44 | |
Yes, sir. | 1:07:46 | 1:07:48 | |
And were you ever considered a suspect? | 1:07:48 | 1:07:50 | |
No. | 1:07:53 | 1:07:55 | |
WOMAN: As you know, Katherine Marks | 1:08:01 | 1:08:03 | |
has been missing now for five days. | 1:08:03 | 1:08:05 | |
David, her husband, is very distraught. | 1:08:05 | 1:08:08 | |
And so he's asked that I speak to you on his behalf. | 1:08:08 | 1:08:11 | |
Now the Marks family is offering a 15,000 reward | 1:08:11 | 1:08:15 | |
for any information that leads | 1:08:15 | 1:08:18 | |
to the discovery of Katie's whereabouts. | 1:08:18 | 1:08:20 | |
I'm sorry, but, uh, for the moment | 1:08:20 | 1:08:23 | |
that's all I'm able to tell you. Thank you. | 1:08:23 | 1:08:25 | |
Thank you. There'll be no more questions at this time. | 1:08:25 | 1:08:27 | |
-Can we just get a phone number? -Thank you. | 1:08:27 | 1:08:29 | |
Please, can you just respect the family's need for privacy | 1:08:29 | 1:08:32 | |
at this very difficult time? | 1:08:32 | 1:08:33 | |
We'll keep you up-to-date if anything new comes along. | 1:08:33 | 1:08:36 | |
Where are we going next? | 1:08:45 | 1:08:47 | |
Uh, we haven't covered west end below 70th. | 1:08:47 | 1:08:52 | |
We can start again early in the morning. | 1:08:58 | 1:09:01 | |
Yeah. | 1:09:02 | 1:09:04 | |
ENGINE STARTS | 1:09:04 | 1:09:06 | |
ENGINE STOPS | 1:09:09 | 1:09:11 | |
HE SOBS | 1:09:11 | 1:09:12 | |
It's all right. | 1:09:18 | 1:09:19 | |
LAWYER: 'So, David, I want to get you now | 1:09:43 | 1:09:46 | |
'to the year 2000.' | 1:09:46 | 1:09:48 | |
Um, | 1:09:52 | 1:09:54 | |
if I could have some water? | 1:09:54 | 1:09:57 | |
Right away. | 1:10:02 | 1:10:04 | |
Thank you for coming on such short notice. | 1:10:08 | 1:10:10 | |
Due to new evidence | 1:10:10 | 1:10:12 | |
and a close look at the case, | 1:10:12 | 1:10:14 | |
I've decided to reopen the investigation | 1:10:14 | 1:10:16 | |
into the disappearance of Katherine Marks. | 1:10:16 | 1:10:19 | |
Katherine disappeared in 1982, | 1:10:19 | 1:10:21 | |
almost 20 years ago | 1:10:21 | 1:10:23 | |
and she remains a missing person to this day. | 1:10:23 | 1:10:26 | |
Now there are plenty of people who thought they got away with crimes | 1:10:26 | 1:10:29 | |
that we're now finding can be solved | 1:10:29 | 1:10:31 | |
based on DNA and other forensic evidence. | 1:10:31 | 1:10:34 | |
And I'm sure that puts a lot of people on edge right now. | 1:10:34 | 1:10:36 | |
I'll take your questions. | 1:10:36 | 1:10:38 | |
REPORTERS CLAMOURING | 1:10:38 | 1:10:41 | |
LAWYER: 'Well, what did you believe was going on?' | 1:10:41 | 1:10:43 | |
DAVID: 'Well, it was clear to me that the District Attorney | 1:10:43 | 1:10:46 | |
'was reopening the investigation to further her political career. | 1:10:46 | 1:10:49 | |
'There wasn't anybody who didn't know about it. | 1:10:49 | 1:10:52 | |
'You couldn't walk down the street, | 1:10:52 | 1:10:54 | |
'you couldn't walk past the newspaper stand. | 1:10:54 | 1:10:56 | |
'It was just, you know,' | 1:10:56 | 1:10:59 | |
everywhere. | 1:10:59 | 1:11:01 | |
What did you do then? | 1:11:01 | 1:11:03 | |
I... | 1:11:03 | 1:11:06 | |
intended to fill up my car | 1:11:06 | 1:11:08 | |
with clothing and linen and go somewhere | 1:11:08 | 1:11:10 | |
and hide and disguise myself. | 1:11:10 | 1:11:13 | |
It seemed to me | 1:11:13 | 1:11:14 | |
that the problem was being David Marks... | 1:11:14 | 1:11:17 | |
So I just wanted not to be David Marks anymore. | 1:11:18 | 1:11:20 | |
LATIN RAP MUSIC PLAYING | 1:11:22 | 1:11:24 | |
DOOR OPENS MAN: Hey! | 1:11:38 | 1:11:40 | |
Do you mind? Can you just hold it down a little bit? | 1:11:40 | 1:11:43 | |
You know, it's just very abrasive on my ears. | 1:11:43 | 1:11:45 | |
And you don't have to let the door slam like that. | 1:11:45 | 1:11:49 | |
You know, I just need a little consideration. | 1:11:49 | 1:11:51 | |
What? | 1:11:52 | 1:11:54 | |
LAWYER: 'So now you're living in Galveston, Texas, | 1:11:57 | 1:12:00 | |
'and you meet Malvern Bump for the first time.' | 1:12:00 | 1:12:02 | |
'Did you pretend to be mute?' | 1:12:10 | 1:12:12 | |
DAVID: 'Uh, yeah.' | 1:12:14 | 1:12:15 | |
Yeah, well, just be sure and turn the hall light off | 1:12:15 | 1:12:19 | |
when you're coming and leaving, cos it's on my meter. | 1:12:19 | 1:12:22 | |
'Do you think Malvern believed you were a mute?' | 1:12:25 | 1:12:28 | |
'I doubt it.' | 1:12:28 | 1:12:30 | |
'Do you think he believed you were a woman?' | 1:12:30 | 1:12:33 | |
'Probably not.' | 1:12:33 | 1:12:34 | |
REPORTER: 18 years ago this lakeside cottage | 1:12:37 | 1:12:39 | |
was a weekend retreat for New York real estate heir | 1:12:39 | 1:12:42 | |
David Marks and his wife Katherine, a beautiful young medical student. | 1:12:42 | 1:12:45 | |
Now according to Westchester County District Attorney Janice Rizzo, | 1:12:45 | 1:12:49 | |
it is being considered a possible crime scene. | 1:12:49 | 1:12:52 | |
Earlier today, in an exhaustive search, | 1:12:52 | 1:12:55 | |
cadaver dogs uncovered a body. | 1:12:55 | 1:12:57 | |
Unfortunately for hopeful investigators, | 1:12:57 | 1:13:00 | |
it was just the remains of a dead dog. | 1:13:00 | 1:13:03 | |
Sources inside the DA'S office say that Rizzo's interest | 1:13:03 | 1:13:06 | |
in the case was triggered by an unpublished manuscript | 1:13:06 | 1:13:09 | |
written by this woman, Deborah Lehrman. | 1:13:09 | 1:13:11 | |
Lehrman's novel apparently describes a murder, | 1:13:11 | 1:13:14 | |
the details of which are strikingly similar... PHONE RINGING | 1:13:14 | 1:13:17 | |
..to those surrounding the disappearance of Katie Marks in 1982. | 1:13:17 | 1:13:20 | |
Investigators are also interested in talking to David Marks, | 1:13:20 | 1:13:24 | |
but at the moment, no-one seems to be able to find him. | 1:13:24 | 1:13:26 | |
Reporting live... RINGING CONTINUES | 1:13:26 | 1:13:28 | |
-DAVID'S VOICE: Leave a message. -BEEP | 1:13:28 | 1:13:31 | |
'David, it's Deborah. | 1:13:35 | 1:13:38 | |
'I can't believe this is happening again. | 1:13:38 | 1:13:41 | |
'I don't know how people get my number.' | 1:13:41 | 1:13:44 | |
First it was this... it was this reporter | 1:13:44 | 1:13:46 | |
And now a cop's calling from New York | 1:13:46 | 1:13:48 | |
every five minutes. | 1:13:48 | 1:13:50 | |
'And I want to be there for you, David, uh, I do, | 1:13:52 | 1:13:54 | |
'but, uh...' | 1:13:54 | 1:13:55 | |
I have my own problems now. Fuck... | 1:13:55 | 1:14:01 | |
'I had an accident. | 1:14:03 | 1:14:05 | |
'It's nothing serious, but my car needs... | 1:14:05 | 1:14:07 | |
-SHE SNIFFS -'..it needs some repairs. | 1:14:07 | 1:14:10 | |
'As you know, | 1:14:10 | 1:14:12 | |
'life in Los Angeles without one is impossible.' | 1:14:12 | 1:14:15 | |
-Come on, let's go. -DOG BARKS | 1:14:15 | 1:14:17 | |
'And uh...' Lulu, let's go. Oh, fuck! | 1:14:17 | 1:14:20 | |
Shit. Come on. 'I hate myself for asking, but... | 1:14:20 | 1:14:23 | |
'I need more money.' | 1:14:23 | 1:14:25 | |
Come on! | 1:14:25 | 1:14:27 | |
-'I don't know if this is record...' -BEEP | 1:14:30 | 1:14:32 | |
PHONE RINGS | 1:14:54 | 1:14:57 | |
-'Leave a message.' -BEEP | 1:14:57 | 1:15:00 | |
DEBORAH: 'David, why are you avoiding me? | 1:15:00 | 1:15:04 | |
'I've always been there for you. | 1:15:04 | 1:15:06 | |
'I've been a good... a good friend to you. | 1:15:06 | 1:15:08 | |
-'Don't you fucking...' -BEEP | 1:15:08 | 1:15:10 | |
WATER RUNNING | 1:15:14 | 1:15:15 | |
Malvern: Who says I'm bothering 'em? I pay my rent like everybody else. | 1:15:15 | 1:15:19 | |
MAN: You've got 30 days, Malvern! | 1:15:19 | 1:15:21 | |
I pay you! I pay good money for this shithole! | 1:15:21 | 1:15:23 | |
Get away. I got rights here. | 1:15:23 | 1:15:25 | |
What rights? You got 30 days to get out, Malvern. | 1:15:25 | 1:15:29 | |
You're lucky I don't call the cops. | 1:15:29 | 1:15:31 | |
-Where am I going to go? -Whatever. | 1:15:31 | 1:15:33 | |
You got 30 days, Malvern. | 1:15:33 | 1:15:35 | |
And stop turning off the goddamn light. | 1:15:35 | 1:15:37 | |
It's on my meter. DOOR CLOSES | 1:15:41 | 1:15:44 | |
LAWYER: 'What sort of relationship developed between you and Malvern? | 1:15:46 | 1:15:49 | |
DAVID: 'We became good friends.' | 1:15:55 | 1:15:58 | |
GUNSHOT | 1:16:01 | 1:16:03 | |
Where the hell did you learn to shoot like that? | 1:16:12 | 1:16:15 | |
MEN LAUGHING | 1:16:15 | 1:16:17 | |
-The purple heart... -I swear to god. | 1:16:20 | 1:16:22 | |
...for a sunburn. | 1:16:22 | 1:16:25 | |
And then we spent the entire war | 1:16:25 | 1:16:28 | |
shooting coconuts off the side of the boat. | 1:16:28 | 1:16:30 | |
HE COUGHS | 1:16:33 | 1:16:34 | |
HE SPITS | 1:16:36 | 1:16:38 | |
COUGHING CONTINUES | 1:16:39 | 1:16:41 | |
Why do you wear all that shit for anyway? | 1:16:59 | 1:17:02 | |
What? | 1:17:04 | 1:17:06 | |
The girl stuff. | 1:17:07 | 1:17:09 | |
You like that kind of thing? | 1:17:10 | 1:17:12 | |
No. | 1:17:15 | 1:17:18 | |
I guess... | 1:17:18 | 1:17:20 | |
I just kinda want to disappear for a little while. | 1:17:23 | 1:17:26 | |
What about you? Is that why you came out here? | 1:17:29 | 1:17:31 | |
Yeah. | 1:17:36 | 1:17:38 | |
Me, I... | 1:17:38 | 1:17:39 | |
I disappeared a long time ago. | 1:17:43 | 1:17:46 | |
HE EXHALES | 1:17:56 | 1:17:58 | |
Oh. | 1:17:58 | 1:18:00 | |
You know, I'm not always home | 1:18:00 | 1:18:03 | |
and I know how you like to watch television. | 1:18:03 | 1:18:07 | |
So... | 1:18:07 | 1:18:09 | |
You seem like someone I can trust. | 1:18:13 | 1:18:15 | |
You know, I may need you to do something for me one day. | 1:18:15 | 1:18:18 | |
Thanks. | 1:18:22 | 1:18:24 | |
LAWYER: 'In the days and weeks to come, | 1:18:37 | 1:18:39 | |
'did Malvern become aware that you had a lot of money?' | 1:18:39 | 1:18:42 | |
DAVID: 'I mean, he became aware that I was | 1:18:42 | 1:18:44 | |
'planning on buying a house.' | 1:18:44 | 1:18:47 | |
'What effect did you see that have on Malvern?' | 1:18:47 | 1:18:50 | |
'Uh... | 1:18:50 | 1:18:52 | |
'Well, Malvern had a problem. | 1:18:52 | 1:18:54 | |
'He was getting evicted | 1:18:54 | 1:18:56 | |
'and I guess he thought I was going to be the solution.' | 1:18:56 | 1:18:59 | |
'I remember looking at houses together, | 1:19:06 | 1:19:08 | |
'and he was saying things like, | 1:19:08 | 1:19:10 | |
'"well, this would be a good place for you to buy | 1:19:10 | 1:19:12 | |
'"Because there'd be room for me over there." | 1:19:12 | 1:19:14 | |
'Yeah, it was very uncomfortable.' | 1:19:14 | 1:19:16 | |
This place might be good for us, Malvern. | 1:19:19 | 1:19:22 | |
PHONE RINGS | 1:19:25 | 1:19:29 | |
-'Leave a message.' -BEEP | 1:19:29 | 1:19:32 | |
-DEBORAH: -'David, I need to see you. | 1:19:32 | 1:19:34 | |
'You need to come out here. | 1:19:34 | 1:19:37 | |
'If I don't hear from you, I... | 1:19:37 | 1:19:39 | |
'I'm going to blow the lid off things. | 1:19:39 | 1:19:41 | |
'You know what I'm talking about.' | 1:19:41 | 1:19:43 | |
BEEP | 1:19:43 | 1:19:45 | |
-David? -TV PLAYING LOUDLY | 1:20:03 | 1:20:05 | |
-BARKING -I know. David? | 1:20:05 | 1:20:07 | |
David! | 1:20:08 | 1:20:10 | |
You didn't give me time to clean up. Turn that down. | 1:20:10 | 1:20:14 | |
TV: '...benefits eclipse the 400,000 watermark | 1:20:14 | 1:20:17 | |
-'to 411,000 last week...' -Cocksucker. | 1:20:17 | 1:20:18 | |
David, you're going to go deaf. | 1:20:18 | 1:20:20 | |
FLY BUZZING | 1:20:25 | 1:20:27 | |
GUNSHOT | 1:20:40 | 1:20:42 | |
DIAL TONE | 1:20:57 | 1:20:58 | |
SNORING, PHONE RINGS | 1:21:02 | 1:21:07 | |
-'Leave a message.' -BEEP | 1:21:07 | 1:21:09 | |
MALVERN: 'David, are you there? | 1:21:09 | 1:21:13 | |
'Everything is taken care of.' | 1:21:13 | 1:21:16 | |
You told me to call, so... | 1:21:16 | 1:21:18 | |
I'm calling. | 1:21:18 | 1:21:21 | |
I just need something to eat. | 1:21:21 | 1:21:23 | |
I haven't had anything to eat and there's no food here. | 1:21:23 | 1:21:26 | |
So I thought, well, | 1:21:26 | 1:21:28 | |
maybe I'd stop on the way back and... | 1:21:28 | 1:21:30 | |
BEEP | 1:21:30 | 1:21:32 | |
HE DIALS | 1:21:46 | 1:21:47 | |
Hello, yes, | 1:21:49 | 1:21:51 | |
my friend and I came to your open house a few weeks ago, | 1:21:51 | 1:21:54 | |
uh, for unit 107. | 1:21:54 | 1:21:57 | |
Deborah Lehrman wasn't just killed, it was an execution. | 1:21:57 | 1:22:00 | |
Her death is a very questionable death, Michelle. | 1:22:00 | 1:22:03 | |
Not just in terms of the fact that it was a homicide, | 1:22:03 | 1:22:05 | |
but the timing is extremely curious. | 1:22:05 | 1:22:08 | |
Curious because Deborah Lehrman was murdered | 1:22:08 | 1:22:11 | |
just before District Attorney Janice Rizzo had | 1:22:11 | 1:22:14 | |
intended to question her about another mystery... | 1:22:14 | 1:22:16 | |
The disappearance 20 years earlier | 1:22:16 | 1:22:18 | |
of a beautiful young medical student named Katherine... | 1:22:18 | 1:22:21 | |
OK, you have the "post" interview, Marks, | 1:22:57 | 1:22:59 | |
then a phoner with WINS, also about the Marks case, | 1:22:59 | 1:23:03 | |
which we can do from the car. | 1:23:03 | 1:23:06 | |
We got a call from Albany. | 1:23:06 | 1:23:08 | |
They want you to do that meeting tonight. | 1:23:08 | 1:23:10 | |
-Got the numbers I asked for? -Yeah. | 1:23:11 | 1:23:14 | |
They've been very generous to the governor. | 1:23:14 | 1:23:16 | |
Totals are in the last column. | 1:23:16 | 1:23:18 | |
These are all from the Marks family? | 1:23:18 | 1:23:20 | |
I'll have to change. | 1:23:26 | 1:23:29 | |
PHONE RINGS | 1:23:35 | 1:23:38 | |
-'Leave a message.' -BEEP | 1:23:38 | 1:23:42 | |
David? | 1:23:42 | 1:23:43 | |
Come on, David. | 1:23:45 | 1:23:47 | |
I know what's going on. | 1:23:47 | 1:23:50 | |
I talked to the broker. | 1:23:50 | 1:23:52 | |
She said you... | 1:23:52 | 1:23:54 | |
She says you never even made an offer. | 1:23:54 | 1:23:57 | |
I trusted you. We had a deal. | 1:23:58 | 1:24:00 | |
Pick up the fucking phone! | 1:24:02 | 1:24:04 | |
-Hello. -Mr Sachs. | 1:24:16 | 1:24:18 | |
-Solly. Good to see you. -You too. | 1:24:18 | 1:24:20 | |
-Pl-please. -Yes. | 1:24:20 | 1:24:21 | |
Oh. | 1:24:21 | 1:24:23 | |
-No, no, don't get up. -Thank you for coming. | 1:24:34 | 1:24:36 | |
My pleasure. | 1:24:36 | 1:24:38 | |
Now what can I do for you? | 1:24:39 | 1:24:42 | |
Some things have been happening | 1:24:42 | 1:24:44 | |
that have been quite uncomfortable for my family. | 1:24:44 | 1:24:47 | |
TV: 'You want the ship to go down? We're in a typhoon.' | 1:24:53 | 1:24:55 | |
LAWYER: 'So, David, on the night in question | 1:25:14 | 1:25:17 | |
'you came home and found Malvern had been evicted.' | 1:25:17 | 1:25:20 | |
-TV PLAYING -DAVID: 'Uh, yes.' | 1:25:20 | 1:25:23 | |
'Explain to the jury, please, what happened then.' | 1:25:26 | 1:25:29 | |
TV: '..That pays attention to my orders? | 1:25:33 | 1:25:36 | |
'Engine room reports number one switchboard | 1:25:36 | 1:25:40 | |
'shorted out by saltwater. Shifted to number two.' | 1:25:40 | 1:25:42 | |
'Can't do much better heading into the wind.' | 1:25:45 | 1:25:47 | |
DOOR CLOSES I trusted you! | 1:25:47 | 1:25:50 | |
GUN COCKS | 1:25:50 | 1:25:52 | |
'Fleet course is 1,800. | 1:25:53 | 1:25:54 | |
'Captain, we're in serious trouble. | 1:25:54 | 1:25:57 | |
'Mr Marik, if you question my decisions once more, | 1:25:57 | 1:25:59 | |
'I'll order you off this bridge. | 1:25:59 | 1:26:01 | |
'You're not giving orders on this bridge anymore...' | 1:26:01 | 1:26:04 | |
-'Mr Marik, you're under arrest...' -TV FADES | 1:26:05 | 1:26:08 | |
LAWYER: 'So Malvern came at you with a gun?' | 1:26:08 | 1:26:10 | |
DAVID: 'That is correct. | 1:26:10 | 1:26:12 | |
'He, uh, had been evicted | 1:26:12 | 1:26:15 | |
'and he was desperate.' | 1:26:15 | 1:26:16 | |
PHONE JANGLES | 1:26:19 | 1:26:21 | |
He demanded that I | 1:26:21 | 1:26:23 | |
take him in. | 1:26:23 | 1:26:26 | |
And I just wasn't going to do that. | 1:26:26 | 1:26:28 | |
'Uh, there was a struggle and then the gun went off.' | 1:26:32 | 1:26:38 | |
GUNSHOT | 1:26:38 | 1:26:40 | |
'All right, then. | 1:26:43 | 1:26:45 | |
'If Malvern's death was a matter of self-defence, | 1:26:45 | 1:26:48 | |
'why didn't you call the police?' | 1:26:48 | 1:26:51 | |
'Because I knew that no-one would believe me. | 1:26:51 | 1:26:55 | |
'I just knew that no-one would believe | 1:26:55 | 1:26:57 | |
'that it was an accident. | 1:26:57 | 1:27:00 | |
'So I had to get rid of the body.' | 1:27:00 | 1:27:03 | |
'So no-one would believe you because of your past?' | 1:27:21 | 1:27:25 | |
-I'm sorry? -Your past. | 1:27:27 | 1:27:31 | |
Now let's clear that up. | 1:27:31 | 1:27:33 | |
Set the record straight. | 1:27:33 | 1:27:34 | |
Did you kill your best friend Deborah Lehrman? | 1:27:34 | 1:27:37 | |
Um... | 1:27:38 | 1:27:40 | |
DEBORAH: David, you're going to go deaf. | 1:27:42 | 1:27:45 | |
GUNSHOT | 1:27:45 | 1:27:47 | |
No. | 1:27:47 | 1:27:48 | |
'Can you think of any connection between the death of Deborah Lehrman | 1:27:52 | 1:27:55 | |
'and the disappearance of your wife Katie Marks?' | 1:27:55 | 1:27:58 | |
No, sir. | 1:28:11 | 1:28:13 | |
David, is there anything you would like to add? | 1:28:16 | 1:28:19 | |
SANFORD: David! | 1:28:24 | 1:28:25 | |
LAWYER: 'Anything else, David?' | 1:29:23 | 1:29:26 | |
No. | 1:29:27 | 1:29:29 | |
Thank you, David. | 1:29:31 | 1:29:33 | |
I have no more questions. | 1:29:33 | 1:29:35 | |
I miss her so much. | 1:31:10 | 1:31:12 | |
HE HUMS | 1:31:36 | 1:31:39 | |
# Glow my every night my honey lemon died... # | 1:31:48 | 1:31:51 | |
ELEVATOR DINGS | 1:31:51 | 1:31:53 | |
QUIET PA ANNOUNCEMENTS | 1:31:58 | 1:32:01 | |
DISTANT PHONE RINGING | 1:32:01 | 1:32:03 | |
MONITOR BEEPING | 1:32:03 | 1:32:04 | |
CLASSIC ROCK PLAYING | 1:32:13 | 1:32:16 | |
# Can you hear the evil crowd? | 1:32:36 | 1:32:39 | |
# The lies and the laughter | 1:32:41 | 1:32:43 | |
# I hear my inside | 1:32:44 | 1:32:47 | |
# The mechanised hum of another world | 1:32:47 | 1:32:50 | |
# Where no sun is shining | 1:32:51 | 1:32:54 | |
# No red light flashing | 1:32:56 | 1:32:59 | |
# Here in this darkness | 1:33:00 | 1:33:02 | |
# I know what I've done | 1:33:02 | 1:33:04 | |
# I know all at once who I am | 1:33:04 | 1:33:08 | |
# I'm a book-keeper's son | 1:33:08 | 1:33:10 | |
# I don't want | 1:33:10 | 1:33:13 | |
# To shoot no-one | 1:33:13 | 1:33:15 | |
# Well, I crossed my old man back in Oregon | 1:33:15 | 1:33:19 | |
# Don't take me alive | 1:33:19 | 1:33:21 | |
# Got a case of dynamite | 1:33:23 | 1:33:26 | |
# I could hold out here all night | 1:33:26 | 1:33:30 | |
# Yes, I crossed my old man back in Oregon | 1:33:30 | 1:33:34 | |
# Don't take me alive | 1:33:34 | 1:33:35 | |
# Don't take me alive. # | 1:33:37 | 1:33:40 |