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This film contains strong language. | 0:00:04 | 0:00:11 | |
REVVING ENGINE | 0:00:38 | 0:00:41 | |
INDISTINCT SPEECH ON TWO-WAY RADIO | 0:00:44 | 0:00:47 | |
BRAKES SQUEAL | 0:00:57 | 0:00:59 | |
BREAKS HISS | 0:00:59 | 0:01:01 | |
ENGINE STOPS | 0:01:01 | 0:01:03 | |
METALLIC CLINK | 0:01:20 | 0:01:22 | |
METALLIC CLINK | 0:01:25 | 0:01:27 | |
RUSTLING | 0:01:47 | 0:01:49 | |
GROWLING | 0:01:49 | 0:01:50 | |
BIRDCALLS | 0:02:17 | 0:02:20 | |
CROW CAWS AND FLIES AWAY | 0:02:43 | 0:02:44 | |
FLIES BUZZ | 0:02:44 | 0:02:47 | |
HE COUGHS AND RETCHES | 0:02:47 | 0:02:49 | |
PHONE RINGS | 0:02:58 | 0:03:00 | |
GROANING | 0:03:04 | 0:03:05 | |
Yeah? | 0:03:11 | 0:03:13 | |
All right. | 0:03:14 | 0:03:16 | |
OK. | 0:03:16 | 0:03:18 | |
ENGINE RUNS | 0:03:24 | 0:03:28 | |
POLICE RADIO CHATTER | 0:03:30 | 0:03:33 | |
-Jay. -Hey, Robbo. | 0:04:00 | 0:04:03 | |
What's the story? | 0:04:06 | 0:04:08 | |
We got a truckie pull up to check his trailers. | 0:04:08 | 0:04:12 | |
Heard a wild dog growlin' from here under the bridge. | 0:04:12 | 0:04:15 | |
Smelt somethin' rotten. | 0:04:15 | 0:04:17 | |
How'd he know it was a wild dog? | 0:04:17 | 0:04:19 | |
Guess he just knows the difference, I s'pose, you know, | 0:04:20 | 0:04:24 | |
between a wild dog and a... wild kind of normal dog. | 0:04:24 | 0:04:27 | |
Who let Macca talk to the truckie? | 0:04:28 | 0:04:31 | |
INAUDIBLE SPEECH | 0:04:32 | 0:04:35 | |
Guess he just, uh, let himself, mate. | 0:04:36 | 0:04:40 | |
Are these your footprints? | 0:05:08 | 0:05:10 | |
Yeah, I guess they are. | 0:05:10 | 0:05:12 | |
So the other ones there belong to the truck driver. | 0:05:14 | 0:05:17 | |
Why isn't this crime scene locked off? | 0:05:17 | 0:05:19 | |
I didn't think we'd worry about it out here, Jay. | 0:05:19 | 0:05:23 | |
It's the middle of nowhere. | 0:05:23 | 0:05:25 | |
So, you know her? | 0:05:25 | 0:05:26 | |
Yeah. | 0:05:28 | 0:05:30 | |
She's a local girl. | 0:05:30 | 0:05:33 | |
-I'll send a car out, then, eh? -Nah. | 0:05:33 | 0:05:37 | |
I better do it myself. | 0:05:37 | 0:05:39 | |
How's it going, Jim? | 0:05:52 | 0:05:54 | |
Nice to see you back, Detective. | 0:05:55 | 0:05:58 | |
Laceration to the throat, consistent with a knife wound. | 0:06:05 | 0:06:10 | |
Capable of causing death. | 0:06:10 | 0:06:12 | |
Time of death, oh... | 0:06:12 | 0:06:14 | |
48 to 72 hours ago. | 0:06:14 | 0:06:17 | |
And it probably wasn't here. | 0:06:18 | 0:06:20 | |
A few post-trauma wounds around the upper arm. | 0:06:23 | 0:06:26 | |
Probably...canine in origin. | 0:06:26 | 0:06:29 | |
Yeah. Truckie said he heard a dog growling in here. | 0:06:29 | 0:06:33 | |
Big bastard, was he? | 0:06:33 | 0:06:35 | |
The dog, I mean. | 0:06:35 | 0:06:37 | |
I don't know. He didn't see it. But he said it was a wild one. | 0:06:38 | 0:06:43 | |
How did he know it was a wild dog, Jay? | 0:06:43 | 0:06:46 | |
I was, uh... I was reading about wild dogs. | 0:06:50 | 0:06:53 | |
They were terrorising a town in Russia or someplace. | 0:06:53 | 0:06:57 | |
The people were too scared to go out at night. | 0:06:57 | 0:07:01 | |
Get this - | 0:07:01 | 0:07:02 | |
the dogs had learnt to travel on the subway. | 0:07:02 | 0:07:06 | |
They'd take the late-night trains into the city and scavenge for food, | 0:07:06 | 0:07:09 | |
and then take the early morning train back out. | 0:07:09 | 0:07:12 | |
Can you believe that? | 0:07:12 | 0:07:13 | |
Dogs taking trains. | 0:07:13 | 0:07:15 | |
It's a crazy world, getting crazier. | 0:07:16 | 0:07:20 | |
What've you got there, Jim? | 0:07:25 | 0:07:28 | |
Looks like a wild grass seed. | 0:07:28 | 0:07:31 | |
Oh, look at that. | 0:07:34 | 0:07:37 | |
Last moments of life. | 0:07:37 | 0:07:39 | |
HE SIGHS | 0:07:41 | 0:07:43 | |
It's a picture, ain't it? | 0:07:43 | 0:07:45 | |
-That's basically when I found the body. -Thanks for calling it in. Cheers. -Cheers. | 0:07:51 | 0:07:57 | |
Jay. | 0:08:04 | 0:08:05 | |
Sarge. | 0:08:05 | 0:08:07 | |
Bit early for ice cream. | 0:08:09 | 0:08:11 | |
Nice welcome home for ya. | 0:08:12 | 0:08:15 | |
Hope they taught you something down there in the big smoke. | 0:08:16 | 0:08:20 | |
Who is she? | 0:08:20 | 0:08:21 | |
Her name's Julie Mason. | 0:08:23 | 0:08:24 | |
Haven't seen her in a while. | 0:08:26 | 0:08:29 | |
Sarge, you know I've had nothing like this. | 0:08:31 | 0:08:36 | |
I know, Jay. | 0:08:36 | 0:08:38 | |
But sooner or later, you were going to get it. | 0:08:38 | 0:08:41 | |
I guess today's your lucky day. | 0:08:41 | 0:08:43 | |
So, what can you give me? | 0:08:46 | 0:08:48 | |
I got every spare wheel on the drug squad or the theft squad. | 0:08:48 | 0:08:52 | |
And Frank's leaving tomorrow. | 0:08:52 | 0:08:54 | |
Don't forget his dinner's tonight. | 0:08:54 | 0:08:56 | |
You're just going to have to ride bareback for a while. | 0:08:57 | 0:09:01 | |
There's too much shit going down. | 0:09:01 | 0:09:04 | |
Things have changed since you've been away. | 0:09:05 | 0:09:08 | |
Sarge... | 0:09:08 | 0:09:10 | |
we got a young girl stuffed under the highway. | 0:09:10 | 0:09:12 | |
I know. I know, Jay. | 0:09:16 | 0:09:19 | |
Just see what you can come up with. OK? | 0:09:22 | 0:09:26 | |
...which is very similar, but... Hang on. | 0:09:31 | 0:09:34 | |
-Jay. Got somethin' for me? -Hey, Macca. | 0:09:34 | 0:09:38 | |
Have you got somethin'? | 0:09:38 | 0:09:39 | |
-I got no comment. -Oh, come on, mate. | 0:09:39 | 0:09:42 | |
-Was she a local girl? -Come on, Macca. | 0:09:42 | 0:09:44 | |
Come on, Jay. This is your first big case. | 0:09:44 | 0:09:47 | |
You'll be surprised how much I can help you out. | 0:09:47 | 0:09:51 | |
We'll see what happens. If I need your help, I'll let you know. | 0:09:51 | 0:09:54 | |
Oh, just off the record. I mean... | 0:09:54 | 0:09:56 | |
-mate, off the record, something. -Thanks, Macca. | 0:09:56 | 0:09:59 | |
Come on, mate. I need something, all right? | 0:09:59 | 0:10:03 | |
No comment, Macca. | 0:10:03 | 0:10:04 | |
SIREN WAILS IN DISTANCE | 0:10:07 | 0:10:10 | |
CHILDREN SHOUTING | 0:10:16 | 0:10:18 | |
KNOCK ON DOOR | 0:10:28 | 0:10:30 | |
Ashley! | 0:10:31 | 0:10:33 | |
You there? | 0:10:33 | 0:10:34 | |
Yeah, what? | 0:11:09 | 0:11:11 | |
It's Julie. | 0:11:27 | 0:11:29 | |
She was found dead this morning. | 0:11:32 | 0:11:36 | |
-True? -Yeah. | 0:11:41 | 0:11:46 | |
I'm sorry. | 0:11:46 | 0:11:47 | |
She was found under the highway... | 0:11:49 | 0:11:52 | |
out of town. | 0:11:52 | 0:11:54 | |
She's been there a few days. | 0:11:54 | 0:11:57 | |
You know if anyone wanted to hurt Julie? | 0:12:01 | 0:12:04 | |
I... I don't know... | 0:12:05 | 0:12:08 | |
much about what she was up to these days. | 0:12:08 | 0:12:11 | |
When was the last time you saw her? | 0:12:12 | 0:12:15 | |
DOG HOWLS | 0:12:17 | 0:12:19 | |
Oh, I don't remember what day it was now. | 0:12:19 | 0:12:22 | |
Ashley... | 0:12:26 | 0:12:28 | |
ASHLEY SNIFFLES | 0:12:28 | 0:12:29 | |
Did Julie wear any jewellery? | 0:12:29 | 0:12:32 | |
Mm-hm. | 0:12:34 | 0:12:36 | |
She had a silver necklace with her name on it. | 0:12:37 | 0:12:42 | |
I gave it to her when she was little. | 0:12:45 | 0:12:48 | |
Did Julie have a phone? | 0:12:50 | 0:12:52 | |
Like that one. | 0:12:54 | 0:12:56 | |
Like this one. You sure? | 0:12:57 | 0:13:01 | |
Mmm. | 0:13:01 | 0:13:02 | |
I need a drink or somethin'. | 0:13:07 | 0:13:10 | |
You got a loan there, Bread? | 0:13:13 | 0:13:15 | |
Rightio! 69. 6-9. 20. | 0:13:20 | 0:13:23 | |
Number four. | 0:13:23 | 0:13:25 | |
45, 4-5. 54. | 0:13:25 | 0:13:28 | |
5-4. 79, 7-9. 70. 7-0. | 0:13:28 | 0:13:32 | |
Number nine. 24, 2-4. | 0:13:32 | 0:13:34 | |
75, 7-5. 37. | 0:13:34 | 0:13:37 | |
Hey, nephew. | 0:13:37 | 0:13:39 | |
Hey, Old Boy. | 0:13:39 | 0:13:41 | |
-I still see you're dyeing your hair. -THEY CHUCKLE | 0:13:41 | 0:13:45 | |
How's it goin'? | 0:13:45 | 0:13:46 | |
-Ah, no good. Them kids, they busted me out again. -HE CHUCKLES | 0:13:46 | 0:13:51 | |
How's the neighbourhood? | 0:13:52 | 0:13:54 | |
Oh, she's pretty wild these days, nephew. | 0:13:54 | 0:13:57 | |
Lots of drugs and shit goin' on. | 0:13:57 | 0:13:59 | |
A few new drug labs started up out of town. | 0:13:59 | 0:14:03 | |
There's more than enough people walkin' around on the gear, | 0:14:03 | 0:14:06 | |
goin' schizo. | 0:14:06 | 0:14:07 | |
You know Julie Mason, who belongs to Ashley? | 0:14:09 | 0:14:12 | |
Yeah, I know her. | 0:14:12 | 0:14:14 | |
What do you know about her? | 0:14:20 | 0:14:22 | |
So, what's going on? | 0:14:28 | 0:14:29 | |
I'm not too sure. | 0:14:32 | 0:14:34 | |
Well, Julie's into a bit of shit. | 0:14:36 | 0:14:38 | |
Mostly drugs. | 0:14:38 | 0:14:40 | |
I know she owes a lot of fellas money. | 0:14:40 | 0:14:44 | |
People say she's been goin' out with truckies. | 0:14:44 | 0:14:46 | |
What do you mean? | 0:14:49 | 0:14:51 | |
Well, having sex with them for money. | 0:14:51 | 0:14:54 | |
The trucks pick 'em up just outta town, | 0:14:54 | 0:14:56 | |
and they usually take 'em up out there and park near the big antenna. | 0:14:56 | 0:15:00 | |
What about her friends? | 0:15:01 | 0:15:03 | |
Oh, she's got a few. | 0:15:03 | 0:15:04 | |
I seen her getting around with that, um, Tarni Williams. | 0:15:04 | 0:15:09 | |
She lives in your old street. | 0:15:09 | 0:15:11 | |
It's a green-roof house across from the red-roof house. | 0:15:12 | 0:15:16 | |
Right next to the park. | 0:15:16 | 0:15:18 | |
Thanks, Old Boy. | 0:15:19 | 0:15:22 | |
Hey, you watch your back. | 0:15:22 | 0:15:24 | |
-Time to get my money back, eh? -HE LAUGHS | 0:15:25 | 0:15:29 | |
-OLD BOY: -Hey, you kids! | 0:15:29 | 0:15:31 | |
CHEERING AND LAUGHING | 0:15:31 | 0:15:34 | |
CHILDREN CHATTER | 0:15:48 | 0:15:51 | |
MUFFLED DRUMBEATS | 0:15:58 | 0:16:02 | |
DOGS BARK | 0:16:02 | 0:16:05 | |
DOOR CREAKS | 0:16:10 | 0:16:12 | |
Hey, cos. Your parents home? | 0:16:14 | 0:16:18 | |
What about Tarni? Is she home? | 0:16:21 | 0:16:24 | |
Tarni, someone's here for ya. | 0:16:26 | 0:16:28 | |
What? | 0:16:33 | 0:16:35 | |
Just want to ask you a few questions. | 0:16:35 | 0:16:37 | |
About what? | 0:16:37 | 0:16:39 | |
About Julie Mason. | 0:16:39 | 0:16:41 | |
I got nothin' to say. | 0:16:42 | 0:16:44 | |
Tarni! DOOR SLAMS | 0:16:44 | 0:16:46 | |
DOGS BARK | 0:16:46 | 0:16:49 | |
CLINK ON GLASS | 0:17:00 | 0:17:02 | |
Now I'd just like to start by saying, | 0:17:02 | 0:17:05 | |
Frank, you're a real one. | 0:17:05 | 0:17:06 | |
Thanks. | 0:17:06 | 0:17:09 | |
Scarce as rockin'-horse shit. | 0:17:09 | 0:17:11 | |
ALL LAUGH | 0:17:11 | 0:17:13 | |
Seriously, it's been a long time. | 0:17:13 | 0:17:15 | |
And I reckon the drug squad's just going to be lost without ya, eh, Johnno? | 0:17:15 | 0:17:18 | |
Oh, no. Speak... Speak for yourself, Sarge, eh? | 0:17:18 | 0:17:21 | |
LAUGHTER | 0:17:21 | 0:17:23 | |
Ah, it's going to be hard to replace you. | 0:17:25 | 0:17:28 | |
Jesus, it's hard to replace anyone out here. | 0:17:28 | 0:17:31 | |
As you know, this joint was robbed five times last month. | 0:17:31 | 0:17:33 | |
By the same teenage kid. | 0:17:33 | 0:17:35 | |
And just last week, | 0:17:35 | 0:17:37 | |
a junkie held a knife to a woman's throat just across the road from here. | 0:17:37 | 0:17:42 | |
And let us never forget poor young Constable Bobby Rogers, | 0:17:42 | 0:17:46 | |
who died last year in the line of the duty. | 0:17:46 | 0:17:49 | |
-God bless his soul and family. -Hear, hear. | 0:17:49 | 0:17:52 | |
Jesus, maybe we should all shoot through while we still can. | 0:17:52 | 0:17:55 | |
LAUGHTER | 0:17:55 | 0:17:57 | |
But for some of us, | 0:17:59 | 0:18:01 | |
it's the only home we know. | 0:18:01 | 0:18:04 | |
And we got to stop the rot. | 0:18:04 | 0:18:07 | |
And protect our way of life. | 0:18:07 | 0:18:09 | |
We hope you're going to think of us | 0:18:10 | 0:18:13 | |
when you're sinkin' cold ones on that tropical isle. | 0:18:13 | 0:18:15 | |
Raise your glasses. | 0:18:15 | 0:18:17 | |
Let's drink a toast to... | 0:18:17 | 0:18:19 | |
-What's your name, again? -ALL LAUGH | 0:18:19 | 0:18:21 | |
Frank and Joyce. To Frank and Joyce. | 0:18:21 | 0:18:23 | |
ALL: Frank and Joyce! | 0:18:23 | 0:18:24 | |
Happy trails. | 0:18:26 | 0:18:28 | |
-Good on you, Frank. -APPLAUSE | 0:18:28 | 0:18:32 | |
HE SIGHS | 0:18:55 | 0:18:57 | |
TYRES SQUEAL | 0:19:11 | 0:19:13 | |
CROW CAWS | 0:19:17 | 0:19:19 | |
VEHICLE APPROACHES | 0:19:43 | 0:19:46 | |
DOGS BARK COWS MOO | 0:20:13 | 0:20:16 | |
How's it goin'? | 0:20:19 | 0:20:20 | |
Yeah, not bad. | 0:20:20 | 0:20:22 | |
Here about that girl, are ya? | 0:20:25 | 0:20:27 | |
Yeah, that's right. | 0:20:27 | 0:20:29 | |
I can tell you now I don't know nothin' about it. | 0:20:30 | 0:20:34 | |
Well, that might be true, but I still need to ask you a few questions. | 0:20:34 | 0:20:37 | |
Yeah, well... | 0:20:37 | 0:20:39 | |
I got a herd of cattle here I got to drench. Won't get done by itself. | 0:20:39 | 0:20:43 | |
I understand, Mr...? | 0:20:43 | 0:20:45 | |
Bailey. Sam Bailey. | 0:20:45 | 0:20:49 | |
Mr Bailey, do you remember seeing any stopping down on the highway | 0:20:49 | 0:20:54 | |
on Friday or Saturday night? | 0:20:54 | 0:20:56 | |
There's always someone stopping there. Mostly truckies checkin' their load, I guess. | 0:20:56 | 0:21:01 | |
What about last Friday or Saturday night? | 0:21:01 | 0:21:04 | |
Might've been. I don't recall any details. | 0:21:04 | 0:21:07 | |
Like I said, I don't know nothin' about it. | 0:21:07 | 0:21:09 | |
Normally in bed by 9. I'm up at sparrow's. | 0:21:09 | 0:21:12 | |
Do you remember seeing anything strange out here lately? | 0:21:12 | 0:21:15 | |
Well... | 0:21:15 | 0:21:17 | |
We got these wild dogs running round everywhere. | 0:21:17 | 0:21:21 | |
Killed two of me young calves last week. | 0:21:21 | 0:21:23 | |
Only other thing strange is... | 0:21:26 | 0:21:29 | |
these young hoodlums come out from town, | 0:21:29 | 0:21:31 | |
tryin' to steal everything I own. | 0:21:31 | 0:21:33 | |
Yeah, I got signs and guard dogs and bloody car alarms. | 0:21:34 | 0:21:40 | |
Don't stop their little black hands gettin' on somethin'. | 0:21:40 | 0:21:43 | |
THUD | 0:21:44 | 0:21:46 | |
ENGINE STARTS | 0:22:01 | 0:22:03 | |
Are you a real copper or are you... | 0:22:03 | 0:22:05 | |
one of them black trackers who turns on his own type? | 0:22:05 | 0:22:08 | |
HE SPITS | 0:22:12 | 0:22:14 | |
No disrespect intended. | 0:22:15 | 0:22:17 | |
How much land you got here, Mr Bailey? | 0:22:24 | 0:22:26 | |
Far as you can see. | 0:22:27 | 0:22:29 | |
That's a lot of dirt. | 0:22:32 | 0:22:34 | |
Yeah, I guess. | 0:22:35 | 0:22:37 | |
Well, your children will have a pretty good future, then, won't they, eh? | 0:22:39 | 0:22:43 | |
You're a lucky man. | 0:22:44 | 0:22:47 | |
You know your way back to town, don't you? | 0:22:47 | 0:22:50 | |
BELL TOLLS SIREN WAILS | 0:22:55 | 0:22:58 | |
MAN CHUCKLES | 0:23:17 | 0:23:19 | |
He had a smile on him like a shot fox. | 0:23:19 | 0:23:21 | |
Johnno. | 0:23:21 | 0:23:23 | |
Jay boy. | 0:23:23 | 0:23:25 | |
Look, I'm going to have to get back to ya, Jack. | 0:23:27 | 0:23:29 | |
I will. Bit later. | 0:23:29 | 0:23:32 | |
Hooroo. | 0:23:33 | 0:23:34 | |
What? | 0:23:35 | 0:23:36 | |
What do you know about young girls prostituting to truck drivers out on the highway? | 0:23:36 | 0:23:41 | |
Oh, come on, Jay. It's only rumours. | 0:23:41 | 0:23:44 | |
Nothing's ever been officially reported. | 0:23:44 | 0:23:47 | |
Yeah, well, I want to put a sting on the truck drivers. | 0:23:47 | 0:23:49 | |
We'll put a young girl out on the highway, and we'll get a pool of suspects. | 0:23:49 | 0:23:54 | |
Where am I going to get the men for that? | 0:23:54 | 0:23:58 | |
What makes you think you're looking for a truckie? | 0:23:58 | 0:24:01 | |
Come on, Sarge, this shit has to be cleaned up anyway. | 0:24:01 | 0:24:05 | |
One war at a time, Jay. | 0:24:05 | 0:24:08 | |
It's all we can afford. | 0:24:08 | 0:24:09 | |
I'll tell you what... | 0:24:11 | 0:24:13 | |
I'll put in a request for a reward for information. | 0:24:14 | 0:24:18 | |
HE SCOFFS A reward? Jesus, Sarge. | 0:24:18 | 0:24:22 | |
That's the best I can do. | 0:24:22 | 0:24:24 | |
KNOCK AT DOOR | 0:24:24 | 0:24:26 | |
Jay, got Jim on line one for you. | 0:24:26 | 0:24:29 | |
-JIM: -'Approximate time of death occurred sometime, oh... | 0:24:43 | 0:24:46 | |
'last Friday night. | 0:24:46 | 0:24:48 | |
'cause of death is... | 0:24:48 | 0:24:49 | |
'is definitely from the laceration across the trachea, | 0:24:49 | 0:24:52 | |
'probably from a, say, 20cm knife with a serrated edge.' | 0:24:52 | 0:24:56 | |
-Like a hunting knife? -'Yeah. | 0:24:56 | 0:25:00 | |
'But not a cheap one. High quality, very sharp. | 0:25:00 | 0:25:02 | |
'And the bite marks are definitely from a dog, a bloody big one.' | 0:25:02 | 0:25:07 | |
-You got any fibres? -'Hang on a sec. Yeah, yeah. | 0:25:07 | 0:25:11 | |
'A light brown fibre was found in one of the girl's fingernails. | 0:25:11 | 0:25:15 | |
-'It's been sent away for analysis.' -What does it look like? | 0:25:15 | 0:25:19 | |
'Oh, I really couldn't say, mate.' | 0:25:19 | 0:25:21 | |
Well, what about the blood tests? | 0:25:22 | 0:25:24 | |
'Uh, nothing, really. | 0:25:24 | 0:25:26 | |
'Pretty much came up with a blank except for minute alcohol traces.' | 0:25:26 | 0:25:30 | |
HE SIGHS All right, thanks, Jim. | 0:25:30 | 0:25:33 | |
'No worries, mate.' | 0:25:33 | 0:25:35 | |
G'day, Jay. Long time, no see. | 0:25:44 | 0:25:47 | |
-Hey, Mick. How you going? -Oh, can't complain. | 0:25:47 | 0:25:50 | |
How's your old man's Winchester holding up? | 0:25:50 | 0:25:52 | |
Still shootin' straight. | 0:25:52 | 0:25:53 | |
Yeah, don't make 'em like that any more. | 0:25:53 | 0:25:56 | |
Well, what can I do you for? | 0:25:57 | 0:25:58 | |
What have you got in the way of hunting knives? | 0:25:58 | 0:26:01 | |
Let's see. Uh... | 0:26:01 | 0:26:03 | |
This is the range I got here, but I could, uh... | 0:26:03 | 0:26:07 | |
get somethin' in special on order if you want. | 0:26:07 | 0:26:10 | |
Give us a look at that big Blackhawk you got there. | 0:26:11 | 0:26:14 | |
She's a beauty. | 0:26:18 | 0:26:19 | |
You sold many of these lately? | 0:26:25 | 0:26:28 | |
Yeah, quite a few. Pig hunters and 'roo shooters just love 'em. | 0:26:28 | 0:26:32 | |
Do you remember who you might've sold them to? | 0:26:32 | 0:26:35 | |
-HE SIGHS -Gee whiz. | 0:26:36 | 0:26:39 | |
Memory's not what it used to be and | 0:26:39 | 0:26:41 | |
I only take cash for those, so I got no records. | 0:26:41 | 0:26:43 | |
OK. Thanks, Mick. | 0:26:44 | 0:26:46 | |
This wouldn't have anything to do with that girl they found on the highway? | 0:26:48 | 0:26:52 | |
I really can't say, Mick. | 0:26:55 | 0:26:58 | |
Thought as much. | 0:26:58 | 0:27:00 | |
But I'll take a box of your best 308s. Hollow points. | 0:27:00 | 0:27:03 | |
Yeah, no problems, Jay. | 0:27:03 | 0:27:04 | |
TRAIN HOOTS CHILDREN SHOUT | 0:27:10 | 0:27:13 | |
VEHICLE APPROACHES | 0:27:28 | 0:27:31 | |
ENGINE REVS | 0:27:38 | 0:27:40 | |
TYRES SCREECH | 0:27:41 | 0:27:44 | |
How you going, my little brothers? | 0:27:55 | 0:27:57 | |
Good. You a copper, brah? | 0:27:57 | 0:28:00 | |
Yeah. | 0:28:01 | 0:28:03 | |
We hate coppers, brah. | 0:28:03 | 0:28:04 | |
We kill coppers, brah. | 0:28:04 | 0:28:06 | |
MIMICS GUNSHOT | 0:28:08 | 0:28:09 | |
Who you lookin' for? | 0:28:11 | 0:28:13 | |
Ashley. You seen her? | 0:28:13 | 0:28:15 | |
They gone. | 0:28:15 | 0:28:16 | |
-Gone where? -Different town. | 0:28:16 | 0:28:19 | |
Yeah? How'd they go? | 0:28:19 | 0:28:22 | |
Train. | 0:28:22 | 0:28:23 | |
OK. Thanks, little brother. | 0:28:27 | 0:28:30 | |
I found a phone like that. | 0:28:30 | 0:28:32 | |
Yeah? Where'd you find it? | 0:28:37 | 0:28:40 | |
Just there. | 0:28:40 | 0:28:41 | |
Just there, on the road? | 0:28:43 | 0:28:45 | |
Yeah. | 0:28:45 | 0:28:46 | |
Is that a real gun? | 0:28:48 | 0:28:50 | |
What do you think? | 0:28:52 | 0:28:53 | |
Can I look at it? | 0:28:53 | 0:28:55 | |
Well, you tell me what you did with that phone first, | 0:28:55 | 0:28:58 | |
and then I'll give you a look at my gun. | 0:28:58 | 0:29:00 | |
Show me your gun first. | 0:29:00 | 0:29:02 | |
Let me hold it. | 0:29:10 | 0:29:11 | |
EJECTS BULLET | 0:29:22 | 0:29:24 | |
TRAIN HOOTS CHILDREN CHATTER | 0:29:34 | 0:29:37 | |
BOY: You're not allowed to look at it! | 0:29:39 | 0:29:41 | |
Thanks, little brother. | 0:30:00 | 0:30:02 | |
WIND HOWLS DISTANT CAR ENGINES | 0:30:40 | 0:30:44 | |
DISTANT SIREN WAILS | 0:30:44 | 0:30:46 | |
Heard you was back. | 0:31:03 | 0:31:04 | |
How ya been, Mary? | 0:31:07 | 0:31:09 | |
Not bad. | 0:31:09 | 0:31:11 | |
What you up to? | 0:31:11 | 0:31:14 | |
Oh, not much. | 0:31:14 | 0:31:16 | |
Just workin'. | 0:31:16 | 0:31:18 | |
Ah, still workin' hard. | 0:31:18 | 0:31:20 | |
Yeah, uh... heard you were a big detective now. | 0:31:20 | 0:31:24 | |
Yeah. | 0:31:24 | 0:31:25 | |
Guess so. | 0:31:25 | 0:31:27 | |
So you must be on good money, eh? | 0:31:27 | 0:31:29 | |
You look good. | 0:31:30 | 0:31:32 | |
Yeah? | 0:31:32 | 0:31:33 | |
Except for... | 0:31:35 | 0:31:37 | |
You know what I'm like. | 0:31:37 | 0:31:39 | |
I'm not going to back away from a fight, am I? | 0:31:43 | 0:31:45 | |
Is Crystal home? | 0:31:47 | 0:31:49 | |
You here about Julie? | 0:31:52 | 0:31:54 | |
You know about her? | 0:31:56 | 0:31:57 | |
So, what? You're just here for work? | 0:31:59 | 0:32:02 | |
Not here to see your daughter? | 0:32:02 | 0:32:04 | |
SHE SCOFFS | 0:32:08 | 0:32:09 | |
Crystal! | 0:32:10 | 0:32:12 | |
Your father wants ya. | 0:32:17 | 0:32:19 | |
SHE SIGHS | 0:32:32 | 0:32:34 | |
What you been doin'? | 0:32:40 | 0:32:41 | |
Oh, nothin'. Just Facebookin' and watchin' TV. | 0:32:43 | 0:32:46 | |
What happened to you? | 0:32:48 | 0:32:51 | |
Just fightin'. | 0:32:51 | 0:32:54 | |
How you goin' with your mother? | 0:32:59 | 0:33:01 | |
Still drinkin'? | 0:33:04 | 0:33:06 | |
All the time. | 0:33:06 | 0:33:08 | |
You know Julie Mason's dead. | 0:33:11 | 0:33:13 | |
Are you good friends with Tarni? | 0:33:28 | 0:33:31 | |
Sort of. | 0:33:31 | 0:33:32 | |
What did Julie call you about? | 0:33:36 | 0:33:38 | |
Nothin' much. | 0:33:38 | 0:33:41 | |
Was she in trouble? | 0:33:41 | 0:33:43 | |
She never said anything about it. | 0:33:43 | 0:33:45 | |
Did you know she was goin' with truckies? | 0:33:47 | 0:33:49 | |
Out on the highway? | 0:33:49 | 0:33:50 | |
Crystal, maybe you should come live with me for a while. | 0:34:01 | 0:34:04 | |
What for? | 0:34:04 | 0:34:06 | |
Get out of here for a few months. It'll do you good. | 0:34:07 | 0:34:10 | |
Or what about I get a job for ya? | 0:34:12 | 0:34:13 | |
-Like what? -I don't know. | 0:34:15 | 0:34:18 | |
Like in a dress shop or something. | 0:34:18 | 0:34:20 | |
What am I going to do in a dress shop? | 0:34:20 | 0:34:22 | |
INDISTINCT SPEECH OVER PA | 0:34:38 | 0:34:41 | |
CLOCK TICKING | 0:35:01 | 0:35:03 | |
BIRD CALLS | 0:36:14 | 0:36:16 | |
HE SIGHS | 0:36:44 | 0:36:46 | |
INDISTINCT SPEECH OVER RADIO | 0:37:19 | 0:37:21 | |
ENGINE STARTS | 0:38:03 | 0:38:05 | |
ENGINE STOPS | 0:38:19 | 0:38:21 | |
BIRD SCREECHES | 0:39:05 | 0:39:07 | |
ENGINE STARTS | 0:39:17 | 0:39:19 | |
INDISTINCT SPEECH OVER RADIO | 0:39:35 | 0:39:38 | |
HORN HONKS | 0:39:40 | 0:39:43 | |
Jay boy. | 0:40:11 | 0:40:13 | |
Hey, Johnno. | 0:40:13 | 0:40:15 | |
What you doing out here in the middle of the night? | 0:40:15 | 0:40:19 | |
Oh, you know, working late. | 0:40:19 | 0:40:21 | |
You work too hard, Jay boy, too hard. | 0:40:23 | 0:40:25 | |
You should learn to relax a bit, eh? | 0:40:25 | 0:40:28 | |
Maybe you should ask Sarge. | 0:40:28 | 0:40:30 | |
Ask Sarge for a bit of down time. | 0:40:30 | 0:40:32 | |
Yeah, I wish. | 0:40:32 | 0:40:34 | |
Yeah, don't we all. Don't we all. | 0:40:34 | 0:40:37 | |
What about you guys? What are you doing? | 0:40:47 | 0:40:50 | |
You know. Just doing a bit of intelligence. | 0:40:52 | 0:40:54 | |
Intelligence work. | 0:40:54 | 0:40:56 | |
Intelligence work, eh? | 0:40:57 | 0:40:59 | |
Yeah. Intelligence work. | 0:40:59 | 0:41:01 | |
We've been working out here a long time now, a long time. | 0:41:02 | 0:41:06 | |
Gone a long, long way to get where we are. | 0:41:06 | 0:41:08 | |
-Is that right? -Yeah. | 0:41:08 | 0:41:10 | |
And we'd really hate for someone to come along | 0:41:10 | 0:41:13 | |
and fuck up all our hard work. | 0:41:13 | 0:41:15 | |
Hey, can I, um... | 0:41:18 | 0:41:20 | |
Can I ask you something, Jay boy, eh? | 0:41:22 | 0:41:25 | |
You know, from one cop to another. | 0:41:25 | 0:41:27 | |
You ever... ever kill anyone? | 0:41:29 | 0:41:32 | |
-Come on, Johnno. -No, I mean by accident. | 0:41:35 | 0:41:38 | |
Sounds like you're the one who needs a break. | 0:41:45 | 0:41:48 | |
No, seriously, Jay boy. | 0:41:48 | 0:41:50 | |
Would you... would you tell anyone? You know, if you did? | 0:41:52 | 0:41:56 | |
I mean, if you could, you know, if you could get away with it, would you tell anyone? | 0:41:56 | 0:42:01 | |
Is there something you want to tell me, Johnno? | 0:42:03 | 0:42:06 | |
-Nah, I'm just fuckin' with ya, Jay boy! I'm just fuckin' with ya! -HE LAUGHS | 0:42:07 | 0:42:13 | |
Yeah, well, I better get home to sleep. | 0:42:20 | 0:42:22 | |
Yeah, good idea, Jay. Good idea. | 0:42:22 | 0:42:24 | |
Mate, maybe we could go out for a feed sometime. | 0:42:26 | 0:42:28 | |
Have a bit of a yarn. Hmm? Bit of a yarn. | 0:42:28 | 0:42:31 | |
Yeah, maybe. | 0:42:34 | 0:42:35 | |
No worries. | 0:42:37 | 0:42:39 | |
-Good night, Jay boy. -ENGINE STARTS | 0:42:39 | 0:42:41 | |
Jay. | 0:43:41 | 0:43:42 | |
Hey, Sarge. | 0:43:42 | 0:43:44 | |
How are the grandkids? | 0:43:44 | 0:43:46 | |
Spoilt. | 0:43:49 | 0:43:51 | |
Nice horse. | 0:43:53 | 0:43:56 | |
Two-year-old. | 0:43:56 | 0:43:59 | |
Worth a penny. | 0:43:59 | 0:44:00 | |
Or two. | 0:44:00 | 0:44:02 | |
You know your horses. I'd expect that from a bloke whose father was head stockman round these parts. | 0:44:03 | 0:44:09 | |
My first memory's on the back of his horse. | 0:44:10 | 0:44:12 | |
Out at Slaughter Hill Station. | 0:44:12 | 0:44:14 | |
That's before everyone left the mission and moved into town. | 0:44:14 | 0:44:17 | |
The simple life, hey, Jay? Whatever happened to it? | 0:44:17 | 0:44:20 | |
Warming up. | 0:44:23 | 0:44:25 | |
Yeah, she's going to be a hot one, all right? | 0:44:25 | 0:44:28 | |
I could do with a bit of amber. | 0:44:30 | 0:44:31 | |
Cheers, Jay. | 0:44:41 | 0:44:42 | |
So, how's it going? | 0:44:48 | 0:44:50 | |
Still lookin' for a truckie? | 0:44:50 | 0:44:52 | |
I don't know what I'm looking for. | 0:44:52 | 0:44:54 | |
It's hard to keep track of these young girls. | 0:44:54 | 0:44:57 | |
They don't like talking much. | 0:44:57 | 0:44:59 | |
I can imagine. | 0:44:59 | 0:45:00 | |
What do you know about Johnno before he joined the cops? | 0:45:02 | 0:45:06 | |
What do you mean? | 0:45:06 | 0:45:09 | |
Well, I saw him out on the highway last night with Robbo. | 0:45:09 | 0:45:12 | |
He was acting a bit strange. | 0:45:12 | 0:45:14 | |
SARGE LAUGHS | 0:45:14 | 0:45:15 | |
Probably thought the same thing about you. | 0:45:17 | 0:45:20 | |
He's from up north. | 0:45:20 | 0:45:22 | |
He got in a bit of trouble in the police up there. | 0:45:22 | 0:45:25 | |
Had to cop a transfer. | 0:45:25 | 0:45:27 | |
What kind of trouble? | 0:45:27 | 0:45:30 | |
I don't know the details, to be honest. | 0:45:30 | 0:45:33 | |
What do you reckon he was doing out there? | 0:45:33 | 0:45:36 | |
Not too sure. | 0:45:36 | 0:45:38 | |
Now, come on, Jay. | 0:45:38 | 0:45:40 | |
Don't get all paranoid on me. | 0:45:40 | 0:45:42 | |
Sometimes Johnno's got to go for a while without a wash. | 0:45:43 | 0:45:46 | |
That red dust can be hard to get off. | 0:45:46 | 0:45:48 | |
What if that red dust don't come off no matter how hard you try? | 0:45:50 | 0:45:53 | |
Ah, come on, Jay. | 0:45:55 | 0:45:57 | |
Your hands are going to get a bit grubby from time to time. | 0:45:57 | 0:46:00 | |
You'll get used to it. | 0:46:02 | 0:46:04 | |
Johnno's doing a good job. He's got some big busts coming up. | 0:46:04 | 0:46:08 | |
Make sure you don't get caught in the middle. | 0:46:09 | 0:46:11 | |
That's OK. | 0:46:15 | 0:46:17 | |
MUSIC FROM SLOT MACHINE | 0:46:17 | 0:46:20 | |
Been there all my life. | 0:46:22 | 0:46:24 | |
What, caught in the middle? | 0:46:24 | 0:46:26 | |
Yeah, I guess you have, you poor bugger. | 0:46:26 | 0:46:28 | |
LAUGHTER | 0:46:32 | 0:46:35 | |
Don't get in anyone's way. | 0:46:40 | 0:46:43 | |
I'll get you some help as soon as I can. | 0:46:43 | 0:46:45 | |
I've just remembered there's something I've got to do. | 0:46:50 | 0:46:53 | |
-I'll see you later, Jay. -Yeah, no worries. Thanks, Sarge. | 0:46:53 | 0:46:57 | |
INDISTINCT SPEECH | 0:47:00 | 0:47:03 | |
What are you doing here? | 0:47:14 | 0:47:16 | |
What's going on? | 0:47:16 | 0:47:18 | |
With what? | 0:47:18 | 0:47:20 | |
With Crystal. | 0:47:20 | 0:47:22 | |
What about her? | 0:47:22 | 0:47:24 | |
What's she hanging around those crazy girls for? | 0:47:24 | 0:47:26 | |
She's been hanging around them girls for years. | 0:47:26 | 0:47:29 | |
She got a boyfriend? | 0:47:29 | 0:47:31 | |
I don't know. Why don't you go ask her yourself? | 0:47:31 | 0:47:33 | |
-Cos she won't talk to me. -Of course she won't. | 0:47:33 | 0:47:36 | |
She told me you asked her to go live with ya. | 0:47:36 | 0:47:39 | |
She spent the whole night in her room crying after that. Nothing I could say to her. | 0:47:39 | 0:47:43 | |
You're too late, Jay | 0:47:43 | 0:47:45 | |
Ten years too fuckin' late. | 0:47:45 | 0:47:47 | |
SLOT MACHINE MUSIC What happened to you? | 0:47:51 | 0:47:53 | |
What?! | 0:47:53 | 0:47:54 | |
Who the fuck do you think you are? | 0:47:56 | 0:47:58 | |
Livin' over there all by yourself in that big, empty house. | 0:47:58 | 0:48:01 | |
Who do you think you are? | 0:48:01 | 0:48:04 | |
What did you want me to do? | 0:48:04 | 0:48:05 | |
Stay around here and watch you drink your life away? I did that one with my old man. | 0:48:05 | 0:48:09 | |
Hey, you weren't doing too badly yourself, remember. | 0:48:09 | 0:48:12 | |
At least I'm trying to make a difference in this town. | 0:48:14 | 0:48:17 | |
Yeah? | 0:48:17 | 0:48:18 | |
How's it workin' for ya? | 0:48:18 | 0:48:20 | |
You see, I know I've got problems. | 0:48:22 | 0:48:25 | |
And I made mistakes. | 0:48:25 | 0:48:26 | |
But at least I know who I am. | 0:48:26 | 0:48:29 | |
Do you? Really? | 0:48:32 | 0:48:33 | |
GUNSHOT | 0:49:37 | 0:49:38 | |
RIFLE COCKS | 0:49:42 | 0:49:44 | |
GUNSHOT | 0:49:55 | 0:49:57 | |
GUNSHOT | 0:50:08 | 0:50:10 | |
WIND WHISTLES | 0:50:15 | 0:50:18 | |
DISTANT TRAIN HORN SOUNDS | 0:50:18 | 0:50:21 | |
FLIES BUZZING | 0:50:35 | 0:50:38 | |
DOOR SLAMS | 0:50:55 | 0:50:57 | |
INDISTINCT SPEECH OVER RADIO PHONE RINGS | 0:50:58 | 0:51:01 | |
RING TONE | 0:51:47 | 0:51:50 | |
ENGAGED SIGNAL | 0:51:50 | 0:51:53 | |
GATE SQUEAKS | 0:52:09 | 0:52:12 | |
KNOCK AT DOOR | 0:52:21 | 0:52:22 | |
G'day, Mr Murray. | 0:52:29 | 0:52:30 | |
Mr Murray? | 0:52:41 | 0:52:42 | |
Mr Murray? | 0:52:59 | 0:53:01 | |
Who's there? | 0:53:05 | 0:53:07 | |
Mr Murray? | 0:53:08 | 0:53:10 | |
Who wants to know? | 0:53:11 | 0:53:13 | |
I'm Detective Jay Swann. | 0:53:14 | 0:53:16 | |
Policeman, hey? | 0:53:17 | 0:53:19 | |
Well, you don't have to worry about me... | 0:53:23 | 0:53:25 | |
driving without a licence any more. | 0:53:25 | 0:53:27 | |
Old girl finally packed it in. | 0:53:29 | 0:53:32 | |
I got everything I need right here. | 0:53:32 | 0:53:35 | |
Until my old wheels pack it in. | 0:53:36 | 0:53:39 | |
CHUCKLES | 0:53:39 | 0:53:41 | |
Yeah, it's the roadkill. I eat the roadkill. | 0:53:48 | 0:53:50 | |
Kangaroos and the rabbits and... | 0:53:52 | 0:53:55 | |
occasional pig and... | 0:53:55 | 0:53:57 | |
Can't come at the foxes. | 0:53:59 | 0:54:01 | |
You just got to be quicker than those... | 0:54:03 | 0:54:05 | |
..mongrels. | 0:54:06 | 0:54:08 | |
Did you see them on the way in, did you? | 0:54:09 | 0:54:11 | |
See who, Mr Murray? | 0:54:13 | 0:54:15 | |
The fuckers are everywhere now. | 0:54:17 | 0:54:19 | |
What's everywhere? | 0:54:23 | 0:54:24 | |
Those mongrel wild dogs. | 0:54:26 | 0:54:32 | |
Fuckers come in. They... they tore him to bits. | 0:54:32 | 0:54:36 | |
Bless his little soul. | 0:54:40 | 0:54:42 | |
I'm sorry about your dog, Mr Murray. | 0:54:44 | 0:54:46 | |
Dog? | 0:54:47 | 0:54:49 | |
He was more than a dog! | 0:54:50 | 0:54:51 | |
He was everything. | 0:54:54 | 0:54:55 | |
Mr Murray... | 0:55:00 | 0:55:02 | |
..do you remember you called the police a few months ago? | 0:55:03 | 0:55:07 | |
You said that you saw one of those wild dogs... | 0:55:11 | 0:55:14 | |
out on the highway. | 0:55:14 | 0:55:16 | |
You said that it was carrying something in its mouth. | 0:55:16 | 0:55:19 | |
You said it was a human bone. | 0:55:21 | 0:55:23 | |
A human bone? | 0:55:25 | 0:55:27 | |
Yeah. That's right, Mr Murray. | 0:55:27 | 0:55:30 | |
You said that you saw one of those dogs out on the highway... | 0:55:30 | 0:55:34 | |
and it was carrying a human bone in its mouth. | 0:55:34 | 0:55:37 | |
And you said something terrible had happened. | 0:55:37 | 0:55:40 | |
Do you remember, Mr Murray? | 0:55:40 | 0:55:43 | |
Could've been. | 0:55:45 | 0:55:46 | |
My memory's not what it was. Never be the same again. | 0:55:49 | 0:55:53 | |
You also said... | 0:55:56 | 0:55:57 | |
the police should check the town for missing people. | 0:55:57 | 0:56:00 | |
Do you remember, Mr Murray? | 0:56:00 | 0:56:04 | |
You don't know what something is... | 0:56:04 | 0:56:09 | |
..until it ain't there any more. | 0:56:13 | 0:56:14 | |
When time has its way with you... | 0:56:16 | 0:56:19 | |
..not even your dreams can bring it back. | 0:56:24 | 0:56:27 | |
LOW FOREBODING MUSIC | 0:56:34 | 0:56:35 | |
WOMAN SHOUTS INDISTINCTLY, DOG BARKS | 0:57:22 | 0:57:24 | |
-OLD BOY: -Hey, nephew! | 0:57:39 | 0:57:41 | |
Hey, Old Boy. How you going? | 0:57:50 | 0:57:51 | |
Why didn't you tell me Julie was murdered? | 0:57:51 | 0:57:55 | |
I couldn't say too much, you know? Secret police business. | 0:57:55 | 0:57:58 | |
-Yeah, right. -You know the family who used to live here? | 0:57:58 | 0:58:02 | |
Yeah. But I don't want any trouble or anything... | 0:58:02 | 0:58:05 | |
you know what I'm saying? You know what I'm getting at here? | 0:58:05 | 0:58:09 | |
Yeah, don't worry. I get ya. I won't say anything. | 0:58:09 | 0:58:12 | |
-Hmm. Yeah, well, that mob moved out some time ago. -Do you know why? | 0:58:13 | 0:58:17 | |
No, a lot of trouble in there. Lots of trouble. | 0:58:17 | 0:58:20 | |
Oh, schizin' out on drugs, booze, carryin' on, fightin'. | 0:58:20 | 0:58:24 | |
Well, I remember the old man in there... | 0:58:24 | 0:58:27 | |
held the baby over the oven. | 0:58:27 | 0:58:29 | |
Threatened he was going to cook the baby in the oven. Yeah. | 0:58:29 | 0:58:32 | |
Serious he was, too. | 0:58:32 | 0:58:34 | |
Was there a teenage girl living here? Nelli Dargon? | 0:58:34 | 0:58:38 | |
Yeah, she was living there for a while, but she moved out. Yeah. | 0:58:38 | 0:58:42 | |
Did she have any friends? | 0:58:42 | 0:58:44 | |
Yeah, next door there. She belong to Mavis MacDonald. | 0:58:44 | 0:58:49 | |
Jasmine's her name. Jasmine, yeah. | 0:58:49 | 0:58:52 | |
She a good girl too. | 0:58:52 | 0:58:53 | |
All right, thanks, I'll catch up with you later on. | 0:58:53 | 0:58:56 | |
-All right. -And don't forget... | 0:58:56 | 0:58:58 | |
keep it dark. | 0:58:58 | 0:59:00 | |
-OK. Don't worry. I'll keep it dark. -Yep. | 0:59:01 | 0:59:05 | |
Yeah. | 0:59:09 | 0:59:10 | |
SQUEAK | 0:59:13 | 0:59:15 | |
DOG BARKS | 0:59:15 | 0:59:16 | |
TAP TAP | 0:59:19 | 0:59:21 | |
DOOR UNLOCKS | 0:59:23 | 0:59:24 | |
Oh, Mrs MacDonald. | 0:59:27 | 0:59:29 | |
I was just wondering if I could have a word with Jasmine. | 0:59:29 | 0:59:31 | |
Is she home? | 0:59:31 | 0:59:33 | |
What's this about? | 0:59:33 | 0:59:34 | |
I just want to ask her a few questions about her friend... | 0:59:34 | 0:59:37 | |
that used to live next door... Nelli Dargon. | 0:59:37 | 0:59:39 | |
Oh, that crazy house. | 0:59:39 | 0:59:41 | |
Jasmine! Policeman wants you. | 0:59:42 | 0:59:45 | |
Yeah, she was on drugs and grog. | 1:00:00 | 1:00:02 | |
What kind of drugs? | 1:00:05 | 1:00:07 | |
Anything. She didn't care. | 1:00:07 | 1:00:10 | |
What about you? You take drugs? | 1:00:10 | 1:00:12 | |
No way. My man'd kill me and send me to hell. | 1:00:13 | 1:00:16 | |
Did she have a boyfriend? | 1:00:18 | 1:00:20 | |
Nah, no-one could handle her. | 1:00:20 | 1:00:22 | |
But she used to see this one fella. | 1:00:22 | 1:00:24 | |
What fella? | 1:00:26 | 1:00:28 | |
I don't know. She said... | 1:00:28 | 1:00:30 | |
he'd give her drugs and grog if she'd meet him at the motel. | 1:00:30 | 1:00:34 | |
What motel? | 1:00:34 | 1:00:37 | |
"Dusk till Dawn". | 1:00:37 | 1:00:39 | |
Did she ever say if this fella was black or white? | 1:00:40 | 1:00:44 | |
White fella. | 1:00:44 | 1:00:46 | |
SIREN WAILS IN THE DISTANCE | 1:00:48 | 1:00:51 | |
Do you know my girl, Crystal? | 1:00:53 | 1:00:55 | |
Yeah, I know her. | 1:00:57 | 1:00:59 | |
Does she ever do this kind of thing, like Nelli did? | 1:01:00 | 1:01:05 | |
I don't know her that well. | 1:01:05 | 1:01:07 | |
OK. | 1:01:09 | 1:01:11 | |
Thanks, Jasmine. | 1:01:11 | 1:01:13 | |
How you going? | 1:01:31 | 1:01:33 | |
Pretty good now. | 1:01:33 | 1:01:35 | |
Do you have any regular customers? | 1:01:36 | 1:01:38 | |
Yeah, one or two. Um... | 1:01:38 | 1:01:40 | |
Some truck drivers, contractors. | 1:01:40 | 1:01:43 | |
Did any of them stay here around October 10? | 1:01:43 | 1:01:46 | |
Um, let me just check for you. | 1:01:46 | 1:01:48 | |
Ah! | 1:01:56 | 1:01:58 | |
Got one. It's a William Smith. | 1:01:58 | 1:02:00 | |
Do you happen to have a vehicle registration number? | 1:02:00 | 1:02:03 | |
No. He always left that part blank, actually. | 1:02:03 | 1:02:06 | |
Do you remember what this William Smith looked like? | 1:02:06 | 1:02:08 | |
Look, I get so many people through here... | 1:02:08 | 1:02:11 | |
I really can't remember. He was a pretty average-looking cowboy, I guess. | 1:02:11 | 1:02:15 | |
Hey, you must have worked with that poor young police officer. | 1:02:15 | 1:02:19 | |
Which police officer? | 1:02:19 | 1:02:20 | |
He was killed out on the highway. | 1:02:20 | 1:02:22 | |
He came in here to last year... | 1:02:24 | 1:02:26 | |
you know, asking me if I had any regulars. | 1:02:26 | 1:02:29 | |
Is that a fact? | 1:02:29 | 1:02:30 | |
Was a terrible thing for that poor man's young wife and child. | 1:02:30 | 1:02:34 | |
It was just terrible. | 1:02:34 | 1:02:36 | |
Do you happen to remember what type of vehicle... | 1:02:36 | 1:02:38 | |
this William Smith was driving at the time? | 1:02:38 | 1:02:40 | |
Oh, let me think. Um... | 1:02:40 | 1:02:43 | |
It may have been... | 1:02:43 | 1:02:45 | |
white utility. That's right, um... | 1:02:45 | 1:02:48 | |
covered in spotlights and bullbars. | 1:02:48 | 1:02:50 | |
-Like a hunter's truck? -Yeah, I guess so. | 1:02:50 | 1:02:54 | |
Hey, you know what? The strange thing... | 1:02:54 | 1:02:57 | |
he always asks for the same room. | 1:02:57 | 1:03:00 | |
How's it goin'? | 1:04:39 | 1:04:40 | |
You that Abo copper? | 1:04:42 | 1:04:45 | |
SPITS | 1:04:45 | 1:04:47 | |
The old man's not here. He's out droving. | 1:04:50 | 1:04:52 | |
Oh, that's OK. Actually, I wanted to talk to you. | 1:04:52 | 1:04:56 | |
-Is that right? -Yeah. | 1:05:01 | 1:05:05 | |
I'm just wondering whether you saw any vehicles... | 1:05:05 | 1:05:08 | |
pull up on the highway last Friday night. | 1:05:08 | 1:05:10 | |
Can't say that I did. | 1:05:13 | 1:05:17 | |
What were you doing last Friday night? | 1:05:17 | 1:05:19 | |
I was working. | 1:05:21 | 1:05:23 | |
Yeah? Where do you work? | 1:05:24 | 1:05:27 | |
Roo shooter. | 1:05:27 | 1:05:28 | |
I run the meat freezer in town. | 1:05:29 | 1:05:32 | |
You got any witnesses to prove your whereabouts? | 1:05:33 | 1:05:36 | |
DOOR SLAMS | 1:05:36 | 1:05:37 | |
How many do you want? | 1:05:45 | 1:05:47 | |
So you're a roo shooter, eh? | 1:05:50 | 1:05:52 | |
That's right. | 1:05:54 | 1:05:56 | |
Well, you'd be a pretty crack shot, then, wouldn't ya? | 1:05:58 | 1:06:01 | |
What do you fuckin' think? | 1:06:01 | 1:06:03 | |
What are you packing? | 1:06:05 | 1:06:08 | |
REM 700. | 1:06:08 | 1:06:10 | |
Pull a head shot from 1,000 yards. | 1:06:10 | 1:06:12 | |
Whoo. | 1:06:12 | 1:06:13 | |
That's a fair way. | 1:06:14 | 1:06:16 | |
DOG WHIMPERS Nice rig. | 1:06:17 | 1:06:20 | |
Mind if I take a look at it? | 1:06:20 | 1:06:22 | |
And why would you want to do that? | 1:06:22 | 1:06:25 | |
Well, I was thinking about buying a hunting truck. | 1:06:25 | 1:06:28 | |
To go hunting with. | 1:06:28 | 1:06:29 | |
Mmm. | 1:06:29 | 1:06:32 | |
And what are you hunting for? | 1:06:32 | 1:06:34 | |
I don't know. I'll find something. | 1:06:34 | 1:06:37 | |
Maybe wild dogs. | 1:06:44 | 1:06:46 | |
They seem to be running amuck around here these days. | 1:06:46 | 1:06:50 | |
Mmm. | 1:06:50 | 1:06:51 | |
Yeah, I guess I wouldn't mind... if you had a warrant. | 1:06:52 | 1:06:56 | |
I was just curious. | 1:06:56 | 1:06:59 | |
I wouldn't worry about it. | 1:06:59 | 1:07:00 | |
Listen... | 1:07:02 | 1:07:03 | |
..we usually shoot at fellas who turn up here without an invite. | 1:07:04 | 1:07:08 | |
Especially ones of the dark breed. | 1:07:08 | 1:07:11 | |
Is that a fact? | 1:07:12 | 1:07:14 | |
Man's got a right to protect his property. | 1:07:15 | 1:07:18 | |
Well, thanks for your time. | 1:07:20 | 1:07:23 | |
-Pete. -Pete. | 1:07:23 | 1:07:24 | |
No worries. | 1:07:27 | 1:07:29 | |
You have a good day, fellas. | 1:07:34 | 1:07:36 | |
POLICE CHATTER OVER RADIO | 1:07:44 | 1:07:46 | |
PHONE RINGS | 1:07:48 | 1:07:49 | |
-Yeah? -'G'day, Jay.' | 1:07:52 | 1:07:54 | |
Hey, Jim. How's it going? | 1:07:54 | 1:07:56 | |
'Not bad, mate. We just got the results from the lab. | 1:07:56 | 1:07:59 | |
-'I'm typing up a report now.' -OK, great. | 1:07:59 | 1:08:02 | |
'Thought you might want to know, the light brown fibres | 1:08:02 | 1:08:04 | |
'found on the girl's fingernails are of a synthetic material. | 1:08:04 | 1:08:08 | |
'They've got the microstructure consistent with the material | 1:08:08 | 1:08:11 | |
'found in the production of car seats.' | 1:08:11 | 1:08:14 | |
Which kind of car? | 1:08:14 | 1:08:15 | |
'Well, that is the question. | 1:08:15 | 1:08:17 | |
'It'll take a few weeks to get a match. | 1:08:17 | 1:08:20 | |
The fibres were so deep under her nails... | 1:08:20 | 1:08:22 | |
'that they drew blood, Jay. | 1:08:22 | 1:08:24 | |
'This girl went through a lot of pain. | 1:08:24 | 1:08:27 | |
'Thought you should know that. | 1:08:27 | 1:08:28 | |
'Oh, one other thing, mate. | 1:08:28 | 1:08:30 | |
'We also found something a little bit strange. | 1:08:30 | 1:08:32 | |
'The dog left its saliva on the girl... | 1:08:32 | 1:08:34 | |
'and the lab identified a special gene in its DNA. | 1:08:34 | 1:08:37 | |
'They're having trouble matching it with other dog DNA. | 1:08:37 | 1:08:41 | |
'Like it was some kind of, well, superdog. | 1:08:42 | 1:08:45 | |
'Anyway, that's just a bit of trivia. | 1:08:45 | 1:08:48 | |
'I'll send this report over ASAP.' | 1:08:48 | 1:08:50 | |
All right. No worries, Jim. Thanks. | 1:08:50 | 1:08:52 | |
METALLIC CLANG | 1:09:21 | 1:09:22 | |
It was a Friday night. | 1:09:55 | 1:09:57 | |
Bobby was at home watching the footy. | 1:09:57 | 1:10:00 | |
I remember it was his team playing when he got a phone call. | 1:10:00 | 1:10:04 | |
Said he had to go out and meet someone. | 1:10:04 | 1:10:07 | |
Did he say where? | 1:10:07 | 1:10:09 | |
Nah. | 1:10:09 | 1:10:11 | |
Just that he'd be gone an hour. | 1:10:11 | 1:10:14 | |
Two hours later I was getting worried. | 1:10:14 | 1:10:17 | |
So I called the station, but they said they didn't know anything. | 1:10:17 | 1:10:21 | |
And then the phone rang ar 3:00 in the morning. | 1:10:23 | 1:10:25 | |
I just had this bad feeling. | 1:10:25 | 1:10:28 | |
Took me a few minutes to pick up the phone. | 1:10:28 | 1:10:30 | |
Highway patrol... | 1:10:34 | 1:10:38 | |
found his car on the side of the highway... | 1:10:38 | 1:10:41 | |
..and his body lying in a pool of blood. | 1:10:44 | 1:10:47 | |
Did your husband ever talk to you about his work? | 1:10:59 | 1:11:02 | |
Never. | 1:11:02 | 1:11:03 | |
Said he didn't want to bring it home to the family. | 1:11:03 | 1:11:06 | |
I couldn't find Bobby's case file at the station. Any idea why? | 1:11:09 | 1:11:13 | |
A special team came up from the city, but... | 1:11:14 | 1:11:17 | |
nothing really came of it. | 1:11:17 | 1:11:20 | |
I guess it all got turned over to 'em. | 1:11:20 | 1:11:22 | |
Did they ever tell you who called Bobby that night? | 1:11:22 | 1:11:25 | |
They wouldn't tell me anything. | 1:11:25 | 1:11:27 | |
But I know it was another policeman. | 1:11:27 | 1:11:32 | |
How do you know that? | 1:11:32 | 1:11:34 | |
Well, I didn't hear any names but... | 1:11:36 | 1:11:38 | |
Bobby always spoke a certain way... | 1:11:38 | 1:11:41 | |
when he was talking to another cop. | 1:11:41 | 1:11:43 | |
Which way was that? | 1:11:44 | 1:11:46 | |
Like he trusted them. | 1:11:46 | 1:11:48 | |
Thanks, Peggy. | 1:11:55 | 1:11:57 | |
ENGINE REVS | 1:12:22 | 1:12:24 | |
TRAIN PASSES | 1:12:54 | 1:12:57 | |
DISTANT TRAIN HORN | 1:13:28 | 1:13:30 | |
175 to 21. You copy? | 1:13:35 | 1:13:37 | |
'Copy, 175.' | 1:13:37 | 1:13:39 | |
Can I get a name for a registration number? | 1:13:39 | 1:13:42 | |
Golf-Uniform-Whisky-3-0-2. | 1:13:42 | 1:13:45 | |
'Copy. Golf-Uniform-Whisky-3-0-2.' | 1:13:47 | 1:13:50 | |
Copy that. | 1:13:50 | 1:13:51 | |
'Should be a silver Excel registered to a Wayne Silverman.' | 1:13:55 | 1:13:58 | |
You got a record summary? | 1:13:58 | 1:14:01 | |
'How long you got?' | 1:14:01 | 1:14:03 | |
Just give us the last few years. | 1:14:03 | 1:14:05 | |
'OK, several counts of possession. | 1:14:05 | 1:14:07 | |
'Supplying and selling narcotics. | 1:14:07 | 1:14:09 | |
'Five counts of receiving stolen goods. | 1:14:09 | 1:14:11 | |
'One count of break and enter, two counts of assault. | 1:14:11 | 1:14:13 | |
'Two fail to appear for one count of car theft. | 1:14:13 | 1:14:15 | |
'Two counts of driving unlicensed, and the list goes on.' | 1:14:15 | 1:14:19 | |
OK. Thanks for that. | 1:14:19 | 1:14:21 | |
BOOT STEPS | 1:14:31 | 1:14:34 | |
DOG BARKS | 1:15:30 | 1:15:31 | |
CAR ENGINE ROARS | 1:15:33 | 1:15:34 | |
DOOR CLOSES | 1:15:47 | 1:15:48 | |
So you heard about Julie Mason? | 1:16:00 | 1:16:02 | |
So what do you know about her? | 1:16:07 | 1:16:10 | |
She ever get drugs from ya? | 1:16:10 | 1:16:12 | |
Wayne. | 1:16:13 | 1:16:15 | |
Sometimes she'd come to me for a stick. | 1:16:17 | 1:16:19 | |
And...? | 1:16:21 | 1:16:22 | |
Always had no money but. | 1:16:25 | 1:16:27 | |
So? | 1:16:28 | 1:16:30 | |
I owed a few favours to some fellas | 1:16:32 | 1:16:34 | |
so I sent her out to give 'em a good time. | 1:16:34 | 1:16:37 | |
What about the missing girl, Nelli Dargon? | 1:16:39 | 1:16:42 | |
You know her? | 1:16:42 | 1:16:44 | |
(LAUGHS) Missing? | 1:16:44 | 1:16:49 | |
Probably just fuckin' OD'd somewhere. | 1:16:49 | 1:16:51 | |
SNIFFS | 1:16:51 | 1:16:52 | |
Fuckin' mad on money and having a good time. | 1:16:54 | 1:16:57 | |
They'll use anyone to get what they want... | 1:16:57 | 1:16:59 | |
and they deserve everything they get. | 1:16:59 | 1:17:01 | |
So Why'd you run, Wayne? | 1:17:04 | 1:17:06 | |
Thought you were someone else. | 1:17:10 | 1:17:12 | |
Someone after you? | 1:17:15 | 1:17:17 | |
You in some trouble? | 1:17:19 | 1:17:21 | |
I might be able to help you. | 1:17:22 | 1:17:25 | |
(LAUGHS) Don't think so. | 1:17:25 | 1:17:27 | |
You've got a pretty big record here. | 1:17:27 | 1:17:30 | |
You got two warrants right here. | 1:17:30 | 1:17:32 | |
So what would I find if I searched your house? | 1:17:33 | 1:17:36 | |
I stole a car and stripped it. | 1:17:47 | 1:17:49 | |
I found a case full of brown sugar in it. | 1:17:51 | 1:17:53 | |
On our way we stopped at Chooka Chook for a feed. | 1:17:57 | 1:18:01 | |
Some prick stole it from my car. | 1:18:01 | 1:18:02 | |
What kind of car? | 1:18:06 | 1:18:09 | |
It was a Merc. | 1:18:12 | 1:18:14 | |
An old one. | 1:18:16 | 1:18:18 | |
And where'd you dump it? | 1:18:18 | 1:18:20 | |
Out near the old mission garbage tip. | 1:18:22 | 1:18:24 | |
Who owned the gear? | 1:18:29 | 1:18:31 | |
Crystal's your girl. | 1:18:37 | 1:18:38 | |
What? | 1:18:41 | 1:18:43 | |
You own Crystal? | 1:18:45 | 1:18:46 | |
You own her? | 1:18:47 | 1:18:49 | |
Yeah. | 1:18:51 | 1:18:52 | |
Thought so. | 1:18:56 | 1:18:57 | |
CHAIR SCRAPES | 1:19:02 | 1:19:03 | |
How do you know her? | 1:19:07 | 1:19:08 | |
Small town. | 1:19:11 | 1:19:13 | |
How do you know her? | 1:19:17 | 1:19:20 | |
They all come looking for a hit sooner or later. | 1:19:20 | 1:19:23 | |
Do anything to get it. | 1:19:25 | 1:19:27 | |
GAGS/CHOKES | 1:19:37 | 1:19:39 | |
How do you fuckin' know my daughter, Wayne? | 1:19:39 | 1:19:42 | |
GASPS | 1:19:42 | 1:19:44 | |
KNOCK AT DOOR | 1:19:44 | 1:19:45 | |
How do you sleep at night... | 1:19:49 | 1:19:51 | |
locking up your own people all the time? | 1:19:51 | 1:19:54 | |
GASPS | 1:19:55 | 1:19:57 | |
DOOR OPENS | 1:20:00 | 1:20:01 | |
Pardon me, Jay boy. | 1:20:03 | 1:20:05 | |
Can I, uh... can I see you for a sec? | 1:20:05 | 1:20:07 | |
What? | 1:20:24 | 1:20:25 | |
You realise what you're doing in there? | 1:20:27 | 1:20:29 | |
Yeah. I'm doing my job. | 1:20:29 | 1:20:32 | |
Well, brother, I have to tell ya... | 1:20:36 | 1:20:40 | |
you're fuckin' with my number one informer, eh? | 1:20:40 | 1:20:43 | |
How about that? | 1:20:43 | 1:20:45 | |
Should watch where you step, Jay boy. | 1:20:48 | 1:20:50 | |
Those big boots of yours will get you in trouble. | 1:20:50 | 1:20:52 | |
They'll get you in trouble. | 1:20:52 | 1:20:54 | |
Don't worry, I'll make sure he gets home, mate. | 1:20:56 | 1:21:00 | |
DOOR OPENS | 1:21:20 | 1:21:21 | |
INDISCERNIBLE POLICE DISPATCH | 1:23:02 | 1:23:04 | |
I pulled a few strings with the district commander. | 1:23:21 | 1:23:24 | |
There's a detective team coming down from the homicide branch. | 1:23:24 | 1:23:28 | |
I think you'd better get out of town for a few days. | 1:23:37 | 1:23:40 | |
Sarge, we both know what's going to happen. | 1:23:42 | 1:23:45 | |
No-one'll talk to them. | 1:23:45 | 1:23:47 | |
They'll do their paperwork, they'll keep their mouths shut... | 1:23:47 | 1:23:50 | |
and they'll go back to where they came from. | 1:23:50 | 1:23:53 | |
But maybe that's what you want. | 1:23:56 | 1:23:58 | |
Keep everything in its place. | 1:23:58 | 1:24:00 | |
There'll be more than a few black girls to worry about... | 1:24:02 | 1:24:06 | |
if this town turns into a fuckin' war zone... | 1:24:06 | 1:24:09 | |
For some people it already is a war zone. | 1:24:09 | 1:24:11 | |
BREAKS SCREECH | 1:24:24 | 1:24:25 | |
GUN COCKS | 1:24:46 | 1:24:47 | |
FLY BUZZES | 1:25:02 | 1:25:03 | |
SIGHS | 1:25:28 | 1:25:29 | |
What happened? | 1:25:32 | 1:25:34 | |
I just come home from Bingo. | 1:25:34 | 1:25:37 | |
Front door was busted in. | 1:25:39 | 1:25:41 | |
You know what they were looking for? | 1:25:50 | 1:25:53 | |
Nah. | 1:25:53 | 1:25:54 | |
Where's Crystal? | 1:25:56 | 1:25:59 | |
I don't know where she is. | 1:25:59 | 1:26:01 | |
Probably off looking for something. | 1:26:03 | 1:26:05 | |
Where does she go? | 1:26:06 | 1:26:08 | |
Mary. | 1:26:12 | 1:26:13 | |
Where does she go?! | 1:26:15 | 1:26:17 | |
I don't know. | 1:26:21 | 1:26:23 | |
What if they come back, Jay? | 1:26:26 | 1:26:29 | |
Call the police. | 1:26:31 | 1:26:33 | |
Got nothin' to say to you, Jay. | 1:26:46 | 1:26:48 | |
I never saw anything. | 1:26:48 | 1:26:51 | |
Come on, Ted. | 1:26:51 | 1:26:52 | |
You see everything in this street. | 1:26:54 | 1:26:56 | |
I just want to know one thing. | 1:26:58 | 1:27:00 | |
Was it an old Statesman? | 1:27:02 | 1:27:04 | |
Just say yes or no. | 1:27:04 | 1:27:06 | |
DISTANT ENGINE REVS | 1:27:51 | 1:27:53 | |
ENGINE STARTS | 1:28:01 | 1:28:03 | |
WHEELS SPIN, GRAVEL GRINDS | 1:28:14 | 1:28:16 | |
ENGINE ROARS | 1:28:24 | 1:28:26 | |
CAR DOOR CLOSES | 1:28:55 | 1:28:56 | |
SIGHS | 1:29:22 | 1:29:23 | |
FLIES BUZZ | 1:29:31 | 1:29:33 | |
How 'bout that feed? | 1:30:37 | 1:30:39 | |
RAPS KNUCKLES ON CAR | 1:30:39 | 1:30:40 | |
Thanks, Ange. | 1:30:48 | 1:30:49 | |
You're not hungry? | 1:30:59 | 1:31:00 | |
Look, Johnno, I don't have a lot of time right now. | 1:31:02 | 1:31:05 | |
I know how you feel, Jay boy. | 1:31:06 | 1:31:10 | |
Not enough seconds in the day. | 1:31:10 | 1:31:13 | |
No time for friends, family. | 1:31:13 | 1:31:15 | |
See, we've got the same problem, mate... | 1:31:18 | 1:31:20 | |
this fuckin' job. | 1:31:20 | 1:31:22 | |
And I don't know about you, but I'm a real sad case. | 1:31:24 | 1:31:27 | |
Live on my lonesome. | 1:31:29 | 1:31:30 | |
No woman, no kids. | 1:31:30 | 1:31:32 | |
Just the ugliest bull mastiff mongrels you've ever seen. | 1:31:33 | 1:31:36 | |
CHIMES SOUND | 1:31:42 | 1:31:44 | |
What do you carry? | 1:32:03 | 1:32:05 | |
68 Winchester 308. | 1:32:07 | 1:32:08 | |
Well, that's a classic right there, right there. | 1:32:10 | 1:32:14 | |
Not easy to come by. | 1:32:14 | 1:32:16 | |
Belonged to my old man before he passed away. | 1:32:18 | 1:32:21 | |
Do you think you can really use that thing? | 1:32:25 | 1:32:28 | |
Take a man's life. | 1:32:28 | 1:32:30 | |
You think you can really make a difference to this place? | 1:32:30 | 1:32:33 | |
Kittens in Washing machines, babies in ovens... | 1:32:36 | 1:32:39 | |
you know, all that fun stuff. | 1:32:39 | 1:32:43 | |
It was just a matter of time before it got out of control, you know. | 1:32:43 | 1:32:46 | |
Out of control, just like those fuckin' grassfires they always light. | 1:32:46 | 1:32:51 | |
So what do you know about the Bobby Rogers murder? | 1:32:52 | 1:32:55 | |
GAGS | 1:32:59 | 1:33:02 | |
Fuck. | 1:33:05 | 1:33:07 | |
What were you doing out there today? | 1:33:09 | 1:33:11 | |
Just sightseeing. | 1:33:12 | 1:33:14 | |
Did you see anything interesting? | 1:33:16 | 1:33:19 | |
Maybe. | 1:33:19 | 1:33:21 | |
Look, what do you want, Johnno? | 1:33:26 | 1:33:28 | |
I just need to find out what's missing and I need to do it pronto. | 1:33:31 | 1:33:36 | |
That's all. | 1:33:36 | 1:33:38 | |
That, um... | 1:33:43 | 1:33:45 | |
..that daughter of yours... | 1:33:48 | 1:33:50 | |
..she's a beautiful girl. | 1:33:51 | 1:33:54 | |
You're a lucky man, Jay boy. You're a lucky man. | 1:33:54 | 1:33:57 | |
But you should learn to look after her. | 1:33:58 | 1:34:00 | |
Yeah. | 1:34:03 | 1:34:05 | |
FOREBODING MUSIC | 1:34:24 | 1:34:26 | |
PLASTIC SNAPS | 1:37:09 | 1:37:11 | |
PHONE RINGS | 1:37:25 | 1:37:27 | |
-JOHNNO: -'Jay boy.' | 1:37:30 | 1:37:32 | |
I've got it. | 1:37:32 | 1:37:34 | |
'What have you got?' | 1:37:35 | 1:37:36 | |
What's missing. | 1:37:41 | 1:37:43 | |
'Hey, good boy, Jay. Good boy, hey? Good boy.' | 1:37:46 | 1:37:49 | |
CHILDREN LAUGHTER | 1:37:51 | 1:37:53 | |
There's a place... called Slaughter Hill. | 1:37:55 | 1:38:00 | |
It's off Mystery Road. | 1:38:01 | 1:38:02 | |
CALL ENDS | 1:38:07 | 1:38:09 | |
MUSICAL STRESS | 1:38:31 | 1:38:32 | |
ENGINE REVS | 1:38:35 | 1:38:37 | |
ENGINE STOPS | 1:39:12 | 1:39:14 | |
RIFLE COCKS | 1:39:39 | 1:39:40 | |
CARS APPROACH | 1:40:00 | 1:40:02 | |
BEEPS | 1:42:06 | 1:42:09 | |
GUNSHOT | 1:43:01 | 1:43:02 | |
(GROANS) Fuck! | 1:43:02 | 1:43:03 | |
GUNSHOTS | 1:43:07 | 1:43:09 | |
MULTIPLE GUNSHOTS | 1:43:25 | 1:43:26 | |
DISTANT RIFLE SHOT | 1:43:28 | 1:43:29 | |
GLASS SHATTERS | 1:43:29 | 1:43:31 | |
HEAVY BREATHS | 1:43:32 | 1:43:33 | |
Ugh! | 1:43:33 | 1:43:34 | |
GUNSHOT | 1:43:40 | 1:43:41 | |
GUNSHOTS | 1:43:45 | 1:43:47 | |
Fuck! | 1:43:47 | 1:43:48 | |
GLASS SHATTERS | 1:43:52 | 1:43:54 | |
JAY FIRES REPEATEDLY | 1:43:59 | 1:44:01 | |
GROANS | 1:44:03 | 1:44:04 | |
Ugh! | 1:44:23 | 1:44:24 | |
GUNSHOT REVERBERATES | 1:44:28 | 1:44:29 | |
EMPTY CHAMBER/CLICKS | 1:44:44 | 1:44:46 | |
Fuck! | 1:44:46 | 1:44:48 | |
GROANS | 1:44:48 | 1:44:49 | |
CAR ENGINE STARTS | 1:44:49 | 1:44:51 | |
ENGINE REVS | 1:44:51 | 1:44:53 | |
REPEATED FIRE | 1:44:53 | 1:44:55 | |
GUNSHOT | 1:44:56 | 1:44:59 | |
Ugh! | 1:44:59 | 1:45:00 | |
TYRES SKID/ENGINE STOPS | 1:45:00 | 1:45:01 | |
RICOCHET | 1:45:07 | 1:45:09 | |
GUNSHOT | 1:45:13 | 1:45:15 | |
GLASS SHATTERS | 1:45:17 | 1:45:18 | |
GUNSHOT | 1:45:32 | 1:45:34 | |
REPEATED GUNFIRE | 1:45:34 | 1:45:36 | |
GROANS | 1:45:36 | 1:45:37 | |
Argh! | 1:45:38 | 1:45:39 | |
ENGINE REVS | 1:45:50 | 1:45:51 | |
RAPID FIRE | 1:45:58 | 1:46:00 | |
ENGINE STOPS | 1:46:01 | 1:46:02 | |
ENGINE REVS IN DISTANCE | 1:46:13 | 1:46:15 | |
PANTS | 1:46:23 | 1:46:25 | |
GUNSHOT | 1:46:28 | 1:46:29 | |
GUNSHOT | 1:46:34 | 1:46:35 | |
TYRE BURSTS | 1:46:42 | 1:46:43 | |
ENGINE STOPS | 1:46:48 | 1:46:49 | |
GUNSHOT | 1:47:03 | 1:47:04 | |
PING | 1:47:10 | 1:47:11 | |
GUNSHOT | 1:47:12 | 1:47:14 | |
Agh! | 1:47:25 | 1:47:26 | |
FLIES BUZZ | 1:48:46 | 1:48:47 | |
HOWLING | 1:49:47 | 1:49:49 | |
ENGINE STOPS | 1:51:33 | 1:51:34 | |
Subtitles by Red Bee Media Ltd | 1:52:57 | 1:53:01 |