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| Line | From | To | |
|---|---|---|---|
This film contains some violent scenes. | 0:00:02 | 0:00:08 | |
HE SPEAKS SPANISH | 0:02:36 | 0:02:39 | |
MAN SPEAKS SPANISH | 0:02:56 | 0:03:00 | |
SIRENS WAIL HORN HONKS | 0:03:07 | 0:03:09 | |
GUNSHOT | 0:03:13 | 0:03:15 | |
Now, Senator Friedman, you have been a harsh critic | 0:03:48 | 0:03:51 | |
of the President in recent months over his treatment of Russia. | 0:03:51 | 0:03:53 | |
Russia is back. Their president has stated unequivocally | 0:03:53 | 0:03:57 | |
their desire to knock us back to 1985. | 0:03:57 | 0:03:59 | |
They've reignited their nuclear programme. | 0:03:59 | 0:04:01 | |
Just last week, they dropped three Akula class subs in the Bering Sea. | 0:04:01 | 0:04:05 | |
Our myopia over the Middle East has caused us to miss | 0:04:05 | 0:04:08 | |
the big bear that's just sitting in the middle of the room. | 0:04:08 | 0:04:11 | |
Now, Senator Darden, | 0:04:11 | 0:04:12 | |
you have numerous business interests inside Russia. | 0:04:12 | 0:04:15 | |
Do you share Senator Friedman's fears here? | 0:04:15 | 0:04:18 | |
My interests, as you call them, in Russia | 0:04:18 | 0:04:20 | |
'are strictly as a trade partner for the good people of my state. | 0:04:20 | 0:04:24 | |
'All this sabre-rattling is basically Senator Friedman's attempt | 0:04:24 | 0:04:27 | |
'to get his budget up for next year.' | 0:04:27 | 0:04:29 | |
'Oh, Please. Russia now has ten times the number of covert agents | 0:04:29 | 0:04:32 | |
'within the United States borders as it did during the Cold War. | 0:04:32 | 0:04:34 | |
'What are we talking about? Besides, wouldn't it be wise for you | 0:04:34 | 0:04:38 | |
'to divest your interest of what you have in Russia at a time like this?' | 0:04:38 | 0:04:41 | |
'I am very transparent about all of my financial transactions | 0:04:41 | 0:04:44 | |
'which is why, you know, that I did those things. Excuse me.' | 0:04:44 | 0:04:48 | |
'The President would suggest | 0:04:48 | 0:04:49 | |
'that fear is not helpful right now, Senator, | 0:04:49 | 0:04:51 | |
'that fear is obviously a very big component | 0:04:51 | 0:04:54 | |
'of any politician's toolbox | 0:04:54 | 0:04:55 | |
'but that it is not going to help toward progress.' | 0:04:55 | 0:04:58 | |
Leaving. | 0:04:58 | 0:05:01 | |
Thank God. | 0:05:01 | 0:05:02 | |
PHONE RINGS | 0:05:04 | 0:05:06 | |
'Hello?' | 0:05:07 | 0:05:09 | |
'You haven't accessed the money.' | 0:05:09 | 0:05:11 | |
'Yeah, well, it's been a little warm around here.' | 0:05:11 | 0:05:13 | |
'We had a deal, Senator. We have expectations.' | 0:05:13 | 0:05:16 | |
I don't give a good goddamn about your expectations. | 0:05:16 | 0:05:19 | |
'Don't call here again.' | 0:05:19 | 0:05:20 | |
Bastard's making a deal. | 0:05:22 | 0:05:23 | |
Yeah, or blowing one off. | 0:05:23 | 0:05:25 | |
Where does that leave us? | 0:05:25 | 0:05:27 | |
Darden just made contact. It looks like he's moving now. | 0:05:27 | 0:05:29 | |
SLASHING | 0:05:43 | 0:05:45 | |
Oh shit! He's down! He's down! Behind the building! | 0:05:45 | 0:05:49 | |
SIRENS WAIL | 0:05:55 | 0:05:57 | |
This is a domestic case! | 0:05:58 | 0:06:00 | |
You have no jurisdiction, authority, or right to be here. | 0:06:00 | 0:06:03 | |
We've been trailing this guy for the past month. | 0:06:03 | 0:06:05 | |
This is a crime scene, not a goddamn terrorist attack! | 0:06:05 | 0:06:07 | |
You're going to have to wait. | 0:06:07 | 0:06:08 | |
Yeah? What am I supposed to wait for? | 0:06:08 | 0:06:10 | |
For him. | 0:06:12 | 0:06:14 | |
There you go, sir. | 0:06:19 | 0:06:20 | |
Director Highland. Sir, why is the CIA..? | 0:06:31 | 0:06:33 | |
This is Agent Weaver. Yes, sir. | 0:06:36 | 0:06:39 | |
Yes, sir. | 0:06:41 | 0:06:42 | |
We're out! | 0:06:43 | 0:06:44 | |
Who the hell was that? | 0:06:44 | 0:06:46 | |
Director Bell. He wants us out. No questions and not a word. | 0:06:46 | 0:06:49 | |
You guys were on the stakeout? | 0:06:51 | 0:06:53 | |
-Yes, sir. -He's had contact with Moscow off and on for a month now. | 0:06:53 | 0:06:57 | |
-But he never went any further... -We know that. | 0:06:57 | 0:06:59 | |
What happened here tonight? | 0:06:59 | 0:07:00 | |
Someone grabbed him from behind. Right in our blind spot. | 0:07:00 | 0:07:02 | |
It all happened so goddamned fast. | 0:07:02 | 0:07:05 | |
Keep your eye on it! | 0:07:22 | 0:07:24 | |
CHEERING AND APPLAUSE | 0:07:27 | 0:07:29 | |
Excuse me? Do you know the time? | 0:07:36 | 0:07:38 | |
No, no. I don't have a watch. Sorry. | 0:07:38 | 0:07:41 | |
It's OK. Just my husband said he'd be here by nine. | 0:07:41 | 0:07:44 | |
Oh. | 0:07:44 | 0:07:45 | |
Which boy is yours? | 0:07:47 | 0:07:49 | |
Decker, the second baseman. | 0:07:49 | 0:07:52 | |
Oh, yeah. He's good. | 0:07:52 | 0:07:54 | |
Got a strong arm. | 0:07:54 | 0:07:56 | |
I'm Molly. | 0:07:56 | 0:07:58 | |
Paul. Hey. | 0:07:58 | 0:08:01 | |
Which one's yours? | 0:08:01 | 0:08:02 | |
One more, guys! | 0:08:02 | 0:08:04 | |
Oh, no, I don't, I don't have... | 0:08:04 | 0:08:07 | |
No, I live nearby here. | 0:08:07 | 0:08:10 | |
I come by just to see a game once in a while. | 0:08:10 | 0:08:13 | |
That's really nice. | 0:08:14 | 0:08:16 | |
Not a care in the world, huh? | 0:08:35 | 0:08:38 | |
Jeez! | 0:08:40 | 0:08:41 | |
I never thought I'd see the day | 0:08:44 | 0:08:46 | |
when someone got the drop on Paul Shepherdson. | 0:08:46 | 0:08:48 | |
Yeah, yeah. How did you get in here? | 0:08:48 | 0:08:51 | |
It's what we do. | 0:08:51 | 0:08:52 | |
The phone rings too, you know. | 0:08:52 | 0:08:54 | |
It's Cassius. | 0:08:59 | 0:09:01 | |
He's back. | 0:09:03 | 0:09:04 | |
Tom. | 0:09:07 | 0:09:09 | |
Cassius is long gone. | 0:09:09 | 0:09:11 | |
He hasn't even been heard from in over 20 years. | 0:09:13 | 0:09:15 | |
Tell that to Senator Darden. | 0:09:15 | 0:09:17 | |
He's lying in an alley with his throat slit. | 0:09:17 | 0:09:20 | |
Then it's a copycat. | 0:09:20 | 0:09:22 | |
That's what everyone is saying. Well, almost everyone. | 0:09:22 | 0:09:25 | |
Tom, there was a point where I knew this man better than myself. | 0:09:28 | 0:09:32 | |
Cassius is dead. | 0:09:32 | 0:09:35 | |
For once, Paul, I think you're wrong. | 0:09:36 | 0:09:38 | |
OVERLAPPING VOICES | 0:09:41 | 0:09:43 | |
Welcome back, sir. | 0:09:53 | 0:09:54 | |
Gentlemen. | 0:10:07 | 0:10:09 | |
Paul, this is Director Roger Bell. | 0:10:10 | 0:10:12 | |
Mr Shepherdson. | 0:10:12 | 0:10:14 | |
The FBI? | 0:10:14 | 0:10:15 | |
Bureaucracy has changed, my friend. | 0:10:15 | 0:10:17 | |
We have to share the burden now. | 0:10:17 | 0:10:19 | |
As you know, Paul was responsible | 0:10:19 | 0:10:21 | |
for tracking down the Cassius Seven - | 0:10:21 | 0:10:23 | |
the Soviet assassins we code-named | 0:10:23 | 0:10:25 | |
for the Roman senators who killed Julius Caesar. | 0:10:25 | 0:10:27 | |
And you caught them all but one, from what I understand. | 0:10:27 | 0:10:30 | |
Missed Cassius himself? | 0:10:30 | 0:10:32 | |
That's right. | 0:10:32 | 0:10:34 | |
But this is not his work. I'm sure of it. | 0:10:34 | 0:10:37 | |
Oh, I think it is. | 0:10:37 | 0:10:38 | |
Who the hell is this? | 0:10:39 | 0:10:41 | |
This is one of my men. Agent Ben Geary. | 0:10:41 | 0:10:44 | |
Probably knows more about your assassin than anyone we've got. | 0:10:44 | 0:10:47 | |
Or the CIA, for that matter. | 0:10:47 | 0:10:49 | |
Paul, we'd like the two of you to work together. | 0:10:49 | 0:10:53 | |
Is that so? So tell me, Geary, | 0:10:53 | 0:10:55 | |
what were you doing when the Wall came down? | 0:10:55 | 0:10:58 | |
I was watching it on television. | 0:10:58 | 0:11:00 | |
Just like everyone else in this room. | 0:11:00 | 0:11:03 | |
THEY CHUCKLE | 0:11:03 | 0:11:05 | |
Could you pull up the case file, please? | 0:11:05 | 0:11:07 | |
OK, here's good. Notice how the cut starts | 0:11:10 | 0:11:12 | |
right in the centre of the throat, moving upwards. | 0:11:12 | 0:11:14 | |
Typically, a cut starts high, moves lateral | 0:11:14 | 0:11:17 | |
as the right-handed killer pulls the knife from ear to ear. | 0:11:17 | 0:11:20 | |
Not Cassius. His cuts were always exactly the same. | 0:11:20 | 0:11:22 | |
Right-handed, but up, and starting in the middle of the neck. | 0:11:22 | 0:11:26 | |
I've never been able to figure out why. | 0:11:26 | 0:11:28 | |
Still, it's a copycat. | 0:11:28 | 0:11:30 | |
This guy's the best you've got? | 0:11:30 | 0:11:33 | |
Mr Shepherdson, I wrote my Master's thesis on Cassius. | 0:11:33 | 0:11:37 | |
And I have tracked down and interviewed | 0:11:37 | 0:11:39 | |
every one of the few witnesses of his crimes who are still alive. | 0:11:39 | 0:11:42 | |
I've even re-created and personally walked the approaches and exits | 0:11:42 | 0:11:45 | |
of all his known kills step for step. I know this man. | 0:11:45 | 0:11:48 | |
And there is no doubt in my mind. This is the work of Cassius. | 0:11:48 | 0:11:52 | |
You know him? | 0:11:52 | 0:11:54 | |
Harvard, right? | 0:11:55 | 0:11:57 | |
Yes, that's right. | 0:11:58 | 0:12:00 | |
And you were the son of a foreign attache in Turkey? | 0:12:00 | 0:12:03 | |
My father worked at embassies all over the world. | 0:12:03 | 0:12:07 | |
How do you know this? | 0:12:07 | 0:12:09 | |
I read your thesis. | 0:12:09 | 0:12:10 | |
You did? | 0:12:10 | 0:12:12 | |
And I know you were trying for months to talk to me. | 0:12:12 | 0:12:14 | |
I'll tell you why I refused. Because you have never been on the ground. | 0:12:14 | 0:12:18 | |
Because you don't know him. And because you're a librarian. | 0:12:18 | 0:12:23 | |
Mr Shepherdson... | 0:12:23 | 0:12:24 | |
Let's just say, Geary, that I'm wrong and you expose him. | 0:12:24 | 0:12:28 | |
What do you think comes next? | 0:12:28 | 0:12:30 | |
You think maybe he's going to come after you? | 0:12:30 | 0:12:33 | |
That is exactly why I'm here. | 0:12:33 | 0:12:37 | |
HE SCOFFS | 0:12:39 | 0:12:41 | |
I'm going home. | 0:12:41 | 0:12:43 | |
And I'd like to be left alone. All right? | 0:12:43 | 0:12:46 | |
We've got Brutus. | 0:12:46 | 0:12:48 | |
What? | 0:12:50 | 0:12:52 | |
Igor Ivanovich Kozak, aka Brutus, | 0:12:52 | 0:12:55 | |
is alive and locked up in Brinkerman Penitentiary. | 0:12:55 | 0:12:58 | |
That's impossible. He killed him in Salzburg in 1989. | 0:12:58 | 0:13:01 | |
I shot him in the chest. He fell three stories. | 0:13:01 | 0:13:04 | |
And survived. | 0:13:04 | 0:13:05 | |
-Why didn't you tell me? -You wanted to retire, Paul. | 0:13:05 | 0:13:08 | |
I'm afraid retirees lose certain privileges. | 0:13:08 | 0:13:11 | |
You know what? | 0:13:12 | 0:13:14 | |
I'm done here, Tom. | 0:13:15 | 0:13:17 | |
GENERAL CHATTER | 0:13:17 | 0:13:19 | |
Get me Highland. | 0:14:01 | 0:14:03 | |
Come on, I know you're there. Get me Highland. | 0:14:08 | 0:14:10 | |
'Your call cannot be completed as dialled.' | 0:14:10 | 0:14:13 | |
'Director Highland wants you to know he has a meeting | 0:14:13 | 0:14:16 | |
'with the President tomorrow morning. | 0:14:16 | 0:14:17 | |
'He said you'd know what that means.' | 0:14:17 | 0:14:20 | |
Good morning. Two regulars, please. | 0:14:47 | 0:14:49 | |
Good morning, sir. Coming right up. | 0:14:49 | 0:14:51 | |
Spooks aren't supposed to be creatures of habit. | 0:14:55 | 0:14:58 | |
It's a luxury one can only afford when one is in charge. | 0:14:58 | 0:15:01 | |
Thank you. | 0:15:01 | 0:15:03 | |
Thank you very much. | 0:15:03 | 0:15:04 | |
Thanks. | 0:15:06 | 0:15:07 | |
I gave you 20 years, Tom. | 0:15:15 | 0:15:18 | |
You promised me I could have a life. | 0:15:18 | 0:15:21 | |
I never cared much for the coffee at The White House. | 0:15:21 | 0:15:24 | |
I think it's got something to do with the 150-year-old china. | 0:15:24 | 0:15:27 | |
I've been Director through three presidents, Paul, | 0:15:29 | 0:15:32 | |
and let's face it, I wouldn't have gotten the job in the first place | 0:15:32 | 0:15:35 | |
if you hadn't helped us with the Cassius Seven. | 0:15:35 | 0:15:37 | |
In 15 minutes, | 0:15:37 | 0:15:39 | |
the President is going to tell me I don't have this job any more | 0:15:39 | 0:15:41 | |
if we can't nail the guy that killed Senator Darden. | 0:15:41 | 0:15:44 | |
It's not Cassius, Tom. | 0:15:44 | 0:15:46 | |
You never caught him. | 0:15:47 | 0:15:49 | |
HE SCOFFS | 0:15:49 | 0:15:50 | |
Because he's dead. | 0:15:52 | 0:15:54 | |
Then prove it. | 0:15:56 | 0:15:58 | |
Mr Shepherdson? | 0:17:10 | 0:17:11 | |
So, Paul Shepherdson. | 0:17:25 | 0:17:28 | |
Been an analyst for the company here in Paris for three years. | 0:17:28 | 0:17:31 | |
What do you want to see me about? | 0:17:31 | 0:17:33 | |
The Cassius Seven. | 0:17:33 | 0:17:35 | |
I've had a breakthrough. | 0:17:38 | 0:17:39 | |
I can take them down for you. | 0:17:39 | 0:17:42 | |
I'll take care of it. Just give me about 15 minutes. | 0:17:57 | 0:18:00 | |
Oh, hey. | 0:18:00 | 0:18:02 | |
And? And, and, and, and? | 0:18:02 | 0:18:03 | |
I don't know. | 0:18:03 | 0:18:04 | |
Director Bell was there? | 0:18:04 | 0:18:06 | |
Everyone was there. | 0:18:06 | 0:18:08 | |
Jesus! I've been at this place a year longer than you | 0:18:08 | 0:18:11 | |
and I've never even seen the Director in person. | 0:18:11 | 0:18:13 | |
They're going to put you in the field, man. I'm sure of it. | 0:18:13 | 0:18:17 | |
They haven't said anything yet. | 0:18:17 | 0:18:19 | |
You were right about this thing the whole time, huh? | 0:18:19 | 0:18:23 | |
PHONE RINGS | 0:18:23 | 0:18:24 | |
Agent Geary. Yes, sir. | 0:18:24 | 0:18:27 | |
Yes, sir. | 0:18:27 | 0:18:28 | |
Yes, sir. I'll be there. | 0:18:30 | 0:18:32 | |
And? | 0:18:33 | 0:18:35 | |
I'm in. | 0:18:41 | 0:18:43 | |
This is crazy. | 0:19:04 | 0:19:06 | |
Cos I have spent so much time studying your work with Cassius. | 0:19:06 | 0:19:09 | |
I feel like I know you. | 0:19:09 | 0:19:11 | |
You don't. | 0:19:11 | 0:19:12 | |
Yeah. No, I just mean I... | 0:19:13 | 0:19:15 | |
I, you know, I put myself in your shoes. | 0:19:15 | 0:19:17 | |
I just tried to think how you would think. | 0:19:17 | 0:19:19 | |
I've all of these crime scene photos. A lot of them you're in. | 0:19:19 | 0:19:22 | |
Actually, I should probably get you to sign one of them. Right? | 0:19:22 | 0:19:26 | |
That would definitely be a first. | 0:19:26 | 0:19:28 | |
When you were in Budapest in '91, did you notice a specific pattern? | 0:19:28 | 0:19:32 | |
No, Agent Geary... | 0:19:32 | 0:19:34 | |
Tell me, why-why would a guy | 0:19:36 | 0:19:38 | |
who writes a thesis on an international spy | 0:19:38 | 0:19:41 | |
join the Bureau and not Central Intelligence? | 0:19:41 | 0:19:44 | |
Well, I believed that Cassius was hiding in the US. | 0:19:44 | 0:19:49 | |
Think about it. What better place for a Soviet spook to retire? | 0:19:49 | 0:19:52 | |
You believe that enough to base a career on it? | 0:19:53 | 0:19:57 | |
Uh, yeah. You could say that. | 0:19:57 | 0:19:59 | |
Can I ask you something? | 0:19:59 | 0:20:01 | |
If that means you'll stop talking, yeah. | 0:20:01 | 0:20:04 | |
Why didn't they tell you about Brutus? | 0:20:05 | 0:20:08 | |
If it was your job to catch the Cassius Seven, | 0:20:08 | 0:20:10 | |
what were they scared you'd do? | 0:20:10 | 0:20:12 | |
Kill him. | 0:20:14 | 0:20:16 | |
What's in the bag? | 0:20:37 | 0:20:39 | |
Motivation. | 0:20:39 | 0:20:40 | |
You think he's going to talk? | 0:20:40 | 0:20:43 | |
Not to me. | 0:20:43 | 0:20:44 | |
He's been cleared! | 0:20:55 | 0:20:57 | |
BEN CLEARS HIS THROAT | 0:21:19 | 0:21:20 | |
HE SPEAKS RUSSIAN | 0:21:24 | 0:21:26 | |
You speak Russian, huh? | 0:21:28 | 0:21:30 | |
I studied in school. Yes. | 0:21:30 | 0:21:32 | |
Here's some Russian for you. | 0:21:32 | 0:21:35 | |
HE SPEAKS RUSSIAN | 0:21:35 | 0:21:37 | |
I've read that you worked with Cassius. | 0:21:41 | 0:21:44 | |
It's a different life ago. | 0:21:46 | 0:21:47 | |
Do you know where he's hiding? | 0:21:47 | 0:21:49 | |
Why would you..? | 0:21:50 | 0:21:52 | |
Is Cassius alive? | 0:21:54 | 0:21:56 | |
He killed a Senator. | 0:21:56 | 0:21:57 | |
Who are you? | 0:22:01 | 0:22:02 | |
I understand that you've been looking for one of these for about ten years. | 0:22:08 | 0:22:13 | |
RUSSIAN FOLK MUSIC PLAYS | 0:22:13 | 0:22:16 | |
Give it to me. | 0:22:20 | 0:22:22 | |
Tell me something that I don't know about Cassius and it's yours. | 0:22:22 | 0:22:26 | |
A chance to hear the outside world? | 0:22:27 | 0:22:29 | |
Give it to me, you son of a whore! | 0:22:29 | 0:22:30 | |
Tell me something about Cassius. Did he train you? | 0:22:30 | 0:22:33 | |
What does he look like? | 0:22:33 | 0:22:35 | |
BUTTON CLICKS MUSIC STOPS | 0:22:47 | 0:22:49 | |
I guess you can spend the rest of your life in silence. | 0:22:50 | 0:22:53 | |
Guard? | 0:22:55 | 0:22:57 | |
Wait! | 0:22:58 | 0:22:59 | |
OK. | 0:23:04 | 0:23:06 | |
He made his name as a soldier. | 0:23:08 | 0:23:10 | |
But rather than take the easy route through the academia, | 0:23:10 | 0:23:14 | |
he honed other skills. | 0:23:14 | 0:23:17 | |
And he trained you? | 0:23:17 | 0:23:18 | |
He trained us all...his way. | 0:23:18 | 0:23:21 | |
He only wanted the best. | 0:23:21 | 0:23:23 | |
For that, he wanted proof. | 0:23:24 | 0:23:26 | |
Only six of us survived. | 0:23:34 | 0:23:37 | |
And together, we became your Cassius Seven. | 0:23:37 | 0:23:41 | |
-And you never saw him again? -No. | 0:23:41 | 0:23:44 | |
We got our targets from him through the usual channels. | 0:23:44 | 0:23:49 | |
But he planned the kills. | 0:23:49 | 0:23:52 | |
His intel was always the best. | 0:23:52 | 0:23:55 | |
His instinct for when to strike, always sharpest. | 0:23:55 | 0:23:59 | |
What happened to him? | 0:23:59 | 0:24:01 | |
He made mistake. | 0:24:01 | 0:24:03 | |
He lived outside parameters. | 0:24:03 | 0:24:06 | |
What kind of parameters? | 0:24:06 | 0:24:08 | |
Parameters of an assassin. | 0:24:08 | 0:24:11 | |
What did you do to him? | 0:24:11 | 0:24:12 | |
Give him the radio. | 0:24:12 | 0:24:14 | |
No, no. I want to hear specifically... | 0:24:14 | 0:24:15 | |
I said give him the radio! | 0:24:15 | 0:24:17 | |
Just do it! Give it to him. | 0:24:17 | 0:24:19 | |
All right. Let's go. | 0:24:24 | 0:24:25 | |
Come on! | 0:24:26 | 0:24:28 | |
BUTTON CLICKS MUSIC PLAYS | 0:24:29 | 0:24:31 | |
Guard. | 0:24:33 | 0:24:35 | |
What the hell was that? | 0:24:41 | 0:24:43 | |
Why didn't you let me finish my line of questioning? | 0:24:43 | 0:24:46 | |
Because he was lying. | 0:24:46 | 0:24:47 | |
I tried to kill him once for a reason. | 0:24:47 | 0:24:49 | |
Yeah, but the wire makes perfect sense. | 0:24:49 | 0:24:51 | |
It explains why the cuts always start from the middle | 0:24:51 | 0:24:54 | |
and then work their way up. This opens up everything. | 0:24:54 | 0:24:56 | |
I gotta get in there early tomorrow morning | 0:24:56 | 0:24:58 | |
and compare the cuts with other wire killings in Europe. | 0:24:58 | 0:25:00 | |
FOLK MUSIC PLAYS | 0:25:08 | 0:25:11 | |
MUSIC STOPS | 0:25:25 | 0:25:26 | |
HE GROANS | 0:25:39 | 0:25:41 | |
BRUTUS GROANS | 0:26:08 | 0:26:10 | |
What do we got? | 0:26:12 | 0:26:14 | |
Cramping and vomiting blood. | 0:26:14 | 0:26:15 | |
OK, get him into three. | 0:26:15 | 0:26:16 | |
Somebody get these restraints off! | 0:26:22 | 0:26:24 | |
Excuse me. | 0:26:24 | 0:26:25 | |
Can I get a bowl? Bowl, please! | 0:26:25 | 0:26:28 | |
Got it. | 0:26:28 | 0:26:29 | |
BRUTUS VOMITS | 0:26:29 | 0:26:31 | |
Batteries. | 0:26:32 | 0:26:34 | |
Stay back! | 0:26:36 | 0:26:37 | |
All right, get me security! | 0:26:41 | 0:26:43 | |
SCREAMING | 0:26:49 | 0:26:51 | |
You swallowed the batteries, didn't you? | 0:27:05 | 0:27:08 | |
Easier to escape from a hospital than a prison. | 0:27:08 | 0:27:11 | |
Geneva. | 0:27:23 | 0:27:25 | |
You were there, weren't you? | 0:27:25 | 0:27:27 | |
I know nothing about... | 0:27:27 | 0:27:29 | |
You were there. It was you. | 0:27:29 | 0:27:31 | |
I never killed anyone in Geneva. | 0:27:31 | 0:27:34 | |
You are a liar. | 0:27:35 | 0:27:37 | |
Who are you? | 0:27:37 | 0:27:39 | |
I'm the one who shot you in Salzburg. | 0:27:39 | 0:27:42 | |
I'm also the one who trained you in Moscow. | 0:27:46 | 0:27:48 | |
Cassius? | 0:27:59 | 0:28:00 | |
I never...I never knew about Geneva until after the fact. | 0:28:02 | 0:28:06 | |
They brought in someone with...with no ties to you. | 0:28:06 | 0:28:11 | |
Yeah, the others said that too. | 0:28:11 | 0:28:13 | |
Did they tell you it was someone from the Black Caucasus? | 0:28:13 | 0:28:18 | |
A soldier, I think. | 0:28:18 | 0:28:20 | |
We could find him together. | 0:28:24 | 0:28:26 | |
We are from the same place. | 0:28:26 | 0:28:28 | |
I've looked up to you my whole life. | 0:28:31 | 0:28:34 | |
BRUTUS GROANS AND CHOKES | 0:28:37 | 0:28:39 | |
INAUDIBLE | 0:29:17 | 0:29:19 | |
INAUDIBLE | 0:29:27 | 0:29:30 | |
WOMAN SCREAMS | 0:30:31 | 0:30:34 | |
DIAL TONE RINGS | 0:30:34 | 0:30:37 | |
ON PHONE: | 0:30:40 | 0:30:43 | |
THEY SPEAK IN RUSSIAN | 0:30:43 | 0:30:44 | |
MOBILE PHONE RINGS | 0:30:57 | 0:31:00 | |
Agent Geary. | 0:31:00 | 0:31:02 | |
'Agent Geary. We need to meet.' | 0:31:02 | 0:31:04 | |
Oh. | 0:31:38 | 0:31:39 | |
You need to drop this investigation. | 0:31:43 | 0:31:45 | |
How exactly am I supposed to drop it? | 0:31:47 | 0:31:50 | |
Cassius doesn't care who he has to eliminate. | 0:31:50 | 0:31:55 | |
If he comes after me, I'm prepared. Not you. | 0:31:55 | 0:31:57 | |
You've got a wife. You have two kids. | 0:31:57 | 0:32:00 | |
Yeah. I think they understand what I'm doing is important. | 0:32:00 | 0:32:04 | |
Have you thought about what you're going to do if you find him? | 0:32:04 | 0:32:07 | |
That is all I think about. | 0:32:07 | 0:32:09 | |
And now that it's real, I want it more. | 0:32:09 | 0:32:11 | |
I want to know him. I want to understand him. | 0:32:11 | 0:32:15 | |
And then? | 0:32:15 | 0:32:17 | |
And then I want to put him away, for good. | 0:32:17 | 0:32:20 | |
Whoa. What is all this shit? | 0:32:25 | 0:32:28 | |
It's research. | 0:32:28 | 0:32:29 | |
Research. | 0:32:29 | 0:32:31 | |
Volks-Volkskrant-Volks... | 0:32:32 | 0:32:35 | |
De Volkskrant. It's a daily newspaper in Holland. | 0:32:35 | 0:32:38 | |
The third page, there's a story about a wire killing. | 0:32:38 | 0:32:40 | |
Ten days before the Soviets held their first open election. | 0:32:40 | 0:32:43 | |
-Cassius? -Yeah. I think so. | 0:32:43 | 0:32:46 | |
You've gotta put in a word to get me on this case. | 0:32:46 | 0:32:48 | |
Please. I'm up to my ass in banking bullshit. | 0:32:48 | 0:32:51 | |
I'm serious. | 0:32:51 | 0:32:52 | |
PHONE RINGS | 0:32:52 | 0:32:54 | |
Agent Geary. | 0:32:55 | 0:32:57 | |
Where? | 0:32:57 | 0:32:58 | |
Once you're done getting shots of the body, | 0:33:02 | 0:33:04 | |
really get the cut patterns. I want close-ups of the neck. | 0:33:04 | 0:33:08 | |
-And then he came in here? -Yes, sir. | 0:33:31 | 0:33:33 | |
INCOHERENT CHATTER | 0:33:54 | 0:33:56 | |
Hey, Paul. | 0:33:57 | 0:33:59 | |
Agent Geary. What do you got? See you later. | 0:34:00 | 0:34:04 | |
Apparently, Brutus swallowed the batteries from the radio | 0:34:04 | 0:34:06 | |
that we gave him. | 0:34:06 | 0:34:07 | |
I'm guessing he put out some calls. Found a place to lay low. | 0:34:07 | 0:34:10 | |
Word got back to Cassius. | 0:34:10 | 0:34:13 | |
He's never one to allow loose ends. | 0:34:13 | 0:34:15 | |
Loose ends, meaning he spoke to us. | 0:34:15 | 0:34:18 | |
Probably. Yeah. | 0:34:18 | 0:34:21 | |
Well, we should get all the phone records | 0:34:21 | 0:34:23 | |
of every cellphone hospital extension here. | 0:34:23 | 0:34:26 | |
All right. OK. | 0:34:26 | 0:34:28 | |
You know, I always had this theory... | 0:34:32 | 0:34:34 | |
..that Cassius would return to the scene of his crimes. | 0:34:36 | 0:34:39 | |
Watch his investigators. | 0:34:41 | 0:34:43 | |
You think he's that vain? | 0:34:44 | 0:34:46 | |
Well, I think some of it's vanity. | 0:34:46 | 0:34:50 | |
Some of it is he wants to see what he's up against. | 0:34:50 | 0:34:53 | |
You see that guy in the back? Brown jacket. | 0:35:01 | 0:35:03 | |
Coat's Russian-made. | 0:35:03 | 0:35:05 | |
Excuse me, sir? Sir? | 0:35:09 | 0:35:11 | |
Shit! Move! | 0:35:11 | 0:35:13 | |
All right. Why don't we split up? | 0:35:58 | 0:36:02 | |
Yeah. | 0:36:02 | 0:36:03 | |
You go that way. | 0:36:03 | 0:36:05 | |
METALLIC CLATTER | 0:37:24 | 0:37:26 | |
HE SIGHS | 0:37:35 | 0:37:36 | |
I've got nothing. | 0:37:40 | 0:37:41 | |
Yeah, me neither. Let the Bureau know. | 0:37:41 | 0:37:43 | |
He's wearing a brown suede jacket. | 0:37:43 | 0:37:45 | |
Sandy blond hair, close cropped. | 0:37:45 | 0:37:47 | |
No. That wasn't him. | 0:37:47 | 0:37:50 | |
He was too tall. | 0:37:50 | 0:37:52 | |
Too military. Wrong build. Too young. A million reasons. It wasn't him. | 0:37:52 | 0:37:57 | |
-What the hell were we doing chasing this guy? -He ran. | 0:37:57 | 0:38:00 | |
I figured he'd be arrested for something. | 0:38:00 | 0:38:02 | |
THEY CHUCKLE | 0:38:06 | 0:38:08 | |
You hungry? | 0:38:09 | 0:38:11 | |
Hey, Paul. This is my wife, Natalie. | 0:38:30 | 0:38:33 | |
Hello, Mr Shepherdson. | 0:38:33 | 0:38:35 | |
-Hey. Paul. -Paul. | 0:38:35 | 0:38:37 | |
It's been a long time since I went to someone's house for dinner. | 0:38:40 | 0:38:44 | |
I, uh, I never learned how to do it right. | 0:38:44 | 0:38:46 | |
Well, it's easy. You just smile and nod and tell me how good it is. | 0:38:46 | 0:38:50 | |
Yes, ma'am. | 0:38:50 | 0:38:52 | |
Ma'am? Did you hear that? | 0:38:52 | 0:38:55 | |
Well, right this way, sir. | 0:38:55 | 0:38:56 | |
Let me welcome you to our humble commode. | 0:38:56 | 0:38:59 | |
GIRL HUMS TO HERSELF | 0:39:06 | 0:39:09 | |
Want to help me get dinner ready? | 0:39:15 | 0:39:17 | |
Dinner ready? | 0:39:17 | 0:39:18 | |
I'm not going to be much help. I'm sorry. | 0:39:19 | 0:39:22 | |
It's easy. Just move the dad from the backyard to the kitchen. | 0:39:22 | 0:39:25 | |
That's your dad? Let's see. | 0:39:25 | 0:39:27 | |
Hey, Paul. Come meet this little guy. | 0:39:29 | 0:39:32 | |
It's Nicholas. | 0:39:34 | 0:39:36 | |
Wow. | 0:39:36 | 0:39:38 | |
Yeah. Looks like you. | 0:39:38 | 0:39:40 | |
No. | 0:39:40 | 0:39:41 | |
Yeah. Got your nose. | 0:39:41 | 0:39:43 | |
Everyone says he looks like my dad. | 0:39:43 | 0:39:45 | |
Which is nice cos we lost him like ten years ago. | 0:39:45 | 0:39:48 | |
Yeah, I'm sorry. | 0:39:48 | 0:39:49 | |
-No, no, it's fine. -He's definitely your kid. | 0:39:49 | 0:39:51 | |
Do you have any children, Paul? | 0:39:51 | 0:39:53 | |
No. No, I don't. | 0:39:53 | 0:39:55 | |
-Do you want a drink? -Yeah. | 0:39:55 | 0:39:58 | |
Yeah, sweetie. Come on. | 0:39:58 | 0:40:00 | |
You got his head? | 0:40:00 | 0:40:02 | |
Come on, Lucy. Let's go set up, sweetie. | 0:40:02 | 0:40:04 | |
Paul, what are you looking for? | 0:40:04 | 0:40:06 | |
Vodka martini? | 0:40:06 | 0:40:07 | |
Sure. | 0:40:07 | 0:40:08 | |
Dry. With, uh, an onion if you've got it. | 0:40:08 | 0:40:11 | |
You know what? | 0:40:11 | 0:40:13 | |
I think you've been chasing Cassius a little too long. | 0:40:13 | 0:40:15 | |
That's his drink. | 0:40:15 | 0:40:17 | |
Yeah. Well, trying to get into his head | 0:40:20 | 0:40:23 | |
I guess I picked up some of his habits. | 0:40:23 | 0:40:26 | |
You know what? In that case, I'm going to join you. | 0:40:26 | 0:40:30 | |
The kids are down. Finally. | 0:40:36 | 0:40:39 | |
Now, I know you're going to say this is weird | 0:40:41 | 0:40:43 | |
-but I feel a connection with him. I do. -With who? -With Cassius. | 0:40:43 | 0:40:47 | |
He's not the kind of guy that you can connect to. | 0:40:47 | 0:40:50 | |
Well, sure. If not a connection, then a tremendous amount of respect. | 0:40:50 | 0:40:55 | |
All right. Let's just set the record straight now. | 0:40:55 | 0:40:57 | |
He's not worthy of your respect or admiration. | 0:40:57 | 0:41:00 | |
He's a cold-blooded killer. | 0:41:00 | 0:41:02 | |
He doesn't have a family like you. | 0:41:02 | 0:41:05 | |
He doesn't have a wife like yours. | 0:41:05 | 0:41:07 | |
His life meant nothing. | 0:41:07 | 0:41:09 | |
The only good thing he ever did was disappear. All right? | 0:41:09 | 0:41:15 | |
You don't think there's something to be respected in the fact that | 0:41:15 | 0:41:18 | |
he is the best at something? | 0:41:18 | 0:41:20 | |
Respect is the last thing I have for an animal like him. OK? | 0:41:20 | 0:41:24 | |
Yeah. But... | 0:41:24 | 0:41:26 | |
Hold that thought. I'm going to take a piss. | 0:41:27 | 0:41:31 | |
Ben? | 0:41:31 | 0:41:33 | |
I'm just stating the facts. | 0:41:33 | 0:41:35 | |
(Paul, he's obsessed.) | 0:41:37 | 0:41:38 | |
Yeah, I know. | 0:41:38 | 0:41:40 | |
And he has been ever since I've known him. | 0:41:40 | 0:41:42 | |
Cassius. | 0:41:42 | 0:41:44 | |
And you! | 0:41:44 | 0:41:46 | |
You know, I'm...I'm just ready for it to be over. | 0:41:46 | 0:41:50 | |
Your husband is messing with a creature | 0:41:55 | 0:41:59 | |
he thinks he understands, but he doesn't. | 0:41:59 | 0:42:02 | |
He's allowed your husband | 0:42:02 | 0:42:05 | |
to live this long because he wasn't much of a threat. | 0:42:05 | 0:42:09 | |
What do you mean, allowed him to live? | 0:42:09 | 0:42:12 | |
Do you think he knows who my husband is? | 0:42:12 | 0:42:15 | |
I'm sure he does. | 0:42:18 | 0:42:20 | |
FOOTSTEPS APPROACH | 0:42:20 | 0:42:22 | |
You really read my thesis? | 0:42:22 | 0:42:24 | |
Yes. Yes, I read your thesis. | 0:42:26 | 0:42:29 | |
Yeah? | 0:42:29 | 0:42:31 | |
And? | 0:42:31 | 0:42:32 | |
All right. I think... | 0:42:35 | 0:42:38 | |
..that you missed an essential question. | 0:42:39 | 0:42:43 | |
OK. What's that? | 0:42:43 | 0:42:45 | |
You pinpointed the wheres and the hows of Cassius | 0:42:45 | 0:42:49 | |
but you never ask the question why. | 0:42:49 | 0:42:52 | |
Why were his targets increasingly more random? | 0:42:52 | 0:42:57 | |
Why did he disappear? | 0:42:57 | 0:42:59 | |
When you can answer those whys, | 0:42:59 | 0:43:02 | |
then you'll know him. | 0:43:02 | 0:43:04 | |
Thank Natalie again, will you? | 0:43:18 | 0:43:21 | |
Oh, we checked the calls from the hospital. | 0:43:21 | 0:43:24 | |
Yeah? | 0:43:24 | 0:43:25 | |
Nothing. | 0:43:25 | 0:43:26 | |
-Tch. Too bad. -Yeah. | 0:43:28 | 0:43:30 | |
See, you know the thing that... | 0:43:32 | 0:43:34 | |
OK, here's what I don't understand. | 0:43:34 | 0:43:36 | |
How did Cassius know that they moved Brutus to a hospital | 0:43:36 | 0:43:39 | |
instead of just working on him at the prison? | 0:43:39 | 0:43:42 | |
The Russians probably paid somebody off in the prison. | 0:43:42 | 0:43:46 | |
They'd want him dead just to shut him up. | 0:43:46 | 0:43:48 | |
Right. Right. | 0:43:48 | 0:43:50 | |
Good night, Geary. | 0:43:50 | 0:43:52 | |
DOG BARKS IN DISTANCE | 0:44:00 | 0:44:02 | |
DOG CONTINUES BARKING | 0:44:11 | 0:44:13 | |
GENERAL CHATTER | 0:44:30 | 0:44:34 | |
Gentlemen? | 0:44:34 | 0:44:36 | |
I think you guys know Martin Miller. | 0:44:36 | 0:44:38 | |
He's our Chief Analyst on domestic Russian ops. | 0:44:38 | 0:44:41 | |
Go ahead, Marty. | 0:44:41 | 0:44:42 | |
Almost six months ago, | 0:44:44 | 0:44:45 | |
two BP agents were murdered and their truck stolen. | 0:44:45 | 0:44:47 | |
The truck was located a week later in a parking lot | 0:44:47 | 0:44:50 | |
near TUS wiped clean. Now, these guys were smart. | 0:44:50 | 0:44:52 | |
They parked far enough away from the cameras | 0:44:52 | 0:44:54 | |
that we couldn't get any facial recognition. | 0:44:54 | 0:44:57 | |
Local cops and Border Patrol assumed they were Mexican. | 0:44:57 | 0:44:59 | |
Then we found this. | 0:44:59 | 0:45:02 | |
A camera in a squad car. | 0:45:03 | 0:45:05 | |
That's right. Luckily, Tucson police were testing | 0:45:05 | 0:45:07 | |
high-resolution cameras in a few cars. | 0:45:07 | 0:45:10 | |
All Russian. All known operatives. | 0:45:10 | 0:45:13 | |
All now in the United States. | 0:45:13 | 0:45:16 | |
There's the guy with the Russian jacket. | 0:45:16 | 0:45:18 | |
That's right. And it gets better. | 0:45:18 | 0:45:20 | |
Wait a minute. Wait a minute. Wait. | 0:45:27 | 0:45:29 | |
Son of a bitch. | 0:45:37 | 0:45:38 | |
Bozlovski. | 0:45:41 | 0:45:42 | |
That's right. Johann Bozlovski. | 0:45:42 | 0:45:44 | |
Former Spetsnaz and KGB. | 0:45:44 | 0:45:47 | |
HE SIGHS | 0:45:47 | 0:45:48 | |
In 1990, | 0:45:48 | 0:45:49 | |
Bozlovski and his 10th Mountain Brigade in the Black Caucasus | 0:45:49 | 0:45:52 | |
went into Warsaw and executed known allies of the solidarity movement. | 0:45:52 | 0:45:56 | |
I looked for him for a year | 0:45:56 | 0:45:59 | |
after the Wall came down. | 0:45:59 | 0:46:01 | |
He just...just vanished. | 0:46:01 | 0:46:04 | |
Like Cassius. | 0:46:08 | 0:46:10 | |
What are you thinking, Paul? | 0:46:10 | 0:46:11 | |
We have a known Soviet hit man. | 0:46:13 | 0:46:15 | |
Disappears into Libya or Afghanistan. | 0:46:15 | 0:46:19 | |
Same time our intel tells us Cassius does the same. | 0:46:19 | 0:46:21 | |
20 years later, he shows up. | 0:46:21 | 0:46:23 | |
United States Senator gets his throat slit. | 0:46:23 | 0:46:27 | |
I...I don't know. | 0:46:27 | 0:46:30 | |
I mean, Bozlovski's Spetsnaz | 0:46:30 | 0:46:32 | |
and he's so visible. | 0:46:32 | 0:46:34 | |
Well, yeah. Maybe that's what they wanted. | 0:46:34 | 0:46:38 | |
And wouldn't a more visible alter ego | 0:46:38 | 0:46:41 | |
just muddy up the waters for everyone chasing him? | 0:46:41 | 0:46:43 | |
How did we know Boz was in Warsaw in 1990? | 0:46:43 | 0:46:48 | |
How did we know that? | 0:46:48 | 0:46:49 | |
Because the Russians told us so! | 0:46:49 | 0:46:52 | |
Soviet disinformation was the biggest weapon they had | 0:46:52 | 0:46:55 | |
before the Wall came down. | 0:46:55 | 0:46:57 | |
That's true. | 0:46:57 | 0:46:58 | |
BEN SIGHS | 0:46:58 | 0:47:00 | |
Yeah. | 0:47:03 | 0:47:04 | |
Bozlovski makes sense. | 0:47:06 | 0:47:08 | |
It's him. He's the one. | 0:47:08 | 0:47:09 | |
What do you guys need from us? | 0:47:09 | 0:47:11 | |
Nothing. Nothing. He'll disappear again | 0:47:11 | 0:47:14 | |
if he knows we're onto him. | 0:47:14 | 0:47:17 | |
CAR ALARM WAILS | 0:47:22 | 0:47:25 | |
What is this place? | 0:47:36 | 0:47:37 | |
BUZZING | 0:47:50 | 0:47:52 | |
PAUL KNOCKS ON DOOR | 0:47:52 | 0:47:53 | |
MAN GREETS PAUL IN RUSSIAN | 0:48:00 | 0:48:02 | |
HE SIGHS | 0:48:05 | 0:48:07 | |
CLATTERING RAISED VOICE FROM INSIDE ROOM | 0:48:21 | 0:48:25 | |
Amber. | 0:48:29 | 0:48:31 | |
Amber? | 0:48:31 | 0:48:32 | |
Yeah, that guy deals in Russian goods. | 0:48:35 | 0:48:38 | |
Anything from the homeland. | 0:48:38 | 0:48:40 | |
Turn down by the river. | 0:48:40 | 0:48:42 | |
SPEAKING RUSSIAN | 0:48:56 | 0:49:00 | |
Amber's a prostitute? | 0:49:18 | 0:49:21 | |
If the Russians used their women instead of missiles, | 0:49:21 | 0:49:24 | |
we'd all be wearing furry hats right now. | 0:49:24 | 0:49:27 | |
MUSIC PLAYS FROM INSIDE HOUSE | 0:49:39 | 0:49:43 | |
This is the dirtiest river in the US, did you know that? | 0:49:49 | 0:49:52 | |
Right here in our nation's capital. | 0:49:52 | 0:49:54 | |
Nice place to park your house. | 0:49:55 | 0:49:58 | |
BEN KNOCKS ON DOOR | 0:49:59 | 0:50:01 | |
Amber? | 0:50:04 | 0:50:06 | |
MUSIC INCREASES IN VOLUME | 0:50:06 | 0:50:08 | |
HE SPEAKS IN RUSSIAN | 0:50:08 | 0:50:11 | |
CLATTERING | 0:50:25 | 0:50:28 | |
-No, no. -No! No! No! | 0:50:30 | 0:50:32 | |
Nooo! | 0:50:32 | 0:50:34 | |
No! No! | 0:50:34 | 0:50:36 | |
SHE SCREAMS | 0:50:36 | 0:50:38 | |
Shut up! | 0:50:38 | 0:50:40 | |
I'm not gonna... I'm not gonna hurt you! | 0:50:40 | 0:50:42 | |
HE SHOUTS IN RUSSIAN | 0:50:42 | 0:50:44 | |
Bozlovski. Bozlovski. Where is he? | 0:50:44 | 0:50:47 | |
SHE YELLS IN RUSSIAN | 0:50:47 | 0:50:50 | |
Where is Bozlovski? | 0:50:50 | 0:50:52 | |
I don't know who you're talking about! | 0:50:52 | 0:50:54 | |
LOUD MUSIC CONTINUES PLAYING | 0:50:54 | 0:50:56 | |
SHE CONTINUES TO YELL IN RUSSIAN | 0:50:58 | 0:51:02 | |
Shut up! | 0:51:07 | 0:51:09 | |
HE SHOUTS AT HER IN RUSSIAN | 0:51:09 | 0:51:12 | |
HE TURNS VOLUME DOWN SCREAMING FROM OUTSIDE | 0:51:17 | 0:51:20 | |
Where is Bozlovski? | 0:51:20 | 0:51:23 | |
I will kill you here... | 0:51:23 | 0:51:25 | |
and let you float away, I swear to God. | 0:51:25 | 0:51:28 | |
Please. Please don't. | 0:51:28 | 0:51:30 | |
Where is he? | 0:51:30 | 0:51:32 | |
I am begging you. I don't know. | 0:51:32 | 0:51:34 | |
Bullshit. That is bullshit. | 0:51:34 | 0:51:36 | |
Paul, we broke into her place! OK? | 0:51:36 | 0:51:38 | |
Go back to the car and shut up! | 0:51:38 | 0:51:40 | |
Where is he?! | 0:51:40 | 0:51:41 | |
Please. | 0:51:41 | 0:51:43 | |
Paul, let me talk to her! | 0:51:43 | 0:51:44 | |
Please. | 0:51:46 | 0:51:48 | |
Please, I don't know anything. | 0:51:50 | 0:51:53 | |
SHE WHIMPERS | 0:51:55 | 0:51:57 | |
You're a very lucky girl. | 0:51:59 | 0:52:01 | |
Come. | 0:52:03 | 0:52:05 | |
INAUDIBLE | 0:52:06 | 0:52:08 | |
INAUDIBLE | 0:52:17 | 0:52:20 | |
SHE SPEAKS IN RUSSIAN ON PHONE | 0:52:29 | 0:52:32 | |
You didn't really show her pictures of your kids, did you? | 0:52:40 | 0:52:44 | |
You know, they teach you a couple tricks at Quantico. | 0:52:44 | 0:52:47 | |
Oh, Quantico. Good cop, bad cop. | 0:52:47 | 0:52:50 | |
Making a connection. | 0:52:53 | 0:52:55 | |
Oh! Very nice. | 0:52:55 | 0:52:57 | |
Yeah. | 0:52:57 | 0:52:58 | |
CAR APPROACHES | 0:53:01 | 0:53:03 | |
MAN SPEAKS IN RUSSIAN | 0:53:20 | 0:53:22 | |
I, uh, I know...I know this man you're looking for. | 0:53:28 | 0:53:33 | |
OK? You...you can follow me there. | 0:53:33 | 0:53:35 | |
Who are you? | 0:53:36 | 0:53:38 | |
Her brother. | 0:53:40 | 0:53:42 | |
Oh. | 0:53:42 | 0:53:43 | |
Look, I take you to where Bozlovski is. | 0:53:43 | 0:53:46 | |
What's your name? | 0:53:46 | 0:53:48 | |
-Leo. -Leo. Leo, give me your phone. | 0:53:48 | 0:53:51 | |
Give me your phone. | 0:53:51 | 0:53:53 | |
There you go. | 0:53:54 | 0:53:56 | |
Now, Leo, you didn't call anyone and tell them we were coming, did you? | 0:53:56 | 0:54:00 | |
No. No, no. No, I swear. | 0:54:00 | 0:54:04 | |
Now, if anything goes wrong, Leo, | 0:54:04 | 0:54:06 | |
I'm putting two bullets in her head | 0:54:06 | 0:54:08 | |
and I'm dumping her in the river. Then I'm coming for you. | 0:54:08 | 0:54:12 | |
-OK. -OK. | 0:54:14 | 0:54:16 | |
You're going to shoot her in the head? | 0:54:35 | 0:54:38 | |
Just making a connection. | 0:54:40 | 0:54:41 | |
OK. This is the place. | 0:54:59 | 0:55:01 | |
OK, Bozlovski, he's in there. | 0:55:01 | 0:55:03 | |
No, no, no. No, no, come on. | 0:55:03 | 0:55:05 | |
Leo! Hey. | 0:55:21 | 0:55:23 | |
How many girls you got? | 0:55:23 | 0:55:25 | |
Come on, tell me. Five? Ten? | 0:55:25 | 0:55:28 | |
15? Talk to me. Huh? | 0:55:28 | 0:55:31 | |
Two. | 0:55:32 | 0:55:34 | |
What? | 0:55:34 | 0:55:35 | |
Two. | 0:55:35 | 0:55:37 | |
Two. | 0:55:38 | 0:55:39 | |
All right. | 0:55:41 | 0:55:42 | |
You get me to Bozlovski, | 0:55:42 | 0:55:44 | |
you keep your business... | 0:55:44 | 0:55:47 | |
and we never met. All right? | 0:55:47 | 0:55:50 | |
You, call for backup, or whatever they told you to do at Quantico. | 0:55:50 | 0:55:54 | |
You stay there by the door. You don't leave. | 0:55:54 | 0:55:56 | |
Go. | 0:55:58 | 0:55:59 | |
He comes too? | 0:55:59 | 0:56:00 | |
No, no, he stays at the door. Go on. | 0:56:00 | 0:56:02 | |
Perfect. Because I was first in my class in door-watching. | 0:56:13 | 0:56:18 | |
I hear you've been asking questions about me. | 0:57:03 | 0:57:05 | |
You know my name. | 0:57:05 | 0:57:07 | |
Johann. | 0:57:07 | 0:57:09 | |
DOOR CLOSES | 0:57:09 | 0:57:10 | |
Coming in through Mexico, smart. Very smart. | 0:57:13 | 0:57:16 | |
How do you know this? What agency are you with? | 0:57:16 | 0:57:19 | |
They say you killed a Senator. | 0:57:19 | 0:57:21 | |
They think you're Cassius. | 0:57:23 | 0:57:26 | |
MAN WHISTLES | 0:57:26 | 0:57:27 | |
Uh-oh. | 0:57:27 | 0:57:31 | |
HE CHUCKLES | 0:57:31 | 0:57:32 | |
What do you think? | 0:57:32 | 0:57:34 | |
You think I'm stupid enough to call ahead from my own phone? | 0:57:34 | 0:57:38 | |
You think I give a damn what happens to some whore? | 0:57:38 | 0:57:42 | |
Yes. I've played Cassius before. | 0:57:42 | 0:57:46 | |
If they want me to be Cassius, I become Cassius. | 0:57:46 | 0:57:50 | |
But you're not him. | 0:57:50 | 0:57:52 | |
Really? | 0:57:55 | 0:57:56 | |
How can you be so sure? | 0:58:01 | 0:58:02 | |
Because I'm Cassius. | 0:58:05 | 0:58:07 | |
ALL CHUCKLE | 0:58:08 | 0:58:13 | |
Cassius? | 0:58:14 | 0:58:15 | |
GUNFIRE | 0:58:18 | 0:58:21 | |
THUNDER CRACKS | 0:58:58 | 0:59:00 | |
You were here? | 0:59:13 | 0:59:15 | |
Yes, sir. | 0:59:15 | 0:59:16 | |
..and I ran immediately upstairs. | 0:59:20 | 0:59:22 | |
CHATTER DIPS IN VOLUME | 0:59:29 | 0:59:34 | |
PHONE BEEPS | 0:59:34 | 0:59:38 | |
DIAL TONE RINGS | 0:59:42 | 0:59:44 | |
PHONE RINGS | 0:59:44 | 0:59:46 | |
Hey. Ollie. Come on. You did the work on the Moussali capture, right? | 1:00:02 | 1:00:06 | |
Applied some like theoretical geography to his whereabouts? | 1:00:06 | 1:00:08 | |
Yeah, that's right. Tracking a fugitive | 1:00:08 | 1:00:10 | |
is essentially the same thing as tracking an endangered species. | 1:00:10 | 1:00:13 | |
You rule out the places they can't or won't go | 1:00:13 | 1:00:15 | |
until you have a reasonably few places to look. | 1:00:15 | 1:00:18 | |
You want in on this thing? Come on. | 1:00:18 | 1:00:20 | |
So, what is it I'm looking for? | 1:00:21 | 1:00:24 | |
Late in Cassius' career, his murders were no longer just pro-Soviet. | 1:00:24 | 1:00:27 | |
He was killing Russians, too. | 1:00:27 | 1:00:29 | |
And also English, Polish, Czech, you name it. | 1:00:29 | 1:00:31 | |
When was this? | 1:00:31 | 1:00:33 | |
Around 1988. | 1:00:33 | 1:00:35 | |
It never made any sense. | 1:00:35 | 1:00:37 | |
I think I missed something here. | 1:00:39 | 1:00:42 | |
Why do you think you missed something? | 1:00:42 | 1:00:44 | |
You have some new information? | 1:00:44 | 1:00:46 | |
Paul Shepherdson. | 1:00:46 | 1:00:48 | |
Yeah? | 1:00:48 | 1:00:50 | |
What? | 1:00:52 | 1:00:53 | |
He's been at the company for like 25 years! | 1:00:55 | 1:00:57 | |
Yeah, I know, man. That's why I need you on this. OK? | 1:00:57 | 1:01:00 | |
I've been over this shit like a thousand times | 1:01:00 | 1:01:02 | |
to the point at which I always see the exact same thing. | 1:01:02 | 1:01:04 | |
Find something different. | 1:01:04 | 1:01:07 | |
OK. Yeah, sure. I... | 1:01:10 | 1:01:13 | |
But if you're right, I mean, that means the entire time | 1:01:13 | 1:01:16 | |
he's been hunting himself? | 1:01:16 | 1:01:19 | |
So, he killed the Senator? | 1:01:20 | 1:01:21 | |
If we're right about this, yeah. | 1:01:21 | 1:01:24 | |
PHONE RINGS | 1:01:26 | 1:01:28 | |
Agent Geary. | 1:01:28 | 1:01:30 | |
I've got a question about a file here. | 1:01:30 | 1:01:32 | |
It's blue and it's got a note attached that says | 1:01:32 | 1:01:34 | |
"Too many questions. Not Cassius." | 1:01:34 | 1:01:36 | |
Uh, no. That one's a hoax. | 1:01:36 | 1:01:38 | |
'It's like a crude copycat murder.' | 1:01:38 | 1:01:40 | |
OK, cool. I'll exclude it. | 1:01:40 | 1:01:42 | |
I'm going to run for coffee. Want something? | 1:01:48 | 1:01:50 | |
Oh, no. I'm fine, thank you. | 1:01:50 | 1:01:52 | |
DOOR OPENS | 1:01:54 | 1:01:55 | |
DOOR CLOSES | 1:01:58 | 1:02:00 | |
Ooh. | 1:02:35 | 1:02:36 | |
Jesus! | 1:02:36 | 1:02:38 | |
Paul! Hi! Thank you! | 1:02:39 | 1:02:41 | |
You need to be careful. | 1:02:41 | 1:02:43 | |
Yeah. Oh, let me... | 1:02:43 | 1:02:45 | |
Stay up there. | 1:02:45 | 1:02:46 | |
OK. | 1:02:46 | 1:02:48 | |
I want you to tell your husband to ask off this case. | 1:02:50 | 1:02:54 | |
Have him say that it's just too much for him, for his family. | 1:02:54 | 1:02:57 | |
What...whatever he has to say, just get him out. | 1:02:57 | 1:03:00 | |
Paul, what do you expect me to do? | 1:03:00 | 1:03:02 | |
You know, I told you. I can't watch over him any more. | 1:03:02 | 1:03:04 | |
He's getting very close to a dangerous man. | 1:03:04 | 1:03:06 | |
He won't listen to me. | 1:03:06 | 1:03:08 | |
He won't listen to anything I have to say, so... | 1:03:08 | 1:03:10 | |
He's going to die, Natalie! | 1:03:10 | 1:03:12 | |
What? | 1:03:12 | 1:03:14 | |
Do you hear me now? | 1:03:14 | 1:03:16 | |
Cassius has taken out men much more experienced than Ben. | 1:03:18 | 1:03:22 | |
He doesn't give a damn about you, about your family. | 1:03:22 | 1:03:25 | |
He will kill your husband. | 1:03:25 | 1:03:27 | |
Like snapping his fingers. | 1:03:27 | 1:03:29 | |
And he will feel nothing. | 1:03:40 | 1:03:41 | |
I pieced together the photos of every murder | 1:03:58 | 1:04:00 | |
and I laid them out chronologically. | 1:04:00 | 1:04:02 | |
Oh, that red line right there indicates | 1:04:02 | 1:04:04 | |
where his killing became erratic and inexplicable. | 1:04:04 | 1:04:06 | |
So, all you've gotta do is set up a null hypothesis | 1:04:06 | 1:04:09 | |
and try and prove it. | 1:04:09 | 1:04:10 | |
And when you can't prove it, | 1:04:10 | 1:04:11 | |
that means your original hypothesis must be true. | 1:04:11 | 1:04:13 | |
-Wait, wait. -Take some fact. | 1:04:13 | 1:04:15 | |
-You said you believe Cassius returns to the scene of the crimes. -Right. | 1:04:15 | 1:04:19 | |
And you've got photos of every murder. | 1:04:19 | 1:04:21 | |
So set up a hypothesis of, say, Stephen Hawking is Cassius | 1:04:21 | 1:04:24 | |
which gives you a null hypothesis of Stephen Hawking is not Cassius. | 1:04:24 | 1:04:27 | |
So, go through the photos and try and prove the null | 1:04:27 | 1:04:30 | |
that Rolling Thunder is not Cassius. | 1:04:30 | 1:04:32 | |
If you can, that means your hypothesis is incorrect. | 1:04:32 | 1:04:34 | |
If you can't then, depending on your "P" value of course, | 1:04:34 | 1:04:37 | |
you've statistically proven your hypothesis must be true. | 1:04:37 | 1:04:40 | |
Or that Stephen Hawking is Cassius. | 1:04:40 | 1:04:42 | |
Yeah. | 1:04:44 | 1:04:45 | |
Some of us didn't sleep our way through Logic and Stats at Harvard. | 1:04:45 | 1:04:49 | |
Damn, this coffee really works. | 1:04:49 | 1:04:51 | |
I'll be right back. | 1:04:51 | 1:04:52 | |
Jesus Christ. | 1:06:12 | 1:06:14 | |
HE SIGHS | 1:07:02 | 1:07:04 | |
-Hey. -Hey. | 1:07:30 | 1:07:33 | |
Hey. Come here, big guy. | 1:07:35 | 1:07:38 | |
He misses his daddy. | 1:07:38 | 1:07:40 | |
Yeah? | 1:07:40 | 1:07:41 | |
Sweetie, what is it? | 1:07:51 | 1:07:53 | |
No, just, you know how much I care about you guys, right? | 1:07:53 | 1:07:56 | |
Oh, God. Yeah. I do. | 1:07:56 | 1:08:00 | |
Ben? | 1:08:00 | 1:08:02 | |
I just... | 1:08:08 | 1:08:10 | |
I...I just came home to tell you I've got to pull an all-nighter. | 1:08:12 | 1:08:15 | |
-It's all going to be over soon. -Yeah. | 1:08:19 | 1:08:22 | |
Ben. | 1:08:24 | 1:08:25 | |
Yeah? | 1:08:25 | 1:08:27 | |
You know, Paul told me... | 1:08:28 | 1:08:31 | |
Paul? When were you talking to Paul? | 1:08:31 | 1:08:34 | |
Well, he came by the store today | 1:08:34 | 1:08:35 | |
and he told me how dangerous this all is. | 1:08:35 | 1:08:37 | |
Honey. Don't listen to a word that that guy says, OK? | 1:08:37 | 1:08:42 | |
He's just an old man who thinks that the war is still cold. | 1:08:42 | 1:08:45 | |
Trust me. This is all going to be over soon. | 1:08:45 | 1:08:49 | |
You promise? | 1:08:49 | 1:08:51 | |
Yeah. But I...I gotta go. | 1:08:51 | 1:08:53 | |
Natalie? | 1:08:58 | 1:09:00 | |
It's... Never mind. | 1:09:07 | 1:09:09 | |
I dug deeper into Bozlovski's life like you asked. | 1:09:38 | 1:09:41 | |
The guy's nothing but a killing machine. Anywhere. Any time. | 1:09:41 | 1:09:45 | |
He's used every single weapon you can think of | 1:09:45 | 1:09:48 | |
from an M-24 from 800m to a rusty nail. | 1:09:48 | 1:09:52 | |
Where was he June 1988? | 1:10:49 | 1:10:52 | |
We had him flying into Geneva as an Irishman named Ted O'Leary. | 1:10:59 | 1:11:03 | |
He was there for four days. | 1:11:05 | 1:11:07 | |
Where are you? | 1:11:10 | 1:11:12 | |
Where are you? | 1:11:12 | 1:11:15 | |
Holy shit. | 1:11:18 | 1:11:20 | |
Bozlovski? | 1:11:21 | 1:11:23 | |
Hm. | 1:12:31 | 1:12:32 | |
Oh, my God. | 1:12:50 | 1:12:52 | |
Bozlovski killed your family. | 1:12:54 | 1:12:56 | |
So, all this time... | 1:12:59 | 1:13:01 | |
..you were looking for revenge. | 1:13:07 | 1:13:10 | |
MOBILE PHONE RINGS | 1:13:38 | 1:13:41 | |
Agent Geary. | 1:13:41 | 1:13:43 | |
'Where are you?' | 1:13:43 | 1:13:44 | |
'You got my message on your windshield.' | 1:13:45 | 1:13:47 | |
I know the truth. | 1:13:47 | 1:13:50 | |
You've been looking for Cassius a long time, haven't you? | 1:13:50 | 1:13:52 | |
Yeah. And now I've found him. | 1:13:52 | 1:13:55 | |
It would seem so. | 1:13:55 | 1:13:57 | |
Where is Paul Shepherdson? | 1:14:17 | 1:14:19 | |
Hey! You want to keep your business your business? | 1:14:19 | 1:14:23 | |
Or do you want every Fed in the District down here up your ass? | 1:14:23 | 1:14:25 | |
So, goddammit, where is he?! | 1:14:25 | 1:14:27 | |
Good to go. | 1:14:42 | 1:14:45 | |
All right, open it up! | 1:14:45 | 1:14:47 | |
GUNFIRE | 1:15:54 | 1:15:58 | |
GUN CLICKS | 1:15:58 | 1:15:59 | |
What happened? | 1:17:09 | 1:17:10 | |
Open the gate! Open the goddamn gate! Now! | 1:17:12 | 1:17:16 | |
Come on! | 1:17:16 | 1:17:17 | |
HE GROANS | 1:17:23 | 1:17:24 | |
GUNFIRE | 1:17:41 | 1:17:44 | |
How did I miss it, Paul? | 1:18:00 | 1:18:02 | |
How did I miss it?! | 1:18:02 | 1:18:04 | |
The entire time, Cassius was right next to me! | 1:18:04 | 1:18:07 | |
Put the gun down, Geary! | 1:18:07 | 1:18:09 | |
What? I'm supposed to trust you now? | 1:18:09 | 1:18:11 | |
Yeah. Let's talk about trust. | 1:18:11 | 1:18:14 | |
Five down! Cassius. | 1:18:18 | 1:18:20 | |
70 across. Yepatb! | 1:18:20 | 1:18:24 | |
Eliminated. | 1:18:24 | 1:18:26 | |
32 down. Bolxoh. | 1:18:26 | 1:18:28 | |
Exit. | 1:18:28 | 1:18:31 | |
This is 30-year-old Soviet code. | 1:18:31 | 1:18:34 | |
So, how old were you when...when your family came over here? | 1:18:34 | 1:18:37 | |
What were you, about ten? Ten? | 1:18:37 | 1:18:40 | |
You never had a choice, did you? | 1:18:40 | 1:18:43 | |
So then you wrote a thesis that couldn't be ignored. | 1:18:43 | 1:18:46 | |
The FBI came after you. They signed you up. | 1:18:46 | 1:18:48 | |
You even started a family. You started a real family! | 1:18:48 | 1:18:51 | |
To make it stick. | 1:18:51 | 1:18:53 | |
You've been a double your whole life. | 1:18:57 | 1:18:59 | |
You cut the Senator's neck because you knew you were the expert... | 1:19:22 | 1:19:27 | |
..who could convince the Americans it was Cassius who did it. | 1:19:28 | 1:19:32 | |
An investigation would flush Cassius out. | 1:19:33 | 1:19:37 | |
My orders are to kill you... | 1:19:39 | 1:19:42 | |
..and return to Moscow. | 1:19:43 | 1:19:45 | |
My plane leaves tonight. | 1:19:45 | 1:19:47 | |
Alone? | 1:19:47 | 1:19:49 | |
HE SIGHS | 1:19:54 | 1:19:55 | |
Then that's all you'll ever be. | 1:19:59 | 1:20:01 | |
Cassius. | 1:20:11 | 1:20:13 | |
Cassius is getting away. | 1:20:16 | 1:20:19 | |
Hey, listen to me. | 1:20:53 | 1:20:55 | |
He's wounded. He's cornered. | 1:20:57 | 1:20:59 | |
He's not going to talk. He's not going to play fair. | 1:20:59 | 1:21:01 | |
He's not going to be taken alive. | 1:21:01 | 1:21:04 | |
Right. | 1:21:04 | 1:21:06 | |
Geary! | 1:23:11 | 1:23:12 | |
THEY GRUNT | 1:23:53 | 1:23:56 | |
SLICING | 1:24:01 | 1:24:03 | |
HE PANTS | 1:24:10 | 1:24:13 | |
Come on. | 1:24:27 | 1:24:28 | |
Paul? | 1:24:28 | 1:24:30 | |
Fuck. | 1:24:35 | 1:24:37 | |
Go home. | 1:24:40 | 1:24:42 | |
You go... | 1:24:43 | 1:24:45 | |
Check Cassius' watch. | 1:25:43 | 1:25:46 | |
Pull the knob. | 1:25:46 | 1:25:48 | |
That's how he did it. | 1:25:53 | 1:25:55 | |
Explains the cut pattern. | 1:25:55 | 1:25:57 | |
Bozlovski's the one with the slit throat. | 1:26:11 | 1:26:14 | |
I heard a shot. | 1:26:18 | 1:26:20 | |
And when I turned around, I saw Paul going down. | 1:26:22 | 1:26:25 | |
But not before he'd gotten Cassius' own wire around his neck. | 1:26:27 | 1:26:31 | |
Cassius shot Paul? | 1:26:31 | 1:26:34 | |
The ballistics will prove it. | 1:26:37 | 1:26:39 | |
But not before Paul finally got his man. | 1:26:43 | 1:26:46 | |
That's right. | 1:26:48 | 1:26:50 | |
Well done, Agent Geary. | 1:26:51 | 1:26:53 | |
You might want to check on that ship. | 1:26:58 | 1:27:00 | |
Cassius was here for a reason. | 1:27:02 | 1:27:04 | |
What's this? | 1:27:26 | 1:27:27 | |
These came off the boat, sir. | 1:27:27 | 1:27:30 | |
Ben! | 1:27:38 | 1:27:39 | |
Tell me something. | 1:27:42 | 1:27:44 | |
Would you ever consider working for us? | 1:27:45 | 1:27:47 | |
Excuse me, sir? | 1:27:50 | 1:27:51 | |
Think about it. | 1:27:55 | 1:27:56 |