Browse content similar to L.A. Confidential. Check below for episodes and series from the same categories and more!
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This film contains scenes of a sexual nature, prolonged violent scenes and strong language | 0:00:02 | 0:00:10 | |
Come to Los Angeles. The sun shines bright, | 0:00:22 | 0:00:27 | |
the beaches are wide and inviting | 0:00:27 | 0:00:29 | |
and the orange groves stretch as far as the eye can see. | 0:00:29 | 0:00:33 | |
There are jobs aplenty and land is cheap. | 0:00:33 | 0:00:36 | |
Every working man can have his own house. | 0:00:36 | 0:00:39 | |
And inside every house, a happy all-American family. | 0:00:39 | 0:00:42 | |
You can have all this, and who knows... | 0:00:42 | 0:00:45 | |
you could even be discovered, become a movie star, | 0:00:45 | 0:00:49 | |
or at least see one. | 0:00:49 | 0:00:52 | |
Life is good in Los Angeles. It's paradise | 0:00:52 | 0:00:55 | |
on Earth. Heh-heh-heh! | 0:00:55 | 0:00:58 | |
That's what they tell ya | 0:00:58 | 0:01:01 | |
because they're selling an image | 0:01:01 | 0:01:03 | |
through movies, radio and television. | 0:01:03 | 0:01:06 | |
In the show Badge Of Honour, | 0:01:06 | 0:01:08 | |
LA cops walk on water as they rid the city of crooks. | 0:01:08 | 0:01:12 | |
You'd think this place was the Garden of Eden, | 0:01:12 | 0:01:15 | |
but there's trouble in paradise. | 0:01:15 | 0:01:18 | |
And his name is Meyer Harris Cohen. Mickey C to his fans. | 0:01:18 | 0:01:23 | |
Local LA colour to the nth degree. | 0:01:23 | 0:01:26 | |
And his number one bodyguard, Johnny Stompanato. | 0:01:26 | 0:01:30 | |
Mickey C's the head of organised crime here. | 0:01:30 | 0:01:33 | |
He runs dope, rackets and prostitution. | 0:01:33 | 0:01:37 | |
He kills a dozen people a year. | 0:01:37 | 0:01:39 | |
The dapper little gent does it in style. | 0:01:39 | 0:01:42 | |
Every time his picture's on the front page, | 0:01:42 | 0:01:45 | |
it's a black eye for the image of LA. | 0:01:45 | 0:01:48 | |
How can organised crime exist in a city with the best cops? | 0:01:48 | 0:01:53 | |
Something has to be done. | 0:01:53 | 0:01:55 | |
But hey, this is Hollywood. What worked for Al Capone | 0:01:55 | 0:01:59 | |
would work for the Mickster. | 0:01:59 | 0:02:01 | |
Mr Cohen, you are under arrest. | 0:02:01 | 0:02:03 | |
Non-payment of income tax. | 0:02:03 | 0:02:06 | |
All is not well. Sending Mickey up has created a vacuum | 0:02:06 | 0:02:10 | |
and it's only a matter of time | 0:02:10 | 0:02:12 | |
before someone with balls of brass tries to fill it. | 0:02:12 | 0:02:16 | |
Remember, dear readers, | 0:02:16 | 0:02:18 | |
you heard it here first. | 0:02:18 | 0:02:21 | |
Off the record, | 0:02:21 | 0:02:23 | |
on the QT, | 0:02:23 | 0:02:26 | |
and very Hush-Hush. | 0:02:26 | 0:02:29 | |
DOMESTIC ARGUING > | 0:02:38 | 0:02:40 | |
MAN RAGES > | 0:02:42 | 0:02:44 | |
You're like Santa Claus with that list, Bud. | 0:02:46 | 0:02:49 | |
Except everyone on it's been naughty. | 0:02:49 | 0:02:52 | |
Guy's been out of Q two weeks. | 0:02:53 | 0:02:56 | |
Leave it for later. We gotta pick up the rest of the booze. | 0:02:56 | 0:03:00 | |
YELLING CONTINUES, WOMAN SOBS | 0:03:00 | 0:03:03 | |
This is six-Adam-seven. Have Central send a prowler to... | 0:03:03 | 0:03:06 | |
4216 Evergreen. Assault arising from a family dispute. | 0:03:06 | 0:03:11 | |
We won't be here, but they'll see him. | 0:03:11 | 0:03:15 | |
CHUCKLES | 0:03:13 | 0:03:15 | |
HUSBAND YELLS ANGRILY | 0:03:15 | 0:03:17 | |
No, you don't love me!! | 0:03:19 | 0:03:21 | |
Quit your whining! Quit whining! It makes me sick! | 0:03:22 | 0:03:26 | |
Shut up! | 0:03:26 | 0:03:28 | |
Who in the hell are you? | 0:03:41 | 0:03:43 | |
The Ghost of Christmas Past. | 0:03:43 | 0:03:45 | |
Dance with a man for a change. | 0:03:45 | 0:03:48 | |
What are you, some kind of smart ass? | 0:03:48 | 0:03:50 | |
You'll be out in a year and a half. | 0:04:01 | 0:04:03 | |
I'll get cosy with your parole officer. | 0:04:03 | 0:04:06 | |
You touch her again, I'll have you violated on kiddie rape. | 0:04:06 | 0:04:11 | |
You know what they do to kiddie rapers in Quentin. | 0:04:12 | 0:04:16 | |
You got some place you can go? | 0:04:23 | 0:04:26 | |
Get yourself fixed up. | 0:04:27 | 0:04:29 | |
Merry Christmas, huh? | 0:04:32 | 0:04:34 | |
-Merry Christmas. -Let's go, Bud. | 0:04:34 | 0:04:37 | |
The guys'll be waiting. | 0:04:37 | 0:04:39 | |
GENTLE MUSIC | 0:04:39 | 0:04:41 | |
What do you do on Badge Of Honour, Jack? | 0:04:42 | 0:04:45 | |
I'm the technical adviser. | 0:04:45 | 0:04:47 | |
I teach Brett Chase how to walk and talk like a cop. | 0:04:47 | 0:04:51 | |
He doesn't walk and talk like you. | 0:04:51 | 0:04:54 | |
That's cos he's the television version. | 0:04:54 | 0:04:57 | |
America isn't ready for the real me. | 0:04:57 | 0:04:59 | |
-Is it true you arrested Bob Mitchum? -Mm-hm. | 0:04:59 | 0:05:02 | |
These guys pretend, but being the real thing must be a thrill. | 0:05:02 | 0:05:07 | |
Let's go some place quiet cos I'd love to give you the lowdown. | 0:05:07 | 0:05:11 | |
Hey, Big V! Jack Vincennes. May I have this dance? | 0:05:11 | 0:05:15 | |
Of course. This is Sid Hudgens from Hush-Hush Magazine. | 0:05:15 | 0:05:20 | |
Hello, Karen. | 0:05:18 | 0:05:20 | |
Hello, yourself. | 0:05:20 | 0:05:22 | |
What's that about? | 0:05:22 | 0:05:23 | |
We did a story - "Ingenue Dykes." She was mentioned. | 0:05:23 | 0:05:27 | |
Hey, Jackie-boy, | 0:05:27 | 0:05:29 | |
a friend just sold reefer to Matt Reynolds. | 0:05:29 | 0:05:32 | |
He's with Tammy Jordan. | 0:05:32 | 0:05:34 | |
Hi, Jack. | 0:05:34 | 0:05:36 | |
Sorry, I lost you for a second. | 0:05:36 | 0:05:38 | |
Contract players - Metro. You pinch 'em, I feature you next issue. | 0:05:38 | 0:05:43 | |
-Plus usual 50 cash. -Another 50. Two 20s for two patrolmen, | 0:05:43 | 0:05:46 | |
a dime for the watch commander. | 0:05:46 | 0:05:49 | |
-Jackie, it's Christmas. -No, it's not. | 0:05:49 | 0:05:52 | |
It's felony possession of marijuana. | 0:05:52 | 0:05:55 | |
Actually, it's circulation 36,000 and climbing. | 0:05:55 | 0:05:59 | |
There's no telling where this will go. Radio, TV. | 0:05:59 | 0:06:02 | |
The public wanna hear the truth. The sky's the limit. | 0:06:02 | 0:06:06 | |
MAN SINGS "SILVER BELLS" | 0:06:06 | 0:06:09 | |
Sgt Ed Exley, son of the legendary Preston Exley. | 0:06:11 | 0:06:14 | |
Must be a hard act to follow. Why not make a mark somewhere else? | 0:06:14 | 0:06:19 | |
Why become a cop, Ed? | 0:06:19 | 0:06:21 | |
I like to help people. | 0:06:21 | 0:06:23 | |
-Two officers were assaulted tonight. What do you think about that? -It goes with the job. | 0:06:23 | 0:06:28 | |
Luckily, they're OK. | 0:06:29 | 0:06:31 | |
You're young to be watch commander. | 0:06:31 | 0:06:36 | |
Only tonight. Married men have Christmas Eve off. | 0:06:33 | 0:06:36 | |
A good lead for the story. | 0:06:36 | 0:06:39 | |
< Merry Christmas, Captain. | 0:06:39 | 0:06:42 | |
Captain Smith... | 0:06:40 | 0:06:42 | |
Don't be formal. Call me Dudley. | 0:06:41 | 0:06:45 | |
I have a title for the story. It's called "Silent Night with the LAPD." | 0:06:45 | 0:06:50 | |
Oh, that's grand. | 0:06:50 | 0:06:51 | |
Now, remember, Bobby, that's Smith | 0:06:51 | 0:06:54 | |
with an S. | 0:06:54 | 0:06:57 | |
Thank you, gentlemen. | 0:06:57 | 0:06:59 | |
-Merry Christmas. -Hold on, lads. | 0:06:59 | 0:07:01 | |
Merry Christmas. | 0:07:04 | 0:07:07 | |
Merry Christmas to you. | 0:07:05 | 0:07:07 | |
Saw the results on the lieutenant's exam. 1st out of 23. | 0:07:08 | 0:07:12 | |
What'll it be then? Patrol Division? Internal Affairs? | 0:07:12 | 0:07:17 | |
Detective Bureau. | 0:07:17 | 0:07:19 | |
You're a political animal. | 0:07:23 | 0:07:25 | |
You have the eye for human weakness, but not the stomach. | 0:07:25 | 0:07:29 | |
You're wrong, sir. | 0:07:29 | 0:07:31 | |
Would you plant corroborative evidence | 0:07:31 | 0:07:34 | |
on a suspect you knew to be guilty to ensure an indictment? | 0:07:34 | 0:07:38 | |
We've been over this. | 0:07:38 | 0:07:41 | |
Yes or no? | 0:07:39 | 0:07:41 | |
No. | 0:07:40 | 0:07:41 | |
Beat a confession out of a suspect? | 0:07:41 | 0:07:44 | |
No. | 0:07:44 | 0:07:48 | |
Would you shoot a criminal in the back | 0:07:45 | 0:07:48 | |
in order to offset the chance that a lawyer... | 0:07:48 | 0:07:52 | |
No. | 0:07:51 | 0:07:52 | |
Then, be a detective. | 0:07:52 | 0:07:55 | |
Work where you don't have to make those choices. | 0:07:55 | 0:07:58 | |
Dudley, I know you mean well | 0:07:58 | 0:08:00 | |
but I don't need to do it the way you did, or my father. | 0:08:00 | 0:08:05 | |
At least get rid of the glasses. | 0:08:05 | 0:08:08 | |
No man in the Bureau wears them. | 0:08:08 | 0:08:11 | |
If I ever get held up, you better be here. | 0:08:19 | 0:08:22 | |
Hiya, Nick. | 0:08:26 | 0:08:28 | |
I need a delivery. A case each of gin, rum, | 0:08:28 | 0:08:32 | |
Scotch. | 0:08:32 | 0:08:35 | |
That sounds like a hell of a party. | 0:08:33 | 0:08:35 | |
Merry Christmas. | 0:08:53 | 0:08:55 | |
Merry Christmas to you, Officer. | 0:08:55 | 0:08:58 | |
That obvious, huh? | 0:09:00 | 0:09:02 | |
Practically stamped on your forehead. | 0:09:02 | 0:09:05 | |
There you go, White. | 0:09:05 | 0:09:07 | |
See what he wants, Buzz. | 0:09:38 | 0:09:40 | |
Hey, get lost, why don't ya? | 0:09:43 | 0:09:47 | |
Agh! | 0:09:51 | 0:09:53 | |
Down! Get your fucking head down! | 0:09:54 | 0:09:57 | |
I got a licence for that. | 0:09:57 | 0:09:59 | |
Cut me some slack. I used to be a cop. | 0:10:02 | 0:10:05 | |
Leland Meeks? Never heard of you. | 0:10:05 | 0:10:07 | |
They call me Buzz. | 0:10:07 | 0:10:09 | |
I don't give a rat's ass what they call you. Head down. | 0:10:09 | 0:10:13 | |
And stay there, BUZZ(!) | 0:10:13 | 0:10:15 | |
You OK? | 0:10:17 | 0:10:19 | |
She's fine. | 0:10:19 | 0:10:22 | |
I'm not asking you. | 0:10:21 | 0:10:22 | |
Did somebody hit you? | 0:10:23 | 0:10:25 | |
It's not what you think. | 0:10:25 | 0:10:28 | |
What is it then? | 0:10:30 | 0:10:32 | |
You got the wrong idea. I'm fine. | 0:10:32 | 0:10:34 | |
But it's nice to know you care. | 0:10:35 | 0:10:38 | |
Drive safely. | 0:10:46 | 0:10:49 | |
What's going on? | 0:10:49 | 0:10:51 | |
You know him? | 0:10:54 | 0:10:56 | |
Yeah, seen him around. | 0:10:56 | 0:10:59 | |
He used to be a cop. | 0:10:59 | 0:11:01 | |
CONTINUES CHUCKLING | 0:11:01 | 0:11:03 | |
INDISTINCT TV COMMENTARY | 0:11:04 | 0:11:06 | |
They're in the dark, goofing on a Christmas tree. | 0:11:06 | 0:11:10 | |
Put your camera there. When I walk out, | 0:11:10 | 0:11:13 | |
I'll stop here, you get the movie premiere in the background. | 0:11:13 | 0:11:17 | |
I like it. The Movie Premiere Pot Bust. | 0:11:17 | 0:11:22 | |
I don't want floodlights in my eyes. | 0:11:19 | 0:11:22 | |
Big V, consider it done. Hear that, Chip? | 0:11:22 | 0:11:25 | |
Come on. Get down. | 0:11:25 | 0:11:27 | |
Go. Pop 'em. | 0:11:31 | 0:11:32 | |
-GLASS SMASHES -Aw! Aw! | 0:11:32 | 0:11:35 | |
Freeze, police. | 0:11:35 | 0:11:38 | |
Oh, Jesus, no. | 0:11:38 | 0:11:42 | |
Come on. Come on, let's go. | 0:11:39 | 0:11:42 | |
My family's coming tomorrow. | 0:11:42 | 0:11:47 | |
Be a nice Christmas gift. | 0:11:43 | 0:11:47 | |
Hi, Tammy. Hi, Matt. | 0:11:45 | 0:11:47 | |
Right over here. Just turn. | 0:11:47 | 0:11:49 | |
Hold it. Got it! The Movie Premiere Pot Bust. | 0:11:49 | 0:11:52 | |
Take them. I'll get the evidence. | 0:11:52 | 0:11:55 | |
# When somebody wants you | 0:11:55 | 0:11:59 | |
# Somebody needs you | 0:11:59 | 0:12:02 | |
# Christmas is a joy... # | 0:12:02 | 0:12:04 | |
"Fleur-de-Lis." | 0:12:04 | 0:12:07 | |
It's Christmas Eve | 0:12:07 | 0:12:09 | |
and while decent citizens sleep righteously, | 0:12:09 | 0:12:12 | |
hopheads prowl for marijuana. | 0:12:12 | 0:12:14 | |
Not knowing that a man is coming to stop them. | 0:12:14 | 0:12:19 | |
Celebrity crime-stopper Jack Vincennes. | 0:12:19 | 0:12:22 | |
Scourge of grasshoppers and dope fiends everywhere. | 0:12:22 | 0:12:26 | |
You like it, Jackie-boy? | 0:12:26 | 0:12:28 | |
Yeah. Subtle. | 0:12:31 | 0:12:33 | |
What took you, Stensland? | 0:12:33 | 0:12:38 | |
My partner stopped to help a damsel in distress. | 0:12:34 | 0:12:38 | |
His priorities are screwed up. | 0:12:38 | 0:12:42 | |
Up to your old tricks again, Bud? | 0:12:39 | 0:12:42 | |
Bye. | 0:12:42 | 0:12:45 | |
< Hey, Jack. Hollywood Jack! | 0:12:43 | 0:12:45 | |
What brings you to our humble station? | 0:12:45 | 0:12:49 | |
I'm keeping the streets safe. | 0:12:49 | 0:12:51 | |
Get these two dressed and book 'em. | 0:12:51 | 0:12:53 | |
Party's upstairs. | 0:12:53 | 0:12:57 | |
OK, I'll be right up. Exley! | 0:12:55 | 0:12:57 | |
What's that for? | 0:13:02 | 0:13:03 | |
You are watch commander tonight. | 0:13:03 | 0:13:06 | |
Yeah. So? | 0:13:06 | 0:13:11 | |
Gratuity from Hush-Hush Magazine. Buy some loafers. | 0:13:07 | 0:13:11 | |
No, thanks, Jack. Keep your pay-off. I'm not interested. | 0:13:11 | 0:13:15 | |
ANGRY YELLING | 0:13:15 | 0:13:17 | |
What the hell's this? | 0:13:22 | 0:13:24 | |
Six spics. Mexicans, sir, who assaulted Brown and Helenowski. | 0:13:24 | 0:13:29 | |
Helenowski lost six pints of blood and Brown's in a coma. | 0:13:29 | 0:13:34 | |
They're home with bruises. | 0:13:32 | 0:13:34 | |
That's not what I heard. | 0:13:34 | 0:13:37 | |
Let's book 'em. | 0:13:35 | 0:13:37 | |
You guys hear what those taco benders did to Helenowski and Brown? | 0:13:37 | 0:13:42 | |
Helenowski lost an eye and they're reading Brown his last rites. | 0:13:42 | 0:13:47 | |
That don't make for a very merry Christmas for them. | 0:13:48 | 0:13:52 | |
Hey, guys! Guys! They brought the Mexicans in. | 0:13:52 | 0:13:56 | |
They're downstairs. | 0:13:56 | 0:13:59 | |
Let's do it. Come on, guys, let's get 'em. > | 0:14:01 | 0:14:04 | |
Hey, Stensland, the party's upstairs. | 0:14:05 | 0:14:08 | |
This doesn't concern you. | 0:14:09 | 0:14:11 | |
Look, guys... | 0:14:11 | 0:14:13 | |
Go back to the party. | 0:14:13 | 0:14:16 | |
Hey, come on, it's Christmas. Help me out. | 0:14:17 | 0:14:20 | |
I just got a few more questions. | 0:14:20 | 0:14:23 | |
You don't have to be here. Guys? | 0:14:23 | 0:14:26 | |
Go. | 0:14:24 | 0:14:26 | |
Bud? Put a leash on your partner before he kills somebody. | 0:14:27 | 0:14:31 | |
Teach him a lesson! | 0:14:34 | 0:14:36 | |
This is for ours, poncho. | 0:14:37 | 0:14:40 | |
Get him, Stens! | 0:14:40 | 0:14:42 | |
Let me through! | 0:14:42 | 0:14:44 | |
-He didn't do nothing! -What are you looking at?! | 0:14:46 | 0:14:49 | |
Move! Move! | 0:14:50 | 0:14:52 | |
Stens! Stens! | 0:14:55 | 0:14:57 | |
Stens! Hey! | 0:14:57 | 0:14:59 | |
Hey, come on, come on! | 0:14:59 | 0:15:01 | |
CURSES IN SPANISH Get back! | 0:15:01 | 0:15:04 | |
-Fuck your mother! -Fuck you! | 0:15:04 | 0:15:07 | |
Stop, Officer! That's an order! | 0:15:09 | 0:15:12 | |
You're all going in my report! | 0:15:19 | 0:15:22 | |
"Bloody Christmas." | 0:15:39 | 0:15:41 | |
The press love to label. | 0:15:41 | 0:15:43 | |
You know this is bigger than the police board. | 0:15:44 | 0:15:48 | |
Grand jury's convening, indictments may be handed down. | 0:15:48 | 0:15:52 | |
Will you testify? | 0:15:52 | 0:15:57 | |
No, sir, I won't. | 0:15:54 | 0:15:56 | |
District Attorney Loew? | 0:15:56 | 0:15:59 | |
You and Officer Stensland brought the liquor to the station. | 0:15:59 | 0:16:03 | |
Stensland was already drunk, | 0:16:03 | 0:16:05 | |
so appearing as a voluntary witness against him | 0:16:05 | 0:16:09 | |
could offset the damage to yourself. | 0:16:09 | 0:16:14 | |
Sir, I won't testify against my partner. | 0:16:11 | 0:16:14 | |
This man is a disgrace. Your badge and gun, Officer. | 0:16:14 | 0:16:18 | |
You're suspended from duty. | 0:16:18 | 0:16:20 | |
Dismissed. | 0:16:20 | 0:16:22 | |
Ed, we need witnesses to offset the damage done to the department. | 0:16:38 | 0:16:43 | |
I'm asking you - | 0:16:43 | 0:16:48 | |
Justice has to be served. Of course I'll testify. | 0:16:44 | 0:16:48 | |
I'm glad. Most don't feel that way. | 0:16:49 | 0:16:52 | |
They think silence and integrity are the same thing. | 0:16:52 | 0:16:56 | |
Not exactly the image of the new LAPD we're trying to create. | 0:16:56 | 0:17:01 | |
Welcome to LA, the city of the future. | 0:17:01 | 0:17:04 | |
May I make a suggestion, sir? | 0:17:04 | 0:17:09 | |
By all means. | 0:17:06 | 0:17:09 | |
The public will expect us | 0:17:07 | 0:17:09 | |
to sweep this under the carpet. | 0:17:09 | 0:17:11 | |
Don't. Shift the guilt to men whose pensions are secured. | 0:17:11 | 0:17:17 | |
Force them to retire. | 0:17:17 | 0:17:18 | |
But somebody has to swing. | 0:17:19 | 0:17:21 | |
So, indict, try and convict... | 0:17:21 | 0:17:24 | |
Richard Stensland and Bud White. | 0:17:24 | 0:17:27 | |
Secure them jail time. The message will be very clear. | 0:17:27 | 0:17:31 | |
The new LAPD will not tolerate officers | 0:17:31 | 0:17:33 | |
who think they are above the law. | 0:17:33 | 0:17:36 | |
Dick Stensland is an embarrassment as a policeman. | 0:17:36 | 0:17:40 | |
He's always had rotten fitness reports. | 0:17:40 | 0:17:43 | |
But Bud White is a valuable officer. | 0:17:43 | 0:17:46 | |
White's a mindless thug. | 0:17:46 | 0:17:51 | |
No, Edmund. He's just a man who can answer "yes" | 0:17:48 | 0:17:51 | |
to those questions I've asked you. | 0:17:51 | 0:17:54 | |
The department and the public need role models. | 0:17:54 | 0:17:57 | |
Clean-cut men the public can admire. | 0:17:57 | 0:18:00 | |
Sergeant? | 0:18:00 | 0:18:03 | |
I'll promote you...to Lieutenant. | 0:18:03 | 0:18:06 | |
Effective immediately. | 0:18:06 | 0:18:09 | |
Detective Lieutenant. | 0:18:08 | 0:18:09 | |
Ed, you're 30. | 0:18:11 | 0:18:13 | |
Your father didn't make Lieutenant till he was 33. | 0:18:13 | 0:18:17 | |
But when he made Lieutenant, it was as a detective. | 0:18:17 | 0:18:21 | |
Before we start polishing our laurels, | 0:18:21 | 0:18:24 | |
it'd look better if we had a corroborative witness. | 0:18:24 | 0:18:28 | |
That won't be easy to come by. | 0:18:26 | 0:18:28 | |
The men hate a stool pigeon. | 0:18:28 | 0:18:30 | |
Jack Vincennes. He saw the whole thing. | 0:18:30 | 0:18:34 | |
He might be willing to admit his own culpability, | 0:18:34 | 0:18:38 | |
but he'd never rat out a fellow officer. | 0:18:38 | 0:18:41 | |
Jack's the technical advisor on Badge Of Honour. | 0:18:41 | 0:18:45 | |
He lives for it. That's the way to get to him. | 0:18:45 | 0:18:48 | |
I'd like you to observe, Ed. | 0:18:51 | 0:18:53 | |
Call Sgt Vincennes. | 0:18:56 | 0:18:58 | |
Bright kid. | 0:18:58 | 0:19:00 | |
You may reap the benefit, | 0:19:00 | 0:19:02 | |
but are you truly prepared to be despised? | 0:19:02 | 0:19:05 | |
Yes, sir, I am. | 0:19:05 | 0:19:08 | |
So be it. | 0:19:08 | 0:19:10 | |
Well, Sergeant, we'll get right to it. | 0:19:16 | 0:19:19 | |
Nine civilian witnesses saw you hitting Ezekiel Garcia. | 0:19:19 | 0:19:23 | |
But we have a witness who will name names and testify that you hit back | 0:19:23 | 0:19:28 | |
-only after being hit. -And? | 0:19:28 | 0:19:30 | |
You'll testify against officers who have earned their pension | 0:19:30 | 0:19:34 | |
and plead ignorance about the rest. | 0:19:34 | 0:19:37 | |
No, thanks. I'm not a snitch. | 0:19:37 | 0:19:39 | |
I'll guarantee you a slap on the wrist, | 0:19:39 | 0:19:42 | |
a brief suspension and a transfer from Narcotics to Vice. | 0:19:42 | 0:19:46 | |
And then from Vice, you'll be back on the show. | 0:19:46 | 0:19:50 | |
The show? | 0:19:53 | 0:19:55 | |
Badge Of Honour, Vincennes. | 0:19:55 | 0:19:57 | |
We need to tone down your profile for a bit. | 0:19:57 | 0:20:01 | |
Jack? I doubt you've ever taken a stupid breath. | 0:20:02 | 0:20:06 | |
Don't start now. | 0:20:06 | 0:20:08 | |
OK, I'll do it. | 0:20:08 | 0:20:10 | |
The grand jury will hear your testimony tomorrow. | 0:20:13 | 0:20:17 | |
And so it goes,... | 0:20:28 | 0:20:30 | |
Detective Lieutenant. | 0:20:30 | 0:20:32 | |
Ace 'em at the grand jury tomorrow, son. | 0:20:32 | 0:20:36 | |
Wear a smart-looking suit and ace 'em. | 0:20:36 | 0:20:38 | |
And Ed? Lose the glasses. | 0:20:39 | 0:20:43 | |
So, YOU'RE the stellar witness. | 0:20:52 | 0:20:55 | |
I should've known. | 0:20:55 | 0:20:57 | |
What's the Chief throwing you? | 0:20:57 | 0:21:02 | |
Throwing me? | 0:20:59 | 0:21:02 | |
Yeah. What's the pay-off? | 0:21:00 | 0:21:02 | |
You're the pay-off expert. I'm just doing my duty. | 0:21:02 | 0:21:06 | |
You get something out of this | 0:21:06 | 0:21:08 | |
so you don't have to mix with rank and file cops | 0:21:08 | 0:21:11 | |
who are gonna hate you for snitching. | 0:21:11 | 0:21:14 | |
If they're making you Detective, watch out. | 0:21:14 | 0:21:17 | |
Bureau guys will burn in this and you'll work with their friends | 0:21:17 | 0:21:23 | |
What about you? | 0:21:21 | 0:21:23 | |
I'm snitching three old timers who'll be in Oregon next week. | 0:21:23 | 0:21:27 | |
Next to you, I'm clean. And smart. | 0:21:27 | 0:21:31 | |
Edmund J Exley, chambers. > | 0:21:31 | 0:21:33 | |
Bud White'll fuck you for this if it takes him the rest of his life. | 0:21:36 | 0:21:40 | |
Hello, Captain, what do you want? | 0:21:43 | 0:21:46 | |
Call me Dudley. | 0:21:46 | 0:21:48 | |
Dudley, what do you want? | 0:21:48 | 0:21:52 | |
Look, lad, | 0:21:52 | 0:21:54 | |
I admire your refusal to testify and your loyalty to your partner. | 0:21:54 | 0:21:58 | |
I admire you as a policeman and your adherence to violence | 0:21:58 | 0:22:03 | |
as a necessary adjunct to the job. | 0:22:03 | 0:22:05 | |
And I'm impressed with your punishment of women beaters. | 0:22:05 | 0:22:09 | |
Do you hate them, Wendell? | 0:22:09 | 0:22:12 | |
What do you want? | 0:22:12 | 0:22:14 | |
They're yours. Go ahead. Take 'em. | 0:22:19 | 0:22:22 | |
There's no bill on me? | 0:22:25 | 0:22:27 | |
Four witnesses recanted their testimony. | 0:22:27 | 0:22:30 | |
They had a change of heart. | 0:22:30 | 0:22:34 | |
-Stensland? -Your partner's through. | 0:22:31 | 0:22:34 | |
Scapegoat on the Chief's orders. | 0:22:34 | 0:22:36 | |
A year from his pension. | 0:22:36 | 0:22:38 | |
Exley? | 0:22:41 | 0:22:45 | |
Exley got what he wanted. | 0:22:42 | 0:22:45 | |
As a politician, he exceeds even myself. | 0:22:45 | 0:22:47 | |
The department needs smart men like Exley. | 0:22:47 | 0:22:51 | |
And direct men... | 0:22:51 | 0:22:54 | |
like you. | 0:22:54 | 0:22:56 | |
I need you for an assignment the Chief's given me the go-ahead on. | 0:22:56 | 0:23:00 | |
A duty few men are fit for, | 0:23:00 | 0:23:02 | |
but you were born for. | 0:23:02 | 0:23:05 | |
You'd be working out of Homicide at City Hall. | 0:23:05 | 0:23:08 | |
Homicide? Working cases? | 0:23:08 | 0:23:11 | |
Your talents lay elsewhere, Wendell. | 0:23:11 | 0:23:14 | |
It's a muscle job. | 0:23:14 | 0:23:17 | |
You'll do as I say and ask no questions. | 0:23:17 | 0:23:21 | |
Do you follow my drift? | 0:23:21 | 0:23:23 | |
In Technicolor, sir. | 0:23:23 | 0:23:26 | |
-TYPEWRITER CLICKS -'Meet Tony Brancato and Anthony Trombino - | 0:23:26 | 0:23:30 | |
'two rising lieutenants in the Mickey Cohen rackets. | 0:23:30 | 0:23:34 | |
'With the dapper gent in prison, who knows how far they'll go? | 0:23:34 | 0:23:39 | |
'The sky's the limit.' | 0:23:39 | 0:23:41 | |
REPEATED GUNFIRE | 0:23:42 | 0:23:44 | |
'Oh, well!' | 0:23:46 | 0:23:48 | |
# Bye-bye, baby | 0:23:48 | 0:23:52 | |
# Time to hit the road to dreamland | 0:23:52 | 0:23:55 | |
# You're my baby | 0:23:55 | 0:23:58 | |
# Digging the land of nod... # | 0:23:58 | 0:24:00 | |
'Meet Deuce Perkins - Cohen's narcotics lieutenant. | 0:24:00 | 0:24:04 | |
'Could he be behind the hits? | 0:24:04 | 0:24:06 | |
'Is he consolidating organised crime power?' | 0:24:06 | 0:24:10 | |
'I suppose not.' | 0:24:15 | 0:24:17 | |
'One thing's for sure, two-man triggers | 0:24:22 | 0:24:25 | |
'are killing Mickey's muscle.' | 0:24:25 | 0:24:27 | |
# Time to hit the road | 0:24:30 | 0:24:33 | |
# Running angel, bye-bye, baby... # | 0:24:33 | 0:24:37 | |
'Meanwhile, rumour has it the LAPD has set up a not-so-welcome wagon | 0:24:37 | 0:24:43 | |
'to dishearten the criminal element | 0:24:43 | 0:24:45 | |
'from filling the void left by Mickey's absence. | 0:24:45 | 0:24:49 | |
'When I know more, so will you. | 0:24:49 | 0:24:51 | |
'Off the record, on the QT, | 0:24:51 | 0:24:54 | |
'and very...hush-hush.' | 0:24:54 | 0:24:57 | |
'With Mickey Cohen in prison, Los Angeles is organised crime-free. | 0:24:57 | 0:25:02 | |
'The Chief wants to keep it that way.' | 0:25:02 | 0:25:05 | |
In Cleveland, you're an organised crime associate | 0:25:05 | 0:25:09 | |
in desperate need of re-education in the ways of polite society. | 0:25:09 | 0:25:14 | |
I hear things, like those two-man shooter teams. | 0:25:14 | 0:25:18 | |
They're 86-ing Mickey Cohen's lieutenants. What do you want? | 0:25:18 | 0:25:23 | |
We want you to go home. | 0:25:23 | 0:25:26 | |
# Time to hit the road | 0:25:26 | 0:25:29 | |
# Time to hit the road. # | 0:25:27 | 0:25:30 | |
Picture-book smut, gentlemen. | 0:25:30 | 0:25:32 | |
A lot of this has been found at crime scenes lately. | 0:25:32 | 0:25:36 | |
Quality ranges from piss-poor to... very well done. | 0:25:36 | 0:25:40 | |
Look who's back from suspension. | 0:25:40 | 0:25:43 | |
We're honoured, Sergeant Jack(!) | 0:25:43 | 0:25:46 | |
Ah, look at that - The Great Jerk-Off Case of 1953(!) | 0:25:46 | 0:25:49 | |
Is there some place you'd rather be? | 0:25:49 | 0:25:55 | |
Working Narcotics, looking for Cohen's missing H. | 0:25:52 | 0:25:55 | |
Yeah, finding 25lbs of heroin would get you plenty of ink. | 0:25:55 | 0:25:59 | |
You shoulda thought of that before Bloody Christmas. | 0:25:59 | 0:26:03 | |
Make a major case. It's the only way to get out of here. | 0:26:03 | 0:26:07 | |
Dismissed, gentlemen. | 0:26:07 | 0:26:10 | |
Go get the facts, Jack. | 0:26:18 | 0:26:20 | |
Just the facts. | 0:26:20 | 0:26:22 | |
'Whatever you desire.' | 0:26:29 | 0:26:31 | |
I'd like a delivery to Beverly Hills. | 0:26:31 | 0:26:33 | |
'I don't know you.' | 0:26:33 | 0:26:40 | |
A friend of mine just gave me this number and I just wanted to find... | 0:26:35 | 0:26:39 | |
HANGS UP | 0:26:39 | 0:26:40 | |
Ginger, check the reverse directory for a name and address - Crestview 2239. | 0:26:40 | 0:26:46 | |
'Hush-Hush. Off the record, on the QT.' | 0:26:53 | 0:26:56 | |
Sid, it's Vincennes. | 0:26:56 | 0:26:58 | |
Jackie! You back on Narco? I need some good copy. | 0:26:58 | 0:27:01 | |
No, but I have something with Vice. | 0:27:01 | 0:27:05 | |
Something juicy for me? | 0:27:03 | 0:27:05 | |
Porn. What do you know about Fleur-de-Lis? | 0:27:05 | 0:27:08 | |
Slogan's "Whatever you desire." | 0:27:08 | 0:27:11 | |
'No, no, I've heard bupkes.' | 0:27:11 | 0:27:13 | |
Get me narco. I wanna do a hophead issue. | 0:27:13 | 0:27:16 | |
'Shvartze jazz musicians and movie stars. Like it?' | 0:27:16 | 0:27:20 | |
Talk to you later. What you got? | 0:27:20 | 0:27:22 | |
The number's not assigned. | 0:27:22 | 0:27:24 | |
Thanks, Ginger. | 0:27:24 | 0:27:26 | |
A bootleg. | 0:27:27 | 0:27:29 | |
Take it easy. | 0:27:37 | 0:27:40 | |
Tough break, Stens. | 0:27:38 | 0:27:40 | |
We're gonna miss you. | 0:27:40 | 0:27:42 | |
Raw deal, Stensland. | 0:27:42 | 0:27:44 | |
Here comes the snitch. | 0:27:47 | 0:27:49 | |
Sorry about that, Lieutenant. | 0:27:59 | 0:28:01 | |
BOTH CHUCKLE | 0:28:06 | 0:28:09 | |
Stay out of trouble, Bud. | 0:28:17 | 0:28:19 | |
Come on, I'll buy you a drink. | 0:28:21 | 0:28:24 | |
No, rain check. I got a hot date. | 0:28:24 | 0:28:26 | |
Yeah? Who is she and what did you arrest her for? | 0:28:26 | 0:28:29 | |
It's confidential, like that magazine Vincennes scams for. | 0:28:30 | 0:28:35 | |
Hush-Hush. | 0:28:35 | 0:28:37 | |
I'll see you later in the week. | 0:28:37 | 0:28:40 | |
We'll do the town. On me. | 0:28:40 | 0:28:42 | |
Yeah? I'll bring my wallet just in case. | 0:28:42 | 0:28:45 | |
< See you tomorrow, Earl. | 0:28:49 | 0:28:51 | |
Hang on! I'll walk with you. | 0:28:51 | 0:28:54 | |
Punk kid. Who's he trying to impress? | 0:29:02 | 0:29:04 | |
Yeah, I wonder. Got himself a real career going. | 0:29:04 | 0:29:08 | |
RADIO: 'Sergeant Williams, pick up, please.' | 0:29:12 | 0:29:15 | |
'Sergeant Williams?' | 0:29:15 | 0:29:18 | |
'Is there anybody up there in Homicide?' | 0:29:21 | 0:29:24 | |
'Anybody there?' | 0:29:24 | 0:29:26 | |
Lieutenant Exley. | 0:29:29 | 0:29:34 | |
'You got a homicide downtown. The Nite Owl Coffee Shop.' | 0:29:30 | 0:29:34 | |
I got it. It's mine. | 0:29:34 | 0:29:36 | |
At least one person's dead. I stopped for coffee... | 0:29:46 | 0:29:50 | |
-No-one comes through the front door. -Yes, sir. | 0:29:50 | 0:29:53 | |
I want barricades at both ends of the street... | 0:31:25 | 0:31:31 | |
Sir? I took the call. It's my case. | 0:31:28 | 0:31:31 | |
You don't want it and you can't have it. | 0:31:31 | 0:31:34 | |
I took the call. | 0:31:34 | 0:31:39 | |
It's mine. I'll make you my second-in-command. | 0:31:35 | 0:31:39 | |
Captain Smith! Over here, please! | 0:31:39 | 0:31:42 | |
Looks like the cook drew a handgun. | 0:31:44 | 0:31:47 | |
The rest were killed in the men's room. | 0:31:47 | 0:31:50 | |
Sir? We got a total of 15 spent 12-gauge Remington shotgun shells. | 0:31:54 | 0:31:59 | |
I'm betting three men, five-shot capacity pumps. | 0:31:59 | 0:32:03 | |
Excuse me. We got an ID on one of the victims. | 0:32:03 | 0:32:06 | |
It's Dick Stensland. | 0:32:06 | 0:32:08 | |
When I first saw her, I thought she was Rita Hayworth. > | 0:32:09 | 0:32:13 | |
Yeah, me, too. > | 0:32:13 | 0:32:15 | |
Hell of a way to avoid prison. | 0:32:23 | 0:32:26 | |
You tell me what happened. | 0:32:35 | 0:32:37 | |
Appears three men held up a coffee shop. | 0:32:37 | 0:32:40 | |
Guy at the register pulled a 38 so they killed him. | 0:32:40 | 0:32:43 | |
Then they killed everyone else. | 0:32:43 | 0:32:46 | |
Lieutenant! We're ready with that Nite Owl ID. > | 0:32:47 | 0:32:51 | |
Is this your daughter? | 0:32:56 | 0:32:58 | |
I don't know. | 0:32:58 | 0:33:00 | |
We know this is difficult. | 0:33:00 | 0:33:02 | |
Just take your time. | 0:33:02 | 0:33:04 | |
It seems like my Susan, | 0:33:04 | 0:33:08 | |
but my Susan was a blonde, not a redhead. | 0:33:08 | 0:33:10 | |
When was the last time you saw her? | 0:33:10 | 0:33:13 | |
Just before Christmas. | 0:33:13 | 0:33:15 | |
We'd fought. I didn't like her boyfriend. | 0:33:15 | 0:33:18 | |
Does your daughter have any distinguishing characteristics? | 0:33:18 | 0:33:22 | |
You got the wrong idea. I'm fine. | 0:33:22 | 0:33:26 | |
She has a birthmark | 0:33:26 | 0:33:28 | |
on her hip. | 0:33:28 | 0:33:30 | |
That's her. | 0:33:35 | 0:33:37 | |
My baby! | 0:33:37 | 0:33:40 | |
I'm sorry, Mrs Lefferts. | 0:33:43 | 0:33:46 | |
Who's in charge of this investigation? | 0:33:46 | 0:33:50 | |
Capt Smith and myself. | 0:33:48 | 0:33:50 | |
'The Nite Owl massacre.' | 0:33:52 | 0:33:54 | |
Hyperbole aside, this is | 0:33:54 | 0:33:56 | |
a heinous crime that requires swift resolution. | 0:33:56 | 0:34:00 | |
Six victims. One of them, one of our own. Dick Stensland. | 0:34:00 | 0:34:04 | |
He was a Nite Owl regular, in the wrong place at the wrong time. | 0:34:04 | 0:34:09 | |
Robbery is the likely motive. | 0:34:09 | 0:34:11 | |
Rubber glove smears on the register | 0:34:11 | 0:34:13 | |
and forensics tend toward a trio of shooters. | 0:34:13 | 0:34:17 | |
We do have one hot lead. Listen well. | 0:34:17 | 0:34:19 | |
Three Negro juveniles | 0:34:19 | 0:34:21 | |
were seen discharging shotguns in Griffith Park. | 0:34:21 | 0:34:25 | |
A park ranger ID'd them as driving a 1948-1950 maroon Mercury coupe. | 0:34:25 | 0:34:31 | |
An hour ago, a canvassing crew found a news vendor | 0:34:31 | 0:34:35 | |
who saw a maroon Merc parked by the Nite Owl at 1am. | 0:34:35 | 0:34:38 | |
DMV has come up with a registration list of Merc coupes. | 0:34:38 | 0:34:43 | |
48 two-man teams | 0:34:43 | 0:34:46 | |
will shake three names apiece. | 0:34:46 | 0:34:48 | |
Interrogations will be led by Lt Exley. | 0:34:48 | 0:34:51 | |
ALL GROAN: What?! | 0:34:51 | 0:34:53 | |
Enough of that! | 0:34:54 | 0:34:56 | |
Just go out and get 'em. Use all necessary force. | 0:34:59 | 0:35:02 | |
The people of LA demand it. | 0:35:04 | 0:35:06 | |
Dismissed. | 0:35:06 | 0:35:08 | |
ALL CHATTER | 0:35:08 | 0:35:10 | |
Why not just put a bounty on 'em? | 0:35:10 | 0:35:14 | |
Ready to roll, White? | 0:35:19 | 0:35:21 | |
I gotta do something. | 0:35:21 | 0:35:26 | |
What if one of these...? | 0:35:23 | 0:35:26 | |
Bill...get somebody else. | 0:35:24 | 0:35:26 | |
I got our assignments, Big V. | 0:35:27 | 0:35:29 | |
We go by this list, we got zero chance of making this collar. | 0:35:29 | 0:35:34 | |
I got a guy who knows. He could put us at 50/50. | 0:35:34 | 0:35:37 | |
Jack! What are you doing? | 0:35:37 | 0:35:39 | |
That got you in trouble last time. | 0:35:39 | 0:35:41 | |
I'll take those odds. | 0:35:41 | 0:35:43 | |
We got it from here. | 0:35:47 | 0:35:49 | |
You should bring along a photographer. | 0:35:50 | 0:35:53 | |
I need an address on one of your customers. Her name's Lynn. | 0:35:57 | 0:36:01 | |
That's all I got to go on? | 0:36:01 | 0:36:06 | |
You know who I mean, so cough it up. | 0:36:03 | 0:36:06 | |
'There's a billing address and a delivery address.' | 0:36:06 | 0:36:09 | |
Are you Pierce Patchett? | 0:36:34 | 0:36:36 | |
I am. | 0:36:37 | 0:36:39 | |
More police charities? Last time, you called at my office. | 0:36:40 | 0:36:45 | |
Go down to the driveway. We'll talk there. | 0:36:45 | 0:36:48 | |
What can I do for you? | 0:36:58 | 0:37:00 | |
Where were you last night? | 0:37:00 | 0:37:02 | |
I was here hosting a party. | 0:37:02 | 0:37:05 | |
Tell me about Dick Stensland. | 0:37:05 | 0:37:07 | |
I don't know him, Mr..? | 0:37:07 | 0:37:10 | |
Officer White. How about Sue Lefferts? You know her? | 0:37:10 | 0:37:14 | |
You know I do. You saw me with her. | 0:37:14 | 0:37:16 | |
How did you find me? | 0:37:18 | 0:37:20 | |
Nick's Liquor. This is where Lynn Bracken's booze bills go. | 0:37:20 | 0:37:24 | |
Of course. | 0:37:24 | 0:37:26 | |
Sue Lefferts died at the Nite Owl. | 0:37:29 | 0:37:31 | |
I'm investigating. | 0:37:31 | 0:37:33 | |
Everything OK, Mr Patchett? | 0:37:34 | 0:37:36 | |
Fine, Phillip, thank you. | 0:37:36 | 0:37:38 | |
What happened to the other guy - Buzz? | 0:37:42 | 0:37:45 | |
Buzz Meeks no longer works for me. | 0:37:45 | 0:37:48 | |
Lefferts looked beat-up. How come? | 0:37:48 | 0:37:50 | |
I think she'd been hit in the face with a tennis racket. | 0:37:50 | 0:37:54 | |
She was a doubles fan. | 0:37:54 | 0:37:56 | |
You're a known associate of a woman killed in a mass murder. | 0:37:56 | 0:38:01 | |
You wanna discuss this officially? | 0:38:01 | 0:38:05 | |
This is official? | 0:38:03 | 0:38:05 | |
Somehow, I have the feeling this is more personal with you. | 0:38:05 | 0:38:09 | |
All right, then. Are you concerned about criminal matters | 0:38:12 | 0:38:16 | |
peripheral to the Nite Owl murders? | 0:38:16 | 0:38:18 | |
Not at the moment. | 0:38:18 | 0:38:23 | |
Then, you wouldn't feel obligated to report them? | 0:38:19 | 0:38:23 | |
Why were Lefferts' eyes black? | 0:38:24 | 0:38:30 | |
I needed a Rita Hayworth to fill out my little studio. | 0:38:26 | 0:38:30 | |
What little studio? | 0:38:30 | 0:38:32 | |
There's Gardner, Russell, Monroe, Turner. | 0:38:32 | 0:38:35 | |
Lynn Bracken is my Veronica Lake. | 0:38:35 | 0:38:38 | |
I use girls that look like movie stars. | 0:38:38 | 0:38:40 | |
Sometimes I employ a plastic surgeon. | 0:38:40 | 0:38:43 | |
You saw us when the work was done. | 0:38:43 | 0:38:46 | |
That's why her mother couldn't ID her. | 0:38:46 | 0:38:50 | |
Jesus fucking Christ. | 0:38:50 | 0:38:51 | |
No. Pierce Morehouse Patchett. | 0:38:51 | 0:38:55 | |
You're on your best behaviour, so that's all I'll say. | 0:38:55 | 0:38:59 | |
If you persist, I'll need my attorney. | 0:38:59 | 0:39:02 | |
Would you like Lynn Bracken's address? | 0:39:02 | 0:39:04 | |
I got her address. | 0:39:04 | 0:39:06 | |
Find Susan's killer. | 0:39:08 | 0:39:10 | |
I'll give you a handsome reward. | 0:39:10 | 0:39:12 | |
Whatever you desire. | 0:39:17 | 0:39:19 | |
'I know you're not asleep.' | 0:39:26 | 0:39:28 | |
'Talking to me? What do you want?' | 0:39:30 | 0:39:32 | |
'My five bucks. It was the only one I had. One corner was torn off.' | 0:39:32 | 0:39:38 | |
< Right now? | 0:39:36 | 0:39:38 | |
OK, I understand. OK, bye. | 0:39:40 | 0:39:43 | |
Oh, baby, bad news. | 0:39:44 | 0:39:48 | |
You have to go. | 0:39:48 | 0:39:50 | |
Go?! | 0:39:50 | 0:39:54 | |
Something very important came up | 0:39:51 | 0:39:53 | |
I'll make it up to you, OK? I will. I promise. | 0:39:53 | 0:39:57 | |
KNOCK ON DOOR | 0:39:57 | 0:39:59 | |
Excuse me. | 0:39:59 | 0:40:00 | |
Is it the cops? | 0:40:01 | 0:40:03 | |
Miss Bracken? | 0:40:07 | 0:40:09 | |
I'm Officer White. | 0:40:09 | 0:40:12 | |
I've been expecting you, but not this soon. | 0:40:10 | 0:40:12 | |
Pierce told me what happened to Sue. | 0:40:12 | 0:40:15 | |
Everything all right? Want me to get rid of him? | 0:40:15 | 0:40:18 | |
Hit the road, pal. | 0:40:18 | 0:40:21 | |
Maybe I will. | 0:40:21 | 0:40:23 | |
Maybe I won't. | 0:40:23 | 0:40:25 | |
LAPD. Get outta here or I'll have your wife come get you. | 0:40:25 | 0:40:29 | |
-Officer. -Councilman. | 0:40:44 | 0:40:46 | |
'Call for breakfast!' > | 0:40:46 | 0:40:49 | |
Would you care for a drink? | 0:41:04 | 0:41:06 | |
Yeah. Scotch. Straight. | 0:41:06 | 0:41:08 | |
I was friendly with Sue Lefferts, but we weren't friends. | 0:41:13 | 0:41:17 | |
You know what I mean? | 0:41:17 | 0:41:19 | |
You sorry she's dead? | 0:41:19 | 0:41:21 | |
Of course I am. What kind of question is that? | 0:41:22 | 0:41:25 | |
Do you know why Pierce is humouring you? | 0:41:26 | 0:41:29 | |
Use words like that, you might make me mad. | 0:41:29 | 0:41:32 | |
But do you know? | 0:41:32 | 0:41:35 | |
Yeah. | 0:41:34 | 0:41:35 | |
Patchett's running whores,... | 0:41:35 | 0:41:37 | |
cut to look like movie stars. | 0:41:39 | 0:41:41 | |
Probably something bigger on the side. | 0:41:41 | 0:41:45 | |
He doesn't want any attention. | 0:41:45 | 0:41:47 | |
Our motives are selfish, so we're co-operating. | 0:41:47 | 0:41:50 | |
Why was Susan Lefferts at the Nite Owl? | 0:41:50 | 0:41:53 | |
I dunno. I never heard of it till today. | 0:41:53 | 0:41:56 | |
How did she meet Patchett? | 0:41:56 | 0:42:00 | |
Sue came on a bus with dreams of Hollywood | 0:41:57 | 0:42:00 | |
and this is how they turned out. | 0:42:00 | 0:42:02 | |
Thanks to Pierce, | 0:42:02 | 0:42:05 | |
we still get to act a little. | 0:42:05 | 0:42:07 | |
Tell me about Pierce. | 0:42:07 | 0:42:10 | |
He's waiting for you to mention money. | 0:42:10 | 0:42:15 | |
You want some advice, Miss Bracken? | 0:42:12 | 0:42:15 | |
It's Lynn. | 0:42:15 | 0:42:17 | |
Miss Bracken. Don't ever try to fuckin' bribe me or threaten me | 0:42:17 | 0:42:21 | |
or I'll have you and Patchett in deep shit. | 0:42:21 | 0:42:24 | |
I remember you from Christmas Eve. | 0:42:24 | 0:42:27 | |
You have a thing for helping women, don't you, Officer White? | 0:42:27 | 0:42:31 | |
Maybe I'm just fucking curious. | 0:42:31 | 0:42:34 | |
You say "fuck" a lot. | 0:42:34 | 0:42:36 | |
You fuck for money. | 0:42:36 | 0:42:39 | |
There's blood on your shirt. | 0:42:37 | 0:42:39 | |
Is that an integral part of your job? Do you enjoy it? | 0:42:39 | 0:42:43 | |
When they deserve it. | 0:42:43 | 0:42:48 | |
Did they deserve it today? | 0:42:44 | 0:42:48 | |
I'm not sure. | 0:42:46 | 0:42:48 | |
But you did it anyway. | 0:42:48 | 0:42:53 | |
Like the six guys you screwed today. | 0:42:50 | 0:42:53 | |
Well, actually, it was only two. | 0:42:53 | 0:42:56 | |
You're different, Officer White. | 0:42:58 | 0:43:00 | |
You're the first man who didn't tell me I look like Veronica Lake. | 0:43:00 | 0:43:05 | |
You look better than Veronica Lake. | 0:43:05 | 0:43:08 | |
Pierce Patchett? | 0:43:11 | 0:43:13 | |
He takes a cut of our earnings and invests it for us. | 0:43:14 | 0:43:18 | |
He doesn't let us use narcotics or abuse us. | 0:43:18 | 0:43:20 | |
Can your policeman's mentality grasp those contradictions? | 0:43:20 | 0:43:25 | |
He had you cut to look like Veronica Lake. | 0:43:26 | 0:43:29 | |
No. I'm really a brunette. | 0:43:29 | 0:43:31 | |
The rest is me. | 0:43:31 | 0:43:33 | |
And that's all the news that's fit to print. | 0:43:33 | 0:43:37 | |
It's nice meeting you, Officer. | 0:43:38 | 0:43:41 | |
I'd like to see you again. | 0:43:44 | 0:43:49 | |
Are you asking me for a date or an appointment? | 0:43:46 | 0:43:49 | |
I don't know. | 0:43:49 | 0:43:52 | |
I should know your first name. | 0:43:52 | 0:43:54 | |
Forget I asked. It was a mistake. | 0:43:54 | 0:43:57 | |
Leonard Bidwell? | 0:44:18 | 0:44:20 | |
Come on down here and talk to us. | 0:44:20 | 0:44:22 | |
How's the left these days? | 0:44:23 | 0:44:25 | |
What's it to ya? | 0:44:25 | 0:44:31 | |
I saw you fight Kid Gavilan. I liked your style. | 0:44:27 | 0:44:31 | |
What do you want, Mr Policeman? | 0:44:32 | 0:44:35 | |
You got a brother in Folsom. I put him there. | 0:44:35 | 0:44:38 | |
Till 19-fucking-70. | 0:44:38 | 0:44:42 | |
How would you like to make it 1960? | 0:44:40 | 0:44:42 | |
Lieutenant Exley here is very good friends with the DA. | 0:44:42 | 0:44:46 | |
Yeah. | 0:44:46 | 0:44:47 | |
We're looking for three coloured guys who like to fire shotguns. | 0:44:47 | 0:44:52 | |
One of them owns a maroon Mercury coupe. | 0:44:52 | 0:44:56 | |
Wanna gimme a snitch jacket? | 0:44:54 | 0:44:56 | |
Wanna buy your bro' ten years? | 0:44:56 | 0:45:00 | |
Yeah, ten years. | 0:44:58 | 0:45:00 | |
You don't have to say anything. Just look at this list and point. | 0:45:00 | 0:45:05 | |
He's bad, so I'll just tell you. | 0:45:07 | 0:45:09 | |
Sugar Ray Collins. Drives a maroon '49 coupe. | 0:45:09 | 0:45:12 | |
Beautiful ride. | 0:45:12 | 0:45:14 | |
Don't know about shotguns, but he gets his thrills killing dogs. | 0:45:14 | 0:45:19 | |
He's righteous trash. | 0:45:19 | 0:45:21 | |
It's five minutes from here. Thanks. | 0:45:21 | 0:45:24 | |
So, I'll hear from you, right? | 0:45:26 | 0:45:28 | |
About my brother? | 0:45:28 | 0:45:30 | |
Keep it up, Lenny. Up. | 0:45:30 | 0:45:33 | |
There it is. It's in the back. | 0:45:38 | 0:45:41 | |
One of ours. | 0:45:57 | 0:46:00 | |
Shit. Somebody beat us here. | 0:45:58 | 0:46:00 | |
Damn it. My glasses. | 0:46:06 | 0:46:08 | |
You're kidding? | 0:46:08 | 0:46:10 | |
Well, just don't shoot me. | 0:46:10 | 0:46:13 | |
What are you guys doing here? | 0:46:21 | 0:46:24 | |
We were just in the neighbourhood. | 0:46:24 | 0:46:26 | |
What've you got? | 0:46:26 | 0:46:31 | |
Three 12-gauge pumps. Empty box of buck and cash. | 0:46:27 | 0:46:31 | |
Ooh, so long, Vice. | 0:46:31 | 0:46:34 | |
Badge Of Honour, here I come. | 0:46:34 | 0:46:36 | |
Fuck you! It's our collar. | 0:46:36 | 0:46:38 | |
Quiet! I'm ranking officer here. | 0:46:38 | 0:46:40 | |
We go as a team. End of story. | 0:46:40 | 0:46:43 | |
Yeah, right. | 0:46:47 | 0:46:49 | |
How many ways in? | 0:46:49 | 0:46:51 | |
Only one. Up the stairs. | 0:46:51 | 0:46:53 | |
(He's very serious.) | 0:46:54 | 0:46:56 | |
Police! | 0:47:11 | 0:47:13 | |
Don't move! | 0:47:13 | 0:47:15 | |
Ace him, Jack! | 0:47:15 | 0:47:18 | |
Shut up! Don't kill them! | 0:47:16 | 0:47:18 | |
Hey! > | 0:47:21 | 0:47:24 | |
Back, back, back! | 0:47:22 | 0:47:24 | |
Against the wall! | 0:47:24 | 0:47:26 | |
Against the wall! | 0:47:26 | 0:47:28 | |
Get over there, big boy! | 0:47:28 | 0:47:30 | |
Shut up! Put your hands behind your back! | 0:47:30 | 0:47:33 | |
So...how does it feel getting out of the office? | 0:47:33 | 0:47:37 | |
POLICE CHATTER | 0:47:40 | 0:47:42 | |
This came from forensics. Burning clothes. | 0:47:44 | 0:47:47 | |
"Casitas Youth Camp." | 0:47:47 | 0:47:51 | |
It's crowded in here, White. | 0:47:53 | 0:47:56 | |
These guys killed Stensland. | 0:47:56 | 0:47:58 | |
SOBBING | 0:47:58 | 0:48:00 | |
The ejection marks on the shells fired | 0:48:13 | 0:48:16 | |
match the marks on the casings found at the Nite Owl. | 0:48:16 | 0:48:19 | |
I want confessions, Edmund. | 0:48:19 | 0:48:22 | |
A night's stewing will soften them up. | 0:48:22 | 0:48:27 | |
Oh, I'll break them, sir. | 0:48:24 | 0:48:27 | |
Are you sure Golden Boy is up to the task, Cap? | 0:48:46 | 0:48:49 | |
You'd be surprised what the lad is capable of. | 0:48:49 | 0:48:53 | |
You're 22, aren't you, Ray? | 0:48:54 | 0:48:57 | |
Did an officer work you over? | 0:49:01 | 0:49:03 | |
So, you're 22, right? | 0:49:05 | 0:49:09 | |
Why do you keep asking me that? | 0:49:06 | 0:49:09 | |
22 makes it a gas chamber bounce. | 0:49:09 | 0:49:11 | |
You shoulda pulled this caper years ago. | 0:49:11 | 0:49:14 | |
Get life, do a little Youth Authority jolt, | 0:49:14 | 0:49:17 | |
transfer to Folsom a big man. | 0:49:17 | 0:49:19 | |
Get yourself a sissy. | 0:49:19 | 0:49:21 | |
I don't truck with sissies. | 0:49:21 | 0:49:23 | |
Louis. | 0:49:26 | 0:49:27 | |
What? | 0:49:27 | 0:49:29 | |
You did the Casitas Youth Camp with Louis, didn't you? | 0:49:29 | 0:49:33 | |
Why ask me about Louis? His business is his business. | 0:49:33 | 0:49:37 | |
Louis told me you went sissy up at Casitas. | 0:49:37 | 0:49:40 | |
Couldn't do the time, so you got a white boy to look after you. | 0:49:40 | 0:49:44 | |
They called you "Sugar" | 0:49:44 | 0:49:46 | |
cos you gave it out so sweet. | 0:49:46 | 0:49:49 | |
"Louis gave it up at Casitas. I was the boss. Louis was the sissy!" | 0:49:49 | 0:49:54 | |
"Louis gave it up for candy bars." | 0:49:54 | 0:49:56 | |
"He ain't got the sense of a damned dog!" | 0:49:56 | 0:49:59 | |
I heard you like to shoot dogs. | 0:49:59 | 0:50:02 | |
Dogs got no reason to live. | 0:50:02 | 0:50:04 | |
Oh? You feel the same way about people, too? | 0:50:04 | 0:50:07 | |
What are you trying to say? | 0:50:07 | 0:50:11 | |
We got the shotguns. | 0:50:09 | 0:50:11 | |
I don't own no shotguns. | 0:50:11 | 0:50:16 | |
-Why did you throw clothes in the incinerator? -What? | 0:50:13 | 0:50:16 | |
A neighbour said she saw you throwing clothes in the incinerator. | 0:50:16 | 0:50:21 | |
It doesn't look good. | 0:50:21 | 0:50:25 | |
I ain't talking till I see a judge. | 0:50:22 | 0:50:25 | |
-Were you hopped up when we arrested you? -Ty and Louis fuck with that shit. Not me. | 0:50:25 | 0:50:31 | |
Where do they get their stuff? | 0:50:31 | 0:50:33 | |
Come on. Gimme one to feed the DA. It'll make me look good | 0:50:34 | 0:50:38 | |
and I'll say Sugar Ray's not a punk like his sissy partners. | 0:50:38 | 0:50:43 | |
'Tell me one more thing about Jones and Fontaine.' | 0:50:47 | 0:50:51 | |
Where do they get their drugs? | 0:50:51 | 0:50:54 | |
Roland Navarette. | 0:50:55 | 0:50:57 | |
INAUDIBLE | 0:50:57 | 0:50:59 | |
He runs a hole-up on Bunker Hill and sells red devils. | 0:50:59 | 0:51:03 | |
Exley's good. | 0:51:03 | 0:51:07 | |
I'll take a break. | 0:51:05 | 0:51:07 | |
You know, Ray, I'm talking about the gas chamber | 0:51:10 | 0:51:13 | |
and you haven't asked me what this is about. | 0:51:13 | 0:51:17 | |
You got a big "Guilty" sign around your neck. | 0:51:17 | 0:51:21 | |
That was masterful. This one's ready to go. | 0:51:24 | 0:51:28 | |
WHIMPERS | 0:51:30 | 0:51:32 | |
Give Jones the newspaper. I want him primed. | 0:51:35 | 0:51:40 | |
Take cuffs off so he can read it. | 0:51:38 | 0:51:40 | |
Ray ratted you off. Said the Nite Owl was your idea. | 0:51:40 | 0:51:44 | |
I think it was Ray's idea. If you talk, I can save your life. | 0:51:44 | 0:51:48 | |
Six people are dead | 0:51:48 | 0:51:50 | |
and someone has to pay for it. | 0:51:50 | 0:51:52 | |
Now, it can be you or it can be Ray. | 0:51:52 | 0:51:55 | |
He called you queer. Said at Casitas you took it up the ass. | 0:51:56 | 0:52:01 | |
I didn't kill nobody!! | 0:52:01 | 0:52:03 | |
Son... | 0:52:05 | 0:52:07 | |
you know what'll happen to you if you don't talk. | 0:52:07 | 0:52:11 | |
The gas chamber. So, admit what you did. | 0:52:11 | 0:52:14 | |
I didn't mean to hurt her. | 0:52:14 | 0:52:16 | |
Maybe she's OK. | 0:52:16 | 0:52:18 | |
OK? These people are all in the morgue. | 0:52:18 | 0:52:21 | |
They were dead when you left them. | 0:52:21 | 0:52:24 | |
I just wanted to lose my cherry. She don't die, so I don't die. | 0:52:24 | 0:52:28 | |
She don't die, so I don't die. | 0:52:28 | 0:52:31 | |
Louis, the girl - what's her name? | 0:52:31 | 0:52:34 | |
Who are you talking about? | 0:52:34 | 0:52:36 | |
Was she at the Nite Owl? | 0:52:36 | 0:52:38 | |
Listen to me. Was she at the Nite Owl? | 0:52:38 | 0:52:43 | |
This newspaper shit... | 0:52:48 | 0:52:51 | |
Where's the girl? Did you kill her? | 0:52:49 | 0:52:51 | |
You wanted Louis to lose his cherry, but you made her bleed. | 0:52:51 | 0:52:57 | |
-She bled on your clothes, so you burned them. -Who told you that? | 0:52:57 | 0:53:02 | |
Now, listen to me. | 0:53:00 | 0:53:02 | |
If she's alive, she's the only chance you've got. | 0:53:02 | 0:53:05 | |
I think she's alive! | 0:53:05 | 0:53:09 | |
Where is she now? | 0:53:07 | 0:53:09 | |
Did you leave her some place? | 0:53:09 | 0:53:11 | |
Tell me where she is! | 0:53:11 | 0:53:14 | |
White! | 0:53:19 | 0:53:21 | |
One in six! Where's the girl?! | 0:53:21 | 0:53:24 | |
Put the weapon down! | 0:53:24 | 0:53:27 | |
WHERE IS THE GIRL?! | 0:53:25 | 0:53:27 | |
Sylvester... | 0:53:33 | 0:53:38 | |
What?! | 0:53:34 | 0:53:38 | |
Sylvester Fitch, 109 Avalon. | 0:53:35 | 0:53:38 | |
Brown corner house, upstairs. | 0:53:38 | 0:53:41 | |
Captain, just gimme one minute. | 0:53:53 | 0:53:55 | |
-RADIO: -'Nobody moves.' | 0:54:01 | 0:54:03 | |
We'll go through the front. | 0:54:03 | 0:54:05 | |
'Stay put until I say.' | 0:54:05 | 0:54:07 | |
DRAMATIC MUSIC ON TV | 0:54:23 | 0:54:27 | |
MAN CHUCKLES | 0:55:32 | 0:55:33 | |
He went around back, sir! | 0:56:26 | 0:56:29 | |
Miss, I need to know when they left you. | 0:56:29 | 0:56:33 | |
Get her to the hospital. Excuse me! | 0:56:33 | 0:56:36 | |
Give your career a rest. | 0:56:36 | 0:56:38 | |
Leave her alone. | 0:56:38 | 0:56:40 | |
A naked guy with a gun? Who'll believe that? | 0:56:40 | 0:56:44 | |
Get the fuck away from me. | 0:56:42 | 0:56:44 | |
How will it look in your report? | 0:56:44 | 0:56:51 | |
It'll look like justice. That's what the man got. Justice. | 0:56:46 | 0:56:51 | |
You don't know the meaning of the word. | 0:56:51 | 0:56:54 | |
Yeah? Well, you think it means | 0:56:52 | 0:56:54 | |
getting your picture in the paper. Go after criminals for a change. | 0:56:54 | 0:57:01 | |
Stensland got what he deserved. | 0:56:59 | 0:57:01 | |
Take it easy, Bud. Come on. | 0:57:10 | 0:57:14 | |
Best to stay away from a man when his blood is up. | 0:57:14 | 0:57:17 | |
His blood's always up. | 0:57:17 | 0:57:19 | |
Perhaps you should stay away from him altogether. | 0:57:21 | 0:57:24 | |
RADIO: 'Raymond Collins, Ty Jones and Louis Fontaine. | 0:57:24 | 0:57:29 | |
'The Nite Owl suspects have escaped.' | 0:57:29 | 0:57:32 | |
How did they get out the window? | 0:57:32 | 0:57:36 | |
Jumped from the second floor. | 0:57:34 | 0:57:36 | |
Girl said they left her at 12. They coulda got to the Nite Owl by one. | 0:57:36 | 0:57:40 | |
The question was, where did they get their drugs? The answer? | 0:57:40 | 0:57:45 | |
I haven't got that far yet. | 0:57:45 | 0:57:47 | |
Roland Navarette, lives on Bunker Hill, runs a... | 0:57:47 | 0:57:50 | |
Anyone seen Jack Vincennes? | 0:57:52 | 0:57:54 | |
Vincennes? | 0:57:54 | 0:57:57 | |
Is something up, Lieutenant? | 0:57:55 | 0:57:57 | |
I need some backup. | 0:57:57 | 0:57:59 | |
What? | 0:58:16 | 0:58:19 | |
Nothing. Let's go. | 0:58:17 | 0:58:19 | |
(This should be it.) | 0:58:26 | 0:58:28 | |
404. | 0:58:32 | 0:58:33 | |
TV ON | 0:58:37 | 0:58:39 | |
LIFT BELL PINGS | 0:58:42 | 0:58:44 | |
Nobody moves! | 0:58:54 | 0:58:56 | |
-You're under arrest! -Don't shoot! | 0:58:56 | 0:58:59 | |
Please don't shoot! | 0:58:59 | 0:59:01 | |
Don't move! | 0:59:01 | 0:59:02 | |
There he is. You did good, kid. | 0:59:52 | 0:59:55 | |
Shoulda seen the place. Blood everywhere. | 0:59:55 | 0:59:58 | |
Who'd have thought? Shotgun Ed. | 0:59:58 | 1:00:01 | |
Somebody get him cleaned up. | 1:00:01 | 1:00:04 | |
Come on, kid. | 1:00:04 | 1:00:05 | |
'Edmund J Exley has amassed a brilliant record | 1:00:07 | 1:00:12 | |
in his seven years with the LAPD. | 1:00:12 | 1:00:14 | |
'He evinced spectacular bravery in the line of duty. | 1:00:14 | 1:00:18 | |
'Here is awarded our highest honour, the Medal of Valour.' | 1:00:18 | 1:00:22 | |
< What kind of car was it? | 1:00:22 | 1:00:28 | |
< A Ford. My husband always drove a Ford. My husband... | 1:00:23 | 1:00:28 | |
Ma'am, just the facts. Light or dark? | 1:00:28 | 1:00:31 | |
Light. And that's really all I remember, Officer. | 1:00:31 | 1:00:35 | |
Thank you, ma'am, you've been a big help. | 1:00:35 | 1:00:38 | |
Cut! That's it. > | 1:00:38 | 1:00:40 | |
Hey, Big Jack! | 1:00:40 | 1:00:46 | |
He's back! | 1:00:41 | 1:00:46 | |
Hey, Jack's back! Heh-heh! | 1:00:43 | 1:00:46 | |
# While the wheel is spinning | 1:00:49 | 1:00:52 | |
# Spinning, spinning | 1:00:52 | 1:00:54 | |
# I'll not dream of winning | 1:00:54 | 1:00:57 | |
# Fortune | 1:00:57 | 1:01:00 | |
# Or fame | 1:01:00 | 1:01:02 | |
# While the wheel is turning, turning, turning | 1:01:02 | 1:01:07 | |
# I'll be yearning, yearning | 1:01:07 | 1:01:11 | |
# For love's precious flame... # | 1:01:11 | 1:01:14 | |
Tell Mr Patchett I have no intention of changing my vote. | 1:01:16 | 1:01:20 | |
# I'm hoping somehow | 1:01:22 | 1:01:25 | |
# If you'll ever smile... # | 1:01:28 | 1:01:31 | |
It may surprise some that a man in office | 1:01:31 | 1:01:34 | |
would admit to making a mistake. | 1:01:34 | 1:01:36 | |
But after due consideration, | 1:01:36 | 1:01:39 | |
I am changing my position on the matter before the council. | 1:01:39 | 1:01:43 | |
"Go west, America" was the slogan of Manifest Destiny. | 1:01:44 | 1:01:48 | |
Today is that last step westward with no stop signs, traffic signals. | 1:01:48 | 1:01:53 | |
From downtown to the beach in 20 minutes. | 1:01:53 | 1:01:57 | |
# Turning, turning, turning | 1:01:57 | 1:01:59 | |
# I'll be yearning, yearning | 1:02:00 | 1:02:04 | |
# For love's precious flame | 1:02:04 | 1:02:07 | |
# Oh, wheel of fortune | 1:02:07 | 1:02:12 | |
# Please don't pass me by... # | 1:02:14 | 1:02:17 | |
Aaarrrgghh! | 1:02:19 | 1:02:21 | |
Aaarrrgghh! | 1:02:22 | 1:02:24 | |
And what were you gonna start with? | 1:02:24 | 1:02:27 | |
Prostitution? | 1:02:29 | 1:02:31 | |
Gambling? | 1:02:33 | 1:02:35 | |
MAN GROANS | 1:02:35 | 1:02:36 | |
Go back to Jersey, sonny. | 1:02:36 | 1:02:39 | |
This is the City of the Angels | 1:02:39 | 1:02:41 | |
and you haven't got any wings. | 1:02:41 | 1:02:43 | |
MAN GRUNTS | 1:02:47 | 1:02:49 | |
Good to see you again. Take care. | 1:03:05 | 1:03:07 | |
KNOCK ON DOOR | 1:03:28 | 1:03:30 | |
I wondered when you'd knock on my door again, Officer White. | 1:03:43 | 1:03:48 | |
It's Bud. | 1:03:46 | 1:03:48 | |
Bud. | 1:03:48 | 1:03:50 | |
Why me? | 1:04:18 | 1:04:20 | |
I don't know. | 1:04:22 | 1:04:24 | |
This election is about the future of law enforcement in Los Angeles. | 1:04:57 | 1:05:03 | |
Councilman Rogers represents that future. | 1:05:03 | 1:05:06 | |
So let's dig deep | 1:05:06 | 1:05:08 | |
and get a moral man re-elected. | 1:05:08 | 1:05:10 | |
Ellis Loew wants to say a few words. | 1:05:10 | 1:05:14 | |
APPLAUSE | 1:05:12 | 1:05:14 | |
Thank you, Brett, star of Badge Of Honour. | 1:05:16 | 1:05:19 | |
Let me tell you. I am so thrilled to be here | 1:05:20 | 1:05:23 | |
on the set of Badge Of Honour. | 1:05:23 | 1:05:25 | |
< Big V! Jackie! | 1:05:25 | 1:05:28 | |
Good to see you back. | 1:05:28 | 1:05:30 | |
How they hangin'? | 1:05:30 | 1:05:33 | |
Down around my ankles. | 1:05:31 | 1:05:33 | |
You tight with the DA, Jackie? | 1:05:33 | 1:05:39 | |
Oh, yeah. He tried to throw me off the force as a joke. | 1:05:35 | 1:05:39 | |
How about some payback, | 1:05:39 | 1:05:40 | |
plus the usual 50 donation to the Jack Vincennes retirement fund? | 1:05:40 | 1:05:45 | |
Did you know the DA was a swish? | 1:05:45 | 1:05:49 | |
No kidding? | 1:05:47 | 1:05:49 | |
Hey. | 1:05:49 | 1:05:51 | |
Remember Matt Reynolds? Christmas Eve? | 1:05:51 | 1:05:54 | |
What's he doing here? | 1:05:54 | 1:05:57 | |
He's acey-deucy, not to mention broke. | 1:05:57 | 1:06:00 | |
I'm getting him to fuck the DA for 100. | 1:06:00 | 1:06:03 | |
Twice what you got for wrecking his career. | 1:06:03 | 1:06:06 | |
Hey, Matt! Come here! | 1:06:06 | 1:06:08 | |
Don't bring him... | 1:06:08 | 1:06:10 | |
That's DA Loew right there. | 1:06:14 | 1:06:16 | |
Yeah. | 1:06:18 | 1:06:19 | |
Do you need a drink, kid? | 1:06:20 | 1:06:24 | |
Yeah. | 1:06:22 | 1:06:24 | |
Jack, look after him. Matt, this is Jack. | 1:06:24 | 1:06:28 | |
No secrets between me and him. | 1:06:28 | 1:06:30 | |
How you doing? | 1:06:35 | 1:06:38 | |
Oh, I'm OK. How are you? | 1:06:36 | 1:06:38 | |
I'm good. Yeah. | 1:06:38 | 1:06:40 | |
Have we met before? | 1:06:42 | 1:06:44 | |
Yeah. | 1:06:45 | 1:06:47 | |
Was it at a party? | 1:06:47 | 1:06:49 | |
Well, it was something like that. | 1:06:49 | 1:06:52 | |
Fleur-de-Lis party, right? | 1:06:52 | 1:06:54 | |
Right. | 1:06:54 | 1:06:56 | |
Fleur-de-Lis. "Whatever you desire." | 1:06:57 | 1:07:01 | |
Dope, hookers that look like movie stars. | 1:07:01 | 1:07:04 | |
Pierce Patchett has it all. | 1:07:04 | 1:07:06 | |
Oh, boy, you could say that again. | 1:07:06 | 1:07:09 | |
Pierce, he's not like regular guys. | 1:07:09 | 1:07:12 | |
I mean, I dig him, but... | 1:07:12 | 1:07:14 | |
you know, | 1:07:14 | 1:07:16 | |
he, um, scares me, too. | 1:07:16 | 1:07:20 | |
Really? How? | 1:07:20 | 1:07:23 | |
You know, when I came to LA | 1:07:23 | 1:07:25 | |
this isn't exactly where I saw myself ending up. | 1:07:25 | 1:07:28 | |
Yeah, well...get in line. | 1:07:28 | 1:07:32 | |
Dutch courage, kid. Drink up. | 1:07:32 | 1:07:35 | |
I don't think I should do this. | 1:07:39 | 1:07:41 | |
It's not like you don't know how. | 1:07:41 | 1:07:44 | |
With Jack's Badge Of Honour connections, you could get a part. | 1:07:44 | 1:07:48 | |
I smell a comeback. Don't you, Jack? | 1:07:49 | 1:07:52 | |
Go on. The DA's free. | 1:07:54 | 1:07:55 | |
Go introduce yourself. Go on. | 1:07:55 | 1:07:58 | |
Tell him about the opening on the show. | 1:07:58 | 1:08:01 | |
I'm pretty sure I can get you a part on this show. | 1:08:01 | 1:08:04 | |
But, er, that's later on. Tonight, | 1:08:04 | 1:08:08 | |
just go on over and pretend it's an acting job. | 1:08:08 | 1:08:11 | |
Like showbiz. | 1:08:11 | 1:08:12 | |
Acting, that's it. | 1:08:12 | 1:08:14 | |
No-one's gonna know about this, right? | 1:08:14 | 1:08:17 | |
No. | 1:08:17 | 1:08:19 | |
It'll be our secret. | 1:08:20 | 1:08:22 | |
OK. | 1:08:22 | 1:08:24 | |
All right. Showbiz. | 1:08:24 | 1:08:26 | |
That's it. | 1:08:26 | 1:08:29 | |
Showbiz. | 1:08:31 | 1:08:33 | |
If Reynolds works his charms, | 1:08:35 | 1:08:37 | |
they'll be at Hollywood Centre Motel, room 203. | 1:08:37 | 1:08:41 | |
Be there for a photo shoot. | 1:08:41 | 1:08:43 | |
We can work in the Hollywood sign this time. | 1:08:43 | 1:08:46 | |
What do you know about Pierce Patchett? | 1:08:46 | 1:08:50 | |
Patchett? I know what you know. | 1:08:50 | 1:08:52 | |
Very rich. Invested in freeways which'll make him richer. Why? | 1:08:52 | 1:08:57 | |
I just keep hearing rumours. | 1:08:57 | 1:09:00 | |
Porn, drugs, hookers that look like movie stars. | 1:09:00 | 1:09:04 | |
Patchett's what I call "twilight". | 1:09:04 | 1:09:07 | |
He ain't queer or Red. | 1:09:07 | 1:09:09 | |
He can't help me in my quest for prime sinnuendo. | 1:09:09 | 1:09:13 | |
Heh-heh-heh. Look, look. | 1:09:14 | 1:09:17 | |
As though Badge Of Honour would touch him with a 10-foot pole | 1:09:17 | 1:09:20 | |
after he's been Hush-Hush cover boy twice. | 1:09:22 | 1:09:26 | |
See you in a few hours, Sid. | 1:09:24 | 1:09:26 | |
Midnight, I guarantee all kinds of illegal activity. | 1:09:26 | 1:09:30 | |
Another, Jack? | 1:10:02 | 1:10:05 | |
Yeah. | 1:10:03 | 1:10:05 | |
# The future's brighter | 1:10:10 | 1:10:13 | |
# When hearts are lighter | 1:10:13 | 1:10:15 | |
# So, smile, smile, smile. # | 1:10:15 | 1:10:19 | |
Kid? | 1:10:47 | 1:10:49 | |
Matt? | 1:10:53 | 1:10:55 | |
Come on, kid, you don't have to do the... | 1:10:55 | 1:10:58 | |
TV: # ..Oh, so long ago | 1:10:58 | 1:11:02 | |
# How important can it be? | 1:11:02 | 1:11:05 | |
# Mine was a young, foolish heart | 1:11:07 | 1:11:11 | |
# Seeking love at every turn | 1:11:12 | 1:11:15 | |
# But I have grown much wiser now | 1:11:17 | 1:11:22 | |
# Even foolish hearts can learn. # | 1:11:22 | 1:11:26 | |
Thank you for what you did for me, | 1:11:28 | 1:11:31 | |
for killing those animals who raped me. | 1:11:31 | 1:11:34 | |
Will you thank Officer White for me? | 1:11:34 | 1:11:36 | |
Sure. | 1:11:36 | 1:11:39 | |
Seeing him come through the door is about the only thing I remember. | 1:11:39 | 1:11:44 | |
You remember what time the negroes left? | 1:11:44 | 1:11:47 | |
In your statement, you said they left you at midnight. | 1:11:47 | 1:11:50 | |
They might have. | 1:11:50 | 1:11:52 | |
What do you mean, "might have"? | 1:11:57 | 1:11:59 | |
I don't know what time they left. I wanted them dead. | 1:11:59 | 1:12:03 | |
Would anyone care that they raped a Mexican girl | 1:12:03 | 1:12:06 | |
if they hadn't killed those white people? | 1:12:06 | 1:12:10 | |
I did what I had to do for justice. | 1:12:10 | 1:12:13 | |
Inez, Exley, over here! > | 1:12:13 | 1:12:15 | |
Smile, Inez. | 1:12:15 | 1:12:17 | |
So, is he your hero? | 1:12:17 | 1:12:19 | |
How about this - "Rape Victim Wheeled Out By Nite Owl Hero." | 1:12:19 | 1:12:24 | |
Hey... | 1:12:26 | 1:12:28 | |
all they get is Veronica Lake. | 1:12:30 | 1:12:32 | |
I get Lynn Margaret Bracken. | 1:12:34 | 1:12:36 | |
"Bisbee." | 1:12:46 | 1:12:48 | |
I grew up there. | 1:12:49 | 1:12:51 | |
I'm going back in a couple of years, | 1:12:53 | 1:12:56 | |
open up a dress shop. | 1:12:56 | 1:12:58 | |
The girls in Bisbee need a little glamour. | 1:13:00 | 1:13:03 | |
Where did this come from? | 1:13:08 | 1:13:10 | |
When I was 12 my dad went after my mother with a bottle. I got in the way. | 1:13:10 | 1:13:17 | |
So, you saved her. | 1:13:17 | 1:13:19 | |
Not for long. | 1:13:19 | 1:13:21 | |
I'm sorry. It's none of my business. | 1:13:23 | 1:13:27 | |
He tied me to the radiator. | 1:13:25 | 1:13:27 | |
I watched him beat my mother to death with a tyre iron. | 1:13:27 | 1:13:31 | |
And he left me there. | 1:13:33 | 1:13:35 | |
Three days before a truant officer found us. | 1:13:38 | 1:13:41 | |
They never found the old man. | 1:13:43 | 1:13:45 | |
Is that why you became a cop? | 1:13:54 | 1:13:56 | |
To get even? | 1:13:56 | 1:13:58 | |
Maybe. | 1:13:59 | 1:14:01 | |
Do you like it? | 1:14:02 | 1:14:05 | |
I used to. | 1:14:07 | 1:14:09 | |
Now, it's all strong-arm, sitting-duck stuff. | 1:14:10 | 1:14:14 | |
I mean, if I could... | 1:14:14 | 1:14:17 | |
get a chance to work Homicide like a real detective... | 1:14:17 | 1:14:20 | |
That prick Exley, he shot the wrong guys. | 1:14:22 | 1:14:25 | |
Whoever killed Stensland is still around. I know it in here. | 1:14:25 | 1:14:30 | |
There's something wrong with the Nite Owl. I just can't prove it. | 1:14:30 | 1:14:35 | |
I'm not smart enough. | 1:14:35 | 1:14:38 | |
I'm just the guy they bring in to scare the other guy shitless. | 1:14:40 | 1:14:44 | |
You're wrong. | 1:14:46 | 1:14:48 | |
You found Patchett. You found me. | 1:14:48 | 1:14:50 | |
You're smart enough. | 1:14:51 | 1:14:53 | |
Bud White. What brings you down to the basement? | 1:15:04 | 1:15:07 | |
I got a couple of Nite Owl questions. | 1:15:10 | 1:15:13 | |
Read the papers. That case is closed. | 1:15:13 | 1:15:16 | |
Anything bother you about it? | 1:15:17 | 1:15:19 | |
Yeah, the fact that the pack-up boys haven't moved this shit out. | 1:15:19 | 1:15:24 | |
We got the suspects' three shotguns which match the shell casings. | 1:15:28 | 1:15:33 | |
What more do you want? | 1:15:33 | 1:15:35 | |
There's blood on the wall here. | 1:15:45 | 1:15:48 | |
I thought everyone but the cook got shot in the men's room. | 1:15:48 | 1:15:53 | |
That is Stensland's blood. | 1:15:51 | 1:15:53 | |
Stensland? | 1:15:53 | 1:15:55 | |
A blow to the head. | 1:15:55 | 1:15:57 | |
Was unconscious when they dragged him into the john. | 1:15:57 | 1:16:02 | |
Did they hit anyone else? | 1:15:59 | 1:16:02 | |
No. But he was a cop. Maybe he tried to do something. | 1:16:02 | 1:16:05 | |
Grilled cheese, black coffee. Someone's sitting next to him. | 1:16:08 | 1:16:13 | |
Two of the victims were women. | 1:16:16 | 1:16:18 | |
Patti DeLuca, the waitress | 1:16:18 | 1:16:20 | |
and a Susan Lefferts. | 1:16:20 | 1:16:22 | |
Susan Lefferts. | 1:16:26 | 1:16:28 | |
Yeah, what about her? | 1:16:30 | 1:16:32 | |
You're welcome(!) | 1:16:34 | 1:16:36 | |
DOORBELL | 1:16:36 | 1:16:38 | |
Mrs Lefferts?! | 1:16:38 | 1:16:40 | |
Mrs Lefferts? I'm Officer White. LAPD. | 1:16:41 | 1:16:45 | |
Tell me about the boyfriend, the one you mentioned. | 1:16:47 | 1:16:51 | |
I told you I didn't approve of him. | 1:16:51 | 1:16:53 | |
He was too old for you. | 1:16:53 | 1:16:55 | |
And you let him be fresh with me. | 1:16:55 | 1:16:58 | |
They came here one day when I wasn't home. | 1:16:59 | 1:17:02 | |
My neighbour said she thought she saw | 1:17:02 | 1:17:05 | |
Susie's boyfriend and another man | 1:17:05 | 1:17:08 | |
and she heard a ruckus. | 1:17:08 | 1:17:10 | |
What was the boyfriend's name? | 1:17:10 | 1:17:14 | |
We weren't properly introduced. | 1:17:11 | 1:17:14 | |
Susie gave him a nickname - Muns or Luns. | 1:17:14 | 1:17:17 | |
Stens? Was it Stens? | 1:17:17 | 1:17:20 | |
Maybe. I don't know. | 1:17:20 | 1:17:22 | |
Look at a picture for me. | 1:17:22 | 1:17:24 | |
That's him. That's him! | 1:17:26 | 1:17:29 | |
You said a neighbour heard a ruckus. Was it outside? | 1:17:34 | 1:17:38 | |
Inside? | 1:17:38 | 1:17:40 | |
Outside. Then, Mrs Jensen said they kept | 1:17:40 | 1:17:44 | |
going under the house. | 1:17:44 | 1:17:46 | |
You have to leave now, Officer. | 1:17:50 | 1:17:53 | |
What's through here? | 1:17:53 | 1:17:56 | |
Just a room full of old things. | 1:17:54 | 1:17:56 | |
Oh, don't move that! | 1:17:56 | 1:17:58 | |
Don't mind the smell! I think a rat died behind the wall. | 1:18:00 | 1:18:05 | |
My Susie was a good girl! | 1:18:05 | 1:18:07 | |
She was never in any kind of trouble at all! | 1:18:07 | 1:18:10 | |
HE COUGHS | 1:18:39 | 1:18:41 | |
RATS SQUEAL | 1:18:52 | 1:18:54 | |
'Leland Meeks? Never heard of ya.' | 1:19:19 | 1:19:21 | |
'They call me Buzz.' | 1:19:21 | 1:19:24 | |
Was it a rat? | 1:19:29 | 1:19:31 | |
Yeah. A great big one. | 1:19:31 | 1:19:33 | |
Here. Compliments of the Los Angeles Police Department. | 1:19:35 | 1:19:40 | |
Stomach of the week from a motel homicide. | 1:19:55 | 1:19:59 | |
Unemployed actor had frankfurter, French fries, alcohol and sperm. | 1:19:59 | 1:20:02 | |
Hell of a last supper. | 1:20:02 | 1:20:05 | |
Anything bothering you about the Nite Owl case? | 1:20:05 | 1:20:10 | |
You lot won't let it get filed away. | 1:20:08 | 1:20:10 | |
What do you mean? | 1:20:10 | 1:20:13 | |
Bud White grilled me on it this morning. | 1:20:13 | 1:20:16 | |
Bud White? | 1:20:16 | 1:20:18 | |
He's not as dumb as I thought. | 1:20:18 | 1:20:20 | |
Did he say where he was going after he talked to you? | 1:20:20 | 1:20:24 | |
Let my daughter rest in peace! | 1:20:36 | 1:20:39 | |
I just wanna ask a few questions. | 1:20:39 | 1:20:45 | |
-Officer White checked under the house. -Under the house? | 1:20:41 | 1:20:45 | |
Where? | 1:20:45 | 1:20:48 | |
Out back. | 1:20:46 | 1:20:49 | |
All he found was rodents. | 1:20:49 | 1:20:51 | |
I need an ID as soon as possible. You talk only to me. | 1:20:53 | 1:20:57 | |
Vincennes? I need your help. | 1:21:00 | 1:21:02 | |
I'm busy. Ask some of your boys in Homicide. | 1:21:02 | 1:21:05 | |
I can't. I need someone outside of Homicide. | 1:21:08 | 1:21:11 | |
I want you to tail Bud White till he goes on duty. | 1:21:11 | 1:21:18 | |
Do me a favour and leave me alone. | 1:21:14 | 1:21:18 | |
Do you make the negroes for the Nite Owl killings? | 1:21:18 | 1:21:21 | |
What? | 1:21:24 | 1:21:25 | |
Simple question. | 1:21:25 | 1:21:27 | |
Why in the world do you wanna go digging any deeper | 1:21:29 | 1:21:32 | |
into the Nite Owl killings, Lieutenant? | 1:21:32 | 1:21:35 | |
Rollo Tomasi. | 1:21:39 | 1:21:41 | |
Is there more to that or am I supposed to guess? | 1:21:41 | 1:21:44 | |
Rollo was a purse snatcher. | 1:21:47 | 1:21:49 | |
My father ran into him off duty. | 1:21:54 | 1:21:56 | |
He shot my father six times and got away clean. | 1:21:58 | 1:22:01 | |
No-one even knew who he was. | 1:22:01 | 1:22:03 | |
I made the name up to give him some personality. | 1:22:03 | 1:22:06 | |
What's your point? | 1:22:06 | 1:22:09 | |
Rollo Tomasi's the reason I became a cop. | 1:22:09 | 1:22:12 | |
I wanted to catch the guys who thought they could get away with it. | 1:22:12 | 1:22:17 | |
It was supposed to be about justice. | 1:22:17 | 1:22:20 | |
Then, somewhere along the way I lost sight of that. | 1:22:20 | 1:22:23 | |
Why did you become a cop? | 1:22:27 | 1:22:29 | |
I don't remember. | 1:22:39 | 1:22:41 | |
What do you want, Exley? | 1:22:46 | 1:22:48 | |
I wanna solve this thing. | 1:22:48 | 1:22:50 | |
Nite Owl was solved. | 1:22:50 | 1:22:53 | |
No. I wanna do it right. | 1:22:53 | 1:22:57 | |
Even if it means paying the consequences? | 1:22:57 | 1:23:00 | |
Mm-hm. | 1:23:00 | 1:23:01 | |
OK, college boy, I'll help, | 1:23:03 | 1:23:05 | |
but there's a case Homicide don't care about. | 1:23:05 | 1:23:08 | |
They think it's another homo-cide, but I don't. | 1:23:08 | 1:23:11 | |
You help me with mine, I'll help you with yours. | 1:23:11 | 1:23:15 | |
Deal? | 1:23:15 | 1:23:17 | |
Deal. | 1:23:17 | 1:23:19 | |
Johnny Stompanato. | 1:23:50 | 1:23:52 | |
Officer White. How's tricks, paesano? | 1:23:53 | 1:23:56 | |
I ain't your paesano. | 1:23:56 | 1:23:58 | |
And I ain't snitching any more. | 1:23:58 | 1:24:00 | |
You know a guy named Buzz Meeks? | 1:24:00 | 1:24:04 | |
Works for Pierce Patchett. | 1:24:04 | 1:24:06 | |
Should I? | 1:24:06 | 1:24:08 | |
You're muscle for hire, Meeks is muscle for hire. | 1:24:08 | 1:24:11 | |
You tell me. | 1:24:11 | 1:24:13 | |
Oh, yeah, yeah, I remember now. | 1:24:13 | 1:24:16 | |
He's a run-down ex-cop, same as you're gonna be some day. | 1:24:16 | 1:24:20 | |
That's all you're gonna get. | 1:24:20 | 1:24:22 | |
And you can keep your 20 bucks. | 1:24:22 | 1:24:24 | |
What do I get if I give you your balls back, you wop cocksucker? | 1:24:29 | 1:24:33 | |
OK. | 1:24:33 | 1:24:35 | |
OK! | 1:24:35 | 1:24:37 | |
There was a rumour going around | 1:24:37 | 1:24:40 | |
that Meeks had a line on a large supply of H. | 1:24:40 | 1:24:43 | |
HIGH-PITCHED GROAN | 1:24:43 | 1:24:45 | |
-And? -And nothing!! | 1:24:45 | 1:24:47 | |
He skipped out! | 1:24:47 | 1:24:49 | |
Bullshit. How would Meeks get his hands on a large supply of heroin? | 1:25:01 | 1:25:06 | |
You're right. | 1:25:06 | 1:25:08 | |
It's probably bullshit. | 1:25:08 | 1:25:10 | |
Even if he did, he couldn't unload it, | 1:25:10 | 1:25:13 | |
not without drawing attention. | 1:25:13 | 1:25:18 | |
Maybe that's why he's under a house | 1:25:14 | 1:25:18 | |
and he don't smell too good. | 1:25:18 | 1:25:20 | |
Paesano. | 1:25:21 | 1:25:23 | |
Well, maybe White's not so dumb after all. | 1:26:13 | 1:26:16 | |
We got Rita Hayworth at the morgue and Veronica Lake with White. | 1:26:27 | 1:26:32 | |
I think your case and my case are connected. | 1:26:32 | 1:26:35 | |
It's Fleur-de-Lis again. | 1:26:35 | 1:26:39 | |
Fleur-de-Lis? | 1:26:37 | 1:26:39 | |
Yeah. "Whatever you desire." Porno. | 1:26:39 | 1:26:41 | |
High-class whores cut to look like movie stars. | 1:26:41 | 1:26:45 | |
Reynolds, the kid that got killed, was involved. | 1:26:45 | 1:26:48 | |
So's Pierce Patchett. | 1:26:48 | 1:26:50 | |
The millionaire? | 1:26:50 | 1:26:52 | |
I think we should go talk to him. | 1:26:52 | 1:26:54 | |
First, I wanna brace Stompanato. | 1:26:54 | 1:26:57 | |
GENTLE MUSIC, CHATTER | 1:26:57 | 1:26:59 | |
HE CLEARS THROAT | 1:27:09 | 1:27:11 | |
Want an autograph? Write to MGM. | 1:27:12 | 1:27:15 | |
Since when do hoods and hookers give out autographs? | 1:27:15 | 1:27:19 | |
What did you say to me? | 1:27:19 | 1:27:22 | |
LAPD. Sit down. | 1:27:20 | 1:27:22 | |
Who do you think you are? | 1:27:22 | 1:27:24 | |
Take a walk, honey. | 1:27:24 | 1:27:25 | |
You are making a large mistake. | 1:27:25 | 1:27:28 | |
Get away from our table. | 1:27:28 | 1:27:34 | |
Shut up! A hooker cut to look like Lana Turner is still a hooker. | 1:27:29 | 1:27:34 | |
-Hey! -She just looks like Lana Turner. | 1:27:34 | 1:27:36 | |
She is Lana Turner. | 1:27:36 | 1:27:41 | |
What? | 1:27:37 | 1:27:41 | |
She IS Lana Turner. | 1:27:38 | 1:27:41 | |
How was I supposed to know? | 1:27:49 | 1:27:51 | |
I believe the Nite Owl's your area of expertise. | 1:28:06 | 1:28:10 | |
I saw you on television getting your medal. | 1:28:10 | 1:28:13 | |
And you're... | 1:28:13 | 1:28:15 | |
that other Hollywood celebrity policeman. | 1:28:15 | 1:28:19 | |
The Veronica Lake lookalike is one of your whores. Correct? | 1:28:20 | 1:28:25 | |
A vulgar term. | 1:28:25 | 1:28:27 | |
Why is she seeing Bud White? | 1:28:27 | 1:28:29 | |
Why do men and women usually see each other, Mr Exley? | 1:28:29 | 1:28:32 | |
Let's try this one. Fleur-de-Lis? | 1:28:35 | 1:28:38 | |
"Whatever you desire?" | 1:28:38 | 1:28:41 | |
An actor named Matt Reynolds? | 1:28:41 | 1:28:43 | |
No? Nothing? | 1:28:43 | 1:28:46 | |
No? | 1:28:46 | 1:28:49 | |
We want some answers, Patchett. | 1:28:49 | 1:28:51 | |
We all want something. | 1:28:53 | 1:28:55 | |
The guy's as cool as they come. | 1:28:57 | 1:28:59 | |
RADIO: 'Lt Exley, come in, please. Over.' | 1:29:01 | 1:29:04 | |
This is Exley. | 1:29:06 | 1:29:09 | |
'The coroner says he has your ID.' | 1:29:07 | 1:29:09 | |
Sgt Vincennes is coming to talk to him. | 1:29:09 | 1:29:12 | |
I'll drop you at your car. | 1:29:12 | 1:29:14 | |
Where are you going? | 1:29:14 | 1:29:20 | |
Lynn Bracken's, to see why Patchett has her seeing Bud White. | 1:29:15 | 1:29:19 | |
See you at the Frolic Room. | 1:29:19 | 1:29:21 | |
Oh, great(!) You get the girl. I get the coroner. | 1:29:21 | 1:29:25 | |
Hush-Hush. Off the record and on the QT. | 1:29:34 | 1:29:38 | |
I was coming to see you. You got that ID for me? | 1:29:40 | 1:29:43 | |
Thank God for dental records. | 1:29:43 | 1:29:45 | |
Stiff used to be a cop. Leland Meeks. | 1:29:45 | 1:29:48 | |
Buzz Meeks? | 1:29:48 | 1:29:53 | |
You knew him? | 1:29:49 | 1:29:53 | |
He was around when I joined LAPD. | 1:29:50 | 1:29:53 | |
Bad rep. Thanks. | 1:29:53 | 1:29:55 | |
Just the facts, Jack. | 1:29:55 | 1:29:57 | |
Just the facts. | 1:29:57 | 1:29:58 | |
Anything else, Sergeant? | 1:30:01 | 1:30:03 | |
Yeah. Meeks worked Vice '39 to '41. I need to see his arrest records. | 1:30:03 | 1:30:08 | |
KNOCK ON DOOR | 1:30:08 | 1:30:10 | |
Miss Bracken, I'm Lieutenant Exley. | 1:30:12 | 1:30:16 | |
I know who you are. Bud told me all about you. | 1:30:16 | 1:30:20 | |
Is that so? | 1:30:20 | 1:30:22 | |
And what did White have to say? | 1:30:22 | 1:30:24 | |
He said you were smart. | 1:30:25 | 1:30:28 | |
He also said you'd screw yourself to get ahead. | 1:30:28 | 1:30:32 | |
Well, let's concentrate on my smarts. | 1:30:32 | 1:30:34 | |
Patchett made you, didn't he? | 1:30:34 | 1:30:36 | |
Taught you how to dress, talk and think. | 1:30:36 | 1:30:40 | |
And I am very impressed with the results. | 1:30:40 | 1:30:42 | |
But I need some answers. | 1:30:42 | 1:30:45 | |
If I don't get them, I'll take you and Patchett down. | 1:30:45 | 1:30:51 | |
Patchett can take care of himself. | 1:30:48 | 1:30:51 | |
And I'm not afraid of you. | 1:30:52 | 1:30:54 | |
And you forget one thing, Lieutenant. | 1:30:54 | 1:30:57 | |
Pierce also taught me how to fuck. | 1:30:57 | 1:31:00 | |
And he tells you who to fuck. | 1:31:02 | 1:31:05 | |
Why does he have you fucking Bud White? | 1:31:05 | 1:31:08 | |
What makes you think I'm not seeing Bud because I want to? | 1:31:08 | 1:31:12 | |
It'd be easier for you if there was an angle. | 1:31:12 | 1:31:16 | |
You're afraid of Bud cos you don't know how to play him. | 1:31:16 | 1:31:20 | |
He doesn't follow the same rules of politics as you do. | 1:31:20 | 1:31:24 | |
It makes him dangerous. | 1:31:24 | 1:31:26 | |
I can handle Bud White. | 1:31:26 | 1:31:28 | |
Can you? | 1:31:28 | 1:31:30 | |
I see Bud because I want to. | 1:31:33 | 1:31:35 | |
I see Bud because he can't hide the good inside of him. | 1:31:39 | 1:31:43 | |
I see Bud because he makes me feel like Lynn Bracken | 1:31:43 | 1:31:46 | |
and not some lookalike who fucks for money. | 1:31:46 | 1:31:50 | |
I see Bud because he doesn't know how to disguise who he is. | 1:31:52 | 1:31:56 | |
I see Bud for all the reasons he's different from you. | 1:31:57 | 1:32:01 | |
Don't underestimate me, Miss Bracken. | 1:32:03 | 1:32:06 | |
The way you've underestimated Bud White? | 1:32:06 | 1:32:09 | |
Fucking me and fucking Bud aren't the same thing. | 1:32:15 | 1:32:20 | |
Stop talking about Bud White. | 1:32:18 | 1:32:20 | |
Shit. | 1:32:48 | 1:32:50 | |
Jack Vincennes. | 1:33:02 | 1:33:04 | |
It's going on midnight, Jack. | 1:33:04 | 1:33:07 | |
I need two minutes. It's important. | 1:33:07 | 1:33:10 | |
Good thing for you my wife and four daughters are at the beach. | 1:33:10 | 1:33:15 | |
Do you remember Buzz Meeks, Dudley? | 1:33:18 | 1:33:21 | |
A disgrace as a police officer. | 1:33:21 | 1:33:23 | |
Straight D fitness reports from every CO he ever served under. | 1:33:23 | 1:33:27 | |
12 years ago, he was on a roust with Stensland. | 1:33:27 | 1:33:30 | |
They questioned Patchett about a blackmail scam. | 1:33:30 | 1:33:34 | |
He had Sid Hudgens photographing prominent businessmen with hookers. | 1:33:34 | 1:33:39 | |
Charges were dropped. Insufficient evidence. | 1:33:39 | 1:33:43 | |
You were the supervising officer on that case. Do you remember? | 1:33:43 | 1:33:47 | |
What's this all about? | 1:33:47 | 1:33:49 | |
Part of it's to do with a murder. I'm working with Exley on it. | 1:33:49 | 1:33:53 | |
You're Narco, Jack, not Homicide. | 1:33:53 | 1:33:56 | |
Since when do you work with Exley? | 1:33:56 | 1:33:58 | |
Well, it's a private investigation. | 1:33:58 | 1:34:02 | |
Ah. | 1:34:02 | 1:34:03 | |
I messed up. I'm trying to make amends. | 1:34:03 | 1:34:06 | |
Don't try to do the right thing. You've never done it before. | 1:34:06 | 1:34:10 | |
Buzz Meeks and Dick Stensland. | 1:34:17 | 1:34:19 | |
So, what does Exley make of all this? | 1:34:23 | 1:34:26 | |
Oh, I haven't told him yet. I came straight here. | 1:34:26 | 1:34:29 | |
Have you a valediction, boyo? | 1:34:54 | 1:34:56 | |
-FAINTLY: -Rollo... | 1:35:02 | 1:35:04 | |
Tomasi. | 1:35:04 | 1:35:07 | |
FAINT CHUCKLE | 1:35:09 | 1:35:11 | |
'Sgt Vincennes was killed by a 32 slug to the heart. | 1:35:26 | 1:35:30 | |
'Time of death, approximately 1am.' | 1:35:30 | 1:35:33 | |
Although he was found in Echo Park, | 1:35:33 | 1:35:35 | |
forensics indicates the body was moved. | 1:35:35 | 1:35:39 | |
I want two-man teams to scour that entire area. | 1:35:39 | 1:35:42 | |
Our justice must be swift | 1:35:42 | 1:35:45 | |
and merciless. | 1:35:45 | 1:35:47 | |
That is all. | 1:35:48 | 1:35:50 | |
Edmund? Might I have a word with ya? | 1:35:58 | 1:36:01 | |
We're trying to run down a lead on an associate of Vincennes. | 1:36:04 | 1:36:09 | |
What's the name? | 1:36:09 | 1:36:11 | |
Rollo Tomasi? | 1:36:11 | 1:36:14 | |
Ever heard Vincennes mention him? | 1:36:15 | 1:36:17 | |
No. No, I haven't. | 1:36:20 | 1:36:22 | |
Well, it's probably nothing. | 1:36:25 | 1:36:27 | |
Still... keep your eyes open, eh, boyo? | 1:36:27 | 1:36:31 | |
I know it's unlikely, but suppose for a moment | 1:36:41 | 1:36:44 | |
somebody had a lot of heroin. Who would they go to to move it? | 1:36:44 | 1:36:50 | |
White! In my office! | 1:36:47 | 1:36:50 | |
Captain. Look, just give me a name. | 1:36:50 | 1:36:52 | |
Mickey Cohen. | 1:36:52 | 1:36:54 | |
Captain? | 1:36:59 | 1:37:04 | |
I could use your fearsome habits at Victory Motel. | 1:37:00 | 1:37:04 | |
Er, when? | 1:37:04 | 1:37:06 | |
Now, Wendell. | 1:37:06 | 1:37:08 | |
Right. | 1:37:08 | 1:37:10 | |
Close the door, lad. | 1:37:10 | 1:37:12 | |
You're a puzzlement to me these days. | 1:37:19 | 1:37:22 | |
You don't seem your old cruel self. | 1:37:22 | 1:37:25 | |
And I had such grand plans for your future. | 1:37:25 | 1:37:28 | |
What plans? | 1:37:28 | 1:37:30 | |
You have your extracurricular activities, I have mine. | 1:37:31 | 1:37:35 | |
We must have a clarification session one of these days. | 1:37:37 | 1:37:41 | |
However, | 1:37:41 | 1:37:42 | |
right now, we're gonna brace a man who may know who killed Vincennes. | 1:37:42 | 1:37:47 | |
So, the question is, | 1:37:47 | 1:37:50 | |
can I count on you, lad? | 1:37:50 | 1:37:52 | |
-Yes or no? -Yes, sir. | 1:37:52 | 1:37:54 | |
I wanna know everything you and Vincennes talked about last night. | 1:37:58 | 1:38:03 | |
Start with the ID on the corpse. | 1:38:03 | 1:38:06 | |
An ex-cop. | 1:38:05 | 1:38:06 | |
Leland "Buzz" Meeks. | 1:38:06 | 1:38:08 | |
An ex-cop? What did Jack say? Did he know him? | 1:38:08 | 1:38:11 | |
Only by reputation. | 1:38:11 | 1:38:14 | |
Wendell, this is Sid Hudgens. | 1:38:19 | 1:38:22 | |
I'm willing to co-operate. No need to tie me down. | 1:38:22 | 1:38:27 | |
It's for your own safety. | 1:38:25 | 1:38:27 | |
Now, what can you tell us about Sgt Jack Vincennes? | 1:38:27 | 1:38:31 | |
Hollywood Jack? The Big V? | 1:38:31 | 1:38:33 | |
He's on the night train to the Big Adios. | 1:38:33 | 1:38:36 | |
I didn't have anything to do with him getting killed. | 1:38:40 | 1:38:44 | |
But you were business associates. | 1:38:44 | 1:38:48 | |
What's that got to do with it? | 1:38:46 | 1:38:48 | |
OK! OK! So, we worked together. | 1:38:49 | 1:38:51 | |
It was an information exchange. | 1:38:51 | 1:38:54 | |
I got him first-class collars, he got me stories. We were friends. | 1:38:54 | 1:39:00 | |
We'll drop that for the moment. | 1:38:58 | 1:39:00 | |
Care to comment on Pierce Patchett? | 1:39:00 | 1:39:06 | |
You think he had something to do with Jack getting iced? | 1:39:02 | 1:39:06 | |
Wendell, I'd like full co-operation on every topic. | 1:39:06 | 1:39:11 | |
OK, OK, OK, all right! | 1:39:11 | 1:39:13 | |
Everybody knows Patchett's worth a boat load of greenbacks. | 1:39:13 | 1:39:17 | |
But the man has hobbies, too. He bankrolls B movies under the table. | 1:39:17 | 1:39:22 | |
And try this one on. | 1:39:22 | 1:39:25 | |
He's rumoured to be a heroin sniffer. A powerful strange-o. | 1:39:25 | 1:39:30 | |
-And? -And what? | 1:39:30 | 1:39:32 | |
Reciprocity is the key to every relationship. | 1:39:36 | 1:39:39 | |
He runs call girls. | 1:39:42 | 1:39:44 | |
Primo tail, fixed up to look like movie stars. | 1:39:45 | 1:39:50 | |
And? | 1:39:50 | 1:39:52 | |
Blackmail shit. In my car, | 1:39:52 | 1:39:55 | |
in the trunk, under the rug. | 1:39:55 | 1:39:57 | |
Patchett got me to photograph this cop | 1:39:57 | 1:40:00 | |
screwing this slut named Lynn. | 1:40:00 | 1:40:02 | |
Looks like Veronica Lake. | 1:40:02 | 1:40:04 | |
Wendell! Wendell! Leave him be! | 1:40:04 | 1:40:07 | |
I said leave him be! | 1:40:07 | 1:40:09 | |
-Get him away from me! -Back off! | 1:40:09 | 1:40:12 | |
I wouldn't trade places with Exley right now | 1:40:54 | 1:40:57 | |
for all the whisky in Ireland. | 1:40:57 | 1:40:59 | |
Dudley! | 1:40:59 | 1:41:01 | |
I thought you were gonna let the dumb bastard kill me. | 1:41:03 | 1:41:07 | |
And you - learn to pull your punches a little better. Uncuff me now. | 1:41:07 | 1:41:12 | |
Fellas. | 1:41:17 | 1:41:19 | |
Dudley, we had a deal. | 1:41:19 | 1:41:21 | |
You, me, Patchett - we're a team! | 1:41:21 | 1:41:24 | |
Hush-hush. | 1:41:27 | 1:41:30 | |
Anything? | 1:41:30 | 1:41:32 | |
Nothing. | 1:41:31 | 1:41:32 | |
So Meeks never made an arrest. | 1:41:32 | 1:41:34 | |
Someone must've pulled the files. | 1:41:34 | 1:41:37 | |
What about the daily report books? | 1:41:39 | 1:41:42 | |
Buried somewhere in the basement. | 1:41:42 | 1:41:45 | |
Well, find them. | 1:41:43 | 1:41:45 | |
Did you talk to Exley? | 1:42:14 | 1:42:16 | |
Come in out of the rain. | 1:42:16 | 1:42:18 | |
I wanna know what happened with Exley. | 1:42:19 | 1:42:22 | |
Just come in. | 1:42:23 | 1:42:26 | |
What happened with you and Exley? | 1:42:26 | 1:42:29 | |
We talked. | 1:42:29 | 1:42:31 | |
So tell me about him. | 1:42:31 | 1:42:34 | |
-Later. -No! | 1:42:32 | 1:42:34 | |
Now! | 1:42:34 | 1:42:36 | |
You fucked him. | 1:42:38 | 1:42:40 | |
You fucked him. | 1:42:43 | 1:42:45 | |
I thought I was helping you. | 1:42:45 | 1:42:48 | |
I'm glad you're here. I need you to see this. | 1:43:36 | 1:43:39 | |
Wait. | 1:43:48 | 1:43:50 | |
Dudley killed Jack. | 1:44:14 | 1:44:16 | |
He wants you to kill me. | 1:44:16 | 1:44:19 | |
He showed you the photo, didn't he? | 1:44:20 | 1:44:24 | |
Didn't he? | 1:44:24 | 1:44:25 | |
Think! Goddamn you, think! | 1:44:27 | 1:44:30 | |
Get outta here! | 1:44:32 | 1:44:34 | |
Dudley. | 1:44:46 | 1:44:48 | |
I checked the daily report books. | 1:44:48 | 1:44:51 | |
Dudley, Buzz Meeks | 1:44:51 | 1:44:54 | |
and Stensland go way back. | 1:44:54 | 1:44:56 | |
I knew Stensland lied to me. | 1:44:59 | 1:45:01 | |
Lefferts' mother ID'd Stensland as Lefferts' boyfriend. | 1:45:03 | 1:45:07 | |
Stensland pretended he didn't know Meeks or her the night that I met... | 1:45:07 | 1:45:12 | |
Lynn. | 1:45:14 | 1:45:15 | |
Stensland and Meeks. What the hell were they up to? | 1:45:15 | 1:45:19 | |
I think Stens killed Meeks over heroin. | 1:45:20 | 1:45:24 | |
What heroin? | 1:45:24 | 1:45:25 | |
Johnny Stompanato told me that Meeks had heroin for sale. | 1:45:30 | 1:45:34 | |
Meeks ends up dead, | 1:45:34 | 1:45:36 | |
Stensland dies at the Nite Owl... | 1:45:36 | 1:45:39 | |
It wasn't the negroes. | 1:45:39 | 1:45:41 | |
The rape victim lied in her statement. | 1:45:41 | 1:45:44 | |
First guys to the Merc were Breuning and Carlisle. | 1:45:44 | 1:45:48 | |
Dudley's guys. | 1:45:48 | 1:45:50 | |
They planted the shotguns. | 1:45:50 | 1:45:52 | |
They'd have killed the negroes if Jack and I hadn't shown up. | 1:45:52 | 1:45:56 | |
Dudley framed them cos they had records. | 1:45:56 | 1:45:59 | |
And he knew there would be no questions asked... | 1:45:59 | 1:46:03 | |
if they were killed resisting arrest. | 1:46:03 | 1:46:06 | |
This is all connected to Jack's angle. | 1:46:06 | 1:46:09 | |
Sid Hudgens, | 1:46:09 | 1:46:11 | |
the pictures to blackmail Ellis Loew. | 1:46:11 | 1:46:15 | |
A kid got murdered. | 1:46:15 | 1:46:17 | |
We need to work together. | 1:46:17 | 1:46:19 | |
Why are you doing this? | 1:46:24 | 1:46:26 | |
The Nite Owl made you. | 1:46:28 | 1:46:30 | |
You wanna tear all that down? | 1:46:31 | 1:46:33 | |
With a wrecking ball. | 1:46:34 | 1:46:37 | |
Wanna help me swing it? | 1:46:37 | 1:46:39 | |
Let's go see Ellis Loew. | 1:46:50 | 1:46:52 | |
Find out what the District Attorney knows. | 1:46:52 | 1:46:56 | |
May I...? | 1:47:00 | 1:47:02 | |
Hey, you can't go in there. | 1:47:02 | 1:47:05 | |
Want me to call the police? | 1:47:06 | 1:47:09 | |
Ask for Capt Smith. Tell him we're discussing an actor's death. | 1:47:09 | 1:47:13 | |
These are the police. | 1:47:13 | 1:47:15 | |
What do you want? | 1:47:21 | 1:47:23 | |
I want DA bureau men to tail Dudley Smith and Pierce Patchett. | 1:47:23 | 1:47:27 | |
I want you to authorise taps on their phones. | 1:47:27 | 1:47:30 | |
I want authorisation to check their bank records. | 1:47:30 | 1:47:35 | |
On what evidence? | 1:47:33 | 1:47:35 | |
Call it a hunch. | 1:47:35 | 1:47:38 | |
Absolutely not. Dudley Smith is highly decorated. | 1:47:38 | 1:47:42 | |
I won't smear his and Pierce Patchett's name without... | 1:47:42 | 1:47:47 | |
Without what? | 1:47:45 | 1:47:47 | |
Them smearing yours first? | 1:47:47 | 1:47:49 | |
What do they have? Pictures of you with your pants down? | 1:47:49 | 1:47:53 | |
Do you have any proof? | 1:47:54 | 1:47:56 | |
The proof had his throat slit. | 1:47:56 | 1:47:58 | |
So far, you're not denying it. | 1:47:58 | 1:48:01 | |
Well, I'm not gonna dignify this | 1:48:01 | 1:48:04 | |
with answers. If you'll excuse me, | 1:48:04 | 1:48:07 | |
I have a press conference for Jack Vincennes to prepare for. | 1:48:07 | 1:48:11 | |
Unless you came to wipe my ass, I believe we're through. | 1:48:21 | 1:48:25 | |
Don't pull that good cop-bad cop crap. I practically invented it. | 1:48:29 | 1:48:34 | |
So what if some homo actor is dead, huh? | 1:48:34 | 1:48:36 | |
Ten of 'em get off the bus every day. | 1:48:36 | 1:48:40 | |
Aaaarrgghh! Aaaarrggh!! | 1:48:41 | 1:48:43 | |
Pull him off me, Exley!! | 1:48:46 | 1:48:48 | |
I don't know how. | 1:48:48 | 1:48:50 | |
You think you're the hotshot, but here's the juice - | 1:48:53 | 1:48:56 | |
If I kill you, ten lawyers'll take your place. | 1:48:56 | 1:48:59 | |
They just won't come on a bus. | 1:48:59 | 1:49:01 | |
Aaaaaarrrrgghh!! | 1:49:06 | 1:49:08 | |
Aaarrgh! Aaarrgh! No! HELP! | 1:49:11 | 1:49:13 | |
All right! OK! | 1:49:13 | 1:49:16 | |
Dudley Smith and Patchett, they... OH! | 1:49:17 | 1:49:20 | |
My God! I wouldn't play ball, so they set me up! | 1:49:20 | 1:49:24 | |
I gave in! The kid heard everything... | 1:49:24 | 1:49:27 | |
so they killed him! | 1:49:27 | 1:49:30 | |
Why? What are they up to? | 1:49:28 | 1:49:30 | |
Taking over Mickey Cohen's rackets! | 1:49:30 | 1:49:33 | |
Cos of those pictures, I-I-I couldn't prosecute them! | 1:49:33 | 1:49:37 | |
Oh, Jesus, help me up! | 1:49:37 | 1:49:40 | |
HE WHIMPERS | 1:49:46 | 1:49:48 | |
Is that how you used to run the good cop-bad cop? | 1:49:48 | 1:49:52 | |
Patchett? | 1:49:52 | 1:49:54 | |
Looks like his bodyguard had a conflict of interest. | 1:50:28 | 1:50:31 | |
Suicide note. Says he killed Jack cos Jack figured out a porno scam | 1:50:37 | 1:50:41 | |
Patchett was running. | 1:50:41 | 1:50:45 | |
Slicing himself wasn't his idea. | 1:50:42 | 1:50:45 | |
Two of his fingers are broken. | 1:50:45 | 1:50:48 | |
They must've held him here. | 1:50:48 | 1:50:50 | |
Or drugged him. | 1:50:50 | 1:50:52 | |
Dudley's tying up his loose ends. | 1:50:54 | 1:50:57 | |
Patchett's dead, he sent you after me,... | 1:50:57 | 1:51:01 | |
Lynn. | 1:51:01 | 1:51:04 | |
West Hollywood Sheriff. They're closer than we are. | 1:51:04 | 1:51:09 | |
-I'll get the car. -The keys! | 1:51:06 | 1:51:09 | |
Hey! We took her to the station for safekeeping. | 1:51:15 | 1:51:19 | |
Hold her as Joan Smith. No-one sees her unless I OK it. | 1:51:19 | 1:51:23 | |
Someone worked her over. She wouldn't say who. | 1:51:23 | 1:51:26 | |
See ya, Exley. | 1:51:31 | 1:51:33 | |
We should talk to Lynn. | 1:51:36 | 1:51:38 | |
You do it. | 1:51:38 | 1:51:40 | |
What are you gonna do? | 1:51:40 | 1:51:43 | |
Talk to Sid Hudgens. Compliment him on his performance at Victory Motel. | 1:51:44 | 1:51:50 | |
Remember Bud, we need evidence. | 1:51:50 | 1:51:52 | |
I'll get the evidence. | 1:51:52 | 1:51:55 | |
Are you OK? | 1:52:06 | 1:52:08 | |
You OK? | 1:52:09 | 1:52:11 | |
Bud hates himself for what he did. | 1:52:21 | 1:52:23 | |
I know how he feels. | 1:52:23 | 1:52:27 | |
Lynn, I need to know what you can give me on Dudley Smith. | 1:52:27 | 1:52:32 | |
He's a police captain in business with Patchett. | 1:52:33 | 1:52:38 | |
I've never heard of him. | 1:52:36 | 1:52:38 | |
Do you have a place to stay? | 1:52:42 | 1:52:44 | |
I'll be OK. | 1:52:45 | 1:52:47 | |
He's OK. Let him through. | 1:52:59 | 1:53:01 | |
What happened? | 1:53:05 | 1:53:07 | |
Somebody beat him to death and stole some files. | 1:53:07 | 1:53:10 | |
He dug up garbage on the wrong guy. We got 1,000 suspects. | 1:53:10 | 1:53:14 | |
Officer White? | 1:53:14 | 1:53:16 | |
You got a call. Lt Exley wants you to meet him at the Victory Motel. | 1:53:17 | 1:53:22 | |
You wanted to meet here? | 1:53:54 | 1:53:56 | |
You called it. I thought Sid Hudgens - | 1:53:56 | 1:53:59 | |
Sid Hudgens is dead. | 1:53:59 | 1:54:01 | |
Let's get outta here. | 1:54:12 | 1:54:14 | |
It's too late. | 1:54:20 | 1:54:22 | |
CAR ENGINES APPROACH | 1:54:29 | 1:54:31 | |
You suspected this was a set-up, but you came? | 1:55:08 | 1:55:12 | |
A lot of bad stuff happened here. | 1:55:12 | 1:55:14 | |
It's as good a place as any for it to end. | 1:55:14 | 1:55:17 | |
Here. Clip. | 1:55:26 | 1:55:28 | |
All I ever wanted was to measure up to my father. | 1:55:32 | 1:55:37 | |
Now's your chance. | 1:55:35 | 1:55:37 | |
He died in the line of duty, didn't he? | 1:55:38 | 1:55:41 | |
HE CHUCKLES HOARSELY | 1:55:43 | 1:55:45 | |
Bud! | 1:56:38 | 1:56:40 | |
< WHISTLE | 1:56:53 | 1:56:55 | |
< WHISTLE | 1:56:57 | 1:56:58 | |
FOOTSTEPS | 1:57:25 | 1:57:27 | |
Aaagh!! | 1:57:36 | 1:57:37 | |
You OK? | 1:58:34 | 1:58:35 | |
Yeah. | 1:58:35 | 1:58:37 | |
Come on. Easy. | 1:58:55 | 1:58:57 | |
Come on. | 1:58:57 | 1:58:59 | |
Move! | 1:59:03 | 1:59:05 | |
Rollo Tomasi. | 1:59:26 | 1:59:28 | |
Who is he? | 1:59:30 | 1:59:32 | |
You are. | 1:59:32 | 1:59:34 | |
You're the guy who gets away with it. | 1:59:35 | 1:59:38 | |
Jack knew it, and so do I. | 1:59:42 | 1:59:45 | |
Are you going to shoot me | 2:00:09 | 2:00:11 | |
or arrest me? | 2:00:11 | 2:00:13 | |
POLICE SIRENS APPROACH | 2:00:13 | 2:00:15 | |
Good lad. | 2:00:19 | 2:00:20 | |
Always the politician. | 2:00:20 | 2:00:23 | |
Let me do the talking. | 2:00:23 | 2:00:25 | |
After I've done, I'll make you Chief of Detectives. | 2:00:25 | 2:00:29 | |
SIRENS WAIL | 2:00:53 | 2:00:55 | |
Hold up your badge | 2:00:55 | 2:00:57 | |
so they'll know you're a policeman. | 2:00:57 | 2:01:00 | |
'You think you can talk your way out of this, Lieutenant?' | 2:01:48 | 2:01:52 | |
No, | 2:01:52 | 2:01:54 | |
but I think can tell the truth. | 2:01:54 | 2:01:56 | |
During our investigation... | 2:01:56 | 2:01:58 | |
of events surrounding the Nite Owl case, | 2:02:00 | 2:02:03 | |
Jack Vincennes, Bud White and I learned the following... | 2:02:03 | 2:02:07 | |
Your golden boy's throwing his life away. | 2:02:07 | 2:02:10 | |
The three Nite Owl suspects, while guilty of kidnapping and rape, | 2:02:10 | 2:02:15 | |
were innocent of the multiple homicides at the Nite Owl. | 2:02:15 | 2:02:19 | |
The actual gunmen were most likely Los Angeles Police Dept officers | 2:02:19 | 2:02:24 | |
Michael Breuning and William Carlisle. | 2:02:24 | 2:02:27 | |
And a third man, | 2:02:27 | 2:02:29 | |
who may or may not have been Captain Dudley Smith. | 2:02:29 | 2:02:33 | |
The objective? | 2:02:33 | 2:02:35 | |
The elimination of another police officer, Richard Stensland, | 2:02:35 | 2:02:40 | |
who along with former LAPD Officer Leland "Buzz" Meeks | 2:02:40 | 2:02:46 | |
also committed multiple homicides on behalf of Captain Smith. | 2:02:46 | 2:02:51 | |
And then betrayed him over 25lbs of heroin, | 2:02:51 | 2:02:55 | |
the retrieval of which... | 2:02:55 | 2:02:58 | |
was the ultimate motivation behind the Nite Owl killings. | 2:02:58 | 2:03:03 | |
Beginning with the incarceration of Mickey Cohen, | 2:03:04 | 2:03:08 | |
Captain Smith has been assuming control of organised crime in LA. | 2:03:08 | 2:03:13 | |
This includes the assassinations of Mickey Cohen lieutenants, | 2:03:13 | 2:03:18 | |
the systematic blackmail of city officials... | 2:03:18 | 2:03:21 | |
..and the murders of Susan Lefferts, Pierce Patchett, Sid Hudgens... | 2:03:23 | 2:03:28 | |
..and Sergeant Jack Vincennes. | 2:03:28 | 2:03:31 | |
Capt Smith admitted as much to me | 2:03:34 | 2:03:37 | |
before I shot him | 2:03:37 | 2:03:39 | |
at the Victory Motel. | 2:03:39 | 2:03:41 | |
That's it. | 2:03:43 | 2:03:45 | |
Well... | 2:03:47 | 2:03:48 | |
the press is gonna have a field day. | 2:03:48 | 2:03:51 | |
This... Christ. | 2:03:52 | 2:03:54 | |
-It'll stain the department for years. -Decades. | 2:03:54 | 2:03:57 | |
If we can get the kid to play ball... | 2:03:57 | 2:04:01 | |
..who's to say what happened? | 2:04:02 | 2:04:05 | |
Maybe Dudley Smith died a hero. | 2:04:05 | 2:04:07 | |
Yeah, if we get the press to play. | 2:04:07 | 2:04:10 | |
You wanna tell me what you're smiling about? | 2:04:17 | 2:04:21 | |
A hero. | 2:04:25 | 2:04:27 | |
How did he know? He couldn't have heard us. | 2:04:27 | 2:04:31 | |
And? | 2:04:32 | 2:04:33 | |
In this situation... | 2:04:33 | 2:04:35 | |
..you'll need more than one. | 2:04:36 | 2:04:39 | |
It is with great pleasure that I present this award | 2:04:44 | 2:04:48 | |
to Det Lt Edmund Exley, two-time Medal of Valour recipient. | 2:04:48 | 2:04:52 | |
Next year, the LAPD will move into its new facility. | 2:05:01 | 2:05:05 | |
With leaders like Exley, | 2:05:05 | 2:05:07 | |
the image of fat cops stealing apples | 2:05:07 | 2:05:10 | |
will be forgotten and LA will have the police force it deserves. | 2:05:10 | 2:05:15 | |
You just couldn't resist. | 2:05:28 | 2:05:30 | |
They're using me, so I'm using them. | 2:05:30 | 2:05:33 | |
Come on. | 2:05:35 | 2:05:37 | |
Hey. | 2:05:54 | 2:05:56 | |
Thanks for the push. | 2:06:09 | 2:06:11 | |
Yeah. | 2:06:21 | 2:06:23 | |
Congratulations, Lieutenant Exley. | 2:06:31 | 2:06:34 | |
Some men get the world, | 2:06:36 | 2:06:39 | |
others get ex-hookers and a trip to Arizona. | 2:06:39 | 2:06:43 | |
Bye. | 2:06:53 | 2:06:56 | |
Bye. | 2:06:56 | 2:06:58 | |
# You got to accentuate the positive | 2:07:40 | 2:07:45 | |
# Eliminate the negative | 2:07:45 | 2:07:48 | |
# And latch on to the affirmative | 2:07:48 | 2:07:52 | |
# Don't mess with Mr In-Between | 2:07:52 | 2:07:55 | |
# You got to spread joy | 2:07:55 | 2:07:58 | |
# Up to the maximum | 2:07:58 | 2:08:00 | |
# Bring gloom down to the minimum | 2:08:00 | 2:08:03 | |
# Have faith | 2:08:03 | 2:08:05 | |
# Or pandemonium's | 2:08:05 | 2:08:07 | |
# Liable to walk upon the scene | 2:08:07 | 2:08:10 | |
# To illustrate my last remark | 2:08:10 | 2:08:13 | |
# Jonah in the whale Noah in the ark | 2:08:13 | 2:08:17 | |
# What did they do | 2:08:17 | 2:08:19 | |
# Just when everything looked so dark? | 2:08:19 | 2:08:22 | |
# Man, they said we better | 2:08:24 | 2:08:26 | |
# Accentuate the positive | 2:08:26 | 2:08:29 | |
# Eliminate the negative | 2:08:29 | 2:08:33 | |
# And latch on to the affirmative | 2:08:33 | 2:08:37 | |
# Don't mess with Mr In-Between | 2:08:37 | 2:08:40 | |
# No, don't mess with Mr In-Between | 2:08:40 | 2:08:44 | |
# You got to spread joy up to the maximum | 2:08:44 | 2:08:48 | |
# Bring gloom down to the minimum | 2:08:48 | 2:08:51 | |
# Have faith | 2:08:51 | 2:08:53 | |
# Or pandemonium's liable to walk upon the scene | 2:08:53 | 2:08:58 | |
# You got to a-a-a-a-a-ac | 2:08:58 | 2:09:01 | |
# Centuate the positive | 2:09:01 | 2:09:02 | |
# Eliminate the negative | 2:09:02 | 2:09:06 | |
# And latch on to the affirmative | 2:09:06 | 2:09:10 | |
# Don't mess with Mr In-Between... # | 2:09:10 | 2:09:13 |