Passion


Passion

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Transcript


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This film contains some violent scenes

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This film contains very strong language

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This film contains some scenes of a sexual nature

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Panasonic. Ideas for life.

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WOMAN GROANS

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These are terrible.

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-It's actually...really bad.

-Yep.

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Horrible.

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We need something raw.

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-Something that doesn't look like it's from outer space.

-Yeah.

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I mean, our smartphone has to be the smartest.

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-Yeah.

-Yeah.

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THEY LAUGH

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-We need...

-We need...

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It's so beautiful here. It's perfect.

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Thank you.

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You have excellent taste.

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Not only that.

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You know what I like about you?

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You are...conscientious.

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You are incredibly bright.

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And...you're driven.

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Like me.

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Oh, wow! What's that?

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It's... It's... It's organic.

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-GIGGLING

-It's organic?

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GIGGLING CONTINUES It's healthy.

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-Oh, so it's good for me?

-Yeah!

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-Oh, hello!

-Hello.

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Two drunken bees hard at work, huh?

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And I'm disturbing you. I should go.

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Oh, no, no, no, no. Don't go. Stay. Love surprises.

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Yes, you do.

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-Hello, Isabelle.

-Hello, Dirk.

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I better be going.

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-Um, just... Isabelle, leave it.

-Yeah.

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You should stay, Isabelle.

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-Good night, Dirk. Good night.

-Good night.

-Isabelle.

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It's freezing out.

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There. That's lovely.

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You keep that.

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-Oh, no, no, no. I can't take stuff like...

-Yes, you can.

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I think we make a really good team.

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We do. I'll-I'll work on this at home.

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You're crazy. SHE KISSES

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I love it.

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MOANING

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Fuck!

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Stop. Just fucking stop.

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-'Your devoted assistant here.'

-Hi, I-I'm sorry to wake you up.

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I just got a great idea for the campaign. Can you come over?

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-'You're the boss.'

-Yeah.

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And bring the tightest pair of jeans you've got.

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-Morgen.

-Morgen.

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Rolf? Hi.

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No, I can't. No, no.

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This weekend is terrible.

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I'm going to London. I'm going to London in, like, three hours.

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Reynolds is going.

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OK.

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Yeah.

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I'll figure it out.

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OK, I think we got it.

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Let's see what we have.

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-What do you think?

-I love my ass.

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Yeah, but what do you think about the rest of it?

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I think it's brilliant.

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And I want a list of everybody's budgets, research accounts and financials on my desk by tomorrow.

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-Christine, I can't make it so soon...

-Do you want me to do it?

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No, but...

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-No, because that's your job, Eric. Right?

-Right.

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Right. Thank you, that's all.

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-Good morning.

-Oh, hi! Good morning.

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Oh, look at those eyes. Are you all hungover?

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Oh, no. I woke up in the middle of the night and I, uh,

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I think I got it.

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-You got it?

-Yeah, I think so.

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I did something this morning, and, er, I want you to have a look.

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Hmm. OK.

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-I, er, I think it's pretty good.

-Do you?

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Hi, guys. So, how hot are my girlfriend's new jeans?

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SHE CHUCKLES

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Pretty hot.

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I-I have a little stick for you so you can run it on the plane.

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Hmmm.

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No.

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I don't think so.

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Oh! Er, why not?

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Because...you are going to London.

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-Oh! Really?

-Yes, really.

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Isabelle, you know these campaigns inside and out.

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Including this latest brainstorm. I think you will do an amazing job.

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-Ah, but you haven't finished seeing it.

-I've seen enough.

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And I trust you.

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Dirk is going to meet you at the airport. He knows London very well,

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so you'll be in good hands.

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Hi, guys. So, how hot are my girlfriend's new jeans?

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Well...pretty hot.

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But I'm prejudice. So...

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how can I find out? I don't know.

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But what's that thing in my back pocket? Ohh!

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You ready?

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-You bet.

-Good!

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Ass cam.

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-What?

-Ass cam.

-Ooh!

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WOMEN GIGGLE

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-Are you ready to see what the man in the street thinks?

-I am.

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Let the party begin.

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I've made some primo dinner reservations at Margaux.

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For eight o'clock. It's highly recommended.

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It's got more stars than the galaxy.

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You know what, Dani? I'm really tired.

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I think I'll just head back to the hotel and order some room service.

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I'll see you in the morning. Thanks.

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-I can't believe you're here with me.

-You're incredible. You're beautiful.

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WOMAN MOANING

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Dirk!

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We are crazy about this idea.

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We love it. We're actually thinking of going international with it.

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Oh! What? That's amazing! I...

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It's funny. I just got this brainstorm in the middle of the night and...

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Funny how that happens sometimes.

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Outstanding!

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I can tell you now I was a little worried

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when I heard you weren't going to be here yourself.

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Oh, well, I'm sorry if I worried you, JJ.

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It's just, we have our annual audit coming up and I thought

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I should probably stay put.

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I briefed Isabelle down to the very last detail.

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She was on the ground,

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I was in reserve, ready to step in if need be.

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-Well, OK. Well done, Christine.

-Oh, thank you.

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Tell me something. Have you got any interest in coming home to New York?

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And desert the natives?

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Ah, I've grown rather attached to them.

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But...they might be ready to make a go of it on their own.

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-Can I think about it?

-Sure.

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-You call me. We talk.

-OK.

-Bye now.

-We'll talk. Bye-bye.

-Bye.

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Amazing.

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And you're shocked because I took credit for your idea.

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Honestly, I would expect you to do the exact same thing in my place.

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I wanted New York, but I wasn't counting on it.

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And thanks to you, I got my shot and I took it.

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I mean, there's no backstabbing here. This is business, Isabelle.

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And we're all on the same team.

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You have talent, I made the best use of it.

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So, thank you.

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Now, tell me. How was London?

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Oh!

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It was good.

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Things are so much more fun with Dirk around, aren't they?

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-I heard the news. I think it sucks.

-What sucks?

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Christine going to New York thanks to you.

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When the team works, everybody wins. My success depends on hers.

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Here, take a look at this.

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It's a new polling on our Omniphone ad.

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Have you ever seen numbers like this?

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And these?

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And their revisions.

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Personally, I think they're clueless.

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Thank you.

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Hey! Hey! Guess what? I'm kidnapping you.

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MAN SPEAKING GERMAN

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INAUDIBLE

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-Beautiful.

-Uh-huh. Yeah.

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-Hey?

-Very high.

-MAN CONTINUES IN GERMAN

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Red. Amazing red.

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I like those details.

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SHE WHISPERS MAN CONTINUES IN GERMAN

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All right, come on, let's go, let's go.

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Oh, Christ! Who hired this woman? Can you get off the stage, please?

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MAN SPAKS GERMAN

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I'm so glad you're coming with me.

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These cocktail parties are so boring,

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but you have to go and work the room.

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OK.

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-How do they feel?

-They look good.

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-Mm-hm. That's all that matters.

-I'm not sure that I can walk in them.

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SHE GIGGLES

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Don't they make you feel just a little naughty?

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-You're very secretive, you know.

-Am I?

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Yes. I mean, we've been working together, what, eight months,

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and I don't even know where you're from.

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Or what you want. What do you want?

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I don't know.

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What do you want?

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-Well, I used to want to be admired.

-I admire you.

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Hmm. Well, now I want to be loved.

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You need some colour.

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MUSIC: Violin Concerto No 4 in D Major by Mozart

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-OK. Are you ready?

-Yeah, I think so.

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I'm not sure that I will survive, though.

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Well, here.

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I'll teach you to make meaningless small talk and you'll be fine.

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Mark! Hello! Nice to see you.

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INAUDIBLE

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Thank you. This is Isabelle.

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INAUDIBLE

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GIGGLING

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-OK. Now, you're up.

-Up for what?

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Well, you see that guy over there,

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the bald guy, with his nose in his drink?

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-Yeah.

-Hmm? He's a very big fish for our company.

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If you land him, you can run the account.

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Oh, I-I can't. I'm not like you. I don't know how to do this.

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You're more like me than you think.

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I'm drunk.

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Even better, that's great.

0:16:510:16:54

Just...get him to talk about himself, you know.

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I mean, it's man's favourite subject.

0:16:570:17:00

-OK.

-OK?

-OK.

-You ready?

-Yeah.

-OK, go.

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Mm-mm! Hang on, hang on. Here.

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He likes some skin.

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There you go.

0:17:120:17:14

-You're perfect.

-OK.

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-Nice to meet you.

-Hi.

-Hi. Isabelle.

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What a nice surprise. I love this just running into you.

0:17:460:17:49

Rolf, hi, how are you?

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-How about next weekend?

-I'm very busy right now. Maybe another time?

0:17:510:17:55

Mm!

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-Rolf, please.

-Can't get away? My jet is at your disposal.

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-And not just my dick, you know.

-You're embarrassing yourself.

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Go home.

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-Remember, I'm the guy that saved you from dreary London.

-Shh!

0:18:050:18:09

-How about the Seychelles next time?

-You know what?

-What?

0:18:090:18:13

-How about I call you next week.

-Can't get away?

0:18:130:18:15

Have you lost your little stand-in, your little puppet?

0:18:150:18:17

You are drunk. Go home.

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-Isabelle. I...

-I'm going home. I have a headache.

0:18:230:18:27

-It's not what you think.

-What? That I'm your little puppet?

0:18:290:18:35

You think that I sent you to London because it was convenient for me.

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But I sent you to London because I trust you.

0:18:380:18:42

And what difference does it make?

0:18:420:18:45

Come on, just... Just stay, just...stay.

0:18:450:18:48

We'll have another drink.

0:18:480:18:51

I'm going home. I-I'm not well.

0:18:510:18:54

I'll just grab a taxi.

0:18:550:18:57

MUSIC PLAYING IN CAR

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You understand, right?

0:19:070:19:09

See?

0:19:090:19:12

This is where I live.

0:19:120:19:15

-Do you like it?

-I do.

0:19:150:19:18

-You do?

-Mm-hm.

0:19:180:19:20

What's it like with her?

0:19:230:19:26

Excites you, doesn't it?

0:19:260:19:28

-Hmm?

-How is she?

0:19:300:19:32

She likes to play games. She likes surprises.

0:19:350:19:37

Sounds like fun?

0:19:390:19:42

Her fun.

0:19:420:19:44

You see the drawer beneath the sink?

0:19:440:19:47

Yeah.

0:19:470:19:48

Open it.

0:19:480:19:50

Whatever she needs, I supply.

0:19:560:19:59

Whatever Christine wants, she gets.

0:20:010:20:05

She's exactly the same in bed.

0:20:050:20:07

But she can be very generous sometimes.

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She gave me a very beautiful scarf.

0:20:100:20:13

She gave you my scarf.

0:20:130:20:15

-Oh, no!

-Oh, yes!

0:20:150:20:17

SHE LAUGHS

0:20:170:20:20

Do you want it back?

0:20:200:20:23

No.

0:20:230:20:25

It looks better on you. Keep it.

0:20:250:20:28

-Thank you.

-A pleasure.

0:20:280:20:31

It's her, isn't it?

0:20:350:20:37

OK. So, that takes care of current business. Any questions?

0:20:400:20:44

Ah, Isabelle. I got a memo from New York.

0:20:440:20:46

Something about a new research poll sent your way.

0:20:460:20:49

Did you get that?

0:20:490:20:51

-Uh... Did I?

-Yes...

0:20:510:20:54

Yeah, yeah, yeah, yeah. I got it...

0:20:540:20:57

yesterday. I haven't really had a chance to look at it, though.

0:20:570:20:59

OK. Well, let's not fall asleep at the switch here.

0:20:590:21:02

Of course not.

0:21:020:21:03

-Any new developments, I want to know about them immediately.

-Yes.

0:21:030:21:05

OK, thank you, everyone. That's all.

0:21:050:21:08

Oh, Isabelle, could you just stay for a minute, please?

0:21:080:21:11

Yeah, yeah.

0:21:110:21:13

Hey!

0:21:330:21:34

-Are you still mad about London?

-No!

0:21:380:21:42

-Really?

-Yeah. No.

-I think you are.

0:21:420:21:46

And it's driving me crazy, because I-I-I want everything to be OK.

0:21:480:21:53

Because I care about you, you know that.

0:21:530:21:56

I-I actually...I love you.

0:21:560:21:58

I do.

0:21:580:22:00

I do, too.

0:22:040:22:06

You can't say it.

0:22:100:22:12

Why can't you just say it?

0:22:140:22:15

When I was six years old,

0:22:250:22:27

my parents bought me and my twin sister a bike...

0:22:270:22:31

cos we liked to share everything.

0:22:310:22:33

-You have a twin sister?

-Hmm.

0:22:330:22:36

So we would take turns riding it to school.

0:22:370:22:40

And...Clarissa was so much better on the bike than I was.

0:22:400:22:44

She could pedal standing up and, you know, ride no hands.

0:22:440:22:48

So, one day, it was my turn and I was just so determined that I was...

0:22:500:22:54

going to show her I could be just as good as she could.

0:22:540:22:58

I started pedalling faster and faster

0:22:580:23:02

and she had to run like hell to keep up with me.

0:23:020:23:06

And then I-I let go of the handlebars

0:23:060:23:10

and I felt like I was flying.

0:23:100:23:12

And it felt so good.

0:23:120:23:14

I just wanted to see myself,

0:23:160:23:18

so I-I looked...into the window

0:23:180:23:23

and I caught my reflection.

0:23:230:23:26

And then I-I don't know what happened.

0:23:280:23:31

I swerved into the street and...

0:23:310:23:36

this truck was coming right at me.

0:23:360:23:38

And then I suddenly felt my sister

0:23:400:23:42

push me from behind out of the way,

0:23:420:23:44

and I flew over the handlebars.

0:23:440:23:46

And the last thing I remember...

0:23:480:23:50

..was this horrible thunk.

0:23:530:23:56

I-I woke up in the hospital, and my mother was sobbing,

0:24:030:24:09

and I asked her what happened to Clarissa and she said...

0:24:090:24:14

Well she didn't, she wouldn't even look at me.

0:24:140:24:19

And no-one ever said anything, but I knew what they were thinking.

0:24:190:24:23

(That I killed her.)

0:24:260:24:28

And they never told me that they loved me ever again.

0:24:340:24:37

Oh, Christine.

0:24:420:24:44

I love you.

0:24:460:24:48

You do?

0:24:490:24:51

You're a lovely person.

0:24:510:24:53

Dirk!

0:25:120:25:14

You wanted me to come.

0:25:170:25:21

Here I am.

0:25:210:25:22

-Hello, Isabelle.

-Hello, Dirk.

0:25:250:25:27

-You OK?

-I'm good.

0:25:290:25:31

SHE SCOFFS You're both so complicated.

0:25:310:25:34

-No. Really?

-Really? All right.

0:25:340:25:39

If that's how it is, then I guess we should get back to work.

0:25:390:25:42

Yeah.

0:25:420:25:43

-Good.

-Good.

0:25:430:25:45

-Isabelle, could you leave us in private, please.

-Absolutely.

0:25:450:25:48

-Aw. She's lovely.

-Yes, she is.

0:25:550:26:00

So, what are we going to do about your little Ponzi scheme?

0:26:040:26:08

"Ponzi scheme"?

0:26:080:26:10

HE CHUCKLES

0:26:100:26:12

I told you. I need two or three months to balance the sums

0:26:120:26:16

-and everything will fall into place.

-Well, you have a week.

0:26:160:26:19

You're fucking mad, Christine. It's impossible.

0:26:190:26:23

Now time is up, New York's doing its audit.

0:26:230:26:26

There's no way I can have this kind of exposure.

0:26:260:26:28

I can't cover for you any more.

0:26:280:26:30

Christine.

0:26:300:26:31

My firm has been working for you for a long time.

0:26:330:26:35

You can cut me some slack.

0:26:350:26:37

I wrote up an addendum to the budgets and it's dated today.

0:26:370:26:40

I'm attaching it to the file. Here, read it.

0:26:400:26:43

Hey, you know my mole in New York that got the hots for me?

0:26:500:26:53

-Yeah.

-He told me they're getting cold feet.

0:26:530:26:57

Now they think your ad is too raw and experimental.

0:26:570:27:01

They want to get professional actors and redo the whole thing.

0:27:010:27:04

OK.

0:27:070:27:09

OK? No!

0:27:090:27:11

If I were you, I would upload your ad onto YouTube

0:27:110:27:14

and show them who the real genius is around here.

0:27:140:27:16

Anybody sees this...I'm ruined.

0:27:160:27:21

Pay it back, I'll happily tear it up.

0:27:210:27:24

Christine...listen.

0:27:260:27:30

-It's me.

-What the fuck do you think you're doing?

0:27:300:27:35

I'm not your little Isabelle.

0:27:350:27:38

Hi.

0:28:030:28:05

-Did you get my text?

-I got it, yes. Now's not a good time.

0:28:060:28:14

-What's going on?

-I have problems. Problems.

0:28:140:28:19

And Christine, she won't help me to solve them.

0:28:190:28:21

-Tell me about it. I can help you.

-You can't.

0:28:210:28:25

SPEAKING IN GERMAN

0:28:250:28:28

You can't help me.

0:28:300:28:32

-Talk to me. Tell me what happened.

-It's over.

0:28:390:28:43

What?

0:28:440:28:46

You and me.

0:28:460:28:48

This.

0:28:480:28:50

Ends now.

0:28:500:28:51

Why?

0:28:580:29:00

What did she say, huh?

0:29:000:29:02

What did Christine tell you? What happened in that room? Talk to me!

0:29:020:29:06

You don't get it, do you?

0:29:060:29:08

Christine doesn't think a shit about us. She doesn't care.

0:29:080:29:11

Don't do this.

0:29:130:29:16

Don't call me.

0:29:160:29:17

Don't text me.

0:29:190:29:20

-LIFT BELL

-Go back to work.

0:29:200:29:24

Hey. You're late.

0:29:380:29:41

What?

0:29:430:29:44

Who-Who? Who's sick?

0:29:460:29:50

Your daughter? No, I didn't... I didn't know you had a daughter.

0:29:500:29:54

Tomorrow? Um, how about...

0:29:560:30:00

How about this? How about you call me NEVER?

0:30:000:30:03

PHONE CLATTERS

0:30:030:30:04

SHE SNIFFS

0:30:250:30:26

SHE GROANS

0:30:290:30:30

CUTLERY CLATTERS

0:30:340:30:35

SHE BREATHES HEAVILY

0:31:020:31:03

INTERCOM RINGS

0:31:260:31:27

Dani, can you come in for a second?

0:31:270:31:29

Mark? Hi. It's Christine.

0:31:330:31:38

Yeah, I know. It's been a really long time. Too long.

0:31:380:31:43

Um... What-What are you doing?

0:31:430:31:47

Yeah.

0:31:470:31:50

You want to come over?

0:31:500:31:51

You're right. This is crap.

0:31:510:31:56

Fuck them.

0:31:560:31:57

Let's find out what the world thinks of my ad, my way.

0:31:590:32:02

CHUCKLING Yes, I love it.

0:32:060:32:09

Ah, you-you do, you know, very well. I...

0:32:090:32:13

It's-It's not too noisy? OK, good. Well, I'm...

0:32:130:32:18

Yeah, I want to take it. I-I know, I know.

0:32:180:32:22

Manhattan apartments are so much more expensive than the...

0:32:220:32:25

Yeah, except...yeah. OK, let's, ah, let's talk in a couple of days. OK.

0:32:310:32:35

All right. Bye.

0:32:350:32:37

HE PANTS

0:32:370:32:39

Oh...my God!

0:32:390:32:42

HE WHIMPERS

0:32:420:32:44

Wow, Mark!

0:32:440:32:46

PHONE RINGING

0:32:460:32:51

Yeah.

0:32:520:32:54

'Isabelle? JJ Koch here. Am I waking you?'

0:32:540:32:58

Oh, hi. No, not at all.

0:32:580:33:01

'I can't believe what you've done.

0:33:010:33:03

'I tried to call Christine, but I couldn't reach her.'

0:33:030:33:05

Oh, my God. Ah, ah, I'm so sorry.

0:33:050:33:08

Christine has nothing to do with this. It's all my fault.

0:33:080:33:10

I just felt like the new ideas were so...

0:33:100:33:12

'No, no, it's great, it's wonderful.

0:33:120:33:15

'You were right, 1,000% right.

0:33:150:33:18

-'Do you realise how many time your ad has been viewed?'

-No.

0:33:180:33:22

'Ten million. And it's only been on for five hours.

0:33:220:33:27

-'My phone is ringing off the hook.'

-Oh, my God. That's... That's great.

0:33:270:33:32

'That's brilliant! And guess what? We're coming to see you tomorrow.

0:33:320:33:36

'We have to go back to London,

0:33:360:33:37

'so we're going to stop off and see you on the way.'

0:33:370:33:39

So, to cut to the chase, Isabelle's Omniphone ad has gone viral.

0:33:390:33:44

They want us to spin off some print and TV spots.

0:33:440:33:47

According to preliminary estimates,

0:33:470:33:49

we're talking about over 50 million in billings.

0:33:490:33:53

Plus, I've got every jean company on the planet

0:33:530:33:56

to beg me to represent them.

0:33:560:33:59

Well, guys, this is a total home run. OK, thanks a lot.

0:33:590:34:03

Isabelle, Christine,

0:34:030:34:05

-I would like to have a word with you in private.

-Mm-hm.

0:34:050:34:08

-Nice work, Isabelle.

-Thank you.

-You're now on our short list.

0:34:120:34:17

Congratulations on the concept and the follow through.

0:34:170:34:21

Christine, you sure have a nose for talent,

0:34:210:34:23

you know how to find them and train them.

0:34:230:34:27

About New York, I don't think this is really the best time.

0:34:270:34:31

-We should wait. Let's talk about it later, OK?

-OK.

0:34:320:34:37

Yeah. I'm not really in any hurry. I still have a lot of work to do here.

0:34:380:34:42

Outstanding. So, Isabelle, I expect you

0:34:420:34:46

in New York with a completed campaign within the month.

0:34:460:34:48

-Yes.

-Thanks.

0:34:480:34:50

-Thank you.

-Both of you.

0:34:500:34:52

Thank you.

0:34:520:34:54

-Why?

-You knew about the memo.

0:35:070:35:10

They want to change it, I thought they were wrong, so...

0:35:100:35:14

I did what had to be done. Everything happened really fast.

0:35:140:35:17

I tried to update you last night, but you weren't answering...

0:35:170:35:19

Just answer the question. Why?

0:35:190:35:24

I watched you.

0:35:240:35:27

I listened.

0:35:270:35:29

I learned.

0:35:290:35:31

I did exactly what you would do.

0:35:310:35:33

There no backstabbing here, Christine.

0:35:350:35:37

It's just business.

0:35:370:35:40

Well...

0:35:440:35:47

there it is, then.

0:35:470:35:49

PHONE RINGS

0:36:070:36:10

-Yeah.

-'Oh, thank God.

0:36:230:36:28

'Thank God you answered.

0:36:280:36:30

-'It's me, Isabelle.'

-I know. What do you want?

0:36:300:36:36

'Look. You were right. It's Christine.

0:36:360:36:39

'She... Look, she forced me to break it off. OK?'

0:36:390:36:43

-She forced you?

-'Yes, she forced me. She's fucking dangerous, Isabelle.'

0:36:430:36:50

You don't understand. Well, she's screwed up with everything

0:36:500:36:54

that happened with her sister.

0:36:540:36:56

'What? Her sister? What are you talking about? What sister?'

0:36:560:36:59

Her twin sister, Clarissa.

0:36:590:37:00

'What are you talking about? She doesn't have a twin sister.

0:37:000:37:03

'You see, this is it. This is what she does.

0:37:030:37:06

'She's told you some sad story to get your sympathy.'

0:37:060:37:10

-She doesn't have a sister?

-'No.'

0:37:100:37:15

-How do you know?

-'Because I know her. I know Christine.

0:37:150:37:21

'I know what she's like. This is what she does.

0:37:210:37:25

'She'll say anything to fuck you up.

0:37:250:37:28

'Please, Isabelle, don't let her do this. Don't let her do this to us.

0:37:280:37:33

'Look. Can you meet me? Can you...

0:37:330:37:37

'Can you... Can you see me tonight, please?'

0:37:370:37:40

-I don't know, Dirk.

-'Isabelle...I... I need you.'

0:37:400:37:48

'I need to see you. I want you, Isabelle.

0:37:500:37:55

'I'm sorry. Do you understand?

0:37:550:38:00

-'It's her, not me. I'm sorry.'

-OK.

0:38:000:38:05

-OK.

-'Good.'

-Yeah.

-'OK, good.'

-Yeah.

0:38:050:38:10

'Good, good, good. I'll pick you up.'

0:38:100:38:15

-OK.

-'I'll come by the office - eight o'clock.'

-OK.

0:38:150:38:18

COMPUTER ALERT

0:38:270:38:30

Hey.

0:38:320:38:34

You're late.

0:38:340:38:36

And I can't see you.

0:38:360:38:38

You have your camera on? Dirk?

0:38:380:38:41

MOANING IN BACKGROUND Guess again. It's me.

0:38:410:38:45

Are you looking for Dirk?

0:38:450:38:48

He's right here!

0:38:480:38:50

Don't point that fucking thing at me. Take it off. Take it off.

0:38:530:38:58

He's a little bit grumpy right now.

0:38:580:39:00

But I don't know why because we're just having a nice evening

0:39:000:39:04

at home watching a movie.

0:39:040:39:06

Your movie, actually...from London.

0:39:060:39:10

Want to take a look?

0:39:100:39:12

MOANING

0:39:120:39:14

SHE SNIFFS

0:39:350:39:36

SHE CHOKES UP

0:39:440:39:45

ALARM BLARES

0:40:550:40:59

Fuck! Fucking fuck! Fuck!

0:40:590:41:05

ALARM STOPS

0:41:050:41:06

LOCKS CHIRP

0:41:060:41:09

ENGINE REVS

0:41:170:41:18

TYRES SCREECH

0:41:200:41:21

Fuck me!

0:41:490:41:51

Oh!

0:41:510:41:54

Fuck!

0:41:540:41:57

SHE WAILS

0:41:570:42:02

Isabelle!

0:42:330:42:34

Isabelle! Are you all right?

0:42:370:42:41

What happened?

0:42:430:42:45

Isabelle, I need to talk to you. I found something very strange.

0:42:460:42:49

I was looking for a file in the archives

0:42:530:42:56

on a deal made earlier this year.

0:42:560:42:58

I noticed an enormous difference

0:42:580:43:00

between Dirk Harriman's projected figures

0:43:000:43:02

and the ones off the actual budget in the Middle East market.

0:43:020:43:06

The weird thing is that Christine

0:43:060:43:08

just added an addendum to the file

0:43:080:43:10

that reads like a criminal indictment.

0:43:100:43:13

I always knew there was something strange about that guy.

0:43:250:43:28

What are you talking about?

0:43:280:43:30

Dirk was stealing money. And Christine stopped covering for him.

0:43:300:43:34

-Is there anything I can do for you?

-Yes, get me a coffee.

0:43:400:43:44

Hey, did you hear?

0:43:460:43:48

Our fearless leader is throwing

0:43:480:43:51

a company reception with all the department heads.

0:43:510:43:54

It's tomorrow night, right here.

0:43:540:43:56

It's one of those if you don't show, you get a toaster for Christmas.

0:43:580:44:01

We'll have a little surprise for you tonight. An amusing one, I hope.

0:44:090:44:14

So, what really goes on within these walls? Hmm?

0:44:140:44:20

I've put together a little reality show.

0:44:200:44:23

"The not so secret life of the very stressed-out executives."

0:44:230:44:27

LAUGHTER

0:44:270:44:28

Their ecstasies, their agonies and the lessons to be learned.

0:44:280:44:34

LAUGHTER

0:44:460:44:48

An executive meltdown. Yes, we have all been there, haven't we?

0:44:560:45:02

Now. The trick is to not succumb to your frustrations.

0:45:020:45:07

Take a deep breath, relax, move on. Hmmm?

0:45:070:45:12

Yeah, right. OK. Next.

0:45:120:45:15

-Oooh.

-Oh.

-My God.

0:45:220:45:25

Caught in the act.

0:45:250:45:28

Now, we all need to blow off a little steam at work, it's true.

0:45:280:45:31

And you both know who you are.

0:45:310:45:33

I suggest next time you rent a room. OK?

0:45:330:45:37

Outside the work space. Thank you.

0:45:370:45:39

All right, what's next?

0:45:390:45:41

LAUGHTER

0:45:450:45:46

Ouch!

0:45:460:45:48

Going toe-to-toe with a concrete pillar.

0:45:480:45:51

GASPING AND LAUGHTER

0:45:520:45:56

So, someone's not very happy with their parking spot.

0:45:580:46:02

LAUGHTER DIES

0:46:020:46:05

LOW WHISPERING

0:46:060:46:09

CHRISTINE CUCKLES

0:46:110:46:12

Oh, come on, it's just a joke.

0:46:140:46:18

Where's your sense of humour?

0:46:210:46:23

Oh, my God.

0:46:250:46:28

This really hurt you, didn't it?

0:46:280:46:30

I'm so sorry.

0:46:330:46:34

But I just thought we could laugh together.

0:46:360:46:38

SHE LAUGHS

0:46:420:46:44

Yeah. It's funny.

0:46:530:46:56

BOTH LAUGHING

0:46:570:46:59

Hi. I want to talk to Dr Katzman, please.

0:47:290:47:33

Stefan? It's Isabelle James. I need to come and see you.

0:47:360:47:40

Come in.

0:48:120:48:14

Close the door.

0:48:140:48:16

Isabelle, I said I was sorry.

0:48:280:48:31

-And now this?

-What is it?

0:48:310:48:35

"I will never forget how you humiliated me.

0:48:350:48:39

"And you'll pay for it."

0:48:390:48:41

"Vengeance is a dish best served cold."

0:48:410:48:44

-I never wrote that.

-It's from your computer.

-I didn't write it.

0:48:470:48:50

-It's not very smart, Isabelle.

-I never wrote it.

0:48:500:48:54

Well, I think that's going to be hard to believe

0:48:540:48:57

after your unfortunate performance.

0:48:570:48:58

I never wrote it.

0:48:580:49:00

OK. Fine.

0:49:000:49:01

How about I just put it in a safe place for now?

0:49:040:49:07

There.

0:49:080:49:09

I feel like things have just gotten

0:49:170:49:20

so out of control around here lately. It's so crazy.

0:49:200:49:23

I'm having a small, intimate dinner party on Saturday night.

0:49:260:49:29

Just a few close friends and I would really like it if you would come.

0:49:310:49:34

-That file you were telling me about? Dirk's file?

-Yeah?

0:49:420:49:46

-Bring it to me.

-OK.

0:49:460:49:49

Here's the file you asked for.

0:49:590:50:03

Thank you.

0:50:030:50:05

I want to go to the ballet.

0:50:080:50:11

Afternoon Of A Faun.

0:50:110:50:14

-Ten o'clock, Saturday night.

-OK.

0:50:160:50:22

CHATTERING

0:50:460:50:49

-You OK?

-Yeah, I'm sorry.

0:50:520:50:55

-Excuse me.

-Sure.

0:51:020:51:05

THEY SPEAK GERMAN

0:51:080:51:11

BUZZER RINGS

0:51:260:51:27

Yeah, I-I'm coming.

0:51:270:51:29

OK. Well done. Yes. And a bit more of a smile, please.

0:51:580:52:01

Yes, everybody. Very good. Yes.

0:52:010:52:04

Thank you very much. Thank you.

0:52:340:52:36

Thank you. Thank you so much.

0:52:360:52:38

Thank you, thank you for coming.

0:52:380:52:40

I'll see you out.

0:52:410:52:43

Thank you. Take care.

0:52:450:52:47

Isabelle...

0:52:500:52:52

I'm glad to see you wearing the scarf.

0:52:520:52:55

Why don't we kiss and make up? Hmm?

0:52:570:53:00

Mm-ah!

0:53:080:53:09

CHRISTINE CHUCKLES

0:53:110:53:12

Mm!

0:53:120:53:14

-Isabelle, what are you doing?

-What do you mean?

0:53:210:53:25

Kissing that bitch? I saw you. After all she's done?

0:53:250:53:29

Don't take that tone with me.

0:53:290:53:31

Who do you think you're talking to? Shut up and go back to work.

0:53:310:53:34

-Do you think no-one can tell?

-Tell what?

0:53:470:53:52

-What you really want.

-I don't know what you're talking about.

0:53:520:53:55

Her cunt.

0:53:550:53:58

-Isabelle and I laugh about it all the time.

-I don't believe you.

0:53:580:54:04

Do you think I don't see what's going on

0:54:040:54:06

in that dyke brain of yours?

0:54:060:54:09

Your jealousy is fucking up our working relationship.

0:54:100:54:13

And I won't stand for it. I want you out of here.

0:54:130:54:17

You can't fire me.

0:54:170:54:19

I'm not going to fire you.

0:54:200:54:23

You're resigning.

0:54:230:54:25

I want your letter on my desk Monday morning.

0:54:250:54:28

I'm not doing it.

0:54:280:54:30

CHRISTINE GASPS

0:54:350:54:37

OH!

0:54:390:54:40

Oh!

0:54:460:54:48

-I believe I've been sexually assaulted.

-What?

0:54:480:54:51

And in the "she said, she said", who are they going to believe? Hmm?

0:54:530:54:58

CHATTER

0:55:470:55:50

Charming, all of you. Very charming.

0:55:530:55:56

All very wonderfully boring. All of you.

0:55:560:56:02

Especially you. Oh, you are.

0:56:040:56:07

Good night.

0:56:110:56:13

Christine.

0:56:180:56:20

Hello, Christine.

0:56:220:56:26

Thank you for all your help tonight.

0:56:260:56:28

-Christine, we really need to talk...

-I'll see you on Monday.

0:56:280:56:32

..you and I.

0:56:320:56:33

-Thank you. Good night. Good night. Thank you.

-We need to talk.

0:56:330:56:35

-Cheerio, all of you.

-You're really drunk.

0:56:350:56:38

-Yes, I am. Let's go inside.

-No. Let's not.

0:56:380:56:43

How did you get here?

0:56:440:56:47

I drove here...

0:56:470:56:48

-What?

-..very fast.

0:56:480:56:51

-Oh, my God.

-Look.

0:56:510:56:53

What's wrong with you? What are you... What's going on?

0:56:530:56:55

We need to talk. That's all.

0:56:550:56:57

-You...made me...

-This is not a time for talking.

0:56:570:57:00

You made me do a very bad thing. OK?

0:57:000:57:04

INAUDILBE

0:57:040:57:12

You owe me, Christine. You do not let me down.

0:57:250:57:29

SHE CHUCKLES Mm.

0:58:040:58:07

CHRISTINE CHUCKLES

0:58:360:58:39

Let me in, Christine.

0:59:570:59:58

Open the door, Christine.

1:00:011:00:04

Christine!

1:00:041:00:06

I'm coming.

1:01:321:01:35

Are you down there?

1:01:351:01:37

SHE GASPS

1:01:391:01:42

SHE GASPS

1:01:471:01:49

SHE GASPS

1:01:511:01:53

SHE PANTS

1:01:531:01:56

DOORBELL

1:01:561:01:59

DOORBELL

1:01:591:02:01

DOORBELL

1:02:031:02:05

DOORBELL

1:02:071:02:08

DOORBELL

1:02:111:02:12

KNOCKING

1:02:121:02:13

KNOCKING

1:02:151:02:19

HEAVY KNOCKING

1:02:191:02:21

HEAVY THUMPING ON DOOR

1:02:221:02:23

RAPID BANGING ON DOOR

1:02:251:02:28

Hello.

1:02:331:02:35

Inspector Bach. My colleague.

1:02:371:02:40

-Are you Isabelle James?

-Yes.

1:02:401:02:43

-Mind if we come in?

-Why?

1:02:431:02:46

Are you all right?

1:02:481:02:50

-Are you all right?

-No. No, I'm-I'm not all right.

1:02:511:02:56

I-I took some sleeping pills. I can't sleep.

1:02:561:03:00

Do you know that Christine Stanford was murdered,

1:03:021:03:04

her throat slashed in her home Saturday night?

1:03:041:03:07

Do you recognise this?

1:03:121:03:14

Do you recognise this?

1:03:201:03:22

It was written on your computer.

1:03:241:03:26

Didn't the victim recently humiliate you in front of your staff?

1:03:331:03:37

Miss James?

1:03:391:03:40

We found a piece of materia... Miss James!

1:03:451:03:48

-I'm here.

-HE CLICKS HIS FINGERS

1:03:481:03:52

We found a piece of material in the victim's hand

1:03:521:03:54

which appears to come from a scarf.

1:03:541:03:56

Identical to the one... you are wearing here.

1:03:561:04:00

Can you explain that?

1:04:031:04:06

Where were you Saturday night

1:04:061:04:08

between the hours of 11:30pm and 1am?

1:04:081:04:11

-Ballet.

-Where?

1:04:151:04:18

-At the ballet.

-Oh, at the ballet.

1:04:201:04:23

-Were you alone?

-Yes.

1:04:231:04:26

-Did anyone see you or recognise you?

-Why would anyone recognise me?

1:04:261:04:32

Sometimes you see people, you talk to someone. They might remember.

1:04:321:04:36

-Remember what?

-Remember you.

1:04:371:04:40

You would have an alibi, which means you didn't kill Christine Stanford.

1:04:401:04:44

Kill Christine? Oh.

1:04:441:04:46

I could... I would never...

1:04:461:04:51

If you have a lawyer, it's a good time to call him.

1:04:511:04:54

Could you open your mouth, please?

1:05:001:05:02

Lab analysis has confirmed that the scarf fibres

1:05:071:05:10

match the one you were seen wearing.

1:05:101:05:13

In conclusion, you're going to be indicted for first-degree murder.

1:05:131:05:16

Isabelle. Isabelle, are you all right?

1:05:231:05:28

-Could we get her some water, please?

-Miss James. Miss James!

1:05:281:05:33

Would you like us to take a break? Do you need a doctor?

1:05:341:05:38

-No.

-Yes. I believe my client's present con...

1:05:381:05:41

Fine, fine, fine. Fine. Then we'll do this quickly.

1:05:411:05:43

By staging the crime scene to simulate a robbery,

1:05:431:05:47

you've aggravated the circumstance of your crime.

1:05:471:05:51

So, we're now dealing with premeditated murder.

1:05:511:05:56

Why don't you just confess? And save us all a lot of time...and money.

1:05:561:06:01

What?

1:06:011:06:02

Hold on. You have some fibres that match a picture

1:06:021:06:04

of a scarf my client was wearing.

1:06:041:06:06

How many other real scarves would they match?

1:06:061:06:08

What about the DNA evidence?

1:06:081:06:09

Has any of my client's DNA actually been found on the victim?

1:06:091:06:12

-That evidence is being processed.

-You let me know when you come up

1:06:121:06:14

with something that'll stand up in court.

1:06:141:06:16

-Until then, my client isn't...

-Did you kill Christine Stanford?.

1:06:161:06:18

-She doesn't have to answer that. Don't answer that.

-Was it you?

1:06:181:06:20

Ah, get... Please, this is outrageous.

1:06:201:06:23

-Did you kill her?

-Would you stop harassing her?

1:06:231:06:25

Yes, yes, yes. Yes, I must have.

1:06:251:06:27

Isabelle, please, careful. Isabelle, think about what you're saying.

1:06:271:06:31

What do you mean by you must have? Did you do it?

1:06:311:06:35

-Was it you?

-Isabelle, don't answer that.

1:06:351:06:39

-Are you confessing to this?

-Well, how could she? She didn't do it.

1:06:391:06:41

-Are you confessing to this?

-Yes. I confess.

1:06:411:06:46

SHOUTING IN GERMAN

1:06:461:06:49

SHE SHOUTS IN GERMAN

1:06:531:06:55

SHE GASPS AND PANTS

1:07:091:07:14

Mm.

1:07:301:07:33

Mm.

1:07:331:07:36

'By staging the crime scene to simulate a robbery...

1:08:001:08:03

'Isabelle. Isabelle, are you all right?

1:08:031:08:06

-'Did you kill Christine Stanford?

-She doesn't have to...

1:08:061:08:09

-'Would you like us to take a break?

-Did you do it?

1:08:091:08:11

-'This is outrageous...'

-Did you do it?

-No, she didn't.

1:08:111:08:13

-'Did you kill her?

-Would you stop harassing her?

1:08:131:08:16

'Prosecutor, let me point out that my client's mental state...

1:08:161:08:18

-'Your client has just confessed to murder.

-Yes, I confess.'

1:08:181:08:23

SHE KNOCKS

1:08:281:08:30

SHE KNOCKS

1:08:371:08:39

-SHE SPEAKS GERMAN

-I want to see my attorney.

1:08:411:08:44

-I didn't kill Christine.

-You're withdrawing your confession?

1:08:441:08:48

-Yes. I'm innocent. I didn't do it.

-Then why did you confess?

1:08:481:08:53

I don't know. I was so tired, so fucked up by all those pills.

1:08:531:08:58

I would have confessed to anything.

1:08:581:09:01

I've gotta speak to the prosecutor...immediately.

1:09:021:09:05

It looks like the same material. You're right.

1:09:071:09:11

But my scarf isn't torn.

1:09:111:09:13

-Where is it?

-I don't know exactly. Somewhere in my apartment.

1:09:141:09:18

We already searched your apartment thoroughly. We found nothing.

1:09:181:09:22

You have to look again. I know it's there.

1:09:221:09:24

Look, my client has no reason to lie about this.

1:09:241:09:26

-Either she has an identical scarf or she doesn't.

-Yes.

1:09:261:09:29

All right, I think you've wasted enough of my time.

1:09:291:09:32

Oh, please.

1:09:321:09:33

Wait a minute. I didn't do it. Why would I kill Christine?

1:09:331:09:35

Cos you had motive. And a very powerful one. Vengeance.

1:09:351:09:39

I never wrote that. Never.

1:09:391:09:40

And even if I did, killing her after writing that would be insane.

1:09:401:09:44

Christine must have sent this from my computer to...

1:09:441:09:48

Oh, my God.

1:09:521:09:53

Look at the date.

1:09:551:09:57

It was sent the day before the company reception.

1:09:571:10:00

Do you see? The day before she did that terrible thing to me.

1:10:021:10:06

It doesn't make any sense. I never wrote that.

1:10:081:10:12

My career was taking off and Christine couldn't stand it.

1:10:121:10:15

She hated me.

1:10:151:10:17

Yes, She tried to destroy her.

1:10:171:10:18

We have statements from several of the executives

1:10:181:10:20

close to my client and the victim.

1:10:201:10:22

And they all confirm that my client was falling apart

1:10:221:10:24

as a direct result of Christine Stanford's...

1:10:241:10:25

Is this a plea of insanity, Miss James? Is that your defence?

1:10:251:10:28

-Plus she took a lot of prescription medicine.

-No, I'm saying I'm innocent.

1:10:281:10:30

Take your pleas of mitigating circumstances to the judge!

1:10:301:10:33

-I'm only interested in evidence.

-Which we tried to deliver here.

1:10:331:10:34

This is not evidence.

1:10:341:10:36

Look, I was never at Christine's house. I was at the ballet.

1:10:361:10:39

Yes. That's what YOU say.

1:10:391:10:42

I spoke to an usher.

1:10:461:10:48

At the ballet. He had grey curly hair. He was German.

1:10:481:10:52

His English was quite bad.

1:10:521:10:53

He'd remember me.

1:10:531:10:55

My client was wrongly accused. She has a confirmed alibi.

1:12:441:12:48

There's no physical evidence against her.

1:12:481:12:50

No DNA found at the scene. Nothing.

1:12:501:12:52

-What about the piece of scarf found in the victim's hand?

-It's not mine.

1:12:521:12:56

So you still claim you have an identical scarf?

1:12:561:12:58

Yes, exactly the same scarf.

1:12:581:12:59

And if we could find it, it wouldn't have a tear.

1:12:591:13:02

May I make a request?

1:13:021:13:05

Please, go ahead.

1:13:051:13:07

Would you allow my client to

1:13:071:13:08

accompany the police officers to look for the scarf?

1:13:081:13:11

CLATTERING

1:13:131:13:17

What is this?

1:13:581:14:00

Christine found that Dirk...

1:14:001:14:02

er, Mr Harriman...attempted to conceal

1:14:021:14:04

a diversion of a very large sum of money in connection with the deal.

1:14:041:14:07

-How much?

-I don't know exactly.

1:14:071:14:09

It seems to be well over five million euros.

1:14:091:14:13

He embezzled five million euros and Christine was going to expose him?

1:14:131:14:17

Why were you hiding the evidence?

1:14:171:14:19

Oh, well. He was a friend. And he said that

1:14:191:14:22

if he just had some more time, he could put the money back.

1:14:221:14:25

So you snatched the file and hid it.

1:14:251:14:27

Didn't you realise that this is the motive for murder?

1:14:271:14:29

Oh, no. No, Dirk could never do anything like that.

1:14:291:14:33

-So, time's up. Let's go.

-Oh, no, just wait.

1:14:341:14:37

Can I have a look, please?

1:14:371:14:38

Because I keep my-my scarf in one of those drawers

1:14:381:14:41

and sometimes things fall behind.

1:14:411:14:42

-Please, can I have a look, please, please, please.

-OK.

-Thank you.

1:14:421:14:45

-HE SPEAKS GERMAN

-Thank you.

1:14:451:14:48

-Oh, it's gotta be there.

-Isabelle. Isabelle! It's finished.

1:14:581:15:01

-No, no!

-Let's go.

1:15:011:15:02

-It's supposed to be here!

-HE SPEAKS GERMAN

1:15:021:15:05

It's got to be here! No, please, please!

1:15:051:15:06

Please, give me one more minute, please!

1:15:061:15:08

Please, give me one more minute! No!

1:15:081:15:11

I didn't do it.

1:15:141:15:15

Of course. Of course you didn't do it. I know that.

1:15:161:15:20

SHE SNIFFS

1:15:221:15:24

You know my scarf?

1:15:261:15:29

It's somewhere in my flat.

1:15:291:15:31

You've got to find it.

1:15:311:15:33

What a mess. I guess I'm expected to clean this up?

1:15:561:16:00

-Where did you get this?

-Back of that drawer. Filthy as can be.

1:16:021:16:06

Took it straight to the cleaners.

1:16:061:16:08

-Ms Wirth, this is an outrageous situation.

-Mm-hm.

1:16:091:16:11

-You're going to have find someone else.

-OK.

1:16:111:16:15

Hello? Inspector Bach?

1:16:171:16:19

-Mr Harriman.

-Yes, what is this?

1:16:221:16:26

Inspector Bach.

1:16:261:16:27

The prosecutor has filed charges against you for embezzlement.

1:16:271:16:30

We are to immediately proceed with proactive searches.

1:16:301:16:33

We will first search this vehicle, then your residence.

1:16:331:16:36

You're out of your mind.

1:16:361:16:39

The prosecutor will explain everything when you see him.

1:16:391:16:42

Did you try to break into Christine Stanford's house

1:16:421:16:44

-the night of the murder?

-No, absolutely not.

1:16:441:16:47

Do you deny being there?

1:16:471:16:49

No.

1:16:491:16:50

-Were you a guest?

-Yes, I was. Actually, I arrived late.

1:16:521:16:58

-When did you arrive?

-I can't remember.

1:16:581:17:01

-You can't remember?

-No..

1:17:011:17:03

-And what...

-I can't remember.

1:17:031:17:05

Is this yours?

1:17:131:17:15

That WAS my scarf. Yes.

1:17:171:17:20

-Was?

-Was.

1:17:221:17:24

If that's Christine Stanford's blood on there...

1:17:241:17:27

HE SPEAKS GERMAN

1:17:271:17:31

-Look. This is ridiculous.

-You embezzled money from the company.

1:17:311:17:36

She was going to turn you in. You're not just a crook, but a murderer.

1:17:361:17:40

I want to see my lawyer. I'll not say another word until I do.

1:17:401:17:46

GIGGLING

1:17:481:17:52

Can you believe it?

1:17:521:17:53

-So he goes out and he buys a bunch of roses.

-No.

1:17:531:17:57

-Yes. And then he shows up on my doorstep to apologise.

-Oh, my God.

1:17:571:18:01

I know! He was red in the face and sweating all over my carpet.

1:18:011:18:06

And he was so sorry for locking me up.

1:18:061:18:08

Well, I think it's rather cute. Did you invite him in?

1:18:081:18:11

No! Are you crazy? No! I just smiled sweetly,

1:18:111:18:16

and I took his cheap roses

1:18:161:18:18

and his lame excuses and I threw them in the trash.

1:18:181:18:21

Oh, poor Bach. To pick a cliche,

1:18:211:18:24

tough cop falls for beautiful murderess.

1:18:241:18:27

Yeah, but I'm-I'm not a murderess.

1:18:291:18:32

Right.

1:18:331:18:35

Dani...

1:18:361:18:39

I know what you did for me.

1:18:391:18:40

-You would have done the same for me.

-Yes, of course.

1:18:421:18:47

-Shall we, eh, have a look at 26 again?

-Oh. Yeah, sure.

1:18:531:19:00

ADVERT PLAYS

1:19:091:19:12

Well...I think they're OK, but they're not good enough.

1:19:171:19:22

What do you think?

1:19:221:19:25

Whoa! Dani!

1:19:291:19:31

SHE LAUGHS

1:19:311:19:33

That kiss never happened. OK?

1:19:331:19:36

But... But I love you. I want you, Isabelle.

1:19:361:19:41

ISABELLE LAUGHS

1:19:411:19:43

Whoa. That's a problem.

1:19:431:19:45

-But why?

-Oh, my God, Dani! You're serious.

1:19:471:19:53

SHE LAUGHS

1:19:531:19:57

-But you love me.

-No. No, Dani. No. What's wrong with you?

1:19:571:20:01

-No, I don't love you.

-Yes, you do.

1:20:011:20:05

-I've even... Maybe you won't admit it, but you love me.

-Dani.

1:20:051:20:08

Please. You know what? I think we've been drinking too much.

1:20:081:20:10

I'll just make us some espresso, I'll call you a cab.

1:20:101:20:13

You can get home, you can have a good night's sleep

1:20:131:20:15

and then we talk tomorrow. OK?

1:20:151:20:16

No, not-not tomorrow. Isabelle, tha...that is not true, right?

1:20:161:20:22

-Please.

-You love me.

1:20:221:20:23

-Please, Dani, ple...

-You have to love me, please.

-Stop it.

1:20:231:20:25

-You're pathetic now. Please, please.

-I'm pathetic?

-Yes.

1:20:251:20:28

After all I did for you?

1:20:281:20:30

And I'm grateful, OK? Thank you.

1:20:301:20:32

Yes, you said thank you.

1:20:351:20:37

Here's your espresso.

1:20:391:20:41

Please sit down, sober up. I'll call you a taxi, OK?

1:20:411:20:44

Some killer drug.

1:21:451:21:48

Of course you know I'm in no danger.

1:21:511:21:54

I was first mystified by your pill-popping routine.

1:21:541:21:58

Until a couple landed in my tea and I accidently tested them out.

1:21:581:22:01

They were nothing. Just a harmless sweetener.

1:22:031:22:06

So I followed you... to see what was up.

1:22:081:22:12

First stop at the scarf shop.

1:22:171:22:19

You buy the identical scarf that Christine gave you

1:22:211:22:24

and then hide it behind a drawer?

1:22:241:22:26

How intriguing.

1:22:261:22:27

So what's next? Oh, yeah. Dance night.

1:22:291:22:33

I followed you to the theatre

1:22:351:22:37

and watched you making a scene and an alibi.

1:22:371:22:41

Last stop, Christine's house.

1:23:131:23:17

And all the puzzle pieces come together.

1:23:511:23:54

Picture-perfect moment.

1:23:571:23:59

Christine.

1:24:111:24:14

Christine! Let me in, Christine.

1:24:141:24:17

Christine!

1:24:191:24:21

You baited the hook with a confession.

1:24:221:24:24

Yes, I confess.

1:24:241:24:27

And an ass of an inspector swallowed every phoney clue,

1:24:271:24:29

hook, line and sinker.

1:24:291:24:31

A perfect murder.

1:24:421:24:45

Except...

1:24:451:24:46

The videos?

1:24:461:24:48

Oh, I've collected them into a deep and incriminating album

1:24:481:24:51

addressed to Inspector Bach

1:24:511:24:54

and uploaded them into this.

1:24:541:24:55

-Untraceable?

-I picked up this little disposable.

1:24:551:24:59

It's cute, isn't it? All I have to do...

1:24:591:25:03

is press this little send button.

1:25:031:25:06

What do you want?

1:25:151:25:16

First of all, I don't like that tone of voice. Change it!

1:25:161:25:19

What do you want?

1:25:221:25:24

Come here.

1:25:261:25:27

Sit down.

1:25:411:25:42

Come closer.

1:25:471:25:48

Now kiss me.

1:25:561:25:58

You like that, don't you?

1:26:081:26:11

So you do love me.

1:26:111:26:12

Turn around.

1:26:251:26:27

(I love you.)

1:26:371:26:39

(I thought you made up the twin sister.)

1:27:361:27:38

I never had the chance to apologise to her.

1:27:401:27:43

PHONE RINGING

1:27:571:28:01

Yeah.

1:28:101:28:13

PHONE RINGING

1:28:141:28:18

PHONE RINGING

1:29:041:29:09

DOORBELL

1:30:251:30:27

DOORBELL

1:30:271:30:29

STRUGGLING

1:30:321:30:35

DANI GASPING

1:30:461:30:47

SHE CHOKES

1:31:011:31:03

DOORBELL

1:31:511:31:53

PHONE RINGING

1:31:531:31:54

SHE GASPS

1:32:321:32:34

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