Browse content similar to Passion. Check below for episodes and series from the same categories and more!
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This film contains some violent scenes | 0:00:02 | 0:00:10 | |
This film contains very strong language | 0:00:10 | 0:00:18 | |
This film contains some scenes of a sexual nature | 0:00:18 | 0:00:26 | |
Panasonic. Ideas for life. | 0:00:37 | 0:00:39 | |
WOMAN GROANS | 0:00:39 | 0:00:41 | |
These are terrible. | 0:00:41 | 0:00:44 | |
-It's actually...really bad. -Yep. | 0:00:44 | 0:00:49 | |
Horrible. | 0:00:49 | 0:00:51 | |
We need something raw. | 0:00:52 | 0:00:54 | |
-Something that doesn't look like it's from outer space. -Yeah. | 0:00:54 | 0:00:59 | |
I mean, our smartphone has to be the smartest. | 0:00:59 | 0:01:03 | |
-Yeah. -Yeah. | 0:01:03 | 0:01:04 | |
THEY LAUGH | 0:01:04 | 0:01:06 | |
-We need... -We need... | 0:01:09 | 0:01:12 | |
It's so beautiful here. It's perfect. | 0:01:52 | 0:01:54 | |
Thank you. | 0:01:56 | 0:01:58 | |
You have excellent taste. | 0:02:01 | 0:02:02 | |
Not only that. | 0:02:04 | 0:02:05 | |
You know what I like about you? | 0:02:05 | 0:02:08 | |
You are...conscientious. | 0:02:09 | 0:02:12 | |
You are incredibly bright. | 0:02:12 | 0:02:15 | |
And...you're driven. | 0:02:15 | 0:02:19 | |
Like me. | 0:02:21 | 0:02:22 | |
Oh, wow! What's that? | 0:02:30 | 0:02:33 | |
It's... It's... It's organic. | 0:02:34 | 0:02:37 | |
-GIGGLING -It's organic? | 0:02:37 | 0:02:39 | |
GIGGLING CONTINUES It's healthy. | 0:02:45 | 0:02:47 | |
-Oh, so it's good for me? -Yeah! | 0:02:47 | 0:02:50 | |
-Oh, hello! -Hello. | 0:02:52 | 0:02:56 | |
Two drunken bees hard at work, huh? | 0:02:56 | 0:02:59 | |
And I'm disturbing you. I should go. | 0:02:59 | 0:03:03 | |
Oh, no, no, no, no. Don't go. Stay. Love surprises. | 0:03:03 | 0:03:08 | |
Yes, you do. | 0:03:08 | 0:03:10 | |
-Hello, Isabelle. -Hello, Dirk. | 0:03:17 | 0:03:19 | |
I better be going. | 0:03:20 | 0:03:22 | |
-Um, just... Isabelle, leave it. -Yeah. | 0:03:24 | 0:03:28 | |
You should stay, Isabelle. | 0:03:28 | 0:03:32 | |
-Good night, Dirk. Good night. -Good night. -Isabelle. | 0:03:32 | 0:03:36 | |
It's freezing out. | 0:03:38 | 0:03:40 | |
There. That's lovely. | 0:03:42 | 0:03:44 | |
You keep that. | 0:03:44 | 0:03:46 | |
-Oh, no, no, no. I can't take stuff like... -Yes, you can. | 0:03:46 | 0:03:49 | |
I think we make a really good team. | 0:03:51 | 0:03:54 | |
We do. I'll-I'll work on this at home. | 0:03:54 | 0:03:56 | |
You're crazy. SHE KISSES | 0:03:56 | 0:03:59 | |
I love it. | 0:03:59 | 0:04:01 | |
MOANING | 0:04:31 | 0:04:33 | |
Fuck! | 0:04:51 | 0:04:52 | |
Stop. Just fucking stop. | 0:04:54 | 0:04:56 | |
-'Your devoted assistant here.' -Hi, I-I'm sorry to wake you up. | 0:05:14 | 0:05:18 | |
I just got a great idea for the campaign. Can you come over? | 0:05:18 | 0:05:22 | |
-'You're the boss.' -Yeah. | 0:05:22 | 0:05:24 | |
And bring the tightest pair of jeans you've got. | 0:05:24 | 0:05:27 | |
-Morgen. -Morgen. | 0:05:34 | 0:05:36 | |
Rolf? Hi. | 0:05:50 | 0:05:52 | |
No, I can't. No, no. | 0:05:54 | 0:05:57 | |
This weekend is terrible. | 0:05:57 | 0:05:58 | |
I'm going to London. I'm going to London in, like, three hours. | 0:05:58 | 0:06:01 | |
Reynolds is going. | 0:06:04 | 0:06:05 | |
OK. | 0:06:08 | 0:06:10 | |
Yeah. | 0:06:10 | 0:06:12 | |
I'll figure it out. | 0:06:12 | 0:06:13 | |
OK, I think we got it. | 0:06:14 | 0:06:18 | |
Let's see what we have. | 0:06:18 | 0:06:19 | |
-What do you think? -I love my ass. | 0:06:24 | 0:06:28 | |
Yeah, but what do you think about the rest of it? | 0:06:28 | 0:06:31 | |
I think it's brilliant. | 0:06:31 | 0:06:33 | |
And I want a list of everybody's budgets, research accounts and financials on my desk by tomorrow. | 0:06:45 | 0:06:50 | |
-Christine, I can't make it so soon... -Do you want me to do it? | 0:06:50 | 0:06:53 | |
No, but... | 0:06:53 | 0:06:54 | |
-No, because that's your job, Eric. Right? -Right. | 0:06:54 | 0:06:57 | |
Right. Thank you, that's all. | 0:06:57 | 0:06:59 | |
-Good morning. -Oh, hi! Good morning. | 0:07:05 | 0:07:09 | |
Oh, look at those eyes. Are you all hungover? | 0:07:09 | 0:07:13 | |
Oh, no. I woke up in the middle of the night and I, uh, | 0:07:13 | 0:07:16 | |
I think I got it. | 0:07:16 | 0:07:18 | |
-You got it? -Yeah, I think so. | 0:07:18 | 0:07:21 | |
I did something this morning, and, er, I want you to have a look. | 0:07:21 | 0:07:25 | |
Hmm. OK. | 0:07:25 | 0:07:26 | |
-I, er, I think it's pretty good. -Do you? | 0:07:26 | 0:07:30 | |
Hi, guys. So, how hot are my girlfriend's new jeans? | 0:07:32 | 0:07:38 | |
SHE CHUCKLES | 0:07:38 | 0:07:40 | |
Pretty hot. | 0:07:40 | 0:07:43 | |
I-I have a little stick for you so you can run it on the plane. | 0:07:43 | 0:07:48 | |
Hmmm. | 0:07:48 | 0:07:50 | |
No. | 0:07:50 | 0:07:51 | |
I don't think so. | 0:07:51 | 0:07:53 | |
Oh! Er, why not? | 0:07:53 | 0:07:56 | |
Because...you are going to London. | 0:07:57 | 0:08:01 | |
-Oh! Really? -Yes, really. | 0:08:01 | 0:08:04 | |
Isabelle, you know these campaigns inside and out. | 0:08:04 | 0:08:08 | |
Including this latest brainstorm. I think you will do an amazing job. | 0:08:08 | 0:08:11 | |
-Ah, but you haven't finished seeing it. -I've seen enough. | 0:08:11 | 0:08:14 | |
And I trust you. | 0:08:14 | 0:08:16 | |
Dirk is going to meet you at the airport. He knows London very well, | 0:08:16 | 0:08:19 | |
so you'll be in good hands. | 0:08:19 | 0:08:21 | |
Hi, guys. So, how hot are my girlfriend's new jeans? | 0:08:21 | 0:08:27 | |
Well...pretty hot. | 0:08:29 | 0:08:32 | |
But I'm prejudice. So... | 0:08:32 | 0:08:34 | |
how can I find out? I don't know. | 0:08:34 | 0:08:38 | |
But what's that thing in my back pocket? Ohh! | 0:08:38 | 0:08:41 | |
You ready? | 0:08:41 | 0:08:42 | |
-You bet. -Good! | 0:08:42 | 0:08:44 | |
Ass cam. | 0:08:44 | 0:08:46 | |
-What? -Ass cam. -Ooh! | 0:08:47 | 0:08:49 | |
WOMEN GIGGLE | 0:08:49 | 0:08:53 | |
-Are you ready to see what the man in the street thinks? -I am. | 0:08:53 | 0:08:57 | |
Let the party begin. | 0:09:33 | 0:09:34 | |
I've made some primo dinner reservations at Margaux. | 0:09:34 | 0:09:36 | |
For eight o'clock. It's highly recommended. | 0:09:36 | 0:09:38 | |
It's got more stars than the galaxy. | 0:09:38 | 0:09:40 | |
You know what, Dani? I'm really tired. | 0:09:40 | 0:09:41 | |
I think I'll just head back to the hotel and order some room service. | 0:09:41 | 0:09:45 | |
I'll see you in the morning. Thanks. | 0:09:45 | 0:09:47 | |
-I can't believe you're here with me. -You're incredible. You're beautiful. | 0:10:27 | 0:10:33 | |
WOMAN MOANING | 0:10:33 | 0:10:35 | |
Dirk! | 0:10:35 | 0:10:36 | |
We are crazy about this idea. | 0:10:52 | 0:10:54 | |
We love it. We're actually thinking of going international with it. | 0:10:54 | 0:10:58 | |
Oh! What? That's amazing! I... | 0:10:58 | 0:11:02 | |
It's funny. I just got this brainstorm in the middle of the night and... | 0:11:03 | 0:11:07 | |
Funny how that happens sometimes. | 0:11:07 | 0:11:10 | |
Outstanding! | 0:11:10 | 0:11:11 | |
I can tell you now I was a little worried | 0:11:11 | 0:11:13 | |
when I heard you weren't going to be here yourself. | 0:11:13 | 0:11:16 | |
Oh, well, I'm sorry if I worried you, JJ. | 0:11:16 | 0:11:18 | |
It's just, we have our annual audit coming up and I thought | 0:11:18 | 0:11:21 | |
I should probably stay put. | 0:11:21 | 0:11:23 | |
I briefed Isabelle down to the very last detail. | 0:11:23 | 0:11:25 | |
She was on the ground, | 0:11:25 | 0:11:26 | |
I was in reserve, ready to step in if need be. | 0:11:26 | 0:11:28 | |
-Well, OK. Well done, Christine. -Oh, thank you. | 0:11:28 | 0:11:32 | |
Tell me something. Have you got any interest in coming home to New York? | 0:11:32 | 0:11:37 | |
And desert the natives? | 0:11:39 | 0:11:43 | |
Ah, I've grown rather attached to them. | 0:11:43 | 0:11:46 | |
But...they might be ready to make a go of it on their own. | 0:11:46 | 0:11:50 | |
-Can I think about it? -Sure. | 0:11:50 | 0:11:54 | |
-You call me. We talk. -OK. -Bye now. -We'll talk. Bye-bye. -Bye. | 0:11:54 | 0:11:59 | |
Amazing. | 0:12:03 | 0:12:05 | |
And you're shocked because I took credit for your idea. | 0:12:10 | 0:12:13 | |
Honestly, I would expect you to do the exact same thing in my place. | 0:12:15 | 0:12:19 | |
I wanted New York, but I wasn't counting on it. | 0:12:19 | 0:12:22 | |
And thanks to you, I got my shot and I took it. | 0:12:22 | 0:12:25 | |
I mean, there's no backstabbing here. This is business, Isabelle. | 0:12:25 | 0:12:29 | |
And we're all on the same team. | 0:12:29 | 0:12:32 | |
You have talent, I made the best use of it. | 0:12:32 | 0:12:35 | |
So, thank you. | 0:12:37 | 0:12:38 | |
Now, tell me. How was London? | 0:12:40 | 0:12:45 | |
Oh! | 0:12:45 | 0:12:47 | |
It was good. | 0:12:47 | 0:12:49 | |
Things are so much more fun with Dirk around, aren't they? | 0:12:49 | 0:12:52 | |
-I heard the news. I think it sucks. -What sucks? | 0:12:52 | 0:12:58 | |
Christine going to New York thanks to you. | 0:12:58 | 0:13:01 | |
When the team works, everybody wins. My success depends on hers. | 0:13:01 | 0:13:05 | |
Here, take a look at this. | 0:13:07 | 0:13:09 | |
It's a new polling on our Omniphone ad. | 0:13:11 | 0:13:13 | |
Have you ever seen numbers like this? | 0:13:13 | 0:13:16 | |
And these? | 0:13:18 | 0:13:20 | |
And their revisions. | 0:13:20 | 0:13:23 | |
Personally, I think they're clueless. | 0:13:23 | 0:13:26 | |
Thank you. | 0:13:29 | 0:13:31 | |
Hey! Hey! Guess what? I'm kidnapping you. | 0:13:39 | 0:13:44 | |
MAN SPEAKING GERMAN | 0:13:44 | 0:13:48 | |
INAUDIBLE | 0:13:54 | 0:13:56 | |
-Beautiful. -Uh-huh. Yeah. | 0:14:01 | 0:14:04 | |
-Hey? -Very high. -MAN CONTINUES IN GERMAN | 0:14:04 | 0:14:11 | |
Red. Amazing red. | 0:14:11 | 0:14:15 | |
I like those details. | 0:14:16 | 0:14:19 | |
SHE WHISPERS MAN CONTINUES IN GERMAN | 0:14:19 | 0:14:25 | |
All right, come on, let's go, let's go. | 0:14:25 | 0:14:28 | |
Oh, Christ! Who hired this woman? Can you get off the stage, please? | 0:14:28 | 0:14:33 | |
MAN SPAKS GERMAN | 0:14:33 | 0:14:35 | |
I'm so glad you're coming with me. | 0:14:39 | 0:14:42 | |
These cocktail parties are so boring, | 0:14:42 | 0:14:44 | |
but you have to go and work the room. | 0:14:44 | 0:14:46 | |
OK. | 0:14:46 | 0:14:48 | |
-How do they feel? -They look good. | 0:14:48 | 0:14:51 | |
-Mm-hm. That's all that matters. -I'm not sure that I can walk in them. | 0:14:51 | 0:14:55 | |
SHE GIGGLES | 0:14:55 | 0:14:57 | |
Don't they make you feel just a little naughty? | 0:14:57 | 0:15:00 | |
-You're very secretive, you know. -Am I? | 0:15:05 | 0:15:09 | |
Yes. I mean, we've been working together, what, eight months, | 0:15:09 | 0:15:12 | |
and I don't even know where you're from. | 0:15:12 | 0:15:14 | |
Or what you want. What do you want? | 0:15:14 | 0:15:17 | |
I don't know. | 0:15:20 | 0:15:22 | |
What do you want? | 0:15:22 | 0:15:24 | |
-Well, I used to want to be admired. -I admire you. | 0:15:26 | 0:15:30 | |
Hmm. Well, now I want to be loved. | 0:15:30 | 0:15:33 | |
You need some colour. | 0:15:47 | 0:15:49 | |
MUSIC: Violin Concerto No 4 in D Major by Mozart | 0:15:50 | 0:15:54 | |
-OK. Are you ready? -Yeah, I think so. | 0:15:54 | 0:15:57 | |
I'm not sure that I will survive, though. | 0:15:57 | 0:15:59 | |
Well, here. | 0:15:59 | 0:16:00 | |
I'll teach you to make meaningless small talk and you'll be fine. | 0:16:00 | 0:16:04 | |
Mark! Hello! Nice to see you. | 0:16:04 | 0:16:08 | |
INAUDIBLE | 0:16:08 | 0:16:10 | |
Thank you. This is Isabelle. | 0:16:13 | 0:16:16 | |
INAUDIBLE | 0:16:16 | 0:16:18 | |
GIGGLING | 0:16:21 | 0:16:22 | |
-OK. Now, you're up. -Up for what? | 0:16:22 | 0:16:26 | |
Well, you see that guy over there, | 0:16:26 | 0:16:28 | |
the bald guy, with his nose in his drink? | 0:16:28 | 0:16:30 | |
-Yeah. -Hmm? He's a very big fish for our company. | 0:16:30 | 0:16:34 | |
If you land him, you can run the account. | 0:16:34 | 0:16:38 | |
Oh, I-I can't. I'm not like you. I don't know how to do this. | 0:16:42 | 0:16:45 | |
You're more like me than you think. | 0:16:45 | 0:16:48 | |
I'm drunk. | 0:16:48 | 0:16:50 | |
Even better, that's great. | 0:16:51 | 0:16:54 | |
Just...get him to talk about himself, you know. | 0:16:54 | 0:16:57 | |
I mean, it's man's favourite subject. | 0:16:57 | 0:17:00 | |
-OK. -OK? -OK. -You ready? -Yeah. -OK, go. | 0:17:00 | 0:17:04 | |
Mm-mm! Hang on, hang on. Here. | 0:17:06 | 0:17:09 | |
He likes some skin. | 0:17:09 | 0:17:12 | |
There you go. | 0:17:12 | 0:17:14 | |
-You're perfect. -OK. | 0:17:14 | 0:17:19 | |
-Nice to meet you. -Hi. -Hi. Isabelle. | 0:17:24 | 0:17:27 | |
What a nice surprise. I love this just running into you. | 0:17:46 | 0:17:49 | |
Rolf, hi, how are you? | 0:17:49 | 0:17:51 | |
-How about next weekend? -I'm very busy right now. Maybe another time? | 0:17:51 | 0:17:55 | |
Mm! | 0:17:55 | 0:17:56 | |
-Rolf, please. -Can't get away? My jet is at your disposal. | 0:17:56 | 0:18:00 | |
-And not just my dick, you know. -You're embarrassing yourself. | 0:18:00 | 0:18:04 | |
Go home. | 0:18:04 | 0:18:05 | |
-Remember, I'm the guy that saved you from dreary London. -Shh! | 0:18:05 | 0:18:09 | |
-How about the Seychelles next time? -You know what? -What? | 0:18:09 | 0:18:13 | |
-How about I call you next week. -Can't get away? | 0:18:13 | 0:18:15 | |
Have you lost your little stand-in, your little puppet? | 0:18:15 | 0:18:17 | |
You are drunk. Go home. | 0:18:17 | 0:18:21 | |
-Isabelle. I... -I'm going home. I have a headache. | 0:18:23 | 0:18:27 | |
-It's not what you think. -What? That I'm your little puppet? | 0:18:29 | 0:18:35 | |
You think that I sent you to London because it was convenient for me. | 0:18:35 | 0:18:38 | |
But I sent you to London because I trust you. | 0:18:38 | 0:18:42 | |
And what difference does it make? | 0:18:42 | 0:18:45 | |
Come on, just... Just stay, just...stay. | 0:18:45 | 0:18:48 | |
We'll have another drink. | 0:18:48 | 0:18:51 | |
I'm going home. I-I'm not well. | 0:18:51 | 0:18:54 | |
I'll just grab a taxi. | 0:18:55 | 0:18:57 | |
MUSIC PLAYING IN CAR | 0:18:57 | 0:19:00 | |
You understand, right? | 0:19:07 | 0:19:09 | |
See? | 0:19:09 | 0:19:12 | |
This is where I live. | 0:19:12 | 0:19:15 | |
-Do you like it? -I do. | 0:19:15 | 0:19:18 | |
-You do? -Mm-hm. | 0:19:18 | 0:19:20 | |
What's it like with her? | 0:19:23 | 0:19:26 | |
Excites you, doesn't it? | 0:19:26 | 0:19:28 | |
-Hmm? -How is she? | 0:19:30 | 0:19:32 | |
She likes to play games. She likes surprises. | 0:19:35 | 0:19:37 | |
Sounds like fun? | 0:19:39 | 0:19:42 | |
Her fun. | 0:19:42 | 0:19:44 | |
You see the drawer beneath the sink? | 0:19:44 | 0:19:47 | |
Yeah. | 0:19:47 | 0:19:48 | |
Open it. | 0:19:48 | 0:19:50 | |
Whatever she needs, I supply. | 0:19:56 | 0:19:59 | |
Whatever Christine wants, she gets. | 0:20:01 | 0:20:05 | |
She's exactly the same in bed. | 0:20:05 | 0:20:07 | |
But she can be very generous sometimes. | 0:20:07 | 0:20:10 | |
She gave me a very beautiful scarf. | 0:20:10 | 0:20:13 | |
She gave you my scarf. | 0:20:13 | 0:20:15 | |
-Oh, no! -Oh, yes! | 0:20:15 | 0:20:17 | |
SHE LAUGHS | 0:20:17 | 0:20:20 | |
Do you want it back? | 0:20:20 | 0:20:23 | |
No. | 0:20:23 | 0:20:25 | |
It looks better on you. Keep it. | 0:20:25 | 0:20:28 | |
-Thank you. -A pleasure. | 0:20:28 | 0:20:31 | |
It's her, isn't it? | 0:20:35 | 0:20:37 | |
OK. So, that takes care of current business. Any questions? | 0:20:40 | 0:20:44 | |
Ah, Isabelle. I got a memo from New York. | 0:20:44 | 0:20:46 | |
Something about a new research poll sent your way. | 0:20:46 | 0:20:49 | |
Did you get that? | 0:20:49 | 0:20:51 | |
-Uh... Did I? -Yes... | 0:20:51 | 0:20:54 | |
Yeah, yeah, yeah, yeah. I got it... | 0:20:54 | 0:20:57 | |
yesterday. I haven't really had a chance to look at it, though. | 0:20:57 | 0:20:59 | |
OK. Well, let's not fall asleep at the switch here. | 0:20:59 | 0:21:02 | |
Of course not. | 0:21:02 | 0:21:03 | |
-Any new developments, I want to know about them immediately. -Yes. | 0:21:03 | 0:21:05 | |
OK, thank you, everyone. That's all. | 0:21:05 | 0:21:08 | |
Oh, Isabelle, could you just stay for a minute, please? | 0:21:08 | 0:21:11 | |
Yeah, yeah. | 0:21:11 | 0:21:13 | |
Hey! | 0:21:33 | 0:21:34 | |
-Are you still mad about London? -No! | 0:21:38 | 0:21:42 | |
-Really? -Yeah. No. -I think you are. | 0:21:42 | 0:21:46 | |
And it's driving me crazy, because I-I-I want everything to be OK. | 0:21:48 | 0:21:53 | |
Because I care about you, you know that. | 0:21:53 | 0:21:56 | |
I-I actually...I love you. | 0:21:56 | 0:21:58 | |
I do. | 0:21:58 | 0:22:00 | |
I do, too. | 0:22:04 | 0:22:06 | |
You can't say it. | 0:22:10 | 0:22:12 | |
Why can't you just say it? | 0:22:14 | 0:22:15 | |
When I was six years old, | 0:22:25 | 0:22:27 | |
my parents bought me and my twin sister a bike... | 0:22:27 | 0:22:31 | |
cos we liked to share everything. | 0:22:31 | 0:22:33 | |
-You have a twin sister? -Hmm. | 0:22:33 | 0:22:36 | |
So we would take turns riding it to school. | 0:22:37 | 0:22:40 | |
And...Clarissa was so much better on the bike than I was. | 0:22:40 | 0:22:44 | |
She could pedal standing up and, you know, ride no hands. | 0:22:44 | 0:22:48 | |
So, one day, it was my turn and I was just so determined that I was... | 0:22:50 | 0:22:54 | |
going to show her I could be just as good as she could. | 0:22:54 | 0:22:58 | |
I started pedalling faster and faster | 0:22:58 | 0:23:02 | |
and she had to run like hell to keep up with me. | 0:23:02 | 0:23:06 | |
And then I-I let go of the handlebars | 0:23:06 | 0:23:10 | |
and I felt like I was flying. | 0:23:10 | 0:23:12 | |
And it felt so good. | 0:23:12 | 0:23:14 | |
I just wanted to see myself, | 0:23:16 | 0:23:18 | |
so I-I looked...into the window | 0:23:18 | 0:23:23 | |
and I caught my reflection. | 0:23:23 | 0:23:26 | |
And then I-I don't know what happened. | 0:23:28 | 0:23:31 | |
I swerved into the street and... | 0:23:31 | 0:23:36 | |
this truck was coming right at me. | 0:23:36 | 0:23:38 | |
And then I suddenly felt my sister | 0:23:40 | 0:23:42 | |
push me from behind out of the way, | 0:23:42 | 0:23:44 | |
and I flew over the handlebars. | 0:23:44 | 0:23:46 | |
And the last thing I remember... | 0:23:48 | 0:23:50 | |
..was this horrible thunk. | 0:23:53 | 0:23:56 | |
I-I woke up in the hospital, and my mother was sobbing, | 0:24:03 | 0:24:09 | |
and I asked her what happened to Clarissa and she said... | 0:24:09 | 0:24:14 | |
Well she didn't, she wouldn't even look at me. | 0:24:14 | 0:24:19 | |
And no-one ever said anything, but I knew what they were thinking. | 0:24:19 | 0:24:23 | |
(That I killed her.) | 0:24:26 | 0:24:28 | |
And they never told me that they loved me ever again. | 0:24:34 | 0:24:37 | |
Oh, Christine. | 0:24:42 | 0:24:44 | |
I love you. | 0:24:46 | 0:24:48 | |
You do? | 0:24:49 | 0:24:51 | |
You're a lovely person. | 0:24:51 | 0:24:53 | |
Dirk! | 0:25:12 | 0:25:14 | |
You wanted me to come. | 0:25:17 | 0:25:21 | |
Here I am. | 0:25:21 | 0:25:22 | |
-Hello, Isabelle. -Hello, Dirk. | 0:25:25 | 0:25:27 | |
-You OK? -I'm good. | 0:25:29 | 0:25:31 | |
SHE SCOFFS You're both so complicated. | 0:25:31 | 0:25:34 | |
-No. Really? -Really? All right. | 0:25:34 | 0:25:39 | |
If that's how it is, then I guess we should get back to work. | 0:25:39 | 0:25:42 | |
Yeah. | 0:25:42 | 0:25:43 | |
-Good. -Good. | 0:25:43 | 0:25:45 | |
-Isabelle, could you leave us in private, please. -Absolutely. | 0:25:45 | 0:25:48 | |
-Aw. She's lovely. -Yes, she is. | 0:25:55 | 0:26:00 | |
So, what are we going to do about your little Ponzi scheme? | 0:26:04 | 0:26:08 | |
"Ponzi scheme"? | 0:26:08 | 0:26:10 | |
HE CHUCKLES | 0:26:10 | 0:26:12 | |
I told you. I need two or three months to balance the sums | 0:26:12 | 0:26:16 | |
-and everything will fall into place. -Well, you have a week. | 0:26:16 | 0:26:19 | |
You're fucking mad, Christine. It's impossible. | 0:26:19 | 0:26:23 | |
Now time is up, New York's doing its audit. | 0:26:23 | 0:26:26 | |
There's no way I can have this kind of exposure. | 0:26:26 | 0:26:28 | |
I can't cover for you any more. | 0:26:28 | 0:26:30 | |
Christine. | 0:26:30 | 0:26:31 | |
My firm has been working for you for a long time. | 0:26:33 | 0:26:35 | |
You can cut me some slack. | 0:26:35 | 0:26:37 | |
I wrote up an addendum to the budgets and it's dated today. | 0:26:37 | 0:26:40 | |
I'm attaching it to the file. Here, read it. | 0:26:40 | 0:26:43 | |
Hey, you know my mole in New York that got the hots for me? | 0:26:50 | 0:26:53 | |
-Yeah. -He told me they're getting cold feet. | 0:26:53 | 0:26:57 | |
Now they think your ad is too raw and experimental. | 0:26:57 | 0:27:01 | |
They want to get professional actors and redo the whole thing. | 0:27:01 | 0:27:04 | |
OK. | 0:27:07 | 0:27:09 | |
OK? No! | 0:27:09 | 0:27:11 | |
If I were you, I would upload your ad onto YouTube | 0:27:11 | 0:27:14 | |
and show them who the real genius is around here. | 0:27:14 | 0:27:16 | |
Anybody sees this...I'm ruined. | 0:27:16 | 0:27:21 | |
Pay it back, I'll happily tear it up. | 0:27:21 | 0:27:24 | |
Christine...listen. | 0:27:26 | 0:27:30 | |
-It's me. -What the fuck do you think you're doing? | 0:27:30 | 0:27:35 | |
I'm not your little Isabelle. | 0:27:35 | 0:27:38 | |
Hi. | 0:28:03 | 0:28:05 | |
-Did you get my text? -I got it, yes. Now's not a good time. | 0:28:06 | 0:28:14 | |
-What's going on? -I have problems. Problems. | 0:28:14 | 0:28:19 | |
And Christine, she won't help me to solve them. | 0:28:19 | 0:28:21 | |
-Tell me about it. I can help you. -You can't. | 0:28:21 | 0:28:25 | |
SPEAKING IN GERMAN | 0:28:25 | 0:28:28 | |
You can't help me. | 0:28:30 | 0:28:32 | |
-Talk to me. Tell me what happened. -It's over. | 0:28:39 | 0:28:43 | |
What? | 0:28:44 | 0:28:46 | |
You and me. | 0:28:46 | 0:28:48 | |
This. | 0:28:48 | 0:28:50 | |
Ends now. | 0:28:50 | 0:28:51 | |
Why? | 0:28:58 | 0:29:00 | |
What did she say, huh? | 0:29:00 | 0:29:02 | |
What did Christine tell you? What happened in that room? Talk to me! | 0:29:02 | 0:29:06 | |
You don't get it, do you? | 0:29:06 | 0:29:08 | |
Christine doesn't think a shit about us. She doesn't care. | 0:29:08 | 0:29:11 | |
Don't do this. | 0:29:13 | 0:29:16 | |
Don't call me. | 0:29:16 | 0:29:17 | |
Don't text me. | 0:29:19 | 0:29:20 | |
-LIFT BELL -Go back to work. | 0:29:20 | 0:29:24 | |
Hey. You're late. | 0:29:38 | 0:29:41 | |
What? | 0:29:43 | 0:29:44 | |
Who-Who? Who's sick? | 0:29:46 | 0:29:50 | |
Your daughter? No, I didn't... I didn't know you had a daughter. | 0:29:50 | 0:29:54 | |
Tomorrow? Um, how about... | 0:29:56 | 0:30:00 | |
How about this? How about you call me NEVER? | 0:30:00 | 0:30:03 | |
PHONE CLATTERS | 0:30:03 | 0:30:04 | |
SHE SNIFFS | 0:30:25 | 0:30:26 | |
SHE GROANS | 0:30:29 | 0:30:30 | |
CUTLERY CLATTERS | 0:30:34 | 0:30:35 | |
SHE BREATHES HEAVILY | 0:31:02 | 0:31:03 | |
INTERCOM RINGS | 0:31:26 | 0:31:27 | |
Dani, can you come in for a second? | 0:31:27 | 0:31:29 | |
Mark? Hi. It's Christine. | 0:31:33 | 0:31:38 | |
Yeah, I know. It's been a really long time. Too long. | 0:31:38 | 0:31:43 | |
Um... What-What are you doing? | 0:31:43 | 0:31:47 | |
Yeah. | 0:31:47 | 0:31:50 | |
You want to come over? | 0:31:50 | 0:31:51 | |
You're right. This is crap. | 0:31:51 | 0:31:56 | |
Fuck them. | 0:31:56 | 0:31:57 | |
Let's find out what the world thinks of my ad, my way. | 0:31:59 | 0:32:02 | |
CHUCKLING Yes, I love it. | 0:32:06 | 0:32:09 | |
Ah, you-you do, you know, very well. I... | 0:32:09 | 0:32:13 | |
It's-It's not too noisy? OK, good. Well, I'm... | 0:32:13 | 0:32:18 | |
Yeah, I want to take it. I-I know, I know. | 0:32:18 | 0:32:22 | |
Manhattan apartments are so much more expensive than the... | 0:32:22 | 0:32:25 | |
Yeah, except...yeah. OK, let's, ah, let's talk in a couple of days. OK. | 0:32:31 | 0:32:35 | |
All right. Bye. | 0:32:35 | 0:32:37 | |
HE PANTS | 0:32:37 | 0:32:39 | |
Oh...my God! | 0:32:39 | 0:32:42 | |
HE WHIMPERS | 0:32:42 | 0:32:44 | |
Wow, Mark! | 0:32:44 | 0:32:46 | |
PHONE RINGING | 0:32:46 | 0:32:51 | |
Yeah. | 0:32:52 | 0:32:54 | |
'Isabelle? JJ Koch here. Am I waking you?' | 0:32:54 | 0:32:58 | |
Oh, hi. No, not at all. | 0:32:58 | 0:33:01 | |
'I can't believe what you've done. | 0:33:01 | 0:33:03 | |
'I tried to call Christine, but I couldn't reach her.' | 0:33:03 | 0:33:05 | |
Oh, my God. Ah, ah, I'm so sorry. | 0:33:05 | 0:33:08 | |
Christine has nothing to do with this. It's all my fault. | 0:33:08 | 0:33:10 | |
I just felt like the new ideas were so... | 0:33:10 | 0:33:12 | |
'No, no, it's great, it's wonderful. | 0:33:12 | 0:33:15 | |
'You were right, 1,000% right. | 0:33:15 | 0:33:18 | |
-'Do you realise how many time your ad has been viewed?' -No. | 0:33:18 | 0:33:22 | |
'Ten million. And it's only been on for five hours. | 0:33:22 | 0:33:27 | |
-'My phone is ringing off the hook.' -Oh, my God. That's... That's great. | 0:33:27 | 0:33:32 | |
'That's brilliant! And guess what? We're coming to see you tomorrow. | 0:33:32 | 0:33:36 | |
'We have to go back to London, | 0:33:36 | 0:33:37 | |
'so we're going to stop off and see you on the way.' | 0:33:37 | 0:33:39 | |
So, to cut to the chase, Isabelle's Omniphone ad has gone viral. | 0:33:39 | 0:33:44 | |
They want us to spin off some print and TV spots. | 0:33:44 | 0:33:47 | |
According to preliminary estimates, | 0:33:47 | 0:33:49 | |
we're talking about over 50 million in billings. | 0:33:49 | 0:33:53 | |
Plus, I've got every jean company on the planet | 0:33:53 | 0:33:56 | |
to beg me to represent them. | 0:33:56 | 0:33:59 | |
Well, guys, this is a total home run. OK, thanks a lot. | 0:33:59 | 0:34:03 | |
Isabelle, Christine, | 0:34:03 | 0:34:05 | |
-I would like to have a word with you in private. -Mm-hm. | 0:34:05 | 0:34:08 | |
-Nice work, Isabelle. -Thank you. -You're now on our short list. | 0:34:12 | 0:34:17 | |
Congratulations on the concept and the follow through. | 0:34:17 | 0:34:21 | |
Christine, you sure have a nose for talent, | 0:34:21 | 0:34:23 | |
you know how to find them and train them. | 0:34:23 | 0:34:27 | |
About New York, I don't think this is really the best time. | 0:34:27 | 0:34:31 | |
-We should wait. Let's talk about it later, OK? -OK. | 0:34:32 | 0:34:37 | |
Yeah. I'm not really in any hurry. I still have a lot of work to do here. | 0:34:38 | 0:34:42 | |
Outstanding. So, Isabelle, I expect you | 0:34:42 | 0:34:46 | |
in New York with a completed campaign within the month. | 0:34:46 | 0:34:48 | |
-Yes. -Thanks. | 0:34:48 | 0:34:50 | |
-Thank you. -Both of you. | 0:34:50 | 0:34:52 | |
Thank you. | 0:34:52 | 0:34:54 | |
-Why? -You knew about the memo. | 0:35:07 | 0:35:10 | |
They want to change it, I thought they were wrong, so... | 0:35:10 | 0:35:14 | |
I did what had to be done. Everything happened really fast. | 0:35:14 | 0:35:17 | |
I tried to update you last night, but you weren't answering... | 0:35:17 | 0:35:19 | |
Just answer the question. Why? | 0:35:19 | 0:35:24 | |
I watched you. | 0:35:24 | 0:35:27 | |
I listened. | 0:35:27 | 0:35:29 | |
I learned. | 0:35:29 | 0:35:31 | |
I did exactly what you would do. | 0:35:31 | 0:35:33 | |
There no backstabbing here, Christine. | 0:35:35 | 0:35:37 | |
It's just business. | 0:35:37 | 0:35:40 | |
Well... | 0:35:44 | 0:35:47 | |
there it is, then. | 0:35:47 | 0:35:49 | |
PHONE RINGS | 0:36:07 | 0:36:10 | |
-Yeah. -'Oh, thank God. | 0:36:23 | 0:36:28 | |
'Thank God you answered. | 0:36:28 | 0:36:30 | |
-'It's me, Isabelle.' -I know. What do you want? | 0:36:30 | 0:36:36 | |
'Look. You were right. It's Christine. | 0:36:36 | 0:36:39 | |
'She... Look, she forced me to break it off. OK?' | 0:36:39 | 0:36:43 | |
-She forced you? -'Yes, she forced me. She's fucking dangerous, Isabelle.' | 0:36:43 | 0:36:50 | |
You don't understand. Well, she's screwed up with everything | 0:36:50 | 0:36:54 | |
that happened with her sister. | 0:36:54 | 0:36:56 | |
'What? Her sister? What are you talking about? What sister?' | 0:36:56 | 0:36:59 | |
Her twin sister, Clarissa. | 0:36:59 | 0:37:00 | |
'What are you talking about? She doesn't have a twin sister. | 0:37:00 | 0:37:03 | |
'You see, this is it. This is what she does. | 0:37:03 | 0:37:06 | |
'She's told you some sad story to get your sympathy.' | 0:37:06 | 0:37:10 | |
-She doesn't have a sister? -'No.' | 0:37:10 | 0:37:15 | |
-How do you know? -'Because I know her. I know Christine. | 0:37:15 | 0:37:21 | |
'I know what she's like. This is what she does. | 0:37:21 | 0:37:25 | |
'She'll say anything to fuck you up. | 0:37:25 | 0:37:28 | |
'Please, Isabelle, don't let her do this. Don't let her do this to us. | 0:37:28 | 0:37:33 | |
'Look. Can you meet me? Can you... | 0:37:33 | 0:37:37 | |
'Can you... Can you see me tonight, please?' | 0:37:37 | 0:37:40 | |
-I don't know, Dirk. -'Isabelle...I... I need you.' | 0:37:40 | 0:37:48 | |
'I need to see you. I want you, Isabelle. | 0:37:50 | 0:37:55 | |
'I'm sorry. Do you understand? | 0:37:55 | 0:38:00 | |
-'It's her, not me. I'm sorry.' -OK. | 0:38:00 | 0:38:05 | |
-OK. -'Good.' -Yeah. -'OK, good.' -Yeah. | 0:38:05 | 0:38:10 | |
'Good, good, good. I'll pick you up.' | 0:38:10 | 0:38:15 | |
-OK. -'I'll come by the office - eight o'clock.' -OK. | 0:38:15 | 0:38:18 | |
COMPUTER ALERT | 0:38:27 | 0:38:30 | |
Hey. | 0:38:32 | 0:38:34 | |
You're late. | 0:38:34 | 0:38:36 | |
And I can't see you. | 0:38:36 | 0:38:38 | |
You have your camera on? Dirk? | 0:38:38 | 0:38:41 | |
MOANING IN BACKGROUND Guess again. It's me. | 0:38:41 | 0:38:45 | |
Are you looking for Dirk? | 0:38:45 | 0:38:48 | |
He's right here! | 0:38:48 | 0:38:50 | |
Don't point that fucking thing at me. Take it off. Take it off. | 0:38:53 | 0:38:58 | |
He's a little bit grumpy right now. | 0:38:58 | 0:39:00 | |
But I don't know why because we're just having a nice evening | 0:39:00 | 0:39:04 | |
at home watching a movie. | 0:39:04 | 0:39:06 | |
Your movie, actually...from London. | 0:39:06 | 0:39:10 | |
Want to take a look? | 0:39:10 | 0:39:12 | |
MOANING | 0:39:12 | 0:39:14 | |
SHE SNIFFS | 0:39:35 | 0:39:36 | |
SHE CHOKES UP | 0:39:44 | 0:39:45 | |
ALARM BLARES | 0:40:55 | 0:40:59 | |
Fuck! Fucking fuck! Fuck! | 0:40:59 | 0:41:05 | |
ALARM STOPS | 0:41:05 | 0:41:06 | |
LOCKS CHIRP | 0:41:06 | 0:41:09 | |
ENGINE REVS | 0:41:17 | 0:41:18 | |
TYRES SCREECH | 0:41:20 | 0:41:21 | |
Fuck me! | 0:41:49 | 0:41:51 | |
Oh! | 0:41:51 | 0:41:54 | |
Fuck! | 0:41:54 | 0:41:57 | |
SHE WAILS | 0:41:57 | 0:42:02 | |
Isabelle! | 0:42:33 | 0:42:34 | |
Isabelle! Are you all right? | 0:42:37 | 0:42:41 | |
What happened? | 0:42:43 | 0:42:45 | |
Isabelle, I need to talk to you. I found something very strange. | 0:42:46 | 0:42:49 | |
I was looking for a file in the archives | 0:42:53 | 0:42:56 | |
on a deal made earlier this year. | 0:42:56 | 0:42:58 | |
I noticed an enormous difference | 0:42:58 | 0:43:00 | |
between Dirk Harriman's projected figures | 0:43:00 | 0:43:02 | |
and the ones off the actual budget in the Middle East market. | 0:43:02 | 0:43:06 | |
The weird thing is that Christine | 0:43:06 | 0:43:08 | |
just added an addendum to the file | 0:43:08 | 0:43:10 | |
that reads like a criminal indictment. | 0:43:10 | 0:43:13 | |
I always knew there was something strange about that guy. | 0:43:25 | 0:43:28 | |
What are you talking about? | 0:43:28 | 0:43:30 | |
Dirk was stealing money. And Christine stopped covering for him. | 0:43:30 | 0:43:34 | |
-Is there anything I can do for you? -Yes, get me a coffee. | 0:43:40 | 0:43:44 | |
Hey, did you hear? | 0:43:46 | 0:43:48 | |
Our fearless leader is throwing | 0:43:48 | 0:43:51 | |
a company reception with all the department heads. | 0:43:51 | 0:43:54 | |
It's tomorrow night, right here. | 0:43:54 | 0:43:56 | |
It's one of those if you don't show, you get a toaster for Christmas. | 0:43:58 | 0:44:01 | |
We'll have a little surprise for you tonight. An amusing one, I hope. | 0:44:09 | 0:44:14 | |
So, what really goes on within these walls? Hmm? | 0:44:14 | 0:44:20 | |
I've put together a little reality show. | 0:44:20 | 0:44:23 | |
"The not so secret life of the very stressed-out executives." | 0:44:23 | 0:44:27 | |
LAUGHTER | 0:44:27 | 0:44:28 | |
Their ecstasies, their agonies and the lessons to be learned. | 0:44:28 | 0:44:34 | |
LAUGHTER | 0:44:46 | 0:44:48 | |
An executive meltdown. Yes, we have all been there, haven't we? | 0:44:56 | 0:45:02 | |
Now. The trick is to not succumb to your frustrations. | 0:45:02 | 0:45:07 | |
Take a deep breath, relax, move on. Hmmm? | 0:45:07 | 0:45:12 | |
Yeah, right. OK. Next. | 0:45:12 | 0:45:15 | |
-Oooh. -Oh. -My God. | 0:45:22 | 0:45:25 | |
Caught in the act. | 0:45:25 | 0:45:28 | |
Now, we all need to blow off a little steam at work, it's true. | 0:45:28 | 0:45:31 | |
And you both know who you are. | 0:45:31 | 0:45:33 | |
I suggest next time you rent a room. OK? | 0:45:33 | 0:45:37 | |
Outside the work space. Thank you. | 0:45:37 | 0:45:39 | |
All right, what's next? | 0:45:39 | 0:45:41 | |
LAUGHTER | 0:45:45 | 0:45:46 | |
Ouch! | 0:45:46 | 0:45:48 | |
Going toe-to-toe with a concrete pillar. | 0:45:48 | 0:45:51 | |
GASPING AND LAUGHTER | 0:45:52 | 0:45:56 | |
So, someone's not very happy with their parking spot. | 0:45:58 | 0:46:02 | |
LAUGHTER DIES | 0:46:02 | 0:46:05 | |
LOW WHISPERING | 0:46:06 | 0:46:09 | |
CHRISTINE CUCKLES | 0:46:11 | 0:46:12 | |
Oh, come on, it's just a joke. | 0:46:14 | 0:46:18 | |
Where's your sense of humour? | 0:46:21 | 0:46:23 | |
Oh, my God. | 0:46:25 | 0:46:28 | |
This really hurt you, didn't it? | 0:46:28 | 0:46:30 | |
I'm so sorry. | 0:46:33 | 0:46:34 | |
But I just thought we could laugh together. | 0:46:36 | 0:46:38 | |
SHE LAUGHS | 0:46:42 | 0:46:44 | |
Yeah. It's funny. | 0:46:53 | 0:46:56 | |
BOTH LAUGHING | 0:46:57 | 0:46:59 | |
Hi. I want to talk to Dr Katzman, please. | 0:47:29 | 0:47:33 | |
Stefan? It's Isabelle James. I need to come and see you. | 0:47:36 | 0:47:40 | |
Come in. | 0:48:12 | 0:48:14 | |
Close the door. | 0:48:14 | 0:48:16 | |
Isabelle, I said I was sorry. | 0:48:28 | 0:48:31 | |
-And now this? -What is it? | 0:48:31 | 0:48:35 | |
"I will never forget how you humiliated me. | 0:48:35 | 0:48:39 | |
"And you'll pay for it." | 0:48:39 | 0:48:41 | |
"Vengeance is a dish best served cold." | 0:48:41 | 0:48:44 | |
-I never wrote that. -It's from your computer. -I didn't write it. | 0:48:47 | 0:48:50 | |
-It's not very smart, Isabelle. -I never wrote it. | 0:48:50 | 0:48:54 | |
Well, I think that's going to be hard to believe | 0:48:54 | 0:48:57 | |
after your unfortunate performance. | 0:48:57 | 0:48:58 | |
I never wrote it. | 0:48:58 | 0:49:00 | |
OK. Fine. | 0:49:00 | 0:49:01 | |
How about I just put it in a safe place for now? | 0:49:04 | 0:49:07 | |
There. | 0:49:08 | 0:49:09 | |
I feel like things have just gotten | 0:49:17 | 0:49:20 | |
so out of control around here lately. It's so crazy. | 0:49:20 | 0:49:23 | |
I'm having a small, intimate dinner party on Saturday night. | 0:49:26 | 0:49:29 | |
Just a few close friends and I would really like it if you would come. | 0:49:31 | 0:49:34 | |
-That file you were telling me about? Dirk's file? -Yeah? | 0:49:42 | 0:49:46 | |
-Bring it to me. -OK. | 0:49:46 | 0:49:49 | |
Here's the file you asked for. | 0:49:59 | 0:50:03 | |
Thank you. | 0:50:03 | 0:50:05 | |
I want to go to the ballet. | 0:50:08 | 0:50:11 | |
Afternoon Of A Faun. | 0:50:11 | 0:50:14 | |
-Ten o'clock, Saturday night. -OK. | 0:50:16 | 0:50:22 | |
CHATTERING | 0:50:46 | 0:50:49 | |
-You OK? -Yeah, I'm sorry. | 0:50:52 | 0:50:55 | |
-Excuse me. -Sure. | 0:51:02 | 0:51:05 | |
THEY SPEAK GERMAN | 0:51:08 | 0:51:11 | |
BUZZER RINGS | 0:51:26 | 0:51:27 | |
Yeah, I-I'm coming. | 0:51:27 | 0:51:29 | |
OK. Well done. Yes. And a bit more of a smile, please. | 0:51:58 | 0:52:01 | |
Yes, everybody. Very good. Yes. | 0:52:01 | 0:52:04 | |
Thank you very much. Thank you. | 0:52:34 | 0:52:36 | |
Thank you. Thank you so much. | 0:52:36 | 0:52:38 | |
Thank you, thank you for coming. | 0:52:38 | 0:52:40 | |
I'll see you out. | 0:52:41 | 0:52:43 | |
Thank you. Take care. | 0:52:45 | 0:52:47 | |
Isabelle... | 0:52:50 | 0:52:52 | |
I'm glad to see you wearing the scarf. | 0:52:52 | 0:52:55 | |
Why don't we kiss and make up? Hmm? | 0:52:57 | 0:53:00 | |
Mm-ah! | 0:53:08 | 0:53:09 | |
CHRISTINE CHUCKLES | 0:53:11 | 0:53:12 | |
Mm! | 0:53:12 | 0:53:14 | |
-Isabelle, what are you doing? -What do you mean? | 0:53:21 | 0:53:25 | |
Kissing that bitch? I saw you. After all she's done? | 0:53:25 | 0:53:29 | |
Don't take that tone with me. | 0:53:29 | 0:53:31 | |
Who do you think you're talking to? Shut up and go back to work. | 0:53:31 | 0:53:34 | |
-Do you think no-one can tell? -Tell what? | 0:53:47 | 0:53:52 | |
-What you really want. -I don't know what you're talking about. | 0:53:52 | 0:53:55 | |
Her cunt. | 0:53:55 | 0:53:58 | |
-Isabelle and I laugh about it all the time. -I don't believe you. | 0:53:58 | 0:54:04 | |
Do you think I don't see what's going on | 0:54:04 | 0:54:06 | |
in that dyke brain of yours? | 0:54:06 | 0:54:09 | |
Your jealousy is fucking up our working relationship. | 0:54:10 | 0:54:13 | |
And I won't stand for it. I want you out of here. | 0:54:13 | 0:54:17 | |
You can't fire me. | 0:54:17 | 0:54:19 | |
I'm not going to fire you. | 0:54:20 | 0:54:23 | |
You're resigning. | 0:54:23 | 0:54:25 | |
I want your letter on my desk Monday morning. | 0:54:25 | 0:54:28 | |
I'm not doing it. | 0:54:28 | 0:54:30 | |
CHRISTINE GASPS | 0:54:35 | 0:54:37 | |
OH! | 0:54:39 | 0:54:40 | |
Oh! | 0:54:46 | 0:54:48 | |
-I believe I've been sexually assaulted. -What? | 0:54:48 | 0:54:51 | |
And in the "she said, she said", who are they going to believe? Hmm? | 0:54:53 | 0:54:58 | |
CHATTER | 0:55:47 | 0:55:50 | |
Charming, all of you. Very charming. | 0:55:53 | 0:55:56 | |
All very wonderfully boring. All of you. | 0:55:56 | 0:56:02 | |
Especially you. Oh, you are. | 0:56:04 | 0:56:07 | |
Good night. | 0:56:11 | 0:56:13 | |
Christine. | 0:56:18 | 0:56:20 | |
Hello, Christine. | 0:56:22 | 0:56:26 | |
Thank you for all your help tonight. | 0:56:26 | 0:56:28 | |
-Christine, we really need to talk... -I'll see you on Monday. | 0:56:28 | 0:56:32 | |
..you and I. | 0:56:32 | 0:56:33 | |
-Thank you. Good night. Good night. Thank you. -We need to talk. | 0:56:33 | 0:56:35 | |
-Cheerio, all of you. -You're really drunk. | 0:56:35 | 0:56:38 | |
-Yes, I am. Let's go inside. -No. Let's not. | 0:56:38 | 0:56:43 | |
How did you get here? | 0:56:44 | 0:56:47 | |
I drove here... | 0:56:47 | 0:56:48 | |
-What? -..very fast. | 0:56:48 | 0:56:51 | |
-Oh, my God. -Look. | 0:56:51 | 0:56:53 | |
What's wrong with you? What are you... What's going on? | 0:56:53 | 0:56:55 | |
We need to talk. That's all. | 0:56:55 | 0:56:57 | |
-You...made me... -This is not a time for talking. | 0:56:57 | 0:57:00 | |
You made me do a very bad thing. OK? | 0:57:00 | 0:57:04 | |
INAUDILBE | 0:57:04 | 0:57:12 | |
You owe me, Christine. You do not let me down. | 0:57:25 | 0:57:29 | |
SHE CHUCKLES Mm. | 0:58:04 | 0:58:07 | |
CHRISTINE CHUCKLES | 0:58:36 | 0:58:39 | |
Let me in, Christine. | 0:59:57 | 0:59:58 | |
Open the door, Christine. | 1:00:01 | 1:00:04 | |
Christine! | 1:00:04 | 1:00:06 | |
I'm coming. | 1:01:32 | 1:01:35 | |
Are you down there? | 1:01:35 | 1:01:37 | |
SHE GASPS | 1:01:39 | 1:01:42 | |
SHE GASPS | 1:01:47 | 1:01:49 | |
SHE GASPS | 1:01:51 | 1:01:53 | |
SHE PANTS | 1:01:53 | 1:01:56 | |
DOORBELL | 1:01:56 | 1:01:59 | |
DOORBELL | 1:01:59 | 1:02:01 | |
DOORBELL | 1:02:03 | 1:02:05 | |
DOORBELL | 1:02:07 | 1:02:08 | |
DOORBELL | 1:02:11 | 1:02:12 | |
KNOCKING | 1:02:12 | 1:02:13 | |
KNOCKING | 1:02:15 | 1:02:19 | |
HEAVY KNOCKING | 1:02:19 | 1:02:21 | |
HEAVY THUMPING ON DOOR | 1:02:22 | 1:02:23 | |
RAPID BANGING ON DOOR | 1:02:25 | 1:02:28 | |
Hello. | 1:02:33 | 1:02:35 | |
Inspector Bach. My colleague. | 1:02:37 | 1:02:40 | |
-Are you Isabelle James? -Yes. | 1:02:40 | 1:02:43 | |
-Mind if we come in? -Why? | 1:02:43 | 1:02:46 | |
Are you all right? | 1:02:48 | 1:02:50 | |
-Are you all right? -No. No, I'm-I'm not all right. | 1:02:51 | 1:02:56 | |
I-I took some sleeping pills. I can't sleep. | 1:02:56 | 1:03:00 | |
Do you know that Christine Stanford was murdered, | 1:03:02 | 1:03:04 | |
her throat slashed in her home Saturday night? | 1:03:04 | 1:03:07 | |
Do you recognise this? | 1:03:12 | 1:03:14 | |
Do you recognise this? | 1:03:20 | 1:03:22 | |
It was written on your computer. | 1:03:24 | 1:03:26 | |
Didn't the victim recently humiliate you in front of your staff? | 1:03:33 | 1:03:37 | |
Miss James? | 1:03:39 | 1:03:40 | |
We found a piece of materia... Miss James! | 1:03:45 | 1:03:48 | |
-I'm here. -HE CLICKS HIS FINGERS | 1:03:48 | 1:03:52 | |
We found a piece of material in the victim's hand | 1:03:52 | 1:03:54 | |
which appears to come from a scarf. | 1:03:54 | 1:03:56 | |
Identical to the one... you are wearing here. | 1:03:56 | 1:04:00 | |
Can you explain that? | 1:04:03 | 1:04:06 | |
Where were you Saturday night | 1:04:06 | 1:04:08 | |
between the hours of 11:30pm and 1am? | 1:04:08 | 1:04:11 | |
-Ballet. -Where? | 1:04:15 | 1:04:18 | |
-At the ballet. -Oh, at the ballet. | 1:04:20 | 1:04:23 | |
-Were you alone? -Yes. | 1:04:23 | 1:04:26 | |
-Did anyone see you or recognise you? -Why would anyone recognise me? | 1:04:26 | 1:04:32 | |
Sometimes you see people, you talk to someone. They might remember. | 1:04:32 | 1:04:36 | |
-Remember what? -Remember you. | 1:04:37 | 1:04:40 | |
You would have an alibi, which means you didn't kill Christine Stanford. | 1:04:40 | 1:04:44 | |
Kill Christine? Oh. | 1:04:44 | 1:04:46 | |
I could... I would never... | 1:04:46 | 1:04:51 | |
If you have a lawyer, it's a good time to call him. | 1:04:51 | 1:04:54 | |
Could you open your mouth, please? | 1:05:00 | 1:05:02 | |
Lab analysis has confirmed that the scarf fibres | 1:05:07 | 1:05:10 | |
match the one you were seen wearing. | 1:05:10 | 1:05:13 | |
In conclusion, you're going to be indicted for first-degree murder. | 1:05:13 | 1:05:16 | |
Isabelle. Isabelle, are you all right? | 1:05:23 | 1:05:28 | |
-Could we get her some water, please? -Miss James. Miss James! | 1:05:28 | 1:05:33 | |
Would you like us to take a break? Do you need a doctor? | 1:05:34 | 1:05:38 | |
-No. -Yes. I believe my client's present con... | 1:05:38 | 1:05:41 | |
Fine, fine, fine. Fine. Then we'll do this quickly. | 1:05:41 | 1:05:43 | |
By staging the crime scene to simulate a robbery, | 1:05:43 | 1:05:47 | |
you've aggravated the circumstance of your crime. | 1:05:47 | 1:05:51 | |
So, we're now dealing with premeditated murder. | 1:05:51 | 1:05:56 | |
Why don't you just confess? And save us all a lot of time...and money. | 1:05:56 | 1:06:01 | |
What? | 1:06:01 | 1:06:02 | |
Hold on. You have some fibres that match a picture | 1:06:02 | 1:06:04 | |
of a scarf my client was wearing. | 1:06:04 | 1:06:06 | |
How many other real scarves would they match? | 1:06:06 | 1:06:08 | |
What about the DNA evidence? | 1:06:08 | 1:06:09 | |
Has any of my client's DNA actually been found on the victim? | 1:06:09 | 1:06:12 | |
-That evidence is being processed. -You let me know when you come up | 1:06:12 | 1:06:14 | |
with something that'll stand up in court. | 1:06:14 | 1:06:16 | |
-Until then, my client isn't... -Did you kill Christine Stanford?. | 1:06:16 | 1:06:18 | |
-She doesn't have to answer that. Don't answer that. -Was it you? | 1:06:18 | 1:06:20 | |
Ah, get... Please, this is outrageous. | 1:06:20 | 1:06:23 | |
-Did you kill her? -Would you stop harassing her? | 1:06:23 | 1:06:25 | |
Yes, yes, yes. Yes, I must have. | 1:06:25 | 1:06:27 | |
Isabelle, please, careful. Isabelle, think about what you're saying. | 1:06:27 | 1:06:31 | |
What do you mean by you must have? Did you do it? | 1:06:31 | 1:06:35 | |
-Was it you? -Isabelle, don't answer that. | 1:06:35 | 1:06:39 | |
-Are you confessing to this? -Well, how could she? She didn't do it. | 1:06:39 | 1:06:41 | |
-Are you confessing to this? -Yes. I confess. | 1:06:41 | 1:06:46 | |
SHOUTING IN GERMAN | 1:06:46 | 1:06:49 | |
SHE SHOUTS IN GERMAN | 1:06:53 | 1:06:55 | |
SHE GASPS AND PANTS | 1:07:09 | 1:07:14 | |
Mm. | 1:07:30 | 1:07:33 | |
Mm. | 1:07:33 | 1:07:36 | |
'By staging the crime scene to simulate a robbery... | 1:08:00 | 1:08:03 | |
'Isabelle. Isabelle, are you all right? | 1:08:03 | 1:08:06 | |
-'Did you kill Christine Stanford? -She doesn't have to... | 1:08:06 | 1:08:09 | |
-'Would you like us to take a break? -Did you do it? | 1:08:09 | 1:08:11 | |
-'This is outrageous...' -Did you do it? -No, she didn't. | 1:08:11 | 1:08:13 | |
-'Did you kill her? -Would you stop harassing her? | 1:08:13 | 1:08:16 | |
'Prosecutor, let me point out that my client's mental state... | 1:08:16 | 1:08:18 | |
-'Your client has just confessed to murder. -Yes, I confess.' | 1:08:18 | 1:08:23 | |
SHE KNOCKS | 1:08:28 | 1:08:30 | |
SHE KNOCKS | 1:08:37 | 1:08:39 | |
-SHE SPEAKS GERMAN -I want to see my attorney. | 1:08:41 | 1:08:44 | |
-I didn't kill Christine. -You're withdrawing your confession? | 1:08:44 | 1:08:48 | |
-Yes. I'm innocent. I didn't do it. -Then why did you confess? | 1:08:48 | 1:08:53 | |
I don't know. I was so tired, so fucked up by all those pills. | 1:08:53 | 1:08:58 | |
I would have confessed to anything. | 1:08:58 | 1:09:01 | |
I've gotta speak to the prosecutor...immediately. | 1:09:02 | 1:09:05 | |
It looks like the same material. You're right. | 1:09:07 | 1:09:11 | |
But my scarf isn't torn. | 1:09:11 | 1:09:13 | |
-Where is it? -I don't know exactly. Somewhere in my apartment. | 1:09:14 | 1:09:18 | |
We already searched your apartment thoroughly. We found nothing. | 1:09:18 | 1:09:22 | |
You have to look again. I know it's there. | 1:09:22 | 1:09:24 | |
Look, my client has no reason to lie about this. | 1:09:24 | 1:09:26 | |
-Either she has an identical scarf or she doesn't. -Yes. | 1:09:26 | 1:09:29 | |
All right, I think you've wasted enough of my time. | 1:09:29 | 1:09:32 | |
Oh, please. | 1:09:32 | 1:09:33 | |
Wait a minute. I didn't do it. Why would I kill Christine? | 1:09:33 | 1:09:35 | |
Cos you had motive. And a very powerful one. Vengeance. | 1:09:35 | 1:09:39 | |
I never wrote that. Never. | 1:09:39 | 1:09:40 | |
And even if I did, killing her after writing that would be insane. | 1:09:40 | 1:09:44 | |
Christine must have sent this from my computer to... | 1:09:44 | 1:09:48 | |
Oh, my God. | 1:09:52 | 1:09:53 | |
Look at the date. | 1:09:55 | 1:09:57 | |
It was sent the day before the company reception. | 1:09:57 | 1:10:00 | |
Do you see? The day before she did that terrible thing to me. | 1:10:02 | 1:10:06 | |
It doesn't make any sense. I never wrote that. | 1:10:08 | 1:10:12 | |
My career was taking off and Christine couldn't stand it. | 1:10:12 | 1:10:15 | |
She hated me. | 1:10:15 | 1:10:17 | |
Yes, She tried to destroy her. | 1:10:17 | 1:10:18 | |
We have statements from several of the executives | 1:10:18 | 1:10:20 | |
close to my client and the victim. | 1:10:20 | 1:10:22 | |
And they all confirm that my client was falling apart | 1:10:22 | 1:10:24 | |
as a direct result of Christine Stanford's... | 1:10:24 | 1:10:25 | |
Is this a plea of insanity, Miss James? Is that your defence? | 1:10:25 | 1:10:28 | |
-Plus she took a lot of prescription medicine. -No, I'm saying I'm innocent. | 1:10:28 | 1:10:30 | |
Take your pleas of mitigating circumstances to the judge! | 1:10:30 | 1:10:33 | |
-I'm only interested in evidence. -Which we tried to deliver here. | 1:10:33 | 1:10:34 | |
This is not evidence. | 1:10:34 | 1:10:36 | |
Look, I was never at Christine's house. I was at the ballet. | 1:10:36 | 1:10:39 | |
Yes. That's what YOU say. | 1:10:39 | 1:10:42 | |
I spoke to an usher. | 1:10:46 | 1:10:48 | |
At the ballet. He had grey curly hair. He was German. | 1:10:48 | 1:10:52 | |
His English was quite bad. | 1:10:52 | 1:10:53 | |
He'd remember me. | 1:10:53 | 1:10:55 | |
My client was wrongly accused. She has a confirmed alibi. | 1:12:44 | 1:12:48 | |
There's no physical evidence against her. | 1:12:48 | 1:12:50 | |
No DNA found at the scene. Nothing. | 1:12:50 | 1:12:52 | |
-What about the piece of scarf found in the victim's hand? -It's not mine. | 1:12:52 | 1:12:56 | |
So you still claim you have an identical scarf? | 1:12:56 | 1:12:58 | |
Yes, exactly the same scarf. | 1:12:58 | 1:12:59 | |
And if we could find it, it wouldn't have a tear. | 1:12:59 | 1:13:02 | |
May I make a request? | 1:13:02 | 1:13:05 | |
Please, go ahead. | 1:13:05 | 1:13:07 | |
Would you allow my client to | 1:13:07 | 1:13:08 | |
accompany the police officers to look for the scarf? | 1:13:08 | 1:13:11 | |
CLATTERING | 1:13:13 | 1:13:17 | |
What is this? | 1:13:58 | 1:14:00 | |
Christine found that Dirk... | 1:14:00 | 1:14:02 | |
er, Mr Harriman...attempted to conceal | 1:14:02 | 1:14:04 | |
a diversion of a very large sum of money in connection with the deal. | 1:14:04 | 1:14:07 | |
-How much? -I don't know exactly. | 1:14:07 | 1:14:09 | |
It seems to be well over five million euros. | 1:14:09 | 1:14:13 | |
He embezzled five million euros and Christine was going to expose him? | 1:14:13 | 1:14:17 | |
Why were you hiding the evidence? | 1:14:17 | 1:14:19 | |
Oh, well. He was a friend. And he said that | 1:14:19 | 1:14:22 | |
if he just had some more time, he could put the money back. | 1:14:22 | 1:14:25 | |
So you snatched the file and hid it. | 1:14:25 | 1:14:27 | |
Didn't you realise that this is the motive for murder? | 1:14:27 | 1:14:29 | |
Oh, no. No, Dirk could never do anything like that. | 1:14:29 | 1:14:33 | |
-So, time's up. Let's go. -Oh, no, just wait. | 1:14:34 | 1:14:37 | |
Can I have a look, please? | 1:14:37 | 1:14:38 | |
Because I keep my-my scarf in one of those drawers | 1:14:38 | 1:14:41 | |
and sometimes things fall behind. | 1:14:41 | 1:14:42 | |
-Please, can I have a look, please, please, please. -OK. -Thank you. | 1:14:42 | 1:14:45 | |
-HE SPEAKS GERMAN -Thank you. | 1:14:45 | 1:14:48 | |
-Oh, it's gotta be there. -Isabelle. Isabelle! It's finished. | 1:14:58 | 1:15:01 | |
-No, no! -Let's go. | 1:15:01 | 1:15:02 | |
-It's supposed to be here! -HE SPEAKS GERMAN | 1:15:02 | 1:15:05 | |
It's got to be here! No, please, please! | 1:15:05 | 1:15:06 | |
Please, give me one more minute, please! | 1:15:06 | 1:15:08 | |
Please, give me one more minute! No! | 1:15:08 | 1:15:11 | |
I didn't do it. | 1:15:14 | 1:15:15 | |
Of course. Of course you didn't do it. I know that. | 1:15:16 | 1:15:20 | |
SHE SNIFFS | 1:15:22 | 1:15:24 | |
You know my scarf? | 1:15:26 | 1:15:29 | |
It's somewhere in my flat. | 1:15:29 | 1:15:31 | |
You've got to find it. | 1:15:31 | 1:15:33 | |
What a mess. I guess I'm expected to clean this up? | 1:15:56 | 1:16:00 | |
-Where did you get this? -Back of that drawer. Filthy as can be. | 1:16:02 | 1:16:06 | |
Took it straight to the cleaners. | 1:16:06 | 1:16:08 | |
-Ms Wirth, this is an outrageous situation. -Mm-hm. | 1:16:09 | 1:16:11 | |
-You're going to have find someone else. -OK. | 1:16:11 | 1:16:15 | |
Hello? Inspector Bach? | 1:16:17 | 1:16:19 | |
-Mr Harriman. -Yes, what is this? | 1:16:22 | 1:16:26 | |
Inspector Bach. | 1:16:26 | 1:16:27 | |
The prosecutor has filed charges against you for embezzlement. | 1:16:27 | 1:16:30 | |
We are to immediately proceed with proactive searches. | 1:16:30 | 1:16:33 | |
We will first search this vehicle, then your residence. | 1:16:33 | 1:16:36 | |
You're out of your mind. | 1:16:36 | 1:16:39 | |
The prosecutor will explain everything when you see him. | 1:16:39 | 1:16:42 | |
Did you try to break into Christine Stanford's house | 1:16:42 | 1:16:44 | |
-the night of the murder? -No, absolutely not. | 1:16:44 | 1:16:47 | |
Do you deny being there? | 1:16:47 | 1:16:49 | |
No. | 1:16:49 | 1:16:50 | |
-Were you a guest? -Yes, I was. Actually, I arrived late. | 1:16:52 | 1:16:58 | |
-When did you arrive? -I can't remember. | 1:16:58 | 1:17:01 | |
-You can't remember? -No.. | 1:17:01 | 1:17:03 | |
-And what... -I can't remember. | 1:17:03 | 1:17:05 | |
Is this yours? | 1:17:13 | 1:17:15 | |
That WAS my scarf. Yes. | 1:17:17 | 1:17:20 | |
-Was? -Was. | 1:17:22 | 1:17:24 | |
If that's Christine Stanford's blood on there... | 1:17:24 | 1:17:27 | |
HE SPEAKS GERMAN | 1:17:27 | 1:17:31 | |
-Look. This is ridiculous. -You embezzled money from the company. | 1:17:31 | 1:17:36 | |
She was going to turn you in. You're not just a crook, but a murderer. | 1:17:36 | 1:17:40 | |
I want to see my lawyer. I'll not say another word until I do. | 1:17:40 | 1:17:46 | |
GIGGLING | 1:17:48 | 1:17:52 | |
Can you believe it? | 1:17:52 | 1:17:53 | |
-So he goes out and he buys a bunch of roses. -No. | 1:17:53 | 1:17:57 | |
-Yes. And then he shows up on my doorstep to apologise. -Oh, my God. | 1:17:57 | 1:18:01 | |
I know! He was red in the face and sweating all over my carpet. | 1:18:01 | 1:18:06 | |
And he was so sorry for locking me up. | 1:18:06 | 1:18:08 | |
Well, I think it's rather cute. Did you invite him in? | 1:18:08 | 1:18:11 | |
No! Are you crazy? No! I just smiled sweetly, | 1:18:11 | 1:18:16 | |
and I took his cheap roses | 1:18:16 | 1:18:18 | |
and his lame excuses and I threw them in the trash. | 1:18:18 | 1:18:21 | |
Oh, poor Bach. To pick a cliche, | 1:18:21 | 1:18:24 | |
tough cop falls for beautiful murderess. | 1:18:24 | 1:18:27 | |
Yeah, but I'm-I'm not a murderess. | 1:18:29 | 1:18:32 | |
Right. | 1:18:33 | 1:18:35 | |
Dani... | 1:18:36 | 1:18:39 | |
I know what you did for me. | 1:18:39 | 1:18:40 | |
-You would have done the same for me. -Yes, of course. | 1:18:42 | 1:18:47 | |
-Shall we, eh, have a look at 26 again? -Oh. Yeah, sure. | 1:18:53 | 1:19:00 | |
ADVERT PLAYS | 1:19:09 | 1:19:12 | |
Well...I think they're OK, but they're not good enough. | 1:19:17 | 1:19:22 | |
What do you think? | 1:19:22 | 1:19:25 | |
Whoa! Dani! | 1:19:29 | 1:19:31 | |
SHE LAUGHS | 1:19:31 | 1:19:33 | |
That kiss never happened. OK? | 1:19:33 | 1:19:36 | |
But... But I love you. I want you, Isabelle. | 1:19:36 | 1:19:41 | |
ISABELLE LAUGHS | 1:19:41 | 1:19:43 | |
Whoa. That's a problem. | 1:19:43 | 1:19:45 | |
-But why? -Oh, my God, Dani! You're serious. | 1:19:47 | 1:19:53 | |
SHE LAUGHS | 1:19:53 | 1:19:57 | |
-But you love me. -No. No, Dani. No. What's wrong with you? | 1:19:57 | 1:20:01 | |
-No, I don't love you. -Yes, you do. | 1:20:01 | 1:20:05 | |
-I've even... Maybe you won't admit it, but you love me. -Dani. | 1:20:05 | 1:20:08 | |
Please. You know what? I think we've been drinking too much. | 1:20:08 | 1:20:10 | |
I'll just make us some espresso, I'll call you a cab. | 1:20:10 | 1:20:13 | |
You can get home, you can have a good night's sleep | 1:20:13 | 1:20:15 | |
and then we talk tomorrow. OK? | 1:20:15 | 1:20:16 | |
No, not-not tomorrow. Isabelle, tha...that is not true, right? | 1:20:16 | 1:20:22 | |
-Please. -You love me. | 1:20:22 | 1:20:23 | |
-Please, Dani, ple... -You have to love me, please. -Stop it. | 1:20:23 | 1:20:25 | |
-You're pathetic now. Please, please. -I'm pathetic? -Yes. | 1:20:25 | 1:20:28 | |
After all I did for you? | 1:20:28 | 1:20:30 | |
And I'm grateful, OK? Thank you. | 1:20:30 | 1:20:32 | |
Yes, you said thank you. | 1:20:35 | 1:20:37 | |
Here's your espresso. | 1:20:39 | 1:20:41 | |
Please sit down, sober up. I'll call you a taxi, OK? | 1:20:41 | 1:20:44 | |
Some killer drug. | 1:21:45 | 1:21:48 | |
Of course you know I'm in no danger. | 1:21:51 | 1:21:54 | |
I was first mystified by your pill-popping routine. | 1:21:54 | 1:21:58 | |
Until a couple landed in my tea and I accidently tested them out. | 1:21:58 | 1:22:01 | |
They were nothing. Just a harmless sweetener. | 1:22:03 | 1:22:06 | |
So I followed you... to see what was up. | 1:22:08 | 1:22:12 | |
First stop at the scarf shop. | 1:22:17 | 1:22:19 | |
You buy the identical scarf that Christine gave you | 1:22:21 | 1:22:24 | |
and then hide it behind a drawer? | 1:22:24 | 1:22:26 | |
How intriguing. | 1:22:26 | 1:22:27 | |
So what's next? Oh, yeah. Dance night. | 1:22:29 | 1:22:33 | |
I followed you to the theatre | 1:22:35 | 1:22:37 | |
and watched you making a scene and an alibi. | 1:22:37 | 1:22:41 | |
Last stop, Christine's house. | 1:23:13 | 1:23:17 | |
And all the puzzle pieces come together. | 1:23:51 | 1:23:54 | |
Picture-perfect moment. | 1:23:57 | 1:23:59 | |
Christine. | 1:24:11 | 1:24:14 | |
Christine! Let me in, Christine. | 1:24:14 | 1:24:17 | |
Christine! | 1:24:19 | 1:24:21 | |
You baited the hook with a confession. | 1:24:22 | 1:24:24 | |
Yes, I confess. | 1:24:24 | 1:24:27 | |
And an ass of an inspector swallowed every phoney clue, | 1:24:27 | 1:24:29 | |
hook, line and sinker. | 1:24:29 | 1:24:31 | |
A perfect murder. | 1:24:42 | 1:24:45 | |
Except... | 1:24:45 | 1:24:46 | |
The videos? | 1:24:46 | 1:24:48 | |
Oh, I've collected them into a deep and incriminating album | 1:24:48 | 1:24:51 | |
addressed to Inspector Bach | 1:24:51 | 1:24:54 | |
and uploaded them into this. | 1:24:54 | 1:24:55 | |
-Untraceable? -I picked up this little disposable. | 1:24:55 | 1:24:59 | |
It's cute, isn't it? All I have to do... | 1:24:59 | 1:25:03 | |
is press this little send button. | 1:25:03 | 1:25:06 | |
What do you want? | 1:25:15 | 1:25:16 | |
First of all, I don't like that tone of voice. Change it! | 1:25:16 | 1:25:19 | |
What do you want? | 1:25:22 | 1:25:24 | |
Come here. | 1:25:26 | 1:25:27 | |
Sit down. | 1:25:41 | 1:25:42 | |
Come closer. | 1:25:47 | 1:25:48 | |
Now kiss me. | 1:25:56 | 1:25:58 | |
You like that, don't you? | 1:26:08 | 1:26:11 | |
So you do love me. | 1:26:11 | 1:26:12 | |
Turn around. | 1:26:25 | 1:26:27 | |
(I love you.) | 1:26:37 | 1:26:39 | |
(I thought you made up the twin sister.) | 1:27:36 | 1:27:38 | |
I never had the chance to apologise to her. | 1:27:40 | 1:27:43 | |
PHONE RINGING | 1:27:57 | 1:28:01 | |
Yeah. | 1:28:10 | 1:28:13 | |
PHONE RINGING | 1:28:14 | 1:28:18 | |
PHONE RINGING | 1:29:04 | 1:29:09 | |
DOORBELL | 1:30:25 | 1:30:27 | |
DOORBELL | 1:30:27 | 1:30:29 | |
STRUGGLING | 1:30:32 | 1:30:35 | |
DANI GASPING | 1:30:46 | 1:30:47 | |
SHE CHOKES | 1:31:01 | 1:31:03 | |
DOORBELL | 1:31:51 | 1:31:53 | |
PHONE RINGING | 1:31:53 | 1:31:54 | |
SHE GASPS | 1:32:32 | 1:32:34 |