Browse content similar to Gone Girl. Check below for episodes and series from the same categories and more!
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This film contains very strong language, some scenes which some | 0:00:02 | 0:00:06 | |
viewers may find upsetting, and scenes of a sexual nature | 0:00:06 | 0:00:10 | |
When I think of my wife... | 0:00:20 | 0:00:22 | |
..I always think of her head. | 0:00:23 | 0:00:26 | |
I picture cracking her lovely skull... | 0:00:27 | 0:00:30 | |
..unspooling her brains... | 0:00:30 | 0:00:32 | |
..trying to get answers. | 0:00:32 | 0:00:35 | |
The primal questions of any marriage. | 0:00:36 | 0:00:39 | |
"What are you thinking?" | 0:00:39 | 0:00:42 | |
"How are you feeling?" | 0:00:42 | 0:00:44 | |
"What have we done to each other?" | 0:00:44 | 0:00:46 | |
HE SIGHS | 0:01:30 | 0:01:32 | |
BIRDS CHIRPING | 0:01:32 | 0:01:33 | |
HE SIGHS | 0:02:11 | 0:02:12 | |
INDISTINCT CONVERSATIONS | 0:02:12 | 0:02:13 | |
Well! The Irish prince graces us with his presence. | 0:02:18 | 0:02:21 | |
His Majesty prefers not to be moistened. | 0:02:23 | 0:02:26 | |
I got you a present. | 0:02:27 | 0:02:28 | |
Oh. | 0:02:28 | 0:02:30 | |
-I hated this game. -You loved it. | 0:02:30 | 0:02:31 | |
You loved it. | 0:02:31 | 0:02:32 | |
Thank you. I'll add it to the collection. | 0:02:32 | 0:02:35 | |
Can you pour me a bourbon? | 0:02:35 | 0:02:37 | |
HE SIGHS | 0:02:42 | 0:02:43 | |
What's up, Jitters? | 0:02:43 | 0:02:45 | |
HE BREATHES DEEPLY | 0:02:47 | 0:02:49 | |
Well, if you're not going to talk, | 0:02:49 | 0:02:51 | |
I'm going to have to fill the silence | 0:02:51 | 0:02:52 | |
with another excruciating story by Margo Dunne. | 0:02:52 | 0:02:55 | |
I could tell you about my recent customer service experience, | 0:02:55 | 0:02:57 | |
-changing internet service providers... -I like that one. | 0:02:57 | 0:02:59 | |
Or how about the time | 0:02:59 | 0:03:00 | |
I saw that woman who looked exactly like my friend Monica? | 0:03:00 | 0:03:02 | |
But it wasn't Monica. it was a total stranger. | 0:03:02 | 0:03:04 | |
Who was also named Monica. | 0:03:04 | 0:03:06 | |
-Made it kind of interesting. -It's great. | 0:03:06 | 0:03:08 | |
I'm just having a bad day. | 0:03:08 | 0:03:10 | |
-Amy? -It's our anniversary. | 0:03:10 | 0:03:12 | |
-Five years. -Five? | 0:03:12 | 0:03:13 | |
That came fast. | 0:03:13 | 0:03:15 | |
And furious. | 0:03:15 | 0:03:16 | |
I'm so crazy, stupid happy. | 0:03:20 | 0:03:24 | |
CROWD SPEAKING INDISTINCTLY | 0:03:24 | 0:03:26 | |
I met a boy. | 0:03:26 | 0:03:27 | |
A great, sweet, gorgeous, cool-ass guy. | 0:03:27 | 0:03:32 | |
WOMAN LAUGHING | 0:03:32 | 0:03:34 | |
Excuse me, miss? | 0:03:34 | 0:03:35 | |
I just want you to be careful | 0:03:35 | 0:03:37 | |
where you put down that monk-brewed Belgian wheat beer... | 0:03:37 | 0:03:39 | |
..because the party's down to three Beast Lights and a bottle of Pucker. | 0:03:39 | 0:03:42 | |
It might attract some desperate characters. | 0:03:42 | 0:03:44 | |
It could. I mean, the Amish are on a Rumspringa. | 0:03:44 | 0:03:46 | |
INDISTINCT CONVERSATION | 0:03:47 | 0:03:49 | |
SHE LAUGHS | 0:03:49 | 0:03:50 | |
They already relieved me of my artisanal meat platter. | 0:03:50 | 0:03:53 | |
Finally, someone tells me how to pronounce that word. | 0:03:53 | 0:03:55 | |
"Meat"? | 0:03:55 | 0:03:56 | |
Yes, "meat." One syllable. | 0:03:56 | 0:03:58 | |
Thank you. Whose beer am I about to drink? | 0:03:58 | 0:04:01 | |
Don't tell me. | 0:04:01 | 0:04:02 | |
Let's see, who's your type? | 0:04:02 | 0:04:04 | |
I don't see you sitting quietly | 0:04:04 | 0:04:06 | |
while he bloviates on his postgrad thesis about Proust. | 0:04:06 | 0:04:09 | |
Uh-oh. Is that him? SHE CHUCKLES | 0:04:09 | 0:04:11 | |
Ironic hipster, so self-aware, he makes everything a joke. | 0:04:11 | 0:04:14 | |
I prefer men who are funny, not "funny." | 0:04:14 | 0:04:17 | |
-What type are you? -Corn-fed, salt-of-the-earth Missouri guy. | 0:04:18 | 0:04:21 | |
-Missouri? -Mmm-hmm. -Cute. Hmm. | 0:04:21 | 0:04:23 | |
-Native New Yorker? -The world ends at the Hudson. | 0:04:23 | 0:04:25 | |
-What's your name? -Amy. | 0:04:25 | 0:04:27 | |
Well, Amy, who are you? | 0:04:27 | 0:04:30 | |
A, I'm an award-winning scrimshander. | 0:04:31 | 0:04:34 | |
-B, I'm a moderately influential warlord. -Hmm. | 0:04:34 | 0:04:38 | |
C, I write personality quizzes for magazines. | 0:04:38 | 0:04:41 | |
OK. Your hands are far too delicate for real scrimshaw work, | 0:04:41 | 0:04:45 | |
and I happen to be a charter subscriber | 0:04:45 | 0:04:47 | |
to Middling Warlord Weekly... so I'd recognise you. | 0:04:47 | 0:04:50 | |
I'm going to go with C. | 0:04:50 | 0:04:51 | |
And you? | 0:04:51 | 0:04:54 | |
Who are you? | 0:04:54 | 0:04:55 | |
I'm the guy to save you from all this awesomeness. | 0:04:55 | 0:05:00 | |
SHE LAUGHS | 0:05:00 | 0:05:01 | |
Oh, so, you write for a men's magazine. | 0:05:03 | 0:05:06 | |
God, does that make you an expert on being a man? | 0:05:06 | 0:05:08 | |
HE CHUCKLES No. | 0:05:08 | 0:05:11 | |
It's what to wear, what to drink. | 0:05:11 | 0:05:12 | |
How to bullshit. | 0:05:12 | 0:05:14 | |
Never with you. | 0:05:14 | 0:05:16 | |
-FLATLY: -Ha, ha. -No, I mean it. | 0:05:16 | 0:05:18 | |
-It's hard to believe you. -Why? | 0:05:18 | 0:05:21 | |
I think it's your chin. | 0:05:21 | 0:05:22 | |
My chin? | 0:05:22 | 0:05:23 | |
-SHE LAUGHS -Yeah, it's quite villainous. | 0:05:23 | 0:05:26 | |
OK, how's this? | 0:05:26 | 0:05:28 | |
100% true, no bullshit. | 0:05:29 | 0:05:32 | |
OK. | 0:05:32 | 0:05:33 | |
We all move to New York | 0:05:33 | 0:05:34 | |
and we end up living in these little cubby holes, and that's not it. | 0:05:34 | 0:05:38 | |
Come outside. Then, you're in it. | 0:05:38 | 0:05:42 | |
INDISTINCT CHATTER | 0:05:42 | 0:05:43 | |
You have to see this. | 0:05:44 | 0:05:46 | |
-Hey. -Hey. | 0:05:54 | 0:05:56 | |
I have to kiss you now. | 0:06:05 | 0:06:06 | |
Is that right? | 0:06:06 | 0:06:08 | |
-I can't let you go through a sugar storm unkissed. -Hmm. | 0:06:08 | 0:06:11 | |
Oh. Wait a second. | 0:06:12 | 0:06:14 | |
There you go. | 0:06:16 | 0:06:18 | |
MOANING | 0:06:23 | 0:06:24 | |
Nick Dunne... | 0:06:29 | 0:06:31 | |
PANTING | 0:06:31 | 0:06:32 | |
..I really like you. | 0:06:32 | 0:06:34 | |
So, is Amy going to do one of those anniversary... | 0:06:40 | 0:06:43 | |
..treasure hunts? | 0:06:43 | 0:06:44 | |
You mean the forced march designed to prove | 0:06:44 | 0:06:46 | |
what an oblivious and uncaring asshole her husband is? | 0:06:46 | 0:06:49 | |
Wow. | 0:06:49 | 0:06:50 | |
Life. I don't remember the point. | 0:06:53 | 0:06:55 | |
Deep Hasbro thoughts. | 0:06:55 | 0:06:57 | |
Spin. | 0:06:57 | 0:06:59 | |
What was the clue last year she got so mad about? | 0:06:59 | 0:07:01 | |
"When your poor Amy has a cold... | 0:07:01 | 0:07:04 | |
"..this dessert just must be sold." | 0:07:04 | 0:07:06 | |
The answer? | 0:07:06 | 0:07:07 | |
I still don't know the answer, Go. | 0:07:07 | 0:07:09 | |
-A few years ago, you'd have known. -A few years ago, it was fun. | 0:07:09 | 0:07:11 | |
Year one, the traditional gift was paper. | 0:07:11 | 0:07:12 | |
She got me a beautiful notebook. | 0:07:12 | 0:07:14 | |
Told me to go write my novel. | 0:07:14 | 0:07:16 | |
What did you get her? | 0:07:16 | 0:07:17 | |
-A kite. -Hmm. | 0:07:17 | 0:07:18 | |
-She'd never flown a kite. -OK. | 0:07:18 | 0:07:21 | |
Anyway. Year four, flowers. | 0:07:21 | 0:07:23 | |
She led me outside to the dying rosebush in the back yard. | 0:07:23 | 0:07:26 | |
-Ugh, that's symbolic. -Yeah. | 0:07:26 | 0:07:29 | |
What's the gift for five? | 0:07:29 | 0:07:30 | |
-Wood. -So, what did you get her? -There's no good gift for wood. | 0:07:30 | 0:07:33 | |
I know! Go home, fuck her brains out, slap her with your penis. | 0:07:33 | 0:07:37 | |
"There's some wood for you, bitch." | 0:07:37 | 0:07:38 | |
HE LAUGHS PHONE RINGS | 0:07:38 | 0:07:40 | |
The Bar. | 0:07:41 | 0:07:43 | |
Why, yes. Hang on one second. | 0:07:43 | 0:07:46 | |
Hey, it's Watchful Wally. | 0:07:46 | 0:07:47 | |
Hey, Walt. What's going on? | 0:07:49 | 0:07:51 | |
Oh. Thanks very much. I'll be right there. All right, bye-bye. | 0:07:52 | 0:07:56 | |
Hey, buddy. What are you doing out here? | 0:08:08 | 0:08:10 | |
Thanks, Walt! | 0:08:12 | 0:08:14 | |
HE GRUNTS | 0:08:14 | 0:08:15 | |
HE SIGHS | 0:08:24 | 0:08:25 | |
Ame? | 0:08:28 | 0:08:29 | |
YELLING: Amy! | 0:08:49 | 0:08:50 | |
Hello? | 0:09:02 | 0:09:04 | |
Come on in. | 0:09:04 | 0:09:05 | |
Hey. | 0:09:05 | 0:09:07 | |
-Mr Dunne. -Hi. | 0:09:07 | 0:09:08 | |
I'm Detective Rhonda Boney. This is Officer James Gilpin. | 0:09:08 | 0:09:10 | |
We understand there are concerns about your wife. | 0:09:10 | 0:09:12 | |
I don't know where my wife is. | 0:09:12 | 0:09:14 | |
And I came home to this. | 0:09:14 | 0:09:16 | |
Now, I don't panic easily... | 0:09:17 | 0:09:20 | |
..but it's weird, right? | 0:09:20 | 0:09:22 | |
-Mind if we look around? -Please. | 0:09:23 | 0:09:25 | |
How long have you two been here? | 0:09:25 | 0:09:27 | |
Two years in September. We used to live in New York. | 0:09:27 | 0:09:30 | |
-City? -Yeah, I was a writer. We were both writers. | 0:09:30 | 0:09:33 | |
Why'd y'all move back here? | 0:09:33 | 0:09:35 | |
My mom got sick. | 0:09:35 | 0:09:37 | |
Oh, I'm sorry. How is she? | 0:09:37 | 0:09:40 | |
She's dead. | 0:09:40 | 0:09:41 | |
I'm so sorry. | 0:09:41 | 0:09:43 | |
HE SIGHS | 0:09:43 | 0:09:44 | |
What do you do now, for work? | 0:09:47 | 0:09:50 | |
My sister Margo and I own The Bar downtown. | 0:09:50 | 0:09:53 | |
Oh, The Bar. | 0:09:53 | 0:09:54 | |
Love the name. Very meta. | 0:09:54 | 0:09:57 | |
Thanks. | 0:09:57 | 0:09:58 | |
Pretty things. | 0:10:01 | 0:10:02 | |
QUIETLY: Stay. | 0:10:07 | 0:10:08 | |
My office, here. | 0:10:08 | 0:10:10 | |
Beautiful dress. | 0:10:13 | 0:10:15 | |
-Date night? -It's our anniversary. | 0:10:19 | 0:10:21 | |
Hmm. | 0:10:21 | 0:10:22 | |
It's a guest bedroom, there. | 0:10:24 | 0:10:26 | |
Cat's room on the end. | 0:10:26 | 0:10:27 | |
I checked up here. | 0:10:27 | 0:10:29 | |
This is the kitchen, obviously. | 0:10:33 | 0:10:35 | |
This is the, uh... | 0:10:36 | 0:10:38 | |
This is my wife's office. | 0:10:50 | 0:10:52 | |
Amy's office. | 0:10:52 | 0:10:54 | |
Wow. Impressive gal. | 0:11:06 | 0:11:09 | |
Yeah. Should I be concerned? | 0:11:09 | 0:11:10 | |
I remember these. | 0:11:10 | 0:11:11 | |
I loved these books. | 0:11:13 | 0:11:14 | |
Wait a minute. | 0:11:18 | 0:11:19 | |
Your wife is Amazing Amy? | 0:11:19 | 0:11:22 | |
Yeah. She is. | 0:11:22 | 0:11:24 | |
Wow. | 0:11:24 | 0:11:26 | |
Amazing-fucking-Amy is getting fucking married. | 0:11:29 | 0:11:32 | |
That's how the night started. | 0:11:32 | 0:11:34 | |
With me - regular, flawed, real Amy, | 0:11:34 | 0:11:37 | |
jealous, as always, of the golden child. | 0:11:37 | 0:11:40 | |
Perfect, brilliant, Amazing Amy, | 0:11:40 | 0:11:42 | |
who's getting fucking married. | 0:11:42 | 0:11:44 | |
When I was ten, I quit cello. | 0:11:44 | 0:11:46 | |
In the next book, Amazing Amy became a prodigy. | 0:11:46 | 0:11:50 | |
Did you play volleyball? | 0:11:52 | 0:11:53 | |
I got cut, freshman year. | 0:11:53 | 0:11:55 | |
-She made varsity. -CHUCKLES | 0:11:55 | 0:11:58 | |
When did you have a dog? | 0:11:58 | 0:12:00 | |
SHE got the dog. | 0:12:00 | 0:12:02 | |
Puddles made her more relatable. | 0:12:02 | 0:12:04 | |
Wow. | 0:12:04 | 0:12:05 | |
I love your parents... HE LAUGHS | 0:12:05 | 0:12:07 | |
..but they really can be assholes. | 0:12:07 | 0:12:09 | |
-Nick! -Sir! | 0:12:09 | 0:12:11 | |
-Hey, thanks for coming, man. -No problem. | 0:12:11 | 0:12:13 | |
Hey, sweetheart. | 0:12:13 | 0:12:15 | |
Big night for your mom. | 0:12:15 | 0:12:16 | |
It would mean so much if you would talk to a few reporters, | 0:12:16 | 0:12:20 | |
bloggers, give them a little Amy colour. | 0:12:20 | 0:12:22 | |
People want to hear from you. | 0:12:22 | 0:12:24 | |
-We can't stay long. -Fantastic. | 0:12:24 | 0:12:25 | |
15 minutes, tops. | 0:12:25 | 0:12:28 | |
This is why I have my brownstone. | 0:12:28 | 0:12:30 | |
My trust fund. I know I can't complain. | 0:12:30 | 0:12:32 | |
Your parents literally plagiarised your childhood. | 0:12:32 | 0:12:35 | |
No, they improved upon it, | 0:12:35 | 0:12:36 | |
and then peddled it to the masses. | 0:12:36 | 0:12:39 | |
I thought you were going to wear white to match the wedding theme. | 0:12:39 | 0:12:41 | |
-I thought that would be creepy. -HE CHUCKLES | 0:12:41 | 0:12:42 | |
"If it's worth doing, it's worth doing..." | 0:12:42 | 0:12:45 | |
Hold up! I know how this ends. Don't tell me. | 0:12:45 | 0:12:47 | |
You're very cute, Nick. | 0:12:47 | 0:12:49 | |
Amy, you know what would make Dad's night. | 0:12:49 | 0:12:50 | |
Oh, I'm on it. | 0:12:50 | 0:12:52 | |
INDISTINCT CONVERSATIONS | 0:12:52 | 0:12:53 | |
I love having strangers pick at my scabs. | 0:12:53 | 0:12:56 | |
I'm curious whether | 0:12:56 | 0:12:57 | |
it's difficult for you to see Amazing Amy heading down the aisle. | 0:12:57 | 0:12:59 | |
And this big party celebrating this fictional wedding. | 0:12:59 | 0:13:02 | |
Because it's my understanding you are not married. | 0:13:02 | 0:13:04 | |
Is that correct? | 0:13:04 | 0:13:07 | |
Correct. | 0:13:07 | 0:13:08 | |
Amazing Amy has always been one step ahead of me. | 0:13:08 | 0:13:11 | |
Excuse me. I'm sorry, I just have a few questions. | 0:13:11 | 0:13:14 | |
-HE SIGHS -It's you. | 0:13:14 | 0:13:16 | |
I'm here in a strictly journalistic capacity. | 0:13:16 | 0:13:18 | |
Now, you had the distinct pleasure | 0:13:18 | 0:13:20 | |
of dating Nick Dunne for how long? | 0:13:20 | 0:13:21 | |
-Two magical years. -"Two magical years." | 0:13:21 | 0:13:24 | |
In the course of that time, you've had the opportunity | 0:13:24 | 0:13:26 | |
to perform such gracious gestures as | 0:13:26 | 0:13:28 | |
not correcting Nick when he pronounced "quinoa" as "kween-o-a." | 0:13:28 | 0:13:32 | |
An understandable mistake. | 0:13:32 | 0:13:34 | |
-He also thought it was a fish. -He thinks Velveeta is a cheese. | 0:13:34 | 0:13:36 | |
You also manage to appear shocked and delighted | 0:13:37 | 0:13:40 | |
when Nick's elderly mother breaks into an impromptu rendition | 0:13:40 | 0:13:42 | |
of New York, New York, every time she sees you. | 0:13:42 | 0:13:44 | |
# These bag of bone shoes... # | 0:13:44 | 0:13:46 | |
That's just frightening. | 0:13:46 | 0:13:47 | |
You also bought Nick his very first pair of scissors. | 0:13:47 | 0:13:50 | |
And matching stapler. | 0:13:50 | 0:13:52 | |
Amy Elliott, you are more than amazing. | 0:13:52 | 0:13:54 | |
You are brilliant, yet entirely un-snobby. | 0:13:54 | 0:13:58 | |
You challenge me. You surprise me. | 0:13:58 | 0:14:01 | |
And, fun fact for the readers... | 0:14:01 | 0:14:03 | |
..you have a world-class vagina. | 0:14:03 | 0:14:05 | |
REPORTERS CHUCKLE | 0:14:05 | 0:14:06 | |
SHE LAUGHS | 0:14:06 | 0:14:07 | |
My colleagues tell me that you are not yet married. | 0:14:07 | 0:14:10 | |
Is that correct? | 0:14:10 | 0:14:12 | |
I'm not. | 0:14:12 | 0:14:13 | |
Isn't it time we fixed that? | 0:14:13 | 0:14:15 | |
And then... | 0:14:16 | 0:14:18 | |
..the night wasn't so bad any more. | 0:14:18 | 0:14:20 | |
INDISTINCT CHATTER ON POLICE RADIO | 0:14:23 | 0:14:25 | |
And it's done. Crossed off the list. | 0:14:36 | 0:14:38 | |
Now, normally, we would not treat this | 0:14:38 | 0:14:40 | |
as a missing persons case so quick, | 0:14:40 | 0:14:42 | |
but given the scene at your house, | 0:14:42 | 0:14:44 | |
and given our spike in violent crime of late, | 0:14:44 | 0:14:46 | |
we are going to take this very, very seriously. | 0:14:46 | 0:14:48 | |
-OK. Good. -We've got forensics over at your place. | 0:14:48 | 0:14:51 | |
You got somewhere to stay? | 0:14:51 | 0:14:52 | |
-I could stay at my sister's. -OK. | 0:14:52 | 0:14:54 | |
We're tracking Amy's phone, her credit cards. | 0:14:54 | 0:14:56 | |
We will organise searches, put up flyers. | 0:14:56 | 0:14:58 | |
We're going to hold a press conference tomorrow. | 0:14:58 | 0:14:59 | |
You're having a press conference? | 0:14:59 | 0:15:01 | |
I want to get the word out, right? | 0:15:01 | 0:15:02 | |
Yeah, it's just, all of a sudden, | 0:15:02 | 0:15:04 | |
I feel like I'm on a Law & Order episode. | 0:15:04 | 0:15:06 | |
HE VOCALISES THEME SONG | 0:15:06 | 0:15:08 | |
Time is of the essence in these cases. | 0:15:14 | 0:15:16 | |
But, that said, do you want to wait and call a lawyer? | 0:15:16 | 0:15:19 | |
Absolutely not. I just want to help. | 0:15:19 | 0:15:20 | |
So, you and Amy have been here two years. | 0:15:20 | 0:15:22 | |
-You tend bar... -I own The Bar. | 0:15:22 | 0:15:25 | |
And I teach creative writing at MVCC. | 0:15:25 | 0:15:28 | |
-No kids? -Not yet. | 0:15:28 | 0:15:30 | |
So, what does Amy do most days? | 0:15:30 | 0:15:32 | |
A woman with all those degrees, what does she do? | 0:15:32 | 0:15:34 | |
I don't know. She keeps busy. | 0:15:34 | 0:15:36 | |
Doing what? | 0:15:36 | 0:15:37 | |
She's a voracious reader. | 0:15:39 | 0:15:41 | |
So, she's always got a book in her hand. | 0:15:41 | 0:15:43 | |
Well, days can get long. | 0:15:44 | 0:15:46 | |
I know a few housewives, | 0:15:46 | 0:15:47 | |
that evening glass of wine starts coming at noon. | 0:15:47 | 0:15:50 | |
Or prescription pills. | 0:15:50 | 0:15:51 | |
Just last week, we had a soccer mom. | 0:15:51 | 0:15:52 | |
Nice lady. Got her teeth kicked in over some OxyContin. | 0:15:52 | 0:15:55 | |
Ever since that mall went bust, half the town is out of work. | 0:15:55 | 0:15:57 | |
We cannot keep up with the drug violence. | 0:15:57 | 0:15:59 | |
I'm pretty sure that's not it. | 0:15:59 | 0:16:01 | |
Has Amy got friends we can talk to? | 0:16:01 | 0:16:02 | |
Um... | 0:16:02 | 0:16:03 | |
..no, not really. | 0:16:04 | 0:16:06 | |
No friends? This whole town? | 0:16:06 | 0:16:08 | |
She was very close with my mom, before she passed away. | 0:16:08 | 0:16:11 | |
You know, we have a pretty serious homeless problem | 0:16:11 | 0:16:13 | |
in our neighbourhood. | 0:16:13 | 0:16:15 | |
I think maybe you guys should check that out. | 0:16:15 | 0:16:17 | |
We'll look into that. | 0:16:17 | 0:16:18 | |
So, you got to The Bar around 11 today. | 0:16:18 | 0:16:21 | |
-Where were you before that? Just to cross that out. -Well, I was home. | 0:16:21 | 0:16:24 | |
I left at 9.30, I got a cup of coffee, a newspaper. | 0:16:24 | 0:16:26 | |
I went to Sawyer Beach and read the news. | 0:16:26 | 0:16:28 | |
Did you visit with anyone there? | 0:16:28 | 0:16:30 | |
I kind of go to Sawyer Beach for the solitude. | 0:16:30 | 0:16:33 | |
So, your wife has no friends here. | 0:16:33 | 0:16:35 | |
Is she kinda standoffish? | 0:16:35 | 0:16:37 | |
Ivy League? Rubs people the wrong way? | 0:16:37 | 0:16:40 | |
-She's from New York. -Oh. | 0:16:40 | 0:16:42 | |
She's complicated. She's got very high standards. | 0:16:42 | 0:16:45 | |
Type A? | 0:16:45 | 0:16:46 | |
That can make you crazy if you're not like that. | 0:16:46 | 0:16:49 | |
You seem pretty laid-back. | 0:16:49 | 0:16:50 | |
Type B. | 0:16:50 | 0:16:52 | |
Speaking of which, Amy's blood type? | 0:16:52 | 0:16:54 | |
God, I don't know. I'd have to look it up at the house. | 0:16:54 | 0:16:56 | |
You don't know if she has friends, you don't know what she does all day, | 0:16:56 | 0:16:59 | |
and you don't know your wife's blood type. | 0:16:59 | 0:17:01 | |
Sure y'all are married? | 0:17:01 | 0:17:02 | |
Uh... Maybe it's type O. | 0:17:03 | 0:17:04 | |
-Where are her folks? New York? -Yeah. | 0:17:04 | 0:17:07 | |
Can they get here time for this press conference tomorrow? | 0:17:07 | 0:17:08 | |
Tomorrow? I have no idea. I haven't talked to them. | 0:17:08 | 0:17:10 | |
You haven't called your wife's parents yet? | 0:17:10 | 0:17:12 | |
You can't get a signal in this building. I've been in here talking to you. | 0:17:12 | 0:17:15 | |
Well, call them, please, Nick. Now. | 0:17:15 | 0:17:17 | |
Fine. | 0:17:17 | 0:17:18 | |
INDISTINCT CONVERSATIONS | 0:17:20 | 0:17:22 | |
Should I know my wife's blood type? | 0:17:23 | 0:17:25 | |
-QUIETLY: -No. | 0:17:25 | 0:17:26 | |
I apologise, Marybeth. I didn't know what was going on. | 0:17:26 | 0:17:30 | |
Now I'm at the station | 0:17:30 | 0:17:32 | |
and the cops are at the house, | 0:17:32 | 0:17:33 | |
and it's serious and I'm calling you. | 0:17:33 | 0:17:36 | |
There's a lot of things that are being juggled right now. | 0:17:36 | 0:17:39 | |
I'm standing right next to Detective Rhonda Boney... | 0:17:39 | 0:17:42 | |
..who's the lead investigator on this and she's... | 0:17:42 | 0:17:44 | |
HE EXHALES DEEPLY | 0:17:44 | 0:17:46 | |
My mother-in-law would like to speak with you. | 0:17:46 | 0:17:48 | |
This is Detective Boney. | 0:17:49 | 0:17:50 | |
I want to go home. | 0:17:50 | 0:17:52 | |
I don't know why I have to be here. | 0:17:52 | 0:17:54 | |
I don't want to be here. I want to go home. | 0:17:54 | 0:17:57 | |
Dad? | 0:17:57 | 0:17:58 | |
This is my father. What's going on? | 0:17:58 | 0:18:00 | |
Really? You're Nick Dunne? | 0:18:00 | 0:18:01 | |
We've been trying to get a hold of you all afternoon. | 0:18:01 | 0:18:03 | |
-I've been right there. My wife is missing. -Bitch. -Don't. | 0:18:03 | 0:18:06 | |
Your father wandered out of Comfort Hill after lunch. | 0:18:06 | 0:18:08 | |
We found him walking Route 79, disoriented. | 0:18:08 | 0:18:10 | |
We've been trying to call you for the last... | 0:18:10 | 0:18:12 | |
I don't get a cell signal in this building. | 0:18:12 | 0:18:13 | |
I've been sitting 20 feet away from you. | 0:18:13 | 0:18:15 | |
-Sir, please don't take that tone with me. -Stupid, dumb, ugly bitch. | 0:18:15 | 0:18:18 | |
Dad, stop. | 0:18:18 | 0:18:19 | |
You want to drive him home? | 0:18:22 | 0:18:24 | |
I think that would be wise. Thanks. | 0:18:24 | 0:18:26 | |
ROCK MUSIC PLAYING ON RADIO | 0:18:26 | 0:18:28 | |
HE SIGHS | 0:18:42 | 0:18:43 | |
-PHONE: -This voice mailbox is currently full. | 0:18:45 | 0:18:48 | |
Fuck. | 0:18:48 | 0:18:50 | |
Oh, get your fuckin' hands off me. | 0:18:52 | 0:18:54 | |
Thanks. | 0:18:54 | 0:18:55 | |
Everyone told us and told us and told us - | 0:19:08 | 0:19:12 | |
marriage is hard work. | 0:19:12 | 0:19:14 | |
And compromise and more work. | 0:19:14 | 0:19:17 | |
"Abandon all hope, ye who enter." | 0:19:17 | 0:19:19 | |
"When young Amy's hope did wane... | 0:19:19 | 0:19:22 | |
"..she wandered here..." | 0:19:22 | 0:19:24 | |
Well, it's not true. Not for me and Nick. | 0:19:24 | 0:19:26 | |
"..in search of Jane..." | 0:19:26 | 0:19:29 | |
With us, two years... | 0:19:29 | 0:19:32 | |
..it's just good. | 0:19:32 | 0:19:33 | |
..Austen. Hmm. | 0:19:33 | 0:19:37 | |
You were an alienated teen and only Elizabeth Bennet understood you. | 0:19:37 | 0:19:41 | |
Look at that. | 0:19:41 | 0:19:43 | |
My God. BOTH LAUGH | 0:19:45 | 0:19:46 | |
You naughty minx. | 0:19:46 | 0:19:48 | |
Well, technically, we are supposed to fuck at the next stop. | 0:19:48 | 0:19:51 | |
Yeah, in keeping with tradition. | 0:19:51 | 0:19:52 | |
But I might be willing to bend the rules this once. | 0:19:52 | 0:19:56 | |
God bless Jane Austen. | 0:19:56 | 0:19:57 | |
AMY MOANS | 0:19:59 | 0:20:01 | |
NICK GRUNTS | 0:20:04 | 0:20:06 | |
SHE MOANS LOUDLY HE SHUSHES | 0:20:06 | 0:20:07 | |
BOTH CHUCKLE | 0:20:07 | 0:20:08 | |
AMY LAUGHS | 0:20:09 | 0:20:10 | |
I'm enthusiastic. | 0:20:12 | 0:20:14 | |
Look at that. It's confirmed by the... | 0:20:14 | 0:20:16 | |
Oh, thank you. | 0:20:19 | 0:20:21 | |
Year two. Cotton. | 0:20:22 | 0:20:23 | |
We had that joke that our sex was too good for ordinary. | 0:20:30 | 0:20:34 | |
So, these are 2,000 thread-count... | 0:20:34 | 0:20:36 | |
We're so cute. | 0:20:41 | 0:20:43 | |
I want to punch us in the face. | 0:20:43 | 0:20:44 | |
That's pretty great. I mean, that is pretty great. | 0:20:44 | 0:20:47 | |
Did they ask if you wanted a lawyer? | 0:20:49 | 0:20:50 | |
I don't need a lawyer. Here, I'll do this. | 0:20:50 | 0:20:52 | |
Well, did they ask personal stuff about Amy? | 0:20:52 | 0:20:54 | |
You know, they asked, | 0:20:54 | 0:20:56 | |
-why didn't she have any friends? -What did you say? | 0:20:56 | 0:20:58 | |
-I said she was complicated. -Nick! | 0:20:58 | 0:21:00 | |
Everyone knows "complicated" is code for "bitch." | 0:21:01 | 0:21:04 | |
PHONE VIBRATES | 0:21:04 | 0:21:05 | |
-SHE SIGHS -Oh, God. I feel sick. | 0:21:08 | 0:21:11 | |
Thanks. | 0:21:11 | 0:21:12 | |
It's so bizarre. | 0:21:13 | 0:21:14 | |
It seems like the kind of thing that would happen to Amy. | 0:21:14 | 0:21:17 | |
She always attracts... | 0:21:17 | 0:21:18 | |
Drama? | 0:21:18 | 0:21:20 | |
You can say it. It's just me and you. | 0:21:20 | 0:21:22 | |
Just because I don't like to be around Amy | 0:21:22 | 0:21:24 | |
doesn't mean I don't care about her. | 0:21:24 | 0:21:25 | |
Anyway, whoever took her is bound to bring her back. | 0:21:28 | 0:21:30 | |
INDISTINCT CONVERSATIONS | 0:21:36 | 0:21:37 | |
Detective? Excuse me. | 0:21:39 | 0:21:41 | |
I'm Noelle Hawthorne. I'm Amy's best friend. | 0:21:41 | 0:21:44 | |
Well, great. Where do you live, Noelle? | 0:21:45 | 0:21:48 | |
Five doors down. 1032. | 0:21:48 | 0:21:49 | |
Wonderful. I would love to talk to you. | 0:21:49 | 0:21:51 | |
Can I come by in half an hour? | 0:21:51 | 0:21:53 | |
-Y'all know anything yet? -I'm sorry. | 0:21:53 | 0:21:55 | |
I got guys on the clock in here. | 0:21:55 | 0:21:56 | |
But you give me 30 minutes. | 0:21:56 | 0:21:58 | |
But that's usually bath time. | 0:21:58 | 0:22:00 | |
Well, we'll talk in between shampoos. | 0:22:00 | 0:22:02 | |
INDISTINCT POLICE RADIO CHATTER | 0:22:02 | 0:22:04 | |
All right. So, what do you got? | 0:22:05 | 0:22:06 | |
It was definitely blood spatter you saw in the kitchen. | 0:22:06 | 0:22:09 | |
Normally, kitchen, knives, food prep. | 0:22:09 | 0:22:11 | |
Not that weird, but that is awfully high. | 0:22:11 | 0:22:13 | |
-So, I'm going to order a luminol sweep. -Well, OK. | 0:22:13 | 0:22:16 | |
PHONE RINGING | 0:22:16 | 0:22:18 | |
Mmm, interesting. | 0:22:18 | 0:22:19 | |
What's that? | 0:22:19 | 0:22:20 | |
House is rented in her name. | 0:22:20 | 0:22:23 | |
Car's in her name. | 0:22:23 | 0:22:24 | |
Credit cards, utilities, phone bill, all in her name. | 0:22:24 | 0:22:27 | |
Even his bar's in her name. | 0:22:27 | 0:22:29 | |
I don't know that that's so surprising. | 0:22:29 | 0:22:31 | |
-No. But it is humiliating. -What you got? | 0:22:31 | 0:22:33 | |
It's with her, er...unmentionables. | 0:22:33 | 0:22:36 | |
Well, we have our first clue. | 0:22:48 | 0:22:51 | |
SNORING | 0:22:53 | 0:22:54 | |
I have to take a shower. | 0:23:01 | 0:23:03 | |
No, don't. You've been up all night. | 0:23:03 | 0:23:05 | |
You want to look like you've been up all night. | 0:23:05 | 0:23:06 | |
HE GROANS | 0:23:06 | 0:23:08 | |
Hey, be careful today, OK? | 0:23:08 | 0:23:10 | |
That's a weird thing to say. | 0:23:10 | 0:23:12 | |
Well, when you're upset, you bottle up. | 0:23:12 | 0:23:14 | |
You can seem angry, like... | 0:23:14 | 0:23:15 | |
Please don't say "like Dad." | 0:23:15 | 0:23:17 | |
-Or else you swing into your momma's-boy charm offensive and that can feel glib. -Perfect. | 0:23:17 | 0:23:20 | |
I'll balance on the exact fucking edge of your emotional razor. | 0:23:20 | 0:23:23 | |
OK. Just be... | 0:23:23 | 0:23:25 | |
Myself? | 0:23:25 | 0:23:27 | |
-RADIO: -..sponsoring a raffle to benefit West County 4H... | 0:23:27 | 0:23:29 | |
..and raffling season tickets for Mizzou football. | 0:23:29 | 0:23:32 | |
Buy your tickets at the Wing Hut or local Tri-State tyre stores. | 0:23:32 | 0:23:36 | |
Your in-laws made it. | 0:23:40 | 0:23:42 | |
HE SIGHS | 0:23:42 | 0:23:43 | |
-Hi, Rand. -Hey, man. -I'm Detective Boney. | 0:23:43 | 0:23:45 | |
I'm the twin. Margo. | 0:23:45 | 0:23:47 | |
We played tennis yesterday, Nick. | 0:23:47 | 0:23:49 | |
I just can't get over it. | 0:23:49 | 0:23:50 | |
Marybeth, I am really sorry. | 0:23:50 | 0:23:51 | |
I knew you never should have moved back here. | 0:23:51 | 0:23:53 | |
We didn't have a lot of choice. | 0:23:53 | 0:23:54 | |
We are all worried. We are all scared. | 0:23:54 | 0:23:58 | |
But we are all here now. | 0:23:58 | 0:23:59 | |
And we will find Amy, together. | 0:23:59 | 0:24:02 | |
INDISTINCT CONVERSATIONS | 0:24:04 | 0:24:05 | |
-Should I just go first, and then you guys can say something? -Good. | 0:24:12 | 0:24:15 | |
As you know, my wife, Amy Elliott Dunne... | 0:24:16 | 0:24:20 | |
..disappeared from our home on the morning of July 5th... | 0:24:20 | 0:24:24 | |
..under suspicious circumstances. | 0:24:24 | 0:24:26 | |
Louder! | 0:24:26 | 0:24:28 | |
If anyone out there, uh, has any information... | 0:24:28 | 0:24:32 | |
..please come forward. | 0:24:32 | 0:24:34 | |
Thank you. CAMERA SHUTTERS CLICK | 0:24:34 | 0:24:36 | |
I'm Rand Elliott. My wife, Marybeth Elliott. | 0:24:38 | 0:24:41 | |
Should I have said my name? | 0:24:41 | 0:24:43 | |
Amy is our only child. | 0:24:43 | 0:24:45 | |
She's bright, she's beautiful. She's kind. | 0:24:45 | 0:24:49 | |
She really is Amazing Amy. | 0:24:49 | 0:24:51 | |
You know, there are millions of people out there | 0:24:51 | 0:24:53 | |
who grew up with her and care about her. | 0:24:53 | 0:24:56 | |
We care about her, we love her. | 0:24:56 | 0:24:59 | |
And we just want her back. | 0:24:59 | 0:25:01 | |
Amy is a decorated scholar. | 0:25:03 | 0:25:06 | |
She forged a successful career in journalism. | 0:25:06 | 0:25:09 | |
She returned here to her husband's hometown | 0:25:09 | 0:25:11 | |
and she made a life in her adopted home. | 0:25:11 | 0:25:13 | |
Now, Amy needs your help. | 0:25:14 | 0:25:17 | |
We're establishing a volunteer headquarters at the Drury Lodge. | 0:25:17 | 0:25:21 | |
We have a hotline - 1-855-4-AMY-TIPS. | 0:25:21 | 0:25:26 | |
And our website is wvvw.FindAmazingAmy.com. | 0:25:26 | 0:25:32 | |
-Mr Dunne! -Mr Elliott! | 0:25:32 | 0:25:33 | |
OVERLAPPING SHOUTING | 0:25:33 | 0:25:35 | |
Mr Dunne, any signs of foul play? | 0:25:35 | 0:25:37 | |
REPORTERS CLAMOUR | 0:25:37 | 0:25:38 | |
Mr Elliott, when was the last time you spoke to your daughter? | 0:25:38 | 0:25:42 | |
Smile. | 0:25:43 | 0:25:44 | |
That's all for now. Thank you. | 0:25:50 | 0:25:52 | |
Amy is the kind of girl who attracts admirers. | 0:25:54 | 0:25:57 | |
-Right, Nick? -Yeah, definitely. | 0:25:57 | 0:25:59 | |
And we've had instances | 0:25:59 | 0:26:02 | |
-where things got... -Scary. | 0:26:02 | 0:26:04 | |
Do you know about Desi Collings? | 0:26:04 | 0:26:05 | |
-Yeah, I know all about Desi Collings. -He was obsessed. | 0:26:05 | 0:26:08 | |
He attempted suicide after Amy broke up with him sophomore year. | 0:26:08 | 0:26:11 | |
We had to file a restraining order. | 0:26:11 | 0:26:13 | |
This would be high school? 20 years ago? | 0:26:13 | 0:26:15 | |
But he recently moved to St Louis. That's just two hours away. | 0:26:15 | 0:26:18 | |
To be fair, he is from St Louis. | 0:26:18 | 0:26:20 | |
We also have Tommy O'Hara. | 0:26:20 | 0:26:22 | |
This is only eight years ago, in New York. | 0:26:22 | 0:26:24 | |
She broke up with him, he got very physical. | 0:26:24 | 0:26:26 | |
-She filed charges. -That was the charge? | 0:26:26 | 0:26:28 | |
Sexual assault, threat, battery, what? | 0:26:28 | 0:26:30 | |
I only know it was bad. | 0:26:30 | 0:26:32 | |
-I didn't know this. -OK. | 0:26:32 | 0:26:33 | |
Thank you. | 0:26:33 | 0:26:35 | |
Uh, anything more recent? | 0:26:35 | 0:26:37 | |
Not that I know of. | 0:26:40 | 0:26:42 | |
Hey, Nick? You got a minute? | 0:26:44 | 0:26:47 | |
Yeah. | 0:26:48 | 0:26:50 | |
Imagine our confusion. | 0:26:55 | 0:26:56 | |
A missing persons case and in your wife's dressing room, | 0:26:56 | 0:26:58 | |
we find an envelope marked "clue." | 0:26:58 | 0:27:00 | |
That's for our anniversary. | 0:27:00 | 0:27:02 | |
My wife does these treasure hunts. | 0:27:02 | 0:27:04 | |
I'm hoping you can tell me what this means. | 0:27:04 | 0:27:06 | |
You want to solve Amy's treasure hunt? | 0:27:06 | 0:27:08 | |
It'll help me track Amy's movements before she disappeared. | 0:27:08 | 0:27:11 | |
Of course. OK. | 0:27:11 | 0:27:12 | |
"Although this spot couldn't be tighter... | 0:27:12 | 0:27:16 | |
"..it's a cosy room for my favourite writer." | 0:27:16 | 0:27:18 | |
I know this one! | 0:27:21 | 0:27:23 | |
Although this spot couldn't be any tighter... | 0:27:23 | 0:27:26 | |
..it's a cosy room for my favourite writer. | 0:27:26 | 0:27:29 | |
After-school meeting - don't mind if I do. | 0:27:31 | 0:27:34 | |
Maybe I'll teach you a thing or two. | 0:27:34 | 0:27:37 | |
Well, well. What does it say? | 0:27:41 | 0:27:43 | |
Clue two. | 0:27:43 | 0:27:44 | |
"Hey, handsome man, let's go undercover. | 0:27:45 | 0:27:49 | |
"You'll be the spy, and I'll be his lover. | 0:27:49 | 0:27:53 | |
"Let's head on over to the little brown house. | 0:27:53 | 0:27:56 | |
"We'll play hot, doting husband, sweet, loving spouse." | 0:27:56 | 0:28:00 | |
These yours? | 0:28:02 | 0:28:04 | |
No. | 0:28:04 | 0:28:05 | |
But you read the first clue. | 0:28:05 | 0:28:07 | |
"Randy professor, naughty student." | 0:28:07 | 0:28:10 | |
I blush. | 0:28:10 | 0:28:11 | |
Me and my ex just swapped cards. | 0:28:11 | 0:28:12 | |
Where's this little brown house? | 0:28:14 | 0:28:15 | |
I have no idea. | 0:28:15 | 0:28:16 | |
ALARM SYSTEM BEEPING | 0:28:38 | 0:28:39 | |
CONTINUOUS BEEP | 0:28:43 | 0:28:45 | |
ALARM BLARES | 0:28:50 | 0:28:52 | |
PHONE RINGS ALARM CONTINUES | 0:28:55 | 0:28:58 | |
Hello? | 0:28:58 | 0:29:00 | |
Nicholas Dunne. ALARM BLARING INCREASES | 0:29:00 | 0:29:02 | |
Under my father's name, William Dunne. | 0:29:02 | 0:29:05 | |
SIRENS WAIL | 0:29:10 | 0:29:11 | |
My wife's first pet? Is this necessary? | 0:29:11 | 0:29:13 | |
Can you just turn the bell... | 0:29:13 | 0:29:15 | |
Yeah, I know. It's, uh... It's, uh... | 0:29:15 | 0:29:19 | |
Uh... | 0:29:19 | 0:29:20 | |
It's "Puddles," right? Or is it "Poodles"? | 0:29:20 | 0:29:22 | |
We're good. | 0:29:26 | 0:29:28 | |
-ALARM CEASES -Hello, stranger. | 0:29:29 | 0:29:30 | |
Fancy meeting you here. | 0:29:30 | 0:29:32 | |
It's your dad's house, right? | 0:29:32 | 0:29:35 | |
-Are you following me? -What you doing? | 0:29:35 | 0:29:37 | |
Like you said, it's my dad's house. | 0:29:37 | 0:29:39 | |
I come by once a week, make sure the place hasn't burned down. | 0:29:39 | 0:29:42 | |
But it looks OK. | 0:29:44 | 0:29:46 | |
I'll walk you out. | 0:29:46 | 0:29:47 | |
You know... | 0:29:50 | 0:29:52 | |
..I thought maybe this was the little brown house. | 0:29:52 | 0:29:55 | |
From the clue. | 0:29:55 | 0:29:56 | |
Nope. Still blue. | 0:29:56 | 0:29:58 | |
CAR ENGINE STARTS | 0:30:06 | 0:30:08 | |
Picture me, I'm a girl who's very, very bad. | 0:30:14 | 0:30:18 | |
I need to be punished, and by "punished," I mean "had." | 0:30:18 | 0:30:22 | |
It's where you keep goodies for anniversary five. | 0:30:22 | 0:30:25 | |
"So open the door, and look alive." | 0:30:25 | 0:30:29 | |
Bitch! HORN HONKS | 0:30:30 | 0:30:32 | |
Want to test your marriage for weak spots? | 0:30:35 | 0:30:38 | |
Add one recession... | 0:30:38 | 0:30:40 | |
..subtract two jobs. | 0:30:40 | 0:30:42 | |
It's surprisingly effective. | 0:30:42 | 0:30:44 | |
Promise me we'll never be like them. | 0:30:44 | 0:30:46 | |
Like who? | 0:30:46 | 0:30:47 | |
All those awful couples we know. | 0:30:47 | 0:30:49 | |
Those wives who treat their men like dancing monkeys... | 0:30:49 | 0:30:53 | |
..to be trained and paraded. | 0:30:53 | 0:30:55 | |
Husbands who treat their wives like the highway patrol... | 0:30:55 | 0:30:58 | |
..to be out-foxed and avoided. | 0:30:58 | 0:31:00 | |
I think I'm going to be laid off. | 0:31:05 | 0:31:07 | |
We're in a recession. If it happens, we'll deal with it. | 0:31:07 | 0:31:10 | |
I'll probably be next. | 0:31:10 | 0:31:12 | |
We have each other. | 0:31:12 | 0:31:14 | |
Everything else is background noise. | 0:31:14 | 0:31:16 | |
You are exceptional. | 0:31:17 | 0:31:19 | |
My turn. | 0:31:26 | 0:31:28 | |
-My parents' publisher dropped them and they're in debt up to their ears. -That's terrible. | 0:31:29 | 0:31:34 | |
And they need to borrow from my trust fund. | 0:31:34 | 0:31:36 | |
How much? | 0:31:36 | 0:31:37 | |
Almost a million. | 0:31:37 | 0:31:40 | |
That's almost all of it. | 0:31:40 | 0:31:42 | |
This is where you say, "Everything else is background noise." | 0:31:42 | 0:31:44 | |
Amy, if you're laid off and I'm laid off... | 0:31:44 | 0:31:46 | |
I said I'd do it. | 0:31:46 | 0:31:47 | |
Without talking to me? | 0:31:47 | 0:31:49 | |
-Well, it's... -Your call. | 0:31:49 | 0:31:50 | |
..their money, technically. | 0:31:50 | 0:31:52 | |
HE SIGHS | 0:31:52 | 0:31:53 | |
You know what? You're right. | 0:31:56 | 0:31:58 | |
Everything else is just background noise. | 0:31:58 | 0:32:00 | |
LOCKS CLICK | 0:32:06 | 0:32:07 | |
Hey. | 0:32:09 | 0:32:10 | |
More games? | 0:32:13 | 0:32:15 | |
Yeah, I just wanted to shoot some folks. | 0:32:15 | 0:32:16 | |
MAN SCREAMS IN GAME | 0:32:16 | 0:32:17 | |
What's the laptop for? | 0:32:17 | 0:32:19 | |
Laptop-ing. | 0:32:20 | 0:32:21 | |
Oh, I see. | 0:32:23 | 0:32:24 | |
You can give your parents 879,000 without talking to me... | 0:32:24 | 0:32:27 | |
..but God forbid I buy a video game without getting your permission. | 0:32:27 | 0:32:30 | |
You are spending a lot. | 0:32:30 | 0:32:31 | |
You don't trust me. You don't trust my judgment. | 0:32:31 | 0:32:33 | |
You certainly don't trust my intention. | 0:32:33 | 0:32:35 | |
What are you talking about? | 0:32:35 | 0:32:36 | |
That's the basic tenet of a prenup, isn't it? | 0:32:36 | 0:32:37 | |
Why are you throwing that in my face again? | 0:32:37 | 0:32:39 | |
-Because it's easy to throw. -Nick, I don't get it. | 0:32:39 | 0:32:42 | |
I don't get why you're daring me | 0:32:42 | 0:32:44 | |
to be someone I don't want to be. | 0:32:44 | 0:32:45 | |
The nagging shrew. The controlling bitch. | 0:32:45 | 0:32:48 | |
-I'm not that person. I'm your wife. -HE GROANS | 0:32:48 | 0:32:50 | |
I'm sorry. | 0:32:50 | 0:32:51 | |
I just don't know how to do this. I've never not had a job. | 0:32:51 | 0:32:54 | |
I flipped burgers, I painted houses. | 0:32:54 | 0:32:56 | |
You'll get another job. | 0:32:56 | 0:32:58 | |
PHONE RINGS | 0:32:58 | 0:32:59 | |
Hi, Go. | 0:33:02 | 0:33:03 | |
What? Hold on. What? | 0:33:05 | 0:33:06 | |
-And suddenly... -Slow down, what is it? | 0:33:06 | 0:33:08 | |
..I knew everything was about to get worse. | 0:33:08 | 0:33:10 | |
OK, tell me what's wrong. | 0:33:10 | 0:33:12 | |
INDISTINCT EXCITED SHOUTING | 0:33:12 | 0:33:13 | |
INDISTINCT CONVERSATIONS | 0:33:21 | 0:33:23 | |
-Bless you, Nick. -Father. | 0:33:38 | 0:33:40 | |
Hey, Tom. Mayor! | 0:33:40 | 0:33:41 | |
Nick, good to see you. | 0:33:41 | 0:33:42 | |
Good to see you. | 0:33:42 | 0:33:43 | |
Hey, guys, hey. | 0:33:43 | 0:33:45 | |
-Jodie. -Nick. | 0:33:47 | 0:33:48 | |
-Oh, we'll find her. -Mmm-hmm. | 0:33:50 | 0:33:53 | |
You look like hammered shit. | 0:34:06 | 0:34:07 | |
Oh, thank you. | 0:34:07 | 0:34:09 | |
You ever see that guy in the glasses before? | 0:34:17 | 0:34:19 | |
Don't worry. We videotape everybody that comes in and out of these things. | 0:34:19 | 0:34:22 | |
-I mean, you tend to get a lot of... -Do-gooders? | 0:34:22 | 0:34:25 | |
Freaks. | 0:34:25 | 0:34:26 | |
Hey, I meant to ask you. | 0:34:26 | 0:34:28 | |
Noelle Hawthorne? | 0:34:28 | 0:34:30 | |
She lives on your street. Amy's best friend. | 0:34:30 | 0:34:33 | |
I've never heard the name Noelle Hawthorne. | 0:34:33 | 0:34:34 | |
She and her husband have triplets. | 0:34:34 | 0:34:36 | |
Oh. | 0:34:36 | 0:34:37 | |
Yeah, we might say hi to them on the street. | 0:34:37 | 0:34:40 | |
But "best friend"? No. | 0:34:40 | 0:34:43 | |
Excuse me, one sec. | 0:34:43 | 0:34:45 | |
He acted like Noelle was a complete stranger. | 0:34:48 | 0:34:50 | |
Of course he did. | 0:34:50 | 0:34:52 | |
Look, these two are yours. | 0:34:52 | 0:34:53 | |
Oh, look. He's being a good guy... | 0:34:53 | 0:34:55 | |
..so everybody can see him being a good guy. | 0:34:55 | 0:34:57 | |
-Oh, you really don't like him, do you? -What's to like? | 0:34:57 | 0:35:00 | |
HE SIGHS | 0:35:04 | 0:35:05 | |
PHONE VIBRATES | 0:35:15 | 0:35:16 | |
-PHONE: -This mailbox is currently full. Press one to... | 0:35:21 | 0:35:25 | |
Nick? I just wanted to introduce myself. My name's Shawna Kelly. | 0:35:25 | 0:35:28 | |
I am so sorry for your troubles. | 0:35:28 | 0:35:31 | |
-Thank you. That's kind. -Are you remembering to eat? | 0:35:31 | 0:35:33 | |
Well, a lot of cold cuts. | 0:35:33 | 0:35:34 | |
I'm going to fix you up my world-famous chicken Frito pie. | 0:35:34 | 0:35:38 | |
That's very kind and very unnecessary. | 0:35:38 | 0:35:40 | |
You have to keep your strength. | 0:35:40 | 0:35:42 | |
Would you... | 0:35:42 | 0:35:44 | |
-..say, "Chicken Frito pie!" -PHONE CLICKS | 0:35:44 | 0:35:46 | |
SHE GIGGLES | 0:35:47 | 0:35:48 | |
Um... | 0:35:48 | 0:35:50 | |
You know what? | 0:35:50 | 0:35:51 | |
Would you delete that picture for me? | 0:35:51 | 0:35:53 | |
-It's a nice photo. -I know it is. | 0:35:53 | 0:35:55 | |
But just do me a favour. | 0:35:55 | 0:35:57 | |
Will you? | 0:35:57 | 0:35:58 | |
Would you go ahead and please delete that picture? | 0:35:58 | 0:36:01 | |
You just press... SHE GASPS | 0:36:01 | 0:36:02 | |
What is wrong with you? | 0:36:02 | 0:36:04 | |
Could you please not share that with anyone? | 0:36:04 | 0:36:05 | |
I will share it with whomever I please. | 0:36:05 | 0:36:08 | |
-Dude. -Yeah? | 0:36:12 | 0:36:13 | |
Marybeth is pissed. | 0:36:13 | 0:36:15 | |
Why? | 0:36:15 | 0:36:17 | |
Marybeth? | 0:36:19 | 0:36:20 | |
It's like you're the goddamn Homecoming King. | 0:36:20 | 0:36:23 | |
It was important to my mother that I be polite, | 0:36:26 | 0:36:28 | |
I be considerate, I be a gentleman. | 0:36:28 | 0:36:30 | |
It looked like you were having fun. | 0:36:30 | 0:36:32 | |
WHISPERS: I am in a nightmare! | 0:36:32 | 0:36:35 | |
All I'm trying to do is be nice | 0:36:35 | 0:36:37 | |
to the people who are volunteering to help find Amy. | 0:36:37 | 0:36:41 | |
You're right. | 0:36:42 | 0:36:45 | |
And I'm sorry. | 0:36:45 | 0:36:47 | |
My God, this place literally smells like faeces. | 0:36:49 | 0:36:52 | |
INDISTINCT CHATTER OVER RADIO | 0:37:00 | 0:37:03 | |
In your searches, did you find any golf clubs, real fancy? | 0:37:03 | 0:37:06 | |
No. | 0:37:06 | 0:37:07 | |
How about a brand-new Stratocaster? | 0:37:08 | 0:37:10 | |
No, nothing like that. | 0:37:10 | 0:37:12 | |
Well, all right. | 0:37:12 | 0:37:14 | |
How big's that TV? It's not 65-inch. | 0:37:19 | 0:37:22 | |
No, it's nowhere near that. | 0:37:22 | 0:37:23 | |
OK. | 0:37:23 | 0:37:24 | |
-Kibble? -Excuse me? | 0:37:24 | 0:37:26 | |
He asked me to feed his cat. | 0:37:26 | 0:37:28 | |
-Oh, I saw some in the pantry. -DOORBELL RINGING | 0:37:28 | 0:37:30 | |
Detective Boney, Officer Gilpin? Noelle Hawthorne! | 0:37:30 | 0:37:34 | |
I know y'all are in there! | 0:37:34 | 0:37:35 | |
Would you please escort Miss Hawthorne | 0:37:35 | 0:37:38 | |
and her children back out to the street? | 0:37:38 | 0:37:41 | |
Detective Boney! | 0:37:41 | 0:37:43 | |
Just remind her it is a possible crime scene. | 0:37:43 | 0:37:46 | |
BLOWS WHISTLE | 0:37:49 | 0:37:51 | |
INDISTINCT CONVERSATIONS | 0:37:52 | 0:37:53 | |
Look at that pie-eating grin... | 0:37:55 | 0:37:57 | |
..from a guy whose wife is missing. | 0:37:57 | 0:37:59 | |
-How are you doing? -Terrific. | 0:38:05 | 0:38:06 | |
How's Marybeth? | 0:38:08 | 0:38:10 | |
She's a wreck. | 0:38:10 | 0:38:11 | |
And you? | 0:38:11 | 0:38:13 | |
Awesome. | 0:38:13 | 0:38:15 | |
Hey... | 0:38:15 | 0:38:16 | |
..have you told me everything? | 0:38:16 | 0:38:18 | |
Of course. EVERYTHING? | 0:38:18 | 0:38:20 | |
Why would you even ask me that? | 0:38:20 | 0:38:21 | |
Ever since you walked into The Bar that morning | 0:38:21 | 0:38:23 | |
Amy went missing, you seem... | 0:38:23 | 0:38:25 | |
-..off. -I am off. | 0:38:26 | 0:38:28 | |
Everybody's examining me and projecting their shit on me. | 0:38:28 | 0:38:31 | |
All I want is to come over here, have a beer with you, | 0:38:31 | 0:38:34 | |
and not be judged. | 0:38:34 | 0:38:36 | |
Can we do that? | 0:38:36 | 0:38:37 | |
-Of course. -HE SIGHS | 0:38:38 | 0:38:41 | |
You know what I keep thinking? | 0:38:41 | 0:38:43 | |
-If Mom were here? -Yeah. Like I'm 12. | 0:38:43 | 0:38:47 | |
Nick, Mom would fix it. | 0:38:49 | 0:38:51 | |
I'm going to go Benadryl myself to sleep. | 0:38:58 | 0:39:01 | |
-Love you. -Love you. | 0:39:04 | 0:39:06 | |
So, here's a strange, new sentence. | 0:39:10 | 0:39:12 | |
I am a Missourian. | 0:39:12 | 0:39:16 | |
Mmm, bye, Dad. | 0:39:22 | 0:39:24 | |
No money, no jobs, no prospects. | 0:39:25 | 0:39:29 | |
And then, we heard from Go. | 0:39:29 | 0:39:31 | |
Mama Maureen, | 0:39:31 | 0:39:33 | |
stage 4 breast cancer. | 0:39:33 | 0:39:36 | |
So, we moved to Missouri. | 0:39:38 | 0:39:40 | |
I don't mind. | 0:39:40 | 0:39:42 | |
I just wish he'd asked. | 0:39:42 | 0:39:45 | |
GO LAUGHING | 0:39:55 | 0:39:56 | |
Nick is happy to be home. | 0:39:56 | 0:39:59 | |
But I don't know if he's happy I'm with him. | 0:39:59 | 0:40:01 | |
I feel like something he loaded by mistake. | 0:40:02 | 0:40:06 | |
Something to be jettisoned, if necessary. | 0:40:06 | 0:40:09 | |
Something disposable. | 0:40:09 | 0:40:11 | |
INDISTINCT CONVERSATION | 0:40:11 | 0:40:13 | |
I feel like I could disappear. | 0:40:13 | 0:40:15 | |
PHONE VIBRATES | 0:40:16 | 0:40:17 | |
LOCKS CLICK | 0:40:52 | 0:40:53 | |
Oh, my God! | 0:40:57 | 0:40:59 | |
-I saw you on TV. -OK. SHUSHING | 0:40:59 | 0:41:01 | |
-It's so crazy. -Yeah, I know. | 0:41:01 | 0:41:03 | |
-She just vanished? -She's just gone. | 0:41:03 | 0:41:05 | |
-I've been so worried about you. -Where have you been? | 0:41:05 | 0:41:07 | |
I called you a hundred times. You gotta pick up your phone! | 0:41:07 | 0:41:09 | |
-Rehearsals. -What? | 0:41:09 | 0:41:11 | |
Godspell. | 0:41:11 | 0:41:12 | |
QUIETLY: My sister's asleep in the other room. | 0:41:13 | 0:41:15 | |
-I needed to see you. -I know this is a bad idea. | 0:41:15 | 0:41:18 | |
Can you at least tell me you love me? | 0:41:18 | 0:41:20 | |
I do love you, but we have to be really careful right now. | 0:41:20 | 0:41:23 | |
Oh, I've been so scared. | 0:41:23 | 0:41:24 | |
Between rehearsals? | 0:41:24 | 0:41:26 | |
-You told me I needed to have my own life. -I know. | 0:41:26 | 0:41:29 | |
We need to stop. | 0:41:29 | 0:41:30 | |
I need you. | 0:41:30 | 0:41:31 | |
Touch me. | 0:41:32 | 0:41:34 | |
BOTH MOANING | 0:41:34 | 0:41:36 | |
Stop it. Come here. | 0:41:37 | 0:41:40 | |
Sit down. | 0:41:41 | 0:41:43 | |
OK. | 0:41:43 | 0:41:44 | |
Did you, by any chance, tell anybody anything about us? | 0:41:44 | 0:41:48 | |
Even in texting, or on Facebook. | 0:41:48 | 0:41:49 | |
Facebook? I use the disposable phone. | 0:41:49 | 0:41:52 | |
You buy my presents in cash. I'm not stupid, Nick. | 0:41:52 | 0:41:54 | |
I know, sweetie. Did you leave a pair of red panties in my office? | 0:41:54 | 0:41:57 | |
I don't know. Maybe. They better be mine. | 0:41:57 | 0:42:00 | |
Sweetheart, think. | 0:42:00 | 0:42:02 | |
I don't know. I'd have to check my red-panty inventory. | 0:42:02 | 0:42:04 | |
Andie, I need you to take this seriously, OK? | 0:42:04 | 0:42:06 | |
This is the last time we're going to see each other, until... | 0:42:06 | 0:42:08 | |
Until when? | 0:42:08 | 0:42:10 | |
Until it's safe. | 0:42:10 | 0:42:11 | |
You were going to get a divorce. | 0:42:11 | 0:42:13 | |
Never say that out loud again. | 0:42:13 | 0:42:15 | |
OK. I'm sorry. | 0:42:15 | 0:42:18 | |
I don't want to fight. | 0:42:18 | 0:42:19 | |
I just want to be with you. | 0:42:21 | 0:42:23 | |
Andie, oh, please... | 0:42:23 | 0:42:25 | |
That's all I want. | 0:42:25 | 0:42:26 | |
I can't. | 0:42:28 | 0:42:29 | |
It's our last time together. | 0:42:31 | 0:42:33 | |
Let's make the most of it. | 0:42:33 | 0:42:35 | |
Real quick, but then you have to go. | 0:42:41 | 0:42:45 | |
My husband has come undone. | 0:42:47 | 0:42:50 | |
We moved to Missouri to save Maureen... | 0:42:50 | 0:42:53 | |
..but as it turns out, we couldn't. | 0:42:53 | 0:42:56 | |
INDISTINCT CONVERSATIONS | 0:42:56 | 0:42:59 | |
It means a lot that you came. | 0:42:59 | 0:43:00 | |
We took a hit on the brownstone | 0:43:02 | 0:43:03 | |
and I used the last of my trust fund to buy him a bar. | 0:43:03 | 0:43:06 | |
So far, it's just costing money. | 0:43:06 | 0:43:09 | |
PANTING | 0:43:09 | 0:43:10 | |
Nick uses me for sex when he wants. | 0:43:12 | 0:43:15 | |
PANTING | 0:43:15 | 0:43:16 | |
-Otherwise, I don't exist. -Whoo! | 0:43:19 | 0:43:21 | |
We should go to Outback tonight. | 0:43:22 | 0:43:24 | |
That would be nice. | 0:43:24 | 0:43:26 | |
Last night, I went from desperate to pathetic. | 0:43:26 | 0:43:29 | |
I became someone I don't even like. | 0:43:29 | 0:43:33 | |
The kind of woman I used to mock. | 0:43:33 | 0:43:35 | |
You're out so much. | 0:43:35 | 0:43:36 | |
-I know. -Stay home. | 0:43:36 | 0:43:39 | |
-I can't, I'm already late. -Then, can I come? | 0:43:39 | 0:43:41 | |
You would hate it. | 0:43:41 | 0:43:43 | |
It's a bunch of my dorky high-school friends. | 0:43:43 | 0:43:46 | |
Do our code. No bullshit. | 0:43:47 | 0:43:50 | |
I thought we weren't going to be that couple. | 0:43:50 | 0:43:52 | |
OK, bye. | 0:43:58 | 0:44:00 | |
-Hey, I've been thinking. -Yeah? | 0:44:02 | 0:44:05 | |
Something positive. | 0:44:05 | 0:44:06 | |
Maybe it's time. | 0:44:07 | 0:44:08 | |
Now is literally the worst time. | 0:44:10 | 0:44:11 | |
It would be a new start for us. | 0:44:11 | 0:44:13 | |
And for me, I would have a real purpose here. | 0:44:13 | 0:44:15 | |
A child is not a hobby. | 0:44:15 | 0:44:17 | |
Not a hobby. | 0:44:17 | 0:44:19 | |
An inspiration. | 0:44:19 | 0:44:20 | |
We could have had this fight four hours ago. I'm late. | 0:44:20 | 0:44:23 | |
I didn't know it was going to be a fight. | 0:44:23 | 0:44:25 | |
You really want to be the couple that has a baby | 0:44:25 | 0:44:26 | |
to save their marriage? | 0:44:26 | 0:44:28 | |
"Save"? | 0:44:28 | 0:44:29 | |
Reboot, retool, rekindle, whatever! | 0:44:29 | 0:44:31 | |
-And you're going to walk out the door now? -Yeah! | 0:44:31 | 0:44:34 | |
You're a fucking coward. | 0:44:34 | 0:44:36 | |
No, it can't go on like this. | 0:44:36 | 0:44:38 | |
-Oh, really? -I won't. -You won't? | 0:44:38 | 0:44:40 | |
You won't? Why, it's not good enough for you? | 0:44:40 | 0:44:43 | |
-It's not even close! -You stupid bitch! | 0:44:43 | 0:44:46 | |
What scared me wasn't that he'd pushed me. | 0:44:46 | 0:44:49 | |
What scared me was how much he wanted to hurt me more. | 0:44:49 | 0:44:53 | |
What scared me was that I'd finally realised... | 0:44:53 | 0:44:55 | |
..I am frightened of my own husband. | 0:44:56 | 0:45:00 | |
BOTTLES RATTLE | 0:45:05 | 0:45:07 | |
SIRENS WAIL | 0:45:09 | 0:45:11 | |
You want me to call for backup? | 0:45:11 | 0:45:12 | |
Nah, I'll protect you. | 0:45:12 | 0:45:14 | |
INDISTINCT CHATTER OVER RADIO | 0:45:17 | 0:45:19 | |
Jesus. | 0:45:22 | 0:45:23 | |
They ought to burn this place down. | 0:45:28 | 0:45:31 | |
Seems like folks are trying. | 0:45:31 | 0:45:33 | |
You really think this is anything? | 0:45:38 | 0:45:40 | |
Cross it off the list. | 0:45:40 | 0:45:42 | |
INDISTINCT MUTTERING | 0:45:43 | 0:45:45 | |
Hey, Jason. | 0:45:53 | 0:45:55 | |
What's up, Rhonda? | 0:45:55 | 0:45:56 | |
"..and dedicated to the proposition that all men..." | 0:45:56 | 0:45:58 | |
Have you seen this girl around here? | 0:45:59 | 0:46:01 | |
Why do you ask? | 0:46:01 | 0:46:02 | |
She was reported missing. | 0:46:02 | 0:46:04 | |
"..and so dedicated, can long endure." | 0:46:07 | 0:46:09 | |
Yeah. I remember her. | 0:46:09 | 0:46:10 | |
What did she want? Weed, pills? | 0:46:10 | 0:46:13 | |
She wanted a gun. | 0:46:14 | 0:46:15 | |
I told her it's not my thing. | 0:46:15 | 0:46:17 | |
I felt bad, though. She seemed really desperate. | 0:46:17 | 0:46:20 | |
She said it needed to be small, so she could keep it close. | 0:46:20 | 0:46:24 | |
Are you sure this is her? | 0:46:24 | 0:46:26 | |
You don't forget a girl like that in here. | 0:46:26 | 0:46:28 | |
She was all in pink. | 0:46:28 | 0:46:30 | |
It was Valentine's Day. | 0:46:30 | 0:46:32 | |
For Valentine's Day, I thought I'd buy a gun. | 0:46:35 | 0:46:38 | |
That is how crazy I've become. | 0:46:38 | 0:46:40 | |
Nick wants me gone, but he won't ask for a divorce. | 0:46:41 | 0:46:45 | |
In his mind, I'm the owner of his bar, his only line of credit. | 0:46:45 | 0:46:49 | |
The bitch with the prenup. | 0:46:49 | 0:46:51 | |
I could go home to my parents... | 0:46:53 | 0:46:55 | |
..but I'd have to tell them the truth. | 0:46:55 | 0:46:57 | |
And I don't even know if I believe the truth. | 0:46:57 | 0:47:00 | |
WATER RUNNING | 0:47:00 | 0:47:01 | |
Can I really think Nick would hurt me? | 0:47:01 | 0:47:04 | |
I'm being paranoid. Crazy. | 0:47:04 | 0:47:07 | |
It's just... | 0:47:08 | 0:47:10 | |
..I'd sleep better with a gun. | 0:47:10 | 0:47:12 | |
NICK SIGHS | 0:47:21 | 0:47:22 | |
Oh, shit. | 0:47:23 | 0:47:24 | |
QUIETLY: Wake up, baby. My sister's going to come out here. | 0:47:24 | 0:47:28 | |
-Sorry to rush you. -It's OK. | 0:47:32 | 0:47:34 | |
Here. Let me help you. OK. | 0:47:36 | 0:47:37 | |
Just get that. GRUNTING | 0:47:37 | 0:47:39 | |
Be careful. | 0:47:40 | 0:47:42 | |
Very careful. | 0:47:42 | 0:47:44 | |
-I'm all right. -Here you go. | 0:47:44 | 0:47:48 | |
Promise me we'll talk every day. | 0:47:48 | 0:47:49 | |
OK, we will. Promise. | 0:47:49 | 0:47:51 | |
Every day, Nick, or I'll go crazy. | 0:47:51 | 0:47:54 | |
-Don't go crazy. -OK. | 0:47:54 | 0:47:56 | |
You fucking idiot. | 0:48:00 | 0:48:04 | |
You fucking asshole! You fucking lied to my fucking face! | 0:48:04 | 0:48:07 | |
I'm sorry. REFRIGERATOR DOOR SLAMS | 0:48:09 | 0:48:11 | |
How old is she? | 0:48:12 | 0:48:13 | |
She's in her early 20s. | 0:48:13 | 0:48:15 | |
How long? | 0:48:15 | 0:48:17 | |
-A year and a half. -You lied to me for over a year? | 0:48:17 | 0:48:20 | |
Oh, if I told you, you would have made me stop. | 0:48:20 | 0:48:22 | |
It's so fucking small. | 0:48:22 | 0:48:23 | |
You're a liar and a cheat! You're just like Dad! | 0:48:23 | 0:48:26 | |
-How did you even meet her? -She's one of my students. | 0:48:26 | 0:48:28 | |
-I thought writers hated cliches. -Oh, I'm not a writer. | 0:48:29 | 0:48:32 | |
"Oh, boo-hoo, I got laid off. I guess I'll fuck a teenager." | 0:48:32 | 0:48:34 | |
It wasn't like that, OK? You have no idea how shitty it was with Amy, | 0:48:34 | 0:48:37 | |
how fuckin' terrible she made me feel. | 0:48:37 | 0:48:39 | |
Flyover Boy. I would get knots in my stomach, | 0:48:39 | 0:48:42 | |
just coming home, knowing she would be sitting there, | 0:48:42 | 0:48:43 | |
dissatisfied, before I even walked in the fuckin' door. | 0:48:43 | 0:48:46 | |
This is so bad. | 0:48:46 | 0:48:47 | |
If anybody finds out, you're totally fucked. | 0:48:47 | 0:48:49 | |
Boney found a pair of panties in my office, | 0:48:49 | 0:48:52 | |
where, occasionally, Andie and I... I don't know what the fuck it means. | 0:48:52 | 0:48:55 | |
Are they Super-Twat's? | 0:48:55 | 0:48:56 | |
Her name is Andie. | 0:48:56 | 0:48:58 | |
She's not entirely sure. | 0:48:58 | 0:48:59 | |
So we are dealing with a 20-year-old | 0:48:59 | 0:49:01 | |
who isn't sure where she leaves her undies? | 0:49:01 | 0:49:02 | |
If they're not Andie's, that means that they're Amy's | 0:49:02 | 0:49:04 | |
and she left them there for me to find. | 0:49:04 | 0:49:06 | |
Nick, I was scared for you before and now, I'm fucking petrified. | 0:49:06 | 0:49:10 | |
We're having a vigil tonight for your missing wife, | 0:49:10 | 0:49:12 | |
and this morning, you're kissing your college girlfriend goodbye! | 0:49:12 | 0:49:15 | |
Can you imagine? | 0:49:15 | 0:49:17 | |
Have you watched television lately? | 0:49:17 | 0:49:20 | |
Cable news is all over your shit. | 0:49:20 | 0:49:24 | |
I mean, what is wrong with this barkeep? | 0:49:24 | 0:49:26 | |
His wife's nowhere to be found, | 0:49:26 | 0:49:28 | |
and here's Nick Dunne for you, flirting. | 0:49:28 | 0:49:30 | |
-Cute pic, huh? -Who is that? | 0:49:30 | 0:49:32 | |
Some fucking tragedy groupie. | 0:49:32 | 0:49:34 | |
-Who the fuck is that? -I don't know. | 0:49:34 | 0:49:35 | |
She was trying to give me a casserole. | 0:49:35 | 0:49:37 | |
On the show today, we have defence attorney, Tanner Bolt - patron saint | 0:49:37 | 0:49:40 | |
-to wife-killers everywhere. -LAUGHING | 0:49:40 | 0:49:42 | |
Tanner Bolt, would you actually consider defending Nick Dunne? | 0:49:42 | 0:49:46 | |
Let me just say, as always, Ellen, thank you for such a warm welcome. | 0:49:46 | 0:49:49 | |
But of course I'd defend Nick Dunne. | 0:49:49 | 0:49:51 | |
Listen, just because this guy isn't walking around weeping, | 0:49:51 | 0:49:54 | |
that doesn't mean that he's not hurting. | 0:49:54 | 0:49:55 | |
Tanner, the hallmark of a sociopath is a lack of empathy. | 0:49:55 | 0:49:58 | |
But the truth is, you'd have to be a sociopath | 0:49:58 | 0:50:01 | |
to behave normally in this situation, | 0:50:01 | 0:50:02 | |
because it's the most abnormal situation in the world. | 0:50:02 | 0:50:05 | |
Tanner, are you trying to tell me that this photo | 0:50:05 | 0:50:08 | |
is remotely in the realm of acceptable behaviour? | 0:50:08 | 0:50:10 | |
I'm so sick of being picked apart by women. | 0:50:10 | 0:50:13 | |
You need to hire Tanner Bolt. | 0:50:14 | 0:50:16 | |
I don't deserve this. | 0:50:17 | 0:50:18 | |
Innocent until proven guilty. | 0:50:18 | 0:50:20 | |
That's exactly what you deserve. | 0:50:20 | 0:50:23 | |
Go home, Nick. | 0:50:23 | 0:50:24 | |
Hey, buddy. | 0:50:49 | 0:50:50 | |
TRUCK BRAKING OUTSIDE | 0:50:59 | 0:51:00 | |
I can't believe we haven't arrested this guy. | 0:51:06 | 0:51:07 | |
We're not going to arrest anybody | 0:51:07 | 0:51:09 | |
just because some blonde dunce says so. | 0:51:09 | 0:51:11 | |
Why are you going so easy on him? You got a crush? | 0:51:11 | 0:51:14 | |
One, I am conducting an investigation, not a witch-hunt. | 0:51:14 | 0:51:17 | |
And, two, don't talk to me that way, ever. | 0:51:17 | 0:51:19 | |
She was trying to buy a gun. | 0:51:19 | 0:51:20 | |
We don't know who or what was scaring her, Gil. | 0:51:20 | 0:51:22 | |
Give me the update. | 0:51:22 | 0:51:24 | |
No drug angles panned out yet, so cross that off the list. | 0:51:24 | 0:51:26 | |
I talked to the nurses who care for Nick's father. | 0:51:26 | 0:51:28 | |
The guy's a bastard, but weak as a kitten, so cross that off the list. | 0:51:28 | 0:51:31 | |
-Hey. -Hey. | 0:51:31 | 0:51:32 | |
So, luminol lit up the kitchen like the 4th of July. | 0:51:32 | 0:51:35 | |
-Whoa. -Yeah. | 0:51:35 | 0:51:37 | |
The blood is profuse. | 0:51:37 | 0:51:38 | |
It is Amy's, type B, and we should have DNA soon. | 0:51:38 | 0:51:40 | |
Thoughts on a weapon? | 0:51:40 | 0:51:41 | |
Trajectory indicates blunt force. | 0:51:41 | 0:51:43 | |
Maybe a club or a two-by-four. HE WHISTLES | 0:51:43 | 0:51:46 | |
She fell there, but I doubt she got back up. | 0:51:46 | 0:51:49 | |
Amy's medical records come in? | 0:51:49 | 0:51:50 | |
No, we'll have them later tonight. | 0:51:50 | 0:51:52 | |
My wife says he's a killer. | 0:51:54 | 0:51:55 | |
Well, if Tiffany says... | 0:51:55 | 0:51:58 | |
INDISTINCT CONVERSATIONS | 0:52:08 | 0:52:10 | |
Hey. | 0:52:22 | 0:52:23 | |
Hey. | 0:52:23 | 0:52:24 | |
Thank you all for coming out. | 0:52:29 | 0:52:30 | |
Hey, Donnie, how are you? | 0:52:31 | 0:52:33 | |
Rich, thank you so much. | 0:52:33 | 0:52:36 | |
INDISTINCT CONSOLATIONS | 0:52:37 | 0:52:39 | |
-Hey. -Hmm. | 0:52:43 | 0:52:44 | |
CROWD MURMURING | 0:52:47 | 0:52:49 | |
NICK CLEARS THROAT | 0:52:49 | 0:52:51 | |
Thank you, folks. | 0:52:51 | 0:52:52 | |
Thank you for being here tonight. | 0:52:52 | 0:52:54 | |
It just means the world to our family. | 0:52:54 | 0:52:56 | |
And to Amy. | 0:52:56 | 0:52:58 | |
As you all know... | 0:52:58 | 0:53:01 | |
..my wife, Amy Elliott Dunne... | 0:53:01 | 0:53:04 | |
..disappeared three days ago. | 0:53:04 | 0:53:06 | |
And I want to implore anyone who has any information at all, | 0:53:06 | 0:53:10 | |
please come forward. Help us. | 0:53:10 | 0:53:13 | |
-So hot. -Ew! He is so creepy. | 0:53:13 | 0:53:15 | |
I want to say something, | 0:53:15 | 0:53:16 | |
because I think some of you might be wondering, | 0:53:16 | 0:53:18 | |
and are too polite to ask. | 0:53:18 | 0:53:21 | |
I had nothing to do with the disappearance of my wife. | 0:53:21 | 0:53:24 | |
I'm cooperating with the police. | 0:53:24 | 0:53:26 | |
I haven't hired a lawyer. | 0:53:26 | 0:53:28 | |
I have nothing to hide. | 0:53:28 | 0:53:30 | |
Amy is my soul mate. | 0:53:30 | 0:53:33 | |
She is brilliant, | 0:53:33 | 0:53:35 | |
she's charming, and wise. | 0:53:35 | 0:53:38 | |
I love you, Amy. | 0:53:38 | 0:53:40 | |
-QUIETLY: -Asshole. | 0:53:44 | 0:53:45 | |
I love my wife... | 0:53:46 | 0:53:48 | |
..so much. | 0:53:48 | 0:53:49 | |
And I may not behave for the cameras the way they want me to... | 0:53:52 | 0:53:56 | |
..and if they want to punish me for that, that's OK. | 0:53:56 | 0:53:59 | |
But I just want to ask you in the media, please, harass me, | 0:53:59 | 0:54:03 | |
but don't harass the people of this town. | 0:54:03 | 0:54:06 | |
If you need to mock somebody, mock me. | 0:54:06 | 0:54:08 | |
Nick! | 0:54:08 | 0:54:09 | |
But please don't turn this investigation into a circus. | 0:54:09 | 0:54:11 | |
Where's your wife, Nick? | 0:54:11 | 0:54:13 | |
Let the police do their jobs. | 0:54:13 | 0:54:15 | |
What did you do to your pregnant wife? | 0:54:15 | 0:54:16 | |
CROWD GASPS | 0:54:16 | 0:54:18 | |
Did you tell them that, Nick? | 0:54:18 | 0:54:19 | |
Did you tell them Amy was six weeks pregnant? | 0:54:19 | 0:54:21 | |
CROWD MUTTER | 0:54:21 | 0:54:22 | |
Thank you for your support tonight. Let's find Amy. | 0:54:25 | 0:54:28 | |
HE CLEARS HIS THROAT | 0:54:28 | 0:54:29 | |
Go ahead, if you guys want to say something. | 0:54:29 | 0:54:31 | |
CROWD SHOUTING | 0:54:33 | 0:54:34 | |
Gil, go, go. | 0:54:34 | 0:54:36 | |
-Nick, where are you going? -Stop him! | 0:54:38 | 0:54:41 | |
No questions right now. Thank you. | 0:54:41 | 0:54:43 | |
Why are you running away? | 0:54:45 | 0:54:47 | |
Don't run. | 0:54:48 | 0:54:49 | |
Everybody, stay back. | 0:54:50 | 0:54:51 | |
SIRENS WAIL | 0:54:51 | 0:54:53 | |
REPORTERS CLAMOUR | 0:54:53 | 0:54:56 | |
Guys, come on. You know better. | 0:54:56 | 0:54:58 | |
Get off the grass, get down to the curb. | 0:54:58 | 0:55:00 | |
-Hey, Gil... -On it. | 0:55:00 | 0:55:01 | |
All right. All right, y'all heard her. No pictures. | 0:55:01 | 0:55:04 | |
Hello? DOOR SHUTS | 0:55:04 | 0:55:06 | |
Hello? | 0:55:06 | 0:55:08 | |
Fuck. | 0:55:08 | 0:55:09 | |
You scared me. Want a drink? | 0:55:09 | 0:55:10 | |
Did you know she was pregnant? | 0:55:10 | 0:55:12 | |
I told you, Noelle Hawthorne is fucking crazy. | 0:55:12 | 0:55:14 | |
She doesn't even know Amy. | 0:55:14 | 0:55:15 | |
They look like pretty good friends to me. | 0:55:15 | 0:55:17 | |
DOOR CLOSES | 0:55:19 | 0:55:20 | |
Look, I don't know. But it certainly doesn't prove that she's pregnant. | 0:55:24 | 0:55:27 | |
-We have her medical records coming. -Good. -So, let's talk while we wait. | 0:55:27 | 0:55:31 | |
Let's start over here. The scene of the crime. | 0:55:31 | 0:55:33 | |
You see, we've seen dozens of home invasions. | 0:55:33 | 0:55:35 | |
Dozens and dozens. | 0:55:35 | 0:55:37 | |
This area right here, it looked wrong from the second we saw it. | 0:55:37 | 0:55:40 | |
The whole thing looked staged. Watch this. | 0:55:40 | 0:55:43 | |
And yet, they remained upright | 0:55:44 | 0:55:46 | |
throughout this life-and-death struggle? | 0:55:46 | 0:55:48 | |
I don't know. What do you want me to say? | 0:55:48 | 0:55:50 | |
Did you do any housekeeping the day your wife went missing? | 0:55:50 | 0:55:51 | |
-No. -Because our guys did a luminol test. | 0:55:51 | 0:55:55 | |
And I'm sorry to tell you, but that kitchen lit up. | 0:55:55 | 0:55:57 | |
Amy lost a lot of blood in there, Nick. A lot. | 0:55:57 | 0:55:59 | |
-Oh, my God. -Yeah, and then somebody mopped it up. | 0:55:59 | 0:56:02 | |
Oh... Wait a second. Why would they mop up the blood | 0:56:02 | 0:56:04 | |
if they're trying to stage a crime scene? | 0:56:04 | 0:56:06 | |
No blood and no body suggests kidnapping. | 0:56:06 | 0:56:08 | |
It tells us, look at people OUTSIDE the house. | 0:56:08 | 0:56:11 | |
Like these homeless you keep mentioning. | 0:56:11 | 0:56:12 | |
A pool of blood and no body suggests homicide. | 0:56:12 | 0:56:15 | |
It tells us to look at people INSIDE the house. | 0:56:15 | 0:56:17 | |
-Which is what we're doing here, Nick. -I see. | 0:56:17 | 0:56:20 | |
So, how was your marriage, Nick? | 0:56:20 | 0:56:21 | |
-Because right now, all we got is Noelle. -She says, "Not good." | 0:56:21 | 0:56:24 | |
Gil, what do you and your wife argue about? | 0:56:24 | 0:56:26 | |
-What pisses you off? -Oh, money, lack thereof. | 0:56:26 | 0:56:28 | |
Me and my ex, it's the same. | 0:56:28 | 0:56:29 | |
I mention that because we got a look at your finances, Nick. | 0:56:29 | 0:56:33 | |
117,000 in credit card debt. | 0:56:33 | 0:56:35 | |
-What? -I pulled up some of the merchandise. | 0:56:35 | 0:56:37 | |
There are these fun little splurges. | 0:56:37 | 0:56:39 | |
I didn't buy any of this stuff. I don't even golf! | 0:56:39 | 0:56:42 | |
I do! You bought great clubs. | 0:56:42 | 0:56:43 | |
I like the robot dog. | 0:56:43 | 0:56:44 | |
This is identity theft! This is a felony! | 0:56:44 | 0:56:46 | |
We need to find out who did this! | 0:56:46 | 0:56:47 | |
All right. Let's talk about life insurance. | 0:56:47 | 0:56:49 | |
Because in April, you bumped up Amy's life insurance to 1.2 million. | 0:56:49 | 0:56:52 | |
Yes, I did. That was her idea. She wanted me to. | 0:56:52 | 0:56:55 | |
You filed the paperwork. | 0:56:55 | 0:56:56 | |
-Because she told me to! -Whoa! | 0:56:56 | 0:56:57 | |
-PHONE RINGING -Hold on a sec. | 0:56:57 | 0:56:59 | |
Yeah? OK. | 0:56:59 | 0:57:01 | |
For sure? | 0:57:02 | 0:57:04 | |
All right. | 0:57:04 | 0:57:06 | |
INDISTINCT CLAMOURING OUTSIDE | 0:57:06 | 0:57:07 | |
She was pregnant. | 0:57:09 | 0:57:10 | |
This is insane. | 0:57:14 | 0:57:15 | |
So, my question becomes... | 0:57:15 | 0:57:18 | |
I don't want to talk to you again, ever... | 0:57:18 | 0:57:21 | |
..without a lawyer. | 0:57:21 | 0:57:22 | |
Margo! | 0:57:30 | 0:57:31 | |
OVERLAPPING SHOUTING | 0:57:31 | 0:57:32 | |
Hey. | 0:57:41 | 0:57:42 | |
-Just hold on a second. Let me finish. -Nick? | 0:57:44 | 0:57:48 | |
I hear you, I hear you. I was as surprised as... | 0:57:48 | 0:57:50 | |
I know you're upset. I had no idea she was pregnant. | 0:57:50 | 0:57:55 | |
Listen, I thought so, too, but evidently that wasn't... | 0:57:55 | 0:57:58 | |
You want to know the truth? | 0:58:00 | 0:58:02 | |
The truth is, Amy didn't want kids. | 0:58:02 | 0:58:04 | |
Well, I'm as surprised as... | 0:58:07 | 0:58:09 | |
You told me YOU didn't want kids. | 0:58:10 | 0:58:12 | |
SIGHS I was trying to put a good face on. | 0:58:12 | 0:58:14 | |
Then, suddenly, you've got a pregnant wife. | 0:58:14 | 0:58:16 | |
That's a problem for you. | 0:58:16 | 0:58:17 | |
Especially when you factor in the secret teenage girlfriend. | 0:58:17 | 0:58:20 | |
Oh, stop watching Ellen Abbott! | 0:58:20 | 0:58:21 | |
You have to fucking talk to me! | 0:58:21 | 0:58:23 | |
I didn't tell you that she didn't want kids | 0:58:25 | 0:58:28 | |
because she didn't want me to. | 0:58:28 | 0:58:29 | |
Because it would have just been another reason for you to hate her. | 0:58:29 | 0:58:31 | |
And we had enough of those already! It was easier to just... | 0:58:31 | 0:58:33 | |
-Lie to me? -I wanted kids! | 0:58:33 | 0:58:35 | |
When we first moved here, I went to a fertility clinic! | 0:58:35 | 0:58:38 | |
-It didn't work? -I did my part! | 0:58:38 | 0:58:39 | |
-Masturbate. -When it came time for Amy to do her thing, all of a sudden it was like... | 0:58:39 | 0:58:42 | |
"Well, I don't know. Maybe. No, thanks." | 0:58:42 | 0:58:43 | |
Now, who would believe you? | 0:58:43 | 0:58:45 | |
All right. | 0:58:46 | 0:58:48 | |
SHE SCOFFS | 0:58:51 | 0:58:52 | |
This is a letter from the clinic, | 0:58:57 | 0:58:59 | |
notifying me that they're going to destroy my sample, | 0:58:59 | 0:59:01 | |
unless I contact them. | 0:59:01 | 0:59:03 | |
So, I gave it to Amy. | 0:59:04 | 0:59:06 | |
The next day, I saw it in the trash. | 0:59:06 | 0:59:09 | |
But you were already with Andie by then, right? | 0:59:09 | 0:59:11 | |
I wanted a baby with Amy. | 0:59:11 | 0:59:13 | |
A year ago, Amy being pregnant | 0:59:13 | 0:59:15 | |
would have been the best thing ever! | 0:59:15 | 0:59:17 | |
"When your poor Amy has a cold, this dessert just..." | 0:59:23 | 0:59:25 | |
This is the clue you couldn't solve. | 0:59:25 | 0:59:26 | |
Yeah. | 0:59:26 | 0:59:27 | |
A letter from Desi. | 0:59:29 | 0:59:31 | |
That creepy boyfriend of Amy's? | 0:59:31 | 0:59:32 | |
It was the fucking rich guy who would do anything for her. | 0:59:32 | 0:59:35 | |
It just kept hanging over my head. It was disgusting. | 0:59:35 | 0:59:37 | |
Your prenup? | 0:59:37 | 0:59:38 | |
Nick, why have you kept this stuff? | 0:59:38 | 0:59:39 | |
It's like a little box of hate. | 0:59:39 | 0:59:41 | |
I don't know, Go! Maybe I hate her! | 0:59:41 | 0:59:43 | |
I love you no matter what. | 0:59:45 | 0:59:48 | |
But you need to tell me. | 0:59:48 | 0:59:50 | |
Tell you what? | 0:59:50 | 0:59:52 | |
What are you asking me? | 0:59:52 | 0:59:53 | |
Are you asking me if I killed my wife, Go? | 0:59:55 | 0:59:58 | |
Is that what you're asking me? If I murdered my wife? | 0:59:58 | 1:00:00 | |
I would never ask you that! | 1:00:00 | 1:00:03 | |
Margo! | 1:00:07 | 1:00:08 | |
DOOR SLAMS SHUT | 1:00:08 | 1:00:09 | |
CLAMOURING CONTINUES | 1:00:09 | 1:00:10 | |
Don't walk on the glass. | 1:00:20 | 1:00:22 | |
GROANING Oh! | 1:00:22 | 1:00:24 | |
You have no clue, do you? | 1:00:24 | 1:00:26 | |
HE SIGHS | 1:00:27 | 1:00:28 | |
Why was he here that night? | 1:00:43 | 1:00:45 | |
His wife is missing. Why come here? | 1:00:46 | 1:00:49 | |
-HE SIGHS -Who cares? | 1:00:49 | 1:00:50 | |
Rhonda, we got this. | 1:00:50 | 1:00:51 | |
Let's make the arrest. | 1:00:51 | 1:00:53 | |
-Do you know how hard it is to make a murder case without a body? -No. | 1:00:53 | 1:00:56 | |
Well, it's incredibly hard. | 1:00:56 | 1:00:58 | |
So, I want one last thing. | 1:00:58 | 1:01:01 | |
What's that? | 1:01:01 | 1:01:02 | |
I want a body. | 1:01:03 | 1:01:05 | |
Picture me, I'm a girl who's very, very bad. | 1:01:07 | 1:01:11 | |
Be careful. | 1:01:11 | 1:01:12 | |
I need to be punished, and by "punished," I mean "had." | 1:01:17 | 1:01:21 | |
Fuck. | 1:01:25 | 1:01:26 | |
It's where you keep goodies for anniversary five. | 1:01:28 | 1:01:31 | |
So, open the door... | 1:01:32 | 1:01:34 | |
Punish. Wood. Beach. | 1:01:34 | 1:01:36 | |
..and look alive. | 1:01:36 | 1:01:38 | |
Punish. Wood. | 1:01:41 | 1:01:44 | |
Wood. | 1:01:45 | 1:01:46 | |
INDISTINCT CONVERSATIONS | 1:02:02 | 1:02:04 | |
PANTING | 1:02:11 | 1:02:12 | |
I will practise believing my husband loves me... | 1:02:17 | 1:02:20 | |
..and will love this baby. | 1:02:20 | 1:02:23 | |
That this child might really save our marriage. | 1:02:23 | 1:02:27 | |
But I could be wrong. | 1:02:27 | 1:02:28 | |
Because sometimes... | 1:02:34 | 1:02:37 | |
..the way he looks at me... | 1:02:37 | 1:02:39 | |
..I think... | 1:02:40 | 1:02:42 | |
..man of my dreams... | 1:02:42 | 1:02:43 | |
..father of my child... | 1:02:45 | 1:02:47 | |
..this man of mine may kill me. | 1:02:47 | 1:02:51 | |
He may truly... | 1:02:53 | 1:02:55 | |
..kill me. | 1:02:55 | 1:02:56 | |
WTF? | 1:02:59 | 1:03:00 | |
HE SIGHS | 1:03:16 | 1:03:17 | |
I am so much happier now that I'm dead. | 1:03:24 | 1:03:26 | |
Technically, "missing." | 1:03:31 | 1:03:34 | |
Soon to be presumed dead. | 1:03:34 | 1:03:36 | |
Gone. | 1:03:37 | 1:03:39 | |
And my lazy, lying, cheating, oblivious husband | 1:03:39 | 1:03:42 | |
will go to prison for my murder. | 1:03:42 | 1:03:45 | |
Nick Dunne took my pride and my dignity | 1:03:46 | 1:03:49 | |
and my hope and my money. | 1:03:49 | 1:03:51 | |
He took and took from me until I no longer existed. | 1:03:51 | 1:03:55 | |
That's murder. | 1:03:55 | 1:03:56 | |
Let the punishment fit the crime. | 1:03:56 | 1:03:59 | |
To fake a convincing murder, you have to have discipline. | 1:03:59 | 1:04:02 | |
You befriend a local idiot. | 1:04:06 | 1:04:09 | |
INAUDIBLE | 1:04:10 | 1:04:13 | |
Harvest the details of her humdrum life. | 1:04:13 | 1:04:16 | |
And cram her with stories about your husband's violent temper. | 1:04:16 | 1:04:19 | |
Secretly create some money troubles. | 1:04:20 | 1:04:23 | |
Credit cards, perhaps online gambling. | 1:04:23 | 1:04:26 | |
With the help of the unwitting... | 1:04:28 | 1:04:31 | |
..bump up your life insurance. | 1:04:31 | 1:04:33 | |
Purchase getaway car. Craigslist. | 1:04:34 | 1:04:37 | |
Generic. Cheap. Pay cash. | 1:04:37 | 1:04:41 | |
You need to package yourself so that people will | 1:04:41 | 1:04:44 | |
truly mourn your loss. And America loves pregnant women. | 1:04:44 | 1:04:49 | |
As if it's so hard to spread your legs. | 1:04:49 | 1:04:51 | |
You know what's hard? | 1:04:51 | 1:04:53 | |
Faking a pregnancy. | 1:04:53 | 1:04:55 | |
First, drain your toilet. | 1:04:55 | 1:04:58 | |
INAUDIBLE | 1:04:58 | 1:04:59 | |
Invite pregnant idiot into your home | 1:04:59 | 1:05:01 | |
and ply her with lemonade. | 1:05:01 | 1:05:04 | |
INAUDIBLE | 1:05:06 | 1:05:07 | |
Steal pregnant idiot's urine. | 1:05:09 | 1:05:11 | |
Voila. | 1:05:13 | 1:05:15 | |
A pregnancy is now part of your legal medical record. | 1:05:15 | 1:05:18 | |
Happy anniversary. | 1:05:25 | 1:05:26 | |
Wait for your clueless husband | 1:05:28 | 1:05:31 | |
to start his day. | 1:05:31 | 1:05:33 | |
Off he goes. | 1:05:34 | 1:05:36 | |
And the clock is ticking. | 1:05:36 | 1:05:38 | |
Meticulously stage your crime scene | 1:05:39 | 1:05:42 | |
with just enough mistakes to raise the spectre of doubt. | 1:05:42 | 1:05:46 | |
You need to bleed. | 1:05:47 | 1:05:49 | |
A lot. | 1:05:49 | 1:05:51 | |
A lot, a lot. | 1:05:51 | 1:05:53 | |
A head-wound kind of bleed. | 1:05:56 | 1:05:58 | |
A crime scene kind of bleed. | 1:05:58 | 1:06:01 | |
You need to clean poorly... like he would. | 1:06:03 | 1:06:07 | |
Clean and bleed. Bleed and clean. | 1:06:07 | 1:06:10 | |
And leave a little something behind. | 1:06:10 | 1:06:13 | |
A fire in July? | 1:06:13 | 1:06:15 | |
And because you're you, you don't stop there. | 1:06:16 | 1:06:19 | |
You need a diary. | 1:06:19 | 1:06:21 | |
Minimum, 300 entries on the Nick and Amy story. | 1:06:21 | 1:06:25 | |
Start with the fairy tale early days. | 1:06:25 | 1:06:27 | |
Those are true. And they're crucial. | 1:06:27 | 1:06:29 | |
You want Nick and Amy to be likeable. | 1:06:29 | 1:06:31 | |
After that, you invent. The spending. | 1:06:31 | 1:06:35 | |
The abuse. The fear. | 1:06:35 | 1:06:37 | |
The threat of violence. | 1:06:37 | 1:06:40 | |
And Nick thought he was the writer. | 1:06:40 | 1:06:42 | |
Burn it just the right amount. | 1:06:42 | 1:06:43 | |
Make sure the cops will find it. | 1:06:45 | 1:06:47 | |
Finally, honour tradition with a very special treasure hunt. | 1:06:52 | 1:06:55 | |
And if I get everything right, the world will hate Nick | 1:06:57 | 1:07:00 | |
for killing his beautiful, pregnant wife. | 1:07:00 | 1:07:02 | |
And after all the outrage, when I'm ready, | 1:07:02 | 1:07:05 | |
I'll go out on the water with a handful of pills | 1:07:05 | 1:07:07 | |
and a pocket full of stones. | 1:07:07 | 1:07:09 | |
And when they find my body, they'll know... | 1:07:09 | 1:07:12 | |
..Nick Dunne dumped his beloved like garbage. | 1:07:12 | 1:07:15 | |
And she floated down past all the other | 1:07:15 | 1:07:18 | |
abused, unwanted, inconvenient women. | 1:07:18 | 1:07:21 | |
Then, Nick will die, too. | 1:07:22 | 1:07:25 | |
Nick and Amy will be gone. | 1:07:25 | 1:07:27 | |
But, then, we never really existed. | 1:07:27 | 1:07:29 | |
Nick loved a girl I was pretending to be. | 1:07:29 | 1:07:32 | |
"Cool Girl." | 1:07:32 | 1:07:33 | |
Men always use that - don't they? - as their defining compliment. | 1:07:33 | 1:07:37 | |
"She's a cool girl." | 1:07:37 | 1:07:38 | |
SHE COUGHS | 1:07:38 | 1:07:39 | |
Cool Girl is hot. | 1:07:39 | 1:07:40 | |
Cool Girl is game. | 1:07:40 | 1:07:41 | |
Cool Girl is fun. | 1:07:41 | 1:07:43 | |
Cool Girl never gets angry at her man. | 1:07:43 | 1:07:45 | |
She only smiles in a chagrined, loving manner... | 1:07:45 | 1:07:48 | |
..and then presents her mouth for fucking. | 1:07:48 | 1:07:51 | |
She likes what he likes. | 1:07:51 | 1:07:53 | |
So evidently, he's a vinyl hipster who loves fetish manga. | 1:07:53 | 1:07:57 | |
If he likes Girls Gone Wild, she's a mall babe... | 1:07:58 | 1:08:01 | |
..who talks football and endures buffalo wings at Hooters. | 1:08:01 | 1:08:05 | |
When I met Nick Dunne, I knew he wanted Cool Girl. | 1:08:05 | 1:08:08 | |
And for him, I'll admit, I was willing to try. | 1:08:08 | 1:08:11 | |
I wax-stripped my pussy raw. | 1:08:11 | 1:08:13 | |
I drank canned beer watching Adam Sandler movies. | 1:08:13 | 1:08:16 | |
I ate cold pizza and remained a size two. | 1:08:16 | 1:08:19 | |
I blew him semi-regularly. | 1:08:19 | 1:08:21 | |
I lived in the moment. | 1:08:22 | 1:08:24 | |
I was fucking game. | 1:08:24 | 1:08:27 | |
I can't say I didn't enjoy some of it. | 1:08:27 | 1:08:30 | |
Nick teased out of me things I didn't know existed. | 1:08:30 | 1:08:33 | |
A lightness, a humour, an ease. | 1:08:33 | 1:08:36 | |
But I made him smarter. Sharper. | 1:08:36 | 1:08:39 | |
I inspired him to rise to my level. | 1:08:39 | 1:08:42 | |
I forged the man of my dreams. | 1:08:42 | 1:08:46 | |
We were happy pretending to be other people. | 1:08:48 | 1:08:51 | |
We were the happiest couple we knew. | 1:08:51 | 1:08:53 | |
And what's the point of being together if you're not the happiest? | 1:08:54 | 1:08:58 | |
But Nick got lazy. | 1:08:58 | 1:09:00 | |
He became someone I did not agree to marry. | 1:09:00 | 1:09:02 | |
He actually expected me to love him unconditionally. | 1:09:02 | 1:09:06 | |
Then he dragged me, penniless, to the navel of this great country | 1:09:06 | 1:09:10 | |
and found himself a newer, younger, bouncier | 1:09:10 | 1:09:15 | |
Cool Girl. | 1:09:15 | 1:09:17 | |
You think I'd let him destroy me and end up happier than ever? | 1:09:17 | 1:09:22 | |
No fucking way. | 1:09:22 | 1:09:24 | |
He doesn't get to win. | 1:09:24 | 1:09:26 | |
My cute, charming, salt-of-the-earth, Missouri guy. | 1:09:35 | 1:09:39 | |
He needed to learn. | 1:09:42 | 1:09:45 | |
Grown-ups work for things. | 1:09:45 | 1:09:48 | |
Grown-ups pay. | 1:09:48 | 1:09:50 | |
Grown-ups suffer consequences. | 1:09:51 | 1:09:53 | |
Wait. | 1:09:57 | 1:09:58 | |
I need 20 seconds where you don't judge me, interrupt me, | 1:09:58 | 1:10:01 | |
or get angry. | 1:10:01 | 1:10:02 | |
OK. | 1:10:04 | 1:10:05 | |
Is that all the stuff from the credit cards? | 1:10:09 | 1:10:11 | |
Where do you store goodies for anniversary five? | 1:10:11 | 1:10:14 | |
Wood. Woodshed. | 1:10:14 | 1:10:16 | |
Yeah, MY woodshed. | 1:10:16 | 1:10:18 | |
That fucking bitch. | 1:10:18 | 1:10:20 | |
-I thought... -It's all right. | 1:10:22 | 1:10:23 | |
I would have, too. | 1:10:23 | 1:10:25 | |
What's that present? | 1:10:28 | 1:10:29 | |
I don't know. HE SIGHS | 1:10:29 | 1:10:31 | |
Let's find out. | 1:10:31 | 1:10:33 | |
"Dear Husband. | 1:10:39 | 1:10:41 | |
"I know you think you're moving through this world unseen. | 1:10:41 | 1:10:43 | |
"Don't believe that for a second. | 1:10:43 | 1:10:44 | |
"I know where you've been, and I know where you're going." | 1:10:44 | 1:10:47 | |
"For this anniversary, I've arranged a trip. | 1:10:50 | 1:10:52 | |
"Follow the river, up, up, up. | 1:10:52 | 1:10:54 | |
"Sit back and relax, because you are done." | 1:10:54 | 1:10:56 | |
What's "up, up river"? | 1:10:56 | 1:10:58 | |
"Up the river." Prison. | 1:10:58 | 1:11:00 | |
Fucking crazy bitch. | 1:11:00 | 1:11:02 | |
That's what this is. | 1:11:02 | 1:11:03 | |
She's framing me for her murder. | 1:11:03 | 1:11:05 | |
You married a complete psychopath. | 1:11:05 | 1:11:07 | |
The morning of our anniversary, | 1:11:07 | 1:11:09 | |
I was going to ask her for a divorce. I just couldn't do it. | 1:11:09 | 1:11:13 | |
I couldn't fake it for another year, another day. | 1:11:13 | 1:11:15 | |
-Then what happened? -Before I could say anything, she said... | 1:11:15 | 1:11:18 | |
"I need you to go somewhere and really think about our marriage." | 1:11:18 | 1:11:21 | |
She knew I would go to Sawyer Beach. | 1:11:21 | 1:11:22 | |
-So you'd have no alibi. -She stage-managed me. | 1:11:22 | 1:11:26 | |
She knew exactly what I would do. And I fucking did it. | 1:11:26 | 1:11:29 | |
I went to the beach, I thought about our marriage. | 1:11:29 | 1:11:31 | |
I came back and decided I wanted a divorce. | 1:11:31 | 1:11:33 | |
And by the time you got home... | 1:11:33 | 1:11:34 | |
She was gone. | 1:11:34 | 1:11:36 | |
-Oh, you fuck! -She's good. | 1:11:36 | 1:11:39 | |
Part of me was relieved... | 1:11:39 | 1:11:41 | |
..when I thought she was gone. | 1:11:41 | 1:11:43 | |
Punch and Judy puppets. | 1:11:48 | 1:11:49 | |
Remember, he beats Judy to death and kills that baby. | 1:11:52 | 1:11:55 | |
So I'm Punch. | 1:11:55 | 1:11:56 | |
We already knew that, Amy, what's your point? | 1:11:57 | 1:11:59 | |
Does Missouri have the death penalty? | 1:12:00 | 1:12:03 | |
HIP-HOP MUSIC PLAYING ON RADIO | 1:12:23 | 1:12:25 | |
Hey, neighbour. | 1:12:29 | 1:12:31 | |
It's been weeks since I had anyone decent next door. | 1:12:31 | 1:12:34 | |
Well, I don't know how decent I feel. | 1:12:34 | 1:12:36 | |
Well, as long as you don't own a python | 1:12:36 | 1:12:38 | |
and blast death metal at 4am, | 1:12:38 | 1:12:39 | |
we're going to be best friends. | 1:12:39 | 1:12:41 | |
All right. Nice meeting you. | 1:12:41 | 1:12:43 | |
I'm Greta. | 1:12:43 | 1:12:46 | |
I'm Nancy. | 1:12:46 | 1:12:47 | |
Are you going to the marina? I could use some creamer. | 1:12:47 | 1:12:49 | |
Oh, I'm sorry. I can't. | 1:12:49 | 1:12:50 | |
I've got work to do. | 1:12:50 | 1:12:52 | |
All right. See you around! | 1:12:52 | 1:12:54 | |
You will. | 1:12:54 | 1:12:56 | |
INDISTINCT SHOUTING | 1:12:58 | 1:12:59 | |
Come on. Show me that darling Nicky smile. | 1:13:40 | 1:13:45 | |
You asshole. | 1:13:46 | 1:13:48 | |
SHE LAUGHS | 1:14:00 | 1:14:01 | |
Hey. | 1:14:03 | 1:14:05 | |
Nancy. | 1:14:07 | 1:14:09 | |
Nancy. | 1:14:11 | 1:14:14 | |
-It's hot again today. -LAUGHS | 1:14:14 | 1:14:16 | |
So, uh, where are you from? | 1:14:18 | 1:14:20 | |
Let me guess. | 1:14:20 | 1:14:22 | |
Nebraska. | 1:14:24 | 1:14:25 | |
New Orleans. | 1:14:28 | 1:14:29 | |
MAN WHISTLES | 1:14:29 | 1:14:31 | |
You know, I am an expert oiler. | 1:14:32 | 1:14:34 | |
Oh, I just bet you are. | 1:14:34 | 1:14:36 | |
Lotions and balms. Ointment. | 1:14:36 | 1:14:39 | |
I would hate for y'all to get tan lines. | 1:14:39 | 1:14:41 | |
So sweet. | 1:14:41 | 1:14:44 | |
OK. You know where I'll be. | 1:14:44 | 1:14:47 | |
I see we have the same taste in men. | 1:14:49 | 1:14:52 | |
I clipped it on a bathroom cabinet. | 1:14:53 | 1:14:56 | |
Least you could do is not keep his secrets for him. | 1:14:56 | 1:14:58 | |
Let me guess. | 1:14:59 | 1:15:01 | |
He's trying to watch the big game and you just won't shut up. | 1:15:01 | 1:15:05 | |
No, you don't seem like much of a talker. | 1:15:05 | 1:15:07 | |
Oh, I got it. | 1:15:07 | 1:15:09 | |
You caught your boy rubbing up on some hot little skank | 1:15:09 | 1:15:11 | |
and he apologised to you by busting you a good one. | 1:15:11 | 1:15:13 | |
Worse. | 1:15:15 | 1:15:16 | |
Worse? | 1:15:16 | 1:15:18 | |
I went to the bar where he works to surprise him. | 1:15:18 | 1:15:22 | |
And out he comes with this girl | 1:15:22 | 1:15:24 | |
who had no business being in a bar. | 1:15:24 | 1:15:26 | |
On the very first night that we met, | 1:15:29 | 1:15:31 | |
we walked by a bakery that was having their sugar delivered. | 1:15:31 | 1:15:36 | |
And it was in the air, everywhere. | 1:15:36 | 1:15:38 | |
A sugar storm. | 1:15:38 | 1:15:40 | |
And before he kissed me... | 1:15:40 | 1:15:43 | |
..he leaned in... | 1:15:43 | 1:15:45 | |
..and did this. | 1:15:46 | 1:15:48 | |
-And guess what? -What? | 1:15:58 | 1:16:01 | |
He did the exact same thing with her. | 1:16:01 | 1:16:02 | |
That is the most disgusting thing I ever heard. | 1:16:07 | 1:16:09 | |
Thank you. | 1:16:09 | 1:16:12 | |
Wow. | 1:16:12 | 1:16:13 | |
Thanks very much. | 1:16:26 | 1:16:27 | |
Well, we've gone mainstream. | 1:16:33 | 1:16:36 | |
It's an appeals process, so we will attempt to appeal to them. | 1:16:50 | 1:16:53 | |
Mr Bolt. Tanner Bolt? | 1:16:53 | 1:16:56 | |
Nick Dunne. | 1:16:57 | 1:16:59 | |
I have been sitting by the phone, my friend. | 1:16:59 | 1:17:02 | |
LAUGHING | 1:17:02 | 1:17:04 | |
I'm sorry. | 1:17:04 | 1:17:05 | |
Do you not believe me? | 1:17:05 | 1:17:07 | |
No, I believe you. It's just the craziest thing I've ever heard. | 1:17:07 | 1:17:10 | |
I love it. But, for you, it sucks. | 1:17:10 | 1:17:14 | |
But you gotta have a grudging respect | 1:17:14 | 1:17:16 | |
for your wife at this point, right? | 1:17:16 | 1:17:18 | |
-Are you laughing me out of the building? -No! | 1:17:18 | 1:17:19 | |
Are you kidding me? I'm in. | 1:17:19 | 1:17:21 | |
I'm way in. | 1:17:21 | 1:17:22 | |
You came to the right guy. This is what I do, Nick. | 1:17:22 | 1:17:25 | |
This is why I have a 100,000 retainer. | 1:17:25 | 1:17:27 | |
I win the unwinnable cases. | 1:17:27 | 1:17:28 | |
100,000? | 1:17:28 | 1:17:30 | |
We'll figure something out. | 1:17:30 | 1:17:31 | |
I'll give you a special | 1:17:31 | 1:17:33 | |
"my wife is skilled in the art of vengeance" rate. | 1:17:33 | 1:17:35 | |
OK. So, what's the plan? | 1:17:35 | 1:17:38 | |
Well, right now, it's a "he said, she said." | 1:17:38 | 1:17:40 | |
-She's telling a better story. -No, Nick. | 1:17:40 | 1:17:42 | |
She is telling the perfect story. | 1:17:42 | 1:17:44 | |
We need to start today to prepare your defence, should we need it. | 1:17:44 | 1:17:47 | |
-And if we decide to go with your version of... -The truth. | 1:17:47 | 1:17:50 | |
Then we'll need to realign the public's perception of Amy. | 1:17:50 | 1:17:54 | |
Make them stop seeing her as America's sweetheart | 1:17:54 | 1:17:56 | |
and see her for what she is, | 1:17:56 | 1:17:57 | |
which is a mind-fucker of the first degree. | 1:17:57 | 1:17:59 | |
Now, that is a huge realignment. | 1:17:59 | 1:18:01 | |
We'll need other voices besides yours. | 1:18:01 | 1:18:03 | |
There has to be someone out there that she's screwed with in the past. | 1:18:03 | 1:18:05 | |
There's a New York guy. O'Hara, Tommy O'Hara. | 1:18:05 | 1:18:08 | |
Eight years ago, she pressed charges against him. | 1:18:08 | 1:18:11 | |
That should be easy to find. | 1:18:11 | 1:18:13 | |
Um, ex-classmate, Desi Collings. | 1:18:13 | 1:18:17 | |
She said that he stalked her. He's in St Louis. | 1:18:17 | 1:18:19 | |
You go talk to Tommy, and I'll draw up the contract. | 1:18:20 | 1:18:22 | |
I told you, you came to the right guy. | 1:18:26 | 1:18:29 | |
Apparently. | 1:18:31 | 1:18:32 | |
Tommy? | 1:18:41 | 1:18:43 | |
Yeah. | 1:18:43 | 1:18:44 | |
-Thanks for seeing me. -Yeah, yeah, yeah. | 1:18:44 | 1:18:46 | |
Um, you're going to want a drink. | 1:18:49 | 1:18:51 | |
Yeah. | 1:18:51 | 1:18:53 | |
So, she said you got physical with her. | 1:18:53 | 1:18:55 | |
No, dude, she said I raped her. | 1:18:55 | 1:18:58 | |
First degree, felony rape. | 1:18:58 | 1:19:01 | |
-Did you do it? -Did YOU do it? | 1:19:01 | 1:19:03 | |
-Yeah. -I was looking at 30 years to life. | 1:19:03 | 1:19:07 | |
-Did you get a trial? -Fuck, no. | 1:19:07 | 1:19:08 | |
Do I look like I would do well in the yard? | 1:19:08 | 1:19:10 | |
I pled down, man. Sexual assault one, no jail time. | 1:19:10 | 1:19:14 | |
-That's something. -Oh, yeah. | 1:19:14 | 1:19:15 | |
I've been unemployed for the last eight years | 1:19:15 | 1:19:17 | |
because I have to write "sexual offender" on every job application. | 1:19:17 | 1:19:19 | |
I'm on a neighbourhood watch list | 1:19:19 | 1:19:20 | |
because I have to register as a predator. | 1:19:20 | 1:19:22 | |
I haven't had a date in almost a decade... | 1:19:22 | 1:19:24 | |
because if a girl googles me... | 1:19:24 | 1:19:26 | |
HE SIGHS | 1:19:26 | 1:19:27 | |
Could you walk me through what happened? | 1:19:27 | 1:19:29 | |
I meet Amy at this party, you know? | 1:19:29 | 1:19:32 | |
We click. She's perfect. | 1:19:32 | 1:19:34 | |
She's beautiful, she's smart, she's well-read, | 1:19:34 | 1:19:36 | |
she's got an ass like a 20-year-old stripper. | 1:19:36 | 1:19:38 | |
I think, "What's the catch?" | 1:19:38 | 1:19:40 | |
A few months, it hits me. This is not going to be easy. | 1:19:40 | 1:19:44 | |
Girls like a fixer-upper, but Amy? | 1:19:44 | 1:19:47 | |
She annexed me. She made me her business. | 1:19:47 | 1:19:50 | |
It was just too much. She went out and bought me ties. | 1:19:50 | 1:19:54 | |
And we must have gone 20 rounds over that. | 1:19:54 | 1:19:56 | |
Ties. The whole thing just became... | 1:19:56 | 1:19:59 | |
-So, you broke up with her. -No, I just backed away. | 1:19:59 | 1:20:02 | |
Gave her some space. No big deal, right? | 1:20:02 | 1:20:05 | |
So I thought. | 1:20:05 | 1:20:07 | |
Then one night, Amy comes over to my place | 1:20:07 | 1:20:09 | |
with a bottle of bourbon and a bootleg of this band I love. | 1:20:09 | 1:20:12 | |
And within two minutes, she's got my pants around my ankles | 1:20:12 | 1:20:15 | |
and she is kneeling down, and... | 1:20:15 | 1:20:16 | |
I'm sorry. I know it's your wife. | 1:20:16 | 1:20:18 | |
-You had sex? -Yeah, consensual. | 1:20:18 | 1:20:20 | |
It was rough, but she was screaming for it. | 1:20:20 | 1:20:22 | |
Next morning, there's two cops at my door. | 1:20:22 | 1:20:25 | |
Amy has wounds that are consistent with rape. | 1:20:25 | 1:20:28 | |
Ligature marks on her wrist, and my semen. | 1:20:28 | 1:20:31 | |
It looks like I've tied Amy to my bed, and raped her. | 1:20:31 | 1:20:34 | |
Me! | 1:20:34 | 1:20:36 | |
And then, guess what they find? | 1:20:36 | 1:20:38 | |
Headboards of my bed, one on each side. | 1:20:38 | 1:20:40 | |
The ties you wouldn't wear. | 1:20:40 | 1:20:41 | |
You do know your wife. | 1:20:41 | 1:20:43 | |
-Did you ever see her again? -Yeah. | 1:20:43 | 1:20:45 | |
On TV, last week, with you. | 1:20:45 | 1:20:47 | |
I thought, "There's Amy. | 1:20:47 | 1:20:48 | |
"She's graduated from being raped to being murdered." | 1:20:48 | 1:20:52 | |
Mmm! | 1:20:54 | 1:20:55 | |
You been watching this, too? | 1:20:56 | 1:20:57 | |
Last night's bombshell. | 1:20:57 | 1:20:58 | |
We just found out... | 1:20:58 | 1:20:59 | |
Amy Elliott Dunne was indeed pregnant when she went missing. | 1:20:59 | 1:21:02 | |
Kelly Capitono, this makes me want to throw up. | 1:21:02 | 1:21:05 | |
What is it about a pregnant woman - | 1:21:05 | 1:21:07 | |
a woman carrying life inside her - | 1:21:07 | 1:21:08 | |
that turns men into animals? | 1:21:08 | 1:21:10 | |
Ellen, this is an epidemic. | 1:21:10 | 1:21:11 | |
The third leading cause of death among pregnant women | 1:21:11 | 1:21:14 | |
is homicide committed by a boyfriend or husband. | 1:21:14 | 1:21:16 | |
Let's not forget about the wife, ever. | 1:21:16 | 1:21:19 | |
Tonight, we welcome Amy's best friend, Noelle Hawthorne. | 1:21:19 | 1:21:23 | |
Thanks for being on the show, Noelle. | 1:21:23 | 1:21:25 | |
Thank you, Ellen. | 1:21:25 | 1:21:26 | |
And let me just say this... | 1:21:26 | 1:21:28 | |
Amy would have loved you, and all you do for women. | 1:21:28 | 1:21:31 | |
Oh, that's nice. | 1:21:31 | 1:21:32 | |
Why don't you tell us about your friend, Noelle? | 1:21:32 | 1:21:34 | |
Amy was so nurturing. | 1:21:34 | 1:21:37 | |
Oh, I'd love if just once, someone was like, | 1:21:37 | 1:21:39 | |
"She was a real rag." | 1:21:39 | 1:21:40 | |
SHE LAUGHS | 1:21:42 | 1:21:43 | |
She was beautiful and smart and kind. | 1:21:43 | 1:21:45 | |
Seems like a rich bitch to me. | 1:21:45 | 1:21:47 | |
What do you mean? People love her. | 1:21:47 | 1:21:50 | |
I don't know. She seems uppity. | 1:21:50 | 1:21:52 | |
Spoiled rich girl, married a cheating asshole. | 1:21:54 | 1:21:56 | |
Paid the ultimate price. | 1:21:56 | 1:21:57 | |
The only secret was her husband. | 1:21:57 | 1:22:00 | |
We never met Nick. He never introduced himself. | 1:22:00 | 1:22:02 | |
Why was that, Noelle? Why do you think? | 1:22:02 | 1:22:05 | |
I think we know why. | 1:22:05 | 1:22:06 | |
Because he had a violent temper. | 1:22:06 | 1:22:09 | |
-A little harsh. -That's life, baby. | 1:22:09 | 1:22:11 | |
He knew I'd have seen right through him. | 1:22:11 | 1:22:14 | |
Don't get me wrong. | 1:22:14 | 1:22:15 | |
I'm not saying it's OK he killed her. | 1:22:15 | 1:22:17 | |
I'm just saying, there are consequences. | 1:22:17 | 1:22:20 | |
-Fuck, yeah. -She was so alone. | 1:22:22 | 1:22:25 | |
And she was so innocent. | 1:22:25 | 1:22:27 | |
You're a good friend, Noelle. And you're a good friend of the show. | 1:22:27 | 1:22:31 | |
-Thanks for coming on. -PHONE RINGS | 1:22:31 | 1:22:32 | |
Please tell me you landed Tanner Bolt. | 1:22:32 | 1:22:33 | |
Tanner Bolt landed me. | 1:22:33 | 1:22:36 | |
I'm going to try and see Desi Collings on my way home. | 1:22:36 | 1:22:39 | |
And, Go... | 1:22:39 | 1:22:41 | |
..Tanner's retainer is 100,000. | 1:22:41 | 1:22:44 | |
That's just the retainer. | 1:22:44 | 1:22:46 | |
Listen, I've got 47,000 in savings. I've got 2,500 in an IRA. | 1:22:46 | 1:22:49 | |
I'm approved for a second mortgage on the house. We will go from there. | 1:22:49 | 1:22:52 | |
Thank you. | 1:22:52 | 1:22:54 | |
-I love you. -I love you, too. | 1:22:54 | 1:22:56 | |
Nick keeps his father, who has Alzheimer's, in a facility. | 1:22:56 | 1:22:59 | |
Number of times he visited last year? One. | 1:22:59 | 1:23:01 | |
Oh, fuck! | 1:23:01 | 1:23:02 | |
His twin sister, Margo, well, she is a peach. | 1:23:02 | 1:23:05 | |
These two spend their days in the bar Amy bought them. | 1:23:05 | 1:23:08 | |
Playing what, Lauren? Playing house? | 1:23:08 | 1:23:10 | |
What the fuck? | 1:23:10 | 1:23:11 | |
Twin siblings often enable and abet. | 1:23:11 | 1:23:14 | |
While I never examined Nick or his sister, | 1:23:14 | 1:23:16 | |
they both seem very, very close. | 1:23:16 | 1:23:19 | |
It's twin-cest. | 1:23:19 | 1:23:20 | |
Disturbingly close, Lauren. | 1:23:20 | 1:23:23 | |
And so, we close with a question. | 1:23:23 | 1:23:25 | |
What kind of moral rot | 1:23:25 | 1:23:26 | |
allows a beautiful, talented, kind, smart, loving mother | 1:23:26 | 1:23:31 | |
to vanish without the heavens hearing our outraged cries? | 1:23:31 | 1:23:35 | |
-Can I bum a cigarette? -Yeah. | 1:23:35 | 1:23:36 | |
Amy Elliott Dunne, we care about you, and we will not forget. | 1:23:36 | 1:23:40 | |
And you know what else we won't forget? | 1:23:40 | 1:23:42 | |
Missouri has the death penalty. | 1:23:42 | 1:23:44 | |
Amen. | 1:23:44 | 1:23:45 | |
THEME MUSIC PLAYING | 1:23:45 | 1:23:47 | |
LINE RINGS | 1:24:07 | 1:24:09 | |
I'd like to report some strange activity | 1:24:10 | 1:24:12 | |
near the woodshed on the property of one Margo Dunne. | 1:24:12 | 1:24:16 | |
DOORBELL RINGS | 1:24:49 | 1:24:50 | |
Hey. | 1:24:55 | 1:24:57 | |
-Mr Dunne. -Mr Collings. | 1:25:02 | 1:25:04 | |
I know you. I saw you at the volunteer centre. | 1:25:05 | 1:25:08 | |
I wanted to help. | 1:25:08 | 1:25:10 | |
Well, I hope you don't mind me coming by. | 1:25:10 | 1:25:12 | |
I got your address from this letter that you wrote my wife. | 1:25:12 | 1:25:16 | |
Amy and I believe in the lost art of letter-writing. | 1:25:16 | 1:25:19 | |
I always wondered why you kept in touch after... | 1:25:19 | 1:25:24 | |
..everything. | 1:25:24 | 1:25:25 | |
You were together for two years in boarding school, right? | 1:25:25 | 1:25:27 | |
She was my first serious girlfriend. | 1:25:27 | 1:25:29 | |
Why did you break up? | 1:25:29 | 1:25:31 | |
That's a strange question. | 1:25:31 | 1:25:32 | |
Did you treat her bad? Did you cheat on her? | 1:25:32 | 1:25:34 | |
That's a rude question. | 1:25:34 | 1:25:35 | |
Let me tell you what Amy told me. | 1:25:35 | 1:25:37 | |
She dumped you, you completely unravelled. | 1:25:37 | 1:25:40 | |
You stalked her, you threatened her... | 1:25:40 | 1:25:42 | |
..and you attempted suicide in her bed and were institutionalised. | 1:25:42 | 1:25:45 | |
Your wife is missing, and you came all this way to tell me this? | 1:25:45 | 1:25:49 | |
I thought there might be another side to this story. | 1:25:49 | 1:25:51 | |
Mr Collings. | 1:25:55 | 1:25:56 | |
Fuck. | 1:25:58 | 1:26:00 | |
'..the missing-persons case of Amy Elliott Dunne. | 1:26:06 | 1:26:09 | |
'She is the beautiful blonde inspiration | 1:26:09 | 1:26:11 | |
'for the Amazing Amy kids' book series...' | 1:26:11 | 1:26:13 | |
LOUD CHATTER | 1:26:18 | 1:26:19 | |
HE SIGHS | 1:26:27 | 1:26:29 | |
You're reading that diary again? | 1:26:29 | 1:26:31 | |
-You know how it ends. -It interests me. | 1:26:31 | 1:26:34 | |
Hey, Rhonda. | 1:26:34 | 1:26:36 | |
"He's going to kill me." The end. | 1:26:36 | 1:26:38 | |
Why did he go to his dad's house to burn it? | 1:26:38 | 1:26:40 | |
It's private. There's no-one there. | 1:26:40 | 1:26:41 | |
Why didn't he make sure it actually burned? | 1:26:41 | 1:26:43 | |
Because he tripped the alarm. You were up his ass with a flashlight. | 1:26:43 | 1:26:46 | |
-SHE GROANS -The whole thing just feels hinky. | 1:26:46 | 1:26:49 | |
Like finding an envelope marked "Clue." | 1:26:49 | 1:26:51 | |
You ever hear the expression, | 1:26:51 | 1:26:52 | |
"The simplest answer is often the correct one"? | 1:26:52 | 1:26:54 | |
Actually, I've never found that to be true. | 1:26:54 | 1:26:56 | |
-Good night. -Good night. | 1:26:56 | 1:26:58 | |
Hey. | 1:27:00 | 1:27:02 | |
DOORBELL RINGS | 1:27:08 | 1:27:09 | |
Elvis is in Missouri. | 1:27:11 | 1:27:12 | |
Thank God. Come on in. | 1:27:12 | 1:27:14 | |
First thing you have to understand about Amy - | 1:27:14 | 1:27:16 | |
she loves to teach lessons. | 1:27:16 | 1:27:17 | |
Play God. | 1:27:17 | 1:27:18 | |
-Yeah, Old Testament God. -OK. Keep talking. | 1:27:18 | 1:27:21 | |
She finds out I've been cheating on her with Andie, | 1:27:21 | 1:27:22 | |
decides to teach me a lesson. | 1:27:22 | 1:27:24 | |
Fakes her own death, frames me for it. | 1:27:24 | 1:27:26 | |
Blood in the house, credit cards, life insurance. | 1:27:26 | 1:27:28 | |
She does the treasure hunt. | 1:27:28 | 1:27:29 | |
Now, the treasure hunt is critical. | 1:27:29 | 1:27:31 | |
She's taking us on a tour of my infidelities. | 1:27:31 | 1:27:33 | |
Rubbing my nose in it. | 1:27:33 | 1:27:34 | |
And she leaves clue number one for the police, | 1:27:34 | 1:27:36 | |
which will lead them back to my office, | 1:27:36 | 1:27:38 | |
which is a place where Andie and I would often... | 1:27:38 | 1:27:40 | |
-And she leaves a pair of red panties. -Right. Racy, looks bad. | 1:27:40 | 1:27:43 | |
-Clue two. -My father's house. | 1:27:43 | 1:27:44 | |
Another place where Andie and I would occasionally have relations. | 1:27:44 | 1:27:47 | |
-Clue three? -Woodshed. | 1:27:47 | 1:27:48 | |
-Also a location... -Oh, my God. | 1:27:48 | 1:27:50 | |
-We had limited options. -A hotel. | 1:27:50 | 1:27:51 | |
Amy would have seen the credit-card bill. | 1:27:51 | 1:27:53 | |
Put it on Andie's credit card. | 1:27:53 | 1:27:54 | |
Andie's statement went right to her parents. | 1:27:54 | 1:27:55 | |
-Ew. -Nick, Margo, can we head over to the little brown house? | 1:27:55 | 1:27:58 | |
-This leads us to what? -My dad's house. | 1:27:58 | 1:27:59 | |
Dad's house is blue. | 1:27:59 | 1:28:01 | |
HE SIGHS | 1:28:01 | 1:28:02 | |
After the divorce, when Dad wasn't coming around, | 1:28:02 | 1:28:05 | |
I used to pretend that he was a spy named Mr Brown, who... | 1:28:05 | 1:28:10 | |
..for the sake of his children's safety, had to deny their existence. | 1:28:10 | 1:28:13 | |
You never told me that. | 1:28:13 | 1:28:15 | |
You told HER that? | 1:28:15 | 1:28:17 | |
We've got incriminating red panties in your office. | 1:28:17 | 1:28:19 | |
We've got a Showcase Showdown worth of crap in your woodshed. | 1:28:19 | 1:28:21 | |
So, what in God's name is at your father's house, Nick? | 1:28:22 | 1:28:26 | |
-And be honest. -I honestly have no idea. | 1:28:26 | 1:28:29 | |
Well... | 1:28:34 | 1:28:35 | |
Whatever they found, I think it's safe to assume that it's very bad. | 1:28:35 | 1:28:39 | |
We got a lot of uncontained issues here. | 1:28:41 | 1:28:43 | |
Nick, do you have any idea as to what Andie's mind-set is? | 1:28:43 | 1:28:46 | |
Well, we haven't communicated since the vigil. | 1:28:46 | 1:28:49 | |
OK. Amy's parents? | 1:28:49 | 1:28:50 | |
-No, it's... -More pressure. | 1:28:50 | 1:28:52 | |
We got a hurt, young girlfriend | 1:28:52 | 1:28:53 | |
who will no doubt go public at any moment. | 1:28:53 | 1:28:55 | |
-No, Andie won't do that. -She will. | 1:28:55 | 1:28:56 | |
They always do. Don't take it personally. | 1:28:56 | 1:28:59 | |
Amy's got us in an interesting bind. | 1:28:59 | 1:29:01 | |
-We need to tell the cops about Andie. -Really? | 1:29:01 | 1:29:03 | |
Right now, Andie just gives you another motive. | 1:29:03 | 1:29:06 | |
We need to tell the cops about the woodshed. | 1:29:06 | 1:29:08 | |
We need to be on the front end of that. | 1:29:08 | 1:29:09 | |
But I'm going to warn you as to what will happen. | 1:29:09 | 1:29:12 | |
-They'll go after Margo. -They can't do that, can they? | 1:29:12 | 1:29:14 | |
She's your accomplice. She helped you hide the evidence. | 1:29:14 | 1:29:16 | |
In all likelihood, she knows that you killed Amy. | 1:29:16 | 1:29:19 | |
Oh, God. | 1:29:19 | 1:29:20 | |
Well, what are we going to do? | 1:29:20 | 1:29:22 | |
-We find Amy. -MARGO SIGHS | 1:29:22 | 1:29:24 | |
No. Any other strategy is missing the point. | 1:29:24 | 1:29:26 | |
I've got two ex-Secret Service guys that are really good. | 1:29:26 | 1:29:28 | |
I'll put them on it. | 1:29:28 | 1:29:30 | |
But where do they start, Nick? | 1:29:30 | 1:29:31 | |
Where would Amy go? | 1:29:31 | 1:29:33 | |
I have no idea. | 1:29:35 | 1:29:36 | |
Oh! | 1:29:39 | 1:29:41 | |
Are we keeping score? | 1:29:41 | 1:29:44 | |
Hey! | 1:29:44 | 1:29:45 | |
I thought we were steering clear of men for a while. | 1:29:47 | 1:29:50 | |
He's nice. | 1:29:50 | 1:29:51 | |
Because he wants to fuck you. | 1:29:51 | 1:29:53 | |
She's still moping about her ex? | 1:29:55 | 1:29:56 | |
He got cheated on, too. | 1:29:58 | 1:30:00 | |
We three are the saddest sacks in all the Ozarks. | 1:30:04 | 1:30:06 | |
I'm not sad. | 1:30:06 | 1:30:08 | |
-I'm angry. -There you go. | 1:30:08 | 1:30:11 | |
I almost drank myself to death when my wife left me. | 1:30:11 | 1:30:14 | |
I was going to kill myself. Can you believe that? | 1:30:14 | 1:30:16 | |
Don't give him the pleasure. | 1:30:16 | 1:30:17 | |
I was going to drown myself in the Gulf of Mexico - | 1:30:17 | 1:30:20 | |
let myself be dinner for the great whites. | 1:30:20 | 1:30:22 | |
Gulf is bull sharks, Miss Nawlins. | 1:30:22 | 1:30:24 | |
Why should I die? I'm not the asshole. | 1:30:24 | 1:30:28 | |
LAUGHING: Please put that on a T-shirt. | 1:30:28 | 1:30:30 | |
SHE EXCLAIMS Oh! | 1:30:32 | 1:30:34 | |
Miss Moneybags. I thought you said you were broke. | 1:30:39 | 1:30:41 | |
That's a fat wad. | 1:30:42 | 1:30:44 | |
It's mostly singles. | 1:30:45 | 1:30:47 | |
Singles? What are you, a stripper? | 1:30:47 | 1:30:50 | |
Swamp Girls, or Treasure Chest? | 1:30:50 | 1:30:52 | |
We're just teasing. | 1:30:53 | 1:30:55 | |
Don't they tease people down in NOLA? | 1:30:55 | 1:30:57 | |
We can expect Nick Dunne's arrest any day now. | 1:30:59 | 1:31:02 | |
We've got blood in the house, huge debt, an unwanted pregnancy. | 1:31:02 | 1:31:05 | |
And we have Amy Elliott Dunne, missing for five days, | 1:31:05 | 1:31:09 | |
-crying out for justice. -LOCK CLICKS | 1:31:09 | 1:31:12 | |
We'll be right back. | 1:31:12 | 1:31:14 | |
INDISTINCT TALK ON TV | 1:31:15 | 1:31:16 | |
REPORTERS CLAMOURING | 1:31:49 | 1:31:50 | |
Tanner has a very bad idea he's going to pitch you. | 1:32:04 | 1:32:06 | |
-Yeah? -You're doing Sharon Schieber tomorrow in St Louis. | 1:32:06 | 1:32:09 | |
-It could go so wrong. -And you are going to tell her about Andie. | 1:32:09 | 1:32:11 | |
-Nope. -Whoa, whoa, whoa. | 1:32:11 | 1:32:13 | |
That sounds like a very bad idea. | 1:32:13 | 1:32:15 | |
You haven't heard from her in three days. | 1:32:15 | 1:32:17 | |
This is a ticking time bomb. You've gotta throw yourself on it. | 1:32:17 | 1:32:20 | |
People are going to hate me. | 1:32:20 | 1:32:21 | |
And then, they will forgive you. | 1:32:21 | 1:32:23 | |
A guy admitting that he's a gigantic asshole on television? | 1:32:23 | 1:32:25 | |
People empathise with that. | 1:32:25 | 1:32:27 | |
-Why don't we just put out a statement? -They need to see you. | 1:32:28 | 1:32:30 | |
Sharon's specials, they get ten million viewers. | 1:32:30 | 1:32:33 | |
She is a crusader. If she takes you on as a cause... | 1:32:33 | 1:32:35 | |
She's going to ask real questions. | 1:32:35 | 1:32:37 | |
I will drill you as if you were doing a deposition. | 1:32:37 | 1:32:39 | |
What to say, what not to say. | 1:32:39 | 1:32:41 | |
A trained monkey? | 1:32:41 | 1:32:42 | |
A trained monkey who doesn't get the lethal injection. | 1:32:42 | 1:32:44 | |
Nick, this case is about what people think of you. | 1:32:45 | 1:32:48 | |
They need to like you. | 1:32:48 | 1:32:50 | |
Now, you do this and you will reach millions of those people. | 1:32:50 | 1:32:54 | |
Maybe I only need to reach one. | 1:32:55 | 1:32:57 | |
KNOCKING ON DOOR | 1:33:03 | 1:33:04 | |
-Hello? -Hey, baby. | 1:33:06 | 1:33:08 | |
One minute. | 1:33:10 | 1:33:11 | |
-Hey. -Hey. | 1:33:20 | 1:33:21 | |
You clearing out? | 1:33:21 | 1:33:22 | |
No, I'm just cleaning up. | 1:33:22 | 1:33:24 | |
Let us come in and say goodbye. | 1:33:24 | 1:33:25 | |
-I'll come by before... -Let us give you a hand. | 1:33:25 | 1:33:28 | |
Yeah, you gotta clear everything out, here. | 1:33:34 | 1:33:36 | |
Dorothy is a real stickler. | 1:33:38 | 1:33:41 | |
Not even a spare hanger can you leave behind. | 1:33:42 | 1:33:45 | |
Gotta make sure nothing's tucked inside. | 1:33:47 | 1:33:50 | |
A sock... | 1:33:51 | 1:33:53 | |
..or undies, or what have you. | 1:33:53 | 1:33:56 | |
DRAWER ITEMS RATTLING | 1:33:58 | 1:33:59 | |
You did a real good job. | 1:34:01 | 1:34:02 | |
Where is the money, sweetheart? | 1:34:04 | 1:34:06 | |
Look under her dress. | 1:34:09 | 1:34:10 | |
He talked you into this? | 1:34:12 | 1:34:13 | |
I talked HIM into it. | 1:34:13 | 1:34:14 | |
The second you leave, I'm calling the cops. | 1:34:14 | 1:34:17 | |
Your glasses are fake. Your hair's dyed all hamster. | 1:34:17 | 1:34:20 | |
You say your name's Nancy, | 1:34:20 | 1:34:21 | |
but you don't even answer to it half the time. | 1:34:21 | 1:34:23 | |
You're hiding. I don't know why, and I don't really care. | 1:34:23 | 1:34:26 | |
But you ain't going to call the cops. | 1:34:26 | 1:34:28 | |
And I don't think you've ever really been hit before. | 1:34:28 | 1:34:30 | |
Ow! | 1:34:30 | 1:34:31 | |
MUFFLED SCREAMING | 1:34:31 | 1:34:32 | |
AMY GRUNTS | 1:34:33 | 1:34:34 | |
Holy shit. | 1:34:36 | 1:34:38 | |
Sorry, but we really need the money. | 1:34:41 | 1:34:43 | |
Next place, be more careful, OK? | 1:34:43 | 1:34:45 | |
There are a lot of people out there a lot worse than we are. | 1:34:45 | 1:34:47 | |
MUFFLED SCREAMING | 1:34:55 | 1:34:57 | |
THUNDER RUMBLES | 1:35:09 | 1:35:10 | |
SHE GASPS Excuse me. You can't sleep here. | 1:35:20 | 1:35:22 | |
CAR ENGINE STARTS | 1:35:22 | 1:35:24 | |
INAUDIBLE | 1:35:29 | 1:35:30 | |
I did not kill my wife. | 1:35:49 | 1:35:52 | |
Why don't you try it again? A little less wooden. | 1:35:52 | 1:35:56 | |
I didn't kill my Wife. | 1:35:56 | 1:35:57 | |
-What are you doing? -Every time you look smug | 1:35:58 | 1:36:00 | |
or annoyed or tense, I'm going to hit you with a gummy bear. | 1:36:00 | 1:36:03 | |
-That's supposed to make me less tense? -Let's try it again. | 1:36:03 | 1:36:05 | |
Mr Dunne, from what I understand, | 1:36:05 | 1:36:06 | |
you and your wife had some bumps. | 1:36:06 | 1:36:08 | |
Yeah, we had some tough years. Um, I lost my job. | 1:36:09 | 1:36:12 | |
You both did. | 1:36:12 | 1:36:14 | |
We both lost our jobs. | 1:36:16 | 1:36:18 | |
I had to move back home so we could take care of my mother | 1:36:18 | 1:36:21 | |
who was dying of cancer and my dad, who had... | 1:36:21 | 1:36:23 | |
Your dad's scorched earth. | 1:36:23 | 1:36:25 | |
Let's talk about your mom, how close you were. Go on. | 1:36:25 | 1:36:28 | |
For a while, things had been building up. | 1:36:28 | 1:36:30 | |
"Built up" implies that an explosion is coming. No. | 1:36:30 | 1:36:33 | |
At a certain point, we got on the wrong track. | 1:36:33 | 1:36:36 | |
I had a moment of weakness. | 1:36:36 | 1:36:38 | |
Your "moment" was over 15 months. | 1:36:38 | 1:36:40 | |
I disrespected my wife. | 1:36:44 | 1:36:47 | |
And I disrespected my marriage. | 1:36:47 | 1:36:49 | |
And I'll always regret it. | 1:36:49 | 1:36:51 | |
That works. | 1:36:51 | 1:36:52 | |
Don't be afraid to play up the doofus husband thing, Nick. | 1:36:52 | 1:36:55 | |
"I was an idiot. I'm a fuck-up. Everything I do is wrong." | 1:36:55 | 1:36:57 | |
I know. What men are supposed to do in general. | 1:36:57 | 1:36:59 | |
-Thank you. -How do you feel? | 1:37:01 | 1:37:02 | |
I feel good. Go, can you pass me that box, please? | 1:37:02 | 1:37:06 | |
It's Amy's 33rd birthday present to me. | 1:37:06 | 1:37:08 | |
-You hate that watch. -No, Go. I love that watch. | 1:37:08 | 1:37:11 | |
Just like I love this tie. | 1:37:11 | 1:37:13 | |
Just like I love my wife. | 1:37:13 | 1:37:16 | |
MUSIC PLAYS SOFTLY ON SPEAKERS | 1:37:32 | 1:37:33 | |
It's you! | 1:37:45 | 1:37:47 | |
It's you. | 1:37:47 | 1:37:49 | |
-I'm sorry. -SHE SNIFFLES | 1:37:49 | 1:37:52 | |
I'm sorry. | 1:37:52 | 1:37:54 | |
Good God. | 1:37:54 | 1:37:56 | |
Last week... | 1:37:56 | 1:37:58 | |
..I threatened to leave, and he said he'd find me... | 1:37:58 | 1:38:02 | |
..and he'd kill me. | 1:38:02 | 1:38:03 | |
So, I disappeared. | 1:38:03 | 1:38:05 | |
-VOICE BREAKING: -I lost the baby. | 1:38:06 | 1:38:09 | |
I couldn't even tell my parents. | 1:38:09 | 1:38:10 | |
-SOBBING -I'm so ashamed and I'm so afraid. | 1:38:10 | 1:38:15 | |
Well, he is looking for you. | 1:38:15 | 1:38:17 | |
He showed up on my doorstep three days ago. | 1:38:17 | 1:38:19 | |
He tracked me from my letters to you. | 1:38:19 | 1:38:21 | |
You saved them. | 1:38:22 | 1:38:24 | |
Knowing you were out there | 1:38:24 | 1:38:25 | |
was the only thing that's kept me going these past few years. | 1:38:25 | 1:38:27 | |
Let's go to the police. You can explain everything. | 1:38:27 | 1:38:29 | |
No, I can't turn up now. | 1:38:29 | 1:38:30 | |
I'd be a pariah. Everyone would hate me. | 1:38:30 | 1:38:33 | |
Is it wrong to want Nick to go prison? | 1:38:35 | 1:38:37 | |
He should go to prison for what he's done. | 1:38:37 | 1:38:39 | |
LOUD CHEERING | 1:38:39 | 1:38:40 | |
I'm setting you up at my lake house. | 1:38:41 | 1:38:44 | |
It's utterly secluded. | 1:38:44 | 1:38:46 | |
Why are you so good to me? | 1:38:46 | 1:38:48 | |
You know why. | 1:38:48 | 1:38:49 | |
Excuse me. | 1:38:49 | 1:38:50 | |
I know you, don't I? | 1:38:50 | 1:38:51 | |
-No. -You're one of the Nolan girls, right? | 1:38:51 | 1:38:54 | |
-No, we're from Winnipeg. Excuse us. -Oh. | 1:38:54 | 1:38:57 | |
We should leave. | 1:38:57 | 1:38:58 | |
-PHONE VIBRATES -Just a second. | 1:38:58 | 1:39:00 | |
That was Boney. I'll call her later. | 1:39:00 | 1:39:03 | |
Tanner. Nice to see you. | 1:39:03 | 1:39:05 | |
Sharon! Hi. | 1:39:05 | 1:39:06 | |
Hope this is worth my while. | 1:39:06 | 1:39:08 | |
You're going to be very happy. | 1:39:08 | 1:39:09 | |
Sharon. | 1:39:09 | 1:39:10 | |
Ms Schieber. Thank you so much for doing this. | 1:39:10 | 1:39:12 | |
Can I get you anything to drink or eat before we get started? | 1:39:12 | 1:39:14 | |
No, I had some gummy bears. | 1:39:14 | 1:39:16 | |
What the fuck? | 1:39:17 | 1:39:19 | |
I'm sorry? | 1:39:20 | 1:39:21 | |
We have a major shocking development in the Amazing Amy disappearance. | 1:39:21 | 1:39:25 | |
We go live to that story now. | 1:39:25 | 1:39:26 | |
Oh, my God. | 1:39:26 | 1:39:28 | |
You little slut. | 1:39:30 | 1:39:31 | |
My name is Andie Fitzgerald. | 1:39:31 | 1:39:34 | |
I met Nicholas Dunne | 1:39:35 | 1:39:37 | |
when he was my creative writing teacher at Mill Valley. | 1:39:37 | 1:39:40 | |
Why is she dressed like a baby-sitter? | 1:39:40 | 1:39:42 | |
I am deeply ashamed... | 1:39:42 | 1:39:44 | |
..of having been romantically involved with a married man. | 1:39:44 | 1:39:47 | |
The girl with the giant come-on-me tits. | 1:39:47 | 1:39:49 | |
I truly believed we were in love. | 1:39:49 | 1:39:51 | |
Now, she looks like a fucking Mennonite. | 1:39:51 | 1:39:53 | |
I know that is no excuse. | 1:39:54 | 1:39:55 | |
No, it is not. | 1:39:55 | 1:39:57 | |
I do not, in my heart, believe Nick Dunne would have killed for me. | 1:39:57 | 1:40:01 | |
My prayers go out to everyone who loves Amy. | 1:40:01 | 1:40:03 | |
I apologise for the pain this has caused them. | 1:40:03 | 1:40:06 | |
We have loved Nick Dunne like a son. | 1:40:11 | 1:40:14 | |
That love ended today. | 1:40:14 | 1:40:15 | |
Come on, you're staring at ghosts. | 1:40:15 | 1:40:17 | |
He met our trust with lie after lie. | 1:40:17 | 1:40:20 | |
We now absolutely believe | 1:40:20 | 1:40:22 | |
Nick is involved in the disappearance of our daughter. | 1:40:22 | 1:40:24 | |
Our Amazing Amy. | 1:40:24 | 1:40:27 | |
Well, this just got very exciting. | 1:40:27 | 1:40:30 | |
We need a moment. | 1:40:30 | 1:40:31 | |
We're going to have to bow out of this. | 1:40:33 | 1:40:35 | |
-Nothing has changed. -Everything has changed. | 1:40:35 | 1:40:37 | |
An hour ago, we were ahead of this. Now? | 1:40:37 | 1:40:39 | |
-I can handle this. -We're on the defence. | 1:40:39 | 1:40:41 | |
This is a completely different dynamic. | 1:40:41 | 1:40:43 | |
I can handle it. | 1:40:43 | 1:40:44 | |
She's going to eat you alive. | 1:40:44 | 1:40:46 | |
Just trust me. | 1:40:46 | 1:40:48 | |
OK. | 1:40:52 | 1:40:53 | |
Great. | 1:40:53 | 1:40:55 | |
Mic him. | 1:40:55 | 1:40:57 | |
KEYPAD BEEPING | 1:40:57 | 1:40:58 | |
INDISTINCT CONVERSATIONS | 1:41:02 | 1:41:03 | |
CONVERSATIONS CEASE | 1:41:06 | 1:41:08 | |
HE SIGHS | 1:41:13 | 1:41:14 | |
SHE DOES VOICE EXERCISES | 1:41:14 | 1:41:15 | |
One, two, three, four, five. | 1:41:15 | 1:41:17 | |
Thank you. | 1:41:23 | 1:41:24 | |
-He shouldn't smile at the make-up artist. -Yeah, no kidding. | 1:41:25 | 1:41:27 | |
-SHE SIGHS -Roll tape. Five...four... | 1:41:32 | 1:41:35 | |
three...two... | 1:41:35 | 1:41:36 | |
Seriously, I can't believe how fucking good you were. | 1:41:39 | 1:41:41 | |
-Amy brings out the best in me. -Don't. | 1:41:41 | 1:41:43 | |
Keep it together, you two. | 1:41:43 | 1:41:44 | |
At least for the next 24 hours. | 1:41:44 | 1:41:46 | |
People still hate you. Women want to scratch your eyes out. | 1:41:46 | 1:41:48 | |
Andie was really good TV. | 1:41:48 | 1:41:50 | |
-She's a good person. -Therein lies the problem. | 1:41:50 | 1:41:52 | |
Ride this out and when Sharon airs tomorrow, | 1:41:52 | 1:41:55 | |
we'll be looking at a whole new you. | 1:41:55 | 1:41:56 | |
But, until then, don't show your face. | 1:41:56 | 1:42:00 | |
No problem. | 1:42:00 | 1:42:01 | |
Welcome. | 1:42:17 | 1:42:18 | |
Make yourself at home. | 1:42:20 | 1:42:22 | |
I've got music, satellite... | 1:42:22 | 1:42:26 | |
-Netflix. -He was her teacher! | 1:42:26 | 1:42:28 | |
Roku. | 1:42:28 | 1:42:29 | |
Internet, obviously. | 1:42:29 | 1:42:32 | |
Here is a supposedly grown man... | 1:42:32 | 1:42:35 | |
If there is ever anything you have a taste for, | 1:42:35 | 1:42:37 | |
and you can't find it, | 1:42:37 | 1:42:39 | |
just let me know and I will get it for you. | 1:42:39 | 1:42:41 | |
Instead of the ABCs, he taught her the birds and the bees. | 1:42:41 | 1:42:44 | |
And just think how her mother must feel at a time like this. | 1:42:44 | 1:42:47 | |
Wine cellar's downstairs. | 1:42:47 | 1:42:49 | |
I'll get you some clothes, too. | 1:42:52 | 1:42:53 | |
Not that I don't appreciate Bait Shop Chic. | 1:42:53 | 1:42:57 | |
The floors are heated, just dial to your liking. | 1:42:58 | 1:43:00 | |
There's robes and towels. The shower has steam. | 1:43:00 | 1:43:03 | |
The bathtub has a massage cycle. | 1:43:03 | 1:43:06 | |
There's a great view, if you're in the mood. | 1:43:07 | 1:43:09 | |
Blackout curtains if you're not. | 1:43:09 | 1:43:11 | |
The bed is Savoir. | 1:43:11 | 1:43:13 | |
You'll never get a better sleep. | 1:43:13 | 1:43:15 | |
Oh. | 1:43:16 | 1:43:18 | |
Oh, this is just what I need. | 1:43:19 | 1:43:21 | |
I'm so exhausted. | 1:43:23 | 1:43:25 | |
I'll leave you to it, then. | 1:43:26 | 1:43:28 | |
Amy, I am so happy that you are here. | 1:43:30 | 1:43:32 | |
SHE CHUCKLES SOFTLY | 1:43:32 | 1:43:33 | |
And I don't want you to worry for one moment. | 1:43:33 | 1:43:36 | |
There are cameras everywhere. | 1:43:36 | 1:43:38 | |
The exterior, all along the grounds, the entryway. | 1:43:38 | 1:43:41 | |
Anyone... | 1:43:41 | 1:43:42 | |
..who is caught coming or going... | 1:43:42 | 1:43:44 | |
..will be recorded. | 1:43:47 | 1:43:49 | |
-FORCED CHUCKLE -Ah. | 1:43:49 | 1:43:50 | |
You are more than safe. | 1:43:50 | 1:43:53 | |
And I am not letting you get away again. | 1:43:55 | 1:43:58 | |
BEEPING | 1:44:31 | 1:44:33 | |
-DOOR OPENS -Good morning! | 1:44:42 | 1:44:43 | |
-SHE GASPS -Don't do that! | 1:44:43 | 1:44:44 | |
I'm sorry. | 1:44:45 | 1:44:47 | |
I need to feel safe. | 1:44:48 | 1:44:50 | |
You are very safe. | 1:44:50 | 1:44:53 | |
-What have you been up to? -Nothing. | 1:44:55 | 1:44:57 | |
Amy, I'm not Nick. | 1:44:57 | 1:44:59 | |
It's hard for me. | 1:44:59 | 1:45:01 | |
After so many years under someone's thumb... | 1:45:04 | 1:45:08 | |
I know just what that feels like. | 1:45:10 | 1:45:12 | |
You were never under my thumb. | 1:45:12 | 1:45:14 | |
-On your leash. -Never. | 1:45:14 | 1:45:16 | |
A new start. | 1:45:16 | 1:45:18 | |
Decent clothes. | 1:45:19 | 1:45:22 | |
Hair dye. Make-up. Tweezers. | 1:45:22 | 1:45:24 | |
There's a gym overlooking the lake. | 1:45:24 | 1:45:26 | |
The sooner you look like yourself... | 1:45:26 | 1:45:27 | |
..the sooner you'll feel like yourself. | 1:45:27 | 1:45:29 | |
I'll get groceries for tonight, | 1:45:29 | 1:45:30 | |
we'll watch Sharon Schieber, and finally move on. | 1:45:30 | 1:45:32 | |
I think that's something I should watch on my own. | 1:45:32 | 1:45:35 | |
Nonsense. | 1:45:35 | 1:45:37 | |
I'll be back. | 1:45:40 | 1:45:42 | |
And I am looking forward to my reunion with Amy Elliott. | 1:45:43 | 1:45:48 | |
DOG BARKS | 1:45:51 | 1:45:52 | |
REPORTERS CLAMOUR | 1:46:05 | 1:46:07 | |
HE SIGHS | 1:46:08 | 1:46:09 | |
Great. | 1:46:10 | 1:46:11 | |
Good evening, I'm Sharon Schieber. | 1:46:12 | 1:46:14 | |
-Tonight, exclusively... -Hurry up. | 1:46:14 | 1:46:17 | |
A husband breaks his silence - | 1:46:17 | 1:46:19 | |
not just on his wife's disappearance, | 1:46:19 | 1:46:21 | |
but on his infidelity, and all those shocking rumours. | 1:46:21 | 1:46:25 | |
Nick Dunne, | 1:46:27 | 1:46:29 | |
you're probably the most hated man in America right now. | 1:46:29 | 1:46:32 | |
I probably am. And I probably deserve it. | 1:46:32 | 1:46:35 | |
I bought that tie. | 1:46:35 | 1:46:36 | |
Did you kill your wife, Nick? | 1:46:36 | 1:46:38 | |
I did not kill my wife. | 1:46:38 | 1:46:42 | |
I am not a murderer. | 1:46:42 | 1:46:43 | |
But you were unfaithful. | 1:46:43 | 1:46:45 | |
I was unfaithful. | 1:46:45 | 1:46:47 | |
And I am deeply ashamed. | 1:46:47 | 1:46:49 | |
And, on top of that, you allowed Amy's parents, | 1:46:49 | 1:46:51 | |
her friends, all the people in your hometown, | 1:46:51 | 1:46:54 | |
believe you were a loving husband, | 1:46:54 | 1:46:57 | |
desperate to find his missing wife. | 1:46:57 | 1:46:59 | |
Well, I am desperate to find my missing wife. | 1:46:59 | 1:47:01 | |
You say that, but I'm wondering | 1:47:01 | 1:47:02 | |
how you expect us to believe you now that we know you're a liar. | 1:47:02 | 1:47:06 | |
I didn't come forward with my affair, | 1:47:06 | 1:47:09 | |
because I knew it would make me look really, really bad. | 1:47:09 | 1:47:12 | |
But I don't care about that any more. I just want to find my wife. | 1:47:12 | 1:47:16 | |
I'm just trying to get clear... | 1:47:16 | 1:47:17 | |
Let me be clear. | 1:47:17 | 1:47:18 | |
Just because I am not a murderer doesn't make me a good guy. | 1:47:18 | 1:47:23 | |
I'm not a good guy. | 1:47:23 | 1:47:24 | |
I was a bad husband to a great wife. | 1:47:24 | 1:47:27 | |
I broke the vow that I made to her. | 1:47:27 | 1:47:29 | |
Those are pretty words, Nick. | 1:47:29 | 1:47:31 | |
But what does that really mean to you? | 1:47:31 | 1:47:33 | |
It basically means that I was a con artist. | 1:47:33 | 1:47:36 | |
I met Amy Elliott seven years ago. | 1:47:36 | 1:47:39 | |
I was completely transfixed. | 1:47:39 | 1:47:41 | |
Amy can do that to you. | 1:47:41 | 1:47:43 | |
I was this average guy from an average place, | 1:47:43 | 1:47:45 | |
with mediocre aspirations. | 1:47:45 | 1:47:47 | |
And I met a woman who dazzled me. | 1:47:47 | 1:47:50 | |
And I wanted her to love me, | 1:47:50 | 1:47:52 | |
so I pretended to be better than I was. | 1:47:52 | 1:47:55 | |
When we got married, I promised to be that guy. | 1:47:55 | 1:47:58 | |
That guy who works harder. | 1:47:58 | 1:48:00 | |
That guy who...who lives and acts | 1:48:00 | 1:48:02 | |
and loves with as much passion as she does. | 1:48:02 | 1:48:05 | |
But I failed her. LIQUID POURING | 1:48:05 | 1:48:08 | |
Instead of doing what was right... | 1:48:08 | 1:48:09 | |
..I did what was easy. | 1:48:10 | 1:48:12 | |
You talk like a man who believes he can make amends to his wife. | 1:48:12 | 1:48:15 | |
Who believes his wife is still alive. | 1:48:15 | 1:48:18 | |
She is still alive. | 1:48:18 | 1:48:19 | |
Will you look at that camera for me? | 1:48:20 | 1:48:23 | |
Will you look in the lens... | 1:48:23 | 1:48:26 | |
..and talk to your wife? | 1:48:26 | 1:48:28 | |
If she is out there, able to hear and see you tonight, | 1:48:28 | 1:48:31 | |
what would you like to say to her, Nick? | 1:48:31 | 1:48:33 | |
Amy, I love you. | 1:48:37 | 1:48:40 | |
You're the best person I've ever known. | 1:48:40 | 1:48:42 | |
And I've taken myself to the woodshed | 1:48:42 | 1:48:45 | |
for the way that I've treated you. | 1:48:45 | 1:48:47 | |
And if you come back, I promise | 1:48:47 | 1:48:49 | |
I will spend every day making it up to you. | 1:48:49 | 1:48:52 | |
I will be the man that I promised you I would be. | 1:48:52 | 1:48:55 | |
I love you. | 1:48:58 | 1:49:00 | |
Come home. | 1:49:00 | 1:49:01 | |
Here. | 1:49:06 | 1:49:07 | |
Regardless of what you thought... | 1:49:12 | 1:49:14 | |
What does it say? | 1:49:14 | 1:49:16 | |
..I think we can all agree... | 1:49:16 | 1:49:18 | |
Oh, my God. You fucking killed it. | 1:49:18 | 1:49:19 | |
..there's more to him than meets the eye. | 1:49:19 | 1:49:20 | |
They're going crazy for you. | 1:49:20 | 1:49:21 | |
They disliked me, they liked me, they hated me. | 1:49:21 | 1:49:26 | |
And now they love me. SIRENS WAIL | 1:49:26 | 1:49:27 | |
..a candour and an honesty that's worthy of respect. | 1:49:27 | 1:49:30 | |
He's certainly earned mine. | 1:49:30 | 1:49:33 | |
What is it? | 1:49:33 | 1:49:34 | |
I'm Sharon Schieber. Good night. | 1:49:37 | 1:49:40 | |
DOORBELL RINGS INSISTENTLY | 1:49:40 | 1:49:42 | |
Margo Dunne, this is a search warrant for your property. | 1:49:44 | 1:49:47 | |
I usually ignore tipline calls, | 1:49:47 | 1:49:49 | |
but a neighbour was concerned about | 1:49:49 | 1:49:51 | |
a strange man around your woodshed. | 1:49:51 | 1:49:54 | |
-Call Tanner. -OK. Fuck! | 1:49:54 | 1:49:56 | |
Girlfriend's real cute, Nick. | 1:50:00 | 1:50:02 | |
Is that what this is about? | 1:50:03 | 1:50:04 | |
I have treated you more than fair | 1:50:05 | 1:50:07 | |
throughout this entire investigation. | 1:50:07 | 1:50:10 | |
I gave you the benefit of the doubt over and over. | 1:50:10 | 1:50:12 | |
Every time you said something stupid... | 1:50:12 | 1:50:13 | |
I thought, "Maybe he's just stupid." | 1:50:13 | 1:50:16 | |
But I was wrong. That's what this is about. | 1:50:16 | 1:50:18 | |
-Are these the clubs you don't play golf with? -None of that is mine. | 1:50:18 | 1:50:21 | |
None of this was put here by me. | 1:50:21 | 1:50:22 | |
Those are nice clubs. You got the makings of a real man cave. | 1:50:22 | 1:50:26 | |
Everything just waiting until the wife goes away for good. | 1:50:26 | 1:50:29 | |
-GO: -Nick! | 1:50:29 | 1:50:30 | |
REPORTERS CLAMOUR | 1:50:30 | 1:50:31 | |
Hey, you can't do that! | 1:50:31 | 1:50:32 | |
Of course we can. | 1:50:32 | 1:50:34 | |
ELECTRONIC BARKING | 1:50:40 | 1:50:42 | |
Amy, it's time to move on. | 1:50:42 | 1:50:44 | |
What can I do to help? | 1:50:44 | 1:50:47 | |
I need some time to think. | 1:50:47 | 1:50:48 | |
That's the last thing you need. | 1:50:48 | 1:50:49 | |
Desi... | 1:50:49 | 1:50:50 | |
20 years, you have kept me dangling. | 1:50:50 | 1:50:53 | |
Finally, last night, you came to me, and you chose me. | 1:50:53 | 1:50:57 | |
Follow that instinct. | 1:50:57 | 1:50:58 | |
Don't trust the instinct that left you beaten and homeless, | 1:50:58 | 1:51:01 | |
sleeping in your car, fearing for your life. | 1:51:01 | 1:51:04 | |
I'm not going to force myself on you. | 1:51:08 | 1:51:10 | |
I understand what you're saying, Desi. | 1:51:12 | 1:51:15 | |
I do. | 1:51:16 | 1:51:18 | |
I've been so mistreated for so long. | 1:51:21 | 1:51:23 | |
I've forgotten how to behave. | 1:51:25 | 1:51:28 | |
I'll move in here tomorrow... | 1:51:34 | 1:51:36 | |
..and we'll work it out together. | 1:51:36 | 1:51:39 | |
I just want you to be you again. | 1:51:40 | 1:51:44 | |
-TANNER: -They only took Margo to fuck with you. | 1:51:51 | 1:51:53 | |
She's not spending another fucking second in there. | 1:51:53 | 1:51:55 | |
I'm going to go in, and I'm going to tell them everything. | 1:51:55 | 1:51:58 | |
What? | 1:51:58 | 1:52:00 | |
We tell Boney very little. | 1:52:02 | 1:52:03 | |
Without a body, without a murder weapon, | 1:52:03 | 1:52:05 | |
their only hope is a confession. | 1:52:05 | 1:52:08 | |
So, you let them do all the talking. | 1:52:08 | 1:52:09 | |
That way, we can jump-start your defence. | 1:52:09 | 1:52:12 | |
The truth is my defence. | 1:52:12 | 1:52:14 | |
HE SIGHS | 1:52:16 | 1:52:17 | |
Recognise these? | 1:52:19 | 1:52:21 | |
Yes. It's Amy's anniversary present to me. | 1:52:21 | 1:52:23 | |
Was that how she told you she was pregnant, Nick? | 1:52:23 | 1:52:24 | |
Mommy, Daddy, baby, and that made you real mad? | 1:52:24 | 1:52:27 | |
No. | 1:52:27 | 1:52:28 | |
-Recognise this? -Never seen that before in my life. | 1:52:30 | 1:52:32 | |
It's Amy's diary. We found this at your father's house. | 1:52:32 | 1:52:35 | |
Is this your wife's handwriting? | 1:52:37 | 1:52:38 | |
-He's not a handwriting ex... -Looks like it. | 1:52:38 | 1:52:40 | |
Our experts thought so, too. | 1:52:40 | 1:52:41 | |
Do you want to play a little true or false? | 1:52:42 | 1:52:45 | |
Sure. | 1:52:45 | 1:52:46 | |
"And then he brushes the sugar off my lips so he can taste me." | 1:52:46 | 1:52:50 | |
Yeah, that's true. | 1:52:51 | 1:52:53 | |
You thought quinoa was a fish? | 1:52:54 | 1:52:56 | |
HE LAUGHS | 1:52:56 | 1:52:58 | |
That is also true, yes. | 1:52:58 | 1:52:59 | |
She wanted to get pregnant, you assaulted her. | 1:53:01 | 1:53:03 | |
I hit her? No, never happened. | 1:53:03 | 1:53:05 | |
-"Pushed," it says "pushed." -Absolutely not. | 1:53:05 | 1:53:07 | |
I never touched her. | 1:53:07 | 1:53:08 | |
She tried to buy a gun. | 1:53:10 | 1:53:12 | |
I doubt that, but I don't know. | 1:53:12 | 1:53:14 | |
Shall I read the last entry? | 1:53:15 | 1:53:17 | |
Sure. | 1:53:17 | 1:53:18 | |
"This man may kill me." | 1:53:19 | 1:53:21 | |
In her own words, "This man may kill me." | 1:53:21 | 1:53:23 | |
It's kind of a convenient end note. | 1:53:23 | 1:53:26 | |
KNOCK ON DOOR | 1:53:26 | 1:53:27 | |
For future reference... | 1:53:32 | 1:53:33 | |
..the truth, you are not a handwriting expert. | 1:53:33 | 1:53:35 | |
OK, I know. | 1:53:35 | 1:53:37 | |
Judy's missing handle. | 1:53:44 | 1:53:46 | |
Big as a two-by-four, right? Big as a club. | 1:53:48 | 1:53:50 | |
We found this day one, in the fireplace in your home office. | 1:53:50 | 1:53:53 | |
We didn't know what the hell it was, but fire in July? | 1:53:53 | 1:53:55 | |
-We bagged it. -I've never seen that before either. | 1:53:55 | 1:53:57 | |
We just tested it. Fire doesn't erase blood, Nick. | 1:53:57 | 1:54:00 | |
So, finally, Nicholas Dunne... | 1:54:00 | 1:54:02 | |
..you're under arrest for the murder of your wife. | 1:54:02 | 1:54:04 | |
Do not say another word. | 1:54:04 | 1:54:05 | |
-What about my side? -Nick! | 1:54:05 | 1:54:06 | |
More coffee? | 1:54:19 | 1:54:20 | |
I'd love it. | 1:54:20 | 1:54:22 | |
Remember that time we skipped school and drove to the Cape? | 1:54:24 | 1:54:28 | |
Oh, God, yeah. Lobster right from the ocean. | 1:54:28 | 1:54:30 | |
-This reminds me of that. -HE CHUCKLES | 1:54:30 | 1:54:32 | |
Never-ending holiday. | 1:54:32 | 1:54:34 | |
You're not bored? | 1:54:35 | 1:54:37 | |
Desi, how could I be bored? | 1:54:37 | 1:54:39 | |
You can discuss 18th-century symphonies, | 1:54:39 | 1:54:41 | |
19th-century Impressionists, quote Proust in French. | 1:54:41 | 1:54:44 | |
Nick's idea of culture was a reality TV marathon... | 1:54:44 | 1:54:48 | |
..with one hand down his boxers. | 1:54:48 | 1:54:50 | |
HE CHUCKLES | 1:54:50 | 1:54:52 | |
I really have to get going. | 1:54:52 | 1:54:54 | |
But I will be back just as soon as I can. | 1:54:54 | 1:54:57 | |
My keys. | 1:55:03 | 1:55:05 | |
Thank you. | 1:55:10 | 1:55:12 | |
Ow! | 1:55:17 | 1:55:18 | |
That's how the kids wear it. | 1:55:22 | 1:55:24 | |
INAUDIBLE | 1:56:06 | 1:56:07 | |
WHIMPERING | 1:56:08 | 1:56:09 | |
INAUDIBLE | 1:56:16 | 1:56:17 | |
KEYS JANGLING | 1:56:19 | 1:56:20 | |
Dunne? You got one hell of a lawyer. | 1:56:22 | 1:56:26 | |
Hey. | 1:56:29 | 1:56:30 | |
Are you OK? | 1:56:30 | 1:56:31 | |
Yes. Are you? | 1:56:31 | 1:56:32 | |
Yeah. | 1:56:32 | 1:56:34 | |
Let's go. | 1:56:34 | 1:56:35 | |
What does this mean? | 1:56:37 | 1:56:38 | |
Well, you're out on bond. | 1:56:38 | 1:56:40 | |
You can relax at home while we prep for trial. | 1:56:40 | 1:56:44 | |
SECURITY DOOR BEEPS | 1:56:45 | 1:56:46 | |
CROWD SHOUTING ANGRILY | 1:56:47 | 1:56:49 | |
Keep your head down. | 1:56:49 | 1:56:51 | |
Tanner, is there any fucking lead on Amy? | 1:57:06 | 1:57:08 | |
I've got two of my best guys on it. | 1:57:08 | 1:57:10 | |
She's air. | 1:57:10 | 1:57:12 | |
Come home, Amy. I dare you. | 1:57:14 | 1:57:17 | |
HE WHISTLES | 1:57:55 | 1:57:57 | |
DOOR CLOSES | 1:58:07 | 1:58:08 | |
Mr Collings is home. | 1:58:12 | 1:58:14 | |
Hello, Mr Collings. | 1:58:14 | 1:58:16 | |
I've missed you. | 1:58:16 | 1:58:18 | |
I've been thinking... | 1:58:18 | 1:58:20 | |
-I don't want to be without you. -Oh. | 1:58:20 | 1:58:23 | |
Stay with me. | 1:58:23 | 1:58:25 | |
And when all this dies down, we'll go to Greece, like you said. | 1:58:25 | 1:58:28 | |
Octopus and Scrabble? | 1:58:28 | 1:58:30 | |
How long do you think until it's done? | 1:58:32 | 1:58:34 | |
Not long. Six months for the trial. Sentencing will be quick. | 1:58:34 | 1:58:38 | |
-He'll appeal. -I can watch the rest overseas. | 1:58:38 | 1:58:41 | |
Go slowly. | 1:58:58 | 1:58:59 | |
But I want it. | 1:58:59 | 1:59:00 | |
UNBUCKLING BELT | 1:59:02 | 1:59:04 | |
UNZIPPING | 1:59:04 | 1:59:05 | |
DESI EXCLAIMS SOFTLY | 1:59:08 | 1:59:09 | |
HE MOANS | 1:59:11 | 1:59:12 | |
Sh, sh, don't rush. | 1:59:19 | 1:59:21 | |
Just do it. | 1:59:21 | 1:59:23 | |
DESI MOANS | 1:59:30 | 1:59:32 | |
Harder. | 1:59:32 | 1:59:33 | |
BOTH MOAN | 1:59:36 | 1:59:37 | |
MOANING HARDER | 1:59:43 | 1:59:45 | |
HE CHOKES KNIFE CLATTERS | 1:59:45 | 1:59:46 | |
SHE PANTS DESI GURGLES | 1:59:59 | 2:00:01 | |
TYRES SCREECH | 2:00:25 | 2:00:27 | |
CROWD MURMURING | 2:00:51 | 2:00:52 | |
CAMERAS CLICK | 2:01:00 | 2:01:01 | |
SHE WHIMPERS SOFTLY | 2:01:04 | 2:01:05 | |
You fucking bitch. | 2:01:08 | 2:01:11 | |
CROWD GASPS | 2:01:11 | 2:01:12 | |
SHUTTERS CLICK | 2:01:13 | 2:01:15 | |
Don't you worry, you're going to have lots of babies. | 2:01:19 | 2:01:22 | |
Her wounds are consistent with rape. There was semen present. | 2:01:24 | 2:01:27 | |
-We'll make sure it's a match. -Yeah, it'll match. | 2:01:27 | 2:01:30 | |
Thank you very much. | 2:01:30 | 2:01:33 | |
What do you think? | 2:01:33 | 2:01:34 | |
Are we pals again? | 2:01:34 | 2:01:35 | |
Now that I know you didn't murder your wife, yes. | 2:01:35 | 2:01:39 | |
What do you think? | 2:01:39 | 2:01:40 | |
Kidnapping? The story's insane. | 2:01:40 | 2:01:43 | |
She's on fairly heavy painkillers. | 2:01:45 | 2:01:47 | |
It's OK. I want to help. | 2:01:47 | 2:01:49 | |
Ms Dunne, I know what you've been through, | 2:01:49 | 2:01:51 | |
so we'll keep this very brief. | 2:01:51 | 2:01:53 | |
Can you walk us through what happened? | 2:01:53 | 2:01:55 | |
That morning, the doorbell rang. | 2:01:57 | 2:02:01 | |
So normal. | 2:02:01 | 2:02:03 | |
I opened the door. | 2:02:03 | 2:02:05 | |
So strange. | 2:02:05 | 2:02:07 | |
Since high school, he won't ever go away. | 2:02:07 | 2:02:11 | |
And I've just tried to be nice to him. | 2:02:11 | 2:02:14 | |
Answer his letters. | 2:02:14 | 2:02:16 | |
Keep him calm. | 2:02:16 | 2:02:18 | |
Oh, my God. | 2:02:19 | 2:02:21 | |
Oh, I've encouraged him. | 2:02:21 | 2:02:23 | |
You can't blame yourself. | 2:02:23 | 2:02:24 | |
He pushed inside. | 2:02:26 | 2:02:28 | |
And he grabbed me. | 2:02:30 | 2:02:32 | |
But I got away, and ran to the kitchen. | 2:02:32 | 2:02:35 | |
And he clubbed me. | 2:02:35 | 2:02:38 | |
I collapsed. | 2:02:38 | 2:02:39 | |
That club was actually the handle to a Punch and Judy puppet. | 2:02:39 | 2:02:43 | |
Right. | 2:02:43 | 2:02:45 | |
Treasure hunt. I, er... | 2:02:45 | 2:02:46 | |
I'd hidden some puppets at Go's... | 2:02:48 | 2:02:50 | |
Then how did Desi have that handle? | 2:02:50 | 2:02:52 | |
I'd just found it. | 2:02:54 | 2:02:56 | |
It must have fallen off. | 2:02:56 | 2:02:59 | |
I... | 2:02:59 | 2:03:00 | |
..was holding it when Desi pushed in. So, he got it from me. | 2:03:00 | 2:03:04 | |
About that woodshed... | 2:03:04 | 2:03:05 | |
He took me to his lake house. | 2:03:05 | 2:03:07 | |
Tied me to his bed. | 2:03:07 | 2:03:09 | |
Back to the woodshed real quick. Real quick. | 2:03:09 | 2:03:12 | |
When you went to place the puppets there, | 2:03:12 | 2:03:13 | |
did you notice that it was packed... | 2:03:13 | 2:03:15 | |
Lots of stuff. | 2:03:15 | 2:03:16 | |
Corresponding to purchases made | 2:03:16 | 2:03:18 | |
on credit cards in your husband's name. | 2:03:18 | 2:03:20 | |
Nick and credit cards. | 2:03:20 | 2:03:22 | |
He buys, I nag. I don't know, probably. | 2:03:22 | 2:03:24 | |
He hid a lot of stuff at Go's. They're very close. | 2:03:24 | 2:03:27 | |
Now, may I go back to where I was being held prisoner | 2:03:27 | 2:03:31 | |
by a man with a history of mental problems? | 2:03:31 | 2:03:34 | |
Please continue, Ms Dunne. | 2:03:34 | 2:03:36 | |
Desi assaulted me that night. | 2:03:39 | 2:03:42 | |
Every night. | 2:03:42 | 2:03:44 | |
He tied me up like a dog. | 2:03:45 | 2:03:47 | |
And then, he'd punish me. | 2:03:49 | 2:03:51 | |
Starve me. | 2:03:53 | 2:03:55 | |
Shave me. | 2:03:56 | 2:03:58 | |
Sodomise me. | 2:04:00 | 2:04:02 | |
There were cameras everywhere. | 2:04:02 | 2:04:04 | |
Please find this. Please find the tapes. | 2:04:04 | 2:04:07 | |
She slit his throat with a box cutter. | 2:04:08 | 2:04:12 | |
How did she manage to get a hold of a box cutter | 2:04:13 | 2:04:15 | |
if he had her tied up the whole time? | 2:04:15 | 2:04:18 | |
Can't you just be happy your wife is home and safe? | 2:04:18 | 2:04:21 | |
Amy, we found your diary. | 2:04:21 | 2:04:23 | |
It contains many concerning allegations | 2:04:23 | 2:04:25 | |
of mental and physical abuse. | 2:04:25 | 2:04:27 | |
Well, it's the ugly truth. | 2:04:27 | 2:04:30 | |
Nick didn't want a baby. | 2:04:30 | 2:04:32 | |
He has a temper. We had money problems. | 2:04:34 | 2:04:38 | |
But I love him. | 2:04:38 | 2:04:39 | |
Then why did you try to buy a gun? | 2:04:39 | 2:04:40 | |
I'm sorry, I feel myself fading. | 2:04:42 | 2:04:44 | |
If I could just clarify one thing... | 2:04:44 | 2:04:46 | |
If this case had been left in your deeply incompetent hands, | 2:04:46 | 2:04:49 | |
my husband would be on death row, | 2:04:49 | 2:04:51 | |
and I'd be tied, still, spread-eagle... | 2:04:51 | 2:04:55 | |
Ms Dunne, you've been very brave. We're finished. | 2:04:55 | 2:04:59 | |
Now, I have to ask you, | 2:04:59 | 2:05:02 | |
do you feel safe going home with your husband? | 2:05:02 | 2:05:04 | |
We prayed to God, and God has answered our prayers. | 2:05:16 | 2:05:19 | |
Amy Dunne is home. | 2:05:19 | 2:05:20 | |
Now, I know there are a lot of questions and concerns, | 2:05:20 | 2:05:22 | |
but for right now, we want to sit tight | 2:05:22 | 2:05:24 | |
and just be thankful and grateful | 2:05:24 | 2:05:26 | |
for this miracle on the Mississippi. | 2:05:26 | 2:05:30 | |
REPORTERS CLAMOUR | 2:05:30 | 2:05:32 | |
Excuse me. Excuse us, folks. | 2:05:36 | 2:05:38 | |
CROWD CHEERING | 2:05:43 | 2:05:45 | |
CHEERING CONTINUES | 2:05:55 | 2:05:56 | |
CAMERAS CLICK | 2:06:07 | 2:06:09 | |
CROWD APPLAUD | 2:06:20 | 2:06:22 | |
We love you, Amy! | 2:06:27 | 2:06:29 | |
All right, you can stop pretending now. | 2:06:33 | 2:06:35 | |
I'm not pretending. | 2:06:35 | 2:06:37 | |
You were perfect. | 2:06:37 | 2:06:39 | |
The Nick I saw on TV, that's the Nick I fell in love with. | 2:06:39 | 2:06:42 | |
You do know I was just telling you what you wanted to hear, right? | 2:06:42 | 2:06:44 | |
That's how well you know me. | 2:06:44 | 2:06:46 | |
You know me in your marrow. | 2:06:46 | 2:06:49 | |
OK. | 2:06:50 | 2:06:51 | |
You need to tell me exactly what happened. | 2:06:51 | 2:06:55 | |
Take off your clothes. | 2:06:56 | 2:06:57 | |
I need to make sure you're not wearing a wire. | 2:06:57 | 2:07:01 | |
SHOWER RUNNING | 2:07:03 | 2:07:04 | |
You killed someone, Amy. You're a murderer. | 2:07:13 | 2:07:17 | |
I'm a fighter. | 2:07:17 | 2:07:19 | |
I fought my way back to you. | 2:07:19 | 2:07:21 | |
You killed a guy. | 2:07:21 | 2:07:23 | |
You slashed his throat with a box cutter. | 2:07:23 | 2:07:25 | |
You went on national television and begged for me to save your life. | 2:07:25 | 2:07:30 | |
And I obliged. | 2:07:30 | 2:07:31 | |
But I want THAT Nick. | 2:07:31 | 2:07:33 | |
I'm leaving. | 2:07:33 | 2:07:34 | |
You really think that's smart? | 2:07:34 | 2:07:37 | |
Shampoo. | 2:07:37 | 2:07:38 | |
Wounded, raped wife battles her way back to her husband, | 2:07:41 | 2:07:45 | |
and he deserts her. | 2:07:45 | 2:07:47 | |
They'll destroy you. | 2:07:47 | 2:07:48 | |
Neighbours will shun you. | 2:07:48 | 2:07:50 | |
And I'll make sure that no-one forgets the pain you caused me. | 2:07:50 | 2:07:54 | |
I don't want anything to do with your groupies outside. | 2:07:56 | 2:08:01 | |
Once they go... | 2:08:01 | 2:08:03 | |
..I go. | 2:08:03 | 2:08:05 | |
Give it the night. Sleep on it. | 2:08:05 | 2:08:08 | |
Was there ever a baby? | 2:08:24 | 2:08:26 | |
There can be. | 2:08:26 | 2:08:28 | |
Good night. | 2:08:32 | 2:08:33 | |
VEHICLE BEEPING | 2:08:45 | 2:08:47 | |
LOCK CLICKS | 2:09:02 | 2:09:04 | |
HE SIGHS | 2:09:18 | 2:09:19 | |
Hey, Nick! | 2:09:24 | 2:09:25 | |
Hello, handsome. | 2:09:37 | 2:09:38 | |
Crepe? | 2:09:41 | 2:09:43 | |
Sure. | 2:09:43 | 2:09:45 | |
She was his dream girl. | 2:09:45 | 2:09:46 | |
And when this spoiled, rich, | 2:09:46 | 2:09:47 | |
entitled little boy couldn't have her, he took her. | 2:09:47 | 2:09:51 | |
You must be so proud. | 2:09:58 | 2:09:59 | |
It's been four hours. | 2:10:06 | 2:10:08 | |
Nick? Nick? What's next for you and Amy? | 2:10:08 | 2:10:11 | |
Right now, it's all about our marriage. | 2:10:15 | 2:10:18 | |
When two people love each other and can't make that work, | 2:10:18 | 2:10:22 | |
that's the real tragedy. | 2:10:22 | 2:10:24 | |
-QUIETLY: -Kiss my cheek. | 2:10:28 | 2:10:30 | |
I can't believe that fucking spider is America's sweetheart. | 2:10:36 | 2:10:38 | |
She told me she killed Desi. | 2:10:38 | 2:10:41 | |
Not self-defence. Murder. | 2:10:41 | 2:10:42 | |
-Can't we get a wire? -That's not going to work. | 2:10:42 | 2:10:43 | |
She told you once before. | 2:10:43 | 2:10:45 | |
Yeah, because she had me strip naked, and stand in the shower. | 2:10:45 | 2:10:47 | |
I swear, you two are the most fucked-up people I've ever known. | 2:10:47 | 2:10:50 | |
And I specialise in fucked-up. | 2:10:50 | 2:10:52 | |
You and Amy under the same roof? | 2:10:52 | 2:10:53 | |
You should pitch that as reality television. | 2:10:53 | 2:10:56 | |
TV: Amy Dunne, and the Miracle on the Mississippi. | 2:10:56 | 2:10:58 | |
Nick and I have been through some bad patches. | 2:10:58 | 2:11:01 | |
We've had our dark days. | 2:11:01 | 2:11:02 | |
But we thank you so much | 2:11:02 | 2:11:04 | |
for supporting us in our new life together, for forgiving Nick. | 2:11:04 | 2:11:09 | |
Really, your encouragement means the world. | 2:11:09 | 2:11:12 | |
Oh, she's good. | 2:11:12 | 2:11:14 | |
Amazing Amy and the Humbled Husband. | 2:11:14 | 2:11:16 | |
The Real Housewives of Branson. Take care of this guy, will you? | 2:11:16 | 2:11:19 | |
I can't believe you're just leaving now. | 2:11:19 | 2:11:21 | |
You are not at risk any more. | 2:11:21 | 2:11:22 | |
I'm the definition of "at risk." | 2:11:22 | 2:11:24 | |
You got a book deal, a Lifetime movie, you franchised The Bar. | 2:11:24 | 2:11:28 | |
You may want to thank her. | 2:11:28 | 2:11:29 | |
Just don't piss her off. | 2:11:32 | 2:11:34 | |
See you, guys. | 2:11:34 | 2:11:35 | |
Elvis has left Missouri. | 2:11:37 | 2:11:39 | |
She had to have made a mistake. | 2:11:39 | 2:11:40 | |
We need to check Amy's story, piece by piece. | 2:11:40 | 2:11:42 | |
Nick, I can't do anything. | 2:11:42 | 2:11:44 | |
We had the national spotlight on us, we stained the rug. | 2:11:44 | 2:11:47 | |
The case is with the Feds now, they're done. | 2:11:47 | 2:11:49 | |
-That doesn't mean you have to be done. -It does. | 2:11:49 | 2:11:52 | |
-What are you doing? -HE GASPS | 2:12:22 | 2:12:24 | |
Couldn't sleep. | 2:12:25 | 2:12:27 | |
Come on, | 2:12:27 | 2:12:28 | |
let me tuck you back in. | 2:12:28 | 2:12:30 | |
You know you can sleep with me, right? | 2:12:42 | 2:12:45 | |
Yeah, it's just... | 2:12:47 | 2:12:49 | |
..I need more time. | 2:12:49 | 2:12:50 | |
I would never, ever hurt you. | 2:12:50 | 2:12:54 | |
I do need you to participate, though. | 2:12:56 | 2:12:58 | |
I need you to do your part. | 2:12:58 | 2:13:00 | |
WATER RUNNING OK. | 2:13:10 | 2:13:12 | |
Everything you have heard about my wife... | 2:13:12 | 2:13:14 | |
..is a lie. | 2:13:14 | 2:13:16 | |
She is a calculating, murderous psychopath. | 2:13:16 | 2:13:20 | |
And I have been complicit... | 2:13:20 | 2:13:22 | |
Nick! | 2:13:22 | 2:13:23 | |
Nick? Breakfast. | 2:13:28 | 2:13:30 | |
Honey? | 2:13:30 | 2:13:31 | |
We should hold hands. | 2:13:35 | 2:13:37 | |
Not the entire time, but on and off throughout. | 2:13:37 | 2:13:40 | |
"So, Nick, how does it feel to have your wife back?" | 2:13:41 | 2:13:44 | |
HE CLEARS HIS THROAT | 2:13:44 | 2:13:46 | |
"It's fantastic. | 2:13:46 | 2:13:48 | |
"How many people are lucky enough to get a second chance at love?" | 2:13:48 | 2:13:51 | |
"Fantastic" is a little flippant. | 2:13:51 | 2:13:53 | |
"Amazing"? | 2:13:53 | 2:13:54 | |
I need you to admit that you got the credit cards | 2:13:54 | 2:13:57 | |
and that you hid all that stuff at Go's and that you pushed me. | 2:13:57 | 2:14:00 | |
I'm going to need those three things to feel safe. | 2:14:00 | 2:14:03 | |
You have to own this, Nick. | 2:14:04 | 2:14:07 | |
Don't worry. | 2:14:07 | 2:14:09 | |
I know exactly what to say. DOORBELL RINGS | 2:14:09 | 2:14:10 | |
Nick. | 2:14:12 | 2:14:14 | |
What a beautiful home. | 2:14:16 | 2:14:19 | |
I so appreciate you giving us this time, Nick. | 2:14:20 | 2:14:23 | |
You went on national television | 2:14:23 | 2:14:25 | |
and told people that I murdered my wife. | 2:14:25 | 2:14:27 | |
I go where the story goes. | 2:14:27 | 2:14:29 | |
You implied that I had carnal relations with my sister. | 2:14:29 | 2:14:31 | |
I didn't use the "I" word. I said you two were "extremely close." | 2:14:31 | 2:14:35 | |
You and a panel of nitwits diagnosed me as a sociopath. | 2:14:35 | 2:14:39 | |
Ice-breaker. | 2:14:40 | 2:14:42 | |
To go with your robot dog. | 2:14:46 | 2:14:47 | |
I'll go find Amy. | 2:14:47 | 2:14:49 | |
She's downstairs. | 2:14:51 | 2:14:53 | |
-What is it? -It's for you. | 2:14:56 | 2:14:57 | |
Open it. | 2:14:57 | 2:14:59 | |
I don't need any more gifts from you. | 2:14:59 | 2:15:01 | |
Open it. | 2:15:01 | 2:15:02 | |
I didn't touch you. | 2:15:14 | 2:15:16 | |
-You didn't need to. -Bullshit. That notice of disposal. | 2:15:16 | 2:15:20 | |
I have that. You threw it out. | 2:15:20 | 2:15:22 | |
The notice, yes. | 2:15:22 | 2:15:24 | |
I want a blood test. | 2:15:24 | 2:15:25 | |
I want a paternity test. | 2:15:25 | 2:15:27 | |
I love tests. | 2:15:27 | 2:15:28 | |
You can teach those people to hate me all you want. | 2:15:28 | 2:15:30 | |
I don't care. I am leaving you. | 2:15:30 | 2:15:33 | |
I won't have to teach your child to hate you. | 2:15:35 | 2:15:37 | |
He'll do that all by himself. | 2:15:37 | 2:15:40 | |
You fucking cunt! SHE GRUNTS | 2:15:40 | 2:15:42 | |
BREATHING DEEPLY | 2:15:42 | 2:15:43 | |
I'm the cunt you married. | 2:15:43 | 2:15:46 | |
The only time you liked yourself | 2:15:46 | 2:15:47 | |
was when you were trying to be someone this cunt might like. | 2:15:47 | 2:15:51 | |
I'm not a quitter. I'm that cunt. | 2:15:51 | 2:15:54 | |
I've killed for you. Who else can say that? | 2:15:58 | 2:16:01 | |
You think you would be happy with a nice Midwestern girl? | 2:16:02 | 2:16:05 | |
No way, baby. I'm it. | 2:16:05 | 2:16:07 | |
Look, you're delusional. You're insane. | 2:16:07 | 2:16:11 | |
Why would you even want this? | 2:16:11 | 2:16:13 | |
Yes, I loved you. | 2:16:13 | 2:16:14 | |
And then all we did was resent each other, and try to control each other. | 2:16:14 | 2:16:17 | |
And cause each other pain. | 2:16:17 | 2:16:18 | |
That's marriage. | 2:16:18 | 2:16:20 | |
Now, I'm getting ready. | 2:16:23 | 2:16:25 | |
INDISTINCT CONVERSATIONS | 2:16:32 | 2:16:34 | |
I can't watch you play house with that thing for the next 18 years. | 2:16:49 | 2:16:52 | |
I can't just walk away. | 2:16:52 | 2:16:54 | |
You could get custody. | 2:16:54 | 2:16:56 | |
No, I won't. And you know it. | 2:16:56 | 2:16:59 | |
It's going to be my child. I'm not going to leave it. | 2:16:59 | 2:17:02 | |
You want to stay. | 2:17:02 | 2:17:04 | |
I have a responsibility. It's not about what I want any more. | 2:17:04 | 2:17:08 | |
You want to stay with her. | 2:17:08 | 2:17:10 | |
SHE SOBS | 2:17:14 | 2:17:15 | |
You're breaking my heart. | 2:17:19 | 2:17:21 | |
Go, you're my voice of reason. | 2:17:21 | 2:17:24 | |
I need you with me on this. | 2:17:24 | 2:17:27 | |
Of course I'm with you. | 2:17:27 | 2:17:29 | |
I was with you before we were even born. | 2:17:31 | 2:17:35 | |
We've been through the darkness. | 2:17:37 | 2:17:40 | |
We've come out, united. | 2:17:40 | 2:17:43 | |
We communicate. | 2:17:46 | 2:17:48 | |
We're honest with each other. | 2:17:51 | 2:17:53 | |
Right? | 2:17:53 | 2:17:54 | |
We're partners in crime. | 2:17:56 | 2:17:59 | |
And? | 2:18:02 | 2:18:03 | |
And? | 2:18:05 | 2:18:06 | |
We're going to be parents. | 2:18:09 | 2:18:12 | |
Oh, my goodness! | 2:18:12 | 2:18:15 | |
-Oh, how exciting! -Thank you. | 2:18:15 | 2:18:17 | |
"What are you thinking?" | 2:18:21 | 2:18:23 | |
"How are you feeling?" | 2:18:26 | 2:18:28 | |
"What have we done to each other?" | 2:18:30 | 2:18:33 | |
"What will we do?" | 2:18:34 | 2:18:36 |