Browse content similar to Mr Holmes. Check below for episodes and series from the same categories and more!
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BUZZING | 0:01:00 | 0:01:02 | |
You shouldn't do that. | 0:01:02 | 0:01:05 | |
Tap the glass. | 0:01:05 | 0:01:06 | |
How did you know I was going to? | 0:01:08 | 0:01:10 | |
You must forgive my son. He loves bees. | 0:01:12 | 0:01:15 | |
It isn't a bee, it's a wasp. | 0:01:15 | 0:01:17 | |
Different thing entirely. | 0:01:20 | 0:01:23 | |
Is that him? | 0:01:57 | 0:01:59 | |
Ah... Prodigal returns. | 0:03:02 | 0:03:04 | |
Outside, Roger. You know you're not allowed. | 0:03:15 | 0:03:17 | |
Like having a Welsh pony. | 0:03:20 | 0:03:21 | |
Will you be going up to your study? | 0:03:25 | 0:03:27 | |
No, not as yet. | 0:03:27 | 0:03:29 | |
BEES BUZZ | 0:03:42 | 0:03:44 | |
LOUD BUZZING | 0:03:55 | 0:03:58 | |
Ah, yes... Home again. | 0:04:01 | 0:04:03 | |
Home again. | 0:04:05 | 0:04:07 | |
Mrs Munro. | 0:04:14 | 0:04:16 | |
It would appear we've had a decrease in population. | 0:04:19 | 0:04:23 | |
Did Mr Healy not come by | 0:04:24 | 0:04:26 | |
to take care of the apiary whilst I was gone? | 0:04:26 | 0:04:30 | |
Yes, but he won't be able to do it next time. | 0:04:30 | 0:04:32 | |
Did Mr Healy say that? | 0:04:32 | 0:04:34 | |
No, his daughter did. | 0:04:34 | 0:04:36 | |
She's taken him to live with her. | 0:04:36 | 0:04:38 | |
Too feeble, she said. | 0:04:38 | 0:04:39 | |
Is he too feeble? | 0:04:39 | 0:04:41 | |
-Seemed spry enough. Chattier, maybe. -With you? | 0:04:41 | 0:04:44 | |
With himself. | 0:04:44 | 0:04:46 | |
I'll want the key to the study. | 0:04:47 | 0:04:49 | |
-Is that lunch? -Mm. | 0:04:58 | 0:05:00 | |
'Watson had married and I was alone. | 0:06:19 | 0:06:22 | |
'In fact, it was on the very day he left Baker Street | 0:06:22 | 0:06:25 | |
'that the case which was to be my last began to unfold. | 0:06:25 | 0:06:29 | |
'It was almost 30 years ago. | 0:06:34 | 0:06:36 | |
'The Great War had ended, | 0:06:36 | 0:06:37 | |
'and the tourists had come back to Baker Street | 0:06:37 | 0:06:40 | |
'to catch a glimpse of the real Sherlock Holmes. | 0:06:40 | 0:06:42 | |
'Thankfully, in his stories, Watson had always published a false address | 0:06:44 | 0:06:48 | |
'for our actual quarters.' | 0:06:48 | 0:06:50 | |
So, you found the right address. | 0:06:50 | 0:06:52 | |
Why did you do it? | 0:07:11 | 0:07:13 | |
Sir? | 0:07:13 | 0:07:15 | |
Break into my study? | 0:07:15 | 0:07:17 | |
My study is my sanctum sanctorum. | 0:07:17 | 0:07:19 | |
Private place. | 0:07:20 | 0:07:21 | |
Before you went to Japan, | 0:07:24 | 0:07:26 | |
I saw you writing that story. | 0:07:26 | 0:07:29 | |
I didn't know YOU wrote stories. | 0:07:29 | 0:07:31 | |
No, Dr Watson. Yes, he was the writer. | 0:07:31 | 0:07:34 | |
Well, so I borrowed Mum's key and went into your study. | 0:07:34 | 0:07:36 | |
And there it was. | 0:07:36 | 0:07:38 | |
And how much did you read? | 0:07:38 | 0:07:39 | |
Just to where you stopped. | 0:07:39 | 0:07:41 | |
It was a good part, too. | 0:07:41 | 0:07:42 | |
A man comes to Baker Street, and you say, "You've come about your wife?" | 0:07:42 | 0:07:45 | |
How could you tell? | 0:07:45 | 0:07:47 | |
Did you do the thing? | 0:07:47 | 0:07:48 | |
What thing would that be? | 0:07:48 | 0:07:50 | |
"The cane shows the marks of a dog's teeth. | 0:07:50 | 0:07:54 | |
"The wood is from an island southwest of Madeira." | 0:07:54 | 0:07:56 | |
That thing. | 0:07:56 | 0:07:58 | |
And how would you tell that a man's visit was about his wife? | 0:07:58 | 0:08:02 | |
He wears a wedding ring? | 0:08:02 | 0:08:04 | |
Well, the clues are all on that page. | 0:08:04 | 0:08:07 | |
This sentence...to be exact. | 0:08:08 | 0:08:10 | |
"One day, into the room, came a young man | 0:08:12 | 0:08:14 | |
"in newly pressed, albeit inexpensive, clothes." | 0:08:14 | 0:08:16 | |
His clothes are freshly pressed. | 0:08:16 | 0:08:18 | |
He's a young man, though. | 0:08:18 | 0:08:19 | |
Not expensive clothes... | 0:08:19 | 0:08:22 | |
Then his wife must press them. | 0:08:22 | 0:08:24 | |
Men don't have the talent, and he can't afford a servant to do so. | 0:08:24 | 0:08:27 | |
Very good. | 0:08:27 | 0:08:28 | |
That's how you knew it was about the wife? | 0:08:28 | 0:08:30 | |
Well, no. | 0:08:30 | 0:08:31 | |
When you're a detective and a man comes to visit you, | 0:08:31 | 0:08:34 | |
it's usually about his wife. | 0:08:34 | 0:08:37 | |
So why did you stop where you did? | 0:08:39 | 0:08:41 | |
Did you get the things from the chemist? | 0:09:04 | 0:09:07 | |
On order. Said it would be a few days. | 0:09:07 | 0:09:09 | |
We'll hold them to that. | 0:09:09 | 0:09:11 | |
Otherwise triumphant, were you? | 0:09:11 | 0:09:13 | |
It was like VE Day. | 0:09:13 | 0:09:15 | |
Oh. Doctor's here. | 0:09:15 | 0:09:18 | |
Did you catch cold in Japan? | 0:09:24 | 0:09:26 | |
Does it sound it? | 0:09:26 | 0:09:28 | |
Thought you might be coming off the tail end of something. | 0:09:28 | 0:09:31 | |
Lost some weight, as well. | 0:09:32 | 0:09:33 | |
Did you find what you were looking for, | 0:09:35 | 0:09:37 | |
the mysterious ashy prick? | 0:09:37 | 0:09:39 | |
Prickly ash...! | 0:09:39 | 0:09:41 | |
Oh, yes, sorry. | 0:09:41 | 0:09:43 | |
It was the reason the fellow invited you to Japan, wasn't it? | 0:09:43 | 0:09:46 | |
Dig up a pile of the stuff, smuggle it home? | 0:09:46 | 0:09:48 | |
It can't interfere with anything you've prescribed. | 0:09:48 | 0:09:51 | |
And, surely, it can't do me ill. | 0:09:51 | 0:09:53 | |
In and of itself, no. | 0:09:53 | 0:09:55 | |
Oh, you mean there might be side effects? | 0:09:55 | 0:09:58 | |
Perhaps. | 0:09:58 | 0:09:59 | |
Such as? | 0:09:59 | 0:10:00 | |
Hope. | 0:10:00 | 0:10:01 | |
What was the name of the fellow who invited you to Japan? | 0:10:09 | 0:10:14 | |
You just spent a week with the man. | 0:10:16 | 0:10:18 | |
Corresponded with him for months. | 0:10:18 | 0:10:21 | |
Do you recall his name? | 0:10:21 | 0:10:23 | |
There's a flat adjacent to my surgery that's gone to let... | 0:10:26 | 0:10:30 | |
No. | 0:10:30 | 0:10:31 | |
What happens when you don't recall where the telephone is, | 0:10:31 | 0:10:34 | |
or you forget to turn off the gas? | 0:10:34 | 0:10:36 | |
You can't live alone. | 0:10:36 | 0:10:38 | |
I don't live alone. I have the housekeeper. | 0:10:38 | 0:10:40 | |
Take this diary. | 0:10:43 | 0:10:45 | |
Each day you don't recall a name or place, make a mark | 0:10:46 | 0:10:52 | |
on the page for that day's date. | 0:10:52 | 0:10:55 | |
And if I forget to make the mark? | 0:10:55 | 0:10:57 | |
HOLMES GROANS SOFTLY | 0:11:18 | 0:11:21 | |
No, no, no... | 0:11:22 | 0:11:24 | |
It's the royal jelly. | 0:11:24 | 0:11:26 | |
Yes, well, we're not using it any more. | 0:11:26 | 0:11:28 | |
Instead, we're going to use this. | 0:11:30 | 0:11:32 | |
It's called prickly ash. | 0:11:32 | 0:11:33 | |
Is it food? | 0:11:33 | 0:11:35 | |
Mm. | 0:11:35 | 0:11:37 | |
Looks like it came out of the down spout! | 0:11:37 | 0:11:39 | |
It came from Japan. | 0:11:39 | 0:11:41 | |
That makes all the difference. | 0:11:42 | 0:11:44 | |
You add it in as you would the royal jelly in the tea or the coffee. | 0:11:44 | 0:11:47 | |
And you should try cooking with it to enhance... | 0:11:49 | 0:11:52 | |
..your specialities. | 0:11:53 | 0:11:55 | |
TRAIN WHISTLE BLOWS | 0:12:38 | 0:12:40 | |
Mr Holmes! | 0:12:51 | 0:12:52 | |
Mr Holmes! | 0:12:54 | 0:12:55 | |
Tamiki Umezaki. | 0:12:59 | 0:13:01 | |
Welcome to Japan. | 0:13:02 | 0:13:03 | |
I am so honoured you have accepted my invitation. | 0:13:06 | 0:13:10 | |
We spend tonight at my house. | 0:13:10 | 0:13:12 | |
Tomorrow we begin our search. | 0:13:12 | 0:13:14 | |
I have owned your book for 20 years. | 0:13:47 | 0:13:49 | |
I purchased my copy when it first appeared in print. | 0:13:49 | 0:13:53 | |
I hope you'll do me the honour of a personal inscription. | 0:13:55 | 0:13:58 | |
Oh, yes. | 0:13:58 | 0:14:00 | |
Of course. | 0:14:00 | 0:14:01 | |
Erm... | 0:14:04 | 0:14:06 | |
Mr Umezaki, how close to the city does the prickly ash grow? | 0:14:08 | 0:14:13 | |
It is found mostly near the sea. | 0:14:14 | 0:14:16 | |
And how far shall we have to go? | 0:14:16 | 0:14:18 | |
Where I am thinking is two days' journey by train. | 0:14:18 | 0:14:21 | |
You are very eager? | 0:14:24 | 0:14:26 | |
I'm in the middle of a project that I'm keen to finish, | 0:14:26 | 0:14:29 | |
and my wits must be at their sharpest. | 0:14:29 | 0:14:32 | |
I want to be able to benefit from the effects as soon as possible. | 0:14:32 | 0:14:35 | |
It's that urgent? | 0:14:36 | 0:14:38 | |
I fear so. | 0:14:38 | 0:14:39 | |
You are very great detective. | 0:14:40 | 0:14:43 | |
Thank you very much. | 0:14:45 | 0:14:47 | |
SHE SPEAKS JAPANESE | 0:14:48 | 0:14:50 | |
My mother, she wonders if you have brought your famous hat. | 0:14:53 | 0:14:57 | |
Oh, the deerstalker. | 0:14:57 | 0:14:59 | |
That was an embellishment of the illustrator. | 0:15:01 | 0:15:04 | |
I've never worn one. | 0:15:06 | 0:15:07 | |
And the pipe? | 0:15:07 | 0:15:09 | |
I prefer a cigar. | 0:15:09 | 0:15:11 | |
I told Watson, if I ever write a story myself | 0:15:11 | 0:15:14 | |
it will be to correct the myriad misconceptions | 0:15:14 | 0:15:16 | |
created by his imaginative licence. | 0:15:16 | 0:15:19 | |
Did you write such a story? | 0:15:19 | 0:15:21 | |
But I'm trying to do so now. | 0:15:24 | 0:15:25 | |
I must finish with you before I die. | 0:15:45 | 0:15:49 | |
"So, you've come about your wife?" | 0:15:59 | 0:16:01 | |
"You've come about your wife." | 0:16:06 | 0:16:08 | |
Roger? | 0:16:24 | 0:16:26 | |
Here. | 0:16:27 | 0:16:28 | |
I'll see you after lunch. | 0:16:30 | 0:16:32 | |
I'm going to need some help with the bees. | 0:16:32 | 0:16:34 | |
So you found the right address. | 0:16:45 | 0:16:47 | |
A friendly porter at 221B. | 0:16:48 | 0:16:50 | |
It's just a minor fiction to mislead the curious. | 0:16:51 | 0:16:54 | |
Most of them seem to be American. | 0:16:56 | 0:16:58 | |
Have a seat, Mr Kelmot. | 0:16:59 | 0:17:01 | |
So... | 0:17:06 | 0:17:07 | |
you've come about your wife? | 0:17:07 | 0:17:10 | |
How did you know? | 0:17:10 | 0:17:11 | |
Doesn't matter. Tell me what you have to say. | 0:17:11 | 0:17:14 | |
My wife is named Ann. | 0:17:14 | 0:17:16 | |
Her mother died in childbirth. | 0:17:17 | 0:17:19 | |
Her father was a colonel, killed in that business at Waziristan. | 0:17:20 | 0:17:24 | |
We wanted very much to have children. | 0:17:24 | 0:17:26 | |
She lost our first child in her third month. | 0:17:29 | 0:17:31 | |
Our second in her fourth. | 0:17:33 | 0:17:34 | |
We were told it was too dangerous to try again. | 0:17:37 | 0:17:40 | |
Ann was distraught. | 0:17:40 | 0:17:42 | |
It was as though each of them lost | 0:17:49 | 0:17:50 | |
had been a real child, as opposed to... | 0:17:50 | 0:17:52 | |
Thank you. | 0:17:55 | 0:17:57 | |
For a time, she even insisted I have a pair of headstones carved | 0:18:00 | 0:18:02 | |
and placed in our cemetery plot, as if their bodies were buried beneath. | 0:18:02 | 0:18:06 | |
She was in desperate need of something to soothe this dangerous melancholy. | 0:18:06 | 0:18:10 | |
She likes music, so I suggested a glass harmonica. | 0:18:10 | 0:18:12 | |
-The armonica? -My father's most prized possession. | 0:18:12 | 0:18:15 | |
He played it constantly to the day he died. | 0:18:15 | 0:18:18 | |
I had it brought to the house and arranged a month's worth of lessons. | 0:18:18 | 0:18:22 | |
One hour per week. | 0:18:22 | 0:18:24 | |
Soon, Ann asked me if she could increase the lessons | 0:18:24 | 0:18:27 | |
to twice a week. | 0:18:27 | 0:18:28 | |
Then three times. Then every day. | 0:18:28 | 0:18:30 | |
So, she took up the avocation you hoped she would. | 0:18:31 | 0:18:34 | |
Why are you here, Mr Kelmot? | 0:18:34 | 0:18:37 | |
Mr Holmes, my Ann has changed. | 0:18:37 | 0:18:40 | |
And it isn't just the lessons or her obsession with the instrument. | 0:18:41 | 0:18:45 | |
'One day, I was outside the room when suddenly her playing stopped. | 0:18:45 | 0:18:50 | |
'And I heard her saying, quite clearly...' | 0:18:52 | 0:18:55 | |
Grace. | 0:18:55 | 0:18:57 | |
James. | 0:18:57 | 0:18:58 | |
Those were to be the names of your children. | 0:19:00 | 0:19:03 | |
When I confronted Ann, she denied it. | 0:19:03 | 0:19:04 | |
So I forbade her playing the armonica | 0:19:04 | 0:19:06 | |
and I forbade her taking the lessons. | 0:19:06 | 0:19:08 | |
The woman who teaches them, Madame Schirmer, | 0:19:08 | 0:19:10 | |
is a person of dangerous beliefs. | 0:19:10 | 0:19:12 | |
The dangerous beliefs of a music teacher... | 0:19:12 | 0:19:14 | |
She's put a spell on Ann! | 0:19:14 | 0:19:16 | |
Preying upon her weak frame of mind, for what reason I cannot say! | 0:19:16 | 0:19:19 | |
Have you proof of this? | 0:19:19 | 0:19:22 | |
Following my instructions that she stop seeing Madame Schirmer, | 0:19:22 | 0:19:25 | |
I received in the post three receipts from the woman. | 0:19:25 | 0:19:28 | |
Each for the payment of one armonica lesson. | 0:19:30 | 0:19:33 | |
Again Ann denied it. | 0:19:33 | 0:19:35 | |
Consequently, my wife is no longer permitted | 0:19:35 | 0:19:37 | |
to withdraw money from the bank. | 0:19:37 | 0:19:40 | |
Then, yesterday, I followed Ann | 0:19:40 | 0:19:42 | |
to the place where the woman gives her lessons. | 0:19:42 | 0:19:44 | |
Even on the pavement below I could hear her playing. | 0:19:44 | 0:19:47 | |
Naturally I went inside, but... | 0:19:47 | 0:19:49 | |
the Schirmer woman said, "Your wife is not here." | 0:19:49 | 0:19:53 | |
Last night I questioned Ann. | 0:19:53 | 0:19:55 | |
And she said she hadn't been to Madame Schirmer's rooms. | 0:19:55 | 0:19:58 | |
Not for weeks. | 0:19:58 | 0:20:00 | |
Do you have a portrait of your wife? | 0:20:03 | 0:20:05 | |
-I shall take your case, if you answer just one last question. -Certainly. | 0:20:15 | 0:20:19 | |
What perfume does your wife wear? | 0:20:19 | 0:20:22 | |
Roger? | 0:20:23 | 0:20:25 | |
It's late. Lights out, like it's the Blitz. | 0:20:26 | 0:20:29 | |
Look at you. | 0:20:36 | 0:20:37 | |
Do you remember your dad? | 0:20:40 | 0:20:42 | |
I remember him holding my hand and taking me to the sea. | 0:20:44 | 0:20:47 | |
You're not remembering - that's the picture. | 0:20:48 | 0:20:51 | |
What about the invisible stories? | 0:20:54 | 0:20:56 | |
Some nights, at bedtime, your dad would make up stories. | 0:20:56 | 0:20:59 | |
He'd say, "Give me three things." | 0:21:00 | 0:21:03 | |
And you'd say, "A ball, a cat and Roger." | 0:21:03 | 0:21:07 | |
So then he'd make up some tale | 0:21:08 | 0:21:12 | |
about a ball that had a pet cat named Roger. | 0:21:12 | 0:21:16 | |
Always "a something, a something and Roger." | 0:21:16 | 0:21:18 | |
You don't remember any of the invisible stories? | 0:21:23 | 0:21:26 | |
Do you? | 0:21:29 | 0:21:30 | |
I was never any good at stories. | 0:21:33 | 0:21:35 | |
Sleep well. | 0:21:42 | 0:21:44 | |
The first thing to know is there's no danger. | 0:21:48 | 0:21:51 | |
Bees aren't interested in harming you. | 0:21:51 | 0:21:54 | |
Their only concern is self-preservation. | 0:21:54 | 0:21:56 | |
-From people? -They're much too clever for people. | 0:21:56 | 0:22:00 | |
Their enemies are weather, disease and predators. | 0:22:00 | 0:22:04 | |
The wasp is their particular antagonist. | 0:22:04 | 0:22:07 | |
Did you know that one wasp can kill 40 honeybees in under a minute? | 0:22:07 | 0:22:12 | |
-In consequence, we do not like wasps. -Yes, sir. | 0:22:12 | 0:22:16 | |
We do not like wasps. | 0:22:16 | 0:22:17 | |
The queen runs the colony. | 0:22:18 | 0:22:20 | |
The drones service the queen. | 0:22:22 | 0:22:25 | |
Hands up. | 0:22:25 | 0:22:26 | |
Workers do the work. As it should be. | 0:22:28 | 0:22:31 | |
Of concern is the latest decrease in the bee population. | 0:22:42 | 0:22:46 | |
We've identified the problem, now we must solve it. | 0:22:46 | 0:22:51 | |
Right, here you are, off you go. | 0:22:51 | 0:22:53 | |
Have you ever been bitten by a bee? | 0:22:53 | 0:22:55 | |
Stung. Bees don't have teeth. Yes, I have. | 0:22:57 | 0:23:00 | |
Not often, though? | 0:23:00 | 0:23:01 | |
7,816 times. I keep a record. | 0:23:01 | 0:23:06 | |
Not entirely dreadful. | 0:23:12 | 0:23:14 | |
Have you ever been bit? | 0:23:16 | 0:23:17 | |
No, I have never been bit. | 0:23:20 | 0:23:23 | |
Well, people work with bees all the time, don't they? | 0:23:25 | 0:23:28 | |
What is royal jelly? | 0:23:38 | 0:23:40 | |
It's a special secretion of the worker bees. | 0:23:40 | 0:23:43 | |
And it's royal because...? | 0:23:43 | 0:23:45 | |
It feeds the queen? | 0:23:45 | 0:23:47 | |
Bravo. | 0:23:47 | 0:23:48 | |
It was the jelly's curative powers that prompted my monograph, | 0:23:48 | 0:23:53 | |
The Value Of Royal Jelly With Further Comments | 0:23:53 | 0:23:57 | |
On The Potential Health Benefits Of Prickly Ash. | 0:23:57 | 0:24:00 | |
What's that? | 0:24:00 | 0:24:02 | |
Prickly ash, or in Japanese, "hire sansho", is the common word | 0:24:02 | 0:24:08 | |
for Zanthoxylum piperitum, | 0:24:08 | 0:24:10 | |
it's used to treat various degenerative diseases - | 0:24:10 | 0:24:14 | |
anaemia, circulatory conditions, arthritis and... | 0:24:14 | 0:24:19 | |
..what's it called? | 0:24:21 | 0:24:23 | |
Oh, senility. | 0:24:23 | 0:24:25 | |
That was a witticism. | 0:24:26 | 0:24:29 | |
The newest research suggests | 0:24:33 | 0:24:35 | |
that prickly ash has far more promise than royal jelly. | 0:24:35 | 0:24:39 | |
Henceforth, prickly ash is all we shall use. | 0:24:39 | 0:24:42 | |
-Have you written more about the man and his wife? -All in good time. | 0:24:42 | 0:24:45 | |
Is it real? | 0:24:45 | 0:24:47 | |
Of course. Fiction is worthless. | 0:24:47 | 0:24:50 | |
The place you stopped. Why'd you want to know the wife's perfume? | 0:24:50 | 0:24:53 | |
'Cameo Rose, is it?' | 0:24:56 | 0:24:58 | |
Yes. | 0:24:58 | 0:25:00 | |
Always leaves a trace. | 0:25:09 | 0:25:11 | |
HUSHED VOICES | 0:25:51 | 0:25:54 | |
DOOR OPENS | 0:26:01 | 0:26:03 | |
DOOR CLOSES | 0:26:03 | 0:26:05 | |
-MAN: -Madame Schirmer. -KNOCKING | 0:26:30 | 0:26:32 | |
Madame Schirmer! This is Thomas Kelmot! Let me in! | 0:26:32 | 0:26:34 | |
-URGENT KNOCKING -Madame Schirmer! | 0:26:34 | 0:26:36 | |
Herr Kelmot, I did warn! | 0:26:38 | 0:26:39 | |
You come, I call the Metropolitan Police! | 0:26:39 | 0:26:43 | |
Madame, my friend's emotional state is such that, | 0:26:43 | 0:26:46 | |
if denied entry, he might not be able to restrain his passions. | 0:26:46 | 0:26:49 | |
Allow us both in, and I will take full responsibility. | 0:26:49 | 0:26:52 | |
Thank you so much. | 0:26:52 | 0:26:53 | |
-Who is this? -This gentleman is a detective. | 0:26:53 | 0:26:56 | |
-Ja? His badge, please? -His name is Mr Sherlock Holmes. | 0:26:56 | 0:27:00 | |
You don't mind if I close this, do you? Brr! Such a draught. | 0:27:00 | 0:27:04 | |
No. | 0:27:04 | 0:27:05 | |
I have seen Sherlock Holmes in the magazines. | 0:27:06 | 0:27:09 | |
With the hat and the pipe. | 0:27:09 | 0:27:11 | |
It was never this person! | 0:27:11 | 0:27:12 | |
Madame Schirmer, I saw Ann enter this place, | 0:27:12 | 0:27:14 | |
-I demand you produce her! -Your wife is not here. | 0:27:14 | 0:27:18 | |
-You said that last time! -You question my truth? | 0:27:18 | 0:27:21 | |
RATTLING | 0:27:23 | 0:27:25 | |
Oswald, my dear, | 0:27:25 | 0:27:26 | |
it is a wish to know if you are this man's wife. | 0:27:26 | 0:27:29 | |
No. | 0:27:29 | 0:27:30 | |
You could be in disguise. | 0:27:30 | 0:27:33 | |
-I don't think so. -Voila! | 0:27:33 | 0:27:35 | |
It is, I believe what the English call, a water closet. | 0:27:39 | 0:27:43 | |
She was here! | 0:27:43 | 0:27:45 | |
I saw her! | 0:27:45 | 0:27:46 | |
Mr Kelmot, if you insist on following your wife | 0:27:46 | 0:27:49 | |
when you have employed me to do the same, | 0:27:49 | 0:27:52 | |
one or the other of us will find himself made redundant. | 0:27:52 | 0:27:55 | |
-He IS distraught. -He is a fool. | 0:28:03 | 0:28:05 | |
The armonica used to be thought of as an instrument of the black arts. | 0:28:09 | 0:28:13 | |
Said to be used to call for the dead. | 0:28:15 | 0:28:17 | |
Something to do with the nature of the glasses. | 0:28:20 | 0:28:23 | |
-HE PLINKS GLASSES -You don't believe that, surely! | 0:28:23 | 0:28:26 | |
What I believe plays no part in the matter. | 0:28:26 | 0:28:29 | |
When was Mrs Kelmot last here? | 0:28:29 | 0:28:31 | |
Weeks now. | 0:28:31 | 0:28:33 | |
Then the receipts you posted to her address are for Oswald's lessons. | 0:28:33 | 0:28:37 | |
Mrs Kelmot is paying for them. | 0:28:39 | 0:28:41 | |
Frau Kelmot is passionate, | 0:28:42 | 0:28:45 | |
but an amateur. | 0:28:45 | 0:28:46 | |
She knew it was Oswald who has the gift. | 0:28:46 | 0:28:49 | |
You knew she was not here. | 0:28:50 | 0:28:52 | |
Of course. Oswald doesn't wear her scent. | 0:28:52 | 0:28:54 | |
You are still not Sherlock Holmes! | 0:28:56 | 0:28:59 | |
How considerate. | 0:29:15 | 0:29:17 | |
You waited for me. | 0:29:18 | 0:29:19 | |
What are you doing? | 0:29:43 | 0:29:45 | |
-Trying to see if I can tell where I've been. -Don't you know? | 0:29:45 | 0:29:48 | |
Mr Holmes can tell things like that just from looking at a person. | 0:29:48 | 0:29:52 | |
BELL RINGS | 0:29:52 | 0:29:54 | |
-Where are you off to? -See to the bees! | 0:29:54 | 0:29:56 | |
You'll eat your breakfast first! | 0:29:56 | 0:29:57 | |
Got a letter from your aunt the other day. | 0:30:05 | 0:30:07 | |
She says there's a couple in Portsmouth opening a hotel there. | 0:30:07 | 0:30:10 | |
Need a housekeeper. | 0:30:10 | 0:30:11 | |
Why would WE want to live in Portsmouth? | 0:30:11 | 0:30:13 | |
Can't stay here for ever. | 0:30:13 | 0:30:15 | |
-Why not? -Because we can't. -What's in Portsmouth? | 0:30:15 | 0:30:17 | |
-This couple are opening a hotel there. -You said that. | 0:30:17 | 0:30:20 | |
You'll leave the table when you're finished and not before. | 0:30:20 | 0:30:23 | |
I'm not finished. | 0:30:23 | 0:30:24 | |
You don't eat that Japanese muck! | 0:30:30 | 0:30:34 | |
It's hire sansho. | 0:30:34 | 0:30:35 | |
I know you like working with the hive. | 0:30:40 | 0:30:43 | |
-It's an apiary. -And I know you like being given the responsibility, | 0:30:43 | 0:30:46 | |
-but I shouldn't get too close. -Bees don't bite. | 0:30:46 | 0:30:48 | |
I don't mean the bees. | 0:30:48 | 0:30:49 | |
Mr Holmes won't be here for ever. | 0:30:51 | 0:30:52 | |
Your aunt says this hotel might even take you on. | 0:30:54 | 0:30:58 | |
-They got porters and... -HAVE porters. | 0:30:58 | 0:31:01 | |
Finished. | 0:31:03 | 0:31:04 | |
HE SPITS | 0:31:12 | 0:31:13 | |
Chemist delivered your things. Shall I have Roger open the crate? | 0:31:16 | 0:31:20 | |
No, no. I'll see to it when I'm done here. | 0:31:20 | 0:31:23 | |
Yes, sir. | 0:31:23 | 0:31:25 | |
Sir. | 0:31:28 | 0:31:29 | |
I know Roger's been a help to you. He's a good boy. | 0:31:31 | 0:31:35 | |
He's always been clever. | 0:31:35 | 0:31:37 | |
His dad and I weren't the sort to know the things | 0:31:37 | 0:31:39 | |
a boy like Roger takes interest in. | 0:31:39 | 0:31:41 | |
Exceptional children are often the product of unremarkable parents. | 0:31:41 | 0:31:45 | |
I've got a sister, she lives in Portsmouth. | 0:31:49 | 0:31:51 | |
A couple of her acquaintance are opening a private hotel there, | 0:31:52 | 0:31:55 | |
-say they're willing to take Roger and me on. -You have a sister? | 0:31:55 | 0:31:59 | |
Never would have thought it... | 0:32:01 | 0:32:02 | |
Is this a matter of wages? | 0:32:04 | 0:32:06 | |
No. | 0:32:06 | 0:32:07 | |
I shall take this under advisement. | 0:32:15 | 0:32:18 | |
HE GROANS | 0:32:26 | 0:32:28 | |
TRAIN WHISTLE BLOWS | 0:32:47 | 0:32:49 | |
INDISTINCT TANNOY ANNOUNCMENTS IN JAPANESE | 0:32:49 | 0:32:51 | |
My mother was sad to see you leave. | 0:32:51 | 0:32:53 | |
I'm rather sorry now I didn't bring the deerstalker. | 0:32:53 | 0:32:56 | |
-You said you never wore one. -Yes, but it would've pleased her. | 0:32:56 | 0:33:00 | |
She wanted the fictional. You are the real. | 0:33:00 | 0:33:02 | |
Oh, I'm not sure that's true. | 0:33:03 | 0:33:05 | |
I think I WAS real once. | 0:33:05 | 0:33:07 | |
Until John made me into a fiction. | 0:33:07 | 0:33:10 | |
After that, I had little choice. | 0:33:10 | 0:33:11 | |
I played the part as he'd fashioned it, or become its contradiction. | 0:33:11 | 0:33:16 | |
I'm actually quite fond of a pipe, | 0:33:17 | 0:33:19 | |
but to smoke it, especially in public, | 0:33:19 | 0:33:21 | |
after it became so well-known a prop... | 0:33:21 | 0:33:24 | |
..seemed vulgar. | 0:33:26 | 0:33:27 | |
So, Dr Watson's imagination changed you? | 0:33:27 | 0:33:30 | |
I've never had much use for imagination. | 0:33:30 | 0:33:33 | |
I prefer facts. | 0:33:33 | 0:33:35 | |
My father would bring me here as a child. | 0:33:58 | 0:34:01 | |
It was designed as a miniature. | 0:34:02 | 0:34:04 | |
We walk as giants. | 0:34:04 | 0:34:06 | |
The stones represent the lives of those he has lost. | 0:34:10 | 0:34:14 | |
Sherlock-san! | 0:34:29 | 0:34:31 | |
Hire sansho? | 0:34:38 | 0:34:40 | |
Prickly ash! | 0:34:40 | 0:34:41 | |
HE SNORES | 0:34:51 | 0:34:52 | |
HE SIGHS | 0:34:52 | 0:34:55 | |
DOOR OPENS | 0:35:06 | 0:35:08 | |
-Mr Holmes! -Hm? | 0:35:09 | 0:35:11 | |
Too late to check on the bees? | 0:35:11 | 0:35:13 | |
Not in the least. | 0:35:13 | 0:35:15 | |
Bee check! | 0:35:17 | 0:35:19 | |
BEES BUZZ | 0:35:27 | 0:35:31 | |
-They're quiet. -Yes. | 0:35:32 | 0:35:34 | |
What happens when the bees die? | 0:35:36 | 0:35:38 | |
HE CHUCKLES Is this a metaphysical question? | 0:35:38 | 0:35:42 | |
I mean, do you mourn them? | 0:35:42 | 0:35:43 | |
Oh, I can't say I've ever mourned the dead, bees or otherwise. | 0:35:44 | 0:35:48 | |
I concentrate on circumstances. | 0:35:48 | 0:35:50 | |
How did it die? Who was responsible? | 0:35:50 | 0:35:52 | |
Death, grieving, | 0:35:52 | 0:35:55 | |
mourning, they're all commonplace. | 0:35:55 | 0:35:58 | |
Logic is rare. And so... | 0:35:58 | 0:35:59 | |
..I dwell on logic. | 0:36:02 | 0:36:04 | |
Well, thank you, kind sir. | 0:36:07 | 0:36:09 | |
-Night, bees. -Sweet dreams, bees. | 0:36:10 | 0:36:13 | |
-Now, what do you say we go for a dip tomorrow? -In the sea? -Yeah. | 0:36:17 | 0:36:22 | |
-It'll be brisk. -Good for the blood. | 0:36:22 | 0:36:24 | |
-All right, then. -HOLMES LAUGHS | 0:36:25 | 0:36:27 | |
What sort of books do you like? | 0:36:28 | 0:36:32 | |
Apart from Dr Watson's stories, | 0:36:32 | 0:36:35 | |
-and books about bees. -Well, those are all the books I have. | 0:36:35 | 0:36:39 | |
Well, there's a perfectly good library right here inside. | 0:36:39 | 0:36:43 | |
You can take any book you like. | 0:36:43 | 0:36:45 | |
SHEEP BLEAT | 0:36:47 | 0:36:50 | |
Mr Holmes? | 0:37:04 | 0:37:06 | |
Are we going for our swim? | 0:37:06 | 0:37:08 | |
I've already seen to the apiary. | 0:37:14 | 0:37:16 | |
Are you all right? | 0:37:18 | 0:37:20 | |
I'm perfectly... | 0:37:21 | 0:37:23 | |
I'm quite... | 0:37:23 | 0:37:24 | |
Perfectly fine. | 0:37:25 | 0:37:26 | |
All right...Roger. | 0:37:33 | 0:37:35 | |
You go along. I'll catch you up. | 0:37:39 | 0:37:41 | |
HE SIGHS | 0:37:44 | 0:37:46 | |
Roger! Come along, or we'll lose the day! | 0:37:53 | 0:37:57 | |
HE PANTS | 0:37:57 | 0:37:59 | |
-The photograph is her, isn't it? The woman in the story. -Yes. | 0:38:21 | 0:38:26 | |
Is she why you're writing it? | 0:38:27 | 0:38:29 | |
I wouldn't say I was writing it, it's more I'm trying to remember it. | 0:38:29 | 0:38:34 | |
Thank you. | 0:38:35 | 0:38:37 | |
A few months ago, my brother Mycroft died. | 0:38:37 | 0:38:41 | |
'His club, the Diogenes, | 0:38:42 | 0:38:45 | |
'asked that I go up to London to retrieve his things. | 0:38:45 | 0:38:49 | |
'I was given a small chest. | 0:38:54 | 0:38:57 | |
'Containing the Watson stories. | 0:38:57 | 0:38:59 | |
'None of which I'd ever actually read. | 0:38:59 | 0:39:02 | |
'They were as John always described them. | 0:39:04 | 0:39:07 | |
'Penny dreadfuls with an elevated prose style. | 0:39:07 | 0:39:11 | |
'But one of the titles piqued my interest. | 0:39:11 | 0:39:14 | |
'The story was familiar, but its ending felt very, very wrong. | 0:39:14 | 0:39:18 | |
'I had not seen any of the cinematic depictions. | 0:39:20 | 0:39:24 | |
'But, by a fortunate chance, an opportunity soon arose. | 0:39:24 | 0:39:28 | |
'Strange to see a semblance of one's self 40 feet high.' | 0:39:28 | 0:39:31 | |
I fear for my Ann's sanity. | 0:39:31 | 0:39:34 | |
Fear for her sanity? | 0:39:34 | 0:39:36 | |
Dear man, you should fear for your life. | 0:39:37 | 0:39:39 | |
Whatever do you mean? | 0:39:40 | 0:39:41 | |
Murder, Mr Kelmot. | 0:39:43 | 0:39:46 | |
Murder! | 0:39:46 | 0:39:47 | |
'And played as a character out of pantomime.' | 0:39:47 | 0:39:50 | |
Poisoned? | 0:39:50 | 0:39:51 | |
With what means, have I? | 0:39:51 | 0:39:53 | |
Your armonica, Madame Schirmer. | 0:39:53 | 0:39:56 | |
SHE SCOFFS | 0:39:56 | 0:39:57 | |
Preposterous! | 0:39:57 | 0:39:58 | |
Or rather, the glasses. | 0:39:58 | 0:40:01 | |
It is the lead in the crystal that creates the unique tone, | 0:40:01 | 0:40:04 | |
absorbed into the blood through the skin, | 0:40:04 | 0:40:06 | |
small exposure can produce confusion, hallucinations. | 0:40:06 | 0:40:09 | |
But constant, obsessive contact can end in insanity... | 0:40:09 | 0:40:15 | |
and death. | 0:40:15 | 0:40:16 | |
'Every plot twist came with the twirl of a moustache | 0:40:16 | 0:40:19 | |
'and ended in an exclamation mark.' | 0:40:19 | 0:40:21 | |
Our would-be murderer is ingenious. | 0:40:23 | 0:40:25 | |
Surely you're not referring to...? | 0:40:25 | 0:40:28 | |
I'm afraid, Mrs Kelmot, | 0:40:28 | 0:40:29 | |
you'll have to find yourself a new music teacher. | 0:40:29 | 0:40:32 | |
Absolute rubbish! | 0:40:54 | 0:40:56 | |
What possible motive could that German woman have had to kill Ann? | 0:40:56 | 0:41:00 | |
'That night I searched for something to jog my memory of the actual case. | 0:41:03 | 0:41:07 | |
'And there it was. | 0:41:10 | 0:41:11 | |
'A picture.' | 0:41:13 | 0:41:14 | |
You know, a few years ago, | 0:41:16 | 0:41:17 | |
I could've told you everything about the woman in that photograph. | 0:41:17 | 0:41:21 | |
Certainly, I'd recall what had become of her, | 0:41:21 | 0:41:24 | |
whether she was victim or culprit. | 0:41:24 | 0:41:26 | |
But that night... | 0:41:26 | 0:41:27 | |
..I couldn't remember any of it. | 0:41:30 | 0:41:32 | |
All I knew for certain was that the case was my last. | 0:41:33 | 0:41:36 | |
And it was why I left the profession, | 0:41:36 | 0:41:38 | |
came down here, retired to my bees. | 0:41:38 | 0:41:41 | |
So, I decided to write the story down on paper. | 0:41:43 | 0:41:48 | |
As it was, | 0:41:48 | 0:41:50 | |
not as John made it. | 0:41:50 | 0:41:52 | |
Get it right before I die. | 0:41:53 | 0:41:55 | |
You're not going to die. | 0:41:55 | 0:41:57 | |
Roger...! HE LAUGHS | 0:41:57 | 0:41:59 | |
..I'm 93! | 0:41:59 | 0:42:01 | |
I had a great uncle who lived to be 102. | 0:42:01 | 0:42:04 | |
Well, then, that seals my fate. | 0:42:04 | 0:42:06 | |
What are the odds that you would know two men who would live that long? | 0:42:06 | 0:42:10 | |
Well, I didn't actually KNOW him... | 0:42:10 | 0:42:13 | |
HE CHUCKLES | 0:42:15 | 0:42:17 | |
I'll see to the bees. | 0:42:22 | 0:42:23 | |
Ow! Mr Holmes! | 0:42:29 | 0:42:30 | |
Mr Holmes! | 0:42:30 | 0:42:32 | |
Agh, I've been stung! | 0:42:34 | 0:42:36 | |
Unlike the wasp, the bee always leaves its sting. | 0:42:36 | 0:42:41 | |
I must've done something stupid. | 0:42:41 | 0:42:44 | |
Oh, no. Sometimes... there's no reason at all. | 0:42:44 | 0:42:48 | |
There you go. | 0:42:48 | 0:42:50 | |
Salt water. | 0:42:50 | 0:42:51 | |
You drink that. | 0:42:51 | 0:42:52 | |
Or onion juice to prevent serious consequences. | 0:42:52 | 0:42:57 | |
And...no need to tell your mother about all this, | 0:42:57 | 0:43:01 | |
we don't want to worry her, do we? | 0:43:01 | 0:43:03 | |
You going to go back to the story? | 0:43:03 | 0:43:05 | |
Is that the price for your silence? | 0:43:06 | 0:43:08 | |
Tight lips. | 0:43:08 | 0:43:09 | |
OWL HOOTS | 0:43:20 | 0:43:23 | |
HE SIGHS | 0:43:27 | 0:43:29 | |
HE TAPS PEN | 0:43:33 | 0:43:36 | |
Mmm... | 0:43:43 | 0:43:45 | |
'How considerate.' | 0:43:59 | 0:44:01 | |
You waited for me. | 0:44:01 | 0:44:03 | |
Good afternoon. | 0:44:24 | 0:44:26 | |
-Sir? -Tea for one in the window. -Certainly, sir. Mind the step. | 0:44:27 | 0:44:30 | |
-Ill, you say? -It took all the strength he had | 0:44:44 | 0:44:47 | |
just to write out the cheque. | 0:44:47 | 0:44:49 | |
HE CLEARS THROAT | 0:44:49 | 0:44:51 | |
-There you are, sir. -Thank you. | 0:45:10 | 0:45:12 | |
Well, here we are. | 0:45:12 | 0:45:15 | |
Have you used this before? | 0:45:16 | 0:45:19 | |
-No, I haven't. -It is highly poisonous. | 0:45:19 | 0:45:21 | |
A drop will more than suffice. | 0:45:21 | 0:45:24 | |
Thank you. | 0:45:24 | 0:45:25 | |
It's just...Thomas is in such a state. | 0:45:43 | 0:45:45 | |
He insisted I made certain. | 0:45:45 | 0:45:47 | |
Reassure Mr Kelmot that the particulars of the will | 0:45:47 | 0:45:50 | |
have not changed since he dictated them. | 0:45:50 | 0:45:53 | |
Your possessions are bequeathed to him, as his are to you. | 0:45:53 | 0:45:57 | |
-Excuse me. -Yes, miss? | 0:46:12 | 0:46:13 | |
Is the 8:10 the fast service? | 0:46:13 | 0:46:15 | |
The 8:10's a slow one, makes local stops. | 0:46:15 | 0:46:18 | |
And the 9:05? | 0:46:18 | 0:46:20 | |
That's the fast train, goes right on through. | 0:46:20 | 0:46:22 | |
-All aboard! -Thank you. | 0:46:22 | 0:46:24 | |
All aboard! | 0:46:24 | 0:46:25 | |
BEE BUZZES | 0:47:31 | 0:47:32 | |
Honeybees are attracted to you. | 0:47:37 | 0:47:39 | |
It's the scent. | 0:47:41 | 0:47:43 | |
Cameo Rose. | 0:47:43 | 0:47:44 | |
Oh! | 0:47:44 | 0:47:46 | |
(She thinks you're a flower.) | 0:47:46 | 0:47:47 | |
Must confuse the little thing no end. | 0:47:49 | 0:47:51 | |
May I? | 0:47:53 | 0:47:54 | |
Oh. | 0:47:55 | 0:47:56 | |
Very kind. | 0:47:58 | 0:48:00 | |
Ah, the iris. | 0:48:02 | 0:48:04 | |
Amazing resilience. | 0:48:04 | 0:48:05 | |
Enough light and they will grow in the most uninhabitable regions. | 0:48:05 | 0:48:09 | |
Desert, cold, rock. | 0:48:09 | 0:48:12 | |
Why do you suppose it is that something | 0:48:12 | 0:48:13 | |
as small and insignificant as the iris | 0:48:13 | 0:48:16 | |
should be so much stronger than we are? | 0:48:16 | 0:48:18 | |
Perhaps they're less affected by what goes on around them. | 0:48:18 | 0:48:22 | |
Are you a botanist? | 0:48:25 | 0:48:27 | |
Amateur only. | 0:48:27 | 0:48:28 | |
I am, by disposition, a hobbyist. | 0:48:29 | 0:48:32 | |
In fact, | 0:48:32 | 0:48:33 | |
if I may, | 0:48:33 | 0:48:34 | |
there is one particular hobby of mine | 0:48:34 | 0:48:37 | |
that might amuse you. | 0:48:37 | 0:48:38 | |
I can see the future. | 0:48:41 | 0:48:42 | |
Shall I read your palm? | 0:48:46 | 0:48:47 | |
I promise I'll find nothing dreadful. | 0:48:49 | 0:48:51 | |
What about our friend? | 0:48:57 | 0:48:59 | |
-BEE BUZZES -Oh. | 0:49:09 | 0:49:11 | |
HOLMES LAUGHS | 0:49:16 | 0:49:18 | |
HE MURMURS | 0:49:23 | 0:49:26 | |
Your parents are gone. | 0:49:31 | 0:49:32 | |
Your mother long ago, | 0:49:34 | 0:49:36 | |
your father more recently. | 0:49:36 | 0:49:38 | |
You had love in your heart for someone... | 0:49:38 | 0:49:41 | |
No, | 0:49:42 | 0:49:44 | |
for more than one person, | 0:49:44 | 0:49:46 | |
but they have left you, | 0:49:46 | 0:49:48 | |
and your love for them | 0:49:48 | 0:49:50 | |
has nowhere to go. | 0:49:50 | 0:49:53 | |
You are in pain, | 0:49:53 | 0:49:55 | |
but you must not allow your pain to guide your actions. | 0:49:55 | 0:49:59 | |
Where that leads... | 0:49:59 | 0:50:00 | |
..the lines are not so distinct. | 0:50:01 | 0:50:03 | |
Why? | 0:50:03 | 0:50:05 | |
I beg your pardon? | 0:50:05 | 0:50:06 | |
You can see so much... | 0:50:06 | 0:50:07 | |
..why can't you see what happens next? | 0:50:09 | 0:50:11 | |
The lines. | 0:50:11 | 0:50:13 | |
Yes, you said. | 0:50:13 | 0:50:15 | |
Play your parlour tricks elsewhere, Mr Holmes. | 0:50:19 | 0:50:22 | |
Wait. | 0:50:28 | 0:50:29 | |
Wait. | 0:50:31 | 0:50:32 | |
I can't... | 0:50:38 | 0:50:39 | |
I can't remember. | 0:50:43 | 0:50:45 | |
Mum! Mum! | 0:51:35 | 0:51:38 | |
Was it the smoke knocked him out? | 0:51:59 | 0:52:01 | |
Could have done. | 0:52:01 | 0:52:02 | |
Most likely, he stood up too quickly and lost consciousness. | 0:52:02 | 0:52:05 | |
It isn't the first time. | 0:52:05 | 0:52:07 | |
The last housekeeper didn't know what to do. | 0:52:07 | 0:52:10 | |
He must have decided to take it subcutaneously. | 0:52:14 | 0:52:17 | |
Now we can't leave. | 0:52:55 | 0:52:57 | |
No. | 0:52:57 | 0:52:58 | |
Made sure of that, didn't he? | 0:52:58 | 0:53:00 | |
BELL RINGS | 0:53:06 | 0:53:07 | |
Where's the hire sansho? | 0:53:15 | 0:53:17 | |
The prickly ash. | 0:53:18 | 0:53:20 | |
If it's not there, I'm sure I don't know. | 0:53:20 | 0:53:22 | |
Did you throw it out? | 0:53:22 | 0:53:24 | |
Why would I do that? | 0:53:24 | 0:53:26 | |
For spite and malice. | 0:53:26 | 0:53:27 | |
Where d'you get words like that? | 0:53:30 | 0:53:32 | |
The dictionary. | 0:53:32 | 0:53:34 | |
Like as not, he took the muck himself. | 0:53:34 | 0:53:36 | |
Got burnt up with the rest of it. | 0:53:36 | 0:53:38 | |
Those can go in the fire. | 0:53:38 | 0:53:39 | |
Did Mr Holmes say you were to do this? | 0:53:39 | 0:53:42 | |
He always disposes of that sort. | 0:53:42 | 0:53:44 | |
How do you know what sort these are? | 0:53:44 | 0:53:46 | |
You want to know who writes him? | 0:53:46 | 0:53:47 | |
Pensioners who think they've solved Jack the Ripper. | 0:53:47 | 0:53:50 | |
Widows who've lost their cats | 0:53:50 | 0:53:51 | |
and just know he's the only man on earth who can find them. | 0:53:51 | 0:53:54 | |
He's the last resort for every lunatic out there! | 0:53:54 | 0:53:56 | |
-It's not your decision! -It is... | 0:53:56 | 0:53:58 | |
if I'm to be a full-bore medical staff at cook's wages! | 0:53:58 | 0:54:01 | |
He's an invalid. | 0:54:01 | 0:54:02 | |
Needs a nurse, not a housekeeper. | 0:54:02 | 0:54:04 | |
All he did was took a fall. | 0:54:04 | 0:54:06 | |
Your grandad was hale and hearty 60 summers, | 0:54:06 | 0:54:08 | |
then he took a fall. It was three weeks to the day he died. | 0:54:08 | 0:54:11 | |
Should be in hospital. That or one of them places. | 0:54:11 | 0:54:13 | |
He'll get better! | 0:54:13 | 0:54:15 | |
And the day he does... | 0:54:15 | 0:54:16 | |
is the day we go. Is that clear? | 0:54:16 | 0:54:18 | |
HE CLEARS HIS THROAT | 0:54:36 | 0:54:38 | |
Got a letter from Japan. | 0:54:42 | 0:54:44 | |
It's from Mr Umezaki. | 0:54:44 | 0:54:46 | |
-Have you read it? -No. | 0:54:48 | 0:54:50 | |
Wanted to. | 0:54:50 | 0:54:51 | |
Sin of desire. You're a Catholic! | 0:54:51 | 0:54:54 | |
HOLMES GRUNTS | 0:54:56 | 0:54:57 | |
HE GROANS | 0:55:02 | 0:55:03 | |
Mum says you throw out most of the letters you get. | 0:55:06 | 0:55:08 | |
And why do you think that is? | 0:55:08 | 0:55:10 | |
The people who write want you to solve things. | 0:55:10 | 0:55:12 | |
If you read their letters, you'd want to help. | 0:55:12 | 0:55:14 | |
Oh, no, you give me too much credit. | 0:55:14 | 0:55:17 | |
It's just that if I were to read them I'd feel obliged to respond. | 0:55:17 | 0:55:21 | |
Perhaps Mr Umezaki's asking you to go back to Japan. | 0:55:22 | 0:55:26 | |
Oh... | 0:55:26 | 0:55:27 | |
I'll never go back to Japan. | 0:55:28 | 0:55:30 | |
-Why not? -Long journey, old man! | 0:55:30 | 0:55:32 | |
You made it before. | 0:55:34 | 0:55:35 | |
That was before. | 0:55:35 | 0:55:37 | |
Maybe you could get more prickly ash. | 0:55:40 | 0:55:42 | |
The prickly ash hasn't made a bit of difference to my memory, | 0:55:42 | 0:55:46 | |
any more than the royal jelly did. | 0:55:46 | 0:55:49 | |
Yes... | 0:55:49 | 0:55:50 | |
The only inspiration for any sort of recollection has been you. | 0:55:51 | 0:55:54 | |
Go on. You open it. | 0:55:58 | 0:55:59 | |
He's writing to say his mother is dead. | 0:55:59 | 0:56:02 | |
How could you tell? | 0:56:07 | 0:56:08 | |
Mr Umezaki swore that he would never contact me again. | 0:56:08 | 0:56:11 | |
The only thing that would make him change his mind | 0:56:12 | 0:56:14 | |
would be a deathbed instruction from his mother. | 0:56:14 | 0:56:17 | |
A good son always does what his mother asks. | 0:56:17 | 0:56:21 | |
Mr Holmes! | 0:56:25 | 0:56:26 | |
You are not to be out of bed. | 0:56:27 | 0:56:29 | |
Mrs Munro, I have counted the steps | 0:56:30 | 0:56:33 | |
from the bed to the window, from the window to the lavatory. | 0:56:33 | 0:56:36 | |
You're not to do anything on your own! You're to ring. | 0:56:36 | 0:56:39 | |
I thought it was an imposition. | 0:56:40 | 0:56:42 | |
It'll be an imposition if you lose your bearings | 0:56:42 | 0:56:44 | |
and end up on the floor for me to collect! | 0:56:44 | 0:56:46 | |
I hadn't realised that this had become an industrial dispute. | 0:56:46 | 0:56:49 | |
FAINT JAPANESE PIPE MUSIC PLAYS | 0:57:11 | 0:57:14 | |
I've been trying to calculate the likelihood | 0:57:20 | 0:57:22 | |
that we should find hire sansho | 0:57:22 | 0:57:24 | |
in a place so utterly devoid of life. | 0:57:24 | 0:57:27 | |
Perhaps it is life re-asserting itself. | 0:57:27 | 0:57:29 | |
Hire sansho. | 0:57:34 | 0:57:35 | |
How does it taste? | 0:57:44 | 0:57:46 | |
T'isn't for the taste we sought it. | 0:57:48 | 0:57:50 | |
UMEZAKI CHUCKLES | 0:57:50 | 0:57:52 | |
HOLMES COUGHS LOUDLY | 0:57:55 | 0:57:57 | |
UMEZAKI COUGHS LOUDLY | 0:57:57 | 0:57:59 | |
Ah, now, before we leave, there's something that I mustn't forget. | 0:58:03 | 0:58:07 | |
I've signed it, as you requested. | 0:58:09 | 0:58:12 | |
Ohh! | 0:58:12 | 0:58:13 | |
Not certain you can... | 0:58:14 | 0:58:15 | |
..read my scrawl. | 0:58:16 | 0:58:18 | |
"To Mr Umezaki, who has not owned this book for long..." | 0:58:19 | 0:58:24 | |
You haven't had this book for 20 years. It came from a library. | 0:58:25 | 0:58:28 | |
The glue mark shows where you removed the card jacket. | 0:58:29 | 0:58:32 | |
You know nothing about bees or royal jelly... | 0:58:32 | 0:58:35 | |
or prickly ash! | 0:58:35 | 0:58:37 | |
Enough to bring you here. | 0:58:38 | 0:58:39 | |
During our correspondence over the last few months, | 0:58:41 | 0:58:44 | |
was my name not familiar to you? | 0:58:44 | 0:58:46 | |
No. | 0:58:46 | 0:58:47 | |
My father's then? | 0:58:47 | 0:58:49 | |
Masuo Umezaki? | 0:58:49 | 0:58:51 | |
I never knew your father. | 0:58:51 | 0:58:52 | |
He was a diplomat in London. | 0:58:52 | 0:58:54 | |
Years ago. | 0:58:54 | 0:58:55 | |
He loved all things English. | 0:58:56 | 0:58:58 | |
The first gift he gave to me was a cricket bat. | 0:58:59 | 0:59:02 | |
The second was this. | 0:59:04 | 0:59:05 | |
In English, so as to... | 0:59:07 | 0:59:09 | |
assist my education. | 0:59:09 | 0:59:11 | |
"After consulting with the very great detective Sherlock Holmes, | 0:59:24 | 0:59:29 | |
"I realised it's in the best interest of us all | 0:59:29 | 0:59:32 | |
"that I remain in England indefinitely. | 0:59:32 | 0:59:35 | |
"You will see from this book that he is a very wise and intelligent man, | 0:59:35 | 0:59:40 | |
"and that his say in this matter should not be taken lightly." | 0:59:40 | 0:59:43 | |
We never heard from him again. | 0:59:44 | 0:59:46 | |
I'm sorry. | 0:59:46 | 0:59:47 | |
My mother is dying. | 0:59:47 | 0:59:49 | |
She grew old without a husband, | 0:59:49 | 0:59:52 | |
all because of you. | 0:59:52 | 0:59:53 | |
HOLMES SIGHS | 0:59:56 | 0:59:58 | |
I understand. | 1:00:00 | 1:00:02 | |
The last time you heard from your father | 1:00:02 | 1:00:04 | |
was the first time you heard about me. | 1:00:04 | 1:00:06 | |
Masuo vanished from your life and I arrived... | 1:00:07 | 1:00:11 | |
..in the form of a book. | 1:00:12 | 1:00:14 | |
One replaced the other, as it were. | 1:00:14 | 1:00:15 | |
I suggest you and your mother take whatever time you have | 1:00:17 | 1:00:20 | |
to come to terms with the facts of the case. | 1:00:20 | 1:00:22 | |
A man abandoned his family, and wrote his son a story. | 1:00:22 | 1:00:26 | |
He wouldn't be the first to cloak his cowardice | 1:00:27 | 1:00:29 | |
in a flag of sacrifice. | 1:00:29 | 1:00:31 | |
I'm sorry... | 1:00:35 | 1:00:36 | |
..but I never knew your father. | 1:00:39 | 1:00:41 | |
I shall not bother you any longer with my questions. | 1:00:48 | 1:00:50 | |
But if the prickly ash succeeds, | 1:00:51 | 1:00:54 | |
you will let me know? | 1:00:54 | 1:00:55 | |
Hmm! | 1:01:05 | 1:01:06 | |
HE WHEEZES | 1:01:20 | 1:01:21 | |
HE GROANS GLASS SHATTERS | 1:01:23 | 1:01:25 | |
Aah! | 1:01:25 | 1:01:26 | |
FEEBLY: Help! | 1:01:29 | 1:01:30 | |
(Help...) | 1:01:32 | 1:01:33 | |
HE GRUNTS | 1:01:39 | 1:01:40 | |
Oh, thank you. | 1:01:40 | 1:01:42 | |
I look like I've been attacked by the hound of the Baskervilles. | 1:01:42 | 1:01:46 | |
Can't let Mum see you wearing that top. | 1:01:48 | 1:01:50 | |
-It's evidence. -Yes. | 1:01:51 | 1:01:53 | |
What of? | 1:01:54 | 1:01:55 | |
A murder! | 1:01:55 | 1:01:56 | |
Ooh. | 1:01:59 | 1:02:00 | |
I've something for you. | 1:02:00 | 1:02:02 | |
Apis cerana Japonica. | 1:02:09 | 1:02:11 | |
They have bees in Japan? | 1:02:13 | 1:02:14 | |
Yes, just like our bees, only Japanese. | 1:02:14 | 1:02:17 | |
No, it's for you, it's a gift. | 1:02:19 | 1:02:20 | |
Oh! | 1:02:21 | 1:02:23 | |
-Thank you. -Arigato, they say in Japan. | 1:02:23 | 1:02:25 | |
Something the matter? | 1:02:30 | 1:02:32 | |
We lost another dozen bees today. | 1:02:35 | 1:02:37 | |
A dozen? | 1:02:37 | 1:02:38 | |
What do you think it is? | 1:02:38 | 1:02:40 | |
An outbreak of mortality. | 1:02:40 | 1:02:41 | |
Could be a disease we've not seen before, or... | 1:02:42 | 1:02:46 | |
a sudden mutation. | 1:02:46 | 1:02:48 | |
You bring up some corpses and we'll examine them. | 1:02:48 | 1:02:51 | |
Yes, sir! | 1:02:51 | 1:02:53 | |
And my glass. Study. Should be in one of the drawers. | 1:02:53 | 1:02:56 | |
Roger? | 1:03:39 | 1:03:40 | |
Roger? | 1:03:53 | 1:03:55 | |
Mr Holmes feels better today. | 1:04:04 | 1:04:05 | |
That so? | 1:04:06 | 1:04:08 | |
HOLMES MUMBLES ASSENT | 1:04:08 | 1:04:09 | |
Mr Holmes feels so much better, | 1:04:09 | 1:04:11 | |
we're about to start an investigation. | 1:04:11 | 1:04:13 | |
Of what? | 1:04:15 | 1:04:16 | |
The crimewave that has done away with | 1:04:16 | 1:04:18 | |
a number of our apiary's most prominent residents. | 1:04:18 | 1:04:21 | |
Well...! | 1:04:22 | 1:04:24 | |
If you need suspects, you know where to find me. | 1:04:24 | 1:04:26 | |
Mum, wait. | 1:04:26 | 1:04:28 | |
I bet if we asked, Mr Holmes would, erm... | 1:04:28 | 1:04:31 | |
do his thing. | 1:04:31 | 1:04:32 | |
The thing he does when he tells people who they are | 1:04:33 | 1:04:35 | |
and where they've been, just from looking. | 1:04:35 | 1:04:37 | |
Do Mum for her. | 1:04:39 | 1:04:40 | |
I'm sure your mother doesn't need to be told where she's been. | 1:04:40 | 1:04:43 | |
Stop bothering Mr Holmes with any foolishness. | 1:04:44 | 1:04:46 | |
It's not foolishness! | 1:04:46 | 1:04:47 | |
Here. | 1:04:47 | 1:04:49 | |
You come and stand in front of Mr Holmes, just like that. | 1:04:49 | 1:04:53 | |
And he'll tell you where you've been. | 1:04:53 | 1:04:55 | |
Do it. | 1:04:57 | 1:04:58 | |
You want her to turn in a circle? | 1:05:00 | 1:05:02 | |
No, that won't be necessary. | 1:05:02 | 1:05:04 | |
Turn in a circle. | 1:05:04 | 1:05:05 | |
You've been away most of the day. | 1:05:28 | 1:05:30 | |
The soot on your dress attests that you went by train to Portsmouth... | 1:05:30 | 1:05:34 | |
as all other nearby rail lines that might accommodate | 1:05:34 | 1:05:37 | |
a return trip of this length are under repair or... | 1:05:37 | 1:05:41 | |
beyond it. | 1:05:41 | 1:05:43 | |
In Portsmouth, you met the couple who run the hotel. | 1:05:43 | 1:05:45 | |
Your hair and nails are evidence | 1:05:46 | 1:05:48 | |
that you wished to make a favourable impression. | 1:05:48 | 1:05:50 | |
They made you an offer, you accepted. | 1:05:50 | 1:05:53 | |
You declined tea, and did not see the sister, | 1:05:53 | 1:05:55 | |
for whom you have no particular fondness, | 1:05:55 | 1:05:57 | |
using my indisposition as an excuse to hurry back. | 1:05:57 | 1:06:02 | |
Wasn't an excuse. | 1:06:03 | 1:06:05 | |
You accepted? | 1:06:05 | 1:06:06 | |
Start a week Monday. | 1:06:09 | 1:06:10 | |
Both of us? | 1:06:11 | 1:06:13 | |
We're both going! | 1:06:13 | 1:06:14 | |
She wants me to be a boot black! | 1:06:14 | 1:06:15 | |
Roger! | 1:06:15 | 1:06:16 | |
She wants me to do what she does! | 1:06:16 | 1:06:19 | |
There is no shame in what I do! | 1:06:19 | 1:06:20 | |
You complain enough about it! | 1:06:20 | 1:06:22 | |
Always going on about how hard things are, | 1:06:22 | 1:06:23 | |
and how you wish you had it better. | 1:06:23 | 1:06:25 | |
-She can barely read! -SHE GASPS | 1:06:25 | 1:06:27 | |
Go after her. | 1:06:36 | 1:06:37 | |
Apologise for saying things that were meant to hurt. | 1:06:37 | 1:06:41 | |
You were cruel! | 1:06:41 | 1:06:43 | |
If you don't apologise, | 1:06:43 | 1:06:45 | |
you will regret it. | 1:06:45 | 1:06:47 | |
People always say that. | 1:06:47 | 1:06:48 | |
Because it's true. | 1:06:48 | 1:06:49 | |
Moi je regrette tellement... | 1:06:49 | 1:06:51 | |
YOU regret? | 1:06:51 | 1:06:53 | |
So much! | 1:06:53 | 1:06:55 | |
Your dad hated what he did for a living. | 1:07:16 | 1:07:18 | |
Mechanic in a garage, like his dad before him. | 1:07:18 | 1:07:22 | |
When he got called up, he said to me, | 1:07:22 | 1:07:24 | |
"My love, I'll not spend this war underneath the oil pan of some toff's Jeep. | 1:07:24 | 1:07:28 | |
"I'm going to put in for the RAF." | 1:07:28 | 1:07:30 | |
So he did. | 1:07:32 | 1:07:33 | |
He trained... | 1:07:34 | 1:07:35 | |
..scored high marks. | 1:07:37 | 1:07:38 | |
Got assigned to a Bristol Blenheim, Mark IV. | 1:07:38 | 1:07:41 | |
Blown out of the sky... | 1:07:42 | 1:07:43 | |
..first time up. | 1:07:45 | 1:07:46 | |
All his mates who worked the motor pool | 1:07:48 | 1:07:51 | |
came home without a scratch. | 1:07:51 | 1:07:52 | |
I shouldn't have said what I said. | 1:07:54 | 1:07:56 | |
Lesson there, then. | 1:07:58 | 1:07:59 | |
Don't say everything you think. | 1:08:01 | 1:08:02 | |
Look. | 1:08:17 | 1:08:18 | |
Where did you find that? | 1:08:25 | 1:08:26 | |
In your desk. | 1:08:26 | 1:08:28 | |
Couldn't have. | 1:08:29 | 1:08:31 | |
The one in the corner. | 1:08:31 | 1:08:32 | |
Didn't know it was a desk, until I opened it. | 1:08:32 | 1:08:34 | |
That's not my desk, it's John's. | 1:08:34 | 1:08:37 | |
He left it at Baker Street when he went off to be married. | 1:08:37 | 1:08:40 | |
Yes, and there's a secret compartment | 1:08:41 | 1:08:43 | |
containing the very glove you've been writing about! | 1:08:43 | 1:08:46 | |
I know you say Dr Watson didn't always get things right, | 1:08:47 | 1:08:49 | |
-but in the story... -I am not working on that story any more. | 1:08:49 | 1:08:52 | |
Yes, but in Watson's story, | 1:08:52 | 1:08:53 | |
he does have the armonica in it. | 1:08:53 | 1:08:54 | |
And the German lady, and that glove. | 1:08:54 | 1:08:56 | |
So maybe he did get things right. | 1:08:56 | 1:08:58 | |
HE SNORTS Erm, that's not possible. | 1:08:58 | 1:09:00 | |
John had gone from Baker Street by then. | 1:09:00 | 1:09:01 | |
Well, then why was it in there?! | 1:09:01 | 1:09:03 | |
I don't know! | 1:09:03 | 1:09:04 | |
And if I ever did know, I don't remember. | 1:09:04 | 1:09:07 | |
If you can't remember, | 1:09:07 | 1:09:08 | |
why couldn't the case have been a success like Dr Watson wrote it? | 1:09:08 | 1:09:11 | |
Because it was my last case, | 1:09:11 | 1:09:13 | |
and if I'd brought it to a successful conclusion, | 1:09:13 | 1:09:15 | |
I wouldn't have left the profession | 1:09:15 | 1:09:16 | |
and spent 35 years here in this place away from the world! | 1:09:16 | 1:09:21 | |
HE SNIFFS | 1:09:22 | 1:09:24 | |
I chose exile for my punishment, but what was it for? | 1:09:26 | 1:09:30 | |
I must have done something terribly wrong. | 1:09:30 | 1:09:32 | |
And I've no evidence of what it was. | 1:09:34 | 1:09:36 | |
Only pain. | 1:09:36 | 1:09:37 | |
Guilt. | 1:09:38 | 1:09:40 | |
Useless, worthless feelings. | 1:09:40 | 1:09:42 | |
I wish to God I'd never even taken Umezaki's case. | 1:09:43 | 1:09:47 | |
Kelmot's. | 1:09:48 | 1:09:50 | |
What? | 1:09:50 | 1:09:51 | |
Kelmot's case. | 1:09:52 | 1:09:53 | |
You said Umezaki. | 1:09:53 | 1:09:55 | |
Roger? | 1:09:58 | 1:10:00 | |
Tea's ready. | 1:10:01 | 1:10:02 | |
Oh. | 1:10:08 | 1:10:10 | |
Best clear this up. | 1:10:10 | 1:10:11 | |
HOLMES GROANS FEEBLY | 1:10:14 | 1:10:16 | |
Mr Holmes? | 1:10:24 | 1:10:25 | |
Would you like your tea now? | 1:10:26 | 1:10:28 | |
Mr Holmes? | 1:10:36 | 1:10:37 | |
If you die... | 1:10:42 | 1:10:43 | |
..what'll happen to the bees? | 1:10:44 | 1:10:45 | |
I haven't a clue. | 1:10:49 | 1:10:50 | |
One can't solve everything. | 1:10:55 | 1:10:57 | |
OWLS HOOT | 1:11:01 | 1:11:02 | |
'..said to be used to call for the dead. | 1:11:06 | 1:11:09 | |
'Death, mourning, grief... | 1:11:18 | 1:11:20 | |
'..they're all commonplace. | 1:11:26 | 1:11:28 | |
'Logic is rare.' | 1:11:38 | 1:11:40 | |
The dead are not so very far away. | 1:11:42 | 1:11:44 | |
They're just on the other side of the wall. | 1:11:46 | 1:11:48 | |
Now, whenever did you say that? | 1:11:53 | 1:11:56 | |
HE GROANS | 1:11:57 | 1:12:00 | |
Ply your parlour tricks elsewhere, Mr Holmes. | 1:12:07 | 1:12:10 | |
My husband could never succeed at deception, | 1:12:11 | 1:12:13 | |
so long as I do his laundry. | 1:12:13 | 1:12:15 | |
I don't know much about your profession, | 1:12:15 | 1:12:17 | |
but I doubt predicting the future of women you are engaged to follow is common practice. | 1:12:17 | 1:12:21 | |
It was intended only as a means to achieve a desired result. | 1:12:21 | 1:12:24 | |
That being what? | 1:12:24 | 1:12:25 | |
To delay your actions, | 1:12:25 | 1:12:27 | |
to keep you from this appointment you seem so eager to make. | 1:12:27 | 1:12:30 | |
Even before I glimpsed you today, | 1:12:33 | 1:12:34 | |
I'd gleaned some of the passionate feelings you have for your husband. | 1:12:34 | 1:12:38 | |
The man who took away the music you loved, | 1:12:38 | 1:12:40 | |
denied you the pleasures of your lessons, | 1:12:40 | 1:12:43 | |
even refused to mark a child's grave. | 1:12:43 | 1:12:45 | |
All these predicted your antipathy. | 1:12:45 | 1:12:48 | |
And then... | 1:12:48 | 1:12:49 | |
I witnessed your actions. | 1:12:49 | 1:12:51 | |
Forging his signature. | 1:12:51 | 1:12:52 | |
Drawing down his accounts. | 1:12:53 | 1:12:55 | |
Purchasing poison. | 1:12:55 | 1:12:56 | |
Consulting his will. | 1:12:56 | 1:12:58 | |
Planning an escape with a mystery man who was paid a handsome fee. | 1:12:58 | 1:13:01 | |
And all for my benefit. | 1:13:02 | 1:13:04 | |
A convincing set of circumstances, | 1:13:04 | 1:13:06 | |
signalling your intention to murder... | 1:13:06 | 1:13:08 | |
..your husband. | 1:13:09 | 1:13:10 | |
But for two errors. | 1:13:14 | 1:13:15 | |
You must place blame on your husband for the first. | 1:13:19 | 1:13:23 | |
If Mr Kelmot hadn't blundered into Madame Schirmer's atelier, | 1:13:23 | 1:13:27 | |
'and so taken me from my course... | 1:13:27 | 1:13:29 | |
'..you wouldn't have had to loiter on the street | 1:13:30 | 1:13:32 | |
'for such a suspiciously long period of time. | 1:13:32 | 1:13:34 | |
'But you had no choice, so loiter you did.' | 1:13:34 | 1:13:37 | |
I would also make the observation that there is nothing about you | 1:13:39 | 1:13:42 | |
that signifies the type of woman who enjoys window shopping, | 1:13:42 | 1:13:45 | |
especially the window of a taxidermist. | 1:13:45 | 1:13:47 | |
Was that the second error? | 1:13:49 | 1:13:50 | |
No, merely confirmation of the first. | 1:13:50 | 1:13:53 | |
The second was unavoidable, | 1:13:53 | 1:13:54 | |
and all the more damning. | 1:13:54 | 1:13:56 | |
The man at the station. | 1:13:56 | 1:13:58 | |
Everything about him, his clothes, the patches on his trousers, | 1:13:58 | 1:14:02 | |
his hands... | 1:14:02 | 1:14:03 | |
scarred and burned with acid, | 1:14:03 | 1:14:06 | |
announce his profession. | 1:14:06 | 1:14:07 | |
Stonemason. | 1:14:07 | 1:14:09 | |
Money must have been a dire necessity... | 1:14:13 | 1:14:15 | |
..else you would never forge your husband's signature. | 1:14:17 | 1:14:20 | |
The money was to pay for the headstones | 1:14:21 | 1:14:23 | |
that your husband would not allow. | 1:14:23 | 1:14:25 | |
For Grace. For James. | 1:14:25 | 1:14:26 | |
For you. | 1:14:28 | 1:14:29 | |
Was arranging things to make it look as if Mr Kelmot | 1:14:33 | 1:14:37 | |
was the intended victim | 1:14:37 | 1:14:39 | |
simply to keep me off the trail? | 1:14:39 | 1:14:41 | |
When I found the card... | 1:14:43 | 1:14:45 | |
..I was furious... | 1:14:46 | 1:14:47 | |
..that Thomas should know me so little | 1:14:49 | 1:14:51 | |
that he had need to employ a detective to uncover the truth. | 1:14:51 | 1:14:54 | |
Then it struck me. | 1:14:55 | 1:14:57 | |
If anyone could understand, | 1:14:58 | 1:15:01 | |
it would be you. | 1:15:01 | 1:15:02 | |
Thomas thinks I'm mad, because I speak to my children. | 1:15:05 | 1:15:08 | |
He doesn't understand. | 1:15:09 | 1:15:10 | |
The dead are not so very far away. | 1:15:12 | 1:15:15 | |
They're just... | 1:15:18 | 1:15:19 | |
..on the other side of the wall. | 1:15:20 | 1:15:22 | |
-It's us, on this side, who are, all of us so... -Alone? | 1:15:25 | 1:15:29 | |
I have been alone... | 1:15:34 | 1:15:35 | |
..all my life. | 1:15:38 | 1:15:39 | |
But with the compensations of the intellect. | 1:15:41 | 1:15:44 | |
And is that enough? | 1:15:44 | 1:15:45 | |
It can be. | 1:15:46 | 1:15:47 | |
If one is so fortunate as to find a place in the world... | 1:15:50 | 1:15:53 | |
..and another soul with whom one's loneliness can reside. | 1:15:56 | 1:15:59 | |
Do you know a place... | 1:16:01 | 1:16:02 | |
..where two such souls might reside? | 1:16:04 | 1:16:06 | |
'It was an offer unlike any I had ever received. | 1:16:16 | 1:16:19 | |
'She wanted to share her solitude with me. | 1:16:20 | 1:16:23 | |
'It was only later that I realised how fateful my decision would be.' | 1:16:25 | 1:16:29 | |
You have a husband who loves you. | 1:16:35 | 1:16:37 | |
Go home to him. | 1:16:41 | 1:16:43 | |
SHE SIGHS | 1:16:51 | 1:16:53 | |
Mr Holmes. | 1:17:18 | 1:17:19 | |
You have my thanks. | 1:17:20 | 1:17:21 | |
What more, madam, could I do? | 1:17:23 | 1:17:24 | |
'She had poured out the contents of the bottle. | 1:17:47 | 1:17:49 | |
'And with no malice aforethought, | 1:17:49 | 1:17:51 | |
'poisoned the innocent witness. | 1:17:51 | 1:17:54 | |
'If it had been one of John's stories, | 1:17:57 | 1:17:59 | |
'he would have called it a foreshadowing.' | 1:17:59 | 1:18:01 | |
TRAIN CHUGS | 1:18:10 | 1:18:12 | |
WHISTLE BLASTS REPEATEDLY | 1:18:12 | 1:18:13 | |
'Our time together was fleeting. | 1:18:21 | 1:18:24 | |
'Less than an hour, really. | 1:18:25 | 1:18:26 | |
'Yet her death made me see that human nature was a mystery | 1:18:33 | 1:18:36 | |
'that logic alone could not illuminate. | 1:18:36 | 1:18:39 | |
'I had successfully deduced the facts of her case. | 1:18:49 | 1:18:52 | |
'But I had failed to grasp their meaning. | 1:18:52 | 1:18:54 | |
'Never had I felt such an incomprehensible emptiness | 1:18:56 | 1:18:59 | |
'within myself. | 1:18:59 | 1:19:01 | |
'Only then did I begin to understand | 1:19:03 | 1:19:06 | |
'how utterly alone I was in the world. | 1:19:06 | 1:19:09 | |
'Mrs Hudson wrote to Watson. | 1:19:15 | 1:19:17 | |
'He came at once. | 1:19:17 | 1:19:19 | |
'He stayed with me, in our old rooms, for a month... | 1:19:19 | 1:19:23 | |
'or more. | 1:19:23 | 1:19:24 | |
'I told him about the case, everything, in great detail. | 1:19:33 | 1:19:36 | |
'He brought me back from the brink. | 1:19:41 | 1:19:43 | |
'And then Watson wrote the story. | 1:19:44 | 1:19:47 | |
'He made me the hero. | 1:19:47 | 1:19:49 | |
'It was his way of bestowing a kindness. | 1:19:49 | 1:19:51 | |
'He knew no other manner in which to write the character he had created. | 1:19:53 | 1:19:57 | |
'After all those years, John didn't know me at all. | 1:19:59 | 1:20:03 | |
'Why he took the glove, I can only surmise. | 1:20:03 | 1:20:06 | |
'Was it to prevent it becoming too powerful a reminder, | 1:20:06 | 1:20:10 | |
'to keep it from being a well of sadness to which I might return? | 1:20:10 | 1:20:14 | |
'But he could not bring himself to destroy it either. | 1:20:14 | 1:20:18 | |
'After that, John and I were estranged. | 1:20:18 | 1:20:20 | |
'Three years later, he too was gone, | 1:20:22 | 1:20:24 | |
'without us ever having said goodbye. | 1:20:24 | 1:20:26 | |
'And thus concludes the true story of a woman who died before her time | 1:20:42 | 1:20:47 | |
'and a man who, until recently, was certain he had outlived his.' | 1:20:47 | 1:20:52 | |
Roger with the bees? | 1:21:01 | 1:21:02 | |
Like as not. | 1:21:02 | 1:21:04 | |
Must tell him something important. | 1:21:04 | 1:21:06 | |
You continue with whatever it was you were doing. | 1:21:06 | 1:21:09 | |
You might ask him where the watering can's got to! | 1:21:12 | 1:21:15 | |
BUZZING | 1:21:44 | 1:21:46 | |
-Ambulance. Yes, this is Hedley House. -'Hedley?' -Yes, quickly. | 1:22:07 | 1:22:12 | |
And bring some supplies of adrenaline. | 1:22:12 | 1:22:14 | |
-'Hedley House...' -That's right, Hedley! | 1:22:14 | 1:22:17 | |
FOOTSTEPS RECEDE DOOR BANGS | 1:22:21 | 1:22:23 | |
Roger! | 1:22:46 | 1:22:48 | |
Roger? | 1:22:48 | 1:22:50 | |
Oh, no, no, no, no! | 1:22:52 | 1:22:53 | |
Roger! Rog...! | 1:22:55 | 1:22:56 | |
Mr Holmes? | 1:23:19 | 1:23:20 | |
It's Inspector Gilbert! | 1:23:22 | 1:23:24 | |
Mr Holmes? | 1:23:27 | 1:23:29 | |
Yes, Inspector? | 1:23:31 | 1:23:33 | |
They're giving the boy injections of adrenaline, as you said to, | 1:23:35 | 1:23:37 | |
but...he's not looking good. | 1:23:37 | 1:23:41 | |
He was fleeing his attackers. | 1:23:41 | 1:23:43 | |
His footprints. | 1:23:45 | 1:23:47 | |
Their pattern shows that his flight was disoriented. | 1:23:48 | 1:23:52 | |
The swarm must have followed him in their attack. | 1:23:52 | 1:23:54 | |
Before he lost consciousness, his skin would've flushed, | 1:23:54 | 1:23:57 | |
accompanied by burning pain... | 1:23:57 | 1:24:00 | |
..a drop in blood pressure, weakness. | 1:24:01 | 1:24:05 | |
His throat and mouth would be swollen | 1:24:05 | 1:24:07 | |
which explains why he didn't call for help. | 1:24:07 | 1:24:09 | |
Then a drop in heart rate... | 1:24:11 | 1:24:13 | |
..inability to breathe... | 1:24:14 | 1:24:16 | |
..shock. | 1:24:18 | 1:24:20 | |
Did you know he was allergic to bees? | 1:24:20 | 1:24:22 | |
I was certain he wasn't. | 1:24:29 | 1:24:31 | |
BUZZING | 1:25:48 | 1:25:50 | |
No, no! You mustn't do that! | 1:25:51 | 1:25:54 | |
My son...won't wake. | 1:25:56 | 1:25:58 | |
He may never wake. | 1:26:00 | 1:26:02 | |
They sent me away until morning. | 1:26:04 | 1:26:06 | |
You didn't even have the decency to tell me what had happened to him! | 1:26:06 | 1:26:09 | |
I didn't think it would make a difference. | 1:26:11 | 1:26:13 | |
I'm his mother! | 1:26:13 | 1:26:14 | |
I'm his mother... | 1:26:14 | 1:26:16 | |
..and you stole him from me! | 1:26:18 | 1:26:20 | |
He's all I had and I've lost him now! | 1:26:20 | 1:26:23 | |
Why wasn't it you they did it to? | 1:26:25 | 1:26:27 | |
It should've been you! | 1:26:27 | 1:26:29 | |
The bees were not to blame! | 1:26:29 | 1:26:31 | |
They're all you care about! | 1:26:31 | 1:26:32 | |
No, I care about Roger! | 1:26:32 | 1:26:34 | |
I care about him very mu...! | 1:26:34 | 1:26:36 | |
The bees didn't do this. | 1:26:49 | 1:26:51 | |
The bees were not to blame! | 1:26:53 | 1:26:55 | |
It was the wasps. | 1:27:04 | 1:27:06 | |
Roger was trying to find out what was killing the bees. | 1:27:06 | 1:27:09 | |
And he did. He found the wasps' nest. | 1:27:09 | 1:27:11 | |
He had to stop them wiping out the bees | 1:27:11 | 1:27:14 | |
and so he did the worst possible thing. | 1:27:14 | 1:27:16 | |
He was trying to drown them with water from his can. | 1:27:16 | 1:27:20 | |
How do you know it was them? | 1:27:20 | 1:27:22 | |
Bees leave their stings. Wasps don't. | 1:27:22 | 1:27:25 | |
There were no stings left on Roger's face. | 1:27:25 | 1:27:27 | |
When they attacked, he dropped the watering can | 1:27:27 | 1:27:30 | |
and ran to protect the bees. There are his footprints. | 1:27:30 | 1:27:33 | |
From the apiary to the nest and back. | 1:27:33 | 1:27:35 | |
He was trying to save the bees. | 1:27:35 | 1:27:37 | |
There was a woman, once... | 1:28:21 | 1:28:23 | |
..I knew her less than a day, | 1:28:24 | 1:28:26 | |
a quarter of an hour's conversation. | 1:28:26 | 1:28:28 | |
She needed my help. | 1:28:30 | 1:28:32 | |
She needed so desperately to be understood by someone. | 1:28:33 | 1:28:37 | |
Me. | 1:28:37 | 1:28:39 | |
So I laid out the particulars of her case as I saw them, | 1:28:40 | 1:28:43 | |
to her satisfaction, I thought. | 1:28:43 | 1:28:45 | |
I watched her walk away... | 1:28:47 | 1:28:48 | |
..and, within hours, she had ended her life. | 1:28:50 | 1:28:52 | |
By identifying the cause of her despair with such clarity, | 1:28:55 | 1:28:58 | |
I'd given her carte blanche to do just as she intended. | 1:28:58 | 1:29:01 | |
I should've done whatever it took to save her. | 1:29:03 | 1:29:06 | |
Lie to her, make up a story... | 1:29:08 | 1:29:10 | |
..take her by the hand, | 1:29:12 | 1:29:13 | |
hold her as she wept, and said, | 1:29:13 | 1:29:16 | |
"Come live with me. Let us be alone together." | 1:29:16 | 1:29:21 | |
But I was fearful. | 1:29:26 | 1:29:28 | |
Selfish. | 1:29:32 | 1:29:33 | |
She is the reason I came here, to my bees, | 1:29:37 | 1:29:42 | |
so that I couldn't harm anyone ever again. | 1:29:42 | 1:29:45 | |
I'm leaving you the house. | 1:29:49 | 1:29:51 | |
You and Roger. | 1:29:53 | 1:29:54 | |
House, grounds, apiary, everything within and without. | 1:29:56 | 1:30:01 | |
And as I shall not change my mind on this point, | 1:30:01 | 1:30:04 | |
you will see, I trust, | 1:30:04 | 1:30:05 | |
that it will be greatly less complicated for all concerned | 1:30:05 | 1:30:08 | |
if the two of you don't go off to somewhere like...Portsmouth. | 1:30:08 | 1:30:15 | |
Mrs Munro? | 1:30:18 | 1:30:20 | |
Roger is awake. | 1:30:21 | 1:30:22 | |
'Dear Mr Umezaki. | 1:31:03 | 1:31:05 | |
'I write to tell you that I have, at last, | 1:31:07 | 1:31:10 | |
'recalled my meeting with your father. | 1:31:10 | 1:31:12 | |
'A woman had died because I had failed to solve her case. | 1:31:14 | 1:31:18 | |
'Guilt and recrimination having taken their toll on me, | 1:31:19 | 1:31:23 | |
'my powers were far from at their best | 1:31:23 | 1:31:26 | |
'when I received an urgent message | 1:31:26 | 1:31:28 | |
'summoning me to the Diogenes Club to meet with my brother Mycroft.' | 1:31:28 | 1:31:32 | |
This gentleman has made an offer of service. | 1:31:35 | 1:31:37 | |
He wishes to work for the Crown. | 1:31:37 | 1:31:39 | |
I'm here to be tested, Mr Holmes. I very much want to be of use. | 1:31:42 | 1:31:47 | |
-Do you think that I am suited? -I'm sure, sir. | 1:31:47 | 1:31:50 | |
Good. There is one minor issue. | 1:31:51 | 1:31:53 | |
Mr Umezaki has a wife and child in Japan. | 1:31:53 | 1:31:56 | |
He wonders what would be the best course. | 1:31:56 | 1:31:59 | |
Write a letter saying you plan to stay on in England, | 1:32:07 | 1:32:12 | |
could be a long while till your return. | 1:32:12 | 1:32:15 | |
'Your father went on to serve the British Empire for many years | 1:32:17 | 1:32:21 | |
'in absolute secrecy and with the greatest distinction... | 1:32:21 | 1:32:25 | |
'..from the Malay Straits to the Arabian Sea. | 1:32:37 | 1:32:44 | |
'He was a man of courage, heart and dignity, | 1:32:48 | 1:32:50 | |
'of whom a beloved wife and cherished son may be deservedly proud. | 1:32:50 | 1:32:56 | |
'Sherlock Holmes.' | 1:32:57 | 1:33:00 | |
My friend John. | 1:33:20 | 1:33:21 | |
My brother Mycroft. | 1:33:31 | 1:33:33 | |
Mrs Hudson. | 1:33:34 | 1:33:36 | |
Masuo Umezaki. | 1:33:37 | 1:33:38 | |
Maya Umezaki. | 1:33:40 | 1:33:42 | |
Ann. | 1:33:48 | 1:33:50 | |
Who's that one for? | 1:33:53 | 1:33:55 | |
Me. You. | 1:33:56 | 1:33:58 | |
Not yet for a while, surely. | 1:34:00 | 1:34:02 | |
Did you finish what you had to do? | 1:34:04 | 1:34:06 | |
Yes, I did. | 1:34:06 | 1:34:08 | |
My first foray into the world of fiction. | 1:34:08 | 1:34:11 | |
One shouldn't leave this life without a sense of completion. | 1:34:11 | 1:34:15 | |
You can use this in one of your stories. | 1:34:20 | 1:34:22 | |
A glass. A bee. And Roger. | 1:34:27 | 1:34:30 | |
Show me how to knock them out. | 1:34:33 | 1:34:34 | |
The queen runs the colony. | 1:34:44 | 1:34:46 | |
The drones service the queen. | 1:34:46 | 1:34:49 | |
The workers do the work. | 1:34:49 | 1:34:51 | |
Isn't it true! | 1:34:51 | 1:34:52 |