Browse content similar to Night Happens. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This is a bootleg television wake-up call. | 0:00:06 | 0:00:09 | |
Do not adjust your set. | 0:00:09 | 0:00:11 | |
Repeat - do not adjust your set. | 0:00:11 | 0:00:14 | |
Normal service will not be resumed. | 0:00:14 | 0:00:16 | |
Welcome to the permanent night shift. | 0:00:16 | 0:00:20 | |
Keith Richards at the controls, calling all night owls and hipsters. | 0:00:20 | 0:00:24 | |
This is a reality hacking incident. | 0:00:24 | 0:00:27 | |
For the next nine hours, you're invited to ride with me. | 0:00:27 | 0:00:30 | |
Through the night and out the other side. | 0:00:30 | 0:00:33 | |
A random night flight across uncharted airwaves. | 0:00:33 | 0:00:36 | |
Fasten your safety belts, the weekend starts here. | 0:00:36 | 0:00:39 | |
# Well, here it comes | 0:00:46 | 0:00:48 | |
# Here comes the night | 0:00:50 | 0:00:54 | |
# Here comes the night | 0:00:55 | 0:01:00 | |
# Oh, yeah | 0:01:00 | 0:01:02 | |
# I can see right out my window | 0:01:06 | 0:01:09 | |
# Walkin' down the street my girl with another guy | 0:01:09 | 0:01:13 | |
# His arms around her like it used to be with me | 0:01:16 | 0:01:19 | |
# Oh, it makes me want to die | 0:01:19 | 0:01:23 | |
# Yeah, yeah, yeah | 0:01:23 | 0:01:25 | |
# Well, here it comes | 0:01:25 | 0:01:27 | |
# Here comes the night | 0:01:30 | 0:01:33 | |
# Here comes the night | 0:01:34 | 0:01:38 | |
# Oh, oh, oh, yeah. # | 0:01:39 | 0:01:43 | |
# She's with him He's turning down the lights | 0:02:05 | 0:02:07 | |
# And now he's holding her the way I used to do | 0:02:07 | 0:02:10 | |
# I can see her closing her eyes and telling him lies | 0:02:14 | 0:02:17 | |
# Exactly like she told me, too | 0:02:17 | 0:02:21 | |
# Yeah, yeah, yeah | 0:02:21 | 0:02:24 | |
# Well, here it comes | 0:02:24 | 0:02:27 | |
# Here comes the night | 0:02:27 | 0:02:32 | |
# The long, the long the lonely night. # | 0:02:32 | 0:02:35 | |
Night happens. | 0:02:36 | 0:02:38 | |
After about 12 hours, er... | 0:02:38 | 0:02:40 | |
..you know, there's night. | 0:02:41 | 0:02:44 | |
You know, my favourite time of day. | 0:02:44 | 0:02:46 | |
I have nothing at all against daylight. | 0:02:48 | 0:02:51 | |
I love sunshine as much as anybody, you know? | 0:02:51 | 0:02:53 | |
It's the nature of my job. | 0:02:56 | 0:02:58 | |
You don't play music to people in the morning or the afternoon. | 0:02:58 | 0:03:02 | |
When people get off of work and they've done their day, you know, | 0:03:02 | 0:03:07 | |
at the grind, they're looking to be entertained. | 0:03:07 | 0:03:10 | |
They want to listen to music. | 0:03:10 | 0:03:11 | |
They want to see movies, whatever. | 0:03:11 | 0:03:14 | |
It's the way that the human race goes round. | 0:03:14 | 0:03:16 | |
While they're working, we're sleeping. | 0:03:18 | 0:03:20 | |
And when they want to have some fun at night, you know, we're working, | 0:03:23 | 0:03:28 | |
and playing, and it's a night shift, basically, you know? | 0:03:28 | 0:03:31 | |
Inevitably you become... | 0:03:31 | 0:03:34 | |
nocturnal by nature, basically. | 0:03:34 | 0:03:38 | |
It's what you do. You're on the night shift forever. | 0:03:38 | 0:03:40 | |
I mean, my nine-to-five is the opposite to most, you know? | 0:03:40 | 0:03:45 | |
# Cos the night has a thousand eyes | 0:03:45 | 0:03:49 | |
# And a thousand eyes can't help but see | 0:03:49 | 0:03:55 | |
# If you are true to me. # | 0:03:55 | 0:03:58 | |
INTERVIEWER: You were probably one of the first people with a video recorder? | 0:04:01 | 0:04:05 | |
I was probably one of the earliest ones. | 0:04:05 | 0:04:07 | |
Probably Bill Wyman beat me to it. | 0:04:07 | 0:04:10 | |
But that was the same time I had kids. | 0:04:10 | 0:04:12 | |
It would, like, really take care of a lot of business for a while, you know? | 0:04:14 | 0:04:20 | |
Knock them up breakfast, put on The Thunderbirds... | 0:04:20 | 0:04:22 | |
..and everybody's happy. | 0:04:26 | 0:04:28 | |
DOG SNORES | 0:05:54 | 0:05:56 | |
Hey, wait a minute, pal! | 0:06:33 | 0:06:34 | |
What are you trying to do, eat me? | 0:06:34 | 0:06:36 | |
Yah, yah, yah, yah, yah, yah, yah, yah, yah! | 0:06:36 | 0:06:40 | |
Well, forget it, see? | 0:06:40 | 0:06:42 | |
I've seen this cartoon before and, brother, believe me - | 0:06:42 | 0:06:46 | |
if you're smart, you won't eat me. | 0:06:46 | 0:06:48 | |
Because before this picture's over, I save your life. | 0:06:48 | 0:06:52 | |
Yeah, but I'm hungry. | 0:06:52 | 0:06:56 | |
Well, OK, then. | 0:06:56 | 0:06:57 | |
In the next room, | 0:06:57 | 0:06:59 | |
you'll find a great, big, fat, juicy canary. | 0:06:59 | 0:07:05 | |
Eat him! | 0:07:05 | 0:07:06 | |
Well, I've been sick. | 0:07:17 | 0:07:21 | |
Oh! | 0:07:21 | 0:07:23 | |
THUNDER RUMBLES | 0:07:35 | 0:07:38 | |
BRAKES SQUEAL | 0:08:01 | 0:08:03 | |
HE LAUGHS | 0:09:34 | 0:09:36 | |
Boo! | 0:10:17 | 0:10:19 | |
Well, see, chum. It's like I said at the beginning. | 0:10:20 | 0:10:24 | |
I told you I'd save your life, didn't I? | 0:10:24 | 0:10:26 | |
Yeah, gee, thanks a lot, old pal. | 0:10:26 | 0:10:30 | |
And here's the little bottle that did the whole trick. | 0:10:30 | 0:10:33 | |
Well, so long, shorty. | 0:10:35 | 0:10:37 | |
So long! | 0:10:37 | 0:10:39 | |
But, hey! | 0:10:39 | 0:10:41 | |
I'm still hungry. | 0:10:41 | 0:10:43 | |
NARRATOR: Ladies and gentlemen, | 0:11:43 | 0:11:44 | |
we're going to have to end this picture. | 0:11:44 | 0:11:46 | |
We just ran out of the stuff. | 0:11:46 | 0:11:49 | |
Good night. | 0:11:49 | 0:11:51 | |
I grew up with TV, | 0:12:04 | 0:12:07 | |
in England, in its infancy, and it's always fascinated me, you know? | 0:12:07 | 0:12:13 | |
This screen in the room. | 0:12:13 | 0:12:15 | |
It is an addiction. | 0:12:15 | 0:12:17 | |
I mean, who am I to talk about addiction? | 0:12:17 | 0:12:19 | |
But sometimes I just think that people are staring at the damn thing | 0:12:19 | 0:12:23 | |
because it's there. | 0:12:23 | 0:12:24 | |
Cue opening titles. | 0:12:24 | 0:12:26 | |
STEADY SAWING | 0:12:26 | 0:12:28 | |
I'm rich! | 0:13:08 | 0:13:10 | |
Good evening. | 0:13:10 | 0:13:11 | |
Or if you've got your choppers in a glass, good evening. | 0:13:14 | 0:13:17 | |
Now, many people want to know why the show is called Q8. | 0:13:17 | 0:13:20 | |
And I am one of them. | 0:13:20 | 0:13:22 | |
What's this? "Get the Abbey habit, have an affair with a monk"? | 0:13:25 | 0:13:29 | |
Pfft! | 0:13:29 | 0:13:30 | |
Ow! | 0:13:32 | 0:13:34 | |
That was a close encounter of a thud kind. | 0:13:34 | 0:13:38 | |
Ah, a finger stall. | 0:13:38 | 0:13:40 | |
Argh! | 0:13:40 | 0:13:41 | |
I didn't want to waste it. | 0:13:41 | 0:13:44 | |
Right, now I'm going to read this week's court circular. | 0:13:44 | 0:13:47 | |
Yesterday, the Queen opened Parliament. | 0:13:47 | 0:13:50 | |
Some idiot gave her a key. | 0:13:50 | 0:13:52 | |
Here's some more court news. | 0:13:52 | 0:13:54 | |
Prince Philip got his caught. | 0:13:54 | 0:13:56 | |
Prince Charles got his caught. | 0:13:59 | 0:14:01 | |
And the royal tailor has been dismissed. | 0:14:01 | 0:14:03 | |
Good evening, and I mean that most sincerely, I really do. | 0:14:05 | 0:14:08 | |
Tonight, we present the prizes for duration | 0:14:08 | 0:14:11 | |
in the singing and hanging contest. | 0:14:11 | 0:14:13 | |
Third prize goes to Tom Lakes, | 0:14:13 | 0:14:16 | |
who sang and hung from a horizontal bar for three hours and two minutes. | 0:14:16 | 0:14:20 | |
Great big hand. | 0:14:20 | 0:14:22 | |
Really wonderful, it really was. | 0:14:22 | 0:14:24 | |
Second prize goes to Bert Sprumps, | 0:14:24 | 0:14:27 | |
who sang and hung from the horizontal bar | 0:14:27 | 0:14:30 | |
for four hours and 39 minutes. | 0:14:30 | 0:14:33 | |
Great big hand. | 0:14:33 | 0:14:34 | |
But the winner is Mr Eric Treacle, | 0:14:36 | 0:14:38 | |
who sang and hung from a horizontal bar for an amazing 24 days. | 0:14:38 | 0:14:43 | |
And the Lord said unto all men, | 0:14:52 | 0:14:56 | |
always wear clean underwear. | 0:14:56 | 0:14:59 | |
And the Pharisees say, whyfor, thereafter which? | 0:14:59 | 0:15:03 | |
And he sayeth, | 0:15:03 | 0:15:05 | |
because, supposing thou art knocked down in the street, | 0:15:05 | 0:15:10 | |
blessed are they that weareth clean knickers. | 0:15:10 | 0:15:14 | |
So even though they be knocked down in the street by a bus, | 0:15:14 | 0:15:18 | |
verily, they will be pure of heart from the waist down. | 0:15:18 | 0:15:23 | |
Achoo! | 0:15:23 | 0:15:24 | |
Achoo! | 0:15:27 | 0:15:29 | |
THUDDING | 0:15:34 | 0:15:36 | |
KNOCKING ON DOOR | 0:16:02 | 0:16:03 | |
Er... There's a cheque in the post. | 0:16:05 | 0:16:07 | |
Oh, gosh. | 0:16:07 | 0:16:09 | |
Lady Lewisham? Yes? | 0:16:09 | 0:16:11 | |
I'm sorry, your husband has been in an accident. | 0:16:11 | 0:16:14 | |
Is it serious? | 0:16:17 | 0:16:19 | |
Yes, he was wearing dirty knickers. | 0:16:19 | 0:16:21 | |
Oh! | 0:16:21 | 0:16:22 | |
Worst of all, they were yours. | 0:16:22 | 0:16:24 | |
HORN HONKS | 0:16:27 | 0:16:29 | |
BRAKES SCREECH | 0:16:35 | 0:16:37 | |
KNOCKING ON DOOR | 0:16:42 | 0:16:44 | |
Princess Radsville? | 0:16:46 | 0:16:48 | |
There's a cheque in the post. | 0:16:48 | 0:16:50 | |
Sorry to tell you that your husband has been seriously killed. | 0:16:50 | 0:16:53 | |
Oh! | 0:16:54 | 0:16:56 | |
Don't cry! | 0:16:56 | 0:16:58 | |
I tell you because he was wearing...clean knickers! | 0:16:58 | 0:17:02 | |
Freeze-frame! | 0:17:09 | 0:17:10 | |
KNOCKING ON DOOR | 0:17:21 | 0:17:23 | |
HE SHRIEKS This would never have happened if they had used...super cover! | 0:17:27 | 0:17:32 | |
The English invention that hides crappy British cooking | 0:17:32 | 0:17:36 | |
from the tourists! | 0:17:36 | 0:17:38 | |
Yes, even the smartest of us can be caught with our menus down. | 0:17:43 | 0:17:48 | |
KNOCKING ON DOOR | 0:17:48 | 0:17:49 | |
Come in. | 0:17:52 | 0:17:54 | |
MUSIC: Land Of Hope And Glory | 0:17:54 | 0:17:57 | |
Yes, super cover can even fool royalty. | 0:17:59 | 0:18:03 | |
Another idea from British Leyland, | 0:18:03 | 0:18:06 | |
in its eternal search for an alternative to making motorcars. | 0:18:06 | 0:18:11 | |
PHONE RINGS Hello, what? Yes. Right. | 0:18:11 | 0:18:14 | |
PROLONGED LAUGHTER | 0:18:14 | 0:18:16 | |
The answer to a question last week, | 0:18:21 | 0:18:23 | |
"What do Scotsmen have up their kilts?" | 0:18:23 | 0:18:25 | |
The winner chosen was Her Majesty the Queen, who said... | 0:18:25 | 0:18:29 | |
Gas stoves. | 0:18:29 | 0:18:31 | |
Yes. | 0:18:32 | 0:18:33 | |
A gas stove is what a Scotsman has up his kilt. | 0:18:36 | 0:18:38 | |
It wasn't the right answer, but it was the only one we could publish. | 0:18:38 | 0:18:41 | |
Some of you suggested certain other things were lodged up | 0:18:41 | 0:18:44 | |
Scotsmen's kilts. | 0:18:44 | 0:18:45 | |
One lady suggested a grand piano, a set of spoons, | 0:18:45 | 0:18:47 | |
and someone else said Larry Grayson. | 0:18:47 | 0:18:50 | |
To find out the real answer to this, over to Stirling Castle. | 0:18:50 | 0:18:53 | |
Stand, ease! | 0:18:53 | 0:18:55 | |
BELLS CHIME INDIVIDUALLY | 0:18:58 | 0:19:01 | |
DULL THUD | 0:19:18 | 0:19:20 | |
HE LAUGHS | 0:19:20 | 0:19:22 | |
Attention! | 0:19:23 | 0:19:24 | |
I do not understand it. | 0:19:28 | 0:19:30 | |
It has only done 8,000 yards. | 0:19:30 | 0:19:32 | |
My God, Bert, look! | 0:19:33 | 0:19:34 | |
Here comes the Queen! | 0:19:36 | 0:19:38 | |
What are we going to do? | 0:19:38 | 0:19:39 | |
Your Majesty! | 0:19:52 | 0:19:54 | |
Yes, super cover! | 0:19:54 | 0:19:57 | |
Another idea from Leyland to hide their crummy products. | 0:19:57 | 0:20:00 | |
Freeze-frame! | 0:20:01 | 0:20:03 | |
OUT OF TUNE MUSIC: Also Sprach Zarathustra by Strauss | 0:20:06 | 0:20:10 | |
OUT OF TUNE CLIMAX | 0:20:20 | 0:20:22 | |
Here is a Ministry of Information film. | 0:20:24 | 0:20:27 | |
And now for some totally useless information. | 0:20:36 | 0:20:39 | |
Did you know, if you strike a female desk, it screams? | 0:20:39 | 0:20:41 | |
MALE VOICE: OW! | 0:20:41 | 0:20:44 | |
God, it's a male! | 0:20:44 | 0:20:47 | |
Funny place to hang a saveloy. | 0:20:47 | 0:20:48 | |
This is a Hamlet pencil, 2B or not 2B. | 0:20:52 | 0:20:54 | |
Now, did you know, if you break a pencil, it screams? | 0:20:56 | 0:20:59 | |
Argh! | 0:20:59 | 0:21:01 | |
GUN FIRES | 0:21:02 | 0:21:04 | |
Now, the next... | 0:21:04 | 0:21:06 | |
Good God, it's Harry Secombe. | 0:21:06 | 0:21:07 | |
And he's had the operation. | 0:21:10 | 0:21:12 | |
Did you know, if you tear a hole in a piece of paper, | 0:21:12 | 0:21:15 | |
you can see through to the other side? | 0:21:15 | 0:21:16 | |
If you tear a hole on the other side, you can see back in again. | 0:21:16 | 0:21:20 | |
GUN FIRES Now then, next... | 0:21:20 | 0:21:22 | |
God, it's Mrs Thatcher's bank manager. | 0:21:22 | 0:21:25 | |
Suffering withdrawal symptoms. | 0:21:25 | 0:21:27 | |
I wonder who she is. Right. Next, did you know, | 0:21:29 | 0:21:31 | |
a piece of paper will take the weight of a human body | 0:21:31 | 0:21:33 | |
without breaking? | 0:21:33 | 0:21:35 | |
GUN FIRES | 0:21:35 | 0:21:37 | |
Good heavens! It's Richard III part one! | 0:21:37 | 0:21:40 | |
The next... Oh, there's part two. | 0:21:40 | 0:21:42 | |
Did you know, if you kept a newspaper for seven days, | 0:21:43 | 0:21:46 | |
it gets one week behind? | 0:21:46 | 0:21:48 | |
Here's another way to get a weak behind. Argh! | 0:21:48 | 0:21:52 | |
Now then... | 0:21:52 | 0:21:54 | |
Good God! It's the Duke of Edinburgh! | 0:21:54 | 0:21:57 | |
I'm sorry, Philip, I suppose this means a knighthood is out of the question. | 0:21:57 | 0:22:00 | |
And that's...that's for not giving me an OBE! | 0:22:00 | 0:22:03 | |
Good evening. Yes, tonight, a tribute to the late Sir Edward Elgar, | 0:22:06 | 0:22:10 | |
whose favourite instrument was the... | 0:22:10 | 0:22:12 | |
..was the B flat garden hose, for which he wrote many great pieces, | 0:22:15 | 0:22:19 | |
including... | 0:22:19 | 0:22:21 | |
..Underneath The Armpits We Dream Our Days Away. | 0:22:23 | 0:22:27 | |
Right. | 0:22:27 | 0:22:28 | |
THEY BLOW | 0:22:28 | 0:22:30 | |
SHE TALKS AT DOUBLE SPEED | 0:22:57 | 0:23:00 | |
Anti-Yap, for the husband who's had enough. | 0:23:10 | 0:23:14 | |
I'd like to read this excerpt in the new Reader's Digest. | 0:23:16 | 0:23:19 | |
PROLONGED LAUGHTER | 0:23:22 | 0:23:24 | |
Thank you. | 0:23:30 | 0:23:31 | |
Now, this is a true advert in this paper. | 0:23:37 | 0:23:40 | |
The Zenith atomic clock, powered by solar batteries, | 0:23:40 | 0:23:43 | |
will run for 100 years. | 0:23:43 | 0:23:45 | |
Guaranteed for 12 months. | 0:23:45 | 0:23:47 | |
And now here is the late news. | 0:23:51 | 0:23:54 | |
Racing motorist Getafitapaldi | 0:23:54 | 0:23:56 | |
told a judge his wife didn't understand him. | 0:23:56 | 0:23:59 | |
Asked why, he said she was Bulgarian. | 0:23:59 | 0:24:00 | |
He admitted later she could neither read nor write English and, granting a decree, | 0:24:02 | 0:24:06 | |
the judge said she did sound like an ignorant Bulgar. | 0:24:06 | 0:24:09 | |
But the bodies of three bank robbers were found encased in cement | 0:24:12 | 0:24:15 | |
at the bottom of the Mersey docks. | 0:24:15 | 0:24:16 | |
Police say they believed them to be hardened criminals. | 0:24:16 | 0:24:20 | |
Good morning. I've been sent along here by my doctor for an eye test. | 0:24:21 | 0:24:25 | |
He thinks I need glasses. | 0:24:25 | 0:24:27 | |
Oh, but you do. This is a fish shop. | 0:24:27 | 0:24:28 | |
We interrupt this programme to tell you that this is an official BBC interruption. | 0:24:31 | 0:24:35 | |
And now we interrupt this programme to tell you | 0:24:35 | 0:24:39 | |
that the interruption to the interruption is over. Good night. | 0:24:39 | 0:24:42 | |
HE SINGS | 0:25:16 | 0:25:19 | |
Good evening. | 0:25:30 | 0:25:32 | |
The Pope has promised Bruce Forsyth an audience. | 0:25:32 | 0:25:36 | |
He sending a charabanc of nuns to the Palladium. | 0:25:36 | 0:25:38 | |
Marylebone police are looking for a tall blonde with a 42-inch bust. | 0:25:41 | 0:25:45 | |
Asked what the charge was, they said, | 0:25:45 | 0:25:47 | |
"There's no charge, we're just looking for a tall blonde..." | 0:25:47 | 0:25:50 | |
Cut to picture of Spike, dressed as Hitler, | 0:28:21 | 0:28:23 | |
wearing German Admiral's uniform, | 0:28:23 | 0:28:24 | |
standing on what appears to be the bridge of the Bismarck. | 0:28:24 | 0:28:27 | |
Or some other herring. | 0:28:27 | 0:28:29 | |
Behind him, three actors, all dressed identically. | 0:28:29 | 0:28:31 | |
These additional Hitlers are all looking puzzled. | 0:28:31 | 0:28:34 | |
They have been cloned. | 0:28:34 | 0:28:35 | |
Bring on the clones. | 0:28:35 | 0:28:37 | |
No idea what they're doing on the bridge of a herring called Bismarck. | 0:28:37 | 0:28:40 | |
Neither have we. | 0:28:40 | 0:28:41 | |
That is why we getting out of this sketch as soon as possible. | 0:28:41 | 0:28:43 | |
Yes, quite obviously Hitler doesn't know this sketch is over | 0:28:55 | 0:28:57 | |
and is going for laughs. | 0:28:57 | 0:28:59 | |
There goes one now. Watch out, Poland, you're next! | 0:29:00 | 0:29:04 | |
Here is an announcement for a Mr Al Capone. | 0:29:12 | 0:29:15 | |
Your sketch has ended, and there is a cheque in the post. | 0:29:15 | 0:29:18 | |
Another sketch will follow almost immediately. | 0:29:18 | 0:29:21 | |
Meanwhile, here is a test card. | 0:29:21 | 0:29:22 | |
Here is the Reverend Franklin with a few calming words. | 0:29:29 | 0:29:34 | |
Librium, Valium, Mogadon. | 0:29:34 | 0:29:37 | |
And as funny payoff... | 0:29:44 | 0:29:47 | |
..Achoo! | 0:29:50 | 0:29:51 | |
I say, I say, I say! What do you say, what do you say, what do you say? | 0:29:55 | 0:29:58 | |
My dog has no nose. How does he smell? | 0:29:58 | 0:30:00 | |
Terrible. | 0:30:00 | 0:30:01 | |
I say, I say, I say! What do you say, what do you say, what do you say? | 0:30:01 | 0:30:03 | |
My dog has no nose. How does he smell? | 0:30:03 | 0:30:05 | |
Terrible. | 0:30:05 | 0:30:07 | |
I say, I say, I say! What do you say, what do you say, what do you say? | 0:30:07 | 0:30:09 | |
My dog has no nose. How does he smell? | 0:30:09 | 0:30:11 | |
Terrible. | 0:30:11 | 0:30:12 | |
What are we supposed to be doing? Running gags. | 0:30:12 | 0:30:14 | |
I say, I say, I say, I say... | 0:30:14 | 0:30:15 | |
Deutschland, Deutschland, uber... | 0:30:15 | 0:30:18 | |
Chateau Death - House Of The Death. | 0:30:24 | 0:30:27 | |
THEY WAIL | 0:30:27 | 0:30:28 | |
WHISTLE BLOWS Have a break. | 0:30:34 | 0:30:36 | |
THEY WAIL | 0:30:38 | 0:30:39 | |
Rats! ALL: Squeak, squeak. Squeak, squeak, squeak! | 0:30:41 | 0:30:44 | |
Meow! | 0:30:48 | 0:30:49 | |
Meow! | 0:30:51 | 0:30:52 | |
Woof! Wrong! | 0:30:53 | 0:30:55 | |
Yes! A flash of light! | 0:31:15 | 0:31:16 | |
A white horse. | 0:31:16 | 0:31:18 | |
It's the Stone Ranger, in colour! | 0:31:19 | 0:31:22 | |
What's that? Stop, stop! | 0:31:23 | 0:31:26 | |
This is getting ridiculous. What do you mean, ridiculous? | 0:31:27 | 0:31:30 | |
Good morning! | 0:31:30 | 0:31:31 | |
MUSIC: Dance Of The Sugar Plum Fairy by Tchaikovsky | 0:31:31 | 0:31:34 | |
ANNOUNCER: Attention, studio audience. | 0:31:40 | 0:31:42 | |
The next joke is waiting for you at Golders Green. | 0:31:43 | 0:31:48 | |
This Government will continue to pursue policies | 0:31:52 | 0:31:57 | |
which will bring it within our grasp. | 0:31:57 | 0:32:00 | |
And now replying to the Prime Minister's speech is Mr Edward Mancroft, | 0:32:10 | 0:32:13 | |
Labour member for Deptford. | 0:32:13 | 0:32:15 | |
My Lords, Ladies, | 0:32:19 | 0:32:21 | |
Mr Lord Mayor, Madam Prime Minister. | 0:32:21 | 0:32:23 | |
Pfft! | 0:32:25 | 0:32:27 | |
Hitler sings George Formby. | 0:32:34 | 0:32:36 | |
Oh, Mr Wu. | 0:32:39 | 0:32:41 | |
Vat can I do? | 0:32:41 | 0:32:42 | |
I've got... | 0:32:42 | 0:32:43 | |
I've got a lovely bunch of coconuts. | 0:32:48 | 0:32:51 | |
Here they all are standing in a row. | 0:32:51 | 0:32:54 | |
Morning, darling. | 0:32:54 | 0:32:55 | |
Morning, my wee lovie. What a lovely morning it is! | 0:32:55 | 0:32:57 | |
HE SQUEALS | 0:32:59 | 0:33:00 | |
NARRATOR: Yes, she knows what his problem is. | 0:33:01 | 0:33:05 | |
It's the farmers. | 0:33:05 | 0:33:06 | |
Yes, what he needs is Preparation Ouch. | 0:33:08 | 0:33:11 | |
Just one a day with a new applicator. | 0:33:13 | 0:33:15 | |
Good morning, darling! | 0:33:18 | 0:33:20 | |
Good morning, darling. What a beautiful day it's been. | 0:33:20 | 0:33:23 | |
Oh, look, my favourite breakfast. | 0:33:23 | 0:33:25 | |
Yes, send your farmers packing with... | 0:33:29 | 0:33:31 | |
Preparation Ouch. | 0:33:33 | 0:33:35 | |
Newsflash, we've just heard that the unemployment figures are starting | 0:33:39 | 0:33:43 | |
to fall drastically. | 0:33:43 | 0:33:44 | |
So, for an explanation, over now to Mr Norman Tebbit, | 0:33:44 | 0:33:46 | |
the Minister of Employment. | 0:33:46 | 0:33:49 | |
GUNSHOT | 0:33:49 | 0:33:50 | |
HE WHISTLES | 0:33:50 | 0:33:51 | |
GUNSHOT | 0:33:55 | 0:33:56 | |
HE WHISTLES | 0:33:56 | 0:33:58 | |
GUNSHOT | 0:34:01 | 0:34:02 | |
COMICAL HORN BLOWS | 0:34:02 | 0:34:04 | |
Thank you. Thank you, that'll be all today, Miss Polly. | 0:34:06 | 0:34:08 | |
Thank you. | 0:34:08 | 0:34:11 | |
Come in. | 0:34:11 | 0:34:12 | |
KNOCKING ON DOOR | 0:34:12 | 0:34:14 | |
Ah, Mr Dark. | 0:34:19 | 0:34:20 | |
HE SQUEAKS | 0:34:20 | 0:34:22 | |
Do sit down, would you, Shrinker? | 0:34:26 | 0:34:29 | |
HE SQUEAKS LOUDLY | 0:34:29 | 0:34:31 | |
Look here, Shrinker, I expect you're wondering why I sent for you. | 0:34:34 | 0:34:38 | |
Tell me, how long have you been a suppository tester? | 0:34:38 | 0:34:40 | |
I started at the bottom and... | 0:34:42 | 0:34:45 | |
and I stayed there. | 0:34:45 | 0:34:47 | |
Yes, of course, with your condition, you are the ideal test-bed. | 0:34:47 | 0:34:53 | |
Tell me, how long have you worked here? | 0:34:53 | 0:34:56 | |
182 years, sir. | 0:34:56 | 0:34:58 | |
182?! | 0:34:58 | 0:34:59 | |
Yes, sir. I've put a lot of overtime in, mind you. | 0:34:59 | 0:35:02 | |
I can't sit down on this job. | 0:35:04 | 0:35:07 | |
Look here, Shrinker. | 0:35:07 | 0:35:08 | |
It's never been my policy to focus on other people's handicaps, | 0:35:08 | 0:35:13 | |
but, look, what I'm trying to say is, well, you see, | 0:35:13 | 0:35:16 | |
you have a certain problem. | 0:35:16 | 0:35:19 | |
Do you mean the metrics? | 0:35:19 | 0:35:22 | |
Metrics? Yes, the metric miles. | 0:35:22 | 0:35:25 | |
Oh, you mean the piles? | 0:35:25 | 0:35:27 | |
Yes, sir. Didn't you know we call them metrics, sir? | 0:35:27 | 0:35:30 | |
I assure you, Shrinker, I have no axe to grind with the piles. | 0:35:30 | 0:35:34 | |
I'm so glad to hear you say that, sir. | 0:35:34 | 0:35:37 | |
Look here, Shrinker. | 0:35:39 | 0:35:40 | |
It's come to my attention that, while working here, | 0:35:40 | 0:35:44 | |
while testing suppositories, you've been bursting into flames. | 0:35:44 | 0:35:49 | |
I know, sir, I'm very sorry, sir. | 0:35:49 | 0:35:52 | |
Ever since you started working here, you've caught fire 32 times. | 0:35:52 | 0:35:57 | |
And, on one occasion, both your legs became a blazing inferno, | 0:35:57 | 0:36:02 | |
and firemen had to force their way into your trousers using breathing apparatus. | 0:36:02 | 0:36:06 | |
Do you mind, sir? Go ahead. Thank you, sir. | 0:36:06 | 0:36:08 | |
Thank you, sir. | 0:36:19 | 0:36:21 | |
Look here, Shrinker. | 0:36:21 | 0:36:24 | |
I'm afraid you'll have to be made redundant. | 0:36:24 | 0:36:26 | |
No! Yes, I'm afraid so. | 0:36:26 | 0:36:28 | |
You see, you've been superseded by the latest development in haemorrhoid technology. | 0:36:29 | 0:36:33 | |
Not nuclear piles! | 0:36:33 | 0:36:35 | |
No! | 0:36:35 | 0:36:37 | |
The new self-inserting suppository applicator. | 0:36:37 | 0:36:41 | |
Run telecine. | 0:36:44 | 0:36:46 | |
Preparation Ouch puts a smile on your face. | 0:36:46 | 0:36:50 | |
WOMAN: The in thing! | 0:36:50 | 0:36:51 | |
JAZZ MUSIC STARTS | 0:37:46 | 0:37:50 | |
JAZZ MUSIC STOPS | 0:37:54 | 0:37:56 | |
JAZZ MUSIC STARTS AGAIN | 0:38:00 | 0:38:01 | |
Is it on? | 0:38:23 | 0:38:25 | |
Er, um... It'll be... very high up here tonight. | 0:38:29 | 0:38:34 | |
Pretty high up there. And, um... | 0:38:34 | 0:38:37 | |
That's not... | 0:38:39 | 0:38:40 | |
It'll be very low... Very low down there. | 0:38:40 | 0:38:43 | |
And, erm... | 0:38:47 | 0:38:49 | |
This is England tonight. | 0:38:49 | 0:38:51 | |
All this is England. | 0:38:52 | 0:38:54 | |
And this will be England tomorrow. | 0:38:56 | 0:39:00 | |
You see. You just see. | 0:39:03 | 0:39:05 | |
You wait, you'll see that's England tomorrow. | 0:39:05 | 0:39:08 | |
The Whistler and his dog. | 0:39:10 | 0:39:12 | |
HE WHISTLES AND BARKS | 0:39:14 | 0:39:16 | |
The Whistler and his horse. | 0:39:19 | 0:39:22 | |
HE WHISTLES AND CLAPS | 0:39:23 | 0:39:26 | |
The Whistler and...somebody else. | 0:39:28 | 0:39:32 | |
HE WHISTLES | 0:39:32 | 0:39:34 | |
Jim. | 0:39:34 | 0:39:36 | |
Verily I say unto you, eyes front! | 0:39:57 | 0:40:00 | |
Our Father, who art in heaven... | 0:40:05 | 0:40:08 | |
As you were, as you were. | 0:40:10 | 0:40:11 | |
Hallowed be thy name! | 0:40:11 | 0:40:14 | |
Thy Kingdom... Wait for it, wait for it. | 0:40:14 | 0:40:18 | |
..come! | 0:40:18 | 0:40:19 | |
Thy will be done. | 0:40:19 | 0:40:22 | |
Give us this day our daily bread. | 0:40:22 | 0:40:24 | |
Steady, steady, steady. | 0:40:24 | 0:40:26 | |
And forgive us our trespasses | 0:40:26 | 0:40:28 | |
as we forgive them | 0:40:28 | 0:40:29 | |
that trespass against us. | 0:40:29 | 0:40:31 | |
Amen! | 0:40:31 | 0:40:34 | |
FOOTSTEPS STANDING TO ATTENTION | 0:40:34 | 0:40:36 | |
METALLIC CLATTERING | 0:40:36 | 0:40:37 | |
Look into my eyes. | 0:41:04 | 0:41:05 | |
I'm going to hypnotise you. | 0:41:07 | 0:41:09 | |
Yes, you. Right now. | 0:41:09 | 0:41:11 | |
No, don't look away. | 0:41:11 | 0:41:13 | |
Look into my eyes. | 0:41:13 | 0:41:15 | |
Relax. | 0:41:15 | 0:41:17 | |
You want a smoke. | 0:41:17 | 0:41:19 | |
You want a smoke that will make your mouth taste fresh. | 0:41:19 | 0:41:21 | |
New Spud by the makers of Marlboro. | 0:41:21 | 0:41:25 | |
New Spud has a filter tip. | 0:41:25 | 0:41:26 | |
It has a crushproof box. | 0:41:26 | 0:41:28 | |
It has a fresh taste like it was air-conditioned. | 0:41:28 | 0:41:31 | |
You're going to try new Spud tomorrow. | 0:41:31 | 0:41:35 | |
You're going to try new Spud. | 0:41:35 | 0:41:37 | |
You're going to buy a pack tomorrow. | 0:41:37 | 0:41:40 | |
This whole unique thing of advertisements coming on. | 0:41:40 | 0:41:45 | |
"We will now take a break." | 0:41:45 | 0:41:47 | |
Get a load of this filter! | 0:41:49 | 0:41:51 | |
But it's funny, because some of the ads | 0:41:51 | 0:41:53 | |
were actually better than the shows! | 0:41:53 | 0:41:56 | |
The sort of striking ones... | 0:41:59 | 0:42:00 | |
..that very film noir, "You're never alone with a Strand." | 0:42:02 | 0:42:07 | |
It was probably one of the best shot ads of that whole period. | 0:42:16 | 0:42:20 | |
INTERVIEWER: He does look like he's on the edge of ending it all, doesn't he? | 0:42:21 | 0:42:25 | |
He probably did as well, you know? | 0:42:25 | 0:42:27 | |
"Send the cheque to my mum! I'm jumping into the goddamn Thames!" | 0:42:29 | 0:42:34 | |
That was a big thing, wasn't it? Jumping into the Thames. | 0:42:34 | 0:42:37 | |
Yeah, the bridges, what are they made for? | 0:42:37 | 0:42:39 | |
You're never alone with a Strand. | 0:42:47 | 0:42:49 | |
The cigarette of the moment. | 0:42:49 | 0:42:51 | |
Strand, the new tipped cigarette. | 0:42:51 | 0:42:54 | |
Wonderful value at three and tuppence for 20. | 0:42:54 | 0:42:57 | |
Yeah, unfortunately, apparently it killed a lot of people. | 0:42:59 | 0:43:03 | |
Not from the smoking, but from the loneliness! | 0:43:03 | 0:43:06 | |
Killed the brand, too. | 0:43:08 | 0:43:09 | |
Yeah. | 0:43:09 | 0:43:10 | |
There was that Park Drive, | 0:43:10 | 0:43:14 | |
Players, Senior Service and Woodbines. | 0:43:14 | 0:43:20 | |
You know? | 0:43:21 | 0:43:23 | |
I don't know where I got this reputation for being a great smoker. | 0:43:25 | 0:43:31 | |
You know, there's something about it. | 0:43:31 | 0:43:35 | |
It's no accident that, suddenly, | 0:43:37 | 0:43:41 | |
they cottoned on to the immense sort of wealth of teenagers. | 0:43:41 | 0:43:47 | |
Before, they'd been totally ignored. | 0:43:47 | 0:43:49 | |
# I'm a-gonna raise a fuss I'm a-gonna raise a holler | 0:43:58 | 0:44:02 | |
# About a-workin' all summer just to try to earn a dollar | 0:44:04 | 0:44:08 | |
# Every time I call my baby try to get a date | 0:44:11 | 0:44:14 | |
# My boss says, "No dice, son You gotta work late" | 0:44:14 | 0:44:17 | |
# Sometimes I wonder what I'm a-gonna do | 0:44:17 | 0:44:20 | |
# But there ain't no cure for the summertime blues. # | 0:44:20 | 0:44:23 | |
At the time you saw it, it was just something new. | 0:44:29 | 0:44:32 | |
You weren't thinking about the wicked design behind it and all that. | 0:44:35 | 0:44:40 | |
# Wake up in the morning There's a snap around the place | 0:44:40 | 0:44:43 | |
# Wake up in the morning There's a crackle in your face | 0:44:43 | 0:44:46 | |
# Wake up in the morning There's a pop that really says | 0:44:46 | 0:44:49 | |
# "Rice Krispies for you and you and you!" | 0:44:49 | 0:44:52 | |
# Pour on the milk and listen to the snap that says, "It's nice!" | 0:44:52 | 0:44:55 | |
# Pour on the milk and listen to the crackle of that rice | 0:44:55 | 0:44:58 | |
# Get up in the morning to the pop that says, "It's rice!" | 0:44:58 | 0:45:01 | |
# Hear them talking crisp Rice Krispies! # | 0:45:01 | 0:45:04 | |
The Stones sold out before The Who. | 0:45:06 | 0:45:09 | |
HE LAUGHS | 0:45:09 | 0:45:11 | |
But it is the only one we ever did, yeah. | 0:45:11 | 0:45:15 | |
And it wasn't bad. | 0:45:15 | 0:45:16 | |
It's pretty good. Yeah, yeah. | 0:45:16 | 0:45:17 | |
You know, I'd buy a pack of Rice Krispies on that. | 0:45:17 | 0:45:22 | |
Great! | 0:45:22 | 0:45:24 | |
But that's what advertising's about. | 0:45:24 | 0:45:26 | |
It's to sell you something you don't really need. | 0:45:28 | 0:45:31 | |
Satisfaction's all about advertising and short-changing. | 0:45:31 | 0:45:34 | |
I love Otis's version of satisfaction. | 0:45:37 | 0:45:40 | |
He blew everybody away when he did it on Ready Steady Go! | 0:45:40 | 0:45:43 | |
Once in, you're hooked, you know? | 0:45:48 | 0:45:50 | |
The guy was amazing. | 0:45:50 | 0:45:52 | |
# I can't get no | 0:45:53 | 0:45:56 | |
# Satisfaction | 0:45:56 | 0:45:58 | |
# I can't get no | 0:45:58 | 0:46:01 | |
# Satisfaction | 0:46:01 | 0:46:03 | |
# I've tried, I've tried | 0:46:03 | 0:46:08 | |
# I can't get me no, no, no | 0:46:08 | 0:46:11 | |
# And I can't get no, no, no | 0:46:11 | 0:46:14 | |
# When I'm driving in my car | 0:46:14 | 0:46:17 | |
# And that man come on the radio | 0:46:17 | 0:46:19 | |
# Keep a-tellin' me more and more | 0:46:19 | 0:46:22 | |
# About that useless information | 0:46:22 | 0:46:25 | |
# He's tryin' to mess up my imagination | 0:46:25 | 0:46:28 | |
# I can't get me no, no, no | 0:46:28 | 0:46:30 | |
# Hey, hey, hey! | 0:46:33 | 0:46:34 | |
# We got to groove it, we got to! | 0:46:34 | 0:46:39 | |
# We got to have it | 0:46:39 | 0:46:41 | |
# Got to, got to We got to keep on grooving | 0:46:41 | 0:46:45 | |
# Keep on grooving, keep on grooving | 0:46:45 | 0:46:48 | |
# I know | 0:46:48 | 0:46:50 | |
# I can't get no | 0:46:50 | 0:46:53 | |
# Satisfaction | 0:46:53 | 0:46:55 | |
# I can't get no | 0:46:55 | 0:46:58 | |
# Satisfaction | 0:46:58 | 0:47:00 | |
# I've tried, I've tried | 0:47:00 | 0:47:03 | |
# I've tried I've tried, tried, tried | 0:47:03 | 0:47:05 | |
# I can't get no, oh, no, no | 0:47:05 | 0:47:10 | |
# Keep on rocking | 0:47:12 | 0:47:14 | |
# Baby you'll get you some... # | 0:47:14 | 0:47:17 | |
I thought, "That was it. I'm topped now." | 0:47:18 | 0:47:21 | |
You know? I mean, to have Otis and Aretha covering your song. | 0:47:21 | 0:47:24 | |
I mean, that's it, you can die and go to heaven at that point. | 0:47:25 | 0:47:29 | |
Whether you get in or not is another thing! | 0:47:29 | 0:47:32 | |
Can songs wake you up in the middle of the night? | 0:47:32 | 0:47:35 | |
Arrive out of nowhere? | 0:47:35 | 0:47:37 | |
Satisfaction did. | 0:47:37 | 0:47:38 | |
Yeah. I didn't even know I'd written that one. | 0:47:38 | 0:47:41 | |
But that didn't wake you up? | 0:47:41 | 0:47:43 | |
Not to consciousness. | 0:47:43 | 0:47:45 | |
But enough for me to apparently have got up in the middle of the night | 0:47:45 | 0:47:48 | |
and laid down the basic chords and that riff and said, | 0:47:48 | 0:47:54 | |
"I can't get no satisfaction." | 0:47:54 | 0:47:56 | |
Luckily enough, I had one of the first recorders, | 0:47:56 | 0:47:59 | |
Philips tape recorders, cassette recorders, you know? | 0:47:59 | 0:48:02 | |
And it was, like, brand-new at the time and hi-tech. | 0:48:02 | 0:48:08 | |
And I know, also, while I was doing this, | 0:48:08 | 0:48:10 | |
I happened to hit play and record. | 0:48:10 | 0:48:14 | |
And I don't know how that happened. | 0:48:14 | 0:48:17 | |
All I do know is that, when I woke up in the morning, | 0:48:17 | 0:48:22 | |
I could see that the tape had run all the way to the end. | 0:48:22 | 0:48:27 | |
So the tape had run, you know? | 0:48:27 | 0:48:30 | |
I mean, it was finished. | 0:48:30 | 0:48:32 | |
Push rewind, you know, and there for, I don't know, | 0:48:32 | 0:48:37 | |
30 seconds was Satisfaction. | 0:48:37 | 0:48:40 | |
This is why I love recording. | 0:48:40 | 0:48:41 | |
I have no memory of actually doing it. | 0:48:45 | 0:48:47 | |
The rest of the tape, 45 minutes long, is me snoring. | 0:48:47 | 0:48:51 | |
It was a kind of revelation, in a way of, you know, | 0:48:54 | 0:48:58 | |
what you can do when you're asleep, you know? | 0:48:58 | 0:49:01 | |
Talking about songwriting and songwriters, | 0:49:06 | 0:49:09 | |
here's one of the very best. | 0:49:09 | 0:49:11 | |
A rarely seen piece from 1968. | 0:49:11 | 0:49:14 | |
Hang out with the one and only Johnny Cash. | 0:49:14 | 0:49:16 | |
APPLAUSE | 0:49:22 | 0:49:24 | |
MUSIC: Ring Of Fire by Johnny Cash | 0:49:24 | 0:49:26 |