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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
'The following programme is brought to you in living colour.' | 0:00:09 | 0:00:13 | |
TONIGHT SHOW THEME PLAYS | 0:00:13 | 0:00:17 | |
'Tonight we have Evel Knievel...' | 0:00:17 | 0:00:19 | |
Some of you may have seen this film before. | 0:00:19 | 0:00:21 | |
This is a jump that you made at Caesar's Palace. What happened? | 0:00:21 | 0:00:24 | |
The motorcycle landed short, | 0:00:24 | 0:00:27 | |
ripped the handlebars out of my hands | 0:00:27 | 0:00:29 | |
and, er, I bounced for 60 yards into the Dunes parking lot. | 0:00:29 | 0:00:33 | |
AUDIENCE GASP | 0:00:33 | 0:00:34 | |
God. You're an incredible man. | 0:00:37 | 0:00:39 | |
I know I've been called a lot of things by a lot of people, | 0:00:45 | 0:00:48 | |
-crazy man or conman... -Mm-hm. | 0:00:48 | 0:00:49 | |
..but when you head down that long, white line, | 0:00:49 | 0:00:52 | |
you better have had major peace with God and you'd better | 0:00:52 | 0:00:55 | |
know what you're doing, because a conman ain't gonna get there. | 0:00:55 | 0:00:58 | |
MUSIC: 20th Century Boy by T-Rex | 0:00:58 | 0:01:00 | |
# Friends say it's fine, friends say it's good | 0:01:11 | 0:01:15 | |
# Everybody says it's just like rock'n'roll | 0:01:15 | 0:01:19 | |
# I move like a cat, talk like a rat | 0:01:25 | 0:01:29 | |
# Sting like a bee | 0:01:29 | 0:01:31 | |
# And babe, I'm gonna be your man | 0:01:31 | 0:01:34 | |
# And it's plain to see you were meant for me | 0:01:39 | 0:01:42 | |
# Yeah, I'm your boy, your 20th-century toy | 0:01:42 | 0:01:46 | |
# 20th-century toy | 0:01:53 | 0:01:56 | |
# I wanna be your boy | 0:01:56 | 0:02:00 | |
# 20th-century toy | 0:02:00 | 0:02:03 | |
# I wanna be your boy... # | 0:02:03 | 0:02:07 | |
I was a member of the Sportscasters Association of Los Angeles. | 0:02:26 | 0:02:29 | |
And we used to have monthly meetings on a Thursday. | 0:02:29 | 0:02:33 | |
Everybody who was anybody came. | 0:02:33 | 0:02:35 | |
Tommy Lasorda, Billie Jean King was there... | 0:02:35 | 0:02:38 | |
Muhammad Ali when he was Cassius Clay | 0:02:38 | 0:02:40 | |
first made his appearance here. | 0:02:40 | 0:02:42 | |
They were legitimate athletes in their chosen professions. | 0:02:42 | 0:02:46 | |
All of a sudden, there was this commotion on Ventura Boulevard. | 0:02:46 | 0:02:50 | |
It was this nutcase going up and down, doing wheelies. | 0:02:50 | 0:02:53 | |
I didn't even know what a wheelie wasn't until they explained it to me! | 0:02:53 | 0:02:56 | |
People didn't do wheelies up and down the road. I mean, that was crazy. | 0:02:56 | 0:02:59 | |
On a real road, on a motorcycle, going 80mph? | 0:02:59 | 0:03:02 | |
Everybody's stopping, going, "Whoa, look at that!" | 0:03:03 | 0:03:06 | |
Even the hard-bitten sports announcers of that day and age were taken aback | 0:03:06 | 0:03:11 | |
by this guy, who of course turned out to be Evel Knievel. | 0:03:11 | 0:03:15 | |
If you'd told me... | 0:03:15 | 0:03:16 | |
that he was going to be world-famous, I would say, "You're nuts." | 0:03:18 | 0:03:21 | |
You know, grandma and grandpa did the best they could do | 0:03:36 | 0:03:39 | |
and he was just rambunctious, I guess. | 0:03:39 | 0:03:41 | |
Maybe he didn't have that attention as a young boy when he needed it. | 0:03:41 | 0:03:44 | |
HE LAUGHS | 0:03:44 | 0:03:46 | |
Truth is, I think that Bobby was kind of angry with his father | 0:03:47 | 0:03:50 | |
because he didn't get to stay with him. That's what I think. | 0:03:50 | 0:03:54 | |
He wanted to be with his father. | 0:03:54 | 0:03:56 | |
We were up at my grandma's house and he and I were wrestling around | 0:03:57 | 0:04:01 | |
and I punched him in the mouth | 0:04:01 | 0:04:03 | |
and he landed on the back of his head and I said, "Bobby?" | 0:04:03 | 0:04:07 | |
And...nothing. I thought, "Oh, my God, I killed him!" | 0:04:07 | 0:04:10 | |
And instantly, he had these wild eyes, | 0:04:10 | 0:04:13 | |
because he knew what had happened. | 0:04:13 | 0:04:15 | |
And across the kitchen there was a door that was slightly open, | 0:04:15 | 0:04:18 | |
the pantry door, and he ran at that door | 0:04:18 | 0:04:20 | |
and slammed it shut with his head. | 0:04:20 | 0:04:23 | |
And that half stunned him again and he turned around, | 0:04:23 | 0:04:26 | |
sitting down, and he pointed at me and he said, "Did you see that?" | 0:04:26 | 0:04:30 | |
"Nobody can hurt me. You can't hurt me, nobody can hurt me." | 0:04:30 | 0:04:34 | |
I think growing up in Butte, Montana, | 0:04:38 | 0:04:41 | |
without a father, would be hard to handle, I would think. | 0:04:41 | 0:04:46 | |
Butte, Montana, was just a tough-ass mining town. | 0:04:49 | 0:04:53 | |
When the mines were going full, the mines were open 24 hours. | 0:04:53 | 0:04:57 | |
There was a lot of prostitution. | 0:04:57 | 0:04:59 | |
There was about 3,000 whores at that time. | 0:04:59 | 0:05:01 | |
It was just miners, drinking and fighting. | 0:05:01 | 0:05:04 | |
You had to learn to cope. Sometimes coping meant with your fists. | 0:05:04 | 0:05:10 | |
You fought, you stood up like a man. | 0:05:10 | 0:05:12 | |
You fought and you were taught that. | 0:05:12 | 0:05:14 | |
And that is part of the Butte credo. | 0:05:14 | 0:05:16 | |
You just don't back down. | 0:05:16 | 0:05:17 | |
Knievel was a fighter from the get-go. | 0:05:19 | 0:05:22 | |
Even during grade school. | 0:05:22 | 0:05:24 | |
He'd get a little obnoxious at times, you know? | 0:05:24 | 0:05:26 | |
You couldn't settle him down. | 0:05:26 | 0:05:28 | |
Well, you couldn't dare him. If you dared him, he'd do it. | 0:05:28 | 0:05:31 | |
I remember when Bob got his first motorcycle. | 0:05:33 | 0:05:36 | |
I don't know why he had two tyres. | 0:05:36 | 0:05:38 | |
He always rode around on the back one. | 0:05:38 | 0:05:40 | |
# I'm a juvenile delinquent... # | 0:05:40 | 0:05:43 | |
You never knew what he was going to do with that motorcycle in town. | 0:05:43 | 0:05:46 | |
I mean, he'd be riding it all over greens and raising hell with everybody. | 0:05:46 | 0:05:50 | |
He liked to have the cops chase him. | 0:05:50 | 0:05:52 | |
You just couldn't catch him on a bike when you were in a patrol car. | 0:05:52 | 0:05:56 | |
# ..always acting bad, so now the teacher wondered | 0:05:56 | 0:05:58 | |
# If I had a mom and dad | 0:05:58 | 0:05:59 | |
# Cos I'm a juvenile delinquent... # | 0:05:59 | 0:06:02 | |
One day, a girl ran up to the store and who's up there | 0:06:02 | 0:06:05 | |
but big bad Knievel, you know? | 0:06:05 | 0:06:07 | |
He was a character. SHE LAUGHS | 0:06:07 | 0:06:10 | |
I was scared, but I was kind of flattered, you know? | 0:06:11 | 0:06:14 | |
"Gee, he's paying attention to ME!" | 0:06:14 | 0:06:17 | |
And then one day he just said, "Ah, you're gonna marry me." | 0:06:17 | 0:06:20 | |
SHE LAUGHS | 0:06:20 | 0:06:22 | |
The story is...that he kidnapped her. | 0:06:22 | 0:06:25 | |
Well, I don't know if he kidnapped her or not, you know? That might | 0:06:26 | 0:06:29 | |
have been something that they were planning together anyhow, who knows? | 0:06:29 | 0:06:32 | |
Yeah, I guess I was kidnapped! | 0:06:32 | 0:06:34 | |
I think I was just walking home from school that day | 0:06:34 | 0:06:37 | |
when he said, "Get in the car!" you know? | 0:06:37 | 0:06:39 | |
SHE LAUGHS | 0:06:39 | 0:06:40 | |
I don't know... It was just.. Something just... | 0:06:40 | 0:06:43 | |
Almost, like, overtook me and he drove me down to Dillon. | 0:06:43 | 0:06:47 | |
And, um, danged if we didn't get married there. | 0:06:47 | 0:06:51 | |
He had some weird ideas about how life should be lived | 0:06:55 | 0:06:59 | |
and he thought that he should be at the top of the heap. You know? | 0:06:59 | 0:07:04 | |
And think that's why he did the stuff he did, and to make money. | 0:07:04 | 0:07:09 | |
He'd rather there be a shady side to him. | 0:07:09 | 0:07:11 | |
He was happier if there was something a little shady about him. | 0:07:11 | 0:07:14 | |
He made up his own job. | 0:07:14 | 0:07:15 | |
Actually, he started working as a security officer at night. | 0:07:15 | 0:07:19 | |
He had a route where he used to go round at two o'clock in the morning, | 0:07:19 | 0:07:22 | |
three o'clock in the morning, and check all the different establishments. | 0:07:22 | 0:07:26 | |
You'd pay him to be sure the doors were locked and everything | 0:07:26 | 0:07:29 | |
and if you didn't pay him, you might be robbed, you'd better watch yourself. | 0:07:29 | 0:07:32 | |
He broke into my place. | 0:07:32 | 0:07:34 | |
He might have had 40 or 50, something like that, but nothing big. | 0:07:34 | 0:07:37 | |
Yeah, he was in a racket, no question about that. | 0:07:37 | 0:07:41 | |
The police called me up and told me that there was a | 0:07:41 | 0:07:45 | |
known safe-cracker in town. | 0:07:45 | 0:07:47 | |
I knew they were talking about Evel. | 0:07:47 | 0:07:50 | |
He was a crook! | 0:07:50 | 0:07:51 | |
A conman, I guess you'd call him. | 0:07:51 | 0:07:53 | |
At the age of 19, he starts a semi-pro hockey team and convinces | 0:07:55 | 0:08:00 | |
the Czechoslovakian national team to come to Butte to play them. | 0:08:00 | 0:08:04 | |
And the Czechs kill 'em! Like, smoke 'em, 22-3. | 0:08:04 | 0:08:08 | |
But I don't think Evel was that upset about the score. | 0:08:08 | 0:08:11 | |
I think he left in the middle of the second period | 0:08:12 | 0:08:15 | |
and the money disappeared, there was no money to pay 'em, so... | 0:08:15 | 0:08:19 | |
-You know, draw your own conclusions! Where did the money go? -HE CHUCKLES | 0:08:19 | 0:08:24 | |
Well, Butte likes people who bounce up against the edges of the envelope. | 0:08:24 | 0:08:29 | |
They're forgiving about some criminal activity. | 0:08:29 | 0:08:32 | |
But they don't particularly like criminals. | 0:08:32 | 0:08:35 | |
He had three kids at the time. | 0:08:35 | 0:08:37 | |
Threw all of his burglar bags in the river | 0:08:37 | 0:08:40 | |
and decided to go straight. | 0:08:40 | 0:08:42 | |
So Knievel gets this job selling insurance for | 0:08:42 | 0:08:47 | |
Combined Insurance Company and it was run by this guy, W. Clement Stone, | 0:08:47 | 0:08:52 | |
who wrote a book called Success Through A Positive Mental Attitude. | 0:08:52 | 0:08:56 | |
I feel healthy, I feel happy, I feel terrific! | 0:08:56 | 0:09:00 | |
I think it really changed his thinking drastically. | 0:09:00 | 0:09:03 | |
I mean, he was that way to begin with and it just intensified it. | 0:09:03 | 0:09:07 | |
He was a legendary salesman. | 0:09:07 | 0:09:10 | |
When he was selling insurance, he was selling insurance and he was selling a lot of it. | 0:09:10 | 0:09:13 | |
Remember, he went to the mental hospital in... Maybe it was Deer Lodge. | 0:09:13 | 0:09:18 | |
And he wrote 271 policies in this hospital, mental hospital. | 0:09:18 | 0:09:24 | |
It was a super record, nobody had ever written that many policies in a week, ever. | 0:09:24 | 0:09:28 | |
And he talked to the president of the company at that time | 0:09:28 | 0:09:31 | |
and said, "I'll break every record in the company, | 0:09:31 | 0:09:33 | |
"every single one that exists. | 0:09:33 | 0:09:35 | |
"And you make me a vice president after I do that." | 0:09:35 | 0:09:38 | |
And Mr Stone says, "Sorry, that isn't going to happen." | 0:09:38 | 0:09:41 | |
Well, Knievel didn't like that. | 0:09:41 | 0:09:43 | |
So he picks up his family and moves to Moses Lake, Washington, | 0:09:43 | 0:09:47 | |
where he gets a job selling Honda motorcycles. | 0:09:47 | 0:09:51 | |
He was making a good living at it, but it wasn't good enough for him. | 0:09:51 | 0:09:54 | |
He says, "I think I need to do something weird, some kind of a stunt, | 0:09:54 | 0:09:59 | |
"so it'll get people to come down here and see the motorcycles." | 0:09:59 | 0:10:03 | |
So he had this crazy idea about doing this jump. | 0:10:03 | 0:10:07 | |
He says, "I'm going to jump over cougars and rattlesnakes." | 0:10:07 | 0:10:10 | |
HE LAUGHS | 0:10:10 | 0:10:11 | |
I said, "You've got to be kidding me!" | 0:10:11 | 0:10:13 | |
Well, my part in that mountain lion jump was, I wore a white coat | 0:10:13 | 0:10:17 | |
like a doctor, and he would introduce me as a veterinarian, | 0:10:17 | 0:10:21 | |
which was a crock of bull, but... | 0:10:21 | 0:10:24 | |
So he brings him down, and... | 0:10:24 | 0:10:26 | |
Put the cougars underneath, and they're scared to death, | 0:10:26 | 0:10:28 | |
they won't come out. | 0:10:28 | 0:10:30 | |
They're like kitty cats. | 0:10:30 | 0:10:32 | |
But the snakes, holy Christ! | 0:10:32 | 0:10:33 | |
We put them in a big refrigerator carton, and they were pissed off. | 0:10:33 | 0:10:38 | |
So he goes around the track, and then he goes up the ramp, | 0:10:38 | 0:10:41 | |
and, well, the minute he went up in the air I could see | 0:10:41 | 0:10:43 | |
he wasn't going to make it, my God, he's about three feet short, | 0:10:43 | 0:10:46 | |
his back tyre hits the refrigerator carton, | 0:10:46 | 0:10:48 | |
the snakes go flitting into the crowd, | 0:10:48 | 0:10:49 | |
talk about people running and getting out of there, Jesus Christ! | 0:10:49 | 0:10:53 | |
HE LAUGHS | 0:10:53 | 0:10:54 | |
The poor guy from Vantage wants us to help catch his snakes! | 0:10:54 | 0:10:58 | |
HE LAUGHS | 0:10:58 | 0:10:59 | |
-Said, "you got to be kidding me!" -HE LAUGHS | 0:10:59 | 0:11:02 | |
And he just rode back on his motorcycle, went up the jump | 0:11:02 | 0:11:05 | |
and waved at the crowd, he didn't... | 0:11:05 | 0:11:07 | |
He didn't care about the snakes! | 0:11:07 | 0:11:10 | |
People started to talk to him, you know, "What can you do next?" | 0:11:10 | 0:11:13 | |
And he started thinking about that kind of stuff. | 0:11:13 | 0:11:16 | |
That's when he came up with the idea of starting a stunt show. | 0:11:16 | 0:11:19 | |
I told him, I said, "They're going to eat you up, boy, | 0:11:19 | 0:11:22 | |
"you'll never make it." | 0:11:22 | 0:11:23 | |
I was a bartender at Marty's Bar in Orange, California. | 0:11:28 | 0:11:32 | |
And this fella comes in, sits at the end of the bar, | 0:11:32 | 0:11:36 | |
and we start talking. | 0:11:36 | 0:11:38 | |
Well, he's a motorcycle daredevil, | 0:11:38 | 0:11:41 | |
and he has jumped rattlesnakes, | 0:11:41 | 0:11:44 | |
and he wants to do a big ramp-to-ramp jump. | 0:11:44 | 0:11:48 | |
He said, "People will go wild." | 0:11:48 | 0:11:50 | |
And he just convinced me. | 0:11:50 | 0:11:53 | |
Somehow, | 0:11:56 | 0:11:57 | |
I was able to get two pick-ups, | 0:11:57 | 0:12:00 | |
a tractor and a 40-foot trailer. | 0:12:00 | 0:12:03 | |
The logo on the side was | 0:12:03 | 0:12:06 | |
"Evel Knievel and his Motorcycle Daredevils." | 0:12:06 | 0:12:10 | |
ENGINE REVS | 0:12:10 | 0:12:11 | |
The name Evel came from his wild years in Butte. | 0:12:11 | 0:12:15 | |
He was given that name by the cops. | 0:12:15 | 0:12:17 | |
He was in jail with a guy named Knofel, and he said, | 0:12:17 | 0:12:21 | |
"Well, better lock up the doors pretty good tonight, | 0:12:21 | 0:12:23 | |
"we've got Awful Knofel and Evel Knievel in here." | 0:12:23 | 0:12:27 | |
He heard that, and he liked that. | 0:12:29 | 0:12:31 | |
He changed it to E-V-E-L | 0:12:31 | 0:12:32 | |
because he didn't want to sound TOO evil. | 0:12:32 | 0:12:35 | |
What he did was get a bunch of people working with him. | 0:12:39 | 0:12:42 | |
Good guys like Swede Savage and Eddie Mulder. | 0:12:42 | 0:12:46 | |
So he started, er... | 0:12:46 | 0:12:48 | |
thinking up different stunts to do. | 0:12:48 | 0:12:50 | |
The flaming boards, we'd soak them in gasoline and light it on fire. | 0:12:50 | 0:12:56 | |
And it'd hit that first board and just go, boom! | 0:12:56 | 0:12:59 | |
And the sparks, the stuff would fly in the air. | 0:12:59 | 0:13:02 | |
And then, boom! | 0:13:02 | 0:13:03 | |
At the second one, sparks were flying, boom at the third one, | 0:13:03 | 0:13:05 | |
hit the fourth one and the fifth one... | 0:13:05 | 0:13:08 | |
Somehow, Bob got this midget... | 0:13:08 | 0:13:11 | |
Butcher Wilhelm... | 0:13:11 | 0:13:12 | |
and talked him into joining the show. | 0:13:12 | 0:13:15 | |
Bob said, "He will do everything I do in miniature." | 0:13:15 | 0:13:21 | |
And he would crash on every single one. | 0:13:21 | 0:13:24 | |
So then it looked like when Bob was going to make his jump, | 0:13:24 | 0:13:27 | |
something terrible is going to happen. | 0:13:27 | 0:13:29 | |
Knievel was such a crazy son of a bitch, | 0:13:32 | 0:13:34 | |
he'd do these stunts, and he never tried them before. | 0:13:34 | 0:13:36 | |
One time he had a motorcycle run at him, about 60mph, | 0:13:36 | 0:13:40 | |
and he jumped up, but he didn't jump high enough. | 0:13:40 | 0:13:43 | |
And the motorcycle hit him and flipped him over. | 0:13:43 | 0:13:47 | |
He was sprained from his waist to his ankles. | 0:13:50 | 0:13:53 | |
I think at that point | 0:13:53 | 0:13:54 | |
is when he decided he was just going to stick to jumping the motorcycle. | 0:13:54 | 0:13:58 | |
The equipment my dad jumped on, | 0:14:11 | 0:14:13 | |
compared to what's going on today, | 0:14:13 | 0:14:15 | |
unbelievable. | 0:14:15 | 0:14:17 | |
That thing weighed 500 lbs. | 0:14:17 | 0:14:19 | |
It would be like jumping a dump truck over all those cars. | 0:14:19 | 0:14:22 | |
But he'd do it anyway. | 0:14:22 | 0:14:24 | |
I was the speedometer for Evel - I had to stand there and watch him, | 0:14:24 | 0:14:27 | |
say, "You're going fast enough," or "You're not going fast enough." | 0:14:27 | 0:14:30 | |
I guess you'd call it guesswork. | 0:14:30 | 0:14:32 | |
Bob jumped further and further with each show. | 0:14:34 | 0:14:37 | |
The only thing is, | 0:14:37 | 0:14:39 | |
those stands were not full, not by any means. | 0:14:39 | 0:14:43 | |
How do you convince people to come to a sport they've never heard of? | 0:14:43 | 0:14:47 | |
We were 52,000 in debt. | 0:14:50 | 0:14:52 | |
Bob kept spending money we didn't have. | 0:14:52 | 0:14:55 | |
And that's when I decided I had to leave. | 0:14:55 | 0:14:58 | |
Well, of course, then he saw that he didn't need the team. | 0:15:00 | 0:15:04 | |
He went on his own. | 0:15:04 | 0:15:06 | |
Now it would just be him, looking for his big break. | 0:15:06 | 0:15:11 | |
# Friends say you'll be... # | 0:15:11 | 0:15:13 | |
RADIO CHANNEL CHANGES | 0:15:13 | 0:15:14 | |
FANFARE ANNOUNCER: 'Spanning the globe...' | 0:15:14 | 0:15:16 | |
"Spanning the globe to bring you the constant variety of sport!" | 0:15:16 | 0:15:20 | |
Four years I kept singing it in my sleep. | 0:15:20 | 0:15:22 | |
"The thrill of victory and the agony of defeat." | 0:15:22 | 0:15:24 | |
'..and the agony of defeat. | 0:15:24 | 0:15:26 | |
'The human drama of athletic competition.' | 0:15:26 | 0:15:28 | |
I remember, like, the crazy stuff | 0:15:28 | 0:15:30 | |
that they would show once in a while. | 0:15:30 | 0:15:31 | |
Skateboarding was on Wide World of Sports, I remember that. | 0:15:31 | 0:15:34 | |
'ABC's Wide World of Sports...' | 0:15:34 | 0:15:36 | |
We were in the business of sports theatre. | 0:15:36 | 0:15:39 | |
Sports was drama, sports was a story. | 0:15:39 | 0:15:42 | |
'..the thrill of victory.' | 0:15:42 | 0:15:44 | |
I loved it. I covered some of the weirdest things myself. | 0:15:44 | 0:15:47 | |
As long as it brought in an audience. | 0:15:47 | 0:15:49 | |
America loved it. | 0:15:49 | 0:15:50 | |
'..the human drama of athletic competition.' | 0:15:50 | 0:15:52 | |
Everybody rushed home from church | 0:15:52 | 0:15:54 | |
and watched ABC Wide World of Sports at one o'clock. | 0:15:54 | 0:15:56 | |
That was the biggest show on TV. | 0:15:56 | 0:15:58 | |
'ABC's Wide World of Sports.' | 0:15:58 | 0:16:01 | |
I'd like to introduce to you a most unusual young man. | 0:16:01 | 0:16:04 | |
This is Evel Knievel, | 0:16:04 | 0:16:06 | |
and his specialty in sports is to take a motorcycle up over a ramp, | 0:16:06 | 0:16:11 | |
and leap through the air some 90 feet. That's what he's going to try today, over 15 automobiles. | 0:16:11 | 0:16:15 | |
You're trying 15 today? | 0:16:15 | 0:16:16 | |
Well, the parachute's ready, motorcycle's ready, | 0:16:16 | 0:16:18 | |
and I'm ready, and I'm not going to miss today. | 0:16:18 | 0:16:20 | |
And he's set to go. | 0:16:20 | 0:16:21 | |
He'll build up speed as quickly as he can, and here he goes! | 0:16:23 | 0:16:26 | |
He makes it! | 0:16:31 | 0:16:32 | |
A beautiful leap as Evel Knievel | 0:16:33 | 0:16:36 | |
gets wild approval from the crowd here. | 0:16:36 | 0:16:38 | |
Here we are at this Wide World of Sports, | 0:16:39 | 0:16:41 | |
biggest race of the year, | 0:16:41 | 0:16:42 | |
biggest dirt track race of the year, and I won it. | 0:16:42 | 0:16:45 | |
I won the race, and you think anybody remembered? | 0:16:45 | 0:16:47 | |
No! | 0:16:47 | 0:16:49 | |
They know Knievel. | 0:16:49 | 0:16:50 | |
They remember Knievel out of that whole deal, not me! | 0:16:50 | 0:16:53 | |
And I won 100 laps, rode my ass off. | 0:16:53 | 0:16:55 | |
So Evel got his foot in the door, and now he's going to knock it down. | 0:16:58 | 0:17:02 | |
If you were to think of the most outrageous thing you could do... | 0:17:06 | 0:17:09 | |
..what would it be? | 0:17:10 | 0:17:11 | |
It would be jump those fountains at Caesar's Palace. | 0:17:12 | 0:17:14 | |
I don't know where it came from, | 0:17:16 | 0:17:18 | |
how a guy would go down to Caesar's Palace Strip, | 0:17:18 | 0:17:21 | |
look at the fountains... | 0:17:21 | 0:17:22 | |
What was he thinking, where did that come from? | 0:17:22 | 0:17:25 | |
So Evel wants to do this stunt in Vegas, | 0:17:25 | 0:17:28 | |
but no-one knows who the hell he is. | 0:17:28 | 0:17:30 | |
So he switches into hustler mode. | 0:17:30 | 0:17:32 | |
This guy called every news outlet, told them that Evel Knievel, | 0:17:32 | 0:17:37 | |
famed stunt motorcyclist, | 0:17:37 | 0:17:39 | |
was going to jump Caesar's Palace come Saturday morning. | 0:17:39 | 0:17:43 | |
Be there. | 0:17:43 | 0:17:44 | |
So then he calls Jay Sarno, the guy who runs Caesar's, | 0:17:44 | 0:17:47 | |
and each time he would call as a different person, | 0:17:47 | 0:17:50 | |
and each time, he would mispronounce his own name. | 0:17:50 | 0:17:53 | |
I told them my name was Larson, I was with Sports Illustrated. | 0:17:53 | 0:17:55 | |
I said, "You ever heard of Evel Neevel?" They said, "Evel Neevel, who the hell's Evel Neevel?" | 0:17:55 | 0:17:59 | |
I waited two more days and called him back and said, | 0:17:59 | 0:18:02 | |
"It's Dennis Lewin from Wide World of Sports, do you know Evel Knievel?" | 0:18:02 | 0:18:05 | |
He says, "Avel Navel, Evel Neevel, Evel Knievel, who is this crazy guy? Everybody's calling me about him." | 0:18:05 | 0:18:09 | |
He said, "I think we've got a deal with him, I don't know, call back!" LAUGHTER | 0:18:09 | 0:18:13 | |
Like a lot of his stunts, Caesar's Palace was one of those | 0:18:16 | 0:18:19 | |
that he'd dreamed up and sold before he even knew it was possible. | 0:18:19 | 0:18:22 | |
And then on the day, he's got the crowds there, | 0:18:22 | 0:18:25 | |
and he doesn't know if he can make it. | 0:18:25 | 0:18:26 | |
He's just got to go for it. | 0:18:26 | 0:18:28 | |
I talked with him for a while before he jumped, | 0:18:31 | 0:18:33 | |
and he was very unsettled about the jump. | 0:18:33 | 0:18:37 | |
You could tell he was nervous. | 0:18:37 | 0:18:39 | |
He was making runs at the ramp, and, you know, | 0:18:43 | 0:18:45 | |
we could hear the motorcycle, and we could hear the crowd. | 0:18:45 | 0:18:49 | |
And then the doorman... | 0:18:49 | 0:18:50 | |
The doorman got on the phone and told us what went on. | 0:18:50 | 0:18:53 | |
My God. | 0:19:04 | 0:19:05 | |
It was horrible. | 0:19:05 | 0:19:06 | |
I thought he was... I thought he was dead. | 0:19:08 | 0:19:10 | |
I was horrified to watch my friend look like a rag doll. | 0:19:10 | 0:19:13 | |
I don't think he was unconscious. | 0:19:42 | 0:19:44 | |
But he was hurting, | 0:19:45 | 0:19:47 | |
so off to the hospital we went. | 0:19:47 | 0:19:49 | |
He had a broken wrist, two broken ankles, crushed his pelvis. | 0:19:50 | 0:19:55 | |
And then, somehow, | 0:19:55 | 0:19:57 | |
word gets out that he's in a coma | 0:19:57 | 0:19:59 | |
and might not make it. | 0:19:59 | 0:20:01 | |
He told that story, but he wasn't in a coma. | 0:20:02 | 0:20:05 | |
In fact, I flew down there, it hadn't been but like, two days | 0:20:06 | 0:20:09 | |
since he'd had the wreck, | 0:20:09 | 0:20:11 | |
and he was awake when I walked into the hospital room. | 0:20:11 | 0:20:13 | |
HE LAUGHS | 0:20:13 | 0:20:15 | |
He had all the press come in there and play it up. | 0:20:15 | 0:20:17 | |
"Oh, I'm about to die, I don't know if I'll make it." | 0:20:17 | 0:20:19 | |
Well, this was Knievel, this is what he did. He played it up right to the end. | 0:20:19 | 0:20:23 | |
Pretty soon, the crash footage was everywhere. | 0:20:24 | 0:20:26 | |
We saw him jump Caesar's Palace, we saw that fall, | 0:20:26 | 0:20:30 | |
and his body flopping, and his head hitting and, you know, | 0:20:30 | 0:20:34 | |
all of the agony of that and the broken bones. | 0:20:34 | 0:20:37 | |
That piece of film was amazing, to see him go over and over, | 0:20:37 | 0:20:40 | |
and then roll all the way up to the wall, and... | 0:20:40 | 0:20:43 | |
That's one of the great pieces of footage of all time. | 0:20:43 | 0:20:46 | |
Boy, he was national news all over the place. | 0:20:46 | 0:20:49 | |
CHEERING AND APPLAUSE | 0:20:49 | 0:20:52 | |
He became instantly famous. | 0:20:52 | 0:20:54 | |
This guy, somehow, had captured what America needed. | 0:20:55 | 0:20:59 | |
He came along at the right time. | 0:20:59 | 0:21:01 | |
There was a certain cynicism throughout the country. | 0:21:07 | 0:21:11 | |
Society was changing. | 0:21:11 | 0:21:13 | |
You had corruption in government. | 0:21:13 | 0:21:15 | |
Well, I'm not a crook. | 0:21:15 | 0:21:16 | |
# When I look out my window... # | 0:21:16 | 0:21:18 | |
The country had been battered | 0:21:18 | 0:21:21 | |
by many years of war. | 0:21:21 | 0:21:24 | |
America was coming apart at the seams. | 0:21:24 | 0:21:27 | |
# Must be the season of the witch | 0:21:27 | 0:21:32 | |
# Must be the season of the witch... # | 0:21:32 | 0:21:36 | |
We were a little down on ourselves. | 0:21:36 | 0:21:38 | |
And along comes this kid from Butte, Montana, | 0:21:38 | 0:21:41 | |
who showed us who we were and wanted to be again. | 0:21:41 | 0:21:45 | |
# He wears red, white and blue | 0:21:45 | 0:21:47 | |
# Stars and stripes too... # | 0:21:47 | 0:21:49 | |
I guess we were looking for some sort of a hero. | 0:21:49 | 0:21:53 | |
We had Superman and Batman and... | 0:21:53 | 0:21:57 | |
But this guy was the real thing. | 0:21:57 | 0:21:59 | |
# ..Evel Knievel's for God and country too... # | 0:21:59 | 0:22:03 | |
Most motorcycle people wore black. | 0:22:03 | 0:22:05 | |
That was what Evel wanted to change, | 0:22:05 | 0:22:08 | |
and that's where the red, white and blue leathers came from. | 0:22:08 | 0:22:10 | |
He wore red, white and blue because he was patriotic. | 0:22:10 | 0:22:14 | |
He loved his country. | 0:22:14 | 0:22:17 | |
But, er... | 0:22:17 | 0:22:18 | |
He also saw that that would give him a boost to his image, | 0:22:18 | 0:22:22 | |
and people would respect him more. | 0:22:22 | 0:22:24 | |
And he came out of those mountains in a star-spangled suit | 0:22:25 | 0:22:27 | |
with his cane, and he said, | 0:22:27 | 0:22:29 | |
"I'm going to face death." | 0:22:29 | 0:22:32 | |
He opened the door | 0:22:32 | 0:22:34 | |
and invited people to buy a ticket to watch truth. | 0:22:34 | 0:22:38 | |
For that disenchanted, disillusioned generation, | 0:22:39 | 0:22:43 | |
where you didn't trust anybody because even the President lied, | 0:22:43 | 0:22:46 | |
here's a guy, he's going to risk everything. | 0:22:46 | 0:22:49 | |
COMMENTATOR: He did it! He did it! | 0:22:53 | 0:22:56 | |
You know, there was three TV stations back then, | 0:23:02 | 0:23:04 | |
and when Evel was on ABC, | 0:23:04 | 0:23:06 | |
everyone knew it, that's what you did that night is watch, | 0:23:06 | 0:23:10 | |
and that's what you talked about for the next few weeks afterwards. | 0:23:10 | 0:23:14 | |
He was so popular that out of the top 10 rated | 0:23:14 | 0:23:18 | |
Wide World of Sports shows in the 37 years of the show, | 0:23:18 | 0:23:21 | |
he holds seven of them. | 0:23:21 | 0:23:24 | |
-ARCHIVE FILM: -Motorcycle daredevil Evel Knievel! | 0:23:25 | 0:23:27 | |
Are you scared before a stunt? Do you have fear? | 0:23:29 | 0:23:32 | |
I am not scared. | 0:23:32 | 0:23:34 | |
When I go off that jump, I'd say have some concern, | 0:23:34 | 0:23:36 | |
but I don't think I've ever been afraid of anything. | 0:23:36 | 0:23:38 | |
If I know something's going to happen, I try and train myself | 0:23:38 | 0:23:41 | |
to where I have complete control over my mind and my body. | 0:23:41 | 0:23:43 | |
I relax when I hit instead of freezing up and being scared. | 0:23:43 | 0:23:47 | |
'He said to me one time,' | 0:23:47 | 0:23:48 | |
"You know what I was really good at | 0:23:48 | 0:23:50 | |
"was the takeoff." | 0:23:50 | 0:23:51 | |
He said, "You know what I was bad at was the landing." | 0:23:51 | 0:23:54 | |
He said, "It was the bad landings, that's what brought the crowds out." | 0:23:54 | 0:23:58 | |
You know, Bobby used to say, | 0:23:59 | 0:24:00 | |
"Nobody wants to see me die, but they don't want to miss it if I do." | 0:24:00 | 0:24:05 | |
-ARCHIVE FILM: -And just to go up that ramp and take a look at the distance | 0:24:05 | 0:24:08 | |
that he's got to, in effect, hurdle, aboard his Harley-Davidson machine. | 0:24:08 | 0:24:13 | |
He knew if he wasn't just perfect, though, | 0:24:13 | 0:24:15 | |
when he left that ramp, | 0:24:15 | 0:24:16 | |
something awful was going to happen | 0:24:16 | 0:24:18 | |
between the time he left there and came down way over here. | 0:24:18 | 0:24:22 | |
If he told you he was going to do something, he would do it. | 0:24:22 | 0:24:25 | |
I mean, even if he knew it was going to kill him. | 0:24:25 | 0:24:27 | |
You know, you were always... The question of whether or not... | 0:24:44 | 0:24:47 | |
He might not make it alive. | 0:24:47 | 0:24:49 | |
I would think my dad would die every time he jumped. | 0:24:49 | 0:24:53 | |
It was stressful, it was hard on us. | 0:24:53 | 0:24:56 | |
If he crashed, you know, and got hurt, then he'd go out, | 0:24:56 | 0:24:59 | |
and he was going to do it again, and everybody says he's nuts, | 0:24:59 | 0:25:02 | |
you know, he got hurt the last time. | 0:25:02 | 0:25:04 | |
EVEL: Doctors, especially surgeons, | 0:25:05 | 0:25:07 | |
have been amazed at how I can keep going. | 0:25:07 | 0:25:10 | |
He had... | 0:25:10 | 0:25:12 | |
..recuperative powers that were beyond normal people. | 0:25:13 | 0:25:17 | |
They would say, "You'll have this cast for eight weeks," | 0:25:17 | 0:25:20 | |
and he would take it off in three. | 0:25:20 | 0:25:22 | |
-ARCHIVE FILM: -This may look like just some abstract plumbing. | 0:25:22 | 0:25:25 | |
This, actually, is the right hip and right femur of Evel Knievel. | 0:25:25 | 0:25:29 | |
I think I've probably become immune to pain. | 0:25:29 | 0:25:32 | |
I've learned to live with pain for so long that I think... | 0:25:32 | 0:25:36 | |
what would hurt an average person doesn't hurt me so much. | 0:25:36 | 0:25:39 | |
When we were growing up and my dad broke bones and he was in pain, | 0:25:39 | 0:25:43 | |
he never bitched about it, he never complained about it. | 0:25:43 | 0:25:46 | |
No, no, I'll be all right, I'm going to jump some more. | 0:25:46 | 0:25:48 | |
It was just, he accepted that that's what he had chosen to do, | 0:25:48 | 0:25:51 | |
and it was something he had to deal with, | 0:25:51 | 0:25:53 | |
and that's the way he dealt with it. | 0:25:53 | 0:25:55 | |
To be something a little extra special, | 0:25:59 | 0:26:01 | |
no matter what I want to do, if I like to do it, | 0:26:01 | 0:26:03 | |
to be a champion or to be the best, | 0:26:03 | 0:26:05 | |
even though I've been hurt so many times, | 0:26:05 | 0:26:06 | |
and live like a lot of people do that live in a... | 0:26:06 | 0:26:10 | |
..a grey, twilight world - | 0:26:11 | 0:26:14 | |
these kind of people, they don't even know victory or defeat | 0:26:14 | 0:26:17 | |
because they've never tried anything, and... | 0:26:17 | 0:26:19 | |
this is something that I feel compelled to do, | 0:26:19 | 0:26:21 | |
and I'm going to do it. | 0:26:21 | 0:26:23 | |
I had sort of been brought along the way of a teen idol. | 0:26:29 | 0:26:33 | |
I had enough star power going, but I kept trying to toughen up my act. | 0:26:34 | 0:26:38 | |
I thought, "God, | 0:26:38 | 0:26:39 | |
if I could get a really good Western or I get a good action movie..." | 0:26:39 | 0:26:42 | |
And I was looking for sort of a modern day Western character - | 0:26:42 | 0:26:45 | |
who would that be? | 0:26:45 | 0:26:46 | |
I remember seeing the footage from Caesar's Palace, | 0:26:47 | 0:26:51 | |
and I thought, "Yeah, that's the movie." | 0:26:51 | 0:26:53 | |
In my mind, there was only one guy who could do this right. | 0:26:53 | 0:26:57 | |
John Milius - he'd written Dirty Harry, Jeremiah Johnson, | 0:26:57 | 0:27:01 | |
and of course, later, Apocalypse Now. | 0:27:01 | 0:27:03 | |
Milius just wrote it as though he was writing it for pat. | 0:27:03 | 0:27:06 | |
It had this sort of mythic sound to it, you know? | 0:27:06 | 0:27:09 | |
And it's got this man who thinks he's a gladiator. | 0:27:09 | 0:27:12 | |
And I was excited to show Evel this. | 0:27:12 | 0:27:15 | |
So he tells me to come meet him in Hollywood | 0:27:15 | 0:27:18 | |
at the Saharan Motel that was up on Sunset. | 0:27:18 | 0:27:21 | |
He's been up all night. | 0:27:21 | 0:27:22 | |
Got another huge wound, Kotex pads all there, | 0:27:22 | 0:27:26 | |
and he's lying there like a pasha in a bad motel. | 0:27:26 | 0:27:29 | |
And that's when it all got crazy. | 0:27:29 | 0:27:31 | |
He took a bottle of Wild Turkey, and I heard the snap of the Turkey, | 0:27:31 | 0:27:35 | |
and he drank half that thing down and he sat down. | 0:27:35 | 0:27:37 | |
I said, "I want to tell you that we've got a great script, | 0:27:37 | 0:27:40 | |
"I just brought it to you, and I want you to read it." He said, "You read it." | 0:27:40 | 0:27:43 | |
I said, "Well, I have read it, and I really love it, I think it's great." | 0:27:43 | 0:27:46 | |
He said, "No, I want you to read it to me." | 0:27:46 | 0:27:48 | |
And I just didn't want to read the script, | 0:27:48 | 0:27:50 | |
I mean, it was just crazy, the idea of me reading the script to him, | 0:27:50 | 0:27:53 | |
but he was dead serious, and I saw this gun. | 0:27:53 | 0:27:56 | |
And he put it right to my head. | 0:27:56 | 0:27:58 | |
And I thought, "He means this," you know, this is really real stuff. | 0:27:58 | 0:28:02 | |
My performance on reading that script was the best I've ever given, | 0:28:03 | 0:28:08 | |
and I probably should have got an Academy Award. | 0:28:08 | 0:28:11 | |
Ladies and gentlemen, you have no idea | 0:28:11 | 0:28:13 | |
how good it makes me feel to be here today. | 0:28:13 | 0:28:16 | |
It is truly an honour to risk my life for you. An honour. | 0:28:16 | 0:28:19 | |
Before I jump my motorcycle over these 19 cars, | 0:28:20 | 0:28:23 | |
and I want you to note, | 0:28:23 | 0:28:25 | |
there's not a Volkswagen or a Datsun in the row... | 0:28:25 | 0:28:27 | |
Evel was not happy with it, I don't believe. | 0:28:29 | 0:28:32 | |
From what I understand talking to him, | 0:28:32 | 0:28:35 | |
I don't believe he was at all happy with George Hamilton. | 0:28:35 | 0:28:38 | |
I don't think Evel appreciated me climbing into his leathers | 0:28:38 | 0:28:41 | |
and getting on his motorcycle. | 0:28:41 | 0:28:43 | |
But what happened is, by osmosis, | 0:28:43 | 0:28:46 | |
when he went to see it in the theatre, when it came out, | 0:28:46 | 0:28:49 | |
he was saying these things, and they were extraordinary words | 0:28:49 | 0:28:52 | |
coming out of his mouth that John had written for him. | 0:28:52 | 0:28:54 | |
They told the Wright Brothers flying was impossible, | 0:28:54 | 0:28:56 | |
and they probably told Neil Armstrong walking on the moon was impossible. | 0:28:56 | 0:28:59 | |
They said Shepard and Glenn would never get round the world. | 0:28:59 | 0:29:02 | |
They said Armstrong wouldn't step on the moon. | 0:29:02 | 0:29:04 | |
He was using a writer's words, | 0:29:04 | 0:29:07 | |
and this is the Evel he's become. | 0:29:07 | 0:29:10 | |
I'm all alone when I jump those ramps. | 0:29:15 | 0:29:17 | |
There's only two things that keep the rest of them from doing it, | 0:29:17 | 0:29:19 | |
and that's fear and that big hole in the middle of them. | 0:29:19 | 0:29:22 | |
As long as I can stand alone and be the best at what I'm doing, | 0:29:22 | 0:29:25 | |
I want to continue to do it. | 0:29:25 | 0:29:26 | |
He created a character named Evel Knievel, | 0:29:29 | 0:29:32 | |
and then tried to live the part. | 0:29:32 | 0:29:34 | |
He never broke character. | 0:29:34 | 0:29:37 | |
He had the Evel Knievel persona, | 0:29:37 | 0:29:40 | |
and that's what he presented to the world. | 0:29:40 | 0:29:44 | |
We don't want guys in grey hats, we want black and white. | 0:29:45 | 0:29:49 | |
Evel represented that. | 0:29:49 | 0:29:51 | |
He definitely thought of himself as the guy in the white hat, | 0:29:51 | 0:29:54 | |
the good guy. | 0:29:54 | 0:29:56 | |
If I look like I'm rigging up for a trip into outer space, | 0:29:56 | 0:29:58 | |
you're right. | 0:29:58 | 0:29:59 | |
Nobody should ever ride a motorcycle without a helmet. | 0:29:59 | 0:30:02 | |
I never do. | 0:30:02 | 0:30:04 | |
He was, er... | 0:30:04 | 0:30:06 | |
Somebody who was seeking what many of us do in our own way, | 0:30:06 | 0:30:10 | |
and that's recognition, and... | 0:30:10 | 0:30:13 | |
If you get into his background, you can understand that. | 0:30:13 | 0:30:16 | |
He wanted identity, he needed that. | 0:30:16 | 0:30:18 | |
He just wanted to be loved. | 0:30:19 | 0:30:22 | |
MUSIC: Show Me The Way by Peter Frampton | 0:30:22 | 0:30:25 | |
# I wonder how you're feeling | 0:30:30 | 0:30:32 | |
# There's ringing in my ears... # | 0:30:33 | 0:30:36 | |
EVEL: Thank you very much. | 0:30:36 | 0:30:37 | |
Believe me, it's a pleasure to be back here in Portland, Oregon, | 0:30:37 | 0:30:40 | |
and on behalf of my sponsors, the Mack Truck Company, | 0:30:40 | 0:30:43 | |
the Harley-Davidson Motor Company, | 0:30:43 | 0:30:45 | |
and the Train and Steam Company in Milwaukee... | 0:30:45 | 0:30:48 | |
My dad... | 0:30:48 | 0:30:49 | |
He invented the licensing business. | 0:30:49 | 0:30:50 | |
I mean, how many people can you think of | 0:30:50 | 0:30:53 | |
that had their names on products before Evel? | 0:30:53 | 0:30:56 | |
I mean, there was a few. | 0:30:56 | 0:30:58 | |
But he really elevated the art of the licensing business. | 0:30:58 | 0:31:01 | |
Yeah, he had a deal with everyone, Mack Truck, Harley-Davidson... | 0:31:01 | 0:31:05 | |
But that's not the one I remember. | 0:31:05 | 0:31:08 | |
-ARCHIVE FILM: -This is Evel Knievel and his stunt cycle. | 0:31:08 | 0:31:10 | |
He is the only rider to do so many stunts, mid-air somersaults... | 0:31:10 | 0:31:14 | |
Evel Knievel has become a legend in his own lifetime. | 0:31:14 | 0:31:16 | |
When Ideal came out with the Evel Knievel toy, | 0:31:16 | 0:31:19 | |
the president of Ideal called me aside and said, | 0:31:19 | 0:31:22 | |
"This is going to be a really big item for us." | 0:31:22 | 0:31:25 | |
-CHILD: -It's the new Evel Knievel rally! | 0:31:26 | 0:31:28 | |
For me, there was only one action figure when I was growing up, | 0:31:28 | 0:31:31 | |
and that was Evel Knievel. | 0:31:31 | 0:31:33 | |
It was as cool as you could possibly get at the time. | 0:31:34 | 0:31:37 | |
Came with a motorcycle you could wind up... | 0:31:37 | 0:31:39 | |
You wind it up and you stop and it takes off... | 0:31:39 | 0:31:41 | |
That's awesome! | 0:31:41 | 0:31:43 | |
Wow! | 0:31:43 | 0:31:44 | |
Going up! | 0:31:44 | 0:31:45 | |
-ARCHIVE FILM: -The Evel Knievel stunt cycle comes with figure, | 0:31:45 | 0:31:48 | |
winder, wheelie stand and front flip bar. | 0:31:48 | 0:31:50 | |
New from Ideal. | 0:31:50 | 0:31:51 | |
The toy sold out. | 0:31:51 | 0:31:54 | |
I would say he made more money off the Ideal toy | 0:31:54 | 0:31:57 | |
than he did off any of his jumps. | 0:31:57 | 0:31:59 | |
One time, he showed me two royalty cheques, | 0:31:59 | 0:32:02 | |
and both of them at that time were half a million dollars each. | 0:32:02 | 0:32:05 | |
Both of them. Two cheques. | 0:32:05 | 0:32:06 | |
I said to him, "Well, you made it. | 0:32:06 | 0:32:08 | |
"You're on the pinnacle. | 0:32:08 | 0:32:09 | |
"You said you were going to be a millionaire. You ARE a millionaire." | 0:32:09 | 0:32:12 | |
It was an amazing time. | 0:32:16 | 0:32:19 | |
The money was rolling in by the millions. | 0:32:19 | 0:32:22 | |
Everywhere he went, he went first class. | 0:32:22 | 0:32:24 | |
Yeah, my dad liked to spend money. | 0:32:24 | 0:32:26 | |
All of a sudden, there's five Ferraris, two Lear jets, | 0:32:26 | 0:32:29 | |
five other aeroplanes... | 0:32:29 | 0:32:31 | |
He'd get a boat, oh, he needed a bigger boat, oh, how about a yacht? How about another yacht? | 0:32:31 | 0:32:35 | |
With helicopters on top! | 0:32:35 | 0:32:37 | |
He's got "Evel Eye I" painted on the side of it. | 0:32:37 | 0:32:39 | |
-TV ARCHIVE FOOTAGE: -He's no easy rider. | 0:32:39 | 0:32:41 | |
He's proud of the material things his money can buy. | 0:32:41 | 0:32:44 | |
His Cadillacs, his 140,000 luxury imported van... | 0:32:44 | 0:32:48 | |
He took me into his office, opened up a huge safe he had, | 0:32:48 | 0:32:51 | |
and there was a gold-plated full-sized motorcycle. | 0:32:51 | 0:32:55 | |
But do you know what? | 0:32:55 | 0:32:57 | |
You could hardly see it cos it was covered with cash, | 0:32:57 | 0:33:00 | |
like it'd been thrown in there like confetti. | 0:33:00 | 0:33:02 | |
He built a big, beautiful home on the 18th green, | 0:33:02 | 0:33:07 | |
with this huge iron gate | 0:33:07 | 0:33:10 | |
with a great big "EK" right in the middle of it - | 0:33:10 | 0:33:13 | |
it was the actual handle. | 0:33:13 | 0:33:15 | |
For Butte, Montana, that was the stuff. | 0:33:15 | 0:33:18 | |
I am risking my life for it, I'm going to spend every damn dime! | 0:33:18 | 0:33:21 | |
CHEERING | 0:33:21 | 0:33:22 | |
Yeah, my dad had an affinity for clothes. | 0:33:22 | 0:33:25 | |
He liked to dress with flair. | 0:33:25 | 0:33:26 | |
He'd walk into a store and see a sweater he liked, | 0:33:26 | 0:33:29 | |
and he'd just buy one in 20 colours. | 0:33:29 | 0:33:31 | |
Come with me and I'll take you on a tour of my office | 0:33:31 | 0:33:33 | |
and dressing room and show you what you can buy with a few dollars | 0:33:33 | 0:33:35 | |
if you're willing to jump a motorcycle over 19 cars. | 0:33:35 | 0:33:38 | |
Evel was very flashy. | 0:33:38 | 0:33:40 | |
Walked with a cane with diamonds in his cane, | 0:33:40 | 0:33:42 | |
and his jewellery had diamonds, and he had gold all over. | 0:33:42 | 0:33:46 | |
He always loved Elvis, and they traded the belt buckle and the cape. | 0:33:46 | 0:33:50 | |
My dad was a big fan of Liberace for being a showman. | 0:33:50 | 0:33:54 | |
All the money in the world can't buy your way into heaven, it can't buy | 0:33:55 | 0:33:58 | |
your way out of hell, it was made to be spent right here, and I... | 0:33:58 | 0:34:01 | |
I'm going to have the best clothes, the best boots, best diamonds, | 0:34:01 | 0:34:04 | |
best cars, trucks, motorcycles, booze and women | 0:34:04 | 0:34:07 | |
on the face of this earth, just as long as I can keep going. | 0:34:07 | 0:34:11 | |
When he came into money and fame and fortune, it's like, | 0:34:17 | 0:34:21 | |
the women became almost an equal part of his thrust from day to day. | 0:34:21 | 0:34:26 | |
Part of it was that women were extraordinary attracted to him. | 0:34:26 | 0:34:30 | |
I know, because he and I would go out drinking once in a while and... | 0:34:30 | 0:34:33 | |
hell, they'd line up, and he'd pick the prettiest one. | 0:34:33 | 0:34:36 | |
He's unbelievable! He's got more fire in him, he's unbelievable! | 0:34:36 | 0:34:41 | |
He turned the hat-trick half the time, cos I'd see him do three a night for a week when I was there. | 0:34:41 | 0:34:45 | |
HE LAUGHS | 0:34:45 | 0:34:46 | |
Hang on. | 0:34:46 | 0:34:47 | |
ENGINE REVS | 0:34:47 | 0:34:49 | |
Come on, I mean, back to the '70s. | 0:34:49 | 0:34:51 | |
Every woman wanted somebody like that. | 0:34:51 | 0:34:54 | |
I was always mad, cos he was... | 0:34:54 | 0:34:56 | |
maybe cheating on my mom. | 0:34:56 | 0:34:59 | |
# I'm the other woman... # | 0:34:59 | 0:35:03 | |
Belinda was aces. | 0:35:03 | 0:35:05 | |
Aces! | 0:35:05 | 0:35:06 | |
I mean, she was the nicest woman that he could have ever married. | 0:35:06 | 0:35:10 | |
She stood by him, and a lot of times, he didn't treat her right. | 0:35:10 | 0:35:14 | |
EVEL: Hi, good looking. | 0:35:14 | 0:35:16 | |
-You going swimming again? -Yeah. -Come on. | 0:35:16 | 0:35:17 | |
He didn't hide anything, | 0:35:17 | 0:35:19 | |
and that's probably where I'd get a little upset with him. | 0:35:19 | 0:35:22 | |
He'd come home with a little lipstick on his collar, | 0:35:22 | 0:35:24 | |
and I'd get a little ticked off. | 0:35:24 | 0:35:25 | |
I'd like to take you out to dinner | 0:35:25 | 0:35:27 | |
somewhere in a real nice quiet little spot. | 0:35:27 | 0:35:29 | |
Get you swacked and take you home someplace! | 0:35:29 | 0:35:31 | |
LAUGHTER | 0:35:31 | 0:35:32 | |
# ..and you know who was first... # | 0:35:35 | 0:35:37 | |
I'd think, "I married this guy!" | 0:35:37 | 0:35:40 | |
I don't know, I just... | 0:35:40 | 0:35:42 | |
You don't leave that man unless he wants you to. | 0:35:42 | 0:35:46 | |
Say I died and landed in heaven, so I'm there, OK? | 0:35:47 | 0:35:51 | |
And I'm sitting there in a white robe on a hard marble slab, | 0:35:51 | 0:35:54 | |
next to JFK, Martin Luther King and some Pope, and what the hell | 0:35:54 | 0:35:57 | |
would Evel Knievel have to say to any of those three guys? | 0:35:57 | 0:35:59 | |
I couldn't carry on intelligent conversation with them. | 0:35:59 | 0:36:02 | |
I want to go to my own kind of heaven. | 0:36:02 | 0:36:04 | |
It's got draft beer that doesn't make you fat. | 0:36:05 | 0:36:07 | |
It's got a lot of beautiful girls like you running around, | 0:36:07 | 0:36:10 | |
and my wife won't get mad if I go out with any of them. | 0:36:10 | 0:36:12 | |
He was OK before he became Evel Knievel, and then, you know? | 0:36:12 | 0:36:15 | |
People just can't handle that fame, some of them. | 0:36:15 | 0:36:19 | |
He was a... | 0:36:19 | 0:36:20 | |
small-town guy from a small town. | 0:36:20 | 0:36:23 | |
In... | 0:36:23 | 0:36:24 | |
Really in the span of seven years | 0:36:24 | 0:36:25 | |
became one of the most famous people in the world. | 0:36:25 | 0:36:28 | |
I think that he... | 0:36:28 | 0:36:30 | |
He forgot how to be Bob. | 0:36:31 | 0:36:33 | |
And when he became Evel... | 0:36:33 | 0:36:36 | |
It's like the world took him away from us. | 0:36:36 | 0:36:38 | |
If you want to be in this business and be the best in the world and wear a red, white and blue | 0:36:39 | 0:36:42 | |
number one on your back, you have to be man enough to handle the consequences. | 0:36:42 | 0:36:46 | |
-ARCHIVE FILM: -King of the daredevils, number one, | 0:36:46 | 0:36:48 | |
Evel Knievel! | 0:36:48 | 0:36:50 | |
Evel was on top of the world, | 0:36:50 | 0:36:51 | |
but he was starting to lose his grip a little. | 0:36:51 | 0:36:54 | |
And that thing with the Hells Angels didn't help. | 0:36:54 | 0:36:57 | |
Evel was at odds against the Hells Angels and the biker image. | 0:36:58 | 0:37:04 | |
He used to talk about the Hells Angels a lot. | 0:37:04 | 0:37:07 | |
Always putting them down. | 0:37:07 | 0:37:09 | |
They're murderers, thieves and drug dealers. | 0:37:09 | 0:37:11 | |
I mean, these guys are dogs. They belong in penitentiaries. | 0:37:11 | 0:37:15 | |
Must've got through to them, you know, they got pissed off, and... | 0:37:15 | 0:37:18 | |
San Francisco was one of their main areas. | 0:37:18 | 0:37:22 | |
The announcer was the guy that started the whole thing. | 0:37:22 | 0:37:25 | |
When he introduced Knievel, he says, | 0:37:25 | 0:37:27 | |
"If Knievel makes this jump tonight, | 0:37:27 | 0:37:28 | |
"he's going to set the Hells Angels back 100 years." | 0:37:28 | 0:37:31 | |
Wrong thing to say. | 0:37:31 | 0:37:33 | |
He barely made that jump, came back around, | 0:37:37 | 0:37:40 | |
and I notice a couple of Hells Angels have come out onto the floor. | 0:37:40 | 0:37:45 | |
And this Hells Angel grabbed him. Well, I'm... | 0:37:45 | 0:37:47 | |
I'm hoofing. | 0:37:47 | 0:37:49 | |
The Hells Angels threw him down, just when I got there, | 0:37:49 | 0:37:53 | |
and I give this guy a body check, and he folded like a, just... | 0:37:53 | 0:37:56 | |
went out. | 0:37:56 | 0:37:57 | |
Well, and then the war started, you know? | 0:37:57 | 0:38:00 | |
Hells Angels come boiling over there, | 0:38:02 | 0:38:04 | |
and the people come out of the stands and started beating on them. | 0:38:04 | 0:38:08 | |
They put two of those Hells Angels in hospital. | 0:38:09 | 0:38:12 | |
After the Cow Palace incident, Evel got a little bit paranoid. | 0:38:17 | 0:38:22 | |
He said, "Do you have a gun?" | 0:38:25 | 0:38:27 | |
I said, "Yeah, I've got a couple of them." | 0:38:27 | 0:38:29 | |
"Well," he says, "Those Hells Angels, you never know, | 0:38:29 | 0:38:31 | |
"they're going to walk in here with a shotgun, and I've got to be ready for them." | 0:38:31 | 0:38:35 | |
-ARCHIVE FILM: -Watch that right shoulder. | 0:38:50 | 0:38:53 | |
Broken right there, the right collarbone. | 0:38:53 | 0:38:55 | |
-INTERVIEWER: -Are you ever afraid? | 0:38:55 | 0:38:57 | |
If I am, I'm not going to tell you about it. | 0:38:57 | 0:38:59 | |
-Why? -I've been concerned. | 0:38:59 | 0:39:00 | |
I'm Evel Knievel, honey, I'm not supposed to be afraid. | 0:39:00 | 0:39:03 | |
He was constantly being tormented with the thought of, you know, | 0:39:05 | 0:39:10 | |
"You're not going to make this one, you're going to die at this one." | 0:39:10 | 0:39:13 | |
And so he's doing everything he can through alcohol, | 0:39:13 | 0:39:16 | |
through being flamboyant, through being... | 0:39:16 | 0:39:18 | |
You know, crude or whatever, | 0:39:18 | 0:39:21 | |
to get these thoughts out of his head. | 0:39:21 | 0:39:23 | |
But they were eating his lunch. | 0:39:23 | 0:39:25 | |
You know, Evel, you're shaking a little. | 0:39:25 | 0:39:27 | |
Well, if you did what I did, you'd be shaking, too. LAUGHTER | 0:39:27 | 0:39:30 | |
I could see it in his eyes sometimes, when he'd come back by | 0:39:30 | 0:39:34 | |
to ask me if he was going fast enough, | 0:39:34 | 0:39:36 | |
I could see the fear in his eyes. | 0:39:36 | 0:39:38 | |
I knew he was scared, but... | 0:39:38 | 0:39:40 | |
he would never... | 0:39:40 | 0:39:42 | |
He would never say no, you know, he'd go ahead and do it. | 0:39:42 | 0:39:46 | |
The medicine that he was taking, | 0:39:47 | 0:39:49 | |
the drugs he was taking for his pain, plus he was drinking... | 0:39:49 | 0:39:53 | |
He became just... | 0:39:53 | 0:39:55 | |
schizo, I mean, paranoid. | 0:39:55 | 0:39:57 | |
He got paranoid about protecting his stuff, | 0:39:57 | 0:40:01 | |
paranoid about who he let in, and... | 0:40:01 | 0:40:03 | |
We'd be talking, and almost as if he was schizophrenic, | 0:40:03 | 0:40:06 | |
he'd flip and become ugly about things. | 0:40:06 | 0:40:09 | |
I had to stand two guys down, | 0:40:09 | 0:40:11 | |
who wanted a piece of him, | 0:40:11 | 0:40:12 | |
and they wanted a piece of him | 0:40:12 | 0:40:14 | |
because he was being an asshole, he was being a jerk. | 0:40:14 | 0:40:18 | |
I'm the guy who just... | 0:40:18 | 0:40:19 | |
You know, was trying to keep the peace. | 0:40:19 | 0:40:21 | |
I'm the guy protecting the troublemaker from the good guys. | 0:40:21 | 0:40:26 | |
You know, and I thought, "I can't do this." | 0:40:26 | 0:40:30 | |
It's really interesting when you... | 0:40:33 | 0:40:35 | |
You are a man like Evel Knievel, and you've created this myth. | 0:40:35 | 0:40:39 | |
And once you're defined, it's hard to live up to it. | 0:40:39 | 0:40:42 | |
He was always reselling what he had already sold. | 0:40:44 | 0:40:46 | |
How do you get any better than that, how do you get any bigger? | 0:40:46 | 0:40:50 | |
Throughout his life, he was insatiable. | 0:40:51 | 0:40:55 | |
Even when he was the most famous daredevil that ever lived, | 0:40:55 | 0:41:00 | |
he wasn't satisfied. | 0:41:00 | 0:41:02 | |
He had to make another half a million dollars on a jump. | 0:41:02 | 0:41:06 | |
He had to find one more woman prettier than the last. | 0:41:06 | 0:41:10 | |
He couldn't satisfy himself. | 0:41:10 | 0:41:11 | |
He had to do something else. | 0:41:11 | 0:41:14 | |
He had a friend that, er... | 0:41:14 | 0:41:15 | |
They were at the bar talking, and, er... | 0:41:15 | 0:41:18 | |
This fella just made a comment, "What's your next thing?" | 0:41:18 | 0:41:21 | |
I think he said, "The Grand Canyon?" | 0:41:21 | 0:41:23 | |
Well, of course, that started the wheels a-turning. | 0:41:23 | 0:41:26 | |
One of the favourite pictures of my dad, | 0:41:31 | 0:41:33 | |
he's on the rim of the Grand Canyon, | 0:41:33 | 0:41:36 | |
and there's these two Navajo chiefs there, | 0:41:36 | 0:41:38 | |
and my dad's pointing at the other side of the Grand Canyon, | 0:41:38 | 0:41:42 | |
and they're just, like, looking at him, like, "This man is crazy. | 0:41:42 | 0:41:45 | |
My dream was to jump the Grand Canyon. | 0:41:45 | 0:41:48 | |
The Secretary of the Interior told me that I could. | 0:41:48 | 0:41:51 | |
I took his word for it, then he changed his mind, so... | 0:41:51 | 0:41:55 | |
I told him to go get hosed, and I'll buy my own canyon. | 0:41:55 | 0:41:59 | |
The Snake River Canyon in the state of Idaho. | 0:41:59 | 0:42:01 | |
And the only way they're getting me out of the air is to shoot me out | 0:42:01 | 0:42:04 | |
with an anti-aircraft gun, because I am going to go, believe me. | 0:42:04 | 0:42:08 | |
-ARCHIVE FILM: -The jump across the canyon will be approximately a mile. | 0:42:08 | 0:42:12 | |
It's somewhere between 1,000 and 1,500 feet to the bottom. | 0:42:12 | 0:42:15 | |
As you can see, Pete, this motorcycle is unlike any motorcycle you've ever seen in this world. | 0:42:15 | 0:42:19 | |
These rockets put out about 90 lbs of thrust apiece. | 0:42:19 | 0:42:22 | |
Knievel's original concept was to take a motorcycle, | 0:42:22 | 0:42:24 | |
put a rocket on it, and that's impossible. | 0:42:24 | 0:42:28 | |
And so the necessity just required that he make a rocket vehicle. | 0:42:28 | 0:42:33 | |
Our partner was Bob Truax, | 0:42:33 | 0:42:35 | |
and he was known as the father of steam rocketry. | 0:42:35 | 0:42:38 | |
And that was our answer for getting Evel Knievel over the canyon. | 0:42:38 | 0:42:42 | |
Basically building a hot water tank and uncorking it and letting it go. | 0:42:43 | 0:42:48 | |
This machine is powered by steam. | 0:42:48 | 0:42:50 | |
Steam is the most reliable source of power we have in the world, | 0:42:50 | 0:42:53 | |
and it'll go from zero to 350mph | 0:42:53 | 0:42:56 | |
from a dead stop in eight seconds flat. | 0:42:56 | 0:42:58 | |
-ARCHIVE FILM: -The super-stunt, billed as the death-defying event of the century, | 0:42:58 | 0:43:02 | |
will be viewed by almost two million people, | 0:43:02 | 0:43:04 | |
most of them watching on closed-circuit movie screens. | 0:43:04 | 0:43:07 | |
I'd like to say to you what Evel Knievel says wherever he goes, | 0:43:07 | 0:43:10 | |
and whatever he signs. | 0:43:10 | 0:43:12 | |
If he were talking to you right now, he'd say, | 0:43:12 | 0:43:14 | |
"Hey, Jim. Happy landings." | 0:43:14 | 0:43:16 | |
When there was an event of any magnitude during that period, | 0:43:17 | 0:43:20 | |
I'd probably get first call to do the promotion. | 0:43:20 | 0:43:23 | |
I remember, first time I saw Evel Knievel, | 0:43:24 | 0:43:26 | |
he showed up on Ventura Boulevard doing wheelies on his motorcycle. | 0:43:26 | 0:43:30 | |
That's when I first met him. | 0:43:30 | 0:43:31 | |
But I really didn't know him till we did the Snake River Canyon jump. | 0:43:31 | 0:43:35 | |
I had control of the publicity and promotion. | 0:43:35 | 0:43:37 | |
'For a brief moment in our dull, mundane life,' | 0:43:37 | 0:43:41 | |
Here is a man who vicariously we can live through. | 0:43:41 | 0:43:44 | |
I thought what he was doing was exciting. | 0:43:44 | 0:43:47 | |
So it's never had to sell something you believe in. | 0:43:47 | 0:43:49 | |
And I believed in it. | 0:43:49 | 0:43:51 | |
We did a 30-day tour, which was my idea, | 0:43:52 | 0:43:54 | |
to do press conferences at, like, literally 90 airports. | 0:43:54 | 0:43:59 | |
-ARCHIVE FILM: -When Knievel flies into town each day in his two Lear jets, | 0:44:00 | 0:44:04 | |
his pilot, Watcha McCollum, and his co-pilot, | 0:44:04 | 0:44:07 | |
wear crimson crushed velvet dinner jackets. | 0:44:07 | 0:44:10 | |
You ought to see our socks and underwear. | 0:44:10 | 0:44:12 | |
Every day was a... | 0:44:12 | 0:44:13 | |
Was a party. | 0:44:13 | 0:44:15 | |
There were close to 2,500 press credentials given out. | 0:44:15 | 0:44:18 | |
It was bigger than any Ali fight, and I did them all. | 0:44:18 | 0:44:21 | |
Bigger. | 0:44:21 | 0:44:22 | |
Bigger than a presidential entourage. | 0:44:22 | 0:44:25 | |
Don E Branker was in charge of all the logistics. | 0:44:28 | 0:44:32 | |
I was a concert promoter, I did acts like the Stones, The Doors, The Who, | 0:44:32 | 0:44:35 | |
and then Evel comes along with a pay-per-view, closed-circuit... | 0:44:35 | 0:44:39 | |
You know, this was the biggest event of its kind | 0:44:39 | 0:44:42 | |
in the history of entertainment. | 0:44:42 | 0:44:43 | |
The unknowns were magnificent. | 0:44:44 | 0:44:46 | |
-ARCHIVE FILM: -This Sunday, a daredevil hustler named Evel Knievel | 0:44:47 | 0:44:51 | |
will try to cross a canyon in Idaho, riding a rocket. | 0:44:51 | 0:44:54 | |
If he makes it, he'll be many times a millionaire. | 0:44:54 | 0:44:57 | |
If he doesn't, he'll be dead. | 0:44:57 | 0:44:59 | |
ENGINE REVS | 0:45:01 | 0:45:02 | |
HE LAUGHS | 0:45:08 | 0:45:09 | |
He was a hero of mine in many ways. | 0:45:10 | 0:45:13 | |
I was a little crazy, he was a whole lot crazy, | 0:45:13 | 0:45:16 | |
and you just had to dig his courage. | 0:45:16 | 0:45:19 | |
It just didn't seem to me that courage would be enough. | 0:45:19 | 0:45:22 | |
HE LAUGHS | 0:45:22 | 0:45:23 | |
I'm telling you, | 0:45:23 | 0:45:24 | |
it looks a lot further than I thought a mile would look. | 0:45:24 | 0:45:27 | |
It was the kind of stunt where you would actually see, probably, | 0:45:27 | 0:45:32 | |
a guy kill himself. | 0:45:32 | 0:45:34 | |
It was so audacious, it was so daring, | 0:45:34 | 0:45:36 | |
it was so almost impossible in many ways, but for his confidence. | 0:45:36 | 0:45:41 | |
What about the G forces? | 0:45:41 | 0:45:43 | |
I mean, when you start something that's going to be going at 350mph, | 0:45:43 | 0:45:46 | |
-aren't you going to be knocked out, almost? -Yes. | 0:45:46 | 0:45:48 | |
I wake up, see the other side of the ground way over there, | 0:45:48 | 0:45:51 | |
wherever the hell I'm at, | 0:45:51 | 0:45:52 | |
and I'll pull the ripcord and open a parachute behind the Skycycle. | 0:45:52 | 0:45:55 | |
Are you saying you're going to be unconscious when you're in the air? | 0:45:55 | 0:45:58 | |
-To 2,000 feet, I probably will be, yes. -So that means you have to regain your consciousness? | 0:45:58 | 0:46:02 | |
That's right, but I can do that. I'll do it. | 0:46:02 | 0:46:04 | |
Evel had no training. | 0:46:04 | 0:46:05 | |
He had no training for pulling Gs, | 0:46:05 | 0:46:07 | |
like a centrifuge, or even in an aeroplane. | 0:46:07 | 0:46:09 | |
Zero parachute experience. | 0:46:09 | 0:46:12 | |
He had a dead stick kind of thing, where it was spring-loaded, | 0:46:12 | 0:46:16 | |
and if he passed out and let go of the handle, | 0:46:16 | 0:46:19 | |
the parachute would come out. | 0:46:19 | 0:46:20 | |
Go! | 0:46:20 | 0:46:21 | |
ENGINE ROARS | 0:46:21 | 0:46:23 | |
-ARCHIVE FILM: -There were actually three of the steam powered Skycycles built. | 0:46:23 | 0:46:27 | |
The original, called the X-1, was tested without a pilot about three weeks ago. | 0:46:27 | 0:46:31 | |
It ended up at the bottom of the canyon. | 0:46:31 | 0:46:33 | |
That was a test shot. We made some mistakes. | 0:46:40 | 0:46:42 | |
If I'd have been in it, I'd have ended up dead, | 0:46:42 | 0:46:44 | |
but I don't think that's going to happen. | 0:46:44 | 0:46:46 | |
What the press did not know is that the first one was designed to fail. | 0:46:46 | 0:46:51 | |
We purposely underpowered the rocket | 0:46:51 | 0:46:54 | |
so it wouldn't make it to the other side. | 0:46:54 | 0:46:56 | |
He wanted it as a promotional thing, | 0:46:56 | 0:46:58 | |
he wanted it to crash in the water and let people see that. | 0:46:58 | 0:47:02 | |
Eventually, we did convince Evel to do a real test, | 0:47:02 | 0:47:06 | |
but he'd only do it if it was done in secret, | 0:47:06 | 0:47:09 | |
so the press wouldn't get any pictures of it or anything. | 0:47:09 | 0:47:13 | |
We thought it would make it. | 0:47:15 | 0:47:17 | |
But there was a problem with the parachute - it deployed early... | 0:47:18 | 0:47:21 | |
..and it also landed right in the middle of the river. | 0:47:24 | 0:47:26 | |
Knievel was there to see that. | 0:47:27 | 0:47:29 | |
I saw it, | 0:47:29 | 0:47:30 | |
and I was wondering at that time what was going through his mind. | 0:47:30 | 0:47:34 | |
I was thinking to myself that he maybe was looking at his mortality, | 0:47:35 | 0:47:39 | |
and thinking, "You know, this might not be such a good idea." | 0:47:39 | 0:47:43 | |
However, give him credit, he was going through with it. | 0:47:44 | 0:47:48 | |
At this point, we're batting zero for two, | 0:47:50 | 0:47:52 | |
and the world is watching us, I mean, I felt that. | 0:47:52 | 0:47:57 | |
-REPORTERS CLAMOUR -Can you make it? | 0:47:57 | 0:47:58 | |
INDISTINCT | 0:47:58 | 0:48:00 | |
You will, you will. | 0:48:00 | 0:48:02 | |
He became more and more surly. | 0:48:02 | 0:48:05 | |
Screeching orders at everybody that he could, belittling the... | 0:48:05 | 0:48:08 | |
He'd belittle little people. He was just mean. | 0:48:08 | 0:48:11 | |
About a week out is when we started sensing things | 0:48:12 | 0:48:16 | |
not going our way with the press, cos the press is up here living now, | 0:48:16 | 0:48:19 | |
and the press started seeing the real Evel. | 0:48:19 | 0:48:21 | |
Do one thing for me. | 0:48:21 | 0:48:23 | |
I do not ask for your respect, I demand it. | 0:48:24 | 0:48:27 | |
Shelly gathered everybody around Evel's trailer, and says, | 0:48:27 | 0:48:30 | |
"Why don't you just have him stand up so we can see?" You know? | 0:48:30 | 0:48:33 | |
Cos there was a big crowd of people there. | 0:48:33 | 0:48:35 | |
And... | 0:48:35 | 0:48:36 | |
Evel heard that and came out, and... | 0:48:36 | 0:48:39 | |
-I said have a smile on your face. -I don't smile at anything. | 0:48:43 | 0:48:46 | |
All right, get him out, out. | 0:48:46 | 0:48:47 | |
Out. | 0:48:47 | 0:48:48 | |
Go on, get out of here. | 0:48:48 | 0:48:50 | |
That's when he came down the stairs with his cane, | 0:48:50 | 0:48:52 | |
and he grabbed my camera, and he's a pretty strong guy. | 0:48:52 | 0:48:55 | |
And...grabbed my camera, started pushing me back, | 0:48:55 | 0:48:57 | |
and whacking me and the camera with his cane. | 0:48:57 | 0:49:00 | |
Are you going to apologise to that cameraman for roughing him up? | 0:49:00 | 0:49:04 | |
I wouldn't apologise, and if I see the little son of a bitch again, | 0:49:05 | 0:49:07 | |
I'll throw him out of here, how's that? | 0:49:07 | 0:49:09 | |
As hard as we tried, | 0:49:09 | 0:49:11 | |
a lot of Evel's true temperament came out to the press. | 0:49:11 | 0:49:14 | |
-I think you should apologise. -Well, I want to straighten you out right now. | 0:49:14 | 0:49:17 | |
Number one, I was in the Skycycle all day. | 0:49:17 | 0:49:19 | |
Number two, you are a guest of mine in my press area, | 0:49:19 | 0:49:21 | |
do you understand that? And so was he. | 0:49:21 | 0:49:23 | |
Number three, when I've been up there all day | 0:49:23 | 0:49:25 | |
and that blood's come out of my legs and my feet and gone to my head, | 0:49:25 | 0:49:28 | |
and I come down to want to get some rest and get along with you people, | 0:49:28 | 0:49:31 | |
you don't tell me to come out and stand up and smile. | 0:49:31 | 0:49:34 | |
If I want to come out and try and get along with you, | 0:49:34 | 0:49:37 | |
you should at least allow me to sit down and smile, | 0:49:37 | 0:49:40 | |
so tell him I said to kiss my ass! | 0:49:40 | 0:49:43 | |
There was a point where we were all kind of sitting around and saying, | 0:49:43 | 0:49:47 | |
"You know, the guy's a jerk. He's just a jerk! | 0:49:47 | 0:49:50 | |
"He's a bully, he's a boor. | 0:49:50 | 0:49:52 | |
"What are we doing here?" | 0:49:52 | 0:49:54 | |
The rest of the press can now thank you, because I'm going to leave. | 0:49:54 | 0:49:58 | |
How's that, boys? Sayonara. | 0:49:58 | 0:49:59 | |
People started coming in, and it started getting crazy. | 0:50:04 | 0:50:07 | |
Every biker in the United States who didn't have a job was there, I believe, you know? | 0:50:07 | 0:50:10 | |
We had umpteen different motorcycle groups, | 0:50:10 | 0:50:13 | |
you know, none of which you'd invite to your house for dinner. | 0:50:13 | 0:50:15 | |
They have a good time, everyone's just loose around here. | 0:50:15 | 0:50:18 | |
You could say it was like Woodstock, | 0:50:18 | 0:50:22 | |
but the evil twin of Woodstock. | 0:50:22 | 0:50:24 | |
It was, like, not happy flower children sitting around in the rain. | 0:50:24 | 0:50:29 | |
Those guys were... I mean, they were really rough. | 0:50:29 | 0:50:31 | |
Wackos with tattoos all over their bodies, | 0:50:31 | 0:50:34 | |
drinking beer and screwing in public and all kinds. | 0:50:34 | 0:50:37 | |
It was... | 0:50:37 | 0:50:38 | |
It was bedlam. | 0:50:38 | 0:50:40 | |
WHISTLE BLOWS | 0:50:40 | 0:50:41 | |
Roach clips, papers, hash pipes, come get 'em while they're hot! | 0:50:41 | 0:50:46 | |
They had a marching band from Butte High School that was there. | 0:50:46 | 0:50:49 | |
It was... | 0:50:49 | 0:50:51 | |
not a place for a Butte High marching band to be that day, | 0:50:51 | 0:50:54 | |
I'd have to say! | 0:50:54 | 0:50:56 | |
Right when we pulled in, there was a man and woman naked, you know, | 0:50:56 | 0:51:00 | |
having sex, right there under a tree. | 0:51:00 | 0:51:03 | |
I saw all the people that were drinking and smoking pot, and... | 0:51:03 | 0:51:07 | |
..they were pretty wild. | 0:51:08 | 0:51:10 | |
MARCHING BAND PLAYS | 0:51:10 | 0:51:13 | |
We fired up the band, | 0:51:13 | 0:51:15 | |
it's like the whole place... | 0:51:15 | 0:51:18 | |
arose. | 0:51:18 | 0:51:19 | |
Oh, the crowd went wild. | 0:51:19 | 0:51:21 | |
Yeah, absolutely. They were totally prepared for a celebration. | 0:51:21 | 0:51:25 | |
The crowd just started mingling, | 0:51:25 | 0:51:28 | |
and just... | 0:51:28 | 0:51:29 | |
wanted to play our instruments, | 0:51:29 | 0:51:31 | |
they tugged and pulled, | 0:51:31 | 0:51:33 | |
and the next thing you know, we're separated, | 0:51:33 | 0:51:35 | |
a good hundred yards away from the rest of the band. | 0:51:35 | 0:51:38 | |
So we were basically fighting for our lives, | 0:51:38 | 0:51:40 | |
as far as I was concerned. | 0:51:40 | 0:51:41 | |
At that point, they just stuffed my tuba full of everything. | 0:51:41 | 0:51:44 | |
Beer bottles, popcorn, peanuts, rocks, | 0:51:46 | 0:51:49 | |
I pulled a bra out of there... | 0:51:49 | 0:51:51 | |
It... I never played a note. | 0:51:51 | 0:51:53 | |
We also had with us the drill team, | 0:51:55 | 0:51:58 | |
and the drill team's name was the Purple Bees. | 0:51:58 | 0:52:00 | |
And a good friend of mine, they tore her dress right off. | 0:52:00 | 0:52:03 | |
Totally tore her dress off. | 0:52:04 | 0:52:06 | |
I guess we all thought of this as something different | 0:52:07 | 0:52:10 | |
than what it was really going to be. | 0:52:10 | 0:52:12 | |
The crowd were given beer, | 0:52:14 | 0:52:17 | |
and when the beer was closed up, | 0:52:17 | 0:52:19 | |
that's when it got kind of rowdy. | 0:52:19 | 0:52:21 | |
They actually rolled the beer trucks over, the semis, | 0:52:21 | 0:52:24 | |
over on their side, shot the locks off, | 0:52:24 | 0:52:27 | |
and everybody was walking through the camps with cases of beer. | 0:52:27 | 0:52:30 | |
Next thing you know, they took the outhouses, they took them down, | 0:52:30 | 0:52:33 | |
and started just dumping them over, and they lit them on fire. | 0:52:33 | 0:52:36 | |
The place was absolutely out of control at that point. | 0:52:36 | 0:52:39 | |
Things got as bad as they could get without somebody dying. | 0:52:40 | 0:52:44 | |
It's as simple as that. It was as bad as it could be. | 0:52:44 | 0:52:47 | |
I can hear, out in the darkness, | 0:52:47 | 0:52:50 | |
I can hear the girls being raped, I can hear fights going on, | 0:52:50 | 0:52:53 | |
I can hear gunshots going off, you know, but there's nothing I can do. | 0:52:53 | 0:52:57 | |
I reached a point when I said, | 0:52:57 | 0:52:59 | |
"You know what, I'm going to call the National Guard in." | 0:52:59 | 0:53:01 | |
So I called them up, and he said, | 0:53:01 | 0:53:03 | |
"Don, I'm sorry, but our men are split up, | 0:53:03 | 0:53:05 | |
"and I just can't come out there to help you, you're on your own, son." | 0:53:05 | 0:53:08 | |
And I hung up that phone, and I felt like crying. | 0:53:08 | 0:53:11 | |
-ARCHIVE FILM: -There are more than 33,000 paid admissions. | 0:53:12 | 0:53:15 | |
As you can see, they needed control, they were perilously close | 0:53:15 | 0:53:18 | |
to the edge of the canyon, some 600 feet straight down. | 0:53:18 | 0:53:20 | |
What I was concerned about is that there is this canyon, | 0:53:20 | 0:53:23 | |
there's this killer canyon in front of you, | 0:53:23 | 0:53:25 | |
and they've put up a standard cyclone fence, | 0:53:25 | 0:53:28 | |
I mean, just push it and it would fall off. | 0:53:28 | 0:53:30 | |
And I thought to myself, | 0:53:30 | 0:53:32 | |
everybody's going to rush to the edge of the canyon | 0:53:32 | 0:53:35 | |
to see what happens. | 0:53:35 | 0:53:37 | |
And you're going to have people pushing from behind, | 0:53:37 | 0:53:39 | |
and like lemmings in the sea, | 0:53:39 | 0:53:40 | |
they're going to go right over the edge. | 0:53:40 | 0:53:42 | |
I thought it was pretty ironic to have Don solve the security problem. | 0:53:43 | 0:53:48 | |
He went down where the Hells Angels were camped, | 0:53:48 | 0:53:50 | |
and hired them to come up and provide security for us. | 0:53:50 | 0:53:53 | |
I went and I explained what I'd do, "Here's what I'll do. | 0:53:53 | 0:53:56 | |
"I've got 1,000 in cash, and I want you to guard the fence | 0:53:56 | 0:53:58 | |
"and keep the people on that side of the fence." | 0:53:58 | 0:54:01 | |
And the guy said, "Are you bullshitting me?" | 0:54:01 | 0:54:04 | |
I said "Am I going to bullshit with you guys?" | 0:54:04 | 0:54:06 | |
"OK, you've got a deal, mister." | 0:54:06 | 0:54:08 | |
HE CHUCKLES | 0:54:08 | 0:54:09 | |
BAND PLAYS AMERICAN NATIONAL ANTHEM | 0:54:12 | 0:54:15 | |
On the morning of the jump, | 0:54:19 | 0:54:21 | |
I looked at him, | 0:54:21 | 0:54:23 | |
and I saw a very pensive, | 0:54:23 | 0:54:25 | |
very reflective, | 0:54:25 | 0:54:27 | |
very quiet man. | 0:54:27 | 0:54:29 | |
He didn't look comfortable. | 0:54:29 | 0:54:31 | |
I don't know why he WOULD look comfortable, | 0:54:31 | 0:54:34 | |
climbing into a tin can to fly over a canyon. | 0:54:34 | 0:54:38 | |
-ARCHIVE FILM: -There is Bob Truax himself, the chief engineer, | 0:54:38 | 0:54:41 | |
testing the wind. | 0:54:41 | 0:54:42 | |
The 50mph wind was not the right direction. | 0:54:42 | 0:54:45 | |
We recommended to Knievel he delay the launch. | 0:54:45 | 0:54:48 | |
I just said, "You know, Bob, I don't think you ought to do it, you know? | 0:54:48 | 0:54:51 | |
"I think this is crazy, I think this thing isn't going to make it." | 0:54:51 | 0:54:55 | |
He says, "I can't back out now, too much has been said, | 0:54:55 | 0:54:57 | |
"they'll call me a coward." | 0:54:57 | 0:54:59 | |
He says he's not going to do that. "I'm going, and that's it." | 0:54:59 | 0:55:01 | |
I've got a team behind me with Mr Truax and all the boys that are 100% | 0:55:02 | 0:55:07 | |
and I think we'll do it. | 0:55:07 | 0:55:08 | |
I wish the wind wasn't blowing so hard, but I think we'll do it. | 0:55:08 | 0:55:12 | |
There was no braggadocio, there was no bravado. | 0:55:13 | 0:55:17 | |
As the time counted off, he'd said to his family, "Let's pray." | 0:55:18 | 0:55:23 | |
I remember when my dad brought me in the trailer, in the... | 0:55:26 | 0:55:30 | |
..truck. The whole family. | 0:55:32 | 0:55:35 | |
And he hugged me and says, "I love you." | 0:55:38 | 0:55:41 | |
He didn't know what was going to happen. | 0:55:41 | 0:55:43 | |
He was like, "God, take care of me." | 0:55:43 | 0:55:45 | |
Linda and the children were crying. | 0:55:45 | 0:55:47 | |
Especially the little girl. | 0:55:49 | 0:55:51 | |
Yeah, that was a very sobering moment. | 0:55:53 | 0:55:56 | |
You know, suddenly I realise, | 0:55:56 | 0:55:59 | |
"Have I had a hand in getting a man killed?" | 0:55:59 | 0:56:01 | |
-COMMENTATOR: -There he goes up the ramp | 0:56:04 | 0:56:06 | |
toward the launch site and toward the vehicle | 0:56:06 | 0:56:10 | |
and he is being introduced to the crowd now. | 0:56:10 | 0:56:12 | |
CHEERING | 0:56:12 | 0:56:13 | |
I've never been afraid in my life of dying. | 0:56:13 | 0:56:18 | |
I think that man was put here on Earth to live, not just to exist. | 0:56:18 | 0:56:22 | |
And today is the proudest day of my life. | 0:56:23 | 0:56:26 | |
I'm living a dream | 0:56:26 | 0:56:28 | |
that they thought could never be done, but it'll be done. | 0:56:28 | 0:56:31 | |
And then, instead of a roar, | 0:56:34 | 0:56:37 | |
a silence, like an eerie silence, | 0:56:37 | 0:56:40 | |
fell over the crowd, cos this guy | 0:56:40 | 0:56:43 | |
truly might be going to his death. | 0:56:43 | 0:56:45 | |
DRAMATIC WESTERN-STYLE MUSIC | 0:56:45 | 0:56:50 | |
Evel got out of the crane and into the Skycycle | 0:56:56 | 0:57:00 | |
and the whole time, patriotic music is being played | 0:57:00 | 0:57:03 | |
and at that time, even I got emotional a bit. | 0:57:03 | 0:57:06 | |
We strapped him in and got a couple of pictures of him | 0:57:07 | 0:57:13 | |
in the cockpit. | 0:57:13 | 0:57:15 | |
He looked a lot different than he did when he started this project. | 0:57:15 | 0:57:18 | |
His hair was grey and he was real serious. | 0:57:18 | 0:57:20 | |
We had a big clock - ten seconds, nine seconds... | 0:57:20 | 0:57:25 | |
..eight, seven... | 0:57:25 | 0:57:26 | |
You look out at the audience - no-one's even breathing. | 0:57:26 | 0:57:29 | |
..five, four... | 0:57:29 | 0:57:31 | |
-COMMENTATOR: -..three, two, one... | 0:57:31 | 0:57:33 | |
Immediately, something failed. | 0:57:39 | 0:57:42 | |
It fizzled. | 0:57:42 | 0:57:43 | |
It went down like a bullet. | 0:57:43 | 0:57:45 | |
-There's a fire. -The main chute is out, there she goes. | 0:57:45 | 0:57:49 | |
It's going to crash. | 0:57:49 | 0:57:50 | |
It's just cleared the rocks. | 0:57:53 | 0:57:55 | |
David, I can't see anything. | 0:57:55 | 0:57:57 | |
I had my camera. I'm taking - click, click, click, click, tsssh! - | 0:57:57 | 0:58:00 | |
right into the canyon. | 0:58:00 | 0:58:01 | |
I turn around and the first fence just goes flat. | 0:58:01 | 0:58:05 | |
Just - shwoop! | 0:58:05 | 0:58:06 | |
It was a stampede, is exactly what it was. | 0:58:06 | 0:58:09 | |
I saw bikers pluck people out of the sky. | 0:58:09 | 0:58:11 | |
It was right out of a movie, you know. | 0:58:11 | 0:58:14 | |
-COMMENTATOR: -Robert Craig Knievel | 0:58:14 | 0:58:16 | |
appears to have landed in the Snake River. | 0:58:16 | 0:58:18 | |
Evel definitely tried to get out, but he couldn't. | 0:58:18 | 0:58:21 | |
David, I am very scared. | 0:58:21 | 0:58:23 | |
I thought, "He's gone. | 0:58:23 | 0:58:25 | |
"We're not going to get to him in time, he's going to drown." | 0:58:25 | 0:58:28 | |
There was people running up and looking over the edge. | 0:58:30 | 0:58:33 | |
Linda was scared and the boys were scared. | 0:58:33 | 0:58:36 | |
I thought my dad was dead. I was screaming, crying. | 0:58:36 | 0:58:39 | |
I get into my helicopter, get over the canyon and there, | 0:58:40 | 0:58:44 | |
from the muddy banks on the side of the river... | 0:58:44 | 0:58:47 | |
..was Evel waving and I said this - | 0:58:49 | 0:58:52 | |
"Thank God that son of a bitch is alive." | 0:58:52 | 0:58:55 | |
-COMMENTATOR: -Evel Knievel is standing in the boat and waving. | 0:58:55 | 0:58:57 | |
He is alive and well. | 0:58:57 | 0:58:59 | |
I know the well-wishers are anxious to support that helicopter. | 0:59:01 | 0:59:04 | |
Evel's off, he's on the ground now | 0:59:04 | 0:59:06 | |
and he's being mobbed now by the crowd. | 0:59:06 | 0:59:08 | |
VOICES CLAMOUR | 0:59:08 | 0:59:11 | |
I don't know what happened, Dave, I don't know what happened. | 0:59:11 | 0:59:13 | |
It's just, I think... I don't know, I just can't say. | 0:59:13 | 0:59:16 | |
I'll have to let Bob and the fellas examine it. | 0:59:16 | 0:59:18 | |
Bob, what happened? | 0:59:18 | 0:59:20 | |
Well, this right here is the cover to the parachute canister. | 0:59:20 | 0:59:25 | |
It obviously came loose much too soon, right on the pad. | 0:59:25 | 0:59:28 | |
What had happened is, as it went up, | 0:59:28 | 0:59:31 | |
I knew immediately that the chute had been deployed. | 0:59:31 | 0:59:34 | |
It came off because of a mechanical problem with the design. | 0:59:34 | 0:59:37 | |
You didn't do a damned thing wrong. The can is still on the thing. | 0:59:37 | 0:59:41 | |
-It blew off right there on the launch. -Blew off by accident? -Yeah. | 0:59:41 | 0:59:44 | |
-It was our fault. -It's not your fault, it's... | 0:59:44 | 0:59:49 | |
We should have run one more test. | 0:59:49 | 0:59:52 | |
It was clear to me, or to us, that it was a mechanical failure, | 0:59:52 | 0:59:55 | |
but there was another story being bandied about back at the press tent | 0:59:55 | 0:59:59 | |
that perhaps Evel had released the chute early. | 0:59:59 | 1:00:03 | |
I told people that that's what happened. | 1:00:03 | 1:00:05 | |
When I went to the press tent after the jump | 1:00:05 | 1:00:07 | |
and the press was asking for me to come and make a statement, | 1:00:07 | 1:00:11 | |
I told the press that his hand came off of the bar. | 1:00:11 | 1:00:14 | |
I really liked the rocket crew. | 1:00:16 | 1:00:18 | |
They were a bunch of nice guys. I just knew the MO | 1:00:18 | 1:00:21 | |
of how he treated people - nothing was ever his fault. | 1:00:21 | 1:00:24 | |
I told people that that's what happened. | 1:00:25 | 1:00:27 | |
If, by chance, that took a little bit of the pressure | 1:00:27 | 1:00:31 | |
off of the rocket team, then so be it. | 1:00:31 | 1:00:33 | |
So it got out that it was Evel's fault. | 1:00:33 | 1:00:36 | |
But the nagging question remains - was this the legitimate attempt | 1:00:36 | 1:00:40 | |
of a brave man, or was it the great rip-off of 1974? | 1:00:40 | 1:00:44 | |
Then the press tore him up. | 1:00:44 | 1:00:48 | |
Cos they think that he, along with me, had perpetrated a fraud. | 1:00:48 | 1:00:52 | |
Hero or hustler, or, for Americans, are those the same thing? | 1:00:52 | 1:00:56 | |
It was Evel Knievel against the Snake River Canyon | 1:00:59 | 1:01:02 | |
and the canyon was the sentimental favourite. | 1:01:02 | 1:01:05 | |
Evel would have liked his jump to have been huge, front-page news, | 1:01:05 | 1:01:09 | |
but it was overwhelmingly squashed by the big news of the day, | 1:01:09 | 1:01:13 | |
which was the pardon of Nixon by President Ford. | 1:01:13 | 1:01:17 | |
That was a major transition in the country. | 1:01:17 | 1:01:20 | |
Maybe he had outlived his novelty, | 1:01:21 | 1:01:25 | |
because I think people might have got tired listening to it. | 1:01:25 | 1:01:28 | |
That's when he came back to Butte | 1:01:28 | 1:01:33 | |
and I don't know if he was depressed or what. | 1:01:33 | 1:01:36 | |
Huh, he just... | 1:01:36 | 1:01:38 | |
I felt sure he'd just give up after that, say, "Well, I'm done." | 1:01:40 | 1:01:45 | |
MUSIC: England Swing by Roger Miller | 1:01:45 | 1:01:48 | |
# England swings like a pendulum do | 1:01:51 | 1:01:54 | |
-# Bobbies on bicycles... # -He'd never been to England before. | 1:01:54 | 1:01:57 | |
He thought, "A new crowd, a new group, | 1:01:57 | 1:02:01 | |
"I can snow them a little more than I can the Americans." | 1:02:01 | 1:02:04 | |
Yeah, well, they hadn't heard the Teddy Roosevelt speech, | 1:02:04 | 1:02:07 | |
"Be good to your parents, wear a helmet." | 1:02:07 | 1:02:10 | |
# Westminster Abbey, the tower of Big Ben... # | 1:02:10 | 1:02:14 | |
-REPORTER: -Evel Knievel is alive, well | 1:02:14 | 1:02:16 | |
and back in action in famed old Wembley Stadium, London, England, | 1:02:16 | 1:02:19 | |
for a jump that will be made over 13 London buses. | 1:02:19 | 1:02:23 | |
When he arrived in London, | 1:02:23 | 1:02:25 | |
he had only sold 3,000 seats for a 100,000-seat stadium | 1:02:25 | 1:02:29 | |
and he was in trouble. There was some press there to meet him, | 1:02:29 | 1:02:32 | |
he looks at the press and what did he do? | 1:02:32 | 1:02:35 | |
"I'm so glad to be here in England, | 1:02:35 | 1:02:37 | |
"where we came and won the war for you." | 1:02:37 | 1:02:40 | |
"Wha...?" | 1:02:40 | 1:02:41 | |
-IN EXAGGERATED ENGLISH ACCENT: -"Oh?" | 1:02:41 | 1:02:43 | |
And they start writing. | 1:02:43 | 1:02:44 | |
He knew his job, which was to get people in Wembley Stadium. | 1:02:44 | 1:02:48 | |
We drove around London, just making friends. | 1:02:48 | 1:02:51 | |
How are you doing? What's your name? | 1:02:51 | 1:02:53 | |
Steven Bower. | 1:02:53 | 1:02:54 | |
-REPORTER: -So the Yankee Pied Piper collected the young and the old | 1:02:54 | 1:02:58 | |
and led them all to Wembley Stadium. | 1:02:58 | 1:03:01 | |
Thank you. | 1:03:01 | 1:03:03 | |
80,000 people showed up to watch the man do it. | 1:03:03 | 1:03:06 | |
We walked into the arena at Wembley, where the buses lined up | 1:03:08 | 1:03:13 | |
and he said, "I can't do that." | 1:03:13 | 1:03:16 | |
I said, "What do you mean, you can't?" | 1:03:17 | 1:03:18 | |
"Pull a few buses out of there, it won't hurt a thing to do that." | 1:03:18 | 1:03:21 | |
I go over and grab our producer, I said, | 1:03:21 | 1:03:23 | |
"Doug, Evel says he can't do that." | 1:03:23 | 1:03:26 | |
He really didn't think he was going to make it. | 1:03:26 | 1:03:30 | |
So we went over to talk to Evel and talk him out of it. | 1:03:32 | 1:03:35 | |
He was in a trailer, we knocked on the door, | 1:03:35 | 1:03:38 | |
and he said, "Oh, no, no, I'll give it a go, I'll give it a go." | 1:03:38 | 1:03:42 | |
It was always, "I'll give it a go." | 1:03:42 | 1:03:44 | |
He was afraid he couldn't make it. | 1:03:45 | 1:03:47 | |
-STADIUM ANNOUNCER: -Here is Evel Knievel! | 1:03:48 | 1:03:52 | |
-REPORTER: -You know, Evel, one has to wonder, after Snake River, | 1:03:52 | 1:03:55 | |
one has to wonder why you continue. | 1:03:55 | 1:03:58 | |
Well, I sometimes think that maybe I should quit, | 1:03:58 | 1:04:02 | |
but you always want to keep going | 1:04:02 | 1:04:04 | |
and I'm kind of proud of that red, white and blue number one | 1:04:04 | 1:04:06 | |
I wear on my shoulder and I want to keep it on there. | 1:04:06 | 1:04:09 | |
I'm glad you're here today. | 1:04:09 | 1:04:10 | |
-I've never had an accident when you're around. -Good luck. | 1:04:10 | 1:04:13 | |
CHEERING | 1:04:13 | 1:04:15 | |
He told me earlier that outside of the jump at Caesar's Palace | 1:04:15 | 1:04:19 | |
where he was severely injured, | 1:04:19 | 1:04:20 | |
that this will probably be the most difficult jump he's ever made. | 1:04:20 | 1:04:24 | |
Hurt himself at Indio, | 1:04:25 | 1:04:28 | |
1967 at Caesar's Palace. Here he goes, | 1:04:28 | 1:04:31 | |
and he will go. | 1:04:31 | 1:04:32 | |
It was almost eerie, though. | 1:04:49 | 1:04:51 | |
The motorcycle was ghostly. | 1:04:52 | 1:04:54 | |
It was tumbling after him, sort of. | 1:04:54 | 1:04:57 | |
Then it eventually landed on him. | 1:04:58 | 1:05:01 | |
-COMMENTATOR: -He's down and he is hurt. | 1:05:10 | 1:05:11 | |
Oh, my God. | 1:05:11 | 1:05:13 | |
The man you now see leaning over Evel, he is John Hood, | 1:05:17 | 1:05:19 | |
that's his chief mechanic. | 1:05:19 | 1:05:21 | |
I knew, well, he's got to be hurt on this one | 1:05:21 | 1:05:24 | |
and I knelt down and said, "Are you OK?" | 1:05:24 | 1:05:27 | |
I got his helmet off and he said, "Help me up." | 1:05:27 | 1:05:29 | |
He wanted the microphone. | 1:05:29 | 1:05:31 | |
I want to stand up and walk, help me up. | 1:05:31 | 1:05:33 | |
He's something else, he wants to talk, he's going to talk. | 1:05:33 | 1:05:36 | |
CHEERING | 1:05:36 | 1:05:38 | |
Ladies and gentlemen | 1:05:41 | 1:05:43 | |
of this wonderful country... | 1:05:43 | 1:05:46 | |
..I've got to tell you... | 1:05:48 | 1:05:49 | |
..that you... | 1:05:51 | 1:05:53 | |
are the last people in the world | 1:05:53 | 1:05:57 | |
who will ever see me jump, | 1:05:57 | 1:05:59 | |
because I will never, ever, ever jump again, I am through. | 1:05:59 | 1:06:02 | |
That crash was one of the worst as far as injuries would go. | 1:06:11 | 1:06:15 | |
He broke his hand, back, he broke his pelvis. | 1:06:16 | 1:06:20 | |
After Wembley, I went home to edit. Phone rang. | 1:06:21 | 1:06:25 | |
"Hello, Doug. Evel." He's calling me from his hospital room in London. | 1:06:25 | 1:06:28 | |
"Doug, you can't use that quote." | 1:06:28 | 1:06:31 | |
"What do you mean, Evel?" | 1:06:31 | 1:06:32 | |
"You can't use that quote, the quote where I said I wouldn't jump again." | 1:06:32 | 1:06:36 | |
I said, "Well, why?" He says, "Cos I may jump again." | 1:06:36 | 1:06:39 | |
When the jump was over in London, | 1:06:39 | 1:06:41 | |
I said that I'd never jump again. | 1:06:41 | 1:06:44 | |
That was the pain in my body overpowering the brains | 1:06:44 | 1:06:48 | |
that I'm supposed to have in my head. | 1:06:48 | 1:06:50 | |
I will jump again, | 1:06:50 | 1:06:52 | |
but 13 is an unlucky number. | 1:06:52 | 1:06:53 | |
This time I'm going to jump 14 buses. | 1:06:54 | 1:06:57 | |
Somehow, he gets the idea, "I am not going to go out with a crash. | 1:06:57 | 1:07:00 | |
"I'm going to go back to the United States | 1:07:00 | 1:07:02 | |
"and I'm going to jump 14 buses." | 1:07:02 | 1:07:04 | |
That's just who he was. | 1:07:05 | 1:07:07 | |
You can't do it and say you're the best in the world, | 1:07:07 | 1:07:09 | |
then fall off and get up and say, "I quit." | 1:07:09 | 1:07:11 | |
Not if you're Evel Knievel, you can't. | 1:07:11 | 1:07:13 | |
-REPORTER: -The Kings Island family entertainment centre, | 1:07:13 | 1:07:16 | |
located just outside of Cincinnati, Ohio, | 1:07:16 | 1:07:19 | |
is jam-packed with people who have come to watch Evel Knievel | 1:07:19 | 1:07:22 | |
out of retirement and here he comes right now, Robert Craig Knievel. | 1:07:22 | 1:07:27 | |
Evel. | 1:07:27 | 1:07:28 | |
A lot was riding on this jump. It was a different Evel. | 1:07:28 | 1:07:32 | |
He actually did practice jumps. | 1:07:32 | 1:07:34 | |
I'm going to go, Frank. | 1:07:35 | 1:07:36 | |
There's no wind going to stop me, not even a hurricane. | 1:07:36 | 1:07:40 | |
It was a very gutsy jump. | 1:07:41 | 1:07:42 | |
The doctors told him, "Just don't ever do that again." | 1:07:42 | 1:07:46 | |
One little slip, wrong thing, and he'd probably have been paralysed. | 1:07:46 | 1:07:50 | |
-COMMENTATOR: -Well, everything is going... | 1:07:50 | 1:07:52 | |
Total concentration now is getting that bike off the approach ramp | 1:07:58 | 1:08:02 | |
and onto the landing ramp. | 1:08:02 | 1:08:04 | |
DRAMATIC WESTERN-STYLE MUSIC | 1:08:04 | 1:08:07 | |
And he's not hesitating, he'll go. | 1:08:11 | 1:08:14 | |
CHEERING | 1:08:19 | 1:08:22 | |
Boy. | 1:08:32 | 1:08:33 | |
Busted the motorcycle right now, Frank. | 1:08:33 | 1:08:36 | |
Boy, it did come apart, didn't it? | 1:08:36 | 1:08:38 | |
Boy, did I hit hard. | 1:08:38 | 1:08:40 | |
Thank you. | 1:08:42 | 1:08:44 | |
This motorcycle is the finest machine in the world | 1:08:45 | 1:08:48 | |
as far as I'm concerned. It broke in half, | 1:08:48 | 1:08:51 | |
but it held me up and all I can say is thanks to Number One, | 1:08:51 | 1:08:54 | |
thanks to Harley-Davidson, | 1:08:54 | 1:08:55 | |
you've been so good to me through the years. | 1:08:55 | 1:08:59 | |
I would like to tell all of you something now, | 1:08:59 | 1:09:01 | |
that as far as I'm concerned, I have jumped far enough. | 1:09:01 | 1:09:06 | |
Today I'm going to walk away from here with you. | 1:09:06 | 1:09:09 | |
I feel that's being a professional, that's what I'm going to do. | 1:09:09 | 1:09:12 | |
CHEERING | 1:09:12 | 1:09:14 | |
Kings Island was the longest jump of his career. | 1:09:14 | 1:09:18 | |
It was the biggest television audience he ever had | 1:09:18 | 1:09:20 | |
and it was the highest-rated episode of Wide World Of Sports ever. | 1:09:20 | 1:09:24 | |
He did some small jumps after that, but he never went that big again. | 1:09:26 | 1:09:29 | |
Kings Island was the gunfighter putting away his pistols. | 1:09:31 | 1:09:36 | |
If you're on a bike, you do stupid shit. | 1:09:46 | 1:09:48 | |
But you do stupid shit in the name of Evel Knievel. | 1:09:49 | 1:09:52 | |
There's no way that a youngster | 1:09:57 | 1:09:59 | |
is not going to want to try to do what his hero does. | 1:09:59 | 1:10:02 | |
I don't think there's anything wrong | 1:10:02 | 1:10:04 | |
with a kid wanting to be an Evel Knievel | 1:10:04 | 1:10:06 | |
any more than he'd want to be an OJ Simpson or Frank Gifford | 1:10:06 | 1:10:08 | |
or any kind of a professional athlete. | 1:10:08 | 1:10:10 | |
-Do you view him as a hero? -Yeah. -Do you really? | 1:10:10 | 1:10:13 | |
Yeah, he's one of the greatest heroes. | 1:10:13 | 1:10:15 | |
He was a hero to so many kids, | 1:10:15 | 1:10:18 | |
but his own son was his biggest fan. | 1:10:18 | 1:10:20 | |
-COMMENTATOR: -This is Robbie. Look at this little guy go. | 1:10:22 | 1:10:25 | |
Wouldn't you know it would be the young one who would steal it? | 1:10:25 | 1:10:28 | |
He's the one that's got to have the longest wheelie. | 1:10:28 | 1:10:31 | |
He totally saw me in him. It was like, "I'm going to be you, Dad." | 1:10:31 | 1:10:36 | |
And the legend continues. | 1:10:36 | 1:10:38 | |
I want to jump the fountains at Caesar's Palace | 1:10:38 | 1:10:40 | |
before I end my career. | 1:10:40 | 1:10:41 | |
That was for you, Dad. | 1:10:50 | 1:10:52 | |
Yeah, Robbie broke all of his dad's records. | 1:10:52 | 1:10:54 | |
I mean, hell, he could jump 14 buses with no hands. | 1:10:54 | 1:10:57 | |
But Robbie was jumping on lighter, more powerful bikes | 1:11:01 | 1:11:04 | |
that were designed for jumping. | 1:11:04 | 1:11:06 | |
He could jump further and longer than Evel and all that stuff, | 1:11:06 | 1:11:09 | |
but it didn't matter. | 1:11:09 | 1:11:10 | |
Robbie couldn't tell a story. He was not a showman. | 1:11:10 | 1:11:13 | |
Knievel is the ultimate showman. | 1:11:13 | 1:11:15 | |
I guy could sing longer and louder than Elvis Presley, | 1:11:15 | 1:11:19 | |
but who gave a damn? | 1:11:19 | 1:11:21 | |
He was Elvis Presley. | 1:11:21 | 1:11:23 | |
My dad was Evel Knievel. | 1:11:23 | 1:11:25 | |
AUDIENCE LAUGHTER | 1:11:26 | 1:11:28 | |
APPLAUSE | 1:11:28 | 1:11:31 | |
Even when Bobby wasn't jumping any more, | 1:11:31 | 1:11:32 | |
he still wanted to be in the spotlight | 1:11:32 | 1:11:34 | |
and he had to find other things to do to get himself attention. | 1:11:34 | 1:11:38 | |
Yeah, one of his projects was Hollywood. | 1:11:38 | 1:11:40 | |
-# Viva -Viva! | 1:11:40 | 1:11:42 | |
# Viva Knievel... # | 1:11:42 | 1:11:43 | |
In the end, there was one guy meant to be Evel Knievel | 1:11:43 | 1:11:47 | |
and that was Evel. | 1:11:47 | 1:11:48 | |
Evel had a movie star quality about him. | 1:11:50 | 1:11:52 | |
There's no doubt about it. Not when he tried to act. | 1:11:52 | 1:11:56 | |
Look at you, you're trying to destroy yourself. | 1:11:56 | 1:11:58 | |
If you don't believe me, here's the proof. | 1:11:58 | 1:12:00 | |
I'm not going to let you commit suicide around me. | 1:12:00 | 1:12:03 | |
Uh, he performed for the audience, | 1:12:05 | 1:12:08 | |
but when it came to the acting part, | 1:12:08 | 1:12:10 | |
I guess there's a difference. | 1:12:10 | 1:12:12 | |
..too far! | 1:12:12 | 1:12:13 | |
-Stop it! -All right... -Stop it! -..any way you want it, man! | 1:12:13 | 1:12:16 | |
Stop it! | 1:12:16 | 1:12:17 | |
Once it came out, it was a movie that wasn't really well received. | 1:12:17 | 1:12:21 | |
# Viva! # | 1:12:23 | 1:12:25 | |
I guess the exciting part's the jump, huh? | 1:12:25 | 1:12:28 | |
HE EXHALES | 1:12:29 | 1:12:31 | |
You know, we've got the Wallendas on the high wire | 1:12:32 | 1:12:34 | |
and a mentalist at the edge of the canyon in a motorcycle, so... | 1:12:34 | 1:12:37 | |
'When I knew I was going to take on the Snake River Canyon event,' | 1:12:37 | 1:12:40 | |
I decided something very important - | 1:12:40 | 1:12:43 | |
that I would write a book, | 1:12:43 | 1:12:45 | |
a legacy that people could read about the Evel Knievel promotion | 1:12:45 | 1:12:50 | |
of the Snake River Canyon. | 1:12:50 | 1:12:52 | |
And Knievel, he was my 50/50 partner and he says, | 1:12:52 | 1:12:55 | |
"Don't forget, just tell the truth," so with permission, | 1:12:55 | 1:13:00 | |
I carried an audio cassette recorder during the Evel Knievel tour. | 1:13:00 | 1:13:04 | |
If you listen to the tape, you can form your own opinion. | 1:13:13 | 1:13:16 | |
So when I wrote my book, I kept out a lot of things, | 1:13:44 | 1:13:48 | |
stuff I would never write about, | 1:13:48 | 1:13:49 | |
cos, remember, when the book was coming out, | 1:13:49 | 1:13:52 | |
I was still protecting his image. | 1:13:52 | 1:13:54 | |
Evel's attorney, he checked everything, | 1:13:54 | 1:13:56 | |
told me that it had Evel's approval in writing, | 1:13:56 | 1:13:59 | |
then the book was published. | 1:13:59 | 1:14:01 | |
I was at Evel's compound when he throws me this book. | 1:14:02 | 1:14:07 | |
He says, "Here, keep this. May be worth some money some day." | 1:14:07 | 1:14:11 | |
I open it up - here's all his footnotes in there. | 1:14:11 | 1:14:15 | |
The first part of the book, "X-Rated Evel," | 1:14:15 | 1:14:19 | |
he writes in there, "Constitutes adultery." | 1:14:19 | 1:14:21 | |
So right from the get go, you could tell he was mad. | 1:14:23 | 1:14:25 | |
It just starts and you can tell, the farther it gets in the book, | 1:14:25 | 1:14:29 | |
the madder he got. "This is a lie and not accurate." | 1:14:29 | 1:14:32 | |
"Lies, lies, lies." | 1:14:34 | 1:14:35 | |
I read the book and you know what? I said, "Yeah, what's the problem?" | 1:14:36 | 1:14:40 | |
He could have said a lot more worse stuff. | 1:14:41 | 1:14:45 | |
I read the book a couple of times and I didn't see anything in it bad, | 1:14:45 | 1:14:48 | |
nothing. It was very factual, very, very, very factual. | 1:14:48 | 1:14:53 | |
I think that Shelly that wrote it was, uh, accurate. | 1:14:53 | 1:14:58 | |
And... | 1:14:58 | 1:14:59 | |
..it made him really mad. | 1:15:01 | 1:15:02 | |
I was on the 20th Century Fox lot | 1:15:05 | 1:15:07 | |
and all of a sudden I saw Evel with a big smile coming at me, | 1:15:07 | 1:15:10 | |
loping along. | 1:15:10 | 1:15:13 | |
I was actually glad to see him. The book was out and I was like, | 1:15:13 | 1:15:16 | |
"Maybe I can even talk him into doing some promotion with me." | 1:15:16 | 1:15:19 | |
I said, "Hey, Evel!" | 1:15:19 | 1:15:20 | |
And all of a sudden, my hands were held behind my back, | 1:15:20 | 1:15:24 | |
they tell me it was two men, I don't know, | 1:15:24 | 1:15:26 | |
it may have been one, it may have been two, and he came at me | 1:15:26 | 1:15:30 | |
with a bat, an aluminium baseball bat. | 1:15:30 | 1:15:33 | |
He said, "I'm going to kill you, you son of a bitch." | 1:15:33 | 1:15:36 | |
I did everything I could to defend myself | 1:15:36 | 1:15:39 | |
and I remember putting my hand up and said, | 1:15:39 | 1:15:41 | |
"What are you doing, what are you doing?!" | 1:15:41 | 1:15:43 | |
I was fighting for my life and he was whaling on me | 1:15:43 | 1:15:45 | |
and then I passed out. | 1:15:45 | 1:15:47 | |
-REPORTER: -Knievel came to court | 1:15:50 | 1:15:52 | |
accompanied by his wife Linda and his attorney. | 1:15:52 | 1:15:54 | |
The 38-year-old daredevil faces charges of felony assault | 1:15:54 | 1:15:57 | |
in the baseball bat attack | 1:15:57 | 1:15:58 | |
on television executive Sheldon Saltman. | 1:15:58 | 1:16:01 | |
Knievel could have gotten away with it. | 1:16:01 | 1:16:02 | |
He could have if he would have just stopped being Knievel | 1:16:02 | 1:16:05 | |
for ten minutes. | 1:16:05 | 1:16:06 | |
It was a very interesting hour in Division 91 of municipal court | 1:16:06 | 1:16:10 | |
in which Evel Knievel fired his attorney | 1:16:10 | 1:16:12 | |
and entered a plea of guilty. | 1:16:12 | 1:16:14 | |
He fires them and says to the judge, | 1:16:14 | 1:16:16 | |
"Judge, I did it and I'd do it again. Do what you will with me." | 1:16:16 | 1:16:20 | |
This old frontier justice thing. | 1:16:21 | 1:16:24 | |
You know, in Butte, Montana, you settle things out in the street. | 1:16:25 | 1:16:28 | |
You don't settle them with lawyers | 1:16:28 | 1:16:31 | |
and Evel always settled it with his fists, or sometimes a tool helped. | 1:16:31 | 1:16:37 | |
Not with a baseball bat. | 1:16:37 | 1:16:39 | |
That's not Butte. | 1:16:40 | 1:16:42 | |
I never knew of anybody in Butte that did that. | 1:16:42 | 1:16:45 | |
If I did not think there was a much stronger judge some day | 1:16:45 | 1:16:48 | |
that I will stand before called God than the judge | 1:16:48 | 1:16:50 | |
I stood before in that courtroom in Santa Monica, California, | 1:16:50 | 1:16:53 | |
I would have killed that lousy little bastard. | 1:16:53 | 1:16:55 | |
I broke his arms with a baseball bat | 1:16:55 | 1:16:57 | |
and I think that's just what he deserved. | 1:16:57 | 1:16:59 | |
I'll guarantee one thing - | 1:16:59 | 1:17:00 | |
he doesn't write anything else about me. | 1:17:00 | 1:17:02 | |
-LAUGHTER -Well, but, I mean...! | 1:17:02 | 1:17:05 | |
I think I was a sophomore at high school at the time | 1:17:05 | 1:17:08 | |
and I was not proud of my dad for doing that. | 1:17:08 | 1:17:11 | |
At all. | 1:17:11 | 1:17:12 | |
Stuntman Evel Knievel got a jail sentence | 1:17:12 | 1:17:14 | |
yesterday for beating his former press agent with a baseball bat. | 1:17:14 | 1:17:18 | |
The judge told the 39-year-old motorcycle daredevil that | 1:17:18 | 1:17:21 | |
while as a judge he found Knievel's admission of guilt | 1:17:21 | 1:17:24 | |
as "refreshing", at the same time, Rafeedie said, | 1:17:24 | 1:17:27 | |
"Long ago we abandoned frontier justice in California." | 1:17:27 | 1:17:30 | |
With that, Rafeedie sentenced Knievel to six months in jail | 1:17:30 | 1:17:32 | |
and three years' probation. | 1:17:32 | 1:17:34 | |
The judge is a good judge and he's a fair judge. | 1:17:34 | 1:17:37 | |
Of course, when he was in jail, | 1:17:37 | 1:17:39 | |
it was like, I think, in his own way, | 1:17:39 | 1:17:43 | |
he played it as a game. | 1:17:43 | 1:17:45 | |
So he's in jail, but he's on work release, | 1:17:49 | 1:17:51 | |
so he's only in there at night | 1:17:51 | 1:17:54 | |
and he would have his chauffeur pick him up every morning | 1:17:54 | 1:17:57 | |
and take him to the bar. | 1:17:57 | 1:17:58 | |
-REPORTER: -Knievel believes in sharing the wealth, | 1:17:58 | 1:18:01 | |
so this morning he hired a dozen limousines | 1:18:01 | 1:18:03 | |
to transport his fellow work release inmates to their jobs. | 1:18:03 | 1:18:07 | |
You know, putting him in jail, he got more press | 1:18:07 | 1:18:12 | |
than anything else. | 1:18:12 | 1:18:13 | |
There was no end to the shenanigans that guy would pull. | 1:18:13 | 1:18:16 | |
-REPORTER: -The inmates were amazed, | 1:18:16 | 1:18:18 | |
but the authorities were not so enthusiastic. | 1:18:18 | 1:18:21 | |
Well, the judge got pissed | 1:18:21 | 1:18:22 | |
and he revoked Evel's work release privileges. | 1:18:22 | 1:18:26 | |
I was pissed off at him. | 1:18:26 | 1:18:28 | |
He started believing the hype, that he was totally impervious | 1:18:28 | 1:18:31 | |
and he could get away with anything. | 1:18:31 | 1:18:33 | |
I don't think he thought about the public. | 1:18:33 | 1:18:35 | |
Maybe if he did, he thought, "That's what they expect of me." | 1:18:35 | 1:18:39 | |
The Ideal Toy Company, which manufactures the Evel Knievel toys, | 1:18:39 | 1:18:42 | |
says it has already lost 1.6 million | 1:18:42 | 1:18:45 | |
since Evel Knievel went into the county jail. | 1:18:45 | 1:18:47 | |
We had a meeting at Ideal the next day or the day after. | 1:18:47 | 1:18:50 | |
I said, "You know, we don't sell toys of murderers or gangsters | 1:18:52 | 1:18:59 | |
"and stuff like that, | 1:18:59 | 1:19:00 | |
"so therefore we are going to suspend sales in the United States." | 1:19:00 | 1:19:05 | |
On the toy front, | 1:19:07 | 1:19:08 | |
it may not be a merry Christmas for daredevil Evel Knievel. | 1:19:08 | 1:19:12 | |
The contracts were cancelled and he lost a lot of money, yeah. | 1:19:12 | 1:19:17 | |
It all started coming apart. | 1:19:17 | 1:19:19 | |
# Any more it doesn't matter... # | 1:19:19 | 1:19:23 | |
-REPORTER: -Knievel says his experience in jail was a good one, | 1:19:23 | 1:19:26 | |
but that it has set him back financially. | 1:19:26 | 1:19:29 | |
I hated to see him lose everything he'd worked for | 1:19:29 | 1:19:34 | |
in ten minutes. | 1:19:34 | 1:19:35 | |
When it was falling apart, it fell apart very quickly. | 1:19:35 | 1:19:39 | |
The cars, the boats... | 1:19:39 | 1:19:41 | |
..the Learjets, Ferraris, everything to go down the drain, | 1:19:41 | 1:19:45 | |
that was hard. | 1:19:45 | 1:19:46 | |
The house that we all loved got repossessed, | 1:19:46 | 1:19:50 | |
because my dad didn't pay the property taxes. | 1:19:50 | 1:19:53 | |
The bank came and got it and the IRS sold it. | 1:19:53 | 1:19:56 | |
We loaded up all the furniture, everything of any value, | 1:19:56 | 1:19:59 | |
from the saddles to guns and we would just bring | 1:19:59 | 1:20:02 | |
so much out at a time and we'd have a garage sale. | 1:20:02 | 1:20:06 | |
The arc of the Skycycle is like what happened to his career. | 1:20:06 | 1:20:09 | |
He was at the pinnacle, | 1:20:09 | 1:20:11 | |
then he destroyed his whole life. | 1:20:11 | 1:20:13 | |
I just dropped out of sight and played golf. | 1:20:15 | 1:20:17 | |
I just completely withdrew from the public. | 1:20:17 | 1:20:20 | |
When I met him, he was in a bit of a low point. | 1:20:21 | 1:20:25 | |
He was kind of just getting by, hustling golf. | 1:20:25 | 1:20:29 | |
He might make a couple of hundred here, a couple of hundred here. | 1:20:29 | 1:20:32 | |
He lived day to day at that time. | 1:20:32 | 1:20:34 | |
He didn't keep the fact that he was married a secret or anything | 1:20:34 | 1:20:37 | |
and in two weeks, I packed up what I wanted to take with me | 1:20:37 | 1:20:41 | |
and we went on the road. | 1:20:41 | 1:20:43 | |
# It's over... # | 1:20:43 | 1:20:45 | |
And I just let it go at that. | 1:20:45 | 1:20:47 | |
To heck with it, you know? | 1:20:47 | 1:20:49 | |
After 38 years of somebody telling you what to do... | 1:20:49 | 1:20:52 | |
..I didn't like him. | 1:20:54 | 1:20:56 | |
# It's over... # | 1:20:56 | 1:20:57 | |
I didn't like him. | 1:20:57 | 1:20:59 | |
# Nobody wins. # | 1:21:01 | 1:21:05 | |
You could see that his health was declining, | 1:21:13 | 1:21:15 | |
he was getting worse all the time. | 1:21:15 | 1:21:17 | |
He had a hip replacement, a pelvis reconstruction, a spinal fusion, | 1:21:17 | 1:21:22 | |
a liver transplant, seven or eight bouts of staph infection. | 1:21:22 | 1:21:25 | |
I have hepatitis C and I've got to do blood transfusions | 1:21:26 | 1:21:29 | |
and I've been told by the doctors five years ago | 1:21:29 | 1:21:32 | |
that I didn't have five years to live. | 1:21:32 | 1:21:34 | |
I'm taking it one day at a time. | 1:21:34 | 1:21:36 | |
Yeah, you felt sorry for him. I did, really. | 1:21:36 | 1:21:39 | |
I thought, "You're really hurting." | 1:21:39 | 1:21:41 | |
MUSIC: If You're Gonna Be Dumb... by Smut Peddlers | 1:21:41 | 1:21:44 | |
# If you're gonna be dumb, you gotta be tough | 1:21:44 | 1:21:48 | |
# When you get knocked down, you gotta get back up | 1:21:48 | 1:21:52 | |
# I ain't the sharpest rig in the ten pack but I know enough... | 1:21:52 | 1:21:55 | |
# To know - if you're gonna be dumb you gotta be tough... # | 1:21:55 | 1:21:59 | |
Then the '90s come around and motorcycle jumping was just one part | 1:22:01 | 1:22:05 | |
of this whole new, huge thing called "action sports". | 1:22:05 | 1:22:10 | |
It's amazing how quickly the sports progressed, | 1:22:10 | 1:22:12 | |
the multimillion, motorcycle-jumping, | 1:22:12 | 1:22:15 | |
skateboard-riding, surfing industry. | 1:22:15 | 1:22:17 | |
It's definitely come a long way from daredevils to professionals. | 1:22:17 | 1:22:21 | |
In 2006, I was able to land | 1:22:23 | 1:22:24 | |
the first double backflip on a dirt bike. | 1:22:24 | 1:22:27 | |
No-one ever thought that that was possible. | 1:22:27 | 1:22:29 | |
The bikes have evolved, the riding has evolved. | 1:22:29 | 1:22:32 | |
They have coaches, they have schools, they have camps, | 1:22:32 | 1:22:35 | |
but the spirit will never die | 1:22:35 | 1:22:36 | |
and Evel was the one that set our foundation for the future. | 1:22:36 | 1:22:39 | |
MUSIC: Fun Fun Fun by Big Boys | 1:22:39 | 1:22:40 | |
# Fun, fun, fun, that's what we play | 1:22:40 | 1:22:43 | |
# Fun, fun, fun, no matter what they think... # | 1:22:45 | 1:22:48 | |
Evel Knievel was always in the back of my mind, | 1:22:49 | 1:22:52 | |
and it wasn't like we had forgotten about him. | 1:22:52 | 1:22:55 | |
We just didn't really know what he was up to | 1:22:55 | 1:22:57 | |
and I think that people started asking what he was up to. | 1:22:57 | 1:23:00 | |
-ANNOUNCER: -..and the one and only OG, Evel Knievel! | 1:23:00 | 1:23:04 | |
It was great to see a new generation understand | 1:23:04 | 1:23:07 | |
how important he was to us. | 1:23:07 | 1:23:09 | |
Somehow, we raised his profile again, | 1:23:09 | 1:23:11 | |
but he deserved that all along. | 1:23:11 | 1:23:13 | |
He greatly appreciated that the kids paid their respects to him | 1:23:13 | 1:23:17 | |
and they did and he was amazed. | 1:23:17 | 1:23:19 | |
Don't ever forget, | 1:23:19 | 1:23:21 | |
you can fall many times in life, | 1:23:21 | 1:23:25 | |
but you will never be a failure as long as you try to get up. | 1:23:25 | 1:23:30 | |
I think my dad liked his role as an elder statesman | 1:23:31 | 1:23:34 | |
at the end of his life. | 1:23:34 | 1:23:35 | |
He thought it was really cool and where he deserved to be, | 1:23:35 | 1:23:38 | |
deservedly so. | 1:23:38 | 1:23:39 | |
I'm looking forward to seeing what happens in the next 20 years | 1:23:39 | 1:23:43 | |
if I'm so lucky to live that long. | 1:23:43 | 1:23:45 | |
I had to have a hip replacement, a complete hip replacement, | 1:23:45 | 1:23:49 | |
I had to have a... | 1:23:49 | 1:23:50 | |
You guys, I'm really having problems. | 1:23:53 | 1:23:55 | |
Why don't we...? | 1:23:57 | 1:23:59 | |
Please. | 1:23:59 | 1:24:00 | |
After a lifetime of injuries and surgeries, | 1:24:01 | 1:24:04 | |
the thing that really kicked his ass was lung disease. | 1:24:04 | 1:24:07 | |
If you'd asked him, "Would you rather have lived this long, Bobby, | 1:24:09 | 1:24:14 | |
"and be this sick, | 1:24:14 | 1:24:16 | |
"or died at the end of the ramp?" | 1:24:16 | 1:24:20 | |
I think he would have chosen the end of the ramp. | 1:24:20 | 1:24:22 | |
The last couple of years of his life were hell. | 1:24:24 | 1:24:27 | |
He was having trouble breathing and being in that living hell... | 1:24:27 | 1:24:31 | |
..he put his life in perspective. | 1:24:32 | 1:24:35 | |
I think he probably thought a lot about the things he'd done | 1:24:36 | 1:24:40 | |
and thought about how badly he'd treated some people. | 1:24:40 | 1:24:43 | |
He was preparing for the end on every level. | 1:24:47 | 1:24:50 | |
He righted a lot of wrongs with people, | 1:24:50 | 1:24:54 | |
because he felt like that was important. | 1:24:54 | 1:24:56 | |
It became important to him. | 1:24:56 | 1:24:58 | |
He told me that he had led a life | 1:25:01 | 1:25:03 | |
that he was ashamed of in a lot of ways | 1:25:03 | 1:25:05 | |
and he was just trying to talk to the people | 1:25:05 | 1:25:08 | |
that had "truly meant something to him," is the way he put it, | 1:25:08 | 1:25:12 | |
and put it right. | 1:25:12 | 1:25:13 | |
He said to me, "I was so sick." | 1:25:15 | 1:25:19 | |
He said, "I was just a sick person | 1:25:19 | 1:25:22 | |
"with women, I was so wrong." | 1:25:22 | 1:25:25 | |
And I said, "Aw, Dad, it's so good to hear you say that." | 1:25:25 | 1:25:28 | |
He tried to make amends with people at the end, and that's great, | 1:25:30 | 1:25:34 | |
but it's kind of tough to put the toothpaste | 1:25:34 | 1:25:36 | |
back in the tube at that point. | 1:25:36 | 1:25:38 | |
He caused a lot of hurt. | 1:25:38 | 1:25:39 | |
Well, first time I ever heard him say, "I'm sorry." | 1:25:41 | 1:25:44 | |
He was pretty much on his deathbed. | 1:25:44 | 1:25:47 | |
Yeah. | 1:25:47 | 1:25:49 | |
He just said, "I'm sorry," that was it. | 1:25:49 | 1:25:51 | |
Do you know, the most important thing in life | 1:25:53 | 1:25:58 | |
that really counts? | 1:25:58 | 1:26:00 | |
Your scorecard with God. | 1:26:00 | 1:26:02 | |
The real Bob Knievel, the Bobby Knievel, | 1:26:02 | 1:26:05 | |
that's the guy that I knew and that's the guy that I loved. | 1:26:05 | 1:26:09 | |
And that's the guy that was emerging back out of the slime. | 1:26:10 | 1:26:14 | |
And... And, uh, I was moved by it. | 1:26:14 | 1:26:17 | |
I talked to him the night before he died. | 1:26:22 | 1:26:24 | |
He said, "You gotta do me a favour." I says, "OK, what?" | 1:26:24 | 1:26:28 | |
He said, "Say a prayer for me once in a while." | 1:26:28 | 1:26:31 | |
I said, "OK, all right, all right," | 1:26:33 | 1:26:35 | |
and he says, "Hey, I'm worse than you think." | 1:26:35 | 1:26:37 | |
I was on the phone with Evel and he started coughing. | 1:26:39 | 1:26:43 | |
And the phone dropped | 1:26:44 | 1:26:46 | |
and he went unconscious. | 1:26:46 | 1:26:48 | |
-TEARFULLY: -So that was it. | 1:26:53 | 1:26:55 | |
Mmm. | 1:26:55 | 1:26:56 | |
But it was hard. | 1:26:58 | 1:27:00 | |
I wasn't ready. | 1:27:00 | 1:27:02 | |
But he was ready. | 1:27:05 | 1:27:07 | |
And that's what was important. | 1:27:09 | 1:27:10 | |
You just never thought that Evel was going to die. | 1:27:18 | 1:27:23 | |
You know, he was indestructible, and then... | 1:27:24 | 1:27:28 | |
it... | 1:27:29 | 1:27:31 | |
It just reminded you that he was human. | 1:27:31 | 1:27:33 | |
I didn't lose the daredevil. | 1:27:36 | 1:27:39 | |
I lost this little kid who at one time I thought was my brother. | 1:27:42 | 1:27:45 | |
That's the indelible Knievel to me. | 1:27:48 | 1:27:51 | |
I still think he's a superhero. | 1:27:54 | 1:27:57 | |
Yeah, I know a more complete story now | 1:27:59 | 1:28:02 | |
and some of the stuff is really heartbreaking, you know? | 1:28:02 | 1:28:06 | |
But to me, what he did | 1:28:06 | 1:28:09 | |
transcends that. | 1:28:09 | 1:28:11 | |
Most of us don't take chances in our lives. | 1:28:12 | 1:28:15 | |
Most of us aren't willing to lay it on the line, | 1:28:15 | 1:28:17 | |
so to speak, like he was. | 1:28:17 | 1:28:19 | |
What my dad did, nobody's ever going to do again. | 1:28:20 | 1:28:26 | |
But there's a little Evel in all of us. | 1:28:26 | 1:28:28 | |
I guess I'd like to have him remembered as... | 1:28:30 | 1:28:33 | |
..a man who, when he was down, got back up. | 1:28:35 | 1:28:38 | |
You know? He never quit. | 1:28:40 | 1:28:42 | |
I think, in fairness to him, | 1:28:46 | 1:28:48 | |
they should not remember the evil that Evel did. | 1:28:48 | 1:28:54 | |
Instead, he should be remembered for the good things he did. | 1:28:54 | 1:28:58 | |
In times of stress, | 1:29:00 | 1:29:01 | |
I believe somebody on a white horse wearing a white hat will arrive. | 1:29:01 | 1:29:06 | |
That's the American way. | 1:29:06 | 1:29:09 | |
Life's pretty tough. | 1:29:09 | 1:29:10 | |
Life can be pretty fucking tough and, uh... | 1:29:12 | 1:29:15 | |
..you need your heroes, man. | 1:29:18 | 1:29:20 | |
He used to always say to me, he says, | 1:29:24 | 1:29:26 | |
"That canyon has not moved one inch | 1:29:26 | 1:29:28 | |
"and I do not see a big, long line of daredevils waiting to jump it." | 1:29:28 | 1:29:31 | |
MUSIC: Show Me The Way by Peter Frampton | 1:29:31 | 1:29:37 | |
# I want you | 1:29:48 | 1:29:51 | |
# Show me the way | 1:29:51 | 1:29:55 | |
# I want you | 1:29:55 | 1:29:58 | |
# Show me the way, yeah | 1:29:58 | 1:30:02 | |
# I want you | 1:30:02 | 1:30:05 | |
# Day after day... # | 1:30:05 | 1:30:09 |