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RUSTLING | 0:00:17 | 0:00:19 | |
Hello. Testing, testing, testing. | 0:00:19 | 0:00:22 | |
Testing, testing. | 0:00:24 | 0:00:26 | |
I'm ready... | 0:00:27 | 0:00:29 | |
..Daddy... | 0:00:31 | 0:00:32 | |
Daddy! Daddy! | 0:00:34 | 0:00:36 | |
CHILD HUMS SOFTLY | 0:00:36 | 0:00:38 | |
Say "hello, hello, hello". | 0:00:38 | 0:00:41 | |
Hello, hello, hello. | 0:00:41 | 0:00:42 | |
This is cassette one, track one. | 0:00:52 | 0:00:54 | |
10th July 1983. | 0:00:54 | 0:00:57 | |
Have we begun yet? | 0:00:58 | 0:01:00 | |
Disembodied voices. | 0:01:00 | 0:01:01 | |
22nd February. | 0:01:01 | 0:01:03 | |
Speaking out of nowhere. 1984. | 0:01:03 | 0:01:05 | |
Disappearing into nowhere. | 0:01:05 | 0:01:07 | |
Cassette three. | 0:01:09 | 0:01:11 | |
Thank you very much for the tape... | 0:01:11 | 0:01:13 | |
Everything was... Waterlogged... | 0:01:13 | 0:01:15 | |
Immobile. | 0:01:15 | 0:01:17 | |
Hello, and welcome to... | 0:01:17 | 0:01:18 | |
VOICES OVERLAP | 0:01:18 | 0:01:21 | |
Can't we just cut back? | 0:01:23 | 0:01:25 | |
-It's a long time ago, isn't it? -Hmm. | 0:01:40 | 0:01:43 | |
How difficult it is to remember the detail. | 0:01:48 | 0:01:51 | |
It's late. | 0:01:59 | 0:02:01 | |
We were married on 1st November '79. | 0:02:04 | 0:02:08 | |
Oh, you were driving, of course. | 0:02:10 | 0:02:12 | |
Well, you certainly weren't driving! | 0:02:12 | 0:02:14 | |
-We just took off down to... -We got to Chichester. -Oh, that was it. | 0:02:14 | 0:02:18 | |
Chich... No. Was it? | 0:02:18 | 0:02:20 | |
-Where did we go, then? -On the southern edge of the... | 0:02:20 | 0:02:23 | |
-What was it called again? -It began with a C. | 0:02:23 | 0:02:25 | |
-Cirencester. -Ah! | 0:02:25 | 0:02:27 | |
-That was it. -Cirencester? -Cirencester. -Yeah. | 0:02:27 | 0:02:30 | |
That's a long way. | 0:02:30 | 0:02:31 | |
That ghastly B&B. | 0:02:36 | 0:02:38 | |
It was quite the worst place we've ever stayed in. | 0:02:38 | 0:02:41 | |
-I don't remember it being so bad. -It was horrible. | 0:02:41 | 0:02:44 | |
Do you remember the way the tide came in? | 0:02:59 | 0:03:01 | |
Right up the main street. | 0:03:04 | 0:03:06 | |
It took the form of a dark black disc... | 0:03:21 | 0:03:25 | |
..which slowly progressed across the field of vision. | 0:03:29 | 0:03:33 | |
It went very quickly. | 0:03:37 | 0:03:39 | |
The doctors said that the eye was so badly traumatised from... | 0:03:42 | 0:03:48 | |
from previous surgery... | 0:03:48 | 0:03:50 | |
..that all we'll be able to do is to preserve a little bit of sight. | 0:03:53 | 0:03:57 | |
Of course, you never believe that. | 0:04:00 | 0:04:02 | |
You keep on hoping. | 0:04:04 | 0:04:07 | |
-That was the final eye operation. -Yes. | 0:04:14 | 0:04:17 | |
BABY GURGLES | 0:04:23 | 0:04:25 | |
You were just out of hospital when Tom was born. | 0:04:26 | 0:04:30 | |
Smiling. | 0:04:32 | 0:04:34 | |
He's smiling at you. | 0:04:38 | 0:04:40 | |
DOOR OPENS | 0:04:45 | 0:04:48 | |
I still had that little bit of vision. | 0:05:17 | 0:05:20 | |
I would see a flicker of a shadow across the window | 0:05:29 | 0:05:33 | |
-as you moved across it. -Yeah. | 0:05:33 | 0:05:35 | |
If I stood underneath the central light in the room, | 0:05:39 | 0:05:44 | |
I could tell if it was on or off. | 0:05:44 | 0:05:46 | |
The stars had gone, the moon had gone. | 0:05:51 | 0:05:54 | |
I must be able to see the sun, mustn't I? | 0:05:56 | 0:05:58 | |
I didn't think it would last long. | 0:06:01 | 0:06:04 | |
Here we are again. | 0:06:08 | 0:06:10 | |
Another part of Imogen Hull's tape, side two. | 0:06:10 | 0:06:15 | |
Now, then... | 0:06:15 | 0:06:17 | |
Imogen. | 0:06:17 | 0:06:19 | |
She was thrilled. I mean, you know, as an older sister, | 0:06:21 | 0:06:24 | |
loving a little brother. | 0:06:24 | 0:06:26 | |
I don't think she realised what was going on. | 0:06:28 | 0:06:31 | |
BABY CRIES | 0:06:33 | 0:06:35 | |
The little drop of the Father | 0:06:37 | 0:06:40 | |
on thy little beloved forehead... | 0:06:40 | 0:06:43 | |
BABY WAILS | 0:06:43 | 0:06:45 | |
The little drop of the Son on your forehead, beloved one. | 0:06:45 | 0:06:50 | |
The little drop of the Spirit on your forehead, beloved one. | 0:06:52 | 0:06:57 | |
There was nobody much around in the university. | 0:06:59 | 0:07:02 | |
LOW CONVERSATION | 0:07:10 | 0:07:12 | |
I could hear one of my friends saying, | 0:07:15 | 0:07:18 | |
"You know that John Hull's going completely blind?" | 0:07:18 | 0:07:21 | |
Stopping and hearing that... | 0:07:26 | 0:07:29 | |
Oh! | 0:07:29 | 0:07:30 | |
Thoughts just came tumbling into my mind. | 0:07:35 | 0:07:38 | |
What about my reading, my research? | 0:07:41 | 0:07:43 | |
What about my teaching? | 0:07:45 | 0:07:47 | |
How am I going to teach? | 0:07:47 | 0:07:49 | |
How am I going to lecture without any notes? | 0:07:49 | 0:07:52 | |
I went up to my office and sat there. | 0:07:54 | 0:07:58 | |
The students will be here in about five weeks. | 0:07:59 | 0:08:02 | |
Now... | 0:08:05 | 0:08:06 | |
..how am I going to do this? | 0:08:08 | 0:08:10 | |
A social worker told me about all the things they could offer. | 0:08:12 | 0:08:16 | |
Hmm. | 0:08:16 | 0:08:17 | |
For your first white cane. | 0:08:17 | 0:08:19 | |
There were special holiday homes for blind people. | 0:08:20 | 0:08:24 | |
Maybe I'd like to have a dog and... | 0:08:24 | 0:08:26 | |
Then she said, "Well, you need a mobility course." | 0:08:26 | 0:08:30 | |
I remember saying, "No, I'm not doing that. | 0:08:30 | 0:08:32 | |
"I haven't got time." | 0:08:32 | 0:08:35 | |
I mean, most people would have made the time. | 0:08:36 | 0:08:39 | |
I was just too busy keeping up with everything. | 0:08:39 | 0:08:42 | |
Well, you were also stubborn. | 0:08:43 | 0:08:45 | |
You were sort of in furious denial. | 0:08:50 | 0:08:52 | |
'The only thing I was interested in | 0:08:58 | 0:09:00 | |
'was how to function as a blind academic. | 0:09:00 | 0:09:02 | |
'That, nobody knew.' | 0:09:02 | 0:09:04 | |
What have you got? Ah, The Long Surrender. | 0:09:04 | 0:09:07 | |
Autumn Conquest... | 0:09:07 | 0:09:09 | |
'I needed to have serious books recorded sensibly.' | 0:09:09 | 0:09:14 | |
What about anthropology and sociology? | 0:09:15 | 0:09:19 | |
'All that was basically available in the United Kingdom | 0:09:19 | 0:09:23 | |
'was detective novels and romantic fiction.' | 0:09:23 | 0:09:26 | |
Well, I'm interested in reading contemporary social sciences. | 0:09:28 | 0:09:32 | |
No, look, how do blind people read big books? | 0:09:34 | 0:09:37 | |
'They said, "They don't."' | 0:09:38 | 0:09:41 | |
Anyway, I'll sort it out, so thanks for your advice. | 0:09:44 | 0:09:48 | |
'They don't. | 0:09:48 | 0:09:49 | |
'That was it. | 0:09:53 | 0:09:54 | |
'I didn't buy that. | 0:09:59 | 0:10:01 | |
'I had a tape recorder, of course. | 0:10:07 | 0:10:10 | |
'I had cassettes.' | 0:10:12 | 0:10:13 | |
Is that the microphone? Yes. | 0:10:16 | 0:10:19 | |
Is it on? | 0:10:19 | 0:10:20 | |
That makes a difference, doesn't it? | 0:10:23 | 0:10:26 | |
HE CLEARS HIS THROAT | 0:10:26 | 0:10:28 | |
Testing, testing, testing. | 0:10:28 | 0:10:30 | |
Today is Tuesday, and I'm wondering if this machine will record or not. | 0:10:31 | 0:10:36 | |
TAPE REWINDS | 0:10:36 | 0:10:39 | |
RECORDING: 'Testing, testing. | 0:10:39 | 0:10:41 | |
'Today is Tuesday, | 0:10:42 | 0:10:44 | |
'and I'm wondering if this machine will record or not.' | 0:10:44 | 0:10:48 | |
The first thing I did was build up | 0:10:54 | 0:10:56 | |
a team of people to record books for me. | 0:10:56 | 0:10:59 | |
How did you get that going? | 0:11:01 | 0:11:03 | |
I can't quite remember but it became an absolute business. | 0:11:04 | 0:11:09 | |
I had up to 30 of them working for me at one stage. | 0:11:09 | 0:11:14 | |
The books would come back on cassettes. | 0:11:14 | 0:11:16 | |
Hundreds of cassettes. | 0:11:18 | 0:11:20 | |
Hundreds! | 0:11:20 | 0:11:22 | |
That was transformative. | 0:11:24 | 0:11:26 | |
Down on this level. | 0:11:31 | 0:11:33 | |
One...two... | 0:11:33 | 0:11:35 | |
three. | 0:11:35 | 0:11:37 | |
'I spent, I suppose, | 0:11:37 | 0:11:39 | |
'the next two or three years learning all of those little tricks. | 0:11:39 | 0:11:43 | |
'With ingenuity and a little bit of help, | 0:11:46 | 0:11:49 | |
'they were problems that COULD be solved.' | 0:11:49 | 0:11:52 | |
-RECORDING: -'..Meaning is an operation of intentionality...' | 0:11:52 | 0:11:56 | |
The truth is that, although in a way it was so devastating, | 0:11:58 | 0:12:02 | |
I did enjoy it. | 0:12:02 | 0:12:04 | |
I was entirely occupied. | 0:12:06 | 0:12:09 | |
It wasn't until the final tiny bit of light sensation | 0:12:13 | 0:12:18 | |
slowly disappeared | 0:12:18 | 0:12:21 | |
that my mood changed. | 0:12:21 | 0:12:23 | |
BELL CHIMES | 0:12:28 | 0:12:30 | |
Do you remember that day in Shrewsbury, | 0:12:34 | 0:12:37 | |
when I caught a glimpse of a...? | 0:12:37 | 0:12:39 | |
Of a church spire? | 0:12:41 | 0:12:43 | |
Yeah. | 0:12:43 | 0:12:44 | |
I think that's the last thing you ever saw. | 0:12:47 | 0:12:50 | |
That's probably true. | 0:12:55 | 0:12:57 | |
BIRDSONG | 0:12:58 | 0:13:01 | |
BREATHING | 0:13:17 | 0:13:20 | |
SHARP SNAP | 0:13:24 | 0:13:26 | |
HE SIGHS | 0:13:26 | 0:13:28 | |
WIND BLOWS | 0:13:55 | 0:13:57 | |
Dad? | 0:14:04 | 0:14:05 | |
Hey! | 0:14:09 | 0:14:10 | |
I had a dream. | 0:14:12 | 0:14:14 | |
You had a dream? | 0:14:14 | 0:14:16 | |
I had a dream that I got some dinner | 0:14:17 | 0:14:21 | |
but it didn't have at all very much nice stuff in it, | 0:14:21 | 0:14:25 | |
and I lost it again. | 0:14:25 | 0:14:27 | |
Wow. | 0:14:28 | 0:14:30 | |
Was that the end? | 0:14:30 | 0:14:32 | |
And you... | 0:14:32 | 0:14:34 | |
-He's telling me about a dream he had. -Oh... | 0:14:34 | 0:14:38 | |
Now, then. It'll be cloudy throughout the evening, | 0:14:42 | 0:14:47 | |
and a big patch of wind | 0:14:47 | 0:14:50 | |
on the satellite picture just coming over... | 0:14:50 | 0:14:55 | |
CANE TAPS | 0:14:55 | 0:14:57 | |
What now? | 0:15:05 | 0:15:07 | |
What next? | 0:15:07 | 0:15:08 | |
I'd learnt how to lecture without notes. | 0:15:14 | 0:15:17 | |
Learnt how to recognise the students by their voices. | 0:15:19 | 0:15:23 | |
The cassettes were pouring in faster than I could read them. | 0:15:24 | 0:15:28 | |
All of that was done. | 0:15:29 | 0:15:31 | |
It was at that point | 0:15:36 | 0:15:39 | |
I realised... | 0:15:39 | 0:15:40 | |
..I had to think about blindness... | 0:15:42 | 0:15:44 | |
..because if I didn't understand it... | 0:15:47 | 0:15:50 | |
..it would defeat me. | 0:15:53 | 0:15:55 | |
CASSETTE WHIRS | 0:16:15 | 0:16:17 | |
This is cassette one, track one. | 0:16:25 | 0:16:27 | |
Um... | 0:16:27 | 0:16:29 | |
Notes on blindness. | 0:16:32 | 0:16:34 | |
And this is 21st June 1983. | 0:16:34 | 0:16:40 | |
After nearly three years of blindness, | 0:16:55 | 0:16:58 | |
I find that the pictures in the gallery of my mind | 0:16:58 | 0:17:04 | |
have dimmed somewhat. | 0:17:04 | 0:17:06 | |
People and places that I know and love so well. | 0:17:07 | 0:17:10 | |
Memories of my early life spent in Australia. | 0:17:12 | 0:17:15 | |
So I found with great distress | 0:17:21 | 0:17:24 | |
that I could no longer remember easily what my wife looked like. | 0:17:24 | 0:17:28 | |
Or what my daughter Imogen looked like. | 0:17:30 | 0:17:33 | |
I found that memories of photographs | 0:17:37 | 0:17:40 | |
were more easily recaptured. | 0:17:40 | 0:17:43 | |
The case of my daughter Imogen - | 0:17:51 | 0:17:53 | |
I have a wide range of visual memories of her. | 0:17:53 | 0:17:57 | |
Of Thomas, now nearly three, | 0:18:07 | 0:18:09 | |
I have a few very vague impressions | 0:18:09 | 0:18:12 | |
based upon the first six or nine months of his life, | 0:18:12 | 0:18:15 | |
before I lost sight altogether. | 0:18:15 | 0:18:18 | |
And of Elizabeth, I have no visual memories at all and never have had. | 0:18:23 | 0:18:29 | |
CASSETTE WHIRS | 0:18:29 | 0:18:32 | |
KNOCK ON DOOR | 0:18:33 | 0:18:36 | |
Just a minute. | 0:18:41 | 0:18:43 | |
I am concerned... | 0:18:47 | 0:18:49 | |
..to understand blindness... | 0:18:51 | 0:18:54 | |
..to seek its meaning... | 0:18:55 | 0:18:57 | |
..to retain the fullness of my humanity. | 0:19:00 | 0:19:04 | |
CANE TAPS | 0:19:11 | 0:19:14 | |
We need to know what kind of necessity is it. | 0:19:18 | 0:19:22 | |
Is it a psychological necessity? | 0:19:22 | 0:19:26 | |
Is it logical? | 0:19:26 | 0:19:28 | |
Is it a historical necessity? | 0:19:28 | 0:19:30 | |
'A note on smiles. | 0:19:35 | 0:19:38 | |
'Nearly every time I smile, I'm conscious of smiling. | 0:19:38 | 0:19:42 | |
'I mean, I'm conscious of the movement, even, one might say, | 0:19:43 | 0:19:48 | |
'the effort of smiling. | 0:19:48 | 0:19:50 | |
'I think the reason is that there is no returning smile. | 0:19:52 | 0:19:55 | |
'One never gets anything for one's own smiles. | 0:19:57 | 0:20:01 | |
'One is sending off dead letters. | 0:20:02 | 0:20:04 | |
'Consequently, I can feel myself stopping smiling. | 0:20:06 | 0:20:10 | |
'Or I think I can. | 0:20:12 | 0:20:14 | |
'I must ask someone close to me whether this is true or not.' | 0:20:14 | 0:20:19 | |
A note on Thomas's awareness of my blindness. | 0:20:39 | 0:20:43 | |
-TV: -He sadly wandered off into the mountains, | 0:20:49 | 0:20:52 | |
knowing that he could never look into the beautiful eyes | 0:20:52 | 0:20:56 | |
of Rapunzel again. | 0:20:56 | 0:20:58 | |
Thomas asked me, why was he blind? | 0:20:58 | 0:21:01 | |
Because his eyes were poorly. | 0:21:03 | 0:21:06 | |
My eyes are poorly. | 0:21:08 | 0:21:09 | |
He said to me in a very serious and probing voice, | 0:21:12 | 0:21:16 | |
"Are you blind?" | 0:21:16 | 0:21:19 | |
"Yes, I am." | 0:21:20 | 0:21:22 | |
"Your eyes are closed." | 0:21:23 | 0:21:25 | |
"Yes, but even when I open my eyes, I still can't see." | 0:21:26 | 0:21:30 | |
"Can't you see the pictures? I can see the pictures." | 0:21:31 | 0:21:36 | |
"Your eyes aren't poorly." | 0:21:36 | 0:21:38 | |
I put my hand over his eyes and held his eyes closed. | 0:21:39 | 0:21:44 | |
"Now can you see?" I said. | 0:21:44 | 0:21:46 | |
He said no. | 0:21:46 | 0:21:48 | |
"Now?" "Yes, I can see now. | 0:21:48 | 0:21:52 | |
"Yes, my eyes aren't poorly." | 0:21:52 | 0:21:54 | |
I am reminded of being in Wales with Imogen, when she said to me... | 0:21:56 | 0:22:01 | |
"..Daddy, if I cried and my tears fell on your eyes, | 0:22:03 | 0:22:07 | |
"would you be able to see again?" | 0:22:07 | 0:22:09 | |
This thought she had got, I'm sure, from Rapunzel. | 0:22:11 | 0:22:15 | |
-TV: -..And they lived happily ever after. | 0:22:15 | 0:22:18 | |
Cassette two, track one. | 0:22:29 | 0:22:32 | |
A strange experience with a faith healer. | 0:22:32 | 0:22:35 | |
On Thursday evening, | 0:22:38 | 0:22:40 | |
we stopped at the Indian restaurant in Bristol Street. | 0:22:40 | 0:22:43 | |
I hope everything is to your satisfaction. | 0:22:47 | 0:22:50 | |
May I? | 0:22:51 | 0:22:53 | |
'I took him to be a waiter who worked in the restaurant. | 0:22:53 | 0:22:57 | |
'He asked me if I was completely blind... | 0:22:57 | 0:23:01 | |
'..how long I had been blind, the cause of my blindness was.' | 0:23:02 | 0:23:07 | |
Well, um, in one way or another, | 0:23:07 | 0:23:10 | |
I suppose I've been fighting against blindness most of my life. | 0:23:10 | 0:23:15 | |
Please, go on. | 0:23:15 | 0:23:18 | |
When I was a child, I lost my sight for the first time. | 0:23:20 | 0:23:25 | |
I've had all sorts of operations and gradually sight simply faded away. | 0:23:25 | 0:23:30 | |
Why do you ask? | 0:23:32 | 0:23:34 | |
And now you see nothing? | 0:23:34 | 0:23:37 | |
Nothing. I don't see anything now. | 0:23:37 | 0:23:40 | |
And yet you still wear glasses. | 0:23:40 | 0:23:43 | |
Silly really, isn't it? | 0:23:45 | 0:23:47 | |
I'd feel rather undressed without my glasses. | 0:23:47 | 0:23:50 | |
Tell me, do you still hope that you will see again? | 0:23:52 | 0:23:56 | |
No, I don't hold out hope. | 0:23:56 | 0:23:59 | |
The doctors have told me it's quite impossible. | 0:23:59 | 0:24:01 | |
And you believe them? | 0:24:03 | 0:24:04 | |
'He told me about some of the marvellous cures he had done,' | 0:24:06 | 0:24:09 | |
'including cancer. | 0:24:09 | 0:24:11 | |
'My sight is dependent upon my will and he, through hypnotherapy, | 0:24:11 | 0:24:16 | |
'could help to restore my will.' | 0:24:16 | 0:24:18 | |
I see. | 0:24:20 | 0:24:22 | |
JOHN LAUGHS | 0:24:22 | 0:24:23 | |
Could you restore a leg lost in a traffic accident? | 0:24:23 | 0:24:27 | |
You have no eyes? | 0:24:27 | 0:24:29 | |
Are they gone? | 0:24:29 | 0:24:30 | |
It's just a mass of jelly. | 0:24:36 | 0:24:38 | |
Willpower cannot restore it. | 0:24:41 | 0:24:43 | |
God, he was speechless. | 0:24:46 | 0:24:49 | |
He was absolutely speechless! | 0:24:49 | 0:24:51 | |
But, John, do you think it's got to the point | 0:24:51 | 0:24:53 | |
where you don't really want to get your sight back? | 0:24:53 | 0:24:56 | |
What makes you say that? | 0:24:56 | 0:24:58 | |
You always seem to be so happy. | 0:24:59 | 0:25:02 | |
You seem to be functioning so well. | 0:25:02 | 0:25:04 | |
Oh, Liz. If only you knew half the truth. | 0:25:07 | 0:25:11 | |
Of course I want my sight back. | 0:25:13 | 0:25:15 | |
I will never accept the human losses of blindness. | 0:25:17 | 0:25:22 | |
Every time I wake up, | 0:25:43 | 0:25:46 | |
I lose my sight. | 0:25:46 | 0:25:47 | |
Last night, I dreamt that my sight improved. | 0:25:53 | 0:25:56 | |
I had the most intense picture of Thomas as a cuddly little boy. | 0:25:59 | 0:26:06 | |
In my dream, I said to myself, | 0:26:08 | 0:26:11 | |
"There you are, you see. | 0:26:11 | 0:26:13 | |
"In good light you can still manage fairly well." | 0:26:13 | 0:26:17 | |
My waking reflection is that my dreaming life | 0:26:25 | 0:26:29 | |
is still denying the reality. | 0:26:29 | 0:26:31 | |
-NEWS REPORT: -..The heavy swell breaking onto the rocks, | 0:26:36 | 0:26:39 | |
five were swept into the sea, three from one group | 0:26:39 | 0:26:41 | |
and two from another. The Sennen and Penlee lifeboats | 0:26:41 | 0:26:45 | |
were sent to search the area, and a Royal Navy helicopter... | 0:26:45 | 0:26:48 | |
CHILD SINGS | 0:26:50 | 0:26:52 | |
Page 104. | 0:26:58 | 0:27:00 | |
This text is an interesting example in the dialogue | 0:27:00 | 0:27:03 | |
of the limitations of a theology of vision... | 0:27:03 | 0:27:07 | |
Give us an H. | 0:27:09 | 0:27:10 | |
Give us an A. | 0:27:10 | 0:27:12 | |
Give us a P. | 0:27:12 | 0:27:14 | |
Give us another P. | 0:27:14 | 0:27:16 | |
Give us a Y. | 0:27:16 | 0:27:17 | |
Happy Xmas. | 0:27:17 | 0:27:19 | |
JOHN CHUCKLES | 0:27:19 | 0:27:21 | |
Because now it's party time! | 0:27:21 | 0:27:23 | |
CHILD HUMS JINGLE BELLS | 0:27:23 | 0:27:25 | |
Immy! | 0:27:27 | 0:27:28 | |
Come here for a minute. | 0:27:29 | 0:27:31 | |
Hello, hello, hello. Look what I've found. Another one of these. | 0:27:35 | 0:27:39 | |
What's this, Tom? | 0:27:41 | 0:27:42 | |
-Oh, I know what this is. -What? | 0:27:42 | 0:27:45 | |
When you hold it up to the light, | 0:27:45 | 0:27:47 | |
you can see all the colours really brightly, and it's beautiful. | 0:27:47 | 0:27:50 | |
Look. | 0:27:50 | 0:27:51 | |
It's nice. | 0:27:53 | 0:27:55 | |
What I remember about you most vividly | 0:27:56 | 0:27:59 | |
in those years was your amazing practicality. | 0:27:59 | 0:28:03 | |
You never expressed regret. | 0:28:03 | 0:28:05 | |
You just got on with the next thing, | 0:28:05 | 0:28:09 | |
step by step. | 0:28:09 | 0:28:11 | |
The way you did that, I always thought, was quite incredible. | 0:28:12 | 0:28:16 | |
MUSIC: Dedicated To The One I Love | 0:28:21 | 0:28:24 | |
Would you take Imagine by John Lennon? An obvious choice? | 0:28:24 | 0:28:28 | |
Dylan. I'd take Dylan. | 0:28:29 | 0:28:31 | |
Well, I know, but I mean there, one is completely stuck. | 0:28:31 | 0:28:35 | |
-I know what you'd take, and I know what we'd both take. -What? | 0:28:35 | 0:28:38 | |
Jacqueline du Pre playing Elgar's cello whatsit. | 0:28:38 | 0:28:42 | |
-Yes, there we are. -There we are. I think we've got one. | 0:28:42 | 0:28:46 | |
# Each night before you go to bed, my baby | 0:28:49 | 0:28:55 | |
# Whisper a little prayer for me, my baby | 0:28:55 | 0:29:02 | |
# And tell all the stars above | 0:29:02 | 0:29:09 | |
# This is dedicated to the one I love. # | 0:29:09 | 0:29:12 | |
SPLOSHING | 0:29:17 | 0:29:20 | |
DRIPPING AND SPLOSHING | 0:29:20 | 0:29:24 | |
WATER ROARS | 0:30:08 | 0:30:11 | |
A huge wave crashed down, separating us all. | 0:30:18 | 0:30:21 | |
There was debris of floating merchandise and dead bodies. | 0:30:24 | 0:30:29 | |
I searched for them everywhere in despair, and found nothing. | 0:30:31 | 0:30:35 | |
It was hopeless. They simply disappeared. | 0:30:39 | 0:30:43 | |
Somebody had reminded me that part of the human brain | 0:31:08 | 0:31:13 | |
specialises in the reception and processing of visual material. | 0:31:13 | 0:31:20 | |
Now, I would like to know what happens to that part of the brain | 0:31:24 | 0:31:28 | |
when optic stimulation ceases. | 0:31:28 | 0:31:30 | |
Could this perhaps account for the sense of suffering | 0:31:35 | 0:31:39 | |
I have experienced over the past year or two? | 0:31:39 | 0:31:42 | |
The feeling I'm describing is a sense of hunger, | 0:31:46 | 0:31:50 | |
of aridity. | 0:31:50 | 0:31:52 | |
A feeling that one's brain longs for optic stimulation, | 0:31:57 | 0:32:01 | |
as the body longs for food. | 0:32:01 | 0:32:04 | |
The brain itself thirsts for that to which it is accustomed. | 0:32:09 | 0:32:14 | |
Part of my brain is dying. | 0:32:20 | 0:32:22 | |
Say merry Christmas to Millie. | 0:32:30 | 0:32:32 | |
Merry Christmas. | 0:32:32 | 0:32:34 | |
Merry Christmas, Susan. Merry Christmas, Chris. | 0:32:34 | 0:32:37 | |
What's that? My word! | 0:32:40 | 0:32:43 | |
What is it, Tom? | 0:32:43 | 0:32:44 | |
What is this? | 0:32:47 | 0:32:48 | |
CHILD'S INDISTINCT REPLY | 0:32:48 | 0:32:50 | |
Good Lord! | 0:32:50 | 0:32:52 | |
'That particular Christmas was the worst one.' | 0:32:53 | 0:32:56 | |
-Look at me. -What is it? | 0:32:56 | 0:32:59 | |
-What is it? -I don't know. I think it's probably bubble bath. | 0:33:00 | 0:33:04 | |
Father Christmas must have smelt you all the way from the North Pole! | 0:33:05 | 0:33:08 | |
'I was stuck. | 0:33:11 | 0:33:12 | |
'I couldn't get up and leave. | 0:33:14 | 0:33:17 | |
'How could I walk out on Christmas Day?' | 0:33:18 | 0:33:21 | |
-No. -You know? | 0:33:21 | 0:33:22 | |
But I couldn't stay either. | 0:33:24 | 0:33:26 | |
How do I look in these? | 0:33:26 | 0:33:28 | |
You look terrific. | 0:33:28 | 0:33:31 | |
-Did Father Christmas leave those? Are they comfy? -Yeah. | 0:33:31 | 0:33:35 | |
-Are they warm? -Yes. -Are they? | 0:33:35 | 0:33:38 | |
What colour are they? | 0:33:39 | 0:33:42 | |
-They're ever so nice, aren't they? -Are they a good fit? | 0:33:43 | 0:33:46 | |
Special winter slippers. | 0:33:46 | 0:33:48 | |
Go and look at yourself in the mirror. | 0:33:50 | 0:33:53 | |
That was when you came up to me and said, "You look dreadful. | 0:34:08 | 0:34:11 | |
"Why don't you go into the office?" | 0:34:11 | 0:34:14 | |
Just go to work. | 0:34:15 | 0:34:17 | |
Just go. | 0:34:18 | 0:34:19 | |
TOY CHIMES | 0:34:23 | 0:34:26 | |
CHILDREN CHATTER | 0:34:26 | 0:34:28 | |
DOOR CLOSES | 0:34:35 | 0:34:37 | |
RAIN FALLS | 0:34:46 | 0:34:49 | |
I had a desperate feeling of being enclosed... | 0:34:54 | 0:34:57 | |
..having to get out. I must get out. | 0:34:59 | 0:35:02 | |
WIND HOWLS | 0:35:04 | 0:35:06 | |
I had only gone about 100 yards when I was aware of | 0:35:06 | 0:35:11 | |
a growing feeling of doubt and uncertainty. | 0:35:11 | 0:35:14 | |
I was intensely aware of the fact that I was going through nothing. | 0:35:19 | 0:35:24 | |
Through an intensely cold nothing. | 0:35:26 | 0:35:28 | |
Going nowhere. | 0:35:30 | 0:35:31 | |
Of being entirely alone. | 0:35:33 | 0:35:35 | |
I turned around and walked back to the house. | 0:35:42 | 0:35:46 | |
ON PIANO: Away In A Manger | 0:35:48 | 0:35:51 | |
I felt as if I was banging my head, my whole body, | 0:36:01 | 0:36:04 | |
against the wall of blindness. | 0:36:04 | 0:36:07 | |
A desperate need to break through this curtain, this veil, | 0:36:09 | 0:36:13 | |
which surrounded me, to come out into the world of light out there. | 0:36:13 | 0:36:18 | |
How could this happen to me? | 0:36:29 | 0:36:31 | |
Who could ask me to go through this? | 0:36:34 | 0:36:36 | |
Who had the right to deprive me of the sight of my children | 0:36:38 | 0:36:41 | |
at Christmas time? | 0:36:41 | 0:36:43 | |
The image that often called to me | 0:36:49 | 0:36:52 | |
during the early days of my blindness | 0:36:52 | 0:36:55 | |
came back to me with such force. | 0:36:55 | 0:36:58 | |
I was in a little coal truck in a mine shaft, | 0:36:59 | 0:37:03 | |
being trundled deeper and deeper into the mine. | 0:37:03 | 0:37:07 | |
Were we just out of control? | 0:37:10 | 0:37:12 | |
Was there nobody in a position to stop it? | 0:37:12 | 0:37:15 | |
Would it just go on and on? | 0:37:15 | 0:37:17 | |
I had to get out. I had to jump out. I had to run back. | 0:37:17 | 0:37:20 | |
But, no, it remorselessly carried me even deeper and deeper and deeper. | 0:37:20 | 0:37:25 | |
INTENSE THUNDERING | 0:37:25 | 0:37:28 | |
I think this idea of you going away into another world | 0:37:51 | 0:37:55 | |
where I couldn't be was... That was awful. That was... | 0:37:55 | 0:38:00 | |
Shall I scratch my eyes out? | 0:38:08 | 0:38:10 | |
Shall I come with you into this world? | 0:38:10 | 0:38:13 | |
I somehow feel that if I were to accept this thing, | 0:38:17 | 0:38:21 | |
if I were to enter into acquiescence... | 0:38:21 | 0:38:24 | |
..then I would die. | 0:38:25 | 0:38:27 | |
Because it would be as if my ability to resist, my will to resist, | 0:38:30 | 0:38:35 | |
were broken. | 0:38:35 | 0:38:37 | |
On the other hand, not to accept seems futile | 0:38:43 | 0:38:48 | |
because what one is refusing to accept is a fact. | 0:38:48 | 0:38:53 | |
And now what I have to face is... | 0:38:59 | 0:39:03 | |
..the thought that there is no escape. | 0:39:04 | 0:39:07 | |
The thought that I shall now just go on | 0:39:09 | 0:39:11 | |
with another 20, 30 or even more years of this. | 0:39:11 | 0:39:16 | |
RECORDER CLICKS OFF | 0:39:25 | 0:39:27 | |
One fights back by adopting tiny techniques. | 0:39:42 | 0:39:45 | |
Familiarity, predictability, | 0:39:47 | 0:39:50 | |
the same objects, the same little movements of the hands. | 0:39:50 | 0:39:53 | |
One has to establish some kind of environment - | 0:39:57 | 0:40:00 | |
a study, a room, a route, | 0:40:00 | 0:40:02 | |
a passage - over which one can establish some kind of territory. | 0:40:02 | 0:40:07 | |
'I am not particularly conscious of being blind while I am at work. | 0:40:11 | 0:40:15 | |
'When I'm at work, all my students have to come into MY world | 0:40:17 | 0:40:21 | |
'of ideas and concepts and language.' | 0:40:21 | 0:40:24 | |
OK, let's start with the very oldest or most ancient of these. | 0:40:24 | 0:40:28 | |
That's the very first conflict, faith. | 0:40:28 | 0:40:32 | |
'The essence of the thing is planning, initiatives | 0:40:32 | 0:40:35 | |
'and active participation. | 0:40:35 | 0:40:38 | |
'The moment I sink into passivity and irrelevance, | 0:40:38 | 0:40:42 | |
'then I'm done for.' | 0:40:42 | 0:40:45 | |
Tomorrow it will be reasonably sunny, | 0:40:47 | 0:40:50 | |
reasonably cold, reasonably hot, reasonably everything. | 0:40:50 | 0:40:54 | |
In fact, I don't know at all. | 0:40:54 | 0:40:56 | |
And that is the end of the news. | 0:40:56 | 0:40:59 | |
Dong! Dong! Dong! | 0:40:59 | 0:41:01 | |
RAIN FALLS | 0:41:15 | 0:41:18 | |
A note on the experience of hearing rain falling. | 0:41:25 | 0:41:29 | |
This evening I came out the front door of the house | 0:41:34 | 0:41:37 | |
and it was raining. | 0:41:37 | 0:41:38 | |
I stood for a few minutes, lost in the beauty of it. | 0:41:42 | 0:41:46 | |
Rain brings out the contours of what's around you... | 0:41:48 | 0:41:54 | |
..in that it introduces | 0:41:56 | 0:41:58 | |
a blanket | 0:41:58 | 0:42:00 | |
of differentiated and specialised sound... | 0:42:00 | 0:42:05 | |
..which fills the whole of the audible environment. | 0:42:07 | 0:42:10 | |
SPATTERING | 0:42:11 | 0:42:14 | |
THUDDING | 0:42:16 | 0:42:19 | |
DRIPPING | 0:42:21 | 0:42:24 | |
SPLASHING | 0:42:26 | 0:42:29 | |
SPATTERING | 0:42:33 | 0:42:36 | |
If only there could be something equivalent to rain falling inside... | 0:42:36 | 0:42:40 | |
..then the whole of a room would take on shape and dimension. | 0:42:42 | 0:42:48 | |
SPLATTERING | 0:42:48 | 0:42:51 | |
Instead of being isolated, cut off, | 0:42:52 | 0:42:56 | |
preoccupied internally... | 0:42:56 | 0:42:58 | |
..you are presented with a world. | 0:43:00 | 0:43:02 | |
You are related to a world. | 0:43:05 | 0:43:08 | |
You are addressed by a world. | 0:43:08 | 0:43:10 | |
Why should this experience strike one as being beautiful? | 0:43:17 | 0:43:22 | |
Cognition is beautiful. | 0:43:24 | 0:43:26 | |
It is beautiful to know. | 0:43:27 | 0:43:29 | |
Well, I must thank you again for your tape from all of you. | 0:43:37 | 0:43:43 | |
You, Thomas, and Lizzie, and Imogen too. | 0:43:43 | 0:43:47 | |
How are you getting along? | 0:43:47 | 0:43:49 | |
We'd love to see you some time. | 0:43:49 | 0:43:51 | |
We don't realise how the time passes. | 0:43:51 | 0:43:55 | |
Anyhow, thank you again. | 0:43:56 | 0:43:58 | |
I hope you'll have the time to come out here to see us. | 0:43:58 | 0:44:02 | |
Hello, Grandpa and Grandma. | 0:44:08 | 0:44:10 | |
I hope you're fine, because we're having a wonderful time here. | 0:44:10 | 0:44:13 | |
Do send love to all the other relatives in Australia. | 0:44:13 | 0:44:17 | |
CHIMING | 0:44:17 | 0:44:19 | |
Now it's time for the morning concert. | 0:44:19 | 0:44:22 | |
(One, two, three.) | 0:44:23 | 0:44:25 | |
# Sparkle, evening star | 0:44:25 | 0:44:28 | |
# I've seen you there... # | 0:44:28 | 0:44:31 | |
MOUTH ORGAN PLAYS | 0:44:31 | 0:44:32 | |
# ..High above the ground | 0:44:32 | 0:44:34 | |
# You sit and stare | 0:44:34 | 0:44:38 | |
# Star bright | 0:44:38 | 0:44:40 | |
# Gleaming white | 0:44:40 | 0:44:43 | |
# I wonder if you hear my song tonight. # | 0:44:43 | 0:44:48 | |
MOUTH ORGAN PLAYS | 0:44:48 | 0:44:51 | |
-Beautiful. -That was good, Immy. That worked quite well. | 0:44:52 | 0:44:55 | |
I've got one of them! | 0:44:58 | 0:45:01 | |
-RECORDING: Beautiful. -That was good, Immy. That worked quite well. | 0:45:02 | 0:45:06 | |
Well, Mum and Dad, I hope you enjoy that | 0:45:10 | 0:45:13 | |
as an authentic bit of children's production. | 0:45:13 | 0:45:16 | |
I should perhaps also add we will not be able to come to Australia... | 0:45:18 | 0:45:22 | |
..because I do feel that the lack of mobility and of activity... | 0:45:25 | 0:45:30 | |
..would be difficult for me to put up with. | 0:45:32 | 0:45:35 | |
I'm sure you'll understand, Dad. | 0:45:40 | 0:45:42 | |
CHILDREN SHOUT | 0:45:42 | 0:45:46 | |
Well, I must stop now and get this off to you. | 0:45:51 | 0:45:54 | |
Lots of love to all of you from all of us. Bye now. | 0:45:54 | 0:45:57 | |
MUSIC PLAYS | 0:46:11 | 0:46:13 | |
Read on. | 0:46:13 | 0:46:15 | |
The grass and the plants, and it was... | 0:46:15 | 0:46:19 | |
What does that little sign mean? | 0:46:19 | 0:46:22 | |
Do it again on my hand. | 0:46:22 | 0:46:24 | |
Like this? | 0:46:29 | 0:46:30 | |
Yeah. | 0:46:31 | 0:46:33 | |
It's a comma. | 0:46:33 | 0:46:35 | |
-What does that mean? -It means you pause. | 0:46:35 | 0:46:38 | |
Where does it have it? | 0:46:38 | 0:46:40 | |
On Friday night, putting Thomas to bed, | 0:46:42 | 0:46:45 | |
I had a long and detailed discussion with him | 0:46:45 | 0:46:48 | |
about my blindness. | 0:46:48 | 0:46:50 | |
"Will you always be blind?" he said. | 0:46:50 | 0:46:54 | |
"Yes, always." | 0:46:54 | 0:46:56 | |
"Couldn't the doctors stop it?" | 0:46:57 | 0:46:59 | |
"The doctors tried." | 0:46:59 | 0:47:02 | |
I explained about the retina, | 0:47:04 | 0:47:06 | |
how it sometimes tears and comes off from the back of the eye. | 0:47:06 | 0:47:10 | |
"What did they say?" | 0:47:12 | 0:47:14 | |
"Well, they just said, 'Sorry, Mr Hull, | 0:47:15 | 0:47:18 | |
"'we can't do any more for you.'" | 0:47:18 | 0:47:20 | |
"Why doesn't God help you?" | 0:47:22 | 0:47:24 | |
"God does help me...in lots of ways." | 0:47:26 | 0:47:29 | |
"How?" | 0:47:30 | 0:47:32 | |
"Well, he makes me strong and gives me courage." | 0:47:32 | 0:47:36 | |
"But he doesn't help you to get your eyes back." | 0:47:37 | 0:47:40 | |
Our Father, who art in heaven | 0:47:42 | 0:47:46 | |
Hallowed be thy name | 0:47:46 | 0:47:48 | |
Thy kingdom come | 0:47:48 | 0:47:50 | |
Thy will be done on earth as it is in heaven | 0:47:50 | 0:47:53 | |
Give us this day... | 0:47:53 | 0:47:56 | |
Yes, there have been times when I have been angry with God. | 0:47:56 | 0:48:00 | |
Unreasonably so, I suppose. | 0:48:03 | 0:48:06 | |
Sometimes one's emotions spill over... | 0:48:09 | 0:48:13 | |
..but I don't regard faith as a sort of a... | 0:48:15 | 0:48:18 | |
A shield against the ordinary ups and downs of human life. | 0:48:18 | 0:48:22 | |
Why shouldn't it happen to me? | 0:48:26 | 0:48:28 | |
So now at last we come to this... | 0:48:34 | 0:48:37 | |
..great problem, this question. | 0:48:38 | 0:48:41 | |
The problem of mutual understanding. | 0:48:43 | 0:48:45 | |
How can blind and sighted people truly understand each other? | 0:48:47 | 0:48:51 | |
How can men understand women? | 0:48:53 | 0:48:55 | |
How can the rich understand the poor? | 0:48:55 | 0:48:59 | |
How can the old understand the young? | 0:48:59 | 0:49:03 | |
Can we have insight into other people? | 0:49:04 | 0:49:07 | |
This is the great question | 0:49:09 | 0:49:11 | |
upon which the unity of our humanity hangs. | 0:49:11 | 0:49:14 | |
'The last two days have been particularly peaceful and happy. | 0:49:27 | 0:49:31 | |
'Two long days with Marilyn, | 0:49:33 | 0:49:35 | |
'and it was one of the best times I've had playing with the children.' | 0:49:35 | 0:49:41 | |
Yes, Thomas! Wow! Don't go falling off, will you? | 0:49:41 | 0:49:45 | |
'My health is very much better than it was at Christmas time. | 0:49:46 | 0:49:50 | |
'Perhaps blindness won't cut me off after all.' | 0:50:02 | 0:50:06 | |
Was I going to live in reality or live in nostalgia? | 0:50:18 | 0:50:22 | |
Over a period of weeks, months maybe, | 0:50:26 | 0:50:28 | |
the decision hardened in me. | 0:50:28 | 0:50:32 | |
I would not live in nostalgia | 0:50:34 | 0:50:37 | |
but would live in reality... | 0:50:37 | 0:50:39 | |
..and would become blind. | 0:50:41 | 0:50:43 | |
FOOTSTEPS | 0:51:02 | 0:51:05 | |
Wow. | 0:51:10 | 0:51:11 | |
-It's a long drop. -Yeah. | 0:51:11 | 0:51:14 | |
What's that bit in the middle? | 0:51:14 | 0:51:17 | |
Are you all right, darling? | 0:51:20 | 0:51:23 | |
Yeah. | 0:51:23 | 0:51:24 | |
'I wanted my parents to know me as a blind person. | 0:52:01 | 0:52:05 | |
'I wanted them to somehow recognise me and accept me.' | 0:52:08 | 0:52:13 | |
Every year, we used to go and pick cherry plums and bring them home, | 0:52:16 | 0:52:19 | |
and Mother made cherry plum jam by the dozen. | 0:52:19 | 0:52:23 | |
SHE LAUGHS | 0:52:23 | 0:52:24 | |
I can remember rows and rows of the jam! | 0:52:24 | 0:52:27 | |
-Say, "Hello, Grandma". -Hello, Grandma. | 0:52:30 | 0:52:34 | |
'Of course, they were delighted with the children. | 0:52:34 | 0:52:37 | |
'But I think they were shocked.' | 0:52:38 | 0:52:41 | |
..Absolutely scandalised... | 0:52:42 | 0:52:45 | |
'It was like... | 0:52:45 | 0:52:47 | |
'..having to get to know me all over again.' | 0:52:48 | 0:52:52 | |
-It's a nice photo, that. -Yes. | 0:52:54 | 0:52:58 | |
We have a photo of us sitting up in this car out in our backyard. | 0:52:59 | 0:53:03 | |
That's right. | 0:53:03 | 0:53:05 | |
How strangely coloured photographs fade. | 0:53:08 | 0:53:12 | |
It's all laid out like a professional poet! | 0:53:17 | 0:53:21 | |
"Poems to my mother." | 0:53:23 | 0:53:25 | |
Ah, to my mother? | 0:53:25 | 0:53:27 | |
Not to my mother and father. | 0:53:27 | 0:53:29 | |
-Interesting. -To my mother. | 0:53:29 | 0:53:32 | |
'I never had a close relationship with my father. | 0:53:36 | 0:53:39 | |
'I don't know what he thought of it all. | 0:53:43 | 0:53:45 | |
'I walked down to the shops with him. | 0:53:48 | 0:53:50 | |
'We went to buy some bread and butter. | 0:53:53 | 0:53:56 | |
'It was the first time I touched him on that visit. | 0:53:58 | 0:54:01 | |
'And I was shocked at how fragile he was. | 0:54:03 | 0:54:06 | |
'How slowly he moved along. | 0:54:08 | 0:54:11 | |
'And as we went along, | 0:54:15 | 0:54:17 | |
'he with his blind son at his elbow... | 0:54:17 | 0:54:21 | |
'..I wondered what was going on in his mind | 0:54:23 | 0:54:26 | |
'but we didn't talk about it. | 0:54:26 | 0:54:28 | |
'I wish I'd known. | 0:54:30 | 0:54:32 | |
'I wish I did know.' | 0:54:32 | 0:54:34 | |
CHILDREN SING HAPPILY | 0:54:41 | 0:54:43 | |
It was a strange thing, John, wasn't it? | 0:55:21 | 0:55:24 | |
That Dad came from England and married an Australian girl, | 0:55:24 | 0:55:29 | |
and you were born in Australia and married an English girl. | 0:55:29 | 0:55:33 | |
-Yes, it's just that. -Yeah. | 0:55:33 | 0:55:35 | |
He's a good father, then. | 0:55:38 | 0:55:40 | |
'I remember she's sitting next to me, cuddling up quite close. | 0:55:44 | 0:55:49 | |
'"John," she said, "I have to come up close to you now | 0:55:49 | 0:55:52 | |
'"because there's no other way we can get in contact, is there?" | 0:55:52 | 0:55:56 | |
'I said, "Yes, Mother, but that's all right." | 0:55:56 | 0:56:00 | |
'Dear old Mother. | 0:56:09 | 0:56:11 | |
'What's it like for you?' | 0:56:11 | 0:56:13 | |
PIERCING SCREAM | 0:56:20 | 0:56:24 | |
Where are you? | 0:56:29 | 0:56:31 | |
CHILD CRIES | 0:56:31 | 0:56:34 | |
It's all right. | 0:56:42 | 0:56:44 | |
-Is she hurt? -Oh, dear... | 0:56:47 | 0:56:50 | |
-What happened? -She shut her finger in the door. | 0:56:50 | 0:56:53 | |
Oh... | 0:56:53 | 0:56:55 | |
'I remember taking her little hand.' | 0:56:55 | 0:56:58 | |
CHILD CRIES | 0:57:01 | 0:57:03 | |
'Painful for the child but no harm done, really.' | 0:57:05 | 0:57:09 | |
That's a good girl. Try to stretch out your fingers a little bit. | 0:57:09 | 0:57:12 | |
It'll be fine, love. | 0:57:12 | 0:57:14 | |
'That was a frightening moment. | 0:57:16 | 0:57:18 | |
'The discovery that you're useless is not a nice discovery... | 0:57:21 | 0:57:24 | |
'..for any father to make.' | 0:57:26 | 0:57:28 | |
-You all right? -Yes. | 0:57:35 | 0:57:37 | |
You just look a bit... Do you want some water? | 0:57:44 | 0:57:47 | |
I'm all right. | 0:57:47 | 0:57:49 | |
MUFFLED CONVERSATION | 0:58:18 | 0:58:20 | |
-..When will it come? -When will what come? | 0:59:01 | 0:59:04 | |
The speaking bit. | 0:59:04 | 0:59:06 | |
We have to speak, darling. | 0:59:06 | 0:59:08 | |
Just like a telephone. | 0:59:08 | 0:59:10 | |
-Do you know what this is called? -What? | 0:59:10 | 0:59:12 | |
It's called a tape recorder. | 0:59:12 | 0:59:14 | |
See that going round inside there? | 0:59:14 | 0:59:16 | |
It's making little records, | 0:59:16 | 0:59:18 | |
and your voice and my voice are on it. | 0:59:18 | 0:59:21 | |
Say, "Hello, hello, hello". | 0:59:21 | 0:59:23 | |
Hello, hello, hello. | 0:59:23 | 0:59:25 | |
RECORDER CLICKS OFF | 0:59:29 | 0:59:32 | |
RECORDED CLICKS ON | 0:59:46 | 0:59:48 | |
TAPE WINDS | 0:59:48 | 0:59:51 | |
I knew that this was the first time I'd seen her. | 1:00:18 | 1:00:21 | |
I stared at her, full of wonder... | 1:00:24 | 1:00:26 | |
..taking in every detail of her face. | 1:00:28 | 1:00:31 | |
I thought, so this is her. | 1:00:34 | 1:00:36 | |
This is she. | 1:00:36 | 1:00:39 | |
These are those lovely luminous brown eyes. | 1:00:42 | 1:00:45 | |
This is that smile that they all talk about. | 1:00:46 | 1:00:49 | |
Everything went black again. | 1:01:00 | 1:01:03 | |
TAPE WINDS | 1:01:03 | 1:01:05 | |
I was back in consciousness... | 1:01:07 | 1:01:09 | |
..and in blindness... | 1:01:11 | 1:01:13 | |
..and I realised with a shock... | 1:01:15 | 1:01:17 | |
..that it had been a dream. | 1:01:19 | 1:01:21 | |
I got sick of recording this one so I've stopped. | 1:01:26 | 1:01:29 | |
CHILD SINGS | 1:01:34 | 1:01:36 | |
When I was last here, | 1:02:06 | 1:02:09 | |
many of my best-remembered places... | 1:02:09 | 1:02:12 | |
..were already fading. | 1:02:13 | 1:02:15 | |
Somehow... | 1:02:25 | 1:02:26 | |
..I expected Melbourne to be there. | 1:02:28 | 1:02:31 | |
That's stupid, isn't it? | 1:02:36 | 1:02:37 | |
Just move in. Just move in. | 1:02:42 | 1:02:46 | |
You want to take your kids and say, | 1:02:50 | 1:02:53 | |
"This is the beach we used to come to. | 1:02:53 | 1:02:55 | |
"That's the place where we used to play footy. | 1:03:00 | 1:03:02 | |
"This is the school I went to." | 1:03:06 | 1:03:08 | |
But there was nothing there. | 1:03:13 | 1:03:15 | |
Just people's hands and voices. | 1:03:18 | 1:03:20 | |
The feel of the car on the road. | 1:03:23 | 1:03:25 | |
The wind, of course. | 1:03:27 | 1:03:30 | |
Walking along somewhere, never quite knew where. | 1:03:30 | 1:03:33 | |
That's really all there was. | 1:03:36 | 1:03:38 | |
I didn't somehow expect it. | 1:03:44 | 1:03:47 | |
I didn't anticipate that. | 1:03:47 | 1:03:50 | |
I don't know why. | 1:03:51 | 1:03:53 | |
CAMERA SHUTTER CLICKS | 1:03:56 | 1:03:58 | |
Tom! | 1:04:02 | 1:04:03 | |
Come along. What are you doing? | 1:04:03 | 1:04:06 | |
The house itself... | 1:04:19 | 1:04:21 | |
What was it like? | 1:04:27 | 1:04:28 | |
Where did I sleep? | 1:04:37 | 1:04:39 | |
I can't remember much. | 1:04:49 | 1:04:51 | |
This is too difficult. | 1:05:08 | 1:05:10 | |
I don't remember. | 1:05:16 | 1:05:18 | |
Isn't that strange? | 1:05:21 | 1:05:23 | |
Oh, I just don't remember. | 1:05:29 | 1:05:31 | |
'It was exactly that moment. | 1:05:38 | 1:05:40 | |
'The world is lost. | 1:05:42 | 1:05:44 | |
'And it wasn't just the Melbourne I knew that was lost. | 1:05:54 | 1:05:59 | |
'I myself was lost. | 1:06:00 | 1:06:02 | |
'I began to be terribly afraid... | 1:06:06 | 1:06:08 | |
'..that something would be broken between us | 1:06:10 | 1:06:12 | |
'which could not be healed. | 1:06:12 | 1:06:14 | |
'That you were disappearing into a world where I could not follow.' | 1:06:21 | 1:06:25 | |
THUNDER RUMBLES | 1:06:41 | 1:06:44 | |
Everything was just tumbling down. | 1:06:44 | 1:06:47 | |
We knew we wouldn't go back, didn't we? | 1:07:07 | 1:07:09 | |
We will never do this again. | 1:07:18 | 1:07:20 | |
I have returned home with a feeling of immense relief. | 1:07:52 | 1:07:56 | |
To be again in a familiar house, surrounded by familiar objects... | 1:08:00 | 1:08:03 | |
..to have in my mind a mental picture of the environment | 1:08:10 | 1:08:14 | |
in the streets and city around me | 1:08:14 | 1:08:17 | |
is like having the world restored to me again. | 1:08:17 | 1:08:21 | |
Three... | 1:08:23 | 1:08:24 | |
..two... | 1:08:27 | 1:08:28 | |
..one! Here I come, ready or not. | 1:08:30 | 1:08:33 | |
Now, let me see. | 1:08:49 | 1:08:52 | |
'Never have I done the washing up with such happiness. | 1:08:52 | 1:08:55 | |
'I got up this morning and made Marilyn a cup of tea... | 1:08:56 | 1:09:00 | |
'..feeling so grateful... | 1:09:02 | 1:09:04 | |
'..that I could move freely, that I knew where things were, | 1:09:05 | 1:09:08 | |
'that I could act.' | 1:09:08 | 1:09:11 | |
Is he behind the curtain? | 1:09:11 | 1:09:13 | |
No, not there, either. | 1:09:15 | 1:09:17 | |
'That I was coming out of that shadow land of passivity...' | 1:09:17 | 1:09:21 | |
Where could he be? | 1:09:21 | 1:09:23 | |
'..into personal action and life again.' | 1:09:23 | 1:09:27 | |
Got you! | 1:09:28 | 1:09:30 | |
THEY LAUGH | 1:09:30 | 1:09:32 | |
BABY GURGLES | 1:09:40 | 1:09:43 | |
BABY CRIES | 1:09:47 | 1:09:49 | |
September 22nd 1985. | 1:09:59 | 1:10:02 | |
I love the thrill of him... | 1:10:08 | 1:10:11 | |
..the way I can slightly sense when he's looking at me now. | 1:10:12 | 1:10:16 | |
I also like feeling his little nose and holding one foot. | 1:10:19 | 1:10:23 | |
I love holding his little hands and putting my own hand | 1:10:27 | 1:10:30 | |
on the warmth of his head. | 1:10:30 | 1:10:32 | |
The feel of him as I have him over my shoulder. | 1:10:32 | 1:10:36 | |
It's seven o'clock and time for Radio 8 and here's your host, | 1:10:45 | 1:10:49 | |
Immy Hull! | 1:10:49 | 1:10:50 | |
It will be drizzly today with occasional intervals of sun. | 1:10:50 | 1:10:55 | |
Later on in the day... | 1:10:55 | 1:10:57 | |
Two or three times this week I have taken Thomas to school. | 1:10:57 | 1:11:01 | |
Perhaps I'd say, he has taken me. | 1:11:01 | 1:11:04 | |
And he is getting quite good at guiding me, although unreliable. | 1:11:04 | 1:11:08 | |
Right, let's have a look at you. | 1:11:11 | 1:11:13 | |
'We also have a way of saying goodbye | 1:11:13 | 1:11:16 | |
'which is the equivalent of waving. | 1:11:16 | 1:11:20 | |
'As he runs off through the playground he shouts out "bye".' | 1:11:20 | 1:11:25 | |
Bye! | 1:11:25 | 1:11:26 | |
'And I shout "bye".' | 1:11:26 | 1:11:28 | |
-Bye. -Bye! | 1:11:28 | 1:11:30 | |
'And we keep up this echoing chorus | 1:11:30 | 1:11:34 | |
'until his voice becomes faint.' | 1:11:34 | 1:11:36 | |
Bye! | 1:11:40 | 1:11:42 | |
Bye! | 1:11:42 | 1:11:44 | |
'I love this.' | 1:11:45 | 1:11:46 | |
I had said to myself that I would learn to live with blindness | 1:12:02 | 1:12:06 | |
but I would never accept it. | 1:12:06 | 1:12:08 | |
Now I find that there's been a strange kind of change | 1:12:14 | 1:12:17 | |
in the state of my brain. | 1:12:17 | 1:12:20 | |
It's as if now, being denied the stimulus of the outside world, | 1:12:26 | 1:12:30 | |
the thing has turned in upon itself | 1:12:30 | 1:12:34 | |
in order to find inner resources. | 1:12:34 | 1:12:36 | |
Occasionally I go home in the evening and I feel as if my mind | 1:12:44 | 1:12:47 | |
is almost blown with new ideas and new horizons. | 1:12:47 | 1:12:51 | |
I find myself connecting more, remembering more, | 1:12:56 | 1:12:59 | |
making more links in my mind between the various things I've read | 1:12:59 | 1:13:03 | |
and learned all my life. | 1:13:03 | 1:13:05 | |
I now feel clearer, more excited, more adventurous, | 1:13:08 | 1:13:13 | |
more confident intellectually than I've ever felt in my life. | 1:13:13 | 1:13:17 | |
THUNDER CRASHES | 1:13:19 | 1:13:22 | |
There is something so totally purging about blindness | 1:13:26 | 1:13:31 | |
that one either is destroyed or renewed. | 1:13:31 | 1:13:35 | |
Your consciousness is evacuated. | 1:13:39 | 1:13:42 | |
Your past memories, your interests, | 1:13:51 | 1:13:55 | |
your perception of time. | 1:13:55 | 1:13:57 | |
Place itself. | 1:14:00 | 1:14:02 | |
The world itself. | 1:14:03 | 1:14:05 | |
One must recreate one's life. | 1:14:13 | 1:14:16 | |
In my case, fortunately, | 1:14:19 | 1:14:22 | |
I had a central core around which to recreate it. | 1:14:22 | 1:14:26 | |
That was my good fortune. | 1:14:29 | 1:14:32 | |
FOOTSTEPS | 1:14:43 | 1:14:46 | |
CANE TAPS | 1:14:50 | 1:14:53 | |
ORGAN MUSIC PLAYS | 1:14:59 | 1:15:02 | |
FOOTSTEPS APPROACH | 1:15:06 | 1:15:09 | |
You all right there, John? | 1:15:12 | 1:15:14 | |
-Anything I can help you with? -No, I'm fine. | 1:15:14 | 1:15:17 | |
ORGAN MUSIC SWELLS | 1:15:22 | 1:15:25 | |
The whole place was just throbbing. | 1:16:06 | 1:16:09 | |
You know, you could feel the pews vibrating with it. | 1:16:11 | 1:16:14 | |
Suddenly I had the most intense feeling... | 1:16:19 | 1:16:22 | |
..that God was approaching me. | 1:16:25 | 1:16:27 | |
And I just had this vivid, vivid sense | 1:16:33 | 1:16:38 | |
of the divine presence. | 1:16:38 | 1:16:41 | |
Now, He'd come | 1:16:46 | 1:16:49 | |
sort of swooping in | 1:16:49 | 1:16:52 | |
from some great business he'd been up to, intergalactically! | 1:16:52 | 1:16:56 | |
That's ridiculous, darling! | 1:16:56 | 1:16:58 | |
Well, you know, that's how it seemed. | 1:16:58 | 1:17:00 | |
He had made a special visit. | 1:17:00 | 1:17:03 | |
And He threw a dark cloak over me. | 1:17:10 | 1:17:13 | |
And then... | 1:17:21 | 1:17:22 | |
..the most remarkable thing was... | 1:17:23 | 1:17:26 | |
..that He didn't...He couldn't leave. | 1:17:28 | 1:17:31 | |
He was there, just waiting. | 1:17:31 | 1:17:33 | |
And I said, "I'll be fine. | 1:17:37 | 1:17:39 | |
"Don't worry about me." | 1:17:39 | 1:17:41 | |
And in that pause I had a sense... | 1:17:50 | 1:17:52 | |
..of such grace... | 1:17:55 | 1:17:57 | |
..and I thought, that's it. | 1:18:01 | 1:18:03 | |
It's a gift. | 1:18:03 | 1:18:05 | |
It's not a gift I want. | 1:18:07 | 1:18:10 | |
It's not a gift that I want my children to have. | 1:18:10 | 1:18:12 | |
But it is a gift. | 1:18:12 | 1:18:14 | |
So the question is... | 1:18:21 | 1:18:23 | |
..not why have I got it, but what can I do with it? | 1:18:24 | 1:18:28 | |
WAVES CRASH | 1:18:45 | 1:18:48 | |
SEABIRDS CRY | 1:18:54 | 1:18:56 |