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This programme contains some strong language. | 0:00:02 | 0:00:07 | |
As a kid growing up in the ghetto, | 0:00:10 | 0:00:12 | |
one of the things I wanted most | 0:00:12 | 0:00:14 | |
was not money, it was fame. | 0:00:14 | 0:00:18 | |
I wanted to be known. I wanted people to say, "Hey, there goes OJ." | 0:00:18 | 0:00:22 | |
You're approaching five years now at Lovelock. | 0:00:32 | 0:00:36 | |
Tell us about your work assignments. | 0:00:36 | 0:00:38 | |
How have you occupied your time for the past five years? | 0:00:38 | 0:00:41 | |
Uh, when I first came here, I was a porter, | 0:00:43 | 0:00:45 | |
which comprised of cleaning things in the unit that I was in, | 0:00:45 | 0:00:49 | |
and, basically, after a relatively short period of time, | 0:00:49 | 0:00:53 | |
I started working as a gym worker. | 0:00:53 | 0:00:56 | |
I start each day disinfecting, | 0:00:56 | 0:00:59 | |
uh, the workout equipment in the gym, | 0:00:59 | 0:01:01 | |
mopping floors with the other, uh, group of us that work in the gym. | 0:01:01 | 0:01:06 | |
Uh, I've coached teams, um, uh, since I've been here. | 0:01:06 | 0:01:10 | |
Uh, and I like to say we won the championship, | 0:01:10 | 0:01:13 | |
and we were old guys, a totally mixed group of players. | 0:01:13 | 0:01:16 | |
I didn't play, I just coached. | 0:01:16 | 0:01:18 | |
I do see that in 1994 you were arrested at the age of 46. | 0:01:18 | 0:01:23 | |
We... We're talking about this case? | 0:01:25 | 0:01:27 | |
No, the age at first arrest. | 0:01:27 | 0:01:29 | |
How old were you, first time you were arrested? For any reason. | 0:01:29 | 0:01:33 | |
HE EXHALES | 0:01:34 | 0:01:38 | |
Um, I think about 46, yes. | 0:01:38 | 0:01:41 | |
With an enrolment of approximately 16,000 students, | 0:02:04 | 0:02:07 | |
this is the largest and oldest university | 0:02:07 | 0:02:10 | |
of continuous existence in Southern California. | 0:02:10 | 0:02:12 | |
Its buildings and grounds cover 45 acres | 0:02:12 | 0:02:15 | |
and it has graduated many thousands of men and women | 0:02:15 | 0:02:18 | |
who are now leaders in the business and professional world. | 0:02:18 | 0:02:21 | |
I didn't know that much about him. | 0:02:29 | 0:02:31 | |
I heard about his reputation coming out of junior college. | 0:02:31 | 0:02:34 | |
He was big, fast, powerful, dynamic. | 0:02:42 | 0:02:47 | |
You're awed, because you haven't seen that. | 0:02:47 | 0:02:50 | |
I was teaching part-time at San Jose State and a friend of mine said, | 0:02:52 | 0:02:55 | |
"Hey, man, you gotta go check out this little cat from San Francisco. | 0:02:55 | 0:03:00 | |
"His name is Simpson. Orenthal James Simpson." | 0:03:01 | 0:03:04 | |
OJ takes the football. Boom. | 0:03:05 | 0:03:08 | |
I think he runs about 90 yards with it for a touchdown. | 0:03:10 | 0:03:13 | |
He ran through 'em like foreign water through a tourist. | 0:03:15 | 0:03:19 | |
San Jose State was trying to recruit him, and I asked him, | 0:03:23 | 0:03:28 | |
"OJ, what is it that you're lookin' for?" | 0:03:28 | 0:03:31 | |
Said, "I want to be the best. | 0:03:33 | 0:03:36 | |
"I want to go to a school where I play against the best." | 0:03:36 | 0:03:39 | |
Superstar phenom is coming to USC | 0:03:43 | 0:03:47 | |
and all the buzz that goes around with it. | 0:03:47 | 0:03:49 | |
This is Marguerite Simpson. | 0:03:50 | 0:03:54 | |
She and OJ have been married for five months now. | 0:03:54 | 0:03:56 | |
-Right. -Are you happy after five months? | 0:03:56 | 0:03:59 | |
Yes, I'm very happy. | 0:03:59 | 0:04:01 | |
And do you like this campus and everything? | 0:04:01 | 0:04:03 | |
I love it. It's like a resort. It's beautiful. | 0:04:03 | 0:04:06 | |
Now, you tell us the truth, Marguerite. What kind of guy is OJ? | 0:04:06 | 0:04:10 | |
OJ is very serious. He loves football. | 0:04:10 | 0:04:14 | |
And he's just a serious person. | 0:04:14 | 0:04:16 | |
He has a great running sense. | 0:04:20 | 0:04:22 | |
Uh, as a team man, he's an outstanding person. | 0:04:22 | 0:04:24 | |
As a citizen, he is a tremendous boy and, uh, | 0:04:24 | 0:04:28 | |
I don't think we've had a boy around here who has ever been any better. | 0:04:28 | 0:04:31 | |
Whoo! Get up! | 0:04:31 | 0:04:34 | |
It was pretty obvious early on that OJ was a superior athlete, special, | 0:04:34 | 0:04:39 | |
and Coach McKay was warmer and closer with him. | 0:04:39 | 0:04:43 | |
He had never had a player of this calibre. And you didn't mess with it. | 0:04:43 | 0:04:48 | |
He protected him. | 0:04:48 | 0:04:49 | |
Johnny, would you describe that devastating | 0:04:52 | 0:04:54 | |
Southern Cal offensive attack for us? | 0:04:54 | 0:04:57 | |
Well, Duffy, I don't... I don't know how devastating it is, but our attack | 0:04:57 | 0:05:00 | |
is built around the, uh, tailback, OJ Simpson, running a football. | 0:05:00 | 0:05:03 | |
We think our attack will be able to let us move the ball on most people. | 0:05:03 | 0:05:07 | |
There was no drama. | 0:05:09 | 0:05:11 | |
John McKay was going to give him the football, | 0:05:11 | 0:05:15 | |
and he was going to give it to him 35, 40 times a game | 0:05:15 | 0:05:18 | |
and you were going to tackle him. | 0:05:18 | 0:05:19 | |
And then when you missed, we were going to score a touchdown. | 0:05:20 | 0:05:26 | |
So we fed him the football, fed him the football... | 0:05:26 | 0:05:29 | |
He had incredible stamina, | 0:05:32 | 0:05:35 | |
that he could take the ball every play and keep on going. | 0:05:35 | 0:05:40 | |
Every game he did something that was eye-opening. | 0:05:42 | 0:05:45 | |
You... "What? Did I see that?" | 0:05:45 | 0:05:47 | |
He was one of a kind. | 0:05:49 | 0:05:51 | |
This is OJ Simpson, USC's junior halfback. | 0:06:04 | 0:06:07 | |
You have been getting an awful lot of publicity lately. | 0:06:07 | 0:06:10 | |
How does it affect you? Does it bother ya? | 0:06:10 | 0:06:12 | |
Oh, it doesn't bother me at all. | 0:06:12 | 0:06:13 | |
It's... It's a matter of winning, I guess. | 0:06:13 | 0:06:15 | |
If you win, you get publicity, | 0:06:15 | 0:06:17 | |
and they have to give someone in our offence and on our team publicity, | 0:06:17 | 0:06:20 | |
and, uh, I'm just in a position to get it, | 0:06:20 | 0:06:22 | |
running at the tailback and carrying the ball as much as I do. | 0:06:22 | 0:06:26 | |
OJ, you've got an awful big game on Saturday. | 0:06:26 | 0:06:28 | |
It's the big intercity rivalry. There's just all kind of pressure. | 0:06:28 | 0:06:32 | |
How does the pressure affect you? | 0:06:32 | 0:06:33 | |
Well, uh, I don't know. I don't think the pressure bothers... | 0:06:33 | 0:06:36 | |
It doesn't bother me and... | 0:06:36 | 0:06:38 | |
and I think most of the team right now, it's not bothering them yet. | 0:06:38 | 0:06:40 | |
I'm sure it will tomorrow. | 0:06:40 | 0:06:42 | |
We're shooting for all the marbles this week, | 0:06:42 | 0:06:44 | |
and, uh, I think we'll be relaxed and ready to go. | 0:06:44 | 0:06:46 | |
USC football is not a matter of life and death. | 0:06:56 | 0:07:00 | |
It's much more important than that. | 0:07:02 | 0:07:05 | |
Live and in colour, you are looking at this view, | 0:07:05 | 0:07:06 | |
hovering above the Memorial Coliseum, which is jam-packed today. | 0:07:06 | 0:07:11 | |
As we look at Gary Beban, a reminder that college football, | 0:07:11 | 0:07:15 | |
a pleasant and colourful way to spend an autumn afternoon. | 0:07:15 | 0:07:18 | |
UCLA's quarterback was Gary Beban. | 0:07:20 | 0:07:23 | |
It's going to be his year for the Heisman Trophy. | 0:07:23 | 0:07:25 | |
So we have the upcomer running back | 0:07:27 | 0:07:30 | |
against the established superstar quarterback. | 0:07:30 | 0:07:33 | |
We were ranked number four, they were ranked number one. | 0:07:36 | 0:07:40 | |
The city of Los Angeles, the two top teams in the country, | 0:07:40 | 0:07:44 | |
and we're fighting for the national championship. | 0:07:44 | 0:07:48 | |
Today with ten cameras covering this game, | 0:07:48 | 0:07:51 | |
over 200, uh, newsmen here, 200 photographers. | 0:07:51 | 0:07:53 | |
There were people out here this morning at six o'clock | 0:07:53 | 0:07:56 | |
trying to get in to the ball game. | 0:07:56 | 0:07:58 | |
And the ball game is underway. | 0:07:58 | 0:08:00 | |
I had never been to a college game ever. | 0:08:00 | 0:08:02 | |
And we all wanted to go see OJ. | 0:08:02 | 0:08:04 | |
Offensively now for the Trojans, watch for number 32, OJ Simpson. | 0:08:04 | 0:08:09 | |
None of us had any tickets. | 0:08:12 | 0:08:14 | |
All of a sudden, we looked up and someone had cut a hole | 0:08:14 | 0:08:17 | |
in the Coliseum fence and about 50 people ran through it, including us. | 0:08:17 | 0:08:21 | |
OK, Bud, we have approximately nine minutes remaining in the first half. | 0:08:21 | 0:08:25 | |
I'd never seen the Coliseum full like that. | 0:08:25 | 0:08:27 | |
There was just the colours, I was in awe. | 0:08:27 | 0:08:31 | |
Tie ball game, and they are in UCLA territory. Steve Sogge. Simpson. | 0:08:31 | 0:08:36 | |
There's his brilliance. 13 yards. Touchdown. | 0:08:39 | 0:08:44 | |
A tremendously gifted athlete, number 32, OJ Simpson. | 0:08:44 | 0:08:49 | |
Everybody loved watching OJ run. | 0:08:49 | 0:08:51 | |
As we look at it in slow motion... | 0:08:51 | 0:08:53 | |
There was something about his style. | 0:08:53 | 0:08:55 | |
..OJ Simpson. | 0:08:55 | 0:08:56 | |
I said, "Man, if I could run half as well as this guy, | 0:08:56 | 0:08:59 | |
"I might be all right." | 0:08:59 | 0:09:00 | |
Beban hooking. Deep and long to Copeland. | 0:09:00 | 0:09:04 | |
UCLA has tied it up. | 0:09:06 | 0:09:08 | |
There is Nuttall. | 0:09:12 | 0:09:13 | |
Touchdown, UCLA. | 0:09:14 | 0:09:18 | |
And with 11 minutes and 40 seconds left in the game, | 0:09:18 | 0:09:22 | |
UCLA gets the lead. | 0:09:22 | 0:09:24 | |
We were losing. And we were fighting. | 0:09:24 | 0:09:27 | |
OJ Simpson is deep. Number 32. | 0:09:27 | 0:09:30 | |
And he's determined. | 0:09:30 | 0:09:32 | |
We were outplaying them, | 0:09:32 | 0:09:35 | |
and we were very angry that we were not winning that game. | 0:09:35 | 0:09:39 | |
30. Moving away, | 0:09:39 | 0:09:40 | |
and sheer sake of effort brings him out to the 34-yard line. | 0:09:40 | 0:09:45 | |
Things weren't going our way until that run. | 0:09:45 | 0:09:50 | |
Rose Bowl bid, Bud, is at stake. | 0:09:50 | 0:09:53 | |
Everything that they've fought for all year, | 0:09:53 | 0:09:55 | |
it's coming down to the wire now, Chris. These final minutes. | 0:09:55 | 0:09:58 | |
At the 36-yard line, a 4-yard gain, | 0:09:58 | 0:10:01 | |
it'll be third down and three for the Trojans. | 0:10:01 | 0:10:04 | |
It was a pass play. | 0:10:04 | 0:10:05 | |
They need three yards. | 0:10:05 | 0:10:06 | |
In the audible, and some guys missed the audible. | 0:10:06 | 0:10:10 | |
I couldn't hear it. I made a mistake. I stood up to pass block. | 0:10:13 | 0:10:17 | |
The linebacker read me and backed into his passing zone, | 0:10:17 | 0:10:21 | |
and that opened up a lane for OJ. | 0:10:21 | 0:10:23 | |
And he did his magic. | 0:10:23 | 0:10:26 | |
First down and more. There's Simpson. | 0:10:26 | 0:10:29 | |
Look at that cut! OJ Simpson! | 0:10:29 | 0:10:32 | |
All she wrote. | 0:10:34 | 0:10:36 | |
64 yards. 64 thrilling, captivating, collegiate football yards, | 0:10:36 | 0:10:42 | |
and let's look at that one again. Wow. | 0:10:42 | 0:10:46 | |
Don't recall seeing anybody that can turn it on like this boy, Chris. | 0:10:46 | 0:10:49 | |
If you were a football fan in the late '60s and someone said to you, | 0:10:49 | 0:10:54 | |
"Do you remember The Run?" It was just one run. | 0:10:54 | 0:10:58 | |
That set OJ apart from everyone. | 0:11:00 | 0:11:04 | |
He's so much faster, it makes no difference. | 0:11:04 | 0:11:07 | |
That single play is still felt | 0:11:07 | 0:11:09 | |
to be one of the greatest college plays. | 0:11:09 | 0:11:12 | |
He became an instant national star. | 0:11:15 | 0:11:19 | |
A civil rights leader in Los Angeles has said | 0:11:24 | 0:11:26 | |
if you are going to be a negro in a big city, | 0:11:26 | 0:11:29 | |
then Los Angeles is the best place to be. | 0:11:29 | 0:11:31 | |
The image of Los Angeles was milk and honey. | 0:11:45 | 0:11:48 | |
There's no prejudice in Los Angeles. | 0:11:49 | 0:11:52 | |
Everybody's free to do what they will. | 0:11:52 | 0:11:55 | |
You know, palm trees and sunshine. It's just the ultimate place. | 0:11:55 | 0:12:00 | |
And anybody who was trying to go somewhere, at least in my area, | 0:12:02 | 0:12:05 | |
you know, they were going to Los Angeles. | 0:12:05 | 0:12:07 | |
There is no group in America to whom California has meant more | 0:12:10 | 0:12:13 | |
than it has to the negroes. | 0:12:13 | 0:12:16 | |
In the two decades between 1940 and 1960, | 0:12:16 | 0:12:20 | |
while the population of all other groups in Los Angeles | 0:12:20 | 0:12:22 | |
went up by 100%, the negro population went up by 600%. | 0:12:22 | 0:12:28 | |
Where do the people come from? | 0:12:30 | 0:12:32 | |
People come from the states of Texas, Louisiana, Georgia... | 0:12:32 | 0:12:37 | |
The hope is that all the trouble I've known will be gone. | 0:12:45 | 0:12:51 | |
Two, four, six, eight, we don't want to integrate! | 0:12:51 | 0:12:54 | |
Two, four, six, eight, we don't want to integrate! | 0:12:54 | 0:12:57 | |
I will no longer be held down by this notion | 0:12:57 | 0:13:02 | |
held against my skin and my hair. | 0:13:02 | 0:13:05 | |
More literally, I can get work because it's growing so fast here. | 0:13:19 | 0:13:25 | |
And I can buy a house, | 0:13:25 | 0:13:26 | |
and nobody's ever going to come take it away from me because I'm black. | 0:13:26 | 0:13:29 | |
This is something that you didn't have in the Deep South. | 0:13:31 | 0:13:34 | |
The Simpsons are from Rodessa, Louisiana. | 0:13:37 | 0:13:41 | |
My parents and his parents, they grew up on a 200-acre farm. | 0:13:41 | 0:13:45 | |
Although they had land, there was no opportunity for people of colour, | 0:13:45 | 0:13:49 | |
so everybody "got out of Dodge", as they say. | 0:13:49 | 0:13:52 | |
OJ and I were born in San Francisco in '47. | 0:13:53 | 0:13:57 | |
He had aspirations. | 0:14:00 | 0:14:01 | |
He knew that he wanted to better his circumstances, | 0:14:02 | 0:14:07 | |
and LA was the place to do that. | 0:14:07 | 0:14:09 | |
I moved out here looking for opportunities. | 0:14:12 | 0:14:14 | |
My grandmother gave me 67 for a ticket, | 0:14:14 | 0:14:17 | |
and my mother gave me 65 to spend, | 0:14:17 | 0:14:20 | |
and I got on a plane, one-way ticket. | 0:14:20 | 0:14:23 | |
If I had the money, I would've gone back home, | 0:14:23 | 0:14:26 | |
cos it was very, very troubling once I got here. | 0:14:26 | 0:14:28 | |
Racism out here was as stark as it was in Jim Crow South. | 0:14:28 | 0:14:33 | |
You don't really have any more power out here than you had there. | 0:14:37 | 0:14:43 | |
Everybody was always conscious of the police. | 0:14:43 | 0:14:47 | |
-You a friend of Jack Grant's? -Why? | 0:14:49 | 0:14:52 | |
-Jack Grant a friend of yours? -I'm not going to tell ya. | 0:14:52 | 0:14:54 | |
I grew up watching the Los Angeles Police Department. | 0:14:54 | 0:14:57 | |
They just were so sharp and professional all the time, | 0:14:57 | 0:15:01 | |
if you watched things that depicted them. | 0:15:01 | 0:15:03 | |
I'm Lieutenant Moore of the Los Angeles Police Department. | 0:15:03 | 0:15:05 | |
Hell, no, we won't go. | 0:15:05 | 0:15:07 | |
If you do not leave now, you will be arrested | 0:15:07 | 0:15:09 | |
for violation of section 602-J. | 0:15:09 | 0:15:12 | |
They were just always squared away. | 0:15:12 | 0:15:14 | |
The institutional culture was really clear. | 0:15:16 | 0:15:19 | |
We expected you to be the best, we expected you to be professional. | 0:15:19 | 0:15:23 | |
It's not like it was in the '30s and '40s. | 0:15:23 | 0:15:26 | |
Police officers don't take bribes. | 0:15:26 | 0:15:28 | |
There's none of that stuff, that had been cleaned up by Chief Parker. | 0:15:28 | 0:15:32 | |
Chief Parker turned a very corrupt police department | 0:15:34 | 0:15:37 | |
into what was viewed as a very honest police department, | 0:15:37 | 0:15:40 | |
but with that he brought a level of being untouchable. | 0:15:40 | 0:15:44 | |
Everything at the police academy was white, | 0:15:46 | 0:15:49 | |
in the sense of command staff, | 0:15:49 | 0:15:51 | |
officers, all the trainers were white. | 0:15:51 | 0:15:53 | |
Bill Parker was reputed | 0:15:55 | 0:15:56 | |
to have actually recruited police officers from Klan rallies. | 0:15:56 | 0:16:00 | |
I think he, at minimum, was racially insensitive, | 0:16:03 | 0:16:08 | |
at maximum, he was racist. | 0:16:08 | 0:16:10 | |
Police officers under Bill Parker would respond to a radio call, | 0:16:13 | 0:16:17 | |
they would go snatch the person who was causing trouble, | 0:16:17 | 0:16:20 | |
put 'em in the car, take 'em out and leave. | 0:16:20 | 0:16:22 | |
So their interaction with the community | 0:16:22 | 0:16:24 | |
was almost entirely based on apprehension, | 0:16:24 | 0:16:28 | |
and that's where the notion of an occupying army comes from. | 0:16:28 | 0:16:31 | |
Just getting tired of being pushed around by you white people, that's all. | 0:16:34 | 0:16:37 | |
You stoppin' us on the street, kickin' down the doors, | 0:16:37 | 0:16:40 | |
takin' down to the police station, you're kicking our teeth in. | 0:16:40 | 0:16:43 | |
Well, he took me in the car and, uh, he just started getting on me. | 0:16:43 | 0:16:47 | |
-But was there a fight? -How can I fight with my hands stuck? | 0:16:47 | 0:16:52 | |
The complaint that you hear everywhere is that the negro | 0:16:52 | 0:16:56 | |
is not getting the same treatment from the police as the... | 0:16:56 | 0:16:59 | |
Well, I know, but I'm getting a little bit weary of that, | 0:16:59 | 0:17:01 | |
and I think perhaps the best thing to do | 0:17:01 | 0:17:03 | |
is just to pull the police out of the area. | 0:17:03 | 0:17:05 | |
I've offered to do that again and again, | 0:17:05 | 0:17:07 | |
but you see how quick they are to come back and say, | 0:17:07 | 0:17:09 | |
"We can't afford to have that." | 0:17:09 | 0:17:10 | |
The negroes are stepping up, they're waking up, and they're going to do | 0:17:16 | 0:17:19 | |
something about what the white man did to them. | 0:17:19 | 0:17:21 | |
I'm not afraid of bloodshed. If I have to die for my rights, I will. | 0:17:21 | 0:17:25 | |
54 square miles in the middle of the nation's third-largest city. | 0:17:28 | 0:17:33 | |
No-one expected the flash point of discontent to be | 0:17:33 | 0:17:36 | |
in the sprawling, bungalowed 450 square miles of Los Angeles. | 0:17:36 | 0:17:40 | |
This is where the fuse was lighted. | 0:17:43 | 0:17:45 | |
It began with the arrest by white officers of two young negroes, | 0:17:45 | 0:17:49 | |
one on a charge of drunk driving, the other his brother. | 0:17:49 | 0:17:52 | |
Their mother came to the scene. | 0:17:52 | 0:17:54 | |
There was an argument, there was a scuffle. | 0:17:54 | 0:17:55 | |
By then, a crowd of several hundred negroes had gathered. | 0:17:55 | 0:17:58 | |
The story of police brutality quickly spread through the community. | 0:17:58 | 0:18:02 | |
SCREAMING AND SHOUTING | 0:18:07 | 0:18:10 | |
The Watts riots. I was ten years old, man. | 0:18:13 | 0:18:16 | |
GUNFIRE | 0:18:16 | 0:18:17 | |
It was summer, it was hot, | 0:18:25 | 0:18:27 | |
and white policemen had been treating us like shit forever. | 0:18:27 | 0:18:32 | |
And we were going to respond. | 0:18:32 | 0:18:35 | |
The police in their idiocy responded with too much force | 0:18:39 | 0:18:43 | |
and not enough understanding, and it mushroomed. | 0:18:43 | 0:18:47 | |
I was nervous. | 0:18:52 | 0:18:53 | |
There were people screaming, people shooting, | 0:18:53 | 0:18:55 | |
people lying on the ground, not moving. | 0:18:55 | 0:18:58 | |
The police, four-deep in a car, all holding up shotguns. | 0:18:58 | 0:19:01 | |
The Watts riot was one of the first major events in the city of LA | 0:19:04 | 0:19:08 | |
that was caught on TV. | 0:19:08 | 0:19:10 | |
People who grew up looking at those kinds of activities in the South, | 0:19:10 | 0:19:14 | |
they thought that's where all of the racial divide was. | 0:19:14 | 0:19:18 | |
The only thing was missing in LA, there weren't dogs. | 0:19:18 | 0:19:21 | |
Get 'em up. Get your hands up. Let's go. | 0:19:21 | 0:19:24 | |
I got home and my father was sitting there, upset, and he says, | 0:19:29 | 0:19:32 | |
"You know, Walter, they're out there, rioting." | 0:19:32 | 0:19:35 | |
And he says, "I want to do that. I feel that. I feel that anger. | 0:19:36 | 0:19:41 | |
"I know it's wrong, so I can't do it. But I want to." | 0:19:43 | 0:19:47 | |
I didn't think it was a big deal. | 0:19:55 | 0:19:56 | |
I didn't think these people were, quote, "persecuted". | 0:19:56 | 0:19:59 | |
I didn't think these people had any problem. Why were they rioting? | 0:19:59 | 0:20:03 | |
I was as naive as any other white person. | 0:20:03 | 0:20:05 | |
This area is being closed. Please go in your homes. | 0:20:05 | 0:20:10 | |
The question came down from white people after Watts. | 0:20:13 | 0:20:15 | |
They said, "Do most black people feel like this?" | 0:20:15 | 0:20:18 | |
And the answer came back, | 0:20:18 | 0:20:20 | |
"About 99% of them feel like this. And 1% are really mad." | 0:20:20 | 0:20:24 | |
In creating this situation, where was the failure? | 0:20:26 | 0:20:29 | |
On the part of the city, the county, the schools? | 0:20:29 | 0:20:31 | |
This, sir, I think, is one of the difficulties in meeting this, | 0:20:31 | 0:20:35 | |
is that we're trying to find a failure other than the people themselves. | 0:20:35 | 0:20:38 | |
They came in and... and flooded a community | 0:20:38 | 0:20:41 | |
that wasn't prepared to meet them. | 0:20:41 | 0:20:43 | |
We didn't ask these people to come here. | 0:20:43 | 0:20:45 | |
So long as this stubborn attitude is maintained, | 0:20:47 | 0:20:50 | |
I can only see the situation worsening. | 0:20:50 | 0:20:52 | |
I can still smell the smoulderings of that event. | 0:20:55 | 0:21:00 | |
There was nervousness all over the place | 0:21:00 | 0:21:05 | |
that would ultimately translate into traumatising an entire community. | 0:21:05 | 0:21:12 | |
What would make all the rioting stop? | 0:21:12 | 0:21:15 | |
I don't think it'll ever stop, really. | 0:21:15 | 0:21:18 | |
Ever? | 0:21:18 | 0:21:19 | |
And the institution that gave life to OJ Simpson's image | 0:21:21 | 0:21:27 | |
and presence nationally and beyond was located | 0:21:27 | 0:21:30 | |
right in the middle of that very same neighbourhood. | 0:21:30 | 0:21:34 | |
USC was an isolated, beautiful school right next to the LA Coliseum | 0:21:36 | 0:21:42 | |
and on the other side were the slums of LA. Basically Watts. | 0:21:42 | 0:21:48 | |
Everyone was warned not to go down on that side of the Coliseum. | 0:21:52 | 0:21:57 | |
At the University of Southern California, | 0:21:59 | 0:22:02 | |
they have a living legend, and at homecoming, | 0:22:02 | 0:22:04 | |
that's all they want to talk about. | 0:22:04 | 0:22:06 | |
The name of the legend is OJ Simpson. | 0:22:06 | 0:22:08 | |
When you saw him on campus, it was like, "Wow! There's OJ!" | 0:22:10 | 0:22:13 | |
And you might go up and wave or say, "Way to go, OJ," | 0:22:13 | 0:22:16 | |
and he'd give you a big smile, | 0:22:16 | 0:22:18 | |
and you felt like you were a million dollars. | 0:22:18 | 0:22:20 | |
You felt fantastic. "OJ Simpson said hi to me!" | 0:22:20 | 0:22:23 | |
-Yeah. -Hey, OJ, how are ya? How's it...? -Working hard. | 0:22:23 | 0:22:27 | |
I hope you're going to be smiling Saturday. | 0:22:27 | 0:22:29 | |
Yeah, in about four days or five. I plan to. | 0:22:29 | 0:22:32 | |
For most of the USC students, I wager, OJ Simpson | 0:22:32 | 0:22:37 | |
was the first African-American they really got to see and talk to. | 0:22:37 | 0:22:40 | |
Because most of them didn't know African-Americans at all, | 0:22:40 | 0:22:43 | |
or any person of colour. | 0:22:43 | 0:22:45 | |
We are! SC! | 0:22:45 | 0:22:48 | |
We are! SC! | 0:22:48 | 0:22:50 | |
USC was a football school, it was a Hollywood school, | 0:22:50 | 0:22:55 | |
it was glamour and glitz, | 0:22:55 | 0:22:58 | |
it was not the University of California, Berkeley. | 0:22:58 | 0:23:02 | |
It was not San Jose State. | 0:23:02 | 0:23:04 | |
Fight, fight, fight, fight! | 0:23:04 | 0:23:07 | |
It was above and beyond reach of the movement. | 0:23:07 | 0:23:12 | |
OJ went to USC in 1967, | 0:23:16 | 0:23:20 | |
so he's plucked | 0:23:20 | 0:23:21 | |
out of the black community, | 0:23:21 | 0:23:24 | |
out of black consciousness, and he's | 0:23:24 | 0:23:28 | |
submerged in an all-white university. | 0:23:28 | 0:23:32 | |
And I say this, and I don't say it facetiously, | 0:23:32 | 0:23:36 | |
but he is seduced by white society. | 0:23:36 | 0:23:42 | |
USC controls TV, Hollywood, banking, finance, | 0:23:47 | 0:23:51 | |
law and medicine in Los Angeles. | 0:23:51 | 0:23:55 | |
The alumni are very powerful, and their whole existence | 0:23:57 | 0:24:01 | |
revolves around the success of the football team. | 0:24:01 | 0:24:04 | |
And OJ is leading them to glory. | 0:24:04 | 0:24:07 | |
It was that type of school with that type of power and control | 0:24:10 | 0:24:14 | |
that could be directed towards him. | 0:24:14 | 0:24:17 | |
The black man has been brainwashed, | 0:24:21 | 0:24:23 | |
and it's time for him to learn something about himself. | 0:24:23 | 0:24:25 | |
The word "black" is a part of the times. | 0:24:26 | 0:24:28 | |
We are succumbing to the demands of the black man in the street | 0:24:28 | 0:24:32 | |
who says that the negro is dead and the black man is alive. | 0:24:32 | 0:24:37 | |
It was a condition that I was born into - | 0:24:37 | 0:24:41 | |
the unfairness, the racism, the hatred... | 0:24:41 | 0:24:44 | |
..the poverty that we had in this country. | 0:24:46 | 0:24:50 | |
You can't balance that with being a football hero. | 0:24:52 | 0:24:56 | |
In the '60s, societal issues were pushing their way into sports. | 0:25:04 | 0:25:09 | |
It has been said that I have two alternatives, | 0:25:12 | 0:25:16 | |
either go to jail or go to the army. | 0:25:16 | 0:25:19 | |
There was this engagement of the athlete. | 0:25:19 | 0:25:23 | |
Some major athletes stood up. | 0:25:23 | 0:25:27 | |
Nine top negro athletes meet with Cassius Clay | 0:25:27 | 0:25:30 | |
to discuss his anti-draft stand. | 0:25:30 | 0:25:32 | |
They include Bill Russell, Lew Alcindor, | 0:25:32 | 0:25:34 | |
and former pro-footballer Jimmy Brown. | 0:25:34 | 0:25:37 | |
Every man in that room was a soldier. | 0:25:40 | 0:25:44 | |
Every man in that room, for nothing other than his beliefs | 0:25:44 | 0:25:47 | |
and backing another brother, | 0:25:47 | 0:25:49 | |
felt that he should be there | 0:25:49 | 0:25:51 | |
and to hell with the consequences. | 0:25:51 | 0:25:54 | |
Jim Brown, Bill Russell, Ali, for sure, were race men. | 0:25:56 | 0:26:02 | |
They stood up for principle | 0:26:02 | 0:26:05 | |
and damaged their commercial possibilities. | 0:26:05 | 0:26:09 | |
They pointed to the discrimination, | 0:26:09 | 0:26:12 | |
not only of all blacks, but of black athletes, | 0:26:12 | 0:26:16 | |
of people who were supposedly given entitlement in America. | 0:26:16 | 0:26:21 | |
At the time you were supposed to be satisfied. Or grateful. | 0:26:24 | 0:26:28 | |
Why would someone that's making money | 0:26:29 | 0:26:32 | |
and cheered by 80,000 people be complaining? | 0:26:32 | 0:26:36 | |
For me, it was really a matter of fairness and what is correct. | 0:26:38 | 0:26:45 | |
The United States has hypocritically put itself up | 0:26:45 | 0:26:49 | |
as the leader of the free world, while right here in this country | 0:26:49 | 0:26:53 | |
there are 22 million black people who are catching more hell | 0:26:53 | 0:26:58 | |
than anyone in any communist country ever dreamed of. | 0:26:58 | 0:27:01 | |
Black men and women athletes, professional and amateur, | 0:27:01 | 0:27:06 | |
have unanimously voted to fully endorse and participate | 0:27:06 | 0:27:11 | |
in a boycott of the World Olympic Games in 1968. | 0:27:11 | 0:27:16 | |
The movement on the West Coast recently in which Lew Alcindor | 0:27:22 | 0:27:25 | |
supposedly said he might not play in the Olympics, | 0:27:25 | 0:27:28 | |
what are your thoughts? | 0:27:28 | 0:27:30 | |
Well, um... Well, this is his prerogative. | 0:27:30 | 0:27:33 | |
I'm not too well enlightened on the situation. | 0:27:33 | 0:27:37 | |
I don't know exactly what they're trying to do, you know. | 0:27:37 | 0:27:39 | |
The whole idea behind the Olympic Project for Human Rights | 0:27:42 | 0:27:46 | |
was to escalate the relationship between elite athletes | 0:27:46 | 0:27:51 | |
and the civil rights movement. | 0:27:51 | 0:27:53 | |
Let me say that I absolutely support this boycott. | 0:27:55 | 0:28:01 | |
I would also like to commend the outstanding athletes | 0:28:01 | 0:28:06 | |
who have the courage to make it clear that they will not participate | 0:28:06 | 0:28:10 | |
unless something is done about these terrible evils and injustices. | 0:28:10 | 0:28:15 | |
OJ was approached because he was | 0:28:16 | 0:28:19 | |
the biggest name in collegiate athletics at that time. | 0:28:19 | 0:28:23 | |
He was also a world record-holding track star. | 0:28:25 | 0:28:28 | |
-That's OJ Simpson... -So here we got two for one. | 0:28:28 | 0:28:32 | |
..and Lennox Miller... | 0:28:32 | 0:28:35 | |
When I asked him, I said we were trying to get black athletes | 0:28:35 | 0:28:39 | |
to understand they have a role in the current civil rights movement, | 0:28:39 | 0:28:42 | |
his response was, "I'm not black. I'm OJ." | 0:28:42 | 0:28:46 | |
What they think is right, I guess, they must follow their beliefs. | 0:28:46 | 0:28:49 | |
Well, uh, right now I don't want to be involved in it, because, | 0:28:49 | 0:28:52 | |
uh, I'm not in track. You know, I'm running track, but when it... | 0:28:52 | 0:28:55 | |
when it comes to Olympic time, I'll be in football, | 0:28:55 | 0:28:57 | |
so I have no comment on the matter. | 0:28:57 | 0:29:00 | |
OJ was saying, "I want to be judged not by the colour of my skin, | 0:29:00 | 0:29:06 | |
"I want to be judged by the content of my character | 0:29:06 | 0:29:09 | |
"and most of all, the calibre of my competence. | 0:29:09 | 0:29:13 | |
"I think I'm the greatest football player that this country's ever seen. | 0:29:13 | 0:29:16 | |
"That's all I want to be judged by. | 0:29:16 | 0:29:19 | |
"Don't tell me I've gotta do this because I'm black." | 0:29:19 | 0:29:23 | |
I think football is a great sport. It teaches a person an awful lot. | 0:29:27 | 0:29:31 | |
I would say there's less prejudice in sports than any other field anywhere, | 0:29:31 | 0:29:35 | |
because, uh, it just... you're accepted as what you are, | 0:29:35 | 0:29:38 | |
you know, an athlete and what you can do, | 0:29:38 | 0:29:40 | |
and I think this is good for anyone. | 0:29:40 | 0:29:42 | |
Simpson rushed for 1,709 yards in 1968, | 0:29:52 | 0:29:57 | |
more than any other back in history. | 0:29:57 | 0:30:00 | |
His durability is almost as legendary as his speed and moves. | 0:30:00 | 0:30:03 | |
Simpson scored 22 touchdowns. | 0:30:03 | 0:30:07 | |
He carried a record 355 times | 0:30:07 | 0:30:10 | |
and proved himself nearly indestructible. | 0:30:10 | 0:30:13 | |
He was in a different world than the rest of us. | 0:30:20 | 0:30:23 | |
There was an OJ cult. It was building, building, building. | 0:30:30 | 0:30:33 | |
When you bring a student athlete in there on a visit, | 0:30:35 | 0:30:37 | |
they want to see OJ. | 0:30:37 | 0:30:39 | |
The community leaders, for speaking engagements, they wanted OJ. | 0:30:39 | 0:30:44 | |
They wanted a role model. They wanted the young black kids to see. | 0:30:44 | 0:30:50 | |
When I was 16 years old, I made an all-star team down in Los Angeles | 0:30:50 | 0:30:54 | |
and they had a banquet, and while we were eating, | 0:30:54 | 0:30:56 | |
the guy who was running the whole show, he says, | 0:30:56 | 0:30:58 | |
"OK, I want to introduce the guest speaker tonight, OJ Simpson." | 0:30:58 | 0:31:02 | |
And I was like, "Wow!" I said, "OJ's here. This is unbelievable." | 0:31:02 | 0:31:07 | |
OJ, when he walked up, he said, | 0:31:07 | 0:31:09 | |
"First of all, before I start, is Ron Shipp here?" | 0:31:09 | 0:31:12 | |
I put my hand up. I was like, "Is this... ? Is this for real?" | 0:31:12 | 0:31:16 | |
And he goes, "Are you the brother of Michael Shipp?" And I say, "Yes." | 0:31:16 | 0:31:21 | |
And he goes, "Hey, everybody, I just want to tell you about, | 0:31:21 | 0:31:23 | |
"uh, Michael Shipp, his brother, | 0:31:23 | 0:31:25 | |
"we played against each other, he's a great guy, | 0:31:25 | 0:31:27 | |
"so and so, Ron, if you're anything like your brother, you know..." | 0:31:27 | 0:31:30 | |
And, like, he made me an instant hero in that room. | 0:31:30 | 0:31:34 | |
I mean, I fell in love with the guy right then. | 0:31:34 | 0:31:38 | |
This is the most incredible human being. | 0:31:38 | 0:31:40 | |
Here is the star of our show, Bob Hope. | 0:31:45 | 0:31:48 | |
I don't have to tell you it's a pleasure to be here at OJU. | 0:31:54 | 0:31:58 | |
LAUGHTER AND APPLAUSE | 0:31:58 | 0:32:01 | |
But it's wonderful to be here at USC. | 0:32:01 | 0:32:04 | |
You haven't had a riot, a demonstration or even a sit-in. | 0:32:04 | 0:32:06 | |
Are you sure this is a college? | 0:32:06 | 0:32:08 | |
I have some very sad news for all of you. | 0:32:11 | 0:32:14 | |
Martin Luther King was shot and was killed tonight in Memphis. | 0:32:14 | 0:32:17 | |
SHOCKED SCREAMS | 0:32:17 | 0:32:20 | |
I tried to talk to OJ before the show, | 0:32:20 | 0:32:22 | |
but I guess he has something on his mind. | 0:32:22 | 0:32:24 | |
He kept referring to me as Mr Heisman. | 0:32:24 | 0:32:27 | |
RFK, RFK, RFK! | 0:32:29 | 0:32:34 | |
Pigs, pigs, pigs, pigs! | 0:32:45 | 0:32:48 | |
OJ, you've had quite a season. | 0:32:51 | 0:32:53 | |
Well, I have gained a few yards. | 0:32:53 | 0:32:55 | |
A few yards? You've gobbled up more real estate than Howard Hughes. | 0:32:55 | 0:33:00 | |
When you think of 1968, what do you think of? | 0:33:00 | 0:33:03 | |
1968, I think of winning all the games, getting OJ famous, | 0:33:06 | 0:33:12 | |
everybody on campus thinking it's the greatest thing on Earth. | 0:33:12 | 0:33:15 | |
That's all we thought about. There was nothing else going on. | 0:33:15 | 0:33:20 | |
MUSIC: US National Anthem | 0:33:20 | 0:33:22 | |
Several European newspapers today condemned | 0:33:26 | 0:33:29 | |
the International Olympic Committee for sending home | 0:33:29 | 0:33:32 | |
two militant negro athletes from the United States. | 0:33:32 | 0:33:35 | |
The two, Tommie Smith and John Carlos, | 0:33:35 | 0:33:37 | |
who ran first and third in the 200-metre dash, | 0:33:37 | 0:33:40 | |
were banished after they raised clenched fists in black gloves | 0:33:40 | 0:33:44 | |
during the playing of The Star Spangled Banner. | 0:33:44 | 0:33:46 | |
# Uh, with your bad self! | 0:33:46 | 0:33:49 | |
# Say it loud! | 0:33:49 | 0:33:52 | |
# I'm black, and I'm proud! # | 0:33:52 | 0:33:53 | |
I didn't believe in the national anthem, | 0:33:53 | 0:33:56 | |
but I stood up anyway, because I didn't want no static, | 0:33:56 | 0:33:59 | |
but those days are gone. | 0:33:59 | 0:34:00 | |
Right on. | 0:34:00 | 0:34:02 | |
Brother Tommie Smith, Brother Johnny Carlos | 0:34:02 | 0:34:04 | |
and Brother Harry Edwards | 0:34:04 | 0:34:05 | |
join the ranks of Brother Muhammad Ali, | 0:34:05 | 0:34:07 | |
because we want black people who are concerned with us first | 0:34:07 | 0:34:10 | |
and with sports second. | 0:34:10 | 0:34:11 | |
Yeah! | 0:34:11 | 0:34:13 | |
# Say it loud! | 0:34:14 | 0:34:16 | |
# I'm black, and I'm proud! # | 0:34:16 | 0:34:18 | |
At about, uh, ten o'clock this morning, we were notified that, | 0:34:20 | 0:34:25 | |
uh, a Heisman Trophy winner comes back to USC | 0:34:25 | 0:34:28 | |
and, as you all know, it's OJ Simpson. | 0:34:28 | 0:34:31 | |
Thank you. Well, I... I don't know quite what to say. | 0:34:35 | 0:34:39 | |
I'm, uh, certainly proud, and I'm very happy, and I'm... I'm taking it | 0:34:39 | 0:34:42 | |
as a team award and all the other guys did as much | 0:34:42 | 0:34:45 | |
if not more than I do, for me to get the award, | 0:34:45 | 0:34:47 | |
and I'll be glad to see all the guys, | 0:34:47 | 0:34:49 | |
cos I know they're just as happy as I am. | 0:34:49 | 0:34:51 | |
As you can see, the Heisman Trophy award ceremony is over, | 0:34:52 | 0:34:56 | |
and OJ Simpson, number 32, | 0:34:56 | 0:34:58 | |
University of Southern California, | 0:34:58 | 0:35:00 | |
has been beset by autograph hounds. | 0:35:00 | 0:35:03 | |
Mrs Simpson, I wonder if you'd be good enough to come over. | 0:35:03 | 0:35:06 | |
Your tears only registered your pride, and it's a very great pride, | 0:35:06 | 0:35:10 | |
and you should enjoy it, because this is a very great young man. | 0:35:10 | 0:35:13 | |
OJ, the congratulations of all of us to you for a truly remarkable season | 0:35:13 | 0:35:19 | |
and, more importantly, for your impeccable character. | 0:35:19 | 0:35:22 | |
Thank you, Mr Cosell. | 0:35:22 | 0:35:24 | |
So that's the story. | 0:35:24 | 0:35:25 | |
The Heisman Trophy award proceedings, number 32, OJ Simpson. | 0:35:25 | 0:35:30 | |
Perhaps the greatest running back in the history of college football. | 0:35:30 | 0:35:34 | |
When I met him, I was quite taken with him. | 0:35:38 | 0:35:41 | |
This is kind of a warm June night in 1969. | 0:35:41 | 0:35:46 | |
Howard Cosell took OJ and me to Bachelors III, | 0:35:46 | 0:35:51 | |
which was Joe Namath's bar. | 0:35:51 | 0:35:53 | |
He was telling a story about being at a team-mate's wedding | 0:35:55 | 0:36:00 | |
with his wife, sitting at a table of mostly, as he said, negroes, | 0:36:00 | 0:36:06 | |
and you overheard a white woman at the next table saying, | 0:36:06 | 0:36:10 | |
"Look, there's OJ sitting with all those niggers." | 0:36:10 | 0:36:14 | |
And I remember in my naivete, saying to OJ, | 0:36:15 | 0:36:20 | |
"Gee, wow, that must have been terrible for you." | 0:36:20 | 0:36:24 | |
He said, "No, that was great. Don't you understand? | 0:36:24 | 0:36:29 | |
"She knew that I wasn't black. | 0:36:29 | 0:36:32 | |
"She saw me as OJ." | 0:36:32 | 0:36:36 | |
And... And really, at that moment, um, I thought he was fucked. | 0:36:36 | 0:36:41 | |
-APPLAUSE -Our first guest today is one | 0:36:41 | 0:36:44 | |
of the greatest running backs I've ever seen. | 0:36:44 | 0:36:46 | |
I met him when he was still in college at Southern California, | 0:36:46 | 0:36:49 | |
and he's not only a hell of a football player, | 0:36:49 | 0:36:51 | |
he's a hell of a guy. The winner of the Heisman Trophy, | 0:36:51 | 0:36:53 | |
the finest college football player in the country last year, | 0:36:53 | 0:36:56 | |
the Buffalo Bills' great rookie, OJ Simpson. | 0:36:56 | 0:36:59 | |
APPLAUSE Thank you, Joe. | 0:36:59 | 0:37:02 | |
Now, with all that money you got for signing with Buffalo, | 0:37:02 | 0:37:05 | |
I want to know if you're going to help me out | 0:37:05 | 0:37:07 | |
-in some business interests. -LAUGHTER | 0:37:07 | 0:37:09 | |
-I'm the one that needs the help. -How's business? | 0:37:09 | 0:37:11 | |
Oh, it's pretty good. I, er... I'm under contract with... | 0:37:11 | 0:37:13 | |
-I don't know if I can say on here. -Yeah. | 0:37:13 | 0:37:16 | |
Well, I'm under contract with Chevrolet and RC Cola, | 0:37:16 | 0:37:18 | |
and I'm working with, um... What network is this? | 0:37:18 | 0:37:20 | |
LAUGHTER | 0:37:20 | 0:37:22 | |
..ABC. And, er, they're keeping me pretty busy. | 0:37:22 | 0:37:25 | |
The pitch to Chevrolet was | 0:37:29 | 0:37:31 | |
that this would be the first national black spokesman. | 0:37:31 | 0:37:35 | |
You've got a black market. | 0:37:35 | 0:37:37 | |
He's not going to be a negative in any way to the white market, | 0:37:37 | 0:37:41 | |
but you're going to get a lot of brownie points just for stepping up. | 0:37:41 | 0:37:45 | |
OJ? It's a real satisfaction to me to be able to introduce | 0:37:45 | 0:37:49 | |
a great ballplayer like you | 0:37:49 | 0:37:51 | |
to an equally great group of Chevrolet salesmen. | 0:37:51 | 0:37:54 | |
My pleasure, Chris. | 0:37:54 | 0:37:55 | |
At the time, athlete endorsements were virtually non-existent. | 0:37:55 | 0:37:59 | |
And for them to sign him, a black man, a football player, | 0:37:59 | 0:38:04 | |
was ground-breaking. | 0:38:04 | 0:38:05 | |
They tell me that the Chevrolet selling team | 0:38:05 | 0:38:07 | |
is the greatest in the country. I believe that. | 0:38:07 | 0:38:10 | |
That's what made perfect sense. | 0:38:10 | 0:38:11 | |
OJ Simpson was the counterrevolutionary athlete. | 0:38:11 | 0:38:16 | |
White America is looking for somebody who can erase the threat | 0:38:16 | 0:38:22 | |
of these seemingly angry, principled black athletes | 0:38:22 | 0:38:27 | |
who are going to create a revolution in sports. | 0:38:27 | 0:38:31 | |
OJ made people feel good. | 0:38:31 | 0:38:34 | |
It was clear, once you spent some time with OJ, | 0:38:35 | 0:38:38 | |
that the Carlos, you know, fist pump, and those kinds of, er... | 0:38:38 | 0:38:42 | |
situations were not going to be, you know, present | 0:38:42 | 0:38:45 | |
in dealing with him. | 0:38:45 | 0:38:47 | |
He just gave you that confidence | 0:38:47 | 0:38:48 | |
that he understood what this was about. | 0:38:48 | 0:38:51 | |
I'd like to welcome a new member of the ABC sports commentary staff. | 0:38:51 | 0:38:56 | |
It is OJ Simpson. | 0:38:56 | 0:38:58 | |
Er, well, Jim, I'll be doing basically sports work | 0:38:58 | 0:39:01 | |
with the, er, ABC radio networks and the TV nextworks - networks. | 0:39:01 | 0:39:04 | |
I hope... | 0:39:04 | 0:39:05 | |
OJ was very, very rough | 0:39:05 | 0:39:07 | |
and needed a lot of coaching in the early years. | 0:39:07 | 0:39:09 | |
It's pretty interesting, and I'm really looking forward to it. | 0:39:09 | 0:39:12 | |
We obviously wanted him to be able to speak proper English | 0:39:12 | 0:39:16 | |
and eliminate slang, and he didn't ever take offence at that. | 0:39:16 | 0:39:20 | |
It was, "Thank you." You know? "OK, I got it." | 0:39:20 | 0:39:23 | |
He realised that his Horatio Alger story | 0:39:24 | 0:39:30 | |
was based on him being a pleasing person to white people. | 0:39:30 | 0:39:35 | |
I really had the sense that he was enormously self-conscious | 0:39:36 | 0:39:41 | |
of who he was and who he needed to be to get over. | 0:39:41 | 0:39:46 | |
That there was this character, OJ, which he was creating. | 0:39:46 | 0:39:51 | |
What does OJ stand for? | 0:39:51 | 0:39:53 | |
OJ LAUGHS Oh, Joe. | 0:39:53 | 0:39:54 | |
-LAUGHTER -Come on, tell it. Tell me. | 0:39:54 | 0:39:56 | |
Orenthal James Simpson. | 0:39:56 | 0:39:58 | |
-Good... -LAUGHTER | 0:39:58 | 0:40:00 | |
-Now, that's a nice name, Orenthal. -Yeah. -It's a good name. | 0:40:00 | 0:40:02 | |
LAUGHTER | 0:40:02 | 0:40:03 | |
You... You never got in any arguments over that, did ya? | 0:40:03 | 0:40:06 | |
No, no, I had, er... | 0:40:06 | 0:40:07 | |
I had some pretty good friends, pretty big friends, | 0:40:07 | 0:40:09 | |
and they were the only guys that could tease me about it. | 0:40:09 | 0:40:11 | |
Well, in your movie career, er, motion picture industry, | 0:40:11 | 0:40:14 | |
are they going to call you Orenthal James or...? | 0:40:14 | 0:40:16 | |
They're going to call me OJ. HE LAUGHS | 0:40:16 | 0:40:18 | |
'I was taken by OJ as a character, as somebody to write about, | 0:40:18 | 0:40:23 | |
'that somebody was so self-aware' | 0:40:23 | 0:40:27 | |
and so obviously ambitious. | 0:40:27 | 0:40:32 | |
The question in my mind then and still now is | 0:40:32 | 0:40:36 | |
where did this imagination come from? | 0:40:36 | 0:40:38 | |
Where did he begin to write this novel about OJ Simpson? | 0:40:38 | 0:40:44 | |
Everybody looks at San Francisco now, "Oh, it's this cosmopolitan... | 0:40:59 | 0:41:03 | |
"You know, everybody loves everybody, gooshy-goosh." | 0:41:03 | 0:41:06 | |
It's not. It wasn't like that, man. | 0:41:06 | 0:41:09 | |
Potrero Hill was predominantly African-American. | 0:41:13 | 0:41:16 | |
Public housing, the old barracks from the navy. | 0:41:16 | 0:41:21 | |
When the navy left, the city turned 'em into low-income housing. | 0:41:21 | 0:41:25 | |
It was a rough area. | 0:41:25 | 0:41:27 | |
The Simpsons lived at the top of a big hill. | 0:41:31 | 0:41:34 | |
Carmelita, his younger sister, and Shirley had a room, | 0:41:34 | 0:41:37 | |
and Melvin and OJ had a room. | 0:41:37 | 0:41:39 | |
We crawled around on the floor together | 0:41:41 | 0:41:43 | |
before we ever learned how to walk. | 0:41:43 | 0:41:46 | |
Four months apart. I'm born in March, he's born in July. | 0:41:46 | 0:41:50 | |
We spend a lot of time at each other's house. | 0:41:50 | 0:41:53 | |
We're a close-knit family. | 0:41:53 | 0:41:54 | |
The mother worked at night, | 0:41:56 | 0:41:58 | |
so they were responsible for themselves, | 0:41:58 | 0:42:02 | |
and sometimes he would open the refrigerator | 0:42:02 | 0:42:04 | |
and there just wouldn't be nothing in there, | 0:42:04 | 0:42:06 | |
and I'd say, "Well, come on, let's go to my house and eat dinner." | 0:42:06 | 0:42:09 | |
OJ's mother, my aunt, Eunice, worked the graveyard shift | 0:42:10 | 0:42:14 | |
at San Francisco General Hospital. | 0:42:14 | 0:42:17 | |
She was a provider, she was steady, | 0:42:17 | 0:42:20 | |
but if you're in a single-parent situation, | 0:42:20 | 0:42:24 | |
you know, there's never enough money. | 0:42:24 | 0:42:26 | |
SIREN WAILS | 0:42:26 | 0:42:29 | |
I mean, we were poor kids, you know? | 0:42:29 | 0:42:31 | |
We would steal cars, we would break into somebody's house, | 0:42:31 | 0:42:36 | |
take all the women's purses and stuff, like... You know? | 0:42:36 | 0:42:40 | |
We would be called criminals. | 0:42:40 | 0:42:41 | |
From the time we were ten years old, you know, we were hustlers. | 0:42:43 | 0:42:46 | |
You know, you'd go to the football game, scalp tickets, | 0:42:46 | 0:42:48 | |
-and everybody had their own technique. -Yeah. | 0:42:48 | 0:42:51 | |
I can recall crying in front of a cat, you know. | 0:42:51 | 0:42:53 | |
"Oh, I need it." HE LAUGHS | 0:42:53 | 0:42:56 | |
"Please let me have that ticket." You know? | 0:42:56 | 0:42:57 | |
THEY ALL LAUGH | 0:42:57 | 0:42:59 | |
"I want to see... I want to see Hugh McElhenny play," you know? | 0:42:59 | 0:43:02 | |
Cats break down, give you the ticket, | 0:43:02 | 0:43:04 | |
I would go on the other side of the stadium and sell it. | 0:43:04 | 0:43:06 | |
-Why didn't I think of that? -THEY LAUGH | 0:43:06 | 0:43:08 | |
Did you ever see him in any fist fights? | 0:43:11 | 0:43:14 | |
-OJ didn't fight a lot. -No? | 0:43:14 | 0:43:16 | |
No. OJ was boisterous. | 0:43:16 | 0:43:17 | |
When you say he was boisterous, did you ever see him, er... | 0:43:17 | 0:43:20 | |
talk himself out of a... a fight situation? | 0:43:20 | 0:43:24 | |
I've seen OJ fight... Talk himself out of a lot of situations. | 0:43:24 | 0:43:27 | |
INTERVIEWER LAUGHS | 0:43:27 | 0:43:28 | |
-JOE BELL: -There was this one incident at school. | 0:43:35 | 0:43:38 | |
Myself, Al Cowlings and OJ, | 0:43:40 | 0:43:43 | |
we were all in the bathroom, shooting craps. | 0:43:43 | 0:43:46 | |
DICE RATTLE | 0:43:46 | 0:43:48 | |
We were cursing and talking loud, and I'm shaking the dice... | 0:43:48 | 0:43:54 | |
then, all of a sudden, these big | 0:43:54 | 0:43:57 | |
wing tip shoes slide in the circle, | 0:43:57 | 0:44:01 | |
and I looked up, and it was Coach McBride. | 0:44:01 | 0:44:05 | |
We were all on the football team. | 0:44:07 | 0:44:09 | |
We're like, "OK, Mr McBride, we're busted. Let us go to class." | 0:44:09 | 0:44:14 | |
He's like, "No." | 0:44:14 | 0:44:15 | |
He's going to take us to the principal's office. | 0:44:15 | 0:44:18 | |
OJ stays in back of the pack. | 0:44:20 | 0:44:24 | |
I could hear him, "Oh, come on, Mr McBride. | 0:44:24 | 0:44:27 | |
"You know we're going to get suspended." | 0:44:27 | 0:44:30 | |
So we get in the principal's office. | 0:44:30 | 0:44:33 | |
Coach McBride says, "I caught these guys in the bathroom shooting dice." | 0:44:33 | 0:44:39 | |
And then he turned and walked out. | 0:44:39 | 0:44:41 | |
So OJ turns and walks away. | 0:44:42 | 0:44:45 | |
Dean Smith says, "Simpson, where you going?" | 0:44:47 | 0:44:50 | |
He says, "Oh, I was just helping Mr McBride bring these guys down." | 0:44:50 | 0:44:55 | |
HE LAUGHS | 0:44:55 | 0:44:57 | |
And Dean Smith let him go. | 0:44:57 | 0:45:00 | |
SCHOOL BELL RINGS | 0:45:02 | 0:45:04 | |
Self-preservation, man. | 0:45:09 | 0:45:12 | |
It was just that kind of smooth talk | 0:45:12 | 0:45:15 | |
that OJ would do in all kinds of situations. | 0:45:15 | 0:45:20 | |
Do you think he was shown a little preference | 0:45:20 | 0:45:23 | |
-because of his football ability? -Oh, yes. | 0:45:23 | 0:45:25 | |
You said you had seen Simpson talk himself out of lots of situations. | 0:45:25 | 0:45:28 | |
Oh, yeah, talked himself... With me. | 0:45:28 | 0:45:31 | |
When we were younger, Al Cowlings used to stutter, | 0:45:33 | 0:45:37 | |
and he never was good with talking to girls. | 0:45:37 | 0:45:40 | |
Marguerite was the nice girl from the other side of town, | 0:45:40 | 0:45:44 | |
but Marguerite liked Alan, and they wound up going steady. | 0:45:44 | 0:45:49 | |
There was some party, and OJ came and got me. | 0:45:52 | 0:45:56 | |
I thought we was going straight to the party, | 0:45:56 | 0:45:59 | |
but we pull up in front of Marguerite's house, | 0:45:59 | 0:46:02 | |
and he tells me to get in the back, and I'm, like, in shock, like... | 0:46:02 | 0:46:07 | |
You know, I seen her with... you know, walking with Alan. | 0:46:07 | 0:46:11 | |
We go down to where the party is, and Alan spots us, | 0:46:13 | 0:46:17 | |
and he starts shaking his head and, "No! No way!" | 0:46:17 | 0:46:22 | |
He is furious, and Al is a big guy. | 0:46:22 | 0:46:26 | |
And he grabs the car, and he's rocking it, | 0:46:26 | 0:46:29 | |
rocking the car back and forth, just rocking it. | 0:46:29 | 0:46:35 | |
And Marguerite gets out of the car, | 0:46:35 | 0:46:38 | |
she says, "Alan, stop it." | 0:46:38 | 0:46:41 | |
And he stops. | 0:46:41 | 0:46:43 | |
-And we were like, "No, he didn't!" -HE LAUGHS | 0:46:44 | 0:46:48 | |
How could OJ keep getting out of these situations? | 0:46:48 | 0:46:52 | |
He stole his best friend's girl. | 0:46:52 | 0:46:55 | |
Later on, you see the three of them together. | 0:46:58 | 0:47:01 | |
Alan went to USC also. | 0:47:03 | 0:47:06 | |
They were thick as thieves. | 0:47:06 | 0:47:08 | |
Everywhere he went, AC was with him. | 0:47:08 | 0:47:11 | |
Football really was what brought us together. | 0:47:11 | 0:47:15 | |
We were really braggadocious, you know. | 0:47:15 | 0:47:17 | |
We were like, "I'm going to be a pro football player," | 0:47:17 | 0:47:21 | |
and OJ said something that really struck me. | 0:47:21 | 0:47:24 | |
He says, "Man, let me tell you guys something. | 0:47:24 | 0:47:27 | |
"One of these days, your children are going to be fighting over | 0:47:27 | 0:47:31 | |
"who wants to be OJ Simpson." | 0:47:31 | 0:47:34 | |
He knew that he was going to be somebody. | 0:47:34 | 0:47:38 | |
He was self-assured. I'll just... I'll just put it that way. | 0:47:40 | 0:47:44 | |
OJ has always wanted to be a hero. | 0:47:44 | 0:47:46 | |
If it was looking at Burt Lancaster as the man on the flying trapeze | 0:47:51 | 0:47:55 | |
or Burt Lancaster playing Jim Thorpe... | 0:47:55 | 0:47:58 | |
..he always wanted to be a hero. | 0:48:00 | 0:48:03 | |
An American hero. | 0:48:03 | 0:48:04 | |
The Buffalo Bills select, as their first choice in the first round, | 0:48:17 | 0:48:21 | |
halfback OJ Simpson, the University of Southern California. | 0:48:21 | 0:48:24 | |
It was the last place you'd want to be. | 0:48:29 | 0:48:32 | |
It was just like being sent to Siberia. | 0:48:34 | 0:48:36 | |
There was some players that said, "Oh, Mr Hotshot." | 0:48:45 | 0:48:49 | |
He understood that people around him was envious | 0:48:50 | 0:48:55 | |
what he was getting and what he was doing. | 0:48:55 | 0:48:57 | |
Stand by and go whenever you're ready, OJ. | 0:49:01 | 0:49:04 | |
HE CHUCKLES | 0:49:06 | 0:49:08 | |
Well, there was never much doubt about missing him. | 0:49:08 | 0:49:11 | |
Er, that was OJ Simpson. | 0:49:11 | 0:49:14 | |
OJ is now a professional football player. | 0:49:14 | 0:49:16 | |
The Buffalo Bills is his home, | 0:49:16 | 0:49:19 | |
and the question is how many professional defensive tacklers | 0:49:19 | 0:49:22 | |
is he going to get by? | 0:49:22 | 0:49:23 | |
So what kind of an attitude must OJ Simpson have | 0:49:26 | 0:49:28 | |
to play professional football? | 0:49:28 | 0:49:30 | |
Well, he's going to have to be strong-willed, | 0:49:30 | 0:49:32 | |
er, in many different ways, | 0:49:32 | 0:49:34 | |
because he will have a lot of people picking at him... | 0:49:34 | 0:49:37 | |
'We had a couch, John Rauch,' | 0:49:37 | 0:49:40 | |
which I've considered the worst coach that we ever had. | 0:49:40 | 0:49:42 | |
Blocking, he will have to block, | 0:49:42 | 0:49:44 | |
because other people are ball carriers also. | 0:49:44 | 0:49:47 | |
'He tried to make OJ a receiver, more or less.' | 0:49:47 | 0:49:50 | |
What we call tosses - quick, er, opening plays. | 0:49:50 | 0:49:54 | |
And OJ could not catch a ball. | 0:49:54 | 0:49:56 | |
He couldn't catch a ball if they paid him to catch a ball, | 0:49:56 | 0:50:00 | |
which they was. They was paying him. | 0:50:00 | 0:50:01 | |
-HE CHUCKLES -They was paying him a lot. | 0:50:01 | 0:50:03 | |
OJ hated Buffalo. | 0:50:17 | 0:50:18 | |
He hated the weather. | 0:50:20 | 0:50:21 | |
WIND WHISTLES | 0:50:21 | 0:50:24 | |
It's a blue-collar town. | 0:50:28 | 0:50:31 | |
Hard-working, blue-collar, factory-working people. | 0:50:31 | 0:50:35 | |
OJ was nothing of that. | 0:50:36 | 0:50:38 | |
And, plus, we was on a losing team. | 0:50:40 | 0:50:42 | |
The first couple of years of his pro career | 0:50:46 | 0:50:49 | |
were very frustrating for him, | 0:50:49 | 0:50:50 | |
and they were disappointing relative to the huge expectations | 0:50:50 | 0:50:54 | |
that everybody set for him. | 0:50:54 | 0:50:56 | |
I mean, they were saying he was a bust. | 0:51:02 | 0:51:03 | |
If it had have stayed the same | 0:51:09 | 0:51:11 | |
as it was when he first got drafted in here, | 0:51:11 | 0:51:13 | |
he would have been a nobody. | 0:51:13 | 0:51:16 | |
I honestly believe that. He'd have been a nobody. | 0:51:16 | 0:51:19 | |
Best thing happened to OJ was John Rauch got fired, | 0:51:28 | 0:51:31 | |
and Lou Saban took over. | 0:51:31 | 0:51:32 | |
Lou Saban was a person who believed in the run game first, | 0:51:32 | 0:51:36 | |
the pass game second. I tell you, if Lou Saban hadn't have came in, | 0:51:36 | 0:51:40 | |
we wouldn't be doing this story right now. | 0:51:40 | 0:51:42 | |
'73 was the year we opened the new stadium. | 0:51:50 | 0:51:54 | |
So we had a 80,000-seat stadium... | 0:51:54 | 0:51:56 | |
..and they brought in all these young offensive linemen. | 0:51:58 | 0:52:01 | |
Coach Saban built the team to run. | 0:52:02 | 0:52:04 | |
When I got there during exhibition season, | 0:52:06 | 0:52:10 | |
I saw him doing things that... | 0:52:10 | 0:52:12 | |
I said, "Wow. | 0:52:12 | 0:52:14 | |
"Homeboy's pretty bad." | 0:52:15 | 0:52:17 | |
Lou Saban started selling them on the idea that we can get 2,000. | 0:52:17 | 0:52:21 | |
"You can get 2,000. We can do this." | 0:52:21 | 0:52:23 | |
You can get it done. What's more, you gotta get it done. | 0:52:23 | 0:52:27 | |
And in that first game... | 0:52:35 | 0:52:37 | |
..we turned out the lights and started it... | 0:52:41 | 0:52:44 | |
..and never looked back. | 0:52:45 | 0:52:47 | |
First game I ever played in the NFL, OJ got 250 yards. | 0:52:55 | 0:52:59 | |
OJ Simpson could run sideways | 0:53:00 | 0:53:03 | |
faster than most men could run forward. | 0:53:03 | 0:53:05 | |
And he hit the line, and he'd go - fwip! - that quick, | 0:53:07 | 0:53:11 | |
and then up the sideline. | 0:53:11 | 0:53:13 | |
He was amazing. | 0:53:15 | 0:53:17 | |
I've been around a lot of good ballplayers, | 0:53:20 | 0:53:23 | |
but I've never been around anyone that was as breathtaking | 0:53:23 | 0:53:27 | |
or as captivating as he was. | 0:53:27 | 0:53:29 | |
He would, like, glide. | 0:53:31 | 0:53:33 | |
He never really picked his feet more than a couple inches off the ground, | 0:53:33 | 0:53:35 | |
so he was, like, slithering through a hole. | 0:53:35 | 0:53:38 | |
When he'd hit a hole, sometimes he'd turn sideways | 0:53:38 | 0:53:40 | |
and kind of leap through it sideways. | 0:53:40 | 0:53:43 | |
Then if he broke open into the open, | 0:53:43 | 0:53:44 | |
then you'd start seeing the knees go up in his stride. | 0:53:44 | 0:53:46 | |
That's when he was motoring. | 0:53:46 | 0:53:48 | |
He's the one who sucked me into being a rabid Bills fan. | 0:53:50 | 0:53:53 | |
Let's hear it for the Bills. Let's hear it. Come on! Let's go! | 0:53:55 | 0:53:59 | |
Let's go, Bills! | 0:53:59 | 0:54:00 | |
And once we got to the seventh game, | 0:54:04 | 0:54:06 | |
it was a Monday night game, | 0:54:06 | 0:54:09 | |
OJ went over 1,000. | 0:54:09 | 0:54:10 | |
CHEERING | 0:54:10 | 0:54:12 | |
Everybody said, "Hey, we have a shot at this." | 0:54:16 | 0:54:18 | |
2,000 yards in 14 games. | 0:54:21 | 0:54:24 | |
That was like somebody breaking Babe Ruth's home run record. | 0:54:24 | 0:54:28 | |
That was unheard of. | 0:54:28 | 0:54:30 | |
What was going through my mind at the time is | 0:54:30 | 0:54:32 | |
he might have a chance of breaking Jim Brown's record. | 0:54:32 | 0:54:34 | |
I never thought that he would go 2,000 yards. | 0:54:34 | 0:54:36 | |
-Why are you so much better than everybody else? -I think... | 0:54:36 | 0:54:39 | |
I think our offensive line is so much better than everybody. | 0:54:39 | 0:54:42 | |
Hey, you guys! | 0:54:42 | 0:54:45 | |
# We're going to turn it on... # | 0:54:47 | 0:54:49 | |
All of a sudden, we got a nickname - The Electric Company. | 0:54:49 | 0:54:52 | |
And, "Whoa, this is pretty cool." | 0:54:52 | 0:54:55 | |
The nickname came from the PR director of The Bills. | 0:54:55 | 0:54:58 | |
There used to be a cartoon called The Electric Company, | 0:54:58 | 0:55:01 | |
and his son watched it all the time. | 0:55:01 | 0:55:04 | |
He said, "Hey, Dad, why don't you call 'em The Electric Company? | 0:55:04 | 0:55:07 | |
"They turn on THE JUICE." | 0:55:07 | 0:55:08 | |
# The Bills, they got that Electric Company | 0:55:08 | 0:55:13 | |
# Montler, Foley, Big Joe D | 0:55:13 | 0:55:17 | |
# They turn on The Juice They turn on The Juice | 0:55:17 | 0:55:21 | |
# They cut him loose | 0:55:21 | 0:55:23 | |
# They turn on The Juice | 0:55:23 | 0:55:25 | |
# You know I love to see my Electric Company | 0:55:25 | 0:55:29 | |
# Turn on The Juice | 0:55:29 | 0:55:31 | |
# Turn him loose... # | 0:55:31 | 0:55:33 | |
OJ just couldn't be stopped that year. | 0:55:33 | 0:55:35 | |
# Throw that switch, boys Turn the power on... # | 0:55:35 | 0:55:38 | |
There were times when the quarterback | 0:55:38 | 0:55:40 | |
would only throw six passes in the entire game. | 0:55:40 | 0:55:42 | |
# There goes The Juice There goes The Juice... # | 0:55:42 | 0:55:46 | |
So the entire offence was OJ Simpson. | 0:55:46 | 0:55:48 | |
# There goes The Juice | 0:55:48 | 0:55:50 | |
# 30, 40... # | 0:55:50 | 0:55:52 | |
Nobody actually thought he was going to go for 2,000. | 0:55:52 | 0:55:55 | |
With only, er, two games to go, he was still 400 and a few yards short. | 0:55:55 | 0:55:59 | |
-Go, Juice! -Come on, Juice! -Come on, Juice! | 0:55:59 | 0:56:02 | |
During the games, I never took a minute off from the offence. | 0:56:04 | 0:56:10 | |
# Do you want The Juice to put a move on you? # | 0:56:10 | 0:56:14 | |
I never made it to the bench. | 0:56:14 | 0:56:15 | |
# Turn on The Juice | 0:56:15 | 0:56:17 | |
# Yeah... # | 0:56:17 | 0:56:18 | |
I didn't want to miss any of it. | 0:56:18 | 0:56:20 | |
# Turn on The Juice. # | 0:56:20 | 0:56:21 | |
It was the most exciting thing that I'd ever seen. | 0:56:23 | 0:56:26 | |
When we got to New York, that last game, | 0:56:43 | 0:56:47 | |
he was going for Jim Brown's record. | 0:56:47 | 0:56:49 | |
It was 60 yards needed, and everyone knew that The Jets | 0:56:51 | 0:56:55 | |
didn't want him to get the record. | 0:56:55 | 0:56:57 | |
I was actually there. | 0:56:59 | 0:57:02 | |
The Jets had no chance of making the playoffs. | 0:57:02 | 0:57:05 | |
The only interesting thing about that day | 0:57:05 | 0:57:07 | |
was whether OJ was going to break 2,000. | 0:57:07 | 0:57:10 | |
It was a really snowy, cold day. | 0:57:13 | 0:57:16 | |
Hm, a little bit similar to today. | 0:57:16 | 0:57:18 | |
So a lot of people were worried | 0:57:18 | 0:57:20 | |
that he wouldn't have a lot of rushing yards | 0:57:20 | 0:57:22 | |
because of that, a lot of slipping in the snow. | 0:57:22 | 0:57:24 | |
He was nervous that day. | 0:57:26 | 0:57:28 | |
We had a little chat, and I told him, I said, | 0:57:28 | 0:57:30 | |
"Hey, homes, this is just another week for you." | 0:57:30 | 0:57:34 | |
I think he knew that, "This is going to make or break me." | 0:57:34 | 0:57:39 | |
He knew that in order for him to write his name in the book, | 0:57:41 | 0:57:45 | |
he had to be exceptional. | 0:57:45 | 0:57:47 | |
He was living a very comfortable life, | 0:57:47 | 0:57:51 | |
but he wanted to live an exceptional life. | 0:57:51 | 0:57:53 | |
And this was his exceptional feat. | 0:57:55 | 0:57:58 | |
I remember just about every play in that game. | 0:58:08 | 0:58:11 | |
Every time Simpson got the ball, | 0:58:11 | 0:58:12 | |
everyone was rushing to their, er, notepad to write it down. | 0:58:12 | 0:58:15 | |
And the announcers kept counting it down. | 0:58:15 | 0:58:17 | |
-COMMENTARY: -Well, gentlemen, we are coming upon it, | 0:58:19 | 0:58:21 | |
and, er, The Juice should break | 0:58:21 | 0:58:23 | |
the National Football League rushing record in this next series. | 0:58:23 | 0:58:27 | |
Simpson running left, Simpson breaking loose, | 0:58:27 | 0:58:30 | |
-and there it is! -All right! All right! | 0:58:30 | 0:58:35 | |
He needed four yards, he got five and this crowd, | 0:58:35 | 0:58:38 | |
his whole team is gathering around and congratulating him, | 0:58:38 | 0:58:42 | |
hitting him on the head, there isn't a person sitting down. | 0:58:42 | 0:58:47 | |
He got the 1,863 pretty early in the game. | 0:58:47 | 0:58:49 | |
And then he said, "OK, now we're going for the 2,000." | 0:58:49 | 0:58:52 | |
And now it's for the 2,000, boys. | 0:58:53 | 0:58:56 | |
More than 100 yards, OJ, OJ cuts inside, | 0:58:59 | 0:59:01 | |
OJ gets wide, this is on! | 0:59:01 | 0:59:03 | |
Now a race, he's at midfield | 0:59:03 | 0:59:05 | |
and he's inside Jets territory at the 43-yard line. | 0:59:05 | 0:59:08 | |
109 yards. That makes how many games that he's gotten 100 yards? 11? | 0:59:08 | 0:59:13 | |
Once he got over 100 yards, | 0:59:13 | 0:59:15 | |
a different excitement started to hit the game. | 0:59:15 | 0:59:17 | |
"Well, he might do this. He might actually hit 2,000." | 0:59:17 | 0:59:20 | |
You had Jets fans who were basically rooting for OJ | 0:59:20 | 0:59:24 | |
because they wanted to be part of history, and I think, you know, | 0:59:24 | 0:59:27 | |
I was basically a little kid, but I think I felt that way. | 0:59:27 | 0:59:30 | |
Who cared if The Jets won? Everybody loved OJ. | 0:59:30 | 0:59:32 | |
OJ, he's got five yards, and OJ running left, | 0:59:38 | 0:59:42 | |
-OJ, five more. Maybe more. I don't know. -Maybe six. | 0:59:42 | 0:59:46 | |
-They did it. They did it. -Yeah! All right! | 0:59:46 | 0:59:49 | |
'And when he did it, he was on my shoulder.' | 0:59:53 | 0:59:57 | |
'I knew how important it was.' | 0:59:59 | 1:00:01 | |
'I contributed to that also.' | 1:00:03 | 1:00:06 | |
The defence has to give the ball to the offence. | 1:00:06 | 1:00:11 | |
I felt it. It was mine, too. | 1:00:11 | 1:00:13 | |
Right after the game, there's "got to get OJ to the interview," | 1:00:16 | 1:00:19 | |
and he said, "I'm not coming in unless you bring in all the guys." | 1:00:19 | 1:00:22 | |
And we were in a tiny room. We could barely fit in that room. | 1:00:22 | 1:00:26 | |
He brought in all the offence. | 1:00:26 | 1:00:28 | |
He refused to go in that room without us. | 1:00:28 | 1:00:30 | |
OJ, you brought 'em all with you. | 1:00:30 | 1:00:32 | |
Yeah. Hey, they did the job, all of you. | 1:00:32 | 1:00:34 | |
I want you to meet the boys. Here. | 1:00:34 | 1:00:36 | |
Mike Montler, our centre. | 1:00:36 | 1:00:38 | |
Jim Braxton, Bob Penchion, Joe Ferguson. | 1:00:38 | 1:00:41 | |
Didn't throw many passes this year, but ball-handling is the thing. | 1:00:41 | 1:00:44 | |
THEY LAUGH | 1:00:44 | 1:00:45 | |
Donnie Green, Bobby Chandler, Paul Seymour, | 1:00:45 | 1:00:48 | |
Dave Foley, a former Jet. | 1:00:48 | 1:00:49 | |
THEY LAUGH | 1:00:49 | 1:00:51 | |
All right, all right! | 1:00:51 | 1:00:52 | |
This is a guy, through the long winter | 1:00:52 | 1:00:54 | |
wasn't supposed to play any football this year. | 1:00:54 | 1:00:56 | |
He had a heart problem, but he came back, and you see what we did. | 1:00:56 | 1:00:59 | |
JD Hill, "Crackback" Hill. My main man, Reg McKenzie. | 1:00:59 | 1:01:02 | |
He was the most generous guy you'd ever meet. | 1:01:02 | 1:01:05 | |
When we broke the record, he bought us a gold wristband. | 1:01:06 | 1:01:09 | |
And on the back of it is, "We did it. The Juice. 3,088." | 1:01:09 | 1:01:13 | |
He didn't say "2,003", he said "3,088", | 1:01:13 | 1:01:16 | |
cos that's how much the team rushed. | 1:01:16 | 1:01:19 | |
I hope to stay in the, er, league long enough for, you know, | 1:01:19 | 1:01:21 | |
till all these guys get old so no young back | 1:01:21 | 1:01:23 | |
can get behind 'em and break my record. | 1:01:23 | 1:01:25 | |
'73 was like a rebirth of his celebrity. | 1:01:27 | 1:01:31 | |
I was 22 years old, I thought, you know, | 1:01:36 | 1:01:37 | |
"This is like being on a team with Babe Ruth." | 1:01:37 | 1:01:41 | |
Mentally, I think he was ahead of, er, a lot of people. | 1:01:41 | 1:01:45 | |
From watching how he handled himself, how he operated, | 1:01:45 | 1:01:50 | |
my whole demeanour changed. | 1:01:50 | 1:01:52 | |
I began to want to be like OJ. | 1:01:52 | 1:01:54 | |
He was Baryshnikov. | 1:01:58 | 1:02:01 | |
When somebody is that great at something... | 1:02:01 | 1:02:04 | |
..when we see those people, they are special. | 1:02:06 | 1:02:10 | |
They just can do stuff that other people can't do. | 1:02:12 | 1:02:16 | |
You expect it of yourself. | 1:02:22 | 1:02:24 | |
You hear the crowd, but you don't hear it. | 1:02:24 | 1:02:27 | |
I mean, you know they're cheering, but that's the way it should be. | 1:02:27 | 1:02:31 | |
When I'm in the open, I'm running, this is how it is supposed to be. | 1:02:31 | 1:02:36 | |
This is correct. This is the natural state of things. | 1:02:36 | 1:02:40 | |
I know whenever I've done it, my feelings have always been, | 1:02:40 | 1:02:44 | |
er, "That's nothing. "This is nothing yet. | 1:02:44 | 1:02:46 | |
"Yeah, I'm going to do it again." | 1:02:46 | 1:02:48 | |
Orenthal James Simpson had that shine. | 1:02:50 | 1:02:54 | |
The sun hit him, and there was this thing about him. | 1:02:54 | 1:02:58 | |
Because he really was that great. | 1:02:58 | 1:03:00 | |
He really was that great. | 1:03:00 | 1:03:03 | |
Football has been my vehicle to come out of the ghetto, | 1:03:05 | 1:03:09 | |
to give everything I've got. I think I have a lot more to offer. | 1:03:09 | 1:03:13 | |
There's a lot of things I need as a person. | 1:03:13 | 1:03:15 | |
You know, I need, er... I need that recognition. | 1:03:15 | 1:03:19 | |
I think that, er, what... what is driving OJ Simpson | 1:03:19 | 1:03:22 | |
is that need to be number one, that need to be liked. | 1:03:22 | 1:03:26 | |
That need to be said, "Hey, that's OJ Simpson." | 1:03:26 | 1:03:29 | |
When I walk down the street, I want people to know me. | 1:03:29 | 1:03:33 | |
We had done a survey asking the customer base, | 1:03:50 | 1:03:53 | |
what was the most important attribute | 1:03:53 | 1:03:56 | |
of the rental car experience? | 1:03:56 | 1:03:58 | |
And the most important attribute was speed of service. | 1:03:58 | 1:04:01 | |
So we went to the agency, | 1:04:03 | 1:04:06 | |
and they showed a storyboard of a businessman with a briefcase | 1:04:06 | 1:04:10 | |
running through the airport. | 1:04:10 | 1:04:12 | |
Our marketing guy said, "Frank, it doesn't work. | 1:04:13 | 1:04:17 | |
"That's not realistic to think a businessman's going to do that. | 1:04:17 | 1:04:21 | |
"We need somebody that connotes speed." | 1:04:21 | 1:04:24 | |
And I said, "Like what?" | 1:04:24 | 1:04:25 | |
He says, "Like OJ Simpson." | 1:04:25 | 1:04:28 | |
Juice comes off the blocks, immediately goes into the lead. | 1:04:28 | 1:04:30 | |
Steve Smith running in second place. | 1:04:30 | 1:04:32 | |
But here comes Schenk up. He moves past Riessen. | 1:04:32 | 1:04:36 | |
OJ looks back, sees Smith running at his shoulder, | 1:04:36 | 1:04:38 | |
steps on it a little bit, and The Juice puts him away. | 1:04:38 | 1:04:42 | |
It was one of the clients who said, | 1:04:42 | 1:04:43 | |
"Did you see the ABC programme The Superstars? | 1:04:43 | 1:04:48 | |
"OJ just lit up the screen. | 1:04:48 | 1:04:50 | |
"His personality came out, and he just made everybody smile." | 1:04:50 | 1:04:54 | |
You gave him about a yard and then you took a look at him. | 1:04:54 | 1:04:56 | |
What's happening? | 1:04:56 | 1:04:57 | |
Well, I was out there cruising. I figure I'd coast it on in. | 1:04:57 | 1:05:00 | |
I saw Steve pull up on me, you know, | 1:05:00 | 1:05:01 | |
and my ego got a little ruffled there. | 1:05:01 | 1:05:03 | |
I said, "I'd better get out in front again." | 1:05:03 | 1:05:05 | |
I called him, and his first comment was, | 1:05:05 | 1:05:08 | |
"Hertz is the number one rent-a-car company. | 1:05:08 | 1:05:10 | |
"If I'm ever going to do anything in advertising in a big way, | 1:05:10 | 1:05:14 | |
"it's always going to be for the number one brand." | 1:05:14 | 1:05:17 | |
When you're in a rush, take it from OJ Simpson. | 1:05:17 | 1:05:19 | |
There's only one superstar in rent-a-car - Hertz. | 1:05:19 | 1:05:22 | |
The first ad was filmed in Newark Airport. | 1:05:22 | 1:05:25 | |
He was very professional, | 1:05:25 | 1:05:27 | |
he was anxious to make sure that he did things correctly, | 1:05:27 | 1:05:30 | |
that his diction was appropriate. | 1:05:30 | 1:05:32 | |
Others claim to be fast, but nobody has more to do it faster. | 1:05:32 | 1:05:36 | |
More pros to execute the toughest performance standards. | 1:05:36 | 1:05:39 | |
More cars, more locations, | 1:05:39 | 1:05:41 | |
first with every good idea to speed up service, | 1:05:41 | 1:05:43 | |
like the Number One Club. | 1:05:43 | 1:05:45 | |
Before you get there, your form's filled out, car's preassigned. | 1:05:45 | 1:05:49 | |
Go, OJ, go! | 1:05:49 | 1:05:51 | |
Rent a Ford fast from Hertz, the superstar in rent-a-car. | 1:05:51 | 1:05:56 | |
I thought it was perfect. | 1:05:56 | 1:05:58 | |
I mean, it just made sense. | 1:05:58 | 1:06:00 | |
You're trying to portray speed of service, | 1:06:00 | 1:06:04 | |
and you've got the fastest guy in America running through the airport | 1:06:04 | 1:06:08 | |
and a little old lady yelling, "Go, OJ!" | 1:06:08 | 1:06:11 | |
Go, OJ, go! | 1:06:11 | 1:06:12 | |
It was perfect. | 1:06:12 | 1:06:14 | |
It tested so well that they decided to use him for the print work, | 1:06:15 | 1:06:20 | |
promotional work, and they did the right thing. | 1:06:20 | 1:06:24 | |
He made that company successful. | 1:06:24 | 1:06:27 | |
He became the image for that company. | 1:06:27 | 1:06:30 | |
We started in September of '75. | 1:06:30 | 1:06:32 | |
By two years of the campaign running, OJ Simpson | 1:06:32 | 1:06:35 | |
was the star presenter of the year for Advertising Age. | 1:06:35 | 1:06:39 | |
There was never a story that was written about OJ | 1:06:39 | 1:06:42 | |
that didn't mention Hertz. | 1:06:42 | 1:06:44 | |
Coming or going on a business trip, you've got no time to waste. | 1:06:44 | 1:06:48 | |
I can see him right now flying through the airport. | 1:06:48 | 1:06:50 | |
Whether it's picking up or dropping off... | 1:06:50 | 1:06:52 | |
I was proud. It made me want that. | 1:06:52 | 1:06:55 | |
-ALL: -Go, OJ, go! | 1:06:55 | 1:06:58 | |
It gave me hope. | 1:06:58 | 1:07:00 | |
# There you are with super-speed. # | 1:07:00 | 1:07:03 | |
This is an important moment. | 1:07:03 | 1:07:05 | |
The young black kid seeing a black man running on television. | 1:07:05 | 1:07:08 | |
That's all he sees. He says, "He looks like my Uncle Reggie." | 1:07:08 | 1:07:11 | |
You know it. | 1:07:11 | 1:07:12 | |
That's something I could do. I want to be like OJ on television. | 1:07:12 | 1:07:16 | |
Hi. Ever need to rent a car fast? Watch. | 1:07:16 | 1:07:19 | |
You're in the limelight. We like seeing you. You look like us. | 1:07:19 | 1:07:23 | |
It's kind of like when I first saw black people | 1:07:23 | 1:07:24 | |
brushing their teeth on TV. | 1:07:24 | 1:07:26 | |
I mean, we always knew we brushed our teeth, | 1:07:26 | 1:07:28 | |
but it was, like, a big thing. Like, "Come see!" | 1:07:28 | 1:07:30 | |
That's what happened with OJ Simpson. | 1:07:30 | 1:07:33 | |
Those were heights that we had not reached before, so he was a pioneer. | 1:07:33 | 1:07:37 | |
You're a black man in America, you're fighting our war. | 1:07:39 | 1:07:43 | |
If you make a success for yourself somewhere, you've opened a door. | 1:07:43 | 1:07:48 | |
Fortunately, because of the riots of the early '60s, | 1:07:48 | 1:07:51 | |
some doors were opened to me. | 1:07:51 | 1:07:52 | |
If I were to have looked at myself in any other way except a man, | 1:07:52 | 1:07:55 | |
my brother could walk into a room | 1:07:55 | 1:07:57 | |
and know he's the only black guy in the room. | 1:07:57 | 1:07:59 | |
I walk in a room, and I don't care. | 1:07:59 | 1:08:00 | |
I don't count the blacks or whites in the room, | 1:08:00 | 1:08:02 | |
and in '68, when I signed to work for some white companies, you know, | 1:08:02 | 1:08:06 | |
Chevrolet Motor Division, I walked in the room, | 1:08:06 | 1:08:09 | |
and I never thought that I was the first black guy to do it. | 1:08:09 | 1:08:11 | |
I never even gave that any credence. | 1:08:11 | 1:08:14 | |
For us, OJ was colorless. | 1:08:14 | 1:08:17 | |
None of the people that we associated with | 1:08:17 | 1:08:19 | |
looked at him as a black man. | 1:08:19 | 1:08:21 | |
OJ portrayed success. | 1:08:24 | 1:08:27 | |
Success, I mean, from nowhere. | 1:08:29 | 1:08:31 | |
And I think people want to be successful. | 1:08:31 | 1:08:34 | |
OJ was the first to demonstrate that white folks | 1:08:36 | 1:08:39 | |
would buy stuff based on a black endorsement | 1:08:39 | 1:08:44 | |
as long as it was not pressed as a black endorsement. | 1:08:44 | 1:08:49 | |
And the way they did that was to remove black people totally | 1:08:50 | 1:08:54 | |
from any scene that OJ was in. | 1:08:54 | 1:08:58 | |
It was Fred Levinson who said, | 1:09:00 | 1:09:02 | |
"Guys, we're going to be showing a black man | 1:09:02 | 1:09:06 | |
"running through an airport in 1975." | 1:09:06 | 1:09:09 | |
I said, "When you see the commercial with a black guy | 1:09:09 | 1:09:12 | |
"running through an airport, a little different | 1:09:12 | 1:09:14 | |
"than seeing a white guy running through an airport." | 1:09:14 | 1:09:16 | |
So we came up with the idea of putting in various characters | 1:09:16 | 1:09:20 | |
who would see OJ and endorse him by saying, "Go, OJ, go!" | 1:09:20 | 1:09:25 | |
Go, OJ, go! | 1:09:25 | 1:09:27 | |
-ALL: -Go, OJ, go! | 1:09:27 | 1:09:29 | |
Go, Juice, go! | 1:09:29 | 1:09:31 | |
Rent a Ford from Hertz. | 1:09:31 | 1:09:33 | |
-The superstar in rent-a-car. -Right. | 1:09:33 | 1:09:35 | |
They bought the notion | 1:09:36 | 1:09:39 | |
that you could erase the black character, the culture. | 1:09:39 | 1:09:43 | |
This is what made OJ marketable. | 1:09:43 | 1:09:45 | |
He's African, but he's a good-looking man. | 1:09:47 | 1:09:50 | |
You know, he almost has white features. | 1:09:50 | 1:09:53 | |
He wasn't the typical black look, African look. | 1:09:53 | 1:09:56 | |
What white America got out of it | 1:09:57 | 1:09:59 | |
was they could point to somebody that had "made it"... | 1:09:59 | 1:10:05 | |
..and demonstrated unequivocally that we are more than willing | 1:10:07 | 1:10:11 | |
to not just accept you, but to embrace you. | 1:10:11 | 1:10:14 | |
What OJ got out of it was money, fame, celebrity. | 1:10:16 | 1:10:22 | |
# Hey, hey, hey! | 1:10:23 | 1:10:26 | |
# What you got to say? # | 1:10:27 | 1:10:29 | |
I always say of it, he was the guy of the '70s. | 1:10:29 | 1:10:33 | |
I look back at those days, | 1:10:33 | 1:10:35 | |
there was Muhammad Ali, Hank Aaron and OJ Simpson. | 1:10:35 | 1:10:38 | |
And OJ was the most popular of all of them. | 1:10:38 | 1:10:40 | |
# Hollywood... # | 1:10:40 | 1:10:42 | |
I didn't see them running through airports. | 1:10:42 | 1:10:44 | |
# Hollywood swinger... # | 1:10:44 | 1:10:46 | |
When you're a star running back, | 1:10:46 | 1:10:48 | |
-you have to maintain a certain image. -Aw. | 1:10:48 | 1:10:50 | |
I'mma tell ya, I dug OJ. | 1:10:50 | 1:10:52 | |
I got a chance to see how he lived, how he handled stuff. | 1:10:52 | 1:10:58 | |
I'd never been that close to that type of success before. | 1:10:58 | 1:11:01 | |
# Hey, listen, Hollywood city, yeah... # | 1:11:01 | 1:11:06 | |
They'd have 3,000 or 4,000 fans standing around the bus | 1:11:06 | 1:11:09 | |
just to get a look at him. | 1:11:09 | 1:11:11 | |
He would stay on the field and sign every autograph. | 1:11:11 | 1:11:14 | |
I've seen OJ sign autographs for hours. | 1:11:15 | 1:11:20 | |
I was like, "How in the world do you put up with this?" | 1:11:20 | 1:11:23 | |
He said, "Man, I wanted this." | 1:11:23 | 1:11:27 | |
OJ, tonight we're going to change your image. | 1:11:27 | 1:11:30 | |
Flip, you won't be the first who tried. | 1:11:30 | 1:11:33 | |
# Hollywood | 1:11:33 | 1:11:36 | |
# Hollywood swinging... # | 1:11:36 | 1:11:37 | |
When I first met OJ, he was a huge star. | 1:11:37 | 1:11:40 | |
I'll shave one side with the leading double-edged blade. | 1:11:40 | 1:11:43 | |
I was friends with his wife Marguerite's sister. | 1:11:43 | 1:11:47 | |
I can't tell. Both sides feel the same. | 1:11:47 | 1:11:50 | |
They lived up in the hills, in Bel Air. | 1:11:50 | 1:11:54 | |
Marguerite felt like she was a single mother | 1:11:55 | 1:11:59 | |
while OJ was out being OJ. | 1:11:59 | 1:12:01 | |
Tonight, OJ, we're going to be sophisticated. | 1:12:06 | 1:12:09 | |
Sophisticated? | 1:12:09 | 1:12:10 | |
-We going to have a ball, Orenthal. -I can dig it. -Right on, OJ! | 1:12:10 | 1:12:14 | |
# Hollywood... # | 1:12:15 | 1:12:17 | |
The scene is this, here is three poor black kids, | 1:12:17 | 1:12:23 | |
never had 1,000 in our pockets. | 1:12:23 | 1:12:27 | |
Now he got a brand-new drop-top Cadillac, | 1:12:27 | 1:12:31 | |
we're driving down Rodeo Drive. | 1:12:31 | 1:12:34 | |
Women come up, throw their arms around OJ and just lay it on him. | 1:12:34 | 1:12:41 | |
Not just women, white women. Fine white women. | 1:12:41 | 1:12:45 | |
# What you got to say? # | 1:12:45 | 1:12:47 | |
It was that kind of world, man. | 1:12:47 | 1:12:50 | |
# Hollywood | 1:12:50 | 1:12:53 | |
# Hollywood swinging... # | 1:12:53 | 1:12:56 | |
Do you feel, like, any kind of pressure in some ways to...? | 1:12:56 | 1:12:59 | |
You know, people expect that you're going to be a hero | 1:12:59 | 1:13:02 | |
so you always have to... | 1:13:02 | 1:13:03 | |
Well, I've found that... I thought that maybe my problem would be | 1:13:03 | 1:13:06 | |
that I would have to tear that down. | 1:13:06 | 1:13:08 | |
You know, I would have to, er... You know, | 1:13:08 | 1:13:10 | |
I found that I was becoming a trapped... You know, | 1:13:10 | 1:13:13 | |
getting trapped within the image other people have of me. | 1:13:13 | 1:13:15 | |
You know, my image was dictating what I did and who I was. | 1:13:15 | 1:13:19 | |
I even had a manager at one point, | 1:13:19 | 1:13:20 | |
I was going to do something and he said, | 1:13:20 | 1:13:22 | |
"You can't do that. OJ would never do that." | 1:13:22 | 1:13:24 | |
I said, "Hey, wait. Wait a minute. I'm OJ Simpson, you know?" | 1:13:24 | 1:13:27 | |
HE LAUGHS "And I'mma do it." | 1:13:27 | 1:13:29 | |
Yeah, cos I would think that someone | 1:13:29 | 1:13:30 | |
would like you to be a spokesman. You know, to get out there. | 1:13:30 | 1:13:33 | |
-All the time. -Yeah? | 1:13:33 | 1:13:34 | |
I've had a lot of pressure on me to go into politics. | 1:13:34 | 1:13:37 | |
I was pulled into it once or twice in the black movement, | 1:13:37 | 1:13:41 | |
when I was in school. | 1:13:41 | 1:13:42 | |
I think they tried to use us, and in many cases, it hurt guys. | 1:13:42 | 1:13:46 | |
I felt that with Harry Edwards. | 1:13:46 | 1:13:48 | |
It hurt Tommie Smith, it hurt John Carlos. | 1:13:48 | 1:13:50 | |
Standing on his platform, | 1:13:50 | 1:13:51 | |
I thought they should've been standing on their own platform. | 1:13:51 | 1:13:54 | |
I say if I'm going to be standing on the platform, | 1:13:54 | 1:13:56 | |
I'm going to be speaking for OJ. HE LAUGHS | 1:13:56 | 1:13:58 | |
When did you first meet Mr Simpson? | 1:14:01 | 1:14:03 | |
1970. | 1:14:03 | 1:14:05 | |
OK, and under what circumstances? | 1:14:05 | 1:14:08 | |
I met him, er, on a tennis court. | 1:14:08 | 1:14:12 | |
Would you be able to describe Mr Simpson's | 1:14:12 | 1:14:15 | |
basic personality as you knew it? | 1:14:15 | 1:14:17 | |
Very personable, very outgoing. | 1:14:17 | 1:14:21 | |
We did business together, and then we would, er, socialise together. | 1:14:21 | 1:14:26 | |
We were at Bob Kardashian's mansion in Beverly Hills. | 1:14:30 | 1:14:35 | |
OJ is playing tennis, and everybody's having a good time. | 1:14:35 | 1:14:39 | |
-I'm with black power, man. -HE LAUGHS | 1:14:39 | 1:14:42 | |
I don't want to be around these people, all right? | 1:14:42 | 1:14:45 | |
Cos they're all phony to me. | 1:14:45 | 1:14:47 | |
I said, "OJ, look around you, man. | 1:14:47 | 1:14:50 | |
"These people don't care nothing about us. | 1:14:50 | 1:14:53 | |
"Just a few years ago, these guys woulda drove down Fillmore | 1:14:53 | 1:14:58 | |
"in their Rolls-Royce and they wouldn't have even spit on us." | 1:14:58 | 1:15:04 | |
I said, "Now they're acting like we're their long-lost brothers." | 1:15:04 | 1:15:09 | |
I said, "Man, the only reason we're here is we are jocks, | 1:15:09 | 1:15:12 | |
"and you're OJ." | 1:15:12 | 1:15:15 | |
And he looked at me, he says, "Mm-hm, yeah." | 1:15:15 | 1:15:20 | |
He says, "I understand what you're saying," | 1:15:20 | 1:15:23 | |
and he rubbed his tennis racket. | 1:15:23 | 1:15:25 | |
He says, "But I am OJ," | 1:15:25 | 1:15:28 | |
and ran off on the field, laughing. | 1:15:28 | 1:15:32 | |
And I was, like... I mean, I was furious. | 1:15:32 | 1:15:36 | |
Because I say, "He's lost. He's lost his identity. | 1:15:36 | 1:15:40 | |
"He doesn't know who he is any longer." | 1:15:40 | 1:15:42 | |
I think he'd been brainwashed. | 1:15:45 | 1:15:47 | |
Let me read you something that he said to me. | 1:15:49 | 1:15:51 | |
"That sort of thing hurts me | 1:15:52 | 1:15:54 | |
"even though it's what I strive for, to be a man first. | 1:15:54 | 1:15:59 | |
"Maybe it's money, a class thing. | 1:15:59 | 1:16:01 | |
"The negro is always identified with poverty. | 1:16:01 | 1:16:04 | |
"But then you think of Willie Mays as black, | 1:16:04 | 1:16:08 | |
"but not Bill Cosby. | 1:16:08 | 1:16:10 | |
"So it's more than just money. | 1:16:10 | 1:16:13 | |
"As black men, we need something up there all the time for us, | 1:16:13 | 1:16:15 | |
"but what I'm doing is not for principles or black people. | 1:16:15 | 1:16:20 | |
"No. I'm dealing first for OJ Simpson, | 1:16:20 | 1:16:25 | |
"his wife and his babies." | 1:16:25 | 1:16:28 | |
OJ's quest was to erase race as a defining factor in his life, | 1:16:29 | 1:16:36 | |
and that was the basis upon which white society | 1:16:36 | 1:16:41 | |
not only accepted him, but embraced him. | 1:16:41 | 1:16:45 | |
Now, there are problems with that, | 1:16:47 | 1:16:51 | |
because what enabled OJ to be OJ and not be black | 1:16:51 | 1:16:56 | |
was that so many negroes and black people stood up, | 1:16:56 | 1:17:01 | |
made the sacrifice, paid the price. | 1:17:01 | 1:17:04 | |
They're the ones that set the table for OJ and what he was saying was, | 1:17:05 | 1:17:10 | |
-"OK. We may not have arrived, but -I -have arrived, | 1:17:10 | 1:17:13 | |
"and, as far as I'm concerned, | 1:17:13 | 1:17:15 | |
"everybody else can get here the same way that I did, | 1:17:15 | 1:17:18 | |
"and when they get here, they can do what I do." | 1:17:18 | 1:17:21 | |
He was so privileged, he was so accepted, | 1:17:21 | 1:17:24 | |
he was so embraced that he was immune from the reality | 1:17:24 | 1:17:29 | |
that he could find in the mirror every morning, | 1:17:29 | 1:17:32 | |
that he was a black man. | 1:17:32 | 1:17:34 | |
No matter how far he runs and how long he runs, | 1:17:35 | 1:17:41 | |
when you look in the mirror, | 1:17:41 | 1:17:42 | |
that black man is going to be right there with you. Every day. | 1:17:42 | 1:17:46 | |
We were just sitting around the house once and, er, he says, | 1:17:51 | 1:17:54 | |
"Joe, do you think you could go back?" | 1:17:54 | 1:17:58 | |
And I was like, "Go back where?" | 1:17:58 | 1:18:00 | |
He said, "You know, go back to the projects, hanging out?" | 1:18:00 | 1:18:03 | |
I said, "Yeah, man." I said, "I could go back tomorrow." | 1:18:03 | 1:18:07 | |
-Potrero Hill. -HE LAUGHS | 1:18:17 | 1:18:20 | |
Hasn't changed a bit. | 1:18:20 | 1:18:23 | |
We didn't have Dr King and these other bougie folks as role models. | 1:18:28 | 1:18:33 | |
Our role models was pimps and players. | 1:18:33 | 1:18:36 | |
Those are the only people that we looked up to, | 1:18:37 | 1:18:40 | |
because they had, quote, "things". | 1:18:40 | 1:18:42 | |
Man, they'd beat a ho down right there on the street, | 1:18:44 | 1:18:47 | |
in front of everybody, so that all the women would know it, | 1:18:47 | 1:18:51 | |
"This is the kind of treatment you're going to get | 1:18:51 | 1:18:53 | |
"if you don't bring me my money." | 1:18:53 | 1:18:55 | |
Your perceptions are shaped by the men that are in your lives. | 1:18:57 | 1:19:03 | |
Mama was Mama. We knew she loved us, but the reality is | 1:19:03 | 1:19:07 | |
I didn't want to be like Mama. Mama's a woman. I want to be a man. | 1:19:07 | 1:19:12 | |
He had to deal with his father from time to time. | 1:19:14 | 1:19:17 | |
Sometimes, I guess his father came by | 1:19:17 | 1:19:19 | |
to take care of the monthly payment or whatever. | 1:19:19 | 1:19:22 | |
One day, we went over to his dad's house. | 1:19:25 | 1:19:29 | |
We knocked on the door. | 1:19:29 | 1:19:31 | |
He kept looking at me, and when his dad opened the door, | 1:19:31 | 1:19:35 | |
he was in a bathrobe, which is not a crime, | 1:19:35 | 1:19:39 | |
but then his dad kind of opened the door more, | 1:19:39 | 1:19:43 | |
and there was a guy in the back in a bathrobe too, | 1:19:43 | 1:19:46 | |
so it was obvious that his dad was gay. | 1:19:46 | 1:19:49 | |
We left and on the way back, we were quiet | 1:19:51 | 1:19:54 | |
because there was so much tension. | 1:19:54 | 1:19:57 | |
We got to this certain point, | 1:19:57 | 1:20:00 | |
and we both bust out laughing. | 1:20:00 | 1:20:02 | |
Calvin came to me, and he was like, | 1:20:02 | 1:20:05 | |
"Man, do you know OJ's dad is a punk?" | 1:20:05 | 1:20:11 | |
I was like, "Man, shut up. I don't want to hear that." | 1:20:11 | 1:20:16 | |
Back in our day, that was the worst thing in the world, | 1:20:18 | 1:20:20 | |
that you could ever think about an African-American man | 1:20:20 | 1:20:24 | |
being a homosexual. | 1:20:24 | 1:20:26 | |
-INTERVIEWER: -Did you ever talk to OJ about this? | 1:20:26 | 1:20:28 | |
-No. -Never? -Mm-mm. | 1:20:28 | 1:20:30 | |
I felt like that issue was enough for him to deal with himself. | 1:20:32 | 1:20:38 | |
Think of OJ as an American man, | 1:20:42 | 1:20:46 | |
a poor American man, tough American man, | 1:20:46 | 1:20:50 | |
who's recreating himself in ways that people would accept and push. | 1:20:50 | 1:20:57 | |
OJ Simpson may be playing | 1:21:03 | 1:21:04 | |
the last game of his brilliant football career tomorrow, | 1:21:04 | 1:21:07 | |
when the Buffalo Bills meet the Minnesota Vikings. | 1:21:07 | 1:21:09 | |
All year, OJ has hinted he may hang up his cleats | 1:21:09 | 1:21:12 | |
for a movie career. | 1:21:12 | 1:21:13 | |
CHEERING | 1:21:13 | 1:21:16 | |
He could not wait to get out of Buffalo. | 1:21:16 | 1:21:19 | |
He was away from the glamour. | 1:21:19 | 1:21:21 | |
He was away from all the Hollywood and all that stuff. | 1:21:21 | 1:21:25 | |
He got attention here, but it was a different kind of attention. | 1:21:25 | 1:21:28 | |
It was not Hollywood attention. | 1:21:30 | 1:21:31 | |
Lou Saban said today that he's detected a change in The Juice. | 1:21:34 | 1:21:38 | |
He hasn't diminished one whit as a competitor, | 1:21:38 | 1:21:41 | |
but he's an intelligent man, | 1:21:41 | 1:21:43 | |
and he's thinking about the whole of his future life. | 1:21:43 | 1:21:46 | |
There are certain opportunities outside of football | 1:21:46 | 1:21:48 | |
that I can't, er... I just can't overlook too many more years. | 1:21:48 | 1:21:53 | |
You know, I came into the league, I thought the world was mine. | 1:21:53 | 1:21:55 | |
I had a few bad years, and I realised then that | 1:21:55 | 1:21:58 | |
"Hey, you know, when you're hot, you're hot," | 1:21:58 | 1:22:00 | |
so there's opportunities that have come to me with ABC, | 1:22:00 | 1:22:02 | |
with the movies that I would like to, er, take advantage of | 1:22:02 | 1:22:05 | |
and, er, the only thing I want to do right now is play... | 1:22:05 | 1:22:08 | |
Get the best possible year I can so, if I do retire, | 1:22:08 | 1:22:10 | |
I will feel that I gave it my all and I, | 1:22:10 | 1:22:13 | |
you know, went out the best. | 1:22:13 | 1:22:14 | |
That's your own meretricious way of saying you want my job. | 1:22:14 | 1:22:18 | |
Well, you gotta explain "meretricious" to me, Howard. | 1:22:18 | 1:22:21 | |
THEY LAUGH | 1:22:21 | 1:22:23 | |
I always felt that there was more | 1:22:23 | 1:22:26 | |
underneath OJ Simpson | 1:22:26 | 1:22:27 | |
than just the momentary superficiality of his pleasantness. | 1:22:27 | 1:22:32 | |
He had goals that he wanted to achieve, | 1:22:34 | 1:22:37 | |
and he internalised those things. | 1:22:37 | 1:22:39 | |
There was something driving him, | 1:22:40 | 1:22:43 | |
and I always felt that he was looking past a football career, | 1:22:43 | 1:22:47 | |
which was going to definitely come to an end. | 1:22:47 | 1:22:49 | |
We are T-minus 18 seconds from lift-off. | 1:22:52 | 1:22:55 | |
We're T-minus 15 seconds. | 1:22:55 | 1:22:58 | |
Would you and your men please follow me? | 1:22:58 | 1:22:59 | |
Gary, what the hell is this? | 1:22:59 | 1:23:01 | |
This is an emergency. Please follow me - NOW! | 1:23:01 | 1:23:03 | |
One of the most intriguing films now being put together in Hollywood | 1:23:03 | 1:23:06 | |
is Capricorn One. | 1:23:06 | 1:23:08 | |
James Brolin plays the first astronaut to set foot on Mars, | 1:23:08 | 1:23:11 | |
but the picture's scene-stealer will probably be OJ Simpson. | 1:23:11 | 1:23:15 | |
It basically came from the studio that they wanted OJ Simpson. | 1:23:15 | 1:23:20 | |
I thought there were worthy African-American actors | 1:23:20 | 1:23:24 | |
who had paid their dues as actors, who had shown their talent. | 1:23:24 | 1:23:29 | |
My first choice was either Robert Hooks or Bernie Casey, | 1:23:29 | 1:23:32 | |
so my reaction was less than enthusiastic. | 1:23:32 | 1:23:37 | |
I had seen Towering Inferno. | 1:23:40 | 1:23:42 | |
What? Damn it, man, you shoulda sent a man up there. | 1:23:42 | 1:23:45 | |
How do you expect her to hear a phone call? She's deaf. | 1:23:45 | 1:23:48 | |
I thought he was not going to frighten Daniel Day-Lewis. | 1:23:48 | 1:23:51 | |
OJ was a celebrity of enormous stature, | 1:23:52 | 1:23:56 | |
and somebody who had not shown the chops to play the part. | 1:23:56 | 1:24:00 | |
How uptight do you get making a picture like Capricorn One | 1:24:00 | 1:24:03 | |
where you're working in the company of actors of real stature and... | 1:24:03 | 1:24:06 | |
and you're just a football star trying to be an actor? | 1:24:06 | 1:24:09 | |
No, I don't think, er, it's given me that feeling. | 1:24:09 | 1:24:12 | |
It's obviously given me the feeling that, | 1:24:12 | 1:24:13 | |
"Hey, I've still got a lot to learn." | 1:24:13 | 1:24:15 | |
I think you never stop learning in anything, | 1:24:15 | 1:24:17 | |
and I realise I'm still just a babe, you know, in the woods. | 1:24:17 | 1:24:22 | |
My goal was to see if I could make this guy work for what I wanted. | 1:24:22 | 1:24:27 | |
Came time to do his last scene. | 1:24:28 | 1:24:31 | |
Water. | 1:24:31 | 1:24:32 | |
Tiny says signs for water. | 1:24:34 | 1:24:38 | |
He's a guy who's parched and delusional. | 1:24:38 | 1:24:42 | |
Dry river bed. Signs. | 1:24:42 | 1:24:45 | |
And so rather than him acting somebody | 1:24:45 | 1:24:48 | |
who was desperately thirsty... | 1:24:48 | 1:24:50 | |
More signs. | 1:24:50 | 1:24:52 | |
..I put appliances on his face that made it difficult for him to move | 1:24:52 | 1:24:56 | |
and difficult to talk, and it just made him sound | 1:24:56 | 1:25:00 | |
like he was in desperate trouble. | 1:25:00 | 1:25:03 | |
HE SNIFFS Elizabeth, there's no water. | 1:25:03 | 1:25:06 | |
HE SOBS There's no water. | 1:25:06 | 1:25:08 | |
I don't want to die. | 1:25:10 | 1:25:11 | |
HE COUGHS | 1:25:11 | 1:25:13 | |
And, er, he was pretty good. | 1:25:15 | 1:25:17 | |
Elizabeth... | 1:25:17 | 1:25:19 | |
You know, at the...at the... What can I say? | 1:25:19 | 1:25:22 | |
He was a charming, terrific guy. | 1:25:22 | 1:25:24 | |
He was a positive guy. He tried very hard, | 1:25:24 | 1:25:28 | |
and it was clear that he saw a future for himself in film. | 1:25:28 | 1:25:32 | |
The Daisy was a private club in Beverly Hills, | 1:25:51 | 1:25:53 | |
and the only people that could get in it | 1:25:53 | 1:25:56 | |
were either rich, famous or beautiful. | 1:25:56 | 1:25:59 | |
All the celebrities used to go there, and really beautiful girls. | 1:25:59 | 1:26:04 | |
And you could get in even if you were underage, no problem. | 1:26:04 | 1:26:07 | |
Jack Hanson started the disco, and he knew every Hollywood star. | 1:26:10 | 1:26:14 | |
Jack was a former USC guy. | 1:26:14 | 1:26:17 | |
One day he said, "You chum around a bit with this Simpson guy. | 1:26:17 | 1:26:20 | |
"Could you bring him by, you know, and introduce him to me?" | 1:26:20 | 1:26:23 | |
He was married to Marguerite at that time. | 1:26:23 | 1:26:25 | |
But as we're sitting there, this gorgeous little surfer blonde | 1:26:25 | 1:26:30 | |
is waiting tables at lunch hour. | 1:26:30 | 1:26:32 | |
OJ goes, "Wow, who's that?" | 1:26:32 | 1:26:35 | |
Jack had Nicole come over and said hello. | 1:26:35 | 1:26:39 | |
And she didn't walk ten feet away, | 1:26:39 | 1:26:41 | |
and he looks right at Hanson and said, | 1:26:41 | 1:26:43 | |
"I'm going to marry that girl." | 1:26:43 | 1:26:45 | |
She was 18 years old, she had just graduated from high school. | 1:26:50 | 1:26:55 | |
She was just like my little sister. | 1:26:55 | 1:26:57 | |
She goes, "I met this man, and his name is OJ Simpson." | 1:26:57 | 1:27:02 | |
They went out, and I waited up for them. | 1:27:02 | 1:27:06 | |
She got home, it was, like, two o'clock in the morning | 1:27:08 | 1:27:11 | |
and her jeans were ripped. | 1:27:11 | 1:27:14 | |
And I went, "What...? What happened?" | 1:27:14 | 1:27:17 | |
And she goes, "Well, he was a little forceful." | 1:27:17 | 1:27:20 | |
And I go, "Nicole, why would you let him, | 1:27:20 | 1:27:23 | |
"first date, be a little bit forceful?" | 1:27:23 | 1:27:26 | |
"Well, Dave, don't be upset. I think I really like this guy." | 1:27:26 | 1:27:30 | |
That was, you know, the start of it. | 1:27:30 | 1:27:32 | |
About two days later, she went back to work. | 1:27:34 | 1:27:37 | |
She said, "OJ came in. | 1:27:37 | 1:27:39 | |
"He wants to get an apartment for me and also a car." | 1:27:39 | 1:27:43 | |
And I went, "Nicole, think about this. | 1:27:43 | 1:27:47 | |
"You know, he's married and has children." | 1:27:47 | 1:27:50 | |
And she goes, "But I think I really like this guy." | 1:27:50 | 1:27:53 | |
It was that fast. | 1:27:53 | 1:27:55 | |
18 years old. I mean, it was too young. | 1:27:57 | 1:28:00 | |
She was quiet, nice, didn't say too much. | 1:28:03 | 1:28:07 | |
She wasn't like she was distant or anything. She was just a shy person. | 1:28:07 | 1:28:10 | |
And Nicole was a doer. | 1:28:10 | 1:28:12 | |
Whatever Nicole put her mind to, she could do. | 1:28:12 | 1:28:14 | |
She actually wanted to be a photographer, | 1:28:16 | 1:28:18 | |
and she was always an artist. | 1:28:18 | 1:28:20 | |
Honestly, the connection's pretty obvious. | 1:28:21 | 1:28:23 | |
I mean, she's drop-dead gorgeous. | 1:28:23 | 1:28:27 | |
She was hot. My sister was really a beautiful girl. | 1:28:28 | 1:28:33 | |
We didn't know who he was. | 1:28:34 | 1:28:36 | |
We were girls in the Brown house. | 1:28:36 | 1:28:37 | |
We didn't grow up with football - we went to the beach. | 1:28:37 | 1:28:41 | |
So when Nicole came home with him, we were like, "Who are you?" | 1:28:41 | 1:28:45 | |
They had a real love affair, these two. | 1:28:47 | 1:28:51 | |
When they were together, it was just... It was love. | 1:28:51 | 1:28:53 | |
And that's what makes this thing so sad. | 1:28:56 | 1:28:59 |