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-CROWD MURMUR -All right, let's see what OJ can do. | 0:00:02 | 0:00:05 | |
He's got it up, and he holds it good enough | 0:00:11 | 0:00:13 | |
to get a call from the referee. | 0:00:13 | 0:00:15 | |
OJ Simpson stands up | 0:00:19 | 0:00:21 | |
and that one is hit hard to left. | 0:00:21 | 0:00:23 | |
High enough, wind helps, and it's gone. | 0:00:23 | 0:00:25 | |
Watch this. | 0:00:28 | 0:00:29 | |
Tell me how many right-handers you've ever seen do this, | 0:00:29 | 0:00:31 | |
pick off the five-ten. | 0:00:31 | 0:00:33 | |
CHEERING | 0:00:33 | 0:00:36 | |
The Juice is moving it out. | 0:00:40 | 0:00:41 | |
He's got a good run going. Heading for the hurdle. | 0:00:41 | 0:00:43 | |
This is going to be a good time for OJ Simpson. | 0:00:43 | 0:00:45 | |
This programme contains very strong language and scenes which some viewers may find upsetting | 0:00:55 | 0:01:03 | |
Ladies and gentlemen, thank you for your patience. | 0:01:20 | 0:01:23 | |
I have just a few final instructions that I need to give | 0:01:23 | 0:01:26 | |
to you before you start your deliberations on this matter. | 0:01:26 | 0:01:29 | |
You are reminded that you must not be influenced | 0:01:29 | 0:01:32 | |
by mere sentiment, sympathy, | 0:01:32 | 0:01:35 | |
passion, prejudice, | 0:01:35 | 0:01:36 | |
public opinion or public feeling. | 0:01:36 | 0:01:39 | |
Both the prosecution and the defendant have a right | 0:01:39 | 0:01:42 | |
to expect that you will conscientiously consider and weigh | 0:01:42 | 0:01:46 | |
all the evidence, | 0:01:46 | 0:01:47 | |
apply the law as I have instructed you | 0:01:47 | 0:01:49 | |
and reach a just verdict regardless of the consequences. | 0:01:49 | 0:01:53 | |
There's a rough rule of thumb | 0:01:55 | 0:01:58 | |
for jury deliberations. | 0:01:58 | 0:02:00 | |
One day of deliberation for each week of trial. | 0:02:00 | 0:02:05 | |
So, we all settle in and we think, "OK, | 0:02:05 | 0:02:08 | |
"we're going to be here a while." | 0:02:08 | 0:02:10 | |
All the lawyers on the case were going to do something | 0:02:14 | 0:02:17 | |
that first day that the jury was out, | 0:02:17 | 0:02:20 | |
because everyone knew we had at least one day. | 0:02:20 | 0:02:24 | |
It was Johnnie's birthday. | 0:02:28 | 0:02:30 | |
He and his wife had taken a one-day excursion | 0:02:30 | 0:02:34 | |
up to the wine country... | 0:02:34 | 0:02:36 | |
..and I called Johnnie from the courtroom. | 0:02:39 | 0:02:44 | |
I said, "Jay, Jay, we got a verdict." | 0:02:44 | 0:02:47 | |
He said, "What?!" | 0:02:47 | 0:02:48 | |
"We got a verdict, man." | 0:02:48 | 0:02:50 | |
We reached the verdict. | 0:02:51 | 0:02:53 | |
We were happy about that. | 0:02:53 | 0:02:55 | |
After more than eight months of testimony, | 0:02:55 | 0:02:57 | |
more than 100 witnesses and more than 45,000 pages | 0:02:57 | 0:03:00 | |
of court transcripts, the jurors, | 0:03:00 | 0:03:02 | |
who'd been advised not to talk about the case | 0:03:02 | 0:03:05 | |
since it began, came to their decision | 0:03:05 | 0:03:07 | |
over the course of a morning's work. | 0:03:07 | 0:03:09 | |
We had to go home. | 0:03:10 | 0:03:12 | |
That's all I got to say. | 0:03:14 | 0:03:16 | |
We'd been gone a year and we had to come home. | 0:03:16 | 0:03:19 | |
Being held up for nine months, | 0:03:20 | 0:03:22 | |
I wouldn't want that, | 0:03:22 | 0:03:23 | |
but why don't we talk about a couple of things | 0:03:23 | 0:03:26 | |
that may be on our mind? | 0:03:26 | 0:03:28 | |
They did not deliberate. | 0:03:28 | 0:03:29 | |
I truly was offended. | 0:03:31 | 0:03:34 | |
267 days. | 0:03:34 | 0:03:36 | |
-That's how long the trial lasted. -Mm-hm. | 0:03:36 | 0:03:38 | |
-1,105 pieces of evidence. -Mm-hm. | 0:03:38 | 0:03:40 | |
45,000 pages of trial transcript from 133 witnesses. | 0:03:40 | 0:03:45 | |
How the hell did you deliberate for three and a half hours? | 0:03:45 | 0:03:48 | |
How many days was it again? | 0:03:48 | 0:03:49 | |
267 days. | 0:03:49 | 0:03:51 | |
266 nights. | 0:03:51 | 0:03:54 | |
266 nights I went back to that room, alone. | 0:03:58 | 0:04:02 | |
Wasn't able to talk to other jurors. | 0:04:03 | 0:04:04 | |
Wasn't able to talk to family. | 0:04:04 | 0:04:06 | |
Nobody but me and my thoughts. | 0:04:07 | 0:04:10 | |
I waited till the end to come up with a decision, | 0:04:12 | 0:04:15 | |
but each night that I went home | 0:04:15 | 0:04:17 | |
after listening to testimony, | 0:04:17 | 0:04:18 | |
I stored that. | 0:04:18 | 0:04:21 | |
By the end of that trial, I knew where I was, | 0:04:21 | 0:04:24 | |
and it was clear. | 0:04:24 | 0:04:25 | |
OJ was extremely emotional. | 0:04:30 | 0:04:32 | |
Puts his hand on the glass like you see on TV, | 0:04:34 | 0:04:37 | |
and he said, "Look, guys, | 0:04:37 | 0:04:39 | |
"if it's guilty, | 0:04:39 | 0:04:40 | |
"I never want to see you guys again. | 0:04:40 | 0:04:43 | |
"Don't come see me in prison, | 0:04:44 | 0:04:47 | |
"because your lives are going to be changing, | 0:04:47 | 0:04:49 | |
"and what am I going to say? | 0:04:49 | 0:04:51 | |
"My life is the same as it was yesterday. | 0:04:51 | 0:04:52 | |
"Same as it's going to be tomorrow. | 0:04:52 | 0:04:55 | |
"Nothing will ever change. | 0:04:55 | 0:04:57 | |
"So, I don't want to see you guys again, ever." | 0:04:57 | 0:04:59 | |
We got there around 3:30 in the morning. | 0:05:15 | 0:05:18 | |
By six o'clock, it was just very crowded. | 0:05:18 | 0:05:21 | |
People everywhere, | 0:05:21 | 0:05:23 | |
policemen everywhere. | 0:05:23 | 0:05:25 | |
We were underneath the criminal courts building, | 0:05:28 | 0:05:31 | |
in case there was trouble. | 0:05:31 | 0:05:33 | |
They brought in police on horseback... | 0:05:36 | 0:05:38 | |
..as if they were preparing for a riot. | 0:05:40 | 0:05:42 | |
Why don't you get the fuck out of here, you fucking asshole? | 0:05:51 | 0:05:55 | |
'I had reporters coming to my front door, | 0:05:55 | 0:05:57 | |
'and I had really had it.' | 0:05:57 | 0:05:58 | |
-Can I fucking hit him? -No. | 0:05:58 | 0:06:00 | |
I think part of me knew which way that verdict was going. | 0:06:02 | 0:06:04 | |
For a trial that seemed to go on forever, the fact | 0:06:06 | 0:06:09 | |
that it will end has produced a national surge of adrenaline. | 0:06:09 | 0:06:13 | |
Did you have a rather sleepless night last night, Mr Garcetti? | 0:06:13 | 0:06:16 | |
Sleepless night? I had my usual four hours' sleep. | 0:06:16 | 0:06:18 | |
NEWS BROADCASTS IN VARIOUS LANGUAGES | 0:06:20 | 0:06:24 | |
I have to fully admit, I thought he was guilty. | 0:06:26 | 0:06:29 | |
I thought it was obvious he was guilty. | 0:06:29 | 0:06:31 | |
So I thought the jury...agreed with me. | 0:06:31 | 0:06:34 | |
And the record should reflect | 0:06:37 | 0:06:38 | |
that we have now been rejoined by all the members | 0:06:38 | 0:06:40 | |
of our jury panel and our alternates. | 0:06:40 | 0:06:43 | |
All right, Mrs Robertson, do you have the envelope | 0:06:46 | 0:06:49 | |
with the sealed verdict, please? | 0:06:49 | 0:06:51 | |
-Yes, Your Honour. -All right, would you give those to Deputy Trower? | 0:06:51 | 0:06:53 | |
The judge had admonished us not to say a word, | 0:07:00 | 0:07:04 | |
not to make a sound, | 0:07:04 | 0:07:06 | |
not to move, not to do anything | 0:07:06 | 0:07:09 | |
but sit there and listen to the verdict. | 0:07:09 | 0:07:12 | |
All right, Mr Simpson, would you please stand and face the jury? | 0:07:14 | 0:07:17 | |
In the matter of The People of the State of California | 0:07:24 | 0:07:27 | |
vs Orenthal James Simpson, | 0:07:27 | 0:07:29 | |
case number BA097211, | 0:07:29 | 0:07:32 | |
we, the jury in the above entitled action, | 0:07:32 | 0:07:34 | |
find the defendant, Orenthal James Simpson, not guilty of the crime | 0:07:34 | 0:07:38 | |
of murder in violation of penal code section 187a, | 0:07:38 | 0:07:42 | |
a felony upon Nicole Brown Simpson, a human being, | 0:07:42 | 0:07:45 | |
as charged in count... | 0:07:45 | 0:07:47 | |
It was almost like an out-of-body experience. | 0:07:47 | 0:07:50 | |
I had a feeling of numbness. | 0:07:52 | 0:07:55 | |
Did this really happen? | 0:07:57 | 0:08:00 | |
They really did it. They acquitted him. | 0:08:00 | 0:08:03 | |
They really did it. They walked him out the door. | 0:08:05 | 0:08:07 | |
Johnnie is in back of OJ and Johnnie's saying, | 0:08:07 | 0:08:11 | |
"Juice, you're going home," and he's putting his head against his back. | 0:08:11 | 0:08:14 | |
"You're going home, Juice, you're going home!" | 0:08:14 | 0:08:17 | |
It was fabulous. | 0:08:18 | 0:08:20 | |
I actually thought I might pass out from shock. | 0:08:23 | 0:08:26 | |
I was so astonished. | 0:08:26 | 0:08:28 | |
Orenthal James Simpson, | 0:08:28 | 0:08:30 | |
not guilty of the crime of murder | 0:08:30 | 0:08:31 | |
upon Ronald Lyle Goldman. | 0:08:31 | 0:08:34 | |
One of the young guys, | 0:08:35 | 0:08:37 | |
either one of the Goldman families or the Brown family, | 0:08:37 | 0:08:39 | |
he said, "Murderer, murderer." | 0:08:39 | 0:08:44 | |
I was focused on Kim Goldman. | 0:08:46 | 0:08:49 | |
..convicted of at least one crime of murder | 0:08:49 | 0:08:51 | |
of the first degree and one or more crimes of murder | 0:08:51 | 0:08:54 | |
of the first or second degree to be not true. | 0:08:54 | 0:08:58 | |
It hurt me to know that I had to hurt somebody else | 0:08:58 | 0:09:00 | |
like that, and I didn't want to. | 0:09:00 | 0:09:03 | |
SOBBING | 0:09:03 | 0:09:05 | |
My mom and dad, just stoic. | 0:09:11 | 0:09:14 | |
I'm the more emotional one. | 0:09:14 | 0:09:16 | |
There was this deputy there, | 0:09:16 | 0:09:18 | |
and I was like, "Can I leave?" | 0:09:18 | 0:09:20 | |
And she goes, "You can't leave." | 0:09:20 | 0:09:22 | |
The other piece of this was that kind of moment | 0:09:25 | 0:09:28 | |
of triumphant Simpson. | 0:09:28 | 0:09:30 | |
I remember thinking that that gesture, that's a competitor. | 0:09:33 | 0:09:37 | |
He had been through a big ordeal. | 0:09:37 | 0:09:38 | |
He'd fought hard and he'd won. | 0:09:38 | 0:09:40 | |
One of the jurors - I believe it was juror number six, | 0:09:42 | 0:09:45 | |
a male black - stood in the jury box | 0:09:45 | 0:09:49 | |
and raised his fist like this. | 0:09:49 | 0:09:52 | |
What? | 0:09:59 | 0:10:01 | |
This was a guy who presented as THE most mild-mannered, | 0:10:01 | 0:10:06 | |
and then we find out, yeah, he was a member | 0:10:06 | 0:10:08 | |
of the Black Panthers, years ago. | 0:10:08 | 0:10:11 | |
Later, I was talking with the Deputy Sheriff. | 0:10:15 | 0:10:19 | |
He had taken jurors to where they were released. | 0:10:19 | 0:10:23 | |
So glad to be back. I feel free. | 0:10:23 | 0:10:25 | |
He said, "All across this parking lot, | 0:10:25 | 0:10:28 | |
"there was high fives and cheers and smiles." | 0:10:28 | 0:10:31 | |
He said, "I heard it over and over. | 0:10:31 | 0:10:34 | |
"That was payback for Rodney King." | 0:10:34 | 0:10:36 | |
We, the jury, find the defendant not guilty | 0:10:40 | 0:10:43 | |
of the crime of assault with a deadly weapon. | 0:10:43 | 0:10:46 | |
Do you think that there were members | 0:10:53 | 0:10:55 | |
of the jury that voted to acquit OJ | 0:10:55 | 0:10:58 | |
because of Rodney King? | 0:10:58 | 0:11:00 | |
-Yes. -You do? | 0:11:00 | 0:11:02 | |
Yes. | 0:11:02 | 0:11:03 | |
How many do you think felt that way? | 0:11:03 | 0:11:05 | |
Oh, probably 90% of them. | 0:11:05 | 0:11:08 | |
90%? | 0:11:10 | 0:11:12 | |
Did you feel that way? | 0:11:13 | 0:11:14 | |
Yes. | 0:11:14 | 0:11:15 | |
That was payback? | 0:11:16 | 0:11:18 | |
Uh-huh. | 0:11:18 | 0:11:19 | |
You think that's right? | 0:11:19 | 0:11:21 | |
The majority of the world, or the majority of Americans, | 0:11:25 | 0:11:28 | |
think that we're a group of idiots who didn't get it right. | 0:11:28 | 0:11:33 | |
I think that the jury was made to be the scapegoat | 0:11:33 | 0:11:35 | |
for their faults. | 0:11:35 | 0:11:37 | |
It was a mistake to present Fuhrman the way they did. | 0:11:38 | 0:11:42 | |
It was a mistake to let Darden get up there | 0:11:42 | 0:11:44 | |
and be a part of that case. | 0:11:44 | 0:11:46 | |
Had they come correct, | 0:11:46 | 0:11:47 | |
had they had the right attorneys up there | 0:11:47 | 0:11:50 | |
putting on the case that they need to put on, | 0:11:50 | 0:11:52 | |
they would've won. | 0:11:52 | 0:11:54 | |
It wasn't payback. | 0:11:54 | 0:11:57 | |
THEY messed up. | 0:11:57 | 0:11:59 | |
It may have been payback, | 0:12:01 | 0:12:03 | |
but it wasn't payback for anything that happened recently. | 0:12:03 | 0:12:08 | |
It was payback for what's happened over the last 400 years. | 0:12:08 | 0:12:11 | |
It was payback for how black people are treated in America. | 0:12:14 | 0:12:18 | |
I believe that that was on the minds of | 0:12:30 | 0:12:34 | |
every black person in America. | 0:12:34 | 0:12:37 | |
In the matter of the People of the State | 0:12:37 | 0:12:39 | |
of California vs Orenthal James Simpson, | 0:12:39 | 0:12:41 | |
case number BA097211... | 0:12:41 | 0:12:44 | |
We, the jury in the above entitled action, | 0:12:58 | 0:13:00 | |
find the defendant Orenthal James Simpson not guilty. | 0:13:00 | 0:13:05 | |
CHEERING | 0:13:05 | 0:13:08 | |
There was joy. | 0:13:25 | 0:13:26 | |
You could hear it in the barbershop | 0:13:27 | 0:13:30 | |
or the beauty salon or in the classroom at the school, | 0:13:30 | 0:13:34 | |
on the streets. | 0:13:34 | 0:13:36 | |
A release of breath, exhaling. | 0:13:38 | 0:13:43 | |
The Juice is loose! | 0:13:44 | 0:13:46 | |
He's loose! He's loose! | 0:13:46 | 0:13:49 | |
Free at last, free at last. | 0:13:49 | 0:13:51 | |
Thank God almighty, I'm free at last. | 0:13:51 | 0:13:54 | |
It was like that day Jackie Robinson | 0:13:59 | 0:14:03 | |
opened the door for black players. | 0:14:03 | 0:14:06 | |
This trial tapped into the racial history of Los Angeles. | 0:14:10 | 0:14:15 | |
I didn't realise how much it tapped | 0:14:15 | 0:14:18 | |
into the NATIONAL pain of race relations. | 0:14:18 | 0:14:23 | |
..Orenthal James... | 0:14:23 | 0:14:24 | |
Orenthal James Simpson... | 0:14:24 | 0:14:25 | |
Orenthal James Simpson not guilty... | 0:14:25 | 0:14:27 | |
It was all so much bigger than we were. | 0:14:29 | 0:14:32 | |
So much bigger. | 0:14:32 | 0:14:34 | |
I think the black jubilation | 0:14:49 | 0:14:52 | |
was very offensive and very hurtful. | 0:14:52 | 0:14:56 | |
Who laughing now? You know who did it? | 0:14:58 | 0:15:01 | |
My family did it, the races of America. | 0:15:01 | 0:15:05 | |
Those films of African-Americans cheering | 0:15:05 | 0:15:08 | |
and whites crying, | 0:15:08 | 0:15:09 | |
it put a huge red line across society. | 0:15:09 | 0:15:15 | |
Certainly, the resentment that African-Americans | 0:15:19 | 0:15:21 | |
have toward whites... | 0:15:21 | 0:15:23 | |
..was shocking. | 0:15:25 | 0:15:27 | |
It was absolutely shocking. | 0:15:27 | 0:15:29 | |
Now you know how it feels. | 0:15:32 | 0:15:34 | |
We are flush with illustrations | 0:15:36 | 0:15:39 | |
where we have been the victims | 0:15:39 | 0:15:42 | |
of what you consider to be racial thinking. | 0:15:42 | 0:15:46 | |
And that's why your moment of joy... | 0:15:47 | 0:15:51 | |
..may only be a moment. | 0:15:52 | 0:15:54 | |
That's why you seize your moment of joy, | 0:15:54 | 0:15:57 | |
because tomorrow - sorrow. | 0:15:57 | 0:16:00 | |
To actually have a black man found not guilty, | 0:16:05 | 0:16:10 | |
when every other black man who's ever been | 0:16:10 | 0:16:12 | |
blamed for anything like that | 0:16:12 | 0:16:14 | |
or anything NEAR something like that, has been killed, | 0:16:14 | 0:16:17 | |
this is indicative of progress, | 0:16:17 | 0:16:19 | |
regardless of what you think about him. | 0:16:19 | 0:16:21 | |
It was like, "Wow, things have changed, | 0:16:21 | 0:16:24 | |
"somewhat." | 0:16:24 | 0:16:25 | |
I just really hoped that, | 0:16:27 | 0:16:30 | |
probably in a terribly Pollyanna-ish way, | 0:16:30 | 0:16:33 | |
I really hoped we had come some distance. | 0:16:33 | 0:16:36 | |
My white neighbours, people I'd grown up with all my life, | 0:16:37 | 0:16:42 | |
the person I talked to every single day, | 0:16:42 | 0:16:44 | |
just stopped speaking to me because of this trial. | 0:16:44 | 0:16:48 | |
I received hate mail. | 0:16:48 | 0:16:49 | |
They would send the hate mail to the court, | 0:16:49 | 0:16:51 | |
the court would forward it to me. | 0:16:51 | 0:16:54 | |
I got a lot of personal blame, | 0:16:55 | 0:16:57 | |
a lot of personal threats. | 0:16:57 | 0:16:58 | |
In essence, you know, "You deserve to die." | 0:16:58 | 0:17:03 | |
What sort of personal toll | 0:17:04 | 0:17:06 | |
did this take on the prosecutors who tried the case? | 0:17:06 | 0:17:09 | |
I shake my head because I haven't been able | 0:17:11 | 0:17:14 | |
to weigh it entirely, | 0:17:14 | 0:17:15 | |
but the toll is immense. | 0:17:15 | 0:17:17 | |
If there was anything that ever motivated me | 0:17:21 | 0:17:24 | |
throughout the trial, it was the idea, | 0:17:24 | 0:17:27 | |
the notion, that one day I'd have to turn to the Goldmans... | 0:17:27 | 0:17:31 | |
..with the realisation that he had been acquitted. | 0:17:36 | 0:17:40 | |
I am honoured to have... | 0:17:40 | 0:17:43 | |
Chris was in bad shape. | 0:17:53 | 0:17:55 | |
He was really devastated. | 0:17:55 | 0:17:57 | |
A verdict of guilty would have been redeeming for him | 0:17:58 | 0:18:01 | |
in the black community. | 0:18:01 | 0:18:03 | |
You can feel this sense of brokenness within him, | 0:18:04 | 0:18:09 | |
because he gave everything that he had. | 0:18:09 | 0:18:12 | |
My guess is that if Chris were given the opportunity again | 0:18:13 | 0:18:17 | |
to say yes or no on this case, | 0:18:17 | 0:18:19 | |
he wouldn't have taken it. | 0:18:19 | 0:18:21 | |
He's paid one huge price. | 0:18:21 | 0:18:23 | |
This has been a hard-fought battle, | 0:18:24 | 0:18:27 | |
but I want to make it as clear as I can that this trial is over. | 0:18:27 | 0:18:31 | |
No-one in our community believes in murder, | 0:18:31 | 0:18:35 | |
and our hearts have gone out | 0:18:35 | 0:18:36 | |
to these two families from the very beginning. | 0:18:36 | 0:18:38 | |
A statement from our father. | 0:18:40 | 0:18:42 | |
I'm relieved that this part of the incredible nightmare | 0:18:42 | 0:18:45 | |
that occurred on June 12th, 1994, is over. | 0:18:45 | 0:18:48 | |
I will pursue, as my primary goal in life, | 0:18:53 | 0:18:56 | |
the killer or killers who slaughtered Nicole | 0:18:56 | 0:18:59 | |
and Mr Goldman. | 0:18:59 | 0:19:01 | |
Whatever it takes, I'll provide. | 0:19:01 | 0:19:04 | |
They are out there somewhere. | 0:19:05 | 0:19:07 | |
The children. | 0:19:20 | 0:19:22 | |
You did tell them? | 0:19:22 | 0:19:23 | |
Yes, we told them. | 0:19:25 | 0:19:26 | |
Told them Daddy's free. | 0:19:26 | 0:19:29 | |
Did they say anything to you? | 0:19:29 | 0:19:31 | |
They were happy. | 0:19:31 | 0:19:33 | |
They love Daddy. | 0:19:39 | 0:19:40 | |
We have never said anything negative about Daddy. | 0:19:42 | 0:19:45 | |
People were on fire, excited about... | 0:19:52 | 0:19:55 | |
finally, the criminal-justice system worked in favour | 0:19:55 | 0:19:59 | |
of an African-American male. | 0:19:59 | 0:20:01 | |
But everything is not about race. | 0:20:09 | 0:20:12 | |
Everything is not about how we were treated | 0:20:12 | 0:20:15 | |
historically in this country. | 0:20:15 | 0:20:16 | |
I didn't see it as an example | 0:20:19 | 0:20:21 | |
of African-Americans being free | 0:20:21 | 0:20:24 | |
or we beating the criminal-justice system. | 0:20:24 | 0:20:26 | |
Not for African-Americans. | 0:20:26 | 0:20:28 | |
It was a victory for a rich guy named OJ Simpson, | 0:20:30 | 0:20:34 | |
and I was troubled by it. | 0:20:34 | 0:20:36 | |
-RADIO: -'Now, go back in, go back in.' | 0:20:37 | 0:20:40 | |
Did he give you any indication | 0:20:41 | 0:20:43 | |
when he would want the children, or what would happen? | 0:20:43 | 0:20:46 | |
I think he is reasonable enough to know | 0:20:48 | 0:20:51 | |
that the children have a good life here. | 0:20:51 | 0:20:53 | |
That they find strength and love in this house. | 0:20:53 | 0:20:56 | |
'They switched over.' | 0:20:58 | 0:21:00 | |
I don't think that he knows, really, | 0:21:01 | 0:21:03 | |
what he wants, right now. | 0:21:03 | 0:21:04 | |
'There they are, right there. | 0:21:04 | 0:21:06 | |
'Bryce, go in tight.' | 0:21:06 | 0:21:07 | |
'I can tell you right now he ain't coming out any time soon. | 0:21:19 | 0:21:22 | |
'OK, we're going to get up, we're going to pull up high. | 0:21:22 | 0:21:24 | |
'Get out of all this bullshit.' | 0:21:24 | 0:21:26 | |
Yes! | 0:21:36 | 0:21:38 | |
Take off your jacket. | 0:21:38 | 0:21:40 | |
TV NEWS REPORT PLAYS | 0:21:42 | 0:21:45 | |
You're home! | 0:21:46 | 0:21:48 | |
What has the atmosphere been like at Mr Simpson's house today? | 0:21:50 | 0:21:54 | |
Who is with him? What are they all doing? | 0:21:54 | 0:21:56 | |
It's, as you can imagine, a very, very touching time. | 0:21:56 | 0:22:00 | |
A very cheerful time for a man who's spent 15 months | 0:22:00 | 0:22:04 | |
in prison and was found innocent. | 0:22:04 | 0:22:08 | |
-TV: -'..now to the criminal courts building for the prosecution, | 0:22:08 | 0:22:11 | |
'whose conference is about to begin.' | 0:22:11 | 0:22:13 | |
I want to hear this like a hole in the head. | 0:22:13 | 0:22:16 | |
Don't even listen to it. | 0:22:16 | 0:22:19 | |
How do you turn this up? | 0:22:20 | 0:22:22 | |
-I'm going to bounce, you guys. -Yeah. | 0:22:25 | 0:22:28 | |
Yeah, this is the one case, you got the wrong guy | 0:22:36 | 0:22:39 | |
like all those other cases you led who didn't get away. | 0:22:39 | 0:22:42 | |
He invited the lawyers to come by for a drink | 0:22:46 | 0:22:48 | |
and I was the first one there. | 0:22:48 | 0:22:50 | |
And he was up in the bedroom. | 0:22:52 | 0:22:54 | |
He said, "I wonder where Bob Shapiro is." | 0:22:56 | 0:22:58 | |
I said, "Look up above you. | 0:22:58 | 0:23:00 | |
"He's on television. | 0:23:00 | 0:23:01 | |
"Barbara Waw-ah." | 0:23:01 | 0:23:03 | |
Mr Shapiro, you said in the beginning that race | 0:23:03 | 0:23:06 | |
would not be a determining part of this case, | 0:23:06 | 0:23:08 | |
that you would not play the race card. | 0:23:08 | 0:23:11 | |
The race card was surely played. | 0:23:11 | 0:23:14 | |
Barbara, my position was always the same. | 0:23:14 | 0:23:16 | |
That race would not and should not be a part of this case. | 0:23:16 | 0:23:21 | |
I was wrong. | 0:23:21 | 0:23:22 | |
Not only did we play the race card, | 0:23:22 | 0:23:25 | |
we dealt it from the bottom of the deck. | 0:23:25 | 0:23:27 | |
The hypocrisy of his suggesting that the decision | 0:23:29 | 0:23:34 | |
to use race was a bad one, | 0:23:34 | 0:23:38 | |
when it was the card that he stacked the deck with. | 0:23:38 | 0:23:42 | |
From the very beginning, it was his theory. | 0:23:42 | 0:23:45 | |
Would you work again on a case with Johnnie Cochran? | 0:23:45 | 0:23:50 | |
-No. -Would you work on a case again with F Lee Bailey? | 0:23:50 | 0:23:53 | |
I will not talk to F Lee Bailey again. | 0:23:53 | 0:23:55 | |
Thank you, Mr Shapiro. | 0:23:55 | 0:23:57 | |
Everybody say "hogwash", c'mon. | 0:23:59 | 0:24:00 | |
ALL: Hogwash! | 0:24:00 | 0:24:02 | |
Come on, talk to each other a little bit, | 0:24:02 | 0:24:04 | |
come on, talk to each other. | 0:24:04 | 0:24:05 | |
Not so fast. OK. | 0:24:05 | 0:24:09 | |
Wow! Where'd we go that night? | 0:24:09 | 0:24:11 | |
Probably home and cried. | 0:24:11 | 0:24:13 | |
Probably home and cried. | 0:24:18 | 0:24:20 | |
And probably said 100 times, | 0:24:21 | 0:24:23 | |
"How did he get away with it?" | 0:24:23 | 0:24:25 | |
You don't ever get over it. | 0:24:27 | 0:24:28 | |
You don't ever get over it. | 0:24:30 | 0:24:32 | |
It doesn't go away that he can't live his dreams. | 0:24:36 | 0:24:38 | |
It's always still there... | 0:24:43 | 0:24:44 | |
..close to the surface. | 0:24:46 | 0:24:48 | |
It's always still there. | 0:24:48 | 0:24:50 | |
We actually believed that if he's found not guilty, | 0:25:00 | 0:25:04 | |
we all go back to our lives and just move on. | 0:25:04 | 0:25:07 | |
He thought he'd walk right back into it. | 0:25:08 | 0:25:10 | |
His viewpoint, "I'm back and I'm going to be playing | 0:25:14 | 0:25:17 | |
"golf every day and I'm going to be OJ and everything's fine." | 0:25:17 | 0:25:20 | |
I think he felt he could con the rest | 0:25:20 | 0:25:23 | |
of the world into believing that. | 0:25:23 | 0:25:26 | |
Here we have the top-ten ways he's searching for the real killers. | 0:25:26 | 0:25:30 | |
Number nine... | 0:25:30 | 0:25:31 | |
Yeah, | 0:25:33 | 0:25:35 | |
excellent piece of detective work. | 0:25:35 | 0:25:37 | |
I think the vast majority of the people in Brentwood | 0:25:37 | 0:25:40 | |
thought he was guilty, | 0:25:40 | 0:25:42 | |
and it became very uncomfortable for him to be here. | 0:25:42 | 0:25:45 | |
I saw him filling up his car one day, | 0:25:49 | 0:25:51 | |
and people, literally, were giving him the finger | 0:25:51 | 0:25:55 | |
and screaming insults. He filled up his car | 0:25:55 | 0:25:59 | |
and pretended he didn't hear anything and moved on. | 0:25:59 | 0:26:03 | |
I was walking the dog, and that feeling you get | 0:26:04 | 0:26:06 | |
where the hair stands up on the back of your neck | 0:26:06 | 0:26:08 | |
where you know someone's watching you, | 0:26:08 | 0:26:10 | |
and OJ's leaning out of the Rolls-Royce, | 0:26:10 | 0:26:13 | |
and I remember saying, | 0:26:13 | 0:26:15 | |
"Oh, shit." | 0:26:15 | 0:26:17 | |
I walk over to him and he gets out, | 0:26:17 | 0:26:19 | |
and we hug and we kiss. | 0:26:19 | 0:26:21 | |
He turned to me and said, "Why don't you come see me? | 0:26:21 | 0:26:23 | |
"Not too many people come to see me." | 0:26:23 | 0:26:26 | |
I said, "Sure, of course I will." | 0:26:26 | 0:26:28 | |
There was that hug goodbye, | 0:26:28 | 0:26:30 | |
and "of course I'm going to see you", | 0:26:30 | 0:26:32 | |
where he knew I was never going to see him, | 0:26:32 | 0:26:34 | |
and I knew I was never going to see him. | 0:26:34 | 0:26:36 | |
You had a pretty close relationship - | 0:26:37 | 0:26:39 | |
is that true? | 0:26:39 | 0:26:41 | |
We had the type of relationship | 0:26:44 | 0:26:46 | |
that we'd see each other a couple times a year. | 0:26:46 | 0:26:49 | |
But I wasn't one of his best friends. | 0:26:49 | 0:26:53 | |
All the black people in my life used to tell me, "Man, | 0:26:55 | 0:26:57 | |
"white America will turn on you, | 0:26:57 | 0:26:59 | |
"and they will zip up your nigger suit on you so fast | 0:26:59 | 0:27:04 | |
"and they will forget about you like that." | 0:27:04 | 0:27:07 | |
Why don't you sell the Brentwood estate, | 0:27:07 | 0:27:10 | |
go away for a little while? | 0:27:10 | 0:27:11 | |
Go where? What, do they want me to go to Africa? | 0:27:11 | 0:27:14 | |
Is that what some of those people would want? | 0:27:14 | 0:27:16 | |
Go where? I live in LA. | 0:27:16 | 0:27:18 | |
I see people... I haven't seen 'em. | 0:27:18 | 0:27:19 | |
I hear there are people in Brentwood that don't want me in Brentwood. | 0:27:19 | 0:27:23 | |
Maybe they are, but I would say this. | 0:27:23 | 0:27:24 | |
I think I've probably lived in Brentwood longer | 0:27:24 | 0:27:27 | |
than 90% of 'em. They're squatters. | 0:27:27 | 0:27:29 | |
If they don't want me in Brentwood, THEY should leave. | 0:27:29 | 0:27:32 | |
What do you say to criticism about | 0:27:32 | 0:27:34 | |
-missing your daughter's birthday? -Hey, OJ! | 0:27:34 | 0:27:36 | |
Esquire had chosen me | 0:27:38 | 0:27:40 | |
to do a story about OJ Simpson. | 0:27:40 | 0:27:42 | |
I was interested in OJ as a pariah. | 0:27:45 | 0:27:49 | |
Don't play with OJ! | 0:27:49 | 0:27:52 | |
Go away, OJ, go away! | 0:27:52 | 0:27:55 | |
I wanted to try to find out how or whether he could uphold | 0:27:55 | 0:27:58 | |
the OJ persona in the face of public wrath and hatred. | 0:27:58 | 0:28:04 | |
Guilty! Guilty! | 0:28:04 | 0:28:07 | |
I don't think there's anybody out there | 0:28:07 | 0:28:08 | |
that won't say that wherever they met me, | 0:28:08 | 0:28:10 | |
all over this country for the last 30 years, | 0:28:10 | 0:28:13 | |
I took time, I treated you the way I wanted to be treated. | 0:28:13 | 0:28:17 | |
He's a wife-beater! Go home! | 0:28:17 | 0:28:20 | |
I don't think there's anybody out there that ever met me anywhere - | 0:28:20 | 0:28:23 | |
in airports, in ballparks, on the street - | 0:28:23 | 0:28:25 | |
that I wasn't kind to you, | 0:28:25 | 0:28:27 | |
I didn't treat you the way I thought you wanted to be treated. | 0:28:27 | 0:28:32 | |
Anybody who's ever written me, I wrote 'em back. | 0:28:32 | 0:28:34 | |
Charities that ever called me, I always sent them something, | 0:28:34 | 0:28:37 | |
at my cost. | 0:28:37 | 0:28:38 | |
I only ask you to give me that courtesy, | 0:28:38 | 0:28:41 | |
to treat me the way I treated you. | 0:28:41 | 0:28:45 | |
You ugly murderer! | 0:28:45 | 0:28:47 | |
You ugly-ass murderer! | 0:28:47 | 0:28:49 | |
I felt sorry for him, I did. | 0:28:49 | 0:28:53 | |
I just couldn't bring myself to feel | 0:28:53 | 0:28:56 | |
that he was... | 0:28:56 | 0:28:58 | |
..bad in the pure sense of the word. | 0:29:00 | 0:29:03 | |
I kept feeling like he was a victim. | 0:29:03 | 0:29:05 | |
That's all I want to do. Provide for my family, my kids, | 0:29:05 | 0:29:09 | |
and give me the opportunity and a fair shake. | 0:29:09 | 0:29:11 | |
Fuck you, OJ! | 0:29:11 | 0:29:13 | |
But I swear to you, before my God, | 0:29:15 | 0:29:17 | |
I did not commit these crimes. | 0:29:17 | 0:29:21 | |
Thank you for taking the time to listen to me. | 0:29:21 | 0:29:24 | |
The easy answer is to say that people were indignant | 0:29:24 | 0:29:27 | |
that OJ got away with murder, | 0:29:27 | 0:29:29 | |
but the level, the scope of the reaction, | 0:29:29 | 0:29:32 | |
my sense was that there was a lot of racism in it. | 0:29:32 | 0:29:35 | |
This way, please, OJ. | 0:29:35 | 0:29:37 | |
He wanted the love back. | 0:29:39 | 0:29:41 | |
He wanted to be loved again. | 0:29:41 | 0:29:43 | |
# O-O-O... | 0:29:43 | 0:29:46 | |
# J! # | 0:29:46 | 0:29:47 | |
-He is our brother. -AUDIENCE: -Yes! | 0:29:49 | 0:29:51 | |
C'mon, you can clap on that. | 0:29:51 | 0:29:53 | |
We have never believed that he was guilty. | 0:29:55 | 0:29:58 | |
-AUDIENCE: -Yes! | 0:29:58 | 0:29:59 | |
He wanted acceptance from the community. | 0:30:01 | 0:30:04 | |
He knew that he was ostracized | 0:30:04 | 0:30:07 | |
by a whole number of people. | 0:30:07 | 0:30:08 | |
-Don't take a step back. -Right! | 0:30:08 | 0:30:10 | |
You just get with God and you get ready for your comeback. | 0:30:10 | 0:30:13 | |
So, when you're... | 0:30:13 | 0:30:14 | |
I think he felt a sense of deliverance, | 0:30:14 | 0:30:19 | |
and maybe he felt that God delivered him. | 0:30:19 | 0:30:21 | |
I'm not trying to restore any image. | 0:30:21 | 0:30:24 | |
I'm not trying to get back with God what I've lost. | 0:30:24 | 0:30:27 | |
I'm trying to do one thing. | 0:30:27 | 0:30:29 | |
I'm trying to go to Heaven. | 0:30:29 | 0:30:31 | |
APPLAUSE | 0:30:31 | 0:30:32 | |
But I got criticised. | 0:30:32 | 0:30:34 | |
"How can you accept someone who is a murderer?" | 0:30:36 | 0:30:39 | |
Well, the court didn't say he was a murderer. | 0:30:39 | 0:30:42 | |
Court said he was innocent, | 0:30:42 | 0:30:44 | |
and Jesus accepted all people. | 0:30:44 | 0:30:48 | |
CHEERING | 0:30:48 | 0:30:50 | |
-CROWD CHANTS: -OJ! OJ! | 0:30:53 | 0:30:55 | |
This is like a dream come true for me, | 0:30:59 | 0:31:01 | |
to meet Mr OJ Simpson. | 0:31:01 | 0:31:04 | |
Hug me, darling! I love you! | 0:31:04 | 0:31:06 | |
CHEERING AND APPLAUSE | 0:31:06 | 0:31:08 | |
Let me put it on, man. | 0:31:08 | 0:31:10 | |
He said he was trying to thank the people that stuck by him, | 0:31:13 | 0:31:16 | |
but that wasn't OJ. I mean, | 0:31:16 | 0:31:19 | |
to me, it didn't ring true. | 0:31:19 | 0:31:20 | |
Listen, this thing ain't close to fitting me! | 0:31:20 | 0:31:23 | |
We'd go to Roscoe's, too. | 0:31:26 | 0:31:27 | |
Go down and eat chicken and waffles. | 0:31:27 | 0:31:30 | |
And I remember telling him, "When in the hell | 0:31:30 | 0:31:33 | |
"did you ever eat chicken and waffles before?" | 0:31:33 | 0:31:36 | |
But that's where black America went. | 0:31:36 | 0:31:39 | |
And you would hear people, "Oh, so now you're black. | 0:31:39 | 0:31:42 | |
"Now you're black." | 0:31:42 | 0:31:44 | |
C'mon up here, African. | 0:31:45 | 0:31:47 | |
We appreciate you coming out tonight. | 0:31:47 | 0:31:49 | |
I grew up in the projects, you know. | 0:31:57 | 0:31:59 | |
No-one has to tell me, "You act black." | 0:31:59 | 0:32:01 | |
I grew up in the projects, I know about being black. | 0:32:01 | 0:32:03 | |
I AM black. | 0:32:03 | 0:32:05 | |
But once I started getting over at the end of the '60s, | 0:32:05 | 0:32:08 | |
what I'd done is something that's happening | 0:32:08 | 0:32:10 | |
with a lot of black men in America. | 0:32:10 | 0:32:12 | |
You find yourself protecting your place in society. | 0:32:13 | 0:32:18 | |
You tend to think that you're immune to something. | 0:32:20 | 0:32:23 | |
You know what's happening out there is still happening, | 0:32:23 | 0:32:26 | |
but you're hoping to change | 0:32:26 | 0:32:27 | |
and you're fool... You're really fooling yourself. | 0:32:27 | 0:32:30 | |
But at this point, I'm in the community, | 0:32:32 | 0:32:34 | |
I'm trying to hang around people that I think | 0:32:34 | 0:32:37 | |
can better educate me. | 0:32:37 | 0:32:39 | |
I think I have a unique opportunity here. | 0:32:39 | 0:32:41 | |
I'd like to be able to take advantage of it, | 0:32:41 | 0:32:43 | |
and I'd like to not... | 0:32:43 | 0:32:46 | |
possibly once again let you down. | 0:32:46 | 0:32:49 | |
-Thank you. -Oh, thank you! | 0:32:49 | 0:32:50 | |
I was at home in New York. The phone rang. | 0:32:55 | 0:32:59 | |
And a voice said, "Hey, it's OJ. | 0:33:00 | 0:33:03 | |
"I'm not done talking to you. | 0:33:03 | 0:33:05 | |
"I don't know why, but I talk to you like you're my shrink or something." | 0:33:05 | 0:33:10 | |
He said to me, "Let's say I committed this crime. | 0:33:10 | 0:33:15 | |
"If I killed her, it had to have been | 0:33:15 | 0:33:17 | |
"because I loved her very much, right?" | 0:33:17 | 0:33:19 | |
Every time he spoke about Nicole, | 0:33:22 | 0:33:25 | |
it was this mix of affection... | 0:33:25 | 0:33:28 | |
..irritation, | 0:33:29 | 0:33:31 | |
indignation and kind of wanting to prove to the person | 0:33:31 | 0:33:34 | |
he's speaking to... | 0:33:34 | 0:33:37 | |
..that she was impossible. | 0:33:38 | 0:33:40 | |
He's not wired like everybody else. | 0:33:43 | 0:33:45 | |
He never wept for Nicole - or the kids. | 0:33:46 | 0:33:51 | |
Like, "My kids are going to have to grow up without their mom." | 0:33:52 | 0:33:55 | |
The Browns had Sydney and Justin. | 0:33:56 | 0:33:58 | |
We'd have to transfer the kids, | 0:33:58 | 0:34:00 | |
so they can go and spend the weekend with their dad, | 0:34:00 | 0:34:03 | |
and it's their dad and I'm respecting that. | 0:34:03 | 0:34:06 | |
Before, we were talking about a conversation | 0:34:08 | 0:34:10 | |
you had with Judy in the last month or so, | 0:34:10 | 0:34:13 | |
down in Laguna. | 0:34:13 | 0:34:14 | |
OJ told the psychologist that Justin | 0:34:16 | 0:34:18 | |
had been calling him, | 0:34:18 | 0:34:19 | |
for him to come down to watch him play basketball. | 0:34:19 | 0:34:22 | |
And the psychologist said, "Well, if that's the case, you should go." | 0:34:22 | 0:34:26 | |
I did not know until after all this happened | 0:34:28 | 0:34:31 | |
that the Browns didn't know that OJ was coming down. | 0:34:31 | 0:34:34 | |
We walked into the gym and we watched Justin warm up. | 0:34:38 | 0:34:42 | |
Judy walks in, she sits behind me, | 0:34:42 | 0:34:46 | |
and she says, "I want to talk to you." | 0:34:46 | 0:34:48 | |
And I think she referred to me as a coward or gutless | 0:34:48 | 0:34:50 | |
or something like that. | 0:34:50 | 0:34:52 | |
And she said something about, uh... | 0:34:52 | 0:34:55 | |
OJ controlling me. | 0:34:55 | 0:34:58 | |
Then Lou walked up. | 0:34:58 | 0:34:59 | |
He started in on me, about, uh, "Nobody wants him down here." | 0:35:01 | 0:35:06 | |
He said something about a scene. I said, "There's no scene here." | 0:35:06 | 0:35:09 | |
I said, "If anybody's making a scene here, it's Judy. | 0:35:09 | 0:35:12 | |
"OJ hasn't done anything." | 0:35:12 | 0:35:14 | |
The kids were taken away from my mom on Christmas Eve. | 0:35:26 | 0:35:29 | |
That was devastating. | 0:35:29 | 0:35:31 | |
Sydney would say, "I want to go..." | 0:35:33 | 0:35:35 | |
uh, to her grandparents, | 0:35:35 | 0:35:37 | |
and he said, "They don't want you. They want you for the money. | 0:35:37 | 0:35:40 | |
"They want you for the child support. That's why they want you." | 0:35:40 | 0:35:43 | |
It was strained. | 0:35:45 | 0:35:46 | |
One night, I went to Rockingham. | 0:35:50 | 0:35:53 | |
And we're drinking Rolling Rock beer outside... | 0:35:55 | 0:35:59 | |
..and he was smoking pot. | 0:36:00 | 0:36:03 | |
He was looking around the backyard, | 0:36:05 | 0:36:09 | |
reliving all the different events that had happened there. | 0:36:09 | 0:36:13 | |
And I just asked him, "What happened June 12th?" | 0:36:17 | 0:36:21 | |
And he asked me what I thought happened. | 0:36:24 | 0:36:27 | |
I said, "I have always thought you probably did it." | 0:36:29 | 0:36:35 | |
I said, "I know what you told AC. | 0:36:35 | 0:36:37 | |
"You know, that you went there, | 0:36:37 | 0:36:38 | |
"but you just went to see what was going on, | 0:36:38 | 0:36:42 | |
"but you didn't take a knife." | 0:36:42 | 0:36:43 | |
He shook his head... | 0:36:47 | 0:36:50 | |
and he said, "Yeah." | 0:36:50 | 0:36:51 | |
And he said that if she wouldn't have opened the door | 0:36:51 | 0:36:54 | |
with a knife, she'd still be alive. | 0:36:54 | 0:36:55 | |
I believed that for the longest time. | 0:37:03 | 0:37:06 | |
And then I... | 0:37:07 | 0:37:09 | |
He went there to kill her. | 0:37:10 | 0:37:12 | |
He went there to kill her because of how she made him feel. | 0:37:15 | 0:37:19 | |
Being rejected, that she didn't need him. | 0:37:20 | 0:37:23 | |
And then, of course, the Marcus factor. | 0:37:23 | 0:37:25 | |
I'm better than you. | 0:37:27 | 0:37:28 | |
He was seeing | 0:37:28 | 0:37:30 | |
Marcus was him, | 0:37:30 | 0:37:32 | |
you know, 15 years younger. | 0:37:32 | 0:37:35 | |
And I guess the part that bothers me about it... | 0:37:45 | 0:37:47 | |
..is he left... | 0:37:49 | 0:37:51 | |
..the kids upstairs... | 0:37:53 | 0:37:54 | |
..to walk out. | 0:37:56 | 0:37:57 | |
They could've walked out and found their mom like that. | 0:37:57 | 0:38:00 | |
I die tomorrow, I would know without a doubt that he did it. | 0:38:04 | 0:38:08 | |
Not even a slight maybe that he didn't. | 0:38:09 | 0:38:13 | |
We had a year to file the civil suit. | 0:38:16 | 0:38:19 | |
We wanted a court of law to say, "You did it." | 0:38:19 | 0:38:23 | |
OJ Simpson is back in the news this morning. | 0:38:25 | 0:38:28 | |
He wanted his deposition in the wrongful death lawsuits | 0:38:28 | 0:38:30 | |
kept secret, but a judge in Santa Monica | 0:38:30 | 0:38:33 | |
ruled Wednesday that his testimony will not be sealed. | 0:38:33 | 0:38:36 | |
The judge also ruled it will be videotaped. | 0:38:36 | 0:38:40 | |
Present is plaintiff Frederick Goldman. | 0:38:47 | 0:38:50 | |
-Swear the witness. -Would you raise your right hand, please? | 0:38:50 | 0:38:53 | |
'I wanted to be in the room when the deposition' | 0:38:53 | 0:38:56 | |
was being taken. | 0:38:56 | 0:38:58 | |
-..so help you God? -I do. | 0:38:58 | 0:38:59 | |
To be able to say, "We're after you." | 0:38:59 | 0:39:03 | |
Do you recall an incident when you chased her? | 0:39:03 | 0:39:05 | |
-No. -Grabbed her? | 0:39:05 | 0:39:07 | |
-No. -Threw her into the walls? | 0:39:07 | 0:39:10 | |
-No. -Threw all of her clothes out the window into the street? | 0:39:10 | 0:39:14 | |
-No. -And bruised her? -No. | 0:39:14 | 0:39:16 | |
-You don't recall any of that? -No. | 0:39:16 | 0:39:18 | |
Listening to him was everything from disgust | 0:39:18 | 0:39:23 | |
to astonishment. | 0:39:23 | 0:39:25 | |
HE MOUTHS | 0:39:25 | 0:39:26 | |
-Excuse me? -I said, "Don't answer." | 0:39:26 | 0:39:28 | |
-He whispered something, Mr Baker. -No, I did not. | 0:39:28 | 0:39:31 | |
-I didn't, uh... -You mouthed something. | 0:39:31 | 0:39:33 | |
I think I'm allowed to mouth something to myself, aren't I? | 0:39:33 | 0:39:36 | |
What did you mouth? | 0:39:36 | 0:39:37 | |
He was cocky. | 0:39:37 | 0:39:39 | |
He was never forthcoming with anything. | 0:39:39 | 0:39:43 | |
We are back on the record now. | 0:39:45 | 0:39:46 | |
He'd be smiling, | 0:39:46 | 0:39:48 | |
like the whole thing was a joke. | 0:39:48 | 0:39:50 | |
What's that paper there for? | 0:39:50 | 0:39:52 | |
Well, I... I designed a golf hole that he's going to play, | 0:39:52 | 0:39:55 | |
a course he's going to play, and I was just telling him about a hole | 0:39:55 | 0:39:58 | |
that's on that golf course. | 0:39:58 | 0:40:00 | |
And that's how seriously he was taking it. | 0:40:00 | 0:40:02 | |
Did you ever buy shoes that you knew were Bruno Magli shoes? | 0:40:02 | 0:40:06 | |
No. | 0:40:06 | 0:40:08 | |
How do you know that? | 0:40:08 | 0:40:10 | |
Cos I know if Bruno Magli makes shoes that look like the shoes | 0:40:10 | 0:40:14 | |
they had in court that's involved in this case, | 0:40:14 | 0:40:16 | |
I would have never worn those ugly-ass shoes. | 0:40:16 | 0:40:18 | |
He'd lied about everything. | 0:40:18 | 0:40:21 | |
There's not an honest bone in his body. | 0:40:21 | 0:40:23 | |
You were sort of obsessed | 0:40:23 | 0:40:24 | |
with her having that relationship with Keith, right? | 0:40:24 | 0:40:27 | |
No. | 0:40:27 | 0:40:29 | |
-Didn't bother you at all? -Her with Keith, with Marcus, | 0:40:29 | 0:40:32 | |
with any of 'em, didn't bother me at all. | 0:40:32 | 0:40:33 | |
-Not at all? -No. | 0:40:33 | 0:40:35 | |
He's lived a life of fraud and being a fake | 0:40:35 | 0:40:41 | |
for God knows how many decades, | 0:40:41 | 0:40:43 | |
to a point where I think he just believes his own bull. | 0:40:43 | 0:40:47 | |
I gotta take a leak. | 0:40:47 | 0:40:49 | |
Mr Cowlings, I'm going to ask you to look at... | 0:40:54 | 0:40:57 | |
..this picture. | 0:40:59 | 0:41:00 | |
It's been previously marked as exhibit number 45. | 0:41:00 | 0:41:03 | |
Ask if you recognise that picture. | 0:41:06 | 0:41:10 | |
45. | 0:41:12 | 0:41:13 | |
-Yes. -And who do you recognise that to be? | 0:41:15 | 0:41:18 | |
Nicole. | 0:41:22 | 0:41:24 | |
And does that appear to be the way | 0:41:25 | 0:41:28 | |
that Nicole looked when you went over there | 0:41:28 | 0:41:30 | |
that early morning time... | 0:41:30 | 0:41:32 | |
Hey, man, you give me a break. | 0:41:32 | 0:41:34 | |
The OJ Simpson civil case gets under way today. | 0:41:39 | 0:41:41 | |
The families of Nicole Brown Simpson and Ronald Goldman are suing him. | 0:41:41 | 0:41:44 | |
This time, the judge is keeping cameras out of the courtroom. | 0:41:44 | 0:41:49 | |
I truly, truly, truly wish it had been televised. | 0:41:49 | 0:41:53 | |
It was a totally different dynamic. | 0:41:54 | 0:41:57 | |
No longer the killer and his attorneys | 0:41:57 | 0:42:00 | |
in charge of the courtroom. | 0:42:00 | 0:42:02 | |
It was the system at work. | 0:42:02 | 0:42:06 | |
Meanwhile, the jury's going to look very different in this case. | 0:42:06 | 0:42:09 | |
You're coming out of a different area. You're coming out of | 0:42:09 | 0:42:11 | |
the Santa Monica area, instead of downtown Los Angeles, | 0:42:11 | 0:42:14 | |
and, obviously, the make-up of your jury pool is going to be different. | 0:42:14 | 0:42:18 | |
Basically, they just repeated the case that we presented, | 0:42:21 | 0:42:25 | |
but they had Simpson. | 0:42:25 | 0:42:28 | |
They could call him to the witness stand | 0:42:28 | 0:42:30 | |
and cross-examine him. | 0:42:30 | 0:42:32 | |
One of the things that came up was if he owned the shoes. | 0:42:32 | 0:42:36 | |
Bruno Maglis. Because the footprints of those shoes | 0:42:36 | 0:42:40 | |
were at the crime scene. | 0:42:40 | 0:42:42 | |
-You thought those were ugly-ass shoes. -Yes. | 0:42:42 | 0:42:45 | |
Really? | 0:42:45 | 0:42:47 | |
Wrong, liar. | 0:42:47 | 0:42:49 | |
Not only did we see photographs of him wearing | 0:42:49 | 0:42:52 | |
the ugly-ass shoes, | 0:42:52 | 0:42:54 | |
we were then able to compare it to the footprints | 0:42:54 | 0:42:57 | |
at the crime scene. | 0:42:57 | 0:42:58 | |
And we're right back to...done. | 0:42:58 | 0:43:02 | |
Rare shoes. | 0:43:03 | 0:43:05 | |
Only 299 pairs sold in this country. | 0:43:05 | 0:43:07 | |
OJ Simpson said that he'd never own the shoes, | 0:43:07 | 0:43:10 | |
and yet he was forced to admit that that was him | 0:43:10 | 0:43:13 | |
in the picture. | 0:43:13 | 0:43:14 | |
It was like watching a little child | 0:43:14 | 0:43:17 | |
getting caught with his hand in the cookie jar. | 0:43:17 | 0:43:19 | |
All it did was reaffirm what I knew, | 0:43:20 | 0:43:23 | |
in my heart, | 0:43:23 | 0:43:25 | |
and that was - he was a murderer. | 0:43:25 | 0:43:27 | |
Time to turn our attention to the OJ Simpson civil case. | 0:43:27 | 0:43:30 | |
The jury is expected to begin deliberations today. | 0:43:30 | 0:43:33 | |
In a civil trial, all you have to prove | 0:43:35 | 0:43:37 | |
is that they're guilty by a preponderance of the evidence. | 0:43:37 | 0:43:40 | |
That means more likely than not. | 0:43:40 | 0:43:41 | |
51% is enough. | 0:43:41 | 0:43:43 | |
It's a very low standard of proof. | 0:43:43 | 0:43:45 | |
Completely different than the criminal trial. | 0:43:45 | 0:43:48 | |
A very brief interruption, everybody. | 0:43:50 | 0:43:52 | |
In case you haven't heard the news until now, | 0:43:52 | 0:43:54 | |
there has been a verdict in the OJ Simpson | 0:43:54 | 0:43:55 | |
civil trial in California. | 0:43:55 | 0:43:57 | |
And between 35 and 45 minutes from now, | 0:43:57 | 0:44:00 | |
everybody will be back in the courtroom in Santa Monica | 0:44:00 | 0:44:02 | |
to hear the verdict. | 0:44:02 | 0:44:04 | |
Just to remind people, we are in Washington today. | 0:44:04 | 0:44:06 | |
Helps our audience. | 0:44:06 | 0:44:08 | |
My employers have decided that some time ago that the President's | 0:44:08 | 0:44:11 | |
address to the nation is what's important to the future, | 0:44:11 | 0:44:14 | |
and is fascinated, I guess to be honest, as we all are | 0:44:14 | 0:44:17 | |
about the OJ Simpson verdict. | 0:44:17 | 0:44:19 | |
Our bosses have made the decision, so let's go back. | 0:44:20 | 0:44:23 | |
APPLAUSE | 0:44:23 | 0:44:25 | |
We must pursue a deeper dialogue with China. | 0:44:32 | 0:44:36 | |
I'm told people are assembling | 0:44:36 | 0:44:38 | |
in the courtroom and that they expect | 0:44:38 | 0:44:40 | |
to be able to read this verdict within moments. | 0:44:40 | 0:44:43 | |
OJ looks straight at the court | 0:44:45 | 0:44:47 | |
and she read the answer, yes, | 0:44:47 | 0:44:49 | |
that Simpson was liable for the death | 0:44:49 | 0:44:51 | |
of Nicole Brown Simpson and Ronald Goldman. | 0:44:51 | 0:44:54 | |
This jury was unified in their decision. | 0:44:54 | 0:44:56 | |
There was no question that he had committed these acts, | 0:44:56 | 0:45:00 | |
and he was totally responsible beyond any doubt. | 0:45:00 | 0:45:03 | |
It was amazing. | 0:45:04 | 0:45:07 | |
Finally had a court say, "You're responsible for Ron's death." | 0:45:07 | 0:45:12 | |
Our family is grateful | 0:45:12 | 0:45:16 | |
for a verdict | 0:45:16 | 0:45:18 | |
of responsibility, which is all we ever wanted, | 0:45:18 | 0:45:22 | |
and we have it, thank God. | 0:45:22 | 0:45:26 | |
CHEERING | 0:45:26 | 0:45:28 | |
Simpson was found liable to the tune of 8½ million. | 0:45:33 | 0:45:38 | |
And the jury isn't finished yet. | 0:45:38 | 0:45:40 | |
On Thursday jurors will return to hear testimony | 0:45:40 | 0:45:42 | |
about additional punitive damage. | 0:45:42 | 0:45:44 | |
Guilty! | 0:45:44 | 0:45:46 | |
Total - 33 million. | 0:45:46 | 0:45:48 | |
We were so shocked at the figure. | 0:45:50 | 0:45:55 | |
It was astonishing. | 0:45:55 | 0:45:57 | |
But what people don't realise about a civil trial | 0:45:57 | 0:46:02 | |
is that a judgment is a piece of paper, | 0:46:02 | 0:46:08 | |
and that is what you get. | 0:46:08 | 0:46:11 | |
Then it becomes the creditor's responsibility | 0:46:11 | 0:46:15 | |
to figure out a way to collect on it. | 0:46:15 | 0:46:18 | |
Do you have a moral obligation to pay any of that? | 0:46:18 | 0:46:21 | |
I don't feel I have a moral obligation to pay, | 0:46:21 | 0:46:23 | |
because morally I've done nothing wrong. | 0:46:23 | 0:46:26 | |
I think I have a legal obligation | 0:46:26 | 0:46:28 | |
when I have money to pay. | 0:46:28 | 0:46:30 | |
I wish I could sign a 50 million contract | 0:46:30 | 0:46:32 | |
and give them whatever they have to give, | 0:46:32 | 0:46:34 | |
if I knew I could get it back on appeal. | 0:46:34 | 0:46:37 | |
Oh, he knew he'd never pay. | 0:46:37 | 0:46:39 | |
Because the system wanted to make certain | 0:46:39 | 0:46:41 | |
that they got everything he had, | 0:46:41 | 0:46:44 | |
they brought in the guy that handles the estates | 0:46:44 | 0:46:46 | |
of Marilyn Monroe, Elvis and James Dean, | 0:46:46 | 0:46:51 | |
to say that OJ was in that same class, | 0:46:51 | 0:46:55 | |
that he would make that kind of money for the rest of his life. | 0:46:55 | 0:46:58 | |
As his agent, I'm sitting there... Not going to happen. | 0:46:59 | 0:47:03 | |
Those people didn't murder anybody, | 0:47:03 | 0:47:05 | |
or at least in the perception of America, | 0:47:05 | 0:47:07 | |
he didn't murder anybody. | 0:47:07 | 0:47:09 | |
It became our goal to be after him | 0:47:12 | 0:47:16 | |
for the rest of his life. | 0:47:16 | 0:47:18 | |
He's going to always know that we're right behind him, | 0:47:18 | 0:47:22 | |
looking over his shoulder, trying to figure out a way to get him. | 0:47:22 | 0:47:25 | |
In other news this morning, OJ Simpson is being ordered to | 0:47:29 | 0:47:32 | |
turn over some precious belongings to satisfy the judgment | 0:47:32 | 0:47:35 | |
against him in his civil lawsuit. | 0:47:35 | 0:47:36 | |
The half-million-dollar inventory includes | 0:47:36 | 0:47:38 | |
Simpson's golf clubs | 0:47:38 | 0:47:40 | |
and his Andy Warhol silkscreen of himself. | 0:47:40 | 0:47:42 | |
Simpson will have seven days to turn over the items to be sold. | 0:47:42 | 0:47:46 | |
We had received a fax in the office. | 0:47:47 | 0:47:50 | |
Sheriff's Department needed to know where to park | 0:47:51 | 0:47:54 | |
these two giant moving trucks. | 0:47:54 | 0:47:57 | |
So, we knew the day before that they were coming | 0:47:57 | 0:48:00 | |
to seize these various items. | 0:48:00 | 0:48:02 | |
There was quite a few people. | 0:48:08 | 0:48:10 | |
His family and friends moving stuff out | 0:48:10 | 0:48:13 | |
and taking it to different homes. | 0:48:13 | 0:48:15 | |
OJ was out playing golf. | 0:48:15 | 0:48:17 | |
Deniability. | 0:48:18 | 0:48:20 | |
Sheriff's Department, they were coming through the gates | 0:48:22 | 0:48:25 | |
at eight o'clock or seven o'clock or something. | 0:48:25 | 0:48:27 | |
As they were coming in, I was leaving. | 0:48:28 | 0:48:31 | |
Literally, gates were open at the same time. I left. | 0:48:31 | 0:48:35 | |
I had his collectibles, personal items, | 0:48:35 | 0:48:37 | |
Tiffany lamps, a carpet. | 0:48:37 | 0:48:40 | |
A bunch of stuff went out to a storage unit | 0:48:40 | 0:48:43 | |
in south San Francisco, but it was scattered. | 0:48:43 | 0:48:45 | |
I mean, just all over. | 0:48:45 | 0:48:47 | |
It was like a biblical flood carrying away everything. | 0:48:47 | 0:48:50 | |
He lived a materialistically lavish life, | 0:48:52 | 0:48:55 | |
but that wasn't what was most important. | 0:48:55 | 0:48:58 | |
When they wanted his mother's piano, that rocked his foundation. | 0:49:00 | 0:49:03 | |
They wanted her house up in Potrero Hill. | 0:49:03 | 0:49:06 | |
Those things bothered him. | 0:49:06 | 0:49:08 | |
It bothered me when they started taking | 0:49:08 | 0:49:10 | |
things that I didn't think was just. | 0:49:10 | 0:49:13 | |
OJ, the congratulations of all of us | 0:49:13 | 0:49:16 | |
-for your impeccable character. -Thank you, Mr Cosell. | 0:49:16 | 0:49:19 | |
Thank you, Mr Simpson. | 0:49:19 | 0:49:20 | |
How do you take away his Heisman? | 0:49:20 | 0:49:22 | |
That was who he was when I was innocent | 0:49:24 | 0:49:28 | |
and he was innocent. | 0:49:28 | 0:49:29 | |
-Was that Heisman given to you? -No, it wasn't given to me. | 0:49:34 | 0:49:37 | |
I basically just took it. | 0:49:37 | 0:49:39 | |
I had an arrangement with Mr Simpson, | 0:49:41 | 0:49:43 | |
where I would be paid X amount of money | 0:49:43 | 0:49:45 | |
or I could take it out in memorabilia. | 0:49:45 | 0:49:47 | |
So I took the Heisman and a few other items... | 0:49:47 | 0:49:49 | |
..I figured were mine. | 0:49:50 | 0:49:52 | |
The IRS has filed a lien against OJ Simpson's | 0:49:55 | 0:49:58 | |
Brentwood mansion. | 0:49:58 | 0:50:00 | |
It says he owes more than 685,000 in back taxes, | 0:50:00 | 0:50:04 | |
interest and penalties. | 0:50:04 | 0:50:06 | |
I haven't made any payments in quite a while. | 0:50:07 | 0:50:10 | |
I love the house - my kids were born there. | 0:50:10 | 0:50:12 | |
I lost a daughter there. | 0:50:12 | 0:50:14 | |
We had some great times there but it's gone, | 0:50:14 | 0:50:16 | |
and now I gotta find someplace else | 0:50:16 | 0:50:18 | |
to have some great times, you know, move on. | 0:50:18 | 0:50:21 | |
The last day at Rockingham, | 0:50:24 | 0:50:26 | |
it was kind of an odd, surreal day. | 0:50:26 | 0:50:30 | |
For me, it was emotional. | 0:50:52 | 0:50:53 | |
And for OJ, I guess he had kind of mentally checked out, | 0:50:56 | 0:51:00 | |
where it wasn't. | 0:51:00 | 0:51:02 | |
Hey, Mike. | 0:51:02 | 0:51:03 | |
I want you to go over there and shoot over the fence, | 0:51:03 | 0:51:08 | |
walk through the gate, so I can give you the old... | 0:51:08 | 0:51:11 | |
He's like, "OK, now go outside of the gate," | 0:51:11 | 0:51:13 | |
like I'm a tourist, and I'm sneaking in through his gate, | 0:51:13 | 0:51:15 | |
filming him taking the flag down. | 0:51:15 | 0:51:18 | |
Because the tabloids were paying, like, 150 grand, | 0:51:19 | 0:51:22 | |
200 grand, crazy money. | 0:51:22 | 0:51:23 | |
Hey, this is private property. | 0:51:23 | 0:51:26 | |
C'mon, man, look. | 0:51:26 | 0:51:28 | |
C'mon, man, gimme a break. | 0:51:28 | 0:51:30 | |
C'mon, guy, c'mon. | 0:51:30 | 0:51:32 | |
Putting the flag up, taking it down, putting it up, | 0:51:35 | 0:51:37 | |
taking it down. | 0:51:37 | 0:51:39 | |
Him folding it and trying to get emotional, | 0:51:40 | 0:51:43 | |
where he's tearing up. | 0:51:43 | 0:51:45 | |
Hey, come on, this is... | 0:51:48 | 0:51:49 | |
He's really working it, tearing up. | 0:51:49 | 0:51:51 | |
Oh, man, that's real classy. | 0:51:52 | 0:51:55 | |
Take care. | 0:51:55 | 0:51:56 | |
Everybody's chasing OJ for a story today. | 0:52:25 | 0:52:28 | |
Do an interview, do an interview. | 0:52:28 | 0:52:30 | |
I need you to do an interview. I'm going to dog you out bad, too. | 0:52:32 | 0:52:36 | |
I'm going to pimp ya! | 0:52:36 | 0:52:37 | |
I needed a challenge. | 0:52:39 | 0:52:41 | |
I said, "I can promote anybody, anything, it doesn't matter." | 0:52:41 | 0:52:44 | |
So, my attorney came back and he said, | 0:52:44 | 0:52:46 | |
"I got just the thing for you, it's OJ Simpson." | 0:52:46 | 0:52:48 | |
I'm like, "Well, that's a challenge." | 0:52:48 | 0:52:50 | |
I'm like "Hm." | 0:52:50 | 0:52:52 | |
I put him in a world where he was happy again. | 0:53:03 | 0:53:06 | |
Then, when I saw what happened, | 0:53:06 | 0:53:08 | |
I said, "We should just get a camera and film this." | 0:53:08 | 0:53:11 | |
-Cheers, OJ. -Cheers. | 0:53:11 | 0:53:14 | |
I think that there are people offended now that you're here. | 0:53:14 | 0:53:17 | |
You know, I would think that the ones who were offended | 0:53:17 | 0:53:20 | |
maybe tuned into another channel. | 0:53:20 | 0:53:22 | |
-I don't know, that's just a guess on my part. -Yeah. | 0:53:22 | 0:53:24 | |
I would like to think that the majority of your listeners | 0:53:24 | 0:53:27 | |
would not be offended. | 0:53:27 | 0:53:29 | |
I know you'd like to think that, OJ, but I'm not sure. | 0:53:32 | 0:53:36 | |
First, I just want to say, it's interesting to have you here. | 0:53:36 | 0:53:40 | |
Thank you. | 0:53:40 | 0:53:41 | |
You know, he was still famous. | 0:53:41 | 0:53:43 | |
And fame, infamy... | 0:53:43 | 0:53:45 | |
OJ, I was told not to ask you about the incident. | 0:53:46 | 0:53:48 | |
-Is there any reason why? -What incident? | 0:53:48 | 0:53:51 | |
The incident with Nicole. | 0:53:51 | 0:53:52 | |
-Cos there's nothing to talk about any more. -OK. Cos you were proven innocent... | 0:53:52 | 0:53:56 | |
Because I was innocent, I was proven innocent, | 0:53:56 | 0:53:58 | |
-and once we open that we're back into the... -Yeah. | 0:53:58 | 0:54:01 | |
It's, what, seven years now? | 0:54:01 | 0:54:02 | |
-It's over and over and over... -Yeah. -..you know? | 0:54:02 | 0:54:06 | |
I mean, life goes on. | 0:54:06 | 0:54:07 | |
We talk about OJ as though | 0:54:07 | 0:54:10 | |
the story is OJ. | 0:54:10 | 0:54:13 | |
So, when you travel and when you're walking | 0:54:13 | 0:54:17 | |
down the street and things like that, | 0:54:17 | 0:54:19 | |
what type of reaction do you get from people? | 0:54:19 | 0:54:22 | |
The story is OJ and us. | 0:54:22 | 0:54:26 | |
-The exact reaction, maybe a little more emotional... -OK. | 0:54:26 | 0:54:29 | |
..than I got 15 years ago. | 0:54:29 | 0:54:30 | |
If you took a walk with me down the street, | 0:54:30 | 0:54:32 | |
you'd be amazed. I don't care where I go, white, black, wherever I go, | 0:54:32 | 0:54:35 | |
everybody's terrific. | 0:54:35 | 0:54:36 | |
The different people, watching their reactions | 0:54:40 | 0:54:42 | |
was quite amazing. | 0:54:42 | 0:54:44 | |
That's why I played football. I won... | 0:54:45 | 0:54:48 | |
Hey, you stay gorgeous. | 0:54:48 | 0:54:49 | |
-Precious. -Precious? Spell it for me. | 0:54:52 | 0:54:55 | |
Oh, my, God, it's really OJ Simpson. | 0:54:55 | 0:54:57 | |
In our town. He's really here. | 0:54:57 | 0:54:59 | |
He was addicted to fame. | 0:55:14 | 0:55:15 | |
And the reality is, the music didn't stop. | 0:55:18 | 0:55:22 | |
Where do you want to do this? | 0:55:22 | 0:55:23 | |
I don't know, you're good with the white women, not all black women. | 0:55:23 | 0:55:26 | |
Hey, I'm good with the sisters, too, baby. | 0:55:26 | 0:55:28 | |
If you didn't already have a kid and a man | 0:55:28 | 0:55:30 | |
-out there that's bigger than me... -Oh, please, OJ. | 0:55:30 | 0:55:32 | |
-I've got a hair weave. -Oh, you're here. See, he's in here. | 0:55:32 | 0:55:35 | |
Forget what I just said. | 0:55:35 | 0:55:37 | |
But you know what, OJ? Not for nothing, | 0:55:37 | 0:55:40 | |
good black don't crack and you certainly do look good. | 0:55:40 | 0:55:43 | |
You want to catch yourself, right? | 0:55:47 | 0:55:49 | |
I don't know, OJ. | 0:55:49 | 0:55:51 | |
I don't know. | 0:55:51 | 0:55:53 | |
Something takes over when you're in his presence. | 0:55:53 | 0:55:58 | |
He's taking you away | 0:55:58 | 0:56:01 | |
from the sordid dark reality, | 0:56:01 | 0:56:03 | |
but you're sitting across from somebody | 0:56:03 | 0:56:05 | |
who probably committed murder. | 0:56:05 | 0:56:07 | |
OJ, I don't know what I... | 0:56:09 | 0:56:11 | |
I see you enjoying it. I see you enjoying it, baby. Talk to me! | 0:56:11 | 0:56:14 | |
Because I got truth on my side. | 0:56:14 | 0:56:16 | |
All that goes away and there's just a sense | 0:56:19 | 0:56:21 | |
of wanting to believe him and go with him | 0:56:21 | 0:56:25 | |
to this place where everything is still OK. | 0:56:25 | 0:56:28 | |
The truly righteous are not the self-righteous, | 0:56:30 | 0:56:32 | |
just remember that. I read that in the Koran. | 0:56:32 | 0:56:34 | |
OJ, I want to say I don't like you, I can't stand you. | 0:56:34 | 0:56:37 | |
I want to call you names, I want to throw you right out of here, | 0:56:37 | 0:56:40 | |
but you know what? | 0:56:40 | 0:56:42 | |
Your husband's watching, you better watch. | 0:56:44 | 0:56:47 | |
You've done it to me. Can I invite you to a party? | 0:56:47 | 0:56:49 | |
Sure, I'll be there. | 0:56:49 | 0:56:52 | |
His friends would call it the OJ effect. | 0:56:52 | 0:56:54 | |
They would say, "Yeah, you got OJed." | 0:56:54 | 0:56:57 | |
Being OJed is being charmed. | 0:56:57 | 0:57:00 | |
The confusion that you feel after you've been in his presence. | 0:57:00 | 0:57:04 | |
I don't think he was not guilty, | 0:57:04 | 0:57:06 | |
but I was in touch with the fact that I wanted | 0:57:06 | 0:57:08 | |
to think he was not guilty. | 0:57:08 | 0:57:10 | |
OJ, damn you, I like you. | 0:57:10 | 0:57:13 | |
-Thank you. -Damn you! | 0:57:13 | 0:57:15 | |
Damn you! | 0:57:16 | 0:57:17 | |
Damn you. | 0:57:20 | 0:57:21 | |
No! | 0:57:21 | 0:57:23 | |
Oh, my gosh, he hugged me! | 0:57:23 | 0:57:25 | |
Damn you, OJ. Damn you, OJ Simpson, you're charming. | 0:57:26 | 0:57:29 | |
Well, thank you. | 0:57:29 | 0:57:31 | |
He can get into your head. | 0:57:31 | 0:57:33 | |
And you'll like him. | 0:57:34 | 0:57:36 | |
There's no way around it. | 0:57:36 | 0:57:38 | |
I didn't know OJ the murderer. | 0:57:45 | 0:57:48 | |
I was in jail at the time when the thing happened. | 0:57:48 | 0:57:50 | |
I remember OJ the hero. | 0:57:52 | 0:57:54 | |
Playing football as a ten-year-old, | 0:57:54 | 0:57:56 | |
saying "I'm OJ Simpson", running with the ball. | 0:57:56 | 0:57:58 | |
I remember OJ the charming movie guy. | 0:57:58 | 0:58:02 | |
Police! Throw down your guns! | 0:58:02 | 0:58:05 | |
The mega-hero growing up. | 0:58:05 | 0:58:07 | |
OJ crashed the national baseball card show in Chicago, | 0:58:09 | 0:58:13 | |
and was sitting at a table signing autographs, | 0:58:13 | 0:58:16 | |
and there was a line around the aisle for him | 0:58:16 | 0:58:19 | |
until the promoters came and threw him out. | 0:58:19 | 0:58:22 | |
He was charging, I think, 150 an autograph. | 0:58:22 | 0:58:26 | |
So, that's what made me think, you know, | 0:58:26 | 0:58:28 | |
"Hey. This could be worth it." | 0:58:28 | 0:58:31 | |
We'd hire him to sign 200 autographs. | 0:58:33 | 0:58:35 | |
What do you got there, you got another 80 items? | 0:58:35 | 0:58:38 | |
You know, put the TV on the USC game and I'll take care of them. | 0:58:38 | 0:58:41 | |
I liked the guy. | 0:58:41 | 0:58:43 | |
Public appearances, he'd get 50 to 100 grand. | 0:58:45 | 0:58:49 | |
It was a matter of him hiding from the Goldmans. | 0:58:49 | 0:58:52 | |
He had a team of people to make sure that any money | 0:58:53 | 0:58:57 | |
he could get was going to be protected. | 0:58:57 | 0:59:01 | |
They would form some phoney company | 0:59:01 | 0:59:04 | |
and funnel the money through that. | 0:59:04 | 0:59:07 | |
Then he moved to Florida. | 0:59:07 | 0:59:10 | |
His home suddenly became untouchable. | 0:59:10 | 0:59:13 | |
His pension was untouchable already, by law. | 0:59:13 | 0:59:17 | |
South Beach, Miami. | 0:59:19 | 0:59:21 | |
Nobody judges you there. | 0:59:21 | 0:59:23 | |
Nobody said "murderer". | 0:59:23 | 0:59:25 | |
They just wanted to touch him. | 0:59:25 | 0:59:27 | |
So, he was living large. | 0:59:27 | 0:59:29 | |
Living large. | 0:59:29 | 0:59:31 | |
You rolling? | 0:59:31 | 0:59:33 | |
NEWS INTRO MUSIC | 0:59:33 | 0:59:34 | |
Right now, OJ Simpson | 0:59:34 | 0:59:36 | |
is a fugitive of justice. | 0:59:36 | 0:59:39 | |
OJ Simpson, football legend, has just become | 0:59:39 | 0:59:43 | |
the prime suspect in a double murder. | 0:59:43 | 0:59:45 | |
'Oh, God, Florida was just like a nightmare.' | 0:59:45 | 0:59:49 | |
I hate everything about Florida, | 0:59:50 | 0:59:52 | |
everything that's happened in Florida. | 0:59:52 | 0:59:54 | |
# In the trial of the century | 0:59:54 | 0:59:58 | |
# Lies a hero's destiny | 0:59:58 | 1:00:02 | |
# Tell me, OJ, what's it going to be? | 1:00:02 | 1:00:05 | |
# Every man wants to be made | 1:00:05 | 1:00:09 | |
# In the trial of the century | 1:00:09 | 1:00:12 | |
# Lies a hero's destiny... # | 1:00:12 | 1:00:14 | |
That's my drink. Whose drink is this? | 1:00:14 | 1:00:16 | |
-That's yours. -That's yours up there. -Motherfucker. | 1:00:16 | 1:00:19 | |
That motherfucker had the nerve... | 1:00:19 | 1:00:21 | |
In Florida, his group of friends | 1:00:21 | 1:00:24 | |
was much different. | 1:00:24 | 1:00:26 | |
Did you get that set up? | 1:00:26 | 1:00:27 | |
We gotta get some more money out of them. | 1:00:27 | 1:00:30 | |
Week before Christmas. | 1:00:30 | 1:00:32 | |
They weren't the Lynn Swanns and the Rosey Griers. | 1:00:32 | 1:00:35 | |
Yo, fucking with our game, man. | 1:00:35 | 1:00:37 | |
He hung around with anybody that was more thuggish. | 1:00:37 | 1:00:41 | |
-The lower people. -'Why don't y'all put the camera down?' | 1:00:41 | 1:00:43 | |
But to the lower people, he was like the Godfather. | 1:00:43 | 1:00:46 | |
You fucking with our golf game, OK? | 1:00:46 | 1:00:48 | |
We out here to have a good time and you're fucking with our game. | 1:00:48 | 1:00:51 | |
Because of that, his head grew. | 1:00:51 | 1:00:53 | |
When OJ crossed over into the dark side, | 1:01:02 | 1:01:06 | |
I guess that's probably where I came in at, you know? | 1:01:06 | 1:01:09 | |
Cos I'm no celebrity. | 1:01:09 | 1:01:11 | |
I'm no football star or baseball star, you know. | 1:01:11 | 1:01:13 | |
I was a regular guy, but he seemed to like me. | 1:01:13 | 1:01:17 | |
I started liking to hang out with OJ because of the perks. | 1:01:17 | 1:01:21 | |
We went to strip clubs, went to nightclubs. | 1:01:21 | 1:01:24 | |
We'd drink and check out the girls, | 1:01:24 | 1:01:27 | |
and there was always an ample amount of women around. | 1:01:27 | 1:01:30 | |
He said, "You know what's crazy is I'm getting more girls now. | 1:01:34 | 1:01:37 | |
"Now I got bad-boy image and I was never a bad boy." | 1:01:40 | 1:01:44 | |
"I have to wonder, 'What are they thinking?' | 1:01:44 | 1:01:46 | |
"because I was accused of murdering my wife." | 1:01:46 | 1:01:50 | |
Since I've been in Miami, I've gone out with a Cuban girl, | 1:01:52 | 1:01:54 | |
a Venezuelan girl and a white girl. | 1:01:54 | 1:01:57 | |
You only see the white girl in the media, | 1:01:57 | 1:01:59 | |
and they all look like Nicole from what they say. | 1:01:59 | 1:02:02 | |
At the time I started chronicling him, | 1:02:03 | 1:02:05 | |
he was involved with his girlfriend, Christie Prody, | 1:02:05 | 1:02:10 | |
and the first time I saw her drive in in a convertible... | 1:02:10 | 1:02:14 | |
I know, baby. | 1:02:14 | 1:02:15 | |
..I did a double take, because from a distance, | 1:02:15 | 1:02:17 | |
she looked like a spitting image of Nicole. | 1:02:17 | 1:02:20 | |
He's fine, he's fine. | 1:02:20 | 1:02:22 | |
I believe in this man. | 1:02:22 | 1:02:25 | |
He was going down, | 1:02:25 | 1:02:29 | |
and what I mean by that is he had no interest | 1:02:29 | 1:02:34 | |
in getting to either safer ground or higher ground, | 1:02:34 | 1:02:38 | |
if it existed. | 1:02:38 | 1:02:39 | |
He was going to go to, essentially, decadence. | 1:02:39 | 1:02:43 | |
LAUGHTER | 1:02:43 | 1:02:45 | |
They're talking about me, baby! | 1:02:45 | 1:02:48 | |
Christie Prody, the cocaine and then she'd get clean, | 1:02:48 | 1:02:51 | |
and then he couldn't get her coked up enough. | 1:02:51 | 1:02:53 | |
I asked him, "Why? You know she can't stop. | 1:02:53 | 1:02:56 | |
"You can do coke for a couple of days and then stop. She can't. | 1:02:56 | 1:03:00 | |
"She will keep doing coke." | 1:03:00 | 1:03:02 | |
I say, damn! | 1:03:02 | 1:03:03 | |
He said, "Yeah, but when she does this she gets me more girls | 1:03:05 | 1:03:07 | |
"than I get myself." | 1:03:07 | 1:03:09 | |
We gotta get some close-ups of the crotch. | 1:03:09 | 1:03:11 | |
Can't be pimpin' without some crotch shots. | 1:03:11 | 1:03:13 | |
The only crotch that matters around here, that crotch right there, | 1:03:13 | 1:03:15 | |
you understand what I'm talking about? Got to hide this here. | 1:03:15 | 1:03:18 | |
I gotta big sheet of paper here, so don't even worry about it. | 1:03:18 | 1:03:21 | |
You know, the public has to identify with an athlete. | 1:03:21 | 1:03:23 | |
You can be in awe of an athlete, | 1:03:23 | 1:03:25 | |
and there's many athletes out there | 1:03:25 | 1:03:26 | |
that you in awe of, but you want to feel a part of that person. | 1:03:26 | 1:03:31 | |
I think people view me as a certain way | 1:03:32 | 1:03:34 | |
and I don't want to let them down. | 1:03:34 | 1:03:36 | |
Are you any different than you were ten years ago? | 1:03:38 | 1:03:41 | |
20? | 1:03:42 | 1:03:44 | |
30? | 1:03:44 | 1:03:46 | |
I'm just the way I've always been. | 1:03:46 | 1:03:49 | |
I look at myself and think I'm a good guy. | 1:03:49 | 1:03:52 | |
I truly believe, in the most part, | 1:03:52 | 1:03:54 | |
that you get what you deserve in this world. | 1:03:54 | 1:03:57 | |
If you allow things to happen to you, | 1:03:57 | 1:03:59 | |
they will happen to you. | 1:03:59 | 1:04:01 | |
You think OJ's a good-looking guy? | 1:04:01 | 1:04:03 | |
If I liked guys, I'd do him. | 1:04:03 | 1:04:06 | |
Oh, God. | 1:04:06 | 1:04:07 | |
LAUGHTER DROWNS SPEECH | 1:04:07 | 1:04:10 | |
He would go in make-up and spoof people, | 1:04:10 | 1:04:14 | |
like "you've been Juiced" or whatever the hell it was. | 1:04:14 | 1:04:17 | |
Oranges from OJ. | 1:04:17 | 1:04:18 | |
OJ, right here. | 1:04:18 | 1:04:20 | |
C'mon, help the Juice, I'm kind of down and out. | 1:04:20 | 1:04:22 | |
It was like | 1:04:22 | 1:04:24 | |
going and seeing the two-headed cow at the circus or something. | 1:04:24 | 1:04:27 | |
The freak show. | 1:04:27 | 1:04:29 | |
# Why do people wonder about my intentions? | 1:04:29 | 1:04:31 | |
# Why do people ask me so many questions | 1:04:31 | 1:04:33 | |
# 'Bout how I made it to the top | 1:04:33 | 1:04:36 | |
# 'Bout all the times I made those defensive stops? | 1:04:36 | 1:04:39 | |
# See the only way I live my life is large | 1:04:39 | 1:04:41 | |
# And I got the most games with 200-plus yards. # | 1:04:41 | 1:04:44 | |
OJ said, "If 90% of America thinks I'm a killer, | 1:04:47 | 1:04:50 | |
-"who gives a -BLEEP -what else they think?" | 1:04:50 | 1:04:52 | |
I got Juiced! | 1:04:52 | 1:04:54 | |
And I said, "Well, what about your kids?" | 1:04:54 | 1:04:58 | |
Living your life like some 24-year-old | 1:04:59 | 1:05:01 | |
multimillionaire punk ass, hit every strip club you can, | 1:05:01 | 1:05:04 | |
have all the threesomes you can. | 1:05:04 | 1:05:06 | |
Don't care about what lives you're ruining, | 1:05:06 | 1:05:09 | |
what your kids are seeing, what they're experiencing. | 1:05:09 | 1:05:12 | |
You don't care. | 1:05:12 | 1:05:13 | |
Because it's all about you. | 1:05:13 | 1:05:14 | |
I finally walked away after the last time | 1:05:16 | 1:05:20 | |
I saw how he treated his kids. | 1:05:20 | 1:05:21 | |
And when I really started looking back on everything, | 1:05:23 | 1:05:27 | |
I said, "What in the hell did I do?" | 1:05:27 | 1:05:30 | |
And with somebody that I grew up admiring and idolising. | 1:05:30 | 1:05:35 | |
OJ may not have a conscience. | 1:05:38 | 1:05:40 | |
He may not pay for killing two people, | 1:05:40 | 1:05:45 | |
but I sure in the hell pay for helping him get away with it. | 1:05:45 | 1:05:49 | |
I pay. | 1:05:49 | 1:05:51 | |
New outrage tonight over OJ Simpson. | 1:05:59 | 1:06:02 | |
Simpson is trying to sell books, | 1:06:02 | 1:06:04 | |
and he's doing it in ways that have vividly revived | 1:06:04 | 1:06:07 | |
memories of the murders and his acquittal. | 1:06:07 | 1:06:10 | |
Judith Regan, a sort of powerhouse publisher, | 1:06:11 | 1:06:14 | |
told me about this project. | 1:06:14 | 1:06:17 | |
"It's OJ Simpson and we're going to try to get a confession." | 1:06:17 | 1:06:21 | |
How could I not do it? | 1:06:21 | 1:06:22 | |
They were willing to give him | 1:06:25 | 1:06:27 | |
700-plus thousand dollars... | 1:06:27 | 1:06:29 | |
as an advance. | 1:06:29 | 1:06:32 | |
At that point, he not only needed the money, but thought | 1:06:32 | 1:06:35 | |
in a while people would be less interested. | 1:06:35 | 1:06:37 | |
You know, on some level, he felt he was being forgotten. | 1:06:39 | 1:06:42 | |
Like the years had gone by. | 1:06:42 | 1:06:44 | |
Fame's a terrible beast. | 1:06:46 | 1:06:48 | |
You know, when you get a taste of that and people forget you, | 1:06:48 | 1:06:51 | |
it's very hard. | 1:06:51 | 1:06:52 | |
I needed to sit down with him and get his story, | 1:06:54 | 1:06:57 | |
and it was emotionally difficult for him. | 1:06:57 | 1:07:01 | |
He goes, "I'll tell you this. | 1:07:01 | 1:07:03 | |
"If I did it, I couldn't have done it alone." | 1:07:03 | 1:07:06 | |
So there was someone else there? | 1:07:06 | 1:07:08 | |
And he said, "There might have been." | 1:07:08 | 1:07:12 | |
And it was like he was playing this little game with me, | 1:07:12 | 1:07:14 | |
but it wasn't a particularly clever game. | 1:07:14 | 1:07:18 | |
Then he told me about the ride home, up the alley. | 1:07:18 | 1:07:21 | |
I assumed he made a right and stopped at the traffic light, | 1:07:21 | 1:07:24 | |
because I'd heard that somebody saw him. | 1:07:24 | 1:07:26 | |
He said, "No, no, I didn't stop at that traffic light. | 1:07:26 | 1:07:29 | |
"I went up the alley and took a left, | 1:07:29 | 1:07:31 | |
"and went up Gretna Green to San Vicente and on home." | 1:07:31 | 1:07:35 | |
And then he saw the look on my face. | 1:07:35 | 1:07:38 | |
He says, "That's the way I would have gone, | 1:07:38 | 1:07:40 | |
"you know, had I done it." | 1:07:40 | 1:07:42 | |
To me there was no doubt about it. | 1:07:42 | 1:07:44 | |
He wasn't making this stuff up. | 1:07:44 | 1:07:46 | |
I got there thinking he was a murderer, | 1:07:46 | 1:07:49 | |
and I left there more convinced than ever | 1:07:49 | 1:07:51 | |
that he was a murderer. | 1:07:51 | 1:07:52 | |
To give a voice to a murderer | 1:07:53 | 1:07:58 | |
is beyond imagination. | 1:07:58 | 1:08:00 | |
Everybody is more than willing to jump in | 1:08:00 | 1:08:03 | |
and play his game, | 1:08:03 | 1:08:05 | |
because it's money for him and then it was going to be | 1:08:05 | 1:08:09 | |
money for them. | 1:08:09 | 1:08:11 | |
Well, we wanted to put an end to it. | 1:08:11 | 1:08:14 | |
Disgusted by money for blood, | 1:08:14 | 1:08:16 | |
millions pressure publisher Rupert Murdoch, | 1:08:16 | 1:08:19 | |
who fires the executive in charge and kills the book. | 1:08:19 | 1:08:22 | |
As the largest debtor, we got the rights to the book. | 1:08:24 | 1:08:28 | |
So, we read it and we were shocked. | 1:08:28 | 1:08:32 | |
It was as close to the confession as you could ever get. | 1:08:33 | 1:08:37 | |
We made one change and one change only - the title of the book. | 1:08:39 | 1:08:43 | |
We took the word "if" and made it very small, | 1:08:43 | 1:08:46 | |
and laid it into the letter I. | 1:08:46 | 1:08:50 | |
So it was If I Did It. | 1:08:50 | 1:08:53 | |
We were hearing all over the place, | 1:08:55 | 1:08:56 | |
we were wrong for doing it. | 1:08:56 | 1:08:59 | |
But you know what? It was, "OK, so you think we're wrong. So what?" | 1:08:59 | 1:09:03 | |
It's all about money. | 1:09:03 | 1:09:04 | |
How much money is it going to take | 1:09:04 | 1:09:07 | |
to make you guys happy? | 1:09:07 | 1:09:08 | |
It's not going to bring Nicole or Ron back. | 1:09:08 | 1:09:11 | |
That book was inexplicable. | 1:09:11 | 1:09:14 | |
He was thinking, "I'm not going to say I did it, | 1:09:14 | 1:09:16 | |
"but I'm not going to not say I did it." | 1:09:16 | 1:09:18 | |
So, it's this whole kind of striptease that goes on, | 1:09:18 | 1:09:21 | |
and everybody's complicit in it. | 1:09:21 | 1:09:23 | |
Like any murder story, a few more twists. | 1:09:23 | 1:09:27 | |
But now, in a twist... | 1:09:27 | 1:09:29 | |
In a bizarre twist, the Goldman... | 1:09:29 | 1:09:30 | |
What I think I found most disturbing... | 1:09:30 | 1:09:32 | |
-OJ... -OJ Simpson's... -OJ Simpson... -OJ Simpson... | 1:09:32 | 1:09:35 | |
..it's the audience and our appetite for that kind of stuff. | 1:09:35 | 1:09:39 | |
Unlike most murder stories, this one still lacks | 1:09:40 | 1:09:42 | |
the chapter everyone expects... | 1:09:42 | 1:09:44 | |
Justice. | 1:09:45 | 1:09:47 | |
Elvis, get your pelvis away from me. | 1:09:51 | 1:09:54 | |
The Vegas chapter is where everything just gets | 1:09:57 | 1:09:59 | |
so damn sordid. | 1:09:59 | 1:10:02 | |
I can't sit here and authoritatively tell you | 1:10:03 | 1:10:06 | |
what went down in Vegas, | 1:10:06 | 1:10:09 | |
because it's too convoluted. | 1:10:09 | 1:10:11 | |
Mike Gilbert had been pilfering OJ's stuff throughout. | 1:10:13 | 1:10:17 | |
You know, Mike's got his eye on the memorabilia, | 1:10:17 | 1:10:20 | |
the historical value, the money, | 1:10:20 | 1:10:23 | |
and OJ's just running. | 1:10:23 | 1:10:26 | |
That's what OJ does, right? He runs. | 1:10:28 | 1:10:31 | |
And in his wake, there's all this stuff, | 1:10:31 | 1:10:34 | |
and all these people are picking up the stuff. | 1:10:34 | 1:10:38 | |
I got a call. It was Al Beardsley. | 1:10:38 | 1:10:40 | |
He's this 6'6", | 1:10:44 | 1:10:46 | |
300lb OJ fanatic, | 1:10:46 | 1:10:49 | |
saying "Tom, I saw you on TV with the Anna Nicole Diaries. | 1:10:49 | 1:10:53 | |
"I got something even better. | 1:10:53 | 1:10:54 | |
"I have all the stuff from OJ's trophy room. | 1:10:54 | 1:10:57 | |
"He didn't pay his bills - his agent stole them." | 1:10:57 | 1:11:00 | |
Beardsley told me that a majority of the stuff was in Vegas. | 1:11:05 | 1:11:08 | |
Called OJ, | 1:11:08 | 1:11:10 | |
OJ said, "Look, Tom, this is not memorabilia. | 1:11:10 | 1:11:13 | |
"These are personal artefacts | 1:11:13 | 1:11:14 | |
"that were stolen from me. | 1:11:14 | 1:11:16 | |
"My football that I was holding in my arms | 1:11:16 | 1:11:18 | |
"when I rushed for 2,000 yards. | 1:11:18 | 1:11:21 | |
"The ring from my wife who died, | 1:11:21 | 1:11:23 | |
"that I was going to give to my daughter." | 1:11:23 | 1:11:26 | |
He kept talking about a photo signed by J Edgar Hoover. | 1:11:26 | 1:11:29 | |
J Edgar Hoover said he was a big fan, a fine young man. | 1:11:29 | 1:11:33 | |
"Everyone thinks nothing bad happens to me. | 1:11:33 | 1:11:35 | |
"Here I am being robbed. | 1:11:35 | 1:11:36 | |
"Why don't we show the world that I have to go | 1:11:36 | 1:11:39 | |
"by myself to get my stuff back?" | 1:11:39 | 1:11:41 | |
He says, "I was invited to a wedding in Vegas. | 1:11:41 | 1:11:43 | |
"I can be in Vegas." | 1:11:43 | 1:11:45 | |
If I Did It was due to be released on the day of the wedding | 1:11:47 | 1:11:50 | |
that he was there. | 1:11:50 | 1:11:52 | |
So I said, "OJ, great. | 1:11:52 | 1:11:54 | |
"Sign 200 books for me." | 1:11:54 | 1:11:56 | |
He goes, "Fuck, no." | 1:11:56 | 1:11:57 | |
I go, "Dude, you're asking me to help you with this shit." | 1:11:59 | 1:12:02 | |
And he says, "I'm going to write on the books | 1:12:02 | 1:12:04 | |
" 'I didn't write this' and then I'll sign it OJ Simpson." | 1:12:04 | 1:12:07 | |
I said, "That's good enough for me. I'll take that." | 1:12:07 | 1:12:10 | |
A free inscription, too. | 1:12:10 | 1:12:11 | |
I met him at the Palms, at a pool party at the Palms. | 1:12:13 | 1:12:17 | |
OJ was wearing sunglasses | 1:12:19 | 1:12:22 | |
and he was every bit | 1:12:22 | 1:12:25 | |
the celebrity you would think he would be before the murders. | 1:12:25 | 1:12:29 | |
Girls were coming up to him, like, young girls. | 1:12:32 | 1:12:34 | |
"Are you OJ? Can I take a picture?" | 1:12:34 | 1:12:37 | |
Sitting on his lap, and he had his own cabana, | 1:12:37 | 1:12:40 | |
with a dozen people in it. | 1:12:40 | 1:12:42 | |
"Hey, Juice." | 1:12:42 | 1:12:43 | |
Like, weaselly guys, like, "Hey, Juice, can I get you a drink? | 1:12:43 | 1:12:46 | |
"Hey, Juice." And he was sitting there telling stories | 1:12:46 | 1:12:48 | |
and joking around, and we were all laughing. | 1:12:48 | 1:12:50 | |
I ended up going up to his room. | 1:12:52 | 1:12:53 | |
He said, "Listen. | 1:12:55 | 1:12:56 | |
"These people stole my stuff, and they know they stole it. | 1:12:56 | 1:12:59 | |
"We're going to shock the hell of those guys. | 1:12:59 | 1:13:01 | |
"I'm going to have my buddies coming over, | 1:13:01 | 1:13:03 | |
"and, man, they're going to shit their pants when they see us." | 1:13:03 | 1:13:07 | |
Know what I remember about that? | 1:13:17 | 1:13:19 | |
I'm up in his room, watching on TV. | 1:13:19 | 1:13:22 | |
There's this pretty, beautiful brunette that comes out. | 1:13:22 | 1:13:24 | |
He said, "That's my goddaughter. Her name is Kim." | 1:13:24 | 1:13:28 | |
I am so excited to do my reality show. | 1:13:28 | 1:13:30 | |
She said, "I have a show about my family." | 1:13:30 | 1:13:33 | |
-It's me and my whole family. -What's it called? | 1:13:33 | 1:13:35 | |
It's called Keeping Up With The Kardashians. | 1:13:35 | 1:13:37 | |
"My dad was such a great lawyer. | 1:13:37 | 1:13:39 | |
"He got OJ off the hook for murder." | 1:13:39 | 1:13:42 | |
OJ's like, "That's bullshit. He was a family friend." | 1:13:42 | 1:13:44 | |
He's, like, yelling at the TV. "Baby, your dad was shit." | 1:13:44 | 1:13:48 | |
I'm like, this is weird. I didn't know what the hell a Kardashian was. | 1:13:48 | 1:13:51 | |
"That show ain't going to last two weeks," OJ goes. | 1:13:54 | 1:13:57 | |
We get to the Palms. Simpson's there. | 1:14:14 | 1:14:17 | |
He started talking about some guys | 1:14:17 | 1:14:19 | |
who stole from him, | 1:14:19 | 1:14:22 | |
and he wanted to show some strength. | 1:14:22 | 1:14:26 | |
He wanted to be intimidating. | 1:14:26 | 1:14:29 | |
He wanted me to come along with him as security | 1:14:29 | 1:14:31 | |
since I was a licensed firearm holder. | 1:14:31 | 1:14:33 | |
And because I considered him a friend, | 1:14:33 | 1:14:36 | |
I decided I would help him. | 1:14:36 | 1:14:37 | |
At that time, I had a lot of OJ Simpson memorabilia. | 1:14:40 | 1:14:44 | |
Thousands of pieces. | 1:14:44 | 1:14:46 | |
Al Beardsley said, "Hey, I've got a buyer | 1:14:46 | 1:14:49 | |
"that wants to buy OJ Simpson memorabilia, | 1:14:49 | 1:14:52 | |
"and he wants to buy a lot of it. | 1:14:52 | 1:14:54 | |
"He'd like to meet at the Palace Station." | 1:14:54 | 1:14:56 | |
I think a lot people go there for quick fixes. | 1:15:00 | 1:15:02 | |
You don't spend a lot of money, but you can get a lot done. | 1:15:02 | 1:15:06 | |
I loaded everything into my truck. | 1:15:06 | 1:15:08 | |
I was transporting over 100,000 worth of memorabilia. | 1:15:08 | 1:15:12 | |
Beardsley met me, took me inside, | 1:15:12 | 1:15:15 | |
I meet Tom Riccio for the first time. | 1:15:15 | 1:15:18 | |
He says, "Yeah, my buyer will be here in a little while. | 1:15:18 | 1:15:23 | |
"Can I see what you got?" | 1:15:23 | 1:15:24 | |
I show him photographs, footballs. | 1:15:24 | 1:15:28 | |
This is all the stuff I've paid OJ to sign over the years. | 1:15:28 | 1:15:32 | |
He says, "Is this all there is?" | 1:15:32 | 1:15:34 | |
I said, "Yeah." | 1:15:34 | 1:15:36 | |
He said, "I thought there was going to be | 1:15:36 | 1:15:37 | |
"a bunch of OJ's personal memorabilia." | 1:15:37 | 1:15:40 | |
I said, "This is all there is." | 1:15:40 | 1:15:42 | |
Along with that, I brought along some other stuff. | 1:15:42 | 1:15:46 | |
He was pushing Pete Rose stuff. | 1:15:46 | 1:15:50 | |
Joe Montana lithographs. | 1:15:50 | 1:15:52 | |
I'm like, "Dude, he's not interested. He's an OJ fan. | 1:15:52 | 1:15:55 | |
"He wants OJ's personal..." | 1:15:55 | 1:15:56 | |
"Yeah, but if he's interested in OJ, he's going to want Joe Montana." | 1:15:56 | 1:15:59 | |
A lot of the things that OJ thought that I had were actually | 1:16:01 | 1:16:04 | |
in the storage unit in San Francisco, | 1:16:04 | 1:16:06 | |
that was lost to an auction. | 1:16:06 | 1:16:08 | |
But we had several lockers. | 1:16:09 | 1:16:11 | |
The one in Hanford, Bruce emptied it out, | 1:16:11 | 1:16:13 | |
and he's been selling it for, like, ten months. | 1:16:13 | 1:16:16 | |
Mike took it from OJ, | 1:16:17 | 1:16:20 | |
Fromong takes it from Mike. | 1:16:20 | 1:16:22 | |
Now it turns into the Marx brothers. | 1:16:22 | 1:16:24 | |
Everybody is now acting like a lunatic. | 1:16:24 | 1:16:28 | |
I'm alone in the room with Bruce Fromong, and Al Beardsley. | 1:16:29 | 1:16:32 | |
Beardsley is a bit of a nut. | 1:16:32 | 1:16:34 | |
He went to prison for stalking. | 1:16:39 | 1:16:41 | |
OJ's phone, he calls. | 1:16:42 | 1:16:44 | |
They're like, "All right, we'll be there in 15 minutes." | 1:16:44 | 1:16:47 | |
After about an hour, they're all getting antsy. | 1:16:47 | 1:16:49 | |
They're like, "What's going on? This is bullshit." Blah, blah, blah. | 1:16:49 | 1:16:52 | |
It really seemed like a drug deal. | 1:16:52 | 1:16:54 | |
We got to the hotel, we had to wait for some more guys. | 1:16:56 | 1:17:01 | |
When all the other guys showed up... | 1:17:09 | 1:17:11 | |
..they didn't look like the most ferocious men. | 1:17:12 | 1:17:16 | |
It was a mismatched bunch. | 1:17:17 | 1:17:19 | |
One of them was a frumpy-looking white dude, | 1:17:19 | 1:17:22 | |
which, like, "What the hell is he doing here?" | 1:17:22 | 1:17:24 | |
One of them was an older black guy | 1:17:24 | 1:17:27 | |
that looked like he could have been a librarian. | 1:17:27 | 1:17:29 | |
I never met so many con men at one time, | 1:17:31 | 1:17:33 | |
but everybody was trying to get money. | 1:17:33 | 1:17:35 | |
Every one of them guys | 1:17:35 | 1:17:36 | |
had something up for Simpson. | 1:17:36 | 1:17:38 | |
Them guys got confused where the room was. | 1:17:40 | 1:17:42 | |
They was on the elevator going up and down. | 1:17:42 | 1:17:44 | |
The room was, like, 12 something, but it was on the bottom floor. | 1:17:44 | 1:17:48 | |
It wasn't on the 12th storey. | 1:17:48 | 1:17:50 | |
It was like a weird maze. | 1:17:50 | 1:17:52 | |
It was dumb. | 1:17:53 | 1:17:55 | |
This whole situation was a very dumb situation. | 1:17:55 | 1:17:58 | |
At the final stage, everyone met at that hallway | 1:18:00 | 1:18:04 | |
where the room is. | 1:18:04 | 1:18:06 | |
They said, "They got guns?" I go, "No. | 1:18:08 | 1:18:11 | |
"You guys got guns? Dude, do you guys got guns?" | 1:18:11 | 1:18:15 | |
Room 1203. | 1:18:17 | 1:18:18 | |
I don't think I'll ever forget that room number. | 1:18:20 | 1:18:23 | |
Simpson asked me to look menacing, | 1:18:24 | 1:18:27 | |
so I had my gun out, | 1:18:27 | 1:18:29 | |
and he was getting angrier and angrier. | 1:18:29 | 1:18:31 | |
Riccio pulled the key out, opened the door, | 1:18:33 | 1:18:36 | |
and we walked in the room. | 1:18:36 | 1:18:38 | |
I'm on the phone talking. | 1:18:39 | 1:18:42 | |
The door opens very quickly. | 1:18:42 | 1:18:44 | |
The men that were in the room | 1:18:44 | 1:18:45 | |
were pretty damn surprised to see us, | 1:18:45 | 1:18:48 | |
and they were even more surprised to see Simpson. | 1:18:48 | 1:18:50 | |
I'm seeing OJ. | 1:18:54 | 1:18:56 | |
It had been quite a while since I'd seen OJ. | 1:18:56 | 1:18:59 | |
He had always been friendly, | 1:18:59 | 1:19:01 | |
but this guy had a face on him that was just a rage. | 1:19:01 | 1:19:04 | |
He's yelling and screaming, I'm yelling and screaming. | 1:19:09 | 1:19:12 | |
I'm telling the guys to move over, | 1:19:12 | 1:19:14 | |
do this, do that. | 1:19:14 | 1:19:15 | |
I had no idea who was in the room, then. | 1:19:16 | 1:19:18 | |
No-one briefed me on anything. | 1:19:18 | 1:19:20 | |
I pushed one of the guys into the bathroom, | 1:19:20 | 1:19:23 | |
and told him not to come out of it. | 1:19:23 | 1:19:26 | |
It was a crowded room. | 1:19:26 | 1:19:27 | |
I guess there was a guy in the bathroom. | 1:19:27 | 1:19:29 | |
One or two of them were over by Beardsley. | 1:19:29 | 1:19:32 | |
Beardsley's, like, in love with OJ, so he seems almost happy to see him. | 1:19:32 | 1:19:36 | |
"Hey, OJ." | 1:19:36 | 1:19:37 | |
And OJ looks at him. | 1:19:37 | 1:19:38 | |
"OJ, I thought we were friends. "I thought we were cool." | 1:19:41 | 1:19:44 | |
The guy with the gun, he hits me in the shoulder | 1:19:45 | 1:19:48 | |
and it knocked me backwards against the chair. | 1:19:48 | 1:19:51 | |
Then he put the gun in my face, you know, kind of gangster style. | 1:19:51 | 1:19:56 | |
I said something to the effect, | 1:19:56 | 1:19:58 | |
"You guys are lucky we're not in LA, or you'd all be laying down. | 1:19:58 | 1:20:01 | |
"I'll shoot your ass." | 1:20:01 | 1:20:03 | |
I couldn't believe I said it, | 1:20:03 | 1:20:04 | |
but it was just something that I said. | 1:20:04 | 1:20:07 | |
Then I started saying, "Bag stuff up." | 1:20:10 | 1:20:12 | |
What OJ called his stuff, everybody called his stuff, | 1:20:12 | 1:20:14 | |
I called it junk. | 1:20:14 | 1:20:16 | |
Boxes of pictures, some ties. | 1:20:16 | 1:20:19 | |
They're pushing the stuff back to him. "Here, OJ." | 1:20:19 | 1:20:21 | |
"What do you think you can do, stealing my shit, | 1:20:21 | 1:20:23 | |
"blah, blah, blah, blah", | 1:20:23 | 1:20:25 | |
and they're all apologising, pushing it back. | 1:20:25 | 1:20:27 | |
Then, the guys started taking pillowcases | 1:20:27 | 1:20:29 | |
and stuffing Pete Rowe stuff and Joe Montana. | 1:20:29 | 1:20:32 | |
Like, "Wait a minute. That's not your stuff." | 1:20:32 | 1:20:34 | |
So, the first minute went exactly as OJ scripted it. | 1:20:38 | 1:20:42 | |
The next three or four turned into an armed robbery. | 1:20:42 | 1:20:46 | |
He took my phone and I had just gotten it. | 1:20:51 | 1:20:53 | |
And I go, "OJ, don't take my phone. I just got it." | 1:20:53 | 1:20:55 | |
He takes it, he says, "I'll leave it at the desk." | 1:20:55 | 1:20:58 | |
And OJ left. | 1:20:58 | 1:21:00 | |
I went up to the front desk, and I said, | 1:21:04 | 1:21:07 | |
"I need security, I was just robbed by OJ Simpson." | 1:21:07 | 1:21:10 | |
And they started laughing. | 1:21:10 | 1:21:11 | |
911, emergency. | 1:21:11 | 1:21:13 | |
I was just robbed by OJ Simpson | 1:21:13 | 1:21:14 | |
and four other black men at gunpoint. | 1:21:14 | 1:21:17 | |
We need the police here right away, ma'am. | 1:21:17 | 1:21:19 | |
You don't have to keep telling me that. | 1:21:19 | 1:21:21 | |
That's why I'm getting the descriptions for the officers. | 1:21:21 | 1:21:24 | |
"Four black men and OJ Simpson" is not enough. | 1:21:24 | 1:21:26 | |
I'm going to need to know what they were wearing. | 1:21:26 | 1:21:28 | |
The cops showed up and they were really lax about it. | 1:21:28 | 1:21:32 | |
They were like, "So, you were robbed, OJ Simpson. | 1:21:32 | 1:21:35 | |
"Who else was here, Al Cowlings?" | 1:21:35 | 1:21:37 | |
Once we got back over to the Palms, | 1:21:39 | 1:21:42 | |
first thing he said, "There was no gun. | 1:21:42 | 1:21:44 | |
"There was no gun." | 1:21:44 | 1:21:46 | |
So, right then I knew he had some shit with him. | 1:21:49 | 1:21:53 | |
He's trying to get ready to set up all this | 1:21:53 | 1:21:55 | |
good OJ Simpson look to make himself look legitimate. | 1:21:55 | 1:22:01 | |
-Hello, guys. -Hi! -Hi, how's it going? -All is well. | 1:22:01 | 1:22:05 | |
You're trying to put your actor face back on. | 1:22:05 | 1:22:08 | |
You're trying to put your pitch man face back on. | 1:22:08 | 1:22:10 | |
God bless. Hey, guys. Take care. Happy weekend. | 1:22:10 | 1:22:14 | |
But he's not fooling me. | 1:22:14 | 1:22:17 | |
When I got home that day, | 1:22:19 | 1:22:21 | |
I told my wife, "I think I just did a robbery." | 1:22:21 | 1:22:24 | |
The first thing she asked me is, "Did you have your gun?" | 1:22:24 | 1:22:27 | |
I was like, "Yeah." | 1:22:27 | 1:22:28 | |
I was just fighting the reality of the answer, | 1:22:28 | 1:22:31 | |
and I knew | 1:22:31 | 1:22:32 | |
that the cops were going to get involved, | 1:22:32 | 1:22:35 | |
and I knew because it was Simpson | 1:22:35 | 1:22:36 | |
that it was going to get huge. | 1:22:36 | 1:22:39 | |
Later on, I went back to the Palace Station, | 1:22:42 | 1:22:45 | |
back to the room where the recorder was. | 1:22:45 | 1:22:48 | |
You recorded that whole thing? | 1:22:49 | 1:22:52 | |
I recorded it because there was | 1:22:52 | 1:22:54 | |
a bunch of idiots going in a room | 1:22:54 | 1:22:56 | |
and I didn't know what was going to happen. | 1:22:56 | 1:22:58 | |
I wanted to make sure it was documented. | 1:22:58 | 1:23:01 | |
The police were searching the room. | 1:23:01 | 1:23:03 | |
The one six-inch area where the recorder was, | 1:23:03 | 1:23:06 | |
they didn't find it. | 1:23:06 | 1:23:07 | |
As I'm putting it in my pocket, | 1:23:07 | 1:23:10 | |
the cop's like, "Get your shit | 1:23:10 | 1:23:12 | |
"and get the F out of here, right now." | 1:23:12 | 1:23:14 | |
If you woke up and heard that OJ Simpson | 1:23:17 | 1:23:19 | |
is back in the news and under arrest, | 1:23:19 | 1:23:21 | |
rest assured it's not Groundhog Day. | 1:23:21 | 1:23:24 | |
This time, though, he's in a jail cell in Las Vegas | 1:23:24 | 1:23:27 | |
after a confrontation, apparently caught on tape. | 1:23:27 | 1:23:31 | |
No Johnnie to save you this time, OJ! | 1:23:31 | 1:23:33 | |
Two hours after the arrest, I got a hold of Harvey Levin. | 1:23:33 | 1:23:37 | |
I ended up selling the tapes for 150,000. | 1:23:37 | 1:23:40 | |
I was heartbroken by it. | 1:23:47 | 1:23:50 | |
OJ, what were you thinking? | 1:23:51 | 1:23:54 | |
What were you thinking? | 1:23:55 | 1:23:58 | |
Are you kidding me? | 1:23:58 | 1:24:00 | |
Are you kidding me? | 1:24:00 | 1:24:01 | |
You just walked away from a double murder and you do this? | 1:24:03 | 1:24:06 | |
All rise. | 1:24:08 | 1:24:09 | |
This District Court is now in session. The honourable... | 1:24:11 | 1:24:15 | |
I was looking at 12, 13 years in prison, | 1:24:15 | 1:24:19 | |
and I didn't want any part of that. | 1:24:19 | 1:24:24 | |
I wanted zero part to do with that. | 1:24:24 | 1:24:26 | |
I started thinking, if I testify, I could clear myself up, | 1:24:27 | 1:24:31 | |
and if I don't testify I'm going to be a fool. | 1:24:31 | 1:24:34 | |
-..the truth, so help you God? -I do. -Have a seat, please. | 1:24:34 | 1:24:37 | |
As far as a street code not to talk on a witness stand, | 1:24:38 | 1:24:41 | |
there's a bunch of guys in prison right now, | 1:24:41 | 1:24:45 | |
all over the country, behind the code. | 1:24:45 | 1:24:49 | |
They gave their life up for the code, | 1:24:49 | 1:24:52 | |
but I wasn't going to jail for no OJ Simpson. | 1:24:52 | 1:24:56 | |
Not me. | 1:24:56 | 1:24:57 | |
If I'd have went to jail from him, | 1:24:57 | 1:24:59 | |
think he would have come to visit me? No! | 1:24:59 | 1:25:02 | |
You think he would have gave me commissary? No. | 1:25:02 | 1:25:05 | |
Excuse my expression, but fuck him. | 1:25:05 | 1:25:07 | |
This case was something built | 1:25:08 | 1:25:11 | |
from a grain of salt | 1:25:11 | 1:25:14 | |
into a mountain of salt. You know what I mean? | 1:25:14 | 1:25:17 | |
Count two, conspiracy to commit kidnapping. | 1:25:17 | 1:25:19 | |
Guilty. Count three... | 1:25:19 | 1:25:22 | |
CJ Stewart went to jail for not taking the deal. | 1:25:22 | 1:25:25 | |
Even though I think I did nothing wrong, | 1:25:25 | 1:25:28 | |
and I still contend to this day I did nothing wrong | 1:25:28 | 1:25:30 | |
with the OJ thing. | 1:25:30 | 1:25:32 | |
Could I have spent the next couple of years | 1:25:32 | 1:25:34 | |
defending myself against something that I don't think I did? | 1:25:34 | 1:25:37 | |
Yes. | 1:25:37 | 1:25:39 | |
So, I told my lawyer, "Before I do anything, get me immunity." | 1:25:39 | 1:25:42 | |
Do you solemnly swear to tell the truth, the whole truth, | 1:25:42 | 1:25:45 | |
-and nothing but the truth, so help you God? -I do. -Please be seated. | 1:25:45 | 1:25:48 | |
OJ got duped. | 1:25:48 | 1:25:50 | |
OJ got duped by Tom Riccio. | 1:25:50 | 1:25:52 | |
Tom Riccio lied to OJ Simpson. | 1:25:52 | 1:25:55 | |
He said, | 1:25:55 | 1:25:56 | |
"I know someone that's got thousands of pieces of your memorabilia." | 1:25:56 | 1:26:00 | |
He set OJ Simpson up. | 1:26:00 | 1:26:02 | |
Oh, yeah, Tom Riccio's a rat. | 1:26:02 | 1:26:05 | |
Who did I rat on? Did I rat on anybody here? | 1:26:05 | 1:26:07 | |
Name a person I ratted on. | 1:26:07 | 1:26:09 | |
Not that I have anything against ratting - | 1:26:09 | 1:26:11 | |
if it would help the world, I'll rat. | 1:26:11 | 1:26:13 | |
But I didn't rat on anybody. | 1:26:13 | 1:26:16 | |
Riccio says that it was OJ Simpson | 1:26:16 | 1:26:18 | |
who was giving the orders in the room. | 1:26:18 | 1:26:20 | |
OJ was definitely in charge. | 1:26:20 | 1:26:22 | |
I mean, I don't know what you'd call... | 1:26:24 | 1:26:27 | |
Maybe I did rat out some people. | 1:26:27 | 1:26:28 | |
I don't know, maybe I did with the OJ thing, maybe I did. | 1:26:28 | 1:26:31 | |
-All right, so I'm a rat. -HE CHUCKLES | 1:26:31 | 1:26:33 | |
Thomas Riccio, their star witness, | 1:26:34 | 1:26:37 | |
one of my favourite people ever. | 1:26:37 | 1:26:39 | |
I was in Las Vegas and I was reporting | 1:26:39 | 1:26:41 | |
for Entertainment Tonight about the trial. | 1:26:41 | 1:26:45 | |
Such a weird confluence of events. | 1:26:45 | 1:26:48 | |
How does this happen? | 1:26:48 | 1:26:50 | |
So, I was watching the preliminary hearing... | 1:26:50 | 1:26:52 | |
..and at lunch break we were in the cafeteria | 1:26:53 | 1:26:57 | |
and he showed up there. | 1:26:57 | 1:26:59 | |
"It's OJ." And walked by. | 1:26:59 | 1:27:03 | |
"Mr Simpson." "Ms Clark." | 1:27:03 | 1:27:06 | |
It was weird. | 1:27:06 | 1:27:07 | |
13 years to the day after OJ Simpson was acquitted | 1:27:08 | 1:27:12 | |
in the murders of his ex-wife, Nicole Brown Simpson, | 1:27:12 | 1:27:14 | |
and her friend, Ronald Goldman, | 1:27:14 | 1:27:16 | |
OJ was found guilty of kidnapping and armed robbery | 1:27:16 | 1:27:19 | |
in a Las Vegas courtroom Friday night. | 1:27:19 | 1:27:22 | |
What happened to Mr Simpson, to me... | 1:27:27 | 1:27:31 | |
He was being selfish. | 1:27:34 | 1:27:36 | |
He's been in a lot of pain. | 1:27:37 | 1:27:39 | |
Pain medication, drinking, | 1:27:39 | 1:27:42 | |
trying to control everything goes on in his life, | 1:27:42 | 1:27:46 | |
in his relationship, his finances. | 1:27:46 | 1:27:48 | |
And it wasn't as good as it used to be. | 1:27:50 | 1:27:55 | |
You know? It wasn't as great. | 1:27:55 | 1:27:58 | |
The whole big picture, his life, | 1:27:58 | 1:28:00 | |
he was just tired. | 1:28:00 | 1:28:01 | |
He's street, | 1:28:03 | 1:28:06 | |
and OJ, regrettably, | 1:28:06 | 1:28:10 | |
reverted back to Galileo High School. | 1:28:10 | 1:28:14 | |
You know? | 1:28:14 | 1:28:16 | |
He reverted back to Hunter's Point. | 1:28:16 | 1:28:18 | |
Sorry. | 1:28:22 | 1:28:23 | |
I feel, like, apologetic to the people | 1:28:27 | 1:28:30 | |
of the state of Nevada. | 1:28:30 | 1:28:31 | |
I've been coming to Nevada since 1959. | 1:28:31 | 1:28:35 | |
I worked summer jobs here for my uncle in '60 and '61. | 1:28:35 | 1:28:39 | |
I've been coming ever since | 1:28:39 | 1:28:41 | |
and I've never gotten into any trouble. | 1:28:41 | 1:28:43 | |
People have always been fine to me. | 1:28:43 | 1:28:45 | |
When I came here, I came here for a wedding. | 1:28:45 | 1:28:47 | |
I didn't come here to... | 1:28:47 | 1:28:49 | |
I didn't come here to reclaim property. | 1:28:50 | 1:28:54 | |
I was told it was here. | 1:28:54 | 1:28:56 | |
I called my kids and I told them I had a chance | 1:28:56 | 1:28:59 | |
to get some of our property back. | 1:28:59 | 1:29:01 | |
We've called the police and asked what to do. | 1:29:01 | 1:29:04 | |
They told us what to try to do. | 1:29:04 | 1:29:06 | |
You could never find out who was selling it. | 1:29:06 | 1:29:08 | |
This was the first time I had a opportunity | 1:29:08 | 1:29:11 | |
to catch the guys red-handed who had been stealing | 1:29:11 | 1:29:14 | |
from my family. | 1:29:14 | 1:29:16 | |
I wasn't there to hurt anybody. I just wanted my personal things, | 1:29:16 | 1:29:19 | |
and I realise now it was stupid of me. | 1:29:19 | 1:29:21 | |
I'm sorry. | 1:29:21 | 1:29:23 | |
I didn't mean to steal anything from anybody | 1:29:23 | 1:29:25 | |
and I didn't know I was doing anything illegal. | 1:29:25 | 1:29:27 | |
I thought I was confronting friends | 1:29:27 | 1:29:29 | |
and retrieving my property. | 1:29:29 | 1:29:33 | |
That guy, he should have been the model citizen. | 1:29:33 | 1:29:36 | |
Should have been in church every week. | 1:29:37 | 1:29:40 | |
Should have been helping kids. | 1:29:40 | 1:29:41 | |
Instead, he did more to hurt African-American | 1:29:41 | 1:29:43 | |
young men and boys | 1:29:43 | 1:29:45 | |
by putting on this charade. | 1:29:45 | 1:29:48 | |
He kept pushing the envelope. | 1:29:48 | 1:29:51 | |
You know? And why wouldn't he? | 1:29:51 | 1:29:53 | |
I mean, if I got away with everything, | 1:29:53 | 1:29:56 | |
time after time after time... | 1:29:56 | 1:29:58 | |
Hey, I'm a god. | 1:29:58 | 1:30:01 | |
All right, for Mr Simpson. | 1:30:03 | 1:30:05 | |
All right, Mr Simpson, I'm going to sentence you as follows. | 1:30:09 | 1:30:14 | |
Count one, conspiracy to commit a crime, | 1:30:14 | 1:30:17 | |
one year in the county jail. | 1:30:17 | 1:30:19 | |
Count two, conspiracy to commit kidnapping, | 1:30:19 | 1:30:22 | |
a minimum term of 12 months, max term of 48 months | 1:30:22 | 1:30:24 | |
in the Nevada Department of Corrections. | 1:30:24 | 1:30:26 | |
Count three, conspiracy to commit robbery, | 1:30:26 | 1:30:28 | |
a minimum term of 12 months, max term of 48 months, | 1:30:28 | 1:30:31 | |
in the Nevada Department of Corrections. | 1:30:31 | 1:30:33 | |
Count four, burglary while in possession of a deadly weapon, | 1:30:33 | 1:30:36 | |
a minimum term of 26 months... | 1:30:36 | 1:30:39 | |
I went to an inner-city high school, | 1:30:39 | 1:30:42 | |
and our football team was terrible, | 1:30:42 | 1:30:45 | |
but our fighters were good, | 1:30:45 | 1:30:48 | |
and we might lose the fourth quarter of the ball game, | 1:30:48 | 1:30:51 | |
but we were going to win the fifth quarter after the game. | 1:30:51 | 1:30:54 | |
The fight. | 1:30:54 | 1:30:56 | |
So, it's called the fifth quarter. | 1:30:56 | 1:30:59 | |
Count five, the first-degree kidnapping with use | 1:30:59 | 1:31:01 | |
of a deadly weapon, | 1:31:01 | 1:31:03 | |
a fixed term of 15 years, parole eligibility beginning | 1:31:03 | 1:31:06 | |
after five years. | 1:31:06 | 1:31:07 | |
Count six, the first-degree kidnapping with use | 1:31:07 | 1:31:10 | |
of a deadly weapon, | 1:31:10 | 1:31:12 | |
a fixed term of 15 years. | 1:31:12 | 1:31:15 | |
That was, at most, a two-year crime dripping wet. | 1:31:15 | 1:31:19 | |
The judge in that case | 1:31:20 | 1:31:23 | |
held the jury out until 11 o'clock | 1:31:23 | 1:31:27 | |
on a Friday night, 13 years to the day... | 1:31:27 | 1:31:31 | |
..of OJ Simpson's verdict on October the 3rd. | 1:31:32 | 1:31:37 | |
That, in my mind, was not a coincidence. | 1:31:37 | 1:31:42 | |
Robbery with use of a deadly weapon, | 1:31:42 | 1:31:44 | |
a minimum term of 60 months. | 1:31:44 | 1:31:47 | |
A maximum term of 180 months. | 1:31:47 | 1:31:51 | |
Count eight, robbery with use of a deadly weapon, | 1:31:51 | 1:31:53 | |
a minimum term of 60 months, a max term of 180 months, | 1:31:53 | 1:31:56 | |
in the Nevada Department of Corrections. | 1:31:56 | 1:31:59 | |
The assault with a deadly weapon. | 1:31:59 | 1:32:02 | |
A minimum term of 18 months, | 1:32:02 | 1:32:05 | |
max term of 72 months, | 1:32:05 | 1:32:07 | |
in the Nevada Department of Corrections. | 1:32:07 | 1:32:09 | |
And the 33-year sentence | 1:32:09 | 1:32:12 | |
reflecting the 33 million | 1:32:12 | 1:32:15 | |
in the civil verdict was no coincidence. | 1:32:15 | 1:32:19 | |
That concludes today's sentencing. | 1:32:20 | 1:32:22 | |
And that was the fifth quarter. | 1:32:22 | 1:32:25 | |
They got back at OJ for winning our case. | 1:32:25 | 1:32:30 | |
-Thank you. -Thank you, judge. -Thank you very much. We're adjourned. | 1:32:30 | 1:32:33 | |
He didn't kidnap anybody. | 1:32:35 | 1:32:37 | |
Nobody was moved or tortured or hit and beat up. | 1:32:37 | 1:32:39 | |
There wasn't none of that. He got played by the book. | 1:32:39 | 1:32:43 | |
In the legal term of the law, when he said, | 1:32:43 | 1:32:46 | |
"Nobody leaves this room," that is kidnapping. | 1:32:46 | 1:32:49 | |
That wasn't about justice. | 1:32:50 | 1:32:52 | |
They wanted the guy that got away with murder in 1994. | 1:32:52 | 1:32:57 | |
Here's the thing about it. | 1:32:59 | 1:33:01 | |
The guns are the thing about it. | 1:33:01 | 1:33:04 | |
They put guns to people's heads. | 1:33:04 | 1:33:06 | |
Someone could have died there. | 1:33:06 | 1:33:08 | |
The legal elements of the case were there. | 1:33:08 | 1:33:10 | |
Did the jury hammer him because of the murder trial? | 1:33:10 | 1:33:15 | |
Wouldn't surprise me. | 1:33:16 | 1:33:17 | |
That is... | 1:33:19 | 1:33:20 | |
That is white justice in America, man. | 1:33:21 | 1:33:23 | |
Listen, I think anybody who is happy | 1:33:27 | 1:33:30 | |
that any human being is going to be stuck in a cage | 1:33:30 | 1:33:34 | |
is a horrible person. | 1:33:34 | 1:33:36 | |
This is not a happy day for anybody. | 1:33:36 | 1:33:39 | |
We're thrilled. | 1:33:40 | 1:33:41 | |
It's kind of a bittersweet moment, | 1:33:41 | 1:33:44 | |
knowing that that SOB is going to be in jail | 1:33:44 | 1:33:47 | |
for a very long time. | 1:33:47 | 1:33:48 | |
And he's going to be where he belongs, | 1:33:52 | 1:33:54 | |
with others of his kind. | 1:33:54 | 1:33:56 | |
And he can complain there. | 1:33:56 | 1:33:58 | |
Look, I voted "no" then. | 1:34:04 | 1:34:08 | |
Then he's a stupid ass to go out there | 1:34:08 | 1:34:11 | |
and get into some more shit. | 1:34:11 | 1:34:13 | |
Somewhat. | 1:34:17 | 1:34:19 | |
But deep in my heart, | 1:34:19 | 1:34:22 | |
I done what I felt was right at that time. | 1:34:22 | 1:34:26 | |
-CHANTING: -Free OJ! | 1:34:26 | 1:34:29 | |
Back then, we took care of our own. | 1:34:29 | 1:34:33 | |
Now, you're on your own, Joe. | 1:34:33 | 1:34:36 | |
A lot of people gave a lot. | 1:34:38 | 1:34:41 | |
-CHANTING: -We want justice! | 1:34:41 | 1:34:43 | |
But ultimately, it was all a waste. | 1:34:43 | 1:34:47 | |
He wasn't deserving. | 1:34:47 | 1:34:49 | |
My main concern is a black man's image | 1:34:50 | 1:34:53 | |
and the beating that it's taken. | 1:34:53 | 1:34:55 | |
OJ reached the top of the mountain. | 1:34:58 | 1:35:00 | |
And when he fell off, | 1:35:02 | 1:35:04 | |
it should not reflect on black people at all. | 1:35:04 | 1:35:07 | |
It should reflect on OJ. | 1:35:07 | 1:35:08 | |
He had everything. | 1:35:11 | 1:35:13 | |
He had adoration. | 1:35:14 | 1:35:16 | |
You hear the crowd. | 1:35:16 | 1:35:17 | |
Men loved him, women loved him, children loved him. | 1:35:17 | 1:35:21 | |
That's the way it should be. | 1:35:21 | 1:35:23 | |
I mean, how many people go through life like that? | 1:35:23 | 1:35:25 | |
When you're running the ball, it's joy. | 1:35:25 | 1:35:30 | |
This is the natural state of things. | 1:35:30 | 1:35:32 | |
For somebody like OJ Simpson, who came from where he came, | 1:35:32 | 1:35:37 | |
to have accomplished what he accomplished, | 1:35:37 | 1:35:40 | |
to have that brutal fall from grace - | 1:35:40 | 1:35:44 | |
it's really an American tragedy. | 1:35:44 | 1:35:46 | |
I don't know how I ended up here. | 1:35:50 | 1:35:52 | |
I just don't know how I ended up here. | 1:35:52 | 1:35:55 | |
I thought I lived a great life. | 1:35:56 | 1:35:59 | |
I thought I treated everybody well. | 1:35:59 | 1:36:01 | |
I went out of my way to make everybody comfortable and happy. | 1:36:01 | 1:36:03 | |
I felt the goodness in myself | 1:36:04 | 1:36:07 | |
and the goodness I gave people. | 1:36:07 | 1:36:08 | |
I don't feel any goodness in myself right now. | 1:36:08 | 1:36:11 | |
I feel empty. | 1:36:12 | 1:36:14 | |
I feel totally empty. | 1:36:14 | 1:36:16 | |
I felt I have some last thing I gotta say to somebody. | 1:36:18 | 1:36:21 | |
Please remember me as the Juice. | 1:36:23 | 1:36:24 | |
Please remember me as a good guy. | 1:36:24 | 1:36:26 | |
Please. | 1:36:26 | 1:36:28 |