Browse content similar to Part 4. Check below for episodes and series from the same categories and more!
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This programme contains graphic violent scenes | 0:00:02 | 0:00:07 | |
and some strong language | 0:00:07 | 0:00:10 | |
DOG BARKS | 0:00:15 | 0:00:18 | |
We got this call, and I didn't know whose house it was. | 0:00:18 | 0:00:23 | |
I had never been on a call there, but there | 0:00:24 | 0:00:27 | |
had been ten, 11, 12 officers that had been | 0:00:27 | 0:00:31 | |
on various calls over the years. | 0:00:31 | 0:00:33 | |
Simpson is standing on the left side of the driveway, by the shrubs, | 0:00:37 | 0:00:43 | |
holding a baseball bat. | 0:00:43 | 0:00:45 | |
Nicole is sitting on the front part | 0:00:46 | 0:00:49 | |
of a 450SL Mercedes, windshield smashed in, | 0:00:49 | 0:00:55 | |
and she's bawling, heaving, I mean, almost uncontrollably. | 0:00:55 | 0:01:00 | |
He's got this look on his face | 0:01:02 | 0:01:05 | |
like he's going to do battle. | 0:01:05 | 0:01:07 | |
And I say, "Put the bat down." | 0:01:07 | 0:01:10 | |
And he's got this look, this rage look. | 0:01:12 | 0:01:17 | |
I said, "Put the bat down." | 0:01:17 | 0:01:21 | |
He didn't do it the second time. | 0:01:22 | 0:01:24 | |
I took out my baton, and I said, "Put it down now." | 0:01:24 | 0:01:27 | |
And then all of a sudden there was this calm | 0:01:29 | 0:01:31 | |
that came over his face, he dropped it and goes, "Oh, sorry, Officer." | 0:01:31 | 0:01:35 | |
And I went over, and she was still crying. | 0:01:37 | 0:01:39 | |
And I said, "Do you want to make a report?" | 0:01:40 | 0:01:44 | |
And she goes, "No." | 0:01:45 | 0:01:46 | |
I remember saying this because it was... | 0:01:48 | 0:01:51 | |
..I think expressing | 0:01:53 | 0:01:55 | |
my...displeasure | 0:01:55 | 0:01:58 | |
that she was allowing herself to be treated like this. | 0:01:58 | 0:02:03 | |
I said, "It's your life." | 0:02:03 | 0:02:04 | |
All right, let the record reflect that | 0:02:29 | 0:02:31 | |
we have been rejoined by all members of our jury panel. | 0:02:31 | 0:02:34 | |
Mr Darden, you may continue. | 0:02:34 | 0:02:36 | |
Did that search warrant authorise you | 0:02:36 | 0:02:38 | |
to drill a hole in a safe deposit box at Union Bank? | 0:02:38 | 0:02:41 | |
Yes. | 0:02:41 | 0:02:42 | |
-Whose safe deposit box was it? -Nicole Brown Simpson. | 0:02:42 | 0:02:45 | |
Recognise that item? | 0:02:51 | 0:02:54 | |
Yes, it was in a sealed envelope | 0:02:54 | 0:02:56 | |
that was contained inside the safe deposit box. | 0:02:56 | 0:02:58 | |
The strategy had been to open the case | 0:03:07 | 0:03:11 | |
with a couple weeks of domestic violence evidence. | 0:03:11 | 0:03:16 | |
Did you remove that Polaroid from Nicole Brown's safe deposit box? | 0:03:16 | 0:03:19 | |
Yes, I did. | 0:03:19 | 0:03:21 | |
-Do you know who took that photograph? -I did. | 0:03:21 | 0:03:24 | |
The swelling over her right eye - | 0:03:24 | 0:03:26 | |
that isn't how she usually looked, is it? | 0:03:26 | 0:03:28 | |
No, it's not. | 0:03:28 | 0:03:30 | |
We're going to present all that evidence | 0:03:31 | 0:03:34 | |
in an effort to knock Simpson | 0:03:34 | 0:03:37 | |
off the iconic pedestal on which he stood. | 0:03:37 | 0:03:40 | |
And you mentioned that pictures began flying off the walls. | 0:03:40 | 0:03:43 | |
How did they come flying off the wall? | 0:03:43 | 0:03:45 | |
OJ was walking up the hall, or up the staircase, | 0:03:45 | 0:03:48 | |
and he started throwing them. | 0:03:48 | 0:03:49 | |
He took them off the wall and started throwing them down. | 0:03:49 | 0:03:52 | |
-Did the defendant say anything? -He wanted her out of his house, | 0:03:52 | 0:03:55 | |
and he threw her up against the wall, and the eyes got real angry. | 0:03:55 | 0:04:01 | |
It wasn't as if it was OJ any more. | 0:04:01 | 0:04:04 | |
'I was so disappointed.' | 0:04:05 | 0:04:07 | |
I just had no comprehension about it, no knowledge. | 0:04:08 | 0:04:13 | |
What did the defendant say | 0:04:13 | 0:04:15 | |
about your sister's weight while she was pregnant? | 0:04:15 | 0:04:19 | |
He used to call her a fat pig. | 0:04:19 | 0:04:21 | |
It's like finding out your wife's a bad person, you know? | 0:04:28 | 0:04:33 | |
'911 emergency.' | 0:04:33 | 0:04:36 | |
I heard a female screaming. | 0:04:36 | 0:04:37 | |
'Hello?' | 0:04:37 | 0:04:39 | |
I definitely felt for Nicole. | 0:04:40 | 0:04:42 | |
And then I heard someone being hit. | 0:04:42 | 0:04:46 | |
SCREAMS ON TAPE | 0:04:47 | 0:04:50 | |
'You know, I looked at him, "You're a pretty bad person."' | 0:04:50 | 0:04:54 | |
He's capable of outbursts. | 0:04:54 | 0:04:57 | |
SHOUTING ON TAPE | 0:04:57 | 0:05:00 | |
If you have the personality that you can physically abuse women... | 0:05:00 | 0:05:05 | |
'I don't want to stay on the line. | 0:05:05 | 0:05:07 | |
'He's going to beat the shit out of me.' | 0:05:07 | 0:05:09 | |
'..then, to me, you're capable of murdering her.' | 0:05:09 | 0:05:11 | |
She felt that she was in imminent danger, | 0:05:11 | 0:05:14 | |
and so we made it life... I made it life-threatening. | 0:05:14 | 0:05:17 | |
Miss Brown, directing your attention to June 12 1994, | 0:05:42 | 0:05:46 | |
had you and your parents and your sister | 0:05:46 | 0:05:48 | |
planned to go somewhere after the recital was over? | 0:05:48 | 0:05:50 | |
Yes, we did. We were going out to dinner. | 0:05:50 | 0:05:53 | |
OK. And where were you planning to go? | 0:05:53 | 0:05:55 | |
We were going to Mezzaluna restaurant. | 0:05:57 | 0:06:00 | |
The domestic violence testimony was the "why" of it. | 0:06:02 | 0:06:06 | |
-Did you invite the defendant to go to the Mezzaluna? -No, I did not. | 0:06:06 | 0:06:10 | |
Did you hear anyone else invite the defendant to go to the Mezzaluna? | 0:06:10 | 0:06:13 | |
No, I did not. | 0:06:13 | 0:06:15 | |
Abusers blame their victims for the cycle of violence, | 0:06:16 | 0:06:20 | |
and on that particular night I think it all came to a head for him. | 0:06:20 | 0:06:23 | |
And he went to the recital, and the Mezzaluna | 0:06:23 | 0:06:26 | |
date was made, he was not included, | 0:06:26 | 0:06:28 | |
and then he tries to reach Paula later that night, | 0:06:28 | 0:06:31 | |
at 10.03, calling her twice, when he was in the Bronco. | 0:06:31 | 0:06:34 | |
She was not there. | 0:06:34 | 0:06:36 | |
And I think that was the last straw for him. | 0:06:36 | 0:06:38 | |
He was abandoned by Nicole, he was abandoned by Paula... | 0:06:38 | 0:06:42 | |
..and that's why we're here. | 0:06:43 | 0:06:45 | |
There's a connection with abuse, and could it lead to death? Sure. | 0:06:46 | 0:06:51 | |
But I don't think they proved that. | 0:06:53 | 0:06:55 | |
How many times did you hear her | 0:06:55 | 0:06:57 | |
shout, "He's going to kill me, he's going to kill me"? | 0:06:57 | 0:07:01 | |
Four or five times. | 0:07:01 | 0:07:04 | |
Let me tell you, | 0:07:04 | 0:07:07 | |
I lose respect for any woman that take | 0:07:07 | 0:07:09 | |
an ass-whupping when she don't have to. | 0:07:09 | 0:07:12 | |
Don't stay in the water... | 0:07:12 | 0:07:16 | |
if it's over your head. You'll drown. | 0:07:16 | 0:07:19 | |
They did not get it. | 0:07:19 | 0:07:22 | |
They just didn't care. | 0:07:22 | 0:07:24 | |
They got it. I mean, you know, it's not that complicated. | 0:07:24 | 0:07:28 | |
They didn't care. So... | 0:07:28 | 0:07:31 | |
Our hearts sank. | 0:07:31 | 0:07:33 | |
We thought, "We are really going to have | 0:07:33 | 0:07:36 | |
"a tough time if our jurors don't understand how this is relevant." | 0:07:36 | 0:07:40 | |
-SOBBING: -The last thing I told her is that I loved her. | 0:07:40 | 0:07:46 | |
Knowing what I believed I knew, I still refused to testify. | 0:07:51 | 0:07:56 | |
But I get a call from Chris Darden. He said, | 0:07:56 | 0:07:59 | |
"Look, I know you don't want | 0:07:59 | 0:08:01 | |
"to testify, but I need you to come down here. | 0:08:01 | 0:08:04 | |
"I've got to ask you a couple of questions. Would you, please?" | 0:08:04 | 0:08:07 | |
I went, "OK." | 0:08:07 | 0:08:09 | |
Chris is sitting there, and he goes, | 0:08:12 | 0:08:16 | |
"Hey, man, how you doing? What's going on?" | 0:08:16 | 0:08:19 | |
30, 45 seconds goes by, someone went, | 0:08:19 | 0:08:22 | |
"Chris, you've got a phone call." He goes, "Oh, Ron, be right back." | 0:08:22 | 0:08:27 | |
And as I'm sitting there... I look in front of me, you know, | 0:08:27 | 0:08:32 | |
where Chris was sitting, | 0:08:32 | 0:08:34 | |
I see this book, and it has a big "Ron and Nicole" on it. | 0:08:34 | 0:08:40 | |
I open it up... | 0:08:40 | 0:08:43 | |
and I see these beautiful pictures of Nicole, with her modelling. | 0:08:43 | 0:08:46 | |
I keep opening it. Nice pictures of Ron. | 0:08:46 | 0:08:50 | |
And all of a sudden, I get to the actual homicide pictures. | 0:08:52 | 0:08:56 | |
Now, I've seen a million homicide pictures. | 0:09:04 | 0:09:05 | |
I've been in I don't know how many homicides | 0:09:05 | 0:09:08 | |
in my 15 years as an LAPD cop. | 0:09:08 | 0:09:11 | |
But all of a sudden you look at some pictures | 0:09:12 | 0:09:15 | |
of somebody you actually know. | 0:09:15 | 0:09:18 | |
Looked at those pictures. It changed me. | 0:09:21 | 0:09:25 | |
It changed me. | 0:09:27 | 0:09:29 | |
Everybody always just beating cops up. | 0:09:33 | 0:09:35 | |
Man, there's a lot of stuff that we see and we suppress. | 0:09:35 | 0:09:40 | |
I'll never forget the first homicide that I saw. | 0:09:40 | 0:09:43 | |
Oh, it was, um... | 0:09:54 | 0:09:56 | |
Excuse me. | 0:09:59 | 0:10:01 | |
It was a 19-year-old girl. | 0:10:06 | 0:10:08 | |
POLICE RADIO CHATTER | 0:10:09 | 0:10:11 | |
'We got a call. | 0:10:11 | 0:10:13 | |
'When I went up there, she was totally nude. | 0:10:14 | 0:10:18 | |
'She had been beaten to a pulp and just discarded in the parking lot. | 0:10:18 | 0:10:23 | |
'I was like, "What kind of guy would do this?"' | 0:10:25 | 0:10:28 | |
She was 19 years old. I couldn't even...I couldn't make out her face, | 0:10:30 | 0:10:34 | |
because it was beaten in so bad. Blonde hair. | 0:10:34 | 0:10:37 | |
And we got a call that the guy turned himself in. | 0:10:38 | 0:10:43 | |
We went and picked him up. | 0:10:43 | 0:10:46 | |
And I sat in the back seat with this guy. | 0:10:46 | 0:10:49 | |
I wanted to kill him. | 0:10:50 | 0:10:52 | |
I mean, all I thought about was this is somebody's | 0:10:52 | 0:10:55 | |
daughter, sister, whatever, that's never coming home. | 0:10:55 | 0:10:57 | |
Well, when I saw Nicole's pictures, | 0:10:57 | 0:11:01 | |
that was the same thing. I felt like that with OJ. | 0:11:01 | 0:11:05 | |
Only an animal would do something like this | 0:11:06 | 0:11:09 | |
to the mother of your kids. | 0:11:09 | 0:11:11 | |
Chris came back, | 0:11:15 | 0:11:17 | |
and when he sat down, I said, "I'm testifying." | 0:11:17 | 0:11:22 | |
He said, "What?" I said, "I'm testifying." | 0:11:22 | 0:11:25 | |
The People call Ron Shipp to the stand. Ron? | 0:11:28 | 0:11:31 | |
-To the stand, Mr Shipp. -Raise your right hand, please. | 0:11:31 | 0:11:33 | |
Do you solemnly swear that the testimony | 0:11:33 | 0:11:35 | |
you're about give will be the truth, the whole truth | 0:11:35 | 0:11:37 | |
and nothing but the truth, so help you God? | 0:11:37 | 0:11:39 | |
-Yes, I do. -Please be seated. | 0:11:39 | 0:11:41 | |
'Traitor. | 0:11:41 | 0:11:43 | |
'Judas.' | 0:11:43 | 0:11:44 | |
Ronald Shipp. | 0:11:44 | 0:11:45 | |
R-O-N-A-L-D... | 0:11:45 | 0:11:47 | |
Becky called him Judas. | 0:11:47 | 0:11:49 | |
And what did the defendant say? | 0:11:49 | 0:11:52 | |
He kind of jokingly just said, "You know, | 0:11:52 | 0:11:54 | |
"you know, to be honest, Shipp" - that's what he called me, Shipp - | 0:11:54 | 0:11:58 | |
he said, "I've had some dreams of killing her." | 0:11:58 | 0:12:03 | |
This is my one moment to help put somebody | 0:12:03 | 0:12:07 | |
who's responsible for Nicole and Ron's murder, | 0:12:07 | 0:12:11 | |
put them in prison. | 0:12:11 | 0:12:13 | |
Do you and the defendant remain friends today? | 0:12:13 | 0:12:16 | |
Well, I still love the guy, but... | 0:12:17 | 0:12:19 | |
I don't know, I mean, this is a weird situation. | 0:12:19 | 0:12:22 | |
I'm sitting here... | 0:12:22 | 0:12:23 | |
-You say you still love him. -Sure. | 0:12:25 | 0:12:28 | |
-INTERVIEWER: -Did he tell the truth? -Yeah. | 0:12:32 | 0:12:35 | |
'But anybody's that's credible, what do you have to do?' | 0:12:36 | 0:12:38 | |
Nothing further. | 0:12:38 | 0:12:40 | |
'You have to destroy them.' | 0:12:40 | 0:12:43 | |
You drink a lot, don't you? | 0:12:44 | 0:12:46 | |
I used to. | 0:12:46 | 0:12:48 | |
You've had a drinking problem, haven't you? | 0:12:48 | 0:12:50 | |
In the past I have. | 0:12:50 | 0:12:52 | |
They painted him out to be | 0:12:52 | 0:12:55 | |
an alcoholic, a womaniser. | 0:12:55 | 0:12:58 | |
Isn't it true, sir, that you were with a friend | 0:12:58 | 0:13:01 | |
-other than your wife? -Yes, I was. | 0:13:01 | 0:13:03 | |
She was blonde, was she not? | 0:13:03 | 0:13:05 | |
-..who was a friend of my wife's, that's correct. -I see. | 0:13:05 | 0:13:08 | |
And when you were at his home, | 0:13:08 | 0:13:12 | |
in the dark, with the blonde | 0:13:12 | 0:13:15 | |
who wasn't your wife, who's here in court, | 0:13:15 | 0:13:17 | |
you did ask that he bring you a bottle of wine, didn't you? | 0:13:17 | 0:13:21 | |
That's correct. | 0:13:21 | 0:13:22 | |
They destroyed him. | 0:13:22 | 0:13:24 | |
You're not really this man's friend, are you, sir? | 0:13:24 | 0:13:27 | |
Well, I guess you can say I was like everybody else, | 0:13:27 | 0:13:30 | |
one of his servants. | 0:13:30 | 0:13:31 | |
I did police stuff for him all the time. I ran licence plates. | 0:13:31 | 0:13:34 | |
You weren't the kind of friend that he would share | 0:13:34 | 0:13:38 | |
some private secret with, were you, sir? | 0:13:38 | 0:13:42 | |
Nothing except for the 1989...beating, | 0:13:42 | 0:13:45 | |
where he needed me. | 0:13:45 | 0:13:48 | |
When they started lying and they came | 0:13:48 | 0:13:50 | |
up with all these different things... | 0:13:50 | 0:13:52 | |
Isn't it true, sir, that you have told Mr Simpson's friend that | 0:13:52 | 0:13:58 | |
if Mr Simpson weren't around, you might have a shot | 0:13:58 | 0:14:01 | |
at Nicole Brown Simpson yourself? | 0:14:01 | 0:14:05 | |
No, I did not. | 0:14:05 | 0:14:07 | |
'He looked at me with that OJ Simpson smile.' | 0:14:07 | 0:14:10 | |
And, oh, I felt that hate come back. I felt it come back. | 0:14:10 | 0:14:14 | |
Mr Douglas, I hope you get your facts straight. | 0:14:14 | 0:14:17 | |
-Hold on, hold on. -You're attacking me. -Hold on, Mr Shipp. | 0:14:17 | 0:14:19 | |
This is sad, OJ, this is really sad. | 0:14:19 | 0:14:22 | |
Your Honour, I move to strike that. | 0:14:22 | 0:14:25 | |
'I was like, "This guy deserves to rot in hell."' | 0:14:25 | 0:14:29 | |
I do remember that I was told, you know, | 0:14:29 | 0:14:33 | |
after I did make that decision to testify, "You're not alone." | 0:14:33 | 0:14:37 | |
And I saw a list. They said, "These are the ones | 0:14:37 | 0:14:39 | |
"that are going to be testifying." | 0:14:39 | 0:14:41 | |
But after they got through with me, | 0:14:42 | 0:14:46 | |
everybody got amnesia. | 0:14:46 | 0:14:48 | |
I will not have the blood of Nicole on Ron Shipp. | 0:14:48 | 0:14:52 | |
I can sleep at night, | 0:14:53 | 0:14:55 | |
unlike a lot of others. | 0:14:55 | 0:14:57 | |
Mr Shipp... | 0:14:57 | 0:14:58 | |
I think that was the first person that | 0:14:59 | 0:15:02 | |
it became evident that everybody's expendable... | 0:15:02 | 0:15:08 | |
that if the Titanic sank, OJ was going to take | 0:15:08 | 0:15:11 | |
a life vest for himself but he's going to probably | 0:15:11 | 0:15:13 | |
take yours, too, just in case. | 0:15:13 | 0:15:17 | |
He was a fighter, he was a hustler, he was a competitor. | 0:15:17 | 0:15:20 | |
To survive, to get to where he was, he had to be good, and he was. | 0:15:20 | 0:15:26 | |
'I was struck by how engaged he was.' | 0:15:26 | 0:15:29 | |
..that when we were in court that day... | 0:15:29 | 0:15:32 | |
..you'll recall... Usually I'm sitting next to him when we | 0:15:33 | 0:15:36 | |
talk about that, you know what I mean? | 0:15:36 | 0:15:38 | |
In a lot of cases, the defendant is really sort of incidental. | 0:15:38 | 0:15:41 | |
You really have the sense that it's legal team versus legal team, | 0:15:41 | 0:15:45 | |
whereas I did have the sense that he was | 0:15:45 | 0:15:47 | |
a significant player within his own team. | 0:15:47 | 0:15:50 | |
OJ was brilliant in terms of how things played. | 0:15:52 | 0:15:57 | |
You say that the conversation with Mr Simpson was eating you up. | 0:15:57 | 0:16:00 | |
-Is that your statement? -That's correct. | 0:16:00 | 0:16:03 | |
And did you hope to exorcise this pain from your body? | 0:16:03 | 0:16:08 | |
'He would give me more than a few tongue lashings | 0:16:08 | 0:16:12 | |
'to make sure that I would communicate | 0:16:12 | 0:16:14 | |
'in a way that would convey | 0:16:14 | 0:16:16 | |
'the image that he thought would be best.' | 0:16:16 | 0:16:19 | |
I remember I had some spittle on my mouth. | 0:16:19 | 0:16:23 | |
And he said, "Wipe your mouth! Wipe the spit off your mouth!" | 0:16:23 | 0:16:26 | |
He took me to the woodshed. | 0:16:26 | 0:16:29 | |
But I was 39 years old, | 0:16:30 | 0:16:34 | |
working on behalf of OJ Simpson and on television. | 0:16:34 | 0:16:37 | |
I'm living the life of all my colleagues would dream. | 0:16:38 | 0:16:41 | |
So, if I had to eat a little cheese | 0:16:41 | 0:16:46 | |
while being on TV, that was a small price for me to pay. | 0:16:46 | 0:16:51 | |
What was remarkable about him was his ability to turn on the charisma. | 0:16:51 | 0:16:54 | |
Like that. In a moment, he could smile. | 0:16:54 | 0:16:58 | |
He knew when the camera was on him in that courtroom, | 0:16:58 | 0:17:01 | |
and he would have a really benign expression. | 0:17:01 | 0:17:04 | |
And when the camera moved away from him, the face fell. | 0:17:04 | 0:17:09 | |
Everything that happened in that courtroom was by design - | 0:17:09 | 0:17:14 | |
who sat where, what colours they wore, what ties they wore. | 0:17:14 | 0:17:19 | |
Some days, it would be very irritating | 0:17:19 | 0:17:21 | |
to see the games the defence was playing | 0:17:21 | 0:17:23 | |
when they would put on those ties, that Kente cloth. | 0:17:23 | 0:17:28 | |
Stop it. | 0:17:28 | 0:17:30 | |
He's communicating to the jury. | 0:17:30 | 0:17:33 | |
I know Johnnie well enough. I know how he works. | 0:17:33 | 0:17:36 | |
Now the prosecution, Miss Clark. They're insulting you. | 0:17:36 | 0:17:40 | |
They are insulting the intelligence and the credibility of this jury | 0:17:40 | 0:17:43 | |
when they implied that we are in some way | 0:17:43 | 0:17:45 | |
trying to manipulate a predominantly black jury | 0:17:45 | 0:17:48 | |
by my wearing this African tribal tie. | 0:17:48 | 0:17:50 | |
LAUGHTER | 0:17:50 | 0:17:52 | |
That's an insult to this jury, and I am personally offended, | 0:17:52 | 0:17:55 | |
not only on my behalf, but also on the behalf | 0:17:55 | 0:17:57 | |
of my esteemed colleagues. | 0:17:57 | 0:17:59 | |
Mr Shapiro... | 0:17:59 | 0:18:01 | |
Mr Bailey... | 0:18:01 | 0:18:03 | |
..and Mr Scheck. | 0:18:04 | 0:18:06 | |
I had spent a lot of time thinking about cameras in the courtroom. | 0:18:08 | 0:18:11 | |
The camera is going to be out to about here. | 0:18:11 | 0:18:13 | |
It was supposed to be something that would | 0:18:13 | 0:18:15 | |
really elevate the country's understanding | 0:18:15 | 0:18:19 | |
of the American legal system. | 0:18:19 | 0:18:20 | |
Having the cameras in the courtroom | 0:18:20 | 0:18:23 | |
allows everyone to see how a trial really proceeds, | 0:18:23 | 0:18:25 | |
so then they see the actual evidence as it's being | 0:18:25 | 0:18:27 | |
brought out, and that's a good thing. | 0:18:27 | 0:18:30 | |
But that's not what happened. | 0:18:30 | 0:18:33 | |
There was no internet. There was no MSNBC. There was no Fox. | 0:18:34 | 0:18:39 | |
There was one cable news network, | 0:18:39 | 0:18:41 | |
and CNN covered the case gavel to gavel. | 0:18:41 | 0:18:45 | |
This case was everywhere. | 0:18:45 | 0:18:48 | |
The Simpson trial, by any standard, is a very, very big news story. | 0:18:48 | 0:18:52 | |
-In this country, the OJ Simpson... -At the OJ Simpson trial today.... | 0:18:52 | 0:18:55 | |
There are some big decisions to report in the OJ... | 0:18:55 | 0:18:57 | |
More on the OJ Simpson story tonight on Nightline | 0:18:57 | 0:19:00 | |
and tomorrow night on 20/20. | 0:19:00 | 0:19:02 | |
I think before OJ, what was the biggest story? | 0:19:02 | 0:19:05 | |
The Lindbergh kidnapping. | 0:19:05 | 0:19:07 | |
I can't think of one bigger than OJ where celebrity drove the story. | 0:19:08 | 0:19:14 | |
On the 3 Network Newscast, | 0:19:14 | 0:19:15 | |
the Simpson story has been given more time | 0:19:15 | 0:19:18 | |
in two months than any other topic this year. | 0:19:18 | 0:19:22 | |
There is a ravenous public appetite for this, | 0:19:22 | 0:19:24 | |
and the fact of the matter is it is one whale of a good story. | 0:19:24 | 0:19:28 | |
OJ's celebrity status clearly made it a big-time story. | 0:19:28 | 0:19:32 | |
But I think the fact that you had the interracial | 0:19:32 | 0:19:36 | |
angle there kind of juiced it and I think it had | 0:19:36 | 0:19:38 | |
a little extra pizzazz. | 0:19:38 | 0:19:42 | |
Here is a black man, in America, who is accused of killing a white woman. | 0:19:42 | 0:19:47 | |
Black hero killing white woman. | 0:19:47 | 0:19:50 | |
Black men killing white women, now that happens. | 0:19:50 | 0:19:53 | |
Nobody cares. | 0:19:53 | 0:19:55 | |
But black American hero killing white woman | 0:19:55 | 0:20:00 | |
was a giant thing. | 0:20:00 | 0:20:02 | |
It was branded as the trial of the century, | 0:20:05 | 0:20:09 | |
and my mother said, "If OJ had killed Marguerite, | 0:20:09 | 0:20:12 | |
"this would not be the trial of the century | 0:20:12 | 0:20:14 | |
"and his black ass would be in jail." | 0:20:14 | 0:20:16 | |
The Simpson case never felt like a real murder case. | 0:20:20 | 0:20:25 | |
It felt like a media circus. | 0:20:25 | 0:20:27 | |
I would walk out the door, and there would be | 0:20:31 | 0:20:33 | |
the press standing right there with microphones | 0:20:33 | 0:20:35 | |
and cameras, and I'm wearing a white dress, | 0:20:35 | 0:20:37 | |
and the press is holding microphones in my face | 0:20:37 | 0:20:40 | |
and saying, "What's the significance of the white dress?" | 0:20:40 | 0:20:43 | |
You know, it was clean. | 0:20:43 | 0:20:45 | |
'There was a certain amount of denial I was living in | 0:20:48 | 0:20:51 | |
'in terms of how much attention I would get at any given point.' | 0:20:51 | 0:20:58 | |
As you can see, Clark is smack dab in the middle of a national debate, | 0:20:58 | 0:21:02 | |
and it has nothing whatsoever to do with the OJ Simpson trial. | 0:21:02 | 0:21:05 | |
Here's more on the story from Judy Muller. | 0:21:05 | 0:21:09 | |
I really hated it. | 0:21:09 | 0:21:10 | |
The coverage of it became, you know, real infotainment. | 0:21:10 | 0:21:13 | |
OJ girlfriend in Playboy. OJ girlfriend before Grand Jury. | 0:21:13 | 0:21:17 | |
OJ Defence Tip Hotline unplugged. | 0:21:17 | 0:21:20 | |
OJ houseboy's girlfriend holds news conference. | 0:21:20 | 0:21:23 | |
The OJ stories are everywhere. So is the ET coverage. | 0:21:23 | 0:21:28 | |
Our job is to tell people what happened today | 0:21:28 | 0:21:30 | |
and what was important. | 0:21:30 | 0:21:32 | |
We have lost sight of giving people the news | 0:21:32 | 0:21:36 | |
in terms of its significance. | 0:21:36 | 0:21:38 | |
We're giving it to them in terms of what we think simply | 0:21:38 | 0:21:40 | |
is the most titillating and the most ratings-grabbing. | 0:21:40 | 0:21:46 | |
You think he'd be there for you the way you were there for him? | 0:21:46 | 0:21:48 | |
The celibacy thing I don't know about. | 0:21:48 | 0:21:52 | |
There was so much hand-wringing at TV networks | 0:21:52 | 0:21:55 | |
and at the New York Times. | 0:21:55 | 0:21:56 | |
One editor at the Times was quoted as saying, | 0:21:56 | 0:21:58 | |
"Now I find myself reading the Enquirer | 0:21:58 | 0:22:01 | |
"every week and chasing leads out of it." | 0:22:01 | 0:22:04 | |
I think we have to ask at what point | 0:22:04 | 0:22:07 | |
do what should be journalistic decisions | 0:22:07 | 0:22:09 | |
become marketing decisions. | 0:22:09 | 0:22:12 | |
I think a lot of the elitism went out of the mainstream | 0:22:12 | 0:22:14 | |
media at that point. | 0:22:14 | 0:22:16 | |
And they're like, "Well, if this is what people want, | 0:22:16 | 0:22:19 | |
"this is what we're going to give them." | 0:22:19 | 0:22:21 | |
Tonight, the woman who calls herself | 0:22:21 | 0:22:23 | |
Nicole Brown Simpson's best friend, Faye Resnick. | 0:22:23 | 0:22:27 | |
If Nicole was caught talking to the gas station attendant, | 0:22:27 | 0:22:31 | |
he would make it seem as if she was having an affair with him. | 0:22:31 | 0:22:35 | |
The cameras in the courtroom, I think, | 0:22:35 | 0:22:37 | |
gave too much notoriety to the witnesses. | 0:22:37 | 0:22:40 | |
-I heard a thumping noise. -How many thumps did you hear? | 0:22:40 | 0:22:43 | |
Three. | 0:22:43 | 0:22:45 | |
If someone points him out and says, "There's Kato Kaelin," | 0:22:46 | 0:22:49 | |
I'll say, "Oh, yeah," and I'll gawk like everybody else. | 0:22:49 | 0:22:53 | |
The same can be said for all the attendants in the courtroom. | 0:22:53 | 0:22:58 | |
Judge Ito! | 0:22:58 | 0:23:00 | |
I mean, I remember one day I saw Marcia and she said | 0:23:00 | 0:23:03 | |
Larry King was in chambers with Judge Ito. | 0:23:03 | 0:23:07 | |
Did you talk about him possibly appearing on your show? | 0:23:10 | 0:23:13 | |
They made everyone celebrities. | 0:23:18 | 0:23:20 | |
I understood money and attorneys, | 0:23:28 | 0:23:30 | |
reputation and celebrity. And who am I? | 0:23:30 | 0:23:34 | |
I'm a nobody. | 0:23:34 | 0:23:36 | |
I am nobody. | 0:23:38 | 0:23:40 | |
I began to get some insight into Fuhrman... | 0:23:47 | 0:23:50 | |
..and I said, "There's the jugular vein. | 0:23:52 | 0:23:54 | |
"All we have to do is cut that | 0:23:56 | 0:23:58 | |
"and there's nothing left of consequence." | 0:23:58 | 0:24:01 | |
'He was going to be their fall guy. We all knew it.' | 0:24:02 | 0:24:06 | |
They were going to go after him any way they could. | 0:24:06 | 0:24:10 | |
We heard from a guy that Fuhrman wanted a job in South Africa. | 0:24:10 | 0:24:14 | |
He wanted to be in a force where you could | 0:24:15 | 0:24:17 | |
shoot niggers and not get accused of anything. | 0:24:17 | 0:24:21 | |
Another witness said Fuhrman had pulled her over, | 0:24:24 | 0:24:27 | |
and when he did, a Corvette went by with a black | 0:24:27 | 0:24:30 | |
guy driving and a nice-looking white girl. | 0:24:30 | 0:24:33 | |
And Fuhrman spewed out a line of epithets | 0:24:33 | 0:24:37 | |
about how unconstitutional it was, | 0:24:37 | 0:24:40 | |
for this guy to be running around with a white woman. | 0:24:40 | 0:24:43 | |
These stories were hair-raising. | 0:24:45 | 0:24:48 | |
These allegations get more outrageous by the minute. | 0:24:50 | 0:24:52 | |
And I'm stricken again by the preposterousness | 0:24:52 | 0:24:55 | |
of the claims of the defence. | 0:24:55 | 0:24:57 | |
The People respectfully submit to the court | 0:24:57 | 0:24:59 | |
that what we have here is not a defence, it's a smear campaign. | 0:24:59 | 0:25:02 | |
We made him a central part, | 0:25:02 | 0:25:05 | |
consistent with the themes that he's the bogeyman. | 0:25:05 | 0:25:09 | |
Who is Mark Fuhrman, and what was he like? | 0:25:11 | 0:25:15 | |
I got a bunch of calls from black police officers | 0:25:15 | 0:25:17 | |
who said, "Fuhrman is absolutely not a racist." | 0:25:17 | 0:25:21 | |
His former commanding officer, who happens | 0:25:21 | 0:25:23 | |
to be black, told me that he was one of those | 0:25:23 | 0:25:28 | |
people who made the most remarkable | 0:25:28 | 0:25:30 | |
turnaround and became such an exceptional | 0:25:30 | 0:25:32 | |
detective and was really a good guy. | 0:25:32 | 0:25:36 | |
Joining us now is the former chief | 0:25:37 | 0:25:39 | |
of the Los Angeles Police Department, Daryl Gates. | 0:25:39 | 0:25:41 | |
We knew that the police department would take | 0:25:44 | 0:25:47 | |
a very defensive posture. | 0:25:47 | 0:25:50 | |
I think the record supports the fact that Mark was a good police officer, | 0:25:50 | 0:25:54 | |
that he was a nice young man. | 0:25:54 | 0:25:56 | |
"He was not a racist, he was this and that," | 0:25:56 | 0:25:58 | |
the better he played to us. | 0:25:58 | 0:26:01 | |
You cannot take the words of a defence team as the gospel | 0:26:01 | 0:26:04 | |
in the city of Los Angeles. | 0:26:04 | 0:26:06 | |
There was one glove found at the crime scene. | 0:26:12 | 0:26:14 | |
Its match was found at his house, | 0:26:14 | 0:26:17 | |
bearing the blood and hair and fibre from Ron and Nicole. | 0:26:17 | 0:26:21 | |
How does it get more incriminating than that? | 0:26:21 | 0:26:25 | |
And that's why the defence knew they had to knock out that glove. | 0:26:25 | 0:26:29 | |
I had to go. | 0:26:29 | 0:26:31 | |
One way or another. | 0:26:31 | 0:26:32 | |
A truck hitting me. They would have done | 0:26:32 | 0:26:36 | |
whatever it took to get rid of me. | 0:26:36 | 0:26:39 | |
None of them thought that I planted that glove. | 0:26:41 | 0:26:45 | |
But they wanted the question to loom. | 0:26:45 | 0:26:48 | |
I am convinced that glove was placed there. | 0:26:50 | 0:26:53 | |
We call that framing a guilty man. | 0:26:53 | 0:26:56 | |
I mean, look, cops plant guns. Why do you think they plant guns? | 0:26:57 | 0:27:01 | |
They don't plant a gun on somebody who they | 0:27:01 | 0:27:03 | |
perceive as innocent, they plant guns on somebody | 0:27:03 | 0:27:05 | |
who they think is a dirt bag, and they had maybe | 0:27:05 | 0:27:09 | |
a questionable shooting, so they needed to place | 0:27:09 | 0:27:12 | |
the other gun in order to justify their shootings. | 0:27:12 | 0:27:16 | |
Mark Fuhrman picked the glove up at the scene, | 0:27:28 | 0:27:32 | |
put it in a baggie, and carried it with him | 0:27:32 | 0:27:34 | |
until he had a chance, with no witnesses, to plant it. | 0:27:34 | 0:27:39 | |
Do you realise how ignorant he sounds? | 0:27:41 | 0:27:44 | |
You have a man that's a famous attorney, | 0:27:44 | 0:27:48 | |
that has made up everything without a shred | 0:27:48 | 0:27:51 | |
of evidence, and then you have people | 0:27:51 | 0:27:54 | |
hook, line and sinker go, "Yeah." | 0:27:54 | 0:27:57 | |
I do not for one second believe | 0:27:57 | 0:28:00 | |
there was any sort of conspiracy here. | 0:28:00 | 0:28:02 | |
15 people were at the scene before Fuhrman got there | 0:28:02 | 0:28:04 | |
and viewed the left-handed glove. | 0:28:04 | 0:28:06 | |
The right glove was found behind the bungalow | 0:28:06 | 0:28:09 | |
when he ran into the air conditioner and dropped it. | 0:28:09 | 0:28:12 | |
Fuhrman would have been willing to sacrifice | 0:28:12 | 0:28:15 | |
his career and be convicted of a felony | 0:28:15 | 0:28:19 | |
when he didn't know who did it. | 0:28:19 | 0:28:21 | |
And on top of it, there's absolutely no motivation | 0:28:21 | 0:28:24 | |
for anyone to want to do this. | 0:28:24 | 0:28:27 | |
OJ had sinned... | 0:28:28 | 0:28:31 | |
having a consort, let alone a wife, | 0:28:31 | 0:28:35 | |
of white race. | 0:28:35 | 0:28:37 | |
It was a capital offence in Fuhrman's mind. | 0:28:37 | 0:28:40 | |
So that would justify to him whatever he did. | 0:28:40 | 0:28:44 | |
And he had come to OJ's house when Nicole complained to police, | 0:28:45 | 0:28:50 | |
as she often did, that OJ was going to beat her up. | 0:28:50 | 0:28:54 | |
When Fuhrman got there, they sent him home. | 0:28:54 | 0:28:58 | |
No complaint. | 0:28:58 | 0:28:59 | |
I think Mark Fuhrman dwelled on it and was inspired by it. | 0:29:01 | 0:29:07 | |
The People call Detective Mark Fuhrman. | 0:29:07 | 0:29:10 | |
Detective Fuhrman, can you tell us how you feel about testifying today? | 0:29:13 | 0:29:17 | |
Nervous. | 0:29:17 | 0:29:19 | |
Reluctant. | 0:29:19 | 0:29:21 | |
Can you tell us why? | 0:29:21 | 0:29:22 | |
Since June 13th, it seems that I've seen a lot of the evidence | 0:29:22 | 0:29:29 | |
ignored and a lot of personal issues come to the forefront. | 0:29:29 | 0:29:33 | |
'If I don't put him on, I basically can't | 0:29:35 | 0:29:37 | |
'put the glove into evidence.' | 0:29:37 | 0:29:39 | |
And if I don't do that, it looks like an admission | 0:29:39 | 0:29:41 | |
that it was planted. | 0:29:41 | 0:29:43 | |
So I had no choice. | 0:29:43 | 0:29:45 | |
What did you do next? | 0:29:45 | 0:29:47 | |
I asked Mr Kaelin if anything unusual happened last night. | 0:29:47 | 0:29:50 | |
He said he heard a crash or a thump on his wall. | 0:29:50 | 0:29:53 | |
He thought there was going to be an earthquake, and his pictures shook. | 0:29:53 | 0:29:56 | |
'He looks confident, he's tall, he's nice-looking, has nice hair.' | 0:29:58 | 0:30:01 | |
He came off as a nice guy to the jury. | 0:30:02 | 0:30:05 | |
I walked out of the driveway, and I started walking | 0:30:05 | 0:30:08 | |
in the direction going back towards Kaelin's room. | 0:30:08 | 0:30:10 | |
'They had no reason to doubt him.' | 0:30:10 | 0:30:12 | |
I continued walking down the path | 0:30:12 | 0:30:14 | |
and saw what now I identified as a possible glove. | 0:30:14 | 0:30:20 | |
If he were telling the truth, that would condemn OJ. | 0:30:21 | 0:30:27 | |
Thank you, sir, I have nothing further. | 0:30:27 | 0:30:29 | |
Early, early, early on, | 0:30:30 | 0:30:33 | |
Fuhrman had been a witness | 0:30:33 | 0:30:36 | |
that Lee staked out and he wanted to take. | 0:30:36 | 0:30:41 | |
I thought it required to dismantle this guy, | 0:30:41 | 0:30:45 | |
as he should be dismantled, | 0:30:45 | 0:30:47 | |
the work of somebody with a lot of cross-examination experience. | 0:30:47 | 0:30:52 | |
I was the only one on the defence team that fit that bill. | 0:30:52 | 0:30:55 | |
He's one of my heroes. F Lee Bailey. | 0:30:58 | 0:31:01 | |
Mr Bailey, what do you think | 0:31:01 | 0:31:02 | |
Sam Sheppard's chances are of going free? | 0:31:02 | 0:31:04 | |
Sam is free, and he's going to stay | 0:31:04 | 0:31:06 | |
that way and the odds are astronomical. | 0:31:06 | 0:31:09 | |
F Lee Bailey was one of | 0:31:09 | 0:31:11 | |
the great criminal advocates of his time, for sure. | 0:31:11 | 0:31:16 | |
He pioneered a lot of, you know, great techniques | 0:31:16 | 0:31:19 | |
as a criminal defence lawyer. | 0:31:19 | 0:31:21 | |
As far as I'm concerned right now, Lee Bailey | 0:31:21 | 0:31:23 | |
is the doctor, he's the surgeon, | 0:31:23 | 0:31:26 | |
and I do what he tells me. | 0:31:26 | 0:31:28 | |
'He was obviously a man of great ability.' | 0:31:30 | 0:31:33 | |
Detective Fuhrman, you went out there | 0:31:36 | 0:31:39 | |
in the alley, where you've never been before. | 0:31:39 | 0:31:42 | |
-Yes, I went that pathway. -You walked there by yourself, correct? | 0:31:42 | 0:31:46 | |
-Yes. -You had three detectives, who were armed, | 0:31:46 | 0:31:49 | |
in the house and didn't tell any of them | 0:31:49 | 0:31:52 | |
where you were going, correct? | 0:31:52 | 0:31:54 | |
That's correct. | 0:31:54 | 0:31:55 | |
'The purpose of a cross-examination is to peel | 0:31:57 | 0:32:00 | |
'back the witness's outer skin | 0:32:00 | 0:32:03 | |
'and let the jury see what's underneath.' | 0:32:03 | 0:32:06 | |
If it's a saint, you're going to get buried, | 0:32:06 | 0:32:09 | |
but if it's a Fuhrman, you'll be making money | 0:32:09 | 0:32:11 | |
every minute of the day. | 0:32:11 | 0:32:13 | |
Didn't it seem strange to you that after seven and a half hours | 0:32:13 | 0:32:19 | |
that glove still showed moist, sticky blood, Detective Fuhrman? | 0:32:19 | 0:32:24 | |
No, I knew nothing at that time when it was deposited or left there. | 0:32:24 | 0:32:27 | |
That's seven and a half hours. | 0:32:27 | 0:32:29 | |
That's enough for blood to dry, isn't it? | 0:32:29 | 0:32:31 | |
Under certain conditions, yes, I'm sure it would be. | 0:32:34 | 0:32:36 | |
Unless it's encased in plastic | 0:32:36 | 0:32:40 | |
or rubber and evaporation is stopped. | 0:32:40 | 0:32:43 | |
Wouldn't you agree? | 0:32:43 | 0:32:44 | |
No. | 0:32:45 | 0:32:47 | |
I thought Mark Fuhrman told the truth about what happened. | 0:32:48 | 0:32:53 | |
But F Lee Bailey, in his brief star turn, | 0:32:53 | 0:32:59 | |
knew how to pin him down. | 0:32:59 | 0:33:01 | |
Detective Fuhrman, when you said | 0:33:01 | 0:33:03 | |
earlier that you were concerned about matters | 0:33:03 | 0:33:05 | |
that you viewed as irrelevant, | 0:33:05 | 0:33:07 | |
that was about certain language that some find offensive. | 0:33:07 | 0:33:11 | |
Yes. | 0:33:11 | 0:33:12 | |
OK. | 0:33:12 | 0:33:14 | |
I tried to put my best demeanour forward | 0:33:15 | 0:33:18 | |
and as professional as I could, but it was pure survival mode. | 0:33:18 | 0:33:24 | |
Do you use the word "nigger" in describing people? | 0:33:24 | 0:33:27 | |
No, sir. | 0:33:27 | 0:33:29 | |
Have you used that word in the past ten years? | 0:33:29 | 0:33:33 | |
Not that I recall, no. | 0:33:33 | 0:33:35 | |
You mean if you called someone a nigger, you have forgotten it? | 0:33:35 | 0:33:39 | |
I'm not sure I can answer that the way you phrased it, sir. | 0:33:42 | 0:33:46 | |
I had a dozen witnesses that would bury him as a racist, | 0:33:46 | 0:33:51 | |
so I wanted him to lie. | 0:33:51 | 0:33:53 | |
You have difficulty understanding the question. | 0:33:53 | 0:33:56 | |
-I'll rephrase it. -Yes. | 0:33:56 | 0:33:58 | |
I want you to assume that perhaps at some time, | 0:33:58 | 0:34:01 | |
since 1985 or '6, you addressed a member | 0:34:01 | 0:34:05 | |
of the African American race as a nigger. | 0:34:05 | 0:34:09 | |
Is it possible that you have forgotten that act on your part? | 0:34:09 | 0:34:13 | |
No, it's not possible. | 0:34:13 | 0:34:14 | |
No, I didn't. Yes, I did. Which one's right? | 0:34:14 | 0:34:18 | |
One you're lying, one you're a racist. | 0:34:18 | 0:34:20 | |
I whacked him with it really hard. In the face. | 0:34:20 | 0:34:24 | |
And you say on your oath that you have not addressed | 0:34:24 | 0:34:27 | |
any black person as a nigger or spoken about black | 0:34:27 | 0:34:30 | |
people as niggers in the past ten years, Detective Fuhrman? | 0:34:30 | 0:34:34 | |
That's what I'm saying, sir. | 0:34:34 | 0:34:35 | |
So anyone who comes to this court and quotes you as using that word | 0:34:35 | 0:34:40 | |
in dealing with African Americans | 0:34:40 | 0:34:42 | |
would be a liar, would they not, Detective Fuhrman? | 0:34:42 | 0:34:44 | |
-Yes, they would. -All of them. Correct? -All of them. | 0:34:44 | 0:34:47 | |
I didn't use that word to people | 0:34:47 | 0:34:50 | |
face-to-face - suspect, police. | 0:34:50 | 0:34:53 | |
Had I ever used the word? | 0:34:55 | 0:34:58 | |
Well, obviously, yes. | 0:34:58 | 0:34:59 | |
That's all I have, Your Honour. | 0:34:59 | 0:35:02 | |
-All right, thank you very much. You're excused, sir. -Thank you. | 0:35:02 | 0:35:06 | |
Once Judge Ito allowed race into this trial, | 0:35:06 | 0:35:10 | |
there was no escaping anything for me. | 0:35:10 | 0:35:15 | |
'I had a visceral reaction to Fuhrman's testimony.' | 0:35:18 | 0:35:22 | |
It just didn't seem credible. | 0:35:22 | 0:35:27 | |
Another cop, white cop. | 0:35:27 | 0:35:30 | |
Prejudice, bias. | 0:35:30 | 0:35:31 | |
Watch out. | 0:35:31 | 0:35:34 | |
The way you work around something like that | 0:35:36 | 0:35:38 | |
is to deal with the physical, objective evidence that we had. | 0:35:38 | 0:35:43 | |
This was a case about blood. | 0:35:48 | 0:35:51 | |
That was the heart of the case. | 0:35:51 | 0:35:53 | |
Simpson had cuts on his left hand, particularly on the middle knuckle. | 0:35:55 | 0:36:00 | |
-How did you get the injury on your hand? -I don't know. | 0:36:00 | 0:36:03 | |
To the left-hand side of the bloody | 0:36:03 | 0:36:06 | |
shoe prints, walking away, there were five blood drops found. | 0:36:06 | 0:36:11 | |
Those blood drops were tested | 0:36:13 | 0:36:15 | |
through different DNA analyses and by different labs, | 0:36:15 | 0:36:19 | |
and it came back to Simpson. | 0:36:19 | 0:36:21 | |
Quite simply, that was Simpson's blood. | 0:36:23 | 0:36:25 | |
Inside the Bronco we have Nicole's blood, | 0:36:27 | 0:36:30 | |
we have Ron's blood smeared inside there, and we have OJ's blood. | 0:36:30 | 0:36:34 | |
2.1 miles away from the Bundy crime scene, | 0:36:37 | 0:36:40 | |
we've got blood drops in the driveway, | 0:36:40 | 0:36:43 | |
blood drops inside the house. | 0:36:43 | 0:36:46 | |
The best thing about scientific evidence | 0:36:47 | 0:36:50 | |
is that it's objective, it doesn't have biases | 0:36:50 | 0:36:53 | |
or prejudices. That's why we concentrated so much on DNA. | 0:36:53 | 0:36:58 | |
We went to two labs. First time ever that's been done. | 0:36:58 | 0:37:01 | |
We gave them sample after sample. | 0:37:01 | 0:37:04 | |
We gave the opportunity to prove that it wasn't OJ Simpson. | 0:37:04 | 0:37:09 | |
I could have been the biggest hero, perhaps | 0:37:09 | 0:37:12 | |
in Los Angeles, if not the country, if I could | 0:37:12 | 0:37:15 | |
have walked into court a week after he'd | 0:37:15 | 0:37:16 | |
been arrested, and said, "Guess what. It's not OJ Simpson." | 0:37:16 | 0:37:20 | |
But all the DNA evidence points to Mr Simpson | 0:37:20 | 0:37:24 | |
as being the person who committed those horrible crimes. | 0:37:24 | 0:37:27 | |
I think a lot of people stayed supportive up until the DNA. | 0:37:49 | 0:37:54 | |
I was 99.9% sure he was the killer right then. | 0:37:56 | 0:38:01 | |
As the results were coming in, Mr Simpson was saying, | 0:38:03 | 0:38:06 | |
"Look, you know, I can't explain it, but it's not true." | 0:38:06 | 0:38:10 | |
There were six lawyers in court, | 0:38:12 | 0:38:14 | |
sometimes seven, nine behind the scenes. | 0:38:14 | 0:38:17 | |
There were two lawyers, Barry and Johnnie. | 0:38:17 | 0:38:22 | |
Barry did the science and Johnnie did everything else. | 0:38:22 | 0:38:27 | |
And even Barry did everything else. | 0:38:27 | 0:38:29 | |
He had a single-minded focus and purpose, | 0:38:29 | 0:38:33 | |
and he emerged over the course of the trial | 0:38:33 | 0:38:38 | |
as second chair in the case. | 0:38:38 | 0:38:41 | |
-Good morning, Mr Fung. How are you, sir? -Morning. | 0:38:41 | 0:38:43 | |
My favourite lawyer was Barry Scheck. | 0:38:45 | 0:38:48 | |
He was the most colourful. I thought he was brilliant. | 0:38:48 | 0:38:52 | |
Why don't we talk about the envelope for a minute? | 0:38:52 | 0:38:55 | |
There was a key piece of evidence, | 0:38:55 | 0:38:57 | |
which was the envelope that Ronald Goldman was bringing back to Nicole, | 0:38:57 | 0:39:02 | |
and there was some foot impressions in blood on the envelope. | 0:39:02 | 0:39:07 | |
Mr Fung, when you are collecting an item | 0:39:07 | 0:39:12 | |
which could contain fingerprints, | 0:39:12 | 0:39:16 | |
you would not touch that item with your bare hand, would you? | 0:39:16 | 0:39:19 | |
I would try not to. | 0:39:19 | 0:39:20 | |
Well, you say you try not to. It would be wrong to do that, | 0:39:20 | 0:39:24 | |
-wouldn't it? -Yes. | 0:39:24 | 0:39:27 | |
We had looked at hours and hours and hours | 0:39:27 | 0:39:29 | |
of news footage of Mr Fung and Miss Mazzola | 0:39:29 | 0:39:33 | |
picking up items of evidence at the crime scene. | 0:39:33 | 0:39:37 | |
Did you touch that envelope with your bare hands | 0:39:37 | 0:39:40 | |
while collecting it, Mr Fung? | 0:39:40 | 0:39:42 | |
No. | 0:39:43 | 0:39:44 | |
Sure of that? | 0:39:46 | 0:39:47 | |
Yes. | 0:39:47 | 0:39:49 | |
I'd like to show you this piece of videotape, Mr Fung. | 0:39:49 | 0:39:51 | |
There. There. | 0:40:02 | 0:40:04 | |
How about that, Mr Fung? | 0:40:04 | 0:40:06 | |
-Is that a question, Mr Scheck? -Yes. How about that picture, Mr Fung? | 0:40:08 | 0:40:12 | |
Does that refresh your recollection | 0:40:12 | 0:40:14 | |
that you took the envelope from Andrea Mazzola with your bare hand? | 0:40:14 | 0:40:19 | |
It could be anything. | 0:40:19 | 0:40:20 | |
They called it a Perry Mason moment. It was just a good impeachment | 0:40:22 | 0:40:26 | |
of the witness, but in some ways it really | 0:40:26 | 0:40:28 | |
encapsulated the problem that they'd used | 0:40:28 | 0:40:31 | |
terrible methods in terms of gathering | 0:40:31 | 0:40:33 | |
this evidence and potentially cross-contaminating | 0:40:33 | 0:40:37 | |
it and destroying it, it was very precious crime scene evidence. | 0:40:37 | 0:40:40 | |
I found that the specimen handling procedures | 0:40:40 | 0:40:42 | |
were done in such a manner that there's | 0:40:42 | 0:40:46 | |
a tremendous risk of the potential of cross contamination. | 0:40:46 | 0:40:49 | |
Something we'd never do unless you absolutely have to is cover a body, | 0:40:51 | 0:40:54 | |
because of contamination. | 0:40:54 | 0:40:56 | |
A sheet was over the body. You recall seeing that? | 0:40:58 | 0:41:00 | |
I believe it was a blanket, yes. | 0:41:00 | 0:41:02 | |
Do you know where that blanket came from? | 0:41:02 | 0:41:05 | |
I believe the inside of the house. | 0:41:05 | 0:41:07 | |
And can you tell us, Detective, who took this | 0:41:07 | 0:41:09 | |
blanket out and put it over the body? Who did that? | 0:41:09 | 0:41:11 | |
I did. | 0:41:11 | 0:41:13 | |
We have to make some decisions to protect the evidence. | 0:41:14 | 0:41:17 | |
Cameras were looking right down | 0:41:17 | 0:41:19 | |
on the crime scene, all the evidence, the bodies. | 0:41:19 | 0:41:22 | |
As a general principle, as a criminalist, | 0:41:23 | 0:41:26 | |
you try at all costs to avoid taking an object | 0:41:26 | 0:41:31 | |
that could have lots of hairs and fibres on it | 0:41:31 | 0:41:33 | |
and putting it right into the middle of a crime scene, don't you? | 0:41:33 | 0:41:38 | |
-That's correct. -That's a terrible mistake | 0:41:38 | 0:41:40 | |
from the point of view of a criminalist, isn't it? | 0:41:40 | 0:41:43 | |
Yes. | 0:41:44 | 0:41:46 | |
Over the past few days, the defence has chipped | 0:41:46 | 0:41:49 | |
away at the growing presumption of OJ Simpson's guilt. | 0:41:49 | 0:41:53 | |
The way evidence was collected, processed, stored | 0:41:53 | 0:41:56 | |
gave rise to reasonable question as to whether | 0:41:56 | 0:41:59 | |
something wrong could have happened. | 0:41:59 | 0:42:00 | |
You did not change gloves | 0:42:00 | 0:42:02 | |
between the collection of each sample, did you? | 0:42:02 | 0:42:06 | |
Not that I can recall, no. | 0:42:06 | 0:42:08 | |
Dennis Fung was a definite weak link. | 0:42:08 | 0:42:11 | |
This kid, he tries, OK? They ripped him up terribly. | 0:42:11 | 0:42:15 | |
On July 3rd, you saw blood on the gate | 0:42:15 | 0:42:20 | |
that you collected. | 0:42:20 | 0:42:23 | |
Yes. | 0:42:23 | 0:42:25 | |
Let's look back at the picture of the gate on June 13th. | 0:42:25 | 0:42:29 | |
Where is it, Mr Fung? | 0:42:33 | 0:42:35 | |
I can't see it in the pic... photograph. | 0:42:40 | 0:42:43 | |
'We don't know what happened to that blood.' | 0:42:43 | 0:42:45 | |
All I know is while I was listening, | 0:42:45 | 0:42:48 | |
they were saying they took a picture where | 0:42:48 | 0:42:50 | |
there was no blood on the back gate | 0:42:50 | 0:42:53 | |
and then, a month later, there was some blood. | 0:42:53 | 0:42:56 | |
Why it didn't get picked up, why it didn't | 0:42:59 | 0:43:01 | |
get collected, difficult to explain. | 0:43:01 | 0:43:04 | |
In the fog of war, people on the scene | 0:43:04 | 0:43:07 | |
and all the activity going on around it, | 0:43:07 | 0:43:11 | |
things get missed. | 0:43:11 | 0:43:13 | |
It is my opinion that...that the bloodstain contained EDTA. | 0:43:15 | 0:43:20 | |
EDTA is a preservative that was added | 0:43:20 | 0:43:22 | |
to the blood samples taken from Simpson | 0:43:22 | 0:43:24 | |
and the victims, and if EDTA is present | 0:43:24 | 0:43:27 | |
on the evidence, the defence says the blood may have been planted. | 0:43:27 | 0:43:32 | |
In your blood right now there is a low level | 0:43:32 | 0:43:34 | |
of EDTA, because it's in everything you eat, | 0:43:34 | 0:43:36 | |
it's in your laundry detergent, it's everywhere. | 0:43:36 | 0:43:38 | |
You're going to find EDTA no matter what you do. | 0:43:38 | 0:43:42 | |
But the defence is trying to insinuate that | 0:43:42 | 0:43:44 | |
somebody took the blood that had been drawn | 0:43:44 | 0:43:46 | |
from Simpson's arm and took that test tube | 0:43:46 | 0:43:48 | |
and sprinkled it all over the crime scene. | 0:43:48 | 0:43:51 | |
And it's ridiculous. | 0:43:51 | 0:43:52 | |
When you took OJ's blood sample, | 0:43:53 | 0:43:57 | |
you were at a place called Parker Center? | 0:43:57 | 0:44:00 | |
-Yes, sir. -What type of security did you use for that blood vial? | 0:44:00 | 0:44:05 | |
I placed it in a manila envelope, | 0:44:05 | 0:44:08 | |
maintained control of it and hand- delivered it to the criminalist. | 0:44:08 | 0:44:12 | |
Where was the criminalist? | 0:44:12 | 0:44:14 | |
At Rockingham. | 0:44:14 | 0:44:16 | |
You're bringing the suspect's blood | 0:44:16 | 0:44:19 | |
back to a crime scene where we're collecting blood? | 0:44:19 | 0:44:23 | |
Really? | 0:44:23 | 0:44:25 | |
How many times have you taken blood | 0:44:25 | 0:44:28 | |
from Parker Center out to a crime scene? | 0:44:28 | 0:44:31 | |
I don't know. This may have been the first time. I don't know. | 0:44:41 | 0:44:45 | |
I can't recall right now any other times that I've done that. | 0:44:45 | 0:44:48 | |
If you're a juror who has grown up in Los Angeles | 0:44:51 | 0:44:53 | |
and spent your life hearing that the LAPD | 0:44:53 | 0:44:55 | |
is capable of doing anything to a black person | 0:44:55 | 0:44:58 | |
and you hear that, you've just been handed some doubt. | 0:44:58 | 0:45:03 | |
When did we start carrying blood in our pocket? | 0:45:03 | 0:45:06 | |
When did our SID lab stop wearing gloves? | 0:45:06 | 0:45:09 | |
When did we not book stuff in a timely fashion? | 0:45:09 | 0:45:14 | |
That... There's no rationale for that. | 0:45:14 | 0:45:16 | |
We had, I think, a pretty good demonstrative of a black box. | 0:45:16 | 0:45:20 | |
'The idea was that certain crime-scene evidence | 0:45:20 | 0:45:23 | |
'came in and the black box was the LAPD | 0:45:23 | 0:45:26 | |
'and the way they handled the evidence, | 0:45:26 | 0:45:28 | |
'and on the other side were all the results | 0:45:28 | 0:45:30 | |
'from Cellmark, the FBI, the DNA laboratories. | 0:45:30 | 0:45:33 | |
'It was pretty simple when you broke it down.' | 0:45:33 | 0:45:35 | |
Garbage in, garbage out. | 0:45:35 | 0:45:37 | |
I mean, you cannot go back and say, | 0:45:37 | 0:45:39 | |
"Well, maybe they planted evidence on the glove, | 0:45:39 | 0:45:41 | |
"maybe on the back gate. Oh, there's blood missing. Big deal." | 0:45:41 | 0:45:45 | |
How can that be a big deal? | 0:45:45 | 0:45:47 | |
Scheck was very disingenuous. | 0:45:47 | 0:45:50 | |
I mean, EDTA, missing blood, coincidence? | 0:45:50 | 0:45:55 | |
Corroboration. | 0:45:55 | 0:45:56 | |
Something is terribly wrong. | 0:45:56 | 0:45:58 | |
It was absolute nonsense. | 0:45:58 | 0:46:01 | |
-INTERVIEWER: -You believe that that blood was planted by the LAPD? | 0:46:01 | 0:46:04 | |
You know, it's not my job to believe or not believe. | 0:46:04 | 0:46:09 | |
Could the police officers in Los Angeles | 0:46:09 | 0:46:13 | |
have planted evidence against Mr Simpson | 0:46:13 | 0:46:15 | |
in this case to improve their chances of winning? | 0:46:15 | 0:46:20 | |
You know, there was certainly good evidence | 0:46:20 | 0:46:23 | |
to support that hypothesis. | 0:46:23 | 0:46:25 | |
-MARCIA CLARK: -Barry Scheck really was an expert. | 0:46:26 | 0:46:29 | |
Can you remember the whole business | 0:46:29 | 0:46:31 | |
about development length and the notion of controls failing? | 0:46:31 | 0:46:35 | |
He knew that so much of what he was trying to show | 0:46:35 | 0:46:37 | |
with these witnesses was just garbage. | 0:46:37 | 0:46:40 | |
Mr Yamauchi opened up the reference tube | 0:46:40 | 0:46:42 | |
in the morning and spilled out the blood. | 0:46:42 | 0:46:45 | |
It was unethical. | 0:46:45 | 0:46:46 | |
He argued things he knew were not true, | 0:46:46 | 0:46:49 | |
he knew could not be true. | 0:46:49 | 0:46:50 | |
The most likely and probable inference | 0:46:50 | 0:46:53 | |
is the one that is not for the timid or the faint of heart. | 0:46:53 | 0:46:57 | |
Somebody played with this evidence! | 0:46:57 | 0:47:01 | |
And there's no doubt about it. | 0:47:01 | 0:47:02 | |
Just so I'm clear, | 0:47:04 | 0:47:06 | |
you believe that all the blood evidence in the case... | 0:47:06 | 0:47:09 | |
You know, you're asking me this question, do I believe... | 0:47:09 | 0:47:12 | |
Think, you know, is not... | 0:47:12 | 0:47:16 | |
the... Because you're... | 0:47:16 | 0:47:19 | |
The... As you know from meticulously researching | 0:47:21 | 0:47:26 | |
this case, and this has been written about, | 0:47:26 | 0:47:28 | |
we presented, you know, sound arguments | 0:47:28 | 0:47:33 | |
and evidence to explain each piece of this evidence | 0:47:33 | 0:47:36 | |
and how it got there. | 0:47:36 | 0:47:38 | |
You know, I'm not omniscient. | 0:47:39 | 0:47:42 | |
Do you think you did what you needed to do? | 0:47:42 | 0:47:45 | |
I did the best I could. | 0:47:45 | 0:47:47 | |
'It's the best defence money can buy, and that's very expensive - | 0:47:47 | 0:47:52 | |
'for OJ Simpson, an estimated 50,000 a day.' | 0:47:52 | 0:47:57 | |
OJ had money to spend | 0:48:09 | 0:48:12 | |
and a willingness to spend it on his own defence. | 0:48:12 | 0:48:17 | |
This was the first for me. Sui generis. One of a kind. | 0:48:17 | 0:48:21 | |
He'd been in jail two or three days, tops. | 0:48:24 | 0:48:27 | |
The first thing he wanted to do is to make sure | 0:48:27 | 0:48:29 | |
that we started marketing and merchandising | 0:48:29 | 0:48:32 | |
and generating a lot of money. | 0:48:32 | 0:48:34 | |
Because OJ was not convicted of any crime | 0:48:44 | 0:48:47 | |
and autographs was his normal business... | 0:48:47 | 0:48:50 | |
..he was allowed to still sign autographs in jail. | 0:48:51 | 0:48:54 | |
Rather than taking a jersey into the jail | 0:48:56 | 0:48:59 | |
to be signed, he would take a number in, | 0:48:59 | 0:49:01 | |
like this, he would sign the number, and then the number would be put | 0:49:01 | 0:49:05 | |
onto a jersey like this. | 0:49:05 | 0:49:07 | |
Rather than being able to take in a whole football, | 0:49:07 | 0:49:09 | |
he would take in a panel. | 0:49:09 | 0:49:12 | |
He would sign the panel, then the panel would be | 0:49:12 | 0:49:14 | |
sent in to the company, then you'd have a football. | 0:49:14 | 0:49:18 | |
I'm not sure what drove the market, but it was driven. | 0:49:20 | 0:49:25 | |
It was nonstop. | 0:49:26 | 0:49:28 | |
There were times he'd sit there and go through 2,500 cards | 0:49:28 | 0:49:33 | |
and then say, "OK, so 2,500 cards times 25." | 0:49:33 | 0:49:38 | |
He'd run the math. | 0:49:38 | 0:49:40 | |
And he said, "Not bad." | 0:49:40 | 0:49:42 | |
When he sat in jail, we did three million dollars in autographs. | 0:49:42 | 0:49:48 | |
It just went and went and went. | 0:49:50 | 0:49:53 | |
There was no end. | 0:49:53 | 0:49:56 | |
Photos of he and Johnnie Cochran that he and Johnnie signed - | 0:49:56 | 0:50:00 | |
that's probably the only item that I did and I looked back and thought, | 0:50:00 | 0:50:03 | |
"Man, this sucks. I can't believe we did this." | 0:50:03 | 0:50:07 | |
The Goldmans were screaming, | 0:50:07 | 0:50:09 | |
but you're innocent until convicted. | 0:50:09 | 0:50:13 | |
What was found on the glove at Rockingham? | 0:50:33 | 0:50:35 | |
Simpson's blood, Nicole's blood and Ron's blood. | 0:50:35 | 0:50:39 | |
That glove is now tied in to three people | 0:50:40 | 0:50:42 | |
that can only intersect when they're bleeding. | 0:50:42 | 0:50:44 | |
That might be a timeframe that might be a little | 0:50:44 | 0:50:47 | |
difficult to put together unless you are | 0:50:47 | 0:50:50 | |
killing two people and cutting yourself. | 0:50:50 | 0:50:53 | |
Whoever wore that glove killed those people? | 0:50:53 | 0:50:56 | |
Yes. | 0:50:56 | 0:50:57 | |
I'd like to show you a pair of gloves. | 0:50:57 | 0:50:59 | |
Showing you People's 164A. | 0:51:01 | 0:51:06 | |
That is an Aris leather light glove | 0:51:06 | 0:51:09 | |
that was an exclusive glove for Bloomingdale's. | 0:51:09 | 0:51:12 | |
And what is the size? | 0:51:12 | 0:51:14 | |
Size is extra large. | 0:51:14 | 0:51:17 | |
Is that a Bloomingdale's credit card sales receipt? | 0:51:18 | 0:51:21 | |
-Yes. -And is there a signature on the credit card receipt? | 0:51:21 | 0:51:24 | |
-Yes. -Can you read that signature to us? | 0:51:24 | 0:51:27 | |
Nicole Brown. | 0:51:27 | 0:51:29 | |
It was later in the afternoon, and | 0:51:32 | 0:51:35 | |
the person who they had giving the testimony regarding the glove... | 0:51:35 | 0:51:38 | |
Wait, may I try this on? | 0:51:38 | 0:51:40 | |
'..you could see where it was leading up to.' | 0:51:40 | 0:51:43 | |
So, this is an extra large glove? | 0:51:43 | 0:51:44 | |
Yes. | 0:51:44 | 0:51:46 | |
Extra large is kind of small? | 0:51:46 | 0:51:48 | |
No, but they stretch. | 0:51:48 | 0:51:50 | |
'Obviously, it was too big. | 0:51:51 | 0:51:53 | |
'At 24 years old, I could see this is a trick.' | 0:51:55 | 0:51:58 | |
Don't fall for it. | 0:51:58 | 0:52:01 | |
'We can see that that glove is big on his hand. | 0:52:01 | 0:52:04 | |
'You don't have to do anything.' | 0:52:06 | 0:52:09 | |
That afternoon I got a call from Marcia, | 0:52:11 | 0:52:15 | |
basically affirming the game plan, "We're not | 0:52:15 | 0:52:17 | |
"trying the glove on, right?" | 0:52:17 | 0:52:19 | |
There's too much of a gamble here. It's shrunk, | 0:52:19 | 0:52:23 | |
he's probably been working out his hand. | 0:52:23 | 0:52:26 | |
Absolutely not. | 0:52:26 | 0:52:28 | |
I went over to him and said, "Chris, | 0:52:29 | 0:52:31 | |
"you know you're a good ship, but you've got the balls | 0:52:31 | 0:52:34 | |
"of a stud fieldmouse. | 0:52:34 | 0:52:36 | |
"That glove won't fit OJ, and if you don't | 0:52:36 | 0:52:38 | |
"show the jury that, be it the fact, I will." | 0:52:38 | 0:52:41 | |
Chris says, "I want to do it." | 0:52:42 | 0:52:44 | |
And I told him in no uncertain terms why we should not be doing this, | 0:52:44 | 0:52:49 | |
and he said, "If we don't, they will." | 0:52:49 | 0:52:51 | |
And I said, "Then let them. And we can show why it was | 0:52:51 | 0:52:54 | |
"a bullshit experiment, it would never work. | 0:52:54 | 0:52:57 | |
"Between the shrinkage and the latex, | 0:52:57 | 0:52:59 | |
"it's never going to fit him the same way. Don't do this. | 0:52:59 | 0:53:02 | |
"Don't do this." | 0:53:02 | 0:53:04 | |
It was the biggest fight Chris and I ever had. | 0:53:04 | 0:53:06 | |
Darden, I think, felt, "You know, I've been pushed | 0:53:06 | 0:53:09 | |
"around in this courtroom enough, | 0:53:09 | 0:53:11 | |
"I've been made to feel small." | 0:53:11 | 0:53:13 | |
You could see the disaster coming. | 0:53:13 | 0:53:18 | |
There's a camera to our right watching everything. | 0:53:21 | 0:53:26 | |
Johnnie comes back from side bar and says, | 0:53:26 | 0:53:29 | |
"OK, guys, they're going to ask OJ to try on the gloves. | 0:53:29 | 0:53:34 | |
"I don't want anyone to react." | 0:53:34 | 0:53:39 | |
We've been rejoined by all the members of our jury panel. | 0:53:39 | 0:53:42 | |
Mr Darden, do you have any further questions of Mr Rubin? | 0:53:42 | 0:53:44 | |
Just a few, Your Honour. | 0:53:44 | 0:53:46 | |
Your Honour, at this time, the People would ask | 0:53:50 | 0:53:52 | |
that Mr Simpson step forward and try on the glove | 0:53:52 | 0:53:56 | |
recovered at Bundy as well as the glove recovered at Rockingham. | 0:53:56 | 0:54:00 | |
He can do that seated there? | 0:54:02 | 0:54:04 | |
'You could hear a pin drop.' | 0:54:04 | 0:54:07 | |
OJ was initially seated, putting on the first glove. | 0:54:07 | 0:54:13 | |
I'm handing Mr Simpson the left glove from Rockingham. | 0:54:13 | 0:54:17 | |
And right when it was clear it did not fit, | 0:54:18 | 0:54:21 | |
OJ goes into Naked Gun mode. | 0:54:21 | 0:54:25 | |
He stands up and shows his hand, and that's when he's now, "OK." | 0:54:26 | 0:54:32 | |
The guy's an actor, for God's sakes. | 0:54:39 | 0:54:42 | |
He's playing to 50 million people. | 0:54:42 | 0:54:44 | |
Mr Simpson? | 0:54:48 | 0:54:50 | |
All right, records reflect that Mr Simpson has both gloves. | 0:54:52 | 0:54:57 | |
What was he going to do? | 0:54:57 | 0:54:59 | |
Make a good-faith effort with plastic over his hands? | 0:54:59 | 0:55:03 | |
All right, will you show that to the jury, Mr Simpson, and the bench? | 0:55:03 | 0:55:06 | |
'The whole thing was so wildly ill-conceived, | 0:55:06 | 0:55:09 | |
'so totally inappropriate, so doomed to failure.' | 0:55:09 | 0:55:14 | |
The idea that Chris Darden would do this! | 0:55:14 | 0:55:18 | |
Mr Darden, would you wrap it up, please? | 0:55:18 | 0:55:22 | |
I looked at him like, "I can't believe you did it. | 0:55:22 | 0:55:26 | |
"You let him play you. | 0:55:26 | 0:55:28 | |
"You are the weaker one. | 0:55:29 | 0:55:32 | |
"And you didn't have to be." | 0:55:33 | 0:55:36 | |
You just take the gloves, | 0:55:37 | 0:55:39 | |
you take both attorneys and the deputy, and the suspect | 0:55:39 | 0:55:44 | |
and you go into chambers. And you do it on the record in chambers. | 0:55:44 | 0:55:48 | |
You don't do it with latex underneath. | 0:55:48 | 0:55:52 | |
My grandson couldn't have gotten | 0:55:52 | 0:55:53 | |
into those gloves with latex underneath. | 0:55:53 | 0:55:55 | |
Did you observe the manner in which Mr Simpson put the gloves on today? | 0:55:56 | 0:55:59 | |
-Yes, I did. -You've seen people put gloves on in the past. | 0:55:59 | 0:56:02 | |
Yes, I have. | 0:56:02 | 0:56:03 | |
Did he put the gloves on in a manner consistent with what other...? | 0:56:03 | 0:56:06 | |
-Objection, Your Honour. -Sustained. The jury observed | 0:56:06 | 0:56:10 | |
what happened. | 0:56:10 | 0:56:13 | |
It made the prosecution look silly. | 0:56:13 | 0:56:15 | |
Anything unusual about the way Mr Simpson put the gloves on, | 0:56:16 | 0:56:19 | |
-based on your experience? -Objection, Your Honour. -Sustained. | 0:56:19 | 0:56:23 | |
I felt sorry for him, because he looked weak. | 0:56:24 | 0:56:29 | |
I have nothing further. | 0:56:29 | 0:56:31 | |
This was THE definition of the trial lawyer's mistake. | 0:56:33 | 0:56:38 | |
Don't ask a question to which you don't know the answer. | 0:56:38 | 0:56:43 | |
He didn't know whether that glove fit. | 0:56:43 | 0:56:45 | |
Chris honestly felt that he would have | 0:56:47 | 0:56:49 | |
a dramatic courtroom moment by demonstrating the gloves fit. | 0:56:49 | 0:56:54 | |
It was an intuitive move on his part, | 0:56:54 | 0:56:57 | |
and it was a mistake. | 0:56:57 | 0:56:59 | |
Had OJ never put that glove on, I would have assumed that it fit. | 0:56:59 | 0:57:04 | |
I saw how big it was. | 0:57:04 | 0:57:06 | |
'And that's when I just knew that, you know, why is this guy here? | 0:57:07 | 0:57:11 | |
'He's ruining this case.' | 0:57:11 | 0:57:13 | |
Outside of Perry Mason, what could be more dramatic | 0:57:15 | 0:57:18 | |
than OJ Simpson showing the jury that the killer's gloves don't fit? | 0:57:18 | 0:57:23 | |
Prosecutorial attempts at damage control | 0:57:23 | 0:57:25 | |
might not be able to undermine the power of that image. | 0:57:25 | 0:57:29 | |
The funny thing about the glove, he didn't want to put them on. | 0:57:32 | 0:57:36 | |
I said, "Look, if you're worried about the gloves | 0:57:36 | 0:57:38 | |
"fitting or not fitting, just don't take your arthritis | 0:57:38 | 0:57:41 | |
"medicine, no big deal." | 0:57:41 | 0:57:43 | |
And he said, "Mike, my hands would hurt like hell." | 0:57:43 | 0:57:47 | |
And I said, "Why would they hurt like hell?" | 0:57:47 | 0:57:49 | |
And he - and you could just see the light | 0:57:49 | 0:57:51 | |
click, you know, just - ah, hands would get swollen, | 0:57:51 | 0:57:55 | |
couldn't bend his knuckles. | 0:57:55 | 0:57:57 | |
So, he didn't take arthritis medicine for, like, two weeks. | 0:57:57 | 0:58:01 | |
-Do you think that made a difference? -Well, he couldn't bend his hands. | 0:58:01 | 0:58:05 | |
You tell me. | 0:58:05 | 0:58:07 | |
One day, a friend of OJ's, Alan Austin, came up to me, | 0:58:14 | 0:58:17 | |
and he said, "Answer a question for me. | 0:58:17 | 0:58:21 | |
"What would Mark Fuhrman have to know | 0:58:22 | 0:58:25 | |
"before he placed the glove there?" | 0:58:25 | 0:58:28 | |
Well...I don't know. | 0:58:30 | 0:58:33 | |
He said, "He would have to know | 0:58:35 | 0:58:37 | |
"that Orenthal James Simpson, a six-foot-two-and-a-half | 0:58:37 | 0:58:40 | |
"black guy living in a white world, had no alibi. | 0:58:40 | 0:58:44 | |
"He was in no woman's bed, | 0:58:47 | 0:58:49 | |
"he was in no restaurant, | 0:58:49 | 0:58:52 | |
"he was on no airplane, he had no alibi. | 0:58:52 | 0:58:56 | |
"So how could Mark Fuhrman place that glove if he didn't know that?" | 0:58:57 | 0:59:02 | |
And I said, "Are you telling me he's guilty?" | 0:59:04 | 0:59:09 | |
And Alan just nodded. | 0:59:11 | 0:59:14 | |
And the tears were streaming down my face. | 0:59:14 | 0:59:16 | |
And, suddenly, I felt cuckolded, | 0:59:16 | 0:59:21 | |
because, I'm telling you, if OJ had put | 0:59:21 | 0:59:23 | |
his face up to the glass to me and said, | 0:59:23 | 0:59:25 | |
"Something happened, and I just snapped, and I went crazy," | 0:59:25 | 0:59:32 | |
I would've defended and forgiven him. | 0:59:32 | 0:59:35 | |
When he put his face next to the glass | 0:59:37 | 0:59:39 | |
and said, "I swear to God I didn't do this," | 0:59:39 | 0:59:42 | |
and then it suddenly looked like he did, | 0:59:42 | 0:59:45 | |
I got angry, I felt wounded, I felt betrayed. | 0:59:45 | 0:59:49 | |
I know it sounds naive, I know it sounds stupid. | 0:59:49 | 0:59:53 | |
It just didn't occur to me that he could do THAT. | 0:59:53 | 0:59:56 | |
-TAPE: -'Dr Golden dictating autopsy case | 1:00:02 | 1:00:05 | |
'94-05136, autopsy on Nicole Brown Simpson.' | 1:00:05 | 1:00:10 | |
Having studied the crime scene... | 1:00:12 | 1:00:15 | |
..I believe that Nicole had come out of the house expecting Ron Goldman. | 1:00:17 | 1:00:22 | |
She encountered OJ, then she was quickly subdued. | 1:00:26 | 1:00:29 | |
There was evidence of blunt force trauma | 1:00:30 | 1:00:32 | |
near the crown of her head, possibly consistent, | 1:00:32 | 1:00:35 | |
per the testimony of the coroner, with having | 1:00:35 | 1:00:38 | |
been struck with the butt end of the knife. | 1:00:38 | 1:00:41 | |
'Scalp bruised, right parietal.' | 1:00:41 | 1:00:44 | |
I believe she went down. | 1:00:44 | 1:00:46 | |
Four stab wounds, three deep, one shallow | 1:00:49 | 1:00:51 | |
were inflicted upon the left side of her neck. | 1:00:51 | 1:00:54 | |
Her head was on the first step above the lower | 1:00:56 | 1:01:00 | |
pavement level, where the rest of her body was. | 1:01:00 | 1:01:02 | |
I believe that Ron Goldman came upon the scene | 1:01:05 | 1:01:07 | |
after Nicole had been subdued. | 1:01:07 | 1:01:10 | |
As Ron came upon Nicole, as he moved forward | 1:01:10 | 1:01:13 | |
to the fallen Nicole, OJ grabbed Ron from behind | 1:01:13 | 1:01:18 | |
and probably had the knife at his throat. | 1:01:18 | 1:01:21 | |
Simpson's left hand was perhaps around Ron's chest, | 1:01:22 | 1:01:26 | |
and, in the course of a short exchange, which could | 1:01:26 | 1:01:29 | |
have included some sort of taunting, Simpson poked Ron in the right cheek | 1:01:29 | 1:01:34 | |
five times and then drew the knife blade twice across his throat. | 1:01:34 | 1:01:40 | |
I suspect Ron, in an effort to free himself | 1:01:40 | 1:01:43 | |
from Simpson's grasp, went to the hand | 1:01:43 | 1:01:45 | |
that was controlling him, Simpson's left hand, | 1:01:45 | 1:01:48 | |
grabbed it, pulled it and probably in the process | 1:01:48 | 1:01:51 | |
wrenched the glove from Simpson's hand, | 1:01:51 | 1:01:53 | |
hence the left-hand glove being found in the foliage. | 1:01:53 | 1:01:57 | |
And then Ron turned with his back | 1:01:58 | 1:02:00 | |
inside the security bars at the foot of the stairs. | 1:02:00 | 1:02:04 | |
It was in effect a killing cage. | 1:02:04 | 1:02:06 | |
Ron had bars to his left, bars behind him, | 1:02:08 | 1:02:12 | |
tree to his right, stairwell coming down, | 1:02:12 | 1:02:17 | |
and he had a very strong, powerful figure | 1:02:17 | 1:02:20 | |
with a very sharp knife slashing at him. | 1:02:20 | 1:02:25 | |
Ron suffered defence wounds | 1:02:25 | 1:02:27 | |
to both of his hands, deep defensive wounds, | 1:02:27 | 1:02:29 | |
so he's clearly trying to parry the knife. | 1:02:29 | 1:02:32 | |
He suffered a number of stab wounds | 1:02:32 | 1:02:35 | |
as he's twisting and turning in the scene. | 1:02:35 | 1:02:38 | |
At one point Simpson catches Ron, with a... | 1:02:38 | 1:02:43 | |
it was kind of a sweeping, stabbing motion to Ron's left flank. | 1:02:43 | 1:02:47 | |
And the knife blade penetrates Ron's abdomen | 1:02:47 | 1:02:50 | |
and almost completely severs his abdominal artery. | 1:02:50 | 1:02:54 | |
You've got about a minute to live because of the massive bleed-out. | 1:02:55 | 1:02:59 | |
Blood is filling Ron's abdominal cavity, | 1:02:59 | 1:03:03 | |
blood is pouring out of the wound to Ron's left flank, | 1:03:03 | 1:03:06 | |
soaking the left pants leg of Ron. | 1:03:06 | 1:03:10 | |
And, ultimately, after a matter of some seconds, | 1:03:10 | 1:03:12 | |
hard to determine how many, I believe | 1:03:12 | 1:03:14 | |
Ron simply sank to the ground in a seated position | 1:03:14 | 1:03:17 | |
with his back against the upright bars. | 1:03:17 | 1:03:20 | |
As we know from the evidence, there was movement between the two bodies. | 1:03:21 | 1:03:25 | |
I suspect Simpson went back to Nicole's body, | 1:03:25 | 1:03:28 | |
lifted her head by grabbing her blonde head hair | 1:03:28 | 1:03:32 | |
and causing the massive incise wound across her neck... | 1:03:32 | 1:03:36 | |
..in the process severing just about everything in her neck | 1:03:38 | 1:03:41 | |
and putting a quarter-inch nick in her C3 vertebrae. | 1:03:41 | 1:03:45 | |
'This is a fatal sharp force injury.' | 1:03:46 | 1:03:50 | |
Simpson moves back to Ron Goldman, | 1:03:50 | 1:03:52 | |
grabs his shirt, so it would be above Ron's | 1:03:52 | 1:03:55 | |
right shoulder, transferring blood, head hairs, | 1:03:55 | 1:03:58 | |
from Nicole to Ron's shirt, twists Ron's body to the side, | 1:03:58 | 1:04:02 | |
and we know there were four deep | 1:04:02 | 1:04:04 | |
intersecting knife wounds to the left side of Ron's neck. | 1:04:04 | 1:04:09 | |
In my opinion, overkill with regard to Ron, | 1:04:09 | 1:04:13 | |
overkill with regard to Nicole. | 1:04:13 | 1:04:15 | |
Simpson at this point stepped back, stepped in the blood that's pumping | 1:04:15 | 1:04:20 | |
from Nicole, and in what appears to be a very | 1:04:20 | 1:04:24 | |
even stride, goes up the steps and out of the crime scene, | 1:04:24 | 1:04:28 | |
towards the back of the house, | 1:04:28 | 1:04:29 | |
towards the alley, where the Bronco had to have been parked. | 1:04:29 | 1:04:33 | |
DOG BARKS | 1:04:36 | 1:04:39 | |
Listen... | 1:04:43 | 1:04:45 | |
I just flat out, categorically | 1:04:45 | 1:04:50 | |
deny the fact that he could do that. | 1:04:50 | 1:04:53 | |
Period. | 1:04:55 | 1:04:56 | |
I came up from court one day | 1:05:14 | 1:05:17 | |
and Bill said, "I've got some bad news." More? Again? | 1:05:17 | 1:05:22 | |
He said, "There are some tapes." | 1:05:22 | 1:05:24 | |
What if it could be proved that Detective Mark Fuhrman | 1:05:28 | 1:05:30 | |
lied on the witness stand when he denied ever using the word "nigger"? | 1:05:30 | 1:05:36 | |
Oh, no. | 1:05:36 | 1:05:38 | |
Both sides want to get their hands on the 12 hours of taped interviews | 1:05:38 | 1:05:42 | |
Fuhrman gave screenwriter Laura Hart McKinny | 1:05:42 | 1:05:45 | |
as background for her fictional script on LA police. | 1:05:45 | 1:05:49 | |
On the tapes, Fuhrman used racial epithets and talked | 1:05:49 | 1:05:51 | |
of framing people. | 1:05:51 | 1:05:54 | |
What the fuck, dude? | 1:05:54 | 1:05:55 | |
We were not aware of the tapes. | 1:05:57 | 1:06:00 | |
-Should he have told you about them? -We were not aware of the tapes. | 1:06:00 | 1:06:03 | |
It was pennies from heaven. We'd been given a gift. | 1:06:03 | 1:06:08 | |
Miss Drummond? | 1:06:13 | 1:06:15 | |
Listening to that, I just felt like somebody | 1:06:28 | 1:06:32 | |
opened up a drainpipe and just rolled it over my body. | 1:06:32 | 1:06:35 | |
Things that were said resonated | 1:06:52 | 1:06:57 | |
with things I had heard for 30 years or more | 1:06:57 | 1:07:01 | |
about the way that cops think... | 1:07:01 | 1:07:03 | |
..and act. | 1:07:05 | 1:07:06 | |
When you hear those things... | 1:07:15 | 1:07:18 | |
..some of the characters in that screenplay | 1:07:21 | 1:07:24 | |
I wrapped around some of the people that I knew | 1:07:24 | 1:07:27 | |
on LAPD and other departments. | 1:07:27 | 1:07:30 | |
I can remember where I heard them, | 1:07:30 | 1:07:34 | |
I can remember some who said them, | 1:07:34 | 1:07:39 | |
and then there's a little... | 1:07:39 | 1:07:42 | |
..exaggeration in it. | 1:07:43 | 1:07:45 | |
Fuhrman may say he was just fictionalising... | 1:07:54 | 1:07:58 | |
..but his words rang true. | 1:07:59 | 1:08:03 | |
Does that mean that he planted a glove? No, it doesn't. | 1:08:12 | 1:08:14 | |
It doesn't even necessarily mean that he's an authentic racist. | 1:08:14 | 1:08:18 | |
But it means he's prepared to act like one. | 1:08:20 | 1:08:22 | |
Yeah, it was pretty bad. | 1:08:24 | 1:08:25 | |
And there's nothing that you can take back, | 1:08:27 | 1:08:30 | |
there's not, like, a, "Oh, gee, gosh, I'm sorry." | 1:08:30 | 1:08:34 | |
We came to this court seven months ago expecting a fair trial. | 1:08:44 | 1:08:49 | |
My son had a right to it, | 1:08:49 | 1:08:52 | |
we as a family had a right to it, | 1:08:52 | 1:08:54 | |
Nicole and her family had a right to it. | 1:08:54 | 1:08:57 | |
Instead, we get this crap spewed in front of the cameras for two hours. | 1:08:58 | 1:09:05 | |
For what purpose? I'd love to know what the judge had in mind. | 1:09:05 | 1:09:10 | |
This is now the Fuhrman trial. It's not the trial of OJ Simpson, | 1:09:10 | 1:09:15 | |
who is accused of murdering my son and Nicole. | 1:09:15 | 1:09:19 | |
-CHANTING: -We want justice! We want justice! | 1:09:19 | 1:09:24 | |
In all their ugliness, the tapes have now | 1:09:26 | 1:09:29 | |
been made public, but Judge Lance Ito | 1:09:29 | 1:09:31 | |
has yet to decide if the jury will hear what others already have. | 1:09:31 | 1:09:35 | |
The tapes shall be released. | 1:09:35 | 1:09:37 | |
We want them now. | 1:09:37 | 1:09:39 | |
We want justice now. | 1:09:39 | 1:09:41 | |
The judge was on the fence as to whether or not | 1:09:42 | 1:09:44 | |
he was going to let certain stuff come in. | 1:09:44 | 1:09:48 | |
That required people speaking out to say, | 1:09:48 | 1:09:51 | |
"This is not something you should be hiding from the jury." | 1:09:51 | 1:09:55 | |
We know that if you can railroad OJ Simpson | 1:09:55 | 1:09:57 | |
with his millions of dollars and his dream team | 1:09:57 | 1:10:02 | |
of legal experts, we know what you can do | 1:10:02 | 1:10:05 | |
to the average African American and other | 1:10:05 | 1:10:07 | |
decent citizens in this country. | 1:10:07 | 1:10:09 | |
It was bigger than OJ Simpson. | 1:10:11 | 1:10:14 | |
Something larger than him is at stake. | 1:10:16 | 1:10:19 | |
-CHANTING: -Release the tapes! Release the tapes! | 1:10:20 | 1:10:23 | |
OJ Simpson became a symbol of that decade, | 1:10:25 | 1:10:29 | |
of that time, of that response to | 1:10:29 | 1:10:34 | |
"Has the mentality of America changed | 1:10:34 | 1:10:40 | |
"in the civil rights struggle... | 1:10:40 | 1:10:42 | |
"..or is it business as usual?" | 1:10:44 | 1:10:47 | |
CHANTING | 1:10:47 | 1:10:50 | |
For me, as a progressive Christian, a Democrat, | 1:10:52 | 1:10:59 | |
I'm going, like, "When are we going to go back to the evidence?" | 1:10:59 | 1:11:02 | |
You would find yourself in a room of ministers and community leaders, | 1:11:04 | 1:11:09 | |
and the conversation inevitably would go back to OJ | 1:11:09 | 1:11:13 | |
and how OJ was being mistreated. | 1:11:13 | 1:11:16 | |
Justice be done in the courtroom, we pray, yes! | 1:11:16 | 1:11:20 | |
We are talking about justice! | 1:11:22 | 1:11:24 | |
'Instead of getting in and saying, "Free OJ,"' | 1:11:24 | 1:11:28 | |
as if he was a political prisoner, | 1:11:28 | 1:11:30 | |
it, for me, was, "Let me just get quiet. | 1:11:30 | 1:11:33 | |
"Let me sit there and say nothing." | 1:11:33 | 1:11:36 | |
-CHANTING: -Free OJ! Free OJ! | 1:11:36 | 1:11:38 | |
I really do believe privately a lot of African American | 1:11:38 | 1:11:41 | |
leaders felt the same. | 1:11:41 | 1:11:43 | |
If this case gets covered up under the rug, | 1:11:43 | 1:11:46 | |
you will never trust the criminal justice system again. | 1:11:46 | 1:11:49 | |
-INTERVIEWER: -You turned OJ Simpson into a civil rights cause. | 1:11:51 | 1:11:55 | |
Do you at all regret that? | 1:11:57 | 1:11:58 | |
Absolutely not. | 1:11:58 | 1:12:00 | |
OJ Simpson was a vessel. | 1:12:00 | 1:12:03 | |
He was merely a tool that allowed | 1:12:03 | 1:12:07 | |
something to come out and be exposed. | 1:12:07 | 1:12:10 | |
So you were using OJ Simpson for your own cause? | 1:12:10 | 1:12:13 | |
I was using OJ Simpson for OUR cause. For black people's cause. | 1:12:13 | 1:12:17 | |
There was a realness to the people who were responding to | 1:12:24 | 1:12:26 | |
the Fuhrman tapes outside the courtroom. | 1:12:26 | 1:12:28 | |
What was going on inside the courtroom | 1:12:28 | 1:12:30 | |
was manipulation to the extreme. | 1:12:30 | 1:12:33 | |
This is a blockbuster. This is a bombshell. | 1:12:33 | 1:12:36 | |
This is perhaps the biggest thing | 1:12:36 | 1:12:38 | |
that's happened in any case in this country | 1:12:38 | 1:12:40 | |
in this decade, and they know it. They've got to face up to it! | 1:12:40 | 1:12:43 | |
No-one planted any evidence at any time. | 1:12:43 | 1:12:46 | |
There has been no false statement made about where | 1:12:46 | 1:12:49 | |
that evidence was found, the analysis of the evidence | 1:12:49 | 1:12:51 | |
or its results. | 1:12:51 | 1:12:53 | |
And the defence wants to squirm away from that fact | 1:12:53 | 1:12:55 | |
by playing the race card. | 1:12:55 | 1:12:56 | |
This isn't about any race card. This is about credibility card. | 1:12:56 | 1:12:59 | |
This is about perjury. | 1:12:59 | 1:13:01 | |
The whole case got forgotten. | 1:13:01 | 1:13:03 | |
It was all about Fuhrman now, it was all about racial injustice. | 1:13:03 | 1:13:07 | |
Occasionally, these cartoonists come up with something that's edifying. | 1:13:07 | 1:13:11 | |
It's a little child, speaking to his mother, | 1:13:11 | 1:13:14 | |
watching television, who says, | 1:13:14 | 1:13:16 | |
"What's the forbidden N word they keep talking about, Mommy?" | 1:13:16 | 1:13:19 | |
She said, "Nicole." | 1:13:19 | 1:13:21 | |
OJ Simpson's defence team, stunned by Judge Ito's ruling last night | 1:13:25 | 1:13:29 | |
that only two excerpts of the inflammatory | 1:13:29 | 1:13:32 | |
Fuhrman tapes, filled with racial slurs, | 1:13:32 | 1:13:34 | |
may be presented to the jury. | 1:13:34 | 1:13:36 | |
We think this jury is much smarter | 1:13:36 | 1:13:38 | |
than this judge gives them credit for. | 1:13:38 | 1:13:41 | |
What he let in was enough. | 1:13:42 | 1:13:44 | |
Then we have two excerpts, Your Honour, | 1:13:45 | 1:13:47 | |
we would like to play at this point, if we could. | 1:13:47 | 1:13:49 | |
It's a slap. | 1:13:59 | 1:14:00 | |
It's a slap every time you hear it. | 1:14:00 | 1:14:03 | |
"We have no niggers where I grew up." Do you recall him saying that? | 1:14:04 | 1:14:07 | |
Yes. | 1:14:07 | 1:14:08 | |
To hear anybody speak on race like that is not OK with me. | 1:14:10 | 1:14:14 | |
When Officer Fuhrman used the word "nigger," | 1:14:14 | 1:14:16 | |
it was not light-hearted, it was something that | 1:14:16 | 1:14:20 | |
he would use in normal conversation. | 1:14:20 | 1:14:23 | |
Devastating. I believe those tapes never should have been allowed in. | 1:14:24 | 1:14:28 | |
What is the nexus between the tapes and the murder? | 1:14:28 | 1:14:30 | |
What does it have to do with the evidence? | 1:14:30 | 1:14:32 | |
What proof is there that any evidence was planted? | 1:14:32 | 1:14:36 | |
Well, it definitely became believable that he was capable. | 1:14:36 | 1:14:39 | |
And I didn't have trust in him any more. | 1:14:39 | 1:14:43 | |
'He was using it in a demeaning, derogatory fashion.' | 1:14:43 | 1:14:48 | |
-INTERVIEWER: -You're saying what's on those tapes | 1:14:51 | 1:14:54 | |
is not reflective of your attitudes or your experiences? | 1:14:54 | 1:14:57 | |
I don't know how you feel or see me, but I can tell you this - | 1:14:57 | 1:15:00 | |
you would be shocked if you saw me in the field. | 1:15:00 | 1:15:05 | |
I was so fair... | 1:15:05 | 1:15:07 | |
..beyond...beyond all scope of what you had to be. | 1:15:09 | 1:15:15 | |
Fighting? | 1:15:15 | 1:15:16 | |
I didn't use Tasers. | 1:15:16 | 1:15:19 | |
I didn't use sticks. | 1:15:19 | 1:15:21 | |
When I fought a suspect, I fought straight up. | 1:15:21 | 1:15:24 | |
I was fair on the street. | 1:15:24 | 1:15:27 | |
There was a time that I was pretty violent. | 1:15:31 | 1:15:34 | |
But that was... | 1:15:37 | 1:15:40 | |
..long before I was in the police department. | 1:15:42 | 1:15:44 | |
All right, Mr Uelmen, I take it at this point | 1:15:47 | 1:15:48 | |
-you wish to recall Detective Fuhrman? -Yes, Your Honour. | 1:15:48 | 1:15:52 | |
'I didn't want to look at him. He made me sick. | 1:15:54 | 1:15:57 | |
'You have been a liar throughout.' | 1:15:57 | 1:16:02 | |
And the only reason I know that you didn't | 1:16:02 | 1:16:04 | |
plant the evidence is because you couldn't have. | 1:16:04 | 1:16:07 | |
Otherwise, I'm with them. | 1:16:07 | 1:16:09 | |
Detective Fuhrman, was the testimony | 1:16:09 | 1:16:12 | |
that you gave at the preliminary hearing | 1:16:12 | 1:16:15 | |
in this case completely truthful? | 1:16:15 | 1:16:17 | |
I wish to assert my Fifth Amendment privilege. | 1:16:19 | 1:16:22 | |
'And one of the most shocking moments was when he took the Fifth.' | 1:16:23 | 1:16:27 | |
You don't see police officers take the Fifth. | 1:16:27 | 1:16:29 | |
Have you ever falsified a police report? | 1:16:29 | 1:16:33 | |
I wish to assert my Fifth Amendment privilege. | 1:16:35 | 1:16:38 | |
Any kind of questioning is going to help to convict | 1:16:38 | 1:16:41 | |
him one way or another, so he had to take the Fifth | 1:16:41 | 1:16:43 | |
to avoid incriminating himself. | 1:16:43 | 1:16:45 | |
A lot of people don't understand about the Fifth. | 1:16:45 | 1:16:48 | |
If you answer one question, you answer them all. | 1:16:48 | 1:16:51 | |
I can't let the defence attorney just run with me. | 1:16:51 | 1:16:56 | |
'I had to plead the Fifth.' | 1:16:56 | 1:16:58 | |
Is it your intention to assert your | 1:16:58 | 1:17:00 | |
Fifth Amendment privilege with respect to all | 1:17:00 | 1:17:02 | |
questions that I ask you? | 1:17:02 | 1:17:04 | |
Yes. | 1:17:04 | 1:17:06 | |
-Could I have a moment? -Certainly. | 1:17:06 | 1:17:09 | |
That's the main question. I mean, he didn't ask the main question. | 1:17:09 | 1:17:14 | |
'"Did you plant the glove?"' | 1:17:14 | 1:17:16 | |
That was the most important one. | 1:17:16 | 1:17:18 | |
It didn't matter. He wasn't going to answer. | 1:17:18 | 1:17:21 | |
-Allow me one other question, Your Honour. -What was that, Mr Uelmen? | 1:17:32 | 1:17:35 | |
Detective Fuhrman, did you plant | 1:17:35 | 1:17:37 | |
or manufacture any evidence in this case? | 1:17:37 | 1:17:41 | |
"Hell, no, I don't plant evidence." That's your response. | 1:17:41 | 1:17:45 | |
And you get incensed. | 1:17:45 | 1:17:46 | |
"LAPD cops don't plant evidence. I made a damn fool of myself by using | 1:17:46 | 1:17:50 | |
"a racial epithet. I never should have done that." | 1:17:50 | 1:17:54 | |
You lay it out, because you've got nothing else to lose. | 1:17:54 | 1:17:57 | |
I assert my Fifth Amendment privilege. | 1:17:59 | 1:18:01 | |
He didn't do that. Why in hell wouldn't you do that? | 1:18:03 | 1:18:07 | |
'For you, it's a documentary. For me, it's the end of my life.' | 1:18:11 | 1:18:14 | |
Now I'm going to tell you a story. | 1:18:17 | 1:18:19 | |
In 1989... | 1:18:20 | 1:18:25 | |
I was married, I had a house, | 1:18:25 | 1:18:28 | |
had a daughter that was born in '91, | 1:18:28 | 1:18:31 | |
a son that was born in '93. | 1:18:31 | 1:18:34 | |
Had this group of friends, | 1:18:34 | 1:18:37 | |
unbelievable friends. | 1:18:37 | 1:18:40 | |
Every one of them was different than me, though. | 1:18:40 | 1:18:43 | |
They all came from intact families, | 1:18:43 | 1:18:45 | |
fathers, houses they still go back to, rooms that they still had, | 1:18:45 | 1:18:51 | |
but they welcomed me into this group. I thought I had it made. | 1:18:51 | 1:18:55 | |
I finally was really happy for the first time in my life. | 1:18:55 | 1:19:00 | |
Then I answered a phone. | 1:19:00 | 1:19:02 | |
'I call upon the public to remember that Mark Fuhrman is not the LAPD.' | 1:19:04 | 1:19:09 | |
The vast majority of the men and women at the LAPD | 1:19:09 | 1:19:12 | |
are hard-working, honest people. | 1:19:12 | 1:19:14 | |
They're husbands, they're wives, they're sons, they're daughters. | 1:19:14 | 1:19:17 | |
They have mortgages. They have kids they want to get through school. | 1:19:17 | 1:19:20 | |
They work two and three jobs, just like I did | 1:19:20 | 1:19:22 | |
as a young officer in the '60s and '70s. | 1:19:22 | 1:19:25 | |
And they want to divorce themselves | 1:19:27 | 1:19:29 | |
from what they've heard these past few weeks. | 1:19:29 | 1:19:32 | |
I believe the police force did their job | 1:19:34 | 1:19:37 | |
and did it correctly, and I cannot see any | 1:19:37 | 1:19:41 | |
way that the framing of OJ is something that is valid. | 1:19:41 | 1:19:46 | |
All the evidence points back to the police department, | 1:19:46 | 1:19:48 | |
and it looks like a major set-up to me. | 1:19:48 | 1:19:51 | |
I think he's innocent. And not just because I want him to be, | 1:19:51 | 1:19:54 | |
it's just based upon the facts that have been given. | 1:19:54 | 1:19:58 | |
I have found most people to be vehemently | 1:19:58 | 1:20:02 | |
convinced that OJ Simpson is guilty of this double murder. | 1:20:02 | 1:20:05 | |
Well, I believe that he was set up. And he's a black man in America, | 1:20:05 | 1:20:09 | |
and black men in America have a hard time getting justice. | 1:20:09 | 1:20:13 | |
OJ was known as a very good black man | 1:20:40 | 1:20:44 | |
who had appeal across the board racially. | 1:20:44 | 1:20:47 | |
Whether OJ's guilty or not is maybe why you're here. | 1:20:48 | 1:20:52 | |
But my theory's that people who live out in Iowa | 1:20:52 | 1:20:54 | |
or out in farmland who've never interacted with us | 1:20:54 | 1:20:57 | |
will suddenly have a negative opinion of us, | 1:20:57 | 1:21:00 | |
the black man's image and the beating that it's taken | 1:21:00 | 1:21:04 | |
after we've worked so hard to show that we're not all criminals. | 1:21:04 | 1:21:08 | |
TV PRESENTER: 'The long-awaited closing arguments | 1:21:16 | 1:21:19 | |
'in the OJ Simpson trial.' | 1:21:19 | 1:21:21 | |
This is the last great hurdle for the lawyers | 1:21:21 | 1:21:23 | |
as they try to convince the jury that their version | 1:21:23 | 1:21:26 | |
of events is the right one. | 1:21:26 | 1:21:27 | |
-Good morning, ladies and gentlemen. -ALL: -Good morning. | 1:21:28 | 1:21:32 | |
Finally. | 1:21:32 | 1:21:33 | |
I feel like it's been forever since I've talked to you. It kind of has. | 1:21:33 | 1:21:36 | |
I got up, and I spoke to them. | 1:21:36 | 1:21:38 | |
'I gave my argument.' | 1:21:38 | 1:21:41 | |
In the course of presenting all of this evidence, | 1:21:41 | 1:21:43 | |
some evidence has been presented to you | 1:21:43 | 1:21:45 | |
that really is not relevant to answer the question | 1:21:45 | 1:21:47 | |
of who murdered Ron Goldman and Nicole Brown. | 1:21:47 | 1:21:51 | |
And it's up to you, the jury, to weed out the distractions, | 1:21:51 | 1:21:55 | |
weed out the sideshows and determine what evidence | 1:21:55 | 1:21:58 | |
is it that really helps me answer this question. | 1:21:58 | 1:22:01 | |
'I thought, "They're listening with half an ear."' | 1:22:02 | 1:22:06 | |
From 9:36 until 10:54... | 1:22:08 | 1:22:12 | |
..the defendant's whereabouts were unaccounted for. | 1:22:13 | 1:22:17 | |
At 10:43, Allan Park, the limo driver, | 1:22:17 | 1:22:21 | |
saw a person approximately six feet tall, | 1:22:21 | 1:22:26 | |
200lbs, African American, | 1:22:26 | 1:22:29 | |
wearing all dark clothing walking up the driveway. | 1:22:29 | 1:22:34 | |
Stone faced. | 1:22:36 | 1:22:38 | |
'Marcia Clark...' | 1:22:40 | 1:22:42 | |
You are truly a marvellous jury, | 1:22:46 | 1:22:48 | |
perhaps the most patient and healthy jury we've ever seen. | 1:22:48 | 1:22:53 | |
When Johnnie was up there, | 1:22:53 | 1:22:54 | |
they were, "Oh, we're there, we are there." | 1:22:54 | 1:22:58 | |
Like the defining moment in this trial, | 1:22:58 | 1:23:01 | |
the day Mr Darden asked Mr Simpson to try on | 1:23:01 | 1:23:04 | |
those gloves and the gloves didn't fit, remember these words. | 1:23:04 | 1:23:08 | |
It was the weekend after the glove demonstration, | 1:23:08 | 1:23:11 | |
and we were talking, and, you know, Jerry was on the speakerphone. | 1:23:11 | 1:23:15 | |
He says, "Hey guys, hey, hey, hey. I got... I got a phrase." | 1:23:15 | 1:23:19 | |
If it doesn't fit, you must acquit. | 1:23:19 | 1:23:22 | |
The room then erupted. High-fiving. "Hey, hey, hey!" | 1:23:24 | 1:23:30 | |
What everybody remembers about Johnnie Cochran's | 1:23:30 | 1:23:33 | |
summation is, "If it doesn't fit, you must acquit," | 1:23:33 | 1:23:36 | |
which was cute and fine, but it wasn't the heart of the summation. | 1:23:36 | 1:23:40 | |
The heart of the summation was, "Whose side are you on?" | 1:23:40 | 1:23:44 | |
When you go back in the jury room, | 1:23:44 | 1:23:47 | |
some of you may want to say that, "Well, gee, you know... | 1:23:47 | 1:23:51 | |
"..boys will be boys, this is just like police talk, | 1:23:52 | 1:23:57 | |
"this is the way they talk." | 1:23:57 | 1:23:59 | |
That's not acceptable. That's the consciousness of this community. | 1:23:59 | 1:24:03 | |
If you adopt that attitude, that's why we have this. | 1:24:03 | 1:24:08 | |
There's no more powerful a narrative... | 1:24:08 | 1:24:13 | |
..in American society than that of race. | 1:24:14 | 1:24:18 | |
A racist is somebody who has power over you, | 1:24:18 | 1:24:22 | |
who can do something to you. | 1:24:22 | 1:24:25 | |
A police officer in the street, a patrol officer, | 1:24:25 | 1:24:28 | |
is the single most powerful figure in the criminal justice system. | 1:24:28 | 1:24:33 | |
He can take your life. | 1:24:33 | 1:24:35 | |
And that's why, that's why this has to be rooted out. | 1:24:35 | 1:24:39 | |
He was magical to watch in court. | 1:24:39 | 1:24:42 | |
Just magical. | 1:24:42 | 1:24:44 | |
Stop this cover up! | 1:24:44 | 1:24:46 | |
Stop this cover up. | 1:24:46 | 1:24:49 | |
If you don't stop it, then who? | 1:24:49 | 1:24:52 | |
Do you think the police department's going to stop it? | 1:24:52 | 1:24:54 | |
Do you think the DA's office is going to stop it? | 1:24:54 | 1:24:56 | |
Do you think we can stop it by ourselves? | 1:24:56 | 1:24:59 | |
It has to be stopped by you. | 1:24:59 | 1:25:01 | |
It offended me because he was using a very serious, | 1:25:03 | 1:25:06 | |
for-real issue, racial injustice, in defence | 1:25:06 | 1:25:10 | |
of a man who wanted nothing to do with the black community. | 1:25:10 | 1:25:15 | |
..Vannatter, with his big lies, and then we have | 1:25:15 | 1:25:17 | |
Fuhrman come right on the heels, and these | 1:25:17 | 1:25:20 | |
two twin devils of deception, | 1:25:20 | 1:25:24 | |
it's part of a culture of getting away with things. | 1:25:24 | 1:25:28 | |
It's part of a culture of looking the other way. | 1:25:28 | 1:25:31 | |
"If we determine the rules as we go along, | 1:25:31 | 1:25:34 | |
"nobody's going to question us. | 1:25:34 | 1:25:36 | |
"We're the LAPD." | 1:25:36 | 1:25:38 | |
He and that team were willing to go anywhere that they could | 1:25:38 | 1:25:45 | |
to get the killer off. | 1:25:45 | 1:25:48 | |
'It's just not honourable. It's not right.' | 1:25:48 | 1:25:52 | |
Officer Fuhrman went on to say | 1:25:52 | 1:25:55 | |
that he would like nothing more | 1:25:55 | 1:25:57 | |
than to see all niggers gathered together and killed. | 1:25:57 | 1:26:04 | |
He said something about burning them or bombing them. | 1:26:04 | 1:26:09 | |
There was another man who had those same views. | 1:26:09 | 1:26:16 | |
People didn't care. | 1:26:16 | 1:26:18 | |
People said, "He's just crazy, he's just a half-baked painter." | 1:26:18 | 1:26:22 | |
They didn't do anything about it. | 1:26:24 | 1:26:26 | |
This man, this scourge became one of the worst | 1:26:26 | 1:26:30 | |
people in the history of this world, Adolf Hitler. | 1:26:30 | 1:26:32 | |
The word "Hitler" had not been in any of the prior drafts. | 1:26:34 | 1:26:39 | |
People didn't care and didn't try to stop him. | 1:26:39 | 1:26:42 | |
He had the power over his racism and his anti-religions. | 1:26:42 | 1:26:46 | |
And nobody wanted to stop him, and it ended up in World War II. | 1:26:46 | 1:26:52 | |
I found his closing arguments to be irresponsible. | 1:26:52 | 1:26:56 | |
Thank you very, very much. | 1:26:56 | 1:26:58 | |
I appreciate your attention. | 1:26:58 | 1:27:00 | |
We have seen a man who perhaps is | 1:27:02 | 1:27:05 | |
the worst kind of racist himself, | 1:27:05 | 1:27:09 | |
someone who shoves racism in front of everything, | 1:27:09 | 1:27:14 | |
someone who compares a person who speaks racist comments | 1:27:14 | 1:27:20 | |
to Hitler! | 1:27:20 | 1:27:22 | |
This man is a disgrace to human beings. | 1:27:23 | 1:27:26 | |
-That's... -No. | 1:27:26 | 1:27:28 | |
He is one of the most disgusting human beings | 1:27:31 | 1:27:33 | |
I have ever had to listen to in my life. | 1:27:33 | 1:27:37 | |
He suggests because of racism we should put aside all other thought, | 1:27:39 | 1:27:45 | |
all other reason and set his murdering client free. | 1:27:45 | 1:27:50 | |
He's a sick man | 1:27:50 | 1:27:52 | |
and he ought to be put away. | 1:27:52 | 1:27:54 | |
Johnnie pushed. | 1:28:02 | 1:28:04 | |
I may have used a different analogy, but I can't criticise what he did. | 1:28:04 | 1:28:08 | |
Did you go too far with the Hitler analogy? | 1:28:08 | 1:28:11 | |
Some people are offended by that. | 1:28:11 | 1:28:13 | |
Excuse us, excuse us. Excuse us. | 1:28:13 | 1:28:16 | |
Could you answer it for us, Johnnie? | 1:28:16 | 1:28:17 | |
Yes. | 1:28:22 | 1:28:23 | |
The playing of the race card as he did, | 1:28:23 | 1:28:26 | |
in all respects, insinuations that were made... | 1:28:26 | 1:28:31 | |
..impacted how I felt about Johnnie. | 1:28:33 | 1:28:36 | |
Do you owe an apology to Fred Goldman? | 1:28:36 | 1:28:38 | |
He owes an apology to me. | 1:28:38 | 1:28:40 | |
-CARL DOUGLAS: -I am so tired of the unfair... | 1:28:42 | 1:28:45 | |
suggestion that Johnnie Cochran | 1:28:45 | 1:28:49 | |
played the race card. | 1:28:49 | 1:28:51 | |
We played the credibility card. | 1:28:51 | 1:28:54 | |
We played the evidence card, man. | 1:28:55 | 1:28:59 | |
You have to look at the evidence in a case. | 1:28:59 | 1:29:01 | |
And who in America can deny the fact | 1:29:01 | 1:29:04 | |
that Mark Fuhrman is a genocidal racist? | 1:29:04 | 1:29:06 | |
He's their witness, he's in the middle of this case, | 1:29:06 | 1:29:09 | |
so race has to be an issue. | 1:29:09 | 1:29:10 | |
It would have been contrary to our oath as advocates to ignore race | 1:29:10 | 1:29:18 | |
and to not exploit it, given the circumstances | 1:29:18 | 1:29:21 | |
and the context of this case in this city and in this time. | 1:29:21 | 1:29:27 | |
The attorneys are telling my brother's story. | 1:29:27 | 1:29:32 | |
And it's very shocking that | 1:29:32 | 1:29:35 | |
once Johnnie gets up and starts telling what | 1:29:35 | 1:29:38 | |
we feel happens, that this has rocked somebody's world. | 1:29:38 | 1:29:44 | |
I think it's time for everybody to wake up | 1:29:44 | 1:29:47 | |
and realise that we are in a for-real world | 1:29:47 | 1:29:51 | |
and we have dealt with racism all our lives. | 1:29:51 | 1:29:55 | |
Every single day. | 1:29:55 | 1:29:57 | |
It's hard, it's really hard. This guy's on trial for his life. | 1:29:59 | 1:30:04 | |
Not one word that Johnnie Cochran said | 1:30:04 | 1:30:07 | |
was objected to by the prosecution, | 1:30:07 | 1:30:12 | |
unlawful under the rules of evidence. | 1:30:12 | 1:30:15 | |
So, what's the problem? | 1:30:15 | 1:30:17 | |
On the other hand, really? | 1:30:17 | 1:30:21 | |
OJ Simpson as civil rights victim? | 1:30:21 | 1:30:24 | |
Hero? | 1:30:24 | 1:30:26 | |
It was disgusting. It was appalling. | 1:30:26 | 1:30:28 | |
What was your feeling when Mr Cochran | 1:30:28 | 1:30:30 | |
compared Mr Fuhrman to Adolf Hitler? | 1:30:30 | 1:30:33 | |
Your personal feeling, sir? | 1:30:34 | 1:30:36 | |
I'll address that after the jury verdict. | 1:30:36 | 1:30:38 | |
TV PRESENTER: 'One month after the murders, | 1:30:53 | 1:30:56 | |
'in July last year, 63% of whites thought Simpson was guilty, | 1:30:56 | 1:30:59 | |
'65% of blacks thought he was innocent. | 1:30:59 | 1:31:03 | |
'And now, more than a year later, with all of the evidence | 1:31:03 | 1:31:05 | |
'having been laid out, 77% of whites think Simpson | 1:31:05 | 1:31:08 | |
'is guilty and 72% of blacks believe he is innocent. | 1:31:08 | 1:31:13 | |
'Blacks and whites are actually farther apart.' | 1:31:13 | 1:31:16 | |
-TV PRESENTER: -'It's not even the trial of the century any more. | 1:31:20 | 1:31:22 | |
'Suddenly, the case of The People Versus OJ Simpson | 1:31:22 | 1:31:25 | |
'has become the trial of Los Angeles.' | 1:31:25 | 1:31:29 |