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We've had 16 celebrities battling it out to win the Masterchef crown. | 0:00:03 | 0:00:08 | |
It feels amazing to be in the final four. | 0:00:11 | 0:00:14 | |
Only the best are left. | 0:00:16 | 0:00:18 | |
Now the competition really begins. | 0:00:18 | 0:00:21 | |
You don't want to come all this way | 0:00:21 | 0:00:23 | |
and then go out just before the final. | 0:00:23 | 0:00:26 | |
The competition's certainly got a lot tougher. | 0:00:26 | 0:00:29 | |
We've got to the last four in this competition. | 0:00:40 | 0:00:43 | |
We know what their strengths are. We know what their weaknesses are. | 0:00:43 | 0:00:46 | |
Let's help them work on them. | 0:00:46 | 0:00:48 | |
To do that, we're going to send our four celebs | 0:00:50 | 0:00:54 | |
to four different restaurants to get one-on-one training. | 0:00:54 | 0:00:57 | |
And those four restaurants have four great chefs who know | 0:00:59 | 0:01:02 | |
exactly what to do to bring the best out of our celebs. | 0:01:02 | 0:01:07 | |
Emma will be cooking at the Savoy Hotel's River Restaurant, | 0:01:08 | 0:01:14 | |
which was opened in 1890. | 0:01:14 | 0:01:16 | |
Head chef James Pare's modern French menu | 0:01:16 | 0:01:20 | |
is inspired by the hotel's first executive chef, | 0:01:20 | 0:01:25 | |
the legendary Auguste Escoffier. | 0:01:25 | 0:01:27 | |
-Hello, Emma, how are you? -Very well. -Welcome to the Savoy. | 0:01:29 | 0:01:32 | |
We're going to do classical cooking, the foundation of modern cookery. | 0:01:32 | 0:01:35 | |
-Have you done any classical cooking? -No, not at all. | 0:01:35 | 0:01:38 | |
SHE LAUGHS OK, so that's good. | 0:01:38 | 0:01:41 | |
-We start fresh. Right? -Yeah. -OK, let's go. -Thank you. | 0:01:41 | 0:01:44 | |
Emma will be taught how to make Sole Victoria, | 0:01:44 | 0:01:48 | |
a Dover sole fillet layered with truffle, | 0:01:48 | 0:01:50 | |
served with lobster claw, mushrooms and sauce Victoria. | 0:01:50 | 0:01:55 | |
So this was a dish that Escoffier created that we're going to recreate | 0:01:55 | 0:02:00 | |
-with my touch, obviously, a little bit. OK? -OK. | 0:02:00 | 0:02:03 | |
First, I'll take off the fillets | 0:02:03 | 0:02:05 | |
-then you'll do one as well. -OK. | 0:02:05 | 0:02:07 | |
Have your knife on such an angle that you just scrape along the bone | 0:02:07 | 0:02:12 | |
to get a nice clean fillet. | 0:02:12 | 0:02:13 | |
-OK? There's one fillet, yeah? -Yeah. -It's your turn. All right? | 0:02:14 | 0:02:19 | |
Slowly, nice long smooth slices. | 0:02:20 | 0:02:23 | |
Oh, look. I missed a bit there, Chef. | 0:02:23 | 0:02:27 | |
Straight along, there you go. That's exactly what you're looking for. | 0:02:27 | 0:02:31 | |
-How's that one, Chef? -That's beautiful, absolutely. -Look at that! | 0:02:31 | 0:02:36 | |
So what we're going to do is layer them with truffles. | 0:02:36 | 0:02:39 | |
Do you know what worries me most about this? | 0:02:44 | 0:02:47 | |
You've made that so look so easy. | 0:02:47 | 0:02:49 | |
-That's why we're here today - to show you how to do it. -Yeah. | 0:02:49 | 0:02:52 | |
So we're going to cook this sous vide. | 0:02:52 | 0:02:54 | |
-LOUD HISSING -Ooh! | 0:02:54 | 0:02:57 | |
-Into the waterbath. -Yes. | 0:02:59 | 0:03:01 | |
Next is the mushrooms. | 0:03:02 | 0:03:04 | |
'At this level,' | 0:03:04 | 0:03:05 | |
the tastes are so refined and delicate that a pinch | 0:03:05 | 0:03:09 | |
too much pepper and the balance is all off. | 0:03:09 | 0:03:12 | |
So I've got to really be vigilant. | 0:03:12 | 0:03:14 | |
-So there you are. Sole Victoria. -Absolutely beautiful. -OK? | 0:03:17 | 0:03:21 | |
This is a massive step up in terms... | 0:03:21 | 0:03:25 | |
of the level of food I've been producing | 0:03:25 | 0:03:27 | |
and I just hope I don't let anyone down. | 0:03:27 | 0:03:30 | |
Michael will be tutored by executive chef Jun Tanaka, | 0:03:33 | 0:03:38 | |
at Pearl in Central London. Classically trained | 0:03:38 | 0:03:42 | |
by chefs including the Rouxs and Marco Pierre White, | 0:03:42 | 0:03:45 | |
he is renowned for his own modern interpretation | 0:03:45 | 0:03:48 | |
of traditional French cuisine. | 0:03:48 | 0:03:50 | |
-Hey, Michael. -Nice to meet you. -Nice to meet you. | 0:03:50 | 0:03:53 | |
Today, it's all about building on the classics and attention to detail. | 0:03:53 | 0:03:58 | |
This is going to be a true test, I can feel it. | 0:03:58 | 0:04:01 | |
Michael will be learning to make pan-fried gurnard with parsley mash, | 0:04:02 | 0:04:06 | |
which is served with a sauce | 0:04:06 | 0:04:09 | |
made from a classic French bouillabaisse, combined with aioli. | 0:04:09 | 0:04:13 | |
Now this sauce, once you know how to make it, | 0:04:13 | 0:04:16 | |
you will use over and over again. First thing, | 0:04:16 | 0:04:19 | |
we want to start by caramelising all the vegetables. | 0:04:19 | 0:04:23 | |
In a separate pan, we're going to start caramelising the fish. | 0:04:23 | 0:04:28 | |
The amount of work you need to do | 0:04:30 | 0:04:32 | |
to make something as simple as a sauce, you want it good, | 0:04:32 | 0:04:35 | |
you want it to taste amazing, you need a whole lot of time. | 0:04:35 | 0:04:38 | |
This is going to be good. Definitely. | 0:04:39 | 0:04:42 | |
When you start to cook the gurnard, you don't want the pan too hot. | 0:04:46 | 0:04:50 | |
As soon as you flip over, it'll be about a minute. | 0:04:51 | 0:04:54 | |
I'm just basting it with the butter, just to give it that extra flavour. | 0:04:54 | 0:04:58 | |
Cocktail stick. | 0:04:58 | 0:05:00 | |
Insert it into the flesh. | 0:05:00 | 0:05:03 | |
As soon as it slides in all the way, then it's perfectly cooked. | 0:05:03 | 0:05:07 | |
That's a brilliant tip. Love it! | 0:05:07 | 0:05:10 | |
-That's it. -It looks brilliant. Look so lovely. | 0:05:13 | 0:05:16 | |
Although I've got some cooking skills, | 0:05:19 | 0:05:21 | |
there are still massive gaps in my cooking ability, | 0:05:21 | 0:05:23 | |
so it's going to be a big learning curve for me, but I can't wait. | 0:05:23 | 0:05:26 | |
Danny has been sent to Theo Randall at the Intercontinental. | 0:05:29 | 0:05:34 | |
Theo opened here | 0:05:34 | 0:05:35 | |
in 2006 after spending 16 years | 0:05:35 | 0:05:39 | |
at the renowned River Cafe, | 0:05:39 | 0:05:41 | |
where he was head chef when it won its first Michelin star. | 0:05:41 | 0:05:45 | |
-Hi, I'm Danny. -I'm Theo. Nice to meet you. We cook Italian food here. | 0:05:45 | 0:05:48 | |
I don't have a single Italian bone in my body, but I'm Italian souled, | 0:05:48 | 0:05:52 | |
so I'll show you the whole philosophy behind Italian food. | 0:05:52 | 0:05:55 | |
-It's all about simplicity and the quality of ingredients. -Excellent. | 0:05:55 | 0:05:59 | |
Danny is cooking wood-roasted Cornish monkfish with roseval potatoes, | 0:06:00 | 0:06:06 | |
artichokes, capers, parsley and prosciutto. | 0:06:06 | 0:06:09 | |
It is very simple. It's less is more. | 0:06:09 | 0:06:11 | |
The more you complicate the dish, it actually can ruin it. | 0:06:11 | 0:06:15 | |
What we need to do is take the skin off, comes off quite easily. | 0:06:15 | 0:06:20 | |
So knife against the bone and then just pull the fillet off | 0:06:20 | 0:06:24 | |
and then you take off all of that membrane there. | 0:06:24 | 0:06:28 | |
Trim it up. You get a very hot pan. | 0:06:28 | 0:06:31 | |
Oil. | 0:06:33 | 0:06:35 | |
The food in this kitchen | 0:06:35 | 0:06:37 | |
is more about flavours and bringing that all together. | 0:06:37 | 0:06:39 | |
So, hopefully, I can go away and learn from that. | 0:06:39 | 0:06:42 | |
A lot of this cooking is about using your instinct. | 0:06:42 | 0:06:45 | |
It's a brilliant way of cooking. It's really getting back to basics. | 0:06:45 | 0:06:49 | |
-Camping. -Camping, exactly. Very important it's nice and juicy. | 0:06:49 | 0:06:52 | |
If you just have a feel of that. It feels slightly springy. | 0:06:52 | 0:06:55 | |
There's loads of strong flavours, it's bringing them altogether. | 0:06:55 | 0:06:59 | |
I think, if you cooked it wrong, it could taste very nasty. | 0:06:59 | 0:07:02 | |
That's our monkfish dish. | 0:07:05 | 0:07:07 | |
Chef makes it look very easy. | 0:07:07 | 0:07:10 | |
And hopefully, if it comes out looking like that, | 0:07:10 | 0:07:12 | |
I'll be very happy man. | 0:07:12 | 0:07:14 | |
Jamie will be cooking at Skylon, situated on London's South Bank. | 0:07:17 | 0:07:22 | |
Head chef Helena Puolakka | 0:07:25 | 0:07:27 | |
spent three years training under the legendary Pierre Koffmann. | 0:07:27 | 0:07:31 | |
Her modern European menu draws inspiration | 0:07:31 | 0:07:33 | |
from her classic French background and her Finnish roots. | 0:07:33 | 0:07:38 | |
-Hi, Jamie. Welcome to Skylon. -Thank you very much. | 0:07:39 | 0:07:43 | |
The dish that Jamie must master consists of three cuts of lamb. | 0:07:43 | 0:07:48 | |
The saddle stuffed with Swiss chard and ceps, | 0:07:48 | 0:07:52 | |
the rack and kidney, | 0:07:52 | 0:07:55 | |
served with a cherry marmalade and a Swiss chard gratin. | 0:07:55 | 0:07:59 | |
First you're going to remove the kidneys. | 0:07:59 | 0:08:02 | |
Now this is the saddle we're going to stuff. | 0:08:02 | 0:08:05 | |
We need to debone it with the knife under the bone. | 0:08:05 | 0:08:09 | |
One funny thing about this is I give you a baby lamb | 0:08:09 | 0:08:12 | |
and you know how to debone the baby lamb | 0:08:12 | 0:08:15 | |
and I give you a venison and you know how to do the venison as well. | 0:08:15 | 0:08:18 | |
-This is the same technique? -Yes. | 0:08:18 | 0:08:20 | |
-So what you're teaching me now is good for everything. -Absolutely. | 0:08:20 | 0:08:25 | |
So you really have to kind of feel the bone and try and follow the bone. | 0:08:26 | 0:08:32 | |
-Look how neat that is. -That's it. | 0:08:32 | 0:08:35 | |
I'm beginning to think a bit more like a chef, I think. | 0:08:35 | 0:08:38 | |
This is all about tiny detail and so far it's gone OK. | 0:08:38 | 0:08:43 | |
-We cook the racks and the kidneys to order. -OK. Done. I can do that. | 0:08:44 | 0:08:50 | |
This cooks really fast. Every piece needs to look exactly the same. | 0:08:52 | 0:08:56 | |
-Nice, golden brown. -OK. -OK. -Happy with that? -I'm happy with that. | 0:08:56 | 0:09:01 | |
This dish requires very strict procedure. | 0:09:01 | 0:09:04 | |
-Every plate like this, OK? -You can rely on me, I won't let you down. | 0:09:07 | 0:09:12 | |
OK. Beautiful. | 0:09:12 | 0:09:14 | |
I feel like a greyhound in the traps, | 0:09:22 | 0:09:25 | |
chomping...chomping to get going. | 0:09:25 | 0:09:29 | |
-First course ordering three sole Victoria. -Me, Chef. | 0:09:31 | 0:09:34 | |
-Make sure you get the pan hot for the mushrooms, OK? -Yes, Chef. | 0:09:37 | 0:09:41 | |
-One minute on the mushrooms, Chef. -No. 30 seconds, yes? -Yes. | 0:09:41 | 0:09:45 | |
OK, get them in a line ready to go, now you need to come plate it. | 0:09:46 | 0:09:50 | |
Make it quick, OK. | 0:09:51 | 0:09:53 | |
Now garnish it up. | 0:09:55 | 0:09:58 | |
Two slices of truffle on each one. They've all got to be the same. | 0:09:59 | 0:10:03 | |
Put them in the same spot. It's ready to go, yeah? | 0:10:03 | 0:10:05 | |
Service, pick up, please. | 0:10:05 | 0:10:07 | |
-Emma, good job on them, but I need the next one quicker. -Yes, Chef. | 0:10:10 | 0:10:13 | |
-How long is that going to take? -30 seconds, Chef. | 0:10:16 | 0:10:19 | |
'The attention to detail at this level of cooking | 0:10:22 | 0:10:25 | |
'is just way beyond anything I'm used to.' | 0:10:25 | 0:10:28 | |
It's about the small precise beautiful looking plate. | 0:10:28 | 0:10:31 | |
Pick up. | 0:10:31 | 0:10:32 | |
I need one more sole Victoria. We had a complaint that one of them wasn't seasoned enough. OK? | 0:10:36 | 0:10:41 | |
Did we really? Yes, Chef. | 0:10:41 | 0:10:43 | |
I'm absolutely determined to get this one absolutely bang on. | 0:10:47 | 0:10:51 | |
Just one little sprinkle of salt, pepper. | 0:10:51 | 0:10:54 | |
Don't forget too, a little bit of lemon juice, yeah? | 0:10:54 | 0:10:57 | |
-Are you ready for the three? -Let's go, let's go. | 0:10:57 | 0:11:01 | |
-These are the last ones. We want to make them perfect, yeah? -Yes, Chef. | 0:11:01 | 0:11:04 | |
OK, quicker, quicker. | 0:11:08 | 0:11:11 | |
Perfect. | 0:11:11 | 0:11:12 | |
Service. | 0:11:13 | 0:11:14 | |
It was beautifully cooked, the lobster tail was fabulous. | 0:11:27 | 0:11:31 | |
The Dover sole was beautiful. It's a great dish. Really lovely. | 0:11:31 | 0:11:35 | |
-Away, one set beef, one monkfish. Danny boy. -Yes, Chef. | 0:11:40 | 0:11:44 | |
Just trying to stay calm and relaxed. | 0:11:45 | 0:11:48 | |
We shall see by the end of service if that maintains. | 0:11:48 | 0:11:51 | |
New order - two set salami and a monkfish on the main. | 0:11:51 | 0:11:54 | |
Your monkfish is popular. Need another monkfish. | 0:11:54 | 0:11:56 | |
You haven't got time to think. | 0:11:59 | 0:12:01 | |
-Danny? -Yes, Chef. -One monkfish, quick. | 0:12:01 | 0:12:04 | |
That looks beautiful, Danny. | 0:12:08 | 0:12:11 | |
Danny, two monkfish, please. Plate now, table 117. | 0:12:11 | 0:12:14 | |
Not too much, not too much. | 0:12:15 | 0:12:17 | |
A bit more parsley and capers on the next one. | 0:12:19 | 0:12:22 | |
-That's not as good as the last one. -OK, yes, Chef. | 0:12:22 | 0:12:25 | |
He's doing all right, yeah. He needs to speed up a bit. | 0:12:26 | 0:12:29 | |
He's taking it seriously, but I think he's enjoying it. | 0:12:29 | 0:12:31 | |
OK, new order. On the main, there's two monkfish. | 0:12:31 | 0:12:36 | |
Yes, Chef. | 0:12:36 | 0:12:38 | |
Four minutes on the pass, Danny. | 0:12:38 | 0:12:40 | |
-Yes, four minutes, yes, Chef. -Thank you. | 0:12:40 | 0:12:42 | |
It's going all right, I think. | 0:12:42 | 0:12:45 | |
But again, let's not get too cocky just yet. | 0:12:45 | 0:12:48 | |
Last one, make it the best one. | 0:12:48 | 0:12:50 | |
Perfectly cooked. | 0:12:52 | 0:12:53 | |
Table 42, service. | 0:12:55 | 0:12:57 | |
Very simple but very well presented. I actually enjoyed it very much. | 0:13:06 | 0:13:10 | |
I've eaten here a few times before and this is definitely up to scratch. | 0:13:10 | 0:13:14 | |
At Pearl, Michael is inundated with orders. | 0:13:16 | 0:13:21 | |
-Michael, five gurnard away. -Yes, Chef. | 0:13:21 | 0:13:24 | |
Just juggling so many orders. It's really, really, really hard. | 0:13:25 | 0:13:30 | |
-How long for the gurnard? -About one minute. | 0:13:30 | 0:13:33 | |
-How many? -Five. -About one minute for five. | 0:13:33 | 0:13:37 | |
You put them on the same time so they should be ready at the same time. | 0:13:37 | 0:13:40 | |
You'd think that, wouldn't you? | 0:13:40 | 0:13:42 | |
At the moment, I'm more concerned about the fact they look awful. | 0:13:43 | 0:13:47 | |
These aren't good enough. We're going to start again. | 0:13:47 | 0:13:50 | |
The sauce is a nightmare. If it's too hot, it splits. Argh! | 0:13:54 | 0:13:59 | |
-That's split. -Yeah, that one's split. | 0:13:59 | 0:14:03 | |
Just being in this kitchen, you start to get an understanding | 0:14:08 | 0:14:11 | |
of needing to be across everything. | 0:14:11 | 0:14:13 | |
Keep your head up, look at everything. | 0:14:13 | 0:14:15 | |
It's one of those things. I've not done it before. | 0:14:15 | 0:14:17 | |
You practise and learn. You make a mistake, you learn, | 0:14:17 | 0:14:20 | |
you make another little mistake, you learn, | 0:14:20 | 0:14:22 | |
then don't make the mistake again. Otherwise you're fired. | 0:14:22 | 0:14:25 | |
-I am much happier with these. -Michael, can I have the fish please? | 0:14:26 | 0:14:30 | |
Yes, Chef. | 0:14:30 | 0:14:32 | |
OK, I want you to plate this gurnard absolutely spot on, no mistakes. | 0:14:35 | 0:14:39 | |
Fish goes on top. Gently press it down so you just see the mash. | 0:14:44 | 0:14:48 | |
Right, sauce on now, please. Don't dribble. | 0:14:48 | 0:14:53 | |
Perfect. Spot on. | 0:14:54 | 0:14:57 | |
That's exactly how I want it. | 0:14:57 | 0:14:59 | |
That was... That was quite intense. | 0:15:03 | 0:15:06 | |
Very fresh, very light. | 0:15:09 | 0:15:11 | |
The flavours and the tastes just are remarkable. | 0:15:11 | 0:15:14 | |
Jamie is also having to cope with a busy service. | 0:15:16 | 0:15:20 | |
OK, Jamie, two more lamb, please. | 0:15:20 | 0:15:23 | |
-So that's one beef, one lobster, followed by two lamb. -Yes, Chef. | 0:15:23 | 0:15:28 | |
-This looks a little rare. -Can you just put it in the oven for a minute? | 0:15:29 | 0:15:32 | |
-Chef, how long on table 211? -211 coming right now. | 0:15:37 | 0:15:41 | |
-17 minutes now, Chef. -I know, yes. One minute, please. | 0:15:41 | 0:15:44 | |
-Jamie, two lamb coming up? -It's coming. -Please. | 0:15:46 | 0:15:49 | |
How long for the lamb, Chef? | 0:15:53 | 0:15:55 | |
OK, Jamie, give me those two lamb, please. | 0:15:55 | 0:15:58 | |
-Take the string off before you bring it to the pass for me. -Sorry, Chef. | 0:15:58 | 0:16:02 | |
Pay attention. It's not a part of the dish, people don't want to eat it. | 0:16:02 | 0:16:05 | |
OK, next lamb needs to be perfect, Jamie. | 0:16:06 | 0:16:09 | |
-Do you promise? -I promise you. | 0:16:09 | 0:16:11 | |
I'm down to one more lamb now and I want to prove to Chef | 0:16:11 | 0:16:14 | |
that I can do it. I want to make sure this one's spot on. | 0:16:14 | 0:16:16 | |
Jamie keeps on making the little errors | 0:16:16 | 0:16:19 | |
but I hope for the last dish he will come up perfect now. | 0:16:19 | 0:16:22 | |
-Almost perfect, Jamie. -Huh? | 0:16:26 | 0:16:28 | |
Almost perfect. | 0:16:28 | 0:16:30 | |
The lamb was perfectly cooked. | 0:16:37 | 0:16:38 | |
It was a little pink, just how I like it, which was spot on. | 0:16:38 | 0:16:42 | |
The main thing I've learned today | 0:16:45 | 0:16:48 | |
is to be absolutely at the top of your game as a chef, | 0:16:48 | 0:16:50 | |
you need to be concentrating all the time. Keep right on top of it. | 0:16:50 | 0:16:54 | |
When you see food like that, you see the ambition of the chefs | 0:16:54 | 0:16:58 | |
who make it, and that's something to aspire to, actually. | 0:16:58 | 0:17:02 | |
It was an amazing experience. | 0:17:04 | 0:17:05 | |
I have learned so much, I don't even know where to begin. | 0:17:05 | 0:17:09 | |
I really enjoyed that. | 0:17:09 | 0:17:11 | |
It's opened my eyes a little bit to a new way of cooking. | 0:17:11 | 0:17:14 | |
Hopefully now, I can show Gregg and John what I've learnt | 0:17:14 | 0:17:17 | |
and take it into the next challenge. | 0:17:17 | 0:17:19 | |
Our four celebs have had an extraordinary experience | 0:17:25 | 0:17:27 | |
and now we're going to ask them to show us what they've learnt. | 0:17:27 | 0:17:33 | |
Good to see you back. | 0:17:47 | 0:17:49 | |
We want you to cook a dish | 0:17:49 | 0:17:51 | |
inspired by the time you've just had in the restaurant. | 0:17:51 | 0:17:54 | |
Today, prove to Gregg and I that you've learnt something. | 0:17:54 | 0:17:59 | |
Ladies and gentlemen, you've got one hour. Let's cook. | 0:17:59 | 0:18:03 | |
'I think I have a better understanding | 0:18:12 | 0:18:15 | |
'of what's expected of us now.' | 0:18:15 | 0:18:17 | |
What I'm taking on is proper high-end restaurant quality food. | 0:18:17 | 0:18:21 | |
And I've never cooked anything like it before. | 0:18:21 | 0:18:24 | |
Jamie, you have a really concentrated look upon your face. | 0:18:27 | 0:18:30 | |
Yes. It's an important round for me today. | 0:18:30 | 0:18:33 | |
I need to convince you that I can do restaurant-quality food. | 0:18:33 | 0:18:37 | |
Hmm. And can you? | 0:18:37 | 0:18:39 | |
I think I can, yeah. | 0:18:39 | 0:18:42 | |
What is it you've learnt from Skylon? | 0:18:42 | 0:18:44 | |
It's built my confidence. | 0:18:44 | 0:18:46 | |
I've learnt what it takes to be a chef in a commercial kitchen. | 0:18:46 | 0:18:50 | |
I've learnt the pressures that are involved | 0:18:50 | 0:18:53 | |
and it's been quite an experience. | 0:18:53 | 0:18:55 | |
-The dish you're cooking for us today is...? -A pork fillet with Agen prunes and Armagnac, | 0:18:55 | 0:19:01 | |
with a celeriac and apple gratin and deep-fried cavolo nero. | 0:19:01 | 0:19:07 | |
-Cor, this has got into your blood, mate, hasn't it? -I love it. | 0:19:07 | 0:19:10 | |
It's a real balancing act for Jamie today. | 0:19:13 | 0:19:15 | |
It sounds really good, but it's intense. | 0:19:15 | 0:19:19 | |
When I came to this competition, I was a home cook. | 0:19:24 | 0:19:28 | |
Roast chicken, that's your lot, really. | 0:19:28 | 0:19:30 | |
But now, I've evolved as a cook just beyond all recognition. | 0:19:30 | 0:19:36 | |
Emma, there's an absolute glow of vibrancy and opulence | 0:19:41 | 0:19:44 | |
-coming from your bench today. -Yes. -What are you going to cook for us? | 0:19:44 | 0:19:47 | |
I'm going to cook a pan-fried turbot on samphire with a clam broth. | 0:19:47 | 0:19:51 | |
The one big thing I learnt yesterday is that | 0:19:51 | 0:19:55 | |
great cooking is a combination of instinct and experience, | 0:19:55 | 0:19:58 | |
and I haven't got much experience, but this is an exercise in instinct. | 0:19:58 | 0:20:03 | |
-So it's definitely changed your outlook, has it? -Definitely. | 0:20:03 | 0:20:07 | |
It's made me ambitious as a cook. It's wonderful. | 0:20:07 | 0:20:10 | |
Turbot, samphire and a clam broth. It sounds absolutely delicious. | 0:20:12 | 0:20:18 | |
It should work for Emma | 0:20:18 | 0:20:20 | |
as long as she does cook with the instinct she's promising. | 0:20:20 | 0:20:23 | |
You're halfway. 30 minutes left. | 0:20:24 | 0:20:27 | |
Every single thing you do matters. I've got to be on it today | 0:20:31 | 0:20:34 | |
because I know the other three are going to be, | 0:20:34 | 0:20:36 | |
so I need to make sure I bring my A-game. | 0:20:36 | 0:20:38 | |
What did that restaurant experience do for you, Michael? | 0:20:44 | 0:20:47 | |
With cooking, what I suffered from | 0:20:47 | 0:20:48 | |
is not looking at the bigger picture. | 0:20:48 | 0:20:50 | |
I'd always focus on one thing, "This has got to be right," then other things would slip. | 0:20:50 | 0:20:54 | |
Being at the restaurant yesterday, | 0:20:54 | 0:20:55 | |
I suddenly realised that, actually, | 0:20:55 | 0:20:57 | |
a little bit of focus can make a big difference. | 0:20:57 | 0:21:00 | |
Michael, what dish are you cooking for us? | 0:21:00 | 0:21:02 | |
Some red mullet crusted with almonds, | 0:21:02 | 0:21:04 | |
a blood orange and fennel salad, a blood orange vinaigrette, | 0:21:04 | 0:21:07 | |
some crushed Jersey Royals and fennel puree. | 0:21:07 | 0:21:10 | |
-Orange and potatoes? -Yes, it's an interesting combination. | 0:21:10 | 0:21:13 | |
I think what I learnt yesterday was that take classic flavours, | 0:21:13 | 0:21:18 | |
put them together and sometimes give them a twist, surprise people. | 0:21:18 | 0:21:21 | |
I think, with this dish, it's going to do that. | 0:21:21 | 0:21:24 | |
'Michael's asking a lot of our palates. Almonds, red mullet, | 0:21:27 | 0:21:32 | |
'blood orange and buttery potatoes.' | 0:21:32 | 0:21:34 | |
That is very difficult to pull off. | 0:21:34 | 0:21:38 | |
'I'm going to try and relax a bit more today. | 0:21:42 | 0:21:45 | |
'I'm pushing myself in a different direction.' | 0:21:45 | 0:21:48 | |
This is going to be a bit more free-flowing, which my concern is | 0:21:48 | 0:21:52 | |
it could be so free-flowing, it free-flows out the door to the bin. | 0:21:52 | 0:21:56 | |
Danny, probably the fewest ingredients I've seen on a bench | 0:21:58 | 0:22:02 | |
when you're cooking for a very long time. | 0:22:02 | 0:22:04 | |
-What are you cooking for us? -I'm doing a piece of sirloin | 0:22:04 | 0:22:08 | |
with some roast vegetables and a fresh dressing. | 0:22:08 | 0:22:10 | |
Being with Theo yesterday was fantastic. | 0:22:10 | 0:22:12 | |
Great experience, good learning for me, | 0:22:12 | 0:22:14 | |
and I think before it's all been about technique | 0:22:14 | 0:22:17 | |
and presentation and all that sort of stuff. | 0:22:17 | 0:22:21 | |
This is really cooking on feel and taste and sensation, really. | 0:22:21 | 0:22:25 | |
Hallelujah. | 0:22:25 | 0:22:26 | |
It could be delightful, as long as Danny | 0:22:28 | 0:22:31 | |
gets those big flavours of Italy into it. | 0:22:31 | 0:22:35 | |
Seven minutes left. | 0:22:37 | 0:22:39 | |
Just seven, please. | 0:22:39 | 0:22:42 | |
Three minutes, guys. Just three minutes left. | 0:22:46 | 0:22:49 | |
Time's up. Stop. Stop. | 0:22:55 | 0:22:57 | |
First up is Jamie. | 0:23:01 | 0:23:03 | |
He has cooked pork fillet with Agen prunes wrapped in pancetta | 0:23:03 | 0:23:07 | |
with a celeriac and apple gratin and deep-fried cavolo nero. | 0:23:07 | 0:23:13 | |
I really like the look of this. It's really quite modern and very clean. | 0:23:13 | 0:23:16 | |
However, I'm happy with my pork pink, | 0:23:16 | 0:23:21 | |
but this one here is too under. | 0:23:21 | 0:23:23 | |
Got some great flavours coming up from that plate there. | 0:23:30 | 0:23:33 | |
Salty ham around that juicy pork, | 0:23:33 | 0:23:36 | |
and the depth and sweetness of that prune with the brandy is lovely. | 0:23:36 | 0:23:40 | |
However, that gratin needs some more cooking. It's still firm. | 0:23:40 | 0:23:45 | |
I think it's a great dish. | 0:23:50 | 0:23:52 | |
You can taste every flavour individually, it's all distinctive. | 0:23:52 | 0:23:56 | |
I just wish the cooking was as good as the flavours on the plate. | 0:23:56 | 0:24:00 | |
I feel like I didn't quite pull it off. | 0:24:02 | 0:24:04 | |
I was ten minutes away from it being perfect. | 0:24:04 | 0:24:08 | |
Michael has cooked red mullet crusted with almonds, | 0:24:08 | 0:24:12 | |
crushed Jersey potatoes, a blood orange and fennel salad, | 0:24:12 | 0:24:17 | |
fennel puree and a blood orange vinaigrette. | 0:24:17 | 0:24:20 | |
Looking at your dish, it's deceptive, | 0:24:20 | 0:24:22 | |
because I think that I'm looking at a dessert. | 0:24:22 | 0:24:26 | |
Nuts, fish, orange, fennel - that bit of it I love. | 0:24:36 | 0:24:43 | |
That really works for me. | 0:24:43 | 0:24:45 | |
What I don't like is buttery potatoes on there as well. | 0:24:45 | 0:24:48 | |
This is one of these dishes that is going to completely divide the crowd, | 0:24:50 | 0:24:54 | |
but I get it. | 0:24:54 | 0:24:56 | |
I think it's out there, absolutely out there, and I really admire it, | 0:24:56 | 0:24:59 | |
and I think it's really interesting and actually quite exciting. | 0:24:59 | 0:25:03 | |
You know what, they liked it, and they appreciated | 0:25:03 | 0:25:06 | |
the fact I took a risk and took a chance, | 0:25:06 | 0:25:08 | |
so I think I just about got away with it, just. | 0:25:08 | 0:25:12 | |
Next up is Emma. | 0:25:13 | 0:25:14 | |
She's cooked pan-fried turbot on a bed of samphire in a clam broth | 0:25:14 | 0:25:19 | |
with pea shoots, broad beans and a fennel salad. | 0:25:19 | 0:25:24 | |
Emma, your dish is so pretty. | 0:25:25 | 0:25:27 | |
It's so elegant. | 0:25:27 | 0:25:30 | |
Your flavour notes are wonderful. You've got the saltiness of the sea, | 0:25:35 | 0:25:39 | |
then you've got the wonderful textures of that perfectly cooked fish, | 0:25:39 | 0:25:42 | |
the wonderful crunch that comes from the fennel | 0:25:42 | 0:25:45 | |
and the softness of the clams. It's delightful. | 0:25:45 | 0:25:47 | |
Honestly, that is heart-thumping stuff from you. | 0:25:47 | 0:25:50 | |
I'm really pleased for you. | 0:25:50 | 0:25:52 | |
In that bowl, you have managed to emphasise | 0:25:58 | 0:26:00 | |
Mother Nature's natural flavours really, really well. | 0:26:00 | 0:26:03 | |
And your matching and pairing of ingredients is perfect. | 0:26:03 | 0:26:07 | |
-Thank you. -However, if this broth is going to remain this thin, | 0:26:07 | 0:26:12 | |
-then it needs to be stronger. -Right. | 0:26:12 | 0:26:14 | |
What I wanted to achieve today was to... | 0:26:16 | 0:26:19 | |
present a dish that looked elegant and that had lots of flavour. | 0:26:19 | 0:26:23 | |
I think I did that, so I'm really pleased. I am. I'm pleased. | 0:26:23 | 0:26:27 | |
Last up is Danny. | 0:26:27 | 0:26:30 | |
He has cooked sirloin steak with roasted Mediterranean vegetables | 0:26:30 | 0:26:36 | |
and a chilli and marjoram dressing. | 0:26:36 | 0:26:38 | |
A good-looking plate of food and a really good, tasty plate of food. | 0:26:42 | 0:26:45 | |
You get smokiness coming from those courgettes, | 0:26:45 | 0:26:49 | |
sweetness coming from the peppers, the sharpness of the tomato | 0:26:49 | 0:26:52 | |
and the meat perfectly cooked, | 0:26:52 | 0:26:54 | |
but that beef needs a huge whacking great amount of pepper on it | 0:26:54 | 0:26:59 | |
to give you that spice background to go with all the other wonderful flavours. | 0:26:59 | 0:27:03 | |
-That's my only criticism. -OK. | 0:27:03 | 0:27:05 | |
That's great. The whole thing is just | 0:27:10 | 0:27:13 | |
juicy, juicy, juicy from the veg to the steak. | 0:27:13 | 0:27:16 | |
What you've learnt there is how to produce the most flavour | 0:27:16 | 0:27:20 | |
out of what appears to be the simplest of ingredients. | 0:27:20 | 0:27:23 | |
Really good big-flavoured dish, Danny. | 0:27:23 | 0:27:26 | |
I think that went pretty well. Simplified everything, | 0:27:29 | 0:27:31 | |
but no, they liked it. I was pretty pleased with that. | 0:27:31 | 0:27:34 | |
You four are shining. | 0:27:36 | 0:27:38 | |
What you've done today is raise this competition up | 0:27:38 | 0:27:41 | |
-a couple of levels, brilliantly well done. -Off you go. | 0:27:41 | 0:27:46 | |
It has to be said, | 0:27:53 | 0:27:55 | |
our four celebs are just cooking way beyond expectation. | 0:27:55 | 0:28:00 | |
They are a competitive bunch, John, | 0:28:01 | 0:28:03 | |
and they are pushing each other to newer and newer heights. | 0:28:03 | 0:28:05 | |
Tomorrow night, the battle for a place in the final three reaches its climax | 0:28:07 | 0:28:12 | |
as the celebrities face the restaurant critics. | 0:28:12 | 0:28:16 | |
Two words - "oh" and "wow." | 0:28:16 | 0:28:19 | |
It's got a nice gooeyness to it. | 0:28:19 | 0:28:22 | |
It's the Pamela Anderson of ducks. | 0:28:22 | 0:28:24 | |
Oh! | 0:28:24 | 0:28:25 | |
Only the best will make it. | 0:28:25 | 0:28:28 | |
The celebrity leaving us is... | 0:28:28 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:40 |