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What do they see in that kind of activity? | 0:00:17 | 0:00:20 | |
We have the beauty of the Dordogne, a freshly-chilled bottle of wine, | 0:00:20 | 0:00:25 | |
waters full of fish which we'll catch and cook - | 0:00:25 | 0:00:29 | |
and they hurtle up and down like motor mechanics! | 0:00:29 | 0:00:34 | |
They're probably going home for hamburger and chips. | 0:00:34 | 0:00:37 | |
I'm happy with my quiet, contemplative sort of life. | 0:00:37 | 0:00:40 | |
None of my business how the French run their rivers, | 0:01:26 | 0:01:29 | |
but they should confine this motorboat stuff to St Tropez | 0:01:29 | 0:01:32 | |
and let us more gentlefolk get on with doing what's important in life, | 0:01:32 | 0:01:35 | |
which is cooking and paddling by the river. | 0:01:35 | 0:01:39 | |
I'm going to cook for you... Trawlers, planes, anything you like, | 0:01:39 | 0:01:43 | |
flat-bottom punts - we can do it. | 0:01:43 | 0:01:45 | |
I'm going to cook a salad typical to this region. | 0:01:45 | 0:01:48 | |
Come in close, Clive, to see what we've got here. | 0:01:48 | 0:01:51 | |
It uses some pre-prepared goose giblets. | 0:01:51 | 0:01:53 | |
You can buy them in a tin from delicatessens in England, | 0:01:53 | 0:01:56 | |
and you can buy them anywhere around here. | 0:01:56 | 0:02:00 | |
You have to follow me around on this rocky flat-bottomed punt. | 0:02:00 | 0:02:03 | |
Into the hot walnut oil you put a few of these giblets. | 0:02:03 | 0:02:09 | |
OK. | 0:02:09 | 0:02:10 | |
Then - stay with me, Clive - you add a few croutons, | 0:02:10 | 0:02:13 | |
already slightly fried. Warm them through. | 0:02:13 | 0:02:17 | |
Add a few fresh walnuts. Particularly nice here - | 0:02:17 | 0:02:20 | |
this is a walnut-producing region. | 0:02:20 | 0:02:22 | |
And they're fresh, not like three-months-after-Christmas taste, | 0:02:22 | 0:02:26 | |
that many of ours are like. | 0:02:26 | 0:02:28 | |
Stir that around. Close-up on the salad here, please. | 0:02:28 | 0:02:31 | |
It's spitting and burning me. | 0:02:31 | 0:02:33 | |
We won't worry too much about that. | 0:02:33 | 0:02:35 | |
At the final moment we put in a little wine vinegar... | 0:02:35 | 0:02:39 | |
..into that. Let it bubble. | 0:02:41 | 0:02:42 | |
You can smell the vinegar mixing with the walnut oil. | 0:02:45 | 0:02:48 | |
Tip it over the top, like that. | 0:02:48 | 0:02:50 | |
Grab a fork... | 0:02:52 | 0:02:53 | |
Stir it round a little bit. | 0:02:53 | 0:02:55 | |
And have a little mouthful. It's quite delicious and very simple. | 0:02:55 | 0:02:59 | |
ENGINE RUMBLES Here comes another one. | 0:03:01 | 0:03:04 | |
I thought we'd got away from them. | 0:03:04 | 0:03:06 | |
Look. A menace, they are. | 0:03:06 | 0:03:08 | |
# Up the lazy river in an open boat | 0:03:09 | 0:03:13 | |
# Everything is perfect for ze lunch afloat | 0:03:13 | 0:03:17 | |
# Then these things from hell Come and break the spell | 0:03:17 | 0:03:22 | |
# Crazy lazy river Mon Dieu. # | 0:03:22 | 0:03:26 | |
The River Dordogne gives the Perigord fertile land | 0:03:30 | 0:03:33 | |
and a pleasant leafy atmosphere so beloved of the British. | 0:03:33 | 0:03:36 | |
They've been here for centuries because this was the frontline | 0:03:36 | 0:03:39 | |
of the Hundred Years War. But they were so busy building castles, | 0:03:39 | 0:03:42 | |
they didn't have time to learn to cook. | 0:03:42 | 0:03:45 | |
Of many specialities, foie gras is probably the most famous, | 0:03:45 | 0:03:48 | |
but also the most controversial. | 0:03:48 | 0:03:49 | |
I mean, the stories the farmers tell about geese happily queuing up | 0:03:49 | 0:03:53 | |
to be force-fed seem to gloss over the quite barbaric process. | 0:03:53 | 0:03:57 | |
Still, I'm not here to moralise. | 0:03:57 | 0:03:59 | |
Bergerac is a bustling, prosperous, seemingly typically French | 0:04:00 | 0:04:04 | |
market town at first sight, but then you discover | 0:04:04 | 0:04:07 | |
they're fiercely proud of its English heritage. | 0:04:07 | 0:04:09 | |
It's Saturday morning, their most important market of the week. | 0:04:09 | 0:04:13 | |
Too busy to stop, even for death. | 0:04:13 | 0:04:15 | |
CHURCH BELL CHIMES | 0:04:15 | 0:04:17 | |
When you arrive in a strange country, like the Perigord - | 0:04:19 | 0:04:22 | |
I've never been here before - the first thing you do | 0:04:22 | 0:04:25 | |
is go into a good bar, find somebody who's chatting really well, | 0:04:25 | 0:04:28 | |
ask him to tell you who runs the best restaurant in the region. | 0:04:28 | 0:04:31 | |
Then go to the best restaurant and make friends with the proprietor, | 0:04:31 | 0:04:34 | |
which is what I've done. A chap called Bernard. | 0:04:34 | 0:04:37 | |
Then you get him to take you around the market, | 0:04:37 | 0:04:40 | |
where all life is at. This is the essence of the whole place. | 0:04:40 | 0:04:43 | |
We'll go wandering - when he's stopped chatting up the women, | 0:04:43 | 0:04:46 | |
cos he's one of those sort of fellows - | 0:04:46 | 0:04:49 | |
we'll do some shopping and explore this wonderful area. | 0:04:49 | 0:04:52 | |
You might think | 0:04:56 | 0:04:57 | |
that once you've seen one French market, you've seen them all, | 0:04:57 | 0:05:00 | |
but you couldn't be more wrong. | 0:05:00 | 0:05:02 | |
'It's BY the marketplace, by the little old ladies | 0:05:02 | 0:05:05 | |
'and men who come to sell the produce from their farms - | 0:05:05 | 0:05:08 | |
'it's THERE where you find out the real specialities.' | 0:05:08 | 0:05:11 | |
It's there where people haggle and talk, | 0:05:11 | 0:05:13 | |
worry about their change, smell the fruit, | 0:05:13 | 0:05:15 | |
meet each other, discuss what they'll have for lunch. | 0:05:15 | 0:05:18 | |
'It's also where you pick up tips, like what to do with ducks' feet. | 0:05:18 | 0:05:22 | |
'We'd throw them away, but not in the Perigord. | 0:05:22 | 0:05:24 | |
'They save them to use to enrich soups, | 0:05:24 | 0:05:27 | |
'and afterwards grill them with melted garlic butter.' | 0:05:27 | 0:05:29 | |
Something the Chinese are fond of, duck feet. | 0:05:29 | 0:05:32 | |
And, for the most exquisitely prepared parking meter, | 0:05:34 | 0:05:37 | |
this gets the Floyd Award. | 0:05:37 | 0:05:39 | |
Quel style! | 0:05:39 | 0:05:41 | |
HE SPEAKS FRENCH | 0:05:42 | 0:05:44 | |
Ah, this is pure pig fat. OK. | 0:05:44 | 0:05:46 | |
Just pig fat. | 0:05:46 | 0:05:49 | |
THEY CONVERSE IN FRENCH | 0:05:49 | 0:05:52 | |
Here's another remarkable thing, very peculiar to this region, | 0:06:04 | 0:06:07 | |
this is a chicken blood pancake. | 0:06:07 | 0:06:09 | |
When they kill the chickens, they let the blood run onto a plate | 0:06:09 | 0:06:13 | |
until it coagulates. | 0:06:13 | 0:06:15 | |
Then they chop bits of garlic into it, put it in a frying pan | 0:06:15 | 0:06:19 | |
and make an omelette or pancake out of it, and it's now cooked and cold. | 0:06:19 | 0:06:23 | |
You might ask what you do with it. | 0:06:23 | 0:06:25 | |
Well, to enrich an otherwise boring dish of just fried potatoes, | 0:06:25 | 0:06:29 | |
you chop this into little pieces, add parsley, | 0:06:29 | 0:06:32 | |
toss the pieces of this with some pork fat, | 0:06:32 | 0:06:37 | |
into your potatoes, | 0:06:37 | 0:06:39 | |
and you have a fabulous meal which hasn't cost much money. | 0:06:39 | 0:06:42 | |
Again, a poor country that uses everything. | 0:06:42 | 0:06:44 | |
'The marketplace isn't just for buying lunch, | 0:06:48 | 0:06:51 | |
'it's for a quick check on what's been happening last week, | 0:06:51 | 0:06:54 | |
'for checking out little deals that can be done, | 0:06:54 | 0:06:56 | |
'for seeing and, of course, being seen.' | 0:06:56 | 0:06:59 | |
We have the Chief of Police with us. | 0:06:59 | 0:07:00 | |
He's in disguise so I think we'll be quite safe. | 0:07:00 | 0:07:02 | |
He's the guy with the sunglasses on his head. | 0:07:02 | 0:07:05 | |
Bernard is a kind of a godfather in this town. | 0:07:05 | 0:07:07 | |
He knows everybody, and you couldn't have a better guide. | 0:07:07 | 0:07:11 | |
Where are they now? | 0:07:11 | 0:07:12 | |
People are always asking me how we choose our locations. | 0:07:15 | 0:07:20 | |
Usually, it's because the director likes the architecture. | 0:07:20 | 0:07:25 | |
He chose this village because HIS hero, film director Claude Chabrol, | 0:07:25 | 0:07:30 | |
shot his macabre masterpiece "Le Boucher" here. | 0:07:30 | 0:07:34 | |
Also, he liked this sign. Kindred spirits, I can tell you! | 0:07:34 | 0:07:39 | |
Let's do some cooking now. | 0:07:41 | 0:07:44 | |
Cooking needs a kitchen, and the tourist office found us this. | 0:07:44 | 0:07:50 | |
I want to show you a typical Perigord meal, | 0:07:50 | 0:07:53 | |
the sort an ordinary family has on feast days and so on. | 0:07:53 | 0:07:57 | |
By tripping around the place we ran into Madame Moulin | 0:07:57 | 0:08:01 | |
and her husband Monsieur Moulin. | 0:08:01 | 0:08:04 | |
They open their house to visitors to sample the local country food. | 0:08:04 | 0:08:09 | |
She's a bit of a tartar and doesn't like film crews interrupting her work which she takes seriously. | 0:08:09 | 0:08:17 | |
So I'm sitting having a slight glass of wine. | 0:08:17 | 0:08:21 | |
When she's in a better mood we'll see exactly what she's doing. | 0:08:21 | 0:08:26 | |
Husbands, please note the happy, acquiescent mood of Monsieur Moulin, | 0:08:26 | 0:08:33 | |
pretending to help make the soup. | 0:08:33 | 0:08:37 | |
She made us this amazing soup - | 0:08:37 | 0:08:39 | |
just bacon, cabbage, water, onions, thickened with egg yolk. | 0:08:39 | 0:08:44 | |
Looks appalling! But poured over stale bread, it tastes delicious. | 0:08:44 | 0:08:49 | |
# It does not take an age to make this "grand potage" | 0:08:49 | 0:08:55 | |
# With onions, oeufs et pain, et beaucoup de cabbage, la la la... # | 0:08:55 | 0:09:02 | |
Mrs Beaton calls this "soup for the poor and needy". | 0:09:02 | 0:09:07 | |
However, it is very good. | 0:09:07 | 0:09:09 | |
Much less good was this dreadful dish of stewed gizzards. | 0:09:09 | 0:09:14 | |
It was FOUL - pardon the pun! | 0:09:14 | 0:09:17 | |
Particularly good was this confit de canard - | 0:09:17 | 0:09:22 | |
duck preserved in its own fat, | 0:09:22 | 0:09:24 | |
reheated in the oven until it's golden and crispy. | 0:09:24 | 0:09:29 | |
We're making a simple Perigord omelette of ceps - wild mushrooms. | 0:09:29 | 0:09:36 | |
Clive, have a close look at these ceps | 0:09:36 | 0:09:39 | |
which have been preserved in their own juices. | 0:09:39 | 0:09:43 | |
Ca chauffe, ca chauffe! Sorry about that. Look... | 0:09:43 | 0:09:48 | |
Right, we'll start again, OK? | 0:09:48 | 0:09:51 | |
I've had a row with the crew, | 0:09:51 | 0:09:53 | |
I'm speaking in two languages for five people who understand NOTHING, | 0:09:53 | 0:09:58 | |
and the fat's getting too hot. | 0:09:58 | 0:10:01 | |
Clive, stay with me nicely. | 0:10:01 | 0:10:03 | |
These are ceps, preserved over the winter in their own juices. | 0:10:03 | 0:10:09 | |
We've just warmed them through in the oven with some goose fat. | 0:10:09 | 0:10:14 | |
We've chopped into that some fresh garlic, some fresh parsley, | 0:10:14 | 0:10:19 | |
and, using the typical local fat, | 0:10:19 | 0:10:21 | |
with the old dragon peering over my shoulder - goose fat. | 0:10:21 | 0:10:26 | |
Ca va comme ca? Ca va, ca va. | 0:10:26 | 0:10:28 | |
Alors, il faut battre. If you didn't know how to make an omelette...! | 0:10:28 | 0:10:34 | |
"Il faut battre" means you must beat the eggs. We all know that! | 0:10:34 | 0:10:39 | |
Ils sont sales et poivres? Oui. | 0:10:39 | 0:10:42 | |
Alors, vous versez un peu, et avec la spatule, vous... Oui. | 0:10:42 | 0:10:47 | |
Clive, this is very important. | 0:10:47 | 0:10:50 | |
This is how to make an omelette! Pas tout d'un seul coup. Voila! | 0:10:50 | 0:10:55 | |
Allez-y par la. Here we go, making a fine, fluffy omelette. | 0:10:55 | 0:11:01 | |
Free-range eggs, by the way. | 0:11:01 | 0:11:03 | |
Pour the liquid over the edge. Voila, voila! Ca va? Ca va, ca va. | 0:11:03 | 0:11:08 | |
Alors, il faudra peut-etre... quelques cepes. | 0:11:08 | 0:11:14 | |
That means some ceps. Pas tous, hein? | 0:11:14 | 0:11:18 | |
I'm not allowed to put them all in | 0:11:18 | 0:11:21 | |
because she wants to keep the rest for her own lunch! | 0:11:21 | 0:11:25 | |
And... Un peu plus? Un peu plus. | 0:11:25 | 0:11:28 | |
Et apres vous prenez une assiette pour la retourner. D'accord. | 0:11:28 | 0:11:33 | |
We must leave the omelette a tiny bit runny in the middle, | 0:11:33 | 0:11:37 | |
otherwise it won't be good enough. | 0:11:37 | 0:11:40 | |
We then fold it... Oh, je n'aurais pas fait comme ca, moi! | 0:11:40 | 0:11:45 | |
Oh, ca va. Ce n'est pas mal. | 0:11:45 | 0:11:47 | |
I'd like HER to cook roast beef and Yorkshire pudding with my mother | 0:11:47 | 0:11:53 | |
standing over her shoulder! | 0:11:53 | 0:11:55 | |
Ca peut aller? La presentation est bonne. The presentation is good. | 0:11:55 | 0:12:00 | |
Mais ca manque quoi, alors? | 0:12:00 | 0:12:02 | |
Moi, j'aurais fait un peu differemment, mais... | 0:12:02 | 0:12:06 | |
Mais, montre-mois! Allez-y! | 0:12:06 | 0:12:10 | |
If you're so good at it, lady, YOU cook it(!) OK? Bon! | 0:12:10 | 0:12:15 | |
We'll now see a REAL omelette aux cepes, | 0:12:15 | 0:12:19 | |
faite par la maitresse de cette superbe maison, Madame Moulin! | 0:12:19 | 0:12:24 | |
Ladies and gentlemen... | 0:12:24 | 0:12:26 | |
omelette aux cepes, cooked by Madame Moulin! | 0:12:26 | 0:12:30 | |
The essential difference is that she cooked HERS on both sides. | 0:12:45 | 0:12:51 | |
But that is a peasant way of cooking an omelette. It's tougher, | 0:12:51 | 0:12:56 | |
and can be carried into the fields. | 0:12:56 | 0:12:59 | |
Mine was more for a dinner party, | 0:12:59 | 0:13:02 | |
with a softer interior. Good ingredients, two different ways. | 0:13:02 | 0:13:08 | |
Sorry about this, but this is the bit where Clive tries to win prizes for evocative photography, | 0:13:58 | 0:14:02 | |
and the director does the travelogue-y bit. | 0:14:02 | 0:14:06 | |
People in the Dordogne reckon this was the birthplace of man. | 0:14:06 | 0:14:12 | |
Just down the road are caves with prehistoric drawings. | 0:14:12 | 0:14:17 | |
Happily, they were shut when we were filming. | 0:14:17 | 0:14:20 | |
Seriously, this river IS important. | 0:14:20 | 0:14:24 | |
This old boy, Monsieur le Pelican, | 0:14:24 | 0:14:27 | |
claims he's been fishing on it since the time of Jesus Christ! | 0:14:27 | 0:14:32 | |
For him, the Dordogne is the river of life. | 0:14:32 | 0:14:36 | |
He fishes not for fun, but for his very livelihood. | 0:14:36 | 0:14:40 | |
HE SPEAKS IN FRENCH | 0:14:46 | 0:14:50 | |
Right on, Monsieur le Pelican. | 0:15:12 | 0:15:15 | |
Brilliant philosophy. Brilliant bloke for that matter. | 0:15:15 | 0:15:17 | |
Trouble is, after 8.30am he has to share his beloved river. | 0:15:17 | 0:15:22 | |
He lives off this river, he's been doing it for years. | 0:15:22 | 0:15:26 | |
His parents have fished since the birth of Jesus, he said earlier! | 0:15:26 | 0:15:32 | |
Like all fisherman, he's a good fibber. | 0:15:32 | 0:15:35 | |
THEY SPEAK IN FRENCH | 0:15:35 | 0:15:38 | |
They call that the partridge of the river. | 0:15:45 | 0:15:48 | |
HE SPEAKS FRENCH | 0:15:48 | 0:15:50 | |
The partridge of the river - he does go on a bit, this chap! | 0:15:50 | 0:15:54 | |
They catch the lot here - tench, | 0:15:54 | 0:15:57 | |
roach, bream, pike, perch, dace, chub, wop-bop-a-loo-bam! | 0:15:57 | 0:16:01 | |
Sorry - got carried away! | 0:16:01 | 0:16:04 | |
It would give any self-respecting secretary of a British angling club | 0:16:04 | 0:16:10 | |
apoplexy to see that lot netted. | 0:16:10 | 0:16:12 | |
This is strange! 30 years ago, | 0:16:12 | 0:16:15 | |
I caught my first-ever perch. And I forgot my sandwiches. | 0:16:15 | 0:16:20 | |
I was forced to cook my perch myself. | 0:16:20 | 0:16:22 | |
I cooked it over a wood fire, and got hooked on cooking and eating! | 0:16:22 | 0:16:28 | |
'Now here I am, having a wonderful time, | 0:16:28 | 0:16:32 | |
'grown-up, rich and terribly famous!' | 0:16:32 | 0:16:35 | |
J'espere que vous aimerez la petite perche | 0:16:35 | 0:16:39 | |
que j'ai cuite pour vous. Goutez-la. Avec plaisir. | 0:16:39 | 0:16:44 | |
You won't get fish any fresher than that. | 0:16:44 | 0:16:48 | |
These guys know a thing or two about it, so we shall see! | 0:16:48 | 0:16:54 | |
I expect 10 out of 10 for this. | 0:16:54 | 0:16:56 | |
Ca peut aller? Excellent, excellent! | 0:16:56 | 0:17:01 | |
Bien cuit! Ca va? Tres bon! | 0:17:01 | 0:17:04 | |
Et Monsieur le Pelican? Je vais voir. | 0:17:04 | 0:17:07 | |
Pour moi, un poisson est sacre. Il faut aller doucement. | 0:17:07 | 0:17:11 | |
It's a sacred thing for him. You don't just rush into it. | 0:17:11 | 0:17:17 | |
C'est la meilleure que j'ai mangee. | 0:17:17 | 0:17:20 | |
# If you want fish sur la table | 0:17:32 | 0:17:34 | |
# Roach if you are able Check that you have cast your net | 0:17:34 | 0:17:39 | |
# Then you pull them out ze river See what they deliver | 0:17:39 | 0:17:44 | |
# Chub or pike or bream Pas mal, ce stream! # | 0:17:44 | 0:17:49 | |
These are freshwater fish, very popular here. | 0:17:49 | 0:17:54 | |
They've been cleaned by squeezing out the insides. | 0:17:54 | 0:17:59 | |
Soak them in milk for a few moments like that. | 0:17:59 | 0:18:04 | |
That enables the flour that I'll dredge them in to stick to them. | 0:18:04 | 0:18:09 | |
A quick test for the hot fat - | 0:18:09 | 0:18:13 | |
bung a little piece of bread in, | 0:18:13 | 0:18:15 | |
and if it turns golden immediately the fat is ready for frying. | 0:18:15 | 0:18:20 | |
That's ready, so all I need to do is to shake off... | 0:18:20 | 0:18:24 | |
I won't cook them all. I haven't enough fat. | 0:18:24 | 0:18:28 | |
Shake off the excess milk, dredge them in flour, | 0:18:28 | 0:18:32 | |
then shake off the flour, like that. | 0:18:32 | 0:18:35 | |
I'll do that by putting them into here. Shake off all the flour. | 0:18:35 | 0:18:40 | |
Salt and pepper them, quickly. | 0:18:40 | 0:18:43 | |
Shake it around again and drop it in. | 0:18:46 | 0:18:49 | |
While those are frying... Clive, back to me! | 0:18:49 | 0:18:53 | |
A favourite way of serving them is with a persillade - | 0:18:53 | 0:18:57 | |
a piece of garlic, finely chopped, and some parsley. | 0:18:57 | 0:19:01 | |
Chop it as fine as you can, using a knife with a rounded edge. | 0:19:01 | 0:19:08 | |
There we are! I like showing off, but do be careful of your fingers. | 0:19:09 | 0:19:14 | |
I should think they're ready. I'll test one to see. | 0:19:14 | 0:19:19 | |
Absolutely fabulous! | 0:19:19 | 0:19:21 | |
Um...ah...! | 0:19:23 | 0:19:24 | |
Only one person can tell me if it's any good - Monsieur le Pelican. | 0:19:24 | 0:19:28 | |
Pas assez cuits. Pas assez cuits? | 0:19:28 | 0:19:31 | |
We'll keep them in a bit longer. They're not golden-brown enough. | 0:19:31 | 0:19:36 | |
Monsieur le Pelican also adds a good dollop of duck oil, or goose fat, | 0:19:36 | 0:19:42 | |
to enrich it even more. And he says always to use fresh oil. | 0:19:42 | 0:19:48 | |
Ca va? Oui. Bon! | 0:19:48 | 0:19:51 | |
I'll put them on there, like that. Voila - parfait! He says "perfect". | 0:19:51 | 0:19:56 | |
Put the persillade over them. Voila! OK? Un peu de sel. | 0:19:56 | 0:20:02 | |
Vous aimez beaucoup le poivre? Oui! | 0:20:02 | 0:20:05 | |
Lots of pepper. Pas trop, quand meme! Ca va comme ca? Voila! | 0:20:05 | 0:20:09 | |
Goutez-le! | 0:20:09 | 0:20:12 | |
OK? | 0:20:20 | 0:20:22 | |
C'est l'or de la Dordogne. The gold of the Dordogne. | 0:20:22 | 0:20:26 | |
That is the best of the catch. It's what everyone around here loves. | 0:20:26 | 0:20:31 | |
Ah, good, here's another one of me and Bernard - | 0:20:51 | 0:20:54 | |
this time getting in with the in-crowd. | 0:20:54 | 0:20:57 | |
These chaps in gold robes are celebrating Bergerac Wine Festival. | 0:20:57 | 0:21:02 | |
It's the place to appreciate wine. | 0:21:02 | 0:21:05 | |
Tractor driver or vineyard owner, your opinion is respected. | 0:21:05 | 0:21:11 | |
Wine is a serious business, | 0:21:11 | 0:21:13 | |
but knows no social boundaries. And Bernard's been fixing again. | 0:21:13 | 0:21:19 | |
I'm to get one of the medals these guys are wearing! | 0:21:19 | 0:21:25 | |
These honours aren't bestowed on any-old-body. | 0:21:25 | 0:21:29 | |
So I went on a crash course of Bordeaux and Bergerac wines. | 0:21:29 | 0:21:34 | |
Are you sitting comfortably? | 0:21:34 | 0:21:37 | |
Turn a few pages from Hugh Johnson's "Pocket Guide"... | 0:21:37 | 0:21:42 | |
..here we are - "Bergerac. Dordogne. | 0:21:42 | 0:21:46 | |
"R or W, SW or DR, two stars, '82, '83, '84 - W, '85. | 0:21:46 | 0:21:54 | |
"Lightweight Bordeaux-style wine. | 0:21:54 | 0:21:56 | |
"Drink young, the white very young." Got all that? | 0:21:56 | 0:22:00 | |
C'est grand, et c'est riche. Oui. | 0:22:00 | 0:22:04 | |
Ce sont des vins qui vont tenir un nombre d'annees. Oui. | 0:22:04 | 0:22:07 | |
All this tasting... You don't get any. It's a bit grim. | 0:22:10 | 0:22:15 | |
I was invited here to be enthroned by knights in robes, in chapels. | 0:22:15 | 0:22:20 | |
I've got to pass an exam first! I'll have a quick snifter here. | 0:22:20 | 0:22:26 | |
It's local, a very good wine! | 0:22:26 | 0:22:28 | |
They asked all these questions, and I don't know the answers. | 0:22:28 | 0:22:33 | |
I'm going back to fill in Part 2 in my own time and my own writing. | 0:22:33 | 0:22:40 | |
# Chevaliers de Bergerac | 0:22:40 | 0:22:48 | |
# With your robes upon your back | 0:22:48 | 0:22:55 | |
# Hat, do not fit | 0:22:59 | 0:23:06 | |
# Make me feel a proper twit! | 0:23:06 | 0:23:12 | |
# Chevaliers... # | 0:23:12 | 0:23:16 | |
RECITING RITUAL | 0:23:16 | 0:23:20 | |
'These guys really know how to lay on a ceremony! | 0:23:25 | 0:23:30 | |
'I'm trembling in honour, more so than when I got commissioned, | 0:23:30 | 0:23:36 | |
'or selected for the Second XV.' | 0:23:36 | 0:23:38 | |
Look at that! The final result of hours of intense study(!) | 0:23:38 | 0:23:44 | |
There's my name! | 0:23:44 | 0:23:47 | |
It proves that I slipped a couple down while I was over there. | 0:23:47 | 0:23:52 | |
'More people ought to get medals. | 0:23:52 | 0:23:54 | |
'Mend the gas meter - get a medal. Drive a bus - get a medal. | 0:23:54 | 0:23:59 | |
'I'm not too sure about THAT bit!' | 0:23:59 | 0:24:02 | |
We've had fun showing you Perigord and its simple peasant dishes. | 0:24:02 | 0:24:07 | |
I thought we ought to have a really good sequence | 0:24:07 | 0:24:12 | |
where an exotic dish like chicken stewed with freshwater crayfish | 0:24:12 | 0:24:18 | |
is prepared by a master. | 0:24:18 | 0:24:21 | |
David, you're the director. How do I do the commentary? | 0:24:21 | 0:24:26 | |
Say what he's doing. He's chopping onions. | 0:24:26 | 0:24:29 | |
This is a difficult bit | 0:24:29 | 0:24:31 | |
because you could cut the atmosphere with a knife. | 0:24:31 | 0:24:36 | |
The director didn't like the cook, | 0:24:36 | 0:24:38 | |
the cook resented the film crew interrupting his work. | 0:24:38 | 0:24:43 | |
He first of all takes the shells off some preboiled crayfishes. | 0:24:43 | 0:24:48 | |
He was miserable. Very unhappy! | 0:24:48 | 0:24:51 | |
He's saved the tails for later on. | 0:24:52 | 0:24:56 | |
What do I do now? Talk about him moving the chicken breasts | 0:24:56 | 0:25:01 | |
into that little bowl. | 0:25:01 | 0:25:03 | |
The pictures are self-explanatory. What did he put in there? | 0:25:03 | 0:25:08 | |
He's put shallots into the pan in which he fried the chicken. | 0:25:08 | 0:25:13 | |
Now he's got to add some tomato, | 0:25:13 | 0:25:16 | |
finely chopped, and the ecrevisse shells, already crushed. | 0:25:16 | 0:25:21 | |
We can see the tomato there. | 0:25:21 | 0:25:23 | |
Then the shells go in. Then he's got to add a bit of saffron - | 0:25:24 | 0:25:29 | |
very expensive, saffron! | 0:25:29 | 0:25:31 | |
He'll do that in a minute... | 0:25:31 | 0:25:34 | |
You can see he's miserable, can't you? Yes. | 0:25:36 | 0:25:40 | |
That's the saffron going in. | 0:25:40 | 0:25:44 | |
Why did he get so upset? We were quite polite. Very! | 0:25:44 | 0:25:49 | |
Chicken back in now, | 0:25:49 | 0:25:51 | |
so it gets the flavour of saffron and crayfish, | 0:25:51 | 0:25:55 | |
and the bits of onion and tomato. | 0:25:55 | 0:25:58 | |
This is an important bit here. | 0:25:58 | 0:26:01 | |
This is the fumee de volaille, a very reduced chicken stock. | 0:26:01 | 0:26:06 | |
Don't use gravy ganules... Ganules?! Sorry - GRANULES! | 0:26:06 | 0:26:12 | |
It's bubbling up quite nicely again. | 0:26:12 | 0:26:15 | |
It now simmers for ten minutes or so. | 0:26:15 | 0:26:18 | |
Into the oven for the chicken to absorb the flavours. | 0:26:18 | 0:26:24 | |
# Here we sit for a bit. Magnifique! C'est si bon! | 0:26:24 | 0:26:30 | |
# Hey, how long is this song? Well, they reckon 60 seconds. | 0:26:30 | 0:26:34 | |
# Killing time with this rhyme Now it's back where we belong. # | 0:26:34 | 0:26:40 | |
The chicken has been stewed in the stock and the shellfish. | 0:26:40 | 0:26:45 | |
He's got to reduce that sauce, | 0:26:47 | 0:26:49 | |
strain it to get rid of the shells, | 0:26:49 | 0:26:52 | |
thicken it with butter... I'm sure he's deliberately going slow! | 0:26:52 | 0:26:57 | |
The lighting man nearly bopped him. I know! THEY LAUGH | 0:26:59 | 0:27:03 | |
He's strained the sauce and will now thicken it with butter. | 0:27:05 | 0:27:10 | |
You should whisk it in, but this guy is so laid-back, | 0:27:10 | 0:27:15 | |
he just sort of shakes it on the stove. | 0:27:15 | 0:27:18 | |
First, he's decorating the dish with the crayfish. | 0:27:18 | 0:27:22 | |
Bit of butter going in, there. | 0:27:26 | 0:27:29 | |
Bit of sweat going in, there. He looks SO unhappy! | 0:27:31 | 0:27:36 | |
Funny, but he's a brilliant cook! That's the whole point. | 0:27:36 | 0:27:41 | |
I'm glad this sequence is coming to an end. It goes on a bit! | 0:27:41 | 0:27:46 | |
Difficult to write a commentary! | 0:27:46 | 0:27:49 | |
Well, you haven't, have you?! No! | 0:27:49 | 0:27:52 | |
Anyway, this bit coming up is the hotel owner, | 0:27:52 | 0:27:56 | |
being quite philosophical about Perigord. | 0:27:56 | 0:28:00 | |
Le Perigord, c'est le berceau de l'humanite. C'est incroyable! | 0:28:00 | 0:28:04 | |
Ici, le premier homme est ne. | 0:28:04 | 0:28:08 | |
Moi, quelquefois je vais voir ailleurs ce qui c'est passe. | 0:28:09 | 0:28:14 | |
Je suis condamne a revenir en Perigord. J'ai tout en Perigord - | 0:28:14 | 0:28:19 | |
la douceur de vivre, le climat, la qualite des produits; je suis heureux! | 0:28:19 | 0:28:26 | |
He's a happy man. He says, "Why do I love Perigord? | 0:28:26 | 0:28:31 | |
"It's the birthplace of humanity, it's the birthplace of western art. | 0:28:31 | 0:28:37 | |
"I'm condemned to stay in this wonderful place," he says, | 0:28:37 | 0:28:42 | |
"the birthplace of humanity!" | 0:28:42 | 0:28:45 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:03 |