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WESTERN FILM MUSIC | 0:00:03 | 0:00:06 | |
HE SINGS | 0:00:23 | 0:00:24 | |
I tell you what. | 0:00:24 | 0:00:25 | |
I am actually driving this rig myself. | 0:00:25 | 0:00:27 | |
I could have a cowboy on the back to feed the lines. | 0:00:27 | 0:00:30 | |
I'm not doing that, cos Floyd doesn't do things like that. | 0:00:30 | 0:00:33 | |
I have started this new, brilliant dial-a-dinner service for cowboys. | 0:00:33 | 0:00:37 | |
I've got my mobile phone in the back... | 0:00:37 | 0:00:39 | |
We'll crash, if we're not careful. It's all right, Clive, stay with it. | 0:00:39 | 0:00:43 | |
I'm just driving these horses through some heavy scrub here. | 0:00:43 | 0:00:47 | |
I've got the mobile phone and I truly am... | 0:00:47 | 0:00:49 | |
STRANGLED CRY | 0:00:49 | 0:00:50 | |
SMASHING GLASS | 0:00:50 | 0:00:51 | |
Don't worry, we'll pick this up. | 0:00:51 | 0:00:53 | |
I've started the real Floyd's American Galloping Gourmet Service. | 0:00:53 | 0:00:57 | |
Some cowboys phoned me up and said, "Hey, man. we're hungry. | 0:00:57 | 0:01:00 | |
"Get your chuck wagon over here." That's exactly what I'm doing. I am not telling fibs. | 0:01:00 | 0:01:05 | |
There is no-one else but me driving this rig. It's unbelievable. | 0:01:05 | 0:01:08 | |
Floyd's American Pie. | 0:01:08 | 0:01:11 | |
Here we go. Take a look at these horses, Clive, if you can. | 0:01:11 | 0:01:14 | |
Can you pan down to them? I'm just showing... Whoa! We did it. | 0:01:14 | 0:01:19 | |
And this is the man here, behind me, who would have driven it, | 0:01:19 | 0:01:24 | |
but I did drive it. Did I drive it? You done a hell of a job, buddy. I'm proud of you. | 0:01:24 | 0:01:28 | |
ELECTRONIC "STAR-SPANGLED BANNER" | 0:01:28 | 0:01:32 | |
MUSIC: "Waltzinblack" by The Stranglers | 0:01:34 | 0:01:38 | |
WIND WHISTLES | 0:02:15 | 0:02:18 | |
It's a long haul from New Mexico | 0:02:20 | 0:02:23 | |
and a man's bones get shaky on the Santa Fe trail. | 0:02:23 | 0:02:27 | |
Not to mention the throat has a dry, ticklish feel about it. | 0:02:27 | 0:02:31 | |
But to satisfy my producer's thirst | 0:02:31 | 0:02:33 | |
for bizarre locations, I rode into the film town of Beauty, | 0:02:33 | 0:02:37 | |
famous for its role in Westerns, to cook for the locals, | 0:02:37 | 0:02:42 | |
a pretty wild bunch by all accounts. | 0:02:42 | 0:02:44 | |
It's extraordinary! I told the BBC wardrobe department | 0:02:44 | 0:02:48 | |
I was coming to New Mexico to film in a cowboy town | 0:02:48 | 0:02:51 | |
and I wanted a Lone Ranger outfit. I got a SLOANE Ranger outfit! | 0:02:51 | 0:02:56 | |
Hopeless! | 0:02:56 | 0:02:58 | |
Cowboy cooks went for organisation. | 0:02:58 | 0:03:00 | |
After a long day's ride, they gave the boys something good to eat. | 0:03:00 | 0:03:06 | |
So Chuck would have a well-organised larder. | 0:03:06 | 0:03:10 | |
Essential things, like baby wipes, Californian wine, cookery book, | 0:03:10 | 0:03:16 | |
charcoal fuel lighter... and probably a stereo, as well. | 0:03:16 | 0:03:21 | |
I'm actually going to cook for real cowboys. | 0:03:21 | 0:03:26 | |
You've all seen Blazing Saddles and the jokes about pork and beans. I'm cooking REAL pork and beans. | 0:03:26 | 0:03:33 | |
We use black beans, which were only introduced here 30 years ago, so it's an update of an old dish. | 0:03:33 | 0:03:41 | |
First, diced shoulder of pork. | 0:03:41 | 0:03:44 | |
Then black beans, soaked in water overnight and boiled for two hours, until they're nice and tender. | 0:03:44 | 0:03:51 | |
That's them in their dry state. | 0:03:51 | 0:03:54 | |
Back up to me! The thing which flavours this dish is important to New Mexico. It's the chilli. | 0:03:54 | 0:04:02 | |
These very hot, but sweet, chillies, which I've chopped up with garlic. | 0:04:02 | 0:04:08 | |
This will all be cooked in a sauce. Back to me! I didn't say come up! Thank you! | 0:04:08 | 0:04:14 | |
It'll be thickened with blue flour and red chillies. | 0:04:14 | 0:04:18 | |
Because Americans like their things a bit spicy, it will also have a little honey from a bear pot! | 0:04:18 | 0:04:26 | |
The other important thing when cooking on the range is to have a little slurp. | 0:04:26 | 0:04:32 | |
I like a Kentucky Fried Gentleman. Very nice, too! | 0:04:32 | 0:04:37 | |
Now stay with me while I wander round, Clive. First of all, I'm going to put a bit of oil in. | 0:04:37 | 0:04:45 | |
Then we'll put our meat in. | 0:04:45 | 0:04:48 | |
If I had an assistant, that would have been taken away. Stay on that while it sizzles. | 0:04:48 | 0:04:55 | |
In with our chillies and onions. | 0:04:55 | 0:04:58 | |
Give that a little stir round, | 0:04:58 | 0:05:01 | |
for it to season and seal down in the proper way. | 0:05:01 | 0:05:05 | |
Clive, just a minute! They do make life difficult for me. He loves fresh-air sequences. | 0:05:05 | 0:05:12 | |
But my eyes are streaming from the smoke, we're at 7,000 feet, so I'm a bit wobbly. | 0:05:12 | 0:05:18 | |
NOT from too many Kentucky Fried Gentlemen! Your head is affected by the clear air. It gets to you! | 0:05:18 | 0:05:25 | |
Anyway, enough of that. Now for the roux. | 0:05:25 | 0:05:29 | |
Crushed chillies, along with some of this blue corn meal. | 0:05:29 | 0:05:33 | |
Then the juice, strained off the black beans, is mixed in. | 0:05:33 | 0:05:39 | |
This forms a thickening agent. | 0:05:39 | 0:05:42 | |
OK. | 0:05:42 | 0:05:43 | |
So, that goes into the pot right over here. No problem. | 0:05:43 | 0:05:48 | |
Then... Over here, Clive. I've got to put the black beans in. | 0:05:48 | 0:05:53 | |
This is the nice part of the dish. This is a good way of stretching the meat. | 0:05:53 | 0:05:59 | |
It makes it a very economical dish by adding the pulses. | 0:05:59 | 0:06:04 | |
And then the curious little bit - honey for bears. | 0:06:04 | 0:06:09 | |
A little bit of honey takes some of the heat away from the chilli. | 0:06:09 | 0:06:14 | |
Stir it around. It looks rather good - pork and black beans. | 0:06:14 | 0:06:19 | |
It needs about two hours over Wood Mark 3. I know you've all got stoves like this(!) That's it! | 0:06:19 | 0:06:27 | |
# We open in Venice | 0:06:28 | 0:06:29 | |
# We next play Verona | 0:06:29 | 0:06:31 | |
# Then onto Cremona | 0:06:31 | 0:06:33 | |
# Lots of laughs in Cremona Ha-ha! | 0:06:33 | 0:06:35 | |
# Our next stop is Parma | 0:06:35 | 0:06:37 | |
# That dopey, mopey menace | 0:06:37 | 0:06:39 | |
# Then Madua Then Padua | 0:06:39 | 0:06:41 | |
# Then we open again | 0:06:41 | 0:06:42 | |
# Where? We open in Venice | 0:06:42 | 0:06:45 | |
# We next play Verona | 0:06:45 | 0:06:47 | |
# Then onto Cremona | 0:06:47 | 0:06:48 | |
# Lots of bars in Cremona! | 0:06:48 | 0:06:51 | |
# Our next stop is Parma | 0:06:51 | 0:06:52 | |
# That fearless, cheerless menace | 0:06:52 | 0:06:54 | |
# Then Madua Then Padua | 0:06:54 | 0:06:56 | |
# Then we open again Where...? # | 0:06:56 | 0:06:59 | |
Every waiter, cook or bartender in Santa Fe is only temporarily out of "the business". | 0:06:59 | 0:07:04 | |
They're just waiting for Spielberg to hit town. | 0:07:04 | 0:07:06 | |
So if you can't wait, cook or sing, you hang out here, in case the opera calls you up. | 0:07:06 | 0:07:11 | |
Santa Fe being the Sadler's Wells of the States. | 0:07:11 | 0:07:14 | |
Here's one of me with the make-up lady putting the fine touches to my costume, prior to my audition. | 0:07:14 | 0:07:21 | |
# Our next stop is Parma | 0:07:21 | 0:07:23 | |
# The heartless, tartless menace | 0:07:23 | 0:07:25 | |
# Then Madua Then Padua | 0:07:25 | 0:07:27 | |
# Then we open again | 0:07:27 | 0:07:29 | |
# Where? | 0:07:29 | 0:07:32 | |
# In Venice. # | 0:07:32 | 0:07:34 | |
APPLAUSE | 0:07:34 | 0:07:37 | |
Ha-ha! old Wayne did this, too, you know. | 0:07:47 | 0:07:50 | |
Anyway, there we are, chaps. Sorry about that. | 0:07:50 | 0:07:52 | |
A bit of pork and black bean. I hope you like it. | 0:07:52 | 0:07:57 | |
Let me just give you some. | 0:07:57 | 0:07:58 | |
You must tell me... This is my show, but this is your town, | 0:07:58 | 0:08:01 | |
and if you don't like it, you just tell me, OK? Oh, I will. | 0:08:01 | 0:08:05 | |
'Al and Boots and their dog Tarquin just happened to be taking time out | 0:08:05 | 0:08:08 | |
'from being waite-... I mean, stuntmen, to give us a hand.' | 0:08:08 | 0:08:12 | |
Very nerve-racking, this kind of thing. These guy have got rods, | 0:08:12 | 0:08:15 | |
Colt 45s and things stashed and will probably shoot me. Three beers, my good man, please. Coming up. | 0:08:15 | 0:08:20 | |
One... | 0:08:22 | 0:08:23 | |
two... | 0:08:23 | 0:08:24 | |
..three. | 0:08:25 | 0:08:26 | |
GLASS SLIDING | 0:08:26 | 0:08:28 | |
GLASS SMASHING | 0:08:28 | 0:08:30 | |
So...is it silver bullets or is it all right? Very tasty. Good. | 0:08:30 | 0:08:34 | |
Listen, you guys - sorry about that Americanism - | 0:08:34 | 0:08:38 | |
what's it actually.... You're really interested, aren't you, Boots(?) | 0:08:38 | 0:08:42 | |
You don't like it. I don't like it. Dog don't like it. | 0:08:42 | 0:08:46 | |
I'm hungry. What is this? I got it out of a Santa Fe cookery book | 0:08:46 | 0:08:52 | |
and it's... Is that the wrong thing to say? | 0:08:52 | 0:08:55 | |
No, I just like Santa Fe, but... This pork...tastes like beef. | 0:08:55 | 0:09:01 | |
It's been cooked a long time, of course, but it's American pork. | 0:09:01 | 0:09:04 | |
And the beans? And the beans are black beans. | 0:09:04 | 0:09:07 | |
Looks like rabbit pellets. It does? Now I don't want to eat it. | 0:09:07 | 0:09:13 | |
Don't taste too bad, though. Could use a little more chilli. | 0:09:13 | 0:09:16 | |
Maybe she wants her own table. Want your own table? Come on. | 0:09:16 | 0:09:19 | |
Come on. Got your own table. You like that? | 0:09:23 | 0:09:28 | |
She likes it. It's just that she wants to be private. | 0:09:29 | 0:09:32 | |
Good girl. | 0:09:34 | 0:09:35 | |
Santa Fe is also the capital of American chic. | 0:09:41 | 0:09:44 | |
There are more artists here than St Ives. | 0:09:44 | 0:09:48 | |
It was settled by the Spanish in the '70s, I mean, 17th century! | 0:09:48 | 0:09:54 | |
I love this specially composed music by my chums, The Stranglers! | 0:09:54 | 0:09:58 | |
MUSIC: " Burnham Beeches" by The Stranglers | 0:09:58 | 0:10:01 | |
The silver and turquoise mines round here provide the Indians with materials for this jewellery. | 0:10:03 | 0:10:08 | |
Not that I'm that interested in it! At least it saves me from rabbiting on about architecture. | 0:10:08 | 0:10:16 | |
I'm here not only for the fashion, but to take on the Mayor, Sam Pick, | 0:10:16 | 0:10:19 | |
a noted cook, in an international chilli cook-off. | 0:10:21 | 0:10:24 | |
You're now in the oldest capital in the States, the second-oldest city | 0:10:24 | 0:10:30 | |
and the only capital in the US without an airline service. | 0:10:30 | 0:10:34 | |
It goes downhill from there, but we make the best chilli! | 0:10:34 | 0:10:40 | |
I'm proud to represent my community in this chilli cook-off | 0:10:40 | 0:10:45 | |
for which I've prepared for 12 years. | 0:10:45 | 0:10:48 | |
Thank you. It's nice to meet you. It's good to see you! Thank you for coming. | 0:10:48 | 0:10:54 | |
I don't like the sound of any of this! | 0:10:54 | 0:10:58 | |
Look, I've got bottled chillies, but the Mayor has got hand-dried ones, probably from his garden! | 0:10:58 | 0:11:05 | |
'He's also got a "chilli chopper". I think that's what they call it.' | 0:11:05 | 0:11:11 | |
Chilli is made using the BEST sirloin beef, OK? It isn't the minced topside you see in England. | 0:11:11 | 0:11:17 | |
Use the very best sirloin steak. | 0:11:17 | 0:11:20 | |
You also have chopped onions, chopped carrots, fresh chilli. | 0:11:20 | 0:11:25 | |
You also have, at this time of year, some frozen chilli cooked off in chicken stock and onions, | 0:11:25 | 0:11:31 | |
finely-chopped garlic, dried oregano. | 0:11:31 | 0:11:36 | |
We would have had fresh, only this is March. | 0:11:36 | 0:11:39 | |
Black pepper, bay leaves, and, to thicken my ultimate sauce, a roux made from butter and flour. | 0:11:39 | 0:11:47 | |
The rest is down to God and a large Kentucky Fried Gentleman, which my assistant has NOT supplied. | 0:11:47 | 0:11:54 | |
Have a look at him, Clive. What we're doing here is... | 0:11:54 | 0:11:59 | |
Keith's absolutely right. The best meat makes the chilli the finest. Today, I'm using pork. | 0:11:59 | 0:12:06 | |
Actually, pork with the liquid is the way to do it. | 0:12:06 | 0:12:11 | |
Then you scrape that fat off and you use that liquid | 0:12:11 | 0:12:16 | |
and that really makes people enjoy it. | 0:12:16 | 0:12:19 | |
You don't have to worry so much about the spices, because when you're pressure-cooking this pork, | 0:12:19 | 0:12:27 | |
you can put in garlic salt, salt and onions, which would save it. | 0:12:27 | 0:12:32 | |
When you're a small city like us, you can't afford those things! | 0:12:32 | 0:12:37 | |
So... | 0:12:37 | 0:12:38 | |
I've browned my meat, my chopped onions are going in. Also a jolly good dollop of garlic. | 0:12:38 | 0:12:46 | |
Plus a few carrots and some of the fresh chillies. | 0:12:46 | 0:12:52 | |
I've left the seeds in to make it fairly hot and that will do it. | 0:12:52 | 0:12:58 | |
What kind of chilli? Is it registered hot? | 0:12:58 | 0:13:02 | |
Let's see. Green chilli, extra hot. You're dead! Let that simmer. | 0:13:02 | 0:13:07 | |
People will hate you for it! | 0:13:07 | 0:13:09 | |
Despite all the fun, and this is a serious competition, I AM trying to beat the Mayor here. | 0:13:10 | 0:13:17 | |
As with all simple dishes, you must take your time. Don't just pour liquid on now. | 0:13:17 | 0:13:24 | |
You must let the onions and meat sweat, let the juices come out. Patience is essential. | 0:13:24 | 0:13:30 | |
Never mind the prizes. Worry about the taste! I'm chopping my tomatoes finer. | 0:13:30 | 0:13:38 | |
I'm putting the green chilli in. | 0:13:38 | 0:13:40 | |
A leading chef told me if I put in tomatoes, I had NO chance to win. | 0:13:40 | 0:13:47 | |
And yet... Then, I'm not putting MINE in! | 0:13:47 | 0:13:50 | |
Record this - there will be NO tomatoes put in this chilli! | 0:13:50 | 0:13:57 | |
I have been bluffed out by my idol. So we'll just put tomato sauce in?! Oh, right! Good. | 0:13:57 | 0:14:03 | |
Still reducing the onions, carrots, | 0:14:03 | 0:14:07 | |
the meat, garlic, oregano, and the pepper. | 0:14:07 | 0:14:11 | |
Shortly, I'm going to add my secret ingredient - | 0:14:11 | 0:14:15 | |
these brilliant, extra strong peppers, given by a famous chef who HAS won this competition. | 0:14:15 | 0:14:23 | |
I've already cooked them with onion and chicken stock. They now go in. | 0:14:23 | 0:14:29 | |
Chicken stock's a good idea. | 0:14:29 | 0:14:32 | |
Still toying with the idea of throwing the tomatoes in for colour. | 0:14:32 | 0:14:37 | |
I want to let the judges know, subliminally, | 0:14:37 | 0:14:40 | |
that if they see tomatoes and want to keep their jobs, | 0:14:40 | 0:14:45 | |
it might be a good idea to vote right. | 0:14:45 | 0:14:49 | |
I'll be making a major decision as to whether to do that. | 0:14:49 | 0:14:54 | |
Because I DIDN'T precook my meat... GALES OF LAUGHTER | 0:14:54 | 0:15:00 | |
Because I didn't precook mine, I did it from raw. It takes longer. | 0:15:00 | 0:15:05 | |
I guess that's the English way and Sam's is the American way. | 0:15:05 | 0:15:11 | |
I can see you've made an excellent decision there. It looks beautiful. | 0:15:11 | 0:15:16 | |
And it looks as if it's finishing at the right time. | 0:15:16 | 0:15:21 | |
It's now 12.20 Central Floyd Time, and my dish won't be ready for another 45 minutes. | 0:15:21 | 0:15:28 | |
So we rely on the director to dream up a cutaway sequence, | 0:15:28 | 0:15:33 | |
so that the meat can bubble away, you won't be bored, | 0:15:33 | 0:15:36 | |
and you'll come back at tasting time. | 0:15:36 | 0:15:39 | |
Very good. | 0:15:39 | 0:15:40 | |
MUSIC: "The Good, The Bad and The Ugly" film theme | 0:15:40 | 0:15:45 | |
Hi. Two whiskies, please. We don't serve Limeys in here. | 0:15:45 | 0:15:49 | |
I don't want lime in my whisky. You don't listen too good, do ya? | 0:15:51 | 0:15:54 | |
'How do you do? My name is Sue.' | 0:15:58 | 0:16:01 | |
Right! | 0:16:07 | 0:16:09 | |
GUNSHOTS | 0:16:09 | 0:16:10 | |
'Film producers everywhere, don't forget, Clint is going into politics | 0:16:12 | 0:16:16 | |
'and I'm available as the meanest cook in town.' | 0:16:16 | 0:16:19 | |
Do you know, this is extraordinary. | 0:16:20 | 0:16:23 | |
We've come to the critical moment. | 0:16:23 | 0:16:25 | |
90 minutes has gone by and Clive is on a ladder. | 0:16:25 | 0:16:28 | |
Clive, climb down! I know the shot's beautiful, but we HAVE been working hard, I want to win, | 0:16:28 | 0:16:35 | |
but the Mayor's got me beat hands down, I feel. | 0:16:35 | 0:16:38 | |
Come and see what we've done. | 0:16:38 | 0:16:40 | |
CRUMBLING RUBBLE | 0:16:40 | 0:16:41 | |
The lynch mob, er, judges are gathering over there, and I have to finish this dish. | 0:16:41 | 0:16:48 | |
This is the way I do it. I melt butter into it and, it's no joke, I put ice into it! | 0:16:49 | 0:16:56 | |
Not to cool it down, but to get a bit more liquid into the pot. Back to me, Clive! | 0:16:56 | 0:17:03 | |
Those are beef stock ice cubes. Bit of a deal, eh?! | 0:17:03 | 0:17:09 | |
You know, I've marvelled at this and I think that's a wonderful dish. | 0:17:09 | 0:17:14 | |
The compliments ought to go to the people in England | 0:17:14 | 0:17:18 | |
who have a feel for the interaction of foods. | 0:17:18 | 0:17:22 | |
You're looking at a product which is basically not something | 0:17:22 | 0:17:27 | |
we do in the southwest, but would if we knew how to do it! | 0:17:27 | 0:17:31 | |
Very few people have that talent. We're seeing it demonstrated today. | 0:17:31 | 0:17:36 | |
You haven't had much experience with chilli... None whatsoever! | 0:17:36 | 0:17:42 | |
..but you know how to make a tasty meal. That's the bottom line - | 0:17:42 | 0:17:47 | |
is it good or not? We'll see. Let's look at yours. It's different. | 0:17:47 | 0:17:52 | |
Mine is more simplistic, as befits a politician that doesn't make a lot of money! | 0:17:52 | 0:17:57 | |
'He precooked his meat because, he knew that, 7,000 feet above sea | 0:17:57 | 0:18:01 | |
'level, things take longer to cook. Strange he forgot to tell me(!)' | 0:18:01 | 0:18:04 | |
If I do lose badly, no-one will see | 0:18:04 | 0:18:07 | |
cos I'll censor one or two TV stations in our state! | 0:18:07 | 0:18:13 | |
Let's go to the lynching party! We're ready! I'm ready! | 0:18:13 | 0:18:17 | |
Mine's thick enough, the pork is there... | 0:18:17 | 0:18:21 | |
Now, for the social science sketch. Subject - American mayors. | 0:18:23 | 0:18:27 | |
'American mayors don't potter around in chains. | 0:18:27 | 0:18:29 | |
'They're the real power in town. You don't mess with the Mayor! | 0:18:30 | 0:18:35 | |
'These unbiased...huh-hum... judges are in his employ. | 0:18:35 | 0:18:38 | |
'To paraphrase Tom Lehrer, "Nothing could be done because he was the Mayor's son." ' | 0:18:38 | 0:18:43 | |
Who's going to vote for A? | 0:18:45 | 0:18:46 | |
Who's going to vote for A? | 0:18:48 | 0:18:50 | |
I'm going to vote for B. Hands up for B. | 0:18:51 | 0:18:56 | |
B is more Santa Fe. B is more what we love. | 0:18:56 | 0:19:00 | |
It's more subtle. | 0:19:00 | 0:19:03 | |
We have a very special stew here. Mayor, please open envelope B. | 0:19:03 | 0:19:08 | |
On behalf of the Academy... Ladies and gentlemen, it gives me an honour... | 0:19:08 | 0:19:15 | |
The winner, in envelope B, is... | 0:19:15 | 0:19:19 | |
the Mayor. | 0:19:19 | 0:19:20 | |
I would like to thank all my employees for judging as I have instructed them to judge. | 0:19:20 | 0:19:28 | |
I would presume that, when I went to England, the same treatment might be given to me that we have given | 0:19:28 | 0:19:35 | |
to the people from England. | 0:19:35 | 0:19:38 | |
We're honoured that you gave us a chance to show you how our chilli | 0:19:38 | 0:19:42 | |
is done. Tonight, you'll be upset. | 0:19:42 | 0:19:46 | |
I'm going to shoot myself! You're perfect! You oughta be a constituent. | 0:19:46 | 0:19:54 | |
MUSIC: "Land of Hope and Glory" | 0:19:54 | 0:19:57 | |
That's it! Bonsoir. Good night. Au revoir. Ciao. Auf wiedersehen. | 0:19:57 | 0:20:02 | |
# Big girls don't cry | 0:20:02 | 0:20:06 | |
# Big girls don't cry... # | 0:20:06 | 0:20:10 | |
Clive, you can do the next bit on your own. | 0:20:10 | 0:20:14 | |
Clive, welcome to El Farol. These are tapas - Spanish appetisers. | 0:20:14 | 0:20:19 | |
We make meals out of appetisers. Firstly, what we have here, Clive... | 0:20:19 | 0:20:25 | |
Yes? ..is Moroccan eggplant or, as your English say, aubergine. | 0:20:25 | 0:20:32 | |
We serve it on these small tapas plates, with a little pimiento. | 0:20:33 | 0:20:38 | |
Then we put a little pesto, | 0:20:38 | 0:20:41 | |
which is made with cumin and olive oil. Looks very nice! | 0:20:41 | 0:20:47 | |
That's one of the tapas. Small plates. | 0:20:47 | 0:20:51 | |
Then we go on to...a salad made of tuna, quail eggs, | 0:20:51 | 0:20:57 | |
potatoes and capers. Yum-yum! | 0:20:57 | 0:21:00 | |
Then, quinoa. The protein is almost complete, with all the amino acids. It's very healthy! | 0:21:02 | 0:21:09 | |
I tell people, "Be careful, it's healthy!" | 0:21:09 | 0:21:13 | |
Next, shrimp and sun-dried tomatoes. | 0:21:13 | 0:21:15 | |
The tomatoes come from Italy. We serve it with local goat cheese. | 0:21:15 | 0:21:21 | |
Then, three different kinds of Spanish cheeses | 0:21:23 | 0:21:26 | |
with sun-dried tomatoes, fresh tomatoes and olives. | 0:21:26 | 0:21:29 | |
Lastly, vegetables in a raspberry vinaigrette. | 0:21:29 | 0:21:34 | |
When the Spanish tell me this isn't exactly how it was done in Spain, my answer to them is usually, | 0:21:34 | 0:21:41 | |
"This is the New Spain." | 0:21:41 | 0:21:46 | |
COMMENTARY: 'The Spanish imprint on New Mexico is deep and permanent. | 0:21:52 | 0:21:57 | |
'The Spanish first came here with Coronado's expedition, in 1540-1542...' | 0:21:57 | 0:22:04 | |
And of course they invented bingo. Thank you, Barry, the cheque's in the post. | 0:22:04 | 0:22:08 | |
Now, cooking with Clive and his latest chum, Ned Leventhal. This is a leaf of cactus. | 0:22:08 | 0:22:15 | |
When I first thought someone might want to eat cactus, I thought it was funny. Who could eat a cactus?! | 0:22:15 | 0:22:23 | |
Its spines are a problem. How do you get the spines off? | 0:22:23 | 0:22:28 | |
Sometimes they make you pick them out one by one. I had a new idea. | 0:22:28 | 0:22:34 | |
It reminds me of when my mother would singe a chicken at home. | 0:22:34 | 0:22:39 | |
We just put this on the fire. You can see those little spines burning right off. | 0:22:39 | 0:22:46 | |
This'll start splattering around pretty soon. | 0:22:48 | 0:22:53 | |
Fresh rosemary, which I think goes nicely with the cactus, and some scallions. | 0:22:54 | 0:23:01 | |
You take the cactus... | 0:23:01 | 0:23:04 | |
When you're a child and you hate to eat vegetables because they're kind of mushy in your mouth - | 0:23:09 | 0:23:16 | |
that's what cactus is like. | 0:23:16 | 0:23:19 | |
Some people say it's like okra. I suppose okra is the closest thing. | 0:23:19 | 0:23:24 | |
It has the jell-like slime, or whatever, in the middle. | 0:23:24 | 0:23:29 | |
Our food has to look gorgeous. | 0:23:29 | 0:23:32 | |
Tasting good is one thing, but you have to make it look beautiful. | 0:23:32 | 0:23:38 | |
That's the appeal of the tapas bar. It's very colourful. It has appeal. | 0:23:38 | 0:23:43 | |
We serve this with a romesco sauce. | 0:23:43 | 0:23:47 | |
This is made with roasted red peppers, almonds, | 0:23:47 | 0:23:50 | |
garlic and some chilli. | 0:23:50 | 0:23:53 | |
It's mildly spiced, though, with a very nice flavour. | 0:23:55 | 0:24:00 | |
That's the southwest, right there. | 0:24:00 | 0:24:03 | |
'The Spanish imprint on New Mexico is deep and permanent...' | 0:24:03 | 0:24:07 | |
Thank you, Barry! Oh, all right(!) | 0:24:07 | 0:24:10 | |
These cliff dwellings were the homes of the Tewa Indians, a peaceful, farming race, | 0:24:13 | 0:24:19 | |
until they were hassled out by the Spaniards. The Americans gave them no favours, either. | 0:24:19 | 0:24:25 | |
Still feeling sore after losing the chilli cook-off, I decided to come to the Santa Clara Pueblo | 0:24:25 | 0:24:32 | |
for more lessons from my new chum, Laurie Vermillion. | 0:24:32 | 0:24:36 | |
Is this a traditional dish? It's one of the traditional dishes. | 0:24:36 | 0:24:42 | |
In fact, a lot of people eat it three times a day. My goodness me! | 0:24:42 | 0:24:48 | |
Yes, they mix it with any of their meat foods. OK. | 0:24:48 | 0:24:53 | |
We've got some diced pork which we'll put into the pot. What else? We need some onions. | 0:24:53 | 0:25:00 | |
Half of that goes in. Shall I dice some up? You want to dice it? We've got some already diced. | 0:25:00 | 0:25:07 | |
Tell me a bit about what your life is like on a reservation and I'll chop some of this. | 0:25:07 | 0:25:15 | |
Have you always, always been here? I've lived here all my life. | 0:25:15 | 0:25:18 | |
I'm one of the older, tradition people. | 0:25:18 | 0:25:22 | |
I lived when we had... We were self-sufficient. | 0:25:22 | 0:25:28 | |
We did everything, for our food, for sustaining us. | 0:25:28 | 0:25:34 | |
And that meant hunting and stuff? Hunting, and we had... All these | 0:25:34 | 0:25:38 | |
were full of corn, wheat, oats. | 0:25:38 | 0:25:43 | |
We had cattle, we had pigs, | 0:25:43 | 0:25:45 | |
we had chickens, rabbits. We raised all them and had to feed them. | 0:25:45 | 0:25:49 | |
So we had... People did a lot of farming. | 0:25:49 | 0:25:52 | |
Is this a magic mountain? The Black Mesa. In the Revolution, some people - Indians - | 0:25:52 | 0:25:59 | |
got away from the Spaniards, and they wanted to hide, so they went up on that mountain. | 0:25:59 | 0:26:05 | |
At night, they'd come down to get food - killed rabbits, or slaughtered a calf, or something. | 0:26:05 | 0:26:13 | |
They stayed there for several days during the Revolution. Like resistance fighters? Yes. | 0:26:13 | 0:26:20 | |
Back to our red chilli! We need to mix up some chilli powder and some blue corn. Is that right? Yes. | 0:26:20 | 0:26:28 | |
Put about four teaspoons. Is this going to be really hot? Mm-hm. | 0:26:28 | 0:26:33 | |
I think you'd better put the stove on. It's on! It's cooking? It's cooking! | 0:26:33 | 0:26:41 | |
This is the BBC, Laurie. We know how to light the gas! | 0:26:41 | 0:26:45 | |
Don't we? Yes. | 0:26:45 | 0:26:47 | |
That's plenty. What do we mix that with? | 0:26:47 | 0:26:51 | |
Mix it real good. With water. And make that into a paste. | 0:26:51 | 0:26:56 | |
Make it like a paste, but softer. Right. | 0:26:56 | 0:27:00 | |
We'll tip that into the pot of meat. Be sure it's all dissolved. | 0:27:00 | 0:27:06 | |
Clive, we've done a lot of these cooking things. Things cook for hours. This'll take a long time. | 0:27:06 | 0:27:14 | |
Find something to do. Go back to the bread oven, or something. | 0:27:14 | 0:27:18 | |
The cynical observer may think that these ladies leap into their traditional costumes | 0:27:23 | 0:27:28 | |
as the dust from an approaching film crew appears on the horizon. It may be true! | 0:27:28 | 0:27:33 | |
But for sure, the time-honoured way of burning cedar wood in a clay oven, | 0:27:33 | 0:27:40 | |
checking the heat with corn husks, produces the best bread I ate in America. | 0:27:40 | 0:27:46 | |
Despite the dazzling choice, it all tasted like steamed blotting-paper. | 0:27:46 | 0:27:52 | |
However, I digress | 0:27:52 | 0:27:54 | |
and back to my chilli, which WAS good, thank goodness! | 0:27:54 | 0:28:01 | |
Is it up to expectations? It's very good. | 0:28:01 | 0:28:04 | |
You did a good job! How do you say "good night" in Tewa? | 0:28:04 | 0:28:09 | |
THEY GIVE DIFFERENT VERSIONS | 0:28:09 | 0:28:14 | |
Ladies, if I can interrupt there for a second... | 0:28:16 | 0:28:21 | |
If I may interrupt... If THEY don't know how to say "good night" in Tewa, I've got NO chance! | 0:28:21 | 0:28:28 | |
So from them and from me, good night! Credits over the mountains, please. | 0:28:28 | 0:28:32 | |
'The Spanish imprint on New Mexico is deep and permanent. | 0:28:41 | 0:28:45 | |
'The Spanish first came to New Mexico with Coronado's | 0:28:45 | 0:28:48 | |
'expedition in 1540-1542...' | 0:28:48 | 0:28:49 | |
HIS VOICE CONTINUES TO ECHO | 0:28:52 | 0:28:55 |