Browse content similar to Mary Berry - Baking. Check below for episodes and series from the same categories and more!
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There's nothing I'm more passionate about than what, | 0:00:02 | 0:00:05 | |
how and why we eat and drink. | 0:00:05 | 0:00:07 | |
In this series, we'll be looking at the trends in modern food | 0:00:07 | 0:00:11 | |
and drink that influence the way we all shop and cook today. | 0:00:11 | 0:00:14 | |
Something I'm obsessed with, just as you are, | 0:00:16 | 0:00:19 | |
is a phenomenon that has literally taken over the world - baking. | 0:00:19 | 0:00:24 | |
We've gone cupcake crazy, bread makers | 0:00:24 | 0:00:26 | |
and mixers are flying out of the shops. | 0:00:26 | 0:00:29 | |
It's cheaper than going to a theme park, isn't it? | 0:00:30 | 0:00:33 | |
'I'll be picking the brains of the grande dame of baking, Mary Berry.' | 0:00:33 | 0:00:37 | |
That's perfect, isn't it? | 0:00:37 | 0:00:39 | |
'And passing on some of my own trade secrets.' | 0:00:39 | 0:00:42 | |
I dust a little bit of icing sugar on top. | 0:00:42 | 0:00:45 | |
That is a very good tip, and I'm going to copy that one. | 0:00:45 | 0:00:48 | |
Our award-winning drinks expert Kate Goodman will be keeping us | 0:00:50 | 0:00:53 | |
up to date with what's hot in the drinks world. | 0:00:53 | 0:00:56 | |
The trend is towards drinking more sparkling wine than Champagne. | 0:00:56 | 0:01:01 | |
And author and cook Rachel Khoo tells us | 0:01:01 | 0:01:04 | |
why Paris is patisserie perfection. | 0:01:04 | 0:01:06 | |
It's got this crispy sound... a perfect croissant. | 0:01:06 | 0:01:11 | |
Food And Drink is back! | 0:01:13 | 0:01:14 | |
'To me, afternoon tea | 0:01:19 | 0:01:21 | |
'brings together all the skills needed in baking.' | 0:01:21 | 0:01:24 | |
It's the epitome of the craft, and big business. | 0:01:24 | 0:01:27 | |
From five-star hotels to quaint tea shops, you can be charged | 0:01:27 | 0:01:30 | |
a small fortune for this little bit of luxury all over the world. | 0:01:30 | 0:01:35 | |
We're spending millions on baking equipment, and being able to | 0:01:35 | 0:01:39 | |
make a light Victoria sponge is the mark of being a man these days. | 0:01:39 | 0:01:43 | |
A bit of cake and a cuppa is the new rock and roll, | 0:01:43 | 0:01:46 | |
but it's by no means a new idea. | 0:01:46 | 0:01:48 | |
Do you know how it happened, the first afternoon tea? | 0:01:50 | 0:01:54 | |
Queen Victoria's lady-in-waiting thought it was an awful long time | 0:01:54 | 0:01:58 | |
to go from luncheon to dinner, so she made a meal | 0:01:58 | 0:02:02 | |
in the middle of the afternoon that was all sweet things plus a few | 0:02:02 | 0:02:06 | |
sandwiches. What a good idea, and I'm awfully grateful, aren't you? | 0:02:06 | 0:02:10 | |
I like that way of thinking. | 0:02:10 | 0:02:12 | |
Afternoon tea is just so civilised. | 0:02:12 | 0:02:14 | |
My version of the perfect afternoon tea would have to include | 0:02:14 | 0:02:19 | |
two of my favourite sweet treats. | 0:02:19 | 0:02:21 | |
-That's French madeleines and sweet custard fruit tartlets. -Mary. | 0:02:21 | 0:02:26 | |
I have not made madeleines for years, in fact I don't think I could | 0:02:26 | 0:02:30 | |
find the madeleine tin, I think it's right at the back of the cupboard. | 0:02:30 | 0:02:33 | |
I'm going to get the tray, a good old-fashioned tray. | 0:02:33 | 0:02:37 | |
Doesn't look too old-fashioned to me, it looks absolutely brand-new. | 0:02:37 | 0:02:42 | |
Mine is that shape, I think there's a bit of rust round the side. | 0:02:42 | 0:02:45 | |
This is a very sort of modern non-stick one. | 0:02:45 | 0:02:49 | |
But I still think you need to butter it and flour it. | 0:02:49 | 0:02:52 | |
-That'll be my job. -Yes, please, Mary. | 0:02:52 | 0:02:55 | |
Right, I'll go ahead and do that. | 0:02:55 | 0:02:57 | |
Madeleines are the closest the French get to a British sponge, | 0:02:57 | 0:03:01 | |
and they're perfect for afternoon tea, as they're bite-size. | 0:03:01 | 0:03:04 | |
For the madeleine recipe, it really is very, very easy. | 0:03:04 | 0:03:08 | |
It's equal quantities of flour, sugar and butter. | 0:03:08 | 0:03:11 | |
That's perfect, isn't it? | 0:03:12 | 0:03:14 | |
As a young teenager, I went off to Paris to work in a pastry shop, | 0:03:14 | 0:03:18 | |
and that's where I learnt how to make madeleines, | 0:03:18 | 0:03:20 | |
but this recipe is from my uncle, who's a master patissier, | 0:03:20 | 0:03:24 | |
and he flavours them with a little bit of lemon. | 0:03:24 | 0:03:28 | |
Whisk these ingredients together with two eggs, | 0:03:29 | 0:03:31 | |
and gently add the plain flour and baking powder. | 0:03:31 | 0:03:34 | |
Melting the butter means you won't beat out the air when mixing. | 0:03:34 | 0:03:38 | |
You must let it cool first, though, or you'll scramble those eggs. | 0:03:38 | 0:03:42 | |
And there we go. Look at that. Beautiful, that's perfect. | 0:03:42 | 0:03:46 | |
That looks like a thick batter to me. | 0:03:46 | 0:03:48 | |
Now, to put it in there. Now, spoon? | 0:03:48 | 0:03:51 | |
Oh, OK. | 0:03:51 | 0:03:53 | |
You're going to do it, so I'm wanting a tip from the expert. | 0:03:53 | 0:03:57 | |
So you're putting a dessert spoon in each one. | 0:03:59 | 0:04:01 | |
You've just got to get it right | 0:04:01 | 0:04:03 | |
so that it doesn't spread over the side. | 0:04:03 | 0:04:06 | |
That's it. | 0:04:06 | 0:04:08 | |
This is the traditional shape, it's the scallop shape. | 0:04:08 | 0:04:11 | |
I mean, do you know why? | 0:04:11 | 0:04:13 | |
I don't, no. | 0:04:13 | 0:04:15 | |
I mean, you've got to have this imprint underneath, like a shell. | 0:04:15 | 0:04:19 | |
It's from Brittany, and Brittany is famous for its scallops, | 0:04:19 | 0:04:25 | |
-hence the scallop shape. -Ah! | 0:04:25 | 0:04:27 | |
They should be lovely and golden brown around the edges | 0:04:29 | 0:04:32 | |
and they should have that little nipple that rises in the middle, | 0:04:32 | 0:04:35 | |
and they should be so soft and moist inside, | 0:04:35 | 0:04:38 | |
and they're best if you eat them within an hour of cooking. | 0:04:38 | 0:04:41 | |
While the madeleines are baking, I'm going to make | 0:04:41 | 0:04:44 | |
a sweet shortcrust pastry for my custard tarts | 0:04:44 | 0:04:47 | |
by simply mixing together 500 grams | 0:04:47 | 0:04:49 | |
of flour, 250 grams of butter, 100 grams of sugar and an egg. | 0:04:49 | 0:04:54 | |
Pastry is so easy, | 0:04:54 | 0:04:56 | |
so easy to make and everybody should be making it. | 0:04:56 | 0:05:00 | |
Well, it's so much cheaper to make yourself. | 0:05:00 | 0:05:03 | |
It's half fat to flour with a little bit of sugar and one egg yolk. | 0:05:03 | 0:05:08 | |
Mary, I think those madeleines are cooked. | 0:05:08 | 0:05:12 | |
Oh, gosh, yes. They're well risen, they're a perfect golden brown. | 0:05:12 | 0:05:16 | |
Look at that. | 0:05:16 | 0:05:18 | |
Why has everybody gone mad about baking? | 0:05:20 | 0:05:23 | |
Well, I think it's a recession, | 0:05:23 | 0:05:24 | |
and I think everybody is thinking of things to do at home that | 0:05:24 | 0:05:29 | |
everybody enjoys - it's cheaper than going to a theme park, isn't it? | 0:05:29 | 0:05:33 | |
And at least you get to eat something really nice | 0:05:33 | 0:05:36 | |
at the end of it. When the pastry is half a centimetre thick, | 0:05:36 | 0:05:39 | |
you're ready to line your tart tins. | 0:05:39 | 0:05:41 | |
These, in French, are called barquettes | 0:05:41 | 0:05:43 | |
because they're in the shape of a little boat, and I think they're | 0:05:43 | 0:05:46 | |
so dainty, so pretty and beautiful, rather than having a round one. | 0:05:46 | 0:05:50 | |
It's sort of a couple of mouthfuls and I think they look lovely. | 0:05:50 | 0:05:53 | |
Posh! | 0:05:53 | 0:05:54 | |
OK. There we go. | 0:06:00 | 0:06:02 | |
What I do with these, cos I've got quite long nails, I have to... | 0:06:02 | 0:06:05 | |
You press in a piece of pastry, it goes in beautifully. | 0:06:05 | 0:06:11 | |
That's it, now we need to line them with foil, I'll go and get some. | 0:06:12 | 0:06:15 | |
'When it comes to the fine details of baking, good old-fashioned tips | 0:06:15 | 0:06:19 | |
'can make a big difference, and Mary's got barquettes of them!' | 0:06:19 | 0:06:23 | |
That's clever, I like it. | 0:06:23 | 0:06:25 | |
So I'm going to fill mine with beans, but you can use pasta | 0:06:25 | 0:06:28 | |
or dried beans or rice, and you can use it over and over again. | 0:06:28 | 0:06:33 | |
When my ma was 105, we thought that the whole family would take her | 0:06:33 | 0:06:38 | |
out for tea, so we went to somewhere very, very posh, | 0:06:38 | 0:06:41 | |
but the one mistake they made was they put the price at the bottom, | 0:06:41 | 0:06:44 | |
and Mum looked at it and she said, "Is that for all of us?" | 0:06:44 | 0:06:48 | |
and I said, "No, Mum, but that's what things cost," | 0:06:48 | 0:06:51 | |
and she - "tut-tut-tut-tut!" but enjoyed the tea. | 0:06:51 | 0:06:53 | |
Blind baking dries the pastry out | 0:06:53 | 0:06:57 | |
and makes sure the tart cases stay crisp and keep their shape. | 0:06:57 | 0:07:00 | |
Kate's first drinks suggestion is obvious, | 0:07:02 | 0:07:04 | |
but can be fraught with difficulty. | 0:07:04 | 0:07:06 | |
Well, traditionally with afternoon tea, you would drink tea. | 0:07:06 | 0:07:10 | |
Tea is the most popular hot drink in the world, | 0:07:10 | 0:07:14 | |
and I'm always really nervous about making people cups of tea. | 0:07:14 | 0:07:17 | |
Absolutely. | 0:07:17 | 0:07:18 | |
People have specific requirements for how their tea is made, so... | 0:07:18 | 0:07:22 | |
I like mine in a mug. | 0:07:22 | 0:07:23 | |
You like yours in a mug, gosh! | 0:07:23 | 0:07:24 | |
I beg your pardon! We're having this wonderful afternoon tea. | 0:07:24 | 0:07:28 | |
I am shocked by that, you know, Michel. | 0:07:28 | 0:07:30 | |
I am really, I'm not having you for tea and giving you a mug, | 0:07:30 | 0:07:33 | |
you're having a china, a china cup and saucer. | 0:07:33 | 0:07:35 | |
Proper china cup. | 0:07:35 | 0:07:37 | |
I'm sorry, I'm sorry, I just like tea in a mug. | 0:07:37 | 0:07:39 | |
So as well as tea, we're also drinking a lot more Champagne | 0:07:39 | 0:07:42 | |
with afternoon tea, which I think is lovely. | 0:07:42 | 0:07:45 | |
And you might be surprised to hear the trend is towards drinking | 0:07:45 | 0:07:48 | |
more sparkling wine than Champagne. | 0:07:48 | 0:07:50 | |
Maybe a Prosecco or a Cava, there's lots of options with sparkling wine. | 0:07:50 | 0:07:54 | |
I'm making a classic creme patissiere to fill my tarts. | 0:07:56 | 0:07:59 | |
'Six egg yolks, 125 grams of sugar | 0:07:59 | 0:08:02 | |
'and 40 grams of flour will make enough to fill 12 tart cases.' | 0:08:02 | 0:08:06 | |
'I've done it a thousand times before, | 0:08:07 | 0:08:10 | |
'but never under the forensic gaze of Mary Berry!' | 0:08:10 | 0:08:13 | |
Now, I don't sift flour anymore, do you sift flour? | 0:08:13 | 0:08:17 | |
I sift the flour if I'm doing a fatless sponge, | 0:08:19 | 0:08:21 | |
but here you're giving it a jolly good beat. | 0:08:21 | 0:08:23 | |
It's when you're folding it in that I can't get it in. | 0:08:23 | 0:08:26 | |
That's lovely and smooth, no lumps, and I haven't put any vanilla in it. | 0:08:26 | 0:08:30 | |
Now, I would have put vanilla pod in there, | 0:08:30 | 0:08:33 | |
or I would use vanilla extract in this. | 0:08:33 | 0:08:37 | |
Isn't the classic one with vanilla? | 0:08:37 | 0:08:38 | |
I mean, if you looked it up in a dictionary, creme patissiere, | 0:08:38 | 0:08:41 | |
wouldn't that have vanilla extract or vanilla pod? | 0:08:41 | 0:08:45 | |
No. Most definitely not! | 0:08:45 | 0:08:46 | |
You're French, so you'll know - no, no, no, no, I'm just interested! | 0:08:46 | 0:08:50 | |
For this particular cake, I'm going to be putting some fruit on there | 0:08:50 | 0:08:53 | |
and I think the fruit has got enough flavour to carry it through. | 0:08:53 | 0:08:57 | |
So the boiling hot milk onto the yolks, sugar and the flour. | 0:08:57 | 0:09:01 | |
And that just gets all incorporated, | 0:09:04 | 0:09:06 | |
and then I'm going to pour that back into the pan | 0:09:06 | 0:09:10 | |
and bring it to the boil. | 0:09:10 | 0:09:12 | |
Once it's boiled, you put it away and let it cool down, | 0:09:15 | 0:09:18 | |
and now I dust a little bit of icing sugar on top | 0:09:18 | 0:09:20 | |
and that stops a crust forming. | 0:09:20 | 0:09:23 | |
That is a very good tip, and I'm going to copy that one, thank you. | 0:09:23 | 0:09:27 | |
When the sweet creme patissiere has cooled, fill the cases | 0:09:29 | 0:09:32 | |
and decorate with your favourite fresh fruit. | 0:09:32 | 0:09:34 | |
Have you ever had any real pastry disasters? | 0:09:36 | 0:09:39 | |
I've had all sorts of disasters. | 0:09:39 | 0:09:41 | |
I was showing people how to make a quiche. | 0:09:41 | 0:09:44 | |
I took it out and it cracked all down the middle. | 0:09:44 | 0:09:48 | |
I said, "Pass me an egg white," and I painted it | 0:09:48 | 0:09:51 | |
all across the crack, pushing it together, popped it back | 0:09:51 | 0:09:54 | |
in the oven, which set it, and so my quiche base was held together again. | 0:09:54 | 0:09:59 | |
So you averted the disaster. | 0:09:59 | 0:10:01 | |
I did. | 0:10:01 | 0:10:03 | |
Now, I've just glazed this with a little bit of apricot jam | 0:10:03 | 0:10:08 | |
that's been warmed through and passed through a sieve | 0:10:08 | 0:10:10 | |
so it gives it that lovely finishing touch. | 0:10:10 | 0:10:13 | |
'An afternoon tea should always include some small, perfectly made | 0:10:14 | 0:10:18 | |
'cakes, and mine is no exception. | 0:10:18 | 0:10:21 | |
'The madeleines and custard tarts look sumptuous, | 0:10:21 | 0:10:24 | |
'and I can't wait to dive in.' | 0:10:24 | 0:10:27 | |
-What a picture! -Excuse fingers, Mary. | 0:10:27 | 0:10:29 | |
-There we go. -And one of yours. | 0:10:30 | 0:10:32 | |
-A madeleine and a little barquette. -That looks sheer perfection. | 0:10:32 | 0:10:34 | |
-They really do. -So, tuck in. -Thank you. | 0:10:34 | 0:10:36 | |
The beauty about the barquette is that you can pick it up | 0:10:36 | 0:10:39 | |
with your fingers and just, mm! | 0:10:39 | 0:10:40 | |
I absolutely love the shape, I've never seen them like this | 0:10:40 | 0:10:43 | |
before. Normally they're round. But also, I love the contrast - | 0:10:43 | 0:10:46 | |
you've got the real creaminess of the custard, | 0:10:46 | 0:10:48 | |
but I love the acidity freshness of the fruit, | 0:10:48 | 0:10:51 | |
I just think it works really beautifully. | 0:10:51 | 0:10:53 | |
This pastry is absolutely delicious, it is so thin and it just encases | 0:10:53 | 0:10:59 | |
this wonderful custard, which - all it needs is a little vanilla. | 0:10:59 | 0:11:04 | |
I knew you were going to say that! | 0:11:04 | 0:11:06 | |
No, but it does, it just needs it. But the consistency is lovely. | 0:11:06 | 0:11:10 | |
Well, what about the madeleines? I mean, if you, | 0:11:10 | 0:11:12 | |
you just squeeze them like that, you can see how bouncy they are, | 0:11:12 | 0:11:15 | |
and the texture's just right, they're soft | 0:11:15 | 0:11:17 | |
-and that little hint of lemon in there I think is wonderful. -Mm. | 0:11:17 | 0:11:20 | |
My memory of these is the big bags that you used to get in France, | 0:11:20 | 0:11:23 | |
and they're actually quite dry, and they don't have much taste, | 0:11:23 | 0:11:26 | |
-so for me to taste something like this - it's just so light. -Mm. | 0:11:26 | 0:11:29 | |
But it would be perfect for dunking, wouldn't it? Delicious. | 0:11:29 | 0:11:32 | |
You're absolutely right. | 0:11:32 | 0:11:33 | |
Which leads us on to what we should be drinking, Kate. | 0:11:33 | 0:11:37 | |
Yes. Thought I'd go for a couple of sparkling wines, | 0:11:37 | 0:11:40 | |
and the star performer of that has actually been Prosecco. | 0:11:40 | 0:11:43 | |
-Prosecco's from northern Italy. -Slightly lower in alcohol as well. | 0:11:43 | 0:11:46 | |
Correct, yes, it's slightly low in alcohol, slightly low in acidity, | 0:11:46 | 0:11:50 | |
often a touch more sweetness, and it's quite simple, it's quite fresh. | 0:11:50 | 0:11:54 | |
I love Champagne, but it's a different style, so... | 0:11:54 | 0:11:57 | |
-Easy drinking, yes. -Yeah, easy drinking. | 0:11:57 | 0:11:59 | |
And more reasonable, come on, that's the... One of the other reasons. | 0:11:59 | 0:12:02 | |
And the reason it's more reasonable is because | 0:12:02 | 0:12:04 | |
the production methods are cheaper. | 0:12:04 | 0:12:07 | |
And they can do it over a larger area, can't they, than... | 0:12:07 | 0:12:10 | |
Champagne has to come from Champagne. | 0:12:10 | 0:12:13 | |
Well, actually, they can't, it's a similar thing to Champagne, | 0:12:13 | 0:12:16 | |
that you can't call it Prosecco unless it's grown in that region. | 0:12:16 | 0:12:19 | |
And the second one I had to go for is an English sparkling wine. | 0:12:19 | 0:12:23 | |
Gosh, and would that be more expensive? | 0:12:23 | 0:12:26 | |
They do tend to be a little bit more expensive than, certainly than | 0:12:26 | 0:12:29 | |
the Prosecco, you're sort of getting into the realms of Champagne prices. | 0:12:29 | 0:12:33 | |
I think in blind tasting, some English sparkling wines | 0:12:33 | 0:12:36 | |
-actually beat Champagne. -Is that so? | 0:12:36 | 0:12:39 | |
-And that comes from a Frenchman. -I know. It hurts! | 0:12:39 | 0:12:42 | |
I'm sure it does! | 0:12:42 | 0:12:44 | |
I think it's just lovely to have bubbles at teatime. | 0:12:44 | 0:12:46 | |
'Kate's chosen three drinks that perfectly | 0:12:47 | 0:12:49 | |
'compliment our afternoon tea.' | 0:12:49 | 0:12:51 | |
'An English sparkling wine that has much in common with Champagne | 0:12:53 | 0:12:56 | |
'and has lots of bubbles.' | 0:12:56 | 0:12:58 | |
-What do you prefer? -The English sparkling, cos I've never had it. | 0:12:58 | 0:13:01 | |
-There we go. -Thank you very much. | 0:13:01 | 0:13:03 | |
'In contrast, a lightly sparkling frizzante Prosecco.' | 0:13:03 | 0:13:06 | |
I'm a big fan of the Prosecco, I think it's just easy, | 0:13:06 | 0:13:09 | |
simple - perfect afternoon drinking for me. | 0:13:09 | 0:13:11 | |
'And of course tea, made with leaves and served in a bone china cup | 0:13:11 | 0:13:16 | |
'and saucer - and not a mug!' | 0:13:16 | 0:13:18 | |
Oh, yes, yes, you can't beat a cup of tea, I'll agree. | 0:13:18 | 0:13:21 | |
Here's to you, and to you. | 0:13:22 | 0:13:24 | |
We couldn't have a show about baking without talking about bread, | 0:13:24 | 0:13:27 | |
and as food writer William Sitwell is going to find out, | 0:13:27 | 0:13:30 | |
it's a very controversial subject. | 0:13:30 | 0:13:32 | |
50 years ago, the village of Chorleywood in Hertfordshire became | 0:13:42 | 0:13:46 | |
the unlikely birthplace of one of Britain's most vilified inventions. | 0:13:46 | 0:13:50 | |
It was here that two scientists collapsed time. | 0:13:50 | 0:13:55 | |
They made a loaf that from start to sliced finish just took a few | 0:13:56 | 0:14:01 | |
hours, and this new loaf didn't go stale for at least a week. | 0:14:01 | 0:14:05 | |
Since its invention, the Chorleywood bread process has been used | 0:14:06 | 0:14:10 | |
to make bread across the world, but as it's become more | 0:14:10 | 0:14:13 | |
and more popular, it's attracted almost rabid criticism. | 0:14:13 | 0:14:17 | |
80% of the bread we eat today is made this way. | 0:14:19 | 0:14:23 | |
Critics blame the threefold increase in the use of yeast | 0:14:23 | 0:14:26 | |
and the cocktail of chemicals and enzymes used in the baking process | 0:14:26 | 0:14:31 | |
for causing all sorts of dietary ailments. | 0:14:31 | 0:14:35 | |
'It seems the bread we choose to eat is no longer just about | 0:14:35 | 0:14:39 | |
'satisfying hunger, it's about health and declaring your social status.' | 0:14:39 | 0:14:44 | |
You see, you're not "well-bread" unless it's artisan, | 0:14:44 | 0:14:48 | |
you have to have sourdough or spelt, or Turkish pides or | 0:14:48 | 0:14:53 | |
Tibetan flatbreads, or baguettes, but they've got to be organic, | 0:14:53 | 0:14:58 | |
so we're talking about cholesterol-lowering, | 0:14:58 | 0:15:01 | |
fertility-enhancing, muscle-building wholemeal, | 0:15:01 | 0:15:05 | |
with of course extra seeds for roughage. | 0:15:05 | 0:15:08 | |
For many, bread made the Chorleywood way is a complete no-no. | 0:15:08 | 0:15:12 | |
Speciality breads, traditionally baked, are all the rage, | 0:15:12 | 0:15:16 | |
but are they worth it? | 0:15:16 | 0:15:18 | |
'Baker Paul Barker and Real Bread campaigner Chris Young think so.' | 0:15:18 | 0:15:22 | |
What strikes me is there seems to be a conspiracy theory about this. | 0:15:22 | 0:15:26 | |
There's a feeling that the people who invented the Chorleywood process | 0:15:26 | 0:15:29 | |
are responsible for what could be a major public health scare | 0:15:29 | 0:15:33 | |
of the future. | 0:15:33 | 0:15:35 | |
People like me are quite happy to keep risking their life | 0:15:35 | 0:15:37 | |
buying some pre-sliced bread. | 0:15:37 | 0:15:39 | |
What is the evidence? No-one's died, what is your problem? | 0:15:39 | 0:15:42 | |
Why risk your life | 0:15:42 | 0:15:43 | |
when you could actually be eating something delicious like this? | 0:15:43 | 0:15:47 | |
Well, it's cheaper, I'm an average shopper, I haven't got much time, | 0:15:47 | 0:15:50 | |
I can't, you know, whistle down the high street going through a market | 0:15:50 | 0:15:53 | |
with a basket under my arm - that's reality. | 0:15:53 | 0:15:55 | |
There's no reason whatsoever that people can't have | 0:15:55 | 0:15:57 | |
that on the table, you can make a loaf like that yourself at home | 0:15:57 | 0:16:00 | |
with four ingredients. | 0:16:00 | 0:16:01 | |
It takes time, real bread takes time, but not your time - | 0:16:01 | 0:16:03 | |
you can make it in a bread machine, forget about it. | 0:16:03 | 0:16:06 | |
And you'll get it fresh, | 0:16:06 | 0:16:07 | |
it'll be less stale without artificial additives. | 0:16:07 | 0:16:09 | |
You take loaves like these, | 0:16:09 | 0:16:11 | |
this has got something called calcium propionate in it - | 0:16:11 | 0:16:14 | |
they banned it in Germany in 1988, | 0:16:14 | 0:16:16 | |
why on earth have we still got it in our loaves over here? | 0:16:16 | 0:16:19 | |
But there's also an ingredient in here called E920 - | 0:16:19 | 0:16:21 | |
I wouldn't be using that in my everyday loaf of bread. | 0:16:21 | 0:16:24 | |
The other big issue for us is something like that from | 0:16:24 | 0:16:27 | |
a small independent bakery creates more jobs per loaf than something | 0:16:27 | 0:16:30 | |
like that. It's about community, | 0:16:30 | 0:16:32 | |
it's about bringing real bread back to the hearts of our communities, | 0:16:32 | 0:16:35 | |
and something that has been proven over generations, | 0:16:35 | 0:16:38 | |
over centuries, to be good for us. | 0:16:38 | 0:16:40 | |
You know, this is Marxism, | 0:16:40 | 0:16:41 | |
you're sounding like sort of Soviet-style communists. | 0:16:41 | 0:16:44 | |
If you're creating more jobs per loaf, that is helping local | 0:16:44 | 0:16:46 | |
economies, helping money to be reinvested in our high street. | 0:16:46 | 0:16:49 | |
But it's not happening for a reason, isn't it? | 0:16:49 | 0:16:51 | |
You spend money down a supermarket, whoosh, | 0:16:51 | 0:16:53 | |
it's gone off to shareholders - what good's that for your local | 0:16:53 | 0:16:56 | |
community, and what good are all the additives for you? | 0:16:56 | 0:16:59 | |
'It's all very well being an evangelical artisan, | 0:16:59 | 0:17:01 | |
'but for me there are times when only sliced white will do.' | 0:17:01 | 0:17:06 | |
A sausage sandwich on rye bread? | 0:17:06 | 0:17:09 | |
That would be a crime against humanity. | 0:17:09 | 0:17:12 | |
Cheese on toast, on soda bread? That would be treason. | 0:17:21 | 0:17:26 | |
There is a place in this world for sublime speciality breads, | 0:17:28 | 0:17:31 | |
for chilli ciabattas, for olive paninis, health breads | 0:17:31 | 0:17:36 | |
for the sock-and-sandal brigade. There is also room in this world | 0:17:36 | 0:17:40 | |
for bread whose main ingredient is bird seed, | 0:17:40 | 0:17:43 | |
but in a world that we all actually want to live in, | 0:17:43 | 0:17:46 | |
surely there is also room for bread that is nutritionally iffy, | 0:17:46 | 0:17:51 | |
that's cheap, that's crappy and that's white. | 0:17:51 | 0:17:54 | |
Believe it or not, more than half the people in Britain think that | 0:17:54 | 0:17:57 | |
that is a bigger and more important invention than the mobile phone. | 0:17:57 | 0:18:02 | |
For me, artisan bread is the only bread that I like to eat. | 0:18:02 | 0:18:06 | |
Many people can't afford the more expensive breads, | 0:18:06 | 0:18:09 | |
and this is cheaper, and it's a recession | 0:18:09 | 0:18:13 | |
and they've got used to it, and they like it. | 0:18:13 | 0:18:16 | |
-We have the choice. -I do my shopping on a Monday - | 0:18:16 | 0:18:19 | |
if I'm buying bread I need it to last till at least Thursday. | 0:18:19 | 0:18:22 | |
In France, we buy our bread twice a day, sometimes three times a day. | 0:18:22 | 0:18:26 | |
Hey, I just don't have time, I don't have time in the morning. | 0:18:26 | 0:18:28 | |
I'm not saying I would prefer necessarily to eat this, | 0:18:28 | 0:18:31 | |
but on a practical level, I think it has a place. | 0:18:31 | 0:18:34 | |
And also, when I was living in France, one thing | 0:18:34 | 0:18:36 | |
I did find about buying bread on a daily basis - | 0:18:36 | 0:18:39 | |
by the next day it was... | 0:18:39 | 0:18:40 | |
you know, I could knock you out with it, sort of thing. | 0:18:40 | 0:18:42 | |
Yeah, but you can always refresh your bread. | 0:18:42 | 0:18:45 | |
Moisten it a bit, just brush it over with a little bit of water, | 0:18:45 | 0:18:47 | |
and into a hot oven for about two minutes, | 0:18:47 | 0:18:50 | |
and that will crisp out the edge and moisten the centre, | 0:18:50 | 0:18:53 | |
and you've got a lovely, fresh baked baguette the second day. | 0:18:53 | 0:18:56 | |
OK, right. | 0:18:56 | 0:18:58 | |
That's a tip for us all. | 0:18:58 | 0:19:00 | |
So you could buy a baguette as well and use it up quickly | 0:19:00 | 0:19:03 | |
and if not do just as you say. | 0:19:03 | 0:19:05 | |
Or make it into a dessert! | 0:19:05 | 0:19:06 | |
We can't get enough of puddings, pastries and pies. | 0:19:09 | 0:19:12 | |
A third of us bake from scratch every week, | 0:19:12 | 0:19:14 | |
and sales of bakeware have doubled in the past two years. | 0:19:14 | 0:19:19 | |
You can have all the kit you like, but in the end the perfect bake | 0:19:19 | 0:19:22 | |
will depend on using the right ingredients. | 0:19:22 | 0:19:25 | |
I hear there's something that you two fundamentally disagree on. | 0:19:26 | 0:19:31 | |
Whether you use butter or baking spread in your Victoria sponge. | 0:19:31 | 0:19:37 | |
So I have a taste test for you | 0:19:37 | 0:19:40 | |
to see if you can tell the difference. | 0:19:40 | 0:19:43 | |
A-ha! | 0:19:43 | 0:19:45 | |
Oh, that one looks good. | 0:19:45 | 0:19:47 | |
So, Michel, you're the pro-butter, I take it. | 0:19:47 | 0:19:50 | |
Well, yes, of course, of course - it has to be butter every time. | 0:19:50 | 0:19:55 | |
It is easier to make it with a baking spread. | 0:19:55 | 0:19:59 | |
Now, I'm just... May I just explain? | 0:19:59 | 0:20:01 | |
-I love it. -Please. | 0:20:01 | 0:20:02 | |
First of all, people always use the creaming method, | 0:20:02 | 0:20:06 | |
and to get the butter just at the right - sort of squidgy, | 0:20:06 | 0:20:09 | |
but not runny, is quite difficult, whereas if you use | 0:20:09 | 0:20:12 | |
a specially formulated spread for baking, it goes together very nicely. | 0:20:12 | 0:20:19 | |
It just makes it easier. | 0:20:19 | 0:20:21 | |
I'm not convinced, Mary, but what about the taste? | 0:20:21 | 0:20:24 | |
-Because that's the most important. -That's the real test, isn't it? | 0:20:24 | 0:20:26 | |
Well, it's very light. | 0:20:26 | 0:20:29 | |
Oh, wow, they're very different, actually. | 0:20:30 | 0:20:33 | |
They look very similar. So which do you like best? | 0:20:33 | 0:20:36 | |
-That one. -Mm, I prefer that one. | 0:20:36 | 0:20:38 | |
I prefer that one. They're both really good sponges. | 0:20:38 | 0:20:41 | |
-I like that one too. -And I like that one. | 0:20:41 | 0:20:42 | |
I think it's just a bit denser for me, and I like that in cakes. | 0:20:42 | 0:20:46 | |
So, come on, well, somebody's going to come up with the answer. | 0:20:46 | 0:20:48 | |
Who's going to put us out of our misery? | 0:20:48 | 0:20:50 | |
This one is actually Mary's. | 0:20:50 | 0:20:52 | |
-Ohhhh! -Ohhh! | 0:20:52 | 0:20:55 | |
-So you win. -Good. -This once. | 0:20:55 | 0:20:57 | |
-Well done. Yeah, yeah, this once! Well done! -Just this once. | 0:20:57 | 0:21:00 | |
But we both have got our pastry roots in Paris. | 0:21:00 | 0:21:04 | |
But, to be honest, you were there for two years, | 0:21:04 | 0:21:07 | |
and I just went to the Cordon Bleu to take the exam | 0:21:07 | 0:21:10 | |
and I was there for a month, so you win! | 0:21:10 | 0:21:13 | |
LAUGHTER | 0:21:13 | 0:21:15 | |
Mary and I both know that French pastries are the pinnacle | 0:21:16 | 0:21:19 | |
of perfection. | 0:21:19 | 0:21:20 | |
Rachel Khoo finds out why the Parisians do it so well. | 0:21:20 | 0:21:25 | |
When I moved to Paris seven years ago, | 0:21:29 | 0:21:31 | |
I began a love affair with their food. | 0:21:31 | 0:21:34 | |
'The French are known across the world for their baking, | 0:21:35 | 0:21:38 | |
'and quality is key, whatever your budget.' | 0:21:38 | 0:21:41 | |
On every street corner, there are independent boulangeries | 0:21:42 | 0:21:46 | |
baking bread and croissants. | 0:21:46 | 0:21:48 | |
Well, you can hear it, it's got this crispy sound, | 0:21:48 | 0:21:51 | |
so you can tell this is a good croissant. | 0:21:51 | 0:21:54 | |
See, the crisp, caramelised outside, it's crunchy, | 0:21:55 | 0:21:58 | |
slightly hard, and then you can | 0:21:58 | 0:22:01 | |
peel off these layers... | 0:22:01 | 0:22:04 | |
And of course it tastes buttery. A perfect croissant. | 0:22:08 | 0:22:12 | |
'So why is the baking here not only consistently high, | 0:22:12 | 0:22:16 | |
'but affordable for everyone's pockets?' | 0:22:16 | 0:22:18 | |
Here in Paris, when you buy food, you buy from local specialists | 0:22:21 | 0:22:25 | |
who are respected for the time they have taken to perfect their art. | 0:22:25 | 0:22:30 | |
I think I'll take a escargot praline. | 0:22:30 | 0:22:32 | |
Oui. | 0:22:32 | 0:22:34 | |
Christophe Vasseur is a master baker | 0:22:34 | 0:22:36 | |
who is passionate about his profession. | 0:22:36 | 0:22:38 | |
So what makes an artisan baker is the quality of ingredients, | 0:22:38 | 0:22:42 | |
the time you spend on it? | 0:22:42 | 0:22:44 | |
Time, because if we were to compare with an industrial process, | 0:22:44 | 0:22:48 | |
this on a high-speed line takes about 20 minutes, | 0:22:48 | 0:22:53 | |
from the moment you mix the ingredients to the moment | 0:22:53 | 0:22:56 | |
you have the croissant cut and rolled. | 0:22:56 | 0:22:58 | |
Here, 36 hours and I don't | 0:22:58 | 0:23:01 | |
compromise on the quality of the ingredients I buy. | 0:23:01 | 0:23:04 | |
In 1920, the price of a baguette was officially fixed by French law, | 0:23:04 | 0:23:10 | |
and although no longer in force today, the legacy has stuck. | 0:23:10 | 0:23:14 | |
Your croissant costs one euro 20. | 0:23:15 | 0:23:17 | |
1.20 euro, while an ordinary croissant industrially made, | 0:23:17 | 0:23:21 | |
you would buy it for one or 1.10 sometimes. | 0:23:21 | 0:23:24 | |
I think it's amazing that you can offer an artisanly-made croissant, | 0:23:24 | 0:23:29 | |
handcrafted, at such an affordable price. | 0:23:29 | 0:23:32 | |
Yeah, but to me this shall not become a luxury product, | 0:23:32 | 0:23:35 | |
it shall stay affordable, popular, because this is daily food. | 0:23:35 | 0:23:40 | |
For only an extra 10 cents, Christophe can create | 0:23:42 | 0:23:46 | |
a quality product and still make a profit. | 0:23:46 | 0:23:49 | |
Marche d'Aligre in Paris is one of my favourite markets to come to, | 0:23:50 | 0:23:55 | |
cos you can see all this amazing fresh produce - | 0:23:55 | 0:23:59 | |
it's not expensive, it's affordable. | 0:23:59 | 0:24:01 | |
'The French value markets like these so much, | 0:24:02 | 0:24:05 | |
'they've enshrined their preservation in law.' | 0:24:05 | 0:24:08 | |
Ca c'est plus... Oui. | 0:24:08 | 0:24:10 | |
'There is a law in France which prohibits opening large-size' | 0:24:10 | 0:24:14 | |
supermarkets within the city boundaries, and that has | 0:24:14 | 0:24:18 | |
helped the independent shops and markets to keep their trade. | 0:24:18 | 0:24:22 | |
Merci beaucoup, monsieur. | 0:24:22 | 0:24:24 | |
HE SPEAKS FRENCH | 0:24:24 | 0:24:25 | |
Merci, au revoir! | 0:24:25 | 0:24:26 | |
SHE GIGGLES | 0:24:29 | 0:24:31 | |
I know supermarkets are here to stay | 0:24:33 | 0:24:34 | |
and they do offer convenience in a time-poor age, | 0:24:34 | 0:24:37 | |
but we should learn from the French and shop on our local high street. | 0:24:37 | 0:24:41 | |
It's all about supporting independent artisan bakeries | 0:24:41 | 0:24:45 | |
and patisseries. | 0:24:45 | 0:24:46 | |
It might at first be a bit more expensive, | 0:24:47 | 0:24:50 | |
but there will be a tipping point. | 0:24:50 | 0:24:52 | |
The more bakeries there are, the more competitive the prices will become. | 0:24:52 | 0:24:55 | |
It's never going to be like a cheap supermarket buy, | 0:24:55 | 0:24:59 | |
but it will become more affordable | 0:24:59 | 0:25:01 | |
and something which is not just for people on a high income. | 0:25:01 | 0:25:04 | |
'True love means you have to commit. Parisians simply love patisserie.' | 0:25:04 | 0:25:10 | |
And when it's this delicious, it's not difficult to. | 0:25:10 | 0:25:13 | |
The archetypal French patisserie has to be the apple tart. | 0:25:18 | 0:25:22 | |
It's one of the first things I learnt to make | 0:25:22 | 0:25:24 | |
when I was training to be a patissier, | 0:25:24 | 0:25:26 | |
and now I'm going to show you how to make this classic dessert. | 0:25:26 | 0:25:30 | |
I love making pastry, but when it comes to puff pastry, | 0:25:30 | 0:25:34 | |
even Michelin-starred chefs use a few shortcuts at home, | 0:25:34 | 0:25:38 | |
and shop-bought puff pastry is one of my guilty speedy secrets. | 0:25:38 | 0:25:42 | |
And once you've rolled it out to fairly thin, I mean, we're | 0:25:42 | 0:25:46 | |
talking a couple of millimetres, you need to put it on the tray. | 0:25:46 | 0:25:49 | |
Now, I'm going to get a plate to make it the perfect round. | 0:25:49 | 0:25:54 | |
Crimp the pastry and flip it over before resting it in the fridge. | 0:25:57 | 0:26:01 | |
Six eating apples that hold their shape when cooked | 0:26:01 | 0:26:05 | |
will be enough for this tart. | 0:26:05 | 0:26:06 | |
You don't want the apple slices too thin - and that's just right. | 0:26:06 | 0:26:11 | |
Once rested and chilled, spread some stewed apple or compote over | 0:26:11 | 0:26:14 | |
the base of the pastry, and start layering the apples over the top. | 0:26:14 | 0:26:18 | |
And it has to be exactly the same distance between each slice, | 0:26:18 | 0:26:23 | |
and then when you get to the smaller slices, they go in the middle. | 0:26:23 | 0:26:27 | |
Right, that's taking shape, it's looking great. | 0:26:32 | 0:26:35 | |
One more slice, that should be enough. | 0:26:35 | 0:26:37 | |
Now, very important - butter, lots of butter. | 0:26:37 | 0:26:42 | |
A sprinkling of sugar, a little bit of egg yolk on there to give it | 0:26:43 | 0:26:48 | |
that lovely lustre and shine. | 0:26:48 | 0:26:51 | |
So there we go, 200 degrees centigrade for about 30 minutes. | 0:26:51 | 0:26:56 | |
You couldn't have apple tart without cream of one shape or form. | 0:26:59 | 0:27:03 | |
Whip the seeds from a vanilla pod | 0:27:03 | 0:27:05 | |
and a tablespoon of icing sugar into 250 mil of double cream for | 0:27:05 | 0:27:10 | |
a delicious Chantilly cream that's a perfect match for the apple tart. | 0:27:10 | 0:27:14 | |
-Oh, gosh, that looks beautiful. -Amazing. | 0:27:14 | 0:27:16 | |
We're warming off the Calvados to warm up the alcohol, | 0:27:16 | 0:27:19 | |
to make it vaporise, and then just get the flame onto it. | 0:27:19 | 0:27:23 | |
It's almost Christmassy, isn't it? Like Christmas pudding. | 0:27:23 | 0:27:26 | |
-It is Christmassy, isn't it? -Ahh! | 0:27:26 | 0:27:28 | |
-Goes there. -What a smell. | 0:27:28 | 0:27:31 | |
Apple tart is actually quite dessert wine friendly, | 0:27:31 | 0:27:33 | |
so you can be quite... You know, you've got quite a scope | 0:27:33 | 0:27:36 | |
of options, but because you've got the cream with the Calvados... | 0:27:36 | 0:27:39 | |
Ha-ha, yes. | 0:27:39 | 0:27:40 | |
..you need something a little bit more robust, | 0:27:40 | 0:27:43 | |
so I've actually selected a fortified wine, a Madeira. | 0:27:43 | 0:27:46 | |
You get a really lovely, rich, sweet Madeira, | 0:27:46 | 0:27:48 | |
so we've gone for something sweet | 0:27:48 | 0:27:50 | |
but you've also got lovely acidity in Madeira. With the acidity | 0:27:50 | 0:27:54 | |
of the apples, you need something that's sweet, if not sweeter. | 0:27:54 | 0:27:58 | |
Looks great. | 0:28:03 | 0:28:05 | |
-Oh. -Oh, and the pastry's done underneath. Lovely. | 0:28:06 | 0:28:09 | |
-Mm. -Mm. | 0:28:09 | 0:28:11 | |
Oh, yes. | 0:28:11 | 0:28:13 | |
A lovely way to go, isn't it? | 0:28:13 | 0:28:15 | |
THEY LAUGH | 0:28:15 | 0:28:17 | |
That is great. | 0:28:17 | 0:28:18 | |
In my opinion, baking is good for you, and it brings you together. | 0:28:18 | 0:28:22 | |
It might seem like a hard skill to master, | 0:28:22 | 0:28:26 | |
but you can have a lot of fun practising, and of course you | 0:28:26 | 0:28:29 | |
very soon become the most popular person with your friends and family. | 0:28:29 | 0:28:35 | |
-Cheers. -Cheers. | 0:28:35 | 0:28:37 | |
'Next time, award-winning street food entrepreneur Jun Tanaka | 0:28:40 | 0:28:43 | |
'and I talk burgers!' | 0:28:43 | 0:28:46 | |
Oh, look at that. | 0:28:47 | 0:28:48 | |
'And chef and working mum Monica Galetti shares her secret | 0:28:48 | 0:28:52 | |
'to getting children to eat their greens.' | 0:28:52 | 0:28:55 | |
Yummy. | 0:28:55 | 0:28:56 | |
Subtitles by Red Bee Media Ltd | 0:29:10 | 0:29:13 |