Browse content similar to 1920s. Check below for episodes and series from the same categories and more!
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Meet the Robshaws - | 0:00:00 | 0:00:01 | |
Brandon, Rochelle, Miranda, Roz and Fred. | 0:00:01 | 0:00:05 | |
They've been back in time before... | 0:00:06 | 0:00:09 | |
and experienced the transformation in our diet from the 1950s to | 0:00:09 | 0:00:14 | |
the 1990s. | 0:00:14 | 0:00:16 | |
That is just amazing. Look at them. | 0:00:16 | 0:00:19 | |
Now they're travelling further back in time, | 0:00:19 | 0:00:22 | |
to the first half of the 20th century, | 0:00:22 | 0:00:25 | |
to discover how changes in the food we ate... | 0:00:25 | 0:00:29 | |
Oh, my good gawd! They're brains. | 0:00:29 | 0:00:32 | |
..the way it was served and how it was cooked... | 0:00:32 | 0:00:35 | |
Yes. I'm cooking the pudding in the soup. | 0:00:35 | 0:00:37 | |
Why? | 0:00:37 | 0:00:38 | |
..helped change the course of history. | 0:00:38 | 0:00:40 | |
Starting in the 1900s... | 0:00:40 | 0:00:43 | |
Oh, my goodness. | 0:00:43 | 0:00:45 | |
..this Victorian house will be their time machine. | 0:00:45 | 0:00:48 | |
What is that? It looks like a giant hand grenade. | 0:00:48 | 0:00:51 | |
Fast forwarding them to a new year each day. | 0:00:51 | 0:00:54 | |
1941, everyone. | 0:00:54 | 0:00:55 | |
From strict etiquette... | 0:00:55 | 0:00:57 | |
I might practise my bowing. | 0:00:57 | 0:00:59 | |
..to new fads and flavours. | 0:01:02 | 0:01:04 | |
-Oh. Oh. -It's not that bad. Dad! | 0:01:04 | 0:01:09 | |
From far too much... | 0:01:09 | 0:01:11 | |
I think I've got the meat sweats. | 0:01:11 | 0:01:12 | |
..to not enough. | 0:01:12 | 0:01:14 | |
It doesn't look like a fried egg. | 0:01:14 | 0:01:15 | |
No! Can you eat that? | 0:01:15 | 0:01:17 | |
No. | 0:01:17 | 0:01:19 | |
As they discover how a revolution in our eating habits | 0:01:19 | 0:01:23 | |
helped create the modern family. | 0:01:23 | 0:01:26 | |
Last time, the Robshaws experienced the feast... | 0:01:26 | 0:01:30 | |
That's amazing. | 0:01:30 | 0:01:32 | |
-..and famine... -We probably need a hacksaw. | 0:01:32 | 0:01:35 | |
..of the turbulent 1910s. | 0:01:35 | 0:01:37 | |
It feels like the war's really hitting home now. | 0:01:37 | 0:01:40 | |
Feels like it's starting to bite. | 0:01:40 | 0:01:42 | |
This time, the Robshaws enter a thoroughly modern decade... | 0:01:42 | 0:01:45 | |
I thought you might appreciate a buck's fizz. | 0:01:45 | 0:01:47 | |
Oh, thanks very much indeed. | 0:01:47 | 0:01:49 | |
That'll give you a bit of a lift. | 0:01:49 | 0:01:50 | |
..as they race through the roaring '20s. | 0:01:50 | 0:01:53 | |
Go forward. | 0:01:53 | 0:01:54 | |
It's a new decade for the Robshaws, the 1920s, | 0:02:05 | 0:02:08 | |
and the house has been brought right up to date. | 0:02:08 | 0:02:11 | |
The kitchen is leaner, brighter and more modern. | 0:02:14 | 0:02:16 | |
What was a parlour is now a stylish dining room. | 0:02:18 | 0:02:22 | |
And the formality of previous decades has been replaced by | 0:02:22 | 0:02:25 | |
a fashionable family sitting room, now at the front of the house. | 0:02:25 | 0:02:28 | |
Social historian Polly Russell and I are back to discover how | 0:02:29 | 0:02:33 | |
the 1920s quest for modernity has transformed the house. | 0:02:33 | 0:02:37 | |
So, it's not as cluttered as it was with pots and pans and mangles and | 0:02:40 | 0:02:44 | |
-bits and pieces, is it? -Yeah, it's much more sort of streamlined. | 0:02:44 | 0:02:47 | |
An emphasis on hygiene, simplicity, ergonomically organised | 0:02:47 | 0:02:52 | |
and that's because this is the period where we see | 0:02:52 | 0:02:54 | |
the emergence of the modern housewife. | 0:02:54 | 0:02:56 | |
She's going to have to produce the food for the family and be in charge. | 0:02:56 | 0:03:00 | |
And there were new technologies coming in, | 0:03:00 | 0:03:03 | |
things that start to make managing the kitchen easier. | 0:03:03 | 0:03:06 | |
But there's one thing that really, | 0:03:06 | 0:03:09 | |
really helps the housewife in this period | 0:03:09 | 0:03:11 | |
and we're going to find that in the larder. | 0:03:11 | 0:03:13 | |
So... A lot of tinned food, | 0:03:15 | 0:03:17 | |
-is that what you're telling me? -Yeah, we've had tinned food before, | 0:03:17 | 0:03:20 | |
but what you see through this decade is a huge increase in the volume of | 0:03:20 | 0:03:24 | |
tinned food consumed, but also the variety, | 0:03:24 | 0:03:27 | |
both imported from all around the world, but also produced in Britain. | 0:03:27 | 0:03:31 | |
And for the housewife, the housewife who now doesn't have a servant, | 0:03:31 | 0:03:35 | |
this is an absolute godsend. | 0:03:35 | 0:03:37 | |
This is a modern way of cooking. | 0:03:37 | 0:03:39 | |
In previous decades, Rochelle relied on Debbie, | 0:03:41 | 0:03:43 | |
the family's maid of all work, to do the cooking. | 0:03:43 | 0:03:46 | |
But the war brought her new opportunities and, | 0:03:47 | 0:03:50 | |
like many of the women who left domestic service at this time, | 0:03:50 | 0:03:53 | |
she won't be returning, leaving Rochelle in charge. | 0:03:53 | 0:03:56 | |
The impact of the war was felt elsewhere, too. | 0:03:59 | 0:04:02 | |
Keen to forget the horrors of the past, | 0:04:02 | 0:04:04 | |
Britain in 1920 was a nation focused on the future. | 0:04:04 | 0:04:07 | |
With rapidly advancing technology and a loosening of social attitudes, | 0:04:09 | 0:04:12 | |
a first for all that was new would define this decade. | 0:04:12 | 0:04:15 | |
And historical data shows that the food we ate was no exception. | 0:04:18 | 0:04:22 | |
What you start to see is much more variety coming into the diet | 0:04:22 | 0:04:25 | |
and we can see this in particular in this category of "other food", | 0:04:25 | 0:04:28 | |
which actually doubles from the beginning of the century to the end of this decade. | 0:04:28 | 0:04:33 | |
Things like canned food, ice cream, jarred food, | 0:04:33 | 0:04:37 | |
sort of prepared food, | 0:04:37 | 0:04:39 | |
manufactured food, because women are less likely to have servants, | 0:04:39 | 0:04:42 | |
of course it's no surprise, perhaps, that you see an increase | 0:04:42 | 0:04:45 | |
on reliance on manufactured goods. | 0:04:45 | 0:04:47 | |
And what about booze? We know this is the decade of the cocktail, | 0:04:47 | 0:04:50 | |
the decade of the party. | 0:04:50 | 0:04:51 | |
The Robshaws have got their own very impressive drinks trolley. | 0:04:51 | 0:04:54 | |
Is that reflected in the survey? | 0:04:54 | 0:04:56 | |
What you see straight after the war is this really quite extraordinary | 0:04:56 | 0:04:59 | |
spike in alcohol consumption for a few years, | 0:04:59 | 0:05:03 | |
as though people are somehow embracing something new. | 0:05:03 | 0:05:06 | |
A kind of loosening up of culture happens. | 0:05:06 | 0:05:09 | |
But then, afterwards, you do see a sort of trailing off of alcohol consumption. | 0:05:09 | 0:05:13 | |
Into a really bad period of hangover. | 0:05:13 | 0:05:15 | |
It's time for the Robshaws to step back to the 1920s. | 0:05:18 | 0:05:22 | |
From the 1920s, I'm looking for fun, I'm looking for social liberation. | 0:05:24 | 0:05:28 | |
You've got jazz and you've got cocktails, parties. | 0:05:28 | 0:05:31 | |
I would be very happy to accept domestic help, | 0:05:32 | 0:05:36 | |
but I imagine myself flapping about in the kitchen | 0:05:36 | 0:05:39 | |
rather than out at nightclubs. | 0:05:39 | 0:05:42 | |
-Whoa. -Oh, gosh. | 0:05:47 | 0:05:48 | |
Wow. | 0:05:48 | 0:05:49 | |
-This is amazing. -This is really nice, isn't it? | 0:05:49 | 0:05:52 | |
This is completely different vibe, isn't it? | 0:05:52 | 0:05:54 | |
-This is the best thing ever. -This is so nice. | 0:05:54 | 0:05:56 | |
-And it's the first time we've had colour in the kitchen, look. -Yes. | 0:05:56 | 0:05:59 | |
-Whoa. -There's Bisto down there. | 0:05:59 | 0:06:00 | |
Oh, yeah. And there's Bird's Custard. | 0:06:00 | 0:06:02 | |
-Heinz Ketchup. -Lipton's. | 0:06:02 | 0:06:04 | |
Everything is packaged and branded. | 0:06:04 | 0:06:06 | |
There's loads of stuff that's going now, 100 years later, | 0:06:06 | 0:06:09 | |
it's still around, isn't there? | 0:06:09 | 0:06:11 | |
Look. It's addressed to us. | 0:06:11 | 0:06:14 | |
"Dear Robshaw family, welcome to the 1920s. | 0:06:14 | 0:06:17 | |
"Debbie, your maid, | 0:06:17 | 0:06:19 | |
"will not be returning." | 0:06:19 | 0:06:22 | |
Oh. I felt a little shiver when you said that. | 0:06:22 | 0:06:24 | |
So, Rochelle, you will be in charge of all cooking, | 0:06:24 | 0:06:27 | |
cleaning and maintaining the family home. | 0:06:27 | 0:06:29 | |
Well, enjoy yourselves(!) | 0:06:29 | 0:06:30 | |
All right, well, let's go and get on with it. | 0:06:31 | 0:06:33 | |
Whoa. | 0:06:33 | 0:06:35 | |
This is lovely. | 0:06:36 | 0:06:37 | |
-Amazing. -Isn't it? | 0:06:37 | 0:06:38 | |
-Oh, this is just fantastic. -So beautiful. | 0:06:38 | 0:06:40 | |
This is gorgeous. | 0:06:40 | 0:06:42 | |
I can't believe it. | 0:06:42 | 0:06:44 | |
It does make you want to do that. | 0:06:44 | 0:06:45 | |
This is the first electric light. | 0:06:45 | 0:06:48 | |
This is fantastic. | 0:06:48 | 0:06:49 | |
You can just walk into a room, flick a switch, | 0:06:49 | 0:06:51 | |
and it's illuminated. | 0:06:51 | 0:06:53 | |
Marvellous. The only word I can think of is modern. | 0:06:53 | 0:06:55 | |
It looks so modern. | 0:06:55 | 0:06:57 | |
In 1920, thousands of British homes | 0:07:00 | 0:07:02 | |
were transformed by electric power and lighting. | 0:07:02 | 0:07:05 | |
By the end of the decade, | 0:07:05 | 0:07:06 | |
a fifth of all households were on the new National Grid. | 0:07:06 | 0:07:09 | |
While the rest of the family enjoy the comforts of their modern living | 0:07:14 | 0:07:17 | |
room, Rochelle is getting to grips with her new role. | 0:07:17 | 0:07:20 | |
Well, I think for the housewives sort of post-war, | 0:07:20 | 0:07:23 | |
they would need to go back to basics and they might be very good at | 0:07:23 | 0:07:26 | |
telling their staff what to do, | 0:07:26 | 0:07:29 | |
but actually doing it themselves might be sort of a different sort of | 0:07:29 | 0:07:32 | |
kettle of fish. | 0:07:32 | 0:07:33 | |
Luckily for middle-class women, | 0:07:33 | 0:07:35 | |
the 1920s saw the publication of a range of new practical guides. | 0:07:35 | 0:07:39 | |
Particularly popular was the Daily Mail Cookery Book by Mrs CS Peel, | 0:07:41 | 0:07:45 | |
which included special labour-saving recipes for servantless women. | 0:07:45 | 0:07:48 | |
These potatoes are going to go in the pot. | 0:07:51 | 0:07:53 | |
I'm now going to put the pot in the pot. | 0:07:54 | 0:07:56 | |
Rochelle's making a meal in which | 0:07:58 | 0:08:00 | |
all three courses are cooked together... | 0:08:00 | 0:08:02 | |
..vegetable soup, potatoes, steamed herrings and jam roly-poly. | 0:08:03 | 0:08:08 | |
The soup is made in the big pot, | 0:08:10 | 0:08:11 | |
then the other dishes are cooked in smaller pots | 0:08:11 | 0:08:14 | |
in the soup and the fish is steamed on top. | 0:08:14 | 0:08:16 | |
I like baking. | 0:08:18 | 0:08:19 | |
I just wish Debbie was here. | 0:08:21 | 0:08:23 | |
I might have to go off and find her, and beg her to come back. | 0:08:23 | 0:08:27 | |
No longer in service with the Robshaws, | 0:08:33 | 0:08:35 | |
Debbie is looking for a new job. | 0:08:35 | 0:08:37 | |
Businessman, book keeping, soldier, mechanic, motor driver. | 0:08:37 | 0:08:43 | |
As men returned from the First World War, | 0:08:44 | 0:08:47 | |
the Government had passed an act encouraging employers to dismiss | 0:08:47 | 0:08:50 | |
women from the jobs they'd taken up in wartime. | 0:08:50 | 0:08:52 | |
By 1920, unemployment was high. | 0:08:55 | 0:08:57 | |
But like many former maids, | 0:08:57 | 0:08:59 | |
Debbie doesn't want to return to domestic service. | 0:08:59 | 0:09:02 | |
Housekeeper. | 0:09:03 | 0:09:05 | |
Working cook. | 0:09:05 | 0:09:07 | |
Most of the jobs are just domestic help. | 0:09:07 | 0:09:09 | |
Obviously, all the rest is for men. | 0:09:09 | 0:09:11 | |
I mean, once you felt a bit of freedom, being a land girl, | 0:09:11 | 0:09:13 | |
you don't really want to go back to being a servant. | 0:09:13 | 0:09:16 | |
You want to carry on doing new things and, I don't know, | 0:09:16 | 0:09:20 | |
make life a bit better for yourself. | 0:09:20 | 0:09:21 | |
You don't want to, like, regress. | 0:09:21 | 0:09:23 | |
While Debbie's on the hunt for a new job, | 0:09:27 | 0:09:29 | |
Rochelle's getting used to hers - | 0:09:29 | 0:09:30 | |
as a housewife. | 0:09:30 | 0:09:32 | |
I actually have never made a jam roly-poly. | 0:09:33 | 0:09:36 | |
I think this looks absolutely horrible. | 0:09:38 | 0:09:40 | |
What's worrying me, if I roll it all the way through, | 0:09:40 | 0:09:43 | |
whether the tea towel gets caught up in the roll of it. | 0:09:43 | 0:09:46 | |
Oh, God, it's all just sticking to the... | 0:09:46 | 0:09:48 | |
This is... | 0:09:48 | 0:09:49 | |
I feel like crying. | 0:09:52 | 0:09:53 | |
Oh, God. It's just... | 0:09:53 | 0:09:55 | |
It's just a complete disaster. | 0:09:55 | 0:09:57 | |
I don't think I'm going to use a cloth because it's just like... | 0:09:57 | 0:10:00 | |
It's just more trouble than it's worth. | 0:10:00 | 0:10:02 | |
And the last part of Rochelle's one-pot meal - fresh herring. | 0:10:06 | 0:10:11 | |
Why would you want to spend your afternoon doing this? | 0:10:11 | 0:10:14 | |
There's like a drinks cabinet in the other room. | 0:10:14 | 0:10:17 | |
They're steamed on a lid on top of the pot. | 0:10:17 | 0:10:20 | |
In the unlikely event that that will cook, | 0:10:20 | 0:10:24 | |
we will have some supper. | 0:10:24 | 0:10:26 | |
Snap! | 0:10:29 | 0:10:30 | |
And without a maid, middle-class daughters were expected to pitch in. | 0:10:30 | 0:10:34 | |
Miranda, Roz, come and help with the soup. | 0:10:36 | 0:10:38 | |
My God. Are you cooking the pudding in the soup? | 0:10:42 | 0:10:45 | |
Yes, I'm cooking the pudding in the soup. | 0:10:45 | 0:10:46 | |
-Why? -Won't the pudding smell of soup, or taste of soup? | 0:10:48 | 0:10:51 | |
Probably, yes. | 0:10:51 | 0:10:52 | |
-Well, that's horrible. -I was really looking forward to that desert and now I'm not. | 0:10:52 | 0:10:55 | |
Well, you won't know it once it's out of the pot. | 0:10:55 | 0:10:58 | |
No, but it's in the same place as it. | 0:10:58 | 0:11:00 | |
-It will taste... -It's like an oven, you can put two things in an oven, | 0:11:00 | 0:11:02 | |
-can't you? -That's true. -Anyway, shall we take that in? | 0:11:02 | 0:11:05 | |
Yeah. | 0:11:05 | 0:11:06 | |
This soup... | 0:11:10 | 0:11:11 | |
..has been cooked in a pot. | 0:11:12 | 0:11:16 | |
-Has it? -Yes. | 0:11:16 | 0:11:17 | |
It seems a little bit tasteless. | 0:11:18 | 0:11:20 | |
Thank you, darling. | 0:11:20 | 0:11:22 | |
Are you ready for your next course? | 0:11:22 | 0:11:24 | |
I certainly am. | 0:11:24 | 0:11:26 | |
-Whoa. -Oh, wow. | 0:11:29 | 0:11:31 | |
That looks fantastic. | 0:11:31 | 0:11:34 | |
Was this in the pot, as well? | 0:11:34 | 0:11:36 | |
It was steamed on top of the pot. | 0:11:36 | 0:11:37 | |
-The fish was steamed on top of the pot? -Yeah. | 0:11:37 | 0:11:40 | |
Is it labour-saving or is it actually hard work? | 0:11:40 | 0:11:43 | |
I can't see how it's labour-saving. | 0:11:43 | 0:11:45 | |
Less washing-up at the end of it. | 0:11:45 | 0:11:48 | |
No, it's not less washing-up because within the pot | 0:11:48 | 0:11:51 | |
you have two more pots. | 0:11:51 | 0:11:53 | |
Last to come out of the pot is the roly-poly pudding. | 0:11:55 | 0:11:58 | |
I peep at this and it is actually looking kind of like a pudding. | 0:11:59 | 0:12:05 | |
It's possible that it's still inedible, but at least it looks like... | 0:12:05 | 0:12:08 | |
It looks like it's done something. | 0:12:09 | 0:12:12 | |
Here comes the pudding. | 0:12:12 | 0:12:13 | |
-That looks nice. -Let's taste it. | 0:12:13 | 0:12:16 | |
Let's give it the taste test. | 0:12:16 | 0:12:19 | |
-Definitely doesn't taste of herring. -It doesn't taste of herring. | 0:12:21 | 0:12:24 | |
It tastes of jam and pudding. | 0:12:24 | 0:12:26 | |
Well done, Rochelle, that was really nice. | 0:12:27 | 0:12:29 | |
-Thank you. -Well done, Mum. | 0:12:29 | 0:12:30 | |
Cheers. Here's to the '20s. | 0:12:30 | 0:12:32 | |
I feel disappointed that my mum is back in the kitchen. | 0:12:35 | 0:12:37 | |
I mean, it's not like I didn't expect it, but, you know, | 0:12:37 | 0:12:41 | |
Debbie's gone and somebody had to take that place and unfortunately | 0:12:41 | 0:12:44 | |
that fell solely to my mum. | 0:12:44 | 0:12:46 | |
Well, here we are in 1920 | 0:12:47 | 0:12:50 | |
and my first impression is that this is really going to be | 0:12:50 | 0:12:53 | |
a happening decade. | 0:12:53 | 0:12:55 | |
I've got a real sense of movement and change and going forwards. | 0:12:55 | 0:12:59 | |
I think, in a way, the '20s, it feels like the first modern decade. | 0:12:59 | 0:13:03 | |
It's a new day for the Robshaws... | 0:13:12 | 0:13:13 | |
..and that means a new year. | 0:13:15 | 0:13:17 | |
While Rochelle cooks up boiled eggs and toast for breakfast... | 0:13:18 | 0:13:21 | |
POP | 0:13:21 | 0:13:22 | |
Love that sound. | 0:13:22 | 0:13:23 | |
..Brandon's embracing a new invention. | 0:13:23 | 0:13:25 | |
Listen to this. That's another nice sound, isn't it, that? | 0:13:25 | 0:13:28 | |
Fizzing of the bubbles. | 0:13:28 | 0:13:29 | |
The 1920s saw a spike in alcohol consumption | 0:13:30 | 0:13:33 | |
after dropping off in the war due to restrictions on grain and sugar. | 0:13:33 | 0:13:36 | |
And, in 1921, | 0:13:38 | 0:13:39 | |
the bartender of London's glamorous Buck's Club came up with a brand-new | 0:13:39 | 0:13:43 | |
concoction for those who wanted to start their day with something stronger than tea. | 0:13:43 | 0:13:47 | |
All right. Would you like a buck's fizz? | 0:13:49 | 0:13:51 | |
-Cheers. -Thanks. | 0:13:51 | 0:13:53 | |
Hello, darling. Look what I've got. | 0:13:53 | 0:13:55 | |
I thought you might appreciate a buck's fizz. | 0:13:55 | 0:13:58 | |
Oh, thanks very much indeed. | 0:13:58 | 0:13:59 | |
-That'll give you a little bit of a lift. -Yeah, it certainly will. | 0:13:59 | 0:14:03 | |
-Cheers. -Lifting me off the floor. | 0:14:03 | 0:14:04 | |
-That's it. -It's got a tiny amount of orange juice in it. | 0:14:04 | 0:14:07 | |
A little bit of orange juice. | 0:14:07 | 0:14:09 | |
-Oh, looks good to me. -Looks delicious. | 0:14:15 | 0:14:19 | |
It does. It seems ridiculously decadent, doesn't it? | 0:14:19 | 0:14:22 | |
We're actually having buck's fizz for breakfast. | 0:14:22 | 0:14:25 | |
Well, I'm enjoying this breakfast. | 0:14:27 | 0:14:29 | |
I think it's a massive treat to have buck's fizz for breakfast. | 0:14:30 | 0:14:33 | |
To really get them in the swing of the 1920s, | 0:14:37 | 0:14:40 | |
I've planned a special event for the Robshaws. | 0:14:40 | 0:14:43 | |
Got a little letter from Giles here. | 0:14:43 | 0:14:46 | |
"Dear Robshaw family, | 0:14:46 | 0:14:48 | |
"tonight we're bringing the 1920s jazz scene to your home." | 0:14:48 | 0:14:52 | |
-Oh, good. -Yeah, fun. | 0:14:52 | 0:14:53 | |
Yeah. | 0:14:53 | 0:14:55 | |
"You'll be hosting a cocktail party with food and drinks typically | 0:14:55 | 0:14:58 | |
"served at the jazz clubs of the time." | 0:14:58 | 0:15:00 | |
Yeah, my heart's beating really fast. | 0:15:00 | 0:15:02 | |
Really? | 0:15:02 | 0:15:04 | |
-Sounds great, though. -That sounds brilliant, doesn't it? | 0:15:04 | 0:15:07 | |
No '20s cocktail party would be complete without | 0:15:08 | 0:15:11 | |
a selection of canapes. | 0:15:11 | 0:15:12 | |
Rochelle is making egg mayonnaise sandwiches, tomato, | 0:15:14 | 0:15:18 | |
salmon paste and smoked mackerel canapes. | 0:15:18 | 0:15:22 | |
I think Miranda really, and her friends, | 0:15:22 | 0:15:25 | |
will probably skip the sandwiches | 0:15:25 | 0:15:28 | |
and go straight for the cocktails. | 0:15:28 | 0:15:31 | |
Hi. What are you making? | 0:15:32 | 0:15:34 | |
Oeufs a la creme sandwich. | 0:15:34 | 0:15:37 | |
Is that egg mayonnaise sandwich? | 0:15:37 | 0:15:38 | |
Yeah, that's it. | 0:15:38 | 0:15:40 | |
That is the food menu. | 0:15:40 | 0:15:41 | |
Yeah. There's four canapes. | 0:15:42 | 0:15:45 | |
And that is the cocktail menu? | 0:15:45 | 0:15:47 | |
Yeah. 14 cocktails. | 0:15:47 | 0:15:49 | |
It's like all drink and a few little nibbles, isn't it? | 0:15:49 | 0:15:51 | |
-Yeah. -I'm off to meet Giles. | 0:15:51 | 0:15:54 | |
-Right. -And I'm going to learn how to make cocktails. | 0:15:54 | 0:15:57 | |
Right, well, you better come back in time, then. | 0:15:57 | 0:15:59 | |
-Enjoy yourselves. -I'll see you at the party. | 0:15:59 | 0:16:01 | |
-Bye. -Bye. | 0:16:01 | 0:16:02 | |
In the 1920s, as Britain embraced all things modern, | 0:16:10 | 0:16:13 | |
alcohol was no exception. | 0:16:13 | 0:16:15 | |
And new American-style cocktails | 0:16:15 | 0:16:17 | |
became THE drinks for anyone keen to show they were up-to-the-minute. | 0:16:17 | 0:16:21 | |
So I'm meeting Brandon at the Bloomsbury Ballroom bar to research | 0:16:23 | 0:16:26 | |
tonight's menu. | 0:16:26 | 0:16:28 | |
-Ah-ha! Brandon. -Good to see you. -How are you? -Great. | 0:16:28 | 0:16:31 | |
# Jamaica rum | 0:16:34 | 0:16:37 | |
# I drink that stuff until the sun goes down. # | 0:16:37 | 0:16:41 | |
You're probably wondering why you're here. | 0:16:41 | 0:16:43 | |
-Yes. -Because I'm going to teach you about cocktails. | 0:16:43 | 0:16:47 | |
It's 1921, the war is over and now there is nothing to do but drink. | 0:16:47 | 0:16:52 | |
OK. Well, let's drink. | 0:16:53 | 0:16:54 | |
'We're starting with a gimlet - | 0:16:54 | 0:16:56 | |
'one part lime juice to four parts gin - | 0:16:56 | 0:16:58 | |
'supposedly named after a British Navy doctor who gave it to sailors | 0:16:58 | 0:17:02 | |
'to prevent them from getting scurvy.' | 0:17:02 | 0:17:04 | |
-There we are. -Here we go. | 0:17:04 | 0:17:06 | |
-Look at that, isn't it elegant? -So elegant. | 0:17:06 | 0:17:08 | |
Isn't that...? | 0:17:08 | 0:17:10 | |
You see, I think that's beautiful. | 0:17:11 | 0:17:13 | |
That is. That is. | 0:17:13 | 0:17:15 | |
Couldn't you just dive in? | 0:17:15 | 0:17:17 | |
It seems like a decadent thing to do, doesn't it? | 0:17:17 | 0:17:19 | |
Just be sitting around the bar drinking cocktail after cocktail. | 0:17:19 | 0:17:22 | |
-What's next? -We could have something like a Between The Sheets? | 0:17:22 | 0:17:25 | |
Absolutely. | 0:17:25 | 0:17:26 | |
'As new bars and gentlemen's clubs opened up in Britain's cities, | 0:17:29 | 0:17:32 | |
'and a simple whisky, wine or port became passe, | 0:17:32 | 0:17:36 | |
'instead it was all about mixed spirits and a racy name.' | 0:17:36 | 0:17:40 | |
Brandy and white rum, Cointreau and some sort of healthy fruit. | 0:17:40 | 0:17:44 | |
-Now, that's naughty. -That's naughty. | 0:17:45 | 0:17:47 | |
Even the name of this cocktail, Between The Sheets, | 0:17:47 | 0:17:50 | |
that sounds a bit sort of saucy. | 0:17:50 | 0:17:51 | |
I mean, you wouldn't have had that in the Edwardian era. | 0:17:51 | 0:17:53 | |
-Gosh, absolutely not. -People would have been shocked by that. | 0:17:53 | 0:17:56 | |
They would have been entirely shocked. | 0:17:56 | 0:17:58 | |
So, they go on crackers, so that's... | 0:17:58 | 0:18:00 | |
That's OK. | 0:18:00 | 0:18:01 | |
While Brandon brushes up on his cocktails, | 0:18:01 | 0:18:04 | |
Rochelle's finishing off the canapes - | 0:18:04 | 0:18:07 | |
often salty or spicy to encourage guests to consume more drinks. | 0:18:07 | 0:18:10 | |
Cocktails are the star attraction, | 0:18:12 | 0:18:15 | |
so basically the canapes meal | 0:18:15 | 0:18:18 | |
is kind of a little side act in the corner. | 0:18:18 | 0:18:21 | |
'Back in the bar, we're on our third cocktail... | 0:18:23 | 0:18:25 | |
'..a Bloody Mary.' | 0:18:26 | 0:18:28 | |
That's a salty Bloody Mary. | 0:18:28 | 0:18:30 | |
-Salty. -So, Fabio, there are so many recipes for a Bloody Mary. | 0:18:30 | 0:18:33 | |
-What's yours? -Pinch of salt, pepper, Tabasco, Worcestershire sauce, | 0:18:33 | 0:18:39 | |
and equal parts tomato juice and vodka. | 0:18:39 | 0:18:41 | |
Apparently, the really, | 0:18:41 | 0:18:42 | |
the true defining Bloody Mary has a slice of lemon | 0:18:42 | 0:18:45 | |
and the celery came later. | 0:18:45 | 0:18:47 | |
'Finally, the mint julep. | 0:18:48 | 0:18:50 | |
'Bourbon, sugar and mint.' | 0:18:50 | 0:18:52 | |
Thank you very much. | 0:18:54 | 0:18:55 | |
Enjoy that. | 0:18:55 | 0:18:56 | |
It's like brushing your teeth and then gargling with Jack Daniels. | 0:19:00 | 0:19:04 | |
-Do you think you could make one of these yourself? -I might give it a try. | 0:19:04 | 0:19:06 | |
I like the fact that not only do you get lots of whisky inside it, | 0:19:06 | 0:19:10 | |
but it kind of freshens your breath at the same time. | 0:19:10 | 0:19:12 | |
I just drank the first one a bit too fast and I've got minor brain freeze. | 0:19:12 | 0:19:15 | |
This is how the history of cocktails gets written, | 0:19:18 | 0:19:20 | |
by people like you and me who don't know anything and have had a couple of drinks. | 0:19:20 | 0:19:23 | |
# I drink that stuff until the morning comes... # | 0:19:23 | 0:19:29 | |
After a long afternoon of complex research, | 0:19:29 | 0:19:32 | |
Brandon's picked up something special for Rochelle. | 0:19:32 | 0:19:34 | |
-Hello. -Hello, Brandon. | 0:19:36 | 0:19:38 | |
-I'm back. -Are you back? | 0:19:38 | 0:19:39 | |
-Guess what I've got. -Well, yeah, put it behind your back. | 0:19:39 | 0:19:43 | |
Look, I've got chocolate. | 0:19:43 | 0:19:45 | |
-Wow. -For you. | 0:19:45 | 0:19:46 | |
That's very nice. What have you done? | 0:19:46 | 0:19:48 | |
Thanks to new manufacturing technology, | 0:19:52 | 0:19:54 | |
Cadbury's Milk Tray made individual chocolates affordable for any | 0:19:54 | 0:19:57 | |
middle-class husband who might feel he needed | 0:19:57 | 0:20:00 | |
to make things up to his wife. | 0:20:00 | 0:20:02 | |
But now it's party time. | 0:20:03 | 0:20:05 | |
Wow. | 0:20:08 | 0:20:09 | |
And I've arranged a special surprise for tonight, | 0:20:10 | 0:20:12 | |
a live Dixieland trio to get the evening going with the very latest | 0:20:12 | 0:20:16 | |
American music - jazz. | 0:20:16 | 0:20:18 | |
Jazz was fast and furious, | 0:20:20 | 0:20:22 | |
nothing like the classical and musical favourites of previous decades. | 0:20:22 | 0:20:26 | |
It's quite a strong one, so do watch yourselves. | 0:20:27 | 0:20:31 | |
As well as Miranda and Roz's friends, | 0:20:33 | 0:20:35 | |
I've invited Leah Wood, | 0:20:35 | 0:20:38 | |
singer and daughter to rock and roll star Ronnie Wood, | 0:20:38 | 0:20:41 | |
to help the Robshaws understand how music fuelled | 0:20:41 | 0:20:44 | |
the modernism of the '20s. | 0:20:44 | 0:20:45 | |
People were like, whoa, this is such great, new music and it's so | 0:20:46 | 0:20:52 | |
expressive. There was nothing else like that until that came in. | 0:20:52 | 0:20:56 | |
So, really it's... | 0:20:56 | 0:20:59 | |
We've got them to thank. | 0:20:59 | 0:21:00 | |
Not you guys, personally, but you know what I mean. | 0:21:00 | 0:21:03 | |
We've got them to thank for bringing that over and creating a whole new | 0:21:03 | 0:21:07 | |
world of music, | 0:21:07 | 0:21:08 | |
and freedom and fashion and all of that. | 0:21:08 | 0:21:13 | |
It just feels I very kind of, like, freeing age. | 0:21:13 | 0:21:17 | |
Like, just thinking back to the previous decades, | 0:21:17 | 0:21:20 | |
where it's been very restricted and, if we had free time, | 0:21:20 | 0:21:23 | |
it would have been spent with family, | 0:21:23 | 0:21:25 | |
like my mum and my sister, kind of like in the parlour, knitting. | 0:21:25 | 0:21:28 | |
And now, like, to the soundtrack of jazz, | 0:21:28 | 0:21:31 | |
having friends round and drinking cocktails, | 0:21:31 | 0:21:33 | |
it just feels like a completely different vibe. | 0:21:33 | 0:21:35 | |
Yey! | 0:21:35 | 0:21:37 | |
-Did you make these? -I did make them. Well, yeah. | 0:21:39 | 0:21:41 | |
I did... That is mackerel. That is tomato and egg. | 0:21:41 | 0:21:45 | |
'We had this cocktail party and we didn't actually have... | 0:21:45 | 0:21:49 | |
'We didn't sit down to eat. | 0:21:49 | 0:21:51 | |
'Canapes being passed around, passing cocktails around. | 0:21:51 | 0:21:55 | |
'I mean, I suppose that, after the war, if you were' | 0:21:55 | 0:22:01 | |
fortunate enough to be able to afford it, you would... | 0:22:01 | 0:22:04 | |
You'd actually just want to drink and forget your cares. | 0:22:04 | 0:22:06 | |
You'd want to have a good time, you'd want to have parties, | 0:22:06 | 0:22:09 | |
you'd want to drink, want to let your hair down and it just seems to | 0:22:09 | 0:22:13 | |
have created such a completely different world from that rather | 0:22:13 | 0:22:16 | |
kind of stiff, buttoned-up world of the earlier couple of decades in the century. | 0:22:16 | 0:22:21 | |
'The '20s feels exciting. | 0:22:23 | 0:22:25 | |
'I feel like I'm moving very fast' | 0:22:25 | 0:22:28 | |
and this kind of dress, even, | 0:22:28 | 0:22:31 | |
this kind of behaviour, | 0:22:31 | 0:22:33 | |
would have been completely unthinkable in the Edwardian era. | 0:22:33 | 0:22:37 | |
It's 1922 | 0:22:49 | 0:22:51 | |
and there's a new magazine on Britain's newsstands | 0:22:51 | 0:22:54 | |
aimed directly at middle-class women like Rochelle. | 0:22:54 | 0:22:57 | |
"The Model Housewife, Secrets Of Her Success, | 0:22:57 | 0:23:02 | |
"by Viscountess Gladstone." | 0:23:02 | 0:23:05 | |
"The best time to pluck poultry is when the bird is newly killed and | 0:23:05 | 0:23:09 | |
"before the flesh has time to stiffen." | 0:23:09 | 0:23:11 | |
Now, I wouldn't have known that. | 0:23:11 | 0:23:13 | |
It's really interesting to have a magazine like Good Housekeeping. | 0:23:13 | 0:23:17 | |
It's like somebody talking to you. | 0:23:17 | 0:23:20 | |
You know, the instruction, | 0:23:20 | 0:23:21 | |
especially from sort of a woman who is like a viscountess, would make | 0:23:21 | 0:23:25 | |
you think, "Oh, she's giving me her knowledge." | 0:23:25 | 0:23:28 | |
Like, on some level, we have a great deal of independence. | 0:23:28 | 0:23:32 | |
We can have cocktail parties, go to nightclubs, get a university degree, | 0:23:32 | 0:23:36 | |
but also an expectation that you will have to be a kind of wife and | 0:23:36 | 0:23:42 | |
mother and housekeeper. | 0:23:42 | 0:23:44 | |
As well as innovative publications, | 0:23:46 | 0:23:48 | |
there's also something new in Britain's shops, | 0:23:48 | 0:23:51 | |
and Rochelle's off to stock up. | 0:23:51 | 0:23:53 | |
The '20s saw an explosion in the variety of tinned produce, | 0:23:56 | 0:23:59 | |
sold as a safe and hygienic method of preserving almost any food. | 0:23:59 | 0:24:02 | |
At the start of the decade, Britain had three canning factories. | 0:24:04 | 0:24:07 | |
By 1929, there were 80. | 0:24:07 | 0:24:09 | |
Hi. Hi! | 0:24:14 | 0:24:17 | |
-Hi. -I think I know you from somewhere. | 0:24:17 | 0:24:20 | |
I think I know you as well. | 0:24:20 | 0:24:22 | |
-It's nice to see you. -You, too. | 0:24:22 | 0:24:24 | |
You've got yourself a job. | 0:24:24 | 0:24:25 | |
-Yeah. -That's absolutely... | 0:24:25 | 0:24:27 | |
I'm moving up in the world. | 0:24:27 | 0:24:28 | |
That's absolutely fantastic. | 0:24:28 | 0:24:31 | |
Debbie's found a job in a local shop, | 0:24:31 | 0:24:33 | |
earning much more than she could as a maid. | 0:24:33 | 0:24:36 | |
Do you want to come back? | 0:24:36 | 0:24:38 | |
-Oh, are you missing me? -We're missing you very much. | 0:24:38 | 0:24:41 | |
You definitely don't want to come back? | 0:24:41 | 0:24:44 | |
OK. Two tins of potatoes, | 0:24:44 | 0:24:46 | |
two tins of marrowfat peas, six tins of salmon | 0:24:46 | 0:24:50 | |
and some Bird's Custard. | 0:24:50 | 0:24:52 | |
Thank you. I tell you what, Debbie, | 0:24:55 | 0:24:57 | |
if I manage to get home with all these tins, | 0:24:57 | 0:24:59 | |
I'll make a nice dinner and think of you. | 0:24:59 | 0:25:02 | |
-Oh, good luck. -OK. | 0:25:02 | 0:25:03 | |
-Bye. -Bye. | 0:25:03 | 0:25:05 | |
I'm happy she's not back in service. | 0:25:10 | 0:25:12 | |
It would be lovely if she wanted to come back, | 0:25:12 | 0:25:16 | |
but she doesn't and that time has passed. | 0:25:16 | 0:25:18 | |
Rochelle's back with enough tins to make an entire meal - | 0:25:21 | 0:25:25 | |
all she has to do is open them. | 0:25:25 | 0:25:27 | |
It's actually quite hard work. | 0:25:32 | 0:25:34 | |
If you can open the can, you can open the world. | 0:25:40 | 0:25:43 | |
Dinner today is salmon with potatoes, peas and carrots. | 0:25:45 | 0:25:50 | |
And, for desert, | 0:25:50 | 0:25:51 | |
tinned peaches with powdered custard. | 0:25:51 | 0:25:54 | |
You have to kind of go out shopping early, | 0:25:57 | 0:26:00 | |
then start opening your cans early... | 0:26:00 | 0:26:02 | |
..if you want eat. | 0:26:03 | 0:26:05 | |
They fill me with a sense of anxiety because, if you can't get into it, | 0:26:05 | 0:26:11 | |
you're stuck. | 0:26:11 | 0:26:12 | |
I think it's probably easier to peel a potato than to open a can. | 0:26:12 | 0:26:16 | |
While Rochelle grapples with cutting-edge 1920s technology, | 0:26:16 | 0:26:20 | |
Fred's found a convenience food that's a bit easier to open - | 0:26:20 | 0:26:24 | |
Smith's Salt 'n' Shake crisps. | 0:26:24 | 0:26:26 | |
Mr and Mrs Smith made and sold their new snack from a garage in | 0:26:28 | 0:26:32 | |
north London, selling 1,000 packets a week. | 0:26:32 | 0:26:34 | |
By the end of the decade, they'd opened seven factories and created | 0:26:36 | 0:26:39 | |
a nation of crisp lovers. | 0:26:39 | 0:26:41 | |
We now consume six billion bags a year. | 0:26:41 | 0:26:43 | |
Rochelle's '20s ready meal has taken minutes to cook. | 0:26:47 | 0:26:50 | |
Nothing like the hours Debbie spent preparing elaborate feasts in | 0:26:51 | 0:26:55 | |
their Edwardian kitchen. | 0:26:55 | 0:26:57 | |
It's fairly no frills. | 0:26:57 | 0:26:59 | |
It's supposed to make everything a lot easier, | 0:26:59 | 0:27:01 | |
that everything is ready peeled, prepared and all ready for you. | 0:27:01 | 0:27:07 | |
It's not exactly cookery, so it's kind of... | 0:27:07 | 0:27:10 | |
It's just...cannery. | 0:27:10 | 0:27:12 | |
Here we go. Do you want some bread? | 0:27:17 | 0:27:19 | |
Yeah, love some bread. | 0:27:19 | 0:27:21 | |
So, this is all out of tins, is it? | 0:27:21 | 0:27:23 | |
Except for the bread, I suppose. | 0:27:23 | 0:27:25 | |
Yeah. Everything's out of a tin. | 0:27:25 | 0:27:27 | |
I have no fear of the can opener. | 0:27:27 | 0:27:29 | |
You're an expert at that now, aren't you? | 0:27:29 | 0:27:31 | |
Yeah. Well, I wouldn't say an expert, but I am proficient. | 0:27:31 | 0:27:34 | |
If it was on levels, I'm probably on level three now. | 0:27:34 | 0:27:36 | |
-Right. -What's the top level? -Five would be advanced can opening. | 0:27:36 | 0:27:40 | |
But I suppose somebody getting this might have thought, | 0:27:40 | 0:27:43 | |
I'm going to have salmon, like what my maid made me. | 0:27:43 | 0:27:46 | |
But when it actually comes out, we've got this salmon that is... | 0:27:46 | 0:27:50 | |
is not fish-shaped. | 0:27:50 | 0:27:52 | |
Yeah, it's been in a tin. | 0:27:52 | 0:27:53 | |
Yeah. I don't know if the tinned vegetables work quite so well. | 0:27:53 | 0:27:57 | |
-So, this is all stuff you bought at the shops. -Yeah. | 0:27:57 | 0:28:02 | |
But you'll never guess who was over the counter. | 0:28:02 | 0:28:05 | |
-It was Debbie. -Was it Debbie? -No, way! -Yes, way. | 0:28:06 | 0:28:10 | |
Was she surprised to see you? | 0:28:10 | 0:28:12 | |
She was surprised to see me. | 0:28:12 | 0:28:14 | |
-Were you surprised to see her? -I was extremely surprised to see her. | 0:28:14 | 0:28:17 | |
-You should have invited her round for dinner. -I think she's busy. | 0:28:17 | 0:28:19 | |
What do people think about having a meal all out of tins? | 0:28:20 | 0:28:23 | |
It's been quite nice. | 0:28:23 | 0:28:26 | |
But would you serve this to guests? | 0:28:26 | 0:28:29 | |
-No. -Why not? | 0:28:29 | 0:28:30 | |
It's like sort of saying, "Oh, | 0:28:30 | 0:28:32 | |
"I really fancy noodles tonight," | 0:28:32 | 0:28:34 | |
and then them giving you a Pot Noodle. | 0:28:34 | 0:28:36 | |
I suppose so. | 0:28:36 | 0:28:38 | |
I didn't dislike the canned dinner. | 0:28:41 | 0:28:43 | |
It's not the type of food that Debbie would have served and, | 0:28:43 | 0:28:46 | |
if she was still with us, | 0:28:46 | 0:28:47 | |
we probably wouldn't be eating an entirely canned meal. | 0:28:47 | 0:28:49 | |
It's 1923. | 0:29:04 | 0:29:05 | |
Roz and Fred have come to the park to find a brand-new phenomenon, | 0:29:06 | 0:29:10 | |
the ice cream man. | 0:29:10 | 0:29:11 | |
In the early 1920s, Wall's was a small meat company. | 0:29:14 | 0:29:17 | |
They noticed that sales of pies and sausage rolls dropped dramatically | 0:29:17 | 0:29:20 | |
in the summer months, so, to help profits, | 0:29:20 | 0:29:22 | |
they expanded into ice cream. | 0:29:22 | 0:29:24 | |
And in 1923, they introduced the world's first-ever | 0:29:27 | 0:29:30 | |
ice cream tricycle, | 0:29:30 | 0:29:32 | |
allowing them to take freshly made blocks and tubs | 0:29:32 | 0:29:34 | |
directly to the people. | 0:29:34 | 0:29:36 | |
-Can I please have an ice cream? -You certainly can. | 0:29:37 | 0:29:40 | |
-Thank you. -Thank you. -Are you enjoying your ice cream? | 0:29:40 | 0:29:43 | |
Mm. | 0:29:43 | 0:29:44 | |
What do you like about it? | 0:29:44 | 0:29:46 | |
-I like that it's ice cream. -Mm. | 0:29:46 | 0:29:49 | |
Back at the house, Rochelle's discovering a new phenomenon of her own. | 0:29:52 | 0:29:55 | |
"I've sent you a little something to help you learn a prized housewife skill - baking. | 0:29:55 | 0:30:00 | |
"Good luck, Giles." | 0:30:00 | 0:30:02 | |
To help the fledgling housewife get used to a kitchen without servants, | 0:30:02 | 0:30:06 | |
the Co-operative grocer published a series of recipe cards given away | 0:30:06 | 0:30:10 | |
in cigarette packets. | 0:30:10 | 0:30:11 | |
I would have taken out this little card | 0:30:13 | 0:30:15 | |
and it would have had a nice little recipe on the back, | 0:30:15 | 0:30:18 | |
and then I could have gone into the Co-op and bought all my produce. | 0:30:18 | 0:30:22 | |
It's quite a good idea. | 0:30:22 | 0:30:24 | |
Canny bit of advertising. | 0:30:24 | 0:30:27 | |
The recipe for coconut pyramids couldn't be more simple - | 0:30:27 | 0:30:30 | |
half a pound of desiccated coconut and condensed milk. | 0:30:30 | 0:30:34 | |
It's not too difficult, | 0:30:35 | 0:30:36 | |
so any housewife who was a little bit nervous | 0:30:36 | 0:30:39 | |
would be best starting off with this one, I reckon. | 0:30:39 | 0:30:43 | |
And then you have to get two forks together | 0:30:43 | 0:30:46 | |
and somehow create a pyramid using forks... | 0:30:46 | 0:30:49 | |
..which is obviously not what the ancient Egyptians did. | 0:30:50 | 0:30:53 | |
Now, that's not very good, is it? | 0:30:53 | 0:30:55 | |
I've forgotten what a pyramid looks like. | 0:30:58 | 0:31:01 | |
But everyone in the '20s would have known. | 0:31:01 | 0:31:04 | |
The discovery of Tutankhamen's tomb in 1922 by British archaeologist | 0:31:04 | 0:31:08 | |
Howard Carter captured the world's imagination | 0:31:08 | 0:31:11 | |
and sparked a mania for all things Egyptian. | 0:31:11 | 0:31:14 | |
Music, art and culture all fell under the spell of Egyptomania | 0:31:15 | 0:31:19 | |
and baking was no exception. | 0:31:19 | 0:31:21 | |
It's very hot in the desert! | 0:31:24 | 0:31:26 | |
Yeah, they do look a bit well done. | 0:31:26 | 0:31:28 | |
I'm hoping my family will be polite and accept them for what they are. | 0:31:28 | 0:31:33 | |
Oh. What are these? | 0:31:37 | 0:31:40 | |
They're coconut pyramids. | 0:31:40 | 0:31:41 | |
-Oh. -They've got... -They're a bit burnt. | 0:31:41 | 0:31:43 | |
No, they are very sort of well done. | 0:31:43 | 0:31:46 | |
-Singed. -They're caramelised. | 0:31:46 | 0:31:47 | |
Caramelised. | 0:31:47 | 0:31:48 | |
-Would you like one? -Yes, please. | 0:31:48 | 0:31:50 | |
-Do you want to put them down? -All right. | 0:31:50 | 0:31:52 | |
Put them down and then people can just help themselves. | 0:31:52 | 0:31:54 | |
These are nice. They're good. | 0:31:56 | 0:31:58 | |
I think they're nicer with the caramelised topping. | 0:31:58 | 0:32:00 | |
-Yeah. -Good, thank you. | 0:32:00 | 0:32:02 | |
Tea really tastes good when you've just had a cake. | 0:32:02 | 0:32:05 | |
Have another one, then. | 0:32:05 | 0:32:06 | |
All right. Don't mind if I do. | 0:32:06 | 0:32:08 | |
They're delicious. They tasted great. | 0:32:09 | 0:32:12 | |
And, in fact, we all ate them and wanted more, didn't we? | 0:32:12 | 0:32:15 | |
-So, yes. -Unfortunately, the presentation is a 5.63. | 0:32:15 | 0:32:20 | |
It's 1924. | 0:32:37 | 0:32:38 | |
This year saw the arrival of Kellogg's Corn Flakes from America. | 0:32:41 | 0:32:45 | |
The company opened its first factory in the UK and our love affair with | 0:32:45 | 0:32:48 | |
the convenience of breakfast cereals truly took off. | 0:32:48 | 0:32:52 | |
There's no preparation. | 0:32:52 | 0:32:54 | |
All I have to do is tip it out of the box and into the bowl. | 0:32:54 | 0:32:57 | |
At the time, it was probably cutting-edge cereal. | 0:32:57 | 0:32:59 | |
They would have seemed very different, wouldn't they, | 0:33:01 | 0:33:03 | |
from toast and marmalade, or boiled eggs? | 0:33:03 | 0:33:05 | |
I never eat corn flakes at home. | 0:33:05 | 0:33:07 | |
Never, ever eat them. | 0:33:07 | 0:33:09 | |
But if you've never had anything like this before, | 0:33:09 | 0:33:12 | |
it would feel like a completely different type of breakfast, | 0:33:12 | 0:33:15 | |
wouldn't it? | 0:33:15 | 0:33:17 | |
-Yeah. -Would this keep you going all day at the office? | 0:33:17 | 0:33:19 | |
Not sure about that. | 0:33:19 | 0:33:21 | |
Think it would get you to the station all right. | 0:33:21 | 0:33:23 | |
You'd have to do get like a butty or something. | 0:33:23 | 0:33:25 | |
Corn flakes aren't the only new arrival in the house. | 0:33:28 | 0:33:30 | |
Brandon's taken delivery of some state-of-the-art technology. | 0:33:30 | 0:33:34 | |
The 1920s was a decade of breakthroughs. | 0:33:36 | 0:33:39 | |
New radio technology meant that live broadcasts could be heard in | 0:33:39 | 0:33:42 | |
the homes of ordinary British families for the very first time. | 0:33:42 | 0:33:45 | |
And a brand-new corporation had been formed - the BBC. | 0:33:47 | 0:33:51 | |
It must have kind of helped British people | 0:33:52 | 0:33:56 | |
to think of themselves as more of a nation because everybody could be listening to the same thing at | 0:33:56 | 0:34:00 | |
the same time. It must have seemed that we were rushing into the future | 0:34:00 | 0:34:03 | |
at that time. | 0:34:03 | 0:34:05 | |
And Rochelle's got her hands on her own technological innovation - | 0:34:05 | 0:34:08 | |
Pyrex. | 0:34:08 | 0:34:10 | |
"The experienced housekeeper or the young wife have only to become | 0:34:10 | 0:34:14 | |
"acquainted with the possibilities of Pyrex to refuse to return to | 0:34:14 | 0:34:18 | |
"the drudgery of old-fashioned methods." | 0:34:18 | 0:34:20 | |
Initially imported from the United States, | 0:34:22 | 0:34:24 | |
by 1924 it was being produced in Britain. | 0:34:24 | 0:34:26 | |
The ovenproof glassware was marketed directly at housewives keen to find | 0:34:27 | 0:34:31 | |
culinary shortcuts. | 0:34:31 | 0:34:33 | |
This is modern. In this, I can cook, I can put it in the oven, | 0:34:34 | 0:34:38 | |
take it out of the oven and then I can bring it to the table. | 0:34:38 | 0:34:41 | |
And it's transparent. | 0:34:41 | 0:34:42 | |
Imagine that, actually seeing your food | 0:34:42 | 0:34:45 | |
sort of cook all the way through. | 0:34:45 | 0:34:47 | |
Well, now you have no excuse if it goes wrong. | 0:34:47 | 0:34:49 | |
I will have an excuse if it goes wrong. | 0:34:49 | 0:34:51 | |
-What will it be? Can't cook. -Yeah! | 0:34:51 | 0:34:53 | |
Rochelle is preparing a three-course meal, | 0:34:55 | 0:34:58 | |
following recipes from the Pyrex Modern Cookery Book. | 0:34:58 | 0:35:00 | |
Ham and potato hotpot, celery hotpot and cabinet pudding. | 0:35:02 | 0:35:06 | |
The dishes spread heat more evenly, helping to reduce cooking time. | 0:35:08 | 0:35:12 | |
And Pyrex's modern, | 0:35:13 | 0:35:14 | |
forward-thinking design meant housewives could bring them straight | 0:35:14 | 0:35:17 | |
to the table, doing away with separate serving dishes altogether. | 0:35:17 | 0:35:21 | |
Now everything is visible, | 0:35:24 | 0:35:25 | |
it just gives a kind of like a wow factor to the hotpot. | 0:35:25 | 0:35:29 | |
They look a bit burnt now, so you can't even see it anyway. | 0:35:31 | 0:35:33 | |
It's not burnt. It is... | 0:35:33 | 0:35:35 | |
It is the lid of the Pyrex pot. | 0:35:35 | 0:35:37 | |
See? Look, it goes brown. | 0:35:37 | 0:35:39 | |
They don't tell you that, do they? | 0:35:39 | 0:35:41 | |
What big chunks of ham. | 0:35:42 | 0:35:43 | |
They look good to me. | 0:35:43 | 0:35:45 | |
Thank you. | 0:35:45 | 0:35:46 | |
People don't get rid of their Pyrex. | 0:35:48 | 0:35:50 | |
They don't. They don't. | 0:35:50 | 0:35:51 | |
-They absolutely don't. -They keep them for decades. | 0:35:51 | 0:35:54 | |
Yeah, they do. Pyrex is not just sort of here today, gone tomorrow. | 0:35:54 | 0:35:56 | |
-No. -It's not like a fad. | 0:35:56 | 0:35:58 | |
It's absolutely endured, hasn't it? | 0:35:58 | 0:36:00 | |
-Do you want some? -Yeah. | 0:36:01 | 0:36:03 | |
-I want some. -Smells nice. | 0:36:03 | 0:36:04 | |
I can smell the kind of the custard-y smell. | 0:36:04 | 0:36:07 | |
Oh, it is hot, isn't it? | 0:36:07 | 0:36:08 | |
God, these Pyrex dishes really do hold the heat, don't they? | 0:36:08 | 0:36:11 | |
Do you remember that sweet sauce that Debbie made? | 0:36:11 | 0:36:13 | |
-Yeah. -That's what this needs. -Raspberry and port. | 0:36:13 | 0:36:15 | |
I'm supposed to have jam sauce, I forgot. | 0:36:15 | 0:36:17 | |
-Oh, are you? -Mm. Sorry. | 0:36:17 | 0:36:19 | |
No, sorry. | 0:36:19 | 0:36:21 | |
You've got to serve it with jam. | 0:36:21 | 0:36:23 | |
For lunch, we had these very nice casserole dishes that Rochelle made | 0:36:26 | 0:36:30 | |
using the new Pyrex cookware. | 0:36:30 | 0:36:32 | |
Life in the kitchen is getting a bit easier for Rochelle. | 0:36:32 | 0:36:35 | |
The equipment is getting more modern. | 0:36:35 | 0:36:38 | |
It still seems that she's... | 0:36:38 | 0:36:40 | |
she is somewhat confined to the kitchen. | 0:36:40 | 0:36:43 | |
The Robshaws are halfway through the decade and bars and nightclubs in | 0:36:55 | 0:36:58 | |
Britain's cities are thriving. | 0:36:58 | 0:37:00 | |
New licensing laws mean they can stay open later, | 0:37:00 | 0:37:03 | |
as long as they offer something to eat alongside | 0:37:03 | 0:37:06 | |
the dancing and champagne. | 0:37:06 | 0:37:07 | |
I'm sending Miranda and Roz to the Bloomsbury Ballroom | 0:37:11 | 0:37:14 | |
to sample a '20s night out with Strictly's James and Ola Jordan. | 0:37:14 | 0:37:17 | |
-Cheers. -Cheers. -Cheers. | 0:37:21 | 0:37:23 | |
But James and Ola are here for one reason only. | 0:37:25 | 0:37:28 | |
OK, guys, let's go and Charleston. | 0:37:29 | 0:37:31 | |
Cool. | 0:37:31 | 0:37:32 | |
When we do the Charleston step here, | 0:37:34 | 0:37:36 | |
the reason why the feet come in and out like this, | 0:37:36 | 0:37:39 | |
not only because it looks nice, but it's about the lady's modesty. | 0:37:39 | 0:37:42 | |
The skirts would be getting shorter and shorter in the '20s. | 0:37:42 | 0:37:46 | |
-A little bit more zhoosh like that. -A bit more free. -Yeah, bit more free. | 0:37:46 | 0:37:49 | |
Yeah, we're going to do the basic box step first of all, | 0:37:49 | 0:37:52 | |
when we cross over with our left leg. | 0:37:52 | 0:37:54 | |
OK, so we go one, two, three, four. | 0:37:54 | 0:37:57 | |
Keep doing that. One, two, three, step. | 0:37:57 | 0:38:00 | |
Tap. Step. Tap. | 0:38:00 | 0:38:02 | |
Step, tap. | 0:38:02 | 0:38:04 | |
And now we start to add the swivel. | 0:38:04 | 0:38:07 | |
Now, you can start to put the arms in. | 0:38:07 | 0:38:11 | |
So, the arms go this way and then this way. | 0:38:11 | 0:38:13 | |
So, each time it goes there... | 0:38:13 | 0:38:15 | |
-It's hard, isn't it? -It is hard. | 0:38:15 | 0:38:16 | |
The Charleston was as riotous, | 0:38:18 | 0:38:20 | |
modern and fast-paced as the young people doing it | 0:38:20 | 0:38:24 | |
and it certainly couldn't be done in a corset. | 0:38:24 | 0:38:25 | |
OK. Five, six, seven, eight. | 0:38:27 | 0:38:30 | |
Go forward. | 0:38:34 | 0:38:35 | |
Side. | 0:38:37 | 0:38:39 | |
Circle. | 0:38:39 | 0:38:41 | |
But nightclubs weren't the only places to try something new. | 0:38:46 | 0:38:49 | |
Aspiring middle-class housewives had their own group of trendsetters to | 0:38:51 | 0:38:55 | |
follow in the '20s - Virginia Woolf and her Bloomsbury Set. | 0:38:55 | 0:38:59 | |
As well as transforming literature, | 0:38:59 | 0:39:00 | |
their cosmopolitan palates were also very influential. | 0:39:00 | 0:39:03 | |
Rochelle's preparing a dinner party | 0:39:06 | 0:39:08 | |
based on a menu cooked by fashionable painter Dora Carrington. | 0:39:08 | 0:39:11 | |
If Virginia Woolf and her Bloomsbury Set wanted to write a cookbook, | 0:39:12 | 0:39:16 | |
they would probably put in a recipe like this. | 0:39:16 | 0:39:20 | |
Today, we have that same fascination | 0:39:20 | 0:39:22 | |
with groups of people who we perceive | 0:39:22 | 0:39:25 | |
as being better than us, who have a better lifestyle than us. | 0:39:25 | 0:39:29 | |
Catering to the exotic tastes of the group, | 0:39:29 | 0:39:31 | |
she's making sardines on toast, chicken with fennel and tomato, | 0:39:31 | 0:39:35 | |
risotto with almonds and pimentos, | 0:39:35 | 0:39:38 | |
and creme brulee. | 0:39:38 | 0:39:39 | |
It's kind of an expensive menu. | 0:39:39 | 0:39:42 | |
I mean, you've got something like fennel and saffron, | 0:39:42 | 0:39:44 | |
which is like an expensive spice to add in. | 0:39:44 | 0:39:47 | |
It tastes different. | 0:39:47 | 0:39:48 | |
It doesn't taste like roast beef and Yorkshire pudding. | 0:39:48 | 0:39:52 | |
Meanwhile, the girls perfect their moves. | 0:39:53 | 0:39:56 | |
Guys, could you come up as partners, please? | 0:39:56 | 0:39:59 | |
Thank you. These are your partners. | 0:39:59 | 0:40:01 | |
We're going to try and lift. | 0:40:01 | 0:40:03 | |
Five, six, seven, eight. | 0:40:03 | 0:40:05 | |
One, two, in you come and jump. | 0:40:05 | 0:40:09 | |
Around the back. Kick the legs, we turn... | 0:40:09 | 0:40:14 | |
and put the girls down. | 0:40:14 | 0:40:16 | |
-There we go. -Easy. | 0:40:16 | 0:40:19 | |
OK, guys. | 0:40:19 | 0:40:20 | |
MUSIC STARTS | 0:40:20 | 0:40:21 | |
Five, six, seven, eight. | 0:40:23 | 0:40:24 | |
'I can't imagine our parents coming out to dance with us. | 0:40:27 | 0:40:30 | |
'Previously, you have been very kind of restricted in terms of morality, | 0:40:30 | 0:40:34 | |
'like, what you're allowed to do. | 0:40:34 | 0:40:35 | |
'It's kind of flirtatious. | 0:40:37 | 0:40:39 | |
'It's kind of got this, like, edge to it and this sort of cheekiness' | 0:40:39 | 0:40:43 | |
and, like, it's really easy to see why it appealed to young women. | 0:40:43 | 0:40:47 | |
OLA CHEERS | 0:40:47 | 0:40:48 | |
-Thank you! -Well done. | 0:40:51 | 0:40:53 | |
-Cheers, everybody. -Cheers. -Here's to 1925. | 0:40:54 | 0:40:57 | |
Back at the house, the guests have arrived for Rochelle and Brendan's | 0:40:57 | 0:41:00 | |
Bloomsbury-inspired dinner party. | 0:41:00 | 0:41:02 | |
Oh, look at that. Isn't that beautiful? | 0:41:02 | 0:41:04 | |
Virginia Woolf had Nelly, her cook, | 0:41:05 | 0:41:08 | |
so Virginia didn't have to do any cooking, | 0:41:08 | 0:41:11 | |
so all she had to do was just sit about, writing her books. | 0:41:11 | 0:41:15 | |
Let's toast Nelly. Raise your glass, toast Nelly. | 0:41:15 | 0:41:18 | |
Yeah. And Rochelle, yes. | 0:41:18 | 0:41:20 | |
-And Virginia. -Those are excellent carrots. | 0:41:20 | 0:41:22 | |
-I do really like it. -Oh, good. -It's really good. | 0:41:24 | 0:41:27 | |
Now it's possible to get saffron and garlic, and Parmesan. | 0:41:27 | 0:41:32 | |
Ooh-la-la. What have we got here? | 0:41:33 | 0:41:35 | |
This is a risotto. | 0:41:35 | 0:41:37 | |
I see, very Italian. | 0:41:37 | 0:41:38 | |
-Oh, lovely. -Doesn't that look delicious? | 0:41:38 | 0:41:42 | |
It does feel like a very, very modern decade, | 0:41:44 | 0:41:46 | |
to be sitting about, having the luxury to sit and chat. | 0:41:46 | 0:41:49 | |
And would I give this up easily? | 0:41:49 | 0:41:51 | |
-No. -No, siree. | 0:41:51 | 0:41:53 | |
Well, we've got at least two, anyway. | 0:41:58 | 0:42:00 | |
-Creme brulee's there. -I do like them. | 0:42:00 | 0:42:03 | |
-I like them well done. -What do you think Virginia would say about this? | 0:42:03 | 0:42:07 | |
Oh, Nelly! | 0:42:07 | 0:42:09 | |
It's 1926 and Britain's economy is faltering. | 0:42:20 | 0:42:23 | |
Demand for British coal was falling | 0:42:25 | 0:42:26 | |
and miners were threatened with a cut in pay and longer working hours. | 0:42:26 | 0:42:30 | |
A miners' dispute escalated and Britain experienced its first and only general strike | 0:42:32 | 0:42:36 | |
as thousands of workers came out in solidarity. | 0:42:36 | 0:42:39 | |
So, the headline I've got here in the British Gazette is, | 0:42:40 | 0:42:43 | |
"First day of great strike." | 0:42:43 | 0:42:45 | |
This is May 5th, 1926. | 0:42:45 | 0:42:47 | |
The line they're taking is basically that people just carry on regardless | 0:42:47 | 0:42:52 | |
with true British determination. | 0:42:52 | 0:42:54 | |
"Londoners' treck to work. | 0:42:54 | 0:42:56 | |
"On foot, squeezed into cars, standing in vans, riding pillion, | 0:42:56 | 0:43:00 | |
"London came yesterday morning doggedly and cheerfully to work." | 0:43:00 | 0:43:03 | |
The printers were also on strike and for many the only news available was | 0:43:05 | 0:43:08 | |
an emergency newspaper published by the Government. | 0:43:08 | 0:43:11 | |
Not going to get a balanced picture if there's only one newspaper | 0:43:11 | 0:43:14 | |
publishing that's come out in defiance of the strike. | 0:43:14 | 0:43:17 | |
It is a sign of how divided the nation was. | 0:43:17 | 0:43:20 | |
The strike reflected Britain's weak economic position as it struggled to | 0:43:21 | 0:43:24 | |
emerge from post-war recession. | 0:43:24 | 0:43:26 | |
In an attempt to boost Britain's economy, | 0:43:28 | 0:43:30 | |
a new Government initiative | 0:43:30 | 0:43:32 | |
encouraged people to "Buy Empire". | 0:43:32 | 0:43:34 | |
Doing their patriotic bit, | 0:43:37 | 0:43:39 | |
Brandon and Rochelle are off out for a colonial lunch. | 0:43:39 | 0:43:41 | |
Hello. | 0:43:41 | 0:43:42 | |
-Hello, Polly. -Oh, so nice to see you. -Nice to see you. | 0:43:45 | 0:43:47 | |
Welcome. | 0:43:47 | 0:43:49 | |
Thrilled you're here in 1926. | 0:43:49 | 0:43:52 | |
Take a seat, come and join me. | 0:43:52 | 0:43:53 | |
We here in this fabulous restaurant. | 0:43:54 | 0:43:57 | |
It was opened in 1926 by a man called Edward Palmer and an Indian | 0:43:57 | 0:44:01 | |
princess, so you have this Anglo-Indian heritage. | 0:44:01 | 0:44:05 | |
Edward Palmer brought over Indian cooks and Indian waiters, | 0:44:05 | 0:44:08 | |
so that the sort of look of this place would have been very authentic | 0:44:08 | 0:44:12 | |
so that it felt like you are having a taste of India. | 0:44:12 | 0:44:15 | |
You can imagine that you're in some kind of gentlemen's club in Calcutta | 0:44:15 | 0:44:19 | |
-sitting here. -I think that's why Veeraswamy, | 0:44:19 | 0:44:22 | |
you know, setting this up in 1926 is a really sort of savvy move, | 0:44:22 | 0:44:26 | |
capitalising on Britain's relationship with India, | 0:44:26 | 0:44:29 | |
and I think that people would have been curious | 0:44:29 | 0:44:32 | |
and also would have wanted to have shown their sort of sophistication, | 0:44:32 | 0:44:36 | |
-being open-minded. -Yes. | 0:44:36 | 0:44:38 | |
Previously, Indian restaurants had mainly catered to their own immigrant community. | 0:44:38 | 0:44:43 | |
But Veeraswamy, with it's Anglo-Asian ownership, | 0:44:43 | 0:44:46 | |
was aimed at middle-class white Britons | 0:44:46 | 0:44:48 | |
keen to support Britain's empire and taste the flavours of the Raj. | 0:44:48 | 0:44:51 | |
What I've got here is this menu, | 0:44:55 | 0:44:57 | |
which is fantastic because this menu shows us what was being served | 0:44:57 | 0:45:01 | |
in this restaurant in 1926. | 0:45:01 | 0:45:04 | |
I've taken the liberty of ordering for you. | 0:45:04 | 0:45:07 | |
While Brandon tries a '20s-style curry, | 0:45:07 | 0:45:09 | |
Rochelle is having cod in parsley sauce. | 0:45:09 | 0:45:13 | |
Yours looks a lot more interesting | 0:45:13 | 0:45:15 | |
than my bit of fish and parsley sauce. | 0:45:15 | 0:45:18 | |
It's kind of like a gendered menu. | 0:45:18 | 0:45:19 | |
It's sort of like male, India, and female, fish. | 0:45:19 | 0:45:25 | |
For the ladies, yes. | 0:45:25 | 0:45:26 | |
What this reflects is actually that it was more likely that Brandon may | 0:45:26 | 0:45:32 | |
have spent time in India and might have been familiar with Indian food. | 0:45:32 | 0:45:36 | |
We, as ladies, may not have been out in India. | 0:45:36 | 0:45:39 | |
This may have been very new to us and our palates wouldn't be used to | 0:45:39 | 0:45:42 | |
Indian food, so that the menu had these European dishes, as well, | 0:45:42 | 0:45:46 | |
and so we're having cod and parsley sauce. | 0:45:46 | 0:45:49 | |
The hotter the curry you can eat, the more of a man you are | 0:45:49 | 0:45:52 | |
-and that is true. -THEY LAUGH | 0:45:52 | 0:45:55 | |
'I think that curry must have seemed like a taste that | 0:45:56 | 0:45:58 | |
'was completely different for the middle classes | 0:45:58 | 0:46:02 | |
'and just this...' | 0:46:02 | 0:46:04 | |
this whole taste of the exotic. | 0:46:04 | 0:46:06 | |
Cheers to Indian food, then. | 0:46:06 | 0:46:08 | |
-Cheers, Polly. -Cheers. | 0:46:09 | 0:46:10 | |
-Cheers. -Thanks a lot. | 0:46:10 | 0:46:12 | |
It's 1927 and Debbie's found a new job | 0:46:21 | 0:46:24 | |
in one of Britain's most successful industries, | 0:46:24 | 0:46:27 | |
employing over 200,000 people, fish and chips. | 0:46:27 | 0:46:31 | |
The expansion of trawler fishing, | 0:46:34 | 0:46:36 | |
rail connections from ports to cities and mechanised potato peeling | 0:46:36 | 0:46:39 | |
and frying kept 35,000 fish and chip shops going. | 0:46:39 | 0:46:43 | |
A working-class favourite, they weren't something | 0:46:45 | 0:46:48 | |
the middle classes would have eaten in public, | 0:46:48 | 0:46:50 | |
so Roz and Fred have been sent out to bring some back for the family. | 0:46:50 | 0:46:53 | |
Hello! | 0:46:53 | 0:46:54 | |
Hello. | 0:46:57 | 0:46:58 | |
Can I have five large cod and chips, please? | 0:47:00 | 0:47:02 | |
-OK. -That's it. Thanks. | 0:47:02 | 0:47:04 | |
Do you feel like, free, now? | 0:47:04 | 0:47:06 | |
Kind of freer, yeah. | 0:47:06 | 0:47:07 | |
Here I still get to cook and I kind of enjoyed that bit. | 0:47:07 | 0:47:10 | |
Like, when I was a servant, I liked to cook for you guys. | 0:47:10 | 0:47:12 | |
It was just... Like, before, I was just in your house all the time. | 0:47:12 | 0:47:15 | |
-It's true. -Like on my own, when you guys went out. | 0:47:15 | 0:47:18 | |
I think that a girl in the 1920s would probably pick a job like this | 0:47:18 | 0:47:21 | |
-over servanting. -And you can feel like you're doing something like for | 0:47:21 | 0:47:23 | |
yourself. You've chosen to work in a fish and chip shop and it's not like | 0:47:23 | 0:47:27 | |
someone's said, "Now you have to cook this dinner," and you're like, "OK." | 0:47:27 | 0:47:30 | |
Yeah, yeah, it is a bit like that, actually. | 0:47:30 | 0:47:32 | |
-Bye. -It was lovely to see you. | 0:47:32 | 0:47:33 | |
Yeah, and you. Say hello to the rest of the family. | 0:47:33 | 0:47:36 | |
Yeah, I will. Bye. | 0:47:36 | 0:47:37 | |
In the privacy of their own homes, | 0:47:39 | 0:47:41 | |
families like the Robshaws were happy to indulge in Britain's favourite takeaway. | 0:47:41 | 0:47:45 | |
I can imagine a middle-class family in 1927 having this would have... | 0:47:47 | 0:47:50 | |
They'd think it was a bit of a joke. | 0:47:50 | 0:47:52 | |
Aren't we a little bit bohemian? | 0:47:52 | 0:47:53 | |
-Really? -Yeah. -Do you think we would have closed the curtains? | 0:47:53 | 0:47:56 | |
Even in like... Like our modern lives, | 0:47:56 | 0:48:00 | |
you're slightly embarrassed about having a takeaway. | 0:48:00 | 0:48:03 | |
-Do you know what I mean? -I like fish and chips. | 0:48:03 | 0:48:05 | |
-I love fish and chips. -I suppose to have fish and chips would be great | 0:48:05 | 0:48:10 | |
because you think, "I don't have to cook this at all." | 0:48:10 | 0:48:12 | |
It also substantially cuts down on the washing up | 0:48:12 | 0:48:15 | |
because there's no pots and pans. | 0:48:15 | 0:48:16 | |
Guess who we met in the fish and chip shop? | 0:48:16 | 0:48:19 | |
- Giles. - No. | 0:48:19 | 0:48:20 | |
- Debbie. - Yes! | 0:48:20 | 0:48:22 | |
-How was she? How was she doing? -She was good. She looked like she really enjoyed it. | 0:48:22 | 0:48:25 | |
-She looked really happy to see us. -Does she want to come back? | 0:48:25 | 0:48:28 | |
Tell her I could improve her hours. | 0:48:28 | 0:48:29 | |
She doesn't want to come back, Mum. | 0:48:29 | 0:48:32 | |
And, for dessert, there's a new sweet treat, launched in 1927. | 0:48:34 | 0:48:38 | |
-Hey. -Hey. | 0:48:38 | 0:48:39 | |
What's that? Jaffa Cakes? | 0:48:41 | 0:48:42 | |
It could be. It could well be. | 0:48:42 | 0:48:45 | |
Now, almost 2,000 Jaffa Cakes are made every minute, | 0:48:45 | 0:48:48 | |
but they've always had a controversial status. | 0:48:48 | 0:48:51 | |
I was always very firm in my belief that they were biscuits, | 0:48:51 | 0:48:56 | |
but I know that they're not. | 0:48:56 | 0:48:59 | |
- Shall I tell you how? - Yeah. | 0:48:59 | 0:49:00 | |
So, the definition of a cake is it goes hard when it's stale | 0:49:00 | 0:49:05 | |
and a biscuit goes soft when it's stale. | 0:49:05 | 0:49:07 | |
Those go hard when they're stale. | 0:49:07 | 0:49:09 | |
- So, they are cakes. - They are cakes. | 0:49:09 | 0:49:11 | |
In 1991, the matter was put to rest. | 0:49:12 | 0:49:14 | |
They were declared to be cakes and so free of VAT. | 0:49:16 | 0:49:20 | |
'Sweets and treats and fast food is now being more noticeable, definitely. | 0:49:20 | 0:49:23 | |
'We had the Jaffa Cakes,' | 0:49:23 | 0:49:25 | |
which were not a biscuit, but they weren't a cake. | 0:49:25 | 0:49:29 | |
It's a new day and the Robshaws are nearing the end of the decade. | 0:49:37 | 0:49:41 | |
1928 saw the passing of the Equal Franchise Act, | 0:49:41 | 0:49:44 | |
finally giving all women over 21 the right to vote. | 0:49:44 | 0:49:48 | |
And when you think, 1928, I mean that's not that long ago. | 0:49:48 | 0:49:52 | |
-No. -Now, women were considered to be equal citizens. | 0:49:52 | 0:49:57 | |
250 women, | 0:49:57 | 0:49:58 | |
many of them former activists, gathered at London's Cecil Hotel | 0:49:58 | 0:50:03 | |
to celebrate the event and eat a commemorative victory breakfast. | 0:50:03 | 0:50:06 | |
It's a women power breakfast at the start of what they hope would be | 0:50:08 | 0:50:13 | |
a sense of them being equal to men. | 0:50:13 | 0:50:16 | |
All right, now, go away and think about your freedom. | 0:50:17 | 0:50:21 | |
-OK. -And lay the table. | 0:50:21 | 0:50:22 | |
Thank you. | 0:50:24 | 0:50:25 | |
Rochelle is preparing the family their own victory breakfast - | 0:50:27 | 0:50:31 | |
based on the original surviving menu from 1928. | 0:50:31 | 0:50:34 | |
I didn't know they did Quaker Oats back... | 0:50:34 | 0:50:36 | |
You know, I was a bit surprised to see them in 1928. | 0:50:36 | 0:50:39 | |
I suppose it's another sort of quick thing to have for breakfast. | 0:50:39 | 0:50:44 | |
The lavish breakfast of porridge, kippers, bacon, eggs, | 0:50:45 | 0:50:48 | |
toast and marmalade recalled the hearty fare suffragettes served | 0:50:48 | 0:50:53 | |
those just released from prison. | 0:50:53 | 0:50:54 | |
Are they wheels? They could be wheels, couldn't they? | 0:50:57 | 0:51:00 | |
-Yeah. -While women's suffrage occupies the kitchen, | 0:51:00 | 0:51:03 | |
Brandon and Fred have something else on their minds - | 0:51:03 | 0:51:06 | |
-Meccano. -That's about two inches, isn't it? | 0:51:06 | 0:51:09 | |
Yeah. | 0:51:09 | 0:51:10 | |
As technology progressed through the '20s, | 0:51:12 | 0:51:14 | |
the toys of the time replicated new inventions, with miniature planes, | 0:51:14 | 0:51:18 | |
boats, cars and trains. | 0:51:18 | 0:51:20 | |
19 of these nuts. | 0:51:22 | 0:51:24 | |
I tell you what, this is driving me nuts. | 0:51:24 | 0:51:25 | |
-No! -Can we eat that? -No. | 0:51:30 | 0:51:33 | |
I tell you, this is a good, hearty breakfast. | 0:51:33 | 0:51:36 | |
Salad is a slightly unusual touch. | 0:51:36 | 0:51:39 | |
Is that what they had at the celebration breakfast? | 0:51:39 | 0:51:41 | |
-Mm-hm. -But I think it's great. I think it's a beautiful breakfast. | 0:51:41 | 0:51:44 | |
I love it. Not like those light breakfasts of corn flakes and so on. | 0:51:44 | 0:51:49 | |
It's good. | 0:51:49 | 0:51:51 | |
Well, I want a kipper. | 0:51:52 | 0:51:53 | |
Well, you've got something to celebrate, haven't you? | 0:51:55 | 0:51:57 | |
You would have had the vote because you're over 30. | 0:51:57 | 0:51:59 | |
Only just, obviously. It makes a difference to these two, really. | 0:51:59 | 0:52:02 | |
I think it would have felt like a real triumph and a real step | 0:52:02 | 0:52:08 | |
forward for women. | 0:52:08 | 0:52:09 | |
Well, here's to the Equal Franchise Act. | 0:52:09 | 0:52:11 | |
-Well done, ladies. -Go, women. | 0:52:11 | 0:52:13 | |
Thanks very much. | 0:52:13 | 0:52:14 | |
So, 1928 was a big significant year for women. | 0:52:16 | 0:52:20 | |
At last, these big, | 0:52:20 | 0:52:22 | |
massive barriers in the way people thought about women | 0:52:22 | 0:52:26 | |
were finally being broken down. | 0:52:26 | 0:52:29 | |
'This was the year where women got the vote.' | 0:52:29 | 0:52:32 | |
Just years and years and years of petitioning and protesting. | 0:52:32 | 0:52:36 | |
I mean, the atmosphere across the country must have been, like, amazing. | 0:52:36 | 0:52:42 | |
It's 1929 and, to celebrate, | 0:52:51 | 0:52:53 | |
the Robshaws are preparing a party to mark the end of the decade. | 0:52:53 | 0:52:56 | |
As Brandon prepares the cocktails, | 0:52:58 | 0:53:00 | |
Miranda pours the perfect party snack, introduced just this year, | 0:53:00 | 0:53:04 | |
-Twiglets. -It actually says here, "For cocktail parties." | 0:53:04 | 0:53:09 | |
Well, they're perfect, aren't they? | 0:53:09 | 0:53:10 | |
Yeah, yeah. | 0:53:10 | 0:53:12 | |
We've had Marmite for decades, haven't we? And it took until now | 0:53:12 | 0:53:15 | |
for somebody to hit on the idea of putting Marmite on these little wheaty sticks. | 0:53:15 | 0:53:18 | |
Rochelle's in the kitchen, | 0:53:21 | 0:53:23 | |
making a vanilla slice for tonight's party. | 0:53:23 | 0:53:25 | |
It's food that is fun, rather than food that is for nutrition, or purpose. | 0:53:26 | 0:53:32 | |
They've kind of perfected the food that goes with the cocktail. | 0:53:32 | 0:53:35 | |
On a special occasion like this, as many middle-class housewives did, | 0:53:36 | 0:53:40 | |
she's hired in some help. | 0:53:40 | 0:53:41 | |
What I'm constructing are banana sandwiches. | 0:53:43 | 0:53:46 | |
-Oh, OK. -So, yeah, bit unusual for a cocktail party. | 0:53:46 | 0:53:49 | |
I just think that maybe people who'd had a few drinks | 0:53:50 | 0:53:53 | |
might fancy a banana sandwich. | 0:53:53 | 0:53:55 | |
It actually sounds like something you'd have after a few drinks, | 0:53:55 | 0:53:57 | |
-doesn't it? -Do you think so? -Yeah, a banana sandwich. | 0:53:57 | 0:54:00 | |
But as the Robshaws prepare for their party, | 0:54:00 | 0:54:03 | |
a seismic economic event this year will have wide repercussions. | 0:54:03 | 0:54:07 | |
The Wall Street Crash wiped millions off the American stock market | 0:54:07 | 0:54:11 | |
and plunged the world into recession. | 0:54:11 | 0:54:13 | |
Its effects wouldn't be felt yet by middle-class British families | 0:54:15 | 0:54:19 | |
who were able to carry on regardless in true 1920s-style. | 0:54:19 | 0:54:22 | |
# Have you seen the well-to-do | 0:54:22 | 0:54:25 | |
# Up on Lenox Avenue...? # | 0:54:25 | 0:54:26 | |
Cheese puffs. | 0:54:26 | 0:54:28 | |
# On that famous thoroughfare | 0:54:28 | 0:54:30 | |
# With their noses in the air? # | 0:54:30 | 0:54:32 | |
Would you like a Singapore Sling? | 0:54:32 | 0:54:34 | |
'Polly and I are back to join the party and find out all about | 0:54:35 | 0:54:39 | |
'the Robshaws' roaring '20s.' | 0:54:39 | 0:54:40 | |
-Hello. -Hello, Polly. -Hi. -Hello, Giles. | 0:54:42 | 0:54:44 | |
-Nice to see you. How are you? -This all looks very exciting. | 0:54:44 | 0:54:47 | |
I'm just pouring out Singapore Slings here. | 0:54:47 | 0:54:48 | |
So, what can I get you two? | 0:54:50 | 0:54:51 | |
I've mixed up a dry martini already and this Singapore Sling. | 0:54:51 | 0:54:54 | |
-Dry martini - that sounds great. -Dry martini. -Thank you. | 0:54:54 | 0:54:57 | |
There you go. | 0:55:00 | 0:55:01 | |
Thank you very much. | 0:55:01 | 0:55:02 | |
How have you found the '20s, Rochelle? | 0:55:07 | 0:55:09 | |
Well, the beginning of the decade, I was sort of slightly anxious | 0:55:09 | 0:55:12 | |
because Debbie had gone and I did think, | 0:55:12 | 0:55:14 | |
"What am I going to be doing in that kitchen?" | 0:55:14 | 0:55:17 | |
But as I sort of found out, there were cookbooks, | 0:55:17 | 0:55:19 | |
there was sort of Good Housekeeping magazines. | 0:55:19 | 0:55:21 | |
It was simplified, so it was for the new housewife. | 0:55:21 | 0:55:26 | |
Basically, the '20s was a chap's decade. | 0:55:30 | 0:55:33 | |
Yes, I've got that lovely drinks trolley, | 0:55:33 | 0:55:34 | |
all these gleaming bottles on it. | 0:55:34 | 0:55:36 | |
I can mix things up and add different quantities and shake it up. | 0:55:36 | 0:55:39 | |
It's a lovely, lovely ritual when six o'clock rolls around. | 0:55:39 | 0:55:43 | |
It's basically quite a simple life, really, isn't it? | 0:55:43 | 0:55:45 | |
Coming into the kitchen at the beginning of the decade, | 0:55:52 | 0:55:56 | |
I was quite daunted. | 0:55:56 | 0:55:58 | |
But because of the introduction of new convenience foods, | 0:55:58 | 0:56:02 | |
the whole process was that much simpler. | 0:56:02 | 0:56:04 | |
It sort of spins into a modern take on easier eating. | 0:56:04 | 0:56:09 | |
'As a middle-class woman in the '20s, | 0:56:09 | 0:56:13 | |
'I'd probably feel quite exhilarated' | 0:56:13 | 0:56:15 | |
by the rate of change, | 0:56:15 | 0:56:17 | |
but at the same time I would feel kind of, like, perplexed by it. | 0:56:17 | 0:56:23 | |
Maybe possibly find sanctuary in the kitchen. | 0:56:23 | 0:56:25 | |
It might be moving too fast for me. | 0:56:25 | 0:56:27 | |
I found the '20s a massive amount of fun. | 0:56:28 | 0:56:32 | |
There have been quite a few evenings where the main focus of the event is | 0:56:32 | 0:56:37 | |
different types of drinks and the food is kind of like an afterthought | 0:56:37 | 0:56:41 | |
and I've just had a whale of a time. | 0:56:41 | 0:56:43 | |
I really enjoyed the jazz party. | 0:56:43 | 0:56:45 | |
The music of this era, it's been like the soundtrack to our freedom. | 0:56:45 | 0:56:51 | |
I think if I actually had been my age in the '20s, | 0:56:52 | 0:56:55 | |
it would have been a really exciting decade. | 0:56:55 | 0:56:57 | |
Learning how to Charleston, that was just so brilliant, | 0:56:57 | 0:56:59 | |
I think, it was just so much fun. | 0:56:59 | 0:57:02 | |
I've got to say, I've enjoyed the '20s immensely. | 0:57:02 | 0:57:04 | |
You know, I love the greater variety of the food, | 0:57:04 | 0:57:07 | |
the cooking has got more diverse. | 0:57:07 | 0:57:09 | |
We've got a radio set, we've got a modern record player. | 0:57:09 | 0:57:13 | |
We have electric light. | 0:57:13 | 0:57:14 | |
It really does feel as if we've... | 0:57:14 | 0:57:16 | |
we've come into the modern age. | 0:57:16 | 0:57:18 | |
The Robshaws began the decade drinking and partying | 0:57:18 | 0:57:21 | |
to forget the horrors of war. | 0:57:21 | 0:57:23 | |
They're drinking again, but this time it's to get over the woes of economic slump. | 0:57:23 | 0:57:27 | |
Along the way, Rochelle's found that social upheaval has deprived her of her staff | 0:57:27 | 0:57:30 | |
and she's had to become a housekeeper for the first time. | 0:57:30 | 0:57:32 | |
But luckily for Miranda and Roz, | 0:57:32 | 0:57:34 | |
there is hope, it seems, of a more exciting future. | 0:57:34 | 0:57:37 | |
What I can't help feeling about the '20s, | 0:57:37 | 0:57:40 | |
and this of course is with hindsight, | 0:57:40 | 0:57:42 | |
because we know it's a period of calm in-between two wars, | 0:57:42 | 0:57:45 | |
I sometimes get a sense that it's something almost slightly panicky, | 0:57:45 | 0:57:49 | |
a bit feverish about all this pleasure seeking. | 0:57:49 | 0:57:51 | |
It's almost as if people knew what awful clouds lay on the horizon and | 0:57:51 | 0:57:55 | |
they were just determined to enjoy themselves while they could. | 0:57:55 | 0:57:57 | |
Next time, the Robshaws experience the 1930s. | 0:58:01 | 0:58:04 | |
A decade of opportunities... | 0:58:06 | 0:58:08 | |
Let me see if I can hear them snap, crackle and pop. | 0:58:08 | 0:58:10 | |
..that was stopped in its tracks. | 0:58:10 | 0:58:12 | |
That looks like something out of a nightmare. | 0:58:12 | 0:58:15 |