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Meet the Robshaws - Brandon, Rochelle, | 0:00:02 | 0:00:04 | |
Miranda, Ros and Fred. | 0:00:04 | 0:00:06 | |
They've been back in time before... | 0:00:07 | 0:00:09 | |
..and experienced the transformation in our diets | 0:00:10 | 0:00:13 | |
from the 1950s to the 1990s. | 0:00:13 | 0:00:16 | |
That is just amazing. Look at them! | 0:00:16 | 0:00:20 | |
Now they're travelling further back in time - | 0:00:20 | 0:00:22 | |
to the first half of the 20th century, | 0:00:22 | 0:00:25 | |
to discover how changes in the food we ate... | 0:00:25 | 0:00:29 | |
Oh, my good God! Is it brains? | 0:00:29 | 0:00:31 | |
..the way it was served, and how it was cooked... | 0:00:31 | 0:00:35 | |
-Yes, I'm cooking the pudding in the soup. -Why? | 0:00:35 | 0:00:38 | |
..helped change the course of history. | 0:00:38 | 0:00:40 | |
Starting in the 1900s... | 0:00:41 | 0:00:43 | |
-Oh, my goodness! -THEY LAUGH | 0:00:43 | 0:00:45 | |
..this Victorian house will be their time machine... | 0:00:45 | 0:00:48 | |
What is that? It looks like a giant hand grenade. | 0:00:48 | 0:00:51 | |
..fast forwarding them through a new year each day. | 0:00:51 | 0:00:54 | |
1941, everyone. | 0:00:54 | 0:00:56 | |
From strict etiquette... | 0:00:56 | 0:00:57 | |
I might practice my bowing. | 0:00:57 | 0:01:00 | |
THEY LAUGH | 0:01:00 | 0:01:02 | |
..to new fads and flavours. | 0:01:02 | 0:01:04 | |
-Oh! -It's not THAT bad. | 0:01:04 | 0:01:07 | |
ALL: Dad! | 0:01:07 | 0:01:09 | |
From far too much... | 0:01:09 | 0:01:11 | |
I think I've got the meat sweats. | 0:01:11 | 0:01:12 | |
..to not enough... | 0:01:12 | 0:01:14 | |
It doesn't look like a fried egg. | 0:01:14 | 0:01:15 | |
-Oh! No! -Can you eat that? | 0:01:15 | 0:01:18 | |
No. | 0:01:18 | 0:01:19 | |
..as they discover how a revolution in our eight eating habits | 0:01:19 | 0:01:24 | |
helped create the modern family. | 0:01:24 | 0:01:26 | |
Last time, the Robshaws raced through the Roaring Twenties. | 0:01:27 | 0:01:30 | |
Go forward. | 0:01:30 | 0:01:32 | |
Oh, God. I just wish Debbie was here. | 0:01:32 | 0:01:34 | |
Now, it's the 1930s. | 0:01:36 | 0:01:39 | |
A decade of opportunity... | 0:01:39 | 0:01:40 | |
Let me see if I can hear them snap, crackle and pop. | 0:01:41 | 0:01:44 | |
..that was stopped in its tracks. | 0:01:44 | 0:01:46 | |
That looks like something out of a nightmare. | 0:01:46 | 0:01:48 | |
The Robshaw family are about to enter | 0:02:00 | 0:02:02 | |
their fourth decade of time travel. | 0:02:02 | 0:02:05 | |
The house has been transformed into a suburban home of the 1930s. | 0:02:05 | 0:02:09 | |
The kitchen has become more homely, and is full of new technology. | 0:02:11 | 0:02:14 | |
The front room is cosier, | 0:02:18 | 0:02:19 | |
with comfort and family life at the core of its design. | 0:02:19 | 0:02:22 | |
And the dining room now has a round table, | 0:02:25 | 0:02:27 | |
better suited to more informal family dining. | 0:02:27 | 0:02:30 | |
I'll be working with social historian Polly Russell | 0:02:34 | 0:02:36 | |
to set the stage for the Robshaws' journey into the 1930s. | 0:02:36 | 0:02:40 | |
So, it's a much nicer space. | 0:02:44 | 0:02:45 | |
Yeah, it is. It's actually quite a pleasant place to be. | 0:02:45 | 0:02:49 | |
I think there are two or three other things that are notable | 0:02:49 | 0:02:51 | |
about this kitchen. We're now on the grid. | 0:02:51 | 0:02:53 | |
A third of homes have become electric. | 0:02:53 | 0:02:56 | |
We've got the kettle, we've got the toaster. | 0:02:56 | 0:02:58 | |
Over there, the kitchen cabinet, which is designed to make cooking | 0:02:58 | 0:03:01 | |
-as ergonomic and easy as possible. -Mm-hm. | 0:03:01 | 0:03:03 | |
'The larder is now stuffed with familiar brands.' | 0:03:04 | 0:03:07 | |
There is an awful lot more than there was before. | 0:03:07 | 0:03:09 | |
That's right. You know, those factories that were setting up | 0:03:09 | 0:03:12 | |
these kinds of manufactured goods are now in full throttle | 0:03:12 | 0:03:15 | |
and producing a large number of products. | 0:03:15 | 0:03:17 | |
Shredded Wheat, Cornflakes, you've got ketchup and salad cream. | 0:03:17 | 0:03:20 | |
You can make any sandwich in the world! A bit of tongue. | 0:03:20 | 0:03:22 | |
I mean, that is thrilling. | 0:03:22 | 0:03:24 | |
As a child, that was, every night, my favourite thing. | 0:03:24 | 0:03:26 | |
Sausages and baked beans. I had no idea they'd been around that long. | 0:03:26 | 0:03:29 | |
And what's significant is you've got enough food here | 0:03:29 | 0:03:32 | |
-to last the week, maybe more. -It's an enormous amount of stuff, | 0:03:32 | 0:03:35 | |
given the fact that there was, presumably, | 0:03:35 | 0:03:37 | |
quite a recession going on. The Robshaws have got less money. | 0:03:37 | 0:03:40 | |
Well, this is a decade where you've people | 0:03:40 | 0:03:42 | |
in great distress and poverty, but if you're in | 0:03:42 | 0:03:45 | |
the professional classes, if you're in white-collar work, | 0:03:45 | 0:03:48 | |
you will have quite a lot of disposable income. | 0:03:48 | 0:03:51 | |
In 1930, millions of families were living in extreme poverty, | 0:03:52 | 0:03:56 | |
the result of a global recession and the collapse | 0:03:56 | 0:03:59 | |
of much of Britain's heavy industry. | 0:03:59 | 0:04:01 | |
But cities in the Midlands and South East were flourishing, | 0:04:03 | 0:04:07 | |
fuelled by more modern manufacturing, | 0:04:07 | 0:04:09 | |
such as car production, | 0:04:09 | 0:04:10 | |
and a house-building boom that was transforming the landscape. | 0:04:10 | 0:04:14 | |
For the professional middle classes, the '30s were a time of progression, | 0:04:14 | 0:04:17 | |
optimism and increasing choice. | 0:04:17 | 0:04:19 | |
Historical surveys show how those who had money were spending it. | 0:04:23 | 0:04:26 | |
When you look at this table, | 0:04:26 | 0:04:27 | |
we can see exactly what food they're spending their money on. | 0:04:27 | 0:04:31 | |
And what we can see from the 1930s is that the average amount | 0:04:31 | 0:04:35 | |
spent on food goes down from the beginning of the century. | 0:04:35 | 0:04:39 | |
We're not eating less, | 0:04:39 | 0:04:40 | |
but families are smaller and the cost of food is less than it was. | 0:04:40 | 0:04:44 | |
And why is the cost of food less? | 0:04:44 | 0:04:46 | |
Costs just generally go down because of worldwide depression. | 0:04:46 | 0:04:49 | |
So, if you are affluent and have money, | 0:04:49 | 0:04:52 | |
things are generally cheaper to buy. | 0:04:52 | 0:04:55 | |
'It's not just food that the better off could afford more of.' | 0:04:55 | 0:04:58 | |
The spend on recreation and entertainment | 0:04:59 | 0:05:02 | |
goes up quite significantly from 1900. | 0:05:02 | 0:05:04 | |
In fact, it's at least a third more than it was before. | 0:05:04 | 0:05:08 | |
That's cinemas, that is dance halls, municipal swimming pools. | 0:05:08 | 0:05:12 | |
You know, people are spending time at leisure. | 0:05:12 | 0:05:14 | |
We think of the '30s as grim, | 0:05:14 | 0:05:15 | |
but it shows here they were beginning to have fun. | 0:05:15 | 0:05:17 | |
It's that story of the '30s that's less known. | 0:05:17 | 0:05:20 | |
It's time for the Robshaws to enter a new decade. | 0:05:27 | 0:05:29 | |
I haven't really thought much about what '30s food might be. | 0:05:31 | 0:05:35 | |
On a personal level, I think, probably, my skills have peaked. | 0:05:35 | 0:05:38 | |
I don't think it will be as formal. | 0:05:40 | 0:05:41 | |
If you look at what we were wearing in the 1900s | 0:05:41 | 0:05:44 | |
and what we're wearing now, | 0:05:44 | 0:05:45 | |
you wouldn't believe that it's just 30 years that have gone by. | 0:05:45 | 0:05:49 | |
I think the '30s are going to be rather different from the '20s. | 0:05:49 | 0:05:52 | |
I'm thinking it's not going to be quite such a | 0:05:52 | 0:05:54 | |
pleasure-seeking decade. | 0:05:54 | 0:05:56 | |
I think it's not such a prosperous decade. | 0:05:56 | 0:05:58 | |
I think we might have to tighten our belts. | 0:05:58 | 0:06:01 | |
Oh. | 0:06:04 | 0:06:06 | |
Oh, this is very bright and white and light, isn't it? | 0:06:06 | 0:06:08 | |
Oh, this is lovely. I really like it a lot. | 0:06:08 | 0:06:10 | |
This is really very nice. | 0:06:10 | 0:06:12 | |
But what is that? It looked like a giant hand grenade. | 0:06:12 | 0:06:15 | |
Oh, my goodness me. I don't like the look of that. | 0:06:15 | 0:06:17 | |
Is it some early form of a pressure cooker? | 0:06:17 | 0:06:20 | |
-What is that, Fred? -I don't know. | 0:06:20 | 0:06:21 | |
-Is it a toaster? -Have we finally got a toaster? | 0:06:21 | 0:06:25 | |
Hold on. Does it open up? | 0:06:25 | 0:06:27 | |
-Yes, that's what I... -Oh, look at that! -It is a toaster. | 0:06:27 | 0:06:29 | |
-ROCHELLE: -Oh, that's lovely, isn't it? | 0:06:29 | 0:06:30 | |
-It's beautiful. -And look, an electric kettle. | 0:06:30 | 0:06:32 | |
Wow. This is all mod cons, isn't it? | 0:06:32 | 0:06:34 | |
I hadn't thought about these type of gadgets at all. | 0:06:34 | 0:06:37 | |
I imagine them being much later. | 0:06:37 | 0:06:39 | |
-What have we got? -ALL: Wow! | 0:06:39 | 0:06:41 | |
-FRED: -Look how much chocolate we have. | 0:06:41 | 0:06:43 | |
As manufacturers expanded their ranges and prices dropped, | 0:06:43 | 0:06:47 | |
items that were once luxury products became everyday treats. | 0:06:47 | 0:06:51 | |
-Walnut Whip. -Walnut Whip! -Delicious. | 0:06:51 | 0:06:54 | |
Cadbury's Dairy Milk Chocolate. Wow. | 0:06:54 | 0:06:56 | |
-Bourbons. -Mm. | 0:06:56 | 0:06:57 | |
Custard creams. | 0:06:57 | 0:06:59 | |
Toblerone. Cadbury's... | 0:07:00 | 0:07:02 | |
-I can't carry any more. -..Milk Tray. | 0:07:02 | 0:07:05 | |
Bournville! Now for a feast. | 0:07:05 | 0:07:07 | |
THEY LAUGH | 0:07:07 | 0:07:08 | |
I'm back to make sure the family know their place | 0:07:10 | 0:07:13 | |
in 1930s suburban Britain. | 0:07:13 | 0:07:15 | |
Hello, Robshaws. ALL: Hi, Giles. | 0:07:16 | 0:07:19 | |
-How are you finding your 1930s house? -Very cosy. | 0:07:19 | 0:07:22 | |
Obviously, for a lot of people in this country, with the depression and everything, | 0:07:22 | 0:07:26 | |
there were people who couldn't feed their families - it was a bad time for them. | 0:07:26 | 0:07:29 | |
But for a middle-class family like you in a prosperous suburb | 0:07:29 | 0:07:32 | |
in a big city, things will be OK. | 0:07:32 | 0:07:35 | |
For you, Brandon, | 0:07:35 | 0:07:36 | |
the depression will mean that your salary will have stagnated. | 0:07:36 | 0:07:40 | |
But the cost of living has dropped a lot, so, relatively speaking, | 0:07:40 | 0:07:44 | |
a lot more disposable income. | 0:07:44 | 0:07:46 | |
Rochelle, for you, you're a more accomplished housewife, now. | 0:07:46 | 0:07:49 | |
I mean, a housewife is the norm. | 0:07:49 | 0:07:51 | |
Miranda and Ros, it's another good decade to be young. | 0:07:51 | 0:07:55 | |
All sorts of freedoms that you wouldn't have dreamed of 20 years ago. | 0:07:55 | 0:07:58 | |
Fred, all sorts of products which would appeal to you will be | 0:07:58 | 0:08:01 | |
appearing through the decade. The best piece of news of all, I hope, | 0:08:01 | 0:08:04 | |
is that a certain someone will be coming back... | 0:08:04 | 0:08:07 | |
-Debbie. -Oh, Debbie! -No way! -Fantastic. | 0:08:07 | 0:08:10 | |
You will have Debbie back. | 0:08:10 | 0:08:11 | |
-As a maid? -Not as a maid of all works. You're not that rich. | 0:08:11 | 0:08:14 | |
You can afford to have her coming in daily as a charwoman. | 0:08:14 | 0:08:17 | |
So, Robshaws, for you at least, the beginning of the 1930s, | 0:08:17 | 0:08:19 | |
it looks like a lot of fun. A lot of hope for the future. | 0:08:19 | 0:08:22 | |
-There's your guidebook, how to live it. -Thank you. | 0:08:22 | 0:08:24 | |
Have fun and I'll see you a little bit later in the decade. | 0:08:24 | 0:08:26 | |
-Thanks a lot. -Bye. -Cheerio. | 0:08:26 | 0:08:28 | |
Debbie last worked for the Robshaws in 1915 | 0:08:32 | 0:08:35 | |
as their live-in maid of all work. | 0:08:35 | 0:08:37 | |
Now, she's back part-time as the family's charwoman. | 0:08:39 | 0:08:41 | |
I don't know where anything is in this kitchen. | 0:08:43 | 0:08:46 | |
Unemployment was rising, and would soon hit | 0:08:47 | 0:08:49 | |
its highest levels in history. | 0:08:49 | 0:08:52 | |
Most jobs were given to men first and, for many women, | 0:08:52 | 0:08:55 | |
low paid, part-time work was their only option. | 0:08:55 | 0:08:58 | |
I mean, it would be nice to cook in this kitchen. | 0:09:00 | 0:09:02 | |
It has moved on since I was last in here. | 0:09:02 | 0:09:05 | |
Most people like me wouldn't have even had a job. They would have... | 0:09:05 | 0:09:08 | |
Like, especially from North Yorkshire, your family's in poverty, | 0:09:08 | 0:09:13 | |
so, for someone like me to actually have a job, | 0:09:13 | 0:09:16 | |
I suppose that's a really good thing, even if it's just cleaning. | 0:09:16 | 0:09:19 | |
Ten across, "A month, nothing more, in Ireland." | 0:09:22 | 0:09:26 | |
While the rest of the family enjoy their new front room... | 0:09:26 | 0:09:29 | |
-Mayo. -That's in a sandwich. | 0:09:29 | 0:09:31 | |
Yeah, but it's also a place in Ireland. County Mayo. | 0:09:31 | 0:09:35 | |
..Rochelle is in charge of making the first dinner of the decade. | 0:09:35 | 0:09:38 | |
She'll be using the latest must have gadget for the middle-class home - | 0:09:39 | 0:09:42 | |
an Easiwork pressure cooker. | 0:09:42 | 0:09:45 | |
Well, I've basically got no idea how it works. | 0:09:45 | 0:09:48 | |
It's got all these different baskets in it. | 0:09:51 | 0:09:55 | |
Pressure cookers were marketed as "Health cookers", | 0:09:55 | 0:09:58 | |
enabling the modern housewife to take advantage | 0:09:58 | 0:10:00 | |
of new scientific knowledge about vitamins and nutrition. | 0:10:00 | 0:10:03 | |
They look like they're in a laboratory | 0:10:03 | 0:10:05 | |
working away on some sort of secret | 0:10:05 | 0:10:09 | |
sort of meal. | 0:10:09 | 0:10:11 | |
Rochelle is following a menu recommended by the nutrition experts | 0:10:13 | 0:10:16 | |
at Easiwork. | 0:10:16 | 0:10:18 | |
Remove the inside of the marrow | 0:10:18 | 0:10:21 | |
and fill with the mince-meat mixture. | 0:10:21 | 0:10:24 | |
Oh. | 0:10:24 | 0:10:25 | |
She's cooking stuffed marrow served with mushrooms and new potatoes | 0:10:25 | 0:10:30 | |
with plums and cream for dessert. | 0:10:30 | 0:10:33 | |
You have to stuff the meat inside the marrow | 0:10:33 | 0:10:36 | |
and then tie it back together with string. | 0:10:36 | 0:10:39 | |
For the pressure cooker to work efficiently, | 0:10:39 | 0:10:41 | |
all the food has to go in at the same time. | 0:10:41 | 0:10:44 | |
Not like that... | 0:10:44 | 0:10:45 | |
-Um... -I'm not surprised we don't really stuff a lot of | 0:10:45 | 0:10:49 | |
marrows in contemporary life. | 0:10:49 | 0:10:51 | |
Clamp on the lid of the cooker. | 0:10:53 | 0:10:55 | |
I can't remember how it went on! | 0:11:00 | 0:11:02 | |
Ah. That's it. | 0:11:04 | 0:11:05 | |
That's it. | 0:11:06 | 0:11:08 | |
The high pressures created within the airtight container | 0:11:09 | 0:11:12 | |
mean the food cooks in just 15 minutes. | 0:11:12 | 0:11:15 | |
It's whistling. | 0:11:16 | 0:11:18 | |
I am considerably worried. | 0:11:20 | 0:11:22 | |
It's not like a frying pan. | 0:11:22 | 0:11:24 | |
It's a pan with edge. | 0:11:24 | 0:11:26 | |
It sounds like it's coming to its end, doesn't it? | 0:11:27 | 0:11:31 | |
-Hello. -Hey. | 0:11:31 | 0:11:32 | |
-That smells nice. -Good. | 0:11:32 | 0:11:34 | |
Oh. How do you get the lid off it? | 0:11:34 | 0:11:36 | |
-Shall I get Dad to help? -Yeah. -What's up? | 0:11:38 | 0:11:40 | |
Mum doesn't know how to get the lid off cos she's too weak. | 0:11:41 | 0:11:44 | |
-Right, it's really hot. Move back, Fred. -All right. | 0:11:44 | 0:11:47 | |
See, the first thing is, what happens if we just... | 0:11:47 | 0:11:49 | |
-That won't turn, will it? -No, no, no. | 0:11:49 | 0:11:51 | |
All you have to do is lift the lid up. | 0:11:51 | 0:11:53 | |
You don't need to fiddle with that. Honestly. | 0:11:53 | 0:11:55 | |
-I think you just needed to... -Oh, do stop talking. | 0:11:55 | 0:11:58 | |
-Oh! -Oh! | 0:11:58 | 0:12:00 | |
-It lifted off. -THEY LAUGH | 0:12:02 | 0:12:03 | |
Ouch. I need another pair of tongs. | 0:12:05 | 0:12:07 | |
We don't have another pair of tongs. | 0:12:07 | 0:12:09 | |
This is ridiculous. | 0:12:09 | 0:12:11 | |
Yeah. | 0:12:12 | 0:12:14 | |
-FRED: -So, what's that? -That is plums. | 0:12:14 | 0:12:17 | |
-Ooh, that's hot. -Well, that marrow certainly looks pretty well done. | 0:12:17 | 0:12:20 | |
-What do you mean - "Well done"? -I don't think that's going to be | 0:12:20 | 0:12:23 | |
-chewy marrow, is it? -It's not meant to be chewy marrow. | 0:12:23 | 0:12:25 | |
I suppose presentation could be, sort of, enhanced. | 0:12:25 | 0:12:29 | |
The '30s saw a huge rise in the amount of | 0:12:29 | 0:12:31 | |
fruit and vegetables eaten, | 0:12:31 | 0:12:32 | |
as housewives became informed about how to provide | 0:12:32 | 0:12:35 | |
a more balanced diet for their families. | 0:12:35 | 0:12:37 | |
-This marrow is delicious. -You've got marrow, you've got mushrooms, | 0:12:38 | 0:12:41 | |
you've got potato. | 0:12:41 | 0:12:43 | |
You've got your protein in the meat. | 0:12:43 | 0:12:46 | |
I think it's good. I like it. | 0:12:46 | 0:12:48 | |
Is this Bovril gravy? | 0:12:48 | 0:12:50 | |
No, it isn't. It's the cooking water from the bottom | 0:12:50 | 0:12:53 | |
of the pressure cooker. It's full of, sort of, vitamins and minerals, | 0:12:53 | 0:12:55 | |
so it's recommended that you drink the cooking water. | 0:12:55 | 0:12:59 | |
-All right, let's go. Down the hatch. -FRED: -We're already halfway dead. | 0:12:59 | 0:13:01 | |
Ah! This is a triumph. Thank you very much. | 0:13:03 | 0:13:06 | |
-FRED: -It was actually pretty good. | 0:13:06 | 0:13:08 | |
Let's see what we've got here. Does anyone want to listen to a foxtrot? | 0:13:09 | 0:13:12 | |
Mm. | 0:13:12 | 0:13:14 | |
'The start of this decade feels very safe,' | 0:13:14 | 0:13:18 | |
'it feels very contained,' | 0:13:18 | 0:13:20 | |
very familiar, almost. | 0:13:20 | 0:13:23 | |
I actually hadn't realised just how fast | 0:13:23 | 0:13:26 | |
all this technological innovation had come along. | 0:13:26 | 0:13:29 | |
The storm clouds on the horizon still seem like quite a long way away. | 0:13:29 | 0:13:33 | |
It's quite a comfortable time, I think. | 0:13:33 | 0:13:34 | |
It's a new day, and that means a new year. | 0:13:45 | 0:13:47 | |
Rochelle is making full use of her new electrical appliances | 0:13:49 | 0:13:52 | |
to prepare breakfast. | 0:13:52 | 0:13:54 | |
I've got a fast electric kettle and a toaster, | 0:13:54 | 0:13:58 | |
so everything is sort of speeded up a little bit. | 0:13:58 | 0:14:02 | |
The early '30s saw a growing popularity | 0:14:02 | 0:14:04 | |
for fried bacon with eggs. | 0:14:04 | 0:14:07 | |
Despite the trend originating in America, | 0:14:07 | 0:14:09 | |
we named it the English Breakfast. | 0:14:09 | 0:14:11 | |
I'm not absolutely good at time management. | 0:14:11 | 0:14:15 | |
It just seems it's getting it all together at the same time | 0:14:15 | 0:14:18 | |
is the crucial bit. | 0:14:18 | 0:14:21 | |
This obviously needs watching. | 0:14:21 | 0:14:23 | |
You have to turn it over each side. | 0:14:23 | 0:14:25 | |
Ooh! | 0:14:26 | 0:14:28 | |
Although expensive, electric toasters and kettles | 0:14:28 | 0:14:31 | |
were marketed as must-have gadgets to make life much easier | 0:14:31 | 0:14:34 | |
for middle-class housewives. | 0:14:34 | 0:14:36 | |
This toaster is just | 0:14:36 | 0:14:38 | |
the worst toaster I've ever used. | 0:14:38 | 0:14:41 | |
You can't just leave it. It's pointless. | 0:14:41 | 0:14:44 | |
You might as well have a grill. | 0:14:44 | 0:14:45 | |
I've been waiting for breakfast so long, it feels like it's turning into lunch. | 0:14:45 | 0:14:48 | |
What have we got here? | 0:14:53 | 0:14:54 | |
-Wow. -Just what I was hoping for. | 0:14:54 | 0:14:57 | |
-FRED: -Yeah! | 0:14:57 | 0:14:59 | |
Bacon and eggs, this is the classic English breakfast. | 0:14:59 | 0:15:02 | |
I think this is one of our best inventions, actually. | 0:15:02 | 0:15:05 | |
I think I'd put this right up there with the discovery of penicillin. | 0:15:05 | 0:15:09 | |
-It's not exactly a life-saver, though, is it? -Yes, it is. | 0:15:09 | 0:15:12 | |
THEY LAUGH | 0:15:12 | 0:15:13 | |
Set up for the day, Brandon is off to work. | 0:15:16 | 0:15:18 | |
I've given Fred his own job, which Debbie's agreed to help him with. | 0:15:22 | 0:15:25 | |
"Dear Fred, today you are a chocolate tester. | 0:15:26 | 0:15:29 | |
"I appreciate this is a difficult task, but do it for Britain, Giles." | 0:15:29 | 0:15:34 | |
-NEWSREEL: -You've probably wondered at some time or another | 0:15:35 | 0:15:37 | |
how these delightful little wiggly things get on the top of the chocolate. | 0:15:37 | 0:15:40 | |
And now you can see that it is all done by hand. | 0:15:40 | 0:15:43 | |
Chocolate was big business in the 1930s. | 0:15:43 | 0:15:46 | |
Kit Kat, Aero, Milky Bar, Mars bars, | 0:15:46 | 0:15:49 | |
Rollos and Smarties all made their debut in this decade. | 0:15:49 | 0:15:52 | |
I'm just really good at eating a lot... | 0:15:55 | 0:15:58 | |
-DEBBIE LAUGHS -..and not stopping. | 0:15:58 | 0:16:00 | |
In one of the first-ever examples of using a focus group, | 0:16:01 | 0:16:05 | |
Cadbury's decided to ask children just what made | 0:16:05 | 0:16:07 | |
the perfect chocolate bar. | 0:16:07 | 0:16:09 | |
That's the best. It's like salted caramel popcorn crunching. | 0:16:11 | 0:16:15 | |
-It's popping! -Mm. -It's popping candy. | 0:16:15 | 0:16:17 | |
Cadbury's chose pupils from nearby Repton School, | 0:16:19 | 0:16:22 | |
sending them 12 prototype bars and a test sheet with a space for comments | 0:16:22 | 0:16:26 | |
and marks out of ten. | 0:16:26 | 0:16:28 | |
Texture-wise, it was like ten out of ten. | 0:16:28 | 0:16:31 | |
I mean, there is such thing as too much chocolate, | 0:16:31 | 0:16:33 | |
but it takes a long time. | 0:16:33 | 0:16:35 | |
I got sent a from box Cadbury of all the chocolate bars. | 0:16:35 | 0:16:38 | |
It's so difficult, this task. | 0:16:38 | 0:16:40 | |
I mean, even Giles said it was the sort of task that | 0:16:40 | 0:16:43 | |
-you'd need a lot of skill to do. -ROS LAUGHS | 0:16:43 | 0:16:46 | |
ALL: Ooh. | 0:16:46 | 0:16:47 | |
I feel like they're getting better as they go along. | 0:16:47 | 0:16:50 | |
MIRANDA AND ROS: Wow. | 0:16:50 | 0:16:51 | |
-Mm. -Cookies and cream. -Mm, cookies and cream. | 0:16:51 | 0:16:54 | |
That's really nice. | 0:16:54 | 0:16:55 | |
I think they've got the milky centre, like, just right. | 0:16:56 | 0:16:59 | |
-Yeah. -That's an easy eight. | 0:16:59 | 0:17:01 | |
Which one have the unusually nutty flavour? | 0:17:01 | 0:17:03 | |
The one that Fred scoffed. | 0:17:03 | 0:17:05 | |
-MIRANDA: -Really good idea, cos he's the target market, you know? -Yeah. | 0:17:05 | 0:17:09 | |
There's no point having a panel of, like, people in suits tasting it, | 0:17:09 | 0:17:12 | |
when they won't eat it. | 0:17:12 | 0:17:14 | |
Being a Repton chocolate taster left its mark on one pupil in particular. | 0:17:17 | 0:17:21 | |
His name was Roald Dahl. | 0:17:21 | 0:17:23 | |
The experience inspired him to write his most famous book - | 0:17:24 | 0:17:27 | |
Charlie And The Chocolate Factory. | 0:17:27 | 0:17:30 | |
So, shall we go on to our final, number 12, bar? | 0:17:30 | 0:17:33 | |
Yes, I think so. | 0:17:33 | 0:17:34 | |
I thought it would be good to save the biggest till last. | 0:17:34 | 0:17:37 | |
I'm kind of regretting it, | 0:17:37 | 0:17:39 | |
-because I'm kind of full. -Mm. | 0:17:39 | 0:17:41 | |
INDISTINCT | 0:17:41 | 0:17:43 | |
I think if that job paid well... | 0:17:48 | 0:17:50 | |
I'd do it for nothing. I'd pay to do that job. | 0:17:50 | 0:17:53 | |
That's a dream job for a 12-year-old. | 0:17:53 | 0:17:55 | |
Oh, my God, I feel so alive. | 0:17:55 | 0:17:56 | |
I just had 12 chocolate bars and it's the best thing in my life. | 0:17:56 | 0:17:59 | |
It wasn't just Cadbury's expanding its range. | 0:17:59 | 0:18:02 | |
This decade saw the launch of thousands of new products, | 0:18:02 | 0:18:04 | |
giving housewives more choice than ever. | 0:18:04 | 0:18:07 | |
Manufacturers had to become increasingly sophisticated | 0:18:09 | 0:18:11 | |
to entice consumers. | 0:18:11 | 0:18:13 | |
Fry's Malted Milk Cocoa With Eggs. | 0:18:14 | 0:18:16 | |
That's a bit of enriched cocoa. | 0:18:16 | 0:18:20 | |
With vitamins. | 0:18:20 | 0:18:21 | |
It's, I suppose, the start of trying to appeal | 0:18:21 | 0:18:24 | |
to people's shopping fancies. | 0:18:24 | 0:18:27 | |
It's not just, "Can I have some cocoa, please?" | 0:18:27 | 0:18:29 | |
It's, "I would like this particular brand of cocoa, please." | 0:18:29 | 0:18:32 | |
So, I'm making what I believe to be a considered choice. | 0:18:32 | 0:18:36 | |
'New types of cereal, new types of sauce, new types of pickle, | 0:18:38 | 0:18:42 | |
'new types of drinks. More emphasis is being placed' | 0:18:42 | 0:18:45 | |
on choice and more and more products are coming on the market. | 0:18:45 | 0:18:48 | |
I hadn't particularly expected that. | 0:18:48 | 0:18:50 | |
Mmm. | 0:18:50 | 0:18:51 | |
LAUGHTER | 0:18:51 | 0:18:53 | |
We ready then? | 0:19:01 | 0:19:03 | |
It's 1932, and Brandon and Rochelle are off on a day out. | 0:19:03 | 0:19:06 | |
They'll be travelling in the family car... | 0:19:12 | 0:19:15 | |
a Ford Tudor Y. | 0:19:15 | 0:19:17 | |
Here we go. | 0:19:17 | 0:19:19 | |
Made in Ford's brand-new Dagenham plant, | 0:19:19 | 0:19:22 | |
it costs just over £100... | 0:19:22 | 0:19:24 | |
Oh, sorry. | 0:19:24 | 0:19:25 | |
..less than half the price of cars in the '20s. | 0:19:25 | 0:19:29 | |
Motoring was no longer reserved for the very wealthy. | 0:19:29 | 0:19:31 | |
-I'll have to change down again. -That's it. | 0:19:32 | 0:19:35 | |
It's all about clutch control. | 0:19:35 | 0:19:36 | |
That is the secret of a smooth drive. | 0:19:36 | 0:19:39 | |
It's also quite hard to find, this gear stick. | 0:19:40 | 0:19:42 | |
You expect it to be right down at your side and you have to kind of | 0:19:42 | 0:19:44 | |
grope forwards to find it. | 0:19:44 | 0:19:46 | |
-Yeah, that's my leg. -Oh, is that what it is? | 0:19:46 | 0:19:48 | |
THEY LAUGH | 0:19:48 | 0:19:50 | |
As the number of cars on the road increased, | 0:19:55 | 0:19:57 | |
breweries built large roadside pubs. | 0:19:57 | 0:19:59 | |
These roadhouses, now familiar sights on A roads, | 0:20:01 | 0:20:04 | |
were originally built to attract the middle-class driver on a day out. | 0:20:04 | 0:20:07 | |
Often designed by distinguished architects, | 0:20:09 | 0:20:11 | |
they featured different rooms for different types of clientele. | 0:20:11 | 0:20:14 | |
Smoking rooms for men, large halls for entertainment | 0:20:16 | 0:20:19 | |
and, for the first time, women's toilets. | 0:20:19 | 0:20:23 | |
Here we are, my dear. | 0:20:23 | 0:20:24 | |
Brandon and Rochelle have driven to The Daylight Inn, | 0:20:24 | 0:20:26 | |
a classic 1930s roadhouse built in the most popular style of the era - | 0:20:26 | 0:20:30 | |
mock Tudor. | 0:20:30 | 0:20:32 | |
They're here to meet Polly. | 0:20:34 | 0:20:36 | |
-Hello. -Hi. -Hi, Polly. -Come and sit down. I've got you a drink... | 0:20:36 | 0:20:39 | |
-Thanks very much. -..gin and tonic. -Hello. -Got you a bitter. | 0:20:39 | 0:20:42 | |
-You've had a long journey. -It's just what I need. I've had a long drive on these dusty roads. | 0:20:42 | 0:20:45 | |
I've got to have a pint of beer. | 0:20:45 | 0:20:46 | |
This is very typical of a roadhouse of the period. | 0:20:46 | 0:20:50 | |
It's this weird mixture of the modern, the, sort of, motorcar, | 0:20:50 | 0:20:54 | |
new roads, meeting a very sort of nostalgic | 0:20:54 | 0:20:58 | |
-idea about a particular sort of Britishness. -Yeah. | 0:20:58 | 0:21:01 | |
It's also a place where you can bring your wife. And it is... | 0:21:01 | 0:21:04 | |
You know, public houses are not where respectable women | 0:21:04 | 0:21:08 | |
would naturally drink, | 0:21:08 | 0:21:10 | |
but the roadhouse is a space... With its carpet, | 0:21:10 | 0:21:13 | |
it's comfortable, it's sort of elegant, it's rather glamorous. | 0:21:13 | 0:21:17 | |
-I hope you don't mind, I've ordered for you... -Oh. | 0:21:17 | 0:21:20 | |
-..some typical... -It's a pie. -Yes. | 0:21:20 | 0:21:22 | |
Typical pub grub. | 0:21:22 | 0:21:25 | |
The Daylight Inn was more modern than most. | 0:21:25 | 0:21:27 | |
It had a tiny kitchen on the first floor where they could prepare | 0:21:27 | 0:21:30 | |
simple hot meals. | 0:21:30 | 0:21:32 | |
Roadhouses weren't really about dining as a kind of | 0:21:32 | 0:21:36 | |
gastronomic experience. It's sort of basic, homely pub fare. | 0:21:36 | 0:21:40 | |
I suppose you didn't come here for the food, did you, | 0:21:40 | 0:21:42 | |
you came here for the entertainment, you came here for the drinking, you came for the dancing. | 0:21:42 | 0:21:46 | |
That's right. Roadhouses were really built as places of leisure. | 0:21:46 | 0:21:49 | |
And you've got to have a destination, haven't you? | 0:21:49 | 0:21:51 | |
If you go out driving, you go out motoring, you've got to end up somewhere, | 0:21:51 | 0:21:54 | |
and these just answered that need perfectly. | 0:21:54 | 0:21:57 | |
A trip to the roadhouse would often end in dancing, | 0:21:58 | 0:22:01 | |
and The Daylight Inn still has its original ballroom. | 0:22:01 | 0:22:05 | |
I've really enjoyed motoring out to the roadhouse. | 0:22:05 | 0:22:09 | |
I thought, to sort of see these pubs that we've passed so often | 0:22:09 | 0:22:14 | |
throughout my contemporary life, and to know that they were destinations | 0:22:14 | 0:22:19 | |
where you could just go there, eat a meal, drink, | 0:22:19 | 0:22:24 | |
dance and let your hair down. | 0:22:24 | 0:22:26 | |
So, to actually see these roadhouse pubs | 0:22:26 | 0:22:29 | |
as a new part of the scenery | 0:22:29 | 0:22:32 | |
in '30s England... | 0:22:32 | 0:22:34 | |
..is really eye opening. | 0:22:36 | 0:22:38 | |
What seems very strange from a modern perspective | 0:22:38 | 0:22:41 | |
is the idea that he would deliberately take the car | 0:22:41 | 0:22:45 | |
and drive a long way, | 0:22:45 | 0:22:47 | |
an hour's drive or more, to go to a pub, | 0:22:47 | 0:22:50 | |
where you would drink a lot and then drive back. | 0:22:50 | 0:22:54 | |
It seems, you know, absolutely insane. | 0:22:54 | 0:22:57 | |
It's 1933. | 0:23:08 | 0:23:09 | |
While Debbie takes on the week's worst household task, the laundry, | 0:23:11 | 0:23:15 | |
Rochelle is off to the shops. | 0:23:15 | 0:23:16 | |
In the 1930s, | 0:23:19 | 0:23:20 | |
Britain's high streets were full of specialist shops that often sold | 0:23:20 | 0:23:23 | |
one particular type of product. | 0:23:23 | 0:23:25 | |
Shopping took a lot longer, but it often meant there was more choice, | 0:23:27 | 0:23:30 | |
and you'd be in the hands of an expert. | 0:23:30 | 0:23:32 | |
-I've come to buy some cheese. -Yeah. -I think I'm in the right place. | 0:23:32 | 0:23:35 | |
Perfect place. What would you like? | 0:23:35 | 0:23:38 | |
To find the choice available to a 1930s housewife, | 0:23:38 | 0:23:40 | |
Rochelle has come to an artisan cheesemonger. | 0:23:40 | 0:23:44 | |
I just thought it would be quite nice to get one | 0:23:44 | 0:23:45 | |
-right from the top of Britain and one right from the... -OK. | 0:23:45 | 0:23:49 | |
We have quite, like, a lot of choice. | 0:23:49 | 0:23:51 | |
We have obviously the traditional cheddar. Wensleydale, Lancashire. | 0:23:51 | 0:23:55 | |
-What about the Dunlop? That's right in... -That's Scottish. | 0:23:55 | 0:23:58 | |
In the '30s, cheese was still made by thousands of | 0:24:01 | 0:24:03 | |
individual dairy farmers in small batches. | 0:24:03 | 0:24:06 | |
Each region had its own speciality and, within that region, | 0:24:08 | 0:24:11 | |
there could be hundreds of different variations. | 0:24:11 | 0:24:13 | |
Over 500 farms were baking cheddar alone. | 0:24:14 | 0:24:18 | |
Here is your cheese for today. | 0:24:18 | 0:24:20 | |
I do think, if you're having cheese, | 0:24:25 | 0:24:26 | |
you've kind of got to have wine with it, it's almost compulsory. | 0:24:26 | 0:24:29 | |
Oh, that's a hard cheese. | 0:24:29 | 0:24:31 | |
Look at that. Do you want to try a bit of it? | 0:24:32 | 0:24:34 | |
-No. -Why not? -Don't like cheese. | 0:24:34 | 0:24:36 | |
As middle-class meals became less formal, | 0:24:36 | 0:24:39 | |
the emphasis shifted away from dining etiquette | 0:24:39 | 0:24:41 | |
and towards the food itself. | 0:24:41 | 0:24:43 | |
At the forefront of this new approach was gourmand Andre Simon, | 0:24:45 | 0:24:49 | |
who set up The Wine And Food Society. | 0:24:49 | 0:24:51 | |
The idea was to open up the pleasures of discovering new food | 0:24:54 | 0:24:57 | |
and new flavours. | 0:24:57 | 0:24:58 | |
In 1933, the society held its inaugural tasting meal. | 0:25:00 | 0:25:03 | |
To mark this auspicious occasion, | 0:25:04 | 0:25:06 | |
the Robshaws are holding their own tasting meal. | 0:25:06 | 0:25:09 | |
Rochelle has prepared a wide selection of cheese and fruit. | 0:25:09 | 0:25:12 | |
Bringing the wine is expert in all things grape, and Brandon's TV hero, | 0:25:16 | 0:25:21 | |
Jilly Goolden. | 0:25:21 | 0:25:22 | |
-Hello. -Hello! Hi! -Jilly Goolden! | 0:25:23 | 0:25:27 | |
-Hello! -Jilly Goolden. -I am Jilly, and you're Brandon. | 0:25:27 | 0:25:29 | |
HE LAUGHS | 0:25:29 | 0:25:30 | |
-Hello, Rochelle. Hi. -Come in, come in, come in, come in. | 0:25:30 | 0:25:34 | |
Look at all this. Goodness. | 0:25:36 | 0:25:38 | |
So, I'd like to introduce you to Jilly Goolden. | 0:25:38 | 0:25:42 | |
-Hello. -ALL: Hi. | 0:25:42 | 0:25:43 | |
Honestly, when I used to watch you on television, I used to think, | 0:25:43 | 0:25:46 | |
"If only I can have a drink with Jilly Goolden." | 0:25:46 | 0:25:48 | |
I never dreamt that that would actually happen. | 0:25:48 | 0:25:50 | |
Well, my enthusiasm has not waned, I can tell you. | 0:25:50 | 0:25:53 | |
-I'm still really enthusiastic. -Right. | 0:25:53 | 0:25:54 | |
-And I've got you some wines to try, here, too. -Glad to hear it. | 0:25:54 | 0:25:58 | |
Today's tasting meal is made up of some of the same wines and foods | 0:25:58 | 0:26:01 | |
featured in the 1933 Wine And Food Society Journal. | 0:26:01 | 0:26:05 | |
Andre Simon, big man, big character. | 0:26:05 | 0:26:08 | |
His great passion was to try to get people | 0:26:08 | 0:26:12 | |
to really appreciate flavours. | 0:26:12 | 0:26:14 | |
A man after my own heart. | 0:26:14 | 0:26:15 | |
OK. So let's try this first wine, | 0:26:15 | 0:26:18 | |
which is an Alsace. | 0:26:18 | 0:26:20 | |
Now, when you come to taste it, I'm going to show you the technique. | 0:26:20 | 0:26:23 | |
It's not pretty. You take a sip. | 0:26:23 | 0:26:25 | |
-Munch it round, so it coats all your taste buds... -Mm. | 0:26:25 | 0:26:28 | |
-..then you hold it on your tongue... -Mm-hm. | 0:26:28 | 0:26:30 | |
..purse your lips as though you are about to whistle, and breathe in. | 0:26:30 | 0:26:33 | |
Oh, dear. I feel a bit sort of anxious. | 0:26:35 | 0:26:37 | |
THEY LAUGH | 0:26:37 | 0:26:39 | |
I need a glass of wine before I can do it! | 0:26:39 | 0:26:41 | |
Now, open your lips a little. | 0:26:47 | 0:26:48 | |
-Perfect! -First person who looks good doing that tasting. | 0:26:50 | 0:26:53 | |
-Well done. -You really do taste it. | 0:26:53 | 0:26:55 | |
-My whole mouth is tingling with it now. -Yes! | 0:26:55 | 0:26:57 | |
I'm afraid to describe it, really, in front of you, | 0:26:57 | 0:26:59 | |
because I know you'll do it so much better... | 0:26:59 | 0:27:01 | |
-I want you to, Brandon. -..but it seems to me... | 0:27:01 | 0:27:03 | |
refreshing, slightly dry, kind of summery taste. | 0:27:03 | 0:27:06 | |
It's a little sort of spiciness. | 0:27:06 | 0:27:09 | |
So, it's got that lychee, quite rich, sort of sweet, | 0:27:09 | 0:27:12 | |
it's a bit tinned-peachy sort of favour. | 0:27:12 | 0:27:15 | |
Now, the foods you have in front of you here, | 0:27:15 | 0:27:18 | |
delicious looking cheeses and fruits. | 0:27:18 | 0:27:21 | |
Rochelle's cheese platter includes one | 0:27:21 | 0:27:23 | |
from the very first Society dinner. | 0:27:23 | 0:27:25 | |
That's a very strong one. That's Munster. | 0:27:25 | 0:27:28 | |
This cheese tastes very much like, sort of, farmyard. | 0:27:28 | 0:27:31 | |
Cow's udder, a bit of cowpat. | 0:27:31 | 0:27:34 | |
SHE LAUGHS | 0:27:34 | 0:27:35 | |
How does something that tastes of old socks taste nice? | 0:27:35 | 0:27:38 | |
-FRED: -Are those plums? -These are plums. | 0:27:38 | 0:27:40 | |
The middle one tastes like a peach. | 0:27:40 | 0:27:41 | |
These melt in your mouth. And really sweet. | 0:27:41 | 0:27:44 | |
Now, what we're doing here is very much what | 0:27:44 | 0:27:46 | |
The Wine And Food Society was trying to achieve, | 0:27:46 | 0:27:49 | |
which was people not just enjoying the flavours, | 0:27:49 | 0:27:52 | |
but also having a sort of relaxed, | 0:27:52 | 0:27:55 | |
lovely conversation around it. | 0:27:55 | 0:27:58 | |
Well, we've got something very special. | 0:27:58 | 0:28:00 | |
This is an original | 0:28:00 | 0:28:02 | |
1933 bottle. | 0:28:02 | 0:28:07 | |
-I actually can't quite believe this, can you? -That's extraordinary. -It's actually 83 years old. | 0:28:07 | 0:28:12 | |
Look at that. Gorgeous. | 0:28:12 | 0:28:14 | |
Oh, my goodness. That's just amazing. | 0:28:14 | 0:28:16 | |
That is just beautiful. | 0:28:16 | 0:28:19 | |
Mm. Mm. | 0:28:19 | 0:28:21 | |
Nutty. This has held up remarkably, hasn't it? | 0:28:22 | 0:28:26 | |
I mean, you would never think that was 83 years old. | 0:28:26 | 0:28:29 | |
-MIRANDA: -It's like the French farmer 83 years ago has given us a present. | 0:28:29 | 0:28:32 | |
-Cheers. -ALL: Cheers. | 0:28:32 | 0:28:35 | |
Well, Jilly, thank you so much for coming, it was lovely. | 0:28:35 | 0:28:37 | |
-No, thank you. It was my pleasure. -Thank you very much. | 0:28:37 | 0:28:41 | |
A bottle of wine, something that somebody might actually have drunk | 0:28:41 | 0:28:44 | |
in that year is still around and I can drink it. | 0:28:44 | 0:28:48 | |
It's... You know, I'm not having to imagine what wine in 1933 was like, | 0:28:48 | 0:28:51 | |
I know, I've got it. I can taste it. | 0:28:51 | 0:28:54 | |
So... | 0:28:54 | 0:28:57 | |
It really, really has brought this year to life. | 0:28:57 | 0:28:59 | |
CRACKLING | 0:29:06 | 0:29:07 | |
'This is the national programme from London.' | 0:29:07 | 0:29:10 | |
The Robshaws are four years into the decade... | 0:29:11 | 0:29:14 | |
..and are taking full advantage of the technological progress | 0:29:16 | 0:29:19 | |
happening around them. | 0:29:19 | 0:29:20 | |
But not all new household gadgets rely on electricity. | 0:29:22 | 0:29:25 | |
It's a juice-tractor. | 0:29:25 | 0:29:27 | |
Insert then press, | 0:29:27 | 0:29:29 | |
the juice-tractor does the rest. | 0:29:29 | 0:29:32 | |
Wow. | 0:29:34 | 0:29:36 | |
Today, the family's breakfast reflects one of the biggest crazes | 0:29:36 | 0:29:39 | |
of the decade - dieting. | 0:29:39 | 0:29:41 | |
That is absolutely amazing. | 0:29:41 | 0:29:44 | |
It's based on one of the most popular diets of all, | 0:29:45 | 0:29:48 | |
the Hollywood diet. | 0:29:48 | 0:29:49 | |
Fresh juice, extra lean steak, | 0:29:49 | 0:29:52 | |
tomatoes and grapefruit. | 0:29:52 | 0:29:53 | |
The '30s were the golden age of Hollywood glamour, | 0:29:56 | 0:29:58 | |
and many of the world's most famous actresses | 0:29:58 | 0:30:00 | |
swore by the Hollywood diet. | 0:30:00 | 0:30:03 | |
It required eating grapefruit at every meal, | 0:30:04 | 0:30:06 | |
due to its supposed fat-burning qualities. | 0:30:06 | 0:30:10 | |
Grapefruit. | 0:30:10 | 0:30:12 | |
-Take one. -Do I have to? | 0:30:12 | 0:30:14 | |
-Yes, you have to. -What's in the dish? | 0:30:14 | 0:30:17 | |
Whoa. Steak. | 0:30:17 | 0:30:20 | |
So in order to earn the steak, | 0:30:20 | 0:30:21 | |
I've got to eat this horrible grapefruit, have I? | 0:30:21 | 0:30:23 | |
Do you not like grapefruit? | 0:30:23 | 0:30:25 | |
I detest grapefruit. | 0:30:25 | 0:30:26 | |
-Do you? -Cos they're so tart, so sour. | 0:30:26 | 0:30:28 | |
Oh. | 0:30:30 | 0:30:32 | |
It's not that bad. Dad! | 0:30:32 | 0:30:34 | |
It is. | 0:30:34 | 0:30:35 | |
It is. It just makes me cringe. | 0:30:35 | 0:30:37 | |
I'll eat one more segment then I'll have to call it a day. | 0:30:37 | 0:30:40 | |
-Really. -This is a sweet grapefruit. | 0:30:40 | 0:30:43 | |
I don't even need sugar on it. | 0:30:43 | 0:30:45 | |
Nor do I. | 0:30:45 | 0:30:47 | |
I can't be doing with it. | 0:30:48 | 0:30:50 | |
I'd rather be fat, to be honest. | 0:30:50 | 0:30:52 | |
Dieting and keeping fit were all the rage, especially for young women. | 0:30:56 | 0:31:00 | |
By 1934, | 0:31:02 | 0:31:03 | |
the newly formed Women's League of Health and Beauty | 0:31:03 | 0:31:06 | |
had nearly 50,000 members. | 0:31:06 | 0:31:08 | |
-RECORD PLAYER: -Clap, swing. Clap, swing. | 0:31:10 | 0:31:13 | |
Clap, swing. | 0:31:13 | 0:31:14 | |
If you couldn't get to a mass fitness event, | 0:31:14 | 0:31:17 | |
you could do the exercises at home. | 0:31:17 | 0:31:18 | |
Clap, swing, clap, clap. | 0:31:18 | 0:31:22 | |
Up, down. Up, down. | 0:31:22 | 0:31:25 | |
Oh, my God, it's so fast. | 0:31:25 | 0:31:27 | |
Up, down. | 0:31:27 | 0:31:28 | |
Food manufacturers were quick to cash in on the dieting craze. | 0:31:31 | 0:31:34 | |
The '30s saw the launch of many more products that claimed to help you | 0:31:36 | 0:31:39 | |
stay slim and healthy. | 0:31:39 | 0:31:40 | |
Ryvita crispbread. Crushed wholegrain rye. | 0:31:41 | 0:31:44 | |
All the rye, nothing but rye. | 0:31:44 | 0:31:46 | |
-I think it's got rye in it. -It's got rye in it. | 0:31:48 | 0:31:50 | |
Somehow I kind of felt like this was like a '90s thing or something. | 0:31:50 | 0:31:53 | |
I don't know, I hadn't thought of this being around since the '30s. | 0:31:53 | 0:31:57 | |
While the middle classes were worrying about staying | 0:31:59 | 0:32:01 | |
trim and healthy, others had far less choice about what to eat. | 0:32:01 | 0:32:05 | |
Debbie is living a few miles away from the Robshaws at Ada Lewis House, | 0:32:07 | 0:32:11 | |
built to provide accommodation for respectable working-class women. | 0:32:11 | 0:32:15 | |
I've got tomato soup, tomato soup or tomato soup. | 0:32:16 | 0:32:21 | |
After four shillings a week rent, | 0:32:21 | 0:32:23 | |
Debbie has little money left over for food and she's been living on | 0:32:23 | 0:32:26 | |
a staple diet of tinned soup with bread and margarine. | 0:32:26 | 0:32:30 | |
I mean, it's not nutritious. | 0:32:30 | 0:32:31 | |
I think if you'd been doing days and days of work and then not | 0:32:31 | 0:32:35 | |
eating properly, you'd just get really, really tired. | 0:32:35 | 0:32:38 | |
How can someone ever eat healthily when all they can afford is sort of | 0:32:38 | 0:32:42 | |
bread and margarine? | 0:32:42 | 0:32:44 | |
Why would anyone think that that is fair? | 0:32:44 | 0:32:46 | |
By 1934, Britain's economy was beginning to recover | 0:32:48 | 0:32:51 | |
from the Depression, but the working classes | 0:32:51 | 0:32:54 | |
were yet to see the benefits. | 0:32:54 | 0:32:56 | |
Unemployment was still incredibly high at around 16%. | 0:32:56 | 0:32:59 | |
Many people simply didn't have enough to eat. | 0:33:00 | 0:33:03 | |
-NEWSREEL: -200,000 unemployed escorting a petition | 0:33:04 | 0:33:08 | |
signed by a million persons. A demand for someone, | 0:33:08 | 0:33:11 | |
somewhere to do something about empty coal trucks | 0:33:11 | 0:33:17 | |
and the resultant empty stomachs. | 0:33:17 | 0:33:20 | |
Scores of hunger marches were organised as the unemployed walked | 0:33:20 | 0:33:23 | |
hundreds of miles to London to bring attention to their plight. | 0:33:23 | 0:33:28 | |
I mean, it is weird, the fact that there's people, like, what would have been my family | 0:33:28 | 0:33:32 | |
up in the north, that maybe would have struggled so much, | 0:33:32 | 0:33:34 | |
they couldn't even afford food. | 0:33:34 | 0:33:36 | |
It's not a very nice thought at all, | 0:33:36 | 0:33:38 | |
to think there should be that kind of divide. | 0:33:38 | 0:33:40 | |
After a day on the Hollywood diet, | 0:33:46 | 0:33:47 | |
the family are planning to bring a bit of Hollywood glamour | 0:33:47 | 0:33:50 | |
to the suburbs. | 0:33:50 | 0:33:51 | |
GASPS | 0:33:54 | 0:33:56 | |
Isn't it magic? | 0:33:56 | 0:33:57 | |
Ros and Miranda are preparing a brand-new cinema snack - popcorn. | 0:33:57 | 0:34:02 | |
Oh, look, look at them in their trousers. | 0:34:02 | 0:34:05 | |
Fantastic. Have they all got them? | 0:34:05 | 0:34:07 | |
-Yeah! -Have you got them? | 0:34:07 | 0:34:09 | |
Oh, yes! | 0:34:09 | 0:34:11 | |
-Brilliant. -This seems very glamorous. | 0:34:11 | 0:34:13 | |
New technology meant the cinema could come to you. | 0:34:15 | 0:34:18 | |
-Action. -Oh. | 0:34:18 | 0:34:20 | |
Brandon has rented Robinson Crusoe from the local library. | 0:34:22 | 0:34:25 | |
Actually, the good thing about watching a silent film | 0:34:25 | 0:34:28 | |
is you can provide your own commentary, can't you? | 0:34:28 | 0:34:30 | |
I wish he wasn't wearing that stupid hat, I can't take him seriously. | 0:34:30 | 0:34:32 | |
Yes, I think his hat is a little unusual, isn't it? | 0:34:32 | 0:34:36 | |
Oh, look, he's asking the parrots to be quiet. | 0:34:36 | 0:34:39 | |
Grab a bit. | 0:34:39 | 0:34:40 | |
Don't throw popcorn at the screen! | 0:34:41 | 0:34:44 | |
Oh, that's nice. | 0:34:44 | 0:34:46 | |
Are you admiring his umbrella legs? | 0:34:46 | 0:34:48 | |
Yes. Look. | 0:34:48 | 0:34:50 | |
I think the home cinema was simply amazing. | 0:34:50 | 0:34:53 | |
It was a real treat to have this kind of fantastic old projector | 0:34:53 | 0:34:57 | |
in the living room, eating popcorn, drinking gin and tonic. | 0:34:57 | 0:35:00 | |
I did think that the home cinema experience was amazing. | 0:35:00 | 0:35:08 | |
Whilst I was watching the film, what I did think of was Debbie. | 0:35:08 | 0:35:11 | |
I thought of her going home and maybe not having much to eat | 0:35:11 | 0:35:14 | |
or anyone to talk to. | 0:35:14 | 0:35:16 | |
The Robshaws are halfway through a decade defined by rapid progress. | 0:35:26 | 0:35:30 | |
Look, this is massive, Debbie. | 0:35:32 | 0:35:34 | |
This is like... Look at that. | 0:35:34 | 0:35:37 | |
-That's a very nice piece of salmon. -It's absolutely lovely. Look at it. | 0:35:37 | 0:35:41 | |
But today Rochelle is using recipes from the past. | 0:35:41 | 0:35:44 | |
Florence White, the founder of the Folk Cookery Association, | 0:35:46 | 0:35:49 | |
collected recipes that had been handed down over many generations. | 0:35:49 | 0:35:52 | |
It's basically poached salmon and loads of salads. | 0:35:55 | 0:35:59 | |
The 1930s saw a growing interest in the folk movement. | 0:36:00 | 0:36:03 | |
Groups like the English Folk Dance and Song Society organised festivals | 0:36:05 | 0:36:09 | |
to help save Britain's ancient cultural heritage | 0:36:09 | 0:36:12 | |
before it was lost forever. | 0:36:12 | 0:36:14 | |
I mean, I think the change that must be happening in the world | 0:36:16 | 0:36:20 | |
at this time, in the space of a very short space of time, | 0:36:20 | 0:36:24 | |
must have left people wondering, you know, where they were. | 0:36:24 | 0:36:28 | |
So always going back to a folkishness | 0:36:28 | 0:36:32 | |
would seem particularly appealing. | 0:36:32 | 0:36:34 | |
Rochelle is cooking... | 0:36:36 | 0:36:38 | |
Stick the almonds into the cake beginning at the back | 0:36:47 | 0:36:50 | |
and sloping them backwards. | 0:36:50 | 0:36:53 | |
This version dates from the 18th century and was sent to the | 0:36:53 | 0:36:56 | |
author by Gladys Langley of Acton. | 0:36:56 | 0:36:59 | |
I've seen a hedgehog, so I've got an idea of what a hedgehog | 0:36:59 | 0:37:03 | |
would look like, except it doesn't look like this. | 0:37:03 | 0:37:07 | |
It looks like a very, very fat mouse. | 0:37:07 | 0:37:10 | |
A mouse with a bad skin condition. | 0:37:10 | 0:37:13 | |
Come through. | 0:37:15 | 0:37:17 | |
-Oh, how lovely. -Doesn't it look beautiful? | 0:37:17 | 0:37:19 | |
Rochelle has invited her boss Judith and Polly to share the best of | 0:37:19 | 0:37:23 | |
Britain's culinary heritage. | 0:37:23 | 0:37:25 | |
Shall we help ourselves to salads and I'll do the salmon? | 0:37:25 | 0:37:29 | |
A key feature of traditional folk meals is a centrepiece | 0:37:29 | 0:37:32 | |
of simply prepared fish or meat | 0:37:32 | 0:37:34 | |
complemented by stronger flavours served separately. | 0:37:34 | 0:37:37 | |
It's all sort of very fresh. | 0:37:39 | 0:37:41 | |
And really English summer cookery, isn't it? | 0:37:41 | 0:37:44 | |
The nasturtium salad has a dressing with nasturtium pods in it. | 0:37:44 | 0:37:50 | |
-Really? -Yes. | 0:37:50 | 0:37:52 | |
It's nice. It's quite horseradishy, isn't it? | 0:37:52 | 0:37:55 | |
They are very nice. | 0:37:55 | 0:37:57 | |
Florence White's one of my all-time food heroines. | 0:37:57 | 0:38:01 | |
She was a sort of pioneer, really, | 0:38:01 | 0:38:04 | |
rediscovering English traditional recipes. | 0:38:04 | 0:38:07 | |
You didn't have to cook French food, | 0:38:07 | 0:38:08 | |
you didn't have to cook the food the aristocracy were eating, | 0:38:08 | 0:38:12 | |
you could eat cooked foods that normal people | 0:38:12 | 0:38:15 | |
had cooked for generations. | 0:38:15 | 0:38:17 | |
To me, this seems like very sort of, like sophisticated food. | 0:38:17 | 0:38:22 | |
It's like sort of Sunday supplement food. | 0:38:22 | 0:38:24 | |
Yeah, that's exactly what it's like. | 0:38:24 | 0:38:26 | |
I think that is what's so amazing about her is that she was, you know, | 0:38:26 | 0:38:30 | |
depicting and imagining, writing about food in this way, | 0:38:30 | 0:38:33 | |
which now we almost take for granted, | 0:38:33 | 0:38:36 | |
but that she was doing it so long ago. | 0:38:36 | 0:38:38 | |
Oh, my goodness. What's that? | 0:38:39 | 0:38:41 | |
This is a tipsy hedgehog. | 0:38:41 | 0:38:44 | |
It's redcurrant jelly by his mouth. | 0:38:44 | 0:38:47 | |
It looks like he's killed a slug or something. | 0:38:47 | 0:38:50 | |
-It does, doesn't it? -A bit eerie, it's looking at me. | 0:38:50 | 0:38:52 | |
Can I just turn it round? | 0:38:52 | 0:38:55 | |
I thought the folk lunch was really enjoyable. | 0:38:55 | 0:38:59 | |
My whole idea of folk is sort of sandals and hemp, | 0:38:59 | 0:39:04 | |
but these dishes conjured up sort of summer and a kind of idyllic time. | 0:39:04 | 0:39:12 | |
It's 1936 and the future holds a new threat to the British idyll. | 0:39:22 | 0:39:28 | |
Across Europe, fascism is on the rise. | 0:39:28 | 0:39:30 | |
Oh, see that. | 0:39:32 | 0:39:33 | |
-Looks like something out of a nightmare, doesn't it? -Yes. | 0:39:34 | 0:39:36 | |
Swastikas everywhere and massed crowds. | 0:39:36 | 0:39:39 | |
The triumphalism of it. | 0:39:39 | 0:39:41 | |
-Yes. -But, for some, fascism had already arrived in Britain. | 0:39:41 | 0:39:44 | |
In the 1930s, London's East End had a sizeable Jewish population. | 0:39:46 | 0:39:50 | |
Most, including some of my own family, had arrived as immigrants | 0:39:51 | 0:39:55 | |
from Eastern Europe in the late 19th century. | 0:39:55 | 0:39:57 | |
It was a close-knit community with hundreds of restaurants, | 0:40:01 | 0:40:04 | |
food shops and bakeries. | 0:40:04 | 0:40:05 | |
I've come to one of the few still open for business. | 0:40:07 | 0:40:11 | |
Can you do me one with cream cheese and smoked salmon, please? | 0:40:11 | 0:40:14 | |
Would you know what I meant if I said lox and a schmear? | 0:40:14 | 0:40:18 | |
-Yeah, salmon and cream cheese. -Yeah. Does anyone ever said that any more? | 0:40:18 | 0:40:21 | |
-No. -I was going to say it, but I was worried. | 0:40:21 | 0:40:23 | |
That's what my grandparents always said - lox and a schmear. | 0:40:23 | 0:40:25 | |
Emboldened by events in Europe, | 0:40:29 | 0:40:31 | |
British fascists began to target Jews directly. | 0:40:31 | 0:40:33 | |
In October 1936, inspired by the Nazis, their leader, Oswald Mosley, | 0:40:35 | 0:40:40 | |
planned a provocative march right through the heart | 0:40:40 | 0:40:42 | |
of the Jewish community. | 0:40:42 | 0:40:44 | |
Rochelle's family were also East End Jews, | 0:40:48 | 0:40:50 | |
so I've brought the Robshaws back to their roots to Cable Street | 0:40:50 | 0:40:54 | |
and its iconic mural. | 0:40:54 | 0:40:55 | |
-What do you think of this? -I love it. | 0:40:58 | 0:41:00 | |
I think it's really amazing. I think it's great. | 0:41:00 | 0:41:02 | |
It commemorates a massive and important thing - | 0:41:02 | 0:41:04 | |
the Battle of Cable Street, | 0:41:04 | 0:41:06 | |
which was when Oswald Mosley's Blackshirts, | 0:41:06 | 0:41:08 | |
who were, you know, a bunch of hooligan buffoons | 0:41:08 | 0:41:11 | |
led by a posh twerp, | 0:41:11 | 0:41:12 | |
but who took their inspiration from Hitler and the fascists of Europe, | 0:41:12 | 0:41:15 | |
tried to march through the heart of the Jewish East End, | 0:41:15 | 0:41:18 | |
where families like yours and mine were living, | 0:41:18 | 0:41:20 | |
and the working class of the London East End rose up to stop them. | 0:41:20 | 0:41:24 | |
-NEWSREEL: -Sir Oswald Mosley, Blackshirt leader, | 0:41:26 | 0:41:28 | |
arrives at Royal Mint Street to inspect his followers. | 0:41:28 | 0:41:31 | |
In Stepney, thousands of East Enders prepared to resist the invasion. | 0:41:31 | 0:41:35 | |
Communists, Labourites and Jews jam the fascist route. | 0:41:35 | 0:41:38 | |
A fierce battle ensued with Cable Street at its centre | 0:41:40 | 0:41:43 | |
and the fascists were forced to turn round. | 0:41:43 | 0:41:46 | |
There's all the chairs being thrown and stuff like that. | 0:41:48 | 0:41:50 | |
There's Hitler in his underwear, who wasn't actually here, | 0:41:50 | 0:41:52 | |
but they are making a mockery of him. | 0:41:52 | 0:41:54 | |
They are throwing things down like bottles, possibly filled with wee. | 0:41:54 | 0:41:59 | |
I think it's really amazing that men and women, children, | 0:41:59 | 0:42:02 | |
everybody wanted to stop it and there was... | 0:42:02 | 0:42:05 | |
It wasn't just the Jews. | 0:42:05 | 0:42:06 | |
The Communists, the trade unions, | 0:42:06 | 0:42:08 | |
they were all against Mosley walking through the area. | 0:42:08 | 0:42:12 | |
It always makes me so happy that they tried fascism here | 0:42:12 | 0:42:17 | |
and we wouldn't have it. | 0:42:17 | 0:42:18 | |
To mark this pivotal point in British history, | 0:42:20 | 0:42:23 | |
and to give the Robshaws a taste of Jewish food in 1936, | 0:42:23 | 0:42:26 | |
I've arranged a celebratory meal. | 0:42:26 | 0:42:28 | |
Oh, I'm liking what I'm seeing. | 0:42:30 | 0:42:32 | |
-What a spread, eh? -What a spread. | 0:42:32 | 0:42:34 | |
I'm serving up a traditional Jewish dinner featuring potato | 0:42:34 | 0:42:37 | |
latkes, gefilte fish, salt beef, pickles and a roast chicken. | 0:42:37 | 0:42:42 | |
I think with particular reference to Cable Street, | 0:42:42 | 0:42:45 | |
there is a way of distilling all Jewish festivals down to a single | 0:42:45 | 0:42:48 | |
sentence, which is, "They tried to kill us, we survived, let's eat." | 0:42:48 | 0:42:52 | |
Which is basically all of them. So shall we do the chicken soup first? | 0:42:52 | 0:42:56 | |
These are called matzo balls, also known as kneydl. | 0:42:56 | 0:43:01 | |
This tastes like non-sweet cookie dough. | 0:43:01 | 0:43:04 | |
Quite rubbery. | 0:43:04 | 0:43:06 | |
Very stodgy, isn't it? | 0:43:07 | 0:43:08 | |
I mean, there's a lot of stodgy food on the table. | 0:43:08 | 0:43:11 | |
Stodgiest of all is the gefilte fish. | 0:43:11 | 0:43:13 | |
I just remember as a kid never being a fan of gefilte fish. | 0:43:13 | 0:43:16 | |
My heart always sank when I saw it on the table. | 0:43:16 | 0:43:19 | |
-Especially with its little carrot hat. -No, it's famously terrible. | 0:43:19 | 0:43:21 | |
I wrote a review once of a Jewish restaurant and I said the gefilte | 0:43:21 | 0:43:24 | |
fish was terrible, as it should be. And people got a bit upset. | 0:43:24 | 0:43:27 | |
It's going to be a taste sensation. | 0:43:27 | 0:43:29 | |
He loves it! Right. | 0:43:34 | 0:43:35 | |
-He's a Jew. -There's something about the texture that's just slightly sort of glutinous. | 0:43:38 | 0:43:41 | |
Basically, Jews did not live in places with coastlines. | 0:43:41 | 0:43:44 | |
They lived in landlocked Central Europe, so there were no sea fish. | 0:43:44 | 0:43:48 | |
Delicious, yummy cod and stuff not available. | 0:43:48 | 0:43:50 | |
What they ate was lake fish, so they ate things like pike, carp. | 0:43:50 | 0:43:53 | |
It's just a bony fish - you boil it, | 0:43:53 | 0:43:55 | |
you drag all the flesh off the bones, you mash it up. | 0:43:55 | 0:43:58 | |
You form it into sort of shapes a bit like a foot and you eat it | 0:43:58 | 0:44:02 | |
with sugar. And that's it. | 0:44:02 | 0:44:04 | |
And then Fred doesn't really like it and can you really blame him? | 0:44:04 | 0:44:08 | |
These are whoppers. | 0:44:08 | 0:44:10 | |
Jewish food is fatty, nothing very fresh. | 0:44:10 | 0:44:13 | |
The closest thing is a pickled cucumber. | 0:44:13 | 0:44:15 | |
You know, boiled things, | 0:44:15 | 0:44:16 | |
things that you can quickly parcel up into a bag when | 0:44:16 | 0:44:19 | |
the Nazis come, and run. | 0:44:19 | 0:44:21 | |
I think there's a thing with Jewish cooking which is to do with | 0:44:21 | 0:44:24 | |
making the most of the moment that you have, because, | 0:44:24 | 0:44:27 | |
who knows what tomorrow may bring. | 0:44:27 | 0:44:29 | |
Eat, drink and be merry, for tomorrow we die. | 0:44:29 | 0:44:30 | |
Right, and that sums it up. | 0:44:30 | 0:44:33 | |
Something that was strange while I was eating this food is that | 0:44:33 | 0:44:35 | |
I completely forgot that I was supposed to be in 1936, | 0:44:35 | 0:44:39 | |
because this is just food that we would have at, like, | 0:44:39 | 0:44:42 | |
a family gathering with, like, the Jewish side of my family | 0:44:42 | 0:44:46 | |
and it is so strange how the food just hasn't changed | 0:44:46 | 0:44:49 | |
in that 80 years. | 0:44:49 | 0:44:51 | |
When you're living in a world filled with, like, persecution and fear, | 0:44:51 | 0:44:54 | |
it must be really nice to have that sort of, like, comfortable place | 0:44:54 | 0:44:57 | |
and point of stability in your life. | 0:44:57 | 0:45:00 | |
The truth is that with the Jewish religion, Jewish culture, | 0:45:00 | 0:45:02 | |
Jewish life, in the end, everything comes down to food. | 0:45:02 | 0:45:05 | |
And after a day talking about immigration and Cable Street | 0:45:05 | 0:45:07 | |
and the terrible things that happened in the 1930s, | 0:45:07 | 0:45:10 | |
it's lovely to end with basically exactly the same meal that | 0:45:10 | 0:45:13 | |
they'd have had when Mosley and his Blackshirts had left, | 0:45:13 | 0:45:16 | |
and they settle down, "Oh, that's over. | 0:45:16 | 0:45:18 | |
"Let's have some salt beef." | 0:45:18 | 0:45:20 | |
There's a strange kind of contrast between the cosiness, | 0:45:24 | 0:45:28 | |
the pleasantness of family life | 0:45:28 | 0:45:30 | |
and these big and scary political changes. | 0:45:30 | 0:45:33 | |
There's almost something cocoon-like about this 1930s house. | 0:45:33 | 0:45:36 | |
It feels like a place of safety when actually terrifying things | 0:45:36 | 0:45:40 | |
are happening. | 0:45:40 | 0:45:41 | |
Double spin it. One, two... | 0:45:47 | 0:45:50 | |
It's 1937 and, despite the growing threat to peace in Europe, | 0:45:50 | 0:45:54 | |
everyday life continues to improve, especially for the young. | 0:45:54 | 0:45:58 | |
Ros and Miranda are dancing to the latest American craze - swing. | 0:46:00 | 0:46:04 | |
America's cultural influence was huge. | 0:46:07 | 0:46:09 | |
And our larders were increasingly full of the latest US innovations. | 0:46:11 | 0:46:14 | |
Chef Ainsley Harriott is coming round to introduce the Robshaws | 0:46:16 | 0:46:19 | |
to an American invention that would transform a British staple. | 0:46:19 | 0:46:23 | |
-Hello. -Welcome. | 0:46:24 | 0:46:26 | |
-Ainsley Harriott! -How are you doing? | 0:46:26 | 0:46:28 | |
-Very well, thank you. -It's Rochelle, it is it? | 0:46:28 | 0:46:30 | |
-It is. -Marvellous to meet you. -And lovely to meet you, too. | 0:46:30 | 0:46:33 | |
-Come in. -Hey. Hello, how are you all? | 0:46:33 | 0:46:36 | |
Are you good? | 0:46:36 | 0:46:37 | |
In 1937, | 0:46:39 | 0:46:40 | |
the Wonderloaf bakery in Tottenham imported a brand-new machine | 0:46:40 | 0:46:43 | |
from Missouri - an automated bread slicer and packager. | 0:46:43 | 0:46:47 | |
This was the first time that sliced bread was introduced into Britain. | 0:46:48 | 0:46:53 | |
That is the best thing I've ever seen. | 0:46:53 | 0:46:56 | |
-Look at that. -I am excited to see sliced bread like this, | 0:46:56 | 0:47:00 | |
because it's an equal, uniform shape, it's nice and square, | 0:47:00 | 0:47:04 | |
it means I'm not going to be hacking at the bread, | 0:47:04 | 0:47:07 | |
and it looks sort of like nice and perfect. | 0:47:07 | 0:47:10 | |
Perfectly sliced bread led to a whole new approach to the humble sandwich. | 0:47:10 | 0:47:14 | |
Cold devil sandwich for you. | 0:47:14 | 0:47:16 | |
Simple cheese and pickle won't cut it. | 0:47:16 | 0:47:19 | |
Ainsley has brought some 1930s sandwich recipes | 0:47:19 | 0:47:22 | |
from the Delia Smith of the age, Mrs CF Leyel. | 0:47:22 | 0:47:25 | |
A summer sandwich, which is a mixture of mixed chopped olives, | 0:47:25 | 0:47:29 | |
cream cheese, spread between buttered bread. | 0:47:29 | 0:47:32 | |
Chop a few of those up. See what we're doing there? | 0:47:32 | 0:47:35 | |
Leyel's recipes encouraged housewives to make | 0:47:35 | 0:47:38 | |
sandwiches the American way, | 0:47:38 | 0:47:40 | |
combining rich ingredients to form elaborate savoury pastes. | 0:47:40 | 0:47:43 | |
Then, we've got the tartare sauce. | 0:47:45 | 0:47:47 | |
A dollop of that. Very slowly now, | 0:47:47 | 0:47:49 | |
we don't want that going all over our tablecloth. | 0:47:49 | 0:47:52 | |
I've got the creamed haddock sandwich, so I've just flaked | 0:47:52 | 0:47:55 | |
the fish up, now I've got to add three tablespoons of cream, | 0:47:55 | 0:47:59 | |
which sounds like quite a lot to me. | 0:47:59 | 0:48:00 | |
What have you got going in yours? | 0:48:00 | 0:48:02 | |
Haricot beans, horseradish, mustard, parsley, celery. | 0:48:02 | 0:48:06 | |
Now that sounds like a lovely combination. | 0:48:06 | 0:48:10 | |
You have a go. That's better. | 0:48:10 | 0:48:12 | |
I'm your food processor. | 0:48:13 | 0:48:14 | |
OK. You didn't have one of them in the 1930s, did you, eh? | 0:48:20 | 0:48:23 | |
Come and stay in the larder. | 0:48:23 | 0:48:25 | |
Sliced bread helped another American trend take hold in the 1930s. | 0:48:25 | 0:48:29 | |
Some of Britain's first fast-food restaurants | 0:48:29 | 0:48:32 | |
were up-market sandwich bars. | 0:48:32 | 0:48:34 | |
The thing is, you could not have produced sandwiches like this | 0:48:34 | 0:48:37 | |
without the sliced bread, could you? Not really. | 0:48:37 | 0:48:39 | |
Absolutely. It's a bit more uniform, isn't it? | 0:48:39 | 0:48:42 | |
And there is something which is what we are used to today, but in fact, | 0:48:42 | 0:48:46 | |
can you imagine something like that in the 1930s? | 0:48:46 | 0:48:48 | |
That is pretty impressive. | 0:48:48 | 0:48:50 | |
Robshaw family, you've done the sliced bread proud. | 0:48:50 | 0:48:53 | |
Hey, thumbs up in the middle. | 0:48:53 | 0:48:55 | |
Woo. | 0:48:55 | 0:48:57 | |
With the picnic in the bag, | 0:49:01 | 0:49:02 | |
the Robshaws are off for a family day out. | 0:49:02 | 0:49:05 | |
They've come to Tooting Lido - | 0:49:11 | 0:49:13 | |
one of many urban open-air swimming pools built in the 1930s | 0:49:13 | 0:49:17 | |
as leisure opened up to the masses. | 0:49:17 | 0:49:19 | |
Mixed bathing is now allowed and the whole family can enjoy | 0:49:22 | 0:49:25 | |
their time together. | 0:49:25 | 0:49:26 | |
I think it's the informality that we haven't seen before. | 0:49:36 | 0:49:39 | |
All of us sort of larking about and that's what's been missing | 0:49:39 | 0:49:44 | |
from the other decades. | 0:49:44 | 0:49:46 | |
Now you'd see other families around doing the same sort of thing, | 0:49:46 | 0:49:50 | |
so it does feel sort of a very different, a different time. | 0:49:50 | 0:49:54 | |
Who wants a plate? | 0:49:59 | 0:50:01 | |
Keeping the Robshaws' sandwiches nice and fresh suddenly became a lot | 0:50:01 | 0:50:04 | |
simpler with another 1937 invention - cellophane. | 0:50:04 | 0:50:08 | |
What's it called, Ros, what's it called? | 0:50:09 | 0:50:11 | |
It was like haricot beans and stuff. | 0:50:11 | 0:50:13 | |
It's kind of like a baked bean sandwich, isn't it? | 0:50:13 | 0:50:15 | |
Your one tastes like the inside of cheese straws. | 0:50:15 | 0:50:18 | |
The inside of a cheese straw? | 0:50:18 | 0:50:20 | |
You know what I mean? | 0:50:21 | 0:50:22 | |
I think the best sandwich out of the ones we made is the summer sandwich | 0:50:24 | 0:50:27 | |
with olives and cream cheese. | 0:50:27 | 0:50:29 | |
To be honest, that is the only one I would eat in normal life. | 0:50:29 | 0:50:31 | |
-Yeah. -The other ones were a bit claggy, weren't they? | 0:50:31 | 0:50:33 | |
They were claggy - is the very word. | 0:50:33 | 0:50:36 | |
To go with the sandwiches are pineapple chunks, boiled eggs, | 0:50:36 | 0:50:39 | |
ginger beer and tea. | 0:50:39 | 0:50:42 | |
It's idyllic, really, isn't it? | 0:50:42 | 0:50:43 | |
This is like a Famous Five-style picnic. We just need a dog. | 0:50:43 | 0:50:46 | |
-Here. -Thank you. | 0:50:57 | 0:50:59 | |
Eight years in and there's more choice than ever at the Robshaw's table. | 0:50:59 | 0:51:03 | |
Let me see if I can hear them snap, crackle and pop. | 0:51:03 | 0:51:06 | |
Oh, yes, they're absolutely fizzing away there. | 0:51:06 | 0:51:09 | |
Britain's favourite breakfast is fast becoming branded cereal. | 0:51:09 | 0:51:13 | |
This one says Weetabix - more than a breakfast food. | 0:51:13 | 0:51:16 | |
A middle-class family can now afford to cater for everyone's individual taste. | 0:51:16 | 0:51:21 | |
What did you get in that one? | 0:51:21 | 0:51:23 | |
I think it's a ship-making thing. | 0:51:23 | 0:51:25 | |
Such choice has so far only benefited those who can afford it, | 0:51:28 | 0:51:32 | |
but welfare reform is finally making life better for many more. | 0:51:32 | 0:51:35 | |
Debbie is now entitled to holiday pay, | 0:51:37 | 0:51:39 | |
so she's come to Bexhill-on-Sea with a friend. | 0:51:39 | 0:51:41 | |
MUSIC: Swimmin With The Wimmin by George Formby | 0:51:43 | 0:51:46 | |
The 1930s was the heyday of the British resort, | 0:51:51 | 0:51:54 | |
with millions flocking to the seaside. | 0:51:54 | 0:51:57 | |
Thanks to the 1938 Holidays with Pay Act, | 0:51:57 | 0:51:59 | |
a week by the sea was now accessible to 19 million low-paid workers. | 0:51:59 | 0:52:03 | |
For Debbie, it means she finally gets to enjoy fish and chips, | 0:52:05 | 0:52:08 | |
instead of having to make them. | 0:52:08 | 0:52:10 | |
It's kind of important for workers to have a break. | 0:52:10 | 0:52:13 | |
I mean, after I've worked like what I have been doing, | 0:52:13 | 0:52:15 | |
and then to have a law made that I have to have a paid holiday, | 0:52:15 | 0:52:18 | |
must have been, I don't know, excellent. | 0:52:18 | 0:52:21 | |
For many, the summer of '38 was a time of fun and optimism. | 0:52:22 | 0:52:26 | |
But Hitler's actions in Germany were becoming harder to ignore. | 0:52:32 | 0:52:37 | |
The optimism and progress of 20 years of peace felt less secure. | 0:52:37 | 0:52:42 | |
Our policy has always been to try to ensure peace. | 0:52:42 | 0:52:47 | |
After the losses of World War I, | 0:52:47 | 0:52:49 | |
popular opinion was to avoid war at all costs. | 0:52:49 | 0:52:52 | |
This morning I had | 0:52:52 | 0:52:55 | |
another talk with the German Chancellor Herr Hitler. | 0:52:55 | 0:52:59 | |
We regard the agreement signed last night as symbolic of the desire | 0:52:59 | 0:53:04 | |
of our two peoples never to go to war with one another again. | 0:53:04 | 0:53:08 | |
CHEERING | 0:53:08 | 0:53:09 | |
If I heard that, I would just hope, fingers crossed, | 0:53:11 | 0:53:15 | |
that I would believe the politician that there would be no war. | 0:53:15 | 0:53:20 | |
I would feel kind of like a sense of relief that it would be OK. | 0:53:20 | 0:53:24 | |
I certainly wouldn't feel frightened. | 0:53:24 | 0:53:27 | |
There's something about that speech and the cheers afterwards. | 0:53:27 | 0:53:30 | |
-There's something reassuring about it, isn't there? -Yeah. | 0:53:30 | 0:53:33 | |
It's very sad. | 0:53:33 | 0:53:35 | |
Find a space for that somewhere? | 0:53:41 | 0:53:43 | |
It's 1939. | 0:53:43 | 0:53:44 | |
-How are you? -Hello, nice to see you. | 0:53:45 | 0:53:48 | |
And the Robshaws have invited me, | 0:53:48 | 0:53:50 | |
Polly and some friends to mark the end of the decade. | 0:53:50 | 0:53:53 | |
I thought a touch of George Formby would be just exactly what the occasion demands. | 0:53:53 | 0:53:57 | |
# With me little stick of Blackpool rock | 0:53:57 | 0:54:01 | |
# Along the promenade I stroll | 0:54:01 | 0:54:05 | |
# It may be sticky but I never complain | 0:54:05 | 0:54:07 | |
# It's nice to have a nibble at it now and again | 0:54:07 | 0:54:11 | |
# Every day, wherever I stray, the kids all round me flock | 0:54:11 | 0:54:16 | |
# A fella took me photograph, it cost one and three | 0:54:16 | 0:54:19 | |
# I said when it were done, is that supposed to be me? | 0:54:19 | 0:54:22 | |
# He properly mucked it up, the only thing I can see | 0:54:22 | 0:54:25 | |
# Is me little stick of Blackpool rock | 0:54:25 | 0:54:27 | |
# Oh, lordy, lordy, me little stick of Blackpool rock. # | 0:54:27 | 0:54:30 | |
Thanks very much, hope you enjoyed it. | 0:54:34 | 0:54:37 | |
So how was the 1930s for you? | 0:54:38 | 0:54:40 | |
Well, I thought it really was a decade of discovery. | 0:54:40 | 0:54:44 | |
I was a bit surprised at actually how well we ate. | 0:54:44 | 0:54:46 | |
So it was a decade of, for us, in the middle classes, of abundance. | 0:54:46 | 0:54:52 | |
Our family kind of set-up and life has become much more informal. | 0:54:52 | 0:54:56 | |
It does feel like a decade of progression and I think it feels | 0:54:56 | 0:55:00 | |
like a good time to be young. | 0:55:00 | 0:55:01 | |
Has this been your favourite decade so far? | 0:55:01 | 0:55:04 | |
-Yes. -It's been mine, yeah. | 0:55:04 | 0:55:06 | |
I suppose as far as you were concerned, you were just heading out into a wonderful future? | 0:55:09 | 0:55:13 | |
I think it's kind of given new meaning to that phrase, | 0:55:13 | 0:55:16 | |
"A false sense of security." | 0:55:16 | 0:55:18 | |
On September the 1st, despite all previous agreements and treaties, | 0:55:20 | 0:55:24 | |
Germany invaded Poland. | 0:55:24 | 0:55:26 | |
The party was over. | 0:55:26 | 0:55:27 | |
RADIO: You will now hear a statement by the Prime Minister. | 0:55:27 | 0:55:31 | |
I am speaking to you... | 0:55:31 | 0:55:33 | |
..from the Cabinet room at 10 Downing Street. | 0:55:34 | 0:55:38 | |
I have to tell you now... | 0:55:38 | 0:55:39 | |
..this country is at war with Germany. | 0:55:40 | 0:55:43 | |
Now may God bless you all, | 0:55:45 | 0:55:47 | |
for it is evil things that we shall be fighting against. | 0:55:47 | 0:55:50 | |
Brute force, bad faith, injustice, oppression, | 0:55:51 | 0:55:57 | |
and persecution. | 0:55:57 | 0:55:58 | |
And against them, I am certain | 0:56:00 | 0:56:03 | |
that the right will prevail. | 0:56:03 | 0:56:05 | |
There just isn't any real way of grasping, is there... | 0:56:06 | 0:56:10 | |
You're about to go into a world war. It sounds like it's | 0:56:10 | 0:56:13 | |
the end of the world. It's impossible to imagine. | 0:56:13 | 0:56:15 | |
It is a kind of very sort of striking speech and announcement. | 0:56:15 | 0:56:18 | |
He makes it sound as though it's a war of ideology, this time, | 0:56:18 | 0:56:21 | |
and like we're on the side of the right. | 0:56:21 | 0:56:23 | |
I think, listening to that, as a family and as a nation, | 0:56:23 | 0:56:26 | |
we would have thought, "Right, OK, we've given him every chance, | 0:56:26 | 0:56:31 | |
"now it's war. Now, you know, he's asked for it." | 0:56:31 | 0:56:34 | |
What about for you, Rochelle, as the mother of the family? | 0:56:34 | 0:56:37 | |
I was trying to work out how old Fred would have been, | 0:56:37 | 0:56:39 | |
so my thought would be for him going to fight. | 0:56:39 | 0:56:42 | |
I think British people would have gone, "Oh, God, not again." | 0:56:42 | 0:56:45 | |
Don't you? And then just braced themselves for the task. | 0:56:45 | 0:56:48 | |
I think I agree with you. | 0:56:48 | 0:56:49 | |
I probably would have stood up and just thought, "Right, well, | 0:56:49 | 0:56:52 | |
"that's what we have to do." | 0:56:52 | 0:56:54 | |
I think the 1930s was a great decade for the Robshaws. | 0:56:57 | 0:57:00 | |
They enjoyed themselves unexpectedly. | 0:57:00 | 0:57:02 | |
They were relaxed, things moved on, they had so many freedoms. | 0:57:02 | 0:57:04 | |
The food was better and healthier. | 0:57:04 | 0:57:06 | |
Things were going so well and then the declaration of war | 0:57:06 | 0:57:10 | |
and you almost saw the colour drain from their faces. | 0:57:10 | 0:57:12 | |
And now the 1940s are coming and all the wonderful things | 0:57:12 | 0:57:15 | |
we've given them are about to be taken away. | 0:57:15 | 0:57:17 | |
Finally, in the '30s, you do feel like things are more genuine | 0:57:18 | 0:57:22 | |
and they really are moving forward. | 0:57:22 | 0:57:24 | |
And that's all turned topsy-turvy by the war. | 0:57:24 | 0:57:27 | |
This golden period is very fleeting. | 0:57:27 | 0:57:29 | |
It actually makes me feel quite sick, sort of living through | 0:57:31 | 0:57:35 | |
the '30s, because it's a really odd rubbing together | 0:57:35 | 0:57:39 | |
of comfortableness and horror. | 0:57:39 | 0:57:41 | |
You can't help but look back on this period with a sense of tragic irony, | 0:57:43 | 0:57:47 | |
cos we know what came next. | 0:57:47 | 0:57:49 | |
And it almost feels as if when the war does begin in 1939, | 0:57:49 | 0:57:53 | |
it just puts a stop on everything. | 0:57:53 | 0:57:56 | |
Everything goes on hold. | 0:57:56 | 0:57:57 | |
Social progress, | 0:57:58 | 0:58:00 | |
the idea of a world of sort of greater freedom and opportunities, | 0:58:00 | 0:58:03 | |
that's suddenly just shut down. | 0:58:03 | 0:58:05 | |
Next time, it's the 1940s... | 0:58:10 | 0:58:12 | |
..and the Robshaws live through another world war. | 0:58:14 | 0:58:18 | |
AIR RAID SIREN This one much closer to home. | 0:58:18 | 0:58:20 | |
And they have to make do with an entire decade of rationing. | 0:58:20 | 0:58:24 | |
How strange. | 0:58:24 | 0:58:26 | |
BRITISH DANCE BAND MUSIC: Somewhere Over The Rainbow | 0:58:26 | 0:58:30 |