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This year on Great British Menu... | 0:00:03 | 0:00:05 | |
I think you guys need to be hot on my heels. | 0:00:05 | 0:00:08 | |
-..the nation's finest chefs... -You shaking? You shaking? | 0:00:08 | 0:00:11 | |
I am a bit, to be honest. | 0:00:11 | 0:00:13 | |
..are battling to plate up perfection... | 0:00:13 | 0:00:16 | |
I thought you absolutely hit the brief with this dish. | 0:00:16 | 0:00:18 | |
..for a grand banquet marking 100 years of the Women's Institute... | 0:00:18 | 0:00:23 | |
-Wow. -Puts a smile on your face, doesn't it? -Yeah. | 0:00:23 | 0:00:26 | |
It definitely has got the wow factor. | 0:00:26 | 0:00:28 | |
..at London's historic Drapers' Hall, | 0:00:28 | 0:00:31 | |
where pioneers of the WI once gathered. | 0:00:31 | 0:00:34 | |
In its magnificent rooms, | 0:00:35 | 0:00:37 | |
the chefs must honour the custodians of first-class home cooking... | 0:00:37 | 0:00:41 | |
It would be an absolute dream to be there at the banquet, wouldn't it? | 0:00:41 | 0:00:44 | |
..with impeccable, 21st-century dishes. | 0:00:44 | 0:00:47 | |
Pitch perfect. | 0:00:47 | 0:00:49 | |
Going head-to-head this week for the North East, | 0:00:50 | 0:00:53 | |
are three ambitious newcomers. | 0:00:53 | 0:00:55 | |
Michelin-starred Tim Allen, determined to show off his skills. | 0:00:57 | 0:01:02 | |
I've thrown everything at this, I'm here to win. | 0:01:02 | 0:01:06 | |
But he faces fierce competition in classically trained Mini Patel. | 0:01:06 | 0:01:10 | |
I hear it's tough in that kitchen, | 0:01:10 | 0:01:12 | |
but I'm going to take it all in my stride. | 0:01:12 | 0:01:15 | |
And experimental chef Michael O'Hare. | 0:01:15 | 0:01:18 | |
For me, food is art. | 0:01:18 | 0:01:20 | |
And I'm bringing my style to this competition. | 0:01:20 | 0:01:22 | |
All three are vying to make their mark. | 0:01:23 | 0:01:26 | |
Turns out I'm a bit under the cosh. | 0:01:27 | 0:01:29 | |
But can these first-timers handle the pressure of the kitchen? | 0:01:29 | 0:01:33 | |
-I'm 34 years old and I still can't figure that -BLEEP -oven out. | 0:01:33 | 0:01:36 | |
For the past 100 years, | 0:01:47 | 0:01:49 | |
the WI has encouraged women to grow and preserve food. | 0:01:49 | 0:01:52 | |
And helped shape the way Britain cooks. | 0:01:52 | 0:01:55 | |
Good evening. | 0:01:56 | 0:01:57 | |
The chefs have done their research... | 0:01:57 | 0:01:59 | |
-They look very grand, don't they? -Yes, they do. | 0:01:59 | 0:02:01 | |
..taking inspiration from the important women in their lives. | 0:02:01 | 0:02:05 | |
Mmm, delicious. | 0:02:05 | 0:02:07 | |
To take classic home cooking to new gastronomic heights. | 0:02:07 | 0:02:12 | |
My bowl's empty. First-class! Thank you very much! | 0:02:12 | 0:02:16 | |
Judging this week is a chef who is no stranger to the | 0:02:18 | 0:02:21 | |
pressure of the Great British Menu kitchen... | 0:02:21 | 0:02:24 | |
I'm not sure if I'd like to be judged by a more classical chef, | 0:02:24 | 0:02:27 | |
Angela Hartnett or even Marcus Wareing. | 0:02:27 | 0:02:30 | |
For me, someone with a classical background would be awesome. | 0:02:30 | 0:02:33 | |
..a banquet champion and holder of two Michelin stars... | 0:02:33 | 0:02:36 | |
The brief's really important this week. | 0:02:36 | 0:02:38 | |
I'm probably beyond nervous about that fact. | 0:02:38 | 0:02:41 | |
I've really gone quite left-field with it. | 0:02:41 | 0:02:43 | |
..Marcus Wareing. | 0:02:45 | 0:02:46 | |
-Morning. ALL: -Morning, Chef. | 0:02:48 | 0:02:49 | |
Good to meet you. | 0:02:49 | 0:02:51 | |
-Thank you. -All your first times? -It is. -How do you feel? -Nervous. | 0:02:51 | 0:02:54 | |
And a little bit more now that you've walked into the room, I'll be honest! | 0:02:54 | 0:02:58 | |
Tim, you're a Michelin-star chef - | 0:02:58 | 0:02:59 | |
how do you feel about coming here and doing this now? | 0:02:59 | 0:03:02 | |
It's huge pressure, Marcus, to be honest. | 0:03:02 | 0:03:04 | |
I'm used to having a team around me. | 0:03:04 | 0:03:05 | |
Here, it's about standing on your own and producing the goods. | 0:03:05 | 0:03:08 | |
What about you, Michael? | 0:03:08 | 0:03:10 | |
It feels a lot like your first day at work, under a lot more pressure. | 0:03:10 | 0:03:13 | |
This is a competition. | 0:03:13 | 0:03:15 | |
What I'm looking for is great food, | 0:03:15 | 0:03:17 | |
but it has to have a connection with the Women's Institute. | 0:03:17 | 0:03:20 | |
-I wish you the best of luck. Let's get cooking. ALL: -Thanks, Marcus. | 0:03:20 | 0:03:23 | |
Thank you. | 0:03:23 | 0:03:24 | |
Oops. | 0:03:27 | 0:03:28 | |
LAUGHTER | 0:03:28 | 0:03:30 | |
Tough veteran judge, guys. | 0:03:30 | 0:03:31 | |
With 20 years' experience, | 0:03:32 | 0:03:34 | |
Michelin-starred Tim Allen believes his pedigree will help | 0:03:34 | 0:03:37 | |
him deliver a refined menu, representing the heritage of the WI. | 0:03:37 | 0:03:42 | |
-Tim, how are you doing? -Good. | 0:03:44 | 0:03:46 | |
What's the title of the dish? | 0:03:46 | 0:03:48 | |
This starter is called Preserving The Past. | 0:03:48 | 0:03:50 | |
I want to begin back at the beginning. | 0:03:50 | 0:03:52 | |
I've done that based around a lady called Adelaide Hoodless, | 0:03:52 | 0:03:56 | |
who was one of the original pioneers of the Women's Institute | 0:03:56 | 0:03:59 | |
-in Canada, where it all started. -OK. | 0:03:59 | 0:04:00 | |
She actually wrote a book on domestic science, | 0:04:00 | 0:04:03 | |
-and this dish is served in that book. -Interesting. | 0:04:03 | 0:04:06 | |
It's basically ham and eggs. | 0:04:06 | 0:04:09 | |
Where I come from, ham and egg is a main course. | 0:04:09 | 0:04:11 | |
It's rich, but each mouthful has got something else. | 0:04:11 | 0:04:13 | |
It's quite an exciting dish. | 0:04:13 | 0:04:14 | |
And I think, as a starter, it works really well. | 0:04:14 | 0:04:16 | |
Talk to me about the ham. | 0:04:16 | 0:04:18 | |
Basically, this is going to get pressure cookered. | 0:04:18 | 0:04:20 | |
And then to go on that, I'm going to create a glaze with the maple syrup. | 0:04:20 | 0:04:24 | |
-My little nod towards Adelaide and Canada. -Yeah. | 0:04:24 | 0:04:26 | |
And then, I'm going to take the skin of the pork and I'm going to | 0:04:26 | 0:04:30 | |
-braise it in the oven, get it really crisp like crackling. -And the egg? | 0:04:30 | 0:04:33 | |
These are an organic duck egg. These are going to get fried. | 0:04:33 | 0:04:36 | |
-A natural, fried egg. -OK. -I've got some plum tomatoes | 0:04:36 | 0:04:38 | |
that I'm going to compress in a pickling liquor. | 0:04:38 | 0:04:41 | |
OK, what about potatoes? I see potatoes. | 0:04:41 | 0:04:43 | |
I'm going to make a pommes gaufrette, | 0:04:43 | 0:04:45 | |
which is like a hatched, potato crisp. | 0:04:45 | 0:04:47 | |
So, could be a ham, egg and chips? | 0:04:47 | 0:04:49 | |
In effect, Marcus, yeah. | 0:04:49 | 0:04:50 | |
He's got a lot of ingredients in there. | 0:04:53 | 0:04:55 | |
My concern is that the dish could be incredibly rich. | 0:04:55 | 0:04:58 | |
Newcomer Mini Patel is classically trained, | 0:05:01 | 0:05:03 | |
and a champion of local produce. | 0:05:03 | 0:05:06 | |
He believes his simple yet stylish approach | 0:05:06 | 0:05:09 | |
will stand up to his rivals. | 0:05:09 | 0:05:11 | |
Wow. | 0:05:13 | 0:05:15 | |
Tell me the inspiration behind your menu. | 0:05:15 | 0:05:17 | |
The WI has always been about canning, preserving, | 0:05:17 | 0:05:20 | |
growing your own. | 0:05:20 | 0:05:21 | |
So I've taken all those values and I'm putting them throughout my menu. | 0:05:21 | 0:05:24 | |
-OK. -Today, I'm doing Rabbits In The Allotment. | 0:05:24 | 0:05:27 | |
Where I grew up, everyone had allotments. | 0:05:27 | 0:05:29 | |
You'd always see rabbits attacking the veggies, going for them. | 0:05:29 | 0:05:32 | |
I'm going to basically set it up and present like it's an allotment. | 0:05:32 | 0:05:36 | |
So I've got some seeds, nuts, olives, mushrooms. | 0:05:36 | 0:05:40 | |
That's all going to be part of making the soil for the allotment. | 0:05:40 | 0:05:43 | |
Right. | 0:05:43 | 0:05:44 | |
I'm going to be using these lovely vegetables here to help | 0:05:44 | 0:05:46 | |
build my allotment. I'm going to be pickling them. | 0:05:46 | 0:05:49 | |
And I'm going to be using star anise alongside my carrots to make | 0:05:49 | 0:05:52 | |
the carrot puree. So it's not just visual. | 0:05:52 | 0:05:55 | |
What's the preserve part of this dish? | 0:05:55 | 0:05:58 | |
The rabbit itself is going to be potted. | 0:05:58 | 0:06:00 | |
I'm going to be using farmed rabbits and wild rabbits today. | 0:06:00 | 0:06:03 | |
With the farmed rabbit, I'm going to be confiting in fat. | 0:06:03 | 0:06:05 | |
-The wild rabbits, I'm going to be braising. -What's this? | 0:06:05 | 0:06:08 | |
-That's yeast, fresh yeast. -OK. | 0:06:08 | 0:06:10 | |
And that yeast, alongside the beer, is going to make beer bread. | 0:06:10 | 0:06:14 | |
-You're making your own bread? -Yes. -OK. | 0:06:14 | 0:06:16 | |
It sounds like a lot of work. | 0:06:16 | 0:06:18 | |
It is a lot of work, yeah. | 0:06:18 | 0:06:19 | |
I love the fact that Mini's making his own bread. | 0:06:21 | 0:06:23 | |
I think it's very brave. | 0:06:23 | 0:06:25 | |
The whole dish sings Women's Institute, | 0:06:25 | 0:06:28 | |
and I think that Mini has absolutely nailed that brief. | 0:06:28 | 0:06:32 | |
Last up, another first-timer. Experimental chef Michael O'Hare. | 0:06:32 | 0:06:36 | |
He prides himself on setting rather than following trends | 0:06:36 | 0:06:40 | |
and hopes his maverick cooking style will win over Marcus. | 0:06:40 | 0:06:44 | |
-First of all, how are you feeling? -Yeah, I feel good. | 0:06:48 | 0:06:51 | |
-Well, you certainly look good. -Thank you, likewise. | 0:06:51 | 0:06:55 | |
Tell me the inspiration for your whole menu. | 0:06:55 | 0:06:57 | |
I've taken the ideas and thoughts of the WI | 0:06:57 | 0:07:00 | |
and translated those into food. | 0:07:00 | 0:07:01 | |
Ideas like the family table, equality for women and mothers, | 0:07:01 | 0:07:05 | |
and that's what I've translated into my dishes. | 0:07:05 | 0:07:08 | |
What's the title of the dish? What are you calling this dish? | 0:07:08 | 0:07:11 | |
Everybody I Ever Ate With. | 0:07:11 | 0:07:12 | |
What I discovered when I was thinking about this, | 0:07:12 | 0:07:15 | |
-is that the food that I ate wasn't important at all. -Sorry? | 0:07:15 | 0:07:19 | |
It wasn't important. | 0:07:19 | 0:07:20 | |
It was the company that I kept and the people that ate with. | 0:07:20 | 0:07:22 | |
Fair enough. | 0:07:22 | 0:07:23 | |
The food that I'm cooking for my starter is | 0:07:23 | 0:07:26 | |
based around the family Sunday table starters. | 0:07:26 | 0:07:29 | |
Traditionally, a prawn cocktail or melon. | 0:07:29 | 0:07:31 | |
If you were a child, you'd have the melon. | 0:07:31 | 0:07:33 | |
If you were old enough, you could take the prawn cocktail. | 0:07:33 | 0:07:35 | |
-Is it prawn cocktail? -No, it's not prawn cocktail. | 0:07:35 | 0:07:38 | |
-So, inspired by home cookery, but this is your take on it? -Exactly. | 0:07:38 | 0:07:41 | |
Just talk me through the box of ingredients. | 0:07:41 | 0:07:43 | |
First up, my langoustines | 0:07:43 | 0:07:45 | |
-I'm using the tail as a tartare. -Raw? -Yeah, completely raw. -OK. | 0:07:45 | 0:07:50 | |
Melon, I'm going to peel it, seed it and compress it in the vacuum pack. | 0:07:50 | 0:07:53 | |
OK. | 0:07:53 | 0:07:55 | |
With the lavender, I'm going to make a puree, | 0:07:55 | 0:07:57 | |
the base of which will be my apples. | 0:07:57 | 0:07:59 | |
-That'll be served cold with a tartare on top. -And the lard? | 0:07:59 | 0:08:04 | |
The lard I'm going to slice super-thin, | 0:08:04 | 0:08:06 | |
and just melt, last-minute over the top of the langoustines, | 0:08:06 | 0:08:09 | |
-almost as a dressing itself. -OK. I see you've got some gin. | 0:08:09 | 0:08:11 | |
Yeah, there'll be a hidden cocktail within the dish. | 0:08:11 | 0:08:14 | |
-What do you mean? -Completely underneath the plate. -Completely? | 0:08:14 | 0:08:16 | |
Yeah. So you won't see the cocktail, so to speak. | 0:08:16 | 0:08:19 | |
-But you'll suck it up through a pipe. -Suck it up? -Yep. -OK. | 0:08:19 | 0:08:23 | |
I'm intrigued. | 0:08:23 | 0:08:25 | |
-And you've certainly got my attention. -Good. | 0:08:25 | 0:08:28 | |
Michael's starter is a prawn cocktail with melon, | 0:08:29 | 0:08:33 | |
but I hope his food is as interesting as the man standing in front of me. | 0:08:33 | 0:08:37 | |
I'm sure you're dying to get cooking. | 0:08:37 | 0:08:40 | |
I wish you all the best of luck. | 0:08:40 | 0:08:41 | |
Let's crack on. | 0:08:41 | 0:08:42 | |
As cooking gets underway, talk turns to their esteemed veteran judge. | 0:08:45 | 0:08:50 | |
I'm quite pleased that we've got Marcus. | 0:08:50 | 0:08:52 | |
He's somebody that I've looked up to for many, many years. | 0:08:52 | 0:08:55 | |
-He certainly knows his stuff, right? -Entirely. | 0:08:55 | 0:08:58 | |
Tim, you're the only chef in the kitchen today with a Michelin star, | 0:08:58 | 0:09:01 | |
-but you're frying an egg. -Yep. | 0:09:01 | 0:09:04 | |
Simplest thing to learn in quality cooking - simple is better. | 0:09:04 | 0:09:08 | |
OK. | 0:09:10 | 0:09:12 | |
Mini is doing rabbit three ways - rabbit leg confit... | 0:09:12 | 0:09:15 | |
..braised rabbit... | 0:09:18 | 0:09:19 | |
..and a rabbit butter. | 0:09:20 | 0:09:22 | |
Anything you're not 100% on? | 0:09:22 | 0:09:25 | |
No, everything's well-rehearsed, | 0:09:25 | 0:09:27 | |
it's just making sure I move like the wind to get it up on time. | 0:09:27 | 0:09:30 | |
Michael's raw shellfish starter | 0:09:31 | 0:09:33 | |
is a take on a classic, home-made prawn cocktail. | 0:09:33 | 0:09:36 | |
He's prepping langoustine tails for the tartare, which he then freezes. | 0:09:36 | 0:09:40 | |
And cooking apples for the base of his lavender puree. | 0:09:40 | 0:09:43 | |
Tim's simple starter of ham, egg and chips features ham hock. | 0:09:46 | 0:09:50 | |
As well as onion done two ways - | 0:09:54 | 0:09:55 | |
pickled in white wine and vinegar, and an onion jam. | 0:09:55 | 0:10:00 | |
Feeling good. Really excited. | 0:10:00 | 0:10:02 | |
Adrenaline's going, first course... | 0:10:02 | 0:10:05 | |
Yeah, it's mad. | 0:10:05 | 0:10:06 | |
Tim Allen is head chef at London's Launceston Place. | 0:10:08 | 0:10:11 | |
Tiny amount of salt, and about four, five bits of lemon in there. | 0:10:11 | 0:10:15 | |
The Yorkshireman is hoping his classical training | 0:10:15 | 0:10:17 | |
and Michelin star will help him tackle the centenary brief. | 0:10:17 | 0:10:21 | |
I love the brief, to be honest. | 0:10:21 | 0:10:23 | |
I thought I knew what the Women's Institute did, | 0:10:23 | 0:10:26 | |
but once I spent the time researching and looking into it, | 0:10:26 | 0:10:29 | |
it's just so much more than I envisaged. | 0:10:29 | 0:10:31 | |
Away from his restaurant kitchen, | 0:10:34 | 0:10:36 | |
father of two Tim is a passionate home cook, | 0:10:36 | 0:10:39 | |
and hopes to impress his partner Magali with his ham hock starter. | 0:10:39 | 0:10:43 | |
It could be a winning dish. Just a little less sweet. | 0:10:45 | 0:10:48 | |
-Hopefully it would be more successful to the big day. -Hope so! | 0:10:51 | 0:10:54 | |
I've put my heart and soul into this and I really believe in it. | 0:10:55 | 0:10:59 | |
I want to win and I think I've got what it takes to get there. | 0:10:59 | 0:11:02 | |
Nuh, no. | 0:11:02 | 0:11:03 | |
No. | 0:11:03 | 0:11:05 | |
In the kitchen, Tim is working on the compressed tomato | 0:11:07 | 0:11:10 | |
element of his ham and egg starter. | 0:11:10 | 0:11:12 | |
To prove his pedigree, | 0:11:13 | 0:11:15 | |
he knows he'll have to take this humble dish to new heights. | 0:11:15 | 0:11:18 | |
Tim is cooking well, he looks on fire at the moment, | 0:11:20 | 0:11:23 | |
and you can see the hunger in his eyes. | 0:11:23 | 0:11:26 | |
This is no joke for Tim, he's here to win it. | 0:11:26 | 0:11:28 | |
Also aiming to impress Marcus | 0:11:31 | 0:11:33 | |
and hit the brief with his rabbit dish, is Mini. | 0:11:33 | 0:11:36 | |
He's pickling vegetables in white wine | 0:11:36 | 0:11:39 | |
and vinegar for his allotment presentation. | 0:11:39 | 0:11:42 | |
I want them just a little bit more crunchy than al dente. | 0:11:42 | 0:11:45 | |
So you really do feel like you're eating a raw vegetable almost, | 0:11:45 | 0:11:48 | |
do you know what I mean? | 0:11:48 | 0:11:50 | |
Leeds native Mini Patel is head chef | 0:11:51 | 0:11:53 | |
at the Pointer restaurant in Buckinghamshire, | 0:11:53 | 0:11:56 | |
where he combines a love of local produce with classic cooking. | 0:11:56 | 0:12:00 | |
My food's definitely in keeping with the WI. | 0:12:02 | 0:12:05 | |
Good, honest food, cooked simply, tasting amazing. | 0:12:05 | 0:12:09 | |
What more do you want? | 0:12:09 | 0:12:12 | |
Mini is visiting farmer Judith Ives in West Yorkshire, | 0:12:12 | 0:12:15 | |
who shares a passion for cooking rabbit meat. | 0:12:15 | 0:12:18 | |
Just after the war, when there was rationing on, food was | 0:12:18 | 0:12:21 | |
so scarce that it was wonderful that you could go out | 0:12:21 | 0:12:25 | |
and catch a wild rabbit and come home with some food. | 0:12:25 | 0:12:30 | |
And the Women's Institute were the forebearers of getting people | 0:12:30 | 0:12:35 | |
to grow their own so that people had something to eat. | 0:12:35 | 0:12:39 | |
-All seems to make sense. Rabbit's what I should be doing. -Yeah. | 0:12:39 | 0:12:42 | |
With confidence in his dish, | 0:12:43 | 0:12:45 | |
Mini's raring to take on the competition. | 0:12:45 | 0:12:48 | |
Forget the rest, Mini is the best. | 0:12:48 | 0:12:50 | |
In the kitchen, Mini's working on the edible soil for his | 0:12:56 | 0:12:59 | |
potted rabbit dish, which must dry out in the oven before serving. | 0:12:59 | 0:13:04 | |
But it's his vegetable pot that's caught Marcus' eye. | 0:13:06 | 0:13:10 | |
In here, what have we got? Carrot? | 0:13:10 | 0:13:11 | |
I've got carrots, water and star anise in there. | 0:13:11 | 0:13:14 | |
This is the one part of the dish that I'm finding hard to see a place. | 0:13:14 | 0:13:19 | |
Where would you find a carrot puree in an allotment? | 0:13:19 | 0:13:22 | |
You wouldn't find a puree in any allotment, I don't think. | 0:13:22 | 0:13:24 | |
But you would find carrots. | 0:13:24 | 0:13:26 | |
Good luck. | 0:13:26 | 0:13:27 | |
Mini, to me, looks unsure. | 0:13:28 | 0:13:30 | |
Perhaps he is a little bit of a rabbit in the headlights | 0:13:30 | 0:13:32 | |
at the moment, but his ideas are interesting. | 0:13:32 | 0:13:35 | |
Experimental chef Michael is prepping the compressed melon | 0:13:35 | 0:13:38 | |
for his version of a prawn cocktail and melon starter. | 0:13:38 | 0:13:41 | |
Marcus was quite taken aback by your apron. | 0:13:41 | 0:13:45 | |
Do you like it? I made this one myself. | 0:13:45 | 0:13:47 | |
Quite WI of me, isn't it? | 0:13:47 | 0:13:49 | |
I love it, love it. | 0:13:49 | 0:13:50 | |
Born and raised in Middlesbrough, Michael O'Hare opened | 0:13:53 | 0:13:56 | |
his first restaurant, The Man Behind The Curtain, in Leeds, last year. | 0:13:56 | 0:14:00 | |
My cooking's about creativity, about artistic freedom. | 0:14:01 | 0:14:05 | |
He's hoping his unique style of cooking | 0:14:05 | 0:14:08 | |
and presentation will make for a standout menu. | 0:14:08 | 0:14:12 | |
I took from the Women's Institute their tag line of Inspiring Women. | 0:14:12 | 0:14:16 | |
And I thought, how can I make food suitable for women | 0:14:16 | 0:14:18 | |
that are an inspiration to everyone? | 0:14:18 | 0:14:21 | |
Michael's starter is inspired by the people he enjoys sharing meals with. | 0:14:22 | 0:14:26 | |
Top of the list is mum Jane. | 0:14:29 | 0:14:32 | |
It's true what you say about | 0:14:32 | 0:14:33 | |
-you just need to be with people that you love. -I think so. | 0:14:33 | 0:14:36 | |
You never eat with someone that you don't care about. | 0:14:36 | 0:14:39 | |
I didn't always think that Michael would be a chef. | 0:14:39 | 0:14:41 | |
He is really, really good at what he does, and I'm so proud of him. | 0:14:41 | 0:14:45 | |
My mum has supported me throughout my whole life, | 0:14:45 | 0:14:48 | |
and she stuck by me through any life decisions I've ever made. | 0:14:48 | 0:14:51 | |
Like everyone's mother. | 0:14:51 | 0:14:54 | |
But obviously, this one's mine. | 0:14:54 | 0:14:56 | |
Give us a kiss. | 0:14:56 | 0:14:57 | |
Marvellous, let's go home. | 0:14:57 | 0:14:58 | |
In the kitchen, Michael works on his raw shellfish dish. | 0:15:00 | 0:15:04 | |
Infusing apples with lavender, and blending for his lavender puree. | 0:15:04 | 0:15:09 | |
Adding lilac food colouring for visual impact. | 0:15:09 | 0:15:11 | |
-Wow! What is that? -That is apple and lavender. | 0:15:15 | 0:15:18 | |
-Bright, isn't it? -It is bright. -Can I taste that? -Yes, certainly. | 0:15:18 | 0:15:22 | |
-What do you think of the flavour? -Ah, I'm not telling you what I think! | 0:15:26 | 0:15:30 | |
-What have you done to these? -I just froze them for pasteurisation. | 0:15:30 | 0:15:33 | |
I'm just going to peel them, chop them up, and season them with salt. | 0:15:33 | 0:15:36 | |
Are raw langoustine the right thing for a banquet of a lot of people? | 0:15:36 | 0:15:40 | |
-I certainly think so. -You do? -Yeah. | 0:15:40 | 0:15:42 | |
All right, Michael, I'm going to let you carry on. | 0:15:42 | 0:15:45 | |
What is really interesting about Michael is, | 0:15:45 | 0:15:48 | |
in his own place of work, he comes with the food, serves it. | 0:15:48 | 0:15:51 | |
But that's not going to happen here. | 0:15:51 | 0:15:53 | |
And I really hope he's taken that into consideration. | 0:15:53 | 0:15:56 | |
Tim is also aiming to impress Marcus with his simple ham and eggs dish. | 0:15:58 | 0:16:03 | |
He thinly slices the potato for the chips, and deep-fries them. | 0:16:03 | 0:16:08 | |
Do you feel like you have a point to prove here because of what | 0:16:08 | 0:16:10 | |
-you've achieved in your career? -I've got to do well, haven't I? | 0:16:10 | 0:16:13 | |
It's that simple. Yeah, of course I feel that pressure. | 0:16:13 | 0:16:15 | |
I want to be at the banquet and cook there. Absolutely. | 0:16:15 | 0:16:18 | |
-I'll let you crack on. -Brilliant. Thanks, Marcus. | 0:16:18 | 0:16:20 | |
Michael's first to plate up his dish - Everyone I Ever Ate With - | 0:16:20 | 0:16:24 | |
a raw langoustine and melon starter, inspired by family dinners. | 0:16:24 | 0:16:28 | |
I'm quite behind. I didn't realise I was. I was kind of cruising, | 0:16:28 | 0:16:31 | |
but it turns out I'm a bit under the cosh. | 0:16:31 | 0:16:35 | |
He starts by adding lavender puree to the plate, | 0:16:35 | 0:16:38 | |
followed by his langoustine tartare, salted cucumber, | 0:16:38 | 0:16:42 | |
and compressed melon slices. | 0:16:42 | 0:16:45 | |
Next, he adds edible flowers | 0:16:45 | 0:16:48 | |
and ropes in Tim to help with his gin sour cocktail. | 0:16:48 | 0:16:52 | |
-Tim, can you fill those for me, mate? -Yep. | 0:16:52 | 0:16:54 | |
Which is decanted into bags and fitted with a straw. | 0:16:54 | 0:16:58 | |
-There you go, mate. -Thank you. | 0:16:58 | 0:17:01 | |
He adds ham fat and blowtorches to melt. | 0:17:01 | 0:17:04 | |
Michael's avant-garde approach to food also applies | 0:17:07 | 0:17:10 | |
to his presentation. | 0:17:10 | 0:17:11 | |
His serving plate will sit in a giant, white egg. | 0:17:13 | 0:17:16 | |
Finally, he's ready to add his gin sour and serving plate to the egg. | 0:17:21 | 0:17:25 | |
OK, Michael, are you ready? | 0:17:26 | 0:17:28 | |
One last thing, I just need the lights dimming a little. | 0:17:28 | 0:17:31 | |
OK. | 0:17:31 | 0:17:32 | |
Lights! | 0:17:32 | 0:17:33 | |
You are something else. LAUGHTER | 0:17:43 | 0:17:46 | |
This is my starter. This is Everyone I Ever Ate With. | 0:17:46 | 0:17:49 | |
So the egg, a symbol of life, and inside it, a collage | 0:17:49 | 0:17:52 | |
I made of every person I've ever eaten with in my entire life. | 0:17:52 | 0:17:55 | |
Boys, what do you think? | 0:17:55 | 0:17:56 | |
-Stunning. -Stunning? -Yeah. | 0:17:56 | 0:17:58 | |
Think it's an amazing concept. | 0:17:58 | 0:18:00 | |
-I couldn't have thought of that. -MICHAEL: -Thank you. | 0:18:00 | 0:18:03 | |
-Are you pleased? -Yeah, I'm buzzing, yeah. | 0:18:03 | 0:18:05 | |
Let's go, come on, you. | 0:18:05 | 0:18:06 | |
-And it's all your family...? -Family, friends. | 0:18:11 | 0:18:14 | |
People that I've chose to spend my dinnertimes with. | 0:18:14 | 0:18:17 | |
I've never seen anything quite like it. | 0:18:17 | 0:18:19 | |
There's definitely a story there. But it's Michael's story, isn't it? | 0:18:19 | 0:18:22 | |
And then we've got a straw to drink something out of. | 0:18:22 | 0:18:25 | |
It's a gin sour. | 0:18:28 | 0:18:29 | |
I kept it relatively light on the gin, | 0:18:29 | 0:18:31 | |
because I didn't want to do something overpowering. | 0:18:31 | 0:18:35 | |
That's really nice. | 0:18:35 | 0:18:37 | |
The langoustine. | 0:18:37 | 0:18:38 | |
-They literally are raw. -Yeah. | 0:18:40 | 0:18:44 | |
-Salt? -It needs more. | 0:18:44 | 0:18:46 | |
TIM: You've got to like raw fish, which I do. | 0:18:47 | 0:18:50 | |
Who doesn't? | 0:18:50 | 0:18:51 | |
MARCUS: The melon... | 0:18:51 | 0:18:53 | |
Have you done anything to enhance the flavour? | 0:18:55 | 0:18:58 | |
Just plain melon, yeah. | 0:18:58 | 0:18:59 | |
I like the melon... | 0:18:59 | 0:19:01 | |
but I'd like it if it was probably a bit greener, a bit crisper. | 0:19:01 | 0:19:05 | |
The lavender puree. | 0:19:05 | 0:19:06 | |
Would you sweeten it up a little bit more? | 0:19:08 | 0:19:10 | |
-No, it think if anything, I'd go sharper. -OK. | 0:19:10 | 0:19:13 | |
I think the acidity of the apple really brings the flavour out | 0:19:13 | 0:19:17 | |
really quite gently, as well. | 0:19:17 | 0:19:18 | |
Where's the WI point of this dish? | 0:19:18 | 0:19:21 | |
Although it's really weird to look at, | 0:19:21 | 0:19:23 | |
it is a heartfelt expression of how I see my family dinner. | 0:19:23 | 0:19:25 | |
What will the WI make of it? | 0:19:25 | 0:19:27 | |
I don't know. And so, I'm going to give it a seven. | 0:19:27 | 0:19:30 | |
I'll probably give it a six, to be honest. | 0:19:30 | 0:19:33 | |
All right, Mike? | 0:19:36 | 0:19:38 | |
How did it go with Marcus? | 0:19:38 | 0:19:40 | |
It's tough being stood next to him, critiquing yourself, | 0:19:40 | 0:19:43 | |
and thinking, "This guy's a legend." | 0:19:43 | 0:19:45 | |
The only Michelin-starred chef in the kitchen, | 0:19:48 | 0:19:50 | |
Tim, is up against it to plate up Preserving The Past. | 0:19:50 | 0:19:54 | |
A risky twist on simple ham, egg and chips. | 0:19:54 | 0:19:57 | |
Tim's starter hinges on executing every element to perfection. | 0:20:00 | 0:20:04 | |
-Tim, how are the eggs? -Yeah, nice, Marcus. | 0:20:05 | 0:20:08 | |
He starts by piping onion jam onto gaufrette potato chips. | 0:20:08 | 0:20:13 | |
To a serving plate, he adds compressed tomato, | 0:20:13 | 0:20:15 | |
mustard garnish, and pickled onion. | 0:20:15 | 0:20:18 | |
Followed by salad and the gaufrette potatoes. | 0:20:20 | 0:20:22 | |
He sprinkles pork crackling onto the ham hock and adds to the plate. | 0:20:24 | 0:20:28 | |
Can I do anything for you, Tim? Are you cool? | 0:20:28 | 0:20:30 | |
Can you stop me shaking? LAUGHTER | 0:20:30 | 0:20:32 | |
I've got gin, if you want. | 0:20:32 | 0:20:34 | |
He removes the eggs from the pan... | 0:20:34 | 0:20:36 | |
Don't break those yolks. | 0:20:36 | 0:20:38 | |
..and seasons with pork crackling. | 0:20:38 | 0:20:40 | |
Then centres on the plate. | 0:20:40 | 0:20:41 | |
They're topped with maple jelly and chives, | 0:20:43 | 0:20:47 | |
then placed into a presentation book. | 0:20:47 | 0:20:49 | |
OK, Tim, what's the name of your dish? | 0:20:52 | 0:20:54 | |
This is Preserving The Past, Marcus. | 0:20:54 | 0:20:56 | |
How do you feel? | 0:20:56 | 0:20:58 | |
Erm, stressed. | 0:20:58 | 0:21:00 | |
I want you to eat it now. | 0:21:00 | 0:21:01 | |
-Will I open it? -Yeah, love to. | 0:21:05 | 0:21:08 | |
These are some of the quotes from the book. | 0:21:08 | 0:21:11 | |
-Very Women's Institute. -Something very true about that! -Yeah. | 0:21:16 | 0:21:18 | |
The ham, have you actually achieved what you wanted to achieve with it? | 0:21:20 | 0:21:24 | |
I think it's nice to eat, Marcus. | 0:21:24 | 0:21:26 | |
It's not slimy, like ham hock often is. | 0:21:27 | 0:21:29 | |
It's a really accomplished bit of cooking, that. | 0:21:29 | 0:21:33 | |
The egg, you didn't turn it over? | 0:21:33 | 0:21:35 | |
I think, for me, that's the best way, Marcus. | 0:21:35 | 0:21:37 | |
I think with duck eggs, they're so rich, if it gets | 0:21:37 | 0:21:40 | |
heat on the yolk too much, it just makes it coagulate very quickly. | 0:21:40 | 0:21:43 | |
I think the egg could possibly have done with a little bit of seasoning. | 0:21:43 | 0:21:47 | |
And then we go to the little potato crisp | 0:21:47 | 0:21:49 | |
with a little onion jam in the centre. | 0:21:49 | 0:21:51 | |
Pleased with that texture? | 0:21:51 | 0:21:52 | |
-Textures, I thought was bang on. The seasoning's nice. -OK. | 0:21:52 | 0:21:56 | |
I think that's really worked. | 0:21:56 | 0:21:57 | |
Wow, that's nice as well. | 0:22:00 | 0:22:01 | |
They're really nice, not too sweet. That's beautiful. | 0:22:01 | 0:22:04 | |
I think he's going to get a nine or a ten for that. | 0:22:04 | 0:22:07 | |
I'm going to give it a nine. | 0:22:07 | 0:22:08 | |
I think he's done everything to an extremely high standard. | 0:22:08 | 0:22:12 | |
-Hi, guys. -Hey, man, how's it going? -Bit nerve-racking. | 0:22:15 | 0:22:19 | |
You're just questioning yourself constantly. | 0:22:19 | 0:22:21 | |
It's details, and that's what Marcus is looking for, isn't it? | 0:22:21 | 0:22:24 | |
Mini has a lot to do, plating up the ten elements of his | 0:22:24 | 0:22:27 | |
Rabbits In The Allotment starter, inspired by childhood memories. | 0:22:27 | 0:22:31 | |
And he's got a problem. | 0:22:31 | 0:22:34 | |
-I've been trying to dry it out all day. -OK. | 0:22:34 | 0:22:37 | |
And now it's gone wet! | 0:22:37 | 0:22:39 | |
He needs to dry out his edible soil, | 0:22:39 | 0:22:41 | |
but he's put the oven on the wrong setting. | 0:22:41 | 0:22:43 | |
Undeterred, he pots layers of farmed rabbit confit, | 0:22:46 | 0:22:49 | |
braised wild rabbit, | 0:22:49 | 0:22:51 | |
and chunks of liver. | 0:22:51 | 0:22:52 | |
To create the allotment garden, Mini layers carrot puree | 0:22:54 | 0:22:58 | |
and the edible soil straight from the oven. | 0:22:58 | 0:23:01 | |
-I'm 34 years-old, and I still can't figure that -BLEEP -oven out. | 0:23:01 | 0:23:04 | |
Next, the pickled vegetables | 0:23:06 | 0:23:09 | |
and edible flowers, | 0:23:09 | 0:23:11 | |
before adding beer bread to the serving platter. | 0:23:11 | 0:23:13 | |
What is that, Mini? | 0:23:15 | 0:23:17 | |
It's my rabbit butter, but it was too soft, | 0:23:17 | 0:23:19 | |
-so I put it in the blast chiller, and now it's... -Too hard? | 0:23:19 | 0:23:22 | |
Finally, he quenelles the butter onto the platter. | 0:23:27 | 0:23:30 | |
-That looked a little bit tough towards the end there. -Yeah. | 0:23:35 | 0:23:39 | |
-All right, Mini, shall we taste some? -Yeah, sure. | 0:23:39 | 0:23:42 | |
Do you think the Women's Institute would like the fun of this dish? | 0:23:44 | 0:23:47 | |
If it doesn't put a smile on your face, | 0:23:47 | 0:23:49 | |
-then I'm not really doing my job right. -OK. | 0:23:49 | 0:23:51 | |
TIM: Rabbits In The Allotments. | 0:23:51 | 0:23:53 | |
This looks really cool, actually. | 0:23:53 | 0:23:55 | |
MARCUS: Do you think you can taste the difference | 0:23:55 | 0:23:57 | |
of the wild and the tame rabbit? | 0:23:57 | 0:24:00 | |
I would say that you can definitely tell the difference. | 0:24:00 | 0:24:02 | |
I'm not sure I can distinguish between the wild and the tame, | 0:24:02 | 0:24:05 | |
but they've got a good rabbit flavour. | 0:24:05 | 0:24:06 | |
-MARCUS: Do you think you've got the flavour of the rabbit in the butter as well? -Yeah. | 0:24:06 | 0:24:10 | |
I'd change the size of it, make it smaller. | 0:24:10 | 0:24:14 | |
Trouble with the butter, but it's soft. | 0:24:14 | 0:24:16 | |
-It's got a real intense, meaty hit, hasn't it? -Yeah. | 0:24:16 | 0:24:20 | |
The soil. | 0:24:20 | 0:24:22 | |
Oh, it's soft. | 0:24:22 | 0:24:24 | |
-Did you think that was going to be really crunchy? -Yeah. -So did I! | 0:24:24 | 0:24:27 | |
Just literally came out the oven, at 180 degrees, about five minutes ago. | 0:24:27 | 0:24:31 | |
Hence why it's still warm. | 0:24:31 | 0:24:33 | |
And the carrot puree at the bottom? | 0:24:36 | 0:24:38 | |
The carrot puree is as it should be. | 0:24:38 | 0:24:42 | |
I'd have liked more of that carrot puree, | 0:24:42 | 0:24:44 | |
-because that has a really lovely flavour. -Yeah. | 0:24:44 | 0:24:46 | |
-What would you give it, Tim? -Six, probably. -Yeah? | 0:24:46 | 0:24:49 | |
-How did you get on? -Erm... | 0:24:57 | 0:24:59 | |
-Fine? -I think I've done all right. | 0:24:59 | 0:25:02 | |
-I'm dreading the first scoring, to be honest, you know? -Yeah, it's scary. | 0:25:02 | 0:25:05 | |
Really scary. I won't lie. | 0:25:05 | 0:25:08 | |
It's done now. | 0:25:08 | 0:25:09 | |
None of us have any control over it. | 0:25:09 | 0:25:11 | |
First course down, how are you feeling? | 0:25:16 | 0:25:18 | |
I think all of us agree we feel better for getting that first one out of the way. | 0:25:18 | 0:25:21 | |
OK, I'm going to start with you, Mini. | 0:25:21 | 0:25:23 | |
Your Rabbits In The Allotment. | 0:25:23 | 0:25:26 | |
I thought the presentation was fun. | 0:25:26 | 0:25:29 | |
I'd have liked a bit more carrot puree underneath, | 0:25:29 | 0:25:31 | |
-because it added great flavour. -Great. | 0:25:31 | 0:25:33 | |
And your mistake of the soil being slightly warm I thought was | 0:25:33 | 0:25:36 | |
brilliant, because it maintained its fantastic flavour | 0:25:36 | 0:25:39 | |
and the aroma was great. | 0:25:39 | 0:25:41 | |
But... | 0:25:41 | 0:25:43 | |
the potted rabbit, I don't think you had a great deal of flavour. | 0:25:43 | 0:25:46 | |
-It felt like you'd just pushed it all into that little pot. -I did. | 0:25:48 | 0:25:51 | |
And your quenelling was very, very poor. | 0:25:53 | 0:25:55 | |
Tim, for your dish, Preserving The Past, | 0:25:58 | 0:26:01 | |
I loved the presentation. | 0:26:01 | 0:26:03 | |
It really told the story of the beginning of the WI. | 0:26:03 | 0:26:06 | |
The cooking of the egg, the crackling, | 0:26:06 | 0:26:08 | |
the ham tasted delicious. | 0:26:08 | 0:26:10 | |
The tomato... | 0:26:10 | 0:26:12 | |
absolutely spot-on. | 0:26:12 | 0:26:13 | |
You took a tomato to a completely new place. | 0:26:13 | 0:26:15 | |
Thanks, Marcus. | 0:26:15 | 0:26:17 | |
But... | 0:26:17 | 0:26:18 | |
there is room for improvement. | 0:26:18 | 0:26:20 | |
I think the salad didn't have the punch or the power that you | 0:26:20 | 0:26:24 | |
wanted it to have. So I have to question why put it on the plate. | 0:26:24 | 0:26:27 | |
The dish could have been finished with just a little sauce, | 0:26:27 | 0:26:30 | |
or a little slice of truffle | 0:26:30 | 0:26:32 | |
to take the dish to a completely new, new level. | 0:26:32 | 0:26:35 | |
Michael... | 0:26:37 | 0:26:39 | |
for your dish, Everyone I Ever Ate With. | 0:26:39 | 0:26:42 | |
Your story's really interesting, because you've turned it on its head. | 0:26:44 | 0:26:47 | |
The WI is moving forward and becoming more modern than it's ever been. | 0:26:47 | 0:26:50 | |
I think that's what you're doing with your presentation. | 0:26:50 | 0:26:54 | |
But when it comes down to the cookery, Michael, | 0:26:54 | 0:26:57 | |
for me, it was disappointing. | 0:26:57 | 0:26:58 | |
The langoustine was incredibly under-seasoned. | 0:27:00 | 0:27:03 | |
The lavender and apple puree, you could taste the acid of the apple. | 0:27:05 | 0:27:08 | |
It hadn't been toned down with any sweeteners. | 0:27:08 | 0:27:11 | |
The story was far greater and more important than the dish | 0:27:11 | 0:27:15 | |
and the execution itself. | 0:27:15 | 0:27:17 | |
So, for the scores. | 0:27:19 | 0:27:20 | |
Mini... | 0:27:21 | 0:27:23 | |
I am going to give you... | 0:27:23 | 0:27:25 | |
..a six. | 0:27:27 | 0:27:28 | |
Tim... | 0:27:30 | 0:27:31 | |
..I'm going to give that dish an eight. | 0:27:33 | 0:27:36 | |
I thought it was a beautifully executed dish, Tim. | 0:27:36 | 0:27:39 | |
Michael... | 0:27:39 | 0:27:40 | |
..I'm going to give you... | 0:27:42 | 0:27:44 | |
..a four. | 0:27:46 | 0:27:47 | |
I think it lacked flavour. | 0:27:50 | 0:27:52 | |
You need to start focusing on the detail of your dishes. | 0:27:52 | 0:27:55 | |
OK, first course done. Next up is the fish course. | 0:27:55 | 0:27:58 | |
It's not over, not for anybody. | 0:27:58 | 0:28:01 | |
There are some high scores to get, see you all tomorrow. Thank you. | 0:28:01 | 0:28:04 | |
-Well done, guys. -Thank you. -Yeah, well done. | 0:28:07 | 0:28:10 | |
What do you think for yours, Michael? You knew yours was edgy. | 0:28:10 | 0:28:12 | |
Yeah, I knew when I came into the competition, | 0:28:12 | 0:28:15 | |
where I was standing, it could go either way. | 0:28:15 | 0:28:17 | |
Obviously I didn't want a four, but I think it's fair. | 0:28:17 | 0:28:21 | |
To get an eight from Marcus was amazing. | 0:28:21 | 0:28:23 | |
But the bottom line is, you're as good as your last plate of food. | 0:28:23 | 0:28:26 | |
Tim's two points head of me. | 0:28:26 | 0:28:27 | |
For me to claw back those two points is extremely important. | 0:28:27 | 0:28:31 | |
-Fish course next. -Yeah, man. -Push on. | 0:28:31 | 0:28:33 |