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This week on Great British Menu, | 0:00:04 | 0:00:06 | |
three of the Central region's top chefs. | 0:00:06 | 0:00:08 | |
They're all looking good. | 0:00:08 | 0:00:11 | |
Fourth time competitor Richard Bainbridge... | 0:00:11 | 0:00:14 | |
I'm trying to get something together that means so much to me personally. | 0:00:14 | 0:00:17 | |
..Angela Hartnett's protege, Pip Lacey... | 0:00:17 | 0:00:20 | |
I really want to win this course. | 0:00:20 | 0:00:22 | |
..and returning contender Jason Hodnett... | 0:00:22 | 0:00:25 | |
I'm pretty much hoping you two have screwed this. | 0:00:25 | 0:00:28 | |
..are competing to cook at a banquet celebrating 100 years | 0:00:28 | 0:00:32 | |
of the Women's Institute at London's historic Drapers' Hall. | 0:00:32 | 0:00:37 | |
Yesterday, Richard and Pip got perfect scores | 0:00:38 | 0:00:41 | |
for their main courses. | 0:00:41 | 0:00:42 | |
Richard, I'm also giving you a ten. | 0:00:43 | 0:00:46 | |
Get in! | 0:00:46 | 0:00:48 | |
But Jason served another ambitious dish | 0:00:48 | 0:00:51 | |
that again failed to hit the mark. | 0:00:51 | 0:00:53 | |
Richard is fighting to finally get to the banquet this year | 0:00:53 | 0:00:57 | |
but joint leader Pip is out for glory. | 0:00:57 | 0:01:00 | |
I'm nervous about this course more than any. | 0:01:00 | 0:01:02 | |
The pressure is just immense right now. | 0:01:02 | 0:01:04 | |
And Jason isn't giving up without a fight. | 0:01:04 | 0:01:07 | |
Can you rectify everything? | 0:01:07 | 0:01:09 | |
I am honestly trying my damnedest. Good. Good. | 0:01:09 | 0:01:12 | |
But one chef will be going home today. | 0:01:12 | 0:01:16 | |
I hope I haven't done too much damage. | 0:01:16 | 0:01:18 | |
Maybe I'm going to be the one crying. | 0:01:18 | 0:01:21 | |
If it doesn't set in time, I'll do an ice cream. | 0:01:21 | 0:01:23 | |
It's as simple as that. | 0:01:23 | 0:01:24 | |
This year, the chefs are celebrating the centenary | 0:01:37 | 0:01:40 | |
of the Women's Institute, honouring those women | 0:01:40 | 0:01:43 | |
who've helped make British food great. | 0:01:43 | 0:01:45 | |
They've researched the history of the organisation | 0:01:46 | 0:01:49 | |
and visited local groups... | 0:01:49 | 0:01:51 | |
Who played you in the movie? | 0:01:51 | 0:01:52 | |
Helen Mirren. Really?! | 0:01:52 | 0:01:54 | |
..and taken inspiration from the women in their own families... | 0:01:54 | 0:01:58 | |
Thyme is really coming through. It really lifts it. | 0:01:58 | 0:02:00 | |
..to take home cooking... | 0:02:00 | 0:02:01 | |
Wow! | 0:02:01 | 0:02:03 | |
..to new gastronomic heights. | 0:02:03 | 0:02:05 | |
Let's hope it's a winner. Yeah. | 0:02:05 | 0:02:07 | |
Judging them all week is Great British Menu's | 0:02:09 | 0:02:11 | |
most successful chef, | 0:02:11 | 0:02:13 | |
three-time winner Richard Corrigan. | 0:02:13 | 0:02:15 | |
The Women's Institute is renowned for their puddings and desserts. | 0:02:15 | 0:02:20 | |
We've seen so many mistakes in the kitchen on the final | 0:02:20 | 0:02:23 | |
day over the years | 0:02:23 | 0:02:25 | |
that it is still the chefs to play for. | 0:02:25 | 0:02:27 | |
Dessert, anything can happen. It could all go wrong. | 0:02:29 | 0:02:33 | |
It is a hard course, it's a hard course to pull off. | 0:02:33 | 0:02:35 | |
It's good, I think it's a competition at the end of it. | 0:02:35 | 0:02:38 | |
And I think it's still all to play for. | 0:02:38 | 0:02:39 | |
At this stage, when I look at the scores, I've got nothing to lose | 0:02:39 | 0:02:42 | |
so I may as well throw the kitchen sink at it and see | 0:02:42 | 0:02:44 | |
what I can get, you know? | 0:02:44 | 0:02:45 | |
If Richard likes it, who knows? | 0:02:45 | 0:02:48 | |
First up, fourth-timer Richard. | 0:02:49 | 0:02:51 | |
After a slow start to the week, his well executed fish | 0:02:51 | 0:02:54 | |
and main courses hit the mark. | 0:02:54 | 0:02:56 | |
In joint lead with Pip, he is focused on impressing | 0:02:56 | 0:02:59 | |
with his dessert and making it through to the judges. | 0:02:59 | 0:03:03 | |
I'm not a pastry chef at the best of times, so this makes me nervous, | 0:03:03 | 0:03:06 | |
but then out of my whole menu, | 0:03:06 | 0:03:08 | |
this one is the one that means the most to me. | 0:03:08 | 0:03:12 | |
Hey, Chef. | 0:03:12 | 0:03:14 | |
Good morning, Richard. Name and title of your dish? | 0:03:14 | 0:03:17 | |
So it's a dish called Inspiring Women. | 0:03:17 | 0:03:19 | |
That's an important tag line that the Women's Institute use | 0:03:19 | 0:03:22 | |
and, to me, inspiring women have been a massive part of my life. | 0:03:22 | 0:03:25 | |
So it would only seemed fitting for me to honour | 0:03:25 | 0:03:28 | |
the inspiring women in my family. | 0:03:28 | 0:03:31 | |
So, tell me about your dessert. | 0:03:31 | 0:03:32 | |
It is kind of in two elements. | 0:03:32 | 0:03:34 | |
I've done a dish that's inspired by my nanny's trifle. | 0:03:34 | 0:03:37 | |
So it's called Nanny Bush's Trifle using strawberries, | 0:03:37 | 0:03:40 | |
raspberries, lots of sherry going through the cream | 0:03:40 | 0:03:43 | |
and it looks just like a lovely little trifle. | 0:03:43 | 0:03:47 | |
And then I have also tried to bring in the modern-day WI ladies | 0:03:47 | 0:03:50 | |
by the being inspired by my sister | 0:03:50 | 0:03:53 | |
to make a Victoria sponge cocktail. | 0:03:53 | 0:03:56 | |
So you're making a cocktail that tastes like a Victoria sponge. | 0:03:56 | 0:04:00 | |
Yeah, yeah. I have to see this one. | 0:04:00 | 0:04:02 | |
I've had a gin made, a vanilla gin. | 0:04:02 | 0:04:05 | |
I've got a strawberry syrup in there | 0:04:05 | 0:04:08 | |
and there's also a buttercream mousse that'll then just sit on top. | 0:04:08 | 0:04:12 | |
So they build the cocktail themselves | 0:04:12 | 0:04:15 | |
and kind of adds that little bit of fun and excitement to the dish. | 0:04:15 | 0:04:18 | |
Something different. | 0:04:18 | 0:04:19 | |
Richard's dish, Inspiring Women. | 0:04:22 | 0:04:24 | |
Well, we all love a trifle and if he can pull this off, | 0:04:24 | 0:04:26 | |
he's going to inspire a large banquet as well. | 0:04:26 | 0:04:29 | |
Next up, Angela Hartnett's protege, Pip Lacey. | 0:04:30 | 0:04:34 | |
After bagging a ten yesterday for her interactive main course, | 0:04:34 | 0:04:37 | |
she is hoping to impress again today and make it through to Friday. | 0:04:37 | 0:04:42 | |
Me and Richard on the same points, we're out there ahead | 0:04:42 | 0:04:45 | |
but anything can happen now. | 0:04:45 | 0:04:48 | |
Apprehensive a little bit, I want to do well. | 0:04:48 | 0:04:50 | |
I want to finish it off on a high. | 0:04:50 | 0:04:52 | |
God, Pip, you're all smiles. Yeah. | 0:04:56 | 0:04:58 | |
All smiling. | 0:04:58 | 0:05:00 | |
So, name and inspiration for your dish? | 0:05:00 | 0:05:03 | |
Is It Scone Or Is It Scone? | 0:05:03 | 0:05:05 | |
Grandma always cooking and always baking, | 0:05:07 | 0:05:09 | |
whenever I'd go over to hers, always scones on the go. | 0:05:09 | 0:05:12 | |
I love tea and scones. | 0:05:12 | 0:05:14 | |
Yes! | 0:05:14 | 0:05:15 | |
I'm not going to just do scone, jam and cream. | 0:05:16 | 0:05:21 | |
I'm going to slightly mix it up. | 0:05:21 | 0:05:22 | |
Are you actually cooking a scone tea? | 0:05:22 | 0:05:24 | |
Not quite. | 0:05:25 | 0:05:27 | |
I do cook a scone to begin with and then making them into a puree | 0:05:27 | 0:05:31 | |
and then I'm going to make a chiboust out of it. | 0:05:31 | 0:05:33 | |
Making the Italian meringue, mixing it with the puree | 0:05:33 | 0:05:36 | |
and then that becomes like a sort of set cream in the blast chiller. | 0:05:36 | 0:05:39 | |
The jam is going to go in the middle. | 0:05:39 | 0:05:41 | |
So we have got pears, apple and ginger. | 0:05:41 | 0:05:45 | |
So not just strawberry jam. | 0:05:47 | 0:05:49 | |
I'm going to be doing clotted cream ice cream. | 0:05:49 | 0:05:51 | |
I'm also going to serve a tea with it which has a little | 0:05:51 | 0:05:54 | |
bit of ginger in, as well. | 0:05:54 | 0:05:55 | |
So it's slightly different. | 0:05:55 | 0:05:57 | |
I'm looking forward to tasting this. | 0:05:57 | 0:05:59 | |
There's lots of question marks here. | 0:06:00 | 0:06:02 | |
It's all about taste, it's all about flavour | 0:06:02 | 0:06:05 | |
and if it tastes great, I'm sure the WI will forgive Pip. | 0:06:05 | 0:06:09 | |
Last up, returner Jason. | 0:06:11 | 0:06:13 | |
He has cooked a risky menu all week that hasn't paid off | 0:06:13 | 0:06:16 | |
and he is in last place. | 0:06:16 | 0:06:18 | |
After a disastrous dessert course last year, | 0:06:19 | 0:06:22 | |
today he is giving it his all to set the record straight. | 0:06:22 | 0:06:26 | |
It would be lovely to bury some old ghosts. | 0:06:26 | 0:06:29 | |
I just want to do my best, I want to get a good score | 0:06:29 | 0:06:32 | |
and if I'm going out, go out on a high if I can. | 0:06:32 | 0:06:35 | |
So, your final course. | 0:06:37 | 0:06:40 | |
It's the same with every course, I'll give it 100%. | 0:06:40 | 0:06:42 | |
Superb, thank you. Good. | 0:06:42 | 0:06:44 | |
Title and inspiration for your dish? | 0:06:44 | 0:06:46 | |
The title is Decoupage Egg And Toast | 0:06:46 | 0:06:49 | |
and the inspiration is twofold, really. | 0:06:49 | 0:06:52 | |
One part of it is the craft element which I really wanted to touch on. | 0:06:52 | 0:06:55 | |
It's such a big, important part of the WI. | 0:06:55 | 0:06:57 | |
The other part is the sort of baking element, | 0:06:57 | 0:07:00 | |
so it's a take on an egg custard tart that is involving craft. | 0:07:00 | 0:07:05 | |
So, what are you cooking? | 0:07:05 | 0:07:08 | |
I'm going to make a panna cotta that tastes of nutmeg. | 0:07:08 | 0:07:11 | |
I'm going to try a method called reverse spherification. | 0:07:11 | 0:07:14 | |
So I'm going to try and make an egg yolk that looks like an egg yolk | 0:07:14 | 0:07:18 | |
but tastes like custard. | 0:07:18 | 0:07:20 | |
So you're pushing the boundaries here again. | 0:07:20 | 0:07:22 | |
Yeah, I've done it all the way so why change it for the dessert? | 0:07:22 | 0:07:25 | |
I'm also going to make a tea element to the dish, | 0:07:25 | 0:07:27 | |
so Lady Grey tea, make that into a gel. | 0:07:27 | 0:07:30 | |
I'm going to make some pastry toast | 0:07:31 | 0:07:34 | |
and some butter to go with the toast, | 0:07:34 | 0:07:36 | |
so I'm going to make a rich burnt butter ice cream. | 0:07:36 | 0:07:38 | |
So, you are at the back of the pack. | 0:07:38 | 0:07:40 | |
Hopefully you're coming back fighting for this final course. | 0:07:40 | 0:07:44 | |
Yeah, as much as I can and hopefully get a good score | 0:07:44 | 0:07:46 | |
and just deliver a dish that you will enjoy. | 0:07:46 | 0:07:48 | |
I like the idea of Jason's beurre noisette ice cream | 0:07:51 | 0:07:54 | |
but you have to be careful. | 0:07:54 | 0:07:56 | |
I mean, visually it's probably going to look like breakfast | 0:07:56 | 0:07:59 | |
but it's supposed to taste like dessert. | 0:07:59 | 0:08:01 | |
So, it's all to play for. | 0:08:01 | 0:08:02 | |
I'm looking for a cracking pudding. | 0:08:02 | 0:08:05 | |
Come on, chefs. Show me what you have. | 0:08:05 | 0:08:07 | |
As the chefs get started in the kitchen, | 0:08:11 | 0:08:13 | |
they are all feeling the pressure to impress. | 0:08:13 | 0:08:16 | |
I'm nervous about this course more than any. | 0:08:16 | 0:08:19 | |
I'm worried about him, though. He seems too calm. | 0:08:19 | 0:08:22 | |
Calmness is the furthest thing away from my mind. | 0:08:22 | 0:08:25 | |
The term biting off more than you can chew might be more relevant. | 0:08:25 | 0:08:29 | |
Last year, dessert didn't go to plan. | 0:08:29 | 0:08:31 | |
Right here, right here. | 0:08:31 | 0:08:34 | |
Shall we do a re-enactment like that? | 0:08:34 | 0:08:36 | |
This could be the worst place to be. | 0:08:36 | 0:08:38 | |
Maybe it's going to have some bad fortune. | 0:08:38 | 0:08:40 | |
Maybe I'm going to be the one crying. | 0:08:40 | 0:08:42 | |
Yesterday Richard scored a perfect ten for his main | 0:08:42 | 0:08:46 | |
and is hoping to match that today. | 0:08:46 | 0:08:48 | |
Like the rest of the week, | 0:08:49 | 0:08:51 | |
his dessert Inspiring Women honours the ladies in his life. | 0:08:51 | 0:08:55 | |
I'm trying to get something together that means so much to me personally | 0:08:55 | 0:08:59 | |
as much as I wanted to get a great dish out you guys and Richard. | 0:08:59 | 0:09:02 | |
Richard is making strawberry jelly | 0:09:02 | 0:09:05 | |
and a simple sponge for his take on his nanny's trifle. | 0:09:05 | 0:09:10 | |
His sights are set on reaching the banquet | 0:09:10 | 0:09:12 | |
and he knows nothing short of perfection will do. | 0:09:12 | 0:09:15 | |
I'm a little bit shaky. | 0:09:15 | 0:09:16 | |
I just hope that Richard gets the idea behind my dessert. | 0:09:16 | 0:09:20 | |
Hi, Chef. How are you? How you doing? Good. Listen, come on. | 0:09:22 | 0:09:25 | |
I want to taste something. | 0:09:25 | 0:09:26 | |
This is my sherry custard. | 0:09:26 | 0:09:29 | |
Really rich, custardy, yeah. | 0:09:29 | 0:09:31 | |
Sherry's coming through. | 0:09:31 | 0:09:33 | |
That will set nicely on the top of your... | 0:09:33 | 0:09:36 | |
Yes, in these conditions | 0:09:36 | 0:09:37 | |
I have put more gelatine than I would normally like to. | 0:09:37 | 0:09:40 | |
How much gelatine have you in there? | 0:09:40 | 0:09:41 | |
Nearly five gelatine leaves in there. | 0:09:41 | 0:09:44 | |
In that lot? Yeah. | 0:09:44 | 0:09:46 | |
I wanted to get it set quickly | 0:09:46 | 0:09:47 | |
and then be able to bring it out | 0:09:47 | 0:09:49 | |
than be panicking at the last minute. | 0:09:49 | 0:09:50 | |
OK. Right, OK. | 0:09:50 | 0:09:52 | |
Why would you want five leaves of gelatine in your custard? | 0:09:53 | 0:09:56 | |
I know it's busy and I know you're short of time | 0:09:56 | 0:09:59 | |
but, you know, it's a lot of gelatine. | 0:09:59 | 0:10:01 | |
Yesterday, joint leader Pip's risky main course | 0:10:03 | 0:10:06 | |
paid off, scoring her a ten. | 0:10:06 | 0:10:09 | |
Today she is taking another risk with Is It Scone Or Is It Scone? | 0:10:09 | 0:10:13 | |
A deconstructed cream tea with a set scone flavoured custard. | 0:10:13 | 0:10:17 | |
Looking good? Yeah. | 0:10:17 | 0:10:19 | |
I'm just making scones, just all different sizes | 0:10:19 | 0:10:22 | |
and jam but just done in a different way. | 0:10:22 | 0:10:24 | |
I just wanted to elevate it. | 0:10:24 | 0:10:27 | |
It tastes like... Tastes like a scone. Yeah, definitely. | 0:10:27 | 0:10:30 | |
Pip's cream element is clotted cream ice cream | 0:10:30 | 0:10:33 | |
and her jam is apple, pear and ginger | 0:10:33 | 0:10:36 | |
with tea infused with ginger and chamomile on the side. | 0:10:36 | 0:10:39 | |
You're using tea, as well, though, aren't you? | 0:10:41 | 0:10:43 | |
Yeah, Lady Grey. | 0:10:43 | 0:10:44 | |
Pip is in between calm and slightly nervous of the whole thing | 0:10:45 | 0:10:49 | |
so I am still confused on Is It A Scone Or Is It A Scone? | 0:10:49 | 0:10:54 | |
I hope it's a dessert. | 0:10:54 | 0:10:55 | |
All week Jason has cooked a risky, ambitious menu, | 0:10:57 | 0:11:01 | |
but it hasn't worked out and he is trailing his Michelin-starred rivals. | 0:11:01 | 0:11:06 | |
But he's not giving up without a fight. | 0:11:06 | 0:11:09 | |
Jason, you look like you're full-on. | 0:11:09 | 0:11:11 | |
Everything to do and not enough time in the day to do it. | 0:11:11 | 0:11:14 | |
The chances of me going through are very slim, | 0:11:15 | 0:11:17 | |
but stranger things have happened in that Great British Menu kitchen. | 0:11:17 | 0:11:21 | |
He is sticking with his quirky style, | 0:11:21 | 0:11:23 | |
making burnt butter ice cream for his dish, | 0:11:23 | 0:11:26 | |
designed to look like egg and toast | 0:11:26 | 0:11:28 | |
inspired by the WI's support of arts and crafts. | 0:11:28 | 0:11:33 | |
But he's already run into problems | 0:11:33 | 0:11:36 | |
and dried out his pastry toasts. | 0:11:36 | 0:11:38 | |
My pastry is overcooked. | 0:11:38 | 0:11:41 | |
I'm remaking that now but at the moment it is... | 0:11:41 | 0:11:46 | |
It's pretty brutal. | 0:11:46 | 0:11:47 | |
Why don't we all have some vanilla gin? Yeah! | 0:11:48 | 0:11:52 | |
It's been a great week, guys. Enjoy. Cheers. Cheers. Cheers. Good luck. | 0:11:52 | 0:11:56 | |
Cheers. | 0:11:56 | 0:11:57 | |
For a key ingredient in his dessert, | 0:12:00 | 0:12:03 | |
Richard travelled to a gin distillery in Cambridge... | 0:12:03 | 0:12:06 | |
Afternoon! Hey, Will. How are you? | 0:12:06 | 0:12:07 | |
Very well. Good to see you. Come on through. Let's do it. | 0:12:07 | 0:12:10 | |
..to create a bespoke vanilla gin for his Victoria sponge cocktail. | 0:12:10 | 0:12:15 | |
Wow, Will, this looks amazing. | 0:12:15 | 0:12:17 | |
Master distiller Will has used juniper | 0:12:17 | 0:12:19 | |
and vanilla to form two base spirits. | 0:12:19 | 0:12:22 | |
It was Richard's job to balance the two flavours | 0:12:23 | 0:12:26 | |
to create his bespoke blend. | 0:12:26 | 0:12:28 | |
OK, so, juniper first. Without juniper there is no gin. Yep. | 0:12:28 | 0:12:31 | |
But we want that vanilla to be shining bright enough | 0:12:33 | 0:12:36 | |
so that it still comes through in your final recipe. | 0:12:36 | 0:12:38 | |
OK, so I made you three variations | 0:12:38 | 0:12:39 | |
with different intensities of vanilla. | 0:12:39 | 0:12:42 | |
He think the juniper might be a little bit too strong in that one. | 0:12:42 | 0:12:45 | |
Lingering on the palate little bit more with the vanilla on that one. | 0:12:48 | 0:12:51 | |
We could even perhaps push it a little further | 0:12:51 | 0:12:53 | |
if you wanted to try it. | 0:12:53 | 0:12:55 | |
That actually tastes quite good. | 0:12:56 | 0:12:58 | |
This has got to stand up within your recipe. | 0:12:58 | 0:13:00 | |
You still know it's gin but that vanilla is really packing a punch. | 0:13:00 | 0:13:04 | |
Leave it to me, I'll get it blended and bottled for you. | 0:13:04 | 0:13:07 | |
With his special gin in hand, Richard visits a new wave WI group, | 0:13:09 | 0:13:14 | |
the Golden Triangle, who meet in their local pub. | 0:13:14 | 0:13:17 | |
Lovely to meet you, nice to meet you. | 0:13:17 | 0:13:19 | |
You can see the camaraderie and friendship between everybody. | 0:13:20 | 0:13:23 | |
So do you go outside of the pub at any point? | 0:13:23 | 0:13:26 | |
A lot of what we do is at the pub. | 0:13:26 | 0:13:28 | |
But no, absolutely. | 0:13:28 | 0:13:29 | |
We are a real supporter of our community. | 0:13:29 | 0:13:32 | |
So if we are asked to get involved with a campaign, we really | 0:13:32 | 0:13:34 | |
want to get involved with it, | 0:13:34 | 0:13:36 | |
particularly if it affects women and girls. | 0:13:36 | 0:13:38 | |
Richard wants his Victoria sponge cocktail to reflect | 0:13:39 | 0:13:43 | |
the traditional values of the WI in a modern way - | 0:13:43 | 0:13:46 | |
much like this group. | 0:13:46 | 0:13:48 | |
Like you girls, I wanted it to be sophisticated and fresh | 0:13:48 | 0:13:51 | |
and different. | 0:13:51 | 0:13:52 | |
It tastes amazing. It's like cake in a glass! | 0:13:52 | 0:13:56 | |
I think it does sum up that | 0:13:56 | 0:13:57 | |
relationship between the traditional WI and the new wave WI. | 0:13:57 | 0:14:00 | |
I think it's perfect. Thanks for being my guinea pigs. | 0:14:00 | 0:14:03 | |
In the kitchen, Richard has made the buttercream icing mousse | 0:14:06 | 0:14:10 | |
and strawberry syrup for his Victoria sponge cocktails | 0:14:10 | 0:14:14 | |
and is building his summer trifle | 0:14:14 | 0:14:17 | |
inspired by his nanny's classic recipe. | 0:14:17 | 0:14:19 | |
Are you shaking? Are you shaking? I am a bit, to be honest. | 0:14:19 | 0:14:22 | |
I have never really got a great score for my dessert | 0:14:22 | 0:14:25 | |
so it's now or never for me at the moment. | 0:14:25 | 0:14:28 | |
Like joint leader Richard, Pip's Is It Scone Or Is It Scone? dish | 0:14:28 | 0:14:33 | |
is inspired by her grandmother. | 0:14:33 | 0:14:35 | |
And she is feeling the pressure to perfect it. | 0:14:35 | 0:14:36 | |
I really want to win this course. | 0:14:36 | 0:14:38 | |
Definitely want to make my grandma proud. | 0:14:38 | 0:14:40 | |
The pressure is just immense right now. | 0:14:40 | 0:14:42 | |
Pip is making a chiboust - a creamy custard lightened with whisked | 0:14:42 | 0:14:46 | |
egg whites, which she'll set in a blast chiller. | 0:14:46 | 0:14:49 | |
She is flavouring it with her fruit scones. | 0:14:49 | 0:14:52 | |
Veteran Richard is keen to find out more. | 0:14:52 | 0:14:54 | |
So this is the scones cooked, | 0:14:54 | 0:14:57 | |
cooked again in cream and milk. OK. | 0:14:57 | 0:14:59 | |
And then pureed. | 0:14:59 | 0:15:01 | |
I just love to see my scones broken up | 0:15:01 | 0:15:03 | |
and whipped up with egg white(!) | 0:15:03 | 0:15:05 | |
I will never look at a scone again. | 0:15:05 | 0:15:07 | |
I hope I haven't done too much damage. | 0:15:09 | 0:15:11 | |
I think it is good to change things, develop. | 0:15:11 | 0:15:12 | |
But I haven't messed with it too much. | 0:15:12 | 0:15:14 | |
No, you've just pureed it. Well... Yeah. | 0:15:14 | 0:15:17 | |
With Richard and Pip pulling out all the stops, | 0:15:20 | 0:15:23 | |
Jason is feeling the pressure, making his egg-shaped nutmeg panna cotta | 0:15:23 | 0:15:27 | |
for his quirky Egg And Toast dish. | 0:15:27 | 0:15:30 | |
How are you two getting on, guys? | 0:15:30 | 0:15:31 | |
Cos at this stage, I'm pretty much hoping you two have screwed this, | 0:15:31 | 0:15:34 | |
cos I need you to make a few mistakes right now. | 0:15:34 | 0:15:37 | |
I hope you don't, but it is needed. | 0:15:37 | 0:15:40 | |
Jason has already remade his overcooked pastry | 0:15:40 | 0:15:44 | |
but is now having problems with his burnt butter ice cream. | 0:15:44 | 0:15:47 | |
My ice cream mix was all going to... | 0:15:47 | 0:15:50 | |
Can you rectify everything? Trying? I am honestly trying my damnedest. | 0:15:50 | 0:15:55 | |
Good, good. | 0:15:55 | 0:15:56 | |
At the moment, I have added to the pressure - | 0:15:56 | 0:15:58 | |
the ice cream is over-churned so I'm going to have to remake it. | 0:15:58 | 0:16:00 | |
And if it doesn't set in time, there won't be an ice cream. | 0:16:00 | 0:16:03 | |
It is as simple as that. | 0:16:03 | 0:16:04 | |
Jason, what is happening? Just getting the ice cream finished. | 0:16:06 | 0:16:08 | |
That has got to go on. OK. What is wrong with it? | 0:16:08 | 0:16:11 | |
It is just over-churned. | 0:16:11 | 0:16:12 | |
I'd prefer to give you no ice cream than over-churned ice cream. Yeah. | 0:16:12 | 0:16:15 | |
It's that simple. Here, come on. | 0:16:15 | 0:16:16 | |
Cheers, Chef. Is it the nerves, Jason? Of course it is. May I? | 0:16:16 | 0:16:21 | |
Did you remove sugar? Yeah. OK. | 0:16:25 | 0:16:28 | |
Too sweet? Oh, no. | 0:16:28 | 0:16:31 | |
Pip is first to plate up | 0:16:35 | 0:16:36 | |
and is hoping her deconstructed scone dish, | 0:16:36 | 0:16:39 | |
inspired by her grandma, is enough to get her to the judging chamber. | 0:16:39 | 0:16:43 | |
First on her plates - scone crumbs. | 0:16:44 | 0:16:47 | |
Then different sized fruit scone bases | 0:16:47 | 0:16:50 | |
and apple, pear and ginger jam. | 0:16:50 | 0:16:53 | |
The chilled and set chiboust made from pureed scones with an apple | 0:16:53 | 0:16:57 | |
and pear jam centre sits on top, finished with a crispy scone tuile. | 0:16:57 | 0:17:02 | |
Her home-made tea is served in teacups. | 0:17:03 | 0:17:05 | |
So, did you put milk in their tea automatically? | 0:17:07 | 0:17:10 | |
Is that a bit presumptuous? | 0:17:10 | 0:17:12 | |
Most people do, don't they? | 0:17:12 | 0:17:13 | |
Clotted cream ice cream finishes the dish. | 0:17:13 | 0:17:17 | |
OK, I like my tea hot. | 0:17:17 | 0:17:19 | |
I am looking for my scone. | 0:17:26 | 0:17:27 | |
You can explain to me later where it is. Yes, Chef. | 0:17:27 | 0:17:31 | |
OK, to the tasting room. | 0:17:31 | 0:17:32 | |
This is your ice cream | 0:17:36 | 0:17:38 | |
clotted cream, isn't it? Yep. | 0:17:38 | 0:17:40 | |
Do you feel that has worked to consistency? Yeah. | 0:17:40 | 0:17:43 | |
Texture? Texture, yeah. | 0:17:43 | 0:17:45 | |
Nice opening. | 0:17:47 | 0:17:49 | |
Yes, it is lovely and smooth. | 0:17:49 | 0:17:50 | |
And this is the jam, | 0:17:50 | 0:17:52 | |
the apple and pear, is it? Yeah. | 0:17:52 | 0:17:54 | |
So we have a puree inside the cream. | 0:17:54 | 0:17:57 | |
And then the pear and apple | 0:17:57 | 0:17:59 | |
pieces on the outside as well. | 0:17:59 | 0:18:02 | |
What do you think? | 0:18:03 | 0:18:04 | |
It's OK. It's quite sweet. | 0:18:04 | 0:18:06 | |
The chiboust, the Italian meringue... | 0:18:06 | 0:18:09 | |
Is that how it is supposed to taste? | 0:18:12 | 0:18:13 | |
That is how I want it. A nice, thick cream. | 0:18:13 | 0:18:17 | |
It takes of scone. | 0:18:17 | 0:18:18 | |
I can't really taste anything but that dried fruit. | 0:18:21 | 0:18:24 | |
The tea... | 0:18:25 | 0:18:26 | |
certainly isn't for me. No. | 0:18:26 | 0:18:29 | |
That ginger is really fiery. | 0:18:29 | 0:18:31 | |
If I were scoring, I would give that... | 0:18:37 | 0:18:39 | |
Five to six. | 0:18:39 | 0:18:42 | |
If I was scoring it, I would give it a six. | 0:18:42 | 0:18:44 | |
I think I'd give it a seven. | 0:18:45 | 0:18:47 | |
Would you?! | 0:18:47 | 0:18:48 | |
Hm. | 0:18:48 | 0:18:50 | |
There she is. How do you think it went? | 0:18:51 | 0:18:52 | |
SHE SIGHS I don't know. | 0:18:52 | 0:18:55 | |
Part of me things quite badly cos he kept asking me | 0:18:55 | 0:18:57 | |
was I happy with certain things I thought were fine, so... | 0:18:57 | 0:19:01 | |
I just... | 0:19:01 | 0:19:03 | |
I don't know. | 0:19:03 | 0:19:04 | |
Jason is next to plate up, | 0:19:04 | 0:19:06 | |
preparing the custard yolk for his egg and toast | 0:19:06 | 0:19:09 | |
themed dish at the last minute. | 0:19:09 | 0:19:11 | |
The spherification technique uses chemicals to set the custard | 0:19:11 | 0:19:15 | |
to resemble an egg yolk. | 0:19:15 | 0:19:16 | |
It is a tricky process. | 0:19:16 | 0:19:18 | |
Jason, are you OK there? You are looking a bit stressed. | 0:19:20 | 0:19:22 | |
He finally has enough custard yolks to start building his dish. | 0:19:24 | 0:19:28 | |
Using picture frames, in keeping with his arts and crafts theme, | 0:19:28 | 0:19:31 | |
he serves the custard yolk in eggshells. | 0:19:31 | 0:19:34 | |
He tops the nutmeg panna cottas with crumbled pastry, gold leaf | 0:19:37 | 0:19:41 | |
and edible flowers. | 0:19:41 | 0:19:43 | |
And dresses with dots of Lady Grey tea gel. | 0:19:44 | 0:19:47 | |
So it has all gone to plan? It looks like it has. | 0:19:47 | 0:19:49 | |
Yeah, it all went like a dream(!) | 0:19:49 | 0:19:51 | |
He serves the remade pastry toast and burnt butter ice cream on the side. | 0:19:53 | 0:19:57 | |
Hi, Jason. Here you are, Chef. | 0:20:01 | 0:20:03 | |
RICHARD: Good luck. | 0:20:04 | 0:20:05 | |
A monumental effort, Jason, yeah? To get it up, huh? | 0:20:05 | 0:20:08 | |
Yeah, it tends to be the story of my week, doesn't it? | 0:20:08 | 0:20:12 | |
Happy? | 0:20:12 | 0:20:13 | |
Under the circumstances, happy as I was ever going to be with this. | 0:20:13 | 0:20:17 | |
Come on. | 0:20:17 | 0:20:18 | |
Beautiful presentation, by the way. Thanks, Chef. | 0:20:23 | 0:20:25 | |
What I was trying to get through was that there's a craft element. | 0:20:25 | 0:20:28 | |
He's kind of got, obviously, | 0:20:28 | 0:20:30 | |
old pictures of the WI, them | 0:20:30 | 0:20:32 | |
doing their crafts, all over. | 0:20:32 | 0:20:33 | |
Yeah. That is a nice touch. | 0:20:33 | 0:20:35 | |
So in you go. Oh, yeah! | 0:20:35 | 0:20:37 | |
It is like a breakfast egg. Well, it should run like an egg, but... | 0:20:38 | 0:20:42 | |
RICHARD: Whoooa! | 0:20:42 | 0:20:44 | |
That is quite cool, to be fair. | 0:20:45 | 0:20:47 | |
It is not as strong as I thought it would be of egg custard. | 0:20:47 | 0:20:51 | |
Happy with the toast? | 0:20:51 | 0:20:52 | |
I think the pastry is, while slightly over-caramelised, | 0:20:52 | 0:20:56 | |
it is not too sweet. | 0:20:56 | 0:20:57 | |
And the nutmeg panna cotta? | 0:20:57 | 0:20:59 | |
For me, it tastes of nutmeg. | 0:21:02 | 0:21:04 | |
Panna cotta, great texture. Really nice. | 0:21:04 | 0:21:07 | |
And the ice cream? It is a little bit sweeter than I wanted, | 0:21:07 | 0:21:11 | |
but you get the flavour of burnt butter. | 0:21:11 | 0:21:14 | |
The Lady Grey gel, you think that works well? | 0:21:14 | 0:21:16 | |
I like the idea. | 0:21:16 | 0:21:19 | |
There does need to be more. | 0:21:19 | 0:21:20 | |
I'd give it a seven. | 0:21:20 | 0:21:22 | |
I think that is generous. | 0:21:22 | 0:21:23 | |
I suppose I am, to a degree, relieved because everything | 0:21:23 | 0:21:25 | |
went wrong and I managed to get something, | 0:21:25 | 0:21:28 | |
in my eyes, not an absolute car crash. | 0:21:28 | 0:21:30 | |
Last to plate up is Richard. | 0:21:30 | 0:21:33 | |
His dish is inspired by the women in his life and is a thank you to them. | 0:21:33 | 0:21:38 | |
For his Victoria Sponge Cocktail, inspired by his sister | 0:21:38 | 0:21:41 | |
and the modern WI, he is serving the gin, strawberry syrup | 0:21:41 | 0:21:45 | |
and butter cream mousse individually for the diners to mix themselves. | 0:21:45 | 0:21:49 | |
All right? | 0:21:51 | 0:21:53 | |
I think... If it is in comparison to last year, at least it wasn't... | 0:21:53 | 0:21:57 | |
as bad. | 0:21:57 | 0:21:59 | |
Richard cuts the trifle into individual portions. | 0:22:00 | 0:22:03 | |
And tops with Chantilly cream. | 0:22:03 | 0:22:06 | |
He decorates with chocolate-coated popping candy, | 0:22:06 | 0:22:09 | |
freeze-dried raspberries and baby mint. | 0:22:09 | 0:22:12 | |
How do you do it, Mr Bainbridge, how do you do it? | 0:22:12 | 0:22:14 | |
Being here three times before. THEY LAUGH | 0:22:14 | 0:22:17 | |
Richard spoons milk jam onto miniature summer fete tables. | 0:22:17 | 0:22:21 | |
And lays the trifle on top. | 0:22:21 | 0:22:23 | |
He covers with summer fete tents, | 0:22:23 | 0:22:25 | |
handmade by one of the other women in his life - his wife. | 0:22:25 | 0:22:29 | |
Done. HE SIGHS LOUDLY | 0:22:31 | 0:22:33 | |
You are a clever bunny, aren't you? | 0:22:33 | 0:22:36 | |
I mean, no-one cried on dessert. | 0:22:36 | 0:22:38 | |
TEARING UP: It has been a journey. | 0:22:38 | 0:22:40 | |
Richard, this obviously means a lot to you. | 0:22:42 | 0:22:45 | |
Yeah. So it's... | 0:22:45 | 0:22:46 | |
It is about the inspiring women in my life, | 0:22:46 | 0:22:48 | |
from my grandmother | 0:22:48 | 0:22:50 | |
right up to... | 0:22:50 | 0:22:52 | |
EMOTIONAL: my baby daughter. | 0:22:52 | 0:22:54 | |
Brilliant. | 0:22:54 | 0:22:55 | |
HE SIGHS EMOTIONALLY | 0:22:56 | 0:22:58 | |
Well done. | 0:22:58 | 0:22:59 | |
What can I say? Take it to the tasting room. | 0:22:59 | 0:23:02 | |
All that emotion... Come on. | 0:23:04 | 0:23:07 | |
Thank you, Chef. Thank you. | 0:23:08 | 0:23:10 | |
See? That is fantastic, isn't it? Yep. | 0:23:10 | 0:23:12 | |
So, shall we start with a little cocktail? Yeah, lovely. OK. | 0:23:12 | 0:23:15 | |
Vanilla gin. Vanilla gin! | 0:23:15 | 0:23:17 | |
And then we have got that fresh strawberry syrup. | 0:23:17 | 0:23:20 | |
That is the buttercream? Yeah. | 0:23:21 | 0:23:23 | |
And that is your Victoria Sponge Cocktail, hopefully. | 0:23:23 | 0:23:27 | |
Whoa! | 0:23:30 | 0:23:31 | |
I think that is quite fun. HE GASPS | 0:23:31 | 0:23:34 | |
And the main event? | 0:23:34 | 0:23:35 | |
Nanny Bush's Summer Trifle. | 0:23:35 | 0:23:36 | |
Happy with the gelatine content on there? | 0:23:39 | 0:23:41 | |
I probably could have left it out for another five minutes | 0:23:43 | 0:23:46 | |
before serving it. | 0:23:46 | 0:23:47 | |
It is good textures - the jelly, the sponge, the cream. | 0:23:47 | 0:23:51 | |
I love the really fresh fruit. It is sharp and cuts through the cream. | 0:23:51 | 0:23:54 | |
All this is, is a refined version of my nanny's trifle. | 0:23:55 | 0:23:59 | |
That is all I am trying to do. | 0:23:59 | 0:24:00 | |
What would the ladies of the WI think of this? | 0:24:04 | 0:24:07 | |
Um, I think they would like it. | 0:24:07 | 0:24:10 | |
He has done a fantastic job and I think, if I am honest, | 0:24:10 | 0:24:13 | |
he could go all the way with this dish. | 0:24:13 | 0:24:15 | |
Yeah, I am definitely worried with this dish. | 0:24:15 | 0:24:17 | |
Wow. | 0:24:25 | 0:24:26 | |
How are you feeling? | 0:24:27 | 0:24:29 | |
Um, emotionally drained. | 0:24:29 | 0:24:31 | |
It has been a really, really tough week. | 0:24:31 | 0:24:33 | |
And a great competition, I think, you know. | 0:24:33 | 0:24:35 | |
The fact that we still don't know who is going home makes me | 0:24:35 | 0:24:38 | |
incredibly nervous. | 0:24:38 | 0:24:40 | |
It has been a very long and emotional week, chefs. | 0:24:47 | 0:24:50 | |
I am going to start on with you, Pip. | 0:24:52 | 0:24:54 | |
Is It Scone Or Is It Scone? | 0:24:54 | 0:24:56 | |
The clotted cream ice cream was delicious. | 0:24:58 | 0:25:00 | |
The little scone crisp biscuit was beautiful and crisp. | 0:25:02 | 0:25:05 | |
And the apple and pear jam... | 0:25:07 | 0:25:08 | |
It was pleasant enough. | 0:25:10 | 0:25:11 | |
But... | 0:25:13 | 0:25:14 | |
If I am honest, | 0:25:15 | 0:25:17 | |
I would have just rather have | 0:25:17 | 0:25:19 | |
a warm scone, clotted cream | 0:25:19 | 0:25:22 | |
and some Earl Grey tea. | 0:25:22 | 0:25:24 | |
It just didn't work for me. | 0:25:25 | 0:25:27 | |
Jason. | 0:25:29 | 0:25:31 | |
For your Decoupage Egg And Toast... | 0:25:31 | 0:25:33 | |
The visual display was stunning. | 0:25:34 | 0:25:36 | |
This was pushing the boundaries. | 0:25:38 | 0:25:40 | |
Those little drops of Lady Grey tea gel... | 0:25:41 | 0:25:45 | |
..were lovely. Thank you. | 0:25:46 | 0:25:48 | |
But... | 0:25:49 | 0:25:50 | |
The panna cotta was a little firm. | 0:25:52 | 0:25:55 | |
And I wasn't a huge fan of your pastry toast either. | 0:25:57 | 0:26:00 | |
Richard, for your dish, Inspiring Women... | 0:26:02 | 0:26:04 | |
Victoria sponge and trifle, | 0:26:06 | 0:26:08 | |
they are true national favourites. | 0:26:08 | 0:26:11 | |
Sacred British dishes, I'd say. | 0:26:11 | 0:26:14 | |
I thought it was a wonderful dish. | 0:26:14 | 0:26:16 | |
The trifle... | 0:26:18 | 0:26:19 | |
evoked memories of childhood. | 0:26:19 | 0:26:22 | |
It was whimsical, | 0:26:22 | 0:26:24 | |
comforting, nostalgic... | 0:26:24 | 0:26:26 | |
The whole thing was such fun. | 0:26:28 | 0:26:30 | |
So, the scores. | 0:26:33 | 0:26:34 | |
I'm going to start with you, Rich. | 0:26:37 | 0:26:38 | |
I am giving you a score of... | 0:26:41 | 0:26:44 | |
..ten. | 0:26:47 | 0:26:48 | |
Get in there! Well done, mate. | 0:26:51 | 0:26:54 | |
Thank you, Chef. | 0:26:54 | 0:26:55 | |
HE SIGHS LOUDLY | 0:26:56 | 0:26:58 | |
I think all those ladies in your life will be very proud of you. | 0:27:01 | 0:27:04 | |
Thank you. It means a lot. Thank you. | 0:27:04 | 0:27:07 | |
So you will be cooking again tomorrow. | 0:27:07 | 0:27:09 | |
Two chefs are left. | 0:27:12 | 0:27:13 | |
And only one can go through... | 0:27:14 | 0:27:16 | |
..to cook for the judges tomorrow. | 0:27:17 | 0:27:19 | |
Pip. | 0:27:22 | 0:27:23 | |
I'm giving you... | 0:27:24 | 0:27:25 | |
..five. | 0:27:32 | 0:27:33 | |
Jason. | 0:27:37 | 0:27:39 | |
I'm giving you a six. | 0:27:41 | 0:27:43 | |
Thank you, Chef. | 0:27:43 | 0:27:44 | |
So, Pip, you are still going through to the judges tomorrow. Yep. | 0:27:44 | 0:27:49 | |
You deserve that. | 0:27:51 | 0:27:52 | |
Well done to all of you. | 0:27:52 | 0:27:54 | |
Thank you, Chef. | 0:27:55 | 0:27:56 | |
Thanks. And, Jason, | 0:27:56 | 0:27:57 | |
he has been here four times. | 0:27:57 | 0:27:59 | |
There's a few more to go yet. | 0:28:01 | 0:28:02 | |
Thanks, Chef. Well done. Thank you. | 0:28:02 | 0:28:05 | |
Amazing dessert. Ten! Another ten! | 0:28:09 | 0:28:12 | |
'Blown away. Really, really' | 0:28:12 | 0:28:13 | |
happy. And loved the fact that he got the dish that was the most | 0:28:13 | 0:28:16 | |
important to me. | 0:28:16 | 0:28:18 | |
On the day, I got beaten by two better cooks whose dishes | 0:28:18 | 0:28:22 | |
were better than mine. | 0:28:22 | 0:28:23 | |
It has been an absolute pleasure being in the kitchen with you. | 0:28:23 | 0:28:26 | |
'First time here. | 0:28:26 | 0:28:27 | |
'Through to Friday.' | 0:28:27 | 0:28:29 | |
Happy. Really happy. | 0:28:29 | 0:28:30 | |
Big day tomorrow, Pip. Yep. Yeah. | 0:28:30 | 0:28:33 | |
Friday's a whole different ballgame again. | 0:28:33 | 0:28:35 | |
Paul has shared with me something about the moment | 0:29:07 | 0:29:10 |