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This year on Great British Menu... | 0:00:04 | 0:00:07 | |
Slightly nervous of you with that saw. | 0:00:07 | 0:00:09 | |
Oh... | 0:00:09 | 0:00:11 | |
..the chefs are competing to become ambassadors | 0:00:11 | 0:00:13 | |
for contemporary British cooking. | 0:00:13 | 0:00:17 | |
He did say modern, Chef. Yeah. Come on, baby. Come on, baby. | 0:00:17 | 0:00:20 | |
The pressure in the kitchen is ridiculous. | 0:00:20 | 0:00:22 | |
It's easy. It's only cooking. | 0:00:22 | 0:00:26 | |
In the year the nation celebrated the Queen's 90th birthday, | 0:00:26 | 0:00:30 | |
the chefs are paying tribute to the everyday great Britons | 0:00:30 | 0:00:33 | |
she's honoured for their extraordinary achievements. | 0:00:33 | 0:00:37 | |
The prize - to cook at the ultimate banquet, | 0:00:37 | 0:00:40 | |
held at the country's most iconic building - | 0:00:40 | 0:00:43 | |
the Palace of Westminster. | 0:00:43 | 0:00:45 | |
Here, the chefs must showcase the coming of age of British cuisine. | 0:00:47 | 0:00:51 | |
Going for gold all the way, mate. | 0:00:51 | 0:00:53 | |
But first our eager newcomers... | 0:00:53 | 0:00:55 | |
No! I'm here to get a dish to the banquet. | 0:00:55 | 0:00:58 | |
I'm gunning for a ten. This one's going to smack him in the chops, | 0:00:58 | 0:01:01 | |
I reckon. It's anyone's game, really. | 0:01:01 | 0:01:03 | |
And returning chefs... | 0:01:03 | 0:01:05 | |
Ha-ha! I'm feeling the pressure. | 0:01:05 | 0:01:08 | |
..have to impress our formidable team of veterans... | 0:01:08 | 0:01:11 | |
Oh, you're joking. Stressful, isn't it? | 0:01:13 | 0:01:15 | |
..who are expecting nothing but perfection. | 0:01:15 | 0:01:19 | |
It was pretty much faultless. | 0:01:19 | 0:01:21 | |
I'm sure he's talking about me. | 0:01:21 | 0:01:22 | |
It was amazing. | 0:01:23 | 0:01:24 | |
That was a stunning dish. | 0:01:25 | 0:01:27 | |
One little mistake... Wow. | 0:01:30 | 0:01:33 | |
..could be catastrophic. | 0:01:33 | 0:01:34 | |
This year, our chefs have travelled the UK | 0:01:47 | 0:01:49 | |
to meet the everyday British people | 0:01:49 | 0:01:51 | |
who've made a remarkable difference... | 0:01:51 | 0:01:54 | |
Put it in the oven! | 0:01:54 | 0:01:55 | |
..to their country and to their local communities. | 0:01:55 | 0:01:58 | |
Man overboard! | 0:01:58 | 0:02:01 | |
Since her coronation in 1953, | 0:02:01 | 0:02:04 | |
thousands of people have been given honours by the Queen. | 0:02:04 | 0:02:08 | |
Lucky enough to meet the Queen. You must be really proud. I am. | 0:02:08 | 0:02:11 | |
I received a British Empire Medal. Wow. | 0:02:11 | 0:02:14 | |
Taking inspiration from these great Britons, | 0:02:14 | 0:02:17 | |
the chefs must celebrate the evolution of British food | 0:02:17 | 0:02:20 | |
during the Queen's reign. | 0:02:20 | 0:02:23 | |
I can't criticise this dish. | 0:02:23 | 0:02:24 | |
Their challenge - to present a legacy... | 0:02:24 | 0:02:28 | |
Look at you. ..of this new Elizabethan age. | 0:02:28 | 0:02:31 | |
This week, competing to represent the Northwest... | 0:02:34 | 0:02:40 | |
Matt Worswick, the reigning regional champion. | 0:02:40 | 0:02:44 | |
Competition's always tough, | 0:02:44 | 0:02:46 | |
but this year I want to get all the way to the banquet. | 0:02:46 | 0:02:48 | |
Kim Woodward, the Savoy Grill's first-ever female head chef. | 0:02:49 | 0:02:53 | |
I've already made history in my career. | 0:02:54 | 0:02:56 | |
Now it's time to stand out in the competition, | 0:02:56 | 0:02:58 | |
and take my dishes all the way to the finals. | 0:02:58 | 0:03:00 | |
And Adam Reid, a protege of former GBM winner Simon Rogan. | 0:03:00 | 0:03:06 | |
I cook at the highest level every day, | 0:03:07 | 0:03:09 | |
and I want to prove that my food can get me through to the banquet. | 0:03:09 | 0:03:14 | |
Judging this week is one of Britain's most revered chefs. | 0:03:14 | 0:03:17 | |
I've been here before. | 0:03:17 | 0:03:19 | |
How are you guys feeling? Are you ready? It's daunting, isn't it? | 0:03:19 | 0:03:22 | |
A former banquet winner... | 0:03:23 | 0:03:25 | |
It's not like a normal kitchen. | 0:03:25 | 0:03:26 | |
The pressure is really, really hard. | 0:03:26 | 0:03:28 | |
Kim, are you worried that Matt's been here already? | 0:03:28 | 0:03:31 | |
Not worried at all. | 0:03:31 | 0:03:33 | |
..who's held two Michelin stars for almost 20 years. | 0:03:33 | 0:03:36 | |
Phil Howard. | 0:03:36 | 0:03:38 | |
Morning, chefs. Morning. | 0:03:41 | 0:03:43 | |
How are we? Nervous, now. | 0:03:43 | 0:03:45 | |
So, Matt, made it to the final last year. | 0:03:46 | 0:03:48 | |
Are you ready to try and trump that performance? | 0:03:48 | 0:03:51 | |
I need to try and impress you this week. So the pressure's on now. | 0:03:51 | 0:03:54 | |
Good, good. Kim, made big history in your current position - | 0:03:54 | 0:03:58 | |
a phenomenal achievement. Thank you. | 0:03:58 | 0:04:00 | |
Are you confident that you're going to have a similar impact in the | 0:04:00 | 0:04:02 | |
competition this year? Absolutely. I look forward to it. Thank you. | 0:04:02 | 0:04:05 | |
Adam, worked and trained under Simon Rogan. | 0:04:05 | 0:04:08 | |
Are you confident to do justice to him? | 0:04:08 | 0:04:10 | |
Yeah, and hopefully I can emulate his success. | 0:04:10 | 0:04:12 | |
Good luck. Thank you. | 0:04:12 | 0:04:14 | |
I feel a bit sick. | 0:04:19 | 0:04:20 | |
First is Matt Worswick. | 0:04:22 | 0:04:23 | |
He almost made it to last year's banquet, | 0:04:23 | 0:04:26 | |
when his fish course was shortlisted in the finals. | 0:04:26 | 0:04:29 | |
I see you've got your leather armour on. | 0:04:31 | 0:04:33 | |
I got it made especially for this occasion, so... | 0:04:33 | 0:04:35 | |
You must feel one up on the others, | 0:04:35 | 0:04:36 | |
at least, because you're back in your comfort zone. | 0:04:36 | 0:04:39 | |
Yeah, I've been here before. So, hopefully, that gives me the edge. | 0:04:39 | 0:04:41 | |
What's the story behind your whole menu? | 0:04:41 | 0:04:43 | |
So I wanted to showcase classic British nostalgic dishes, | 0:04:43 | 0:04:46 | |
and bring them up to date with a fun, modern interpretation, | 0:04:46 | 0:04:49 | |
using the finest of British ingredients. | 0:04:49 | 0:04:51 | |
So this dish is liver and onions. | 0:04:51 | 0:04:53 | |
This evokes a sense of nostalgia for me. I grew up on this. | 0:04:53 | 0:04:56 | |
So I've got some lovely ox liver. | 0:04:56 | 0:04:59 | |
I'm going to cook that sous-vide then I'm going to blowtorch it, | 0:04:59 | 0:05:01 | |
so you still get the roasted flavour | 0:05:01 | 0:05:03 | |
but it's a lot more precise with the cooking. | 0:05:03 | 0:05:04 | |
I'm going to use some bone marrow, | 0:05:04 | 0:05:07 | |
I'm going to make a beef gravy. Some onions, by the looks of things. | 0:05:07 | 0:05:09 | |
Plenty of onions. Absolutely. Red onions, where are they going? | 0:05:09 | 0:05:12 | |
I'm just going to roast these in a bit of beef marrow fat, | 0:05:12 | 0:05:14 | |
nice and caramelised. | 0:05:14 | 0:05:16 | |
I'm going to do some crispy shallots as well, plenty of texture. | 0:05:16 | 0:05:19 | |
Maris Piper potatoes to make a really decadent mashed potato, | 0:05:19 | 0:05:23 | |
but not the lumpy one that me mam used to make... | 0:05:23 | 0:05:25 | |
Yeah, yeah, yeah. Nice and refined, that's the idea. | 0:05:25 | 0:05:28 | |
I look forward to seeing it. Good luck. Thanks very much. | 0:05:28 | 0:05:31 | |
Matt's liver and onions is a classic dish. | 0:05:31 | 0:05:32 | |
I'm just not sure it can be transformed | 0:05:32 | 0:05:34 | |
into something contemporary. | 0:05:34 | 0:05:36 | |
Is he actually going to be able to produce a dish that's worthy | 0:05:36 | 0:05:39 | |
of a first course in a banquet? | 0:05:39 | 0:05:40 | |
That's the big question. | 0:05:40 | 0:05:42 | |
Next is Kim Woodward, | 0:05:42 | 0:05:44 | |
a newcomer to the kitchen with an exotic box of ingredients. | 0:05:44 | 0:05:48 | |
Morning, Kim. Morning. | 0:05:49 | 0:05:51 | |
You good? Great. | 0:05:51 | 0:05:52 | |
Let's hear about the whole menu. | 0:05:52 | 0:05:54 | |
I've put together four courses that will give you the impact | 0:05:54 | 0:05:58 | |
of what Britain and its great Britons have shown | 0:05:58 | 0:06:00 | |
over the years of the Queen's lifetime. | 0:06:00 | 0:06:03 | |
Great-looking box of goodies. So the starter is called the BOT. | 0:06:03 | 0:06:06 | |
This is the British Overseas Territories | 0:06:06 | 0:06:08 | |
that the Queen is head of state to. Where are we talking? | 0:06:08 | 0:06:11 | |
We're talking around about the Caribbean, | 0:06:11 | 0:06:13 | |
so we're talking about the Cayman Islands, Bermuda... | 0:06:13 | 0:06:15 | |
Certainly exotic. Yes. | 0:06:15 | 0:06:16 | |
So what I'm going to do is start off | 0:06:16 | 0:06:18 | |
with a langoustine broth with some fresh ginger, some sugar cane, | 0:06:18 | 0:06:21 | |
and the king crab legs are going to be used as the garnish in the bowl. | 0:06:21 | 0:06:26 | |
The langoustine broth will be poured all over it. | 0:06:26 | 0:06:28 | |
The sea trout will be curing in rum, sugar and time. | 0:06:28 | 0:06:30 | |
I'm making a hummus with coconut milk | 0:06:30 | 0:06:32 | |
and then using some seaweeds around. | 0:06:32 | 0:06:35 | |
OK. | 0:06:35 | 0:06:36 | |
How are you going to get coffee into this starter? | 0:06:36 | 0:06:38 | |
The coffee gives a nice element to the langoustine broth. | 0:06:38 | 0:06:42 | |
It actually balances the sweetness of it. | 0:06:42 | 0:06:44 | |
OK. That's interesting. | 0:06:44 | 0:06:46 | |
Matt, you've got ox liver, Kim's got king crab legs. | 0:06:46 | 0:06:51 | |
When you've got something like that to work with, | 0:06:51 | 0:06:53 | |
it's always a head start. Does that put the fear in you? | 0:06:53 | 0:06:55 | |
All those flavours to liaise together, | 0:06:55 | 0:06:57 | |
it's going to take a lot of skill. | 0:06:57 | 0:06:59 | |
I'm very excited to see what Kim comes up with. | 0:06:59 | 0:07:02 | |
Me too. Good luck. Thank you. | 0:07:02 | 0:07:03 | |
Kim's got some phenomenal ingredients there. | 0:07:05 | 0:07:07 | |
Luxurious, exotic king crab legs - you don't get better than that. | 0:07:07 | 0:07:10 | |
And I'm really expecting her to | 0:07:10 | 0:07:12 | |
produce something fantastic with them. | 0:07:12 | 0:07:14 | |
Finally, it's Adam Reid, | 0:07:14 | 0:07:16 | |
another first-timer who's out to make a great impression. | 0:07:16 | 0:07:20 | |
Morning, Adam. How are you doing? | 0:07:20 | 0:07:21 | |
Very good, chef. Lots of spices. | 0:07:21 | 0:07:23 | |
Well, the starter, yeah, it's called From Pakoras to the Palace. | 0:07:23 | 0:07:26 | |
The inspiration was taken | 0:07:26 | 0:07:27 | |
from a family friend, called Laila Remtulla, | 0:07:27 | 0:07:30 | |
who's been awarded an MBE for services to the food industry. | 0:07:30 | 0:07:34 | |
Important-looking lady. | 0:07:34 | 0:07:36 | |
Yeah, absolutely. She started off cooking the elements that I've taken | 0:07:36 | 0:07:39 | |
for this dish from her kitchen at home. | 0:07:39 | 0:07:41 | |
She has African and Indian heritage. | 0:07:41 | 0:07:43 | |
So it's basically composed of three snacks. | 0:07:43 | 0:07:45 | |
Each one's going to be served with its own accompaniments. | 0:07:45 | 0:07:48 | |
There's going to be a little samosa on there. | 0:07:48 | 0:07:49 | |
The filling is going to be spiced cabbages. | 0:07:49 | 0:07:52 | |
It's going to be bound with some goat's curd. | 0:07:52 | 0:07:54 | |
Some pakoras, made with seafood. | 0:07:54 | 0:07:56 | |
So you've got some lovely langoustines, diver-caught scallops, | 0:07:56 | 0:08:00 | |
and there'll be some Morecambe Bay brown shrimps in there as well. | 0:08:00 | 0:08:04 | |
Fantastic. The third element is a lamb bateta champ. | 0:08:04 | 0:08:06 | |
A lamb what? | 0:08:06 | 0:08:08 | |
Bateta champ. It's basically lamb, minced, spiced and flavoured, | 0:08:08 | 0:08:11 | |
and they're going to be deep-fried. | 0:08:11 | 0:08:13 | |
It all sounds, you know, different, interesting. Good luck. | 0:08:13 | 0:08:16 | |
Adam's From Pakoras to the Palace - | 0:08:16 | 0:08:19 | |
effectively it's a trio of canapes. | 0:08:19 | 0:08:21 | |
I've eaten Simon Rogan's canapes. Adam is his protege. | 0:08:21 | 0:08:25 | |
I think they are, without a doubt, | 0:08:25 | 0:08:27 | |
the best canapes produced in the country, | 0:08:27 | 0:08:29 | |
so I've got great expectations from this dish. | 0:08:29 | 0:08:31 | |
As they get to work on their starters, | 0:08:34 | 0:08:36 | |
the hot topic in the kitchen is this year's challenge. | 0:08:36 | 0:08:39 | |
I looked at the brief and I knew immediately what I wanted to do. | 0:08:39 | 0:08:43 | |
So, you seem quite confident about the brief, the starter? | 0:08:43 | 0:08:46 | |
That's the trick, isn't it? | 0:08:46 | 0:08:47 | |
Act confident and everything else will come with it. | 0:08:47 | 0:08:50 | |
The thing with my dish is that it's very, very British but, you know, | 0:08:50 | 0:08:54 | |
the task that I've got is to make it gastronomic. | 0:08:54 | 0:08:56 | |
There's a lot of processes in it. | 0:08:56 | 0:08:58 | |
Yeah. I'm a bit under the cosh at the moment, | 0:08:58 | 0:08:59 | |
to be honest with you, so... | 0:08:59 | 0:09:01 | |
Does that mean shut up? Yeah. Pretty much, yeah. | 0:09:01 | 0:09:03 | |
Matt's modern interpretation of the home-cooked classic liver and onions | 0:09:06 | 0:09:11 | |
is complex. | 0:09:11 | 0:09:12 | |
He blowtorches his ox liver... | 0:09:14 | 0:09:16 | |
..and then cooks it sous-vide along with the potatoes for his mash. | 0:09:18 | 0:09:22 | |
It's a really modest dish, | 0:09:22 | 0:09:24 | |
and I'm trying to incorporate | 0:09:24 | 0:09:25 | |
really modern techniques to bring it up to date. | 0:09:25 | 0:09:27 | |
That's why I'm running round sweating. | 0:09:27 | 0:09:30 | |
Matt Worswick is executive chef at Thornton Hall in Cheshire. | 0:09:30 | 0:09:35 | |
OK. Table five. | 0:09:35 | 0:09:36 | |
He gained his first Michelin star in his own right at just 26. | 0:09:37 | 0:09:42 | |
And, after getting all the way to last year's finals, | 0:09:42 | 0:09:45 | |
he's hoping to triumph again with dishes inspired by retro classics. | 0:09:45 | 0:09:50 | |
I developed my menu by trying to come up with a great British menu | 0:09:50 | 0:09:55 | |
for, I suppose, great British people. | 0:09:55 | 0:09:57 | |
Service! | 0:09:57 | 0:09:59 | |
If you can evoke memories in food, it becomes much more than food. | 0:09:59 | 0:10:02 | |
To reminisce about the home-cooked dishes he grew up with, | 0:10:04 | 0:10:07 | |
Matt went back to Liverpool to meet his uncle Terry, | 0:10:07 | 0:10:10 | |
who is also a chef and one of Matt's earliest inspirations. | 0:10:10 | 0:10:15 | |
I used to work away all the time, when I came home, | 0:10:15 | 0:10:17 | |
me mam used to make me liver and onions. | 0:10:17 | 0:10:19 | |
For me, the smell, the first smell of the onions, | 0:10:19 | 0:10:22 | |
you know you're going to get liver and onions. | 0:10:22 | 0:10:24 | |
When you walk into the house, you think, "Ahh, I'm home." | 0:10:24 | 0:10:26 | |
But I'm going to try and recreate that sense of nostalgia | 0:10:26 | 0:10:29 | |
with my liver and onions. | 0:10:29 | 0:10:31 | |
So if you want to come and try it. | 0:10:31 | 0:10:33 | |
I won't pull any punches. THEY LAUGH | 0:10:33 | 0:10:35 | |
What I needed to do is make my dish | 0:10:38 | 0:10:41 | |
taste exactly the same, if not better, than the original. | 0:10:41 | 0:10:45 | |
I'm walking through the door. | 0:10:49 | 0:10:50 | |
It's great. | 0:10:50 | 0:10:52 | |
Thank you very much. Fantastic. | 0:10:52 | 0:10:54 | |
You've done it. That's a load off. | 0:10:54 | 0:10:56 | |
THEY LAUGH | 0:10:56 | 0:10:58 | |
There's only two things missing. | 0:10:58 | 0:10:59 | |
Me mam and dad. | 0:10:59 | 0:11:01 | |
In the kitchen, Matt's working hard | 0:11:05 | 0:11:07 | |
to create layers of onion textures and flavours. | 0:11:07 | 0:11:10 | |
He adds shallot rings to a pickling mix with coriander and fennel seeds. | 0:11:12 | 0:11:16 | |
Then roasts baby red onions with bone marrow and thyme. | 0:11:17 | 0:11:20 | |
Next, he starts work on his crispy shallots, cooking them in butter, | 0:11:22 | 0:11:27 | |
and then he begins caramelising his slow-cooked onions. | 0:11:27 | 0:11:30 | |
You're looking a little bit out of control here - do you need a hand? | 0:11:30 | 0:11:33 | |
No, organised chaos. | 0:11:33 | 0:11:35 | |
Just got a lot to do, so I'll push myself as much as I can this time. | 0:11:35 | 0:11:38 | |
Liver and onions, how hard can it be? | 0:11:38 | 0:11:40 | |
That's why I'm trying to use every possible technique | 0:11:40 | 0:11:43 | |
to try and make it as refined as possible. | 0:11:43 | 0:11:45 | |
Adam is working on the delicate pastry for his samosas, | 0:11:47 | 0:11:50 | |
which has to be rolled, layered, | 0:11:50 | 0:11:52 | |
then baked before being used to enclose his cabbage filling. | 0:11:52 | 0:11:56 | |
It's made by cooking red and white cabbage with spices, | 0:11:56 | 0:11:59 | |
then combining the pickled mustard seeds and goat's curd. | 0:11:59 | 0:12:03 | |
I don't work in a curry house, so I don't usually make samosas, | 0:12:04 | 0:12:07 | |
but you've got to push yourself, | 0:12:07 | 0:12:08 | |
that's what the competition is about. | 0:12:08 | 0:12:10 | |
What are you most concerned about? Getting it done. | 0:12:10 | 0:12:12 | |
Adam Reid is the head chef at Simon Rogan's restaurant, the French, | 0:12:16 | 0:12:20 | |
in Manchester's historic Midland Hotel, which boasts a contemporary, | 0:12:20 | 0:12:25 | |
imaginative cooking style. | 0:12:25 | 0:12:27 | |
What I bring is enthusiasm, energy and the drive to get things right. | 0:12:27 | 0:12:31 | |
I don't accept anything less than the best. | 0:12:31 | 0:12:34 | |
Service. | 0:12:34 | 0:12:36 | |
Adam's starter is inspired by his family friend Laila... | 0:12:36 | 0:12:39 | |
Hello, Adam, how are you? | 0:12:39 | 0:12:42 | |
..who was awarded an MBE for services to food. | 0:12:42 | 0:12:45 | |
Laila started up her own company | 0:12:45 | 0:12:47 | |
40 years ago by selling home-made bhajis. | 0:12:47 | 0:12:51 | |
It must be nice recognition to say you've gone so far. | 0:12:51 | 0:12:54 | |
Yes. It is. Hard work pays. | 0:12:54 | 0:12:57 | |
And you have to believe in the things you do. | 0:12:57 | 0:13:01 | |
Adam wanted to get Laila's seal of approval for his samosas. | 0:13:01 | 0:13:04 | |
I can really taste the pickled mustard. | 0:13:06 | 0:13:09 | |
The mustard seed, yes. Really beautiful. | 0:13:09 | 0:13:12 | |
You are a clever one. I couldn't have done better than that. | 0:13:12 | 0:13:15 | |
Perfect. | 0:13:16 | 0:13:17 | |
Adam moves on to the filling for his bateta champ, | 0:13:21 | 0:13:25 | |
a popular East African snack | 0:13:25 | 0:13:27 | |
inspired by Leila's Tanzanian heritage. | 0:13:27 | 0:13:30 | |
What have you got in here? | 0:13:30 | 0:13:32 | |
It's basically fried mince and onions. | 0:13:32 | 0:13:34 | |
You've got lots of herbs in there. | 0:13:34 | 0:13:35 | |
We've got Leila's own garam masala mix. | 0:13:35 | 0:13:37 | |
Her family's secret recipe. | 0:13:37 | 0:13:39 | |
Can I have a taste? Absolutely. | 0:13:39 | 0:13:41 | |
This is going to be rolled up into a ball, | 0:13:41 | 0:13:43 | |
packed inside some potato, and then deep-fried. | 0:13:43 | 0:13:46 | |
So it is coming out like | 0:13:46 | 0:13:47 | |
a back to front Scotch egg without an egg in it. | 0:13:47 | 0:13:50 | |
Is there going to be enough refinement in there? | 0:13:50 | 0:13:52 | |
Yes, I think so, yeah. Crack on. | 0:13:52 | 0:13:56 | |
Also taking inspiration from overseas | 0:13:56 | 0:13:58 | |
is Adam's fellow newcomer Kim. | 0:13:58 | 0:14:01 | |
Her starter celebrates ingredients from | 0:14:01 | 0:14:05 | |
Britain's overseas territories in the Caribbean. | 0:14:05 | 0:14:07 | |
She's working on the lime and rum cure for her trout | 0:14:07 | 0:14:10 | |
and making a chickpea and coconut hummus, | 0:14:10 | 0:14:13 | |
which will be served in a langoustine broth. | 0:14:13 | 0:14:16 | |
Feels quite tense in the kitchen, I would say. | 0:14:16 | 0:14:18 | |
Especially for me and Adam - we're new at this. | 0:14:18 | 0:14:21 | |
And obviously Matt, I think he's flying, so, you know, good for him. | 0:14:21 | 0:14:24 | |
A protege of Gordon Ramsay, | 0:14:27 | 0:14:29 | |
Cheshire-born Kim Woodward is the first woman to head up the kitchen | 0:14:29 | 0:14:33 | |
of the prestigious Savoy Grill since it opened in 1889. | 0:14:33 | 0:14:38 | |
Two ham followed by one ham, one fish. | 0:14:38 | 0:14:40 | |
CHEFS SHOUT IN REPLY | 0:14:40 | 0:14:42 | |
I'm a female chef who's broken boundaries already, | 0:14:42 | 0:14:45 | |
and I want to bring that mind-set to the competition. | 0:14:45 | 0:14:48 | |
Kim must make sure the dishes | 0:14:48 | 0:14:49 | |
live up to the reputation of the historic restaurant | 0:14:49 | 0:14:53 | |
where she runs a team of 35 chefs. | 0:14:53 | 0:14:55 | |
So when I'm in the kitchen, everyone knows it. | 0:14:56 | 0:14:59 | |
Can you guys put some salt in here or what? | 0:14:59 | 0:15:01 | |
But even at the helm of one of London's most iconic establishments, | 0:15:01 | 0:15:05 | |
Kim hasn't forgotten her roots. | 0:15:05 | 0:15:07 | |
She returned to her home city of Crewe to pay a visit to | 0:15:07 | 0:15:11 | |
the catering college where her culinary journey began. | 0:15:11 | 0:15:13 | |
Being back has brought back amazing memories. | 0:15:14 | 0:15:17 | |
This is where I started, 18 years ago. | 0:15:17 | 0:15:20 | |
I knew back then the kitchen was for me. | 0:15:20 | 0:15:22 | |
Wanting to inspire a new generation, | 0:15:22 | 0:15:25 | |
Kim served up a sample of her starter | 0:15:25 | 0:15:28 | |
to the aspiring young chefs. | 0:15:28 | 0:15:30 | |
Yeah, it is real nice. | 0:15:32 | 0:15:34 | |
The trout and hummus are lovely, absolutely, so flavourful. | 0:15:34 | 0:15:37 | |
So, do you think I'm on to a winner? | 0:15:37 | 0:15:38 | |
Yes, absolutely delicious - good luck. | 0:15:38 | 0:15:41 | |
With plate-up fast approaching, | 0:15:44 | 0:15:46 | |
Kim's concentrating on her langoustine broth... | 0:15:46 | 0:15:49 | |
..which must be perfectly clarified and balanced in flavour | 0:15:50 | 0:15:53 | |
to meet Phil's exacting standards. | 0:15:53 | 0:15:56 | |
So this has the coffee, the ginger and the sugar cane, | 0:15:57 | 0:16:01 | |
with the langoustine bodies, a dash of rum. | 0:16:01 | 0:16:04 | |
Can I taste? Yes, go ahead. | 0:16:04 | 0:16:06 | |
So I plan to bring all the flavours of the Caribbean to this dish. | 0:16:06 | 0:16:10 | |
You're going to whisk me away to one of those delicious, exotic islands. | 0:16:10 | 0:16:13 | |
I hope so. Look forward to it. | 0:16:13 | 0:16:15 | |
Thank you. | 0:16:15 | 0:16:17 | |
Last year's finalist Matt is first to plate his modern reinvention | 0:16:17 | 0:16:21 | |
of the British classic liver and onions. | 0:16:21 | 0:16:23 | |
Determined to go a step further this year and cook at the banquet, | 0:16:27 | 0:16:31 | |
he's brought in a centrifuge to make his beef gravy. | 0:16:31 | 0:16:34 | |
The high-speed rotation | 0:16:34 | 0:16:36 | |
will clarify his veal and onion stock. | 0:16:36 | 0:16:38 | |
But there's a problem. | 0:16:42 | 0:16:45 | |
You all right, mate? It's BLEEP. It's not having it? Error. | 0:16:45 | 0:16:49 | |
Try plugging it in. | 0:16:49 | 0:16:50 | |
Matt is having a few issues with modern technology. | 0:16:52 | 0:16:54 | |
Bringing it into a pressurised environment. | 0:16:54 | 0:16:56 | |
I'm sure he will overcome it. I hope. | 0:16:56 | 0:16:59 | |
Maybe I don't hope. | 0:16:59 | 0:17:00 | |
Ha-ha! Yes! | 0:17:04 | 0:17:05 | |
Matt's back on track, | 0:17:05 | 0:17:07 | |
but he's still got lots of elements to bring together. | 0:17:07 | 0:17:11 | |
He finishes his crispy shallots... | 0:17:12 | 0:17:14 | |
and then chars his bone marrow. | 0:17:14 | 0:17:17 | |
Matt, are you blow torching everything for the dish? | 0:17:17 | 0:17:20 | |
A few of them, Chef. | 0:17:20 | 0:17:21 | |
I'm trying to incorporate the roasted taste right the way through. | 0:17:21 | 0:17:24 | |
Union flags cover dry ice and dehydrated burnt onions, | 0:17:25 | 0:17:29 | |
which will be activated at the table by pouring over jugs of beef gravy. | 0:17:29 | 0:17:34 | |
He pipes his mashed potato into bowls, | 0:17:37 | 0:17:39 | |
followed by caramelised onion... | 0:17:39 | 0:17:41 | |
..liver and gravy... | 0:17:43 | 0:17:45 | |
roasted baby red onions, pickled shallots, | 0:17:45 | 0:17:48 | |
charred bone marrow... | 0:17:48 | 0:17:50 | |
So, Matt, how are you looking? Are you ready? | 0:17:50 | 0:17:52 | |
Yes, I think I am, yes. | 0:17:52 | 0:17:53 | |
A few finishing touches now. | 0:17:53 | 0:17:56 | |
..and a generous garnish of crispy shallots. | 0:17:56 | 0:17:58 | |
Finally, Matt seasons with dehydrated onion ash. | 0:18:00 | 0:18:03 | |
You OK, do you need anything? | 0:18:05 | 0:18:07 | |
I need you to take one of the boxes up to the pass. | 0:18:07 | 0:18:10 | |
Made it to the finish line, Matt. | 0:18:15 | 0:18:16 | |
Yep. | 0:18:16 | 0:18:18 | |
For theatre and to produce an enticing aroma, | 0:18:18 | 0:18:20 | |
Matt pours the rest of the gravy into his boxes. | 0:18:20 | 0:18:24 | |
The smell of roasted onion, like when me mam used to make. | 0:18:24 | 0:18:27 | |
Guys, what do you think? Threatened? | 0:18:27 | 0:18:28 | |
No. It looks appetising. See what it tastes like. | 0:18:28 | 0:18:33 | |
Let's go and taste it, then. | 0:18:33 | 0:18:37 | |
What do you think, Kim? | 0:18:37 | 0:18:39 | |
It looks like a lot of onions. | 0:18:39 | 0:18:41 | |
OK, let's have a look at the liver. | 0:18:41 | 0:18:43 | |
You chose two very specific ways to cook the liver. | 0:18:45 | 0:18:48 | |
Firstly, the blowtorch. | 0:18:48 | 0:18:50 | |
Then in a water-bath. | 0:18:50 | 0:18:51 | |
Have they contributed significantly to the end result? I think so. | 0:18:51 | 0:18:54 | |
The liver, it's... It does melt in the mouth. | 0:18:54 | 0:18:57 | |
Yeah, I'm growing to like liver now I've tasted that. | 0:18:57 | 0:18:59 | |
It's a very good liver. | 0:18:59 | 0:19:02 | |
Used the sous-vide technique on the potatoes. | 0:19:02 | 0:19:04 | |
Has that achieved what you are hoping for? | 0:19:04 | 0:19:07 | |
Yes, nice and creamy, not lumpy. | 0:19:07 | 0:19:09 | |
The pickled onions hits me straightaway. | 0:19:13 | 0:19:15 | |
What about you? I've just got one of those | 0:19:15 | 0:19:17 | |
caramelised, roasted onions and they are delicious. | 0:19:17 | 0:19:20 | |
I just think that mash is a little bit heavy for a starter. | 0:19:20 | 0:19:22 | |
And the bone marrow has got sufficient presence? | 0:19:22 | 0:19:25 | |
I like the bone marrow on a dish | 0:19:25 | 0:19:26 | |
because it gives an element of the beef again. | 0:19:26 | 0:19:29 | |
- As an individual element, I don't really get the bone marrow. | 0:19:29 | 0:19:32 | |
Matt, give it a score. I'd be happy with anything above a seven. | 0:19:32 | 0:19:35 | |
OK. | 0:19:35 | 0:19:37 | |
Kim is next up to the pass with her complex starter, | 0:19:39 | 0:19:43 | |
celebrating the wealth of exotic ingredients | 0:19:43 | 0:19:45 | |
from the British Overseas Territories. | 0:19:45 | 0:19:49 | |
How are we doing? | 0:19:49 | 0:19:51 | |
How was it? I don't know. | 0:19:51 | 0:19:52 | |
What did you think? I thought it was lovely, mate. | 0:19:52 | 0:19:55 | |
Really delicious. How are you doing, Kim? | 0:19:55 | 0:19:57 | |
I feel like I'm all over the place. | 0:19:57 | 0:19:59 | |
Kim still has to make her chickpea crackers. | 0:19:59 | 0:20:03 | |
She blends some of the rum | 0:20:03 | 0:20:04 | |
and coffee-flavoured langoustine broth | 0:20:04 | 0:20:06 | |
with chickpea and cornflour, ground coriander and cumin. | 0:20:06 | 0:20:11 | |
Then Kim ladles the mix into small pans. | 0:20:11 | 0:20:16 | |
But the crackers aren't crisping up. | 0:20:18 | 0:20:20 | |
If I can't get these crackers perfect, I won't be serving them. | 0:20:20 | 0:20:24 | |
I just need it super, super hot. | 0:20:26 | 0:20:27 | |
I'm just going to keep trying. | 0:20:28 | 0:20:30 | |
Have you sorted your crackers? Yeah. | 0:20:36 | 0:20:38 | |
Are you on time? | 0:20:38 | 0:20:39 | |
I think so. | 0:20:39 | 0:20:40 | |
Oi! Calm down, it's not that bad! | 0:20:42 | 0:20:45 | |
Next, Kim prepares her coconut hummus. | 0:20:45 | 0:20:48 | |
It's first into her bowls, intended to represent a Caribbean seabed, | 0:20:48 | 0:20:52 | |
along with seaweed. | 0:20:52 | 0:20:54 | |
Then she plates the rum-cured sea trout, | 0:20:54 | 0:20:57 | |
king crab meat and the sea vegetables, | 0:20:57 | 0:21:00 | |
followed by the problematic chickpea crackers. | 0:21:00 | 0:21:03 | |
Good there, Kim, do you need anything doing? | 0:21:03 | 0:21:05 | |
No, I don't need your help. | 0:21:05 | 0:21:07 | |
Next, sweet potato crisps, | 0:21:09 | 0:21:11 | |
deep-fried chickpeas and coconut shavings. | 0:21:11 | 0:21:14 | |
Kim places her bowls on sandy beach trays. | 0:21:15 | 0:21:18 | |
The island feel, what the BOT is all about. | 0:21:18 | 0:21:22 | |
Finally she pours her langoustine broth into bottles. | 0:21:22 | 0:21:25 | |
Have you got a message to put into that bottle? | 0:21:25 | 0:21:27 | |
Yeah, not a lot of people know what the BOT is. | 0:21:27 | 0:21:30 | |
I've actually done a little description. | 0:21:30 | 0:21:33 | |
BOT. | 0:21:37 | 0:21:39 | |
MATT: It looks great. Yeah, it looks really pretty. | 0:21:39 | 0:21:41 | |
Let's go and try. | 0:21:41 | 0:21:43 | |
OK, BOT. | 0:21:45 | 0:21:46 | |
So this dish brings together ingredients | 0:21:46 | 0:21:48 | |
from the 14 British Overseas Territories. | 0:21:48 | 0:21:51 | |
- They all share the same head of state, the Queen. | 0:21:51 | 0:21:54 | |
- I presume this is just to get poured? | 0:21:54 | 0:21:55 | |
Yep, just in the bottom there. | 0:21:55 | 0:21:57 | |
It's a soup, so I presume you fill it up. | 0:21:57 | 0:21:59 | |
You've got coffee, coconut, sugar cane. | 0:22:04 | 0:22:07 | |
Has that given you the flavour you were looking for? | 0:22:07 | 0:22:09 | |
For me, it's come out as a nice balance. | 0:22:09 | 0:22:12 | |
It's quite bitter, is that a note from the coffee? | 0:22:12 | 0:22:15 | |
I don't know whether it is, | 0:22:15 | 0:22:16 | |
but there's definitely some bitterness in there. | 0:22:16 | 0:22:19 | |
This, I think, is a chickpea-based cracker. | 0:22:20 | 0:22:22 | |
Yes, that's what I've done. I wanted that crunch. | 0:22:22 | 0:22:24 | |
Are you happy with the hummus? | 0:22:24 | 0:22:26 | |
I think it's a great little boost for the whole dish. | 0:22:26 | 0:22:28 | |
Once it is mixed with the consomme, almost like a muddy water. | 0:22:30 | 0:22:34 | |
King crab legs. | 0:22:34 | 0:22:35 | |
Have you done them proud? | 0:22:37 | 0:22:39 | |
Yeah, I didn't want to do too much to them. | 0:22:39 | 0:22:41 | |
I like them to show off themselves. | 0:22:41 | 0:22:43 | |
I think you lose the crab a little bit. Yeah. | 0:22:43 | 0:22:45 | |
Let's have a mark. | 0:22:45 | 0:22:47 | |
I think I would give myself between seven and eight. | 0:22:47 | 0:22:49 | |
OK. | 0:22:49 | 0:22:51 | |
Adam is last up to the pass with his starter From Pakoras to the Palace. | 0:22:53 | 0:22:58 | |
Hey, guys. How was that? | 0:22:59 | 0:23:01 | |
Yeah, I'm happy. I mean, there's always room for improvement. | 0:23:01 | 0:23:04 | |
Adam makes his pakoras by mixing diced langoustine tails, | 0:23:06 | 0:23:10 | |
scallops and browned shrimp with chilli, coriander, | 0:23:10 | 0:23:13 | |
onion and a paste of coriander, chilli and garlic. | 0:23:13 | 0:23:17 | |
He then deep-fries them. | 0:23:18 | 0:23:20 | |
So, Adam, are you ready? Yes. | 0:23:20 | 0:23:22 | |
As I'll ever be. | 0:23:22 | 0:23:24 | |
Whether my food is refined enough for Phil, only time will tell. | 0:23:24 | 0:23:27 | |
Adam finishes his bateta champ, | 0:23:29 | 0:23:31 | |
coating the balls of spiced minced lamb with mashed potato, | 0:23:31 | 0:23:34 | |
before pane-ing in flour, egg and semolina, and deep-frying. | 0:23:34 | 0:23:40 | |
He shallow fries the spiced cabbage and goat's curd samosas, | 0:23:40 | 0:23:44 | |
before decorating his traditional Indian tiffin boxes with flowers. | 0:23:44 | 0:23:48 | |
So, Adam, are you about ready? Yes, we're looking good. | 0:23:48 | 0:23:51 | |
Adam puts dates, poached in tamarind, | 0:23:51 | 0:23:54 | |
into dishes to serve with his samosas. | 0:23:54 | 0:23:56 | |
Next, he add saffron-infused cultured cream | 0:23:58 | 0:24:00 | |
with chopped anise hyssop, parsley and mint, | 0:24:00 | 0:24:04 | |
to eat with the bateta champ. | 0:24:04 | 0:24:05 | |
Finally, a chilli-tomato dressing for the pakoras. | 0:24:08 | 0:24:11 | |
Adam's presentation is complete. | 0:24:11 | 0:24:13 | |
How do you guys feel? | 0:24:18 | 0:24:20 | |
It looks exciting. Can't wait to try. Very colourful. | 0:24:20 | 0:24:22 | |
Absolutely. Let's go. | 0:24:22 | 0:24:24 | |
I think the idea of the snacks is quite fun. | 0:24:28 | 0:24:31 | |
- This is a samosa. | 0:24:31 | 0:24:32 | |
Nice crunch on the outside, beautiful. | 0:24:35 | 0:24:37 | |
I think it is quite mild. | 0:24:37 | 0:24:39 | |
The combination of the cabbage and the spices, | 0:24:39 | 0:24:42 | |
the balance is what you were after? | 0:24:42 | 0:24:44 | |
Yes, it's got lots of flavour in there, | 0:24:44 | 0:24:47 | |
you've got the goat's curd | 0:24:47 | 0:24:48 | |
in rather than paneer, which is a bit more intense. | 0:24:48 | 0:24:50 | |
Pakora with tomato... | 0:24:51 | 0:24:52 | |
Pakora, you've taken langoustines, | 0:24:54 | 0:24:56 | |
one of the greatest ingredients that this country has got to offer. | 0:24:56 | 0:25:00 | |
Have you done them justice? | 0:25:00 | 0:25:01 | |
I think they do the dish justice. | 0:25:01 | 0:25:04 | |
I think for a quality ingredient like scallop and langoustine, | 0:25:04 | 0:25:07 | |
it gets a bit lost. | 0:25:07 | 0:25:10 | |
So let's have a look at the bateta champ with cultured cream. | 0:25:10 | 0:25:13 | |
Fantastic combination, lamb and mint, you get it straightaway. | 0:25:16 | 0:25:20 | |
Last but not least, I want a mark. | 0:25:20 | 0:25:23 | |
At least a seven. | 0:25:23 | 0:25:25 | |
OK. | 0:25:25 | 0:25:26 | |
How was it? I think it went OK. | 0:25:33 | 0:25:35 | |
It will never be quite as perfect as you want it to be. | 0:25:35 | 0:25:37 | |
This year the competition is a lot tougher. | 0:25:38 | 0:25:41 | |
You want to get off to a good score. | 0:25:41 | 0:25:43 | |
One down, three to go. | 0:25:50 | 0:25:52 | |
So, Matt, we'll start with you and your liver and onions. | 0:25:52 | 0:25:55 | |
It's a classic thing, it's the kind of thing I like, we all like to eat. | 0:25:56 | 0:26:00 | |
Shallots were sweet, delicious, as were the onions. | 0:26:00 | 0:26:03 | |
Mash was rich, the gravy delivered. | 0:26:03 | 0:26:06 | |
The dry ice was a nice touch. | 0:26:06 | 0:26:07 | |
The negatives were that I just didn't feel | 0:26:10 | 0:26:12 | |
that all the technique that went in behind the scenes | 0:26:12 | 0:26:16 | |
delivered the result that you were hoping for. | 0:26:16 | 0:26:20 | |
And perhaps just in the presentation. | 0:26:20 | 0:26:22 | |
You just piled so many shallots and onions over the top | 0:26:22 | 0:26:25 | |
that you kind of lost that finesse. | 0:26:25 | 0:26:27 | |
Kim, your dish of British Overseas Territories, | 0:26:29 | 0:26:34 | |
the idea really worked well with the brief. | 0:26:34 | 0:26:36 | |
Trout can be a bit lacklustre and unexciting. | 0:26:38 | 0:26:41 | |
The curing worked well with that. | 0:26:41 | 0:26:43 | |
Some great texture in the dish, the crisps and the crackers, loved them. | 0:26:43 | 0:26:47 | |
But what I found frustrating was that I wanted to indulge | 0:26:47 | 0:26:51 | |
in the king crab leg. You should have left it as a larger piece. | 0:26:51 | 0:26:55 | |
I felt the flavour of the langoustine broth | 0:26:55 | 0:26:57 | |
was a little bit confused. | 0:26:57 | 0:26:59 | |
I liked the chickpeas in the dish, but the problem with the puree - | 0:26:59 | 0:27:02 | |
you'd gone to all the lengths of making the consomme, | 0:27:02 | 0:27:05 | |
but inevitably you end up with a slightly unattractive, | 0:27:05 | 0:27:07 | |
sort of cloudy liquid at the bottom of the bowl. | 0:27:07 | 0:27:10 | |
Adam, your dish From Pakoras to the Palace. | 0:27:11 | 0:27:14 | |
With the pakora you've chosen | 0:27:16 | 0:27:18 | |
to put these phenomenal ingredients in there, | 0:27:18 | 0:27:21 | |
and somehow, it just didn't deliver | 0:27:21 | 0:27:22 | |
what a langoustine and a scallop could. | 0:27:22 | 0:27:24 | |
I would throw in some crab, too, | 0:27:24 | 0:27:25 | |
which would just deliver the flavour a little bit more. | 0:27:25 | 0:27:28 | |
The truth was that it was a fun thing to eat. | 0:27:28 | 0:27:31 | |
Well executed, brief-led, fun cooking. | 0:27:31 | 0:27:35 | |
Well done. Thank you. | 0:27:36 | 0:27:39 | |
For the scores... | 0:27:39 | 0:27:41 | |
Matt... | 0:27:42 | 0:27:43 | |
..I'm going to give you a score | 0:27:45 | 0:27:47 | |
of seven. | 0:27:47 | 0:27:49 | |
Kim... | 0:27:51 | 0:27:53 | |
I'm going to give you a score | 0:27:53 | 0:27:55 | |
of six. | 0:27:55 | 0:27:58 | |
Adam... | 0:27:58 | 0:28:00 | |
I'm going to give you a score | 0:28:00 | 0:28:02 | |
..of eight. Well done. | 0:28:03 | 0:28:06 | |
Everything to play for. | 0:28:06 | 0:28:08 | |
Looking forward to seeing what you've got to deliver. | 0:28:08 | 0:28:11 | |
Well done. Well done. | 0:28:11 | 0:28:13 | |
Disappointing, obviously. | 0:28:13 | 0:28:15 | |
It just means I have to bring it | 0:28:15 | 0:28:16 | |
for the next couple of courses coming up. | 0:28:16 | 0:28:17 | |
The amount of running around I did, I'm happy with a seven. | 0:28:17 | 0:28:20 | |
I was hard pushed to get it finished in time, | 0:28:20 | 0:28:23 | |
so seven is a decent score. | 0:28:23 | 0:28:25 | |
Took a big risk and it came off. | 0:28:25 | 0:28:28 | |
I'm ecstatic. It could have gone either way. | 0:28:28 | 0:28:32 | |
But obviously Phil liked it, gave me an eight, and I'm over the moon. | 0:28:32 | 0:28:36 | |
BBC Radio 2 Live In Hyde Park. | 0:29:02 | 0:29:05 |