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This week on Great British Menu... | 0:00:04 | 0:00:06 | |
three of the most exciting chefs from Wales. | 0:00:06 | 0:00:10 | |
Last year's regional champion Adam Bannister... | 0:00:10 | 0:00:13 | |
Can I have another piping bag, please? | 0:00:15 | 0:00:18 | |
..returner Phil Carmichael... | 0:00:18 | 0:00:19 | |
Fingers crossed, I pull this dish off. | 0:00:19 | 0:00:21 | |
..and newcomer Andrew Birch, a confident and competitive chef. | 0:00:21 | 0:00:26 | |
Are you OK, Andrew? Yeah, I'm spot-on, mate. | 0:00:26 | 0:00:28 | |
In the year of the Queen's 90th birthday, | 0:00:31 | 0:00:34 | |
the chefs are celebrating the everyday great Britons | 0:00:34 | 0:00:38 | |
honoured throughout her reign. | 0:00:38 | 0:00:40 | |
And competing for the chance to cook for them | 0:00:40 | 0:00:42 | |
at an historic banquet, at the Palace of Westminster. | 0:00:42 | 0:00:46 | |
One course in and reigning champion Adam is out in front. | 0:00:49 | 0:00:53 | |
I'm going to award you eight points. | 0:00:53 | 0:00:55 | |
Phil is one point behind, | 0:00:55 | 0:00:57 | |
with newcomer Andrew trailing in third place. | 0:00:57 | 0:01:00 | |
Today's the fish course, and Andrew is determined to | 0:01:02 | 0:01:05 | |
prove himself by plating up a winner. | 0:01:05 | 0:01:07 | |
I'm trying to modernise the dish a little bit. | 0:01:08 | 0:01:11 | |
But Adam and Phil are both out to get to the judging chamber | 0:01:11 | 0:01:14 | |
for a second year. | 0:01:14 | 0:01:15 | |
I've got to get this fish course boxed, | 0:01:15 | 0:01:17 | |
nailed and make sure I beat Adam. | 0:01:17 | 0:01:19 | |
Never had a problem before, | 0:01:21 | 0:01:22 | |
so fingers crossed, it doesn't happen today. | 0:01:22 | 0:01:24 | |
The competition is getting serious. | 0:01:24 | 0:01:27 | |
So you're ripping off Tom Kerridge? | 0:01:27 | 0:01:29 | |
I'm ripping off Tom Kerrridge. | 0:01:29 | 0:01:30 | |
How is Captain Bannister doing? | 0:01:31 | 0:01:33 | |
He's a bit stressed. I've practised and practised. | 0:01:33 | 0:01:36 | |
I'm concerned about it. | 0:01:37 | 0:01:39 | |
The challenge is to create dishes that are | 0:01:52 | 0:01:54 | |
a celebration of the complete transformation | 0:01:54 | 0:01:58 | |
of British cuisine during the Queen's historic reign. | 0:01:58 | 0:02:00 | |
Judging these dishes for innovative and contemporary cooking | 0:02:02 | 0:02:06 | |
is veteran Michael Smith, who's expecting excellence. | 0:02:06 | 0:02:10 | |
The fish course is a great opportunity for the chefs | 0:02:10 | 0:02:12 | |
to showcase their technical ability. | 0:02:12 | 0:02:14 | |
We are an island nation. | 0:02:14 | 0:02:16 | |
We're surrounded by some of the most wonderful shellfish | 0:02:16 | 0:02:19 | |
and fish anywhere in the world. | 0:02:19 | 0:02:21 | |
There's nothing in it really. Two points from top to bottom. | 0:02:21 | 0:02:24 | |
Fingers crossed, I execute it perfectly. | 0:02:24 | 0:02:27 | |
You know, and I get top marks for this one. | 0:02:27 | 0:02:29 | |
I'm a little bit behind on points. | 0:02:29 | 0:02:30 | |
Those points can be made up in one dish. | 0:02:30 | 0:02:33 | |
Get head down and produce the best I can | 0:02:33 | 0:02:35 | |
and stay at the top of the board. | 0:02:35 | 0:02:37 | |
Good luck, gents. Good luck with the fish course. Yeah, good luck, guys. | 0:02:37 | 0:02:40 | |
First up, Andrew Birch. | 0:02:42 | 0:02:44 | |
His starter, a luxurious take on cauliflower cheese | 0:02:44 | 0:02:48 | |
complete with truffle wasn't enough to impress veteran judge Michael. | 0:02:48 | 0:02:52 | |
He's bottom of the leaderboard but still confident. | 0:02:52 | 0:02:55 | |
I'm excited about the fish dish. | 0:02:55 | 0:02:56 | |
I love cooking fish and I'd like to hope I get | 0:02:56 | 0:02:59 | |
a higher score than my first course. | 0:02:59 | 0:03:01 | |
Hello, Michael. Andrew. Couple of points behind. | 0:03:03 | 0:03:06 | |
I can't do nothing about it. | 0:03:06 | 0:03:08 | |
Just concentrate on the next course and hopefully do a bit better. | 0:03:08 | 0:03:10 | |
Quite right, that's the right attitude. | 0:03:10 | 0:03:12 | |
The title of my fish course, Michael, is the Ladies of Penclawdd. | 0:03:12 | 0:03:15 | |
Who are these lovely ladies? | 0:03:15 | 0:03:17 | |
A lot of the men worked in the coal mines and then | 0:03:17 | 0:03:20 | |
a lot of men died in the mines, so the women needed to go out and work, | 0:03:20 | 0:03:22 | |
and the majority of them would work on the beaches of Penclawdd, | 0:03:22 | 0:03:27 | |
sorting the cockles and laverbread. | 0:03:27 | 0:03:28 | |
And with this dish, | 0:03:28 | 0:03:30 | |
you want to pay tribute to those hardy Welsh ladies. | 0:03:30 | 0:03:33 | |
Yeah, exactly. I'm going to use these amazing cockles | 0:03:33 | 0:03:36 | |
from Penclawdd to cook a risotto. | 0:03:36 | 0:03:39 | |
But it's not a traditional risotto with rice. | 0:03:39 | 0:03:41 | |
I'm going to use the British humble potato. OK. | 0:03:41 | 0:03:43 | |
I'm also going to make a nice fennel salad. | 0:03:43 | 0:03:46 | |
I'm going to be using this amazing laverbread. | 0:03:46 | 0:03:48 | |
It's a seaweed that's been gathered off the beaches. | 0:03:48 | 0:03:51 | |
This is the fish course, so... | 0:03:51 | 0:03:52 | |
I'm using plaice because it's very plentiful in our waters. | 0:03:52 | 0:03:57 | |
And, also, another very important ingredient | 0:03:57 | 0:04:00 | |
to this dish is malt vinegar. | 0:04:00 | 0:04:01 | |
I'm actually going to make a gel. | 0:04:01 | 0:04:03 | |
Well, I love the sound of all of this. | 0:04:03 | 0:04:05 | |
As long as you elevate it and refine it with the banquet in mind. | 0:04:05 | 0:04:08 | |
OK. | 0:04:08 | 0:04:09 | |
Malt vinegar gel, potato risotto instead of rice, | 0:04:11 | 0:04:14 | |
Andrew's making these innovations, which is great, | 0:04:14 | 0:04:16 | |
that's what he needs to do to go all the way. | 0:04:16 | 0:04:19 | |
Next up, Phil Carmichael. | 0:04:21 | 0:04:23 | |
His curry-inspired starter impressed on flavour but lost points | 0:04:23 | 0:04:27 | |
for cooking errors and simple presentation. | 0:04:27 | 0:04:31 | |
I'm not doing a lot of props this year. | 0:04:31 | 0:04:33 | |
I've just got to stick to my guns, let the food do the talking. | 0:04:33 | 0:04:36 | |
Hi, Phil. Hi, Michael. One point in it. | 0:04:39 | 0:04:41 | |
Hopefully, I can nail this dish | 0:04:41 | 0:04:43 | |
and get rid of that one-point difference. | 0:04:43 | 0:04:45 | |
I'm sure you can. | 0:04:45 | 0:04:46 | |
So the title of my fish course is | 0:04:46 | 0:04:48 | |
The '70s Called, They Want Their Cocktail Back. | 0:04:48 | 0:04:51 | |
All right, that sounds like fun already. Yeah. | 0:04:51 | 0:04:53 | |
This is my modern interpretation of the classic prawn cocktail. | 0:04:53 | 0:04:57 | |
You know, this whole dish encapsulates, you know, how far | 0:04:57 | 0:05:01 | |
we've come as a nation of chefs | 0:05:01 | 0:05:02 | |
throughout, you know, the last sort of 60 years. | 0:05:02 | 0:05:04 | |
Right, so how are you going to bring it up | 0:05:04 | 0:05:07 | |
to the 21st century, so to speak? | 0:05:07 | 0:05:08 | |
Well, I'm going to use these | 0:05:08 | 0:05:10 | |
beautiful langoustines instead of prawns. | 0:05:10 | 0:05:12 | |
We're going to have to have a bit of lettuce with this prawn cocktail? | 0:05:12 | 0:05:15 | |
Absolutely. So I'm going to braise the baby gems, | 0:05:15 | 0:05:18 | |
traditionally serve brown bread and butter with prawn cocktail. Yes. | 0:05:18 | 0:05:22 | |
So I've got some, you know, beautiful brown sourdough, | 0:05:22 | 0:05:24 | |
slice it super thin. | 0:05:24 | 0:05:26 | |
A little bit of texture, a little bit of crunch. | 0:05:26 | 0:05:28 | |
I'm serving the whole dish warm, | 0:05:28 | 0:05:30 | |
which you wouldn't normally associate | 0:05:30 | 0:05:32 | |
with a prawn cocktail, so I'm going to make a hot Marie Rose sauce. | 0:05:32 | 0:05:36 | |
I'm a child of the '70s so I know this dish well. | 0:05:36 | 0:05:39 | |
Is it dangerous to have a lot of play with it, do you think or...? | 0:05:39 | 0:05:42 | |
Of course it is but, you know, we're here to take risks. | 0:05:42 | 0:05:44 | |
It will be interesting to see what you think of this, | 0:05:44 | 0:05:46 | |
my interpretation. | 0:05:46 | 0:05:47 | |
Never had a warm prawn cocktail before. | 0:05:49 | 0:05:51 | |
Could be a revelation or it could be a no-go area. | 0:05:51 | 0:05:54 | |
Finally, Adam Bannister. | 0:05:57 | 0:05:59 | |
He's in the lead after plating an inventive, well-executed starter. | 0:05:59 | 0:06:03 | |
But the returning national champion knows | 0:06:03 | 0:06:06 | |
the competition is strong. | 0:06:06 | 0:06:08 | |
As it's looking like it's going to | 0:06:08 | 0:06:10 | |
be close on the scoring, I think that I've just got | 0:06:10 | 0:06:12 | |
to get in there, get my head down, you know, and push as hard as I can. | 0:06:12 | 0:06:14 | |
Adam. Chef. | 0:06:16 | 0:06:18 | |
You've got a narrow lead, you going to maintain that? | 0:06:18 | 0:06:20 | |
Yeah, I'd like to think so. OK. The title of your dish? | 0:06:20 | 0:06:23 | |
Captain Bannister's Boil-In-The-Bag. | 0:06:23 | 0:06:26 | |
Captain Bannister? | 0:06:26 | 0:06:27 | |
Is he a great British fishmonger? | 0:06:27 | 0:06:30 | |
Relative of yours? He could well be. | 0:06:30 | 0:06:32 | |
Boil-in-the-bag, it doesn't really sound that appetising to me. | 0:06:32 | 0:06:36 | |
Back in the day, you know, | 0:06:36 | 0:06:38 | |
in the Queen's era, when it came out it was quite big for people. | 0:06:38 | 0:06:41 | |
You know, the convenience of it. | 0:06:41 | 0:06:42 | |
I think it would be nice to showcase how far we've come because of | 0:06:42 | 0:06:45 | |
the science that's involved in food. | 0:06:45 | 0:06:48 | |
Try and bring it up to the, you know, the 21st-century. | 0:06:48 | 0:06:50 | |
I'm not sure the Queen would have been used | 0:06:50 | 0:06:52 | |
to having boil-in-the-bag dinners at Buckingham Palace. | 0:06:52 | 0:06:54 | |
But I get where you're coming from. | 0:06:54 | 0:06:56 | |
What have we got here? Well, I'll just get the star of the show first. | 0:06:56 | 0:07:00 | |
Captain Bannister's been out fishing, right? Yep. | 0:07:00 | 0:07:03 | |
Turbot. I felt as we were honouring the Queen's Great Britain | 0:07:03 | 0:07:07 | |
that I'd use the king of the sea. | 0:07:07 | 0:07:09 | |
I'm just going to fillet it off the bone | 0:07:09 | 0:07:11 | |
and then I'm going to have some shallots, | 0:07:11 | 0:07:13 | |
some capers, roasted fish stock and crab stock inside the bag. | 0:07:13 | 0:07:17 | |
And then it will be cooked then in the water bath. | 0:07:17 | 0:07:20 | |
And I'm going to make a pea fondant so it's going to have, like, | 0:07:20 | 0:07:23 | |
a liquid centre in the middle. | 0:07:23 | 0:07:25 | |
You mean, like a chocolate fondant dessert | 0:07:25 | 0:07:27 | |
but you're going to do a savoury version with peas? | 0:07:27 | 0:07:29 | |
Yeah, yeah. Exactly that. All right, sounds interesting. | 0:07:29 | 0:07:31 | |
Ever tried Captain Bannister's Boil-In-The-Bag? No, not at all. | 0:07:31 | 0:07:35 | |
Is it in the supermarkets yet? | 0:07:35 | 0:07:37 | |
I've never had a pea fondant before. | 0:07:38 | 0:07:40 | |
More often than not, fish courses | 0:07:40 | 0:07:42 | |
are best left to their prime ingredients. | 0:07:42 | 0:07:44 | |
Is the pea fondant going to enhance that dish? It's yet to be seen. | 0:07:44 | 0:07:47 | |
As the chefs get cooking, | 0:07:50 | 0:07:52 | |
talk turns to their interpretations of the brief. | 0:07:52 | 0:07:55 | |
So you're doing a prawn cocktail, Phil? | 0:07:55 | 0:07:57 | |
And you're doing the boil-in-the-bag. | 0:07:57 | 0:07:59 | |
They're quite dated dishes so are you confident | 0:07:59 | 0:08:01 | |
you're both going to bring them up to modern day? | 0:08:01 | 0:08:04 | |
It was something, it was, you know, quite popular in its day. | 0:08:04 | 0:08:07 | |
For this dish I think it works very well. | 0:08:07 | 0:08:10 | |
Fingers crossed, you know, I pull this dish off. | 0:08:10 | 0:08:13 | |
Celebrating everything to do with the Queen's reign and just | 0:08:13 | 0:08:15 | |
how far Britain has come, | 0:08:15 | 0:08:18 | |
you know, as a food nation. | 0:08:18 | 0:08:19 | |
I tried to do very similar with my cauliflower dish. | 0:08:19 | 0:08:22 | |
And it didn't work for me, | 0:08:22 | 0:08:24 | |
but I think it could work for both these dishes. | 0:08:24 | 0:08:27 | |
Adam is cooking crab. | 0:08:31 | 0:08:33 | |
And making a fish and crab stock for his retro boil-in-a-bag dish. | 0:08:34 | 0:08:39 | |
Are you going to come out with a pipe and a beard later | 0:08:39 | 0:08:42 | |
with a dodgy Fisherman's hat on? | 0:08:42 | 0:08:44 | |
You'll have to wait and watch. | 0:08:44 | 0:08:45 | |
What are you coming dressed as, you know, with the '70s and everything? | 0:08:47 | 0:08:51 | |
I'll be in my bell-bottoms, dodgy glasses, big flowery shirts. | 0:08:51 | 0:08:55 | |
Captain Bannister and a disco king. Should be a good party. | 0:08:55 | 0:08:59 | |
Like his winning starter, Adam's aiming to impress with | 0:09:00 | 0:09:04 | |
complex cooking, and his decision | 0:09:04 | 0:09:06 | |
to make a savoury fondant is causing a stir. | 0:09:06 | 0:09:09 | |
The pea fondant, I've never heard of that. I just love the texture. | 0:09:09 | 0:09:12 | |
I think peas are fantastic to put with turbot, | 0:09:12 | 0:09:16 | |
so it just sort of evolved around that. | 0:09:16 | 0:09:19 | |
Adam needs to add flour and eggs to melted butter | 0:09:19 | 0:09:22 | |
and pea puree to finish the fondant mixture. | 0:09:22 | 0:09:25 | |
Veteran Michael is keen to find out more about this original idea. | 0:09:25 | 0:09:29 | |
Lovely, vibrant green. | 0:09:29 | 0:09:31 | |
Adam, is it like a chocolate fondant in a dessert form? | 0:09:31 | 0:09:35 | |
Same principles, you know, you've got your liquids, centre... | 0:09:35 | 0:09:39 | |
Is this a modified dessert recipe or is this something...? | 0:09:39 | 0:09:42 | |
No, no, it's a recipe that's just... I don't know, it just happened. | 0:09:42 | 0:09:46 | |
Just happened? Yeah. | 0:09:46 | 0:09:48 | |
So, sounds like you're really pulling out all the stops. | 0:09:48 | 0:09:51 | |
Once again, risky element to all of that? We'll see. | 0:09:51 | 0:09:54 | |
OK, I'm very intrigued to try this. Thank you. | 0:09:54 | 0:09:57 | |
Phil's making brown sourdough wafers to garnish | 0:10:03 | 0:10:06 | |
his modern take on prawn cocktail | 0:10:06 | 0:10:09 | |
This is a love it or hate it dish. | 0:10:09 | 0:10:12 | |
I'm going to make sure that every little component is perfect, | 0:10:12 | 0:10:16 | |
and if I pull it off, | 0:10:16 | 0:10:17 | |
that's what we're here to do, we're here to sort of push ourselves. | 0:10:17 | 0:10:21 | |
Phil blanches the langoustines to make sure they're perfectly tender | 0:10:21 | 0:10:24 | |
and then chills. | 0:10:24 | 0:10:26 | |
He has opted for luxury rather than more widely available prawns. | 0:10:26 | 0:10:30 | |
Andrew has made a different choice. | 0:10:30 | 0:10:32 | |
So, I'm using langoustines, a super-luxury ingredient, | 0:10:34 | 0:10:38 | |
Adam is using turbot, you are using plaice, a pretty common fish... | 0:10:38 | 0:10:42 | |
It is a common fish but I think it is underused, | 0:10:42 | 0:10:45 | |
I think a good plaice could stand up against any of the expensive fish. | 0:10:45 | 0:10:50 | |
Andrew is also using Welsh cockles to make a stock. | 0:10:50 | 0:10:54 | |
His dish honours Wales's fishing industry, | 0:10:55 | 0:10:58 | |
and the cockle women of Penclawdd in Swansea. | 0:10:58 | 0:11:00 | |
Lovely local cockles, that's where I was brought up, | 0:11:01 | 0:11:05 | |
so you're obviously quite passionate about the Welsh produce as well. | 0:11:05 | 0:11:07 | |
I am, Adam. | 0:11:07 | 0:11:09 | |
After his starter wasn't deemed special enough for a banquet, | 0:11:09 | 0:11:12 | |
Andrew is relying on local delicacies to impress in this dish. | 0:11:12 | 0:11:17 | |
He is also using Penclawdd laverbread, a cooked seaweed. | 0:11:17 | 0:11:21 | |
Does it worry you using laverbread, cos it | 0:11:21 | 0:11:24 | |
isn't to everybody's cup of tea? | 0:11:24 | 0:11:27 | |
No, I love laverbread, | 0:11:27 | 0:11:28 | |
just going to bring a saltiness and a freshness to it. | 0:11:28 | 0:11:31 | |
I'll try to put Welsh ingredients on my menu as much as I can because, | 0:11:31 | 0:11:36 | |
as you know, we produce some of the best, | 0:11:36 | 0:11:38 | |
we've got loads to sing about in Wales. | 0:11:38 | 0:11:41 | |
Andrew travelled to Cardiff, to meet one of the great Britons | 0:11:45 | 0:11:48 | |
he hopes to cook for at the banquet, a fellow proud Welshman. | 0:11:48 | 0:11:53 | |
Hello, Tim. Hello. Andrew, how's it going? Very good, thank you. | 0:11:53 | 0:11:56 | |
Very nice to meet you. | 0:11:56 | 0:11:58 | |
Timothy Rhys-Evans is the founder and musical director | 0:11:58 | 0:12:01 | |
of the choirs Only Men Aloud | 0:12:01 | 0:12:03 | |
and Only Boys Aloud, who both found success on TV talent shows. | 0:12:03 | 0:12:07 | |
I actually remember watching you and I, well, I did not tear up, | 0:12:08 | 0:12:14 | |
I didn't start crying... Go on! I didn't start crying when I heard | 0:12:14 | 0:12:18 | |
your guys, but it did really hit you | 0:12:18 | 0:12:20 | |
and you think, "Just phenomenal." | 0:12:20 | 0:12:22 | |
THEY SING | 0:12:22 | 0:12:24 | |
The choir aims to improve the lives | 0:12:24 | 0:12:26 | |
of boys from underprivileged backgrounds | 0:12:26 | 0:12:28 | |
through singing, a proud Welsh tradition. | 0:12:28 | 0:12:31 | |
Our national anthem says | 0:12:31 | 0:12:33 | |
Gwlad beirdd a chantorion - | 0:12:33 | 0:12:35 | |
"A land of poets and singers." | 0:12:35 | 0:12:36 | |
And I think it so important that we just make sure | 0:12:36 | 0:12:39 | |
those opportunities are there for, particularly, young lads. | 0:12:39 | 0:12:43 | |
It is changing lives, because they have more confidence, | 0:12:43 | 0:12:46 | |
maybe just because their horizons have been opened. | 0:12:46 | 0:12:49 | |
Yeah, yeah. | 0:12:49 | 0:12:51 | |
Tim was awarded an MBE for his musical and charitable work. | 0:12:51 | 0:12:55 | |
As one of the Queen's great Britons, Andrew was keen | 0:12:55 | 0:12:58 | |
for him to try his fennel salad. | 0:12:58 | 0:13:00 | |
Mm, that's lovely. I could eat all of that. | 0:13:00 | 0:13:04 | |
So, what was it actually like receiving your MBE? | 0:13:04 | 0:13:07 | |
I was very, very lucky. Here you go. | 0:13:07 | 0:13:10 | |
That is quite impressive, isn't it? | 0:13:10 | 0:13:11 | |
I got this from the Queen herself, | 0:13:11 | 0:13:14 | |
at Buckingham Palace, and the best thing about it was I could | 0:13:14 | 0:13:18 | |
take my mum and my nana and then we went to The Ritz for dinner. | 0:13:18 | 0:13:22 | |
Really? Yeah, so... That's brilliant. It was lovely. | 0:13:22 | 0:13:26 | |
Do you wear it much? No, it's a bit ostentatious. Show-off? Yeah! | 0:13:26 | 0:13:29 | |
LAUGHTER | 0:13:29 | 0:13:30 | |
That's brilliant, thank you very much, | 0:13:30 | 0:13:32 | |
it was really nice meeting you. | 0:13:32 | 0:13:34 | |
Yeah, you too, you too. | 0:13:34 | 0:13:35 | |
In the kitchen, Andrew is dicing potato for his | 0:13:39 | 0:13:42 | |
contemporary interpretation of risotto. | 0:13:42 | 0:13:45 | |
I'm trying to substitute the rice for a British product, | 0:13:45 | 0:13:48 | |
trying to modernise the dish a little bit. | 0:13:48 | 0:13:51 | |
I found out a potato risotto from your last year veteran judge, | 0:13:51 | 0:13:56 | |
Tom Kerridge. OK. | 0:13:56 | 0:13:58 | |
He's got it on his menu, I don't know if he invented it, | 0:13:58 | 0:14:01 | |
but I just like the idea of it. | 0:14:01 | 0:14:04 | |
So, you're ripping off Tom Kerridge? I'm ripping off Tom Kerridge. | 0:14:04 | 0:14:07 | |
Good man. | 0:14:07 | 0:14:09 | |
He's hoping to have the edge over his rivals by modernising | 0:14:09 | 0:14:12 | |
the dish with a malt vinegar gel. | 0:14:12 | 0:14:15 | |
How are we doing, Andrew? | 0:14:17 | 0:14:18 | |
Everything is coming together, yes. | 0:14:18 | 0:14:21 | |
That malt vinegar gel, any chance I can have a wee try of that? | 0:14:21 | 0:14:24 | |
Yeah, it's got a bit of a kick so... Be prepared? Be prepared. | 0:14:24 | 0:14:27 | |
Yeah, it's got a bit of a kick to it. | 0:14:27 | 0:14:29 | |
So, what have you got in there? | 0:14:30 | 0:14:32 | |
You got the malt vinegar, some sugar... | 0:14:32 | 0:14:34 | |
Little bit of sugar. And a little, tiny bit of water. | 0:14:34 | 0:14:36 | |
So, it's a seasoning for the dish? Exactly. | 0:14:36 | 0:14:40 | |
Thank you for that. I'll let you get on. Thank you. | 0:14:40 | 0:14:43 | |
Adam is finishing the caper and crab sauce for his turbot. | 0:14:45 | 0:14:48 | |
He is cooking it in a temperature-controlled water bath, | 0:14:48 | 0:14:51 | |
a refined version of home-cooked boil-in-the-bag. | 0:14:51 | 0:14:54 | |
But he's concerned about his test batch of pea fondants. | 0:14:57 | 0:15:01 | |
That work? How you want it? | 0:15:01 | 0:15:03 | |
It's just the oven, making sure... | 0:15:03 | 0:15:05 | |
I felt that it needed a little bit longer, | 0:15:07 | 0:15:10 | |
the flour to be cooked out a little bit more. | 0:15:10 | 0:15:12 | |
I've never had a problem before, | 0:15:12 | 0:15:14 | |
so fingers crossed it doesn't happen today. | 0:15:14 | 0:15:17 | |
Phil has blitzed frozen chives with oil. | 0:15:18 | 0:15:21 | |
And now needs to strain the puree through muslin to extract | 0:15:21 | 0:15:24 | |
the chive oil. | 0:15:24 | 0:15:26 | |
He's hoping this technique should intensify the flavour | 0:15:26 | 0:15:29 | |
and elevate his prawn cocktail to banquet standards. | 0:15:29 | 0:15:32 | |
It's all about this one point that Adam beat me from last year. | 0:15:32 | 0:15:35 | |
So, I've got to get this fish course boxed, | 0:15:35 | 0:15:38 | |
nailed, and make sure I beat Adam. | 0:15:38 | 0:15:40 | |
Phil is also working on the warm elements of his dish. | 0:15:42 | 0:15:46 | |
And braising lettuce. | 0:15:47 | 0:15:49 | |
That looks lovely, man. | 0:15:49 | 0:15:51 | |
Put a dash of Noilly Prat in there, light chicken stock in there. Yeah. | 0:15:51 | 0:15:54 | |
And just in the open, literally about ten minutes. | 0:15:54 | 0:15:56 | |
And making his version of a Marie Rose sauce using cooked tomatoes, | 0:15:56 | 0:16:00 | |
which he'll mix with a hollandaise. | 0:16:00 | 0:16:03 | |
So, you're going to fold this through a classic hollandaise? | 0:16:03 | 0:16:06 | |
Exactly. | 0:16:06 | 0:16:07 | |
But then I'm going to finish with | 0:16:07 | 0:16:08 | |
the classical Marie Rose accompaniments, a bit of brandy, | 0:16:08 | 0:16:11 | |
a bit of Worcester sauce, little bit of cayenne pepper... | 0:16:11 | 0:16:13 | |
And are you going to serve this in a glass? | 0:16:13 | 0:16:15 | |
No, this is on a plate. | 0:16:15 | 0:16:17 | |
And no smoke and mirrors with the presentation, | 0:16:17 | 0:16:19 | |
just showcasing the ingredients? | 0:16:19 | 0:16:20 | |
Absolutely. I'm going to stick to my guns. | 0:16:20 | 0:16:22 | |
What's the biggest risk of this dish for you, Phil? | 0:16:22 | 0:16:26 | |
Hot prawn cocktail. | 0:16:26 | 0:16:27 | |
Spinning it on its head, yeah, the whole dish is a risk. | 0:16:27 | 0:16:30 | |
Well, I can't wait to try it. Thank you. | 0:16:30 | 0:16:33 | |
Andrew is the first to serve his fish course. | 0:16:34 | 0:16:37 | |
He has to cook the plaice and risotto perfectly | 0:16:37 | 0:16:40 | |
at the very last minute. | 0:16:40 | 0:16:41 | |
You look like a chef in control. Uh, not really on the inside. | 0:16:43 | 0:16:47 | |
Cos if it's overcooked, | 0:16:47 | 0:16:49 | |
we've got mashed potatoes with cockles in it, | 0:16:49 | 0:16:51 | |
and if it's undercooked, you've got raw potatoes with cockles in it. | 0:16:51 | 0:16:55 | |
I don't fancy the latter of the options. | 0:16:56 | 0:16:58 | |
The potato risotto with cockles and laverbread is first onto the plate. | 0:16:59 | 0:17:04 | |
With a garnish of fennel pollen and dried laverbread. | 0:17:04 | 0:17:07 | |
Next is the pan-fried plaice... | 0:17:11 | 0:17:14 | |
fennel salad.... | 0:17:14 | 0:17:16 | |
and his malt vinegar gel. | 0:17:16 | 0:17:19 | |
Andrew finishes with fennel cress and rapeseed oil. | 0:17:19 | 0:17:23 | |
What do we think, gentlemen? | 0:17:28 | 0:17:29 | |
I like the look of that, looks tasty. | 0:17:29 | 0:17:31 | |
Definitely smells appetising, | 0:17:31 | 0:17:33 | |
I think we should taste this as soon as possible. | 0:17:33 | 0:17:36 | |
Yes. | 0:17:36 | 0:17:37 | |
"In Penclawdd, South Wales, during the Industrial Revolution..." | 0:17:42 | 0:17:46 | |
"Women whose husbands were unfit for work in the coal mines, | 0:17:46 | 0:17:50 | |
"turned to cockle gathering as a lifeline." | 0:17:50 | 0:17:52 | |
"They are some of Britain's unsung heroes." | 0:17:52 | 0:17:55 | |
That's a lovely story. | 0:17:55 | 0:17:56 | |
Thank you. | 0:17:56 | 0:17:58 | |
Potato and cockle risotto. Yeah. | 0:17:58 | 0:18:01 | |
I think I've achieved a texture I want, | 0:18:01 | 0:18:03 | |
it's come together better than all my practices, to be honest, Michael. | 0:18:03 | 0:18:07 | |
The flavour's good, but for me, | 0:18:08 | 0:18:10 | |
the potato is still a little bit raw. | 0:18:10 | 0:18:12 | |
I'd have liked more flavour of that cockle in there. | 0:18:12 | 0:18:14 | |
Yeah, likewise. | 0:18:14 | 0:18:16 | |
Cockles are a delicate flavour, | 0:18:16 | 0:18:18 | |
I'm not expecting you to eat it and go, | 0:18:18 | 0:18:20 | |
"I've just been smacked in the face by a cockle." | 0:18:20 | 0:18:23 | |
Well, the ladies might not appreciate... | 0:18:23 | 0:18:25 | |
You might get a slap back. | 0:18:25 | 0:18:26 | |
How do you think the cooking of the fish is? | 0:18:26 | 0:18:29 | |
I'm very happy with the cooking of the fish. | 0:18:29 | 0:18:31 | |
- I think it's cooked lovely, | 0:18:31 | 0:18:33 | |
caramelisation is lovely on the top. | 0:18:33 | 0:18:36 | |
Malt vinegar, has that paid off? | 0:18:36 | 0:18:38 | |
I could not do this dish without malt vinegar, it's what cockles | 0:18:38 | 0:18:42 | |
in South Wales are about. | 0:18:42 | 0:18:45 | |
It's worked that malt vinegar, it tastes like | 0:18:45 | 0:18:48 | |
fish and chips almost, like you get down the pier. | 0:18:48 | 0:18:51 | |
Shaved fennel. It's just to lighten the whole thing up. | 0:18:51 | 0:18:54 | |
The laverbread in the risotto | 0:18:57 | 0:18:58 | |
and the little crispy bits of laverbread. | 0:18:58 | 0:19:00 | |
I think it works. I really do. Yeah. | 0:19:00 | 0:19:02 | |
I think the story and the dish does really work, | 0:19:02 | 0:19:06 | |
I could see it at the banquet. | 0:19:06 | 0:19:08 | |
Are you all right, guys? Andrew, how did you get on? | 0:19:16 | 0:19:19 | |
I was happy with it, guys, | 0:19:19 | 0:19:21 | |
but I was happy with my cauliflower dish and he scored me a six, so... | 0:19:21 | 0:19:24 | |
Adam is next to plate his fish dish, a contemporary take on | 0:19:27 | 0:19:31 | |
boil-in-the-bag, with the king of the sea, turbot. | 0:19:31 | 0:19:34 | |
The unusual pea fondant is first on the plate. | 0:19:35 | 0:19:38 | |
It's the one thing of the dish | 0:19:38 | 0:19:40 | |
that I've practised and practised and practised. | 0:19:40 | 0:19:43 | |
And I'm concerned about it. | 0:19:43 | 0:19:45 | |
The boil-in-the-bag turbot is served on the side, | 0:19:47 | 0:19:50 | |
to be opened at the table. | 0:19:50 | 0:19:52 | |
How's Captain Banister doing? | 0:19:53 | 0:19:55 | |
He's a bit stressed. He's sinking or swimming? I'm swimming. | 0:19:55 | 0:20:00 | |
Worse things happen at sea, chef, right? | 0:20:00 | 0:20:03 | |
Crab meat and salty fingers are next on the plate. | 0:20:03 | 0:20:06 | |
Garnished with the herb, seablite...and then crab sauce. | 0:20:06 | 0:20:12 | |
The completed dish is then packed in a box. | 0:20:12 | 0:20:15 | |
Ah... So, finally we get to see the elusive Captain Bannister. | 0:20:17 | 0:20:24 | |
I think there's a striking resemblance there, is there? | 0:20:24 | 0:20:26 | |
Open it up and then take your food out. | 0:20:26 | 0:20:28 | |
Thank you very much. | 0:20:28 | 0:20:30 | |
Get stuck in and we'll get stuck into ours. | 0:20:30 | 0:20:33 | |
So each guest would have one of these each | 0:20:37 | 0:20:39 | |
and they would do it themselves? | 0:20:39 | 0:20:41 | |
This would be quite fun to do the banquet. Yeah. | 0:20:41 | 0:20:44 | |
I'm eager to try your pea fondant. | 0:20:46 | 0:20:49 | |
I don't like it. No. I've just got a mouth of flour. Yeah. | 0:20:57 | 0:21:01 | |
Has it turned out just as you had hoped? | 0:21:02 | 0:21:05 | |
I don't think the flour is cooked out as much as it normally does, | 0:21:05 | 0:21:08 | |
and I can't understand why. | 0:21:08 | 0:21:10 | |
We go onto the fish itself, the turbot from the bag. | 0:21:11 | 0:21:14 | |
I think it's nice and moist. I like the texture that you get from it. | 0:21:14 | 0:21:17 | |
Water bathing it does bring | 0:21:17 | 0:21:19 | |
a bit of meaty texture to it. | 0:21:19 | 0:21:22 | |
Great acidity to it, he's got the nice capers in there. | 0:21:22 | 0:21:26 | |
The amount of capers in the dish... | 0:21:26 | 0:21:28 | |
There are quite a few capers, maybe I would lose some. | 0:21:28 | 0:21:31 | |
The crab and the sea herbs? | 0:21:31 | 0:21:33 | |
Yeah, it just brings a freshness to the dish. The crab is nice, | 0:21:33 | 0:21:37 | |
scoring the dish is really hard because without | 0:21:37 | 0:21:41 | |
the pea fondant I think I'd probably score it an eight or a nine, | 0:21:41 | 0:21:44 | |
but the pea fondant is nearly inedible. | 0:21:44 | 0:21:47 | |
Score it out of ten for me, Adam. | 0:21:49 | 0:21:51 | |
Because I'm not happy with my pea fondant, | 0:21:51 | 0:21:54 | |
I am probably going to go... a seven? | 0:21:54 | 0:21:57 | |
How was that, man? | 0:22:08 | 0:22:10 | |
I feel a little bit deflated, you know, | 0:22:10 | 0:22:12 | |
I was happy with everything on the dish apart from the pea fondant. | 0:22:12 | 0:22:16 | |
It's done now, isn't it? I've got to forget about it. | 0:22:16 | 0:22:18 | |
Phil is last to serve his warm prawn cocktail with langoustine. | 0:22:20 | 0:22:26 | |
How are they looking? Yeah, looking good. Happy with them. | 0:22:26 | 0:22:30 | |
First on the plate is braised baby gem lettuce. | 0:22:30 | 0:22:32 | |
Followed by the langoustine... | 0:22:33 | 0:22:35 | |
and diced tomato. | 0:22:35 | 0:22:36 | |
So, this is the warm cocktail sauce. | 0:22:39 | 0:22:41 | |
Fresh baby gem lettuce is next. | 0:22:43 | 0:22:45 | |
Give it a little bit of freshness. | 0:22:45 | 0:22:47 | |
Fennel pollen. | 0:22:47 | 0:22:49 | |
Phil is keeping his presentation simple, to let the food shine. | 0:22:49 | 0:22:53 | |
Chive oil, sourdough wafers and cayenne pepper garnish the dish. | 0:22:54 | 0:22:59 | |
The '70s Called, They Want Their Cocktail Back. | 0:23:00 | 0:23:03 | |
How has that gone for you? Relieved to get that one out the way. | 0:23:03 | 0:23:06 | |
What do we think, guys? I am really looking forward to trying it. | 0:23:06 | 0:23:10 | |
It looks really good, actually. I agree. Shall we go through? | 0:23:10 | 0:23:12 | |
Yes, let's, please. | 0:23:12 | 0:23:14 | |
It's got everything there that I would expect on a prawn cocktail. | 0:23:19 | 0:23:23 | |
How's the cooking of the langoustine for you? | 0:23:23 | 0:23:26 | |
Perfect, soft, succulent, still beautifully tender. | 0:23:26 | 0:23:29 | |
It's got a meaty texture to it. Yeah, they're cooked lovely. | 0:23:29 | 0:23:32 | |
Yeah, nice little heat from the cayenne pepper as well. | 0:23:32 | 0:23:35 | |
You're looking for a warm temperature, not hot, not cold? | 0:23:35 | 0:23:38 | |
Absolutely, for me this is the perfect temperature. | 0:23:38 | 0:23:40 | |
Yeah, I like the sauce, I think he served it at the right temperature, | 0:23:40 | 0:23:43 | |
which I was a bit unsure of. | 0:23:43 | 0:23:45 | |
Are you pleased with how the roast lettuce has come out? Yeah. | 0:23:46 | 0:23:49 | |
You get this wonderful caramelised flavour. | 0:23:49 | 0:23:52 | |
The braised lettuce, | 0:23:52 | 0:23:53 | |
it hasn't really got a lot of texture to it. | 0:23:53 | 0:23:56 | |
Portion size? | 0:23:56 | 0:23:57 | |
The langoustine is going to be quite rich, | 0:23:57 | 0:24:00 | |
so you wouldn't want three of them, I think... | 0:24:00 | 0:24:03 | |
I think my brain is saying, I'd want three langoustines, | 0:24:03 | 0:24:06 | |
but that's just because they were good. | 0:24:06 | 0:24:09 | |
Is there enough visual impact in that dish? For a banquet? | 0:24:09 | 0:24:12 | |
Yeah, I think the dish speaks for itself. | 0:24:12 | 0:24:14 | |
They'll understand what the message I'm trying to get across is. | 0:24:14 | 0:24:18 | |
The title of the dish is quite cheesy and I think if you | 0:24:20 | 0:24:25 | |
are going to call it something like that, | 0:24:25 | 0:24:27 | |
you need to try and carry it on. | 0:24:27 | 0:24:29 | |
Enjoy that? You know, stressful... | 0:24:37 | 0:24:40 | |
Obviously, they don't give anything away, so... | 0:24:40 | 0:24:43 | |
It was a nice dish. I liked it, yeah, it put a smile on my face. | 0:24:43 | 0:24:46 | |
You know, I wasn't happy with the pea fondant but I'll be | 0:24:48 | 0:24:50 | |
disappointed if I get a really, really bad score. | 0:24:50 | 0:24:52 | |
I was happy with my dish, hopefully it will get me back that | 0:24:52 | 0:24:56 | |
extra one or two points that I need to try and catch you guys up. | 0:24:56 | 0:25:00 | |
Chefs, good evening. Tough day? Yeah. Yeah. | 0:25:11 | 0:25:15 | |
Draining. Definitely. | 0:25:15 | 0:25:16 | |
Adam, I'm going to start with you. For your dish... | 0:25:18 | 0:25:21 | |
Captain Bannister's Boil-In-The-Bag. | 0:25:21 | 0:25:24 | |
This was fun presentation, it was a great celebration of | 0:25:24 | 0:25:29 | |
contemporary cooking techniques evolved during the Queen's reign. | 0:25:29 | 0:25:33 | |
Apart from maybe slightly too many capers, the turbot, | 0:25:33 | 0:25:37 | |
all the garnishes, the delicious sauce - | 0:25:37 | 0:25:39 | |
I thought it was all wonderful. | 0:25:39 | 0:25:41 | |
However, a little message for Captain Banister, | 0:25:41 | 0:25:44 | |
the pea fondant needs to go overboard. | 0:25:44 | 0:25:47 | |
It wasn't correct in any way whatsoever. | 0:25:48 | 0:25:51 | |
The only flavour I could get was uncooked flour. Yeah. | 0:25:51 | 0:25:55 | |
Not pleasant. No. | 0:25:55 | 0:25:56 | |
Phil... Your dish... | 0:25:58 | 0:26:00 | |
The '70s Called, They Want Their Cocktail Back. | 0:26:00 | 0:26:03 | |
All the flavours were there, there was innovation there | 0:26:03 | 0:26:06 | |
and the langoustines were cooked to perfection. | 0:26:06 | 0:26:09 | |
I could have had another three of those quite happily. | 0:26:09 | 0:26:12 | |
The sauce was excessive, | 0:26:12 | 0:26:16 | |
probably because there weren't enough langoustines on the plate. | 0:26:16 | 0:26:19 | |
For a banquet, there needs to be creativity and there needs to be | 0:26:19 | 0:26:22 | |
input in the visual presentation. | 0:26:22 | 0:26:25 | |
And I just think you are missing a trick here. | 0:26:25 | 0:26:27 | |
Andrew, and your Ladies Of Penclawdd. | 0:26:30 | 0:26:33 | |
I thought the scroll told the story, but I still think there's | 0:26:33 | 0:26:37 | |
a great opportunity to be creative in the visual impact as well. | 0:26:37 | 0:26:41 | |
And for a banquet, you really need to utilise that. OK, Michael. | 0:26:41 | 0:26:45 | |
However, I think it fits the brief perfectly. | 0:26:47 | 0:26:51 | |
The cooking of the plaice was spot-on. | 0:26:51 | 0:26:54 | |
And the vinegar gel, I thought it was good innovation. | 0:26:54 | 0:26:58 | |
And I really enjoyed that. Thank you. | 0:26:58 | 0:27:00 | |
So, on to the scores. | 0:27:02 | 0:27:04 | |
Adam... | 0:27:04 | 0:27:06 | |
for your dish, I'm scoring you... | 0:27:06 | 0:27:09 | |
..seven points. | 0:27:10 | 0:27:11 | |
The pea fondant... | 0:27:13 | 0:27:14 | |
If that hadn't been on the plate, you would've scored higher. | 0:27:14 | 0:27:18 | |
Phil...I'm going to score you... | 0:27:18 | 0:27:21 | |
..seven points. | 0:27:24 | 0:27:25 | |
Andrew...I'm scoring you... | 0:27:28 | 0:27:31 | |
..eight points. So, well done. Thank you, Michael. | 0:27:34 | 0:27:38 | |
Gentleman, I am really looking forward to the main course | 0:27:38 | 0:27:41 | |
tomorrow, I'll see you then. ALL: Thank you. | 0:27:41 | 0:27:44 | |
HE EXHALES | 0:27:46 | 0:27:48 | |
Well done, chief. Thanks, guys. Well done. | 0:27:48 | 0:27:51 | |
With two courses down, Andrew has closed the gap | 0:27:51 | 0:27:54 | |
and is level with Phil, but Adam's still one point ahead. | 0:27:54 | 0:27:58 | |
Happy? Relieved, I think is the word. I feel slightly frustrated | 0:27:59 | 0:28:04 | |
with the score, it would have been nice to have had another point | 0:28:04 | 0:28:07 | |
going into the main course. | 0:28:07 | 0:28:09 | |
Obviously, I knew I was taking a risk by not using props | 0:28:09 | 0:28:11 | |
and everything this year | 0:28:11 | 0:28:13 | |
and I think that's going to come back and be my downfall, | 0:28:13 | 0:28:15 | |
by the sounds of it. My confidence is ebbing slightly, | 0:28:15 | 0:28:18 | |
'I've got to think of some visual impact to please Michael | 0:28:18 | 0:28:22 | |
'and get that better score.' | 0:28:22 | 0:28:24 | |
I'm happy with my score, it's put me a bit more on line | 0:28:24 | 0:28:26 | |
with you two. So, I'm happy. | 0:28:26 | 0:28:28 | |
I'm feeling a lot more confident, so I'm just going to keep going, | 0:28:28 | 0:28:32 | |
do the best food I can and hopefully try and get into the lead tomorrow. | 0:28:32 | 0:28:36 | |
GLITTER BALL CHIRPS A "YOOHOO" | 0:29:02 | 0:29:05 | |
# Oh, it don't mean a thing | 0:29:05 | 0:29:07 |