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This week on Great British Menu, | 0:00:03 | 0:00:06 | |
three competitive chefs from Wales. | 0:00:06 | 0:00:09 | |
Last year's champion, Adam Bannister... | 0:00:09 | 0:00:12 | |
I'd like to think that I'm going to be all right. | 0:00:12 | 0:00:14 | |
..returner Phil Carmichael... | 0:00:14 | 0:00:16 | |
I think it's a fitting way to sort of say thanks to Her Majesty. Yeah. | 0:00:16 | 0:00:20 | |
..and newcomer Andrew Birch. So, you're ripping off Tom Kerridge. | 0:00:20 | 0:00:24 | |
I'm ripping off Tom Kerridge. | 0:00:24 | 0:00:25 | |
In the year the nation marks the Queen's 90th birthday, | 0:00:29 | 0:00:33 | |
the chefs are celebrating the everyday Great Britons | 0:00:33 | 0:00:36 | |
honoured throughout her reign and competing for a chance | 0:00:36 | 0:00:39 | |
to cook at an historic banquet at the Palace of Westminster. | 0:00:39 | 0:00:43 | |
Yesterday, Phil plated his first winning dish of the week, | 0:00:46 | 0:00:50 | |
putting him level with Adam at the top of the leaderboard. | 0:00:50 | 0:00:53 | |
This was your strongest interpretation of the brief so far. | 0:00:53 | 0:00:56 | |
Andrew's main course underwhelmed and he's back in third place. | 0:00:56 | 0:01:00 | |
Today's dessert course is the chef's last chance to impress | 0:01:01 | 0:01:05 | |
and make it through to the judging chamber. | 0:01:05 | 0:01:07 | |
I need to get a high score for this. | 0:01:07 | 0:01:10 | |
There's no room for errors. | 0:01:10 | 0:01:12 | |
Phil, Phil, Phil, Phil! | 0:01:14 | 0:01:16 | |
One chef will be leaving the competition. | 0:01:16 | 0:01:20 | |
If Michael doesn't like honey, I'll get another six. | 0:01:20 | 0:01:22 | |
If this isn't set, nothing else works. | 0:01:22 | 0:01:24 | |
Whoa, man. | 0:01:26 | 0:01:27 | |
You're not happy with it, are you? No. | 0:01:28 | 0:01:30 | |
It's a bit irritating, actually. | 0:01:31 | 0:01:33 | |
The chefs are battling to create dishes that are a celebration | 0:01:45 | 0:01:49 | |
of the complete transformation | 0:01:49 | 0:01:51 | |
of British cuisine during the Queen's historic reign | 0:01:51 | 0:01:55 | |
and a fitting legacy to our modern Elizabethan age. | 0:01:55 | 0:02:00 | |
Looking for inventive and contemporary cooking | 0:02:00 | 0:02:03 | |
is veteran Michael Smith. | 0:02:03 | 0:02:06 | |
The dessert course is a wonderful opportunity to inject | 0:02:06 | 0:02:08 | |
creativity, to inject fun, to really finish the banquet with a bang. | 0:02:08 | 0:02:14 | |
Me and you are neck and neck, Adam, you're only two points behind. | 0:02:14 | 0:02:18 | |
One of us is going home today. Just got to get in there and nail it. | 0:02:18 | 0:02:21 | |
I need to be getting a nine or a ten to be cooking here for the judges | 0:02:21 | 0:02:24 | |
tomorrow. I'm confident with my dessert, I think it's a ten. | 0:02:24 | 0:02:28 | |
Wow. | 0:02:28 | 0:02:30 | |
First is Phil. His simple presentation cost him points | 0:02:33 | 0:02:37 | |
earlier in the week, but after plating a winning main course, | 0:02:37 | 0:02:40 | |
he is confident he has what it takes to stay in the competition. | 0:02:40 | 0:02:45 | |
Going to give everything in this dessert course. | 0:02:45 | 0:02:48 | |
One of us is not going to get through to cook for those judges | 0:02:48 | 0:02:50 | |
and I'm going to make sure that's not me. | 0:02:50 | 0:02:52 | |
How're you doing, Phil? Very good, Michael. | 0:02:55 | 0:02:57 | |
How do you feel after your main course? A lot more confident. | 0:02:57 | 0:03:00 | |
Yeah, you gave me a very good score, | 0:03:00 | 0:03:01 | |
so it's given me a little bit of a lift. | 0:03:01 | 0:03:03 | |
And you're at the same position as you were this time last year? | 0:03:03 | 0:03:06 | |
Yeah, exactly, tied with Adam again, so there's nothing in it again. | 0:03:06 | 0:03:10 | |
My dessert course is A Cup Of Tea For Ma'am. | 0:03:10 | 0:03:13 | |
So, this is my way of honouring Her Majesty the Queen. | 0:03:13 | 0:03:17 | |
Reportedly, Earl Grey is the Queen's favourite tea. | 0:03:17 | 0:03:21 | |
I'm going to make that into a panna cotta | 0:03:21 | 0:03:23 | |
and beautiful little china tea cups. | 0:03:23 | 0:03:25 | |
I'm also going to take some oranges, | 0:03:25 | 0:03:27 | |
make an orange powder out of the skin, | 0:03:27 | 0:03:29 | |
blowtorch the segments a little bit | 0:03:29 | 0:03:31 | |
and then also make an orange gel. | 0:03:31 | 0:03:33 | |
On the sides, you get some sugar. | 0:03:33 | 0:03:35 | |
The brown sugar cubes | 0:03:35 | 0:03:37 | |
are going to be made out of a cocoa nib shortbread. | 0:03:37 | 0:03:40 | |
Cut them into, you know, sugar cube-size pieces. | 0:03:40 | 0:03:43 | |
Dust that in, little bit of cinnamon sugar. | 0:03:43 | 0:03:46 | |
And then for the white sugar cubes, | 0:03:46 | 0:03:48 | |
I'm going to make some dehydrated milk foam. | 0:03:48 | 0:03:50 | |
All right. And then cut that into little cubes to make the white cube. | 0:03:50 | 0:03:54 | |
Lots of processes. | 0:03:54 | 0:03:55 | |
Contemporary twists on classic, iconic desserts. | 0:03:55 | 0:03:58 | |
That sounds really intriguing. | 0:03:58 | 0:04:00 | |
I'm really looking forward to trying this, Phil. Good. | 0:04:00 | 0:04:03 | |
Phil always has well-balanced flavours, | 0:04:03 | 0:04:05 | |
he always has great contrast and texture, | 0:04:05 | 0:04:07 | |
it looks like he's going to try and do that again with many elements. | 0:04:07 | 0:04:10 | |
It sounds like he's also going to have some fun, | 0:04:10 | 0:04:13 | |
finally, in his presentation. | 0:04:13 | 0:04:15 | |
Next is Adam. | 0:04:16 | 0:04:17 | |
He's taken risks all week with complex cooking and bold | 0:04:17 | 0:04:21 | |
presentation and he's topping the leaderboard with Phil. | 0:04:21 | 0:04:25 | |
But the scores are so close, | 0:04:25 | 0:04:26 | |
he has to keep fighting for a place in the judging chamber. | 0:04:26 | 0:04:30 | |
The nerves are on, I really like my dessert, | 0:04:30 | 0:04:32 | |
I think I could see it all the way at the banquet, | 0:04:32 | 0:04:34 | |
I've just got to make sure I deliver it. | 0:04:34 | 0:04:37 | |
How are you doing, Adam? Chef. Your final course. | 0:04:38 | 0:04:41 | |
My concentration is all about getting this dish perfect. | 0:04:41 | 0:04:44 | |
So, it's Eton versus Harrow. | 0:04:44 | 0:04:46 | |
I wanted to honour sports and education. | 0:04:46 | 0:04:49 | |
Eton mess, you know, is thought to have started at the annual | 0:04:49 | 0:04:53 | |
cricket game between Eton and Harrow. Really? | 0:04:53 | 0:04:56 | |
There is lots of other, you know, theories of where it started, | 0:04:56 | 0:04:59 | |
but that's one of them. There's a definite element of fun with this. | 0:04:59 | 0:05:04 | |
I'm going to be serving it on a cricket pitch, | 0:05:04 | 0:05:06 | |
you're going to have a cricket bat and, you know, | 0:05:06 | 0:05:09 | |
you're going to make it messy yourself. | 0:05:09 | 0:05:11 | |
OK, well, that's definitely got my imagination going. | 0:05:11 | 0:05:15 | |
I'm doing some compressed strawberries. | 0:05:15 | 0:05:17 | |
I'm going to be making a strawberry jelly, | 0:05:17 | 0:05:19 | |
light strawberry dressing and then I've got some clotted cream. | 0:05:19 | 0:05:24 | |
So, I'm sort of making almost like an aerated sort of mousse. | 0:05:24 | 0:05:28 | |
OK, and, obviously, meringue is a major component of Eton mess. | 0:05:28 | 0:05:32 | |
Yeah, I'm shaping it as a cricket ball. Turning it red so, you know, | 0:05:32 | 0:05:36 | |
it visually looks like a cricket ball then. | 0:05:36 | 0:05:39 | |
Phil, how do you like the sound of what Adam's doing? | 0:05:39 | 0:05:42 | |
I love it, I think it's going to be an absolute knockout dessert. | 0:05:42 | 0:05:45 | |
Eton mess is, fundamentally, a simple dessert. | 0:05:45 | 0:05:48 | |
I don't think Adam's dessert sounds simple in any way. | 0:05:48 | 0:05:50 | |
He's making a cricket ball out of meringue. | 0:05:50 | 0:05:51 | |
That's going to be a tough job. | 0:05:51 | 0:05:53 | |
It could be a right mess, rather than an Eton mess. | 0:05:53 | 0:05:56 | |
Finally, Andrew. | 0:05:58 | 0:05:59 | |
The newcomer's had a mixed week and despite some impressive cooking, | 0:05:59 | 0:06:04 | |
he's in third place, but he's not giving up hope | 0:06:04 | 0:06:06 | |
on getting to the judges' chamber. | 0:06:06 | 0:06:10 | |
I found this week a bit of a rollercoaster ride, | 0:06:10 | 0:06:12 | |
it's been difficult, | 0:06:12 | 0:06:14 | |
but I just need to put my head down, crack on and do the best I can. | 0:06:14 | 0:06:18 | |
Hello, Michael. Andrew, how are we doing, Chef? | 0:06:18 | 0:06:21 | |
Yeah, good, I'm all right. | 0:06:21 | 0:06:22 | |
Course you're all right and there's still | 0:06:22 | 0:06:24 | |
everything to play for, only a couple of points in it. Yeah. | 0:06:24 | 0:06:26 | |
A lot can happen at this stage, believe me. So... | 0:06:26 | 0:06:30 | |
The name of my dessert is Honey And Lemon. | 0:06:30 | 0:06:32 | |
It really represents a lot of hard work by some really great people | 0:06:32 | 0:06:36 | |
in this country. | 0:06:36 | 0:06:37 | |
It's about the honey bee and about preserving the honey bee. | 0:06:37 | 0:06:40 | |
I want to get honey on the plate in as many different ways as I | 0:06:40 | 0:06:44 | |
can to highlight how versatile honey is. OK. | 0:06:44 | 0:06:48 | |
I'm using this amazing Welsh raw honey, straight out of the hive. | 0:06:48 | 0:06:52 | |
What are you going to do with it? I'm going to be putting it in a gel, | 0:06:52 | 0:06:54 | |
there's going to be a bit of honey through the toasted oats. | 0:06:54 | 0:06:57 | |
Honey and oats, quite a classic combination. Yeah. Bee pollen... | 0:06:57 | 0:07:00 | |
honeycomb. OK. | 0:07:00 | 0:07:02 | |
I'm going to make a sheep's curd mousse, | 0:07:02 | 0:07:06 | |
a lemon granita, | 0:07:06 | 0:07:08 | |
but I'm going to use dry ice to set it. OK. | 0:07:08 | 0:07:11 | |
I think you're underplaying this slightly, | 0:07:11 | 0:07:13 | |
I think you're holding your cards very close to your chest and... | 0:07:13 | 0:07:16 | |
I like this dish and I think it can do really, really well. | 0:07:16 | 0:07:20 | |
Once again, it's wonderful Andrew's honouring the great British | 0:07:20 | 0:07:23 | |
producers and suppliers. Is honey to everyone's taste? | 0:07:23 | 0:07:27 | |
Not sure about that, but he's confident in that dish | 0:07:27 | 0:07:30 | |
and I really hope that he delivers what he's aspiring to. | 0:07:30 | 0:07:33 | |
As the chefs get cooking, Phil and Adam are remembering what | 0:07:35 | 0:07:39 | |
happened last year when they each scored six for their desserts. | 0:07:39 | 0:07:43 | |
Wasn't my strongest course. Yeah, made a few mistakes, | 0:07:43 | 0:07:46 | |
so sort of simplifying it a little bit this year. | 0:07:46 | 0:07:50 | |
Hopefully I do enough to get through to the judges. | 0:07:50 | 0:07:52 | |
I've got some tricky components, but I'd like to think I'm | 0:07:52 | 0:07:55 | |
going to be all right, we want to be scoring more than sixes. | 0:07:55 | 0:07:59 | |
I certainly want to be scoring more than six, I've had two sixes so far | 0:07:59 | 0:08:03 | |
and I've had an eight and I want to try and get even higher than that. | 0:08:03 | 0:08:07 | |
Andrew is making an unusual mousse using sheep curd for his | 0:08:10 | 0:08:14 | |
honey and lemon dessert, which honours local producers. | 0:08:14 | 0:08:17 | |
It comes from a small little farm, it's not like a really light | 0:08:19 | 0:08:22 | |
mousse, you can mould it on the plate and it will hold its weight. | 0:08:22 | 0:08:25 | |
Right, OK. | 0:08:25 | 0:08:27 | |
He's using different elements and textures | 0:08:27 | 0:08:29 | |
to showcase Welsh honey, including a honey gel made from | 0:08:29 | 0:08:33 | |
a lemon thyme-infused syrup, raw honey and lemon juice. | 0:08:33 | 0:08:37 | |
Both your dishes are quite traditional and mine isn't like | 0:08:39 | 0:08:41 | |
a traditional dessert, do you know what I mean? | 0:08:41 | 0:08:43 | |
And if Michael doesn't like honey? | 0:08:43 | 0:08:45 | |
If Michael doesn't like honey, then I'll get another six. | 0:08:45 | 0:08:48 | |
Hi, Andrew. Hi, Michael. | 0:08:53 | 0:08:55 | |
So, this is the honey gel? Yeah. | 0:08:55 | 0:08:57 | |
Can I have a little taste? Yeah. | 0:08:57 | 0:08:59 | |
There's honey in it, water, | 0:08:59 | 0:09:00 | |
a little bit of lemon juice and then it's infused | 0:09:00 | 0:09:03 | |
with a little bit of the lemon thyme. | 0:09:03 | 0:09:05 | |
Lemon thyme's in, like, two or three other components | 0:09:05 | 0:09:08 | |
of the dish as well. It's quite a potent flavour, isn't it? Yeah. | 0:09:08 | 0:09:10 | |
You seem very calm, you seem very organised. | 0:09:10 | 0:09:13 | |
I'm a calm person, Michael, I'm an organised person, | 0:09:13 | 0:09:15 | |
I'm just trying to keep my head down, | 0:09:15 | 0:09:17 | |
concentrate on what I'm doing and not worry about these two guys. | 0:09:17 | 0:09:20 | |
OK, I'll let you get on with it. Thank you. | 0:09:20 | 0:09:21 | |
Adam's modern twist on Eton mess is inspired by those honoured | 0:09:23 | 0:09:27 | |
for achievement in sport and education. | 0:09:27 | 0:09:30 | |
He's working on his strawberry elements - strawberry sauce, | 0:09:30 | 0:09:33 | |
compressed strawberries and strawberry jelly. | 0:09:33 | 0:09:37 | |
All the classic desserts are quite simple, | 0:09:37 | 0:09:40 | |
but they're only great if they're executed correctly. | 0:09:40 | 0:09:44 | |
Imaginative presentation has helped Adam stay in front all week | 0:09:46 | 0:09:50 | |
and he's hoping his highly creative dessert | 0:09:50 | 0:09:53 | |
will see him through to the judges for a second year. | 0:09:53 | 0:09:56 | |
What's going on here? These are going to be my cricket balls. | 0:09:58 | 0:10:01 | |
This is meringue? | 0:10:01 | 0:10:02 | |
Yeah, so nice and crisp. Right. I'll spray them red. | 0:10:02 | 0:10:06 | |
And then, obviously, put the two together, which makes your ball. | 0:10:06 | 0:10:09 | |
Anything going inside these cricket balls? | 0:10:09 | 0:10:11 | |
Everything's going inside it, so all you'll see is the cricket ball... | 0:10:11 | 0:10:15 | |
OK. ..on a cricket pitch...with a cricket bat. | 0:10:15 | 0:10:18 | |
Right, full of delicious yumminess inside. | 0:10:19 | 0:10:22 | |
Hopefully you're saying that to me afterwards. | 0:10:22 | 0:10:25 | |
Phil, Phil, Phil, Phil! | 0:10:28 | 0:10:32 | |
Phil is making the main element of his dessert. | 0:10:32 | 0:10:35 | |
It's always the way. Turn your back on a pan of cream | 0:10:35 | 0:10:38 | |
and it will boil over. | 0:10:38 | 0:10:40 | |
Still got enough. | 0:10:40 | 0:10:41 | |
To make his panna cotta worthy of honouring the Queen, | 0:10:41 | 0:10:44 | |
Phil's heated cream infused with Earl Grey tea, | 0:10:44 | 0:10:47 | |
said to be a favourite of Her Majesty. | 0:10:47 | 0:10:50 | |
Your panna cottas are going in now, then, Phil? | 0:10:50 | 0:10:52 | |
Yeah, got to get them in now, otherwise they won't be set in time. | 0:10:52 | 0:10:55 | |
You worried about that? Ask me in about... BOTH: 45 minutes. | 0:10:55 | 0:10:59 | |
Fingers crossed, otherwise I'm going home. | 0:10:59 | 0:11:02 | |
This is the main component of the dish and if this isn't set, | 0:11:02 | 0:11:05 | |
nothing else works. | 0:11:05 | 0:11:07 | |
Phil's simple presentation has been an issue this week, | 0:11:08 | 0:11:12 | |
so today he's hoping to win points from veteran Michael | 0:11:12 | 0:11:15 | |
with a vintage-style tea set and attention to the brief. | 0:11:15 | 0:11:19 | |
I think, you know, it's a fitting way to sort of say thanks | 0:11:19 | 0:11:22 | |
to Her Majesty and honour the great Britons at the banquet. | 0:11:22 | 0:11:26 | |
OK, nice. | 0:11:26 | 0:11:27 | |
One of those great Britons is Sheila Davies, | 0:11:32 | 0:11:34 | |
who lives in Barmouth on the west coast of Wales. Bye. | 0:11:34 | 0:11:38 | |
Sheila received a British Empire Medal | 0:11:40 | 0:11:42 | |
for services to the community at her local primary school. | 0:11:42 | 0:11:45 | |
I have been a lollipop lady for over 40 years and I have every | 0:11:47 | 0:11:53 | |
intention of staying as long as I possibly can. | 0:11:53 | 0:11:58 | |
Phil visited Sheila at the school where she's been helping children | 0:11:58 | 0:12:01 | |
safely cross the road morning and afternoon since 1974. | 0:12:01 | 0:12:07 | |
So, this is where you keep the children safe, is it? | 0:12:07 | 0:12:09 | |
This is where I work. Brilliant. Yes. | 0:12:09 | 0:12:11 | |
Every year you get new kids - do you know all the kids by name? | 0:12:11 | 0:12:14 | |
Yes, I do. Wow. There is 240-something. | 0:12:14 | 0:12:19 | |
That's a lot of children to keep safe. | 0:12:19 | 0:12:21 | |
Oh, there is a lot of children. Oh, yes. | 0:12:21 | 0:12:24 | |
When Sheila was awarded her BEM, she chose to have it presented | 0:12:24 | 0:12:27 | |
to her at the school, | 0:12:27 | 0:12:28 | |
so the children could be a part of her special day. | 0:12:28 | 0:12:33 | |
The Lord Chief Justice came to present me with it | 0:12:33 | 0:12:36 | |
and the children thought he was magnificent. | 0:12:36 | 0:12:40 | |
This is gorgeous. Wow. That is beautiful. | 0:12:40 | 0:12:44 | |
That's beautiful. | 0:12:44 | 0:12:46 | |
It's a lovely thing to have been given you. Yes. | 0:12:46 | 0:12:49 | |
Having been honoured, | 0:12:49 | 0:12:51 | |
Sheila was also invited to a special event held by the Queen. | 0:12:51 | 0:12:55 | |
I did, I went to the tea party that she holds in Buckingham Palace, | 0:12:55 | 0:12:59 | |
which was lovely. | 0:12:59 | 0:13:01 | |
We had gorgeous tea. | 0:13:01 | 0:13:03 | |
What is it that, you know, you love about your job? | 0:13:03 | 0:13:07 | |
I love the fact that I am with children. | 0:13:07 | 0:13:11 | |
I don't really think that you grow old, | 0:13:11 | 0:13:14 | |
because these children keep you younger. | 0:13:14 | 0:13:19 | |
So the school really is a massive part of your life and you're a | 0:13:19 | 0:13:22 | |
massive part of the school's life? | 0:13:22 | 0:13:24 | |
Oh, yes, because I really do love it, you know. | 0:13:24 | 0:13:27 | |
Can I get over you, mate? Stay where you are. | 0:13:31 | 0:13:33 | |
Phil has baked his cocoa nib shortbread, which he's cutting | 0:13:33 | 0:13:37 | |
to resemble brown sugar cubes, but he's having problems with | 0:13:37 | 0:13:41 | |
his white sugar cubes. | 0:13:41 | 0:13:42 | |
The milk foam should dry and firm up in the dehydrator before it's | 0:13:42 | 0:13:46 | |
diced, but the mixture has collapsed. | 0:13:46 | 0:13:49 | |
I'm not going to serve Michael something I'm not happy with. | 0:13:51 | 0:13:54 | |
It's the pressure of the kitchen, I think. | 0:13:54 | 0:13:56 | |
Could be anything, could just be nerves - it just hasn't worked. | 0:13:56 | 0:14:00 | |
Phil puts another batch of milk foam in the dehydrator | 0:14:00 | 0:14:03 | |
and moves on to his orange gel, hoping for the best. | 0:14:03 | 0:14:06 | |
Phil, how are things going? | 0:14:10 | 0:14:11 | |
My milk sugar cubes aren't working out, I don't think I'm going to | 0:14:11 | 0:14:16 | |
have enough time to get them done and get them dehydrated in time. | 0:14:16 | 0:14:19 | |
When you were talking to me before, you said there were | 0:14:19 | 0:14:21 | |
brown sugar cubes and white sugar cubes. | 0:14:21 | 0:14:23 | |
Brown ones are done, you might have to have your tea | 0:14:23 | 0:14:25 | |
with just brown sugar. | 0:14:25 | 0:14:26 | |
Well, maybe that's the way Her Majesty likes her tea. Hope so. | 0:14:26 | 0:14:29 | |
Who knows? Well, I'm still very intrigued to see | 0:14:29 | 0:14:31 | |
how this cup of tea is going to turn out. | 0:14:31 | 0:14:33 | |
So am I. I'll let you get on with it. | 0:14:33 | 0:14:36 | |
Thank you very much, Michael. | 0:14:36 | 0:14:38 | |
Adam's making a cream mousse, | 0:14:39 | 0:14:41 | |
setting clotted cream with gelatine and aerating to lighten. | 0:14:41 | 0:14:45 | |
He's also going to great lengths | 0:14:49 | 0:14:51 | |
to finish the meringues for his quirky take on Eton mess... | 0:14:51 | 0:14:55 | |
What have you got going on here? My cricket balls. Wow. | 0:14:55 | 0:14:59 | |
..even replicating the white stitching on the balls. | 0:14:59 | 0:15:03 | |
What is it? Like a red food dye, you just sort of spray it on? | 0:15:03 | 0:15:05 | |
Yeah. Wow, it looks amazing. | 0:15:05 | 0:15:08 | |
Andrew is also using contemporary techniques for the lemon | 0:15:10 | 0:15:13 | |
element of his honey and lemon dessert. What's going on here? | 0:15:13 | 0:15:17 | |
This is for my granita, using dry ice. | 0:15:17 | 0:15:22 | |
I knew I had to get granita set in a certain amount of time. | 0:15:22 | 0:15:25 | |
This will set it in about three or four minutes, | 0:15:25 | 0:15:28 | |
I could put it in the freezer and forget about it. | 0:15:28 | 0:15:31 | |
Andrew's dish, I can't visualise it. | 0:15:33 | 0:15:35 | |
I'm sure he's going to bring it together, | 0:15:35 | 0:15:37 | |
but I don't have a vision in my head of what it looks like. | 0:15:37 | 0:15:40 | |
The final elements of Andrew's dish are toasted oats and oat biscuit. | 0:15:40 | 0:15:46 | |
He's hoping sweet and sour flavours along with soft and crisp | 0:15:46 | 0:15:49 | |
textures will impress veteran Michael. | 0:15:49 | 0:15:52 | |
I think it's the type of dish he's going to love | 0:15:52 | 0:15:54 | |
and give me a good score | 0:15:54 | 0:15:56 | |
or he's going to hate it and give me a lower score than the two | 0:15:56 | 0:15:58 | |
sixes he's already given me. Yeah. | 0:15:58 | 0:16:00 | |
Phil is first to serve his dessert honouring the Queen, | 0:16:03 | 0:16:07 | |
but after two attempts trying to make his white sugar cubes, | 0:16:07 | 0:16:10 | |
he's had to make a difficult decision. | 0:16:10 | 0:16:13 | |
My milk sugar cubes didn't work, so I'm not going to use them. | 0:16:15 | 0:16:18 | |
Obviously it's annoying that one component of the dish didn't work, | 0:16:18 | 0:16:21 | |
but I'm not going to serve something that I know is not right. | 0:16:21 | 0:16:25 | |
Phil dusts his cocoa nib shortbread sugar cubes in cinnamon sugar | 0:16:25 | 0:16:29 | |
and serves them in a sugar bowl. | 0:16:29 | 0:16:33 | |
His Earl Grey panna cotta is served in vintage-style teacups, | 0:16:33 | 0:16:38 | |
topped with charred orange segments and orange gel. | 0:16:38 | 0:16:41 | |
Orange powder finishes the dish. | 0:16:43 | 0:16:45 | |
There you go, nice Cup Of Tea For Ma'am. Fingers crossed. | 0:16:50 | 0:16:53 | |
It looks very, very clean, it looks really, really nice, actually. | 0:16:53 | 0:16:57 | |
It looks like a cup of tea. | 0:16:57 | 0:16:59 | |
OK, shall we take one cup of tea and one bowl with sugar cubes, | 0:16:59 | 0:17:03 | |
is that right? Yeah. | 0:17:03 | 0:17:04 | |
So, first and foremost, the panna cotta, | 0:17:08 | 0:17:10 | |
has that set just the way you were hoping for? | 0:17:10 | 0:17:13 | |
Yeah, it's still nice and, you know, creamy. | 0:17:13 | 0:17:16 | |
Yeah, I think it's a nice texture on the panna cotta. | 0:17:17 | 0:17:20 | |
I think the tea comes through just at the end. | 0:17:20 | 0:17:23 | |
I didn't want it overpowering, it can be a very bitter, | 0:17:23 | 0:17:25 | |
sort of astringent flavour if you get too much of it in there. | 0:17:25 | 0:17:29 | |
Orange gel, is that to counterbalance | 0:17:29 | 0:17:31 | |
the slight richness of the cream? Yes. | 0:17:31 | 0:17:34 | |
I like the texture of the orange gel, but it's not | 0:17:34 | 0:17:38 | |
kicking me in the face with orange. | 0:17:38 | 0:17:40 | |
It isn't as pungent as you'd hope. | 0:17:40 | 0:17:42 | |
We've got some orange segments | 0:17:42 | 0:17:44 | |
that have been charred. | 0:17:44 | 0:17:45 | |
I burned the oranges, again, to sort of cut through that | 0:17:45 | 0:17:49 | |
richness of the cream. | 0:17:49 | 0:17:50 | |
I know you said that the white sugar | 0:17:50 | 0:17:51 | |
cubes didn't quite work for you. | 0:17:51 | 0:17:53 | |
It's better that I don't serve you | 0:17:53 | 0:17:55 | |
something that's incorrect. | 0:17:55 | 0:17:57 | |
These sugar cubes add a little bit of texture, | 0:17:57 | 0:17:59 | |
is that what you were hoping for? Yeah, yeah. | 0:17:59 | 0:18:02 | |
The cocoa nibs add just little bursts of chocolaty flavour. | 0:18:02 | 0:18:05 | |
I like the shortbread, I like the cinnamon on the outside, | 0:18:05 | 0:18:08 | |
I'm not getting the cocoa nib. | 0:18:08 | 0:18:11 | |
Do you think that this presentation is fitting for a banquet? | 0:18:13 | 0:18:17 | |
It's not a whizz-bang show stopper, but I think, yeah, | 0:18:17 | 0:18:20 | |
it's interactive, people can be passing the sugar cubes around. | 0:18:20 | 0:18:23 | |
I'm not in love with it. | 0:18:25 | 0:18:26 | |
Could I see it being at the end | 0:18:26 | 0:18:28 | |
of the banquet? I'm not sure. | 0:18:28 | 0:18:30 | |
Andrew is next to plate his Honey And Lemon dish, | 0:18:38 | 0:18:41 | |
inspired by Britain's honeybees and local producers. | 0:18:41 | 0:18:46 | |
Raw Welsh honey is served in a honey pot, honey and lemon | 0:18:46 | 0:18:50 | |
infusion is presented in a teapot with lemon thyme. | 0:18:50 | 0:18:53 | |
How did it go, Phil? | 0:18:56 | 0:18:58 | |
Yeah, you know, obviously a little bit annoyed about | 0:18:58 | 0:19:01 | |
the milk sugar cubes, but I think everything else worked for me, so... | 0:19:01 | 0:19:05 | |
you know, I've done all I can. I'm pleased with the dish overall. | 0:19:05 | 0:19:08 | |
So far, Andrew's dish has been a bit of a mystery, | 0:19:08 | 0:19:11 | |
but he's ready to reveal his presentation. | 0:19:11 | 0:19:14 | |
It looks as though you've got a cornucopia of lemons going | 0:19:14 | 0:19:17 | |
on there, mate. | 0:19:17 | 0:19:18 | |
There's going to be dry ice in there and then pour it over, | 0:19:18 | 0:19:21 | |
just a bit of theatre, just to try and enhance the senses, | 0:19:21 | 0:19:24 | |
lemon, honey, but it's not there to be drunk. OK. | 0:19:24 | 0:19:27 | |
Andrew's sheep's curd mousse is first onto the plates, | 0:19:34 | 0:19:37 | |
with oat biscuit crumb, | 0:19:37 | 0:19:40 | |
toasted oats | 0:19:40 | 0:19:43 | |
and bee pollen. | 0:19:43 | 0:19:45 | |
Next on the plate is honey gel | 0:19:45 | 0:19:48 | |
and lemon thyme. | 0:19:48 | 0:19:51 | |
Andrew finishes with fresh honeycomb and lemon granita. | 0:19:51 | 0:19:56 | |
If you bring the little teapot up, that would be amazing. | 0:19:57 | 0:20:00 | |
So, what have we got here? | 0:20:04 | 0:20:05 | |
It's just a bit of fun just to, I don't know, enhance the senses... | 0:20:05 | 0:20:11 | |
Honey? | 0:20:11 | 0:20:12 | |
I'd like to hope you can get honey off it, | 0:20:12 | 0:20:14 | |
bit of lemon, bit of thyme. | 0:20:14 | 0:20:16 | |
I think it's, yeah, a fantastic way to sort of finish the banquet. | 0:20:16 | 0:20:19 | |
You get the smells of everything before you eat - | 0:20:19 | 0:20:21 | |
let's hope the dessert's as good as that. | 0:20:21 | 0:20:22 | |
We do need to taste it. Yeah. | 0:20:22 | 0:20:25 | |
I'll get stuck into this, I'm going to try the granita first, | 0:20:31 | 0:20:33 | |
the lemon granita. | 0:20:33 | 0:20:35 | |
I like the way that it's got the big bits, the small bits, | 0:20:35 | 0:20:38 | |
it's adding a bit of texture. | 0:20:38 | 0:20:39 | |
Strong kick of lemon. | 0:20:40 | 0:20:42 | |
Just raw lemon juice, no? | 0:20:42 | 0:20:44 | |
It's pretty...pretty strong. | 0:20:44 | 0:20:48 | |
With the sheep's curd mousse, do you think that's a flavour | 0:20:48 | 0:20:51 | |
that people would find too much? | 0:20:51 | 0:20:53 | |
I don't think it's going to overpower the dish, | 0:20:53 | 0:20:55 | |
the cheese actually complements everything. | 0:20:55 | 0:20:57 | |
Beautiful flavour, almost as though | 0:20:59 | 0:21:02 | |
it's... Split. ..starting to split. | 0:21:02 | 0:21:05 | |
Yeah, we can't serve a split mousse at the banquet. | 0:21:05 | 0:21:08 | |
It's a curd, so it's not split, | 0:21:08 | 0:21:11 | |
but that's the best you're going | 0:21:11 | 0:21:12 | |
to get it using that cheese to make | 0:21:12 | 0:21:14 | |
a mousse, I'm very happy with it. | 0:21:14 | 0:21:16 | |
The crunchy oats? | 0:21:16 | 0:21:19 | |
It's trying to use as much different textures and tastes. | 0:21:19 | 0:21:24 | |
The biscuit crumb and the toasted oats, | 0:21:24 | 0:21:26 | |
for me, they're pretty much the same thing. | 0:21:26 | 0:21:28 | |
Give them a score out of ten. | 0:21:28 | 0:21:29 | |
I'm happy with that plate of food, Michael. | 0:21:29 | 0:21:32 | |
Alan is last to plate his cricket-themed dessert, | 0:21:36 | 0:21:39 | |
a modern take on Eton mess. | 0:21:39 | 0:21:42 | |
Oh, man. | 0:21:42 | 0:21:43 | |
I love it. | 0:21:48 | 0:21:50 | |
You all right, guys? How'd you get on? | 0:21:51 | 0:21:54 | |
It was executed exactly the same as every time I practised it, | 0:21:54 | 0:21:59 | |
so I was happy with it. | 0:21:59 | 0:22:01 | |
Adam starts by filling his cricket bat with strawberry sherbet. | 0:22:01 | 0:22:05 | |
First into the base of the meringue cricket balls is strawberry jelly, | 0:22:07 | 0:22:12 | |
then compressed strawberries, | 0:22:12 | 0:22:15 | |
sweet basil and strawberry sauce. | 0:22:15 | 0:22:20 | |
The last element is clotted cream mousse. | 0:22:20 | 0:22:23 | |
You're not happy with that, are you? | 0:22:27 | 0:22:29 | |
No. Just coming out a bit too powerful. | 0:22:29 | 0:22:33 | |
Adam's used too much gas in the whipper for the volume of mousse | 0:22:33 | 0:22:37 | |
and it's made it split. | 0:22:37 | 0:22:39 | |
Silly mistake. It's a bit irritating, actually. | 0:22:39 | 0:22:43 | |
But Adam continues plating up and seals the cricket balls. | 0:22:43 | 0:22:47 | |
Wow, anyone for cricket? | 0:22:51 | 0:22:54 | |
Absolutely. | 0:22:54 | 0:22:55 | |
It's pretty impressive. | 0:22:55 | 0:22:56 | |
So, shall we take ours through? Please. | 0:22:56 | 0:22:59 | |
You any good at cricket? No, but I'll try and hit this one for six. | 0:23:05 | 0:23:08 | |
It might need a little bit more than a gentle tap. | 0:23:10 | 0:23:12 | |
Ah. And there's some sherbet in | 0:23:13 | 0:23:15 | |
the handle of this cricket bat. | 0:23:15 | 0:23:17 | |
Oh, here we go. I think that's a great way to start the dessert. | 0:23:17 | 0:23:20 | |
Yeah. We'll speak about the meringue first. | 0:23:20 | 0:23:23 | |
Yeah, it's nice and crispy, nice and dry. | 0:23:23 | 0:23:26 | |
I love the meringue. Yeah. | 0:23:26 | 0:23:28 | |
And the strawberries and the jelly? | 0:23:28 | 0:23:30 | |
Yeah, I think it's a nice texture. | 0:23:30 | 0:23:32 | |
It's not strawberry enough for me. | 0:23:32 | 0:23:34 | |
And it's probably set | 0:23:34 | 0:23:35 | |
a bit too much, to be honest, as well. | 0:23:35 | 0:23:37 | |
Compressed strawberry. | 0:23:37 | 0:23:39 | |
I've enhanced them with a strawberry juice. | 0:23:39 | 0:23:41 | |
English strawberries, they're the best strawberries in the world, | 0:23:43 | 0:23:46 | |
why would you compress them? | 0:23:46 | 0:23:47 | |
They lose all their texture. | 0:23:47 | 0:23:49 | |
I don't think the cream's worked. | 0:23:49 | 0:23:51 | |
100%, he split that cream. | 0:23:51 | 0:23:52 | |
For me, that's nearly ruined this dish. | 0:23:52 | 0:23:55 | |
I'm really irritated that I didn't think, | 0:23:55 | 0:23:57 | |
because I was hoping to give you the perfect dish... | 0:23:57 | 0:24:00 | |
I love the cricket ball visual, I love the cricket bat, but for me | 0:24:02 | 0:24:07 | |
I would have preferred just a normal Eton mess. | 0:24:07 | 0:24:09 | |
I could see this dish at the banquet, with work. | 0:24:09 | 0:24:11 | |
It would put a real smile on the faces of the guests | 0:24:11 | 0:24:13 | |
at the banquet, does this dish achieve that? | 0:24:13 | 0:24:16 | |
It puts a smile on my face. | 0:24:16 | 0:24:17 | |
I think it's worthy of a ten, if it's done 100% perfect. | 0:24:17 | 0:24:21 | |
How do you think that went? | 0:24:32 | 0:24:34 | |
Could've gone a little bit better, | 0:24:34 | 0:24:35 | |
it was a silly mistake on the cream and... | 0:24:35 | 0:24:38 | |
you know. | 0:24:38 | 0:24:39 | |
It's the horrible part now, it's the waiting. | 0:24:43 | 0:24:45 | |
Me, you and Adam have been in this position before. | 0:24:45 | 0:24:47 | |
Last year we did enough to get through to the judges - | 0:24:47 | 0:24:50 | |
fingers crossed I've done enough to get through again this time. | 0:24:50 | 0:24:53 | |
I am two points behind you two. Hopefully the dish I just | 0:24:53 | 0:24:56 | |
gave Michael will give me a few more points. | 0:24:56 | 0:24:58 | |
How are you doing, Chefs? Nervous. | 0:25:09 | 0:25:12 | |
Phil, I'm going to start with your dish. | 0:25:12 | 0:25:14 | |
A Cup Of Tea For Ma'am. | 0:25:14 | 0:25:16 | |
The panna cotta was very delicate, it wasn't overset, | 0:25:18 | 0:25:21 | |
the three elements of orange, it was refreshing. | 0:25:21 | 0:25:25 | |
I thought this was a really elegant-looking dessert. | 0:25:25 | 0:25:28 | |
However, apart from the shortbread cubes, | 0:25:28 | 0:25:32 | |
I didn't see much originality, | 0:25:32 | 0:25:34 | |
and, ultimately, the presentation once again was just too simple. | 0:25:34 | 0:25:38 | |
Andrew, for your Honey And Lemon dish, | 0:25:40 | 0:25:44 | |
I think there was a little bit too much of the oat biscuit crumb | 0:25:44 | 0:25:47 | |
and I think you could have done just a little bit | 0:25:47 | 0:25:49 | |
more with the star ingredient of the honey. | 0:25:49 | 0:25:52 | |
But the sweetness of the honey was counterbalanced by the lemon | 0:25:54 | 0:25:58 | |
granita, it had good sharpness. | 0:25:58 | 0:26:01 | |
I liked the sheep's curd mousse, interesting, original, | 0:26:01 | 0:26:04 | |
a bit like a light cheesecake filling. | 0:26:04 | 0:26:06 | |
And that dry ice provided a bit of theatre befitting of a banquet. | 0:26:06 | 0:26:10 | |
Adam, for your dessert, Eton Versus Harrow, | 0:26:13 | 0:26:16 | |
this was a stunningly original idea. | 0:26:16 | 0:26:19 | |
The theatre of breaking the ball with the bat, | 0:26:19 | 0:26:21 | |
I thought it was great fun and it really put a smile on my face. | 0:26:21 | 0:26:24 | |
All the different strawberry elements I thought were good | 0:26:24 | 0:26:28 | |
and it was a re-imagination of Eton mess. | 0:26:28 | 0:26:32 | |
But the cream element wasn't right, | 0:26:32 | 0:26:37 | |
it almost wasn't even there. | 0:26:37 | 0:26:40 | |
If the gun was overcharged, I would've taken a few more minutes | 0:26:40 | 0:26:43 | |
to adjust that and delivered a perfect dish, | 0:26:43 | 0:26:46 | |
which it could've been. | 0:26:46 | 0:26:48 | |
So, onto the scores. | 0:26:51 | 0:26:55 | |
With a score of eight, giving him the highest score of the week | 0:26:55 | 0:26:59 | |
and securing a place to cook for the judges tomorrow... | 0:26:59 | 0:27:02 | |
..Adam. | 0:27:03 | 0:27:05 | |
Thank you very much. Thank you. Cheers. Thank you very much. | 0:27:06 | 0:27:09 | |
I see real potential in that dish. Thank you very much. | 0:27:09 | 0:27:12 | |
Two chefs left. | 0:27:12 | 0:27:14 | |
Obviously only one of you can win a place to cook | 0:27:14 | 0:27:17 | |
for the judges tomorrow. | 0:27:17 | 0:27:18 | |
Andrew, I'm going to award you... | 0:27:19 | 0:27:22 | |
..eight points. Thank you, Michael. | 0:27:25 | 0:27:28 | |
Phil, for your dish, I'm going to award you... | 0:27:29 | 0:27:33 | |
..seven points. | 0:27:37 | 0:27:39 | |
Andrew, you missed out on that final place only by one point. | 0:27:41 | 0:27:44 | |
You had some really great, strong dishes this week. | 0:27:44 | 0:27:47 | |
Thank you, Michael. You two guys, | 0:27:47 | 0:27:49 | |
I really hope that one of you gets Wales to the banquet. | 0:27:49 | 0:27:54 | |
Thank you, Michael. Thank you very much. | 0:27:54 | 0:27:56 | |
Thank you. | 0:27:56 | 0:27:57 | |
Well done, boys. | 0:27:59 | 0:28:00 | |
'I'm so pleased I'm cooking for the judges again. | 0:28:00 | 0:28:03 | |
'If I can get rid of all of these silly mistakes, I'm hoping that' | 0:28:03 | 0:28:06 | |
I can go all the way to the finals. | 0:28:06 | 0:28:08 | |
ADAM SIGHS Didn't think I'd done enough. | 0:28:08 | 0:28:11 | |
I was a bit worried at the end there. Hm. | 0:28:11 | 0:28:13 | |
Tomorrow - repeat of last year for Wales, me and Adam, head-to-head. | 0:28:13 | 0:28:17 | |
Hopefully I'm going to avenge last year's defeat by one point | 0:28:17 | 0:28:20 | |
and get through to finals week. | 0:28:20 | 0:28:22 | |
Yeah, it was a pleasure, it really was. | 0:28:22 | 0:28:23 | |
Yeah. Thank you. Well done. | 0:28:23 | 0:28:26 | |
Feeling a bit disappointed going out, | 0:28:26 | 0:28:28 | |
but I wish Adam and Phil the best of luck. | 0:28:28 | 0:28:31 | |
Don't think we'll get much sleep tonight. No, no, no. | 0:28:31 | 0:28:36 | |
Hit it! Over on CBeebies, | 0:29:01 | 0:29:03 | |
our mission is discovering more about the world. | 0:29:03 | 0:29:05 | |
ALL: Wow! | 0:29:05 | 0:29:06 | |
We've got a rocket ship, we've got a unicorn, | 0:29:06 | 0:29:08 | |
and we're off on a global adventure. | 0:29:08 | 0:29:11 |