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This week on Great British Menu - | 0:00:03 | 0:00:04 | |
three of Northern Ireland's leading culinary talents. | 0:00:04 | 0:00:09 | |
Third time competitor Chris McGowan. | 0:00:09 | 0:00:12 | |
We are here to test ourselves, I want to try to get to the banquet. | 0:00:12 | 0:00:14 | |
Daniel Clifford's head chef, Mark Abbott. | 0:00:14 | 0:00:17 | |
If I'm not busy, I don't feel I've pushed myself hard enough. | 0:00:17 | 0:00:20 | |
And Eddie Attwell, for whom local produce is king. | 0:00:20 | 0:00:23 | |
I've felt the heat in here all week. | 0:00:23 | 0:00:26 | |
What can I do? Just going to keep at it. | 0:00:26 | 0:00:28 | |
In the year of the Queen's 90th birthday, the chefs are | 0:00:28 | 0:00:31 | |
celebrating the everyday great Britons | 0:00:31 | 0:00:34 | |
honoured throughout her reign | 0:00:34 | 0:00:36 | |
and competing for a chance to cook at an historic banquet, | 0:00:36 | 0:00:40 | |
at the Palace of Westminster. | 0:00:40 | 0:00:42 | |
Chris' main course stole the show yesterday, | 0:00:44 | 0:00:46 | |
earning him ten from veteran Michael. | 0:00:46 | 0:00:49 | |
I thought that was an exceptional plate of food. | 0:00:49 | 0:00:51 | |
Mark scored nine, just in front of Eddie, who was awarded eight. | 0:00:51 | 0:00:56 | |
No-one's dead in the water yet. | 0:00:56 | 0:00:58 | |
With just three points between Chris and Eddie, | 0:00:58 | 0:01:01 | |
both chefs have a chance to face the judges. | 0:01:01 | 0:01:04 | |
Dessert has always been the potential banana skin | 0:01:04 | 0:01:07 | |
-in this kitchen. -To say I'm nervous is an understatement. | 0:01:07 | 0:01:09 | |
But one chef will be going home today. | 0:01:09 | 0:01:12 | |
No regrets, you can do this. | 0:01:12 | 0:01:14 | |
Listen, in it to win it. | 0:01:14 | 0:01:15 | |
-It's going to -BLEEP -split! | 0:01:15 | 0:01:17 | |
Guess what I've just done as well? Split my cream and all. | 0:01:17 | 0:01:20 | |
Judging their desserts for imaginative and outstanding cooking | 0:01:32 | 0:01:36 | |
is Michelin-starred Michael O'Hare. | 0:01:36 | 0:01:39 | |
A former banquet winner, he knows what it takes to get there. | 0:01:39 | 0:01:43 | |
It's got to be fun, it's got to be creative, | 0:01:43 | 0:01:45 | |
it's got to be innovative. | 0:01:45 | 0:01:47 | |
I'm looking for the show stopper and the banquet-winning dish | 0:01:47 | 0:01:49 | |
for desserts. | 0:01:49 | 0:01:51 | |
I've been here before, anything can happen, guys. | 0:01:51 | 0:01:53 | |
The heat in that kitchen isn't your friend. | 0:01:53 | 0:01:55 | |
Last chance saloon for me. This is our last one to get up | 0:01:55 | 0:01:58 | |
and try to get into the race. | 0:01:58 | 0:01:59 | |
I'm doing some sugar work this week. | 0:01:59 | 0:02:03 | |
Mark, Mark, Mark, you should have give me a ring, mate. | 0:02:03 | 0:02:05 | |
I did the same last year, then I got in that kitchen, | 0:02:05 | 0:02:07 | |
it all went pear-shaped. | 0:02:07 | 0:02:09 | |
First is Chris - having failed to impress with his starter, | 0:02:12 | 0:02:15 | |
he has fought back with his last two dishes. | 0:02:15 | 0:02:18 | |
He knows from previous experience | 0:02:18 | 0:02:20 | |
this can be the trickiest course. | 0:02:20 | 0:02:22 | |
Dessert has very little margin for error. | 0:02:23 | 0:02:26 | |
You've got to really nail it. Eddie could pull it out of the bag | 0:02:26 | 0:02:28 | |
and I could have a disaster one and I could be going home. | 0:02:28 | 0:02:31 | |
Chris, hello. How you feeling? | 0:02:33 | 0:02:35 | |
Yeah, great, still kind of on cloud nine | 0:02:35 | 0:02:38 | |
from the main course, I have to say. | 0:02:38 | 0:02:39 | |
Your last course, dessert, what's the title? | 0:02:39 | 0:02:42 | |
Sense Of Occasion. This is about a lady, called Dr Janet Gray. | 0:02:42 | 0:02:46 | |
Dr Janet Gray is blind, | 0:02:46 | 0:02:48 | |
-but she is a world water-skiing champion. -Oh, right, OK. | 0:02:48 | 0:02:52 | |
She took up water-skiing after she lost her sight. | 0:02:52 | 0:02:55 | |
So it kind of gives you an indication of the kind of lady | 0:02:55 | 0:02:58 | |
-that she is. -So a true great Briton, then. | 0:02:58 | 0:03:00 | |
When I went to her house, there was a lot of fresh flowers around, | 0:03:00 | 0:03:03 | |
and she said, "I don't see them, but I can smell them, Chris, | 0:03:03 | 0:03:06 | |
"and it makes me feel great." | 0:03:06 | 0:03:07 | |
So for me, it was trying to marry the dessert but also try | 0:03:07 | 0:03:10 | |
-and give a sensory experience. -What are you actually cooking her? | 0:03:10 | 0:03:14 | |
Got some fresh lavender there, I'm going to infuse with cream | 0:03:14 | 0:03:17 | |
and make an ice cream. I'm going to do a white chocolate sphere, | 0:03:17 | 0:03:21 | |
I'm going to colour the white chocolate with the Union flag | 0:03:21 | 0:03:24 | |
and then fill that with the lavender ice cream. | 0:03:24 | 0:03:27 | |
Some lemon curd, some raspberries, some savoury granola. | 0:03:27 | 0:03:30 | |
-OK. -That will go in a box with an infusion, | 0:03:30 | 0:03:33 | |
with lemon, lavender, and pour over the dry ice | 0:03:33 | 0:03:36 | |
with some floral notes. | 0:03:36 | 0:03:38 | |
I look forward to tasting it. | 0:03:38 | 0:03:40 | |
He is tempering white chocolate, which is difficult | 0:03:42 | 0:03:44 | |
at the best of times, but he is doing it in a notoriously hot kitchen. | 0:03:44 | 0:03:47 | |
If it doesn't work, it could be a disaster. | 0:03:47 | 0:03:49 | |
Next is Eddie - after a strong start to the week, Eddie slipped to | 0:03:50 | 0:03:55 | |
third place after the main course, three points behind Chris. | 0:03:55 | 0:03:59 | |
He needs to nail his dessert | 0:03:59 | 0:04:01 | |
to secure a place cooking for the judges. | 0:04:01 | 0:04:05 | |
I need a high score to keep myself in any sort | 0:04:05 | 0:04:06 | |
of race for tomorrow. Fortunately, so far, | 0:04:06 | 0:04:08 | |
nothing's went terribly wrong. But you don't know what's ahead of you | 0:04:08 | 0:04:11 | |
and what could go wrong. Let's just see what happens. | 0:04:11 | 0:04:14 | |
-Eddie. -Hello, chef. | 0:04:16 | 0:04:17 | |
-How are you feeling? -Fantastic. | 0:04:17 | 0:04:19 | |
The title of your dish? | 0:04:19 | 0:04:20 | |
So it's Jam Sandwich and Darjeeling Tea. | 0:04:20 | 0:04:22 | |
-And the inspiration? -The inspiration, | 0:04:22 | 0:04:24 | |
it was a treat that was enjoyed in the past more, behind-the-scenes, | 0:04:24 | 0:04:28 | |
it was a crustless jam sandwich, so I want to make it something special | 0:04:28 | 0:04:31 | |
and fit for a banquet. | 0:04:31 | 0:04:32 | |
So what are you actually cooking? | 0:04:32 | 0:04:34 | |
Bottom base of the sandwich, a white bread parfait, | 0:04:34 | 0:04:36 | |
with white chocolate through it as well. | 0:04:36 | 0:04:38 | |
I'll be making a strawberry stock from the strawberries, | 0:04:38 | 0:04:41 | |
with couple of spices through it to make a jelly. | 0:04:41 | 0:04:43 | |
Setting some of the strawberries inside. | 0:04:43 | 0:04:45 | |
On the top layer, I want to make a traditional shortcake | 0:04:45 | 0:04:48 | |
and then some Darjeeling. | 0:04:48 | 0:04:49 | |
It's the kind of tea you have with it, it's floral and fragrant. | 0:04:49 | 0:04:52 | |
I want to try to transfer that flavour on and then a pot of tea | 0:04:52 | 0:04:55 | |
with it as well, so you get that hot and cold element. | 0:04:55 | 0:04:57 | |
It certainly sounds interesting, Eddie. | 0:04:57 | 0:04:59 | |
You know you're behind in the scores. Focus on this. | 0:04:59 | 0:05:02 | |
-You can still get through this. -Absolutely. | 0:05:02 | 0:05:04 | |
Eddie's dish is quite simple in flavours, quite a lot of | 0:05:04 | 0:05:08 | |
technical elements in it. I really hope he can execute it well | 0:05:08 | 0:05:10 | |
and I hope that he can get a good dish out of it. | 0:05:10 | 0:05:13 | |
Finally, it's Mark. | 0:05:14 | 0:05:15 | |
Having topped the leaderboard all week with two perfect tens, | 0:05:15 | 0:05:19 | |
he dropped a point for the first time yesterday, scoring only nine. | 0:05:19 | 0:05:24 | |
On the main course, Michael marked me down a point because he | 0:05:24 | 0:05:27 | |
didn't feel the brief showed through. | 0:05:27 | 0:05:29 | |
For me, the dessert tells a story, | 0:05:29 | 0:05:31 | |
so it's up to me now to get it right and deliver the product | 0:05:31 | 0:05:34 | |
I want him to have. | 0:05:34 | 0:05:36 | |
-Mark. -Hi, chef. | 0:05:39 | 0:05:40 | |
-What's the title of your dish? -Time to Reflect. | 0:05:40 | 0:05:43 | |
-What's the inspiration behind it? -I've had the privilege | 0:05:43 | 0:05:46 | |
to work in all four countries of the UK. | 0:05:46 | 0:05:49 | |
And through that, I've seen some amazing produce and techniques | 0:05:49 | 0:05:52 | |
and I want to wrap it all together in one fantastic dessert. | 0:05:52 | 0:05:56 | |
What are you actually cooking on that dessert? | 0:05:56 | 0:05:58 | |
I'm cooking a number of different berry elements, | 0:05:58 | 0:06:00 | |
I'm compressing some strawberries in some English sparkling wine. | 0:06:00 | 0:06:05 | |
With the English sparkling wine, I'm going to be making a jelly, | 0:06:05 | 0:06:08 | |
the raspberries, I'm putting them in liquid nitrogen | 0:06:08 | 0:06:11 | |
and then smash them up. | 0:06:11 | 0:06:13 | |
With the blueberries, I'm going to cook a little compote. | 0:06:13 | 0:06:17 | |
With the blackberries, I'm going to make a pickling liquor, | 0:06:17 | 0:06:20 | |
I'm going to make a buttery sponge, | 0:06:20 | 0:06:22 | |
and soak that in the blackberry pickle liquor. | 0:06:22 | 0:06:25 | |
OK. And I see chocolate. | 0:06:25 | 0:06:28 | |
I'm going to make a chocolate marquise and I'm going to put some | 0:06:28 | 0:06:32 | |
-blackberry notes through that as well. -Right, OK. | 0:06:32 | 0:06:34 | |
And I'm going to make a sugar tuile for the dessert also. | 0:06:34 | 0:06:39 | |
So no added pressure, Mark, but if you can score an eight, | 0:06:39 | 0:06:42 | |
or higher, on this dish, you will be the highest ever regional competitor | 0:06:42 | 0:06:46 | |
in Great British Menu history, beating your boss, Daniel Clifford, | 0:06:46 | 0:06:49 | |
by one point. | 0:06:49 | 0:06:51 | |
See if it's worth your job! | 0:06:51 | 0:06:52 | |
-LAUGHTER -Thank you for that, chef(!) | 0:06:52 | 0:06:55 | |
Mark, with his dessert, has so much going on, so many ingredients, | 0:06:57 | 0:07:00 | |
so many techniques, but with every other course, I have seen | 0:07:00 | 0:07:02 | |
a centrepiece to Mark's work. | 0:07:02 | 0:07:04 | |
With dessert, I'm really struggling to visualise that. | 0:07:04 | 0:07:06 | |
Cooking starts and the chefs are already discussing | 0:07:09 | 0:07:12 | |
possible pudding pitfalls. | 0:07:12 | 0:07:14 | |
Dessert has always been the potential banana skin | 0:07:15 | 0:07:18 | |
in this kitchen, you've got to be on it, you know? | 0:07:18 | 0:07:20 | |
I've felt the heat in here all week. So if you're going to feel it | 0:07:20 | 0:07:22 | |
in your chocolate, feel it in your sugar, | 0:07:22 | 0:07:24 | |
-that's where it's going to hit hard. -Exactly. | 0:07:24 | 0:07:26 | |
Third-place Eddie has to produce the perfect dessert to stand | 0:07:28 | 0:07:32 | |
a chance of beating Chris to cook for the judges. | 0:07:32 | 0:07:35 | |
He's hoping his high-end take on tea and a jam sandwich | 0:07:35 | 0:07:38 | |
will do the trick. | 0:07:38 | 0:07:40 | |
Would you class your dessert quite simple, Eddie? | 0:07:40 | 0:07:42 | |
In name it's simple. | 0:07:42 | 0:07:44 | |
Hopefully the textures and layers will make it a wee bit different. | 0:07:44 | 0:07:48 | |
Eddie makes a strawberry stock for his gel by simmering strawberries | 0:07:48 | 0:07:52 | |
with port and wine. | 0:07:52 | 0:07:53 | |
And flavouring with vanilla and black pepper. | 0:07:53 | 0:07:56 | |
To make his white chocolate and white bread parfait, | 0:07:57 | 0:08:00 | |
he adds warmed milk and cream to whisked egg yolk and sugar. | 0:08:00 | 0:08:04 | |
Before adding white chocolate melted with gelatine, | 0:08:04 | 0:08:07 | |
and white breadcrumbs. | 0:08:07 | 0:08:09 | |
But already, the heat in the kitchen is taking its toll. | 0:08:09 | 0:08:13 | |
-It's going to -BLEEP -split! | 0:08:13 | 0:08:14 | |
She is split, sir. | 0:08:16 | 0:08:18 | |
Dump it in the bin. No point crying about it. It's the heat. | 0:08:18 | 0:08:21 | |
With time already against him, Eddie starts his parfait again. | 0:08:21 | 0:08:27 | |
-Eddie. -Chef. | 0:08:27 | 0:08:28 | |
You're boiling over. | 0:08:28 | 0:08:30 | |
Shut off there, as well. | 0:08:31 | 0:08:33 | |
-How are you getting on? -I've just split my mousse. | 0:08:33 | 0:08:35 | |
I'm a wee bit behind. Standing here talking to you now. | 0:08:35 | 0:08:37 | |
Should really be in that freezer. | 0:08:37 | 0:08:39 | |
I just need to get my head down here, chef. | 0:08:39 | 0:08:40 | |
You've got the time, you can do it? | 0:08:40 | 0:08:42 | |
-Absolutely. Thank you, chef. -Good on you. | 0:08:42 | 0:08:44 | |
Eddie pipes the parfait into moulds and leaves to set. | 0:08:44 | 0:08:48 | |
Someone else feeling the heat is Mark. | 0:08:50 | 0:08:52 | |
Having had a strong competition so far, his complex dessert | 0:08:52 | 0:08:56 | |
is his biggest challenge yet. | 0:08:56 | 0:08:58 | |
Pastry doesn't wait on any man. | 0:08:58 | 0:09:00 | |
-Not at all. -To say I'm nervous is an understatement. | 0:09:00 | 0:09:04 | |
Mark starts work on a sponge | 0:09:04 | 0:09:06 | |
which he will dip in blackberry pickling liquor | 0:09:06 | 0:09:09 | |
and partially dehydrate later. | 0:09:09 | 0:09:11 | |
For his chocolate and blackberry marquise, Mark pours boiling honey | 0:09:11 | 0:09:15 | |
onto whipped egg whites, to make an Italian meringue. | 0:09:15 | 0:09:18 | |
He dissolves gelatine in boiling pear juice and adds | 0:09:19 | 0:09:22 | |
to the meringue mixture, before pouring in molten dark chocolate. | 0:09:22 | 0:09:27 | |
Guess what I've just done, as well. | 0:09:27 | 0:09:29 | |
Split my cream and all. | 0:09:29 | 0:09:31 | |
Yeah. | 0:09:31 | 0:09:33 | |
I need to just calm down now, collect myself, | 0:09:33 | 0:09:36 | |
and just get it right. | 0:09:36 | 0:09:38 | |
Mark whips a second batch of cream, | 0:09:38 | 0:09:40 | |
which he folds into the marquise mixture | 0:09:40 | 0:09:42 | |
and flavours with blackberry. | 0:09:42 | 0:09:44 | |
So, Mark, problems with your cream over there? | 0:09:44 | 0:09:47 | |
-Yeah. -Same thing. | 0:09:47 | 0:09:48 | |
Final course. Really simple things that can go wrong. | 0:09:48 | 0:09:52 | |
Don't say I told you so. But, I told you so. | 0:09:52 | 0:09:55 | |
LAUGHTER | 0:09:55 | 0:09:56 | |
Three points ahead of Eddie, Chris must execute a flawless dessert. | 0:09:58 | 0:10:03 | |
He's incorporating floral notes into his dish, | 0:10:03 | 0:10:06 | |
including lavender ice cream. | 0:10:06 | 0:10:07 | |
To egg yolk whisked with lavender sugar, | 0:10:09 | 0:10:11 | |
Chris adds a warmed cream and milk mixture, | 0:10:11 | 0:10:14 | |
flavoured with lavender essence. Before cooling and churning | 0:10:14 | 0:10:18 | |
in an ice cream machine. | 0:10:18 | 0:10:19 | |
He has also put extra pressure on himself by choosing to make spheres | 0:10:21 | 0:10:25 | |
of tempered white chocolate. | 0:10:25 | 0:10:27 | |
Would I be right in saying that out of the three chocolates, | 0:10:27 | 0:10:29 | |
that is the hardest to temper? | 0:10:29 | 0:10:31 | |
Yes, at the end of the day, we're here to test ourselves. | 0:10:31 | 0:10:33 | |
That's what I want to do, I want to try to get to the banquet. | 0:10:33 | 0:10:35 | |
When you think about great Britons, | 0:10:35 | 0:10:37 | |
you think about what people have done, they go above and beyond. | 0:10:37 | 0:10:40 | |
I'm quite prepared to do that today, you know? | 0:10:40 | 0:10:42 | |
Back in Northern Ireland, Chris met Dr Janet Gray, | 0:10:43 | 0:10:47 | |
the inspiration behind his dessert. | 0:10:47 | 0:10:50 | |
-Hi, Janet. -Hello, Chris. | 0:10:50 | 0:10:51 | |
When she was 21, Janet lost her sight, | 0:10:51 | 0:10:54 | |
due to a rare form of glaucoma. | 0:10:54 | 0:10:56 | |
Not one to let her disability hold her back, | 0:10:56 | 0:10:59 | |
Janet took up water-skiing, going on to win | 0:10:59 | 0:11:02 | |
the world disabled water-skiing championship four times. | 0:11:02 | 0:11:06 | |
I had never tried water-skiing until after sight loss. | 0:11:07 | 0:11:11 | |
Being a natural swimmer, I really took to it. | 0:11:11 | 0:11:14 | |
And I won the World Championships for the first time in 1999. | 0:11:14 | 0:11:19 | |
Then again, 2001, 2003, and after a major trauma, | 0:11:19 | 0:11:24 | |
I was lucky enough to get back on my feet and regain all the titles | 0:11:24 | 0:11:29 | |
in Australia in 2007. | 0:11:29 | 0:11:31 | |
Amazing. It's a dangerous sport. | 0:11:31 | 0:11:33 | |
It can be. But I just love the whole speed and the rush. | 0:11:33 | 0:11:37 | |
-I want your honest feedback. -OK! | 0:11:37 | 0:11:39 | |
In 2002, Janet was awarded an MBE for services to disabled sport. | 0:11:39 | 0:11:45 | |
She's now retired from water-skiing, | 0:11:45 | 0:11:47 | |
but recently became a local councillor. | 0:11:47 | 0:11:49 | |
Can you see yourself as an inspiration to other people? | 0:11:49 | 0:11:52 | |
It's nice if I can help others along the way or motivate and inspire. | 0:11:52 | 0:11:56 | |
It's the determination and the discipline of sport as well, | 0:11:56 | 0:12:00 | |
at top level, not giving up and seeing things through. | 0:12:00 | 0:12:03 | |
-Shall we go? -Yes. Great. | 0:12:03 | 0:12:05 | |
As Janet inspired Chris's dessert, he wanted her to be one of the first | 0:12:06 | 0:12:10 | |
to taste his dish. | 0:12:10 | 0:12:11 | |
So this is a white chocolate sphere, but inside, some ice cream, | 0:12:11 | 0:12:16 | |
some raspberries, a little fruit cluster, around the outside, | 0:12:16 | 0:12:20 | |
with lemon verbena. | 0:12:20 | 0:12:22 | |
Yummy-yummy-yummy! | 0:12:22 | 0:12:24 | |
-There we go. -Lovely! Oh, my goodness! | 0:12:25 | 0:12:28 | |
Mmm! | 0:12:31 | 0:12:33 | |
It's amazing how the flavours all come together, it really works. | 0:12:33 | 0:12:37 | |
Oh, that is delicious. | 0:12:38 | 0:12:39 | |
-So you think it's thumbs up? -Most definitely. | 0:12:39 | 0:12:42 | |
-Definitely? -Definitely a winner. -Brilliant. | 0:12:42 | 0:12:44 | |
In the kitchen, Chris is painting moulds with white chocolate | 0:12:48 | 0:12:52 | |
he's already dyed red and blue. | 0:12:52 | 0:12:54 | |
-Hi, Chris. -Hi, Michael. -What are you doing now? | 0:12:55 | 0:12:58 | |
This is one side of the sphere. So, just coated the white chocolate, | 0:12:58 | 0:13:00 | |
just brushing it with the red and the blue now. And then, basically, | 0:13:00 | 0:13:04 | |
-just the tempered chocolate. -And you're confident it's going to work? | 0:13:04 | 0:13:07 | |
The heat of the kitchen is obviously immense | 0:13:07 | 0:13:09 | |
but I'm happy with the tempering of the chocolate, I've checked it. | 0:13:09 | 0:13:12 | |
So I'm going to get them outside now. | 0:13:12 | 0:13:14 | |
-OK, I won't stand in your way. -Thanks a lot, chef. | 0:13:14 | 0:13:16 | |
After the setback with his split parfait, | 0:13:16 | 0:13:18 | |
Eddie is now working on his shortcake, | 0:13:18 | 0:13:20 | |
which will form the top layer of his jam sandwich. | 0:13:20 | 0:13:23 | |
Got knocked back, losing the mousse. | 0:13:23 | 0:13:25 | |
But what can I do? Can't go mad, can't go frantic. | 0:13:25 | 0:13:27 | |
Just need to try and get something out. Don't want to be | 0:13:27 | 0:13:29 | |
standing there with absolutely nothing, | 0:13:29 | 0:13:31 | |
so just going to keep at it. | 0:13:31 | 0:13:32 | |
He starts by mixing flour, baking powder and vegetable shortening | 0:13:33 | 0:13:37 | |
with butter, before adding beaten egg and milk. | 0:13:37 | 0:13:40 | |
Next Eddie makes a Darjeeling stock for a foam and a gel. | 0:13:42 | 0:13:46 | |
Eddie, if you want to make me a cup of tea now, that would be perfect(!) | 0:13:46 | 0:13:50 | |
Current leader Mark is determined his dessert | 0:13:50 | 0:13:54 | |
will meet the high standards he has set all week. | 0:13:54 | 0:13:57 | |
He makes an English sparkling wine and honey jelly, and soaks cubes | 0:13:57 | 0:14:01 | |
of sponge in the blackberry pickling liquor | 0:14:01 | 0:14:03 | |
before partially dehydrating. | 0:14:03 | 0:14:05 | |
Next, he works on tuiles designed to resemble Union flags. | 0:14:06 | 0:14:10 | |
This looks interesting. | 0:14:10 | 0:14:12 | |
This is for my tuile, I have made a sugar mix, | 0:14:12 | 0:14:15 | |
of glucose and isomalt and I'm just colouring it. | 0:14:15 | 0:14:18 | |
-This is going to form the flag? -This will form the flag. | 0:14:18 | 0:14:21 | |
You've given yourself a lot to do again. | 0:14:21 | 0:14:23 | |
If I'm not busy, I don't feel I'm pushing myself hard enough. | 0:14:23 | 0:14:26 | |
-I'm looking forward to seeing this. -Thank you very much. | 0:14:26 | 0:14:28 | |
Let's go. | 0:14:28 | 0:14:30 | |
Chris is working on his savoury granola. Baking oats, almonds | 0:14:30 | 0:14:34 | |
and assorted seeds with butter, flour, salt and honey. | 0:14:34 | 0:14:38 | |
He's also making a lemon curd, | 0:14:39 | 0:14:41 | |
before checking on his tempered white chocolate spheres, | 0:14:41 | 0:14:44 | |
which are next door, where it's cooler. | 0:14:44 | 0:14:46 | |
Difficult task you set yourself. | 0:14:46 | 0:14:48 | |
Do you know what, it seemed like a great idea at home. | 0:14:48 | 0:14:50 | |
MICAHEL LAUGHS | 0:14:50 | 0:14:52 | |
You sit at home and you make it, and you think, "This is great." | 0:14:52 | 0:14:54 | |
No regrets, you can do this. | 0:14:54 | 0:14:56 | |
Listen, in it to win it. No pain, no gain. | 0:14:56 | 0:14:59 | |
Eddie's earlier disaster with the parfait lost him valuable time. | 0:15:00 | 0:15:05 | |
His second one is still not set and he is first to plate up | 0:15:05 | 0:15:08 | |
his take on tea and a jam sandwich. | 0:15:08 | 0:15:12 | |
-Eddie, can you be there on time? -We'll see about it. | 0:15:12 | 0:15:14 | |
In a desperate attempt to get the dessert finished, | 0:15:14 | 0:15:17 | |
Eddie decides to work in the blast chiller, | 0:15:17 | 0:15:20 | |
adding strawberry gel and fresh strawberries to the parfait. | 0:15:20 | 0:15:23 | |
First onto the plate, strawberry gel, followed by fresh strawberries. | 0:15:25 | 0:15:29 | |
Next, the not-quite-set white chocolate and white bread parfait. | 0:15:29 | 0:15:34 | |
Now, Eddie has another panic. | 0:15:34 | 0:15:36 | |
His shortcake hasn't had enough time to cool and solidify. | 0:15:37 | 0:15:41 | |
How is the short bread, Eddie? | 0:15:42 | 0:15:44 | |
Yup, exactly the same as everything else. | 0:15:44 | 0:15:46 | |
Can either not be on time and standing here for another day, | 0:15:46 | 0:15:48 | |
or get something up onto the pass and let yous taste it. | 0:15:48 | 0:15:51 | |
Instead of fine slices mimicking bread, | 0:15:51 | 0:15:54 | |
Eddie chops up the still-warm shortcake and crumbles | 0:15:54 | 0:15:57 | |
onto the chilled parfait. | 0:15:57 | 0:15:58 | |
Eddie, can I do anything for you, boss? | 0:15:58 | 0:16:00 | |
-You want anything done, mate? -Cheers, mate. It is what it is. | 0:16:00 | 0:16:03 | |
Next, a quenelle of semi-set parfaits. | 0:16:03 | 0:16:07 | |
Eddie, take a breath, relax, and make sure it comes to pass | 0:16:07 | 0:16:10 | |
-how you want it. -It's impossible. | 0:16:10 | 0:16:12 | |
-Well, as best as it can. -Chef. | 0:16:12 | 0:16:13 | |
Eddie finishes the dish with Darjeeling tea foam. | 0:16:15 | 0:16:18 | |
A hot Darjeeling tea infusion is presented in a vintage teapot. | 0:16:18 | 0:16:23 | |
Eddie, you look disappointed, | 0:16:30 | 0:16:31 | |
but is everything on the plate that you want? | 0:16:31 | 0:16:33 | |
-Everything's on, just not the way I wanted it. -What went wrong? | 0:16:33 | 0:16:36 | |
Lost the cream. Knocked me half an hour back already. | 0:16:36 | 0:16:38 | |
So I'm ready, waiting on a parfait sitting in the freezer, | 0:16:38 | 0:16:41 | |
still dropping in front of us right now. | 0:16:41 | 0:16:43 | |
OK, we won't leave it any longer. | 0:16:43 | 0:16:44 | |
-Let's go and taste this. -Thank you. | 0:16:44 | 0:16:46 | |
It's a tough kitchen to work in. | 0:16:49 | 0:16:50 | |
-It is, absolutely. -You know, it's in the flavour, | 0:16:50 | 0:16:52 | |
-so we can still taste this. -Absolutely, chef. | 0:16:52 | 0:16:55 | |
The flavours are beautiful. | 0:16:57 | 0:16:59 | |
They're rounded, sharpness of the fruit... | 0:16:59 | 0:17:01 | |
-This is the white bread... -And white chocolate, yeah. | 0:17:01 | 0:17:04 | |
Is that the taste you were looking for? | 0:17:06 | 0:17:08 | |
Pretty much, chef. | 0:17:08 | 0:17:10 | |
It's a shame, because such beautiful flavours, the bread coming through, | 0:17:10 | 0:17:14 | |
it just hasn't happened on the day. | 0:17:14 | 0:17:15 | |
And we've got the shortcake on the top. | 0:17:15 | 0:17:17 | |
Yeah. So again, not exactly how I wanted it. | 0:17:17 | 0:17:20 | |
Just didn't have a chance to cut it out. | 0:17:20 | 0:17:22 | |
-And the flavour, content with that? -I'm happy enough with the flavour. | 0:17:22 | 0:17:25 | |
Nice texture. | 0:17:25 | 0:17:26 | |
-It brings it all together, doesn't it? -I would agree with that. | 0:17:26 | 0:17:29 | |
Is the jam set how you wanted? | 0:17:29 | 0:17:30 | |
It's probably the one thing sitting at the right consistency, chef. | 0:17:30 | 0:17:33 | |
The strawberry gel is really nice as well. | 0:17:33 | 0:17:36 | |
Ultimately, do you think the tea works with the dessert? | 0:17:36 | 0:17:39 | |
Yeah. I've come to enjoy the tea. | 0:17:39 | 0:17:41 | |
-I love tea. -I love tea. | 0:17:41 | 0:17:44 | |
-What would you give that? -I'd give him a seven, and the reason | 0:17:44 | 0:17:46 | |
I'd give him a seven, is because I think he's done | 0:17:46 | 0:17:48 | |
-a lot of work in it. -I have to go for a six. | 0:17:48 | 0:17:51 | |
-What would you score it? -Probably a four. Maybe even below. | 0:17:51 | 0:17:56 | |
Mark is next to serve his complex Time To Reflect dessert. | 0:17:59 | 0:18:03 | |
He finishes off his Union flag tuiles in the oven before cooling | 0:18:03 | 0:18:07 | |
on corrugated plastic to give the appearance of the flag fluttering. | 0:18:07 | 0:18:12 | |
-Hi, boss. -All right, boys? | 0:18:12 | 0:18:14 | |
One of those, you warned me. | 0:18:14 | 0:18:16 | |
All the flavour was there, mate. | 0:18:16 | 0:18:18 | |
Absolutely, chef. How are you getting on there as well, anyway? | 0:18:18 | 0:18:21 | |
-You're up next. -Busy, mate. | 0:18:21 | 0:18:23 | |
Mark freezes fresh raspberries in liquid nitrogen before smashing | 0:18:23 | 0:18:27 | |
into tiny fragments. He then turns out his jelly. | 0:18:27 | 0:18:30 | |
-What's that jelly, Mark? -It's champagne and honey, mate. | 0:18:32 | 0:18:35 | |
Yeah, that's lovely, mate. | 0:18:37 | 0:18:39 | |
Mark will be presenting his dessert on a mirror to emphasise the title, | 0:18:39 | 0:18:43 | |
Time To Reflect. | 0:18:43 | 0:18:44 | |
I tell you, when you're dressing a plate | 0:18:44 | 0:18:46 | |
and you can actually see your own face, it's a scary look. | 0:18:46 | 0:18:49 | |
I wouldn't say you're that bad-looking, Mark. | 0:18:49 | 0:18:50 | |
Oh, thanks very much(!) | 0:18:50 | 0:18:52 | |
First onto the mirror, cubes of partially dehydrated sponge soaked | 0:18:53 | 0:18:58 | |
in blackberry pickling liquor. | 0:18:58 | 0:19:00 | |
Next, strawberries compressed in English sparkling wine. | 0:19:00 | 0:19:04 | |
Strawberry gel is followed by blueberry compote, | 0:19:04 | 0:19:07 | |
pyramids of English sparkling wine | 0:19:07 | 0:19:09 | |
and honey jelly and pickled blackberries. | 0:19:09 | 0:19:12 | |
You're due at the pass now, Mark. | 0:19:12 | 0:19:13 | |
Yes, chef. Less than a minute, please. | 0:19:13 | 0:19:16 | |
Chocolate and blackberry marquise is piped onto the mirror, | 0:19:16 | 0:19:19 | |
accompanied by slices of blueberry, a quenelle of yoghurt sorbet, | 0:19:19 | 0:19:23 | |
and lastly, shattered nitro raspberries. | 0:19:23 | 0:19:26 | |
The Union flag sugar tuile finishes the dish, | 0:19:28 | 0:19:31 | |
which is presented in a gift box. | 0:19:31 | 0:19:33 | |
-Is that done? -It's done, chef. | 0:19:37 | 0:19:38 | |
-Can I open it? -Yes, please. | 0:19:38 | 0:19:41 | |
It's nice, isn't it? That's a good touch. | 0:19:41 | 0:19:43 | |
-Right, shall we go and eat this? -Yes, please. | 0:19:43 | 0:19:46 | |
So, let's get tasting. Enjoyed that. | 0:19:48 | 0:19:52 | |
-Wow. I love the little tuile on top. -A nice wee crisp. -That's nice. | 0:19:54 | 0:19:58 | |
So, are you happy with how it's turned out? | 0:19:58 | 0:20:01 | |
I am, chef. | 0:20:01 | 0:20:02 | |
Yeah? Do you think the presentation's right for it? | 0:20:02 | 0:20:06 | |
I do, because it's a banquet. | 0:20:06 | 0:20:08 | |
Let's break it, let's enjoy it. And if we get a little bit messy, | 0:20:08 | 0:20:12 | |
sorry, but who cares? | 0:20:12 | 0:20:13 | |
Each berry has its own pack, its own punch on there. | 0:20:13 | 0:20:16 | |
-Yeah. -The blueberries... It's the blueberries I keep coming back to. | 0:20:16 | 0:20:19 | |
And the champagne and honey jelly. | 0:20:19 | 0:20:21 | |
-Do you feel those flavours come through? -Yeah, it's... | 0:20:21 | 0:20:23 | |
You get champagne. You don't really get the honey so much, | 0:20:23 | 0:20:27 | |
because the honey, it rounds it off. | 0:20:27 | 0:20:28 | |
That jelly is almost like a summer cocktail. | 0:20:28 | 0:20:31 | |
You have got a lot of components on this dish. Do you think | 0:20:31 | 0:20:34 | |
they all deserve a place on the plate? | 0:20:34 | 0:20:36 | |
I do, because every spoon is different, and therefore, | 0:20:36 | 0:20:39 | |
it makes it exciting to eat. | 0:20:39 | 0:20:42 | |
No, it's probably just a wee bit too small, but I can't comment on it. | 0:20:42 | 0:20:45 | |
-It's fantastic. -Yeah. | 0:20:45 | 0:20:46 | |
And anything you would change on it? | 0:20:46 | 0:20:48 | |
Well, yes, I would make sure my ice cream was firmer set. | 0:20:48 | 0:20:51 | |
Don't give him another ten, Eddie. | 0:20:53 | 0:20:55 | |
His head won't fit through that door, mate. | 0:20:55 | 0:20:57 | |
It's so hard to fault or be critical. | 0:20:57 | 0:20:59 | |
I'm going to give him a nine, only because I want more, and maybe | 0:20:59 | 0:21:02 | |
the sorbet was just a little bit...under. | 0:21:02 | 0:21:04 | |
Last to fight for his place in the judging chamber is Chris | 0:21:05 | 0:21:10 | |
with his multisensory dessert, A Sense Of Occasion, | 0:21:10 | 0:21:14 | |
a tribute to Dr Janet Gray, who lost her sight at just 21. | 0:21:14 | 0:21:18 | |
Chris prepares his infusion by grating lemon zest and adding | 0:21:20 | 0:21:23 | |
to a jug with fresh lavender and lemon verbena. | 0:21:23 | 0:21:26 | |
All right, lads. | 0:21:28 | 0:21:29 | |
How was that for you? | 0:21:29 | 0:21:30 | |
It was all right. I was a bit disappointed the ice cream melted really quickly. | 0:21:30 | 0:21:33 | |
But do you know what? I gave you a nine, and that was my only quibble. | 0:21:33 | 0:21:37 | |
First into a bowl, Chris' granola, | 0:21:37 | 0:21:39 | |
followed by lemon curd and raspberries. | 0:21:39 | 0:21:42 | |
Next, micro lemon verbena shoots, then raspberry coulis. | 0:21:43 | 0:21:49 | |
The bottom half of the white chocolate sphere | 0:21:49 | 0:21:51 | |
is next into the bowl, filled with more coulis, | 0:21:51 | 0:21:54 | |
fresh raspberry and lemon verbena. | 0:21:54 | 0:21:57 | |
Next, a scoop of lavender ice cream topped with raspberry coulis | 0:21:58 | 0:22:02 | |
and encased in the other half of the white chocolate sphere. | 0:22:02 | 0:22:06 | |
-Chris, you all right, boss? You need a hand? -No, all good. | 0:22:06 | 0:22:09 | |
Chris presents his dessert on a bed of dry ice topped with moss | 0:22:09 | 0:22:13 | |
to be activated at the pass with his hot floral and herbal infusion. | 0:22:13 | 0:22:17 | |
-You all right, Chris? -Yeah. Coming now. | 0:22:18 | 0:22:20 | |
-Chris, dessert done. -Yes. | 0:22:24 | 0:22:26 | |
It's the hardest course of the week, I think. | 0:22:26 | 0:22:28 | |
We have a little message there. | 0:22:28 | 0:22:30 | |
"Great Britain is a brighter and more beautiful place | 0:22:30 | 0:22:32 | |
-"because of people like you." And then a thank you. -That's lovely. | 0:22:32 | 0:22:36 | |
There's the lavender, there's the lemon balm, | 0:22:38 | 0:22:40 | |
there's the fragrance there. | 0:22:40 | 0:22:42 | |
-Chefs, what's your thoughts? -It's very impressive-looking. | 0:22:42 | 0:22:45 | |
-Shall we go and eat one? -I think so, yeah. | 0:22:45 | 0:22:47 | |
So when you first have the smell, the fragrance, | 0:22:50 | 0:22:52 | |
is that something you're happy with? | 0:22:52 | 0:22:54 | |
I like it, chef. | 0:22:54 | 0:22:55 | |
What do you think, Eddie? | 0:22:55 | 0:22:57 | |
Chris really went to town on this one, hasn't he? | 0:22:57 | 0:22:59 | |
Yeah, he really has. It certainly does tell a story. | 0:22:59 | 0:23:02 | |
-I know you put a lot of work into that chocolate. -Yeah. | 0:23:02 | 0:23:04 | |
-I think it's your honour to crack it. -Thank you, chef. | 0:23:04 | 0:23:07 | |
-It's not perfectly tempered, is it? -Ultimately, no. -No. | 0:23:09 | 0:23:12 | |
With the ice cream, are you happy with the lavender content in it? | 0:23:12 | 0:23:16 | |
I think, yeah. I think it can be overpowering sometimes. | 0:23:16 | 0:23:19 | |
I was conscious not to put too much in it. | 0:23:19 | 0:23:21 | |
-Whoa. -So what's the ice cream? | 0:23:21 | 0:23:24 | |
Lavender. | 0:23:24 | 0:23:25 | |
-Right now, all I can taste is lavender. -Yeah. | 0:23:26 | 0:23:29 | |
And then the granola. Are you happy with that crunch? | 0:23:29 | 0:23:32 | |
I am. Maybe I could have cut them, broken them a little bit smaller | 0:23:32 | 0:23:35 | |
so they're not quite as big clusters. | 0:23:35 | 0:23:37 | |
CRUNCHING | 0:23:37 | 0:23:39 | |
He's got great textures going on there with the granola. | 0:23:39 | 0:23:42 | |
I think the curd's just got lost at the bottom here, though. | 0:23:42 | 0:23:45 | |
Do you think the amount of white chocolate on there | 0:23:45 | 0:23:47 | |
-affects the dessert at all? -I've probably put a little bit more | 0:23:47 | 0:23:50 | |
lemon curd on that. Just to kind of balance it out a little bit. | 0:23:50 | 0:23:53 | |
Down to the scores, Eddie. What would you give it? | 0:23:53 | 0:23:56 | |
I'd give him six, I think, with this. | 0:23:56 | 0:23:58 | |
Yeah, I agree with you. I would give him a six. | 0:23:58 | 0:24:00 | |
Obviously, you had a big score on your main course. | 0:24:00 | 0:24:03 | |
Do you think this lives up to it? | 0:24:03 | 0:24:05 | |
I would say there is room for improvement, definitely. | 0:24:05 | 0:24:08 | |
I'd be happy with a seven or eight. | 0:24:08 | 0:24:10 | |
-Hello, boys. -How was it? -It's the last dish, isn't it? | 0:24:19 | 0:24:22 | |
-There's no way back now. -Were you happy? -Not completely, no. | 0:24:22 | 0:24:25 | |
Today was proper stress. You warned us about that kitchen. | 0:24:27 | 0:24:30 | |
Yeah. | 0:24:30 | 0:24:32 | |
-Hello, chefs. -Hello, chef. | 0:24:38 | 0:24:40 | |
So that's the final course, all done. You must be relieved. | 0:24:40 | 0:24:42 | |
Just a little! | 0:24:42 | 0:24:44 | |
Eddie, your dish, Jam Sandwich and Darjeeling Tea. | 0:24:44 | 0:24:49 | |
Eddie, I know you weren't happy at all with this dessert. | 0:24:49 | 0:24:53 | |
-The shortbread cake, in your own words, was a disaster. -Yeah. | 0:24:53 | 0:24:57 | |
The parfait, it wasn't frozen. | 0:24:57 | 0:25:00 | |
And it wasn't smooth. | 0:25:00 | 0:25:01 | |
The flavour of the Darjeeling tea didn't come through for me | 0:25:01 | 0:25:05 | |
on the actual dessert. However... | 0:25:05 | 0:25:08 | |
I did like the taste of the jam, and I also agree with you completely | 0:25:08 | 0:25:12 | |
with the consistency of it. I also take my hat off to you for getting | 0:25:12 | 0:25:16 | |
the dish to the pass knowing it's not right, and knowing | 0:25:16 | 0:25:19 | |
you're not happy with it. I think that's courageous. | 0:25:19 | 0:25:22 | |
Thank you, chef. | 0:25:22 | 0:25:23 | |
Chris. For your Sense of Occasion, | 0:25:24 | 0:25:27 | |
it wasn't overpowering, that lavender, it was really pleasant. | 0:25:27 | 0:25:31 | |
It was strong straightaway. It filled the room. | 0:25:31 | 0:25:33 | |
The lavender ice cream was tasty, it wasn't overpowering. | 0:25:35 | 0:25:38 | |
And the granola tasted nice. | 0:25:38 | 0:25:41 | |
The lemon curd was delicious. | 0:25:41 | 0:25:43 | |
It was lost, there wasn't enough of it. | 0:25:43 | 0:25:46 | |
But the chocolate work, as pretty as it was, | 0:25:46 | 0:25:48 | |
it wasn't perfectly executed. I felt myself looking for another texture | 0:25:48 | 0:25:53 | |
within that sphere. | 0:25:53 | 0:25:54 | |
Mark. | 0:25:56 | 0:25:58 | |
On your Time To Reflect dessert. | 0:25:58 | 0:26:00 | |
I thought you really, really hit the brief with that. | 0:26:00 | 0:26:03 | |
I thought the reveal of the flag kind of blowing, almost, | 0:26:03 | 0:26:06 | |
I thought that was really clever. I loved the chocolate marquise, | 0:26:06 | 0:26:09 | |
I particularly liked that with the pickled blackberries | 0:26:09 | 0:26:11 | |
and the yoghurt sorbet. And the jelly with a little bit of honey | 0:26:11 | 0:26:15 | |
in it was refreshing, not overly sweet. | 0:26:15 | 0:26:18 | |
The partially dehydrated sponge was another inspired touch. | 0:26:18 | 0:26:22 | |
All the components came together really well. | 0:26:22 | 0:26:25 | |
However, I found it really difficult to eat off that mirror. | 0:26:25 | 0:26:30 | |
I think the only thing that you fell back on was maybe not | 0:26:30 | 0:26:33 | |
sitting down on that exact plate and eating it and seeing how that felt. | 0:26:33 | 0:26:38 | |
If that dish was to go any further, | 0:26:38 | 0:26:40 | |
if you could keep the mirrored element, | 0:26:40 | 0:26:42 | |
possibly drop something in it so you could control the temperature | 0:26:42 | 0:26:44 | |
for your ice creams and things like that. | 0:26:44 | 0:26:47 | |
So, onto the scores. | 0:26:48 | 0:26:49 | |
With a score of eight... | 0:26:53 | 0:26:54 | |
..giving them the highest score across the week... | 0:26:56 | 0:26:59 | |
..it's Mark. | 0:27:01 | 0:27:02 | |
So that means tomorrow you'll be cooking again. | 0:27:04 | 0:27:06 | |
It also means you'll be going to the judging chamber | 0:27:06 | 0:27:09 | |
with the highest score for regionals in Great British Menu. | 0:27:09 | 0:27:13 | |
So, congratulations on that. | 0:27:13 | 0:27:14 | |
Thank you very much. | 0:27:14 | 0:27:16 | |
-It's an incredible achievement. -Thank you very much. | 0:27:16 | 0:27:19 | |
-Well done, mate. -It's also a higher score than your boss. | 0:27:19 | 0:27:22 | |
So you might need to find another job! | 0:27:22 | 0:27:25 | |
Two chefs are left. Chris... | 0:27:25 | 0:27:27 | |
..I'm giving you... | 0:27:29 | 0:27:31 | |
a seven. | 0:27:31 | 0:27:33 | |
-Thank you. -And Eddie, for your dessert... | 0:27:33 | 0:27:35 | |
..I'm giving you a four. | 0:27:37 | 0:27:38 | |
So Chris, it means you go through to the judges' chamber tomorrow. | 0:27:38 | 0:27:42 | |
Congratulations. | 0:27:42 | 0:27:44 | |
Well done. Fantastic. | 0:27:44 | 0:27:45 | |
-And Eddie, I think you should be proud of yourself. -Yeah. | 0:27:45 | 0:27:48 | |
It's been an honour judging you guys. | 0:27:48 | 0:27:50 | |
And Chris, Mark, make sure one of you gets a dish to the banquet | 0:27:50 | 0:27:52 | |
-for Northern Ireland, eh? -Absolutely. -Thank you very much. | 0:27:52 | 0:27:55 | |
Thank you. | 0:27:55 | 0:27:56 | |
-Well done, mate. -Chief. | 0:27:56 | 0:27:58 | |
Well done. | 0:27:58 | 0:28:00 | |
Did you enjoy the experience, Eddie? | 0:28:00 | 0:28:01 | |
It's been a massive learning curve here, | 0:28:01 | 0:28:03 | |
just to stand and watch yous. It's inspiring. | 0:28:03 | 0:28:05 | |
I'd love to come back again. | 0:28:05 | 0:28:06 | |
This week's been so enjoyable, but you know, | 0:28:06 | 0:28:09 | |
maybe if you could just not ring those guys next year, | 0:28:09 | 0:28:11 | |
that would be great! | 0:28:11 | 0:28:12 | |
-That was brutal. -Told you. | 0:28:12 | 0:28:14 | |
Yeah, I pushed myself so hard this week. | 0:28:15 | 0:28:17 | |
I'm just going to dig even deeper now | 0:28:17 | 0:28:18 | |
and just try and get this over the winning line, you know. | 0:28:18 | 0:28:20 | |
I know tomorrow's another day. | 0:28:20 | 0:28:22 | |
Things can change. | 0:28:22 | 0:28:23 | |
The fact that I've actually got the highest score of all the regions | 0:28:23 | 0:28:26 | |
over the years - I'm blown away. | 0:28:26 | 0:28:28 | |
I can't let it go to my head. I need to keep focused, | 0:28:28 | 0:28:31 | |
and just come in tomorrow, and just cook. | 0:28:31 | 0:28:34 |