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This week on Great British Menu, | 0:00:04 | 0:00:07 | |
three of the South West's most talented chefs. | 0:00:07 | 0:00:10 | |
Michelin starred Josh Eggleton, | 0:00:10 | 0:00:12 | |
who narrowly missed out on getting to the banquet last year. | 0:00:12 | 0:00:15 | |
I'm feeling the pressure. | 0:00:15 | 0:00:17 | |
Jude Kereama, who crashed out of the competition last time, | 0:00:17 | 0:00:21 | |
failing to cook for the judges. | 0:00:21 | 0:00:23 | |
You think you're on track, then all of a sudden, something is missing. | 0:00:23 | 0:00:26 | |
And new to the competition, Chris Wheeler, | 0:00:26 | 0:00:28 | |
a classically trained chef with a taste for the theatrical. | 0:00:28 | 0:00:32 | |
Showtime! | 0:00:32 | 0:00:34 | |
In the year the nation marked the Queen's 90th birthday, | 0:00:34 | 0:00:37 | |
the chefs are paying tribute | 0:00:37 | 0:00:39 | |
to the everyday great Britons honoured throughout her reign, | 0:00:39 | 0:00:43 | |
and competing for the chance to cook for them at a special banquet | 0:00:43 | 0:00:47 | |
at the iconic Palace of Westminster. | 0:00:47 | 0:00:50 | |
Yesterday, Josh and Jude both scored eight for their main courses... | 0:00:51 | 0:00:56 | |
Finally, you're making an impact with those flavours. | 0:00:56 | 0:00:58 | |
Thank you. | 0:00:58 | 0:01:00 | |
..keeping Josh top of the leaderboard | 0:01:00 | 0:01:02 | |
and moving Jude into second place, | 0:01:02 | 0:01:04 | |
while Chris lost points for putting style over substance. | 0:01:04 | 0:01:08 | |
You've put presentation above the food. | 0:01:08 | 0:01:12 | |
Today's dessert course is Josh's chance to clinch victory. | 0:01:12 | 0:01:15 | |
He is aiming to maintain his high standards. | 0:01:15 | 0:01:18 | |
I think that's, like, the hardest dessert I've ever had to do. | 0:01:18 | 0:01:21 | |
Only two points separate Jude and Chris. | 0:01:21 | 0:01:24 | |
One mistake now could cost either one the competition. | 0:01:24 | 0:01:28 | |
Unfortunately for me, it's really a good mix. | 0:01:28 | 0:01:30 | |
The chefs are competing to create dishes | 0:01:42 | 0:01:45 | |
that are a fitting legacy to our modern Elizabethan age, | 0:01:45 | 0:01:49 | |
and a celebration of the complete transformation of British cuisine | 0:01:49 | 0:01:54 | |
during the Queen's historic reign. | 0:01:54 | 0:01:56 | |
Judging is veteran Lisa Allen. | 0:01:56 | 0:01:59 | |
A Michelin-starred chef and former banquet champion, | 0:01:59 | 0:02:02 | |
she's looking for innovative dishes. | 0:02:02 | 0:02:05 | |
I want to see some contemporary, modern techniques. | 0:02:05 | 0:02:08 | |
A real chance to stamp your personality on the plate. | 0:02:08 | 0:02:11 | |
Basically, this dessert has got to be good enough | 0:02:11 | 0:02:13 | |
to be served to the great Britons at the banquet. | 0:02:13 | 0:02:16 | |
So, how are you feeling after the main course? | 0:02:16 | 0:02:19 | |
Lisa's really hard to impress, so we've got to be perfect, don't we? | 0:02:19 | 0:02:23 | |
Hopefully, she's going to find the fun side of desserts, | 0:02:23 | 0:02:26 | |
cos mine's fun again, and obviously, so far, it's not worked with Lisa, | 0:02:26 | 0:02:29 | |
so I really need to pull this out of the bag! | 0:02:29 | 0:02:31 | |
I need a ten. Well, today, I need a really good score. | 0:02:31 | 0:02:33 | |
You're only a couple of points behind, which is easily gettable. | 0:02:33 | 0:02:36 | |
I could make a big mistake and you could just do the perfect dessert, | 0:02:36 | 0:02:39 | |
so I've just got to do everything perfectly, | 0:02:39 | 0:02:42 | |
or else I'm going home tonight. | 0:02:42 | 0:02:44 | |
I might be six points clear, but anything can happen with dessert, | 0:02:44 | 0:02:47 | |
and I've got a real simple dessert, so I need it to set. | 0:02:47 | 0:02:49 | |
It doesn't work, then it's over for me. | 0:02:49 | 0:02:53 | |
Good luck for today, boys. It's going to be a tough one. | 0:02:53 | 0:02:55 | |
First up is Josh. | 0:02:55 | 0:02:57 | |
Last year, he scored a perfect ten for his dessert. | 0:02:57 | 0:03:01 | |
He's led all week, | 0:03:01 | 0:03:02 | |
but he knows his dish is an unusual choice for a banquet menu. | 0:03:02 | 0:03:06 | |
To be honest, I am quite nervous about this dessert, | 0:03:06 | 0:03:09 | |
with Lisa being a real tough judge. It's not the end, you know! | 0:03:09 | 0:03:12 | |
Josh. Hello. | 0:03:14 | 0:03:16 | |
All right? Yeah, you? | 0:03:16 | 0:03:17 | |
Yeah, good. Six points ahead of the rest of them. | 0:03:17 | 0:03:20 | |
Yeah. Are you confident? | 0:03:20 | 0:03:21 | |
No, no, not confident. I need to produce a dessert. | 0:03:21 | 0:03:24 | |
Otherwise, I'm going home, aren't I? Tell me about your dish. | 0:03:24 | 0:03:27 | |
So, this dish is called the Re-emergence of the High Street. | 0:03:27 | 0:03:29 | |
At the start of the Queen's reign, | 0:03:29 | 0:03:31 | |
most people would go to the high street to get all their produce. | 0:03:31 | 0:03:35 | |
Over the years, this has been lost, and for me, | 0:03:35 | 0:03:37 | |
I can see this coming back, and I think it's fantastic. | 0:03:37 | 0:03:40 | |
So this is about bringing everybody together | 0:03:40 | 0:03:42 | |
and celebrating great British local produce. | 0:03:42 | 0:03:44 | |
Wow. I'm going to use quite a few vegetables in this dessert. | 0:03:44 | 0:03:47 | |
I'm going to make a white chocolate and beetroot ice cream. | 0:03:47 | 0:03:49 | |
Right, OK. And put it in a soft-serve machine. | 0:03:49 | 0:03:52 | |
What have you got, an ice cream van?! | 0:03:52 | 0:03:54 | |
I haven't quite got a van, but I've got a nice ice cream cart, yeah. | 0:03:54 | 0:03:57 | |
Intriguing. And then I'm going to make toasted hazelnut cone. | 0:03:57 | 0:04:01 | |
Yeah. The garnish is, I'm going to do a carrot tuille, | 0:04:01 | 0:04:04 | |
so it's going to be nice and crunchy. | 0:04:04 | 0:04:06 | |
I'm going to do some frozen cells of raspberries. | 0:04:06 | 0:04:10 | |
I'm going to make carrot cake, | 0:04:10 | 0:04:11 | |
then just do some little cubes of that. It's kind of build your own. | 0:04:11 | 0:04:15 | |
You can put on there what you want, and it's a bit of fun. | 0:04:15 | 0:04:18 | |
If the ice cream works! I was going to say! | 0:04:18 | 0:04:21 | |
So the ice cream's the star of the show. | 0:04:21 | 0:04:23 | |
The ice cream is the star of the show, | 0:04:23 | 0:04:25 | |
and if I don't get the mix right, and we've got no ice cream, then... | 0:04:25 | 0:04:30 | |
Well, best of luck. Fantastic box. | 0:04:30 | 0:04:32 | |
Thank you very much. | 0:04:32 | 0:04:33 | |
He's using vegetables in his ice cream. | 0:04:33 | 0:04:36 | |
I think, you know, it can be classed as a modern technique, | 0:04:36 | 0:04:39 | |
because using vegetables in a dessert | 0:04:39 | 0:04:42 | |
has become more popular nowadays. | 0:04:42 | 0:04:44 | |
Next up is Jude. | 0:04:45 | 0:04:46 | |
He's struggled to find form with his flavours, | 0:04:46 | 0:04:49 | |
but impressed veteran Lisa with his Fusion Of Spices main course. | 0:04:49 | 0:04:53 | |
Today, only a top score will see him cook for the judges. | 0:04:53 | 0:04:57 | |
It's really important today. I've got to get a good score. | 0:04:57 | 0:05:00 | |
Got to beat Chris and keep him at bay. | 0:05:00 | 0:05:03 | |
Hello, Jude. Hello, Chef. | 0:05:03 | 0:05:04 | |
Are we in for another good dish? | 0:05:04 | 0:05:06 | |
I hope so. Excellent. Tell me a bit about the dish and the name. | 0:05:06 | 0:05:09 | |
Well, my inspiration for this dish is Last Night Of The Proms. | 0:05:09 | 0:05:12 | |
So, many artists that have been honoured by the Queen | 0:05:12 | 0:05:15 | |
have performed at the Last Night of the Proms, | 0:05:15 | 0:05:18 | |
so that's the quintessential night for great British music, | 0:05:18 | 0:05:21 | |
so what I'm going to do is celebrate it with one of Great Britain's | 0:05:21 | 0:05:24 | |
quintessential desserts, the Eton mess, but with just a slight twist. | 0:05:24 | 0:05:28 | |
So you think that Eton mess is one of the best desserts in Britain? | 0:05:28 | 0:05:32 | |
I think everybody loves Eton mess, | 0:05:32 | 0:05:34 | |
but what I want to do is elevate the Eton mess | 0:05:34 | 0:05:36 | |
by using a few different components on there, | 0:05:36 | 0:05:39 | |
make it a little bit more exciting. | 0:05:39 | 0:05:40 | |
So I'm going to make meringues, | 0:05:40 | 0:05:42 | |
I'm going to do some white chocolate macaroons with mint in the mix. | 0:05:42 | 0:05:46 | |
Macaroons? Yes, macaroons, yeah. | 0:05:46 | 0:05:48 | |
OK, so you're putting meringue and macaroons on the dish. Absolutely. | 0:05:48 | 0:05:51 | |
I'm going to make a strawberry liqueur syrup, | 0:05:51 | 0:05:54 | |
and I'm going to make that into a jelly. | 0:05:54 | 0:05:56 | |
I'm also making some mint opalines as well, | 0:05:56 | 0:05:59 | |
so just some nice glass shards of mint. | 0:05:59 | 0:06:01 | |
So, focusing my flavours on mint, strawberries and white chocolate. | 0:06:01 | 0:06:05 | |
Best of luck. Thank you, Chef. | 0:06:05 | 0:06:07 | |
He's really got to get the balance right. | 0:06:07 | 0:06:10 | |
I want to be able to taste the mint, | 0:06:10 | 0:06:11 | |
but I don't want it to overpower the dish, | 0:06:11 | 0:06:13 | |
so it's going to be a very fine line. | 0:06:13 | 0:06:15 | |
Finally, third-placed Chris. | 0:06:17 | 0:06:19 | |
Veteran Lisa has marked him down for allowing his theatrical presentation | 0:06:19 | 0:06:24 | |
to overshadow his classical skills. | 0:06:24 | 0:06:26 | |
Today, he must perfect both to stay in the competition. | 0:06:26 | 0:06:31 | |
Desserts are normally the fun part of the meal. | 0:06:31 | 0:06:33 | |
So mine's really fun. So hopefully, Lisa's going to get this one | 0:06:33 | 0:06:36 | |
on the fun side and give me a real, nice, high mark. I need it! | 0:06:36 | 0:06:39 | |
Chris, how are you feeling? | 0:06:40 | 0:06:42 | |
Good. I'm ready to, you know, take the lead! | 0:06:42 | 0:06:45 | |
Exactly! That is the fighting spirit we want. | 0:06:45 | 0:06:47 | |
Only two points behind. Fantastic box of ingredients here. | 0:06:47 | 0:06:50 | |
Tell me a little bit about it and the inspiration for your dish. | 0:06:50 | 0:06:52 | |
OK, so this dish is Showtime. | 0:06:52 | 0:06:54 | |
Right, OK. That sounds like we're going to get theatrical props again! | 0:06:54 | 0:06:59 | |
My main inspiration is musicians and performing artists | 0:06:59 | 0:07:01 | |
that have been honoured by the Queen. | 0:07:01 | 0:07:03 | |
OK. I'm going to make four mini-desserts. | 0:07:03 | 0:07:05 | |
So the first dish is going to be an ice peach sorbet, | 0:07:05 | 0:07:10 | |
infused with Earl Grey tea. | 0:07:10 | 0:07:12 | |
Right, OK. And that's going to be the sweeter dessert, | 0:07:12 | 0:07:14 | |
so that's going to represent the boy bands. Right, OK! | 0:07:14 | 0:07:18 | |
And then we're moving on to a ginger... | 0:07:18 | 0:07:21 | |
A spice ginger and white chocolate panna cotta. | 0:07:21 | 0:07:24 | |
So, obviously, has to be Ginger Spice from the Spice Girls. | 0:07:24 | 0:07:29 | |
You're not a Spice Girls fan, are you? I am, I'm afraid, sorry! | 0:07:29 | 0:07:32 | |
Oh, boys! What's your favourite Spice Girl? | 0:07:32 | 0:07:35 | |
Five spice! | 0:07:35 | 0:07:36 | |
Allspice? Nice answers, boys! | 0:07:38 | 0:07:41 | |
So now we're moving on to do our granola and coffee cheesecake, | 0:07:41 | 0:07:45 | |
and that's for Elton John, because it's done in the shape of a piano. | 0:07:45 | 0:07:48 | |
Right, OK. Interesting! | 0:07:48 | 0:07:50 | |
And then we've got the chocolate biscuit cake, | 0:07:50 | 0:07:52 | |
and I'm going to use Amaretto biscuits, some dark chocolate, | 0:07:52 | 0:07:56 | |
a little bit of popcorn inside. | 0:07:56 | 0:07:58 | |
Right. And I'm going to turn that into a drum | 0:07:58 | 0:08:01 | |
to represent the Beatles. | 0:08:01 | 0:08:04 | |
Very interesting to see how it all comes together, and best of luck. | 0:08:04 | 0:08:07 | |
Thank you. Thank you, Chef. Cheers. | 0:08:07 | 0:08:09 | |
Wow. Is he going to pull it off? | 0:08:10 | 0:08:12 | |
Is it style over substance? | 0:08:12 | 0:08:14 | |
I'm not too sure. The proof is in the eating. | 0:08:15 | 0:08:17 | |
As cooking gets under way, | 0:08:21 | 0:08:23 | |
Jude is intrigued by Josh's decision to use vegetables in his dessert. | 0:08:23 | 0:08:28 | |
So, I guess it's very Josh Eggleton, doing a vegetable line of dessert, | 0:08:28 | 0:08:33 | |
turning everything upside down, as you do? | 0:08:33 | 0:08:35 | |
I actually do quite like to use vegetables in desserts. | 0:08:35 | 0:08:38 | |
Beetroot goes really well with chocolate and desserts. | 0:08:38 | 0:08:41 | |
It's a good combination, you know? | 0:08:41 | 0:08:42 | |
Josh is working on his vegetable ice cream. | 0:08:42 | 0:08:46 | |
He starts by roasting beetroot, which he blends for the puree. | 0:08:46 | 0:08:50 | |
Then whisks egg yolks, sugar, glucose and milk powder together, | 0:08:50 | 0:08:54 | |
before heating cream and milk and incorporating | 0:08:54 | 0:08:57 | |
to create a custard base for his ice cream. | 0:08:57 | 0:09:00 | |
He then adds an emulsion of beetroot puree | 0:09:00 | 0:09:02 | |
with white chocolate to the base. | 0:09:02 | 0:09:05 | |
Do you have any concerns with your dish? | 0:09:06 | 0:09:08 | |
Yeah, getting my ice cream to set and to get it to whip. | 0:09:08 | 0:09:11 | |
I'm using a soft-serve machine and it's gravity fed, | 0:09:11 | 0:09:14 | |
so I need at least eight litres to make it work correctly. | 0:09:14 | 0:09:17 | |
Really? That's a lot of ice cream! | 0:09:17 | 0:09:19 | |
That's a lot of happy people as well, I guess. Yeah. | 0:09:19 | 0:09:21 | |
Josh is making a self-serve dessert, | 0:09:21 | 0:09:23 | |
and he needs his ice cream to have a smooth, creamy consistency | 0:09:23 | 0:09:28 | |
when it comes out of the soft-serve machine. | 0:09:28 | 0:09:31 | |
Basically, they're building their ice cream, | 0:09:31 | 0:09:33 | |
so you're not actually doing a lot, is that right? | 0:09:33 | 0:09:35 | |
Well, I'm doing all the work at the start, so, you know. | 0:09:35 | 0:09:37 | |
Then there's a bit of fun, so you can build your own. | 0:09:37 | 0:09:40 | |
In true British style, they'll be queueing for stuff, yeah. | 0:09:40 | 0:09:43 | |
The British love queueing. We're famous for it. | 0:09:43 | 0:09:45 | |
Jude is hoping his twist on a classic British dessert | 0:09:45 | 0:09:48 | |
will keep him ahead of Chris and see him cook for the judges tomorrow. | 0:09:48 | 0:09:53 | |
Are you actually crushing it up like an Eton mess, or will it be...? | 0:09:54 | 0:09:57 | |
Yeah, it will be, then I've got some little meringues as well. | 0:09:57 | 0:10:00 | |
I've got some macaroons in there, strawberry liqueur jelly. | 0:10:00 | 0:10:03 | |
He starts by vacuum-packing strawberries | 0:10:03 | 0:10:06 | |
with oranges, lemons and mint for his strawberry liqueur syrup. | 0:10:06 | 0:10:10 | |
Hello, Jude. Hello, Chef. What have you got here? | 0:10:10 | 0:10:13 | |
This is my liqueur, | 0:10:13 | 0:10:15 | |
and I'm straining this off now, and hopefully, | 0:10:15 | 0:10:18 | |
that should be a nice, fresh taste. | 0:10:18 | 0:10:20 | |
So, if this isn't right, a lot of your elements won't be right? | 0:10:20 | 0:10:23 | |
I'm afraid so. | 0:10:23 | 0:10:25 | |
Do you think it's got enough strawberry flavour? | 0:10:27 | 0:10:30 | |
I've got fresh strawberries in the Eton mess as well, | 0:10:30 | 0:10:32 | |
some dehydrated strawberries. | 0:10:32 | 0:10:33 | |
Trying to layer those flavours of strawberry, so hopefully, | 0:10:33 | 0:10:36 | |
when they're all together, it should all mix really nicely. | 0:10:36 | 0:10:39 | |
Well, I'll leave you to it. Thank you, Chef. | 0:10:39 | 0:10:41 | |
In third place, Chris is once again producing a theatrical dish, | 0:10:41 | 0:10:46 | |
but hopes his flavours and technique will win over veteran Lisa. | 0:10:46 | 0:10:50 | |
He starts with the iced peach tea sorbet, | 0:10:50 | 0:10:52 | |
by infusing sweetened peach syrup with Earl Grey, before churning. | 0:10:52 | 0:10:57 | |
Then pipes into a guitar mould. | 0:10:57 | 0:11:00 | |
So, guys, how did you do last year with your desserts? | 0:11:01 | 0:11:04 | |
Was it one of your stronger dishes? Yeah, I got eight last year. | 0:11:04 | 0:11:07 | |
It was very difficult. | 0:11:07 | 0:11:08 | |
I got a ten last year for my dessert. | 0:11:08 | 0:11:10 | |
A ten? Yeah. | 0:11:10 | 0:11:12 | |
That's not what I want to hear, you two! | 0:11:12 | 0:11:14 | |
Chris travelled to St Albans | 0:11:15 | 0:11:17 | |
to meet someone who knows all about Showtime. | 0:11:17 | 0:11:20 | |
Zoe Jackson is only 26, | 0:11:22 | 0:11:24 | |
but has been running her own performing arts school | 0:11:24 | 0:11:27 | |
since she was 16. | 0:11:27 | 0:11:29 | |
Up! Down! Again! | 0:11:29 | 0:11:30 | |
Hi, how are you? Yes, I'm good. | 0:11:30 | 0:11:33 | |
Can I join in? Of course you can! Let's go! | 0:11:33 | 0:11:36 | |
ALL: Yeah! | 0:11:37 | 0:11:39 | |
Go, Jermaine! Whoo! | 0:11:39 | 0:11:41 | |
Go, Ruby! | 0:11:43 | 0:11:45 | |
The chop. Chop, chop, chop, chop. | 0:11:48 | 0:11:51 | |
Put it in the oven. | 0:11:52 | 0:11:54 | |
And down. | 0:11:54 | 0:11:56 | |
Flip the pancake! | 0:11:56 | 0:11:57 | |
Whoo! | 0:11:57 | 0:11:59 | |
Yeah! | 0:11:59 | 0:12:01 | |
Zoe has also established a performing arts charity | 0:12:01 | 0:12:04 | |
to help disadvantaged young people follow their passions. | 0:12:04 | 0:12:08 | |
That's the heart of everything that we do. | 0:12:08 | 0:12:11 | |
It's about inspiring and empowering young people | 0:12:11 | 0:12:14 | |
that can't afford access to the arts | 0:12:14 | 0:12:16 | |
to live their dreams, regardless of their background. | 0:12:16 | 0:12:19 | |
That's amazing. | 0:12:19 | 0:12:20 | |
In 2014, Zoe was honoured | 0:12:20 | 0:12:22 | |
with the Queen's Young Leaders Award at Buckingham Palace. | 0:12:22 | 0:12:25 | |
So what did you have to do, actually, when you met the Queen? | 0:12:25 | 0:12:29 | |
We had to turn, we had to do step, together, step, together. | 0:12:29 | 0:12:32 | |
Right hand out to shake, left hand out to receive the award, | 0:12:32 | 0:12:35 | |
and then curtsy, and then step back, step back, turn, and walk away. | 0:12:35 | 0:12:40 | |
Was it like a dance? A bit like a dance, yes. | 0:12:40 | 0:12:43 | |
And I'm going back to meet the Queen again to receive my MBE in December. | 0:12:43 | 0:12:47 | |
That's really amazing. | 0:12:47 | 0:12:48 | |
To get Zoe's seal of approval for his Showtime dessert, | 0:12:48 | 0:12:52 | |
Chris has prepared a sample. | 0:12:52 | 0:12:54 | |
So there we go. We've got a chocolate and coffee cheesecake | 0:12:54 | 0:12:57 | |
with granola base and tempered chocolate. | 0:12:57 | 0:12:59 | |
Incredible. On the day, it's going to be in the shape of a piano. | 0:12:59 | 0:13:03 | |
Oh, that's amazing. That is so, so, so good. | 0:13:03 | 0:13:07 | |
Think I'm going to win? Yes. | 0:13:07 | 0:13:08 | |
Perfect. Let's do this. | 0:13:08 | 0:13:10 | |
OK, I'm just going to eat this whole thing. Enjoy. Mmm! | 0:13:10 | 0:13:13 | |
Chris is working on his white chocolate truffles, | 0:13:15 | 0:13:17 | |
just one of six elements to his complex dessert. | 0:13:17 | 0:13:20 | |
He adds a splash of coffee liqueur and pipes into moulds... | 0:13:20 | 0:13:25 | |
..before moving on to the chocolate biscuit cake. | 0:13:26 | 0:13:28 | |
All right, Chris? | 0:13:28 | 0:13:30 | |
Yeah. Just making my coffee popcorn. | 0:13:30 | 0:13:33 | |
And what's that for? For the modern take of the chocolate biscuit cake. | 0:13:33 | 0:13:37 | |
OK. It's going to go into a drum. So what singer are you on now? | 0:13:37 | 0:13:40 | |
We're now on the Beatles. The Beatles. | 0:13:40 | 0:13:43 | |
I would sing to you, but my voice is not good! | 0:13:43 | 0:13:46 | |
I've got to throw it out there, Chris - | 0:13:46 | 0:13:49 | |
you've got a wild imagination, to come up with stuff like this. | 0:13:49 | 0:13:52 | |
I am crazy. | 0:13:52 | 0:13:53 | |
Josh is preparing the different vegetable toppings | 0:13:55 | 0:13:58 | |
to his DIY ice cream dessert. | 0:13:58 | 0:14:00 | |
He infuses lemon thyme in cream and milk for a puree, | 0:14:00 | 0:14:03 | |
and reduces a beetroot syrup to drizzle on top. | 0:14:03 | 0:14:07 | |
He moves on to the carrot cake cubes, | 0:14:07 | 0:14:09 | |
adding chopped walnuts and grated carrots to the mix. | 0:14:09 | 0:14:13 | |
Then bakes. | 0:14:13 | 0:14:14 | |
He's making hazelnut cones from scratch, | 0:14:14 | 0:14:18 | |
pouring batter into a waffle maker, | 0:14:18 | 0:14:20 | |
and using a cone mould to create the shape. | 0:14:20 | 0:14:22 | |
Hi, Josh, are you all right? How are you doing? Are you in control? | 0:14:24 | 0:14:27 | |
Yeah. I mean, well, I'm waiting for my ice cream to set, you know? | 0:14:27 | 0:14:30 | |
How much time have you got left? About 15 minutes. | 0:14:30 | 0:14:33 | |
Are you worried the ice cream might not set? | 0:14:33 | 0:14:36 | |
Yeah, course I am. It's the main part of my dish. | 0:14:36 | 0:14:38 | |
So, yeah. Exactly. Well, looks like you've got lots to do. | 0:14:38 | 0:14:41 | |
Yeah. I'll leave you to it. Cheers. | 0:14:41 | 0:14:44 | |
I'm actually really worried for Josh. | 0:14:44 | 0:14:46 | |
He's got 15 minutes left to go, | 0:14:46 | 0:14:47 | |
his ice cream is not even in the machine. | 0:14:47 | 0:14:50 | |
For his reimagined Eton mess, | 0:14:50 | 0:14:53 | |
Jude is making a white chocolate and mint macaroon, | 0:14:53 | 0:14:56 | |
which he hopes will bring a new dimension to the British Classic. | 0:14:56 | 0:15:01 | |
He makes an Italian meringue before folding in | 0:15:01 | 0:15:03 | |
to ground almonds, icing sugar and green food colouring. | 0:15:03 | 0:15:07 | |
Next, the white chocolate and peppermint ganache filling. | 0:15:10 | 0:15:13 | |
For his jelly, | 0:15:13 | 0:15:15 | |
he combines strawberry liqueur syrup with gelatine, and leaves to set. | 0:15:15 | 0:15:19 | |
What are you doing, man? Have you brought the whole shop with you? | 0:15:21 | 0:15:24 | |
Yeah. Only you could do this! | 0:15:24 | 0:15:28 | |
To fully chill his ice cream, | 0:15:28 | 0:15:29 | |
Josh must transfer it to the soft-serve machine. | 0:15:29 | 0:15:33 | |
Timing is key. | 0:15:33 | 0:15:34 | |
How's the ice cream, buddy? | 0:15:34 | 0:15:36 | |
Fingers crossed! | 0:15:36 | 0:15:38 | |
Right, I've lost power. What happened there? | 0:15:39 | 0:15:42 | |
BLEEP sake! | 0:15:44 | 0:15:45 | |
How long do you churn it for? | 0:15:45 | 0:15:47 | |
Well, if it can't stay on... | 0:15:47 | 0:15:49 | |
It won't start. The machine won't start. | 0:15:50 | 0:15:53 | |
I'm going to unplug it. | 0:15:53 | 0:15:55 | |
Gone? Yeah. Power's off. | 0:15:58 | 0:16:00 | |
There we go. | 0:16:01 | 0:16:03 | |
Right. How long's it going to take now, do you think? | 0:16:03 | 0:16:06 | |
It needs to be on plus 4 degrees. It's on plus 14 at the moment. | 0:16:06 | 0:16:10 | |
Now I'm hoping it's going to come down in temperature, | 0:16:10 | 0:16:12 | |
see what happens, but I don't know. Don't really know. | 0:16:12 | 0:16:15 | |
Chris has prepared his spiced ginger panna cotta. | 0:16:17 | 0:16:21 | |
a tribute to the Spice Girls. | 0:16:21 | 0:16:22 | |
To make his cheesecake, | 0:16:22 | 0:16:24 | |
he lines the base of a tray with granola | 0:16:24 | 0:16:26 | |
and covers with a creme fraiche, cream cheese and espresso mix. | 0:16:26 | 0:16:31 | |
You've got quite a lot going on with your dessert. | 0:16:32 | 0:16:34 | |
I've got about five or six different elements. You know me. | 0:16:34 | 0:16:37 | |
I never do one thing. Honestly, Chris, | 0:16:37 | 0:16:39 | |
I don't think there's anything simple in your repertoire. Yep. | 0:16:39 | 0:16:42 | |
Hopefully, there's something on the plate for everybody. | 0:16:42 | 0:16:45 | |
Josh is first to serve | 0:16:47 | 0:16:49 | |
his contemporary beetroot and white chocolate ice cream dish. | 0:16:49 | 0:16:53 | |
He's hoping his ice cream will have cooled enough to serve. | 0:16:53 | 0:16:56 | |
It's actually not that bad. | 0:16:57 | 0:16:59 | |
I'm surprised about that. | 0:16:59 | 0:17:01 | |
He seals the base of the hazelnut cone with dark chocolate, | 0:17:01 | 0:17:05 | |
then adds lemon thyme puree. | 0:17:05 | 0:17:07 | |
Next, the garnishes. | 0:17:08 | 0:17:10 | |
Carrot cake cubes and frozen raspberry cells. | 0:17:10 | 0:17:13 | |
Josh's presentation represents a traditional British high street, | 0:17:15 | 0:17:19 | |
with market stalls. | 0:17:19 | 0:17:21 | |
Is that where you live? Yeah. | 0:17:21 | 0:17:23 | |
What is it, the whole road? Yeah, it's the whole road, yeah. | 0:17:23 | 0:17:26 | |
He adds the carrot tuille to a market stall, | 0:17:27 | 0:17:31 | |
then the beetroot syrup, | 0:17:31 | 0:17:33 | |
carrot cake... | 0:17:33 | 0:17:35 | |
I think I'm ready. | 0:17:35 | 0:17:37 | |
..and frozen raspberry cells. | 0:17:37 | 0:17:38 | |
SHE CHUCKLES | 0:17:40 | 0:17:42 | |
You can do the honours, if you like. | 0:17:42 | 0:17:44 | |
Wow. And then I can garnish it for you. | 0:17:44 | 0:17:46 | |
Just right in front of the eye, wait for it to click in, | 0:17:46 | 0:17:48 | |
and then pull it down. There you go. | 0:17:48 | 0:17:51 | |
Whay! Straight back up. Whoa-oh! | 0:17:51 | 0:17:54 | |
Look at that. I could have a job in an ice cream van! | 0:17:54 | 0:17:56 | |
And then, you can put a carrot tuille in there if you like, | 0:17:56 | 0:18:00 | |
put a few of these cells on. | 0:18:00 | 0:18:02 | |
A bit of carrot cake, | 0:18:03 | 0:18:05 | |
and then some beetroot syrup. | 0:18:05 | 0:18:07 | |
Lovely. | 0:18:08 | 0:18:10 | |
There we are. Thank you very much. | 0:18:10 | 0:18:12 | |
I must admit, it looks lovely. What do you think, boys? | 0:18:12 | 0:18:14 | |
It looks amazing. It really does look amazing. | 0:18:14 | 0:18:17 | |
I'll leave you guys to make your own ice cream. | 0:18:17 | 0:18:19 | |
We'll go and try. Thanks. | 0:18:19 | 0:18:21 | |
So, this is beetroot ice cream? | 0:18:24 | 0:18:26 | |
This is beetroot and white chocolate ice cream. | 0:18:26 | 0:18:28 | |
The balance between white chocolate and beetroot in the ice cream? | 0:18:29 | 0:18:32 | |
Yeah, I'm happy with that. | 0:18:32 | 0:18:33 | |
He was worried it wasn't going to set in time, | 0:18:35 | 0:18:37 | |
but I think the consistency's perfect. It is. It is perfect. | 0:18:37 | 0:18:40 | |
Carrot cake on the top. It's just a little garnish, really. | 0:18:40 | 0:18:43 | |
I like the nuts in there. I like the spice. | 0:18:45 | 0:18:47 | |
Amazing carrot cake, but I don't see | 0:18:47 | 0:18:49 | |
the reference to be on top of the ice cream. | 0:18:49 | 0:18:52 | |
The cone? Yeah, the cone's nice and crispy. | 0:18:52 | 0:18:55 | |
You don't want it to be soft. | 0:18:55 | 0:18:56 | |
It is quite messy. | 0:18:57 | 0:18:59 | |
Maybe a little bit. | 0:18:59 | 0:19:01 | |
If you had to score your dish out of ten, what would it be? | 0:19:01 | 0:19:04 | |
I think it's a bit different, | 0:19:04 | 0:19:05 | |
so I think I'd like to get an eight for this dish. | 0:19:05 | 0:19:07 | |
I think the props have the wow factor. | 0:19:09 | 0:19:11 | |
I'm just a little bit concerned. It's an amazing ice cream, | 0:19:11 | 0:19:14 | |
but is it going to be a finale for a banquet dessert? | 0:19:14 | 0:19:16 | |
Jude is next. | 0:19:19 | 0:19:20 | |
He finishes the traditional part of his modernised Eton mess, | 0:19:20 | 0:19:24 | |
folding cream with meringue and macerated strawberries. | 0:19:24 | 0:19:27 | |
Josh! You all right? How do you think it went in there? | 0:19:27 | 0:19:31 | |
I think it went all right, but you can never tell. | 0:19:31 | 0:19:33 | |
She's a tough cookie, isn't she? | 0:19:33 | 0:19:35 | |
I think that's the hardest dessert I've ever had to do, | 0:19:35 | 0:19:37 | |
and it's just an ice cream. You were running around like me! | 0:19:37 | 0:19:40 | |
To a serving plate, Jude adds Eton mess, | 0:19:41 | 0:19:45 | |
then the mint and white chocolate macaroons. | 0:19:45 | 0:19:48 | |
Next, strawberry liqueur jelly. | 0:19:48 | 0:19:50 | |
I don't know if it's me or the jelly, you know? Wobbling. | 0:19:50 | 0:19:54 | |
He tops with fresh and freeze-dried strawberries, | 0:19:54 | 0:19:57 | |
chocolate mint, | 0:19:57 | 0:19:59 | |
mint opaline shards and strawberry sorbet. | 0:19:59 | 0:20:02 | |
Everything going OK? I'm getting there. It looks great. | 0:20:05 | 0:20:09 | |
Thank you. It's really good. | 0:20:09 | 0:20:10 | |
He adds white chocolate treble clefs. | 0:20:10 | 0:20:14 | |
Is everything going OK, Jude? | 0:20:14 | 0:20:15 | |
Just about coming up, Chef. | 0:20:15 | 0:20:17 | |
And finally, a facade representing the Royal Albert Hall. | 0:20:17 | 0:20:21 | |
Home of the Proms. | 0:20:21 | 0:20:23 | |
I'm just giving you a little tipple, Chef. | 0:20:23 | 0:20:26 | |
What do you think, guys? Looks great. Well done. | 0:20:27 | 0:20:29 | |
So, are you happy with the overall dish? | 0:20:29 | 0:20:31 | |
Well, I don't want to use the pun - | 0:20:31 | 0:20:33 | |
the proof is in the pudding, but it's true. | 0:20:33 | 0:20:36 | |
OK, let's go and try it. Brilliant. | 0:20:36 | 0:20:37 | |
Doesn't look like a mess. Looks really pretty. | 0:20:40 | 0:20:42 | |
Yeah, it's a Hilton Tidy! Yeah. | 0:20:42 | 0:20:44 | |
The meringue, is that the consistency you were going for? | 0:20:46 | 0:20:49 | |
Yeah. There's some that have been soaking a little bit more | 0:20:49 | 0:20:52 | |
in the mess mix and some have been sitting out, | 0:20:52 | 0:20:54 | |
so some are crunchier than others. | 0:20:54 | 0:20:56 | |
Yeah, nice softness. The meringue's got that nice crunch to it. | 0:20:56 | 0:20:59 | |
The texture of jelly, are you happy with it? | 0:20:59 | 0:21:02 | |
That's how I'd like it. | 0:21:02 | 0:21:03 | |
To me, the jelly is perfectly set, actually. | 0:21:05 | 0:21:08 | |
It just kind of gives in your mouth. | 0:21:08 | 0:21:10 | |
Do you think you've got enough strawberry kick in your sorbet? | 0:21:11 | 0:21:14 | |
I think so. | 0:21:14 | 0:21:15 | |
That's lovely. Real nice. | 0:21:18 | 0:21:20 | |
Palate cleanser. | 0:21:20 | 0:21:21 | |
Are you happy with the flavour of the macaroon? | 0:21:23 | 0:21:25 | |
It's definitely got the mint flavour in there. | 0:21:25 | 0:21:28 | |
Peppermint flavour's getting a bit... Too much in the back of your throat. ..too intense. | 0:21:28 | 0:21:32 | |
So, if you had to score your own dish out of ten, what would it be? | 0:21:32 | 0:21:35 | |
Eight, to get away from Chris. | 0:21:35 | 0:21:37 | |
Obviously, I'm quite worried now. That's a good dessert. | 0:21:39 | 0:21:42 | |
Finally, Chris. | 0:21:45 | 0:21:47 | |
Inspired by the Beatles and Abbey Road, | 0:21:47 | 0:21:50 | |
Chris is using slate as a road, | 0:21:50 | 0:21:52 | |
with a Beetle car and a 12-inch record for a plate. | 0:21:52 | 0:21:55 | |
All right, mate? Hey, mate. How are you doing? Yeah, good. | 0:21:55 | 0:21:58 | |
How's that? Yeah, good. | 0:21:58 | 0:21:59 | |
A difficult one, isn't it? And it's my last chance. | 0:21:59 | 0:22:02 | |
I'm just looking now at Chris, what he's doing, and I'm thinking, | 0:22:02 | 0:22:06 | |
you know, have I done enough? | 0:22:06 | 0:22:08 | |
Chris creates a zebra crossing with coffee snow, | 0:22:09 | 0:22:13 | |
which he tops with a chocolate biscuit cake | 0:22:13 | 0:22:15 | |
representing a drum kit... | 0:22:15 | 0:22:17 | |
..with chocolate drumsticks. | 0:22:18 | 0:22:20 | |
Next, granola and coffee cheesecake makes Elton John's piano. | 0:22:20 | 0:22:25 | |
He moves on to the Spice Girls-inspired ginger panna cotta. | 0:22:25 | 0:22:30 | |
I'm just making the famous Union Jack dress to go round the outside now. | 0:22:30 | 0:22:33 | |
White chocolate truffle lights go on the zebra crossing. | 0:22:33 | 0:22:37 | |
He then finishes the grand piano with a tempered chocolate cover. | 0:22:37 | 0:22:41 | |
What's this? | 0:22:41 | 0:22:43 | |
This is my peach iced tea sorbet. | 0:22:43 | 0:22:45 | |
Boy band style. Yeah. | 0:22:45 | 0:22:48 | |
This is the one I most dread. | 0:22:48 | 0:22:50 | |
Does it play a tune, as well? | 0:22:50 | 0:22:52 | |
I will sing for you. Oh, fantastic! | 0:22:52 | 0:22:55 | |
Finally, he adds a ginger sugar twirl | 0:22:56 | 0:22:59 | |
to his Spice Girls panna cotta. | 0:22:59 | 0:23:01 | |
That's cool. Mind carrying one for me? | 0:23:01 | 0:23:04 | |
Yeah, no problem. | 0:23:04 | 0:23:05 | |
I must admit, Chris, it does make me smile. | 0:23:05 | 0:23:08 | |
What do you think, guys? It looks great. | 0:23:08 | 0:23:10 | |
It looks great. Confident, Chris? | 0:23:10 | 0:23:12 | |
Hopefully. I want that ten. Let's go and try. | 0:23:12 | 0:23:15 | |
If you were to serve this, is it for | 0:23:18 | 0:23:20 | |
one or two people? Just for one person. It's only... | 0:23:20 | 0:23:23 | |
Like a tasting dessert. | 0:23:23 | 0:23:24 | |
Are you happy with the flavour? Yeah, I think at first, | 0:23:24 | 0:23:27 | |
you get the peach flavour, you get the Earl Grey come out afterwards. | 0:23:27 | 0:23:30 | |
Unfortunately, for me, it's a really good mix. | 0:23:31 | 0:23:34 | |
It's... It's balanced, isn't it? | 0:23:34 | 0:23:37 | |
And this is the ginger panna cotta? Yeah. | 0:23:37 | 0:23:41 | |
I can't taste any sugar. | 0:23:41 | 0:23:42 | |
No. | 0:23:42 | 0:23:44 | |
Can't taste that much ginger, either. | 0:23:44 | 0:23:47 | |
So, this is the chocolate drums. | 0:23:47 | 0:23:49 | |
The balance of the popcorn and the nuts, do you think they work well? | 0:23:49 | 0:23:52 | |
I think the popcorn lightens it a bit, cos it's fluffed it up a bit. | 0:23:52 | 0:23:56 | |
Popcorn comes through, doesn't it? | 0:23:56 | 0:23:57 | |
You know, when you think about how rich the chocolate is... | 0:23:57 | 0:24:00 | |
The piano. Yeah. | 0:24:00 | 0:24:02 | |
The cheesecake, I'd like to have it a bit more crunchy. | 0:24:02 | 0:24:05 | |
We haven't finished. We've got the edible... Edible... | 0:24:05 | 0:24:08 | |
There you've got the lights. Cheers. Cheers. | 0:24:08 | 0:24:11 | |
Can't quite taste that coffee, can you, in there? | 0:24:14 | 0:24:17 | |
If you were to score yourself out of ten, what would it be? | 0:24:17 | 0:24:21 | |
I'm going to say... | 0:24:21 | 0:24:22 | |
nine. | 0:24:22 | 0:24:24 | |
You wanted ten for the dish. | 0:24:24 | 0:24:25 | |
Where's that extra point gone? | 0:24:25 | 0:24:27 | |
You're going to give that to me, cos I'm a modest man. | 0:24:27 | 0:24:30 | |
Hey, Chris. Hi, guys. | 0:24:32 | 0:24:33 | |
How are you doing? Good. Well done. How was that? | 0:24:33 | 0:24:36 | |
It was good. I got Lisa to smile. | 0:24:36 | 0:24:38 | |
Wow! Did you like the dish? | 0:24:38 | 0:24:41 | |
Yeah, I enjoyed it. Do you think I'm going to pull it out the bag? | 0:24:41 | 0:24:44 | |
I was here last year, and I was the one to miss out, | 0:24:46 | 0:24:48 | |
and it wasn't great when I left here. | 0:24:48 | 0:24:51 | |
Hopefully, I've done enough to stay. | 0:24:51 | 0:24:53 | |
Hello, chefs. ALL: Hi. | 0:25:01 | 0:25:03 | |
A long week. Yeah, very long week. | 0:25:03 | 0:25:05 | |
Chris, I'm going to start with your dish, Showtime. | 0:25:06 | 0:25:09 | |
I'm amazed at what you produced in the time allocated. | 0:25:11 | 0:25:14 | |
Your peach and Earl Grey sorbet was very tasty. | 0:25:16 | 0:25:19 | |
And you've been very creative. | 0:25:21 | 0:25:22 | |
But... | 0:25:24 | 0:25:26 | |
..the portion was far too big. | 0:25:27 | 0:25:29 | |
The chocolate cake was too rich, | 0:25:30 | 0:25:32 | |
and the flavours didn't really work in the panna cotta for me. | 0:25:32 | 0:25:36 | |
Jude, for your dish, presentation was very pretty. | 0:25:38 | 0:25:41 | |
It was lovely and light to eat, | 0:25:42 | 0:25:44 | |
and I think the jelly was set just right. | 0:25:44 | 0:25:47 | |
But... | 0:25:49 | 0:25:51 | |
..there was too much mint, and it overpowered in the macaroon. | 0:25:52 | 0:25:56 | |
I didn't get the white chocolate. | 0:25:56 | 0:25:58 | |
And the strawberry jelly didn't quite have an impact, for me. | 0:25:59 | 0:26:04 | |
It needed more strawberry flavour. | 0:26:04 | 0:26:06 | |
Josh, your dish. | 0:26:07 | 0:26:09 | |
This was fun, original, and a very exciting idea. | 0:26:11 | 0:26:14 | |
I can really see it making an impact at a banquet, | 0:26:17 | 0:26:20 | |
everyone queueing up for an ice cream. | 0:26:20 | 0:26:22 | |
The carrot cake was tasty, | 0:26:24 | 0:26:26 | |
and I really did enjoy the bursts of fruit, | 0:26:26 | 0:26:29 | |
the frozen fruit that you put on there. | 0:26:29 | 0:26:31 | |
But... | 0:26:32 | 0:26:33 | |
..for me, I felt the ice cream was a bit too sweet. | 0:26:34 | 0:26:37 | |
It needed more balance. | 0:26:37 | 0:26:39 | |
The cones were a little inconsistent. | 0:26:41 | 0:26:43 | |
Mine was burnt. | 0:26:45 | 0:26:46 | |
So, to the scores. | 0:26:48 | 0:26:50 | |
With a score of eight, giving them the highest score across the week... | 0:26:51 | 0:26:56 | |
is... | 0:26:56 | 0:26:58 | |
..Josh. Thank you. | 0:26:59 | 0:27:01 | |
How do you feel? | 0:27:01 | 0:27:03 | |
I feel relieved. | 0:27:03 | 0:27:04 | |
So, there's two chefs left. | 0:27:06 | 0:27:08 | |
But only one can go through to the judges. | 0:27:08 | 0:27:11 | |
Jude, going into dessert, you were two points ahead of Chris. | 0:27:13 | 0:27:17 | |
Chris, for your dish, I'm giving you... | 0:27:19 | 0:27:23 | |
..a six. | 0:27:25 | 0:27:26 | |
Jude, for your dish, I'm giving you... | 0:27:29 | 0:27:32 | |
..an eight. | 0:27:35 | 0:27:37 | |
So, Jude, you're going through to cook for the judges tomorrow. | 0:27:38 | 0:27:41 | |
How do you feel? Really excited. | 0:27:41 | 0:27:43 | |
And I can't quite believe it. | 0:27:43 | 0:27:45 | |
So, Chris, I'm really sorry. | 0:27:45 | 0:27:48 | |
It's phenomenal how you put so much effort into your dishes. | 0:27:48 | 0:27:53 | |
Jude and Josh, good luck for tomorrow, I wish you both the best. | 0:27:53 | 0:27:57 | |
Thank you. Thank you. Thank you, Chef. | 0:27:57 | 0:27:59 | |
Well done, guys. Well done, Chris. Well done, guys. | 0:28:01 | 0:28:04 | |
It's been a great week cooking with you, and it's a shame... | 0:28:04 | 0:28:07 | |
It's cool. We had a fun week, though. | 0:28:07 | 0:28:10 | |
Obviously, I'm disappointed not to be cooking for the judges, | 0:28:10 | 0:28:13 | |
but the two guys did a really good job. | 0:28:13 | 0:28:15 | |
Chris has been brilliant all week, | 0:28:15 | 0:28:17 | |
and he's put his heart and soul into his plates, | 0:28:17 | 0:28:20 | |
so to get through, get past Chris, it's a great feeling. | 0:28:20 | 0:28:24 | |
Big day tomorrow. I can't even think about tomorrow. | 0:28:24 | 0:28:26 | |
Yeah. Tomorrow's going to be a tough day. Yeah. | 0:28:26 | 0:28:30 | |
Yeah, really happy, through to the judges, | 0:28:30 | 0:28:32 | |
I didn't want to be going home on Thursday, so yeah, I'm delighted. | 0:28:32 | 0:28:36 |