Browse content similar to London and South East Dessert. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This year on Great British Menu, | 0:00:02 | 0:00:06 | |
24 of the country's top chefs... | 0:00:06 | 0:00:09 | |
This is it, I'm just going to go for it. | 0:00:09 | 0:00:11 | |
..are competing to cook at a glorious Taste Of Summer banquet... | 0:00:11 | 0:00:15 | |
-Everything's got to be perfect. -I'm going to flip out! | 0:00:15 | 0:00:17 | |
..celebrating 140 years of the iconic Wimbledon Championships, | 0:00:17 | 0:00:23 | |
the oldest and most prestigious tennis tournament in the world. | 0:00:23 | 0:00:27 | |
This week, battling to represent London and the South East | 0:00:29 | 0:00:32 | |
in the national finals are three newcomers to the competition. | 0:00:32 | 0:00:36 | |
-That's brave! -Brave or stupid? | 0:00:36 | 0:00:38 | |
Selin Kiazim, whose Turkish-Cypriot-inspired main course | 0:00:38 | 0:00:41 | |
kept her at the top of the scoreboard... | 0:00:41 | 0:00:44 | |
That's impressive. Is that just for one? | 0:00:44 | 0:00:46 | |
Yeah, this is just your portion! | 0:00:46 | 0:00:48 | |
..Tom Kemble, whose outstanding main course | 0:00:48 | 0:00:51 | |
put him in joint first place... | 0:00:51 | 0:00:53 | |
I thought it was a lovely plate of food. | 0:00:53 | 0:00:55 | |
I thought you cooked that lamb beautifully. | 0:00:55 | 0:00:57 | |
Nine. | 0:00:57 | 0:00:58 | |
..and Mike Reid, whose risky techniques... | 0:00:58 | 0:01:01 | |
Pat Cash, baby! | 0:01:01 | 0:01:02 | |
..saw him slip narrowly into third. | 0:01:02 | 0:01:04 | |
I didn't think that Wagyu beef had the barbecue flavour to it. | 0:01:04 | 0:01:08 | |
Today, it's the dessert course, and the chefs' last chance to impress... | 0:01:09 | 0:01:15 | |
Nerves getting to you? | 0:01:15 | 0:01:17 | |
..but with only two going through to the judges' chamber, | 0:01:17 | 0:01:20 | |
and just one point in it, who will be going home today? | 0:01:20 | 0:01:25 | |
I'm just going to do one more, | 0:01:25 | 0:01:26 | |
otherwise the whole dish is going to collapse. | 0:01:26 | 0:01:28 | |
To get to Friday's regional final, | 0:01:39 | 0:01:42 | |
the chefs must create outstanding dishes | 0:01:42 | 0:01:44 | |
that celebrate a taste of summer, | 0:01:44 | 0:01:46 | |
and pay tribute to 140 years of the Wimbledon Championships. | 0:01:46 | 0:01:51 | |
With three courses down, | 0:01:52 | 0:01:54 | |
Mike is just behind in third, with 22 points. | 0:01:54 | 0:01:57 | |
Obviously, to be in front is a better place to be, | 0:01:57 | 0:02:01 | |
but it's one point, it's nothing. If I nail my dish, | 0:02:01 | 0:02:04 | |
then I reckon I'll be going through tomorrow to the judges. | 0:02:04 | 0:02:07 | |
His competitors, Tom and Selin, | 0:02:07 | 0:02:10 | |
are both in first place on 23 points. | 0:02:10 | 0:02:13 | |
-So, dessert course. -I'm really excited to get going. | 0:02:13 | 0:02:16 | |
It's so close between us all, so I'm hoping for a good score. | 0:02:16 | 0:02:19 | |
You must be feeling good, though, with your nine. | 0:02:20 | 0:02:22 | |
I feel good, but I need to deliver on this. | 0:02:22 | 0:02:24 | |
I mean, no-one can really relax today, someone's going home. | 0:02:24 | 0:02:26 | |
I'm hoping it's not me. | 0:02:26 | 0:02:28 | |
See what happens when he gets a nine? | 0:02:28 | 0:02:30 | |
Judging this week is Michelin-starred chef | 0:02:33 | 0:02:36 | |
and six-time veteran, Angela Hartnett. | 0:02:36 | 0:02:39 | |
Morning, Chefs. Are you all right? | 0:02:40 | 0:02:42 | |
-Yeah. -Yeah, not too bad. | 0:02:42 | 0:02:44 | |
Feeling ready for desserts? | 0:02:44 | 0:02:45 | |
Yeah, very excited for desserts. | 0:02:45 | 0:02:47 | |
OK, well, someone has to go home, unfortunately. | 0:02:47 | 0:02:51 | |
Let's see some brilliant cooking. | 0:02:51 | 0:02:53 | |
Good luck. | 0:02:53 | 0:02:54 | |
The dessert needs to be absolutely a show-stopper. | 0:02:59 | 0:03:02 | |
I would like to give a ten, but a ten basically says it's perfect, | 0:03:02 | 0:03:05 | |
and I'm afraid none of their dishes so far have been perfect. | 0:03:05 | 0:03:08 | |
In joint first place, Tom earned an impressive nine for his main, | 0:03:11 | 0:03:14 | |
only dropping a point for failing to hit the brief. | 0:03:14 | 0:03:18 | |
Today, he's hoping to go one better, | 0:03:18 | 0:03:20 | |
with his delicate dessert From The Hedgerows. | 0:03:20 | 0:03:23 | |
Hey, Tom. Feeling confident going into this round? | 0:03:24 | 0:03:26 | |
I am. I really believe in this dessert. | 0:03:26 | 0:03:28 | |
How does it connect to the brief? | 0:03:28 | 0:03:30 | |
Well, this dish is all based from my childhood memories of summer. | 0:03:30 | 0:03:33 | |
I used to pick fresh berries from the hedgerows. | 0:03:33 | 0:03:35 | |
So tell me what the dish is. | 0:03:35 | 0:03:36 | |
So it's going to be stacked up in various layers. | 0:03:36 | 0:03:38 | |
There'll be a little bit of fresh raspberry, a little bit of sorbet, | 0:03:38 | 0:03:41 | |
another layer of tuile. | 0:03:41 | 0:03:43 | |
I want to make a vanilla cream, a creme diplomat. | 0:03:43 | 0:03:45 | |
OK. And what are you doing with this elderflower? | 0:03:45 | 0:03:47 | |
So this is home-made elderflower cordial, | 0:03:47 | 0:03:49 | |
and I want to be using that as a base for my sorbet. | 0:03:49 | 0:03:54 | |
Oh, smells delicious. | 0:03:54 | 0:03:55 | |
-And I'm using a sourdough to make a tuile. -Oh, right, OK. | 0:03:55 | 0:03:59 | |
Dusting over the tuiles, freeze-dried raspberry power, | 0:03:59 | 0:04:01 | |
which will add a really nice element of acidity to it. | 0:04:01 | 0:04:03 | |
With dessert, for me, I hate over-sweet things. | 0:04:03 | 0:04:06 | |
Oh, well, that works for me. I don't have a sweet tooth. | 0:04:06 | 0:04:09 | |
I think you'll like this dessert. | 0:04:09 | 0:04:10 | |
So anything you're worried about | 0:04:10 | 0:04:12 | |
that you think could trip you up in this round? | 0:04:12 | 0:04:14 | |
The temperature of the kitchen, | 0:04:14 | 0:04:15 | |
and getting everything stacked up without, kind of, collapsing, | 0:04:15 | 0:04:18 | |
would be great. | 0:04:18 | 0:04:19 | |
I love the sound of Tom's dessert - | 0:04:21 | 0:04:23 | |
but Tom's weakness is hitting that brief each time, | 0:04:23 | 0:04:26 | |
and making it banquet-worthy. | 0:04:26 | 0:04:27 | |
Mind your back, please, Mike. | 0:04:30 | 0:04:32 | |
Also in first is Selin, | 0:04:32 | 0:04:34 | |
who's been criticised by Angela for serving too many elements. | 0:04:34 | 0:04:38 | |
Today, she's doing a more restrained dish - | 0:04:38 | 0:04:40 | |
her homage to Wimbledon's greatest women players, | 0:04:40 | 0:04:44 | |
Ladies Dressed In White. | 0:04:44 | 0:04:46 | |
OK, Selin, what's your dessert? | 0:04:46 | 0:04:48 | |
I'm going to be doing a dessert which encompasses the flavours | 0:04:48 | 0:04:51 | |
of strawberries and cream. | 0:04:51 | 0:04:52 | |
-OK. -My version is a little bit different, though. | 0:04:52 | 0:04:56 | |
So, what is it, in a nutshell? | 0:04:56 | 0:04:57 | |
So it's going to be an orange blossom and yoghurt parfait... | 0:04:57 | 0:05:00 | |
-Yeah. -..with a strawberry sorbet, a pistachio cream, | 0:05:00 | 0:05:03 | |
with meringue shards. | 0:05:03 | 0:05:05 | |
And I've also got this pastry here. | 0:05:05 | 0:05:07 | |
-So this is what we call kadayif. -Kadayif. -Yeah. | 0:05:07 | 0:05:11 | |
So I'm going to make a vanilla cream cheese | 0:05:11 | 0:05:14 | |
and use some of the marinated strawberry to go inside of it, | 0:05:14 | 0:05:17 | |
and then wrap it in the pastry, and deep fry it. | 0:05:17 | 0:05:21 | |
Sounds good. You've got less on this dish | 0:05:21 | 0:05:23 | |
-than any of your previous dishes. -I do! | 0:05:23 | 0:05:25 | |
Anything you're worried about, nervous? | 0:05:27 | 0:05:29 | |
I guess just getting the parfait set on time, | 0:05:29 | 0:05:32 | |
and obviously making sure that the sorbet's nice and set as well. | 0:05:32 | 0:05:34 | |
So, yeah, timings. | 0:05:34 | 0:05:37 | |
She's got to make sure that parfait is set correctly. | 0:05:39 | 0:05:41 | |
She doesn't want it rock-solid, | 0:05:41 | 0:05:43 | |
she wants it unctuous enough that you can cut it with a spoon. | 0:05:43 | 0:05:45 | |
I just hope she can pull it off. | 0:05:45 | 0:05:47 | |
In third place, just one point behind Tom and Selin, is Mike, | 0:05:50 | 0:05:55 | |
who is hoping to score highly with his dessert, Wimbledon Whites, | 0:05:55 | 0:05:59 | |
inspired by the players' dress code and flavours of the Caribbean. | 0:05:59 | 0:06:03 | |
-Hi, Mike, are you OK? -Feeling good, feeling good. | 0:06:05 | 0:06:07 | |
So, why Wimbledon Whites? | 0:06:07 | 0:06:09 | |
Wimbledon's the only championship now | 0:06:09 | 0:06:11 | |
where the players still have to wear white. | 0:06:11 | 0:06:13 | |
So everything on the dish that's going to be visible | 0:06:13 | 0:06:16 | |
-will be white. -So, tell me, what's involved? | 0:06:16 | 0:06:18 | |
I've got a white chocolate and elderflower mousse, a coconut sago, | 0:06:18 | 0:06:23 | |
a smoked mango puree, and then I've got some yoghurt here. | 0:06:23 | 0:06:27 | |
-Yeah. -I'm going to make a yoghurt sponge, as well. | 0:06:27 | 0:06:29 | |
OK. And this is? | 0:06:29 | 0:06:30 | |
-So this is yuzu. -Yuzu? Oh, Japanese... | 0:06:30 | 0:06:33 | |
Exactly, like a Japanese lemon. | 0:06:33 | 0:06:35 | |
I'm going to turn it into a gel, to give a bit of tartness. | 0:06:35 | 0:06:38 | |
OK. Obviously, Selin's got her whites. | 0:06:38 | 0:06:40 | |
A bit of a competition, just in you two, you know. | 0:06:40 | 0:06:43 | |
-Yeah. -I'm just hoping that my one is better! | 0:06:43 | 0:06:45 | |
Any hiccups, anything you're worried about, that you think, "Oh?" | 0:06:48 | 0:06:52 | |
There's a lot to get done. | 0:06:52 | 0:06:53 | |
I've just got to make sure I perfect everything, | 0:06:53 | 0:06:55 | |
and then I'm sure I'll make it through to tomorrow's final. | 0:06:55 | 0:06:58 | |
Mike's quite ambitious with his dessert. | 0:07:00 | 0:07:01 | |
If he pulls that one off, it could beat the other two - | 0:07:01 | 0:07:04 | |
but there's lots going on. | 0:07:04 | 0:07:06 | |
He needs to make sure he nails every element of it. | 0:07:06 | 0:07:08 | |
Behind you, please, Chef. | 0:07:11 | 0:07:15 | |
There's a lot of pressure on this course. | 0:07:15 | 0:07:17 | |
Yeah, I mean, even getting a good score in the meat course, | 0:07:17 | 0:07:19 | |
I still feel, you know, vulnerable. | 0:07:19 | 0:07:21 | |
Desserts can be so temperamental, | 0:07:21 | 0:07:23 | |
anything can go wrong, | 0:07:23 | 0:07:24 | |
it's all about temperatures and being absolutely precise. | 0:07:24 | 0:07:27 | |
Tom's working on his technical dish From The Hedgerows. | 0:07:29 | 0:07:33 | |
He is creating a delicately stacked tuile, | 0:07:33 | 0:07:35 | |
raspberry and elderflower dessert - | 0:07:35 | 0:07:38 | |
but, to support the layers, | 0:07:38 | 0:07:39 | |
each component must be set at just the right consistency. | 0:07:39 | 0:07:43 | |
I just feel really focused, I want to knock out this dish and, yeah, | 0:07:43 | 0:07:46 | |
try to stay in the competition. | 0:07:46 | 0:07:47 | |
He begins by stiffening a vanilla-infused milk | 0:07:47 | 0:07:50 | |
for his creme diplomat, | 0:07:50 | 0:07:52 | |
which will be used as a base for his sourdough tuile. | 0:07:52 | 0:07:55 | |
After leaving to set, he moves on to his elderflower sorbet, | 0:07:55 | 0:07:59 | |
but he's worried about the heat from Mike's barbecue. | 0:07:59 | 0:08:02 | |
-Are you going to smoke out the whole kitchen? -Yeah, absolutely, Tom. | 0:08:02 | 0:08:05 | |
-Excellent. -I'm going to try and melt your parfait and ice creams! | 0:08:05 | 0:08:09 | |
Selin has two key elements she needs to set for her dish, | 0:08:12 | 0:08:16 | |
Ladies Dressed In White, a yoghurt parfait and a strawberry sorbet. | 0:08:16 | 0:08:21 | |
So I decided to go with raspberries, | 0:08:21 | 0:08:23 | |
cos I didn't want to do the obvious thing of using strawberries, Selin. | 0:08:23 | 0:08:26 | |
Do you think you're going to get marked down for an obvious choice? | 0:08:26 | 0:08:29 | |
No, not at all. I think there is no way that you can be celebrating | 0:08:29 | 0:08:33 | |
140 years of Wimbledon without strawberries and cream. | 0:08:33 | 0:08:36 | |
She starts by making her semi-frozen yoghurt parfait, | 0:08:37 | 0:08:41 | |
which she's flavouring with orange blossom | 0:08:41 | 0:08:43 | |
to capture the taste of summer. | 0:08:43 | 0:08:45 | |
That's really intense. Someone will be going home at the end of today, | 0:08:45 | 0:08:49 | |
and I really don't want it to be me. | 0:08:49 | 0:08:51 | |
So, you know, I'm feeling pretty anxious about that. | 0:08:51 | 0:08:53 | |
Mike is working on his tribute to the Wimbledon dress code, | 0:08:58 | 0:09:01 | |
Wimbledon Whites, inspired by the tastes of the Caribbean. | 0:09:01 | 0:09:05 | |
He begins by slow-smoking mangoes to intensify their flavour. | 0:09:06 | 0:09:11 | |
So, Mike, we're both going for the white theme, here, | 0:09:11 | 0:09:13 | |
with our desserts. | 0:09:13 | 0:09:14 | |
Yeah - I think they're both very different. | 0:09:14 | 0:09:17 | |
I'm very confident that my dish will be the standout one. | 0:09:17 | 0:09:20 | |
Mangoes aren't very Wimbledon! | 0:09:20 | 0:09:22 | |
Yeah, but they're very summer. | 0:09:22 | 0:09:24 | |
Next, he starts on the first white element of his dish, | 0:09:25 | 0:09:28 | |
his tropical twist on a traditional rice pudding, | 0:09:28 | 0:09:32 | |
made with sago pearls and lemon grass. | 0:09:32 | 0:09:35 | |
What have we got here? | 0:09:35 | 0:09:37 | |
So this is the coconut sago element of my dish. | 0:09:37 | 0:09:39 | |
-You would have had that as a school dinner? -Absolutely, absolutely. | 0:09:43 | 0:09:46 | |
Good old rice pudding, but done with sago. | 0:09:46 | 0:09:48 | |
But that, trust me, tastes a lot better! | 0:09:48 | 0:09:51 | |
It's sweet, but it's not too sweet, | 0:09:51 | 0:09:52 | |
so by the time I add the white chocolate, | 0:09:52 | 0:09:54 | |
which is obviously my other sweet element, | 0:09:54 | 0:09:56 | |
all the other flavours should bring it into nice balance. | 0:09:56 | 0:09:58 | |
-Good luck. -Cheers. | 0:09:58 | 0:10:00 | |
Mike's dish is inspired by the all-white Wimbledon dress code, | 0:10:02 | 0:10:05 | |
which the modern players must observe - | 0:10:05 | 0:10:08 | |
but throughout the tournament's history, | 0:10:08 | 0:10:10 | |
both the outfits and the rules have changed. | 0:10:10 | 0:10:12 | |
Hi, Mike. Really nice to meet you. | 0:10:12 | 0:10:15 | |
-Nice to meet you, as well. -Welcome to Wimbledon. | 0:10:15 | 0:10:17 | |
To find out more, Mike's come to meet Anna Renton, | 0:10:17 | 0:10:20 | |
curator of the Wimbledon Museum. | 0:10:20 | 0:10:22 | |
I wanted to start off by showing you the origins | 0:10:22 | 0:10:25 | |
-of lawn tennis costume for women. -Wow. | 0:10:25 | 0:10:27 | |
Did they actually wear that to play tennis? | 0:10:27 | 0:10:30 | |
They actually did. | 0:10:30 | 0:10:31 | |
Lawn tennis came about | 0:10:31 | 0:10:33 | |
as an extension of the Victorian garden party, | 0:10:33 | 0:10:36 | |
so women played in dresses, | 0:10:36 | 0:10:38 | |
complete with corsets and petticoats. | 0:10:38 | 0:10:41 | |
We've got here just some weights. | 0:10:41 | 0:10:43 | |
The left is what a male tennis player was wearing in 1881, | 0:10:43 | 0:10:46 | |
and that's 2.4 kilos - | 0:10:46 | 0:10:48 | |
and then, on the right-hand side... | 0:10:48 | 0:10:49 | |
HE LAUGHS | 0:10:49 | 0:10:51 | |
..a lady would be wearing 4.9 kilos. | 0:10:51 | 0:10:53 | |
Wow. That's considerably heavier. | 0:10:53 | 0:10:56 | |
How did they play with all of that weight? | 0:10:56 | 0:10:58 | |
It was really quite a challenge - | 0:10:58 | 0:11:00 | |
and that's kind of where the white clothing thing comes in, | 0:11:00 | 0:11:03 | |
because the idea of being seen to perspire was not seen as ladylike. | 0:11:03 | 0:11:07 | |
-Not very ladylike. -No, not at all. -How dare they sweat? | 0:11:07 | 0:11:11 | |
Absolutely. | 0:11:11 | 0:11:13 | |
In Victorian times, male tennis players also dressed formally, | 0:11:13 | 0:11:17 | |
but throughout the tournament's history, | 0:11:17 | 0:11:19 | |
the clothing has changed dramatically. | 0:11:19 | 0:11:21 | |
So, this is a blanket coat. | 0:11:21 | 0:11:25 | |
-Would you like to try it on? -I'd love to! | 0:11:25 | 0:11:27 | |
-OK. -It looks huge. | 0:11:27 | 0:11:28 | |
It was said to kind of give the players a bit of an advantage | 0:11:30 | 0:11:32 | |
so that they didn't cool down. | 0:11:32 | 0:11:34 | |
What you're wearing there wasn't very controversial - | 0:11:34 | 0:11:37 | |
but by the 1930s, | 0:11:37 | 0:11:39 | |
some men's clothing was becoming a bit more controversial. | 0:11:39 | 0:11:43 | |
I'll show you in here - we've got a pair of shorts. | 0:11:43 | 0:11:47 | |
Oh! | 0:11:47 | 0:11:49 | |
So the first man to wear shorts on Centre Court was Bunny Austin. | 0:11:49 | 0:11:53 | |
These kicked up a storm? | 0:11:53 | 0:11:55 | |
They really did. | 0:11:55 | 0:11:57 | |
Wow. | 0:11:57 | 0:11:58 | |
Over the years, more and more colour began to creep in to tennis outfits, | 0:11:59 | 0:12:04 | |
and, in 1963, Wimbledon introduced their first written rule | 0:12:04 | 0:12:08 | |
stating all clothing had to be predominantly white. | 0:12:08 | 0:12:12 | |
This is Djokovic's kit from the 2015 final. | 0:12:12 | 0:12:17 | |
And you can see here there is some colour trim allowed. | 0:12:17 | 0:12:20 | |
I love the fact you can have a little bit of colour. | 0:12:20 | 0:12:22 | |
It's actually something I could bring to my dish. | 0:12:22 | 0:12:25 | |
Thank you so much for this. | 0:12:25 | 0:12:26 | |
-It's been incredible. -You're welcome. | 0:12:26 | 0:12:28 | |
It's been a real pleasure showing you around. | 0:12:28 | 0:12:30 | |
Thank you. So, this coat's mine to keep now, yeah? | 0:12:30 | 0:12:33 | |
I'm afraid I'm going to have to ask for it back! | 0:12:33 | 0:12:36 | |
Back in the kitchen, Tom's working on the elderflower sorbet | 0:12:40 | 0:12:44 | |
which he'll use to support the sourdough tuiles | 0:12:44 | 0:12:46 | |
for the layers in his dessert. | 0:12:46 | 0:12:49 | |
So what are you doing there, Tom? | 0:12:49 | 0:12:51 | |
I'm just doing some quenelles of my sorbet already, | 0:12:51 | 0:12:53 | |
it's going to hold them in the freezer, just in case. | 0:12:53 | 0:12:56 | |
I do not want to get affected by the heat in this kitchen. | 0:12:56 | 0:12:59 | |
Next he checks on his delicate tuiles... | 0:13:03 | 0:13:06 | |
It hasn't worked out. | 0:13:06 | 0:13:07 | |
..but, in the heat of the oven, | 0:13:07 | 0:13:09 | |
the wafers have cracked. | 0:13:09 | 0:13:11 | |
I just saw you bring out the tuile. | 0:13:11 | 0:13:13 | |
It had holes in it. Is that how it's supposed to be, Tom? | 0:13:13 | 0:13:15 | |
Um, yeah, but I want to make sure I've got nice pieces | 0:13:15 | 0:13:19 | |
for the dish, as well, so I'm just going to do one more. | 0:13:19 | 0:13:22 | |
I want a few holes, but I don't want too many holes, | 0:13:22 | 0:13:24 | |
otherwise the whole dish is going to collapse. | 0:13:24 | 0:13:26 | |
With time running out, | 0:13:31 | 0:13:32 | |
Selin's still working on the centrepiece of her dessert, | 0:13:32 | 0:13:36 | |
her orange blossom yoghurt parfaits, | 0:13:36 | 0:13:38 | |
which she coats in toasted pistachio nuts | 0:13:38 | 0:13:41 | |
before returning to the freezer. | 0:13:41 | 0:13:42 | |
Next she turns to the riskiest element of her dish, the kadayif, | 0:13:44 | 0:13:48 | |
a deep-fried Turkish pastry with a frozen cream cheese centre. | 0:13:48 | 0:13:53 | |
OK, Selin, how are you getting on? | 0:13:53 | 0:13:54 | |
-I'm up against it. -OK. | 0:13:54 | 0:13:56 | |
What are these? These are the little ones... | 0:13:56 | 0:13:58 | |
So this is the vanilla cream cheese, | 0:13:58 | 0:14:00 | |
so I'm going to put a little compressed strawberry in there, | 0:14:00 | 0:14:03 | |
which has some syrup going through it. | 0:14:03 | 0:14:05 | |
I'm going to chill them down as much as I can, | 0:14:05 | 0:14:07 | |
and then wrap them in the kadayif pastry. | 0:14:07 | 0:14:10 | |
So you really need these to set? | 0:14:10 | 0:14:12 | |
-Yes. -Good. All right. I'll let you get on. | 0:14:12 | 0:14:14 | |
Thank you very much. | 0:14:14 | 0:14:16 | |
It's cheese filling for a pastry. | 0:14:16 | 0:14:18 | |
She needs to make sure it's set and sealed, | 0:14:18 | 0:14:20 | |
cos when she deep-fries it, if it's not, it's going to disintegrate. | 0:14:20 | 0:14:23 | |
Across the kitchen, Mike's moved on to his milk crumb, | 0:14:26 | 0:14:30 | |
which he'll use as a topping for his all-white dish. | 0:14:30 | 0:14:33 | |
Nerves getting to you? | 0:14:36 | 0:14:37 | |
I'm moving at such a fast pace. | 0:14:39 | 0:14:41 | |
I've got a lot of elements to get done, so accidents happen. | 0:14:41 | 0:14:44 | |
He begins by combining milk powder, butter and sugar, | 0:14:47 | 0:14:52 | |
then bakes in the oven | 0:14:52 | 0:14:53 | |
before mixing with melted white chocolate. | 0:14:53 | 0:14:56 | |
Next he turns to his yoghurt sponge, | 0:14:57 | 0:15:00 | |
which he's cooking using an unconventional method - | 0:15:00 | 0:15:03 | |
with a plastic cup. | 0:15:03 | 0:15:05 | |
Why are you piercing them? | 0:15:05 | 0:15:06 | |
-It's cos I'm cooking it in the microwave. -How long does that take? | 0:15:06 | 0:15:09 | |
-Pretty quick, no? -About 30 seconds. | 0:15:09 | 0:15:11 | |
Yeah. Nothing wrong with a normal sponge, then? | 0:15:11 | 0:15:14 | |
You know me, Tom, I like to push myself. | 0:15:14 | 0:15:17 | |
Pushing yourself by making a sponge in 30 seconds? | 0:15:17 | 0:15:20 | |
Yeah! | 0:15:20 | 0:15:22 | |
Selin is first to plate up her dish, Ladies Dressed In White, | 0:15:22 | 0:15:26 | |
a homage to Wimbledon's female champions. | 0:15:26 | 0:15:29 | |
She starts by pouring her strawberry gel into bottles | 0:15:29 | 0:15:32 | |
before topping with champagne, and corking. | 0:15:32 | 0:15:35 | |
It's definitely a little bit of a struggle using this. | 0:15:35 | 0:15:38 | |
-Do you need a hand? -No, all good. | 0:15:38 | 0:15:41 | |
She adds a personalised note, | 0:15:42 | 0:15:44 | |
then moves on to her frozen strawberry and cream cheese spheres, | 0:15:44 | 0:15:48 | |
which she covers in kadayif pastry. | 0:15:48 | 0:15:50 | |
OK, Selin, on time? | 0:15:50 | 0:15:52 | |
Erm...I hope so. | 0:15:52 | 0:15:54 | |
She deep-fries the balls, hoping the filling stays set... | 0:15:55 | 0:15:58 | |
..and dusts with icing sugar. | 0:16:01 | 0:16:02 | |
She plates her orange blossom parfait then adds pistachio cream, | 0:16:04 | 0:16:08 | |
a quenelle of strawberry sorbet and compressed strawberries. | 0:16:08 | 0:16:13 | |
-Are you nearly there? -Yep. | 0:16:13 | 0:16:15 | |
-Nearly there, I just need to... -You're quite late, yeah? | 0:16:15 | 0:16:17 | |
Sorry. | 0:16:17 | 0:16:19 | |
To reflect the name of the dish, | 0:16:20 | 0:16:23 | |
Selin finishes with white meringue shards. | 0:16:23 | 0:16:26 | |
OK. I'm ready. | 0:16:26 | 0:16:27 | |
Hi. | 0:16:31 | 0:16:32 | |
Right. A nice little note for me, there, I see. | 0:16:34 | 0:16:36 | |
"Dear Angela, in honour of the female Wimbledon greats, | 0:16:36 | 0:16:39 | |
"you are cordially invited to a dessert of strawberries and cream. | 0:16:39 | 0:16:43 | |
"Dress code - please wear white." | 0:16:43 | 0:16:46 | |
That's very cute. If you want to take the dessert, | 0:16:46 | 0:16:50 | |
and I'll take the booze. Right, enjoy, chaps. | 0:16:50 | 0:16:53 | |
Oh, nice little pop. | 0:17:01 | 0:17:02 | |
So this is a strawberry Bellini, is that right? | 0:17:02 | 0:17:04 | |
-Yeah. -OK. | 0:17:04 | 0:17:06 | |
-That's a really lovely touch. I like that. -Cheers. | 0:17:06 | 0:17:08 | |
-Yeah, that's nice. -You see, when I saw you making that, | 0:17:11 | 0:17:14 | |
I thought it was going to fall apart in the fryer. | 0:17:14 | 0:17:16 | |
Did you wet this pastry to roll it? | 0:17:16 | 0:17:18 | |
No. If it's a good pastry, it works. | 0:17:18 | 0:17:20 | |
-Well, we'll see if it's worked. -Yeah. | 0:17:20 | 0:17:23 | |
OK. | 0:17:23 | 0:17:24 | |
Mm. | 0:17:27 | 0:17:28 | |
Not for me. | 0:17:30 | 0:17:32 | |
It's such a kind of, um, lacy pastry, | 0:17:32 | 0:17:35 | |
that there's so much oil that just sits in there. | 0:17:35 | 0:17:37 | |
Yeah, I agree. | 0:17:37 | 0:17:39 | |
Wow. There is your summer on a plate. | 0:17:39 | 0:17:41 | |
You do get the orange flavour with that parfait. | 0:17:45 | 0:17:48 | |
I think if you put it in, it could kill the whole dessert, | 0:17:48 | 0:17:50 | |
but it's worked well with it. | 0:17:50 | 0:17:51 | |
Are you happy with the setting? | 0:17:51 | 0:17:53 | |
No, I think it's a little bit too hard-set. | 0:17:53 | 0:17:56 | |
Nice texture to it. If you taste the pistachio cream with the parfait, | 0:17:58 | 0:18:01 | |
I think you completely lose the parfait, | 0:18:01 | 0:18:03 | |
you just get that pistachio flavour kind of dominating. | 0:18:03 | 0:18:06 | |
So how would you score that? | 0:18:06 | 0:18:07 | |
I think I'd give myself a nine. | 0:18:09 | 0:18:11 | |
I don't think it's one of her strongest dishes. | 0:18:11 | 0:18:13 | |
I think it's a little bit style over substance. | 0:18:13 | 0:18:15 | |
-Hey, guys. -How was it? | 0:18:19 | 0:18:20 | |
I think the parfait, I should have taken out a little sooner | 0:18:20 | 0:18:22 | |
from the blast chiller, but I was happy with all the flavours. | 0:18:22 | 0:18:25 | |
I thought the flavours were great. | 0:18:25 | 0:18:26 | |
-I didn't think it needed the kadayif pastry. -OK. | 0:18:26 | 0:18:28 | |
I think it was a really good plate of food. | 0:18:28 | 0:18:30 | |
Thank you very much. | 0:18:30 | 0:18:32 | |
Tom is next to plate up his summer-themed layered dessert | 0:18:32 | 0:18:36 | |
From The Hedgerows. He starts his stack with raspberry foam. | 0:18:36 | 0:18:40 | |
He adds fresh raspberries | 0:18:40 | 0:18:42 | |
before topping with a quenelle of elderflower sorbet. | 0:18:42 | 0:18:46 | |
Next, using a sourdough tuile, he creates a second tier, | 0:18:46 | 0:18:50 | |
which he tops with creme diplomat | 0:18:50 | 0:18:51 | |
and raspberries drizzled with balsamic vinegar. | 0:18:51 | 0:18:54 | |
Are you happy with those tuiles, Tom? | 0:18:54 | 0:18:56 | |
Yeah, I am. I wasn't feeling good about half an hour ago. | 0:18:56 | 0:18:59 | |
How many batches have you made? | 0:18:59 | 0:19:00 | |
Only three! | 0:19:00 | 0:19:02 | |
Finally, he places another tuile on top, | 0:19:03 | 0:19:06 | |
dusted with freeze-dried raspberry powder. | 0:19:06 | 0:19:09 | |
-Are you ready to come up to the pass, Tom? -Yes, I am, Angela. | 0:19:09 | 0:19:12 | |
-From The Hedgerows. -What do you think? | 0:19:17 | 0:19:20 | |
Nice and vibrant colours. | 0:19:20 | 0:19:21 | |
This one definitely smacks of summer. | 0:19:21 | 0:19:23 | |
So, what are you saying, his last ones didn't? | 0:19:23 | 0:19:24 | |
-Is that what...? -Oh, you said that, Angela, not me. | 0:19:24 | 0:19:27 | |
Right, you want to bring that through, Tom? | 0:19:28 | 0:19:30 | |
We'll take it to the chamber. | 0:19:30 | 0:19:32 | |
-It's holding well. -Some kind of glue in there, or something? -Yeah! | 0:19:40 | 0:19:44 | |
Is that the right flavour you wanted, | 0:19:49 | 0:19:51 | |
and the consistency you wanted in the sorbet? | 0:19:51 | 0:19:53 | |
Yeah. I'm really happy with it. The home-made kind of syrup, | 0:19:53 | 0:19:56 | |
it really gives a really vibrant elderflower flavour to the dish. | 0:19:56 | 0:19:59 | |
The elderflower sorbet is beautiful, quite a fragrant flavour to it. | 0:20:02 | 0:20:06 | |
The little sourdough tuiles? | 0:20:08 | 0:20:11 | |
-Happy with those? -I am. | 0:20:11 | 0:20:12 | |
They are kind of paper-thin, which is what I wanted. | 0:20:12 | 0:20:14 | |
It's really delicious. I'm loving the texture | 0:20:14 | 0:20:17 | |
that the sourdough tuile is bringing. | 0:20:17 | 0:20:20 | |
Creme diplomat. | 0:20:20 | 0:20:22 | |
With the vanilla through that. | 0:20:24 | 0:20:25 | |
You know, it is lovely. | 0:20:25 | 0:20:27 | |
Maybe a touch less creme diplomat, | 0:20:27 | 0:20:29 | |
so the sorbet flavour would come through a little better. | 0:20:29 | 0:20:31 | |
Maybe could have just dialled it down a touch, | 0:20:31 | 0:20:33 | |
but that's nit-picking, you know? | 0:20:33 | 0:20:35 | |
You're fine with the balance of sweetness to savoury? | 0:20:35 | 0:20:38 | |
I think it could do with a little bit more balsamic vinegar. | 0:20:38 | 0:20:41 | |
I love that aged balsamic, you know. It adds a really nice sharpness. | 0:20:41 | 0:20:44 | |
Yeah, I would have liked a little bit more of it. | 0:20:44 | 0:20:47 | |
What score would you give it? | 0:20:47 | 0:20:48 | |
So I'm going to score myself with a nine. | 0:20:48 | 0:20:51 | |
He's pulled one out the bag here. | 0:20:53 | 0:20:54 | |
Yeah, it's got me quite worried, actually. | 0:20:54 | 0:20:56 | |
-How did it go? -You never know, do you? | 0:21:01 | 0:21:03 | |
I thought it was really delicious, actually, Tom. | 0:21:03 | 0:21:05 | |
I think it's been your best course of the week. | 0:21:05 | 0:21:07 | |
-Really? -Yeah. -Great. | 0:21:07 | 0:21:09 | |
Mike is last to the pass with his dish, Wimbledon Whites, | 0:21:10 | 0:21:14 | |
inspired by the flavours of the Caribbean. | 0:21:14 | 0:21:16 | |
Any props with this one, Mike? | 0:21:16 | 0:21:18 | |
-Tennis court? -Andy Murray? | 0:21:18 | 0:21:19 | |
Tennis court, maybe! | 0:21:19 | 0:21:21 | |
I tried Andy, he wasn't available. | 0:21:21 | 0:21:23 | |
He begins with the coconut sago, | 0:21:24 | 0:21:26 | |
his tropical take on traditional rice pudding. | 0:21:26 | 0:21:29 | |
-What's going on the plate, Mike? -Smoked mango. | 0:21:29 | 0:21:32 | |
Ah, so you pureed it? That's all the barbecued mango, yeah? | 0:21:32 | 0:21:35 | |
Yeah, exactly. | 0:21:35 | 0:21:36 | |
He adds white chocolate and elderflower mousse. | 0:21:37 | 0:21:40 | |
Next, his unusually-cooked yoghurt sponge... | 0:21:42 | 0:21:45 | |
..followed by his buttermilk crumb. | 0:21:46 | 0:21:48 | |
-OK, Mike. -Yeah. | 0:21:50 | 0:21:51 | |
What's our little bit of grass here for? | 0:21:51 | 0:21:54 | |
Just to serve up on, Angela. Just to take you to Wimbledon, | 0:21:54 | 0:21:57 | |
so that the white dish really pops. | 0:21:57 | 0:21:59 | |
He tops with coconut powder and apple blossom | 0:21:59 | 0:22:03 | |
to create the all-white effect. | 0:22:03 | 0:22:06 | |
OK, are you ready? | 0:22:06 | 0:22:07 | |
-I forgot one element. -What are you putting on there, Mike? | 0:22:07 | 0:22:10 | |
Just the yuzu, which is really important. | 0:22:10 | 0:22:13 | |
It's like it never happened. | 0:22:15 | 0:22:16 | |
OK. | 0:22:20 | 0:22:21 | |
Wimbledon Whites. | 0:22:23 | 0:22:24 | |
-What do you think, Tom? -Yeah, it looks really impressive. | 0:22:24 | 0:22:27 | |
Really nice and clean. I love that look. | 0:22:27 | 0:22:29 | |
Right, let's go. | 0:22:29 | 0:22:30 | |
It certainly is white. | 0:22:39 | 0:22:41 | |
It's biscuity. What's the biscuity thing? | 0:22:47 | 0:22:49 | |
-That's the milk crumb. -Really? | 0:22:49 | 0:22:51 | |
Yeah, you know, it's a fancy way of making a crumble. | 0:22:51 | 0:22:54 | |
I wouldn't know it was made from milk. | 0:22:54 | 0:22:57 | |
I think maybe it's just got lost with everything. | 0:22:57 | 0:22:59 | |
-You certainly get that smokiness with the mango. -Yeah. | 0:23:04 | 0:23:06 | |
It's surprising, actually. | 0:23:06 | 0:23:08 | |
It's got a really nice balance of the barbecued flavour | 0:23:11 | 0:23:13 | |
but also kind of still keeping that mango flavour, as well. | 0:23:13 | 0:23:17 | |
-Where's the sponge in that? -As you're cutting, you should get | 0:23:17 | 0:23:20 | |
-a little bit of the bite of the sponge. -Right, yeah, I see that. | 0:23:20 | 0:23:23 | |
So you should get a little bit of sourness from that. | 0:23:23 | 0:23:26 | |
It is yoghurty, but I just think that there's not much sponge texture | 0:23:29 | 0:23:33 | |
to it. It's quite dense. | 0:23:33 | 0:23:34 | |
-Yeah. -You've got that subtlety of the coconut in the sago. | 0:23:34 | 0:23:38 | |
It's not overpowering. | 0:23:38 | 0:23:39 | |
I wanted to keep the sago really airy, and not too in your face. | 0:23:39 | 0:23:43 | |
-I just think that there's too much going on in this dish. -I agree. | 0:23:44 | 0:23:47 | |
-I think you could have stripped it back. -Some mouthfuls, the flavours | 0:23:47 | 0:23:50 | |
-all work, but otherwise, it's kind of a bit pot luck. -Yeah. | 0:23:50 | 0:23:53 | |
How did that go for you? | 0:24:01 | 0:24:03 | |
I'm so glad that's over! | 0:24:03 | 0:24:04 | |
I was happy with it. What did you guys think? | 0:24:05 | 0:24:07 | |
The yoghurt sponge was a bit flat. | 0:24:07 | 0:24:09 | |
I think there was a bit too much going on, | 0:24:09 | 0:24:11 | |
which is quite rich coming from me, probably! | 0:24:11 | 0:24:13 | |
Hoping Angela doesn't agree with either of you! | 0:24:15 | 0:24:17 | |
It so close between us, it really is about this dessert, | 0:24:20 | 0:24:23 | |
and I'd be gutted if I went out. | 0:24:23 | 0:24:25 | |
I'd be devastated. | 0:24:25 | 0:24:27 | |
Don't look so nervous! | 0:24:38 | 0:24:40 | |
Selin, I'm going to start with your dish... | 0:24:42 | 0:24:45 | |
I like the marinated strawberries, they were really lovely. | 0:24:48 | 0:24:52 | |
And I really like that deep-fried kadayif. | 0:24:52 | 0:24:54 | |
You pulled it off - you had the crunchiness there of that pastry, | 0:24:54 | 0:24:57 | |
you had the softness there of the cream cheese in the middle | 0:24:57 | 0:25:00 | |
with the strawberry... | 0:25:00 | 0:25:01 | |
..but, as you pointed out, the parfait was a little bit firm. | 0:25:04 | 0:25:10 | |
You didn't need the pistachio cream. | 0:25:11 | 0:25:14 | |
You had all the flavour with the pistachios round the parfait. | 0:25:14 | 0:25:17 | |
Tom, your dish... | 0:25:21 | 0:25:24 | |
I thought it was a very refined dessert. | 0:25:27 | 0:25:30 | |
I liked the creme diplomat, | 0:25:30 | 0:25:31 | |
I thought that was smart not to be whipped cream that would sink. | 0:25:31 | 0:25:34 | |
It was brilliant that I could take my spoon and literally cut | 0:25:36 | 0:25:38 | |
right through to the bottom of that dessert. | 0:25:38 | 0:25:41 | |
It just showed that you had the most amazing consistency | 0:25:41 | 0:25:45 | |
with that sorbet. | 0:25:45 | 0:25:46 | |
That beautiful pink powder on top of your sourdough tuile, | 0:25:46 | 0:25:50 | |
that just shone, you know, it made that dish sort of alive. | 0:25:50 | 0:25:53 | |
However... | 0:25:54 | 0:25:56 | |
there were a few sharp elements on your plate, | 0:25:56 | 0:25:59 | |
like the raspberries and elderflower. | 0:25:59 | 0:26:01 | |
A little bit more of that balsamic vinegar | 0:26:01 | 0:26:03 | |
would have given that extra sweetness | 0:26:03 | 0:26:05 | |
and brought that little stickiness to it. | 0:26:05 | 0:26:07 | |
Mike. | 0:26:10 | 0:26:12 | |
Your dish... | 0:26:12 | 0:26:13 | |
I like the sago. | 0:26:16 | 0:26:17 | |
It wasn't overly sharp. | 0:26:17 | 0:26:19 | |
I like the smoked mango, and I thought your yuzu was delicious. | 0:26:20 | 0:26:24 | |
You needed that to cut through that sweetness. | 0:26:24 | 0:26:26 | |
However... | 0:26:28 | 0:26:31 | |
I felt the milk crumb was too sweet. | 0:26:31 | 0:26:33 | |
The yoghurt sponge did feel a bit rubbery, | 0:26:35 | 0:26:37 | |
and you couldn't taste the yoghurt. | 0:26:37 | 0:26:39 | |
So, to the scores. | 0:26:41 | 0:26:44 | |
With a score of nine... | 0:26:46 | 0:26:48 | |
..and going straight through to tomorrow's final... | 0:26:50 | 0:26:52 | |
..is Tom. | 0:26:55 | 0:26:57 | |
Well done, Tom. How do you feel? | 0:26:58 | 0:27:00 | |
That's a great score, yeah. | 0:27:00 | 0:27:02 | |
-I'm really relieved. -So that leaves you, Mike, and you, Selin. | 0:27:02 | 0:27:06 | |
Mike, you were on 22, and, Selin, you were on 23. | 0:27:06 | 0:27:10 | |
So, Mike... | 0:27:12 | 0:27:13 | |
..I'm giving you... | 0:27:15 | 0:27:16 | |
..a seven. | 0:27:19 | 0:27:20 | |
Selin, I'm giving you... | 0:27:23 | 0:27:27 | |
..an eight. So, Selin, well done, | 0:27:31 | 0:27:34 | |
that means you'll go through to the final for the judges tomorrow. | 0:27:34 | 0:27:37 | |
-Thank you. -How do you feel? | 0:27:37 | 0:27:39 | |
Yeah, amazing. | 0:27:39 | 0:27:41 | |
Yeah, really amazing. | 0:27:41 | 0:27:43 | |
-Mike, commiserations. -Thank you. | 0:27:44 | 0:27:45 | |
It's been a real pleasure working with you. | 0:27:45 | 0:27:47 | |
-Well done, all of you. -Thank you very much. | 0:27:47 | 0:27:49 | |
Good luck tomorrow. | 0:27:49 | 0:27:50 | |
Make sure someone from London and the South East | 0:27:50 | 0:27:53 | |
-gets through to the banquet. OK? -Thank you. | 0:27:53 | 0:27:56 | |
-Good luck to you both. -Thank you. | 0:28:00 | 0:28:02 | |
-Cheers. -Out by two points. | 0:28:02 | 0:28:04 | |
I feel gutted, gutted. | 0:28:04 | 0:28:06 | |
You know? I put my heart and soul into it. | 0:28:06 | 0:28:08 | |
I think it's going to be really interesting. | 0:28:08 | 0:28:10 | |
We've got such different food. | 0:28:10 | 0:28:11 | |
I feel ecstatic. I really wanted to get the opportunity | 0:28:11 | 0:28:14 | |
to showcase my food to the judges, | 0:28:14 | 0:28:16 | |
and now I want to get through to the final. | 0:28:16 | 0:28:18 | |
It feels amazing. | 0:28:18 | 0:28:20 | |
-Yeah. -Not so much. | 0:28:20 | 0:28:21 | |
-SELIN: -Tomorrow I'm going to have the upper hand on Tom, | 0:28:22 | 0:28:24 | |
and be able to maybe even pull out a ten out of the bag somewhere. | 0:28:24 | 0:28:29 | |
Well done. | 0:28:29 | 0:28:31 | |
ALL: Awww! | 0:28:31 | 0:28:33 |