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It's the national finals... | 0:00:02 | 0:00:04 | |
HE WHISTLES | 0:00:04 | 0:00:05 | |
..of Great British Menu... | 0:00:05 | 0:00:07 | |
-Sweating a little bit. -You want to give it everything. | 0:00:07 | 0:00:09 | |
..as the eight regional champions go head-to-head... | 0:00:09 | 0:00:13 | |
-Pretty stressed. -Yeah, tell me about it. | 0:00:13 | 0:00:15 | |
..for a place at this year's glorious Taste of Summer Banquet... | 0:00:15 | 0:00:19 | |
Fingers crossed. | 0:00:19 | 0:00:21 | |
..celebrating 140 years of the iconic Wimbledon Championships, | 0:00:21 | 0:00:26 | |
the oldest and most prestigious tennis tournament in the world. | 0:00:26 | 0:00:32 | |
Yesterday... | 0:00:32 | 0:00:33 | |
Bit smoky there, Pip. | 0:00:33 | 0:00:34 | |
I feel like I've turned up at the wrong party, here. | 0:00:34 | 0:00:36 | |
I'm the only one without a barbecue. | 0:00:36 | 0:00:37 | |
..the chefs went all out with their mains. | 0:00:37 | 0:00:40 | |
If I don't make this one, I think I might have run out of chances. | 0:00:40 | 0:00:43 | |
Every man for himself now, yeah. | 0:00:43 | 0:00:45 | |
I'm nervous right now. Very. | 0:00:45 | 0:00:47 | |
And with the standard so high, | 0:00:47 | 0:00:49 | |
both Selin and Michael achieved near-perfect scores... | 0:00:49 | 0:00:54 | |
I can reveal that we had a tie-break situation. | 0:00:54 | 0:00:58 | |
..with the judges crowning Michael's grass-infused ox tongue | 0:00:58 | 0:01:01 | |
as the winner. | 0:01:01 | 0:01:03 | |
I can't believe I won. | 0:01:03 | 0:01:05 | |
Today, it's the dessert course... | 0:01:05 | 0:01:08 | |
-Last chance saloon for both of us. -I'm nervous. | 0:01:08 | 0:01:11 | |
..and the final chance for a place on the banquet menu. | 0:01:11 | 0:01:14 | |
It's the last course, you want to give it everything. | 0:01:14 | 0:01:16 | |
But with all eight chefs desperate to impress... | 0:01:16 | 0:01:19 | |
Probably going to be some blood, sweat and tears happening. | 0:01:19 | 0:01:22 | |
..who will secure the closing dish? | 0:01:22 | 0:01:24 | |
The winning chef cooking the dessert | 0:01:24 | 0:01:27 | |
at this year's banquet at Wimbledon is... | 0:01:27 | 0:01:30 | |
Today, the chefs will be cooking their dessert courses, | 0:01:43 | 0:01:47 | |
and they're all vying to secure the last spot on the Wimbledon banquet. | 0:01:47 | 0:01:52 | |
It is the last chance today, so, | 0:01:52 | 0:01:54 | |
as much as it's going to be all, sort of, fun, | 0:01:54 | 0:01:57 | |
I want to beat you all. | 0:01:57 | 0:01:59 | |
HE LAUGHS | 0:01:59 | 0:02:01 | |
To get their dessert through, | 0:02:01 | 0:02:02 | |
the chefs will need to impress the highly critical panel of judges - | 0:02:02 | 0:02:06 | |
Oliver Peyton, Andi Oliver and Matthew Fort. | 0:02:06 | 0:02:10 | |
We have chosen three amazing dishes. | 0:02:10 | 0:02:13 | |
I mean, that is an abundance of riches. | 0:02:13 | 0:02:15 | |
Yesterday, the judges selected | 0:02:15 | 0:02:17 | |
Michael Bremner's The Grass Is Greener main course | 0:02:17 | 0:02:21 | |
after a nail-biting tie-break with Selin Kiazim. | 0:02:21 | 0:02:24 | |
As fraught tension goes, yesterday... | 0:02:24 | 0:02:27 | |
-Oh! -Oh, my word. | 0:02:27 | 0:02:29 | |
You could have cut the air with a knife. | 0:02:29 | 0:02:31 | |
We had Selin's tears, we had Michael, head in hands. | 0:02:31 | 0:02:34 | |
It was actually pretty dramatic. | 0:02:34 | 0:02:37 | |
Today is dessert course. | 0:02:37 | 0:02:38 | |
It's the last stop for all of them. | 0:02:38 | 0:02:40 | |
This is, you know, last chance saloon, | 0:02:40 | 0:02:43 | |
so hopefully, I can be up there, | 0:02:43 | 0:02:45 | |
at least in the top three, hopefully winning. | 0:02:45 | 0:02:48 | |
I really like my dessert, actually. | 0:02:48 | 0:02:49 | |
It's got great meaning behind it, | 0:02:49 | 0:02:51 | |
so, yeah, fingers crossed that I can pull it off. | 0:02:51 | 0:02:53 | |
Today, the judges will each mark the chefs' dishes out of ten, | 0:02:58 | 0:03:02 | |
with the highest scorer winning the final place on the banquet menu. | 0:03:02 | 0:03:06 | |
Good morning, chefs, for the final time. | 0:03:09 | 0:03:13 | |
-CHEFS: -Morning. | 0:03:13 | 0:03:14 | |
Well, yesterday was a pretty emotional day. | 0:03:14 | 0:03:17 | |
Michael, has your victory of yesterday sunk in yet? | 0:03:17 | 0:03:21 | |
It hasn't registered at all. | 0:03:21 | 0:03:22 | |
I'm just getting this week out of the way, | 0:03:22 | 0:03:24 | |
and I'm going to celebrate after today. | 0:03:24 | 0:03:25 | |
Selin, you came so close yesterday. | 0:03:25 | 0:03:28 | |
I know you were deeply disappointed, | 0:03:28 | 0:03:29 | |
but you have shown an extraordinary ability | 0:03:29 | 0:03:32 | |
to lift your dishes through every single stage of this competition. | 0:03:32 | 0:03:35 | |
Fingers crossed, I do better this time on that. | 0:03:36 | 0:03:39 | |
Well, chefs, today we are looking for something to complete the menu, | 0:03:39 | 0:03:42 | |
something light, delicate. | 0:03:42 | 0:03:44 | |
We are all really looking forward to trying your dessert courses, | 0:03:44 | 0:03:47 | |
so, good luck, we will see you all later. | 0:03:47 | 0:03:50 | |
Good luck, chefs. | 0:03:50 | 0:03:51 | |
Good luck. | 0:03:51 | 0:03:52 | |
The first group of chefs to cook are Selin Kiazim, | 0:03:57 | 0:04:00 | |
representing London and the South East... | 0:04:00 | 0:04:02 | |
..Scottish champion Michael Bremner... | 0:04:03 | 0:04:05 | |
-Good luck. -Good luck. | 0:04:05 | 0:04:07 | |
-Good luck. -Good luck. | 0:04:07 | 0:04:08 | |
..and Pip Lacey from the Central Region. | 0:04:08 | 0:04:11 | |
Both Pip and Michael have got a dish on to this year's banquet menu, | 0:04:12 | 0:04:17 | |
but after narrowly missing out to Michael yesterday, | 0:04:17 | 0:04:19 | |
Selin is still yet to win a course. | 0:04:19 | 0:04:22 | |
Last day, today, guys. | 0:04:22 | 0:04:23 | |
-How are we feeling? -I'm nervous. | 0:04:23 | 0:04:26 | |
-SELIN: -Everyone's really gunning for it. | 0:04:26 | 0:04:28 | |
This is last chance. | 0:04:28 | 0:04:30 | |
Probably going to be some blood, sweat and tears happening. | 0:04:30 | 0:04:33 | |
Helping the judges choose the dessert today | 0:04:36 | 0:04:38 | |
is tennis star Annabel Croft. | 0:04:38 | 0:04:41 | |
A former British number one, | 0:04:41 | 0:04:43 | |
she was junior Wimbledon champion in 1984 | 0:04:43 | 0:04:46 | |
and is now a sports commentator, | 0:04:46 | 0:04:48 | |
having worked on the coverage of Wimbledon for over a decade. | 0:04:48 | 0:04:51 | |
Hi, there. | 0:04:54 | 0:04:56 | |
Hiya, nice to meet you. Thanks for coming, my love. | 0:04:56 | 0:04:58 | |
-This is Oliver. -Hello. | 0:04:58 | 0:05:00 | |
-Hi. -This is Matthew. | 0:05:00 | 0:05:01 | |
Hello. Very good to see you. | 0:05:01 | 0:05:02 | |
Very nice to meet you. | 0:05:02 | 0:05:04 | |
-Thank you. -I hope you've got a sweet tooth. | 0:05:04 | 0:05:08 | |
I have got a little bit of a sweet tooth. | 0:05:08 | 0:05:10 | |
I always like something a little bit sweet after a meal. | 0:05:10 | 0:05:13 | |
-Well, we've got eight courses. -Oh, my goodness. OK. | 0:05:13 | 0:05:15 | |
I'm ready! | 0:05:15 | 0:05:16 | |
How old were you when you discovered tennis? | 0:05:16 | 0:05:19 | |
Do you know, I discovered tennis on a family holiday in Spain, | 0:05:19 | 0:05:23 | |
and I had never picked up a racket before, | 0:05:23 | 0:05:25 | |
and I have to say, from that day, | 0:05:25 | 0:05:26 | |
I was absolutely hooked. | 0:05:26 | 0:05:28 | |
You are a former British number one. | 0:05:28 | 0:05:30 | |
You were very young when you were excelling at tennis. | 0:05:30 | 0:05:32 | |
Was it difficult to find that kind of focus and dedication | 0:05:32 | 0:05:36 | |
-at such a young age? -It wasn't, actually. | 0:05:36 | 0:05:38 | |
I kind of had my heart set on playing at Wimbledon, | 0:05:38 | 0:05:42 | |
and you just know what you want and... | 0:05:42 | 0:05:44 | |
Yeah, you are not thinking of it as a sacrifice, | 0:05:44 | 0:05:46 | |
you're just going after your dream. | 0:05:46 | 0:05:48 | |
Did Wimbledon live up to that dream, when you finally got there? | 0:05:48 | 0:05:51 | |
I think Wimbledon is the most special tournament in the world. | 0:05:51 | 0:05:55 | |
Every child who ever picks up a racket | 0:05:55 | 0:05:56 | |
that wants to be a professional tennis player | 0:05:56 | 0:05:58 | |
dreams of playing at Wimbledon, | 0:05:58 | 0:06:00 | |
more than any other tournament. | 0:06:00 | 0:06:02 | |
The brief this year is to celebrate summer | 0:06:02 | 0:06:05 | |
and also 140 years of Wimbledon. | 0:06:05 | 0:06:06 | |
Now, does that suggest anything to you? | 0:06:06 | 0:06:09 | |
Well, something to do with strawberries. | 0:06:09 | 0:06:11 | |
Something a little bit special. | 0:06:13 | 0:06:15 | |
I think, today, you are going to get lots of dishes with finesse, | 0:06:15 | 0:06:18 | |
lots of strawberries, and really, truly, some amazing desserts. | 0:06:18 | 0:06:22 | |
I can't wait. | 0:06:22 | 0:06:23 | |
Pip Lacey is first to serve her dessert. | 0:06:27 | 0:06:30 | |
After her triumphant start to the week with her winning starter, | 0:06:30 | 0:06:34 | |
she's come last in both the fish and main courses. | 0:06:34 | 0:06:38 | |
To be in the elite that have done two dishes at the banquet | 0:06:38 | 0:06:42 | |
would just be a massive achievement. To do two would be amazing. | 0:06:42 | 0:06:45 | |
So, Pip, you didn't get a great score yesterday, | 0:06:46 | 0:06:48 | |
but this is one of your stronger dishes. | 0:06:48 | 0:06:50 | |
Are you excited or nervous? | 0:06:50 | 0:06:53 | |
A bit of both. Sort of ready to finish the week | 0:06:53 | 0:06:55 | |
and want to finish on a high. | 0:06:55 | 0:06:57 | |
She's had an interesting week, Pip. | 0:07:01 | 0:07:02 | |
She's got this beautiful tomato consomme | 0:07:02 | 0:07:05 | |
that's starting the whole banquet off | 0:07:05 | 0:07:07 | |
that's so elegant and fresh. | 0:07:07 | 0:07:09 | |
She was first on day one, | 0:07:09 | 0:07:11 | |
-and then she's come bottom for the last two days. -Oh! | 0:07:11 | 0:07:14 | |
And to come bottom twice is a little bit embarrassing. | 0:07:14 | 0:07:17 | |
So, she's got to pick her momentum up. | 0:07:17 | 0:07:19 | |
Yeah. So, I think, today, | 0:07:19 | 0:07:21 | |
she's very determined to get back up | 0:07:21 | 0:07:22 | |
on to the top of the pile, for sure. | 0:07:22 | 0:07:24 | |
Pip's dessert, 'Why The Pineapple?', | 0:07:26 | 0:07:28 | |
is a tribute to the pineapple | 0:07:28 | 0:07:29 | |
on the top of the Wimbledon Men's Singles trophy. | 0:07:29 | 0:07:32 | |
She's serving variations of the fruit, | 0:07:32 | 0:07:35 | |
including pineapple sorbet and charred pineapple, | 0:07:35 | 0:07:38 | |
alongside a coriander semifreddo. | 0:07:38 | 0:07:40 | |
In the regional heats, | 0:07:40 | 0:07:42 | |
veteran judge Richard Bainbridge | 0:07:42 | 0:07:44 | |
didn't think the flavours quite balanced | 0:07:44 | 0:07:46 | |
and scored the dish an eight. | 0:07:46 | 0:07:48 | |
I love the freshness of that pineapple sorbet, | 0:07:48 | 0:07:51 | |
but I thought the coriander flavour in the semifreddo was lost. | 0:07:51 | 0:07:55 | |
When it came to the judges, | 0:07:56 | 0:07:58 | |
she improved the execution of the dish, | 0:07:58 | 0:08:00 | |
and earned an almost perfect score. | 0:08:00 | 0:08:04 | |
I absolutely loved this dessert. | 0:08:04 | 0:08:07 | |
I seem to recall I wanted to give it a round of applause. | 0:08:07 | 0:08:09 | |
It was a beautiful pudding. | 0:08:09 | 0:08:11 | |
It looked fantastic. | 0:08:11 | 0:08:12 | |
The technical skill in every element of it was there. | 0:08:12 | 0:08:15 | |
There was also just that element of surprise and vivacity. | 0:08:15 | 0:08:20 | |
It really uplifted me. | 0:08:20 | 0:08:21 | |
It was beautiful. | 0:08:21 | 0:08:22 | |
Today, Pip's determined to put the last two days behind her | 0:08:23 | 0:08:27 | |
and end the week on another high. | 0:08:27 | 0:08:30 | |
So, Pip, how did you get on with your dessert in regionals? | 0:08:30 | 0:08:32 | |
Yeah, I got really good, good marks for it. | 0:08:32 | 0:08:35 | |
Tens, and I think one nine. | 0:08:35 | 0:08:36 | |
I take it you haven't made any changes, then? | 0:08:36 | 0:08:38 | |
No. Nothing. | 0:08:38 | 0:08:40 | |
There's a bit of pressure because I want to do just as well or better. | 0:08:40 | 0:08:43 | |
So, fingers crossed, might get another one through. | 0:08:43 | 0:08:46 | |
Pip starts by placing chunks of barbecued and fresh pineapple | 0:08:46 | 0:08:50 | |
on top of her coriander semifreddo. | 0:08:50 | 0:08:53 | |
-How do you feel, Pip? -Yeah, I'm just conscious of the time now. | 0:08:53 | 0:08:57 | |
Next, she adds quenelles of pineapple sorbet. | 0:08:57 | 0:09:00 | |
What's that you've got going in there? | 0:09:02 | 0:09:04 | |
This is a rum and pineapple punch. | 0:09:04 | 0:09:06 | |
It's just to start the judges off, | 0:09:06 | 0:09:08 | |
so they like the rest of your desserts. | 0:09:08 | 0:09:10 | |
She pours her punch into bottles engraved with the date | 0:09:11 | 0:09:14 | |
when the Singles trophy was first used. | 0:09:14 | 0:09:17 | |
It's a cocktail in there. Result. | 0:09:17 | 0:09:20 | |
She adds pineapple crisps and puts everything into wooden boxes, | 0:09:20 | 0:09:25 | |
before turning to her special presentation. | 0:09:25 | 0:09:28 | |
What's going to happen here? | 0:09:28 | 0:09:30 | |
I'm just going to put the dry ice into the box. | 0:09:30 | 0:09:33 | |
Oh, so the sort of scent of the pineapple comes out over, | 0:09:33 | 0:09:37 | |
-whilst you pour it over? -Yeah. | 0:09:37 | 0:09:38 | |
That's cool, that. | 0:09:38 | 0:09:40 | |
She finishes with coriander crisps. | 0:09:40 | 0:09:42 | |
Thank you very much. | 0:09:47 | 0:09:48 | |
Looks incredible, Pip. | 0:09:49 | 0:09:50 | |
-MICHAEL: -It does look incredible. Well done. -Cheers. Woo. | 0:09:50 | 0:09:53 | |
Wow. | 0:09:57 | 0:09:59 | |
-Ba-boom. -Ah! -Wow. | 0:10:00 | 0:10:02 | |
It's even more beautiful. | 0:10:04 | 0:10:06 | |
Isn't it pretty? | 0:10:06 | 0:10:07 | |
This says, "Welcome to the Royal Box. | 0:10:09 | 0:10:12 | |
"You are cordially invited to pour your punch over the golden grill | 0:10:12 | 0:10:16 | |
"and the pineapple in celebration of the Gentlemen's Singles trophy." | 0:10:16 | 0:10:21 | |
That is amazing. | 0:10:24 | 0:10:26 | |
Do you feel as though you did that as good as you did in the regionals? | 0:10:26 | 0:10:28 | |
I feel like I was more calm doing it, | 0:10:28 | 0:10:30 | |
so that should hopefully come through. | 0:10:30 | 0:10:32 | |
I've never seen a pudding quite like this. | 0:10:36 | 0:10:38 | |
I know. That's how I feel. | 0:10:38 | 0:10:40 | |
It's so detailed and it's so beautifully presented. | 0:10:40 | 0:10:43 | |
These little... | 0:10:43 | 0:10:45 | |
pineapple crisps... | 0:10:45 | 0:10:47 | |
-Oh, my goodness. -..are gorgeous. -Those are delicious. | 0:10:47 | 0:10:50 | |
Crisp. Light. | 0:10:50 | 0:10:51 | |
There seems to be a bit of a love-in going on down there. | 0:10:51 | 0:10:54 | |
-Yes. -Delicious. | 0:10:54 | 0:10:56 | |
I think the semifreddo is the best I've done, so, yeah, happy. | 0:10:56 | 0:10:59 | |
I don't think that the semifreddo has got the same balance as before. | 0:11:01 | 0:11:05 | |
Might be. The coriander isn't as strong | 0:11:05 | 0:11:07 | |
and you need the coriander to counterbalance | 0:11:07 | 0:11:09 | |
the sweetness of the pineapple. | 0:11:09 | 0:11:11 | |
I'm a bit upset that the balance isn't there | 0:11:11 | 0:11:13 | |
because when it came out, | 0:11:13 | 0:11:15 | |
I was still thoroughly excited. | 0:11:15 | 0:11:16 | |
The crisps on the top were amazing and toasty and gorgeous, | 0:11:16 | 0:11:19 | |
and I thought I was going to dig in | 0:11:19 | 0:11:21 | |
and find what I found before, and I didn't. | 0:11:21 | 0:11:23 | |
The dividing line between triumph and not quite triumph | 0:11:23 | 0:11:27 | |
is, actually, a very, very small one. | 0:11:27 | 0:11:30 | |
I feel a bit sorry for Pip, | 0:11:30 | 0:11:31 | |
because I was expecting to give this dish ten. | 0:11:31 | 0:11:33 | |
She just hasn't reproduced in the same way as in the heats. | 0:11:33 | 0:11:36 | |
Next to plate up is Selin | 0:11:40 | 0:11:41 | |
representing London and the South-east. | 0:11:41 | 0:11:44 | |
Having just missed out on winning the main course, | 0:11:44 | 0:11:47 | |
she's pinning all her hopes on today. | 0:11:47 | 0:11:50 | |
Yesterday was a complete roller-coaster of emotion | 0:11:50 | 0:11:52 | |
and, you know, it was a really tough day. | 0:11:52 | 0:11:55 | |
I think it's a day that I'll certainly never forget. | 0:11:55 | 0:11:58 | |
Selin's original dish got the lowest marks | 0:11:58 | 0:12:01 | |
of any of the finalists' desserts from the judges. | 0:12:01 | 0:12:03 | |
This is a weird little number, isn't it? | 0:12:03 | 0:12:06 | |
This pudding is a remarkable agglomeration | 0:12:06 | 0:12:09 | |
of some singularly unpleasant textures and flavours. | 0:12:09 | 0:12:11 | |
In the hope of transforming her fortunes, | 0:12:11 | 0:12:14 | |
Selin's created a completely new dessert for the judges today. | 0:12:14 | 0:12:18 | |
I think the judges should enjoy it. | 0:12:18 | 0:12:21 | |
Well, hopefully, they will more than they did my last dessert, anyway. | 0:12:21 | 0:12:24 | |
Selin's new dish... | 0:12:24 | 0:12:25 | |
..centres on a white peach and raspberry jelly, | 0:12:28 | 0:12:31 | |
served with a peach sorbet, | 0:12:31 | 0:12:33 | |
raspberry and rose water sauce, almond shard, and a peach Bellini. | 0:12:33 | 0:12:37 | |
The Venus Rosewater is the Ladies' Championship trophy. | 0:12:37 | 0:12:41 | |
I really wanted to do something that honoured | 0:12:41 | 0:12:43 | |
the female greats of Wimbledon. | 0:12:43 | 0:12:45 | |
Very clever, Selin. | 0:12:45 | 0:12:47 | |
Even though it was an unmitigated disaster the first time, | 0:12:47 | 0:12:49 | |
that doesn't mean she won't be able to pull... | 0:12:49 | 0:12:51 | |
OK, she wasn't put off, | 0:12:51 | 0:12:52 | |
she didn't get beaten down by what was happening? | 0:12:52 | 0:12:54 | |
-No. -When Selin changes something, it is always for the better. | 0:12:54 | 0:12:58 | |
If she shows her customary intelligence, I must say, | 0:12:58 | 0:13:02 | |
she could leap from zero to hero. | 0:13:02 | 0:13:04 | |
In a strange way, I feel like | 0:13:06 | 0:13:08 | |
I quite prefer doing a new dessert today | 0:13:08 | 0:13:10 | |
cos I'm kind of just going into this blind. | 0:13:10 | 0:13:13 | |
I really hope that I can execute this perfectly | 0:13:13 | 0:13:15 | |
and see if I've got a chance of getting there with you guys. | 0:13:15 | 0:13:18 | |
Selin starts by filling her champagne bottles | 0:13:19 | 0:13:22 | |
with peach and rose Bellini. | 0:13:22 | 0:13:25 | |
Next, she coats the tops of her glasses | 0:13:25 | 0:13:27 | |
with freeze-dried raspberries. | 0:13:27 | 0:13:29 | |
-They get a bottle each? -Yeah. | 0:13:29 | 0:13:31 | |
She fills jugs with raspberry and rose water sauce. | 0:13:31 | 0:13:34 | |
Do you find it quite hard to put the rose water in, to make it subtle, | 0:13:34 | 0:13:38 | |
cos it's quite strong sometimes? | 0:13:38 | 0:13:40 | |
It's a really lovely rose extract that I've used | 0:13:40 | 0:13:43 | |
and I think it's a nice subtle touch | 0:13:43 | 0:13:46 | |
and really complements the... | 0:13:46 | 0:13:47 | |
..the peaches and the raspberry. | 0:13:49 | 0:13:51 | |
She serves the centrepiece of her dish - the vanilla muhallebi, | 0:13:52 | 0:13:57 | |
a Turkish panna cotta topped with jelly. | 0:13:57 | 0:13:59 | |
What's inside the jelly? | 0:14:01 | 0:14:03 | |
Poached peach and some raspberries. | 0:14:03 | 0:14:05 | |
She scatters freeze-dried raspberries | 0:14:06 | 0:14:09 | |
in crystallised rose blossom, | 0:14:09 | 0:14:11 | |
before adding her peach sorbet. | 0:14:11 | 0:14:13 | |
Finally, a caramelised almond filo shard, | 0:14:13 | 0:14:16 | |
topped with more freeze-dried raspberries. | 0:14:16 | 0:14:19 | |
Off you go. | 0:14:32 | 0:14:34 | |
How does that feel? | 0:14:37 | 0:14:38 | |
Yeah, really good. I'm really happy with it, actually. | 0:14:38 | 0:14:40 | |
-It looked class. -Yeah. | 0:14:40 | 0:14:41 | |
-Wow. -Bribery and corruption. | 0:14:51 | 0:14:53 | |
Yeah, well, can't have enough of that. | 0:14:53 | 0:14:55 | |
-Yeah. -How do you feel about Bellinis? | 0:14:55 | 0:14:57 | |
I love Bellinis, | 0:14:57 | 0:14:59 | |
and there's something a little bit special about a Bellini. | 0:14:59 | 0:15:01 | |
It always feels like it's a special occasion. | 0:15:01 | 0:15:03 | |
Oh, isn't this lovely? | 0:15:05 | 0:15:07 | |
What fun! | 0:15:07 | 0:15:09 | |
-Cheers. -Cheers, this is lovely. | 0:15:10 | 0:15:12 | |
What a treat. | 0:15:12 | 0:15:13 | |
-Oh, that's yum. -That is good. | 0:15:15 | 0:15:17 | |
Oh, it's gorgeous. | 0:15:17 | 0:15:19 | |
It all came out exactly as I wanted it to. | 0:15:19 | 0:15:21 | |
So, yeah, fingers crossed they just enjoy the flavours of it. | 0:15:23 | 0:15:25 | |
Oh, wow. That's beautiful. | 0:15:30 | 0:15:33 | |
It's creamy. You've got the lovely sharpness from that raspberry sauce, | 0:15:33 | 0:15:38 | |
and it's not too sweet. | 0:15:38 | 0:15:40 | |
That raspberry sauce is absolutely beautiful | 0:15:40 | 0:15:43 | |
because it is so fresh and it just complements the jelly, | 0:15:43 | 0:15:47 | |
which is so delicious. | 0:15:47 | 0:15:49 | |
I think that what we have here is a really perfect-textured jelly. | 0:15:49 | 0:15:53 | |
Mm. | 0:15:53 | 0:15:55 | |
It just hangs upon the tongue and then dissolves. | 0:15:55 | 0:15:58 | |
Really lovely sharpness to that sorbet, that I love. | 0:15:58 | 0:16:02 | |
All of the singular components work really nicely. | 0:16:03 | 0:16:07 | |
Rose bud is one of those things that, you know, | 0:16:07 | 0:16:09 | |
-it is like saffron or something like that. -Like lavender. | 0:16:09 | 0:16:13 | |
You know, you have just got to keep the tap pretty much off on it. | 0:16:13 | 0:16:16 | |
So many different vibrant flavours coming through. | 0:16:19 | 0:16:22 | |
It's really fresh, fruity. | 0:16:22 | 0:16:25 | |
It's a tough round, this, already. We're only two dishes down! | 0:16:25 | 0:16:29 | |
This is one of the most beautiful puddings I've ever had. | 0:16:29 | 0:16:32 | |
It all just seems to balance and seems to work. | 0:16:32 | 0:16:35 | |
What Selin does so well is she has that sort of ability | 0:16:35 | 0:16:38 | |
to sort of meander through flavours | 0:16:38 | 0:16:41 | |
and then you sort of just end up in this real place of joy. | 0:16:41 | 0:16:45 | |
Yeah. I like that about her. | 0:16:45 | 0:16:46 | |
I think there is a sort of whimsical nature to it | 0:16:46 | 0:16:49 | |
that's light and cheering, which I'm really enjoying. | 0:16:49 | 0:16:53 | |
It has that sort of little waft of breeze, the warmth, | 0:16:53 | 0:16:56 | |
the sharpness, the clarity. | 0:16:56 | 0:16:59 | |
You two are not allowed any more alcohol, by the way. That is it. | 0:16:59 | 0:17:02 | |
I've cut you off. | 0:17:02 | 0:17:03 | |
Last to cook in this group is Scottish champion Michael Bremner, | 0:17:07 | 0:17:11 | |
who won the main course with his ox-tongue dish yesterday. | 0:17:11 | 0:17:14 | |
I'm feeling great, you know, | 0:17:16 | 0:17:18 | |
there is no doubt that me doing the main course at Wimbledon | 0:17:18 | 0:17:21 | |
for the banquet is an incredible feeling, | 0:17:21 | 0:17:23 | |
but I don't want it to cloud my judgment for today, | 0:17:23 | 0:17:25 | |
you know, I am very focused on today. | 0:17:25 | 0:17:27 | |
Like Selin, Michael's serving an entirely new dessert, | 0:17:28 | 0:17:32 | |
after failing to impress the judges in the regional heats | 0:17:32 | 0:17:35 | |
with his banana and pecan dish. | 0:17:35 | 0:17:38 | |
Banana is a very odd choice for a summer fruit. | 0:17:38 | 0:17:41 | |
It is a soft, mushy, not very attractive... | 0:17:41 | 0:17:43 | |
-It is not exciting, is it? -It's not exciting. It's not even very nice. | 0:17:43 | 0:17:47 | |
Michael's new dessert, Back To Love, features a white chocolate parfait, | 0:17:47 | 0:17:51 | |
served with passion fruit and yoghurt sorbet and hibiscus jelly. | 0:17:51 | 0:17:55 | |
What's the relevance of passion fruit, then? | 0:17:57 | 0:17:59 | |
So this is things that I love, things that remind me of summer. | 0:17:59 | 0:18:02 | |
Passion fruit is very sort of fresh. | 0:18:02 | 0:18:04 | |
So I've called this dish Back To Love, | 0:18:04 | 0:18:07 | |
and I did a lot of research about why they call it love. | 0:18:07 | 0:18:09 | |
Some people say it's because when you walk into a match | 0:18:09 | 0:18:12 | |
and you're on 0-0, you've got love for each other. | 0:18:12 | 0:18:14 | |
-I'm not sure about that. -Yeah. | 0:18:14 | 0:18:17 | |
Today he has completely changed his dessert, | 0:18:18 | 0:18:21 | |
because we didn't really like it before, did we? | 0:18:21 | 0:18:23 | |
It was bananas, and we weren't bananas for his bananas, | 0:18:23 | 0:18:26 | |
I have to tell you. | 0:18:26 | 0:18:28 | |
No. It was a little heavy and colourless and unappetising, really. | 0:18:28 | 0:18:33 | |
Now he has a completely new dish called Back To Love. | 0:18:33 | 0:18:36 | |
It's got white chocolate in it, it's got passion fruit in it, | 0:18:36 | 0:18:38 | |
and it's got hibiscus. | 0:18:38 | 0:18:40 | |
Interesting. | 0:18:40 | 0:18:42 | |
With all my other dishes, I sort of walked into it, | 0:18:42 | 0:18:44 | |
knowing what position I could be in | 0:18:44 | 0:18:46 | |
whereas with this one, I'm wide open, | 0:18:46 | 0:18:48 | |
which, you know, | 0:18:48 | 0:18:49 | |
potentially means it could be a killer or it could be a... | 0:18:49 | 0:18:52 | |
you know, on the other side. | 0:18:52 | 0:18:54 | |
Michael starts by plating his passion fruit pastilles | 0:18:55 | 0:18:59 | |
and adds golden honey to his plate. | 0:18:59 | 0:19:02 | |
Next, his white chocolate parfaits. | 0:19:02 | 0:19:04 | |
What's the biggest risk with it? | 0:19:04 | 0:19:07 | |
All of it. | 0:19:07 | 0:19:08 | |
The fact that I am willing to put myself out there, | 0:19:08 | 0:19:10 | |
to try and do something different, | 0:19:10 | 0:19:12 | |
you know, that's what matters to me. | 0:19:12 | 0:19:14 | |
He tops his parfaits with a sheet of hibiscus jelly... | 0:19:14 | 0:19:16 | |
It looks great, | 0:19:16 | 0:19:17 | |
I like the way you've done those really thin sheets. | 0:19:17 | 0:19:20 | |
..adds basil cress | 0:19:20 | 0:19:22 | |
and finishes with a quenelle of passion fruit and yoghurt sorbet. | 0:19:22 | 0:19:25 | |
Great. Thank you very much. | 0:19:30 | 0:19:32 | |
-All good? -Relief. -First three to finish. | 0:19:35 | 0:19:39 | |
ALL: Yes! | 0:19:39 | 0:19:41 | |
-Wow! -Wow! | 0:19:48 | 0:19:51 | |
It looks more like an artefact than a pudding. | 0:19:51 | 0:19:54 | |
I am a sucker for shiny gold things. | 0:19:55 | 0:19:57 | |
I'm glad that's the last dish. | 0:19:57 | 0:20:00 | |
I'm happy with how it went out. I am over the moon. | 0:20:00 | 0:20:03 | |
The hibiscus sheet is just not working, sadly. | 0:20:07 | 0:20:12 | |
It's sticky. | 0:20:12 | 0:20:13 | |
I would be worried if I ate this red sheet | 0:20:13 | 0:20:16 | |
that I might end up with it stuck on my teeth. | 0:20:16 | 0:20:18 | |
The sorbet's so sharp. | 0:20:21 | 0:20:23 | |
I don't like it. | 0:20:23 | 0:20:25 | |
The trouble is that the sorbet just kills absolutely everything else. | 0:20:25 | 0:20:28 | |
-It sort of sears your taste buds. -What are the gold bits? | 0:20:28 | 0:20:32 | |
-What is that? -Passion fruit, like little pastilles. -Passion fruit. | 0:20:32 | 0:20:35 | |
Oh, OK. | 0:20:35 | 0:20:36 | |
The white chocolate parfait is extremely dense, | 0:20:36 | 0:20:39 | |
and then the passion fruit on top of it is just too heavy. | 0:20:39 | 0:20:44 | |
I think that the parfait, the texture, may be a little bit dense. | 0:20:44 | 0:20:48 | |
Maybe the parfait has set a little bit too much. | 0:20:48 | 0:20:53 | |
It's like a brick. | 0:20:53 | 0:20:54 | |
You could take someone out with that. | 0:20:54 | 0:20:57 | |
That's just terrible, I'm sorry. I mean, it's just... | 0:20:57 | 0:21:00 | |
It's wrong on all sorts of levels. | 0:21:00 | 0:21:02 | |
There's no sense of balance about it. | 0:21:02 | 0:21:04 | |
There's no sense of joy, there's no sense of... | 0:21:04 | 0:21:07 | |
really, of pleasure about it. | 0:21:07 | 0:21:08 | |
I did notice you've eaten quite a lot of it, Matthew. | 0:21:08 | 0:21:12 | |
-I believe in forensic analysis. -OK. | 0:21:12 | 0:21:14 | |
That requires a certain amount of tasting. | 0:21:14 | 0:21:18 | |
With the first three desserts served, | 0:21:27 | 0:21:30 | |
the judges are considering the calibre of the dishes so far. | 0:21:30 | 0:21:33 | |
Well, an interesting morning, I think. | 0:21:33 | 0:21:35 | |
We seem to have hit every part of the scale. | 0:21:35 | 0:21:38 | |
Do you think we've found our banquet dish yet? | 0:21:38 | 0:21:41 | |
I think there's one which certainly has banquet potential. | 0:21:41 | 0:21:44 | |
So, Annabel, are you ready for some more desserts? | 0:21:44 | 0:21:47 | |
-I am always ready for more dessert. -Wow, you are a pro. -I am. | 0:21:47 | 0:21:50 | |
The second group of chefs into the kitchen are Phil Carmichael, | 0:21:53 | 0:21:56 | |
representing Wales, | 0:21:56 | 0:21:58 | |
and Northern Ireland's Tommy Heaney. | 0:21:58 | 0:22:00 | |
-Good luck to you. -Good luck, mate. | 0:22:00 | 0:22:03 | |
Both chefs have had a mixed week so far, | 0:22:03 | 0:22:06 | |
with none of their dishes making it on to the banquet menu. | 0:22:06 | 0:22:09 | |
Dessert course, last chance saloon for both of us. | 0:22:09 | 0:22:12 | |
It's the last course. You want to give it everything. | 0:22:12 | 0:22:15 | |
Guest judge Annabel Croft is keen to see how both chefs | 0:22:15 | 0:22:18 | |
are coping with the pressure of perfecting their final courses. | 0:22:18 | 0:22:22 | |
-Hi, Annabel. I'm Phil. -Phil, nice to meet you. -Nice to meet you. | 0:22:22 | 0:22:25 | |
-I'm Tommy. -Hey, Tommy. How are you? -Yeah. Nervous. -How is it going? | 0:22:25 | 0:22:28 | |
-Stressed. -I'm not, I'm all right. | 0:22:28 | 0:22:30 | |
THEY LAUGH | 0:22:30 | 0:22:32 | |
Not as stressful as playing at Wimbledon, I'm sure. | 0:22:32 | 0:22:34 | |
There is probably a lot of similarities building up. | 0:22:34 | 0:22:36 | |
I mean, tennis players have a lot of stress ahead of matches, | 0:22:36 | 0:22:39 | |
and they deal with it in different ways, and of course, | 0:22:39 | 0:22:41 | |
tennis matches are always about how you deal with the pressure. | 0:22:41 | 0:22:44 | |
Yeah. What has been your most memorable moment at Wimbledon? | 0:22:44 | 0:22:47 | |
It was winning Junior Wimbledon as... I think I was 17 or 18. | 0:22:47 | 0:22:50 | |
There's not many tennis courts in the world that you can hear, | 0:22:50 | 0:22:52 | |
like, a pin drop, because there is so much sort of tension | 0:22:52 | 0:22:55 | |
and excitement around the matches. | 0:22:55 | 0:22:58 | |
-Completely. -Well, very best of luck. | 0:22:58 | 0:23:00 | |
-And I can't wait to try your puddings. -Thank you very much. | 0:23:00 | 0:23:02 | |
-Thank you very much. -Thank you. | 0:23:02 | 0:23:04 | |
Both Phil and Tommy are hoping to win over the judges | 0:23:08 | 0:23:11 | |
with desserts featuring edible tennis balls. | 0:23:11 | 0:23:14 | |
I think they'll be looking for something fun, you know, | 0:23:14 | 0:23:17 | |
like, you know, Wimbledon is obviously a fun tournament. | 0:23:17 | 0:23:19 | |
So they will be looking to finish the banquet | 0:23:19 | 0:23:21 | |
with something fun, as well. | 0:23:21 | 0:23:23 | |
When it comes to the actual dessert, | 0:23:23 | 0:23:24 | |
-it's got to shout out summer, doesn't it? -Yeah. | 0:23:24 | 0:23:27 | |
Returning finalist Phil is first to plate up his tennis-themed dessert. | 0:23:27 | 0:23:31 | |
It's his third time in the competition, | 0:23:31 | 0:23:34 | |
and he is more determined than ever to get a dish to the banquet. | 0:23:34 | 0:23:37 | |
If, heaven forbid, I don't get through to the banquet again | 0:23:38 | 0:23:41 | |
this time, yeah, I will be gutted. | 0:23:41 | 0:23:44 | |
I've just got to give everything. | 0:23:44 | 0:23:46 | |
-Three times, Phil has come in for the competition. -Persistent. | 0:23:46 | 0:23:52 | |
-Very persistent. -Yeah, you can't mark him down for not trying. | 0:23:52 | 0:23:56 | |
He is a great chef, he makes some beautiful food. | 0:23:56 | 0:23:58 | |
-So, high expectations? -High expectations. -OK. | 0:23:58 | 0:24:01 | |
-Phil, what is the dish? -So, it's called Game, Set & Massive Mess, | 0:24:01 | 0:24:07 | |
which puts a smile on my face. When I put it up on the pass, | 0:24:07 | 0:24:09 | |
I was just grinning from ear to ear. | 0:24:09 | 0:24:11 | |
Phil's dish centres on a champagne mousse and jelly base, | 0:24:11 | 0:24:16 | |
topped with a tennis ball meringue, | 0:24:16 | 0:24:18 | |
filled with strawberries, cream and a summer cup jelly. | 0:24:18 | 0:24:22 | |
I love this dish. You know, it's fun, | 0:24:22 | 0:24:25 | |
you can really smash into it, meringue goes everywhere. | 0:24:25 | 0:24:27 | |
-Oh, so it's actually going to be a mess? -Yeah, yeah, yeah. -Oh! | 0:24:27 | 0:24:30 | |
In the regional heats, the dish was a smash | 0:24:32 | 0:24:35 | |
with veteran judge Tom Aikens. | 0:24:35 | 0:24:37 | |
I love the surprise of the Eton mess inside the tennis bowl. | 0:24:37 | 0:24:41 | |
It had all the best summer fruits in it and tasted delicious. | 0:24:41 | 0:24:46 | |
Game, Set & Massive Mess. | 0:24:46 | 0:24:48 | |
I like the name. A bit of humour in there. | 0:24:48 | 0:24:51 | |
It was a bit bonkers and then the more we made peace with that, | 0:24:51 | 0:24:54 | |
the more you enjoyed it. It kind of became quite delightful. | 0:24:54 | 0:24:57 | |
It was a nine, we all gave it nines. | 0:24:57 | 0:25:00 | |
After scoring so well with the judges in the regionals, | 0:25:00 | 0:25:04 | |
he's doing all he can to impress even more today. | 0:25:04 | 0:25:07 | |
I've made, like, a couple of minor presentation changes. | 0:25:07 | 0:25:11 | |
Hopefully, they'll still love it | 0:25:11 | 0:25:13 | |
after seeing everybody else's desserts. | 0:25:13 | 0:25:15 | |
Phil starts by sprinkling green hundreds and thousands | 0:25:17 | 0:25:20 | |
on top of his champagne mousse and jelly. | 0:25:20 | 0:25:23 | |
Next, he begins work on his tennis ball meringues. | 0:25:23 | 0:25:26 | |
So, what you got going on there, Phil? | 0:25:26 | 0:25:28 | |
So you got the sandpaper out, a bit of DIY, is it? | 0:25:28 | 0:25:30 | |
Yeah! Just going to give them a quick shave, | 0:25:30 | 0:25:33 | |
a quick sand and a polish. | 0:25:33 | 0:25:36 | |
They look great. | 0:25:36 | 0:25:38 | |
He fills the centre of his balls with Calvados cream, | 0:25:38 | 0:25:41 | |
adds strawberries, | 0:25:41 | 0:25:43 | |
another layer of cream, and cubes of summer cup jelly. | 0:25:43 | 0:25:47 | |
He places his balls on top of his jellies | 0:25:48 | 0:25:51 | |
and adds raspberries and crystallised basil leaves. | 0:25:51 | 0:25:55 | |
So what you got going on there, Phil? | 0:25:55 | 0:25:57 | |
-More tennis balls. -Edible? | 0:25:57 | 0:25:59 | |
Edible, yeah. Edible tennis rackets, edible balls. | 0:25:59 | 0:26:03 | |
Just a bit of fun. | 0:26:03 | 0:26:04 | |
Puts a smile on my face. | 0:26:04 | 0:26:06 | |
OK. | 0:26:14 | 0:26:15 | |
-Happy? -Yeah. | 0:26:17 | 0:26:19 | |
Just glad it's over with! | 0:26:19 | 0:26:21 | |
It'll be great. | 0:26:21 | 0:26:23 | |
There we go. | 0:26:26 | 0:26:27 | |
It's kind of wobbling in a pleasing manner. | 0:26:27 | 0:26:30 | |
I like a wobbly jelly. | 0:26:30 | 0:26:33 | |
Wow, I'm not sure about the green balls, which looks very artificial. | 0:26:33 | 0:26:36 | |
They're a bit too vivid. | 0:26:38 | 0:26:39 | |
Really fun. Yeah. I think that's what you were looking for, you know. | 0:26:39 | 0:26:43 | |
It's also quite technically challenging, as well, | 0:26:43 | 0:26:45 | |
to get all those bits and bobs right, the right consistency. | 0:26:45 | 0:26:48 | |
-Well done, mate. -Stressed me out! | 0:26:48 | 0:26:50 | |
Ooh. See? | 0:26:52 | 0:26:53 | |
Ooh. | 0:26:55 | 0:26:56 | |
The jelly's nice. | 0:26:58 | 0:27:00 | |
-Inside? It is, isn't it? -Mm, very nice. | 0:27:00 | 0:27:03 | |
-That's quite a delicious... -Little number. | 0:27:03 | 0:27:06 | |
..little combination of things inside the tennis ball. | 0:27:06 | 0:27:09 | |
What's underneath here? | 0:27:09 | 0:27:10 | |
Is that... | 0:27:10 | 0:27:11 | |
-Is that the trifley bit, that wasn't a trifle? -Mm. | 0:27:11 | 0:27:13 | |
The fruit in the bottom. | 0:27:15 | 0:27:18 | |
I think the champagne mousse is great. | 0:27:20 | 0:27:22 | |
Got a real... | 0:27:22 | 0:27:24 | |
real good flavour in there. | 0:27:24 | 0:27:26 | |
The only thing I don't like about it is the hundreds and thousands. | 0:27:26 | 0:27:28 | |
-That's just personal, cos I don't like them. -OK. | 0:27:28 | 0:27:31 | |
They stick in my teeth. | 0:27:31 | 0:27:32 | |
I think this would provoke a great deal of laughter and ribaldry | 0:27:33 | 0:27:36 | |
if it went through to the banquet. | 0:27:36 | 0:27:39 | |
I'm just not convinced that it sums up | 0:27:39 | 0:27:41 | |
the sort of sophistication of Wimbledon. | 0:27:41 | 0:27:43 | |
It's a bit too sort of, well, Playschool. | 0:27:43 | 0:27:47 | |
Yeah. | 0:27:47 | 0:27:49 | |
I think the problem is there's too much going on. | 0:27:49 | 0:27:51 | |
-Yeah. -Oh, no! | 0:27:51 | 0:27:53 | |
Yes, there's too much going on. Come on, Matthew. | 0:27:53 | 0:27:55 | |
You've got a double hit of cream here, | 0:27:55 | 0:27:57 | |
you've got the jelly, you've got the meringue, | 0:27:57 | 0:28:00 | |
you've got all these other bits and bobs. | 0:28:00 | 0:28:02 | |
I think what the whole thing is is terrifically good fun. | 0:28:02 | 0:28:04 | |
I think it's fun, but I can't see it at the banquet. | 0:28:04 | 0:28:07 | |
Listen, in the context of the banquet | 0:28:07 | 0:28:09 | |
and the dishes we've chosen so far, | 0:28:09 | 0:28:10 | |
I don't think this dish works. | 0:28:10 | 0:28:12 | |
Yes, Dr Killjoy! | 0:28:12 | 0:28:14 | |
That's me. | 0:28:14 | 0:28:15 | |
Next to serve his dessert is Northern Ireland's Tommy Heaney. | 0:28:19 | 0:28:23 | |
He came joint first with his starter course, | 0:28:23 | 0:28:25 | |
but hasn't fared as well in the last two days. | 0:28:25 | 0:28:28 | |
It would be a great feeling to go in and cook the dessert at the banquet. | 0:28:28 | 0:28:31 | |
I mean, I've done a lot of research into it, | 0:28:31 | 0:28:33 | |
so to actually cook at the banquet would be amazing. | 0:28:33 | 0:28:36 | |
I'm just going to give it all and hopefully it's enough. | 0:28:36 | 0:28:39 | |
So, Tommy Heaney is up next. | 0:28:39 | 0:28:41 | |
He's an interesting chef, Tommy. | 0:28:41 | 0:28:43 | |
He's a real fighter. | 0:28:43 | 0:28:44 | |
Tommy's a really great chef, | 0:28:44 | 0:28:46 | |
it's just when he gets hysterical with too many other things. | 0:28:46 | 0:28:51 | |
I get the impression he's got a real fire in his belly, | 0:28:51 | 0:28:55 | |
so he's going to want this a lot. | 0:28:55 | 0:28:57 | |
Like Phil, Tommy's pinning his hopes on a tennis-themed dessert, | 0:28:57 | 0:29:01 | |
centring on a tennis ball made out of white chocolate. | 0:29:01 | 0:29:04 | |
So would you say your dish is quite fun? | 0:29:06 | 0:29:08 | |
I think so. I mean, I enjoy it. | 0:29:08 | 0:29:11 | |
It kind of shouts out summer, you know, | 0:29:11 | 0:29:13 | |
with all the ingredients that are in it. | 0:29:13 | 0:29:15 | |
As well as his white chocolate tennis ball, | 0:29:15 | 0:29:18 | |
New Balls Please features strawberry and meringue | 0:29:18 | 0:29:22 | |
and an unusual basil sponge. | 0:29:22 | 0:29:24 | |
Lots of different elements, the strawberries going on there, | 0:29:25 | 0:29:28 | |
we've got, you know, fresh strawberries, | 0:29:28 | 0:29:29 | |
compressed strawberries, | 0:29:29 | 0:29:31 | |
charred strawberries, things like that. | 0:29:31 | 0:29:33 | |
And then, basil, because I love strawberries and basil, | 0:29:33 | 0:29:35 | |
-I just think it really works well. -Yeah, yeah. | 0:29:35 | 0:29:37 | |
In the regional heats, | 0:29:37 | 0:29:39 | |
the judges felt the dish needed to be improved. | 0:29:39 | 0:29:42 | |
98% devoid of flavour. | 0:29:42 | 0:29:44 | |
It's a bit bland. | 0:29:44 | 0:29:45 | |
I've made a few little changes. | 0:29:46 | 0:29:48 | |
Originally, I had an elderflower cream. | 0:29:48 | 0:29:52 | |
They didn't like it, so I've changed it. | 0:29:52 | 0:29:55 | |
-What did you change it to? -I'm going to do a lemon parfait instead. | 0:29:55 | 0:30:00 | |
So a bit of acidity in there. | 0:30:00 | 0:30:01 | |
Was that based on the feedback from the judges? | 0:30:01 | 0:30:03 | |
Yeah, you've got to play the game, so you've got to basically, | 0:30:03 | 0:30:06 | |
you know, do what you're told! | 0:30:06 | 0:30:08 | |
Tommy starts work on his turf-inspired presentation boxes. | 0:30:11 | 0:30:15 | |
He adds hazelnut crumb, | 0:30:15 | 0:30:17 | |
topped with strawberry powder. | 0:30:17 | 0:30:19 | |
-Burnt strawberries? -Yeah, just little caramelised strawberries. | 0:30:19 | 0:30:22 | |
Next, basil gel and his basil sponge, | 0:30:22 | 0:30:25 | |
which he's made, controversially, in the microwave. | 0:30:25 | 0:30:28 | |
I've got a microwave sponge. | 0:30:28 | 0:30:30 | |
Sponge, OK. Why wouldn't you just make a normal sponge? | 0:30:30 | 0:30:32 | |
I don't know, I like it cos it's really light. | 0:30:32 | 0:30:35 | |
He plates strawberry clouds, | 0:30:35 | 0:30:36 | |
strawberry and elderflower champagne sorbet, | 0:30:36 | 0:30:39 | |
followed by meringue shards and basil microleaves. | 0:30:39 | 0:30:44 | |
-Hi, Selin. -How you getting on, Tommy? -Getting there. | 0:30:45 | 0:30:49 | |
Finally, he fetches his white chocolate tennis balls, | 0:30:49 | 0:30:52 | |
filled with his new lemon parfait, strawberry puree and basil gel. | 0:30:52 | 0:30:57 | |
What's with the fridges, Tommy? | 0:30:57 | 0:30:59 | |
Sure, it turns out that all the balls on centre court are chilled | 0:30:59 | 0:31:02 | |
-to 20 degrees... -OK. -..so it's just a little nudge on that. | 0:31:02 | 0:31:05 | |
Thank you. | 0:31:16 | 0:31:18 | |
Done and dusted, chief. | 0:31:19 | 0:31:21 | |
-That looked amazing. -Well done. -Thank you. | 0:31:21 | 0:31:23 | |
-Ah, yes. -Ah, yes. | 0:31:26 | 0:31:28 | |
-Why don't we have a...? -A peek inside the fridge? | 0:31:34 | 0:31:37 | |
OK. Ooh, wow. | 0:31:37 | 0:31:40 | |
There's some more balls in here. | 0:31:40 | 0:31:42 | |
-More balls! -Can I offer you a ball? | 0:31:42 | 0:31:44 | |
-Yes, please. -Tennis ball? | 0:31:44 | 0:31:46 | |
Thank you very much. | 0:31:46 | 0:31:47 | |
Wow, that's quite hefty. | 0:31:47 | 0:31:49 | |
Now, this one looks like a real tennis ball. | 0:31:49 | 0:31:52 | |
Well, it's missing the lines on the ball. | 0:31:52 | 0:31:54 | |
It certainly evokes a tennis ball. | 0:31:54 | 0:31:56 | |
I think presentation, you smashed the brief there, 100%. | 0:31:56 | 0:31:59 | |
Just screams Wimbledon summer. | 0:31:59 | 0:32:01 | |
Yeah, looks amazing. | 0:32:01 | 0:32:02 | |
Right, are we smashing this ball? | 0:32:04 | 0:32:06 | |
-It's really... -Oh. | 0:32:08 | 0:32:09 | |
OK. Oh, there we go. | 0:32:11 | 0:32:12 | |
There we go. | 0:32:12 | 0:32:14 | |
Oh, no. | 0:32:16 | 0:32:17 | |
Not sure about that. | 0:32:17 | 0:32:20 | |
That's quite weird. | 0:32:20 | 0:32:22 | |
It's very basily and, do you know what, it tastes like pesto. | 0:32:23 | 0:32:27 | |
-It does. -It's kind of clagging my mouth up. | 0:32:27 | 0:32:30 | |
Got a bit of bad moss on the court here. | 0:32:31 | 0:32:34 | |
-That's not good. -Got a really horrible... | 0:32:35 | 0:32:37 | |
..sort of chemical thing happens when you put it in your mouth. | 0:32:38 | 0:32:42 | |
I have to be honest, I'm aiming for the strawberries. | 0:32:42 | 0:32:44 | |
Well, there's compressed strawberry, there's natural strawberry, | 0:32:44 | 0:32:48 | |
there's strawberry sorbet. | 0:32:48 | 0:32:49 | |
I mean, I want the kitchen sink back cos I think that'd taste better. | 0:32:49 | 0:32:53 | |
I've made the changes that they've asked me to do so... | 0:32:54 | 0:32:57 | |
hopefully I've done enough. | 0:32:57 | 0:32:59 | |
This is the Armageddon of puddings for me. | 0:32:59 | 0:33:01 | |
I mean, it is just an absolute, total disaster. | 0:33:01 | 0:33:05 | |
He's managed to put together a whole series of | 0:33:05 | 0:33:10 | |
badly executed tastes | 0:33:10 | 0:33:13 | |
into an absolute catastrophe of a dish. | 0:33:13 | 0:33:15 | |
I'm feeling really sorry for him now. | 0:33:15 | 0:33:17 | |
He's put in so much work to the presentation. | 0:33:17 | 0:33:19 | |
It's actually just horrible, | 0:33:19 | 0:33:21 | |
-I can't even find a better way to describe it. -Oh, no! | 0:33:21 | 0:33:24 | |
I think the best thing that could happen to this dish is | 0:33:25 | 0:33:28 | |
-put it out of its misery. -Lay it to rest! -Lay it to rest. | 0:33:28 | 0:33:31 | |
With only three chefs left to cook and only one spot left on the menu, | 0:33:36 | 0:33:40 | |
the judges are considering the desserts so far. | 0:33:40 | 0:33:44 | |
We have been blessed with three amazing courses | 0:33:44 | 0:33:47 | |
so far from this banquet. | 0:33:47 | 0:33:48 | |
Each one of them is delicate, beautiful looking, | 0:33:48 | 0:33:51 | |
that's what we need in the pudding. | 0:33:51 | 0:33:52 | |
There's still time, there's a lot to be excited about. | 0:33:52 | 0:33:55 | |
We've got incredible chefs in that kitchen. | 0:33:55 | 0:33:57 | |
And there's enough talent up there to provide us with | 0:33:57 | 0:33:59 | |
at least one or two pleasant surprises. | 0:33:59 | 0:34:01 | |
You've got room for three more desserts? | 0:34:01 | 0:34:04 | |
I'm definitely planning a very long run tomorrow | 0:34:04 | 0:34:06 | |
around the park to make up for it! | 0:34:06 | 0:34:08 | |
The final three chefs to cook their desserts are | 0:34:09 | 0:34:12 | |
Ellis Barrie from the North West, | 0:34:12 | 0:34:15 | |
the North East's Tommy Banks | 0:34:15 | 0:34:17 | |
and Tom Brown, representing the South West. | 0:34:17 | 0:34:19 | |
Best of luck. Good luck, Tom. | 0:34:19 | 0:34:21 | |
Good luck, mate. | 0:34:21 | 0:34:22 | |
Each of them is hoping to impress with a dish inspired | 0:34:22 | 0:34:25 | |
by memories of where they grew up. | 0:34:25 | 0:34:28 | |
So we're the last group of the day. Have you seen anything yet that | 0:34:30 | 0:34:33 | |
-you're worried about? -I think there's definitely room for | 0:34:33 | 0:34:35 | |
one of us to sneak in at the end. | 0:34:35 | 0:34:36 | |
-You're hoping that'll be you, then? -Of course I'm hoping it's me! | 0:34:36 | 0:34:39 | |
First to serve is Michelin-starred Tommy Banks. | 0:34:41 | 0:34:44 | |
He's already won a spot at the banquet, cooking the fish course | 0:34:44 | 0:34:48 | |
for the second year running, | 0:34:48 | 0:34:49 | |
but he's hoping to go one step further, | 0:34:49 | 0:34:52 | |
and make Great British Menu history. | 0:34:52 | 0:34:54 | |
I'd love to get my dessert to the banquet. | 0:34:54 | 0:34:57 | |
Got one dish there already, I could have a nice little break around | 0:34:57 | 0:35:00 | |
main course time and cook dessert. That'd be perfect for me. | 0:35:00 | 0:35:02 | |
So I'm gunning for it all the way. | 0:35:02 | 0:35:04 | |
Having grown up on his parents' farm, Tommy's selected | 0:35:04 | 0:35:07 | |
an unusual ingredient as the central flavour of his dessert. | 0:35:07 | 0:35:11 | |
I'm doing a dessert around hay, basically. | 0:35:11 | 0:35:14 | |
I always think about, you know, | 0:35:14 | 0:35:16 | |
late summer nights and sort of the sweet smell of hay. | 0:35:16 | 0:35:19 | |
I've never really had hay flavour in a dessert before, | 0:35:19 | 0:35:21 | |
so sounds intriguing. | 0:35:21 | 0:35:23 | |
I've given them something alternative here and hopefully they enjoy it. | 0:35:23 | 0:35:27 | |
-Hay! There's only one way to find out. -Oh! | 0:35:27 | 0:35:30 | |
Tommy's using hay to infuse an aerated custard, | 0:35:34 | 0:35:37 | |
served with a filo disc, topped with meadowsweet cheesecake, | 0:35:37 | 0:35:40 | |
raspberries and cream cheese ice cream. | 0:35:40 | 0:35:44 | |
The dessert Hay Time scored highly in the regional heats | 0:35:44 | 0:35:47 | |
and surprised veteran judge Jeremy Lee. | 0:35:47 | 0:35:49 | |
I thought the flavours in your dessert were beautiful, interesting. | 0:35:51 | 0:35:55 | |
How does hay sound to you? | 0:35:55 | 0:35:56 | |
I'm intrigued by hay. Hay custard? | 0:35:56 | 0:36:00 | |
What I do remember about this dish is that it was delicious. | 0:36:00 | 0:36:02 | |
It really was a thing of great beauty. | 0:36:02 | 0:36:04 | |
I feel like we're in for a real surprise here. | 0:36:04 | 0:36:07 | |
-Yeah. -Well, I hope you're not disappointed. | 0:36:07 | 0:36:09 | |
Not only is Tommy using hay in the cooking of his dessert, | 0:36:09 | 0:36:13 | |
he's also featuring it in his presentation. | 0:36:13 | 0:36:15 | |
-What you up to there, Tommy? -I'm just spraying these hay wreathes | 0:36:15 | 0:36:19 | |
with this hay perfume I've made. | 0:36:19 | 0:36:21 | |
Just want it to be subtle but I want them to recognise | 0:36:21 | 0:36:24 | |
the sweet smell of hay in the air, | 0:36:24 | 0:36:25 | |
like there is on a warm summer's evening. | 0:36:25 | 0:36:27 | |
Tommy starts by placing raspberry puree into the bottom of his bowls. | 0:36:28 | 0:36:33 | |
He adds fresh raspberries to his filo discs and pipes on | 0:36:33 | 0:36:37 | |
meadowsweet cheesecake, followed by a raspberry puree. | 0:36:37 | 0:36:41 | |
-What's that there, Tommy? -So this is a hay custard. | 0:36:42 | 0:36:46 | |
You want some? | 0:36:46 | 0:36:48 | |
Oh, yeah, you definitely get the hay through it, don't you? | 0:36:52 | 0:36:55 | |
He places his filo disc on top... | 0:36:56 | 0:36:59 | |
-Looks really pretty, that, Tom. -Yeah, that looks bang on, that. | 0:36:59 | 0:37:02 | |
..adds a quenelle of cream cheese ice cream... | 0:37:03 | 0:37:06 | |
..and finishes with a sprinkling of dried meadowsweet. | 0:37:07 | 0:37:10 | |
Thank you. | 0:37:15 | 0:37:18 | |
Yeah. Cool, lovely, thanks very much. | 0:37:20 | 0:37:22 | |
-Cheers. -Well done, mate. | 0:37:25 | 0:37:26 | |
Thanks very much. | 0:37:26 | 0:37:28 | |
Ooh! | 0:37:33 | 0:37:34 | |
Ah, yes. | 0:37:34 | 0:37:36 | |
That is a strong smell. | 0:37:36 | 0:37:38 | |
You wouldn't want to have allergies, would you? | 0:37:38 | 0:37:40 | |
THEY LAUGH | 0:37:40 | 0:37:42 | |
Just so intrigued to get stuck into that. | 0:37:42 | 0:37:44 | |
It's just something I've never had before. | 0:37:44 | 0:37:46 | |
I think it will be one way or the other, to be honest. | 0:37:46 | 0:37:49 | |
If you take it away from the plate, it looks frankly boring. | 0:37:51 | 0:37:55 | |
The cream cheese ice cream's lovely. | 0:37:57 | 0:37:59 | |
-Mmm. -It's really smooth and silky and sort of subtle. | 0:37:59 | 0:38:04 | |
I like the flavour, it's delicious. | 0:38:04 | 0:38:06 | |
Tastes are really delicate. | 0:38:06 | 0:38:08 | |
Yeah. And the texture's really nice, very light. | 0:38:08 | 0:38:11 | |
The hay custard, underneath, | 0:38:12 | 0:38:14 | |
is a lot lighter than it looks, isn't it? | 0:38:14 | 0:38:17 | |
I've never had anything like this before. | 0:38:17 | 0:38:19 | |
Everything in that bowl you can taste, | 0:38:20 | 0:38:22 | |
absolutely everything and it's beautiful, you know. I love that. | 0:38:22 | 0:38:26 | |
I think the secret to this actually is that little filo disc... | 0:38:27 | 0:38:30 | |
-It's lovely. -..because that separates the two flavours. | 0:38:30 | 0:38:34 | |
-Well, it stops it just being a bowl of mush. -Yes. | 0:38:34 | 0:38:37 | |
I'd love to stand here and say how rubbish it is, | 0:38:38 | 0:38:41 | |
but no, it's fantastic. | 0:38:41 | 0:38:43 | |
Do you want any more, Tom? | 0:38:43 | 0:38:45 | |
There is a real taste of summer to this dish. | 0:38:48 | 0:38:51 | |
I just worry that it lacks impact...a bit. | 0:38:51 | 0:38:55 | |
-In terms of its presentation? -Yeah. | 0:38:55 | 0:38:57 | |
I don't think it lacks impact, personally I think it looks good. | 0:38:57 | 0:39:00 | |
Just has a sort of delicate, sweet beauty to it | 0:39:00 | 0:39:06 | |
that I really, absolutely adore. | 0:39:06 | 0:39:09 | |
It's definitely a contender for me. | 0:39:09 | 0:39:11 | |
The penultimate chef to serve is Cornish born Tom Brown, | 0:39:15 | 0:39:18 | |
representing the South West. | 0:39:18 | 0:39:20 | |
He scored highly earlier in the week, | 0:39:20 | 0:39:22 | |
just missing out on both his starter and fish courses, | 0:39:22 | 0:39:25 | |
but hasn't yet managed to get a dish to the banquet. | 0:39:25 | 0:39:29 | |
I know the judges like my stuff, | 0:39:29 | 0:39:31 | |
because I've been very, very close a couple of times now. | 0:39:31 | 0:39:33 | |
I'd really, really love to get the dessert there. | 0:39:33 | 0:39:36 | |
If I get there and it's the last thing the diners eat, | 0:39:36 | 0:39:39 | |
then I'm going to be unbelievably proud. | 0:39:39 | 0:39:41 | |
Tom Brown I guess is the most consistent chef in this competition. | 0:39:41 | 0:39:45 | |
He has been there or thereabouts all the time, and he almost got through. | 0:39:45 | 0:39:49 | |
Tom is one of those chefs you just long... | 0:39:49 | 0:39:52 | |
you long for him to succeed. | 0:39:52 | 0:39:54 | |
He's come so close twice and you just feel that last little nudge, | 0:39:54 | 0:39:58 | |
net cord, and he'd be over and it'll be a winner. | 0:39:58 | 0:40:02 | |
Tom's dessert, Sevi & Leti, is Cornish for strawberries and cream. | 0:40:04 | 0:40:08 | |
It's a nostalgic take on an ice cream sandwich, served with | 0:40:08 | 0:40:11 | |
Wimbledon-inspired strawberries and a sparkling wine jelly. | 0:40:11 | 0:40:16 | |
It got the joint highest score from the judges in the regional heats | 0:40:16 | 0:40:19 | |
and impressed veteran judge Michael O'Hare. | 0:40:19 | 0:40:22 | |
I thought this was a really classy dish. | 0:40:22 | 0:40:24 | |
It really hit the brief, | 0:40:24 | 0:40:26 | |
and it was definitely a taste of summer. | 0:40:26 | 0:40:28 | |
I like the idea of it. It conjures up a nice image in my head. | 0:40:28 | 0:40:31 | |
For me it invoked a lot of childhood nostalgia, but actually | 0:40:31 | 0:40:36 | |
it's a very adult, grown-up, quite sophisticated dessert. | 0:40:36 | 0:40:39 | |
He's ticking all the boxes in terms of the brief. | 0:40:39 | 0:40:42 | |
Let's just hope he does it as well as he did last time. | 0:40:42 | 0:40:45 | |
Tom's working on the summery jelly which will accompany his dish. | 0:40:45 | 0:40:49 | |
Tom, what are you up to there, mate? | 0:40:50 | 0:40:52 | |
We do a really lovely sparkling wine in Cornwall, | 0:40:52 | 0:40:55 | |
so I wanted to have something a bit celebratory for the banquet, | 0:40:55 | 0:40:58 | |
so I've got a nice sparkling wine jelly for the judges. | 0:40:58 | 0:41:01 | |
Tom removes his clotted cream ice creams from their moulds, | 0:41:03 | 0:41:06 | |
and places them onto brandy snap discs. | 0:41:06 | 0:41:10 | |
Next he pipes strawberry jam into the centre of the ice cream. | 0:41:10 | 0:41:13 | |
Very classical dessert I think. | 0:41:13 | 0:41:15 | |
Yeah, you know me, Tom. No school like the old school, eh? | 0:41:15 | 0:41:18 | |
He tops his sandwich with another brandy snap disc, | 0:41:20 | 0:41:23 | |
decorated with fresh strawberries... | 0:41:23 | 0:41:25 | |
That's more jam on the top. | 0:41:25 | 0:41:26 | |
Nice. | 0:41:27 | 0:41:29 | |
..then grates on frozen lime zest. | 0:41:29 | 0:41:32 | |
He pipes more strawberry jam onto his plate | 0:41:32 | 0:41:35 | |
and places the ice cream sandwich on top. | 0:41:35 | 0:41:38 | |
What's going on there, mate? | 0:41:39 | 0:41:41 | |
This is a little elderflower and lime infused creme fraiche. | 0:41:41 | 0:41:45 | |
Strawberries and cream, innit? So I just wanted a little bit more cream. | 0:41:45 | 0:41:48 | |
He finishes with a quenelle of clotted cream... | 0:41:49 | 0:41:52 | |
Give us a push. | 0:41:54 | 0:41:55 | |
..and serves alongside his sparkling wine jelly. | 0:41:55 | 0:41:59 | |
Looks awesome. Looks lovely. | 0:42:04 | 0:42:06 | |
Yeah, thanks. You must be happy with that, are you? | 0:42:06 | 0:42:08 | |
I don't know, I don't know. I don't know. | 0:42:08 | 0:42:10 | |
I just hope I've done enough. | 0:42:10 | 0:42:12 | |
Oh. | 0:42:17 | 0:42:19 | |
-Mmmm. -Mmm. | 0:42:19 | 0:42:21 | |
Thank you. | 0:42:21 | 0:42:23 | |
Well, I instantly like the presentation. | 0:42:24 | 0:42:26 | |
Never 100% happy, so it's just a niggle in my mind. | 0:42:26 | 0:42:30 | |
Fingers crossed, eh? | 0:42:32 | 0:42:33 | |
The ice cream's perfect. | 0:42:39 | 0:42:41 | |
I love the crunch on the top. | 0:42:41 | 0:42:44 | |
It does seem like there's a lot of cream, but then I love cream. | 0:42:44 | 0:42:47 | |
Having that brandy snap circle on top | 0:42:47 | 0:42:51 | |
dividing the sort of the textures and the flavours, | 0:42:51 | 0:42:53 | |
I think works extremely well. | 0:42:53 | 0:42:56 | |
Yes, the flavours are just absolutely perfection. | 0:42:56 | 0:42:59 | |
I really like that jelly. There is a real freshness to it. | 0:43:04 | 0:43:07 | |
Do you like it? It's quite a strong flavour. | 0:43:07 | 0:43:09 | |
Mmm, especially in contrast to the depth and the weight of the cream. | 0:43:09 | 0:43:13 | |
To me, the clotted cream on top seems like an added extra. | 0:43:13 | 0:43:16 | |
You know, it doesn't really need it, | 0:43:16 | 0:43:18 | |
cos the ice cream is just absolutely perfect. | 0:43:18 | 0:43:20 | |
We don't need it. | 0:43:20 | 0:43:21 | |
But we want it! | 0:43:21 | 0:43:22 | |
It's awfully nice, isn't it? | 0:43:22 | 0:43:24 | |
I'm quite excited. I love this as much as I did last time. | 0:43:24 | 0:43:29 | |
-Taste of summer. -Complete taste of summer. | 0:43:29 | 0:43:31 | |
There you are, at Wimbledon, is this a dish you could see? | 0:43:31 | 0:43:36 | |
The sort of classiness, the kind of, like, | 0:43:36 | 0:43:38 | |
quintessential Britishness about it. | 0:43:38 | 0:43:40 | |
I can definitely see this being served at the banquet. | 0:43:40 | 0:43:43 | |
The final chef serving his dessert is Liverpool-born Ellis Barrie, | 0:43:47 | 0:43:51 | |
representing the North West. | 0:43:51 | 0:43:54 | |
I'd love to get to the banquet. | 0:43:54 | 0:43:55 | |
I've got this far, I'd like to go all the way. | 0:43:55 | 0:43:58 | |
After a disappointing dessert in the heats, | 0:43:58 | 0:44:01 | |
today Ellis is serving a whole new creation. | 0:44:01 | 0:44:04 | |
I love this dish, and hopefully I can just pull it off. | 0:44:04 | 0:44:08 | |
Fingers crossed. | 0:44:08 | 0:44:09 | |
Ellis's original dessert, Strawberry Fields, | 0:44:11 | 0:44:13 | |
a homage to the strawberry picking he enjoyed in his childhood, | 0:44:13 | 0:44:16 | |
was a miss with the judges, as well as veteran judge Daniel Clifford. | 0:44:16 | 0:44:21 | |
It needs more fresh strawberry, it needs to be refined, | 0:44:21 | 0:44:24 | |
-if you get through you've got a lot of work to do. -Yeah. | 0:44:24 | 0:44:28 | |
Ellis Barrie, when he created his first dessert | 0:44:28 | 0:44:31 | |
-it didn't really go down well with us. -What was wrong with that one? | 0:44:31 | 0:44:34 | |
-It was boring. -It was boring. | 0:44:34 | 0:44:36 | |
He's scrapped it completely and he's gone back to the drawing board. | 0:44:36 | 0:44:39 | |
What I like about Ellis's cooking, it does have a real sense | 0:44:39 | 0:44:41 | |
-of his personality to it. -Yes. | 0:44:41 | 0:44:43 | |
And I do believe he has the potential to get to the banquet. | 0:44:43 | 0:44:46 | |
He's got so many ideas and he just has to... | 0:44:46 | 0:44:50 | |
-Discipline them somehow. -..discipline them. | 0:44:50 | 0:44:52 | |
Ellis's new dessert, Fete Makes History, | 0:44:52 | 0:44:55 | |
is inspired by the Walton Village summer fete | 0:44:55 | 0:44:57 | |
held annually in Liverpool. | 0:44:57 | 0:44:59 | |
The idea of it is when you go to the summer fete, | 0:44:59 | 0:45:03 | |
all the little events throughout the day you take part in. | 0:45:03 | 0:45:06 | |
We've got some coconuts involved. | 0:45:06 | 0:45:08 | |
Coconuts! | 0:45:08 | 0:45:09 | |
Who knows? | 0:45:11 | 0:45:12 | |
It's a complex dish featuring the elements of a coconut shy, | 0:45:13 | 0:45:17 | |
including a strawberry and cream parfait ball, | 0:45:17 | 0:45:19 | |
a chocolate coconut shell, filled with berry tea panna cotta | 0:45:19 | 0:45:22 | |
and Earl Grey jelly, and multiple strawberry elements. | 0:45:22 | 0:45:26 | |
This is the last dish of the day. | 0:45:27 | 0:45:30 | |
This is the last dish of the competition. | 0:45:30 | 0:45:32 | |
Are summer fetes part of your youthful memories? | 0:45:32 | 0:45:35 | |
Very much so. I think of bunting, I think of the coconut shy, | 0:45:35 | 0:45:40 | |
I think of going home and trying to win the goldfish in the little bag. | 0:45:40 | 0:45:44 | |
Despite having so many technical elements to perfect, | 0:45:46 | 0:45:49 | |
Ellis hasn't yet cooked the dish in its entirety. | 0:45:49 | 0:45:53 | |
So you're taking a few risks on this one, then? | 0:45:53 | 0:45:55 | |
-I've not done it yet. -Well, that's a risk! | 0:45:55 | 0:45:58 | |
Ellis starts by dipping compressed strawberries into hot toffee | 0:46:01 | 0:46:05 | |
to create a toffee apple effect. | 0:46:05 | 0:46:07 | |
Next onto his plate goes chocolate soil, | 0:46:10 | 0:46:13 | |
followed by slices of more compressed strawberries. | 0:46:13 | 0:46:15 | |
-Run to get my little truck. -Yeah, we'll get it. | 0:46:17 | 0:46:20 | |
He pipes on strawberry puree, and adds strawberry crisps. | 0:46:21 | 0:46:25 | |
-Here. -TB Removals. | 0:46:27 | 0:46:29 | |
So, this is the stall at the Walton summer fete, | 0:46:30 | 0:46:33 | |
crafted by myself. | 0:46:33 | 0:46:34 | |
-Extravagant. -I love my props. | 0:46:34 | 0:46:36 | |
-Yeah. -I love a bit of theatre. | 0:46:36 | 0:46:38 | |
Ellis places his strawberry candyfloss on top of | 0:46:40 | 0:46:42 | |
his toffee strawberries, | 0:46:42 | 0:46:44 | |
and sprinkles with orange and strawberry powder. | 0:46:44 | 0:46:48 | |
He adds strawberry meringues to his plate, | 0:46:48 | 0:46:50 | |
and places a strawberry and cream parfait ball | 0:46:50 | 0:46:53 | |
into the centre of his dessert. | 0:46:53 | 0:46:55 | |
What is the green ball? | 0:46:55 | 0:46:56 | |
That's to represent the bowl you're about to throw at the coconut stall. | 0:46:56 | 0:46:59 | |
Oh, yes. A lot of work there, Chef. | 0:46:59 | 0:47:01 | |
That's very impressive. | 0:47:01 | 0:47:03 | |
He adds pickled strawberries to his chocolate coconut shells, | 0:47:03 | 0:47:07 | |
containing berry tea panna cotta and Earl Grey jelly, | 0:47:07 | 0:47:10 | |
and places everything onto his cart. | 0:47:10 | 0:47:13 | |
-Well, that was easy. -THEY ALL LAUGH | 0:47:21 | 0:47:24 | |
Welcome to Walton summer fete. | 0:47:24 | 0:47:26 | |
Looks smashing, mate. | 0:47:26 | 0:47:27 | |
-Yeah, amazing. -Absolutely smashing. -It's very impressive. | 0:47:27 | 0:47:30 | |
-Oh! -Oh, goodness me, there's a lot of detail gone into this. | 0:47:33 | 0:47:37 | |
Thank you. | 0:47:37 | 0:47:39 | |
So, 6th July, 1957, two big things happened. | 0:47:39 | 0:47:42 | |
Althea Gibson became the first black woman to win Wimbledon. | 0:47:42 | 0:47:46 | |
-That's right. -And Saturday, July 6th, 1957, | 0:47:46 | 0:47:50 | |
garden fete, the Quarrymen played, and that's Paul McCartney | 0:47:50 | 0:47:54 | |
-and John Lennon and that's when they met. -So, that's a very nice touch. | 0:47:54 | 0:47:57 | |
I think the judges are going to like this one. | 0:48:00 | 0:48:02 | |
I hope so. | 0:48:02 | 0:48:03 | |
It's been four weeks of stressing out. | 0:48:03 | 0:48:06 | |
-Oh, thank you. -Thank you. | 0:48:07 | 0:48:09 | |
Oh, no, that's not good. | 0:48:11 | 0:48:12 | |
-Oh, dear. -Oh! | 0:48:12 | 0:48:15 | |
-Oh! -Oh! Blimey. | 0:48:15 | 0:48:17 | |
Oh, it's a strawberry. | 0:48:17 | 0:48:19 | |
-Oh, it's going everywhere. -Well, mine's gone in my mouth. | 0:48:19 | 0:48:23 | |
Strawberry glaze is a bit thick, mate. | 0:48:25 | 0:48:27 | |
The coconut shell with the Earl Grey tea, it's a very nice thing. | 0:48:33 | 0:48:36 | |
It is good, actually. | 0:48:36 | 0:48:38 | |
-Essence of strawberry. -Mm. | 0:48:38 | 0:48:40 | |
Quite like that strawberry parfait in the middle of | 0:48:44 | 0:48:47 | |
the little green ball - it's silky and lovely. | 0:48:47 | 0:48:49 | |
What is that brown stuff at the bottom? | 0:48:49 | 0:48:52 | |
-Chocolate soil. -Chocolate soil. -Chocolate soil? | 0:48:52 | 0:48:54 | |
It's not good. | 0:48:57 | 0:48:58 | |
If you win, are you looking forward to cooking that for the banquet? | 0:48:58 | 0:49:02 | |
Yeah, well, I know what I'm doing now. | 0:49:02 | 0:49:04 | |
I think the panna cotta, | 0:49:05 | 0:49:07 | |
the berry panna cotta with the Earl Grey tea jelly is great! | 0:49:07 | 0:49:10 | |
If he'd based his pudding around that, he'd be onto a winner, | 0:49:10 | 0:49:14 | |
but this is a dish of panic. | 0:49:14 | 0:49:16 | |
"Let's bung everything we can in." | 0:49:16 | 0:49:18 | |
We've got pickled strawberries, we've got the dried strawberries, | 0:49:18 | 0:49:21 | |
not to mention the strawberry toffee and the strawberry candyfloss. | 0:49:21 | 0:49:24 | |
This is Ellis's direct response | 0:49:24 | 0:49:26 | |
to him being told that his other dish was boring! | 0:49:26 | 0:49:29 | |
There's just too much happening! | 0:49:29 | 0:49:32 | |
With all eight desserts delivered, | 0:49:37 | 0:49:39 | |
the judges must award each chef a mark out of ten. | 0:49:39 | 0:49:42 | |
The scores will then be added together, | 0:49:42 | 0:49:44 | |
and the dish with the highest total | 0:49:44 | 0:49:47 | |
will win the final place on the banquet menu. | 0:49:47 | 0:49:51 | |
I'd love to cook the last dish of the banquet, you know. | 0:49:51 | 0:49:53 | |
You're signing it off. It's the last thing that everyone will remember. | 0:49:53 | 0:49:56 | |
-It would be a massive honour. -It's been a hard day. | 0:49:56 | 0:49:58 | |
It's been a hard week. I put a lot of energy into today. | 0:49:58 | 0:50:01 | |
Yeah, I will be honest with you, you look absolutely | 0:50:01 | 0:50:03 | |
-physically drained, mate. -It's listening to your jokes! | 0:50:03 | 0:50:06 | |
THEY ALL LAUGH | 0:50:06 | 0:50:08 | |
This has been an epic, gladiatorial fight amongst the chefs, I feel. | 0:50:08 | 0:50:12 | |
-I mean, I really do. -Each day has thrown up fresh surprises, | 0:50:12 | 0:50:16 | |
-fresh wonders. -They put in so much heart and soul. | 0:50:16 | 0:50:19 | |
I take my hat off to all of them, really. Amazing. | 0:50:19 | 0:50:22 | |
This is my last chance, you know, to get to the banquet. | 0:50:23 | 0:50:26 | |
I haven't got a dish there yet all week. | 0:50:26 | 0:50:28 | |
So, yeah, I just hope I've done enough. | 0:50:28 | 0:50:31 | |
After coming so close yesterday, | 0:50:31 | 0:50:33 | |
I just hope I'm kind of in the mix again. | 0:50:33 | 0:50:36 | |
No, I don't want to go home without a dish in the banquet, | 0:50:36 | 0:50:39 | |
so I just want to get it over with now. | 0:50:39 | 0:50:41 | |
I just want to get in there and get judged. | 0:50:41 | 0:50:43 | |
-Is there any dish that you can see there at the banquet? -There's | 0:50:43 | 0:50:45 | |
definitely a couple of dishes there that I can see at the banquet. | 0:50:45 | 0:50:48 | |
You know, to marry up with the specialness of Wimbledon. | 0:50:48 | 0:50:51 | |
Let's add it all up, shall we? I'm dying to know. | 0:50:51 | 0:50:54 | |
-Hello, chefs. -Hello. | 0:51:11 | 0:51:13 | |
So that's it. | 0:51:13 | 0:51:15 | |
This was your last chance to get a dish onto this year's banquet menu. | 0:51:15 | 0:51:19 | |
And so it's time to reveal the final results. | 0:51:21 | 0:51:24 | |
In eighth place, it's... | 0:51:25 | 0:51:27 | |
..Tommy Heaney. | 0:51:30 | 0:51:32 | |
Tommy, we gave you a little advice, | 0:51:32 | 0:51:35 | |
but we didn't find it really came together. | 0:51:35 | 0:51:39 | |
I'm, you know, I'm obviously gutted, but privileged just to get this far. | 0:51:40 | 0:51:43 | |
-So, thank you. -Thank you. | 0:51:43 | 0:51:46 | |
In seventh place... | 0:51:47 | 0:51:49 | |
..it's... | 0:51:51 | 0:51:53 | |
Michael. | 0:51:53 | 0:51:55 | |
Michael, your new dish looked like a work of art when it arrived | 0:51:56 | 0:52:00 | |
in front of us, but sadly, it didn't quite taste like one. | 0:52:00 | 0:52:03 | |
Yeah, well, it's been great. Thanks a lot. Good luck everyone. | 0:52:03 | 0:52:07 | |
In sixth place, it's... | 0:52:11 | 0:52:14 | |
..Ellis. | 0:52:17 | 0:52:20 | |
There was so much going on, we didn't feel it quite came together | 0:52:20 | 0:52:22 | |
as a sort of single, coherent statement. | 0:52:22 | 0:52:25 | |
Yeah, cool. Um... | 0:52:26 | 0:52:28 | |
THEY ALL LAUGH | 0:52:28 | 0:52:30 | |
-Anyway, thank you. -No, thank you very much. -Thank you, Ellis. | 0:52:30 | 0:52:33 | |
I wasn't expecting that. | 0:52:36 | 0:52:37 | |
I wasn't expecting that, either! Bad luck, buddy. | 0:52:37 | 0:52:40 | |
-Ah, well. -Man! | 0:52:40 | 0:52:42 | |
In fifth place is... | 0:52:42 | 0:52:45 | |
..Phil. | 0:52:49 | 0:52:50 | |
We all thought this was a wonderful, fun dish - me in particular - | 0:52:52 | 0:52:57 | |
but in the final analysis, it wasn't quite Wimbledon. | 0:52:57 | 0:53:01 | |
-Thank you. -No, thank you. | 0:53:01 | 0:53:03 | |
In fourth place... | 0:53:10 | 0:53:11 | |
..is... | 0:53:13 | 0:53:15 | |
..Pip. | 0:53:22 | 0:53:24 | |
It was, as we would expect from you, a really elegant and classy dish, | 0:53:25 | 0:53:30 | |
but the dish didn't have the balance that we enjoyed so much | 0:53:30 | 0:53:33 | |
the first time round. | 0:53:33 | 0:53:35 | |
I'm gutted, but these guys' desserts were my favourites, | 0:53:35 | 0:53:38 | |
-so, thank you. -Thank you. -Thanks, Pip. | 0:53:38 | 0:53:41 | |
And in third place... | 0:53:45 | 0:53:47 | |
is... | 0:53:47 | 0:53:48 | |
Tommy Banks. | 0:53:54 | 0:53:55 | |
Tommy, the flavours were wonderfully delicate, but | 0:53:57 | 0:54:00 | |
visually it slightly lacked impact that we needed to end the banquet. | 0:54:00 | 0:54:05 | |
-Thank you very much. -Thank you very much. | 0:54:05 | 0:54:07 | |
The best of luck to you both. | 0:54:07 | 0:54:09 | |
-ALL: -Oh! | 0:54:12 | 0:54:13 | |
Oh, this is going to be a tough one. | 0:54:13 | 0:54:15 | |
Who's next? | 0:54:15 | 0:54:17 | |
I think that's fair enough. That's all right. | 0:54:17 | 0:54:19 | |
So that leaves you, Selin, and you, Tom. | 0:54:24 | 0:54:27 | |
Tom, your strawberries and cream dessert was really beautiful | 0:54:28 | 0:54:33 | |
in its presentation and in its flavours. | 0:54:33 | 0:54:36 | |
Selin, you came up with a completely new dish today | 0:54:36 | 0:54:40 | |
and produced a fantastic, refined, | 0:54:40 | 0:54:44 | |
delicately flavoured, combination of textures and flavours. | 0:54:44 | 0:54:49 | |
But I can now reveal that the winning chef | 0:54:49 | 0:54:54 | |
cooking the dessert at this year's banquet at Wimbledon... | 0:54:54 | 0:54:58 | |
..is... | 0:55:00 | 0:55:01 | |
..Selin. | 0:55:07 | 0:55:09 | |
You are joking! | 0:55:13 | 0:55:15 | |
-Congratulations. You've made it. -That's amazing. Well done. | 0:55:15 | 0:55:19 | |
I'm so shocked. Obviously, coming in with | 0:55:22 | 0:55:25 | |
a new dessert I had no idea what you would think of it. | 0:55:25 | 0:55:28 | |
And it will make a perfect end to our summer banquet. | 0:55:28 | 0:55:33 | |
Tom, commiserations. | 0:55:33 | 0:55:35 | |
You've been so close on so many occasions this week. | 0:55:35 | 0:55:39 | |
You know, you are an outstanding and exciting chef. | 0:55:39 | 0:55:42 | |
I'm just happy for this girl and, | 0:55:42 | 0:55:43 | |
you know, she deserves to cook at the banquet, | 0:55:43 | 0:55:46 | |
so well done, mate. | 0:55:46 | 0:55:48 | |
Well done to both of you, actually, because, honestly, both dishes | 0:55:48 | 0:55:51 | |
were absolutely delicious and I could've seen either of them | 0:55:51 | 0:55:55 | |
going down extremely well at Wimbledon. | 0:55:55 | 0:55:57 | |
I suggest you both go and have maybe one, | 0:55:57 | 0:56:00 | |
maybe two very large celebratory drinks. | 0:56:00 | 0:56:03 | |
-Thank you very much. -Thank you. | 0:56:03 | 0:56:05 | |
I'm not crying again! | 0:56:15 | 0:56:17 | |
I'm so happy to see Selin's type of food on the final banquet. | 0:56:17 | 0:56:21 | |
-It's just so different. -It's refreshing, | 0:56:21 | 0:56:23 | |
it's beautiful and it's to be celebrated. | 0:56:23 | 0:56:26 | |
I wasn't expecting that whatsoever. | 0:56:26 | 0:56:28 | |
It's just unbelievable. | 0:56:30 | 0:56:32 | |
I would like to see a lot more from Tom Brown. | 0:56:36 | 0:56:38 | |
I really hope he comes back next year. | 0:56:38 | 0:56:40 | |
The quiet beauty about what he does, honestly. | 0:56:40 | 0:56:44 | |
Today, the standard was so high, | 0:56:44 | 0:56:46 | |
so much good food going on. | 0:56:46 | 0:56:49 | |
I'm just chuffed to be up there, even if I didn't quite make it. | 0:56:49 | 0:56:52 | |
I'm through to the banquet. | 0:56:52 | 0:56:54 | |
Selin's winning dessert completes | 0:56:56 | 0:56:57 | |
the Wimbledon Taste of Summer Banquet Menu. | 0:56:57 | 0:57:00 | |
She'll be joining Pip Lacey cooking her Whatever The Weather starter... | 0:57:00 | 0:57:05 | |
To be cooking at Wimbledon, absolutely amazing. | 0:57:05 | 0:57:08 | |
Incredible to be, you know, doing the starter, | 0:57:08 | 0:57:10 | |
the start of the banquet, it's great. | 0:57:10 | 0:57:12 | |
..Tommy Banks and his | 0:57:12 | 0:57:14 | |
Turbot With Strawberries And Cream | 0:57:14 | 0:57:16 | |
fish course... | 0:57:16 | 0:57:17 | |
I'm absolutely stoked to be going to the banquet. | 0:57:17 | 0:57:19 | |
I was feeling the pressure coming back having been to | 0:57:19 | 0:57:22 | |
the banquet last year. I'm so glad I've got through. | 0:57:22 | 0:57:24 | |
..and Michael Bremner with his ox tongue, | 0:57:24 | 0:57:27 | |
The Grass Is Greener, main course. | 0:57:27 | 0:57:30 | |
I'm representing Scotland at a banquet for the Great British Menu. | 0:57:30 | 0:57:34 | |
It's pretty massive, isn't it? | 0:57:34 | 0:57:36 | |
To be cooking my dessert with a new dish is just truly incredible, yeah. | 0:57:36 | 0:57:40 | |
I just...I can't wait. | 0:57:40 | 0:57:42 | |
Congratulations, guys. | 0:57:43 | 0:57:45 | |
-Here's to the banquet. -Cheers, everyone. -Cheers. | 0:57:45 | 0:57:47 | |
-Next time... -Service, please! | 0:57:49 | 0:57:51 | |
..the four winning chefs face the biggest challenge | 0:57:51 | 0:57:53 | |
-of their professional careers... -This is hard. | 0:57:53 | 0:57:55 | |
..cooking their Taste Of Summer dishes at the Wimbledon banquet. | 0:57:55 | 0:57:59 | |
They definitely wouldn't have seen strawberries and cream like this at Wimbledon. | 0:57:59 | 0:58:02 | |
But with a host of tennis legends to impress... | 0:58:02 | 0:58:05 | |
Wimbledon to me means everything. | 0:58:05 | 0:58:07 | |
..will the chefs rise to the occasion? | 0:58:07 | 0:58:09 | |
-Just got to pray now. -It's all melting. | 0:58:09 | 0:58:12 |