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This week on Great British Menu... | 0:00:03 | 0:00:06 | |
..three of the north-east's most talented chefs are slugging it out | 0:00:08 | 0:00:13 | |
for the chance to cook at a star-studded Olympic feast. | 0:00:13 | 0:00:17 | |
In the starter round, the pressure was too much for returning contender Stephanie Moon. | 0:00:19 | 0:00:25 | |
I've just dropped three of my goat's cheeses on the floor. | 0:00:25 | 0:00:28 | |
Nerves are getting to her. | 0:00:28 | 0:00:29 | |
That's what the Great British Menu does to you. It's a huge challenge. | 0:00:29 | 0:00:33 | |
But first-timer Charlie Lakin came up trumps | 0:00:33 | 0:00:36 | |
with an impressive seven from hard-nosed veteran Nigel Howarth. | 0:00:36 | 0:00:39 | |
Interesting. | 0:00:39 | 0:00:41 | |
-Good stuff. -Well done, chef. Well done. | 0:00:41 | 0:00:44 | |
Today, it's the fish course, | 0:00:44 | 0:00:46 | |
and rustic cook Charlie has a wobble. | 0:00:46 | 0:00:49 | |
I've completely trashed my jelly on that one. | 0:00:49 | 0:00:51 | |
Ambitious Colin McGurran gets ahead of himself. | 0:00:51 | 0:00:54 | |
-You're looking ready there, mate. Five minutes early. -Five minutes early? | 0:00:54 | 0:00:58 | |
And has Stephanie gone one gimmick too far? | 0:00:58 | 0:01:01 | |
-I can't talk now, can I? -Yeah. | 0:01:01 | 0:01:03 | |
-Shall I pour? -I don't know, I can't see. | 0:01:03 | 0:01:06 | |
For me, I'm not sure that actually quite works, Steph. | 0:01:06 | 0:01:10 | |
In honour of the world's biggest sporting event coming to our shores, | 0:01:20 | 0:01:24 | |
Britain's best chefs are raising their cooking to Olympian heights. | 0:01:24 | 0:01:28 | |
-Really smooth, long, relaxed. -That's brilliant. | 0:01:28 | 0:01:33 | |
They are creating trailblazing gastronomy, | 0:01:33 | 0:01:36 | |
fit to reward record-breaking athletes. | 0:01:36 | 0:01:39 | |
It's all right to take the goggles off now, Jonathan. | 0:01:39 | 0:01:42 | |
-It's nice. I've never had any food that crackles before. -Yeah. | 0:01:42 | 0:01:46 | |
The north-east chefs had disappointing scores for their starters, | 0:01:46 | 0:01:49 | |
and now competition veteran Nigel Howarth wants to see them sweat. | 0:01:49 | 0:01:53 | |
If we're talking about the Olympics, and we're doing the high jump, | 0:01:53 | 0:01:57 | |
we've got to really raise the bar for this fish course. | 0:01:57 | 0:02:00 | |
Front runner Charlie is on the defensive. | 0:02:00 | 0:02:04 | |
Fish course - how are we feeling about this one? | 0:02:04 | 0:02:06 | |
I just want to catch up to you. | 0:02:06 | 0:02:09 | |
I'm three behind the main leader here, so I've got lots to do. | 0:02:09 | 0:02:12 | |
You two guys are going to be sniping at me quite a bit. | 0:02:12 | 0:02:15 | |
I'm probably more nervous now than I have been before, to be honest. | 0:02:15 | 0:02:18 | |
Rising star Charlie is first up today. | 0:02:18 | 0:02:22 | |
A newcomer to the contest, | 0:02:22 | 0:02:23 | |
his rustic cooking with a twist got him a solid seven in the starter. | 0:02:23 | 0:02:27 | |
I'm leading by two points, only two points. It's easy to drop two points as well. | 0:02:27 | 0:02:32 | |
There's two very talented chefs in that kitchen with me. | 0:02:32 | 0:02:35 | |
-Charlie. -Chef. -So, out in front. | 0:02:37 | 0:02:41 | |
-Only just. -Tell me the name of the dish. | 0:02:41 | 0:02:44 | |
It's a beetroot-marinated monkfish with cauliflower and sea radish. | 0:02:44 | 0:02:48 | |
What's the real killer bit of the dish, the bit that's going to excite me? | 0:02:48 | 0:02:52 | |
I think the monkfish. When it's cooked with that beetroot on the outside | 0:02:52 | 0:02:55 | |
and you end up with a beautiful, deep pink outer | 0:02:55 | 0:02:59 | |
with a beautiful white middle, it's very visual. | 0:02:59 | 0:03:02 | |
You'd be quite surprised at the flavour it brings to it, | 0:03:02 | 0:03:05 | |
especially sat on the bed of sea radish. | 0:03:05 | 0:03:07 | |
-Right. -It could give you a little surprise, flavour-wise. | 0:03:07 | 0:03:11 | |
Are you using any technique that you don't normally use? | 0:03:11 | 0:03:15 | |
Personally, I know the water bath is something everyone does all the time, | 0:03:15 | 0:03:19 | |
but I've never used one before. | 0:03:19 | 0:03:20 | |
So you're cooking in a water bath? | 0:03:20 | 0:03:22 | |
Yeah, for me that's my own personal sort of pushing it. | 0:03:22 | 0:03:26 | |
-I've never really done that before. -Confident? | 0:03:26 | 0:03:30 | |
I'm confident with everything else apart from the fish. | 0:03:30 | 0:03:34 | |
So Charlie's stretching himself with his cooking method, | 0:03:34 | 0:03:37 | |
but is using a water bath truly groundbreaking? | 0:03:37 | 0:03:41 | |
He's doing a new technique, | 0:03:41 | 0:03:42 | |
one he's not used to. | 0:03:42 | 0:03:44 | |
If that works for him, it could produce a stunning dish. | 0:03:44 | 0:03:47 | |
If it doesn't, it could produce the opposite. | 0:03:47 | 0:03:49 | |
Is he pushing the boundaries enough with his fish dish? Not sure. | 0:03:49 | 0:03:53 | |
Next up is returning contender Stephanie Moon, | 0:03:53 | 0:03:57 | |
whose eccentric take on the brief cost her points in the first round. | 0:03:57 | 0:04:01 | |
5/10, it's not brilliant, but the race has only just started, | 0:04:01 | 0:04:06 | |
and as a true Olympian, you've got to keep banging on right to the end. That's what I'm going to do. | 0:04:06 | 0:04:11 | |
What are you cooking for us today? What's the name of your dish? | 0:04:13 | 0:04:16 | |
I've got some fantastic looking gurnard here. | 0:04:16 | 0:04:20 | |
I'm making a consomme, using shells of Whitby crab, a few claws in there. | 0:04:20 | 0:04:27 | |
The title of the dish is "See Food?" | 0:04:27 | 0:04:30 | |
I'm saying, as an athlete, your senses have to be at their height. | 0:04:30 | 0:04:33 | |
-Right. -And I'm going to ask yourself and the two other contestants | 0:04:33 | 0:04:38 | |
to wear something to block a sense, so when you taste the dish | 0:04:38 | 0:04:44 | |
a couple of times without the sense, you then remove the inhibitor, | 0:04:44 | 0:04:48 | |
whatever it is. I'm challenging your senses, that's what I'm doing, Nigel. | 0:04:48 | 0:04:52 | |
So, technically, what aspect of this dish is going to make me go wow? | 0:04:52 | 0:04:57 | |
I've got a few technical elements here, some popping candy. | 0:04:57 | 0:05:00 | |
I hope the depth of the flavour of the fish and the consomme | 0:05:00 | 0:05:04 | |
is gastronomically good enough to claw me back a few points | 0:05:04 | 0:05:08 | |
because, fun aside, this dish, I think, delivers. | 0:05:08 | 0:05:12 | |
Once again, Steph's taken a sideways look at the brief. | 0:05:12 | 0:05:15 | |
She's got some surprise props in store, | 0:05:15 | 0:05:18 | |
including swimming goggles and nose pegs. | 0:05:18 | 0:05:20 | |
But what will Nigel make of them? | 0:05:20 | 0:05:22 | |
She's going to test the senses. | 0:05:22 | 0:05:24 | |
I'm not quite sure how she's going to do that | 0:05:24 | 0:05:26 | |
and I'm not sure that will help enhance the dish. | 0:05:26 | 0:05:30 | |
It's something that could be a bit gimmicky | 0:05:30 | 0:05:33 | |
and it could detract from the dish. | 0:05:33 | 0:05:36 | |
We'll only see with time. | 0:05:36 | 0:05:37 | |
Bringing up the rear is ambitious Colin McGurran | 0:05:38 | 0:05:41 | |
who's run his own restaurant since the age of 23. | 0:05:41 | 0:05:44 | |
He over reached himself with his experimental starter, | 0:05:44 | 0:05:47 | |
getting a devastating four from Nigel. | 0:05:47 | 0:05:50 | |
A bit apprehensive going into this one | 0:05:50 | 0:05:52 | |
cos I'm so far behind the leader now, this one has to be good. | 0:05:52 | 0:05:55 | |
If this one turns out bad, then I'm really up the creek without a paddle. | 0:05:55 | 0:05:59 | |
-Colin, how are we today? -I'm all right, yourself? | 0:06:01 | 0:06:03 | |
Tell me about your dish and what's it called? | 0:06:03 | 0:06:05 | |
Mullet In A Seabed. | 0:06:05 | 0:06:06 | |
Basically, I'm trying to create a seabed by using wonderful | 0:06:06 | 0:06:10 | |
ingredients like sea radish and purslane and seaweed, | 0:06:10 | 0:06:15 | |
as well as a great quality fish. | 0:06:15 | 0:06:17 | |
I'm going to fillet them, then I'm going to kind of glue them together. | 0:06:17 | 0:06:21 | |
-So they'll look as if the bone's still in there almost. -Correct. | 0:06:21 | 0:06:24 | |
-You've got one of my favourite ingredients, the pomegranate. -Good start. | 0:06:24 | 0:06:27 | |
Digestive biscuits? What are you doing with those?! | 0:06:27 | 0:06:30 | |
I'm hoping if it goes well, I can have a cup of tea. | 0:06:30 | 0:06:32 | |
Basically, of course, it's a seabed so I'm trying to create a shore, | 0:06:34 | 0:06:37 | |
-a sand to it. -OK, yes. | 0:06:37 | 0:06:39 | |
And you're comfortable that you've got a dish here that will | 0:06:39 | 0:06:42 | |
reach the heights that Olympians are going to be blown away with? | 0:06:42 | 0:06:46 | |
I think the flavours are going to be the key thing in this dish, | 0:06:46 | 0:06:49 | |
in the cooking, so I hope I do the dish justice today. | 0:06:49 | 0:06:54 | |
Colin's using an an array of cheffy tricks to conjure up | 0:06:54 | 0:06:56 | |
his edible seabed served with mullet crackers and a mullet consomme, | 0:06:56 | 0:07:01 | |
but Nigel wants to see perfect execution as well as creative ideas. | 0:07:01 | 0:07:06 | |
He has got a lot of ingredients and components to pull together yet again. | 0:07:06 | 0:07:09 | |
The worry is will he have time to do it? | 0:07:09 | 0:07:13 | |
Will he put the detail into the fish dish that he really needs to do? | 0:07:13 | 0:07:17 | |
The battle's on and front runner Charlie's straight to work on his monkfish. | 0:07:23 | 0:07:28 | |
He's cooking it in a water bath, a new technique for him, | 0:07:28 | 0:07:31 | |
and his rivals seize the chance to question his strategy. | 0:07:31 | 0:07:34 | |
What kind of things have you got in your menus that you've thought, "Yeah, that's the brief." | 0:07:34 | 0:07:38 | |
Cos it was quite a tricky brief, wasn't it? | 0:07:38 | 0:07:40 | |
I'm personally doing a few bits and pieces here that for me | 0:07:40 | 0:07:44 | |
is very different. | 0:07:44 | 0:07:46 | |
I feel like I'm pushing myself on them. | 0:07:46 | 0:07:48 | |
You know, a lot of chefs have got water baths now and... | 0:07:49 | 0:07:52 | |
is that pushing boundaries? | 0:07:52 | 0:07:54 | |
I'm not sure. | 0:07:54 | 0:07:56 | |
But it's Nigel Howarth who'll decide whether the chefs' dishes | 0:07:56 | 0:07:59 | |
are pioneering enough to make the grade. | 0:07:59 | 0:08:03 | |
To represent your area at the Olympic banquet, | 0:08:03 | 0:08:08 | |
it's going to have to be very, very special. | 0:08:08 | 0:08:10 | |
Trailing on just four points, | 0:08:12 | 0:08:14 | |
innovator Colin needs to draw on every cheffy trick in the book | 0:08:14 | 0:08:17 | |
and despite having bombed with his over-ambitious starter, | 0:08:17 | 0:08:20 | |
he's sticking to his guns with his vision | 0:08:20 | 0:08:24 | |
of an edible underwater world. | 0:08:24 | 0:08:26 | |
I'm not going to change my plan too much. | 0:08:26 | 0:08:28 | |
I don't mind tweaking but I don't want to be a wimp. | 0:08:28 | 0:08:31 | |
If it works it'll be fantastic, if not, I'm on the bottom again. | 0:08:31 | 0:08:34 | |
Having filleted his red mullet, he's using edible glue to create | 0:08:35 | 0:08:39 | |
a boneless whole fish. | 0:08:39 | 0:08:41 | |
A technique that has Charlie worried. | 0:08:41 | 0:08:44 | |
The whole idea of gluing the two fish fillets together, that sort of thing... | 0:08:44 | 0:08:48 | |
I feel that for the average person, that's really pushing it on. | 0:08:48 | 0:08:51 | |
Alongside his complex fish dish, | 0:08:51 | 0:08:54 | |
Colin's serving a mullet consomme with crunchy red mullet crackers. | 0:08:54 | 0:08:58 | |
And his unusual process has caught everyone's attention. | 0:08:58 | 0:09:02 | |
Colin, the dried wafers you've got here, can you tell me about those? | 0:09:02 | 0:09:06 | |
Literally I want to get the prawn cracker effect - | 0:09:06 | 0:09:08 | |
basically a fish paste, added tapioca starch, made into like a log, | 0:09:08 | 0:09:14 | |
slice it, let it dry - that's what they're doing now - | 0:09:14 | 0:09:17 | |
and then stick it in the fryer and it should... | 0:09:17 | 0:09:20 | |
-Balloon up. -Balloon up and be lovely and delicate. | 0:09:20 | 0:09:23 | |
Colin's making tapioca crisps with red mullet livers in there. | 0:09:25 | 0:09:30 | |
He's definitely raised his game. He's pushing the barriers, you know. | 0:09:30 | 0:09:34 | |
He's actually really trying to do something that certainly | 0:09:34 | 0:09:38 | |
the other guys haven't seen. | 0:09:38 | 0:09:40 | |
Stephanie, have you seen these? What do you think? | 0:09:40 | 0:09:43 | |
-Yeah, no, it looks good. -Yeah, it does. -No pressure, eh? | 0:09:43 | 0:09:45 | |
The pressure's big on this one, I think. That looks sensational. | 0:09:45 | 0:09:49 | |
Across the kitchen, | 0:09:50 | 0:09:52 | |
rustic chef Charlie is sticking to more traditional techniques. | 0:09:52 | 0:09:55 | |
He's banking on the flavour combination of monkfish with cauliflower and beetroot | 0:09:55 | 0:09:59 | |
to make his dish stand out, | 0:09:59 | 0:10:01 | |
but Nigel needs convincing. | 0:10:01 | 0:10:03 | |
Charlie, how's the beetroot going? | 0:10:05 | 0:10:08 | |
It's grand. This is just like a little beetroot dressing. | 0:10:08 | 0:10:11 | |
Right. There's garlic in this as well? | 0:10:11 | 0:10:13 | |
Just a touch. It's the only thing I've got garlic in. | 0:10:13 | 0:10:16 | |
You've got roast beetroot there as well. | 0:10:16 | 0:10:19 | |
I love beetroot, to be honest. | 0:10:19 | 0:10:21 | |
-Can't beat a good beetroot sarnie. -Beetroot sarnie? -Oh, yeah. Salt and pepper, | 0:10:21 | 0:10:25 | |
lovely bit of fresh white bread, you can't beat it. | 0:10:25 | 0:10:27 | |
-On white bread? -White. -You like this white-red combination, don't you? | 0:10:27 | 0:10:30 | |
You don't get a waistline like mine by eating wholemeal bread. | 0:10:30 | 0:10:33 | |
He's not sure of his cooking techniques. | 0:10:33 | 0:10:37 | |
He's got a bright red colour round a white piece of fish, | 0:10:37 | 0:10:39 | |
so if it bleeds at all, he could have a bit of a messy dish on his hands. | 0:10:39 | 0:10:43 | |
After a starter that was big on quirky ideas | 0:10:46 | 0:10:49 | |
but low on gastronomy, returning contender Steph's determined | 0:10:49 | 0:10:52 | |
to showcase her skill with a consomme of Whitby crab. | 0:10:52 | 0:10:55 | |
The dangers are with a crab consomme, | 0:10:55 | 0:10:58 | |
you can get a very stewy flavour if you're not careful, | 0:10:58 | 0:11:01 | |
so it is quite a difficult consomme to make. | 0:11:01 | 0:11:04 | |
Steph almost ruined her last dish by dropping her homemade cheese, | 0:11:06 | 0:11:10 | |
so this time she's taking every precaution. | 0:11:10 | 0:11:13 | |
Stephanie, you've got two pans of consomme on the go. | 0:11:14 | 0:11:17 | |
-I learnt my lesson with the goat's cheese, chef. -Right. | 0:11:17 | 0:11:21 | |
What I've done is I've really caramelised down the crab bones | 0:11:21 | 0:11:24 | |
-which I think comes through in the flavour. -Can we have a little try? | 0:11:24 | 0:11:27 | |
It's crabby. | 0:11:30 | 0:11:31 | |
Yeah, that's what I'm after. | 0:11:31 | 0:11:33 | |
-And you are going to pass them through a muslin cloth or something? -Yeah, double or triple muslin. | 0:11:33 | 0:11:37 | |
Really try and get them as clear as possible. | 0:11:37 | 0:11:40 | |
It's all about clarity of consomme, if you get that wrong, you might as well not put it out. | 0:11:42 | 0:11:46 | |
Just say, "Forget it, I'll drink it myself. | 0:11:46 | 0:11:49 | |
"I won't even bother giving Nigel that." | 0:11:49 | 0:11:51 | |
If it doesn't clarify, I am struggling and I am in deep water. | 0:11:51 | 0:11:55 | |
Quite literally I'm in deep, cloudy water | 0:11:55 | 0:11:58 | |
which is not a good place to be. | 0:11:58 | 0:11:59 | |
But it's Steph's unusual spin on the brief | 0:11:59 | 0:12:03 | |
that's really got her rivals talking. | 0:12:03 | 0:12:05 | |
Your last dish was quite...you know you had | 0:12:05 | 0:12:08 | |
the props of the Olympics and things like that. | 0:12:08 | 0:12:10 | |
-Is that what you're going for again? -Well, I'm following it through. | 0:12:10 | 0:12:13 | |
My whole menu is telling the Olympic story. | 0:12:13 | 0:12:15 | |
There's going to be a few more twists and turns along the way. | 0:12:15 | 0:12:19 | |
I'm keeping a few surprises back cos I want the shock, | 0:12:20 | 0:12:23 | |
I want these guys to have a bit of a... | 0:12:23 | 0:12:25 | |
"What is she on with?!" You know? | 0:12:25 | 0:12:27 | |
That kind of shock factor is quite good, really, I think. | 0:12:27 | 0:12:30 | |
To road test her left field fish course, | 0:12:34 | 0:12:36 | |
Steph paid a visit to Leeds University to meet | 0:12:36 | 0:12:39 | |
elite Yorkshire tri-athletes Alistair and Jonathan Brownlee. | 0:12:39 | 0:12:43 | |
Having won first and second place in last year's World Championships, | 0:12:44 | 0:12:47 | |
these two brothers are hotly tipped for 2012 glory | 0:12:47 | 0:12:51 | |
and know exactly what it takes to win. | 0:12:51 | 0:12:54 | |
My task is to push myself to the limit, | 0:12:54 | 0:12:56 | |
to do something groundbreaking, | 0:12:56 | 0:12:58 | |
something that hasn't been done before. | 0:12:58 | 0:13:00 | |
How do you two push yourselves to the limit? | 0:13:00 | 0:13:03 | |
Well, normally the most important thing for everyone involved in sport is a goal | 0:13:03 | 0:13:07 | |
cos then, when you get those hard days training, | 0:13:07 | 0:13:09 | |
when it's freezing cold, | 0:13:09 | 0:13:10 | |
you've got something to aim for so it feels worthwhile. | 0:13:10 | 0:13:13 | |
I'm here to find a bit of inspiration from you chaps | 0:13:13 | 0:13:16 | |
on what it really takes to cook food for an Olympian. | 0:13:16 | 0:13:21 | |
Food actually plays an important part of your life, | 0:13:21 | 0:13:23 | |
both to keep yourself healthy and fuelled, | 0:13:23 | 0:13:25 | |
and for motivation as well. | 0:13:25 | 0:13:26 | |
The Olympic feast won't just honour Britain's best athletes | 0:13:26 | 0:13:30 | |
but the family and friends who have helped their dreams come true. | 0:13:30 | 0:13:34 | |
Steph's keen to talk to the boys' mum Cath about raising not one, | 0:13:34 | 0:13:36 | |
but two Olympic hopefuls. | 0:13:36 | 0:13:39 | |
Are these your boys, here? | 0:13:39 | 0:13:41 | |
That's Alistair winning his first World Championship. | 0:13:41 | 0:13:44 | |
That's Alistair and Jonathan recently in Lausanne. | 0:13:44 | 0:13:49 | |
Jonathan beat Alistair in the sprint championship. | 0:13:49 | 0:13:52 | |
You must be the proudest mum in the whole of Yorkshire. | 0:13:52 | 0:13:56 | |
-Of course we're very proud but to me they're just my sons. -Oh! | 0:13:56 | 0:13:59 | |
And we still very much do a lot as a family. | 0:13:59 | 0:14:03 | |
They come home maybe two or three times a week to eat at home. | 0:14:03 | 0:14:05 | |
Nothing tastes as good as Mum's cooking! | 0:14:05 | 0:14:07 | |
No, and eating's very important for them | 0:14:07 | 0:14:10 | |
so they're going to enjoy all of this! | 0:14:10 | 0:14:11 | |
Steph's revealing the concept of her unique fish course | 0:14:11 | 0:14:14 | |
to the Brownlee family. | 0:14:14 | 0:14:15 | |
We've got some different sense inhibitors here. | 0:14:17 | 0:14:20 | |
The idea is to just try and take a sense away and how it changes | 0:14:20 | 0:14:24 | |
when you eat the food. | 0:14:24 | 0:14:27 | |
It's all right to take the goggles off now, Jonathan! | 0:14:27 | 0:14:30 | |
It's nice - I've never had food that crackles before. | 0:14:30 | 0:14:33 | |
It does feel very different when you've got the goggles on. | 0:14:33 | 0:14:35 | |
It tastes, in some ways, sweeter | 0:14:35 | 0:14:37 | |
and I can taste the crab more when I've got the goggles on. | 0:14:37 | 0:14:40 | |
Thank you very much for letting me come in here and try out my dish. | 0:14:40 | 0:14:44 | |
And good luck, guys, in the Olympics! Thank you. | 0:14:44 | 0:14:46 | |
Right, who's going to do the washing-up?! | 0:14:46 | 0:14:49 | |
Back in the kitchen, the two new boys are eager to pick Steph's brains about her experience. | 0:14:52 | 0:14:57 | |
-Was that quite nerve-racking cooking in their house? -Well, it is actually. | 0:14:57 | 0:15:01 | |
You know, you're at home with the Olympians. | 0:15:01 | 0:15:04 | |
It's quite something, really. | 0:15:04 | 0:15:06 | |
It's quite a discipline, the triathlon, very demanding. | 0:15:06 | 0:15:08 | |
Oh, the stamina that those guys have! | 0:15:08 | 0:15:11 | |
It's a bit like doing the Great British Menu. | 0:15:11 | 0:15:13 | |
-Yeah! -You need to have a lot of stamina, don't you? | 0:15:13 | 0:15:15 | |
And if you don't do so well on one, you've got to pick it up on the next one. | 0:15:15 | 0:15:19 | |
Frontrunner Charlie's all too aware that Steph and Colin | 0:15:19 | 0:15:22 | |
are both desperate to make up lost ground. | 0:15:22 | 0:15:26 | |
Watching these guys, they're bringing some stuff to the plate today. | 0:15:26 | 0:15:30 | |
I'm a bit concerned cos I don't seem to be rocking it quite as much as them. | 0:15:30 | 0:15:33 | |
I'm hoping I'm not going too safe with this dish. | 0:15:33 | 0:15:35 | |
I'm just head down, not talking to anyone, just do what I need to do, | 0:15:37 | 0:15:40 | |
get my points back up and then I can...ha...breathe a bit more. | 0:15:40 | 0:15:44 | |
But, no, at the moment, this is serious stuff! | 0:15:44 | 0:15:47 | |
Having been criticised for rushing his starter, | 0:15:48 | 0:15:50 | |
Colin's building his elaborate dish well in advance using sour cream, | 0:15:50 | 0:15:54 | |
compressed cucumber, pomegranate and purple potato rocks. | 0:15:54 | 0:15:59 | |
But it's Colin's innovative idea for creating water | 0:15:59 | 0:16:04 | |
that's caught Nigel's eye. | 0:16:04 | 0:16:05 | |
Having added agar agar to a seaweed stock, | 0:16:05 | 0:16:07 | |
he's creating a clear sheet to cover his seabed. | 0:16:07 | 0:16:10 | |
That's the idea - it gives the ripple effect | 0:16:11 | 0:16:13 | |
but also breaking into that | 0:16:13 | 0:16:15 | |
you're forcing also to have the dashi flavours there. | 0:16:15 | 0:16:18 | |
-That looks delightfully colourful and fresh. -Light, yeah. | 0:16:18 | 0:16:22 | |
Colin has absolutely learnt | 0:16:23 | 0:16:25 | |
that you can't be complacent in this competition. | 0:16:25 | 0:16:29 | |
We're talking about being at the top of your game. | 0:16:29 | 0:16:32 | |
We're still not there yet, | 0:16:32 | 0:16:34 | |
but I've big hopes for this dish from Colin. | 0:16:34 | 0:16:36 | |
Returning contender Steph's dish is MUCH simpler, | 0:16:38 | 0:16:41 | |
but she too has some tricks up her sleeve. | 0:16:41 | 0:16:43 | |
She's roasting peppers to garnish her gurnard which will be | 0:16:43 | 0:16:46 | |
topped with popping candy for a quirky twist. | 0:16:46 | 0:16:50 | |
Popping candy - an unusual ingredient to use with a fish dish. | 0:16:50 | 0:16:53 | |
That could really be a big plus or a big negative. | 0:16:53 | 0:16:58 | |
For now, it's underdog, Colin, that everyone's watching. | 0:17:00 | 0:17:04 | |
He's first to plate up. | 0:17:06 | 0:17:08 | |
But, with his monkfish crackers already out of the fryer, | 0:17:08 | 0:17:11 | |
and time left on the clock, | 0:17:11 | 0:17:12 | |
he's got suspiciously little left to do. | 0:17:12 | 0:17:15 | |
Colin, you're looking ready there, mate. | 0:17:15 | 0:17:17 | |
-I'm five minutes ahead. -Five minutes early? | 0:17:17 | 0:17:20 | |
-I'm just ready to get going. -Five minutes early?! | 0:17:20 | 0:17:23 | |
That's what we like to hear! | 0:17:23 | 0:17:24 | |
Kind of. | 0:17:24 | 0:17:26 | |
To complete the dish, | 0:17:26 | 0:17:28 | |
Colin whizzes up digestive biscuits with anchovy flavouring, | 0:17:28 | 0:17:32 | |
to create a sandy beach, alongside his seabed. | 0:17:32 | 0:17:34 | |
He fries off his mullet on parchment paper, | 0:17:34 | 0:17:37 | |
and Colin's elaborate fish course hits the pass. | 0:17:37 | 0:17:42 | |
-Charlie. -I'm on my way, chef. | 0:17:42 | 0:17:44 | |
We need you at the pass, Charlie. | 0:17:44 | 0:17:46 | |
But Colin's early finish means Charlie is needed to taste, | 0:17:46 | 0:17:50 | |
just as he's attempting to set his beetroot jelly. | 0:17:50 | 0:17:53 | |
-Guys, what do you think? -It looks stunning. -It looks grand. | 0:17:55 | 0:17:58 | |
-Shall, we try it, Colin? -Yes. -Come on, then. | 0:17:58 | 0:18:01 | |
Colin's crafted a visual spectacle. | 0:18:01 | 0:18:04 | |
But does it break boundaries for excellence and innovation? | 0:18:04 | 0:18:08 | |
You've got lots going on there. | 0:18:08 | 0:18:10 | |
Are you pleased and comfortable you've got everything | 0:18:10 | 0:18:12 | |
to the standard you wanted? | 0:18:12 | 0:18:14 | |
I am. What I like about this dish, it's an assembly job. | 0:18:14 | 0:18:16 | |
So you can be quite confident it's been cooked properly. | 0:18:16 | 0:18:19 | |
The gel's different, isn't it? | 0:18:19 | 0:18:22 | |
The gel is different. | 0:18:22 | 0:18:25 | |
Colin, are you happy with the cooking degree of the fish? | 0:18:27 | 0:18:30 | |
-Is that cooked enough for you? -Um... | 0:18:30 | 0:18:34 | |
If anything, it's probably a touch under. | 0:18:34 | 0:18:36 | |
This is his consomme. It's quite dark. | 0:18:36 | 0:18:39 | |
-I hope mine's better. -SHE LAUGHS | 0:18:42 | 0:18:45 | |
It's interesting that you're serving the consomme | 0:18:45 | 0:18:47 | |
in the shot glass. Is that something new? | 0:18:47 | 0:18:50 | |
Something to wash the mouth down. Also, through the glass, you can see | 0:18:50 | 0:18:53 | |
the clarity and, of course, finish with the crisps as well. | 0:18:53 | 0:18:55 | |
They took a bit of work. Pleased they add the texture you wanted? | 0:18:55 | 0:18:59 | |
Yeah, they're very, very crisp, um, that's exactly what I wanted. | 0:18:59 | 0:19:02 | |
I don't think they can get crispier. They're light and disappear. | 0:19:02 | 0:19:05 | |
Don't know about that. I don't think it needs that. | 0:19:05 | 0:19:08 | |
I think that, on its own, would be enough. | 0:19:08 | 0:19:09 | |
Is this dish the dish for the Olympic banquet? | 0:19:09 | 0:19:12 | |
I think it's a strong dish, strong enough to go all the way. | 0:19:12 | 0:19:15 | |
Are you worried, Charlie, when you see this dish? | 0:19:15 | 0:19:18 | |
-Yes and no. You're never certain, really, are you? -Yeah. | 0:19:18 | 0:19:21 | |
So that went well as well, you know. | 0:19:22 | 0:19:25 | |
For this, I'd be very happy with an eight. Ideally, I'd like to be | 0:19:25 | 0:19:29 | |
not bottom, so just get me the numbers over the bottom and I'll be happy with that. | 0:19:29 | 0:19:33 | |
Anything less and I'm in trouble for my next course. | 0:19:33 | 0:19:36 | |
But Colin's already in trouble with one of his rivals. | 0:19:38 | 0:19:42 | |
I tell you what, if you're going to stick something up early again, | 0:19:42 | 0:19:45 | |
can you just give me a heads up, maybe? | 0:19:45 | 0:19:47 | |
Just completely trashed my jelly on that one | 0:19:47 | 0:19:50 | |
-and had to go back to scratch, but... -Really? Why, what happened? | 0:19:50 | 0:19:53 | |
Er, just I kind of rushed getting the, er, the setting agent into it | 0:19:53 | 0:19:56 | |
and I just didn't get time to nurture it properly. | 0:19:56 | 0:19:59 | |
Charlie must now make a new batch of beetroot jelly against the clock. | 0:20:01 | 0:20:06 | |
Luckily for him, Steph's next to the pass. | 0:20:06 | 0:20:10 | |
With Nigel watching like a hawk, | 0:20:10 | 0:20:13 | |
she pours her clarified consomme into jugs | 0:20:13 | 0:20:15 | |
and removes her simply-poached gurnard from its vacuum pack. | 0:20:15 | 0:20:19 | |
Then dresses her bowl with pearl barley and roasted peppers | 0:20:19 | 0:20:23 | |
before garnishing the fish with dill and wood sorrel. | 0:20:23 | 0:20:28 | |
She adds the popping candy | 0:20:28 | 0:20:30 | |
and, with her secret props already on the pass, | 0:20:30 | 0:20:32 | |
it's time to reveal her unique concept. | 0:20:32 | 0:20:35 | |
The idea of this course is that everybody gets their prop first | 0:20:35 | 0:20:39 | |
and then out comes the dish. | 0:20:39 | 0:20:40 | |
So you just pour on the consomme and go for it. | 0:20:40 | 0:20:43 | |
-So each person gets one of these props? -Yeah. -Shall we taste? | 0:20:43 | 0:20:47 | |
-I think so. -Let's go. | 0:20:47 | 0:20:49 | |
Steph's gone out on a limb to create a unique sensory experience, | 0:20:49 | 0:20:54 | |
but has she taken innovation too far? | 0:20:54 | 0:20:57 | |
-Right... -Oh! -OK, let's get it on. | 0:20:57 | 0:21:00 | |
-NASALLY: -I can't talk now! -Yeah! | 0:21:00 | 0:21:02 | |
-OK, shall we pour? -I don't know, I can't see. | 0:21:05 | 0:21:08 | |
Do you taste anything, Chef? | 0:21:08 | 0:21:10 | |
-Well, I can taste the same, but I can't smell the same. -Hmm. | 0:21:10 | 0:21:14 | |
So, for me, I'm not sure that actually quite works, Steph. | 0:21:14 | 0:21:19 | |
Ready, one, two, three... | 0:21:19 | 0:21:21 | |
Is the experience being enriched | 0:21:22 | 0:21:24 | |
or are we detracting from the experience? | 0:21:24 | 0:21:26 | |
You're almost detracting from it to then release | 0:21:26 | 0:21:29 | |
the inhibitor to get the full thing. | 0:21:29 | 0:21:31 | |
-That's the plan. -Right. -Yeah, that's the plan. | 0:21:31 | 0:21:35 | |
It's better with the goggles off. When you've got the goggles on, | 0:21:35 | 0:21:38 | |
you're not seeing the individual ingredients. It was one flavour. | 0:21:38 | 0:21:41 | |
Are you happy with the depth of flavours that you've got there | 0:21:44 | 0:21:47 | |
from the consomme and the fish? | 0:21:47 | 0:21:49 | |
I think the consomme is nice and powerful and well seasoned. | 0:21:49 | 0:21:53 | |
The fish, again, well seasoned | 0:21:53 | 0:21:55 | |
and adds a kind of meaty texture to the dish. | 0:21:55 | 0:21:58 | |
I'm quite surprised about the consomme. | 0:21:58 | 0:22:01 | |
Really, I was expecting a lot stronger. A lot stronger flavour. | 0:22:01 | 0:22:04 | |
-You've got your popping candy on there. -Uh-huh. -Does it work for you? | 0:22:04 | 0:22:07 | |
It has that theatre and, obviously, when you can't see, | 0:22:07 | 0:22:11 | |
you follow the noise with your spoon. | 0:22:11 | 0:22:13 | |
I always like that sense of crackling. | 0:22:13 | 0:22:15 | |
But when you have something very delicate like this fish, | 0:22:15 | 0:22:18 | |
it interrupts the enjoyment, cos it's crr-crr-crr! | 0:22:18 | 0:22:20 | |
I'm not sure about that dish. I don't think Nigel liked it. | 0:22:23 | 0:22:26 | |
I don't think he got it. | 0:22:26 | 0:22:28 | |
I'm, er... Hmm. | 0:22:28 | 0:22:30 | |
I think that's bombed! SHE LAUGHS | 0:22:30 | 0:22:32 | |
Last to the pass is front runner Charlie who's up against it, | 0:22:32 | 0:22:36 | |
having been forced to remake his beetroot jelly. | 0:22:36 | 0:22:39 | |
Hand blender plugged in, get liquidiser out of my way... | 0:22:39 | 0:22:43 | |
-Your monkfish is looking good. -Yeah, you know, it's come together. | 0:22:43 | 0:22:46 | |
The only thing, really, is my jelly. Hey-hey! | 0:22:46 | 0:22:50 | |
By the power of Grayskull, I think I've pulled it off. | 0:22:50 | 0:22:53 | |
Charlie's jelly has set, but has the setback put him off his stride? | 0:22:55 | 0:22:59 | |
What time are you plating up? | 0:22:59 | 0:23:01 | |
In one minute, I'll be on the pass, hopefully. | 0:23:01 | 0:23:03 | |
I'm not sure where I've put my cauliflower puree. | 0:23:03 | 0:23:06 | |
Not a moment too soon, | 0:23:06 | 0:23:09 | |
Charlie dresses his plates with a swipe of the puree, | 0:23:09 | 0:23:13 | |
adding blanched sea radish, fried cauliflower and beetroot dressing. | 0:23:13 | 0:23:17 | |
And tops off his marinated monkfish with the rescued jelly. | 0:23:17 | 0:23:22 | |
He thinks it's a plate packed with innovative flavours, but will Nigel? | 0:23:24 | 0:23:29 | |
Charlie, you've cooked like an Olympic athlete today. | 0:23:29 | 0:23:32 | |
-Shall we go and try it? -Yeah, definitely. -Come on, then. | 0:23:32 | 0:23:35 | |
Charlie got his classic monkfish with a twist | 0:23:35 | 0:23:39 | |
to the pass against the odds, but is it a groundbreaking dish? | 0:23:39 | 0:23:43 | |
From a point of view of having something special and unique about it, | 0:23:48 | 0:23:52 | |
-where do you think you are? -I think it's the monkfish. | 0:23:52 | 0:23:55 | |
The nice marinade and the way it's cooked down and then | 0:23:55 | 0:23:58 | |
bringing in that sort of peppery, slightly bitter leaf underneath using the sea radish. | 0:23:58 | 0:24:02 | |
For a banquet, that's a lot of things to put on a plate. | 0:24:02 | 0:24:05 | |
-It's more like a restaurant dish to me. -Yeah. | 0:24:05 | 0:24:07 | |
And your monkfish - | 0:24:07 | 0:24:08 | |
-how do you feel that's cooked? -I'm happy with that. -Yeah? -Yeah. | 0:24:08 | 0:24:11 | |
-It's just cooked. -I'd say it's just on the point. For me, actually, | 0:24:11 | 0:24:14 | |
I think the water bath might've, er, God bless me, actually worked. | 0:24:14 | 0:24:19 | |
The monkfish - very soft. I love you can taste the beetroot as well. | 0:24:19 | 0:24:23 | |
If he's never used a water bath before, I think he's done OK. | 0:24:23 | 0:24:26 | |
Your jelly looks OK now. You had a few problems, did you, | 0:24:26 | 0:24:29 | |
-on the way with it? -Yeah, unfortunately, it's probably | 0:24:29 | 0:24:32 | |
more brittle than I wanted. It's a rushed batch. | 0:24:32 | 0:24:34 | |
I may have gone overkill on the setting agent to get it done on time. | 0:24:34 | 0:24:37 | |
-So, on this dish, do you think it's a gold medal winner? -A great dish, | 0:24:37 | 0:24:41 | |
but is it Olympic in its efforts? I'm not sure. | 0:24:41 | 0:24:43 | |
CHARLIE: I don't think I've let myself down there. | 0:24:43 | 0:24:46 | |
Even with the little hiccup there last-minute, | 0:24:46 | 0:24:49 | |
I think I might've just kept... | 0:24:49 | 0:24:50 | |
I might just be keeping my nose ahead. | 0:24:50 | 0:24:53 | |
Here's hoping and praying at any rate. | 0:24:53 | 0:24:55 | |
All three dishes tasted, the chefs face an anxious wait. | 0:24:56 | 0:25:01 | |
It's an all-too familiar feeling for returning contender Steph. | 0:25:01 | 0:25:04 | |
So far, second time in, is it any easier? Does it feel better? | 0:25:04 | 0:25:07 | |
-I think this is harder than last year. -Why's that? | 0:25:07 | 0:25:10 | |
I think that's, I don't know, possibly you two. | 0:25:10 | 0:25:12 | |
I don't know. | 0:25:12 | 0:25:14 | |
-For you, it must be all right, cos you're ahead. -It blooming isn't, | 0:25:14 | 0:25:17 | |
cos you're all the time having to be really careful you don't slip up. | 0:25:17 | 0:25:20 | |
-Yeah, yeah. -You know, if anything, for me, | 0:25:20 | 0:25:21 | |
I've probably been more on edge today than I was yesterday. | 0:25:21 | 0:25:24 | |
In the starter, Charlie bagged the top score of seven. | 0:25:24 | 0:25:28 | |
With Steph on five and Colin on four, | 0:25:28 | 0:25:30 | |
can either of them overtake him? | 0:25:30 | 0:25:32 | |
End of day two. | 0:25:40 | 0:25:41 | |
We'll start with you, Colin. Your mullet on the seabed | 0:25:45 | 0:25:49 | |
looked beautiful and I think, just overall, | 0:25:49 | 0:25:53 | |
the way that you plated the dish made it an exciting dish. | 0:25:53 | 0:25:59 | |
Your fish just slightly, for me, slightly undercooked. | 0:25:59 | 0:26:03 | |
Steph... | 0:26:06 | 0:26:08 | |
Steph, I'm going to ignore the gimmicks, cos I don't think | 0:26:09 | 0:26:12 | |
they really fit and I'm going to just judge the food. | 0:26:12 | 0:26:14 | |
The consomme was lovely and delicate | 0:26:14 | 0:26:17 | |
and the fish was cooked, you know, spot on. | 0:26:17 | 0:26:21 | |
The dish, for me, was a little bit simple in overall... | 0:26:21 | 0:26:27 | |
and that popping candy... | 0:26:27 | 0:26:28 | |
..popped and blew it for me. It didn't work. | 0:26:30 | 0:26:33 | |
Charlie, your beetroot marinaded monkfish | 0:26:35 | 0:26:38 | |
with cauliflower and sea radish. The dish was executed well. | 0:26:38 | 0:26:42 | |
I was a little bit concerned that your beetroot | 0:26:42 | 0:26:46 | |
might bleed into your cauliflower and it didn't do. | 0:26:46 | 0:26:49 | |
A bit more oomph needed, | 0:26:49 | 0:26:52 | |
I think, in the overall dish from a seasoning point of view. | 0:26:52 | 0:26:55 | |
OK, so to the scores. | 0:26:56 | 0:26:58 | |
Colin, for your mullet on the seabed... | 0:27:00 | 0:27:04 | |
I'm giving you... | 0:27:04 | 0:27:06 | |
..eight out of ten. | 0:27:07 | 0:27:09 | |
Steph... | 0:27:10 | 0:27:12 | |
for your seafood... | 0:27:12 | 0:27:15 | |
..I'm giving you six out of ten. | 0:27:18 | 0:27:21 | |
Charlie, for your monkfish and beetroot... | 0:27:21 | 0:27:27 | |
I'm giving you... | 0:27:27 | 0:27:29 | |
seven out of ten. | 0:27:29 | 0:27:32 | |
-Thank you. -Chef. | 0:27:33 | 0:27:36 | |
-Well done, mate. -Yeah, well done there. -Well done. -Thank you. | 0:27:36 | 0:27:41 | |
Oh... I knew that bombed. | 0:27:41 | 0:27:44 | |
So two courses in, Charlie's clung onto his two-point lead on 14, | 0:27:44 | 0:27:49 | |
Colin surged into second on 12, | 0:27:49 | 0:27:51 | |
leaving Steph in the danger zone on 11. | 0:27:51 | 0:27:54 | |
I'm really pleased about being actually in the lead | 0:27:54 | 0:27:56 | |
and I just want to keep hold of that, to be honest, | 0:27:56 | 0:27:58 | |
cos it's a bit of a psychological battle. | 0:27:58 | 0:28:00 | |
There's no point trying to work out who's going to be first and second. | 0:28:00 | 0:28:03 | |
You've got to do your own thing, trust your food and get on with it. | 0:28:03 | 0:28:07 | |
At the minute, I'm trailing behind and it's not a good place to be. | 0:28:07 | 0:28:10 | |
I need to get some serious points on the main course, | 0:28:10 | 0:28:13 | |
otherwise I am in trouble. | 0:28:13 | 0:28:15 | |
In tomorrow's main course, Steph's facing an uphill struggle. | 0:28:16 | 0:28:21 | |
-I'm a bit worried... -I'm OK. -..that you really misunderstood the brief. | 0:28:21 | 0:28:25 | |
She'll stop at nothing to get back on track. | 0:28:25 | 0:28:27 | |
It's getting white hot now. If I get any grief off those boys! | 0:28:27 | 0:28:30 | |
I'm coming back fighting. The moon has not gone yet. | 0:28:30 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:41 | 0:28:45 |