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Three of London and the south-east's most talented chefs. Phil Howard... | 0:00:02 | 0:00:06 | |
I guess I'm a big cheese. | 0:00:06 | 0:00:08 | |
..Marcus McGuinness... | 0:00:08 | 0:00:09 | |
I'm not intimidated. You know what they say about young blood. | 0:00:09 | 0:00:12 | |
..and Graham Garrett. | 0:00:12 | 0:00:14 | |
I'm getting more frogspawn than egg yolk, I'll be honest with you. | 0:00:14 | 0:00:17 | |
With five Michelin stars between them, it's a battle of wills. | 0:00:17 | 0:00:21 | |
I'm going to win the competition because I'm going to cook | 0:00:21 | 0:00:24 | |
immaculate food, and that's what matters. | 0:00:24 | 0:00:27 | |
Tonight, it's the dessert course - | 0:00:27 | 0:00:29 | |
their last chance to smash their rivals. | 0:00:29 | 0:00:31 | |
There's so much at risk. Everyone's sort of bang on it today. | 0:00:31 | 0:00:35 | |
I'm really up against it in this one. | 0:00:35 | 0:00:37 | |
I'm losing. I've got to pull it back. | 0:00:37 | 0:00:39 | |
A really bad error from any of us will be terminal. | 0:00:39 | 0:00:42 | |
And Marcus takes one of the biggest risks of the whole competition. | 0:00:42 | 0:00:46 | |
Oh, now you're talking! | 0:00:46 | 0:00:49 | |
You know it's a dessert course, yeah? | 0:00:49 | 0:00:51 | |
That's why the olives are there it's obviously a dessert. | 0:00:51 | 0:00:55 | |
There's so much that can go wrong with this. | 0:00:55 | 0:00:57 | |
Marcus, as usual, he's way out there with this one. | 0:00:57 | 0:00:59 | |
He's cooking a starter for a dessert. | 0:00:59 | 0:01:01 | |
It's just not a dessert. | 0:01:03 | 0:01:04 | |
In this Olympic year, our chefs are taking inspiration | 0:01:15 | 0:01:19 | |
from our world-class athletes... | 0:01:19 | 0:01:21 | |
Yeah! | 0:01:21 | 0:01:22 | |
You're getting it now! | 0:01:22 | 0:01:23 | |
..in their bid to create groundbreaking dishes, | 0:01:23 | 0:01:26 | |
worthy of a breathtaking Olympic feast. | 0:01:26 | 0:01:29 | |
Culinary mastermind and veteran of the competition, Jason Atherton, | 0:01:29 | 0:01:33 | |
knows exactly what it takes to push boundaries | 0:01:33 | 0:01:36 | |
and wants the chefs to finish in a blaze of glory. | 0:01:36 | 0:01:40 | |
It's the final day. It's dessert day. | 0:01:40 | 0:01:43 | |
This is a chance for these guys to push themselves that extra bit. | 0:01:43 | 0:01:46 | |
I'm looking for an Olympian effort | 0:01:46 | 0:01:48 | |
to push themselves over the finishing line. | 0:01:48 | 0:01:50 | |
There's only two places on the podium today | 0:01:50 | 0:01:52 | |
and they're all aware of what's at stake. | 0:01:52 | 0:01:55 | |
I want to win this competition. There's still a chance I can. | 0:01:55 | 0:01:58 | |
There's no way I intend doing anything in there | 0:01:58 | 0:02:00 | |
that's going to surrender that lead. | 0:02:00 | 0:02:02 | |
The way it stands at the moment, | 0:02:02 | 0:02:03 | |
it's a three-horse race. Anyone could win. | 0:02:03 | 0:02:05 | |
Maverick chef Marcus McGuinness has defied convention all week | 0:02:09 | 0:02:13 | |
with his no-holds-barred approach to flavour combinations. | 0:02:13 | 0:02:16 | |
And today is no different. | 0:02:16 | 0:02:18 | |
I've got a really surprising dessert. | 0:02:18 | 0:02:19 | |
It's not your normal ingredients for dessert. | 0:02:19 | 0:02:22 | |
If that's not pushing boundaries, then I don't know what is. | 0:02:22 | 0:02:24 | |
See you, boys. | 0:02:24 | 0:02:26 | |
Marcus. We're back to starters. | 0:02:28 | 0:02:32 | |
No, dessert today, my friend, dessert. | 0:02:32 | 0:02:34 | |
So what's going on here? | 0:02:34 | 0:02:36 | |
I'm going to do a sweet asparagus cream, with black olive | 0:02:36 | 0:02:38 | |
and fresh goats' curd. | 0:02:38 | 0:02:40 | |
Asparagus is the main component. What are you going to do with that? | 0:02:40 | 0:02:43 | |
Infuse that with some cream, cook it with eggs, sugar | 0:02:43 | 0:02:46 | |
and white chocolate and that's going to be a very smooth, sweet cream. | 0:02:46 | 0:02:50 | |
-Black olives? -I'm going to cook in sugar, and dehydrate, | 0:02:50 | 0:02:53 | |
so that you get little crispy bits on the plate. | 0:02:53 | 0:02:56 | |
The rest I'm going to cook with water and sugar | 0:02:56 | 0:02:58 | |
and make a black olive jam. | 0:02:58 | 0:03:00 | |
Fresh goats' curd is going to lighten everything up. | 0:03:00 | 0:03:03 | |
So much can go wrong with this, texture-wise and palate-wise. | 0:03:03 | 0:03:07 | |
Do you think you're really taking a gamble? | 0:03:07 | 0:03:10 | |
Flavours-wise, I'm confident how it works and ties together. | 0:03:10 | 0:03:13 | |
For me, it eats beautifully. | 0:03:13 | 0:03:15 | |
And you think that, at the Olympic banquet, | 0:03:15 | 0:03:17 | |
all those guests who eat it are absolutely going to get the concept? | 0:03:17 | 0:03:20 | |
I think so, yeah. | 0:03:20 | 0:03:22 | |
It'll look strange with raw asparagus on the plate, | 0:03:22 | 0:03:24 | |
but the way it eats is delicious and that's the most important thing. | 0:03:24 | 0:03:27 | |
True to form, Marcus has gone for a radical dessert of asparagus, | 0:03:27 | 0:03:31 | |
olives and goats' curd. But is it too challenging? | 0:03:31 | 0:03:35 | |
He's got everything riding on this dessert | 0:03:35 | 0:03:37 | |
and he brings out stuff I'd normally eat in a starter. | 0:03:37 | 0:03:40 | |
I just hope, for his sake, he knows exactly what he's doing. | 0:03:40 | 0:03:42 | |
Currently in last place is Graham Garrett, | 0:03:42 | 0:03:45 | |
but he's not out of the race yet | 0:03:45 | 0:03:47 | |
and he's determined to make his dessert count. | 0:03:47 | 0:03:50 | |
Forget about the rest. Forget about what's gone now. | 0:03:51 | 0:03:55 | |
I want to execute a dessert to perfection | 0:03:55 | 0:03:57 | |
and get the marks to put me through. | 0:03:57 | 0:04:00 | |
Hi, Graham. | 0:04:01 | 0:04:03 | |
It's the final day, the final dish. It's neck and neck. | 0:04:03 | 0:04:06 | |
-Name your dish. -Lemon meringue. Obviously not just a lemon meringue. | 0:04:06 | 0:04:09 | |
Well, I hope not, so talk me through what you're doing. | 0:04:09 | 0:04:12 | |
I'm making a lemon curd. | 0:04:12 | 0:04:13 | |
The meringue flavour of the topping comes from a meringue ice cream | 0:04:13 | 0:04:17 | |
and, for the texture that you would normally get from a meringue, | 0:04:17 | 0:04:22 | |
I'm making some little raspberry puffs, | 0:04:22 | 0:04:25 | |
using raspberry puree and Methocel. | 0:04:25 | 0:04:28 | |
What this does is, it gives you volume. | 0:04:28 | 0:04:30 | |
You mix it with your puree, whisk it like a meringue | 0:04:30 | 0:04:33 | |
but they're made with the puree. There's no egg white in them at all. | 0:04:33 | 0:04:36 | |
-And this? -Dried hibiscus flowers. | 0:04:36 | 0:04:38 | |
I'm going to make a nice hibiscus-flavoured jelly, cut them into cubes. | 0:04:38 | 0:04:42 | |
-Are you nervous? -I don't think I've got time for nerves at the moment. | 0:04:42 | 0:04:46 | |
It's about doing the dish to my best and, hopefully, pulling it back. | 0:04:46 | 0:04:49 | |
Is this dish daring? Is this an Olympian effort? | 0:04:49 | 0:04:52 | |
I think it is. It's daring in the fact that that I've got different elements | 0:04:52 | 0:04:55 | |
that I've not seen in a dish like this before, so, yeah, I think so. | 0:04:55 | 0:04:59 | |
Graham's out to blast classic lemon meringue to Olympic heights | 0:04:59 | 0:05:03 | |
with the latest in molecular gastronomy. But can he pull it off? | 0:05:03 | 0:05:06 | |
Graham's not making the traditional meringue, as we know it. | 0:05:06 | 0:05:09 | |
He's doing it without any egg whites. I've never seen this before. | 0:05:09 | 0:05:12 | |
Is this going to be the Olympic effort I'm looking for to give him maximum points | 0:05:12 | 0:05:16 | |
to get him through to the judging chamber? | 0:05:16 | 0:05:19 | |
Culinary force to be reckoned with, Phil Howard, has led all week | 0:05:20 | 0:05:24 | |
but after a disappointing main, is he losing his grip on the competition? | 0:05:24 | 0:05:28 | |
It is nerve-wracking. There's no two ways about it. | 0:05:28 | 0:05:31 | |
It could all completely change. | 0:05:31 | 0:05:32 | |
Pastry is a science, it can all come a cropper. | 0:05:32 | 0:05:35 | |
It's the final day, how are you feeling? | 0:05:38 | 0:05:40 | |
Feeling pretty good, but there's always anxiety when you've got a souffle in the pipeline. | 0:05:40 | 0:05:44 | |
-Can you talk me through your dish? -I think, for a spring dessert, | 0:05:44 | 0:05:48 | |
and if you want to incorporate fruit, rhubarb is the only option. It's got bundles of flavour. | 0:05:48 | 0:05:52 | |
-You're making a puree? -I'm going to make a coarse compote | 0:05:52 | 0:05:55 | |
and I'm also going to make a jam. | 0:05:55 | 0:05:57 | |
I think a souffle has got to have some body, not just some thin egg whites. | 0:05:57 | 0:06:00 | |
Basically, we're going to make a rice pudding and that gives | 0:06:00 | 0:06:03 | |
a great, rich, unctuous base to make the souffle with. | 0:06:03 | 0:06:06 | |
You're two points ahead. If this fails and the souffle doesn't rise, | 0:06:06 | 0:06:10 | |
it's pretty much going to put you down to the bottom of the pack. | 0:06:10 | 0:06:14 | |
Yeah, that's why I feel a little bit anxious about it. I'm putting all my eggs in one basket. | 0:06:14 | 0:06:18 | |
What's innovative about this dish? | 0:06:18 | 0:06:20 | |
Daring, and it's impressive through its delivery, rather than through its innovation. | 0:06:20 | 0:06:26 | |
Phil's putting his neck on the line | 0:06:26 | 0:06:28 | |
with a technically challenging souffle. | 0:06:28 | 0:06:31 | |
But has he missed the mark on innovation? | 0:06:31 | 0:06:33 | |
Phil's decided to do a rhubarb souffle. Is that going to be enough? | 0:06:33 | 0:06:37 | |
Has Phil stretched himself? | 0:06:37 | 0:06:38 | |
This'll have to be a really dammed good souffle | 0:06:38 | 0:06:41 | |
for me to give maximum points for that dish. | 0:06:41 | 0:06:44 | |
With a whisker between all chefs, Jason is swift to set the challenge. | 0:06:44 | 0:06:49 | |
Whoever comes up tops with this dessert is going through. | 0:06:49 | 0:06:52 | |
Whoever makes a mess of it is going home. It's as simple as that. | 0:06:52 | 0:06:55 | |
All three chefs are desperate for a place in the final. | 0:07:04 | 0:07:07 | |
With the most ground to make up, | 0:07:07 | 0:07:09 | |
Graham gets straight to work on his lemon curd | 0:07:09 | 0:07:12 | |
and on psyching out the competition. | 0:07:12 | 0:07:14 | |
-Is that asparagus I see on your board there, Marcus? -It is indeed. | 0:07:14 | 0:07:18 | |
-You know it's a dessert course, yeah? -Yeah, yeah, I know. | 0:07:18 | 0:07:21 | |
We're going for something a bit different, surprisingly, yeah? | 0:07:21 | 0:07:24 | |
That's why the olives are there, it's obviously a dessert. | 0:07:24 | 0:07:28 | |
I have to say I am at my most classical with pastry. | 0:07:28 | 0:07:32 | |
I just cannot escape the deliciousness of chocolate | 0:07:32 | 0:07:36 | |
and orange and pears and salted caramel. | 0:07:36 | 0:07:39 | |
Don't you think, when you've got something like salted caramel, | 0:07:39 | 0:07:42 | |
-most people would find that quite strange, no? -Yeah. -But it's classic. | 0:07:42 | 0:07:47 | |
-Yeah. But it's not asparagus. -No, it's not asparagus. | 0:07:47 | 0:07:49 | |
And it's not olives. | 0:07:49 | 0:07:52 | |
From my perspective, he's trying to drag these flavours | 0:07:52 | 0:07:55 | |
kicking and screaming into pastry to be different. It's not their natural home. | 0:07:55 | 0:08:00 | |
Marcus, as usual, is way out there with this one. | 0:08:00 | 0:08:03 | |
I mean, he's cooking a starter for a dessert | 0:08:03 | 0:08:05 | |
which is great if you're in a hurry, maybe you only want one or two courses. | 0:08:05 | 0:08:08 | |
I guess the most important thing is if Jason enjoys it | 0:08:08 | 0:08:12 | |
because no matter what those two guys think, they ain't marking me! | 0:08:12 | 0:08:15 | |
Despite the raised eyebrows, Marcus is standing by his dish | 0:08:17 | 0:08:21 | |
but Jason is also intrigued by his unusual choice. | 0:08:21 | 0:08:25 | |
Whereabouts are we up to in the dish? | 0:08:25 | 0:08:29 | |
I've got my sugar syrup. I've got my asparagus. | 0:08:29 | 0:08:32 | |
I'm just going to pop it in the machine in a minute. | 0:08:32 | 0:08:35 | |
-Standard 50-50 sugar-syrup? -No, it's a four to one. | 0:08:35 | 0:08:38 | |
One part sugar, four parts oil. | 0:08:38 | 0:08:42 | |
Just a very, very light syrup because asparagus is quite sweet in itself. | 0:08:42 | 0:08:46 | |
-Black olives? -Black olive jam. Black olives, sugar, water. | 0:08:46 | 0:08:49 | |
Cook them till they're tender, blitz them all up and away you go. | 0:08:49 | 0:08:55 | |
All right, then. | 0:08:55 | 0:08:56 | |
He's got asparagus, goats' curd, black olive. | 0:08:56 | 0:08:59 | |
Is this too much on one plate? I don't know. | 0:08:59 | 0:09:02 | |
When I taste it, I'm going to be able to give my verdict, but, for now, | 0:09:02 | 0:09:06 | |
it's down to him to pull this off. | 0:09:06 | 0:09:08 | |
So the jury's still out on Marcus' dessert. | 0:09:08 | 0:09:11 | |
Across the kitchen, Phil's made a more familiar sweet treat - | 0:09:12 | 0:09:15 | |
rice pudding for the base of his souffle. | 0:09:15 | 0:09:18 | |
His risk is all in the execution but is this daring enough? | 0:09:18 | 0:09:22 | |
-Have you had chance to do a trial? -No. | 0:09:23 | 0:09:26 | |
And as far as the rhubarb, | 0:09:26 | 0:09:28 | |
you said you're doing a compote and the jam. How do they incorporate? | 0:09:28 | 0:09:31 | |
You're doing a compote, there's the compote in the making, so you've got some texture. | 0:09:31 | 0:09:35 | |
You've got a bit of actual rhubarb. | 0:09:35 | 0:09:37 | |
But rhubarb is a bit of a bizarre fruit. | 0:09:37 | 0:09:39 | |
If I was just to try and puree that, you'd end up with a gunge. | 0:09:39 | 0:09:43 | |
In this pan here, I've got rhubarb, with a little bit of orange juice, | 0:09:43 | 0:09:47 | |
a bit of hibiscus there to boost its colour | 0:09:47 | 0:09:51 | |
and I'll force this through conical so the majority is juice. | 0:09:51 | 0:09:54 | |
-Right. -Then I'll reduce that down and that's what I'm going to brush up the side of the moulds | 0:09:54 | 0:09:58 | |
and add a spoon of that to ripple through the souffle. | 0:09:58 | 0:10:00 | |
Phil's using rhubarb. | 0:10:00 | 0:10:02 | |
This is the most seasonal fruit in spring | 0:10:02 | 0:10:04 | |
but I'm looking for a dish that's going to inspire me | 0:10:04 | 0:10:09 | |
and is a souffle going to do that? | 0:10:09 | 0:10:11 | |
I'm not a massive fan of souffle. | 0:10:11 | 0:10:13 | |
I know they're very impressive but they're not my thing. | 0:10:13 | 0:10:16 | |
Hopefully, you know, he might be able to surprise me with something a bit different in it. | 0:10:16 | 0:10:20 | |
We'll wait and see. | 0:10:20 | 0:10:21 | |
Graham's also pinning his Olympic hopes on a classic dessert - | 0:10:22 | 0:10:26 | |
lemon meringue - which he's looking to bring bang up-to-date | 0:10:26 | 0:10:28 | |
with modern techniques. | 0:10:28 | 0:10:31 | |
Can he deliver the boundary-pushing dish Jason is looking for? | 0:10:31 | 0:10:35 | |
-Graham, coming along nicely? -I'm just making the ice cream. I've got the meringue made, it's in the oven. | 0:10:35 | 0:10:39 | |
This is not the raspberry meringue you're making? | 0:10:39 | 0:10:42 | |
No, this is standard egg white and sugar meringue. | 0:10:42 | 0:10:45 | |
-That's going where? -That'll be the sweetener for the ice cream. | 0:10:45 | 0:10:48 | |
Why would you substitute normal sugar? | 0:10:48 | 0:10:51 | |
I was trying to achieve the meringue flavour that you would get, | 0:10:51 | 0:10:54 | |
like the burnt topping on top of a lemon meringue pie. | 0:10:54 | 0:10:57 | |
I wanted that flavour into the ice cream. | 0:10:57 | 0:10:59 | |
-You put sugar in it and meringue, it starts to get too sweet. -Right. | 0:10:59 | 0:11:02 | |
I was cutting it back and back and I thought, "Why am my putting sugar in the base at all? | 0:11:02 | 0:11:07 | |
"I might as well just use the meringue." | 0:11:07 | 0:11:09 | |
Graham likes to keep the food in his restaurant simple but is determined | 0:11:13 | 0:11:17 | |
to come to the competition armed with innovative techniques. | 0:11:17 | 0:11:21 | |
It's a real big challenge this year, the Olympic thing. | 0:11:21 | 0:11:25 | |
It's about pushing yourself, not normally what I would do. | 0:11:25 | 0:11:27 | |
To give himself the edge, he's visiting Westminster Kingsway College in London | 0:11:27 | 0:11:32 | |
to get molecular advice from development chef Vicky Enderson. | 0:11:32 | 0:11:35 | |
-Hiya, Vicky. -Hiya, Graham. | 0:11:35 | 0:11:37 | |
In his bid to turn classic lemon meringue on its head, he's been experimenting | 0:11:37 | 0:11:40 | |
at home with different flavours and techniques | 0:11:40 | 0:11:43 | |
but so far his trials have been a bit hit and miss. | 0:11:43 | 0:11:45 | |
I want a texture instead of meringue and I wanted a raspberry flavour | 0:11:45 | 0:11:49 | |
so I've been playing with Methocel, making these raspberry puffs. | 0:11:49 | 0:11:54 | |
Raspberry is a very acidic fruit and when the acids | 0:11:54 | 0:11:56 | |
come in contact with the foam and the Methocel, | 0:11:56 | 0:11:59 | |
they tend to try to dissipate the foam and break them down. | 0:11:59 | 0:12:02 | |
That's exactly what's been happening. | 0:12:02 | 0:12:04 | |
To try and solve Graham's issue, | 0:12:04 | 0:12:06 | |
Vicky adds sodium citrate to neutralise the raspberry puree. | 0:12:06 | 0:12:11 | |
It hasn't diluted the flavour of the raspberry but it's a bit of a milder flavour. | 0:12:13 | 0:12:18 | |
Right, what you'll find now is when you dry that out, | 0:12:18 | 0:12:21 | |
you take the moisture out, you're going to intensify the flavour even further. | 0:12:21 | 0:12:25 | |
After a blast in the dehydrator, | 0:12:25 | 0:12:28 | |
it's time to taste the new and improved meringues. | 0:12:28 | 0:12:32 | |
It is a lot more raspberry than the raw mix. | 0:12:34 | 0:12:37 | |
Keen to exploit his time with Vicky, Graham gets her input | 0:12:37 | 0:12:42 | |
on his hibiscus jelly as well. | 0:12:42 | 0:12:43 | |
They make one with a traditional setting agent | 0:12:43 | 0:12:46 | |
and one with a state-of-the-art ingredient. | 0:12:46 | 0:12:49 | |
That's the LT100 in there. | 0:12:49 | 0:12:51 | |
-It started to set at about 80 degrees. -Right. | 0:12:51 | 0:12:54 | |
So will Graham go experimental... | 0:12:54 | 0:12:56 | |
This is a lot more of a rigid gel. | 0:12:56 | 0:13:00 | |
..or old school? | 0:13:00 | 0:13:01 | |
This looks more traditional, doesn't it? | 0:13:01 | 0:13:04 | |
Exactly, it's got that wibble-wobble factor. | 0:13:04 | 0:13:06 | |
-Jelly on a plate! -Exactly. | 0:13:06 | 0:13:08 | |
Which I actually prefer. | 0:13:11 | 0:13:13 | |
To find out how his dessert would go down at the Olympic feast, | 0:13:13 | 0:13:17 | |
Graham's invited some legends from his past to try his experiments - | 0:13:17 | 0:13:21 | |
his old YaYa band-mates, Ray, Terry and Sam. | 0:13:21 | 0:13:24 | |
-Working hard? -Always. | 0:13:24 | 0:13:26 | |
-How are you doing? -How are you doing? -Good to see you. | 0:13:26 | 0:13:29 | |
Basically, I want you to taste a few things. | 0:13:29 | 0:13:31 | |
Will his raspberry puffs get the rock 'n' roll seal of approval? | 0:13:31 | 0:13:35 | |
-Wow! -You're getting raspberry. -Yeah. | 0:13:35 | 0:13:37 | |
Nice and crispy, those ones. | 0:13:37 | 0:13:39 | |
What about his jelly? | 0:13:39 | 0:13:41 | |
Hits you straight away, the flavour's. | 0:13:42 | 0:13:44 | |
Yeah, I'll say. | 0:13:44 | 0:13:45 | |
-Have you done much hibiscus before? -Not recently! | 0:13:45 | 0:13:49 | |
Does it remind you of anything you ate on tour at all? | 0:13:49 | 0:13:51 | |
-Not right now. -No. | 0:13:51 | 0:13:54 | |
-Give me a minute... -Well done! | 0:13:54 | 0:13:56 | |
-It does now, doesn't it? -Yeah. | 0:13:56 | 0:13:58 | |
I'm not comparing myself to an athlete, don't get me wrong. | 0:13:58 | 0:14:01 | |
But it's pushing yourself, pushing your boundaries | 0:14:01 | 0:14:05 | |
and that's what I feel I'm doing. | 0:14:05 | 0:14:06 | |
Graham's piped his molecular meringues | 0:14:09 | 0:14:12 | |
and placed them in the dehydrator. | 0:14:12 | 0:14:14 | |
All three chefs are desperate to cook for the judges tomorrow, | 0:14:14 | 0:14:17 | |
and with the competition so close, nobody can afford any mistakes. | 0:14:17 | 0:14:23 | |
There's so much at risk, so much to lose. And, then, so much to gain. | 0:14:23 | 0:14:27 | |
Everyone's sort of bang on it today. | 0:14:27 | 0:14:29 | |
Everything's risky because you're up against it. This is the last course. | 0:14:29 | 0:14:32 | |
A really bad error from any of us will be tough. | 0:14:32 | 0:14:35 | |
Marcus is going for broke with a left-field savoury dessert | 0:14:35 | 0:14:39 | |
which could polarise opinion. | 0:14:39 | 0:14:41 | |
He's busy making his controversial asparagus | 0:14:41 | 0:14:43 | |
and white chocolate cream which Jason is keen to try. | 0:14:43 | 0:14:47 | |
-Is this asparagus cream? -Yes, indeed. -White chocolate? | 0:14:47 | 0:14:50 | |
White chocolate, eggs, a little bit of sugar. | 0:14:50 | 0:14:52 | |
-Do you mind if I taste that? -Be my guest. | 0:14:52 | 0:14:55 | |
'Here's the thing with Marcus' dessert. Has he gone a step too far?' | 0:14:58 | 0:15:01 | |
I tasted that white chocolate and asparagus. | 0:15:01 | 0:15:04 | |
It's already quite powerful in asparagus. | 0:15:04 | 0:15:08 | |
Marcus may be playing a risky game but for Graham this is his last chance to make up vital points. | 0:15:08 | 0:15:13 | |
It's his most innovative dish of the week | 0:15:13 | 0:15:15 | |
and Jason's keeping a close eye on his unusual method | 0:15:15 | 0:15:19 | |
for making meringues. | 0:15:19 | 0:15:21 | |
-Can I? -Yeah, yeah. | 0:15:21 | 0:15:22 | |
This is the meringueless meringue? | 0:15:22 | 0:15:24 | |
Yeah, this is the meringue with no egg whites. | 0:15:24 | 0:15:28 | |
-It should taste of raspberry. -And hibiscus jelly? -Hibiscus jelly. | 0:15:28 | 0:15:31 | |
-This is so powerful, you've got to get the balance right. -Yeah. | 0:15:31 | 0:15:34 | |
I actually like the powerful flavour on the hibiscus. | 0:15:34 | 0:15:37 | |
I think it works really well with the raspberry. | 0:15:37 | 0:15:39 | |
Graham's using hibiscus. | 0:15:39 | 0:15:42 | |
Now, potentially this could overpower the whole dish. | 0:15:42 | 0:15:45 | |
This is a massive pitfall for him. | 0:15:45 | 0:15:47 | |
So Graham's got a tricky balancing act to pull off | 0:15:48 | 0:15:51 | |
but Phil's Olympic bid is also in fear of falling flat. | 0:15:51 | 0:15:55 | |
Literally. | 0:15:55 | 0:15:57 | |
His hopes rest on a classic dessert known for being temperamental - | 0:15:57 | 0:16:00 | |
souffle. | 0:16:00 | 0:16:02 | |
-Have you had time to do a test yet? -No, but I'm about to get on it now. | 0:16:02 | 0:16:05 | |
Phil's banking on his dessert rising to the occasion | 0:16:05 | 0:16:09 | |
but his rivals are yet to be convinced it fits the brief at all. | 0:16:09 | 0:16:12 | |
Could his efforts be in vain? | 0:16:12 | 0:16:14 | |
At the end of the day, it's a souffle. | 0:16:14 | 0:16:17 | |
I don't think a souffle is something the judges haven't seen before. | 0:16:17 | 0:16:19 | |
Oh, now were talking. | 0:16:19 | 0:16:22 | |
But Marcus' dish is first up today and he's got one last trick | 0:16:22 | 0:16:26 | |
up his sleeve in his bid to break culinary ground. | 0:16:26 | 0:16:29 | |
He's making frozen asparagus cream with liquid nitrogen. | 0:16:31 | 0:16:35 | |
It's the moment of truth as Marcus starts to plate his radical dessert. | 0:16:38 | 0:16:44 | |
He pipes goats' curd, along with the controversial asparagus cream | 0:16:44 | 0:16:47 | |
and black olive jam onto a slate. | 0:16:47 | 0:16:50 | |
Next, he adds slivers of sweetened asparagus, | 0:16:50 | 0:16:52 | |
before crumbling over the pastry base and frozen asparagus cream. | 0:16:52 | 0:16:56 | |
-Are you happy? -I'm pretty happy. | 0:17:01 | 0:17:03 | |
It looks clean, it's fresh, it's interesting. | 0:17:03 | 0:17:05 | |
I think we should taste it because I don't think it'll last too long. | 0:17:05 | 0:17:09 | |
Is Marcus' asparagus and black olive dessert | 0:17:11 | 0:17:14 | |
distinctive and gastronomic enough to fit the Olympic brief | 0:17:14 | 0:17:17 | |
or just too experimental? | 0:17:17 | 0:17:19 | |
Are you happy with the texture of the asparagus cream? | 0:17:23 | 0:17:26 | |
The texture is just what I wanted. Just that nice, soft set, nice and creamy. | 0:17:26 | 0:17:30 | |
Wow. | 0:17:32 | 0:17:35 | |
There's flavours going on like... | 0:17:35 | 0:17:37 | |
-It's super rich. -Yeah, very rich. | 0:17:37 | 0:17:39 | |
-You certainly couldn't eat a lot of it. -No. | 0:17:39 | 0:17:42 | |
-You've dehydrated the black olive? -Yeah. | 0:17:42 | 0:17:44 | |
-What is that bringing to this dish? -Texture again. | 0:17:44 | 0:17:46 | |
You've got that lovely crunch, you bite into it, | 0:17:46 | 0:17:49 | |
it gives that burst of flavour and, for me, when you put sugar | 0:17:49 | 0:17:53 | |
with black olives, they become like treacly, | 0:17:53 | 0:17:55 | |
salty and sweet and it's just all fantastic. | 0:17:55 | 0:17:58 | |
I'm never going to like olive on a pudding. | 0:17:58 | 0:18:00 | |
-It's got a complex, oily, medicinal flavour... -Yeah. | 0:18:00 | 0:18:05 | |
It doesn't work on pastry, for me, anywhere. | 0:18:05 | 0:18:07 | |
You don't think that if this goes to an Olympian banquet, | 0:18:07 | 0:18:11 | |
guests won't have a problem with eating vegetables as a dessert? | 0:18:11 | 0:18:14 | |
I've absolutely no idea. | 0:18:14 | 0:18:16 | |
I'd say it definitely captures | 0:18:16 | 0:18:18 | |
the brief in being really out there and going for it | 0:18:18 | 0:18:21 | |
but it's not something I'd want to eat. | 0:18:21 | 0:18:24 | |
-It's just not a dessert. -No. | 0:18:24 | 0:18:25 | |
You guys are neck and neck, is this going to push you out in front? | 0:18:25 | 0:18:28 | |
Yeah, I think so, I'm very happy with the dish. | 0:18:28 | 0:18:31 | |
I really hope it takes me through to the final tomorrow. | 0:18:31 | 0:18:33 | |
I was really pleased with my dessert. | 0:18:33 | 0:18:36 | |
I think it ticks all the right boxes for the brief. | 0:18:36 | 0:18:39 | |
Hopefully, Jason will give it a big enough score for me | 0:18:39 | 0:18:42 | |
to progress through, because, yeah, I'd really like to eat that. | 0:18:42 | 0:18:45 | |
Next to be scrutinised is Graham and with vital points to claw back, | 0:18:45 | 0:18:49 | |
he can't afford any mistakes. | 0:18:49 | 0:18:53 | |
First he plates the lemon curd, hibiscus jelly | 0:18:53 | 0:18:55 | |
and molecular meringues, | 0:18:55 | 0:18:58 | |
followed by a scoop of toasted meringue ice cream | 0:18:58 | 0:19:00 | |
and, for a final Olympic flourish, a shortbread medal. | 0:19:00 | 0:19:03 | |
Has he done enough to pip his rivals to the post? | 0:19:03 | 0:19:06 | |
-Are you pleased with the result? -Yeah, I am. | 0:19:10 | 0:19:12 | |
I think it delivers what I set out to do. | 0:19:12 | 0:19:14 | |
Has Graham pulled it out of the bag at the 11th hour | 0:19:14 | 0:19:17 | |
with his high-tech lemon meringue dessert? | 0:19:17 | 0:19:20 | |
With that ice cream, are you happy you've got the meringue notes in there | 0:19:22 | 0:19:26 | |
-that you were looking for? -I could do with it being a bit stronger, | 0:19:26 | 0:19:29 | |
a little bit more of the toastiness of the meringue I'd like in there. | 0:19:29 | 0:19:32 | |
-What about the texture of that? -The texture I love. | 0:19:32 | 0:19:34 | |
Meringuey enough for you? | 0:19:34 | 0:19:36 | |
If you weren't told what was in there, you would think about it | 0:19:36 | 0:19:39 | |
and I think you'd come to the right conclusion. | 0:19:39 | 0:19:41 | |
Are you happy you've achieved the right lemonness with that? | 0:19:41 | 0:19:44 | |
You want that fresh, tart lemon zing. That gives me that. | 0:19:44 | 0:19:48 | |
-Don't think it's too sour-y? -No, I think it's good. | 0:19:48 | 0:19:50 | |
It's a lovely lemon curd. | 0:19:50 | 0:19:53 | |
It is a lovely lemon curd. It could be tiny bit more delicate, maybe. | 0:19:53 | 0:19:57 | |
The raspberry meringues, do you feel they've added anything to the dish? | 0:19:57 | 0:20:01 | |
Yeah, I do, because if I wanted to get that raspberry flavour | 0:20:01 | 0:20:03 | |
into the meringue, I couldn't have done it. | 0:20:03 | 0:20:05 | |
This is why I tried to find this method and you've got the meringue texture there, definitely. | 0:20:05 | 0:20:10 | |
I wouldn't know that it wasn't egg white, actually. | 0:20:10 | 0:20:12 | |
Whatever this product is, it certainly works for me. | 0:20:12 | 0:20:15 | |
Hibiscus jelly, this is the part which potentially | 0:20:15 | 0:20:18 | |
has the biggest danger because it's quite powerful. | 0:20:18 | 0:20:21 | |
It is and I've gone for a strong hibiscus jelly flavour | 0:20:21 | 0:20:25 | |
-rather than just a wishy-washy jelly. -Mm-hm. | 0:20:25 | 0:20:28 | |
-The jelly is as delicate as they're going to come. -Good dessert. | 0:20:28 | 0:20:31 | |
It deserves a good mark, but not a fantastic one. | 0:20:31 | 0:20:35 | |
I think that's a fair assessment. | 0:20:35 | 0:20:37 | |
Do you think this is innovative, groundbreaking? | 0:20:37 | 0:20:39 | |
I think it is a cos I've never come across these methods before, | 0:20:39 | 0:20:43 | |
making eggless meringues. With a bit more beefing up of the ice cream, | 0:20:43 | 0:20:48 | |
I honestly believe you'll be proud that you put this dish through. | 0:20:48 | 0:20:52 | |
That's it, then. The final one's out of the way. | 0:20:54 | 0:20:57 | |
It was tough. It was very tough. | 0:20:57 | 0:21:01 | |
It's so competitive now and it's all to play for in this last one. | 0:21:01 | 0:21:05 | |
Back to Phil who's pinning his Olympic hopes on a dessert | 0:21:05 | 0:21:10 | |
known for its tricky execution - souffle. | 0:21:10 | 0:21:12 | |
He's reached a crucial point as he folds rhubarb jam | 0:21:12 | 0:21:15 | |
through his souffle mix and loads up his ramekins. | 0:21:15 | 0:21:19 | |
Then it's into the oven, and all he can do is wait. | 0:21:19 | 0:21:23 | |
Doing a souffle, especially with something like this, | 0:21:23 | 0:21:26 | |
is very, very risky. | 0:21:26 | 0:21:27 | |
You make your mix, put it in the oven. | 0:21:27 | 0:21:29 | |
If it doesn't rise, there's nothing you can do. | 0:21:29 | 0:21:32 | |
As plate-up fast approaches, timing is everything. | 0:21:32 | 0:21:36 | |
And with his rivals looking on, Phil's worst nightmare is realised. | 0:21:36 | 0:21:40 | |
His souffles are not playing ball. | 0:21:40 | 0:21:43 | |
All he can do is pray that they eventually rise | 0:21:43 | 0:21:47 | |
but the stress is starting to show. | 0:21:47 | 0:21:49 | |
As always with Phil, he's pushing himself. | 0:21:49 | 0:21:52 | |
That's part of the challenge. | 0:21:52 | 0:21:54 | |
You don't get that luxury in a restaurant. | 0:21:54 | 0:21:55 | |
You know, the food has to go when it has to go. | 0:21:55 | 0:21:58 | |
He can't keep Jason waiting any longer | 0:21:59 | 0:22:02 | |
and has to get his dessert to the pass. | 0:22:02 | 0:22:04 | |
He serves his vanilla ice cream and cones | 0:22:04 | 0:22:07 | |
and finally reveals his souffles. | 0:22:07 | 0:22:10 | |
Are they up to scratch? | 0:22:11 | 0:22:12 | |
Phil... Got to ask you, happy? | 0:22:18 | 0:22:21 | |
Mostly. They're not up as nicely as they should be. | 0:22:21 | 0:22:25 | |
They're a rich souffle so they are never going to be a lofty souffle. | 0:22:25 | 0:22:29 | |
I'm not sure why they haven't performed. I'd rather have them soft in the centre than push it. | 0:22:29 | 0:22:33 | |
-I think we should go and eat it. A souffle won't last forever. OK? -Thank you. | 0:22:33 | 0:22:37 | |
Phil's souffle may require Olympian technique | 0:22:39 | 0:22:43 | |
but it's got to be the best Jason has ever tasted. | 0:22:43 | 0:22:46 | |
Will it be surprising enough? | 0:22:46 | 0:22:47 | |
-Are you happy with the consistency of that rice pudding? -I could have left it another minute | 0:22:49 | 0:22:55 | |
-but the pressure was on. -Yeah... -That is exactly how I like it. | 0:22:55 | 0:22:59 | |
It is rich, it is creamy. | 0:22:59 | 0:23:03 | |
-Phil looked a bit rattled there. -A little bit stressed about it all. | 0:23:03 | 0:23:06 | |
-It does what it says, doesn't? -It does. -It's definitely a souffle. | 0:23:08 | 0:23:11 | |
It's a rhubarb souffle. | 0:23:11 | 0:23:13 | |
And the ice cream? | 0:23:13 | 0:23:15 | |
-Are you happy with the texture? -Yeah, it needs to be incredibly soft. | 0:23:15 | 0:23:19 | |
The souffle's got to be eaten quite quickly | 0:23:19 | 0:23:21 | |
so the soft ice cream wants to melt into it quickly. | 0:23:21 | 0:23:24 | |
-Good vanilla ice cream. -Indeed. | 0:23:26 | 0:23:28 | |
I'm getting that you're not that armoured by this dish as a dessert? | 0:23:28 | 0:23:32 | |
I'm trying to be as excited about a souffle | 0:23:32 | 0:23:36 | |
as I can be excited about a souffle. | 0:23:36 | 0:23:38 | |
You feel we could get all this out with the manpower? | 0:23:38 | 0:23:41 | |
Yes, I think so. | 0:23:41 | 0:23:42 | |
If you've under that much pressure now, doing this, | 0:23:44 | 0:23:46 | |
how much pressure are you going to be under doing it for 100 people to get it out on time? | 0:23:46 | 0:23:50 | |
I wouldn't want to think about that, let alone do it. | 0:23:50 | 0:23:53 | |
This is unusual in its make-up in the fact that you've used a rice pudding base. | 0:23:53 | 0:23:57 | |
-Are you happy that that's delivered? -I'm very happy. | 0:23:57 | 0:23:59 | |
It does give a flavour but it also gives richness and body to the souffle as well as stabilising it | 0:23:59 | 0:24:04 | |
and I think it's delivered exactly what I intended. | 0:24:04 | 0:24:07 | |
There we have it, game over. | 0:24:09 | 0:24:12 | |
I managed to get something to the pass that was delicious, | 0:24:12 | 0:24:14 | |
not quite as I wanted it. There are definitely some wrinkles to iron out. | 0:24:14 | 0:24:18 | |
The last dish has been cooked and served. | 0:24:18 | 0:24:22 | |
Now the chefs face an agonising wait for Jason's final scores. | 0:24:22 | 0:24:26 | |
He's about as steely-faced as they come. | 0:24:26 | 0:24:28 | |
-He is, absolutely. -Are you feeling confident or not? | 0:24:28 | 0:24:32 | |
Relatively, I think so. I mean, I was happy. | 0:24:32 | 0:24:35 | |
With Phil on 24, Marcus on 23, | 0:24:37 | 0:24:41 | |
and Graham not far behind on 21, | 0:24:41 | 0:24:43 | |
it's anybody's game. | 0:24:43 | 0:24:44 | |
Well, boys, it's all over. | 0:24:52 | 0:24:55 | |
In the next few minutes, someone's going home. | 0:24:55 | 0:24:58 | |
Marcus... | 0:24:58 | 0:25:01 | |
Your asparagus, goats' curd and black olive. | 0:25:01 | 0:25:03 | |
I applaud the fact that you went out on a limb to try and get you through | 0:25:03 | 0:25:06 | |
to the judging chamber. | 0:25:06 | 0:25:08 | |
Asparagus doesn't very often go in desserts for a reason. | 0:25:08 | 0:25:11 | |
-It's not a combination I would do. -But I felt you pulled that off. | 0:25:13 | 0:25:17 | |
Having said that, it looked messy on the plate for me. | 0:25:17 | 0:25:21 | |
You said it was clean, I felt it looked messy. | 0:25:21 | 0:25:24 | |
Graham, for your lemon meringue, | 0:25:25 | 0:25:28 | |
I felt that was one of your most technically accomplished dishes. | 0:25:28 | 0:25:31 | |
It was pretty to look at. The raspberry meringues were super. | 0:25:31 | 0:25:35 | |
Everyone's looking for new ideas and to come up | 0:25:35 | 0:25:37 | |
with something no-one's ever seen before I thought was pretty cool. | 0:25:37 | 0:25:41 | |
The lemon meringue citrus curd was divine. | 0:25:41 | 0:25:44 | |
The hibiscus jelly, which I thought could have been the low point, | 0:25:44 | 0:25:47 | |
again was bags of flavour. | 0:25:47 | 0:25:49 | |
Having said that, the ice cream... | 0:25:49 | 0:25:52 | |
I didn't like the texture. | 0:25:52 | 0:25:54 | |
The flavour wasn't there enough. | 0:25:54 | 0:25:56 | |
Phil, your rhubarb and custard souffle was a very polished dish. | 0:25:57 | 0:26:03 | |
It tasted wonderful. I loved the rice pudding. | 0:26:03 | 0:26:07 | |
It was dense enough but at the same time | 0:26:07 | 0:26:09 | |
it just didn't taste of rice pudding, it just added that creaminess and I really got that. I really liked it. | 0:26:09 | 0:26:14 | |
The ice cream was nice and creamy but are the judges going to say, | 0:26:14 | 0:26:18 | |
"Has Phil Howard stretched his imagination enough | 0:26:18 | 0:26:21 | |
"or is he just relying on the fact of it being something that's going to be | 0:26:21 | 0:26:24 | |
"very difficult to get 100 of these out in one go?" | 0:26:24 | 0:26:28 | |
As you know, guys, | 0:26:29 | 0:26:32 | |
only two people can go through to cook for the judges tomorrow | 0:26:32 | 0:26:35 | |
With a score of eight for their dessert, | 0:26:36 | 0:26:41 | |
and that person goes through... | 0:26:41 | 0:26:46 | |
Phil. | 0:26:46 | 0:26:47 | |
-Well done, Phil. -Thank you. | 0:26:47 | 0:26:49 | |
That leaves two chefs left. | 0:26:49 | 0:26:50 | |
Graham, for your lemon meringue, I'm giving you... | 0:26:52 | 0:26:56 | |
..eight points. | 0:27:01 | 0:27:03 | |
Just one or two elements there from stopping that being a nine. It was a fantastic dish. | 0:27:03 | 0:27:08 | |
Marcus, for your asparagus, goats' curd, black olive... | 0:27:08 | 0:27:11 | |
..I'm giving you... | 0:27:13 | 0:27:14 | |
..an eight. That puts you through with Phil to go tomorrow head-to-head | 0:27:19 | 0:27:24 | |
to cook for the judges. | 0:27:24 | 0:27:26 | |
-Graham, it was an absolute pleasure to stand in this kitchen this week and judge your food. -Thank you. | 0:27:26 | 0:27:30 | |
All I can say, guys, is good luck. | 0:27:30 | 0:27:32 | |
-Thank you very much. -Do us proud. | 0:27:32 | 0:27:35 | |
-Well done, Phil. -Thank you, Graham. -It's been a pleasure, mate. -It has. | 0:27:35 | 0:27:38 | |
-And you. -Sorry to see you go. | 0:27:38 | 0:27:40 | |
So despite a heroic effort, Graham is sadly leaving the competition | 0:27:42 | 0:27:46 | |
and Phil and Marcus will cook for the judges. | 0:27:46 | 0:27:49 | |
Of course, disappointed. | 0:27:49 | 0:27:50 | |
I mean, you know, I'd be a liar to say I wasn't. | 0:27:50 | 0:27:53 | |
I've said all along I wanted to get to the banquet. | 0:27:53 | 0:27:56 | |
Come tomorrow, gloves are off and I'm going to be fighting all the way to the end. | 0:27:56 | 0:27:59 | |
So the challenge is on. | 0:27:59 | 0:28:01 | |
Tomorrow, Phil and Marcus lock horns. | 0:28:01 | 0:28:05 | |
You're like one end of the spectrum | 0:28:05 | 0:28:06 | |
and I'm on the other end of the spectrum. | 0:28:06 | 0:28:08 | |
It's every man for himself. | 0:28:08 | 0:28:10 | |
If that is the case, it'll be a clear and outright win. | 0:28:12 | 0:28:15 | |
-Hopefully it'll be me, eh? -It's always good to dream. | 0:28:15 | 0:28:19 | |
And the judges are unleashed. | 0:28:19 | 0:28:20 | |
This dish is likes someone running up for the pole vault | 0:28:20 | 0:28:23 | |
and spectacularly soaring underneath the bar. | 0:28:23 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:48 |