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Three of Scotland's most talented chefs are locked in battle... | 0:00:02 | 0:00:06 | |
-Let's see what you're made of. -Let the battle commence. | 0:00:06 | 0:00:09 | |
..for the chance to cook at a once-in-a-lifetime Olympic feast. | 0:00:09 | 0:00:12 | |
Yesterday, Alan Murchison snatched victory in the fish course. | 0:00:12 | 0:00:17 | |
You being comfortable is not on my game plan. | 0:00:17 | 0:00:20 | |
Today, it's the main course | 0:00:20 | 0:00:22 | |
and Mark Greenaway is determined to come back stronger. | 0:00:22 | 0:00:25 | |
Is this the two points that'll overstep me? | 0:00:25 | 0:00:27 | |
To be honest, I'm hoping it'll be an extra three. | 0:00:27 | 0:00:30 | |
But as tensions reach boiling point... | 0:00:30 | 0:00:33 | |
I think Alan's starting to buckle a little bit. | 0:00:33 | 0:00:35 | |
The young pretender snapping at your heels. | 0:00:35 | 0:00:37 | |
..is perfectionist Alan | 0:00:37 | 0:00:40 | |
taking things too far in his quest for gold? | 0:00:40 | 0:00:42 | |
I've had macaroni made to fit my mould. | 0:00:42 | 0:00:44 | |
You've had macaroni made to fit? | 0:00:44 | 0:00:46 | |
Potentially going just a little bit over the top on this one. | 0:00:46 | 0:00:50 | |
In this year of the 2012 Olympic Games, | 0:01:01 | 0:01:04 | |
our chefs are stretching themselves body and soul... | 0:01:04 | 0:01:08 | |
-Agh! -..taking inspiration from our world-class athletes... | 0:01:08 | 0:01:12 | |
You've got one chance. Make the most of it and grab it with both hands. | 0:01:12 | 0:01:17 | |
..in their bid to strike culinary gold worthy of our sporting legends. | 0:01:17 | 0:01:22 | |
Goodbye, Mr Nice Guy! Come on! | 0:01:22 | 0:01:25 | |
Judging them this week is a formidable champion | 0:01:25 | 0:01:29 | |
of the competition, whose expectations are sky high. | 0:01:29 | 0:01:34 | |
It's Jeremy Lee. | 0:01:34 | 0:01:36 | |
By day three, I'm hoping they're going to be really in their stride | 0:01:37 | 0:01:40 | |
and they'll really pull it out of the hat. | 0:01:40 | 0:01:42 | |
With only four points between them, no-one can rest on their laurels. | 0:01:42 | 0:01:47 | |
The main courses is definitely exciting. | 0:01:47 | 0:01:50 | |
I think it's a showcase of what a chef can do, you know. | 0:01:50 | 0:01:52 | |
We're only halfway through and everything can go horribly wrong. | 0:01:52 | 0:01:56 | |
One slip from any of youse guys and I can quickly catch up. | 0:01:56 | 0:01:59 | |
-Let's what you're made of today. -Yeah. -Let the battle commence. | 0:01:59 | 0:02:02 | |
The current leader of the pack is Alan Murchison. | 0:02:04 | 0:02:07 | |
He's a two-time former competitor, Michelin-starred chef | 0:02:07 | 0:02:11 | |
and competitive runner obsessed with getting to the banquet, | 0:02:11 | 0:02:14 | |
and he's won both courses so far this week. | 0:02:14 | 0:02:18 | |
I really want to nail this today. I want to be cooking at the Olympics. | 0:02:18 | 0:02:21 | |
What are you going to do today to take us to the Olympic ideal? | 0:02:23 | 0:02:27 | |
What is your gold-star dish? | 0:02:27 | 0:02:29 | |
I'm doing barbecued veal with spinach and watercress. | 0:02:29 | 0:02:33 | |
I'm going for a dish that's concentrating on flavour. | 0:02:33 | 0:02:35 | |
There'll be some new techniques in there, | 0:02:35 | 0:02:37 | |
some elements that will surprise you and elevate it. | 0:02:37 | 0:02:40 | |
I'd be very disappointed if there wasn't. | 0:02:40 | 0:02:43 | |
A beautiful cut of veal that I've got. | 0:02:43 | 0:02:46 | |
-Is this British veal? -It is British veal, indeed. | 0:02:46 | 0:02:48 | |
And then, I'm looking to combine that with some real super foods. | 0:02:48 | 0:02:52 | |
-I got some complex carbohydrate in the macaroni... -Yeah. | 0:02:52 | 0:02:55 | |
-I've got spinach, watercress, parsley. -Sweetbreads? -Sweetbreads. | 0:02:55 | 0:02:58 | |
-Trying to use it all. -Magnificent. How will you cook your veal? | 0:02:58 | 0:03:01 | |
I'm using a mixture of the newest technique | 0:03:01 | 0:03:04 | |
for cooking protein - sous-vide - | 0:03:04 | 0:03:06 | |
which we all know gives you fantastic consistency. However... | 0:03:06 | 0:03:09 | |
it lacks flavour, let's be frank. | 0:03:09 | 0:03:11 | |
The barbecuing of it is going to give me immense flavour. | 0:03:11 | 0:03:13 | |
I shall be intrigued to see what you do. | 0:03:13 | 0:03:15 | |
Will Alan be able to pull off | 0:03:15 | 0:03:17 | |
a flavour combination of macaroni cheese, | 0:03:17 | 0:03:20 | |
spinach and barbecued veal for a world-class feast? | 0:03:20 | 0:03:24 | |
He's done grandstand food before and, this time, | 0:03:27 | 0:03:29 | |
he's taking it quite the other way. | 0:03:29 | 0:03:31 | |
Much more sort of family-style barbecue foods. | 0:03:31 | 0:03:35 | |
Very potent flavours. I'm a bit concerned that veal | 0:03:35 | 0:03:38 | |
doesn't always get handled in the best manner. | 0:03:38 | 0:03:40 | |
There could be an issue with tenderness. | 0:03:40 | 0:03:42 | |
Chasing Alan's lead is Colin Buchan, a newcomer to the kitchen. | 0:03:42 | 0:03:48 | |
His strategy is to serve underused ingredients in unexpected ways | 0:03:48 | 0:03:52 | |
and it's got him to second place. | 0:03:52 | 0:03:55 | |
But he has pole position in his sights. | 0:03:55 | 0:03:58 | |
I want to beat Alan Murchison, of course I do. | 0:03:58 | 0:04:01 | |
This is probably, hopefully, my strongest dish. | 0:04:01 | 0:04:03 | |
-The main course? -The main course, yes. | 0:04:06 | 0:04:09 | |
I'm going to be doing a poached loin of blackface lamb, | 0:04:09 | 0:04:12 | |
-lamb's tongues, sweetbreads croustillant. -Croustillant. | 0:04:12 | 0:04:16 | |
-That's the little pastry? -Yes, the little pastry | 0:04:16 | 0:04:18 | |
and little shoestring potato, goes nice and crispy. | 0:04:18 | 0:04:22 | |
-Lots of offal, very nice to see. -Lovely flavour, you know. | 0:04:22 | 0:04:25 | |
-You've got sweetbreads as well, haven't you? -Speaks for itself. | 0:04:25 | 0:04:29 | |
What's its USP? What gives it dazzle? | 0:04:29 | 0:04:31 | |
The horsepower of this dish | 0:04:31 | 0:04:33 | |
will be the quality of the lamb that I have sourced, | 0:04:33 | 0:04:36 | |
you know, I'm going to let the food do the talking. | 0:04:36 | 0:04:38 | |
You are a very product- and ingredient-driven man. Do you reckon | 0:04:38 | 0:04:42 | |
-that'll be enough to take you over the winning line? -I hope so. | 0:04:42 | 0:04:45 | |
-I came on to this competition to win. -He keeps building the Eiffel Tower. | 0:04:45 | 0:04:49 | |
-You building something equally...? -I'm going to knock it down today. | 0:04:49 | 0:04:52 | |
So Colin wants to deliver a knockout punch with underused cuts of meat. | 0:04:52 | 0:04:57 | |
Lamb's tongue and a croustillant of sweetbreads. | 0:04:57 | 0:05:00 | |
Will he pull it off? | 0:05:00 | 0:05:02 | |
He's introduced offal on quite a large scale | 0:05:02 | 0:05:05 | |
and that's quite bold, that's not seem very often. | 0:05:05 | 0:05:08 | |
It might be too ambitious a dish. | 0:05:08 | 0:05:10 | |
There's a lot going on here, but let's see. | 0:05:10 | 0:05:13 | |
Last into the fray is molecular chef Mark Greenaway, | 0:05:13 | 0:05:17 | |
another newcomer to the kitchen. | 0:05:17 | 0:05:20 | |
His strategy to do modern twists on classic flavour combinations | 0:05:20 | 0:05:24 | |
hasn't bowled Jeremy over yet, leaving him in third place. | 0:05:24 | 0:05:28 | |
I am disappointed. I'm no different to any chef in there. | 0:05:28 | 0:05:31 | |
So it's going to be a tough day, it's going to be very tough. | 0:05:31 | 0:05:34 | |
-Day three, how are you feeling? -Good, feeling good. -The main course? | 0:05:37 | 0:05:40 | |
-Certainly is. -A dazzling dish. | 0:05:40 | 0:05:42 | |
-Hopefully. -Is this the big firework display? Is this the gold medal? | 0:05:42 | 0:05:46 | |
This is a great dish. I've got 48-day matured Aberdeen Angus beef. | 0:05:46 | 0:05:50 | |
-That's beautiful, isn't it? -It's wonderful meat. | 0:05:50 | 0:05:52 | |
Slightly tougher than, say, fillet. | 0:05:52 | 0:05:55 | |
So, to combat that, I'm going to sous-vide it. | 0:05:55 | 0:05:57 | |
Sear it off and then put some butter, some thyme, some garlic, | 0:05:57 | 0:06:02 | |
-some scurvy grass. -Scurvy grass?! -Yes, very horseradish-y... | 0:06:02 | 0:06:06 | |
-Lovely. -..which, with beef, goes very well. | 0:06:06 | 0:06:09 | |
-Completely. -We've got a bone marrow jus | 0:06:09 | 0:06:11 | |
and we're serving it with a potato and beef shin terrine. | 0:06:11 | 0:06:14 | |
-So... -OK. -And some roasted chervil root. | 0:06:14 | 0:06:18 | |
Ah, yes, all the herb roots. | 0:06:18 | 0:06:20 | |
So, Mark, this is a banquet for the Olympics. | 0:06:20 | 0:06:24 | |
-They want something extra, extra special. -I think the way that I'm combining everything together, | 0:06:24 | 0:06:28 | |
as a main course, I think that's what's really going to be special. | 0:06:28 | 0:06:32 | |
We're mixing just the old, the new, bringing it bang up to date. | 0:06:32 | 0:06:35 | |
So Mark's aiming to reinvent the classic roast beef dinner, | 0:06:35 | 0:06:39 | |
elevating a rump of beef and serving it with a potato pie. | 0:06:39 | 0:06:43 | |
Will he make it a banquet-worthy contender? | 0:06:43 | 0:06:46 | |
He needs to pull something really quite spectacular out of the hat. | 0:06:46 | 0:06:49 | |
I really hope it's not going to be tough when I try it, | 0:06:49 | 0:06:51 | |
because rump can be notoriously difficult, | 0:06:51 | 0:06:53 | |
because there's at least 15 different muscle groups in there. | 0:06:53 | 0:06:56 | |
The starter gun's been fired and it's clear from the outset | 0:07:02 | 0:07:06 | |
each chef is striving for the gold medal today. | 0:07:06 | 0:07:10 | |
Think Jeremy will like this dish? | 0:07:10 | 0:07:11 | |
Jeremy likes perfect execution, so if I can execute this perfectly, | 0:07:11 | 0:07:16 | |
I'm happy, Jeremy's happy, you boys aren't. | 0:07:16 | 0:07:19 | |
Michelin-starred chef Alan Murchison | 0:07:20 | 0:07:23 | |
is blending parsley for a high-tech jelly to go with his veal. | 0:07:23 | 0:07:28 | |
While, across the way, classical chef Colin Buchan | 0:07:28 | 0:07:30 | |
is frying sweetbreads for his croustillant | 0:07:30 | 0:07:32 | |
and it's caught Jeremy's eye. | 0:07:32 | 0:07:34 | |
Do you cook the sweetbreads before the tongues? | 0:07:34 | 0:07:37 | |
I'll put the tongues on as well, straight after this, | 0:07:37 | 0:07:39 | |
cos I want this marinating to get that lovely flavour on there. | 0:07:39 | 0:07:42 | |
Colin's dish, I noticed him frying some sweetbreads very early on. | 0:07:44 | 0:07:47 | |
I was slightly puzzled by that. | 0:07:47 | 0:07:49 | |
I think sweetbreads tend to get cooked to order | 0:07:49 | 0:07:51 | |
very, very crispy, because that's the great delight in sweetbread. | 0:07:51 | 0:07:54 | |
So I'm intrigued to see what that's about. | 0:07:54 | 0:07:56 | |
Colin now starts to prepare the lamb's tongue by boiling it. | 0:07:56 | 0:08:00 | |
How do you feel that would go down for a banquet for 100 Olympians? | 0:08:00 | 0:08:05 | |
Do you think they'll want a bit of tongue? | 0:08:05 | 0:08:07 | |
I think so, you know, tongue in cheek, everybody likes a bit of tongue in cheek. | 0:08:07 | 0:08:10 | |
-Do you think it's quite risky? -It's not risky, it's not a lot of fat. | 0:08:10 | 0:08:14 | |
You know, it's very lean. It's a lovely piece of meat. | 0:08:14 | 0:08:17 | |
I have a slight concern about tongue. | 0:08:19 | 0:08:22 | |
100 people, tongue? Instead of simple, it needs to be special. | 0:08:22 | 0:08:25 | |
It seems all the chefs are taking risks today. | 0:08:25 | 0:08:29 | |
Molecular chef, Mark, has chosen to cook | 0:08:29 | 0:08:32 | |
a famously tough joint, a rump of beef. | 0:08:32 | 0:08:35 | |
He's searing it first before water-bathing it. | 0:08:35 | 0:08:38 | |
I'm using a cut of beef that not everybody uses. | 0:08:38 | 0:08:41 | |
You know, you would think Olympians, you would think | 0:08:41 | 0:08:44 | |
fillet of beef, let's spoil them, I'm not doing that. | 0:08:44 | 0:08:47 | |
The rump is, in my opinion, it's the best-flavoured steak. | 0:08:47 | 0:08:52 | |
However, it is a little bit more tougher, | 0:08:52 | 0:08:55 | |
so, to combat that, I'm slow-cooking it. | 0:08:55 | 0:08:57 | |
-Your beef, you're going sous-vide, aren't you? -Yeah. | 0:08:57 | 0:09:01 | |
If you've chosen rump, are you happy about the texture it will achieve | 0:09:01 | 0:09:05 | |
-by the time you serve it? -Very. -Isn't the argument against sous-vide | 0:09:05 | 0:09:08 | |
-that you don't get the crispness of the fat? -I mean, | 0:09:08 | 0:09:12 | |
I sear it before I sous-vide it, then sear it after I sous-vide it as well. | 0:09:12 | 0:09:16 | |
A lot of people just do it either before or after. | 0:09:16 | 0:09:19 | |
Mark's cut of beef has a lot of sinew - a difficult one to do. | 0:09:19 | 0:09:23 | |
Whether he pulls it off or not is another question. | 0:09:23 | 0:09:25 | |
But I wish him good luck with that. | 0:09:25 | 0:09:27 | |
Award-winning chef Alan Murchison is also going to water-bath his rose veal, | 0:09:29 | 0:09:34 | |
but unlike Mark, he's putting the meat in raw. | 0:09:34 | 0:09:38 | |
He's now cooking pasta | 0:09:40 | 0:09:42 | |
for a macaroni cheese to complement the veal. | 0:09:42 | 0:09:45 | |
I'll be serving my main course in an untraditional way, | 0:09:45 | 0:09:49 | |
it's not got a sauce or a roasting jus as such, | 0:09:49 | 0:09:52 | |
it's got a very, very light cheese sauce. | 0:09:52 | 0:09:54 | |
That's quite an unusual thing to do, | 0:09:54 | 0:09:56 | |
it could be seen to be a little bit risky. | 0:09:56 | 0:09:58 | |
Jeremy's spotted Alan's dish might not be | 0:10:00 | 0:10:02 | |
as simple as he first made out. | 0:10:02 | 0:10:04 | |
Macaroni cheese? | 0:10:04 | 0:10:07 | |
Whether it's groundbreaking, we will see. But what I've done, | 0:10:07 | 0:10:09 | |
I've had macaroni made to fit my mould. | 0:10:09 | 0:10:11 | |
Each mould, I get three along, five across. | 0:10:11 | 0:10:15 | |
You had macaroni made to fit? | 0:10:15 | 0:10:17 | |
30 pieces of macaroni is an ample amount | 0:10:17 | 0:10:20 | |
of complex carbohydrate to have in a meal. | 0:10:20 | 0:10:23 | |
To get precise about macaroni is setting a few alarm bells off. | 0:10:23 | 0:10:27 | |
I can't help feeling and worrying | 0:10:27 | 0:10:29 | |
that there's so much going on in each of his dishes that | 0:10:29 | 0:10:32 | |
he's potentially going just a little over the top on this one. | 0:10:32 | 0:10:34 | |
Let's see what the list is doing. | 0:10:34 | 0:10:37 | |
Your tablets here, | 0:10:37 | 0:10:39 | |
like Moses with his 10 Commandments. | 0:10:39 | 0:10:42 | |
My 10 Commandments - I must concentrate, I must focus, I must win. | 0:10:42 | 0:10:45 | |
The impression I'm getting, it's old age, Jeremy. | 0:10:45 | 0:10:48 | |
Or you could say it's experience, Colin, and what I'm trying to do... | 0:10:48 | 0:10:52 | |
The young pretender snapping at your heels! | 0:10:52 | 0:10:54 | |
I will not take my eye off focus today. I can't afford a mistake. | 0:10:54 | 0:10:59 | |
This is a chef hell-bent on winning. | 0:10:59 | 0:11:02 | |
Alan's competed twice before in Great British Menu, | 0:11:02 | 0:11:05 | |
but failed to cook at the banquet. | 0:11:05 | 0:11:08 | |
So, before the competition, | 0:11:08 | 0:11:11 | |
he tried to find out where he might be going wrong. | 0:11:11 | 0:11:13 | |
Alan's travelling just a few miles from his restaurant | 0:11:13 | 0:11:17 | |
to Reading Rowing Club, where he's arranged to meet | 0:11:17 | 0:11:20 | |
one of the all-time great British Olympians. | 0:11:20 | 0:11:23 | |
Today, I'm really, really excited. | 0:11:23 | 0:11:25 | |
I've got the pleasure of rowing with Sir Matthew Pinsent. | 0:11:25 | 0:11:28 | |
Who better to teach me how to win competitions than big Matthew? | 0:11:28 | 0:11:33 | |
Alan wants to discover the tactics that enabled Sir Matthew Pinsent | 0:11:34 | 0:11:38 | |
to win gold medals in four consecutive Olympic Games. | 0:11:38 | 0:11:42 | |
Can he learn to apply the same winning frame of mind? | 0:11:42 | 0:11:46 | |
So what are you looking for today? | 0:11:46 | 0:11:47 | |
I've been in the competition before, but I don't think I really excelled, | 0:11:47 | 0:11:51 | |
so, hopefully today, I can get a few tips | 0:11:51 | 0:11:54 | |
and go from a competitor to a winner. | 0:11:54 | 0:11:56 | |
While rowing and cooking might seem poles apart, | 0:11:56 | 0:11:59 | |
Sir Matthew Pinsent wants to use his favourite sport | 0:11:59 | 0:12:02 | |
to show Alan where he might be going wrong. | 0:12:02 | 0:12:05 | |
Presumably, you're cooking in a big kitchen with everyone around you. | 0:12:05 | 0:12:08 | |
-Yes. -All the madness going on around you. | 0:12:08 | 0:12:10 | |
We'd be saying, "Right, blinkers on," because it's really tempting | 0:12:10 | 0:12:14 | |
to start looking and thinking, "Are we are ahead of them? | 0:12:14 | 0:12:17 | |
"Oh, no! They're a bit faster than us." | 0:12:17 | 0:12:19 | |
And it's like, "No, no, no, blinkers on, | 0:12:19 | 0:12:22 | |
-"head down and, if we execute our plan, I'm confident the boat will cross the line first." -Yeah. | 0:12:22 | 0:12:27 | |
You'll be fine. You'll be fine. | 0:12:27 | 0:12:28 | |
Time to take to the water for some Olympic tips. | 0:12:28 | 0:12:32 | |
-It's not a fluid motion for me at the moment, but... -It'll get there. | 0:12:34 | 0:12:38 | |
Don't be too hard on yourself. | 0:12:38 | 0:12:39 | |
Part of the reason why people don't improve as quick as they should | 0:12:39 | 0:12:43 | |
is they're too hard on themselves. Give yourself a break. | 0:12:43 | 0:12:45 | |
It's not whether you make a mistake, | 0:12:45 | 0:12:47 | |
it's how you recover that determines whether you'll win. | 0:12:47 | 0:12:50 | |
You can never get to perfection. | 0:12:50 | 0:12:52 | |
He strikes me as quite high-strung, he kind of just wants to go at it. | 0:12:52 | 0:12:57 | |
Some of those qualities are good in a rowing boat, some will hold you back. | 0:12:57 | 0:13:00 | |
Sir Matthew knows better than most that a winning strategy | 0:13:00 | 0:13:04 | |
involves not obsessing about tiny mistakes. But would Alan get it? | 0:13:04 | 0:13:09 | |
-Wey-hey! Sorry. -It's OK. -Sorry, I've lost the rhythm there. | 0:13:09 | 0:13:14 | |
I could see me getting really quite obsessive about this. | 0:13:14 | 0:13:19 | |
It's a really smooth, long, relaxed... | 0:13:19 | 0:13:22 | |
Good, you've got it going nice, | 0:13:22 | 0:13:24 | |
now we're just going to feel that we're going to relax with it. | 0:13:24 | 0:13:28 | |
Be confident with it. Good. | 0:13:28 | 0:13:30 | |
That's better. I'm buzzing with that. It's brilliant! | 0:13:30 | 0:13:33 | |
Lesson over, Alan wants Sir Matthew's feedback | 0:13:33 | 0:13:36 | |
on his main course contender for the Olympic banquet. | 0:13:36 | 0:13:39 | |
He's been poaching rose veal and it's time to barbecue the joint. | 0:13:39 | 0:13:43 | |
So this is going to be roast meat, | 0:13:43 | 0:13:45 | |
we're going to have the freshness of the parsley and the watercress. | 0:13:45 | 0:13:49 | |
So what does Sir Matthew think of Alan's twist on the barbecue? | 0:13:49 | 0:13:53 | |
That's barbecue heaven! That, for me, | 0:13:54 | 0:13:56 | |
-is definitely a new experience, a new frontier for me. -Brilliant. | 0:13:56 | 0:14:01 | |
Really inspiring, what a fantastic bloke. | 0:14:01 | 0:14:03 | |
I've learnt loads from him today. | 0:14:03 | 0:14:05 | |
If you make a mistake, it's not the mistake, it's how you recover. It's been a really amazing day. | 0:14:05 | 0:14:10 | |
But back in the kitchen, things aren't going to plan. | 0:14:11 | 0:14:16 | |
LIQUID SIZZLES Oh, you... | 0:14:19 | 0:14:21 | |
ALAN LAUGHS NERVOUSLY | 0:14:21 | 0:14:24 | |
MARK: Fire! | 0:14:25 | 0:14:27 | |
That stinks! | 0:14:27 | 0:14:29 | |
Personally, I think Alan's starting to buckle a little bit, | 0:14:29 | 0:14:32 | |
he's spilt his sauce, over boiling. To me, that's a bit under pressure. | 0:14:32 | 0:14:36 | |
I've heard that Jeremy doesn't actually like scorched cream. | 0:14:36 | 0:14:39 | |
Is that not what his dessert is? | 0:14:39 | 0:14:41 | |
-I thought you were... -You're not going to take that sitting down? | 0:14:41 | 0:14:44 | |
Enjoy your moment in the sun, boys. MARK LAUGHS | 0:14:44 | 0:14:47 | |
I'm just trying to ignore them if I possibly can. | 0:14:47 | 0:14:51 | |
Matthew has given me the best advice. | 0:14:51 | 0:14:53 | |
You'll have mistakes, it's how you deal with them | 0:14:53 | 0:14:56 | |
in the heat of competition and a pan of cream boiling over - | 0:14:56 | 0:14:59 | |
what difference does that make to anybody? None. | 0:14:59 | 0:15:01 | |
The countdown to the tasting is looming | 0:15:03 | 0:15:05 | |
and the tension's mounting for all the chefs. | 0:15:05 | 0:15:07 | |
Mark is testing his beef-and-potato pie, | 0:15:07 | 0:15:10 | |
while cooking chervil root for his reinvention | 0:15:10 | 0:15:13 | |
of the classic roast beef dinner. | 0:15:13 | 0:15:15 | |
Alan is preparing his veal sweetbreads in breadcrumbs | 0:15:15 | 0:15:19 | |
and Colin is now juggling a lot of elements. | 0:15:19 | 0:15:22 | |
He's braising his lamb's tongues and making a gravy. | 0:15:22 | 0:15:26 | |
The heat is on, guys, who's feeling the pressure? | 0:15:26 | 0:15:28 | |
You wouldn't be human if you didn't feel pressure. If you want it, you're going to feel pressure. | 0:15:28 | 0:15:33 | |
Colin still has to finish the fiddly process | 0:15:33 | 0:15:36 | |
of wrapping sweetbreads in pastry for the crispy spring rolls. | 0:15:36 | 0:15:39 | |
Making a nice little spring roll, then I get the shoestring pastry, | 0:15:39 | 0:15:44 | |
wrap it round it, deep-fry it and get it nice and crispy. | 0:15:44 | 0:15:46 | |
There's so many elements in my dish, if I take my eye off the ball, problems can happen. | 0:15:46 | 0:15:50 | |
-How are you doing? -I'm the quiet one today, Jeremy. -Very, very much so. | 0:15:50 | 0:15:55 | |
-Concentrating, concentrating. -This is a big one for you? | 0:15:55 | 0:15:58 | |
This is one I want to win today, Jeremy. | 0:15:58 | 0:16:01 | |
There is a great deal of pressure on Colin today, a lot going on here, | 0:16:01 | 0:16:05 | |
and so, the more you have on the plate, the more on the menu, | 0:16:05 | 0:16:08 | |
the more room for error there is. | 0:16:08 | 0:16:11 | |
Across the way, Alan's taken his unbraised joint of rose veal | 0:16:11 | 0:16:15 | |
out of the water bath. | 0:16:15 | 0:16:17 | |
-Pale and interesting. -Pale and dull and flavourless at the moment. | 0:16:17 | 0:16:23 | |
However, secret weapon there - | 0:16:23 | 0:16:24 | |
-flavour, flavour, flavour, that's what it's about. -Ah, the BBQ. | 0:16:24 | 0:16:29 | |
Alan's now banking on the charcoal | 0:16:29 | 0:16:31 | |
of his specially-installed barbecue to caramelise the veal. | 0:16:31 | 0:16:34 | |
-So what temperature's that? -That, at the moment, is just above 250, | 0:16:34 | 0:16:39 | |
but I can restrict the airflow and get it where I want. | 0:16:39 | 0:16:41 | |
'If I can get that flavour right,' | 0:16:41 | 0:16:43 | |
it'll elevate a dish from being good to being truly great, | 0:16:43 | 0:16:46 | |
but it'll come down to the quality of the meat on the final delivery. | 0:16:46 | 0:16:50 | |
I think Alan's dishes have got a lot of strong flavours in there. | 0:16:50 | 0:16:52 | |
Veal's very light and you've just got to be really careful with that. | 0:16:52 | 0:16:55 | |
There's a lot of risk involved there, a lot of risk. | 0:16:55 | 0:16:58 | |
Molecular chef Mark has taken his crustless beef-and-potato pie | 0:16:58 | 0:17:03 | |
out of the fridge, where it's been setting. | 0:17:03 | 0:17:06 | |
I think the biggest risk I've got today is my terrine. | 0:17:06 | 0:17:08 | |
I mean, it's old classic flavours that everybody will recognise. | 0:17:08 | 0:17:12 | |
Trying to elevate it is the hard part. | 0:17:12 | 0:17:14 | |
Mark's not the only one to have concerns. | 0:17:14 | 0:17:18 | |
The dissembled pie dish could be quite fraught for him. | 0:17:18 | 0:17:22 | |
For this brief, he needs to pull something really quite spectacular out of the hat. | 0:17:22 | 0:17:26 | |
You're taking a risk with this terrine. Is it how you wanted it? | 0:17:26 | 0:17:30 | |
It's set properly. | 0:17:30 | 0:17:32 | |
Is this the two points that's going to overstep me, is it? | 0:17:32 | 0:17:34 | |
To be honest, I'm hoping it'll be an extra three. | 0:17:34 | 0:17:37 | |
One of us has to go home. I just don't want it to be me. | 0:17:37 | 0:17:41 | |
Colin's determined not to go home on Thursday, either. | 0:17:43 | 0:17:47 | |
It's time to showcase his main course contender. | 0:17:47 | 0:17:50 | |
He wilts some spring greens | 0:17:50 | 0:17:53 | |
and coats portions of saddleback of lamb | 0:17:53 | 0:17:56 | |
in mustard and a pine nut crust, | 0:17:56 | 0:17:58 | |
serves his tongue - which has been braised - | 0:17:58 | 0:18:01 | |
with the deep-fried spring rolls containing the sweetbreads, | 0:18:01 | 0:18:04 | |
a spoonful of onion puree | 0:18:04 | 0:18:07 | |
and, finally, the lamb gravy is poured into silver teapots. | 0:18:07 | 0:18:11 | |
-So, Jeremy... -Colin, you've had an intense morning. | 0:18:12 | 0:18:16 | |
-I think I've lost a stone. -Have your endeavours paid off? -I'm happy with the dish. | 0:18:16 | 0:18:20 | |
It's me on a plate. Loads of textures, flavours, very spring, | 0:18:20 | 0:18:23 | |
-very eye-catching. -Olympic dish? What do you think, Mark? | 0:18:23 | 0:18:26 | |
It looks like a great plate of food. He's sourced his ingredients well. | 0:18:26 | 0:18:30 | |
Has Colin delivered on his concept | 0:18:30 | 0:18:32 | |
of using underused cuts like sweetbreads and tongue | 0:18:32 | 0:18:36 | |
and turned them into an awe-inspiring banquet dish? | 0:18:36 | 0:18:40 | |
-Talk me through this dish. -Started off with poached blackface lamb. | 0:18:40 | 0:18:43 | |
With this crust on top. | 0:18:43 | 0:18:45 | |
A little bit of mustard on there and then some roasted pine nuts. | 0:18:45 | 0:18:48 | |
Then we've got the little lamb sweetbread croustillant, | 0:18:48 | 0:18:50 | |
just basically some sweetbreads and lovely little potato shoestring. | 0:18:50 | 0:18:54 | |
Just keeps all that beautiful flavour intact, nice and crispy. | 0:18:54 | 0:18:57 | |
Then we've got the lovely braised lamb's tongue and it all marriages together. | 0:18:57 | 0:19:02 | |
-I like the tongue, it's obviously a tongue. -Yeah. | 0:19:02 | 0:19:05 | |
The actual sweetbreads, I can eat all that quite happily. | 0:19:05 | 0:19:08 | |
I love the different textures, so it hits the senses, cos obviously, | 0:19:08 | 0:19:12 | |
you've got the lamb loin there. | 0:19:12 | 0:19:15 | |
You've got the tongue, which has a very earthy texture to it, | 0:19:15 | 0:19:17 | |
and then you've got the crispiness of the sweetbread. | 0:19:17 | 0:19:20 | |
Tongue, the sweetbreads, the loin. Very fine Scottish produce. | 0:19:20 | 0:19:24 | |
-That's your stand-out contribution to this? -It's a showcase dish. | 0:19:24 | 0:19:29 | |
I've got to put Scotland on a plate. | 0:19:29 | 0:19:30 | |
-Any techniques you've not seen? -The spring roll wrapped in potato. | 0:19:30 | 0:19:34 | |
That's a very, very good plate of food. Technically faultless. | 0:19:34 | 0:19:39 | |
You've worked very hard on this. | 0:19:39 | 0:19:40 | |
Has this come out as you expected and wanted it to? | 0:19:40 | 0:19:43 | |
I think I'm very happy with it, Jeremy. | 0:19:43 | 0:19:45 | |
I wouldn't serve it to you if I wasn't 100% convinced. Good food takes time. | 0:19:45 | 0:19:48 | |
Looking at the brief, | 0:19:48 | 0:19:50 | |
is this actually what the Olympians are going to be motivated by? | 0:19:50 | 0:19:53 | |
It's a great plate of food. I don't know if it's groundbreaking. | 0:19:53 | 0:19:56 | |
A main course dish for an Olympic feast. | 0:19:56 | 0:20:00 | |
Is this the dish that goes through? | 0:20:00 | 0:20:01 | |
I would love it to be the dish, Jeremy. | 0:20:01 | 0:20:03 | |
I strongly believe that this dish deserves to be there. | 0:20:03 | 0:20:06 | |
So, another tough chat with Jeremy Lee. | 0:20:10 | 0:20:13 | |
Just delivered my lamb dish. To me, stunning dish. Who knows? | 0:20:13 | 0:20:17 | |
There's been so many surprises in the last couple of days. | 0:20:17 | 0:20:21 | |
Alan's up next. He serves squares of his parsley and watercress jelly, | 0:20:21 | 0:20:26 | |
together with precise portions of macaroni cheese | 0:20:26 | 0:20:29 | |
sitting on a bed of spinach, then finishes barbecuing his veal. | 0:20:29 | 0:20:34 | |
That's what I'm looking for there, guys. | 0:20:34 | 0:20:37 | |
See, I want it pink and the carbon, so I want both at the same time. | 0:20:37 | 0:20:41 | |
He garnishes the jelly with a light cheese foam and some parsley cress. | 0:20:41 | 0:20:47 | |
As a final flourish, Alan serves the breaded sweetbreads in a cone. | 0:20:47 | 0:20:52 | |
There we go, sir. What do you eat when you're watching sport? | 0:20:55 | 0:20:59 | |
You eat popcorn, so I've done you a little veal popcorn | 0:20:59 | 0:21:02 | |
and you carry your own Olympic torch away with you. | 0:21:02 | 0:21:04 | |
-And this green...? -Parsley. -Parsley round, yeah. | 0:21:04 | 0:21:08 | |
Parsley cress, parsley puree and the veal cooked through beautifully. | 0:21:08 | 0:21:11 | |
Has Alan managed to elevate barbecued veal | 0:21:13 | 0:21:16 | |
and macaroni cheese into an outstanding Olympic dinner? | 0:21:16 | 0:21:20 | |
There's almost a feeling of playful retro about this. | 0:21:20 | 0:21:24 | |
'70s, bistro, trattoria-type dishes. | 0:21:24 | 0:21:26 | |
Is that something you were trying to achieve with this? | 0:21:26 | 0:21:29 | |
Cos that's quite potent, and that's quite potent. | 0:21:29 | 0:21:32 | |
I'm looking to have an element of freshness. | 0:21:32 | 0:21:34 | |
You've got the richness of the cheese and you've also got | 0:21:34 | 0:21:37 | |
the somewhat comforting element of the spinach and watercress. | 0:21:37 | 0:21:42 | |
-The spinach overpowers the macaroni cheese, doesn't it? -Yeah. -It's not very strong. | 0:21:42 | 0:21:46 | |
-It's cooked very rare, this. -I think that's what I was looking for. | 0:21:46 | 0:21:50 | |
It might be too restaurant pink. | 0:21:50 | 0:21:52 | |
It's quite fatty, you know, quite sinewy. Some people don't like that. | 0:21:52 | 0:21:56 | |
-It's not been cooked for long or slow enough... -Yeah. | 0:21:56 | 0:21:58 | |
..so the fat's just not broken down. | 0:21:58 | 0:22:00 | |
Something notable by its absence on the plate is any gravy or sauce. | 0:22:00 | 0:22:05 | |
Hundred of these going out, sauce skinning up, spring day, | 0:22:05 | 0:22:08 | |
it'll get cold, all of this will retain its heat. It was a deliberate strategy. | 0:22:08 | 0:22:12 | |
-I do feel like I need a sauce. -What was the thing he squirted on? | 0:22:12 | 0:22:15 | |
Was it a sauce, a foam? Where is it? It's as if it just disappeared. | 0:22:15 | 0:22:19 | |
-It's his weakest dish so far. -I agree. | 0:22:19 | 0:22:21 | |
I mean, it's phenomenal how much care and thought you put into this. | 0:22:21 | 0:22:25 | |
Is this the dish that will take you climbing up, take your gold medal? | 0:22:25 | 0:22:28 | |
For me, looking at the details means I can deliver excellence every time. | 0:22:28 | 0:22:32 | |
Another good effort, I think. Jeremy seemed to like the dish. | 0:22:34 | 0:22:37 | |
Looking at the veal, the comment was it was quite pink. | 0:22:37 | 0:22:40 | |
Veal should he served pink, in my view. | 0:22:40 | 0:22:42 | |
However, if I'm cooking for the final banquet, | 0:22:42 | 0:22:44 | |
perhaps it needs to be taken that bit further. | 0:22:44 | 0:22:46 | |
You've come back a bit quiet there. | 0:22:49 | 0:22:52 | |
If Mark's going to plate up in time, | 0:22:53 | 0:22:55 | |
he needs to get ready for a sprint finish. | 0:22:55 | 0:22:58 | |
He sieves the bone marrow, which goes into the beef jus, | 0:22:58 | 0:23:01 | |
then serves a portion of the crustless beef-and-potato pie, | 0:23:01 | 0:23:05 | |
with a dash of the shallot puree. | 0:23:05 | 0:23:07 | |
D'you want me to wipe the edge of the plate? | 0:23:07 | 0:23:10 | |
You seem to have a smear up the side of it. | 0:23:10 | 0:23:11 | |
Then Mark sears the rump of beef for the second time, | 0:23:11 | 0:23:15 | |
adds the roasted shallots, chervil root and a garnish of fresh truffle, | 0:23:15 | 0:23:19 | |
and finally serves the steaks of rump beef. | 0:23:19 | 0:23:23 | |
And there we have it. | 0:23:24 | 0:23:27 | |
-Mark, how are you feeling? -Happy. Happy with it. | 0:23:27 | 0:23:31 | |
And is this the gold-medal dish that's going | 0:23:31 | 0:23:33 | |
to carry you through and up to the top of the podium | 0:23:33 | 0:23:36 | |
-and have that ribbon round your neck? -Hopefully, this is the one. | 0:23:36 | 0:23:39 | |
-What do you think, Alan? -I might have something round his neck. | 0:23:39 | 0:23:42 | |
THEY LAUGH I'd order this on a menu. | 0:23:42 | 0:23:45 | |
Has Mark pulled off his modern take on roast beef dinner | 0:23:45 | 0:23:48 | |
and made it into an Olympic dish fit to fly the flag for Britain? | 0:23:48 | 0:23:52 | |
How has your beef cooked? How has it behaved as you wanted it? | 0:23:52 | 0:23:56 | |
It's came out, it's got the flavour that I was looking for, it's tender. | 0:23:56 | 0:24:01 | |
You could say that was fillet steak. It's that tender. | 0:24:01 | 0:24:05 | |
It's quite tough. | 0:24:10 | 0:24:12 | |
Let's have a go of your chervil root. | 0:24:13 | 0:24:15 | |
I might have to get a bit of truffle. | 0:24:15 | 0:24:18 | |
-Where's the greens? -Chervil root. -That tastes like parsnip. -Yeah. | 0:24:20 | 0:24:23 | |
A very wintry dish, I think, bone marrow. | 0:24:23 | 0:24:26 | |
Are you quite happy with how the terrine's come out? | 0:24:26 | 0:24:29 | |
It was something I was worried about. With all the stages | 0:24:29 | 0:24:32 | |
the terrine had to go through, at any one stage, it could have not worked. | 0:24:32 | 0:24:36 | |
So, no, I'm really happy with it. | 0:24:36 | 0:24:38 | |
Can you taste the meat in it? | 0:24:38 | 0:24:40 | |
-It's getting a bit lost. -Yeah, it's getting lost in that lot of potato. | 0:24:40 | 0:24:43 | |
-That needs crisping up. -Yeah, the potato terrine. | 0:24:43 | 0:24:45 | |
I can tell, just looking at that, mega crispy, it gives you the crunch. | 0:24:45 | 0:24:50 | |
The brief of the competition this year is for groundbreaking food, | 0:24:50 | 0:24:53 | |
groundbreaking flavours and textures. | 0:24:53 | 0:24:56 | |
-Do you think this dish fulfils that brief? -I think it does. | 0:24:56 | 0:24:58 | |
I've got scurvy grass, chervil root, your beef, your terrine. | 0:24:58 | 0:25:02 | |
I think all the flavours there work. | 0:25:02 | 0:25:05 | |
So I've just given Jeremy my main course. | 0:25:07 | 0:25:10 | |
I'm really happy with the dish. There was a few elements | 0:25:10 | 0:25:13 | |
that could have gone wrong that hopefully didn't. | 0:25:13 | 0:25:16 | |
Hopefully, I've done enough to carry me through. | 0:25:16 | 0:25:19 | |
With the dishes delivered and tasted, | 0:25:23 | 0:25:25 | |
the chefs can do no more but nervously await Jeremy's verdict. | 0:25:25 | 0:25:29 | |
Quite intense in there now. | 0:25:31 | 0:25:33 | |
I don't really want to be behind going into dessert. | 0:25:33 | 0:25:36 | |
'I wouldn't say I'm not worried,' | 0:25:37 | 0:25:39 | |
because you can drop a lot of points very, very easily. | 0:25:39 | 0:25:42 | |
Main course. | 0:25:52 | 0:25:53 | |
Colin... | 0:25:55 | 0:25:57 | |
your fillet of lamb with croustillant and sweetbread, | 0:25:57 | 0:26:01 | |
I thought, flawless cooking. | 0:26:01 | 0:26:03 | |
I loved the gravy, I just thought that was natty and clever, | 0:26:03 | 0:26:06 | |
brought the whole thing together. I loved the way it worked with sweetbreads. | 0:26:06 | 0:26:10 | |
The seasoning could be more interesting, I think, | 0:26:10 | 0:26:13 | |
and still looking for that lightning to strike | 0:26:13 | 0:26:17 | |
that this is something absolutely radical. | 0:26:17 | 0:26:20 | |
Alan... | 0:26:21 | 0:26:23 | |
you rose veal, spinach, watercress. | 0:26:23 | 0:26:26 | |
Quite restrained, I thought. An almost retro dish. | 0:26:26 | 0:26:30 | |
I loved the attention to detail, | 0:26:30 | 0:26:32 | |
but I would've liked more blistering on the charcoal on the meat, | 0:26:32 | 0:26:35 | |
which might've cooked it a bit more, | 0:26:35 | 0:26:37 | |
which would've given the dish more balance | 0:26:37 | 0:26:40 | |
and I thought it slightly did away with the jelly | 0:26:40 | 0:26:42 | |
and with the foam on top, which kind of vanished. | 0:26:42 | 0:26:45 | |
It was a lot of cheese. | 0:26:45 | 0:26:46 | |
And, Mark... | 0:26:48 | 0:26:51 | |
your rump of beef with potato and beef shin terrine. | 0:26:51 | 0:26:55 | |
Lovely ingredients, well chosen. | 0:26:55 | 0:26:57 | |
Cheeky, nice, charming use of chervil root. | 0:26:57 | 0:26:59 | |
And the potato terrine was great. I would've liked more crust on it, | 0:26:59 | 0:27:03 | |
-I have to say... -OK. -..cos I think, texture wise, | 0:27:03 | 0:27:05 | |
because the beef sous-vide, again, still wants a bit more crust. | 0:27:05 | 0:27:11 | |
And then, the bone marrow jus just kind of slightly lost. | 0:27:11 | 0:27:14 | |
I'd have liked a little less jus and a bit more marrow in it. | 0:27:14 | 0:27:18 | |
So... | 0:27:18 | 0:27:20 | |
..Colin, for your lamb... | 0:27:22 | 0:27:26 | |
-eight out of ten. Well done. -Thank you. | 0:27:26 | 0:27:30 | |
Alan, for your veal... | 0:27:30 | 0:27:32 | |
..I'm going to give you seven. | 0:27:34 | 0:27:38 | |
And for Mark, your beef... | 0:27:38 | 0:27:40 | |
..seven. | 0:27:42 | 0:27:44 | |
Thank you. | 0:27:45 | 0:27:47 | |
-MARK: Congratulations. -Thanks, guys. | 0:27:47 | 0:27:49 | |
-Well done. -Cheers. | 0:27:49 | 0:27:51 | |
-Fair scores, I believe. -Yeah. | 0:27:51 | 0:27:54 | |
So Colin's trumped Alan with a score of eight, | 0:27:54 | 0:27:56 | |
but with the competition so tight, it's all still to play for | 0:27:56 | 0:28:00 | |
as the chefs go into tomorrow's final course. | 0:28:00 | 0:28:03 | |
I would've liked one more, but I didn't get it. | 0:28:03 | 0:28:05 | |
I just managed to get the title, which was great. I'm on a high. | 0:28:05 | 0:28:09 | |
There's only four points between all three chefs. | 0:28:09 | 0:28:12 | |
One mistake, it's over for any single one of us. | 0:28:12 | 0:28:16 | |
Tomorrow, it's the last chance to impress with the dessert course | 0:28:16 | 0:28:20 | |
and Alan is trying to unnerve his opposition... | 0:28:20 | 0:28:23 | |
Is beetroot cake supposed to come out red? | 0:28:23 | 0:28:27 | |
..but he may have spoken too soon. | 0:28:27 | 0:28:28 | |
-These are the worst ones I've done. -Really, ever? -Ever. Ever! | 0:28:28 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:52 | 0:28:55 |