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This is it. The banquet day is here. | 0:00:02 | 0:00:04 | |
And our four winners are facing the toughest day of their lives. | 0:00:06 | 0:00:10 | |
THEY COUGH | 0:00:10 | 0:00:11 | |
-Next tray. -Oi! | 0:00:11 | 0:00:13 | |
The 2012 Olympic Games are just weeks away | 0:00:13 | 0:00:16 | |
and in honour of this momentous event, | 0:00:16 | 0:00:18 | |
our chefs must deliver a groundbreaking feast | 0:00:18 | 0:00:21 | |
for Olympic and Paralympic heroes past and present, | 0:00:21 | 0:00:24 | |
hosted by five-time Olympic gold medallist Sir Steve Redgrave. | 0:00:24 | 0:00:29 | |
You'll experience here the work of the greatest talents within food. | 0:00:29 | 0:00:33 | |
Over the past nine weeks, | 0:00:33 | 0:00:35 | |
Britain's finest chefs have been scrutinised and challenged... | 0:00:35 | 0:00:39 | |
I do hope it's going to be perfect. | 0:00:39 | 0:00:41 | |
..by the most demanding of veterans and judges. | 0:00:41 | 0:00:44 | |
It's absolutely awful. It's a tragedy. | 0:00:44 | 0:00:47 | |
They've been inspired by world-class Olympians. | 0:00:47 | 0:00:49 | |
You want to absolutely deliver your absolute maximum. | 0:00:49 | 0:00:53 | |
So, Colin, five metres for you. | 0:00:53 | 0:00:55 | |
Now, four winners are left standing and the ultimate battle begins. | 0:00:55 | 0:01:00 | |
I'm ready to go. Like a racehorse, ready to bolt. | 0:01:00 | 0:01:04 | |
I haven't slept because I've been waking up at half five in the morning, panicking. | 0:01:04 | 0:01:08 | |
The chefs are under huge pressure to wow with their groundbreaking dishes. | 0:01:08 | 0:01:13 | |
Quail in the woods. | 0:01:13 | 0:01:14 | |
A tasting of mackerel. | 0:01:14 | 0:01:17 | |
Slow-poached chicken and sweetcorn egg. | 0:01:17 | 0:01:19 | |
And poached pears, anise hyssop snow, | 0:01:19 | 0:01:21 | |
sweet cheese ice cream and rosehip syrup. | 0:01:21 | 0:01:24 | |
OK, come on. | 0:01:24 | 0:01:26 | |
Some amazing chefs have been put under a huge amount of pressure, a bit like being in the Olympics. | 0:01:26 | 0:01:30 | |
But like all Olympian challenges... | 0:01:30 | 0:01:33 | |
Chicken! Chicken! | 0:01:33 | 0:01:35 | |
..nothing can be left to chance. | 0:01:35 | 0:01:38 | |
It's a week before the banquet and in Winteringham, North Lincolnshire, | 0:01:50 | 0:01:54 | |
Colin McGurran is still staggered that he won the starter course. | 0:01:54 | 0:01:58 | |
It's fantastic, you know. | 0:02:00 | 0:02:02 | |
It's going to take a while to set in, so really, really excited. Thank you very much. | 0:02:02 | 0:02:06 | |
I have to pinch myself to see how far I've come in this competition. | 0:02:06 | 0:02:09 | |
It's fantastic. I think it's dawning on me now how serious it is. | 0:02:09 | 0:02:12 | |
He's now trying to perfect his intricate starter | 0:02:12 | 0:02:16 | |
of quail in the woods. | 0:02:16 | 0:02:17 | |
Daddy! | 0:02:17 | 0:02:18 | |
Today, he's enlisted the help of his wife | 0:02:18 | 0:02:21 | |
and three daughters to collect 50 pieces of bark for his dish. | 0:02:21 | 0:02:24 | |
And it's not an easy task. | 0:02:24 | 0:02:26 | |
Too wet. Keep going. | 0:02:26 | 0:02:29 | |
Ooh, that's a good one. | 0:02:29 | 0:02:31 | |
Would you eat your dinner off that piece? | 0:02:31 | 0:02:34 | |
BOTH: No. | 0:02:34 | 0:02:35 | |
Well, that's exactly what we are looking for, isn't it? That's strong. OK. | 0:02:35 | 0:02:38 | |
-The only problem is now we need to find 50 more like this. -50 more? | 0:02:38 | 0:02:43 | |
Eurgh! | 0:02:43 | 0:02:45 | |
COLIN LAUGHS | 0:02:45 | 0:02:46 | |
I'm proud of my daddy because | 0:02:46 | 0:02:48 | |
he's actually tried his best to get upwards to the competition. | 0:02:48 | 0:02:55 | |
It's wonderful to be able to be part of this wonderful thing, really. | 0:02:55 | 0:03:00 | |
It's just so exciting. What am I going to wear? | 0:03:00 | 0:03:03 | |
Down in London, Simon Rogan is thrilled that his desert | 0:03:05 | 0:03:08 | |
made it all the way. | 0:03:08 | 0:03:10 | |
Yeah, chuffed. Very chuffed. | 0:03:12 | 0:03:15 | |
His dedication to championing unusual British ingredients | 0:03:15 | 0:03:18 | |
helped him win. | 0:03:18 | 0:03:19 | |
Having a dish at the banquet, I'm really able to fly the British flag. | 0:03:19 | 0:03:23 | |
Someone else who is passionate about all things British | 0:03:23 | 0:03:27 | |
is Olympic legend and special banquet guest Tessa Sanderson. | 0:03:27 | 0:03:31 | |
-Hello, Simon. -How are you? -Yeah, good. Congratulations. Big time! | 0:03:31 | 0:03:36 | |
She's set up a foundation which nurtures young sporting talent. | 0:03:36 | 0:03:40 | |
-This is Jamaal. -Hi, Jamaal. How are you doing? All right? | 0:03:40 | 0:03:43 | |
The Tessa Sanderson Foundation. And also Holly. She's our hurdler. | 0:03:43 | 0:03:46 | |
We're looking for newcomers all the time. Jamaal is so confident, | 0:03:46 | 0:03:50 | |
he says he'll be the next Daley. | 0:03:50 | 0:03:52 | |
Will you get the hair, though? That's the thing. | 0:03:52 | 0:03:54 | |
I don't need the hair. | 0:03:54 | 0:03:55 | |
I don't want nothing holding me back! I'll say no for now. | 0:03:55 | 0:03:59 | |
If Simon thinks the banquet is a hurdle, | 0:03:59 | 0:04:02 | |
Tessa has a bigger challenge for him. | 0:04:02 | 0:04:03 | |
Whip it through quickly. OK, good job. Right. | 0:04:03 | 0:04:07 | |
So it looks like we'll be doing the hurdles. I'm not going to say how many years ago it was | 0:04:07 | 0:04:11 | |
but it was a speciality of mine. Let's see if it is today. | 0:04:11 | 0:04:14 | |
Just feel it, feel it. Lean forward. Atta boy! | 0:04:14 | 0:04:17 | |
OK. Oh, you're winning! | 0:04:17 | 0:04:20 | |
SHE LAUGHS | 0:04:20 | 0:04:22 | |
I really admire Simon. We share more or less the same passion. | 0:04:22 | 0:04:26 | |
I think it's really important to have home-grown talent | 0:04:26 | 0:04:28 | |
like he thinks it's important to have home-grown food | 0:04:28 | 0:04:31 | |
and then nurture it so that they can become the best in the world. | 0:04:31 | 0:04:35 | |
Really looking forward to the banquet and seeing you there. | 0:04:35 | 0:04:38 | |
-Thank you. -I'd really like YOU to come to the banquet as well, so... -Thank you! | 0:04:38 | 0:04:41 | |
I'd like to invite you and I hope to see you there, as well. | 0:04:41 | 0:04:44 | |
Oh, that'll be great. | 0:04:44 | 0:04:46 | |
-Simon has just invited us to the banquet. -Yeah. | 0:04:46 | 0:04:49 | |
We can't actually believe it. We're... | 0:04:49 | 0:04:52 | |
-..very excited. -..overwhelmed. And ex... excited, like. | 0:04:52 | 0:04:55 | |
I'm lost for words, even. You can see that! I'm lost for words! | 0:04:55 | 0:04:58 | |
I really want to do them proud. I want to do myself proud. | 0:04:58 | 0:05:03 | |
This is really, really important for me now. | 0:05:03 | 0:05:06 | |
Across London, all that's on Phil Howard's mind | 0:05:08 | 0:05:11 | |
is sourcing seafood for his winning fish dish - | 0:05:11 | 0:05:14 | |
a tasting of mackerel with oysters, mussels, winkles and samphire. | 0:05:14 | 0:05:19 | |
With the banquet being held the day after a bank holiday, | 0:05:19 | 0:05:21 | |
finding a fisherman to go to sea is a huge challenge. | 0:05:21 | 0:05:26 | |
So he's come to have a look around Billingsgate fish market | 0:05:26 | 0:05:29 | |
to explore possible solutions. | 0:05:29 | 0:05:31 | |
I've spent a lot of energy getting to this point to have the opportunity | 0:05:31 | 0:05:34 | |
to cook for the great kings and queens of the Olympic world. | 0:05:34 | 0:05:37 | |
And I'm concerned that we're not going to get 100 immaculate fish | 0:05:37 | 0:05:42 | |
for this dish that's got two raw components. | 0:05:42 | 0:05:45 | |
So we're here to see if we can find a solution. | 0:05:45 | 0:05:49 | |
Nothing is guaranteed in fish. | 0:05:49 | 0:05:51 | |
It's not like cornflakes, you can't go to the supermarket, pull it off the shelf. | 0:05:51 | 0:05:54 | |
Our guys have to go to sea. | 0:05:54 | 0:05:56 | |
And the last two or three days, the weather's been rough. | 0:05:56 | 0:05:59 | |
As it turns out, Phil has an even bigger problem on his plate. | 0:05:59 | 0:06:02 | |
-The market's closed that day. -Really? | 0:06:02 | 0:06:04 | |
-Between Saturday and Wednesday... -..the market will be closed. | 0:06:04 | 0:06:08 | |
It looks like I'll have to get my rod and line out! | 0:06:08 | 0:06:10 | |
-Sorry about that. -Thank you very much. Cheers. | 0:06:10 | 0:06:13 | |
That's quite a sad-looking box of mackerel, isn't it? | 0:06:15 | 0:06:18 | |
Billingsgate is out of the question. There is no market | 0:06:18 | 0:06:21 | |
for a five-day period, and we're right in the middle of it. | 0:06:21 | 0:06:24 | |
So it won't happen. | 0:06:24 | 0:06:25 | |
We'll have to get one of the suppliers that comes up from the coast direct | 0:06:25 | 0:06:28 | |
who uses a day boat and we have to convince someone to go fishing. | 0:06:28 | 0:06:32 | |
Meanwhile, over in Birmingham, | 0:06:32 | 0:06:35 | |
Daniel Clifford and his girlfriend, Debbie, | 0:06:35 | 0:06:37 | |
are still reeling from the news of his win. | 0:06:37 | 0:06:39 | |
Daniel Clifford. | 0:06:39 | 0:06:40 | |
Thank you very much. | 0:06:43 | 0:06:45 | |
I'm going to cry in a minute. So I don't want to talk too much. | 0:06:45 | 0:06:49 | |
He scored perfect tens for his slow poached chicken with sweetcorn egg, | 0:06:49 | 0:06:54 | |
spinach and peas. | 0:06:54 | 0:06:55 | |
But it's been a long, hard road to get to a Great British Menu banquet. | 0:06:55 | 0:06:59 | |
He was very heartbroken when he didn't get through the first two times. | 0:06:59 | 0:07:02 | |
So the third time lucky. The third time, a charm. | 0:07:02 | 0:07:05 | |
I'm really, really pleased for him. | 0:07:05 | 0:07:08 | |
Determined to deliver a faultless main on the day, | 0:07:08 | 0:07:11 | |
for inspiration, Daniel and Debbie have come to meet the incredible | 0:07:11 | 0:07:14 | |
Tommy Godwin, a podium winner from London's 1948 Olympic Games. | 0:07:14 | 0:07:19 | |
-Hello, you must be Tommy. -Nice to meet you. | 0:07:20 | 0:07:22 | |
-Well, here you are, then. This is my room of... -This is your trophy room. | 0:07:24 | 0:07:30 | |
My room of achievement. And I'm sure you've achieved so much in your... | 0:07:30 | 0:07:34 | |
Yeah, but I don't have these medals, Tommy! | 0:07:34 | 0:07:38 | |
Tommy's professional cycling career spanned over two decades. | 0:07:38 | 0:07:42 | |
His most prized possessions are the two bronze medals | 0:07:42 | 0:07:45 | |
he won at the 1948 Olympic Games. | 0:07:45 | 0:07:47 | |
So, Tommy, how was the feeling going home | 0:07:47 | 0:07:49 | |
and walking through the door and telling your wife that you'd won? | 0:07:49 | 0:07:52 | |
The big emotional time. And to think we'd achieved something | 0:07:52 | 0:07:56 | |
because of the work she'd put in, helping me. | 0:07:56 | 0:07:59 | |
Sometimes, people don't realise that behind greatness, | 0:07:59 | 0:08:02 | |
-there is a massive team behind for support. -Exactly. | 0:08:02 | 0:08:06 | |
But also love. Love those a long way. | 0:08:06 | 0:08:08 | |
It's hard work. And you have to make sacrifices. | 0:08:08 | 0:08:11 | |
But you only get out of life what you put into it. | 0:08:11 | 0:08:13 | |
I have one more question, Tommy. | 0:08:13 | 0:08:16 | |
If the phone rings later | 0:08:16 | 0:08:17 | |
and they ask you to join the team this year, are you up for it? | 0:08:17 | 0:08:21 | |
Back in London, Phil Howard has moved on to plan B | 0:08:23 | 0:08:26 | |
to source his fish. | 0:08:26 | 0:08:28 | |
He needs to find a friendly fisherman to save the day. | 0:08:28 | 0:08:31 | |
So now what we have to do is get on the phone. | 0:08:31 | 0:08:34 | |
I use a few suppliers down in Cornwall and the West Country, | 0:08:34 | 0:08:37 | |
and see if we can get one of them to get one of their fishermen to go out on a boat. | 0:08:37 | 0:08:41 | |
Out of one to ten, how confident are you that we should get something? | 0:08:41 | 0:08:46 | |
OK. | 0:08:46 | 0:08:47 | |
Phil's tracked down a Cornish fisherman | 0:08:47 | 0:08:49 | |
who's willing to give up his day off. | 0:08:49 | 0:08:51 | |
Weather permitting, he can get boats out. | 0:08:51 | 0:08:54 | |
But we're in Mother Nature's hands. | 0:08:54 | 0:08:56 | |
It's frustrating because it's such an important ingredient | 0:08:56 | 0:08:59 | |
at such an important event. | 0:08:59 | 0:09:00 | |
But that's the way it is. We have to work with that. | 0:09:00 | 0:09:03 | |
That's all we can do. | 0:09:03 | 0:09:04 | |
It's the day before the banquet, | 0:09:11 | 0:09:13 | |
which will be held in Greenwich, one of 2012's stunning Olympic sites. | 0:09:13 | 0:09:17 | |
The culmination of weeks of hard graft is finally here. | 0:09:18 | 0:09:22 | |
The chefs are arriving at the venue for the first time. | 0:09:22 | 0:09:26 | |
Quietly nervous. | 0:09:28 | 0:09:30 | |
Looking around at the architecture, it just hits home, | 0:09:30 | 0:09:33 | |
the magnitude of the whole event. | 0:09:33 | 0:09:35 | |
The surroundings are magnificent. | 0:09:36 | 0:09:38 | |
I've been feeling mixed emotions. | 0:09:38 | 0:09:40 | |
I have woken up in a cold sweat. I think, have I forgotten anything? | 0:09:40 | 0:09:44 | |
I've been excited. Apprehensive. Nervous. I've been daunted. | 0:09:44 | 0:09:47 | |
I've been on a real rollercoaster ride of emotions. | 0:09:47 | 0:09:50 | |
I just need to settle down and calm my nerves, really. | 0:09:50 | 0:09:53 | |
I haven't slept for the last couple of days. | 0:09:53 | 0:09:55 | |
I've woken up at half five in the morning, panicking. | 0:09:55 | 0:09:58 | |
I don't know what it is about. I want to cook my socks off now. | 0:09:58 | 0:10:02 | |
To be a part of the Olympics is a dream come true. | 0:10:02 | 0:10:04 | |
Yeah, it is good to be here. This is what the journey has been about. | 0:10:04 | 0:10:07 | |
I'm itching to find out if my mackerel is here, if it's good enough, | 0:10:07 | 0:10:12 | |
if it's the right quality. I'm looking forward to getting in the kitchen. | 0:10:12 | 0:10:15 | |
The banquet will take place | 0:10:15 | 0:10:17 | |
at the incredible Old Royal Naval College... | 0:10:17 | 0:10:20 | |
ALL: Hello! | 0:10:20 | 0:10:22 | |
..inside the glorious Painted Hall, | 0:10:22 | 0:10:25 | |
often described as one of the finest dining halls in Europe. | 0:10:25 | 0:10:29 | |
-It's stunning. -Amazing. Amazing. | 0:10:31 | 0:10:33 | |
-Makes you feel more daunted, more nervous? -A little, a little. | 0:10:35 | 0:10:38 | |
It's certainly an impressive room. | 0:10:38 | 0:10:40 | |
-Mind blowing. Mind blowing. -Special. | 0:10:40 | 0:10:43 | |
We've got to nail it, now. | 0:10:43 | 0:10:44 | |
Gentlemen, welcome to the grandest dining room in Europe. | 0:10:44 | 0:10:49 | |
-Phil, very good to see you. -And you. -Simon. -It's the real McCoy, huh? | 0:10:49 | 0:10:53 | |
-It's amazing. -It is a room that is steeped in history. | 0:10:53 | 0:10:57 | |
And you are going to add another layer to it. | 0:10:57 | 0:11:00 | |
Tomorrow evening, this room will be packed with Olympic heroes, | 0:11:00 | 0:11:04 | |
past and present. | 0:11:04 | 0:11:05 | |
I think we'll have a look at the kitchen. | 0:11:05 | 0:11:07 | |
If I could lead you there, I think you will find it a bit of a long walk. | 0:11:07 | 0:11:11 | |
Follow me. | 0:11:11 | 0:11:12 | |
To get to the kitchen, they first walk through the famous Nelson Room. | 0:11:14 | 0:11:20 | |
It's not close. | 0:11:20 | 0:11:21 | |
Then, a corridor. | 0:11:21 | 0:11:22 | |
-Down here. -Here we go. | 0:11:22 | 0:11:24 | |
Two flights of stairs. | 0:11:24 | 0:11:27 | |
My God. | 0:11:27 | 0:11:28 | |
Another corridor. | 0:11:28 | 0:11:29 | |
And another flight of stairs. | 0:11:30 | 0:11:33 | |
Well... | 0:11:33 | 0:11:35 | |
this is the kitchen. This is your playground. | 0:11:35 | 0:11:38 | |
This is where you've got to do all the hard work. | 0:11:38 | 0:11:40 | |
-So I'm going to leave you to get started. -Thank you. -See you later. | 0:11:40 | 0:11:45 | |
Well. | 0:11:45 | 0:11:46 | |
It's a trek to the dining room, | 0:11:46 | 0:11:48 | |
which puts extra pressure, | 0:11:48 | 0:11:51 | |
extra stress on getting it all out perfectly. | 0:11:51 | 0:11:53 | |
They've got to get their dishes from here to the dining room - | 0:11:54 | 0:11:59 | |
which is a long, long way - | 0:11:59 | 0:12:01 | |
in the perfect condition that we ate them in the final. | 0:12:01 | 0:12:04 | |
I must say, I'm glad I'm not having to do it. | 0:12:04 | 0:12:06 | |
There's not a millisecond to spare. | 0:12:07 | 0:12:10 | |
The first order of the day is unloading their mountain of ingredients, | 0:12:10 | 0:12:14 | |
including crates of anise hyssop, 250 chicken wings, | 0:12:14 | 0:12:18 | |
80 quails, | 0:12:18 | 0:12:20 | |
50 chickens and the list goes on. | 0:12:20 | 0:12:23 | |
BLEEP! | 0:12:25 | 0:12:26 | |
-The poultry fridge, chef. -Yeah, it's full, as well. | 0:12:26 | 0:12:29 | |
HE SIGHS | 0:12:29 | 0:12:31 | |
But Phil's looking worried. Something's missing. | 0:12:31 | 0:12:35 | |
Yet to arrive is his mackerel, mussels, winkles and oysters. | 0:12:35 | 0:12:38 | |
And his supplier's not picking up. | 0:12:38 | 0:12:40 | |
Johnny, Phil Howard speaking. | 0:12:40 | 0:12:42 | |
I've got my blue chopping board out but I need some fish. | 0:12:42 | 0:12:45 | |
I'm hoping the reason you're not answering your phone is that you're en route. | 0:12:45 | 0:12:49 | |
Speak to you later, bye. | 0:12:49 | 0:12:51 | |
-You've got no fish? -No. | 0:12:51 | 0:12:53 | |
There's not a huge amount I can do until I've got a fish because ultimately, | 0:12:55 | 0:12:59 | |
there's a four-component dish but all four components | 0:12:59 | 0:13:02 | |
require mackerel or the mussels or the winkles or oysters. | 0:13:02 | 0:13:05 | |
It would just be reassuring to have a call saying it is on terra firma | 0:13:05 | 0:13:08 | |
rather than still in the sea. That's when we have a problem. | 0:13:08 | 0:13:11 | |
The other chefs have plenty to do. | 0:13:13 | 0:13:15 | |
Simon is preparing sweet cheese ice cream | 0:13:15 | 0:13:18 | |
but is very worried about the logistical nightmare ahead of him. | 0:13:18 | 0:13:22 | |
I'm a little bit concerned about | 0:13:22 | 0:13:24 | |
the distance between the actual dining room and the kitchen. | 0:13:24 | 0:13:27 | |
The snow is the key element, which I don't want to melt | 0:13:27 | 0:13:30 | |
and there isn't much time to get it in front of the guests. | 0:13:30 | 0:13:34 | |
That's my one fear. | 0:13:34 | 0:13:35 | |
Colin's charging ahead with the prep for his birds. | 0:13:35 | 0:13:39 | |
Like Simon, he's also anxious about how far his dish has to travel. | 0:13:39 | 0:13:44 | |
I've walked to the hall, I've seen how far away it is from here. | 0:13:44 | 0:13:47 | |
That is a bit of a concern for me because everything, well, | 0:13:47 | 0:13:51 | |
60 percent of my dish is reliant on the theatre. | 0:13:51 | 0:13:54 | |
I've got liquid nitrogen, I've got all the lovely smells | 0:13:54 | 0:13:57 | |
and aromas going on and they won't work if it's travelled too long. | 0:13:57 | 0:14:01 | |
The dry ice will just melt. A bit of a worry. | 0:14:01 | 0:14:04 | |
-Hello, mate, how are you doing? -Not too bad so far. | 0:14:04 | 0:14:07 | |
I'm just standing there, | 0:14:07 | 0:14:09 | |
brain aching about how I'm going to get my dish up to the room | 0:14:09 | 0:14:11 | |
and then looked over and saw yours. You've got a game plan? | 0:14:11 | 0:14:14 | |
The bottom line is it needs to be maximum of 30 seconds | 0:14:14 | 0:14:19 | |
from leaving me to get to the dining room. | 0:14:19 | 0:14:22 | |
-So... -That's a tough call. | 0:14:22 | 0:14:24 | |
Daniel hasn't had time to worry about logistics yet | 0:14:26 | 0:14:29 | |
because he's up to his neck in chicken. | 0:14:29 | 0:14:32 | |
He's taking his anger out over there, look. | 0:14:36 | 0:14:39 | |
Have you bitten off more than you can chew? | 0:14:40 | 0:14:42 | |
I'm seriously up against it. | 0:14:42 | 0:14:44 | |
I've got to de-sinew all the breasts, clean up the bones, | 0:14:44 | 0:14:46 | |
the legs need to be brined and bagged and cooked. | 0:14:46 | 0:14:49 | |
-I reckon you're about a day short, so far. -Yep. | 0:14:49 | 0:14:52 | |
To be honest, I could be here all night and I still wouldn't be ready. | 0:14:52 | 0:14:56 | |
-If I was any further in -BLEEP, -I'd be going home. | 0:14:56 | 0:14:59 | |
With the chefs labouring hard, Oliver Peyton arrives on site. | 0:15:03 | 0:15:08 | |
As an experienced restaurateur, | 0:15:08 | 0:15:10 | |
he understands the importance of logistics. | 0:15:10 | 0:15:12 | |
It's his job to ensure the dishes make it out perfectly. | 0:15:12 | 0:15:16 | |
I think the four dishes that we chose to go forward to be here tomorrow night | 0:15:16 | 0:15:20 | |
are the four best dishes in any competition we've ever had | 0:15:20 | 0:15:24 | |
and my concern is, can these guys deliver it? | 0:15:24 | 0:15:27 | |
First port of call is an emergency meeting | 0:15:27 | 0:15:29 | |
with Phil and Colin in the Nelson Room, next to the banquet hall. | 0:15:29 | 0:15:34 | |
Hello, chefs. I'm a little bit worried. | 0:15:34 | 0:15:37 | |
That is a colossal distance from the kitchens to the Painted Hall. | 0:15:37 | 0:15:42 | |
I really don't think it's at all possible | 0:15:42 | 0:15:45 | |
for you to send complete dishes from that kitchen. What do you think? | 0:15:45 | 0:15:48 | |
For me, it's going to be very difficult. The element I'm concerned about is the dry ice. | 0:15:48 | 0:15:52 | |
How I envision it, I need a blast chiller if possible. | 0:15:52 | 0:15:55 | |
The other thing I'm worried about | 0:15:55 | 0:15:57 | |
is the quail egg tempura as well, which needs to be crisp. | 0:15:57 | 0:16:00 | |
I've got the same kind of thing. | 0:16:00 | 0:16:02 | |
I've got temperature issues, I've got texture issues. | 0:16:02 | 0:16:05 | |
The little mussel beignets must be crisp and hot. | 0:16:05 | 0:16:08 | |
The soup's got to be the right temperature | 0:16:08 | 0:16:10 | |
and also upright and on the plates. | 0:16:10 | 0:16:12 | |
I think, there is no extractor here, | 0:16:12 | 0:16:15 | |
but I would try and find a way to get some tabletop fryers up here, | 0:16:15 | 0:16:20 | |
electric ones, so we could do your beignets and your egg. | 0:16:20 | 0:16:23 | |
They're the big risk items. If they become tepid and soggy, they'll ruin the dish. | 0:16:23 | 0:16:27 | |
I'm going to see the manager, | 0:16:27 | 0:16:29 | |
-see what the possibilities are, and I'll come back to you. -Sounds good. | 0:16:29 | 0:16:32 | |
-Speak to you later. -Thank you. | 0:16:32 | 0:16:35 | |
Meanwhile, Phil's fish still hasn't arrived. | 0:16:35 | 0:16:39 | |
He's heard it's en route, so this time, | 0:16:39 | 0:16:41 | |
it's a call to the driver, who also isn't picking up. | 0:16:41 | 0:16:44 | |
Tony, it's Phil, Great British Menu Phil. | 0:16:44 | 0:16:46 | |
Just wanting an update on exactly where my mackerel is. | 0:16:46 | 0:16:50 | |
I assume it's winging its way over up the motorway, | 0:16:50 | 0:16:53 | |
but beginning to sweat a little bit, so give us a call. | 0:16:53 | 0:16:56 | |
Cheers, mate. Bye. | 0:16:56 | 0:16:57 | |
Upstairs, Oliver has arranged a meeting with Jose, | 0:16:57 | 0:17:01 | |
the general manager. | 0:17:01 | 0:17:02 | |
You've no idea how delighted we are to be here, | 0:17:02 | 0:17:04 | |
because this is just the most fabulous location. | 0:17:04 | 0:17:07 | |
It's a pleasure to have you. | 0:17:07 | 0:17:08 | |
Two of the dishes of this four-course banquet rely heavily | 0:17:08 | 0:17:12 | |
on the deep-fat frying as one of the key elements. | 0:17:12 | 0:17:15 | |
Obviously, the distance from the kitchen to the Painted Hall | 0:17:15 | 0:17:18 | |
is going to be far too great for them to be able to do it in the kitchen. | 0:17:18 | 0:17:21 | |
-Absolutely. -So I'm looking for a solution. | 0:17:21 | 0:17:24 | |
The Nelson Room - | 0:17:24 | 0:17:25 | |
what is the possibility of having deep-fat fryers in there? | 0:17:25 | 0:17:28 | |
We couldn't have that, | 0:17:28 | 0:17:29 | |
any sort of smoke, steam would set off the fire alarms. | 0:17:29 | 0:17:34 | |
But Jose, I'd like to find a location then, | 0:17:34 | 0:17:36 | |
where I could put a deep-fat fryer. | 0:17:36 | 0:17:38 | |
We do have a couple of service rooms | 0:17:38 | 0:17:40 | |
which are off the Nelson corridor which we could perhaps look at. | 0:17:40 | 0:17:44 | |
That is what I like to hear - a can-do attitude, always! | 0:17:44 | 0:17:47 | |
-Great, thanks for your help. -Very nice to meet you. -Thank you. | 0:17:47 | 0:17:51 | |
Back downstairs, Daniel is still buried in chicken | 0:17:51 | 0:17:55 | |
and as Phil's fish is nowhere to be seen, he mucks in. | 0:17:55 | 0:17:59 | |
-As it's past three, I'll start accusing the -BLEEP. | 0:17:59 | 0:18:03 | |
DANIEL LAUGHS | 0:18:03 | 0:18:04 | |
-Not being funny, it's -BLEEP -Cornwall, not -BLEEP -America. | 0:18:04 | 0:18:08 | |
Simon's finished his prep and is also coming to Daniel's rescue. | 0:18:10 | 0:18:15 | |
-Thanks for this one, mate! -It's all right. | 0:18:15 | 0:18:18 | |
I haven't boned chicken wings for quite some time. | 0:18:18 | 0:18:20 | |
Sorry. I am feeling really guilty. | 0:18:20 | 0:18:23 | |
-You'll be on track after you've got all this done, you think? -No chance. | 0:18:23 | 0:18:26 | |
You're not on track. | 0:18:26 | 0:18:29 | |
Meanwhile, Prue Leith has arrived | 0:18:30 | 0:18:32 | |
and heads straight to the kitchen to find out if the chefs are on track. | 0:18:32 | 0:18:36 | |
The guy I feel sorriest for is Daniel, | 0:18:36 | 0:18:38 | |
because he's got a really complicated dish to do. | 0:18:38 | 0:18:42 | |
Daniel, I hear you're having a bit of a rough day? | 0:18:46 | 0:18:49 | |
It's a big push, but never mind. | 0:18:49 | 0:18:51 | |
I promised it'd be perfect and it'll be perfect. | 0:18:51 | 0:18:53 | |
I've still got to roll the chicken with the egg in it, | 0:18:53 | 0:18:55 | |
I've still got to make the parfait, | 0:18:55 | 0:18:57 | |
I've still got to make the pea puree. | 0:18:57 | 0:18:59 | |
What about the sweetcorn? | 0:18:59 | 0:19:01 | |
-Sweetcorn's still got to be done. -I think I might leave you to it. | 0:19:01 | 0:19:05 | |
Really good luck for tomorrow. It's going to be a great day. Bye. | 0:19:05 | 0:19:09 | |
Thank you. | 0:19:09 | 0:19:11 | |
Daniel and the rest of the chefs battle on throughout the afternoon. | 0:19:11 | 0:19:17 | |
Then, they finally receive some welcome news. | 0:19:17 | 0:19:20 | |
OK, chefs, I've got some good news. Come on, come on! | 0:19:20 | 0:19:23 | |
So tell us, tell us. | 0:19:25 | 0:19:26 | |
OK, so we can have hot plates | 0:19:26 | 0:19:28 | |
and we've found a room where we can put deep-fat fryers. | 0:19:28 | 0:19:31 | |
-Yay! -There is a result. That's a proper result. | 0:19:31 | 0:19:34 | |
What you have to decide now is, where do you want to be? | 0:19:34 | 0:19:38 | |
Do you want to be at the pass with the food, | 0:19:38 | 0:19:40 | |
or do you want to be down here preparing it? | 0:19:40 | 0:19:42 | |
That's a very important question to think about. | 0:19:42 | 0:19:44 | |
What we also need to genuinely have an understanding of is | 0:19:44 | 0:19:46 | |
who is the front-of-house team? | 0:19:46 | 0:19:48 | |
With all respect to them, who are they? What are their abilities? | 0:19:48 | 0:19:51 | |
These are people who are not going to know your dishes | 0:19:51 | 0:19:54 | |
and you have to make sure that they go down the way that you want. | 0:19:54 | 0:19:58 | |
I've said to people, this is the finest four dishes we've had in any competition. | 0:19:58 | 0:20:01 | |
I genuinely meant that. | 0:20:01 | 0:20:03 | |
But I think the challenge remains to deliver that quality to the table. | 0:20:03 | 0:20:08 | |
It's nearly the end of the day | 0:20:10 | 0:20:12 | |
and the long-overdue fish delivery has finally arrived. | 0:20:12 | 0:20:15 | |
I've never been so happy to see a Tony in my life. | 0:20:15 | 0:20:18 | |
-If I knew you better I'd give you a hug. -It's all here, then. | 0:20:18 | 0:20:21 | |
My God! | 0:20:21 | 0:20:23 | |
Better get on. | 0:20:23 | 0:20:26 | |
There's got to be half an acre of boxes of fish in there. | 0:20:26 | 0:20:29 | |
Hey-hey! | 0:20:29 | 0:20:30 | |
APPLAUSE | 0:20:30 | 0:20:33 | |
-How much have you got? -BLEEP! | 0:20:36 | 0:20:38 | |
There's about 10 boxes! | 0:20:38 | 0:20:40 | |
It's looking like I did this morning. | 0:20:40 | 0:20:43 | |
Phil's received 100 mackerel... | 0:20:43 | 0:20:45 | |
Immaculate looking fish. | 0:20:45 | 0:20:48 | |
-..20 kilos of mussels and winkles... -They look lovely. | 0:20:48 | 0:20:52 | |
-..and 240 oysters. -You know, I'm chuffed with that. | 0:20:52 | 0:20:56 | |
Now you've got your work cut out. | 0:20:56 | 0:20:57 | |
-Now I've got to turn it into a little miracle. -Yeah. -OK. | 0:20:57 | 0:21:01 | |
-I'm officially in the -BLEEP. | 0:21:01 | 0:21:02 | |
I'm now beginning to feel just a little bit of edge. | 0:21:02 | 0:21:05 | |
The truth is, because it's arrived late, I'd be better off opening oysters and cooking winkles | 0:21:05 | 0:21:10 | |
and doing that kind of thing and leave all of tomorrow's energy | 0:21:10 | 0:21:13 | |
to create four phenomenal components from those mackerel. | 0:21:13 | 0:21:17 | |
Tomorrow's now going to be a big day. | 0:21:17 | 0:21:19 | |
-Cheers, mate, have a good one. -Yes, cheers, yes. | 0:21:26 | 0:21:29 | |
It's time for the chefs to knock off, but Daniel's in it for the long haul. | 0:21:29 | 0:21:33 | |
-See you in a bit. -Take care, boys. | 0:21:33 | 0:21:35 | |
There's little bits that really can't be left till tomorrow, | 0:21:35 | 0:21:38 | |
so I'm going to work until late as possible and try my best to get ready. | 0:21:38 | 0:21:43 | |
Simon, Phil and Colin head for a well-deserved drink. | 0:21:43 | 0:21:46 | |
The Olympics are coming to Britain | 0:21:46 | 0:21:48 | |
and for the chefs, the banquet is a once-in-a-lifetime honour | 0:21:48 | 0:21:52 | |
to be part of history in the making. | 0:21:52 | 0:21:53 | |
That is as impressive a setup as you get in London. | 0:21:53 | 0:21:57 | |
Little old Daniel, with his stuffed chicken wings up there, | 0:21:57 | 0:22:00 | |
-somewhere buried under there. -Somewhere! | 0:22:00 | 0:22:01 | |
All clucking away, bawk bawk! | 0:22:01 | 0:22:03 | |
THEY LAUGH | 0:22:03 | 0:22:06 | |
The main course, it's the daddy one, isn't it, as far as I'm concerned. | 0:22:06 | 0:22:10 | |
It's the biggest out of all of them, so it was the one that I wanted. | 0:22:10 | 0:22:14 | |
-I just didn't want to be in the -BLEEP. | 0:22:14 | 0:22:16 | |
-It'll be a tough one. -Yeah, it is. | 0:22:16 | 0:22:18 | |
I'm going to be swimming in mackerel skin tomorrow. | 0:22:18 | 0:22:21 | |
It's 8am. | 0:22:27 | 0:22:28 | |
The sun has well and truly risen over the old Royal Naval College | 0:22:28 | 0:22:32 | |
and in just over nine hours, the Olympian guests, | 0:22:32 | 0:22:36 | |
legends from past and present, | 0:22:36 | 0:22:37 | |
will be arriving for an incredible banquet. | 0:22:37 | 0:22:41 | |
First chef out of the starting blocks this morning is Phil Howard. | 0:22:41 | 0:22:44 | |
After the late delivery of his fish yesterday, | 0:22:44 | 0:22:47 | |
he desperately needs a head start. | 0:22:47 | 0:22:49 | |
Banquet day. I feel good, actually, I do feel good today. | 0:22:49 | 0:22:52 | |
I got a bit stressy at the end of yesterday, | 0:22:52 | 0:22:54 | |
just feeling a bit out of control, just the way it kind of unravelled. | 0:22:54 | 0:22:58 | |
With 100 fish to gut, fillet and bone | 0:22:58 | 0:23:01 | |
for his tasting of Cornish mackerel, | 0:23:01 | 0:23:03 | |
Phil has an Olympian task of his own ahead. | 0:23:03 | 0:23:05 | |
This mackerel, it is a bit of a... It's a big job, it is a big job. | 0:23:05 | 0:23:10 | |
You've kind of got to size up the task and you've got to grind it out, | 0:23:10 | 0:23:14 | |
you know, like a marathon. | 0:23:14 | 0:23:15 | |
To stand any chance of reaching the finish line today, | 0:23:15 | 0:23:19 | |
he really has to start smoking the fish for his veloute and pate. | 0:23:19 | 0:23:23 | |
-OK, that's irritating... -But there's already a hitch with the smoker - | 0:23:26 | 0:23:30 | |
the lid just won't go on. | 0:23:30 | 0:23:32 | |
-Oh, behave, you -BLEEP! | 0:23:37 | 0:23:39 | |
It's all about controlling the controllables, as always. | 0:23:46 | 0:23:50 | |
Hot on Phil's heels, the rest of team Great British Menu 2012 arrive. | 0:23:51 | 0:23:56 | |
It's a very big day today. | 0:23:56 | 0:23:59 | |
I think when my starters are going out, I'll be nervous | 0:23:59 | 0:24:01 | |
because I don't want anything to go wrong. | 0:24:01 | 0:24:03 | |
It really means a lot to me to get this course out perfectly. | 0:24:03 | 0:24:06 | |
It's a once-in-a-lifetime experience and I'm very, very proud to be here. | 0:24:08 | 0:24:12 | |
I've got a lot to prove today. | 0:24:12 | 0:24:14 | |
My partner's coming, Debbie, it's got to be right for her. | 0:24:14 | 0:24:17 | |
It's the Olympians, Oliver and Prue and Matthew, | 0:24:17 | 0:24:20 | |
they've supported me as well, so I've got a lot to do | 0:24:20 | 0:24:23 | |
and I've got a challenge to make sure it's perfect for them tonight. | 0:24:23 | 0:24:26 | |
-Morning, chef. -Hello, team. -Nice to see you, chef. -And you, man. | 0:24:27 | 0:24:31 | |
-You all right? -Looking forward to today. -It's good, home straight. | 0:24:31 | 0:24:34 | |
Crack on, then! Today's the day, mate! | 0:24:34 | 0:24:37 | |
-Good luck today, boys! -This is it! | 0:24:37 | 0:24:38 | |
-Cheers, mate! -Good luck. | 0:24:38 | 0:24:40 | |
The enormity of producing 100 perfect dishes for 100 hungry guests | 0:24:42 | 0:24:46 | |
is dawning on all the chefs. | 0:24:46 | 0:24:48 | |
They waste no time getting to work. | 0:24:48 | 0:24:50 | |
It's all got to be chopped by hand. | 0:24:50 | 0:24:53 | |
-You don't know what the meaning of -BLEEP -means! Believe me! | 0:24:53 | 0:24:56 | |
-BLEEP -waking up in the morning and seeing 100 chickens coming towards you. | 0:24:56 | 0:25:00 | |
Daniel's first mammoth job of the day is to make his cannelloni - | 0:25:00 | 0:25:04 | |
a hugely fiddly job which involves wrapping 100 flattened chicken skins | 0:25:04 | 0:25:09 | |
-around 100 cylinders. -One down. | 0:25:09 | 0:25:12 | |
One down, chief. | 0:25:12 | 0:25:15 | |
Colin is busy peeling the quail eggs he cooked last night. | 0:25:15 | 0:25:18 | |
To be tempuraed at service, they're a star component of his dish | 0:25:18 | 0:25:21 | |
and have to be perfect, but there's already a problem. | 0:25:21 | 0:25:25 | |
The batch I did, I've left in ice too long overnight, | 0:25:27 | 0:25:29 | |
which means that the whites stiffen up too much | 0:25:29 | 0:25:34 | |
and they're a nightmare to peel. They keep cracking, you see. | 0:25:34 | 0:25:37 | |
His only option is to start again. | 0:25:37 | 0:25:39 | |
More pressure, more unnecessary time-wasting. | 0:25:39 | 0:25:43 | |
I mean, it might seem quite simple | 0:25:45 | 0:25:47 | |
just poaching or boiling some quail eggs | 0:25:47 | 0:25:50 | |
but sometimes in the restaurant, for every five I do, only one works | 0:25:50 | 0:25:54 | |
so...yeah, they're a nightmare. | 0:25:54 | 0:25:56 | |
Fingers crossed, touch wood, | 0:26:00 | 0:26:03 | |
whatever you want to say, but they just need to work. | 0:26:03 | 0:26:05 | |
Meanwhile, veloute simmering, Phil is cracking on | 0:26:07 | 0:26:10 | |
with his mackerel mountain, deboning the smoked fish for his pate. | 0:26:10 | 0:26:14 | |
Choosing, you know, the boniest fish in the sea | 0:26:14 | 0:26:17 | |
just means that all this kind of thing, | 0:26:17 | 0:26:20 | |
it just takes time, there's no shortcut. | 0:26:20 | 0:26:23 | |
Matthew Pinsent choking at the back of the banquet hall, | 0:26:23 | 0:26:27 | |
gagging on a bit of mackerel tartare... | 0:26:27 | 0:26:30 | |
No, not an option. | 0:26:32 | 0:26:33 | |
Still keeping his cool on the other side of the kitchen, | 0:26:33 | 0:26:36 | |
the master of molecular gastronomy | 0:26:36 | 0:26:38 | |
has begun the process of distilling Viennese hyssop, | 0:26:38 | 0:26:41 | |
which he'll use to create his groundbreaking scented snow. | 0:26:41 | 0:26:44 | |
How many times have you got to do it? | 0:26:44 | 0:26:46 | |
I've got to do this eight times now, | 0:26:46 | 0:26:49 | |
and it's 45 minutes a pop, so I'm going to be pushing it. | 0:26:49 | 0:26:52 | |
You've got three-and-a-half hours standing here? | 0:26:52 | 0:26:54 | |
Well, it's the first 10, 15 minutes, I have to stand here. | 0:26:54 | 0:26:57 | |
-I feel for you watching. -Do you employ someone at work | 0:26:57 | 0:27:00 | |
to stand there and just twiddle things all day? | 0:27:00 | 0:27:03 | |
Daniel hasn't got time for mickey-taking, | 0:27:03 | 0:27:05 | |
not when he has 100 chicken-skin cannelloni to fry. | 0:27:05 | 0:27:09 | |
Seems to be taking forever. | 0:27:10 | 0:27:12 | |
-What temperature are you looking for? -190. -190? | 0:27:17 | 0:27:20 | |
-It's been on since 8, chief. -Has it? | 0:27:23 | 0:27:25 | |
We've got a serious problem. | 0:27:25 | 0:27:28 | |
Two out of four fryers | 0:27:28 | 0:27:29 | |
just aren't getting up to the required temperature. | 0:27:29 | 0:27:33 | |
Daniel has a crisis on his hands. | 0:27:34 | 0:27:36 | |
It's not going up to 190. | 0:27:36 | 0:27:38 | |
But this doesn't just impact on his cannelloni. | 0:27:38 | 0:27:41 | |
50 chicken ballotines, the main event of Daniel's dish, | 0:27:41 | 0:27:44 | |
need to be fried shortly before service - not once, but twice. | 0:27:44 | 0:27:49 | |
Take a deep breath. | 0:27:49 | 0:27:51 | |
He simply won't have enough fryers | 0:27:51 | 0:27:53 | |
or hours in the day to get the job done. | 0:27:53 | 0:27:56 | |
I've still got my pea puree to make, I've got my sauce to finish, | 0:27:56 | 0:27:59 | |
-I've still got the spinach to sort out. -Yeah, we're all in it. | 0:27:59 | 0:28:02 | |
-And the clock is ticking. -Yeah, not cool. | 0:28:02 | 0:28:05 | |
Not cool. Solution? | 0:28:05 | 0:28:07 | |
I'm calling someone I know, who's got some fryers. | 0:28:07 | 0:28:11 | |
But they're not answering their phone. | 0:28:11 | 0:28:14 | |
Yeah, Daniel's got a real problem. He needs fryers. | 0:28:14 | 0:28:17 | |
He needs a certain quantity of fryers, fryers that work, | 0:28:17 | 0:28:20 | |
-that will maintain their temperature. -Hello? | 0:28:20 | 0:28:23 | |
Oh, you're having a laugh. | 0:28:24 | 0:28:26 | |
Can you ask her to ring me on my mobile ASAP, please? | 0:28:26 | 0:28:29 | |
I've got a serious problem here with fryers. Bye. | 0:28:29 | 0:28:33 | |
The pressure is taking its toll. | 0:28:36 | 0:28:39 | |
-What a -BLEEP. | 0:28:42 | 0:28:43 | |
Dunno. Not what he needs at this time, I don't think. | 0:28:44 | 0:28:48 | |
It's midday | 0:28:51 | 0:28:52 | |
and completely unaware of the drama unfolding in the kitchen, | 0:28:52 | 0:28:56 | |
judges Oliver and Matthew arrive to oversee proceedings. | 0:28:56 | 0:28:59 | |
Tonight will have to be run with military precision. | 0:28:59 | 0:29:02 | |
It's almost impossible to imagine | 0:29:03 | 0:29:06 | |
when this place, this dining hall, will be peopled | 0:29:06 | 0:29:08 | |
by some of the greatest sporting heroes of our time. | 0:29:08 | 0:29:12 | |
It's a very, very exciting occasion. | 0:29:12 | 0:29:14 | |
There's an enormous amount to be done, | 0:29:14 | 0:29:17 | |
so the judges roll up their sleeves. | 0:29:17 | 0:29:19 | |
All my own work! | 0:29:21 | 0:29:23 | |
I'm a bit nervous, because this is definitely | 0:29:25 | 0:29:27 | |
the most difficult venue we've worked in. | 0:29:27 | 0:29:29 | |
The kitchen really is a tremendously long way away | 0:29:29 | 0:29:32 | |
from where the guests are going to be dining, | 0:29:32 | 0:29:34 | |
and a lot of the dishes depend on | 0:29:34 | 0:29:36 | |
adding that drama at the end. If that doesn't come off properly, | 0:29:36 | 0:29:40 | |
the dishes will be a complete failure. | 0:29:40 | 0:29:42 | |
And that is not an option. | 0:29:42 | 0:29:44 | |
Oliver has to finalise service. | 0:29:44 | 0:29:46 | |
The chefs must decide whether to plate up and serve from the kitchen | 0:29:46 | 0:29:50 | |
or will they cook to order and plate up in the corridor, | 0:29:50 | 0:29:53 | |
and in the Lord Nelson room next to the Painted Hall? | 0:29:53 | 0:29:56 | |
-Phil. -All right? | 0:29:56 | 0:29:57 | |
I think yesterday, I hadn't really given it any thought. | 0:29:57 | 0:30:00 | |
Last night, I thought about service, not cooking, saw there was an issue | 0:30:00 | 0:30:03 | |
and I think the general consensus is that we want to try and do | 0:30:03 | 0:30:07 | |
as much as we can from upstairs and get it super organised up there, | 0:30:07 | 0:30:10 | |
because there just is aggro. | 0:30:10 | 0:30:12 | |
-And we've got to run it through with all those staff. -Yeah. | 0:30:12 | 0:30:15 | |
-Just whack through it. -Nail it. That's what we like. | 0:30:15 | 0:30:18 | |
With all the chefs finally having decided to plate up upstairs, | 0:30:18 | 0:30:21 | |
it's now all systems go for the service team | 0:30:21 | 0:30:25 | |
to get the room kitted out, | 0:30:25 | 0:30:27 | |
but they're going to need at least two working fryers up there. | 0:30:27 | 0:30:30 | |
In the kitchen, Daniel is still on the case. | 0:30:30 | 0:30:32 | |
It's for Great British Menu, Vic. I really need them. | 0:30:32 | 0:30:35 | |
They need to be big ones as well, if you can. | 0:30:35 | 0:30:39 | |
All right, that's brilliant. Thanks a lot. Take care. Bye. | 0:30:39 | 0:30:43 | |
I've found a couple. My friend's got a bigger operation | 0:30:43 | 0:30:48 | |
so they might have some fryers that they can lend me for the day, | 0:30:48 | 0:30:52 | |
so I'm just trying my best to get myself out of it at the moment | 0:30:52 | 0:30:55 | |
because I don't want to be in a situation later. | 0:30:55 | 0:30:58 | |
I need to be able to help everybody else, so... | 0:30:58 | 0:31:02 | |
I've worked behind for the last two days. I want there to be a point in my life | 0:31:02 | 0:31:06 | |
where I'm actually ahead of the game. | 0:31:06 | 0:31:08 | |
It's not just the chefs in the firing line. | 0:31:09 | 0:31:12 | |
Upstairs, the waiting staff are feeling the pressure too. | 0:31:12 | 0:31:16 | |
They've got to get tonight's service planned perfectly | 0:31:16 | 0:31:18 | |
but with such complicated dishes, it's a nightmare. | 0:31:18 | 0:31:22 | |
We'll have to do one table at a time, no buts or maybes about it. | 0:31:22 | 0:31:25 | |
-No, absolutely, yeah. -They are such a critical part of this event. | 0:31:25 | 0:31:28 | |
The trolley comes down, they take a jug, take a jug, take a jug. | 0:31:28 | 0:31:31 | |
It's really important you've got people who you believe | 0:31:31 | 0:31:35 | |
have got a sense of urgency and care as much as you do. | 0:31:35 | 0:31:38 | |
You also want to have... | 0:31:38 | 0:31:41 | |
I don't know. | 0:31:41 | 0:31:42 | |
Lets hope they've worked it out before service. | 0:31:42 | 0:31:45 | |
Meanwhile, under Matthew's watchful eye, | 0:31:45 | 0:31:47 | |
last-minute preparations are coming together in the great hall, | 0:31:47 | 0:31:51 | |
and the first guest has arrived. | 0:31:51 | 0:31:53 | |
-Welcome to the Painted Hall. -Stunning, isn't it? | 0:31:57 | 0:32:00 | |
Olympic legend and tonight's host, Sir Steve Redgrave. | 0:32:00 | 0:32:05 | |
I don't think I've been to a banquet before that celebrated Olympians. | 0:32:05 | 0:32:08 | |
I've been to a lot of dinners | 0:32:08 | 0:32:11 | |
but in such grand surroundings, I think this is absolutely amazing. | 0:32:11 | 0:32:15 | |
To make sure there are no seating faux pas, | 0:32:15 | 0:32:18 | |
Matthew wants to go over the table plan. | 0:32:18 | 0:32:20 | |
I certainly like this bit at the top. | 0:32:20 | 0:32:22 | |
All the top athletes on the top table. That's a very good move. | 0:32:22 | 0:32:25 | |
Top men, the judges up there. | 0:32:25 | 0:32:27 | |
Now, I think we have to leave that as it is. | 0:32:27 | 0:32:29 | |
OK. You've got Kelly's guest. | 0:32:29 | 0:32:32 | |
-Shouldn't Kelly's guest be with Kelly? -Yes, I think that's... | 0:32:32 | 0:32:36 | |
Where is Kelly? | 0:32:36 | 0:32:37 | |
-Kelly? Kelly, where are you? -Kelly Holmes, where are you hiding? | 0:32:37 | 0:32:41 | |
She's... | 0:32:41 | 0:32:42 | |
'Sir Steve Redgrave, who better else to host the evening' | 0:32:42 | 0:32:46 | |
where you've got medal-winners in every possible Olympic discipline to come together? | 0:32:46 | 0:32:50 | |
Down in the kitchen, there's no let-up for the chefs. | 0:32:53 | 0:32:57 | |
Still got loads to do. | 0:32:57 | 0:32:59 | |
It's all I've said for the last two days. | 0:32:59 | 0:33:02 | |
And there's still no sign of any extra fryers. | 0:33:02 | 0:33:05 | |
Hoping to urge the chefs onto the finish line, | 0:33:06 | 0:33:09 | |
Matthew makes a very inspirational visit to the kitchen. | 0:33:09 | 0:33:13 | |
Chefs, if I might introduce you to the legendary Sir Steve Redgrave. | 0:33:13 | 0:33:18 | |
This is Colin McGurran, who's doing the first course, Phil Howard... | 0:33:18 | 0:33:21 | |
-Pleased to meet you. -..Simon Rogan, | 0:33:21 | 0:33:23 | |
-and Daniel Clifford. -Hello. | 0:33:23 | 0:33:25 | |
Am I a little bit overdressed for here, | 0:33:25 | 0:33:27 | |
or should I have a tray with me, ready to take some food? | 0:33:27 | 0:33:30 | |
I've got an apron for you if you want it. | 0:33:30 | 0:33:32 | |
You're looking pretty calm to me at the moment. | 0:33:32 | 0:33:34 | |
Is it everyone else that's running around like headless chickens? | 0:33:34 | 0:33:37 | |
No, let's not mention chicken. | 0:33:37 | 0:33:40 | |
I've got no idea what's on the menu, so it'll all be a surprise to me. | 0:33:40 | 0:33:44 | |
But have you seen the guest list? Do you know who's coming tonight? | 0:33:44 | 0:33:48 | |
I have a guest list here of the great and good of sport, | 0:33:48 | 0:33:51 | |
so I'll to leave that with you, so you can flick through it. | 0:33:51 | 0:33:54 | |
-I'm sure you'll do us all proud tonight. -Thank you very much. | 0:33:54 | 0:33:57 | |
-It will inspire you. -See you later. Perform well. | 0:33:57 | 0:34:01 | |
-Take care. -See you, guys. -See you soon. | 0:34:01 | 0:34:04 | |
I kind of knew there was going to be some big names in there. | 0:34:05 | 0:34:08 | |
Duncan Goodhew, don't get a bigger name than that. | 0:34:08 | 0:34:11 | |
Jonathan Edwards, Matthew Pinsent, don't get bigger than him. | 0:34:11 | 0:34:14 | |
It's now a bit more real, isn't it? | 0:34:14 | 0:34:15 | |
To me, Steve Redgrave, it's a massive highlight. | 0:34:15 | 0:34:18 | |
That's what we're doing it for, why we're working the hours we're doing | 0:34:18 | 0:34:22 | |
and putting the pressure and the time and the love into our dishes, | 0:34:22 | 0:34:25 | |
so we can honour these people for what they've done. | 0:34:25 | 0:34:27 | |
They're true sporting heroes. | 0:34:27 | 0:34:29 | |
I'm in the business of pleasing people. | 0:34:29 | 0:34:32 | |
You don't get a more honourable group of people | 0:34:32 | 0:34:34 | |
to try and please than are coming tonight, and that's really special. | 0:34:34 | 0:34:38 | |
It's 3pm, and the banqueting hour is approaching fast. | 0:34:38 | 0:34:41 | |
Just whack it on there. | 0:34:45 | 0:34:48 | |
-Thanks for this, you're a lifesaver. -No problem. | 0:34:48 | 0:34:50 | |
The fryers have arrived, but now Daniel is really up against it. | 0:34:50 | 0:34:54 | |
There's a few issues where I plug them in, as we've power issues now. | 0:34:59 | 0:35:02 | |
-You all right? -HE GRUNTS | 0:35:02 | 0:35:05 | |
If these fryers don't work, it's game over for Daniel. | 0:35:07 | 0:35:12 | |
-Right, they're both working now. -BLEEP. -OK, come on. | 0:35:13 | 0:35:16 | |
QUARTET PLAYS: "Water Music" by Handel | 0:35:21 | 0:35:25 | |
Outside the old Royal Naval College, guests have started to arrive. | 0:35:26 | 0:35:31 | |
Glynn Purnell and Nigel Haworth are the first veteran chefs to show up, | 0:35:31 | 0:35:34 | |
closely followed by Jason Atherton. | 0:35:34 | 0:35:37 | |
It's so exciting, you know, you see the guests arriving. | 0:35:37 | 0:35:39 | |
There's VIPs from the Olympian world | 0:35:39 | 0:35:42 | |
and it's just going to be such a sensational dinner. | 0:35:42 | 0:35:45 | |
The guest list is studded with Olympic legends - | 0:35:45 | 0:35:48 | |
Tessa Sanderson with her two proteges, Jamaal and Holly, | 0:35:48 | 0:35:53 | |
Sir Matthew Pinsent, | 0:35:53 | 0:35:54 | |
Steve Backley, | 0:35:54 | 0:35:56 | |
Jonathan Edwards, | 0:35:56 | 0:35:58 | |
Sir Duncan Goodhew, | 0:35:58 | 0:36:00 | |
Dame Kelly Holmes | 0:36:00 | 0:36:01 | |
and Tommy Godwin, with daughter Kay. | 0:36:01 | 0:36:05 | |
At 91 years of age, | 0:36:07 | 0:36:09 | |
I couldn't believe that I'd ever be invited | 0:36:09 | 0:36:11 | |
to such a wonderful occasion, | 0:36:11 | 0:36:13 | |
but it's absolutely mind-blowing. Wonderful. | 0:36:13 | 0:36:16 | |
It's always nice to get together with a few old friends | 0:36:16 | 0:36:19 | |
and talk about the old days, when we were winning medals. | 0:36:19 | 0:36:22 | |
I'm really, really excited. I mean, it's an amazing venue. | 0:36:22 | 0:36:26 | |
It's all in the Olympic and Paralympic spirit, isn't it? | 0:36:26 | 0:36:29 | |
Badminton medallist Gail Emms | 0:36:29 | 0:36:32 | |
arrives with weightlifting hopeful Zoe Smith. | 0:36:32 | 0:36:34 | |
I get to let my hair down obviously | 0:36:34 | 0:36:35 | |
and it's quite nice to see other Olympic athletes | 0:36:35 | 0:36:38 | |
doing the same thing. | 0:36:38 | 0:36:39 | |
The glittering collection of Olympians, Paralympians | 0:36:39 | 0:36:42 | |
and athletes includes dressage medallist Lee Pearson, | 0:36:42 | 0:36:45 | |
sprinter Andrew Osagie, | 0:36:45 | 0:36:47 | |
bob skeleton medallist Amy Williams | 0:36:47 | 0:36:49 | |
and power lifter Roxan Luckock | 0:36:49 | 0:36:52 | |
Our veteran chefs are the only ones who can understand | 0:36:54 | 0:36:57 | |
what cooking tonight might be like. | 0:36:57 | 0:37:00 | |
I've cooked at two banquets now. | 0:37:00 | 0:37:02 | |
The attention, the adrenalin, the excitement. | 0:37:02 | 0:37:04 | |
I mean, it's a fantastic atmosphere in here, | 0:37:04 | 0:37:06 | |
but I bet the atmosphere in the kitchen is off the scale. | 0:37:06 | 0:37:09 | |
This is the time when you bring everything together and nail it. | 0:37:12 | 0:37:15 | |
There's 20 components on the plate and they've got to be thrown in the air, juggled, | 0:37:15 | 0:37:19 | |
and put on the plate at the right time. | 0:37:19 | 0:37:21 | |
So this is sort of stressy time. | 0:37:21 | 0:37:23 | |
Colin's ready to take his dish to the plating up room. | 0:37:23 | 0:37:26 | |
The next big job for me is to get these upstairs. | 0:37:26 | 0:37:29 | |
There's a lot of effort gone into them. | 0:37:29 | 0:37:31 | |
Going up and down, you could break them. | 0:37:31 | 0:37:33 | |
They're just dry bark, really, so they can crumble. | 0:37:33 | 0:37:36 | |
Colin's quail in the woods is not just top-notch cooking, | 0:37:36 | 0:37:40 | |
but drama on a plate. The challenge for the banquet | 0:37:40 | 0:37:43 | |
will be managing all the delicate ingredients last minute. | 0:37:43 | 0:37:47 | |
Colin is the first to familiarise himself | 0:37:47 | 0:37:50 | |
with service HQ for the night - the plating up area. | 0:37:50 | 0:37:54 | |
I'm ready to go, like a racehorse! | 0:37:54 | 0:37:57 | |
Ready to bolt, you know? All ready. | 0:37:57 | 0:37:59 | |
After months of hard work, it's now down to just four chefs | 0:37:59 | 0:38:04 | |
to deliver their inventive dishes perfectly. | 0:38:04 | 0:38:07 | |
I'm excited about the food. | 0:38:08 | 0:38:10 | |
There's been this whole competition going on. | 0:38:10 | 0:38:12 | |
Some amazing chefs have been put under a huge amount of pressure, | 0:38:12 | 0:38:15 | |
a bit like being in the Olympics. | 0:38:15 | 0:38:17 | |
I'm looking forward to seeing what they can produce. | 0:38:17 | 0:38:20 | |
With the guests taking their seats, all four chefs have come together | 0:38:22 | 0:38:26 | |
in the plating up room for the start of the banquet. | 0:38:26 | 0:38:29 | |
Service is about to begin, | 0:38:29 | 0:38:31 | |
as Sir Steve Redgrave opens the ceremony. | 0:38:31 | 0:38:35 | |
Good evening and welcome to the Olympic banquet. | 0:38:35 | 0:38:38 | |
Our greatest athletes will soon be going for gold, | 0:38:39 | 0:38:43 | |
just as our national chefs | 0:38:43 | 0:38:46 | |
have been battling it out to cook for us this evening. | 0:38:46 | 0:38:49 | |
I need more plates. | 0:38:50 | 0:38:52 | |
-I'm doing one board for one, yeah? -That's correct. | 0:38:52 | 0:38:55 | |
The first stage of the dish with the filo de brick, | 0:38:55 | 0:38:58 | |
black garlic cream, cress and horseradish pearls is ready. | 0:38:58 | 0:39:02 | |
OK, service. Keep everyone here, please. | 0:39:02 | 0:39:04 | |
Yep. So far, so good. | 0:39:04 | 0:39:07 | |
Time is of the essence as the miso-glazed quail | 0:39:08 | 0:39:11 | |
must get to the tables hot. | 0:39:11 | 0:39:13 | |
And in the middle, the leg. | 0:39:13 | 0:39:16 | |
-And the breast just either side? -Yeah. | 0:39:16 | 0:39:18 | |
Over the last few months, | 0:39:18 | 0:39:20 | |
they've been putting in blood, sweat and tears, desire and passion. | 0:39:20 | 0:39:25 | |
You'll experience here the work of the greatest talents within food. | 0:39:25 | 0:39:28 | |
Finally, the riskiest element of the dish - | 0:39:28 | 0:39:31 | |
perfectly fried quail eggs | 0:39:31 | 0:39:34 | |
in a delicate tempura batter. | 0:39:34 | 0:39:36 | |
-It's in, yeah? The eggs are in? -Yeah. | 0:39:36 | 0:39:39 | |
Whatever you do, these eggs are fragile, OK? | 0:39:39 | 0:39:42 | |
So thank you to the Great British Menu | 0:39:42 | 0:39:45 | |
and let the Olympic banquet begin. | 0:39:45 | 0:39:48 | |
APPLAUSE | 0:39:48 | 0:39:50 | |
I think we're all intrigued with what's going to come out. | 0:39:50 | 0:39:53 | |
The presentation, the taste. | 0:39:53 | 0:39:56 | |
I'm expecting it to be one of the best meals ever. | 0:39:56 | 0:39:59 | |
-OK, ready to go? -Yes, please. -OK, that board's ready. -Go, go. | 0:39:59 | 0:40:04 | |
-OK, start picking up guys. -Go, go. | 0:40:04 | 0:40:06 | |
OK, pick up these plates, please. OK, let's go. | 0:40:06 | 0:40:09 | |
The first plates of the night are out. | 0:40:13 | 0:40:16 | |
The final theatrics of the dish are left to the staff. | 0:40:19 | 0:40:23 | |
APPLAUSE | 0:40:27 | 0:40:29 | |
Sounds like they just dropped in the dry ice, Colin. | 0:40:34 | 0:40:38 | |
Well, there can be no other reaction, other than wow! | 0:40:40 | 0:40:43 | |
-Come on, come on. -Ready to go. -Service! | 0:40:43 | 0:40:47 | |
Get rid of this, front of house. Go on, two plates. | 0:40:47 | 0:40:50 | |
Looks good enough to eat, doesn't it? | 0:40:55 | 0:40:57 | |
Colin's wife, Becky, knows just how much hard work | 0:40:57 | 0:41:01 | |
has gone into this moment. | 0:41:01 | 0:41:03 | |
He did really well. I'm so proud. It's delicious. | 0:41:03 | 0:41:06 | |
He'll be really happy with the way it ended up. | 0:41:06 | 0:41:08 | |
-OK, you can go now guys. -Let's go. | 0:41:08 | 0:41:11 | |
Colin, well done. | 0:41:11 | 0:41:13 | |
Every single piece of quail was immaculate. | 0:41:13 | 0:41:16 | |
Great plate. Great, great plate. | 0:41:16 | 0:41:18 | |
Olympic diver Nick Robinson-Baker played a big part | 0:41:18 | 0:41:22 | |
in inspiring Colin to win. | 0:41:22 | 0:41:23 | |
I didn't quite expect it to be amazing. | 0:41:23 | 0:41:25 | |
You've got a forest on a plate there. | 0:41:25 | 0:41:28 | |
The food was fantastic, the scent, | 0:41:28 | 0:41:29 | |
the steam that came out, you know, the mist. | 0:41:29 | 0:41:31 | |
It was awesome. | 0:41:31 | 0:41:33 | |
To have a warm quail's egg, but have it melt in your mouth, | 0:41:33 | 0:41:37 | |
That was... Big tick! | 0:41:37 | 0:41:39 | |
Looking down the table, everyone's like, "Wow!" | 0:41:39 | 0:41:42 | |
From a starting point of view, it had all the theatre. | 0:41:42 | 0:41:46 | |
It was fantastic, I thought. | 0:41:46 | 0:41:47 | |
It's a thumbs up from me. | 0:41:47 | 0:41:49 | |
Veteran Nigel Howarth judged Colin harshly on this dish in the heats. | 0:41:49 | 0:41:54 | |
So does he think it's a worthy winner today? | 0:41:54 | 0:41:56 | |
Colin! | 0:41:56 | 0:41:59 | |
-That was... -Better? | 0:41:59 | 0:42:01 | |
Hand on heart, Colin, that was so, so good. | 0:42:02 | 0:42:05 | |
You had the foliage and the dry ice. It was very dramatic and, you know, | 0:42:05 | 0:42:09 | |
-it's got to have a ten tonight, Colin. It's going to be -THE -dish. | 0:42:09 | 0:42:13 | |
-That's what I like to hear. Thank you very much. -It was superb. | 0:42:13 | 0:42:16 | |
Hope you enjoy the rest of the evening. Thank you very much. | 0:42:16 | 0:42:19 | |
Nigel's verdict was a ten out of ten, which is great to hear. | 0:42:19 | 0:42:23 | |
It's had a hard time, | 0:42:23 | 0:42:24 | |
and to perfect it was a nightmare, but a pleasure as well. | 0:42:24 | 0:42:27 | |
The starter's gone down extremely well, so bring on the next course. | 0:42:28 | 0:42:33 | |
But is Phil on top of his service strategy? | 0:42:33 | 0:42:37 | |
-There's the soup. The soup, right? -Yeah. -It's hot. | 0:42:37 | 0:42:40 | |
Don't let it boil, but nice and hot. | 0:42:40 | 0:42:43 | |
Right, they want to go over there, actually. | 0:42:43 | 0:42:45 | |
Yeah, it's the sweaty moment. | 0:42:45 | 0:42:47 | |
It's just hard. It's logistics and space. | 0:42:47 | 0:42:50 | |
We've got cold, hot, smoked things. It's just getting an order of service so it flows. | 0:42:50 | 0:42:54 | |
Particularly after Colin nailed it so well. | 0:42:54 | 0:42:56 | |
Where's the waiting staff? Down there? | 0:42:56 | 0:42:58 | |
-Jose? Are you ready to go? -Yes, chef. | 0:42:58 | 0:43:01 | |
We're going to go in two minutes, OK? Two minutes. | 0:43:01 | 0:43:03 | |
While guests relax in the hall, in the service area, | 0:43:03 | 0:43:06 | |
there's confusion over how to deliver the dish. | 0:43:06 | 0:43:09 | |
-We're going to pick up the plate from here? -Yes. The main from there. | 0:43:09 | 0:43:13 | |
-But the plates are going to be down there. -Oh, yeah. | 0:43:13 | 0:43:15 | |
-OK, where's that squeeze of lemon oil? Oh, stop, stop. -Lemon? | 0:43:15 | 0:43:19 | |
Lemon oil. | 0:43:19 | 0:43:20 | |
With 100 plates to get out and so many elements to get right | 0:43:20 | 0:43:23 | |
on each of them, a speedy service is key. | 0:43:23 | 0:43:26 | |
OK, they're coming. | 0:43:26 | 0:43:29 | |
-OK, come through, please. -Tray on the side, please. | 0:43:29 | 0:43:32 | |
More soup coming, please. Come on, let's have it. | 0:43:32 | 0:43:36 | |
Stick to a system, please. Just put a dot of lemon oil in each of these. | 0:43:36 | 0:43:39 | |
Thank you. We need two on each tray, full of smoke. | 0:43:39 | 0:43:42 | |
Last to plate are the smoke-filled cloches, | 0:43:42 | 0:43:45 | |
which must go to the tables quickly for maximum effect. | 0:43:45 | 0:43:49 | |
Bring it over here. Carry it. | 0:43:49 | 0:43:50 | |
With one final push, | 0:43:50 | 0:43:52 | |
Phil's innovative mackerel dish makes it out. | 0:43:52 | 0:43:55 | |
Go, go. | 0:43:55 | 0:43:56 | |
APPLAUSE | 0:44:09 | 0:44:11 | |
What is that? | 0:44:15 | 0:44:17 | |
I can smell it. | 0:44:17 | 0:44:18 | |
Just lift it up and smell it now, before it goes away. | 0:44:18 | 0:44:22 | |
Oh! | 0:44:22 | 0:44:24 | |
Outside, the course is going down well. | 0:44:24 | 0:44:26 | |
-But behind the scenes, there are problems. -Come on! Next tray! | 0:44:26 | 0:44:31 | |
OK, service! Let's have you. Come through, please. | 0:44:31 | 0:44:34 | |
We're waiting for waiters. | 0:44:34 | 0:44:36 | |
Come on, come on! | 0:44:39 | 0:44:41 | |
They're coming. Go. | 0:44:41 | 0:44:42 | |
OK, here we go. Tray down, please. | 0:44:42 | 0:44:46 | |
While Phil battles to get his dish out, | 0:44:46 | 0:44:48 | |
Daniel's a bit overcome on cloche duty. | 0:44:48 | 0:44:50 | |
HE COUGHS | 0:44:50 | 0:44:51 | |
-All right there? -Oh, -BLEEP! -That was harsh. | 0:44:51 | 0:44:54 | |
Just one last table. Trays going round the other side, thank you. | 0:44:54 | 0:44:57 | |
Last table. Nice big smiles. Well done. | 0:44:57 | 0:45:00 | |
Every single element of that dish was absolutely spot on. | 0:45:05 | 0:45:08 | |
Now, either he's a really, really canny fellow | 0:45:08 | 0:45:11 | |
or he's phenomenally lucky, but I suspect he's the former. | 0:45:11 | 0:45:14 | |
Phil Howard always pulls it off. | 0:45:14 | 0:45:16 | |
I mean, he's a wonderful, reliable, fantastic chef. | 0:45:16 | 0:45:19 | |
I just think it's a very brave dish. | 0:45:19 | 0:45:22 | |
But delicious. | 0:45:22 | 0:45:23 | |
Phil's course has gone down particularly well | 0:45:23 | 0:45:26 | |
with his wife, Jenny. | 0:45:26 | 0:45:27 | |
Oh, I'm really proud of him. | 0:45:27 | 0:45:30 | |
He's put so much effort into doing the dish this evening | 0:45:30 | 0:45:34 | |
and the whole series. | 0:45:34 | 0:45:35 | |
There's one special guest Phil is keen to hear from - | 0:45:35 | 0:45:38 | |
Olympic legend Steve Backley, who inspired him to go all the way. | 0:45:38 | 0:45:42 | |
Absolutely stunning. It was a complicated dish you did there. | 0:45:42 | 0:45:46 | |
-A lot going on. -Yeah, there is. | 0:45:46 | 0:45:48 | |
-There were five different things. -Yeah, lots of stuff going on. | 0:45:48 | 0:45:51 | |
And to throw all those balls up in the air and keep hitting them, | 0:45:51 | 0:45:55 | |
and try and catch them all at the right time is not easy. | 0:45:55 | 0:45:58 | |
Back downstairs, it's all hands on saucepans for Daniel. | 0:46:00 | 0:46:04 | |
Right, boys. We've got to saute this, | 0:46:04 | 0:46:07 | |
and basically we've got to put it all into nice little piles. | 0:46:07 | 0:46:10 | |
Daniel's slow-poached chicken with sweetcorn egg | 0:46:10 | 0:46:13 | |
and wilted spinach and peas wowed judges in the final. | 0:46:13 | 0:46:17 | |
But this intensely intricate dish has been a monster to prepare. | 0:46:17 | 0:46:21 | |
With all six elements to plate up perfectly, | 0:46:21 | 0:46:23 | |
the real work is only just beginning. | 0:46:23 | 0:46:26 | |
Right, can we get some kitchen help down here, please? | 0:46:26 | 0:46:29 | |
'I've got no choice. I'm not going to fail now.' | 0:46:29 | 0:46:31 | |
I just want to do the best I can. | 0:46:31 | 0:46:34 | |
So it's all hands to the deck now and let's get sorted out | 0:46:34 | 0:46:37 | |
and make this event happen. | 0:46:37 | 0:46:39 | |
Two-time main course winner Tom Kerridge | 0:46:39 | 0:46:41 | |
knows exactly how Daniel's feeling. | 0:46:41 | 0:46:43 | |
When you're sending the main course for a banquet like this, | 0:46:43 | 0:46:46 | |
this is when the pressure's really on. | 0:46:46 | 0:46:49 | |
He's seen two courses already been sent. | 0:46:49 | 0:46:51 | |
Daniel will be focused, he'll be determined. | 0:46:51 | 0:46:54 | |
This is Daniel's time, This will be amazing. | 0:46:54 | 0:46:57 | |
We need to butter the spinach, add the chicken and the spinach, | 0:46:57 | 0:47:00 | |
season it up, get it into the mould | 0:47:00 | 0:47:02 | |
To have these three boys helping, it's just like... | 0:47:02 | 0:47:05 | |
-I want to take them home, actually. -Oh, really? | 0:47:05 | 0:47:07 | |
Already upstairs, the centrepiece of Daniel's dish - the chicken ballotine - | 0:47:07 | 0:47:11 | |
is waiting to be flash-fried before service. | 0:47:11 | 0:47:15 | |
Message from Daniel - he wants these in in seven minutes. | 0:47:15 | 0:47:18 | |
-Seven minutes from now. -Dropped in. From now. | 0:47:18 | 0:47:22 | |
Without knowing what the chefs are up against, guests' expectations | 0:47:22 | 0:47:25 | |
are extremely high. | 0:47:25 | 0:47:27 | |
I enjoyed the fish course particularly, | 0:47:27 | 0:47:29 | |
but the main - that is a great anticipation. | 0:47:29 | 0:47:33 | |
I'm looking forward to it. | 0:47:33 | 0:47:34 | |
The popcorn, wings and vegetables, | 0:47:34 | 0:47:36 | |
which were prepped in the main kitchen, | 0:47:36 | 0:47:38 | |
have come together upstairs in the plating room. | 0:47:38 | 0:47:41 | |
All Daniel needs to do before service, | 0:47:41 | 0:47:43 | |
is check that his chicken ballotine is good to go. | 0:47:43 | 0:47:46 | |
-Ready? -One minute, chef. | 0:47:46 | 0:47:48 | |
SIZZLING | 0:47:48 | 0:47:49 | |
Can we just have some quiet, please? | 0:47:49 | 0:47:52 | |
Phil's going to put the spinach on, he's going to do the puree, | 0:47:52 | 0:47:54 | |
I'll come along, put the chicken on. | 0:47:54 | 0:47:56 | |
Put them over there chief. Put them there. | 0:47:56 | 0:47:59 | |
With the first lot of chicken done, they're off. | 0:47:59 | 0:48:02 | |
Let's go. | 0:48:02 | 0:48:03 | |
-Can you bring a tray of cannelloni over, please? -Eight cannelloni. | 0:48:03 | 0:48:07 | |
Have you got the four sauces? | 0:48:07 | 0:48:09 | |
Delivery of the Daniel's Olympic main course is underway. | 0:48:09 | 0:48:12 | |
-Don't -BLEEP. -Stay there. Come here. Don't -BLEEP. | 0:48:12 | 0:48:16 | |
At this present moment in time, | 0:48:16 | 0:48:17 | |
he's probably a three-headed monster, | 0:48:17 | 0:48:20 | |
trying to turn out the chicken dish of the century. | 0:48:20 | 0:48:24 | |
Just let her go, mate. Let her go. | 0:48:24 | 0:48:26 | |
How are we doing? | 0:48:26 | 0:48:28 | |
Finally, the dish goes out. | 0:48:30 | 0:48:33 | |
It may be mayhem in the kitchen, | 0:48:33 | 0:48:35 | |
but it's smooth as silk in the Painted Hall. | 0:48:35 | 0:48:38 | |
GUESTS CHATTER | 0:48:38 | 0:48:40 | |
There's still a vital detail for Daniel to remember. | 0:48:44 | 0:48:48 | |
We need spray, spray, spray. Jose, spray! | 0:48:48 | 0:48:51 | |
The inventive chicken spray is Daniel's finishing touch. | 0:48:51 | 0:48:55 | |
It's fantastic. | 0:48:58 | 0:49:00 | |
He just really gave another dimension. | 0:49:00 | 0:49:03 | |
The phenomenal aroma of roast chicken. | 0:49:03 | 0:49:07 | |
EXCITED CHATTER | 0:49:07 | 0:49:10 | |
I couldn't quite work out from the menu | 0:49:11 | 0:49:13 | |
what would be presented to us and it's absolutely fantastic. | 0:49:13 | 0:49:19 | |
That's amazing. | 0:49:20 | 0:49:22 | |
I'm happy with this. | 0:49:22 | 0:49:24 | |
Wow! | 0:49:24 | 0:49:25 | |
Just started eating it. | 0:49:25 | 0:49:27 | |
The chicken has got a little egg in the middle | 0:49:27 | 0:49:30 | |
and I just think it's amazing. | 0:49:30 | 0:49:32 | |
With only the first plate served, | 0:49:32 | 0:49:34 | |
there's still some pain ahead for Daniel. | 0:49:34 | 0:49:37 | |
Come on, run, run! | 0:49:37 | 0:49:40 | |
-BLEEP. -Second team, come on. | 0:49:40 | 0:49:42 | |
-All they've got to do is -BLEEP -carry the trays. | 0:49:42 | 0:49:45 | |
-Jose, can you whip their -BLEEP? -Come on, chief. -Go, go, go. | 0:49:45 | 0:49:48 | |
These can go, these can go. | 0:49:48 | 0:49:50 | |
As if things aren't bad enough, | 0:49:50 | 0:49:52 | |
the chicken being finished down the corridor is driving Daniel crazy. | 0:49:52 | 0:49:56 | |
I need more chicken. I need more chicken, Phil. | 0:49:56 | 0:49:59 | |
Right, can I have some waiters, please? | 0:50:01 | 0:50:05 | |
Come round, come round and take the food. | 0:50:05 | 0:50:07 | |
-Jose, next table. -15. -15. | 0:50:07 | 0:50:09 | |
Chicken! Chicken! | 0:50:09 | 0:50:12 | |
The task feels never ending as the numbers of delivered dishes rise. | 0:50:12 | 0:50:16 | |
And so does service stress levels. | 0:50:16 | 0:50:20 | |
Go, go, come on! | 0:50:20 | 0:50:22 | |
-Is that the last one? -No, there's one table. | 0:50:22 | 0:50:25 | |
You do the second lot, I'll do the first lot. | 0:50:27 | 0:50:29 | |
Go! Go! | 0:50:29 | 0:50:31 | |
-Well done, chef, this is the last table. -Go! | 0:50:32 | 0:50:34 | |
APPLAUSE | 0:50:35 | 0:50:37 | |
Well done, brother. | 0:50:37 | 0:50:38 | |
Thank you, chief. | 0:50:38 | 0:50:40 | |
The popcorn, I've never had chicken popcorn. | 0:50:40 | 0:50:44 | |
That was really lovely. | 0:50:44 | 0:50:47 | |
It was crunchy, it had a nice taste. | 0:50:47 | 0:50:50 | |
I quite liked it. | 0:50:50 | 0:50:51 | |
Wonderful. Absolutely... | 0:50:51 | 0:50:54 | |
..top of the pops for the night, that. | 0:50:56 | 0:50:58 | |
That dish definitely pushed boundaries with the main course. | 0:51:00 | 0:51:03 | |
The presentation was brilliant | 0:51:03 | 0:51:05 | |
and I don't think the textures could have been any more perfect. | 0:51:05 | 0:51:08 | |
I'd love to have someone to talk me through exactly | 0:51:08 | 0:51:11 | |
what's gone into it so I could appreciate it. | 0:51:11 | 0:51:13 | |
Now, I'm going, "Wow, how does that happen?" | 0:51:13 | 0:51:15 | |
It's really nice to try something new | 0:51:15 | 0:51:18 | |
and not things you would cook at home! | 0:51:18 | 0:51:19 | |
Daniel got ten out of ten in finals week and for me, | 0:51:19 | 0:51:22 | |
definitely a ten out of ten again. | 0:51:22 | 0:51:24 | |
Absolutely stunning dish. | 0:51:24 | 0:51:26 | |
Do you know, he should be so proud of what he served this evening. | 0:51:26 | 0:51:29 | |
I can't believe it's done now. | 0:51:31 | 0:51:34 | |
To serve 100 people to that standard, hot, | 0:51:34 | 0:51:36 | |
the credit goes to all of them, everybody, the waiters, everybody. | 0:51:36 | 0:51:40 | |
You can see a different Daniel now. Daniel is a happy man. | 0:51:40 | 0:51:42 | |
Daniel has a brief moment to enjoy the atmosphere in the hall | 0:51:42 | 0:51:46 | |
and his girlfriend, Debbie, can't resist saying hello. | 0:51:46 | 0:51:50 | |
-Fantastic! Well done. -Good? -Beautiful. | 0:51:50 | 0:51:53 | |
-Absolutely beautiful. -Good. | 0:51:53 | 0:51:55 | |
It's D-Day for dessert as Simon sets out his station for the finale. | 0:51:55 | 0:52:00 | |
Simon's innovative dish of poached pears with anise hyssop snow, | 0:52:01 | 0:52:06 | |
sweet cheese ice cream and rosehip syrup | 0:52:06 | 0:52:08 | |
is an incredibly unusual combination of textures and flavours. | 0:52:08 | 0:52:12 | |
We were having a discussion about what's coming out for dessert | 0:52:12 | 0:52:15 | |
and I've heard a few things about it, how groundbreaking it is | 0:52:15 | 0:52:18 | |
and modern and pushing boundaries, so I'm excited. Pear's my favourite fruit. | 0:52:18 | 0:52:22 | |
-Sort of elongated, yeah? -Small pieces. | 0:52:22 | 0:52:25 | |
I think so, yeah. | 0:52:25 | 0:52:26 | |
To get the dish out, the production line needs to move at a pace, | 0:52:26 | 0:52:30 | |
so it's all hands on deck. | 0:52:30 | 0:52:32 | |
Take another container and do what I do on the other side. | 0:52:32 | 0:52:35 | |
Four quite nice bits and then a few crumbs. | 0:52:35 | 0:52:38 | |
The actual plating the dessert is very natural, very rustic, | 0:52:38 | 0:52:41 | |
so it's not all about precision. | 0:52:41 | 0:52:44 | |
It's about the flavours, the freshness | 0:52:44 | 0:52:46 | |
and just that natural look to it. | 0:52:46 | 0:52:49 | |
And to add to the look, rosehip syrup. | 0:52:49 | 0:52:52 | |
Si, is that all the plates there? | 0:52:52 | 0:52:54 | |
Yeah, that's it. | 0:52:54 | 0:52:56 | |
Go round them and round then again if there's loads left over. | 0:52:56 | 0:52:59 | |
As there's no blast chiller to hand for service, | 0:52:59 | 0:53:01 | |
the snow and ice cream will arrive last minute, | 0:53:01 | 0:53:04 | |
but there are other concerns too. | 0:53:04 | 0:53:06 | |
I've never made this dish in such numbers before, | 0:53:06 | 0:53:10 | |
so although I quadrupled and doubled and did whatever, | 0:53:10 | 0:53:13 | |
which I thought was enough, | 0:53:13 | 0:53:15 | |
looking at it, I'm thinking, "Is that enough?" | 0:53:15 | 0:53:18 | |
Snow is on its way but it'll only be a matter of minutes | 0:53:18 | 0:53:20 | |
before it turns to slush. | 0:53:20 | 0:53:23 | |
-Are we ready to go? -I think so. | 0:53:23 | 0:53:25 | |
One. Eight for the top table. | 0:53:25 | 0:53:28 | |
With speed being so crucial to the perfection of the dish | 0:53:28 | 0:53:33 | |
and the worry about quantities, | 0:53:33 | 0:53:34 | |
will Simon's Zen-like veneer finally crack? | 0:53:34 | 0:53:38 | |
Come on, let's go, let's go. | 0:53:38 | 0:53:40 | |
What are they doing? Come on. | 0:53:40 | 0:53:43 | |
As soon as they've got green on it, go. Next one. | 0:53:43 | 0:53:46 | |
It's delivery time for dessert. | 0:53:46 | 0:53:49 | |
EXCITED CHATTER | 0:53:49 | 0:53:53 | |
Oh! That's amazing. | 0:53:55 | 0:53:58 | |
Sweet cheese ice cream. I like that. | 0:53:58 | 0:54:01 | |
Deliciously silky texture. | 0:54:01 | 0:54:04 | |
It's very nice. | 0:54:04 | 0:54:05 | |
The balance of flavours on that dish is just tremendous | 0:54:05 | 0:54:09 | |
and even Steve Redgrave was going, "Ooh, wow!" | 0:54:09 | 0:54:12 | |
Rosehip, the whole thing is just really a beautiful journey | 0:54:12 | 0:54:17 | |
on the palate. Lovely. | 0:54:17 | 0:54:19 | |
One person in the room particularly appreciates | 0:54:19 | 0:54:22 | |
just how much getting this right means - Simon's partner, Penny. | 0:54:22 | 0:54:27 | |
Extremely proud. | 0:54:27 | 0:54:29 | |
To see it now come to fruition has been brilliant. | 0:54:29 | 0:54:31 | |
Absolutely delicious tonight to eat it. | 0:54:31 | 0:54:34 | |
With the first desserts delivered and going down a treat at the table, | 0:54:34 | 0:54:37 | |
it's still madness behind the scenes. | 0:54:37 | 0:54:41 | |
Another snow please. | 0:54:41 | 0:54:42 | |
-Jose, what's next? -16. -Waiters, oi! | 0:54:42 | 0:54:45 | |
-Come on! -Chief! -Oi! | 0:54:45 | 0:54:47 | |
-Here! -Let's go, let's go, please. We've got to be faster. | 0:54:47 | 0:54:52 | |
Only half the guests have been served. | 0:54:52 | 0:54:55 | |
Simon's fears about quantity may be coming true. | 0:54:55 | 0:54:58 | |
Too much, but too much, little bit less. Little bit less. | 0:54:58 | 0:55:02 | |
-Got some more snow? -Another ice cream, please? | 0:55:02 | 0:55:05 | |
Ice cream, ice cream! | 0:55:05 | 0:55:06 | |
The particular combination of the tastes is amazing. | 0:55:06 | 0:55:10 | |
Every bite I had a different taste of something different, | 0:55:10 | 0:55:14 | |
so I didn't know what I was tasting. It was just mouth-watering. | 0:55:14 | 0:55:17 | |
My last one. | 0:55:17 | 0:55:18 | |
-Bosh, bosh, bosh, Tosh! -Just go! Shall we go get a beer? | 0:55:18 | 0:55:23 | |
APPLAUSE | 0:55:23 | 0:55:24 | |
It was lovely. The ice cream, I've never tasted anything like it. | 0:55:28 | 0:55:32 | |
Sweet cheese ice cream. Beautiful! | 0:55:32 | 0:55:36 | |
Tessa Sanderson's protege, Jamaal, | 0:55:36 | 0:55:38 | |
was personally invited to the banquet by Simon. | 0:55:38 | 0:55:41 | |
Everybody can tell you chicken is my favourite meal | 0:55:41 | 0:55:43 | |
but after tasting that dessert, wow! Give me that dessert any day. | 0:55:43 | 0:55:47 | |
It was part of the magnificent meal for all the guests | 0:55:48 | 0:55:52 | |
and I'm really honoured to have worked with the three guys | 0:55:52 | 0:55:55 | |
over the last couple of days | 0:55:55 | 0:55:57 | |
and it's been one of the highlights of my career so far | 0:55:57 | 0:55:59 | |
and I've loved every minute. | 0:55:59 | 0:56:01 | |
The Great British Menu banquet has come to a close. | 0:56:03 | 0:56:07 | |
TAPPING ON GLASS | 0:56:07 | 0:56:08 | |
Ladies and gentlemen, I hope you've enjoyed this evening. | 0:56:08 | 0:56:12 | |
It's been a fantastic occasion. I hope you enjoyed the food. | 0:56:12 | 0:56:16 | |
The chefs have done us absolutely proud. | 0:56:16 | 0:56:19 | |
I think we should listen the applause they deserve. | 0:56:19 | 0:56:22 | |
So, our chefs. | 0:56:22 | 0:56:24 | |
APPLAUSE AND CHEERING | 0:56:24 | 0:56:26 | |
I think what was so exceptional about tonight | 0:56:37 | 0:56:40 | |
is that, although the food was innovative and unusual, | 0:56:40 | 0:56:44 | |
it was still good food. It was gastronomic heaven. | 0:56:44 | 0:56:48 | |
The food, I mean you saw it. | 0:56:50 | 0:56:53 | |
Let me tell you, however good it looked, | 0:56:53 | 0:56:56 | |
it tasted even better! | 0:56:56 | 0:56:59 | |
The first dish we had, it came with a forest! | 0:56:59 | 0:57:02 | |
-Pudding! -The pudding! | 0:57:02 | 0:57:05 | |
Popcorn! Who has popcorn and chicken? | 0:57:05 | 0:57:08 | |
Sweet cheese ice cream. | 0:57:08 | 0:57:10 | |
-I've enjoyed the whole night. -We thought that was lovely. | 0:57:10 | 0:57:13 | |
Everyone to be in the same room together ahead of 2012 | 0:57:13 | 0:57:16 | |
and the London games, it's just been an amazing evening. | 0:57:16 | 0:57:20 | |
We did give them a great dinner tonight, | 0:57:20 | 0:57:23 | |
I know that, and there's been lots of compliments | 0:57:23 | 0:57:25 | |
but there were four fantastic dishes that constituted a great meal. | 0:57:25 | 0:57:30 | |
-That was fantastic. -Hello. You all right? | 0:57:30 | 0:57:32 | |
I think the favourite part of tonight | 0:57:32 | 0:57:35 | |
was walking towards the guests and the round of applause | 0:57:35 | 0:57:39 | |
was just, like, quite a humbling experience | 0:57:39 | 0:57:41 | |
and it was worth all the hard work over the six months. | 0:57:41 | 0:57:44 | |
For everyone to stand up and appreciate what we've done | 0:57:44 | 0:57:47 | |
makes it worthwhile. | 0:57:47 | 0:57:49 | |
I was running round like an absolute nutcase but I loved it. | 0:57:49 | 0:57:52 | |
I absolutely loved it. | 0:57:52 | 0:57:53 | |
-Absolutely delicious, all of it. -Yeah? | 0:57:53 | 0:57:55 | |
'Banquet's over, I'm relieved, | 0:57:55 | 0:57:58 | |
happy and also a big sense of pride | 0:57:58 | 0:58:01 | |
that I've accomplished such a massive thing in my life | 0:58:01 | 0:58:06 | |
and it got a gold medal in my eyes, so I'm really chuffed to bits. | 0:58:06 | 0:58:09 | |
This is almost like the start of our Olympic journey, you know? | 0:58:09 | 0:58:13 | |
We've got future Olympians, current Olympians, past Olympians, | 0:58:13 | 0:58:17 | |
all sat there in front of us, so roll on 2012, let's have it. | 0:58:17 | 0:58:21 | |
-ALL: Cheers. -It's over. -Well done. | 0:58:21 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:50 |