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This week on Great British Menu - technical Chris Holland... | 0:00:03 | 0:00:06 | |
There's always that element of doubt, if you like. | 0:00:06 | 0:00:08 | |
..Heston Blumenthal-trained Mary-Ellen McTague... | 0:00:08 | 0:00:11 | |
I don't know about you two, but I've found one of the toughest | 0:00:11 | 0:00:13 | |
things about this competition is the amount of scrutiny your cooking's under. | 0:00:13 | 0:00:17 | |
..and returning three-times loser Aiden Byrne. | 0:00:17 | 0:00:20 | |
Is that a vessel for a gravy or is that a vessel for gravy? | 0:00:20 | 0:00:23 | |
..have been challenged to create playful, witty dishes | 0:00:23 | 0:00:28 | |
for the chance to cook at a special banquet, | 0:00:28 | 0:00:30 | |
celebrating 25 years of Red Nose Day. | 0:00:30 | 0:00:33 | |
Yesterday's fish course levelled the playing field... | 0:00:34 | 0:00:37 | |
OK, cutting it very fine now, you've got to get it up on the pass on time. | 0:00:37 | 0:00:42 | |
..as Mary-Ellen made a fatal mistake... | 0:00:42 | 0:00:44 | |
That's an unfortunate howler. | 0:00:44 | 0:00:46 | |
..and is now sharing first place with Aiden, | 0:00:46 | 0:00:49 | |
who hit the brief on the nose! | 0:00:49 | 0:00:51 | |
-That's another one that makes you smile. -Yeah. | 0:00:51 | 0:00:53 | |
Today it's the main course, | 0:00:53 | 0:00:55 | |
and Mary-Ellen needs to prove she can deliver. | 0:00:55 | 0:00:58 | |
Oh, BLEEP! | 0:00:58 | 0:01:00 | |
Barley grass, barley grass. | 0:01:00 | 0:01:01 | |
And Aiden is giving it everything he's got. | 0:01:01 | 0:01:04 | |
I've put the bells and whistles on with my starter and fish course - | 0:01:04 | 0:01:07 | |
wait until you see this one, it's an absolute blinder. | 0:01:07 | 0:01:10 | |
But will his confidence get in the way? | 0:01:10 | 0:01:12 | |
BLEEP! | 0:01:17 | 0:01:18 | |
This year's challenge is to create a performance on a plate. | 0:01:28 | 0:01:32 | |
Aaaagh! | 0:01:32 | 0:01:33 | |
The chefs have joined forces with some of Britain's best-known entertainers... | 0:01:33 | 0:01:37 | |
Thank you very much. | 0:01:37 | 0:01:38 | |
Wooo! | 0:01:38 | 0:01:41 | |
..to raise a laugh and some cash for Comic Relief. | 0:01:41 | 0:01:44 | |
Cheers, and this is only the first one! | 0:01:44 | 0:01:47 | |
Judging the chefs all week is last year's fish course champion, | 0:01:47 | 0:01:51 | |
and two Michelin-starred legend, Phil Howard. | 0:01:51 | 0:01:54 | |
The main course is a big one, the dishes need to top the bill. | 0:01:54 | 0:01:58 | |
I want to be able to give a ten, actually, | 0:01:58 | 0:02:00 | |
but I have to be able to justify it. | 0:02:00 | 0:02:02 | |
Today's the day, isn't it? The main course day is the main event, | 0:02:02 | 0:02:04 | |
and Phil has actually said, "Give me a plate of food which | 0:02:04 | 0:02:07 | |
"I can award a ten," and, I have every intentions of doing that. | 0:02:07 | 0:02:12 | |
-I think we all do. -Yeah, me, too. | 0:02:12 | 0:02:13 | |
And it is very close, as well - it's all to play for. | 0:02:13 | 0:02:16 | |
Absolutely. So, yeah, good luck. | 0:02:16 | 0:02:18 | |
Thank you, and you. | 0:02:18 | 0:02:20 | |
First up is newcomer, Chris Holland, | 0:02:25 | 0:02:27 | |
a technical chef, who, after a poor start, finished joint first | 0:02:27 | 0:02:31 | |
yesterday, leaving him only one point behind. | 0:02:31 | 0:02:34 | |
Given how the scoring went yesterday, one point is nothing. | 0:02:34 | 0:02:37 | |
I feel I can pull that back, | 0:02:37 | 0:02:39 | |
so I'm looking forward to the challenge. | 0:02:39 | 0:02:41 | |
Main course, pineapples? So, what are you cooking today? | 0:02:43 | 0:02:46 | |
I am cooking today for you a tasting of pork, using pork belly, | 0:02:46 | 0:02:52 | |
I'm using some pork fillet, I've got pineapple to go with it, | 0:02:52 | 0:02:55 | |
to give it some zing, some blue cheese. | 0:02:55 | 0:02:58 | |
Fun elements today, I'm going to do something a little bit | 0:02:58 | 0:03:01 | |
interesting with mashed potato - turn it into a smiley face... | 0:03:01 | 0:03:05 | |
which will hopefully make you smile. | 0:03:05 | 0:03:07 | |
Pork, pineapple, blue cheese - it's going off, not on a tangent, | 0:03:07 | 0:03:10 | |
but it's going off to a little creative place, and I like that. | 0:03:10 | 0:03:14 | |
Chris is looking for top marks again, for his playful | 0:03:14 | 0:03:16 | |
tasting of pork, with strong flavours and potato smiley faces. | 0:03:16 | 0:03:20 | |
Blue cheese, pineapple, pork - they are not unknown together, | 0:03:20 | 0:03:24 | |
and it could be fantastic. | 0:03:24 | 0:03:26 | |
Smiley faces is a little bit cheesy, | 0:03:26 | 0:03:29 | |
or it could just be naff, and it depends how he delivers it. | 0:03:29 | 0:03:33 | |
Next up is returning contender Aiden Byrne, | 0:03:33 | 0:03:36 | |
currently in joint first place. | 0:03:36 | 0:03:38 | |
With three failed prior attempts in the competition, | 0:03:38 | 0:03:40 | |
he's desperate to win. | 0:03:40 | 0:03:42 | |
It's a real tight race, at the moment, to be honest with you. | 0:03:42 | 0:03:45 | |
It's anyone's game, and I can't be seen taking my foot off the pedal | 0:03:45 | 0:03:48 | |
in any shape or form - I've really got to nail it today. | 0:03:48 | 0:03:51 | |
Morning! | 0:03:53 | 0:03:55 | |
Morning, Mr Byrne. OK, so what are you cooking today? | 0:03:55 | 0:03:58 | |
Right, loads of beef in there. So, I'm going to long horn beef, | 0:03:58 | 0:04:01 | |
and a noodle pot, with a twirly fork. | 0:04:01 | 0:04:05 | |
With a twirly fork? | 0:04:05 | 0:04:06 | |
OK, I need some more detail, talk me through it. | 0:04:06 | 0:04:09 | |
Right, so, three different cuts of meat, all cooked in a very different | 0:04:09 | 0:04:12 | |
way, the oxtail, I'm going to smoke it, ox cheek, | 0:04:12 | 0:04:15 | |
I'm going to braise that, and then the beef fillet I'm going to | 0:04:15 | 0:04:17 | |
roll over a barbecue - a nice grilled flavour. | 0:04:17 | 0:04:20 | |
We've got potatoes, I'm going to bake them in clay. | 0:04:20 | 0:04:23 | |
Basically, the clay forms a really fine skin around the potato, | 0:04:23 | 0:04:28 | |
and you smash into them, lovely. | 0:04:28 | 0:04:29 | |
-You eat the clay. -Yeah. | 0:04:29 | 0:04:31 | |
OK, you're happy it works for the brief? | 0:04:31 | 0:04:33 | |
That's a banquet dish. | 0:04:33 | 0:04:34 | |
That's a banquet dish! | 0:04:34 | 0:04:35 | |
It's quite a dramatic dish. I'm going to give you your 10/10 today. | 0:04:35 | 0:04:38 | |
Aiden, I look forward to it. | 0:04:38 | 0:04:40 | |
-Thanks very much, cheers. -Good luck. | 0:04:40 | 0:04:43 | |
Aiden's looking to wow today with three cuts of beef, | 0:04:43 | 0:04:46 | |
clay-baked potatoes and a witty noodle pot. | 0:04:46 | 0:04:49 | |
Whether the pot of noodles, a slightly Asian take, is going to work | 0:04:49 | 0:04:52 | |
with the raw and rugged nature of the rest of the dish, | 0:04:52 | 0:04:55 | |
we'll just have to wait and see. | 0:04:55 | 0:04:56 | |
He's used a Pacific potato, I don't see how dipping it in clay | 0:04:56 | 0:05:00 | |
and then quickly baking it is going to really add something to it, | 0:05:00 | 0:05:03 | |
I'm not looking forward to eating clay, but I'm ready to be surprised. | 0:05:03 | 0:05:07 | |
Last up is inventive Mary-Ellen McTague. | 0:05:07 | 0:05:10 | |
Despite sharing first place with rival Aiden, | 0:05:10 | 0:05:13 | |
she's struggled with the delivery of her dishes all week. | 0:05:13 | 0:05:15 | |
I need to be organised and focused and in control, because | 0:05:15 | 0:05:19 | |
I was a bit out of control with the other courses. | 0:05:19 | 0:05:21 | |
Morning, morning. Come on, what are we going to cook today, then? | 0:05:25 | 0:05:28 | |
My main course is Our Kid. Here we have a beautiful, milk-fed kid goat, | 0:05:28 | 0:05:32 | |
so, we're going to be doing a few different things with this, | 0:05:32 | 0:05:36 | |
braising the leg, the shoulder, then the loin will be served as a chop. | 0:05:36 | 0:05:40 | |
The other two main ingredients are the cauliflower, which is going | 0:05:40 | 0:05:44 | |
to be done in lots of different ways, then pearl barley, | 0:05:44 | 0:05:46 | |
as well, is going to form part of the lasagne, | 0:05:46 | 0:05:49 | |
which I'm making lasagne sheets from goat's milk. | 0:05:49 | 0:05:51 | |
How's that happening? | 0:05:51 | 0:05:52 | |
I'm using agar and LT100 in combination, just to give it a bit | 0:05:52 | 0:05:55 | |
of stretch, but enough bite. | 0:05:55 | 0:05:57 | |
OK. Your grass patch here, what's happening with that? | 0:05:57 | 0:06:00 | |
So, this is barley grass. | 0:06:00 | 0:06:03 | |
As a garnish it just brings a bit of freshness. | 0:06:03 | 0:06:06 | |
OK, OK. | 0:06:06 | 0:06:07 | |
The Comic Relief connection... | 0:06:07 | 0:06:09 | |
Yes, that was going to be my next line of interrogation! | 0:06:09 | 0:06:11 | |
Goat just leapt into my mind, it's just the first food I associate | 0:06:11 | 0:06:15 | |
with other countries more than our own. | 0:06:15 | 0:06:17 | |
This dish falls into the more serious category. | 0:06:17 | 0:06:20 | |
OK, good luck, everybody! Main course, come on, let's have a 10! | 0:06:21 | 0:06:24 | |
-Good luck. -Thank you very much. | 0:06:24 | 0:06:26 | |
Mary-Ellen is dishing up a serious plate of food, | 0:06:26 | 0:06:29 | |
with humour in the title, serving a goat's loin chop, | 0:06:29 | 0:06:32 | |
next to a cutting edge goat's milk lasagne. | 0:06:32 | 0:06:35 | |
The lasagne component of her dish could be style over | 0:06:35 | 0:06:37 | |
substance, because the truth is, agar is not an enjoyable texture, | 0:06:37 | 0:06:41 | |
and there's a lot of stuff going on there, | 0:06:41 | 0:06:43 | |
and I want to see her get on top of her skills to deliver | 0:06:43 | 0:06:46 | |
a hot, vibrant, lively plate of food. | 0:06:46 | 0:06:48 | |
Mary-Ellen, do you think Phil bought into your philosophy on the thing? | 0:06:59 | 0:07:03 | |
He seemed to. | 0:07:03 | 0:07:04 | |
I think you sold it to him really well, to be honest. | 0:07:04 | 0:07:08 | |
My dish, it's a serious foodie's dish, you know there's a lot of work | 0:07:08 | 0:07:11 | |
involved, and I certainly haven't got time to be standing here | 0:07:11 | 0:07:15 | |
chatting to you two, anyway, | 0:07:15 | 0:07:16 | |
but the show-stopping theatre that I've brought to it really sits | 0:07:16 | 0:07:19 | |
well with the brief. | 0:07:19 | 0:07:20 | |
I put bells and whistles on with my starter and fish course, | 0:07:20 | 0:07:23 | |
but wait until you see this one, it's an absolute blinder. | 0:07:23 | 0:07:25 | |
-Can't wait. -I can't wait either, I'm petrified! | 0:07:25 | 0:07:28 | |
Aiden's looking for top marks today to propel him into the lead, | 0:07:29 | 0:07:34 | |
and has given himself plenty to do with his beef main course. | 0:07:34 | 0:07:37 | |
He's working on the noodle pot element, preparing mushrooms, | 0:07:37 | 0:07:40 | |
making burnt-onion noodle dough and a rich onion consomme. | 0:07:40 | 0:07:45 | |
I can't possibly resist sticking a spoon in there. | 0:07:45 | 0:07:48 | |
Yeah, got a kick to it. | 0:07:52 | 0:07:53 | |
And then, basically, mushrooms, onions, noodles, | 0:07:53 | 0:07:57 | |
they'll go into my noodle pot. | 0:07:57 | 0:07:59 | |
Would you like to see my noodle pot? | 0:07:59 | 0:08:01 | |
Yes, I'd absolutely love to see it. | 0:08:01 | 0:08:03 | |
This, here's my noodle pot. | 0:08:03 | 0:08:05 | |
Sticker on top. | 0:08:05 | 0:08:07 | |
And then... | 0:08:07 | 0:08:08 | |
PHIL LAUGHS | 0:08:08 | 0:08:10 | |
..a noodle fork. | 0:08:10 | 0:08:12 | |
Oh, Mr Byrne. | 0:08:14 | 0:08:16 | |
Very good. | 0:08:21 | 0:08:22 | |
I think Aiden, on this course, it's just impressive attention to detail. | 0:08:22 | 0:08:26 | |
My only real concern about this dish is he's got these big, butch | 0:08:26 | 0:08:30 | |
bits of beef which are intended to satisfy in a certain kind of a way, | 0:08:30 | 0:08:35 | |
and then he's got, from what I understand, a very wet liquid going | 0:08:35 | 0:08:38 | |
with it, and the two have got to somehow mix, | 0:08:38 | 0:08:41 | |
so you can eat them together, and they've got to deliver | 0:08:41 | 0:08:43 | |
and I'm not sure whether that'll happen, I hope it does, | 0:08:43 | 0:08:46 | |
because otherwise it's got great, great potential. | 0:08:46 | 0:08:50 | |
I really believe that I've nailed it on this one, I'm convinced | 0:08:50 | 0:08:53 | |
that Phil's going to be chuffed to bits with this one, | 0:08:53 | 0:08:56 | |
I'm feeling comfortable inside. | 0:08:56 | 0:09:01 | |
Closest rival Mary-Ellen has run into a problem. | 0:09:01 | 0:09:04 | |
I don't think this acetate was made for hot things... | 0:09:04 | 0:09:07 | |
BLEEP! | 0:09:07 | 0:09:08 | |
I've got some decent acetate. | 0:09:08 | 0:09:10 | |
Have you? | 0:09:10 | 0:09:12 | |
I think it's better than that. | 0:09:12 | 0:09:13 | |
Yeah, thank you. | 0:09:13 | 0:09:15 | |
With another mistake added to her already troubled track record, | 0:09:15 | 0:09:19 | |
Mary-Ellen has no choice but to do another mix for her technical | 0:09:19 | 0:09:22 | |
goat's milk lasagne sheets, which will be used to form a goat | 0:09:22 | 0:09:26 | |
and pearl barley lasagne on her kid goat dish. | 0:09:26 | 0:09:30 | |
So what have we got going on over here? | 0:09:30 | 0:09:32 | |
A few things. | 0:09:32 | 0:09:33 | |
-Tell me about your lasagne. -Yes. | 0:09:33 | 0:09:35 | |
That's what I want to hear about. It's my one reservation on your list. | 0:09:35 | 0:09:38 | |
It's only called a lasagne because that's exactly | 0:09:38 | 0:09:40 | |
what it looked like. | 0:09:40 | 0:09:41 | |
I wanted the milk curd to be layered with the meat | 0:09:41 | 0:09:44 | |
so you'd get a spoonful and a bite of everything in one go, | 0:09:44 | 0:09:47 | |
so, would you like to try it. | 0:09:47 | 0:09:48 | |
Yes, I would. | 0:09:48 | 0:09:50 | |
The truth is, big lumps of agar are not particularly... | 0:09:50 | 0:09:53 | |
Big lumps, no, but... | 0:09:53 | 0:09:55 | |
I think a thin...a very thin layer. | 0:09:55 | 0:09:58 | |
It hasn't got any of the real downside texture of agar. | 0:09:58 | 0:10:03 | |
-Keep going. -Thank you. | 0:10:03 | 0:10:05 | |
I still can't help but feel that if you want to do a lasagne, | 0:10:05 | 0:10:08 | |
and you want to get the eating quality of a lasagne, which is | 0:10:08 | 0:10:10 | |
something quite special, where the textures matter, she'd be better off | 0:10:10 | 0:10:13 | |
just using some pasta. She's not got a nasty texture there, but I still | 0:10:13 | 0:10:17 | |
can't help but feel, "Hey, keep it simple!" | 0:10:17 | 0:10:19 | |
Mary-Ellen is not the only one using modern ingredients on her | 0:10:19 | 0:10:22 | |
main course. | 0:10:22 | 0:10:23 | |
Technical Chris is relying on a contemporary gelling agent | 0:10:23 | 0:10:26 | |
for the potato mix, that will make the smiley faces on his tastings of pork dish. | 0:10:26 | 0:10:32 | |
It's all go over here, talk me through this mix. | 0:10:32 | 0:10:35 | |
So, we've got dry mashed potato, butter, and methasol | 0:10:35 | 0:10:38 | |
which is going to set the potato | 0:10:38 | 0:10:40 | |
so I still get, obviously, the smiley face. | 0:10:40 | 0:10:43 | |
Fingers crossed, the methasol works. | 0:10:44 | 0:10:46 | |
It was the fingers crossed that slipped out of your tongue... | 0:10:46 | 0:10:48 | |
there's always an element of... | 0:10:48 | 0:10:50 | |
I think when you're in an alien kitchen and under the pressure | 0:10:50 | 0:10:52 | |
that we're under there's always that element of doubt, if you like. | 0:10:52 | 0:10:55 | |
In the middle of them I'm putting the pork from the rib bones | 0:10:55 | 0:10:59 | |
that I've made the stock with. | 0:10:59 | 0:11:01 | |
This looks lovely. | 0:11:01 | 0:11:02 | |
Blue cheese, and nice natural seasoning to go with the other | 0:11:02 | 0:11:05 | |
ingredients. | 0:11:05 | 0:11:06 | |
It will be really interesting to see if the combination of the | 0:11:08 | 0:11:11 | |
pineapple, the pork and the blue cheese works together. | 0:11:11 | 0:11:14 | |
Bacon and blue cheese is a classic, I don't quite know where | 0:11:14 | 0:11:17 | |
pineapple fits into that. | 0:11:17 | 0:11:18 | |
But Chris' combination of flavours have already been tried and tested, | 0:11:20 | 0:11:24 | |
on well-known comedian and Comic Relief supporter, Sarah Hadland. | 0:11:24 | 0:11:29 | |
Best known for her role as singing sidekick, Stevie, | 0:11:29 | 0:11:31 | |
in comedy series, Miranda. | 0:11:31 | 0:11:34 | |
Mmmm! | 0:11:34 | 0:11:36 | |
I'm having a taste sensation in my mouth. | 0:11:36 | 0:11:39 | |
They've come to this busy market in Croydon, Surrey, | 0:11:39 | 0:11:42 | |
for a more important reason. | 0:11:42 | 0:11:44 | |
Here's our lucky bucket. | 0:11:44 | 0:11:45 | |
Let's make some money. | 0:11:45 | 0:11:47 | |
Let's get lots of money in here. | 0:11:47 | 0:11:49 | |
And to raise as much cash as they can, | 0:11:49 | 0:11:52 | |
Sarah has been taught a few magic tricks... | 0:11:52 | 0:11:54 | |
# Da-da-da-da-da-da-da-da-da. # | 0:11:54 | 0:11:56 | |
..which hopefully will impress the public and get the money rolling in. | 0:11:56 | 0:12:00 | |
Anybody want to see any magic? | 0:12:00 | 0:12:02 | |
OK, guys, come and have a look at some magic. | 0:12:02 | 0:12:04 | |
-Me and my magic tea towel. -You, sir? | 0:12:04 | 0:12:06 | |
I love magic. | 0:12:06 | 0:12:08 | |
I need a note. A five pound note. Perhaps a ten pound note. | 0:12:08 | 0:12:11 | |
Do you have such a thing? | 0:12:11 | 0:12:13 | |
I only carry twenties. | 0:12:13 | 0:12:14 | |
You only carry twenties! Twenties are fine. | 0:12:14 | 0:12:17 | |
So we know this is definitely yours, we're going to write your name on it. | 0:12:17 | 0:12:21 | |
OK. | 0:12:21 | 0:12:23 | |
-All right? -Yes. | 0:12:24 | 0:12:26 | |
Now, I'm going to fold this five pound note. | 0:12:26 | 0:12:31 | |
I put Monique's money in the middle here... | 0:12:31 | 0:12:35 | |
and I simply... | 0:12:35 | 0:12:39 | |
cover it thus. | 0:12:39 | 0:12:41 | |
-There we are, can you all see that? -Yes. | 0:12:41 | 0:12:43 | |
And can you just check your five pound note is still under there? | 0:12:43 | 0:12:47 | |
Put your hands under. | 0:12:47 | 0:12:48 | |
-She doesn't need to do a full reveal...that's it. -Still there. | 0:12:48 | 0:12:51 | |
And then... | 0:12:51 | 0:12:53 | |
Oooh! | 0:12:53 | 0:12:58 | |
Monique's loving it, Monique's loving it! | 0:12:58 | 0:13:00 | |
Where's it gone? | 0:13:00 | 0:13:02 | |
We'll start by maybe taking a random pineapple, | 0:13:02 | 0:13:04 | |
although I think we should pick this one - a regular pineapple... | 0:13:04 | 0:13:08 | |
Ooh, he's strong! | 0:13:08 | 0:13:10 | |
..and we're going to cut all the way round the pineapple. | 0:13:10 | 0:13:14 | |
We're going to twist the top of the pineapple, | 0:13:14 | 0:13:16 | |
and take it away... | 0:13:16 | 0:13:19 | |
-Oooh! -Oh, my goodness! | 0:13:19 | 0:13:20 | |
That could be your five pound note, if you'd like to check. | 0:13:20 | 0:13:23 | |
Oh, my goodness, how did that happen? | 0:13:23 | 0:13:26 | |
Is it yours, though, is it yours? | 0:13:26 | 0:13:28 | |
Aaaagh! | 0:13:28 | 0:13:31 | |
But can the results of Chris' work in the kitchen | 0:13:31 | 0:13:34 | |
match his magic skills? | 0:13:34 | 0:13:37 | |
-OK. -Well done. | 0:13:37 | 0:13:39 | |
Oh, that was easy. | 0:13:39 | 0:13:41 | |
That's good, that is. | 0:13:41 | 0:13:42 | |
Delicious. | 0:13:42 | 0:13:44 | |
Do try, madam, it's scrumptious. | 0:13:44 | 0:13:46 | |
It's doable. | 0:13:46 | 0:13:48 | |
Well, thank you for trying it. | 0:13:48 | 0:13:50 | |
INAUDIBLE SPEECH | 0:13:50 | 0:13:51 | |
-Bye-bye. -Thank you very much. | 0:13:51 | 0:13:53 | |
Doable! Doable! Does she know who this is? This is Chris! | 0:13:53 | 0:13:56 | |
Doable! | 0:13:56 | 0:13:58 | |
Thank you very much. | 0:13:58 | 0:14:00 | |
All in all, it soon proves to be a fruitful day. | 0:14:00 | 0:14:03 | |
I think we did pretty well. | 0:14:03 | 0:14:04 | |
I think so! | 0:14:04 | 0:14:06 | |
With plating up approaching, Chris's smiley faces for his | 0:14:11 | 0:14:14 | |
tastings of pork dish have come out of the oven. | 0:14:14 | 0:14:17 | |
Oh, look at this, how have these done? | 0:14:17 | 0:14:19 | |
They have worked, yeah. | 0:14:19 | 0:14:21 | |
So in a couple of minutes I'll flip those out | 0:14:21 | 0:14:24 | |
and I'll just pan-fry the face nice and gently so you get a golden | 0:14:24 | 0:14:26 | |
colour on it. | 0:14:26 | 0:14:27 | |
Are you happy with the way everything's come out so far? | 0:14:27 | 0:14:30 | |
-So far, so good. -Good. | 0:14:30 | 0:14:32 | |
But Aiden soon steals the limelight from rival Chris, | 0:14:34 | 0:14:37 | |
with his edible clay-baked potatoes. | 0:14:37 | 0:14:39 | |
Dipped into clay to look like rocks, for his longhorn beef dish. | 0:14:39 | 0:14:43 | |
Well, it's different! | 0:14:44 | 0:14:46 | |
Wowee! | 0:14:46 | 0:14:47 | |
The first question I have to ask is, "What was edible clay made for?" | 0:14:47 | 0:14:51 | |
Why does it exist? | 0:14:51 | 0:14:53 | |
Other than potato asteroids on... | 0:14:53 | 0:14:55 | |
I don't have that answer, I'm afraid. | 0:14:55 | 0:14:57 | |
What is it, what is the clay? | 0:14:57 | 0:14:59 | |
It's called kaolin clay. | 0:14:59 | 0:15:00 | |
-Is it a natural product. Is it actual clay? -Yes, yes. | 0:15:00 | 0:15:03 | |
It's the make up of the dish, really. | 0:15:03 | 0:15:05 | |
I'm looking for this real prehistoric approach on it. | 0:15:05 | 0:15:08 | |
What's it going to mean to eat? | 0:15:08 | 0:15:10 | |
Once you bite into this, because I'm baking the clay | 0:15:10 | 0:15:12 | |
it will have a crisp exterior, with that lovely beautiful, gold, velvety | 0:15:12 | 0:15:15 | |
centre. | 0:15:15 | 0:15:17 | |
-I have to say, I'm really looking forward to trying that. -Me too. | 0:15:17 | 0:15:20 | |
I'll have to take my dentures out. | 0:15:20 | 0:15:22 | |
Aiden's dish looks like it's going to be incredible, | 0:15:22 | 0:15:26 | |
he has got a lot of tricky things going on, though. | 0:15:26 | 0:15:28 | |
Clay-baked potatoes, which I've never seen before, | 0:15:28 | 0:15:31 | |
that's going to be interesting to see how he does that. | 0:15:31 | 0:15:33 | |
But Mary-Ellen's got enough worries of her own. | 0:15:33 | 0:15:36 | |
Phil's keeping a close eye on her goat main course, after she | 0:15:36 | 0:15:39 | |
delivered her starter late and made foolish mistakes on her fish course | 0:15:39 | 0:15:42 | |
yesterday. He is particularly interested in one of her garnishes. | 0:15:42 | 0:15:47 | |
-How's your astroturf? -Yeah! | 0:15:47 | 0:15:49 | |
That's my barley grass. | 0:15:51 | 0:15:52 | |
-Can I taste a bit of the barley grass? -Yeah. | 0:15:52 | 0:15:55 | |
-Do you grow this yourself? -Yes. | 0:15:55 | 0:15:57 | |
I have trays of it at home. | 0:15:57 | 0:15:59 | |
Wow, a gardener. | 0:15:59 | 0:16:00 | |
It is quite mild, isn't it? | 0:16:00 | 0:16:02 | |
But it's grassy, it's a very raw taste. | 0:16:02 | 0:16:04 | |
It is, I like that. I like just the contrast | 0:16:04 | 0:16:07 | |
between the really raw and the really cooked. | 0:16:07 | 0:16:10 | |
It's just the two opposite ends of the spectrum. | 0:16:10 | 0:16:13 | |
I think Mary-Ellen has probably got another dish up her sleeve | 0:16:13 | 0:16:16 | |
that I'll enjoy. | 0:16:16 | 0:16:17 | |
She's just got to improve her cooking skills and her delivery. | 0:16:17 | 0:16:21 | |
And nail it so it's hot and right and accurate and full of vitality. | 0:16:21 | 0:16:24 | |
That's what I want to see from Mary Ellen today. | 0:16:24 | 0:16:28 | |
I don't know about you two, but I've found one of the toughest | 0:16:28 | 0:16:30 | |
things about this competition is the amount of scrutiny your cooking | 0:16:30 | 0:16:33 | |
is under. | 0:16:33 | 0:16:34 | |
It makes you feel odd, but in an enjoyable sort of way. | 0:16:34 | 0:16:37 | |
Wait till you're in that judge's chamber, mate... | 0:16:37 | 0:16:40 | |
Talk about feeling that big! | 0:16:40 | 0:16:42 | |
It's not a pretty place to be. | 0:16:42 | 0:16:45 | |
First to plate up is Chris, | 0:16:47 | 0:16:49 | |
who's got a lot of last minute frying to do. | 0:16:49 | 0:16:52 | |
His pork belly, pork fillet | 0:16:52 | 0:16:53 | |
and potato smiley faces all go in a pan for a golden crust. | 0:16:53 | 0:16:57 | |
Meanwhile, he starts his plate with pineapple gel, | 0:16:58 | 0:17:02 | |
pineapple jelly, | 0:17:02 | 0:17:05 | |
and pork scratchings. | 0:17:05 | 0:17:06 | |
Very colourful, Chris! | 0:17:07 | 0:17:09 | |
I'm a colourful sort of guy, mate! | 0:17:09 | 0:17:11 | |
He continues with pork belly, | 0:17:11 | 0:17:14 | |
pork fillet, | 0:17:14 | 0:17:17 | |
blue cheese, | 0:17:17 | 0:17:19 | |
cabbage and his centre piece, a smiling face of potato. | 0:17:19 | 0:17:24 | |
On the side, a jug of pork sauce. | 0:17:24 | 0:17:26 | |
-Certainly a smile on the plate there, is it going to smile on my face? -I hope so. | 0:17:32 | 0:17:35 | |
Come on, let's go and eat it. | 0:17:35 | 0:17:37 | |
So, looks cute. | 0:17:41 | 0:17:43 | |
The smile's there, but where's the theatre? | 0:17:43 | 0:17:45 | |
It needs to be a showstopper, and that is not a showstopper. | 0:17:45 | 0:17:48 | |
For me, it's fun, it's a little bit different, it hits the brief. | 0:17:48 | 0:17:54 | |
Are you happy with the depth of flavour in the fillet? | 0:17:54 | 0:17:58 | |
Yes. | 0:17:58 | 0:17:59 | |
A bit of the fillet. It's not blowing my taste buds away. | 0:17:59 | 0:18:02 | |
OK, let's have a little look at Mr Brief. | 0:18:02 | 0:18:05 | |
Happy with it? | 0:18:05 | 0:18:07 | |
Really happy with it? | 0:18:07 | 0:18:09 | |
That's really nice. | 0:18:09 | 0:18:11 | |
On its own, that's stunning, that. | 0:18:11 | 0:18:15 | |
The pineapple and the blue cheese, are they working together? | 0:18:15 | 0:18:18 | |
Cheese and pineapple, for me, always a winner. | 0:18:18 | 0:18:21 | |
-I don't like the pineapple with that blue cheese. -It's mad! | 0:18:21 | 0:18:24 | |
Anything that you might have done differently? | 0:18:24 | 0:18:27 | |
No, I'm really happy with it. | 0:18:27 | 0:18:31 | |
Are you worried? | 0:18:31 | 0:18:32 | |
I'm a little bit less worried. | 0:18:32 | 0:18:34 | |
OK. Hear, hear! | 0:18:34 | 0:18:35 | |
Well, I don't know how that went... | 0:18:39 | 0:18:42 | |
I think Phil was pleased, | 0:18:42 | 0:18:44 | |
I was pleased, it was a nice dish for me, so...I'm happy. | 0:18:44 | 0:18:47 | |
Next up is Mary-Ellen, who needs to prove she can stay cool | 0:18:50 | 0:18:54 | |
and deliver on time. | 0:18:54 | 0:18:55 | |
She starts her plate with goat lasagne. | 0:18:55 | 0:18:58 | |
Tell me what's in the lasagne again? | 0:18:58 | 0:19:01 | |
So, we've got pearl barley, and braised and pulled leg meat. | 0:19:01 | 0:19:04 | |
What are the sheets, the lasagne sheets? | 0:19:04 | 0:19:06 | |
These are goat's milk, set with LT and agar. | 0:19:06 | 0:19:09 | |
Next on are her goat chops, encrusted in cauliflower ash, | 0:19:09 | 0:19:13 | |
followed by goat-leg meat, | 0:19:13 | 0:19:17 | |
parsley oil, | 0:19:17 | 0:19:18 | |
florets of raw cauliflower, | 0:19:18 | 0:19:21 | |
roast cauliflower, | 0:19:21 | 0:19:23 | |
cauliflower yoghurt | 0:19:23 | 0:19:24 | |
and finally, goat gravy. | 0:19:24 | 0:19:27 | |
But there's one thing missing. | 0:19:27 | 0:19:29 | |
-Is that what you wanted? -Yeah. | 0:19:36 | 0:19:37 | |
-Good, let's go and try it. -OK. | 0:19:42 | 0:19:44 | |
Oh, BLEEP! Barley grass, barley grass. | 0:19:46 | 0:19:49 | |
Barley grass. | 0:19:49 | 0:19:50 | |
OK, come on then, let's pop them on. | 0:19:50 | 0:19:52 | |
I'm sorry. | 0:19:52 | 0:19:55 | |
BLEEP idiot! | 0:19:55 | 0:19:58 | |
So sorry! | 0:19:59 | 0:20:01 | |
Have you thought about how you're going to get this delicate assembly | 0:20:18 | 0:20:22 | |
out hot to 80 people? | 0:20:22 | 0:20:24 | |
It's definitely possible. | 0:20:24 | 0:20:26 | |
Happy with the temperature? | 0:20:27 | 0:20:30 | |
Um, it could be warmer. | 0:20:30 | 0:20:31 | |
-It is cold. -Stone cold. | 0:20:31 | 0:20:34 | |
-Is all the goat cooked to perfection? -Yeah, I think so. | 0:20:34 | 0:20:37 | |
It takes a long, slow cooking at low temperature. | 0:20:37 | 0:20:40 | |
So that's the goat. | 0:20:40 | 0:20:42 | |
-Delicate. -It's very delicate. But I'm not appreciating it, Chris. | 0:20:42 | 0:20:47 | |
There is no heat there. | 0:20:47 | 0:20:49 | |
-The overall salt content, are you happy? -Yes, I am. | 0:20:50 | 0:20:53 | |
It's my part that the seasoning's right. | 0:20:53 | 0:20:56 | |
I've literally got a layer of salt on my tongue. | 0:20:56 | 0:20:58 | |
It does taste a little salty. | 0:20:58 | 0:21:00 | |
The lasagne, are you happy it's come together to create the flavour you wanted? | 0:21:02 | 0:21:06 | |
-For me, that's a nice balanced mouthful. -OK. | 0:21:06 | 0:21:09 | |
The lasagne sheet... | 0:21:09 | 0:21:11 | |
It's just salt again. Raw salt. | 0:21:13 | 0:21:16 | |
-It's the winning dish. -I'm happy with what I've produced. | 0:21:16 | 0:21:19 | |
Are you confident now with your main course? | 0:21:19 | 0:21:23 | |
-If I'm honest, I feel a lot more confident. -OK. | 0:21:23 | 0:21:26 | |
Erm... I think... | 0:21:28 | 0:21:31 | |
I can't tell whether he liked that or not, actually. | 0:21:31 | 0:21:35 | |
So, it's very difficult to read. | 0:21:35 | 0:21:37 | |
BLEEP | 0:21:39 | 0:21:41 | |
What was that? | 0:21:41 | 0:21:44 | |
My pan fell on the floor but, luckily enough, it fell the right way. | 0:21:44 | 0:21:48 | |
Good stuff! | 0:21:48 | 0:21:50 | |
Last up is Aiden, who has even more props up his sleeve than he first let on. | 0:21:50 | 0:21:54 | |
He starts off his prehistoric rib cage of beef | 0:21:54 | 0:21:57 | |
with onion-encrusted oxtail | 0:21:57 | 0:21:59 | |
and places his beef fillet in a special indoor barbecue. | 0:21:59 | 0:22:03 | |
Next onto his plate are his clay-baked potatoes, | 0:22:03 | 0:22:07 | |
ox cheek, | 0:22:07 | 0:22:10 | |
fossilised salsify, | 0:22:10 | 0:22:13 | |
and a jug of onion consomme for his noodle pot. | 0:22:13 | 0:22:16 | |
I never put you down to be a dab hand at the old ironing, Aiden! | 0:22:16 | 0:22:19 | |
I'm choosing to ignore you, Chris, I'm afraid. | 0:22:19 | 0:22:22 | |
Classically done in a microwave. | 0:22:23 | 0:22:26 | |
Finally, he pours beef sauce into a horn, | 0:22:26 | 0:22:29 | |
and adds his final cut, beef fillet. | 0:22:29 | 0:22:33 | |
There you go. | 0:22:36 | 0:22:37 | |
-Wow! -Wowee! That looks amazing. | 0:22:39 | 0:22:43 | |
If ever there was a plate of food fit for centrestage that was it! | 0:22:43 | 0:22:48 | |
I am absolutely itching to get stuck in there. | 0:22:48 | 0:22:51 | |
Extraordinary plate of food. | 0:22:51 | 0:22:54 | |
I have to say, I'm absolutely speechless. | 0:22:57 | 0:23:00 | |
It's just completely spectacular. | 0:23:00 | 0:23:02 | |
-And it really does make you smile. -Yeah. | 0:23:02 | 0:23:05 | |
There you go. There's our noodles. | 0:23:05 | 0:23:08 | |
That's just ace! | 0:23:08 | 0:23:11 | |
The noodles go with the rest of the dish. | 0:23:11 | 0:23:13 | |
I brought in the noodles along with the flavour and I think they sit quite comfortably with it. | 0:23:13 | 0:23:18 | |
-Tasty. Nicely seasoned. -Lovely. | 0:23:20 | 0:23:24 | |
The reason for the clay was for the theatre. | 0:23:24 | 0:23:27 | |
It doesn't do any harm to the dish at all. | 0:23:27 | 0:23:30 | |
-It's a good potato. -Mm. | 0:23:30 | 0:23:32 | |
Does the outside bring anything? | 0:23:32 | 0:23:34 | |
I don't think it does anything for the flavour of the potato - good or bad - | 0:23:34 | 0:23:38 | |
but it looks amazing. | 0:23:38 | 0:23:39 | |
I think it's got its place for that reason alone. | 0:23:39 | 0:23:42 | |
-Unique piece of meat, a cheek. -Absolutely. It's melt in your mouth. | 0:23:42 | 0:23:46 | |
Exactly what I wanted. | 0:23:46 | 0:23:48 | |
And this is the cheek. | 0:23:48 | 0:23:49 | |
A real good depth of flavour in there. | 0:23:50 | 0:23:52 | |
A bit of fillet on the barbecue. | 0:23:54 | 0:23:56 | |
Barbecued meat flavours are kind of prehistoric in themselves, aren't they? | 0:23:57 | 0:24:01 | |
And with fillet, it's adding a nice roasted flavoured to it. | 0:24:01 | 0:24:06 | |
-Has it delivered what you wanted? -I'm happy, Phil, yeah. I'm very happy. | 0:24:06 | 0:24:11 | |
-I can see this at the banquet. -Yeah, it's a worry. | 0:24:12 | 0:24:15 | |
I'm completely gobsmacked. | 0:24:15 | 0:24:17 | |
Oh! It was hard work, that was! | 0:24:18 | 0:24:21 | |
-That was sensational. -Thank you very much. | 0:24:21 | 0:24:24 | |
-Amazing. -Thank you. -Shame you didn't use many props! | 0:24:24 | 0:24:27 | |
I really struggled to find fault, so... | 0:24:30 | 0:24:33 | |
I'm filling up! | 0:24:33 | 0:24:34 | |
Hello, crew. | 0:24:40 | 0:24:41 | |
ALL: Hello. | 0:24:41 | 0:24:42 | |
So, Chris, for your tasting of pork. | 0:24:42 | 0:24:45 | |
Like the idea, I like the take on the brief. The smiley face. | 0:24:46 | 0:24:50 | |
It was absolutely delicious. | 0:24:50 | 0:24:52 | |
I liked the collection of ingredients. | 0:24:52 | 0:24:55 | |
On the downside, I did feel it just ended up being independent flavours | 0:24:55 | 0:24:59 | |
that just didn't come together in perhaps as interesting a way as they could have done. | 0:24:59 | 0:25:04 | |
It was somehow slightly less than the sum of the parts you had. | 0:25:04 | 0:25:07 | |
Mary Ellen, your kid. Our kid. | 0:25:11 | 0:25:14 | |
I really liked your interpretation of the brief | 0:25:14 | 0:25:17 | |
and intelligent interpretation. | 0:25:17 | 0:25:19 | |
I was a little bit concerned about the lasagne. | 0:25:19 | 0:25:22 | |
The truth was, that whole entity was layered | 0:25:22 | 0:25:24 | |
with an understanding of what those various components | 0:25:24 | 0:25:27 | |
would contribute to eat together as a whole. | 0:25:27 | 0:25:31 | |
I liked it. The sauce was delicious. | 0:25:31 | 0:25:33 | |
But, there was a temperature issue. | 0:25:33 | 0:25:36 | |
It's a delicate dish to plate and, actually, | 0:25:36 | 0:25:38 | |
that brings me on to the final point which is you haven't yet done | 0:25:38 | 0:25:42 | |
anything to instil in me the confidence you will be able to deliver something that delicate | 0:25:42 | 0:25:46 | |
to 80-odd people, hot, on time. | 0:25:46 | 0:25:48 | |
Aiden, for your Longhorn beef and noodles. | 0:25:52 | 0:25:55 | |
I wasn't quite sure how you're going to have this big, butch meat | 0:25:55 | 0:25:58 | |
on the one hand with, effectively, wet noodles on the other. | 0:25:58 | 0:26:02 | |
Having eaten the dish, | 0:26:02 | 0:26:04 | |
I thought the new deals were a complete triumph, I have to say. | 0:26:04 | 0:26:07 | |
I suppose the truth is, in the end what we saw with that dish was | 0:26:07 | 0:26:11 | |
a magnificent display of craftsmanship right across the board. | 0:26:11 | 0:26:15 | |
The spectacular understanding of ingredients and how to cook them. | 0:26:15 | 0:26:18 | |
Also, what a great take on the brief. | 0:26:18 | 0:26:20 | |
It makes me feel quite emotional | 0:26:20 | 0:26:22 | |
because if you're into food on the level that we are all into food, | 0:26:22 | 0:26:25 | |
it's very rare that something takes you to that little place where | 0:26:25 | 0:26:28 | |
you have to just put your hands up and say, magnificent! | 0:26:28 | 0:26:31 | |
Congratulations. | 0:26:31 | 0:26:33 | |
So, Chris, for your tasting of pork... | 0:26:36 | 0:26:39 | |
I'm going to give you | 0:26:42 | 0:26:45 | |
seven points. | 0:26:45 | 0:26:46 | |
Mary-Ellen, for your kid, I'm going to give you... | 0:26:49 | 0:26:55 | |
..eight points. | 0:26:56 | 0:26:57 | |
Aiden, for your Longhorn beef and noodles... | 0:27:00 | 0:27:03 | |
I find it hard to justify giving you anything other than ten points. | 0:27:06 | 0:27:10 | |
-Congratulations. -Thank you. | 0:27:15 | 0:27:17 | |
-Congratulations. -Oh! | 0:27:23 | 0:27:24 | |
OK. Three down, one to go. I don't think anybody is out of it. | 0:27:29 | 0:27:33 | |
Pastry, in all the competitions I've ever judged, | 0:27:33 | 0:27:35 | |
actually is a real make or break. | 0:27:35 | 0:27:38 | |
Good luck. | 0:27:38 | 0:27:39 | |
I knew that was a ten. | 0:27:44 | 0:27:45 | |
So with one course to go, Aiden's shot out in front with 25 points. | 0:27:48 | 0:27:52 | |
Mary-Ellen's not far behind with 23. | 0:27:52 | 0:27:54 | |
And Chris needs to play catch-up with 21. | 0:27:54 | 0:27:58 | |
I can't explain how I'm feeling. | 0:28:00 | 0:28:03 | |
Elation is not a strong enough word. | 0:28:03 | 0:28:06 | |
I'm really happy I've managed to get an eight on my main course. | 0:28:06 | 0:28:09 | |
It's better than I was expecting, to be honest. | 0:28:09 | 0:28:12 | |
I'm feeling a bit deflated about my score. But I believe in my dessert. I'll come back firing. | 0:28:12 | 0:28:18 | |
Tomorrow it's the dessert and their last chance to impress. | 0:28:18 | 0:28:22 | |
This has to be the mother of all parfaits! | 0:28:22 | 0:28:24 | |
Aiden's out in front, but it doesn't mean a ticket to the judges. | 0:28:24 | 0:28:28 | |
I could end up going home tonight. | 0:28:28 | 0:28:30 | |
Only two chefs can go through to cook for the judges tomorrow. | 0:28:30 | 0:28:33 | |
I'm afraid we have to say goodbye. | 0:28:33 | 0:28:35 |