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This year, the country's top chefs | 0:00:04 | 0:00:06 | |
are striving to produce 21st century dishes... | 0:00:06 | 0:00:10 | |
Chef, I'm here for a reason, and I'm here to win... | 0:00:10 | 0:00:12 | |
..to honour our war heroes. | 0:00:12 | 0:00:13 | |
So, how do you know Sir Winston Churchill? | 0:00:13 | 0:00:16 | |
-Well, he was my grandfather. -No! | 0:00:16 | 0:00:18 | |
At a commemorative banquet marking the 70th anniversary of D-Day | 0:00:18 | 0:00:22 | |
at the incredible St Paul's Cathedral in London, | 0:00:22 | 0:00:25 | |
a bastion of British wartime resilience. | 0:00:25 | 0:00:27 | |
Under the watchful eyes of ferocious former champions... | 0:00:29 | 0:00:32 | |
-Pressure on you, Mary Ellen? -Yeah, it is... -BLEEP. -It is. | 0:00:32 | 0:00:34 | |
-..there'll be heartfelt triumphs... -You are my first ever ten. | 0:00:34 | 0:00:38 | |
Thank you! | 0:00:39 | 0:00:41 | |
..and devastating disasters. | 0:00:41 | 0:00:43 | |
-Are you happy with what you put up? -No. | 0:00:43 | 0:00:46 | |
BLEEP. | 0:00:46 | 0:00:47 | |
Battling it out this week to represent their region | 0:00:48 | 0:00:51 | |
are three of the South West's highest ranking pub chefs. | 0:00:51 | 0:00:54 | |
Experienced heavyweight, Dominic Chapman. | 0:00:54 | 0:00:57 | |
Feeling the pressure? | 0:00:57 | 0:00:59 | |
Massively, massively, massively. | 0:00:59 | 0:01:01 | |
-Determined newcomer, Josh Eggleton. -It's do or die. | 0:01:01 | 0:01:04 | |
And returning contender, Emily Watkins... | 0:01:04 | 0:01:07 | |
You know, I'm very nervous. | 0:01:07 | 0:01:08 | |
..who just missed out on a place in the national finals last year, | 0:01:08 | 0:01:11 | |
-and is coming back fighting... -Fingers crossed. | 0:01:11 | 0:01:14 | |
..but has two Michelin starred rivals, and her nerves, to beat. | 0:01:14 | 0:01:17 | |
-Oh, my God, now I'm terrified. -I hope so. | 0:01:17 | 0:01:19 | |
This June marks 70 years since D-Day, | 0:01:32 | 0:01:34 | |
the momentous battle that saw British and Allied troops | 0:01:34 | 0:01:38 | |
attempt to bring an end to World War II. | 0:01:38 | 0:01:40 | |
The chefs have been tasked with | 0:01:42 | 0:01:43 | |
producing their finest hour on the plate. | 0:01:43 | 0:01:46 | |
Would this honour the war veterans of D-Day? | 0:01:46 | 0:01:48 | |
I think it's my take on a proper British pudding. | 0:01:48 | 0:01:51 | |
To pay homage to the bravery of those who fought | 0:01:51 | 0:01:54 | |
and they've delved into the past for inspiration. | 0:01:54 | 0:01:56 | |
Both at home...and abroad. | 0:01:56 | 0:01:59 | |
How did you feel when the allied troops liberated? | 0:01:59 | 0:02:03 | |
MAN SPEAKS IN FRENCH | 0:02:03 | 0:02:05 | |
Competing this week for the chance to cook | 0:02:10 | 0:02:12 | |
at the commemorative D-Day banquet is returning chef Emily Watkins, | 0:02:12 | 0:02:16 | |
back to prove a point. | 0:02:16 | 0:02:18 | |
This time I'm going to get to the final. | 0:02:18 | 0:02:20 | |
First timer, and Heston Blumenthal's former head chef, | 0:02:22 | 0:02:25 | |
Dominic Chapman. | 0:02:25 | 0:02:26 | |
I've got the most experience in the kitchen and I intend to use it. | 0:02:27 | 0:02:30 | |
And, ambitious newcomer, Josh Eggleton, | 0:02:32 | 0:02:34 | |
a rising star on the British restaurant scene. | 0:02:34 | 0:02:36 | |
I'm here to win and show the other two what I'm made of. | 0:02:36 | 0:02:39 | |
Judging the chefs as ever is one of the Great British Menu's | 0:02:43 | 0:02:46 | |
formidable veterans. | 0:02:46 | 0:02:47 | |
-It's quite nerve-racking waiting, isn't it? -Who is it? | 0:02:50 | 0:02:53 | |
This week, it's one of Britain's most respected chefs. | 0:02:54 | 0:02:57 | |
Former starter course winner, and holder of two Michelin stars... | 0:03:00 | 0:03:04 | |
..Sat Baines. | 0:03:05 | 0:03:06 | |
Hello, chefs. | 0:03:08 | 0:03:10 | |
-Good morning. -Well, you all know why you're here... | 0:03:10 | 0:03:12 | |
Some of the best chefs in the country. | 0:03:12 | 0:03:14 | |
So, I want to see amazing food, and I'm not going to hold back | 0:03:14 | 0:03:17 | |
on the scores, but it's down to you...you've got to deliver. | 0:03:17 | 0:03:20 | |
So, good luck, guys. | 0:03:20 | 0:03:22 | |
Thank you. Cheers. | 0:03:22 | 0:03:23 | |
-How do you feel? -Great. -You're not intimidated then? | 0:03:26 | 0:03:29 | |
-No. -No, not at all. | 0:03:29 | 0:03:31 | |
Second timer, Emily Watkins, is first up. | 0:03:35 | 0:03:38 | |
She made it to the judges chamber last year... | 0:03:38 | 0:03:40 | |
..despite nerves getting the better of her during her starter course. | 0:03:41 | 0:03:45 | |
It's not good enough. It's going to haunt me. | 0:03:46 | 0:03:48 | |
-Good morning, Chef. -Good morning, Emily. How we doing? | 0:03:49 | 0:03:52 | |
So, how do you feel about the starter? | 0:03:52 | 0:03:53 | |
Cos it wasn't your strongest dish last year. | 0:03:53 | 0:03:55 | |
-No, that's very fair to say. -So, a lot to prove this year? | 0:03:55 | 0:03:57 | |
Yeah, a lot to prove. I really need to concentrate, | 0:03:57 | 0:04:00 | |
really need to focus on what I'm doing. | 0:04:00 | 0:04:01 | |
So, what's your inspiration behind the menu? | 0:04:01 | 0:04:04 | |
Well, the menu's a bit of a culinary journey through the war, | 0:04:04 | 0:04:06 | |
and the starter begins with the simple life, back on the home front. | 0:04:06 | 0:04:11 | |
Dishes called luncheon meat and jelly...It's all about nostalgia. | 0:04:11 | 0:04:14 | |
-Yeah. -Whenever I talk to my granny about the war and things, | 0:04:14 | 0:04:17 | |
she used to always bring up Spam or other products in a tin. | 0:04:17 | 0:04:21 | |
-So, there's the pork belly. -Yep. | 0:04:21 | 0:04:22 | |
Brining it, slow-cooking it, | 0:04:22 | 0:04:24 | |
-and then kind of going to make it into a rillette. -Yep. | 0:04:24 | 0:04:27 | |
Basically set in a jelly. | 0:04:27 | 0:04:28 | |
-So, we've also got some crab apples here. -Yep, from our garden at home. | 0:04:28 | 0:04:31 | |
Just like they did in the war, using everything which was available. | 0:04:31 | 0:04:34 | |
I'm just going to be doing something a bit different to them | 0:04:34 | 0:04:37 | |
to give them really nice finish to a dish. | 0:04:37 | 0:04:39 | |
OK. So, what are these potatoes for, Emily? | 0:04:39 | 0:04:42 | |
These are for my potato bread. | 0:04:42 | 0:04:43 | |
During World War II, they substituted potato | 0:04:43 | 0:04:46 | |
in place of flour. | 0:04:46 | 0:04:47 | |
The recipe I'm doing for this is totally authentic. | 0:04:47 | 0:04:50 | |
-So, a classic combination of pork and apple, really. -Basically, yeah. | 0:04:50 | 0:04:53 | |
OK, do you think that's kind of modern enough to celebrate | 0:04:53 | 0:04:56 | |
-the war veterans? Think it's going to nail it? -I hope so. | 0:04:56 | 0:04:59 | |
-Well, good luck. -Thank you, chef. | 0:04:59 | 0:05:01 | |
Emily's luncheon meat and apple jelly...it's quite plain. | 0:05:02 | 0:05:07 | |
You've got pork, mustard, apples... | 0:05:07 | 0:05:08 | |
I think what she's got to put on the plate has to be really high standard | 0:05:08 | 0:05:11 | |
to make sure that she's nailed the brief, number one, | 0:05:11 | 0:05:14 | |
and also given me something that's really flavoursome. | 0:05:14 | 0:05:16 | |
Next up is first timer, Dominic Chapman. | 0:05:18 | 0:05:20 | |
An accomplished chef hoping to use his 19 years | 0:05:20 | 0:05:23 | |
of cooking experience to his advantage. | 0:05:23 | 0:05:25 | |
So, what's your inspiration behind the whole menu? | 0:05:26 | 0:05:29 | |
My inspiration is basically D-Day and celebrating great British food. | 0:05:29 | 0:05:34 | |
So, in creating my menu, I wanted these veterans to enjoy | 0:05:34 | 0:05:39 | |
the food that was around in those times. | 0:05:39 | 0:05:41 | |
So, what we got in here for the first course? | 0:05:41 | 0:05:43 | |
Obviously, in the war everything was mock | 0:05:43 | 0:05:45 | |
because they couldn't really get the real stuff, | 0:05:45 | 0:05:47 | |
so, I'm going to do a mock turtle soup. | 0:05:47 | 0:05:49 | |
Which is basically a clear soup made from a calf's head | 0:05:49 | 0:05:54 | |
and then making it with a shin of beef, some ham hock, the tongue... | 0:05:54 | 0:05:59 | |
And what's the anchovies for? | 0:05:59 | 0:06:01 | |
The anchovies, I'm going to serve an anchovy sauce, basically. | 0:06:01 | 0:06:04 | |
And then, I'm going to garnish the soup with sweetbreads and brains. | 0:06:04 | 0:06:10 | |
Brains...it's quite adventurous. | 0:06:10 | 0:06:11 | |
Do you think the veterans will say it's a celebratory dish? | 0:06:11 | 0:06:15 | |
The way I want to prepare them... | 0:06:15 | 0:06:17 | |
I think it is a huge celebration, | 0:06:17 | 0:06:18 | |
and there's a lot of love gone into this dish. | 0:06:18 | 0:06:21 | |
Dom's mock turtle soup is right up my street. | 0:06:24 | 0:06:27 | |
I've known him a while, he's a top chef. | 0:06:27 | 0:06:29 | |
I think he's got so many elements in there... | 0:06:29 | 0:06:32 | |
Tongue, foot, sweetbreads, brain... | 0:06:32 | 0:06:34 | |
he's got a clarified stock to make a delicious soup... | 0:06:34 | 0:06:37 | |
if any of them go wrong, he could ruin his whole dish. | 0:06:37 | 0:06:39 | |
Last up is ambitious new chef, Josh Eggleton, | 0:06:41 | 0:06:43 | |
who was awarded a Michelin star for own his pub restaurant | 0:06:43 | 0:06:47 | |
when just 27 years old. | 0:06:47 | 0:06:48 | |
So, what's your inspiration behind the whole menu? | 0:06:50 | 0:06:53 | |
Well, my dishes are going to form a journey through the war. | 0:06:53 | 0:06:56 | |
So, were going to start in England and move through France, | 0:06:56 | 0:06:59 | |
-and then come back to England. -Really? OK. | 0:06:59 | 0:07:01 | |
First dish is called rations on the home front. | 0:07:01 | 0:07:03 | |
So, that's inspired by food items that were eaten during the war. | 0:07:03 | 0:07:07 | |
This is a brined pig's head, and what I'm going to do with that | 0:07:07 | 0:07:10 | |
is effectively just make a brawn, | 0:07:10 | 0:07:12 | |
but the inspiration for that is a Spam fritter. | 0:07:12 | 0:07:14 | |
So, you go to the fish and chips shop | 0:07:14 | 0:07:16 | |
and normally have it with some peas, I guess. | 0:07:16 | 0:07:18 | |
So, I'm going to do a chilled pea soup. | 0:07:18 | 0:07:20 | |
I'm also going to do some pickled baby beets. | 0:07:20 | 0:07:21 | |
And that's all going in a little jar, so, that's going to put acidity | 0:07:21 | 0:07:24 | |
to cut through the richness... | 0:07:24 | 0:07:26 | |
Do you think this dish has got that kind of wow factor to | 0:07:26 | 0:07:28 | |
put in front of these veterans, | 0:07:28 | 0:07:29 | |
to say that we're celebrating their efforts in the war? | 0:07:29 | 0:07:32 | |
Yeah, absolutely. I think it's going to take them back to the war, | 0:07:32 | 0:07:34 | |
but in a good way. Hopefully put a smile on their face. | 0:07:34 | 0:07:37 | |
And I also got spelt flour here, | 0:07:37 | 0:07:38 | |
so, during the war, they used to have the National loaf. | 0:07:38 | 0:07:41 | |
Everyone got moved over to National Flour. | 0:07:41 | 0:07:43 | |
So, I'm just going to make that, I'm going to do some small loaves | 0:07:43 | 0:07:46 | |
with some nice seeds on the outside... | 0:07:46 | 0:07:48 | |
-Same as Emily. -Yeah. | 0:07:48 | 0:07:49 | |
-You've not being corresponding with each other? -No. | 0:07:49 | 0:07:52 | |
Josh's dish is very similar to Emily's. | 0:07:54 | 0:07:57 | |
They're going to be compared a lot by me, on bread, the pork... | 0:07:57 | 0:08:00 | |
The food sounds quite basic, | 0:08:00 | 0:08:02 | |
so, I think they've got to deliver on presentation and flavour. | 0:08:02 | 0:08:05 | |
My starter got three tens by the judges, so, no pressure. | 0:08:05 | 0:08:08 | |
But, I'm looking for something absolutely spot on. | 0:08:08 | 0:08:11 | |
-So good luck, guys. -Thank you. Cheers. | 0:08:11 | 0:08:13 | |
The three chefs get straight to work | 0:08:18 | 0:08:20 | |
on the World War II inspired starters. | 0:08:20 | 0:08:23 | |
-Is that on full whack, Josh, yeah? -I think so. | 0:08:23 | 0:08:26 | |
They're all determined to cook at this year's banquet | 0:08:26 | 0:08:29 | |
to give something back to the nation's war heroes. | 0:08:29 | 0:08:31 | |
I think it's pretty fair to say that we enjoy quite a lot of freedom | 0:08:31 | 0:08:35 | |
to eat as a result of everybody fighting so hard for us | 0:08:35 | 0:08:37 | |
during World War II, isn't it? | 0:08:37 | 0:08:39 | |
-We are incredibly lucky, aren't we? -Yeah, absolutely. You know... | 0:08:39 | 0:08:43 | |
even after the war we were still on rations for 10 years. | 0:08:43 | 0:08:46 | |
There didn't seem to be much moaning about it either, was there? | 0:08:46 | 0:08:49 | |
-It was just, go on with it. -Yeah, that's the old... | 0:08:49 | 0:08:52 | |
stiff upper lip British, isn't it? You know, just get on with it. | 0:08:52 | 0:08:55 | |
But, nerves are already setting in for returning contender, | 0:08:56 | 0:08:59 | |
Emily, whose nostalgic luncheon meat starter is very similar | 0:08:59 | 0:09:02 | |
to that of her Michelin starred rival, Josh's. | 0:09:02 | 0:09:04 | |
Quite tough competition, isn't it? | 0:09:04 | 0:09:06 | |
Cos they are going to be able to compare the ingredients | 0:09:06 | 0:09:08 | |
and how we've produced them. | 0:09:08 | 0:09:10 | |
Yeah, so we have got some new ingredients, | 0:09:10 | 0:09:12 | |
but I do think our technique could be different, hopefully. | 0:09:12 | 0:09:14 | |
It'll be amazing at the end, | 0:09:14 | 0:09:16 | |
-actually how different they are, probably. -Yep. | 0:09:16 | 0:09:18 | |
You know, I'm very nervous... | 0:09:18 | 0:09:21 | |
all three us cook in quite similar styles, | 0:09:21 | 0:09:22 | |
and Josh and I are using a lot of similar ingredients. | 0:09:22 | 0:09:25 | |
There's a lot of Michelin stars on that side of the kitchen, | 0:09:25 | 0:09:27 | |
so it's going to be really, really tough. | 0:09:27 | 0:09:29 | |
Emily Watkins cooks traditional recipes using modern methods | 0:09:34 | 0:09:37 | |
at the Kingham Plough in Oxfordshire... | 0:09:37 | 0:09:39 | |
OK, one more rabbit, two smoked veal terrine going to table one, please. | 0:09:39 | 0:09:43 | |
..where she lives with husband Miles, and her three children, | 0:09:44 | 0:09:47 | |
who are her biggest supporters. | 0:09:47 | 0:09:49 | |
-Daddy, try this. -OK, I'll try that. | 0:09:49 | 0:09:51 | |
That is yummy! | 0:09:54 | 0:09:55 | |
I think it's definitely a winner. | 0:09:58 | 0:10:00 | |
Like last year, Emily is up against some formidable opponents. | 0:10:00 | 0:10:04 | |
So, the other two chefs have both got Michelin stars, | 0:10:04 | 0:10:07 | |
and it makes me absolutely terrified. | 0:10:07 | 0:10:10 | |
But, this time she's really done her homework. | 0:10:10 | 0:10:13 | |
I read a lot of World War II cookbooks | 0:10:13 | 0:10:15 | |
and it's incredible what these men and women put themselves through | 0:10:15 | 0:10:18 | |
in World War II for the sake of their country. | 0:10:18 | 0:10:21 | |
Seeing just the way they used absolutely everything. | 0:10:21 | 0:10:23 | |
Some of my dishes are very, very simple, and I'm hoping | 0:10:23 | 0:10:27 | |
that authenticity is what's going to come through at the end. | 0:10:27 | 0:10:31 | |
Emily has even more reason to want to cook at this year's banquet. | 0:10:31 | 0:10:35 | |
Both of my grandfathers were in the Navy during World War II. | 0:10:35 | 0:10:38 | |
During the D-Day landing, | 0:10:38 | 0:10:39 | |
my paternal grandfather was involved in the planning of it, | 0:10:39 | 0:10:42 | |
and my maternal grandfather was sat | 0:10:42 | 0:10:44 | |
in a prisoner-of-war camp during the time. | 0:10:44 | 0:10:47 | |
So, it's a great thing to remember what they all did, | 0:10:47 | 0:10:50 | |
what they sacrificed, and to be able to say "thank you", | 0:10:50 | 0:10:53 | |
and to be able to cook for these people... | 0:10:53 | 0:10:55 | |
It would be an incredible opportunity. | 0:10:55 | 0:10:58 | |
You're exhausted. | 0:10:58 | 0:10:59 | |
Newcomers, Josh and Dominic, | 0:11:02 | 0:11:04 | |
are convinced returning chef Emily has the upper hand. | 0:11:04 | 0:11:06 | |
Is it an advantage being in the kitchen before? | 0:11:08 | 0:11:10 | |
Feel a little bit more relaxed? | 0:11:10 | 0:11:11 | |
Yeah, I know where I am a little bit more. | 0:11:11 | 0:11:13 | |
-We don't have that, do we? -Yeah. | 0:11:13 | 0:11:15 | |
But, after Emily's disastrous start last year, Sat is worried for her. | 0:11:17 | 0:11:20 | |
Emily, how are we getting on? How's the pressure? | 0:11:20 | 0:11:23 | |
All right, I'm just kind of keeping myself a bit more focused this time. | 0:11:23 | 0:11:26 | |
-Trying to get each element... -And what's this here, the potato bread? | 0:11:26 | 0:11:29 | |
This is the potato bread, so it should be coming out of the oven | 0:11:29 | 0:11:32 | |
on to the pass so they're lovely and golden... | 0:11:32 | 0:11:34 | |
-No concerns...you're on top? -I wouldn't say I'm out of the woods | 0:11:34 | 0:11:37 | |
until everything is done and on the pass and... | 0:11:37 | 0:11:39 | |
just tackle each obstacle as it comes. | 0:11:39 | 0:11:41 | |
Culinary heavyweight, Dominic, is hoping to honour the war veterans | 0:11:43 | 0:11:47 | |
with his version of mock turtle soup, | 0:11:47 | 0:11:48 | |
an old-fashioned recipe made with beef, not turtle, | 0:11:48 | 0:11:52 | |
as the name implies, and he's using every part of the animal, | 0:11:52 | 0:11:55 | |
including the brain. | 0:11:55 | 0:11:56 | |
How do you feel about serving brains? | 0:11:56 | 0:11:58 | |
Yeah, it's a bit risky, it's a bit risky. | 0:11:58 | 0:12:01 | |
But, the brains are not in your face. | 0:12:01 | 0:12:03 | |
And, you know, the older generation seems to like things like that. | 0:12:03 | 0:12:06 | |
I understand what Dominic's doing. Brains, awful...off cuts. | 0:12:08 | 0:12:12 | |
There's no waste, it's kind of hitting the right chord. | 0:12:12 | 0:12:14 | |
He's done his homework. | 0:12:14 | 0:12:16 | |
You know, he's come here to win and that's it...full stop. | 0:12:16 | 0:12:19 | |
That's away on seven. Come on now, boys. Yeah? Let's go. | 0:12:20 | 0:12:23 | |
Dominic Chapman heads up the kitchen at the Royal Oak Pub in Berkshire, | 0:12:23 | 0:12:27 | |
where he gained his first Michelin star in 2010, | 0:12:27 | 0:12:30 | |
much to the delight of owner Sir Michael Parkinson. | 0:12:30 | 0:12:35 | |
Team Royal Oak. I think Dom is the best of British. | 0:12:35 | 0:12:39 | |
I think he's the best of the South West. | 0:12:39 | 0:12:41 | |
-He's a brilliant chef. -This is my mock turtle soup. | 0:12:41 | 0:12:46 | |
It looks wonderful, actually. | 0:12:46 | 0:12:47 | |
The thing about Dom is that he doesn't just cook a recipe, | 0:12:47 | 0:12:50 | |
he investigates the recipe. | 0:12:50 | 0:12:52 | |
He's a kind of food historian as well. | 0:12:52 | 0:12:55 | |
Old English food is my bag. I love that. | 0:12:55 | 0:12:58 | |
So, when I got the opportunity to look at D-Day, | 0:12:58 | 0:13:00 | |
that was really exciting. | 0:13:00 | 0:13:01 | |
And my menu, I hope, represents Britain | 0:13:01 | 0:13:03 | |
and food at the time of D-Day. | 0:13:03 | 0:13:05 | |
Dominic's research even took him to the heroic beaches of Normandy. | 0:13:08 | 0:13:12 | |
To get the opportunity to go to Normandy, | 0:13:12 | 0:13:14 | |
actually see the beaches... it was hugely inspirational. | 0:13:14 | 0:13:18 | |
And our boys...they did an amazing job. | 0:13:18 | 0:13:20 | |
And I'm very grateful for what they've done. | 0:13:20 | 0:13:23 | |
So, to get to the banquet, and say, "Thank you", you know, | 0:13:23 | 0:13:26 | |
that's special. Really special. | 0:13:26 | 0:13:27 | |
That was good, eh? | 0:13:29 | 0:13:30 | |
Back in the kitchen, | 0:13:34 | 0:13:35 | |
Dominic's clarifying the consomme for his mock turtle soup, | 0:13:35 | 0:13:38 | |
with a mixture of egg whites and vegetables, | 0:13:38 | 0:13:40 | |
a classical technique that helps draw out impurities. | 0:13:40 | 0:13:44 | |
But, only if it's brought to the boil slowly. | 0:13:44 | 0:13:47 | |
-BLEEP. -Come on. | 0:13:48 | 0:13:50 | |
You all right there, Dom? What's going on? | 0:13:52 | 0:13:54 | |
I've got a boiling consomme, which isn't amazing. | 0:13:54 | 0:13:56 | |
Dom, how're we getting on? | 0:13:58 | 0:14:00 | |
Took my eye off it for a second and my consomme boiled. | 0:14:00 | 0:14:02 | |
-But with the egg whites in? -Yeah. | 0:14:02 | 0:14:04 | |
-Which is a -BLEEP -disaster. | 0:14:05 | 0:14:07 | |
You would almost say a schoolboy error, Chef. | 0:14:07 | 0:14:09 | |
Massive schoolboy error. This goes wrong, I'm finished. | 0:14:09 | 0:14:13 | |
He'll be kicking himself for this. | 0:14:13 | 0:14:15 | |
If you boil it, consomme will go cloudy, and it will get greasy. | 0:14:15 | 0:14:17 | |
You can rectify it, but you really need to pull it together | 0:14:17 | 0:14:21 | |
to deliver that dish. | 0:14:21 | 0:14:22 | |
Ambitious young newcomer, Josh, | 0:14:27 | 0:14:29 | |
is hoping to make a big first impression | 0:14:29 | 0:14:31 | |
with his nostalgic, ration-based starter, | 0:14:31 | 0:14:33 | |
which returning contender, Emily, is keeping a close eye on. | 0:14:33 | 0:14:36 | |
His mini bread loaves are ready for the oven, | 0:14:38 | 0:14:40 | |
but he still has his pea soup to make, | 0:14:40 | 0:14:42 | |
along with the key element of his dish, pig's head terrine, | 0:14:42 | 0:14:45 | |
which needs to set in the fridge so he can slice and fry later. | 0:14:45 | 0:14:48 | |
-Josh, how're we getting on? -Going well. | 0:14:48 | 0:14:51 | |
Going to start picking my pig's head, going through it... | 0:14:51 | 0:14:54 | |
-Is there setting time? -Fingers crossed. | 0:14:54 | 0:14:57 | |
30-year-old Josh Eggleton is head chef and owner | 0:15:01 | 0:15:04 | |
of the Pony and Trap in Bristol, | 0:15:04 | 0:15:06 | |
where he cooks British food with a playful twist. | 0:15:06 | 0:15:09 | |
..scallop tasting, followed by table 16. | 0:15:10 | 0:15:12 | |
Younger sister, Holly, runs front of house, | 0:15:13 | 0:15:16 | |
and when the pub was awarded a Michelin star three years ago, | 0:15:16 | 0:15:19 | |
it came as a huge surprise. | 0:15:19 | 0:15:20 | |
It was something that we'd never expected. | 0:15:21 | 0:15:23 | |
Josh was completely overwhelmed. | 0:15:23 | 0:15:25 | |
To be fair, I didn't believe it, actually. | 0:15:25 | 0:15:27 | |
I thought they were just winding me up to be honest. | 0:15:27 | 0:15:30 | |
Determined to continue his winning streak, | 0:15:30 | 0:15:32 | |
Josh has sought inspiration for his menu from his nan... | 0:15:32 | 0:15:35 | |
-Hello, Nan. -Josh! How are you, love? -I'm all right, thank you. | 0:15:35 | 0:15:38 | |
..who was brought up on rations during the war. | 0:15:38 | 0:15:40 | |
So, the main aim for my dish is to take some of those things | 0:15:40 | 0:15:43 | |
that they ate during the war and put my twist on it, | 0:15:43 | 0:15:46 | |
elevate it to the next level. | 0:15:46 | 0:15:48 | |
Was everything rationed, or... | 0:15:48 | 0:15:50 | |
Well, bacon was rationed, butter was rationed, lard was rationed. | 0:15:50 | 0:15:54 | |
This brief is important because we can never forget the great sacrifice | 0:15:54 | 0:15:57 | |
that that generation made, so to win the competition would be fantastic. | 0:15:57 | 0:16:00 | |
It would also be great to do it for my grandparents, as well. | 0:16:00 | 0:16:03 | |
To see the dishes that they gave me inspiration for | 0:16:03 | 0:16:05 | |
to get to the final banquet. | 0:16:05 | 0:16:07 | |
New boy Josh is busy pressing his pig's head mixture into moulds. | 0:16:13 | 0:16:18 | |
As is rival, Emily. | 0:16:18 | 0:16:19 | |
She's hoping to elevate her simple luncheon meat starter | 0:16:20 | 0:16:23 | |
to new heights by serving it with old-fashioned potato bread, | 0:16:23 | 0:16:26 | |
and miniature crab apples coated in toffee. | 0:16:26 | 0:16:29 | |
But, with plating up fast approaching, | 0:16:29 | 0:16:31 | |
there's not much time for the sticky coating to set. | 0:16:31 | 0:16:33 | |
Can I just put these over here somewhere to set? | 0:16:33 | 0:16:35 | |
It's so hot in there. | 0:16:35 | 0:16:36 | |
Dominic has been trying to rectify the consomme for his mock | 0:16:44 | 0:16:47 | |
turtle soup. | 0:16:47 | 0:16:48 | |
And, after a brief hairy moment, seems to be back on track, | 0:16:48 | 0:16:51 | |
but needs to start dressing his plates. | 0:16:51 | 0:16:54 | |
What are all those boards all about? | 0:16:54 | 0:16:56 | |
My starter's is dedicated to Juno, | 0:16:56 | 0:16:57 | |
one of the beaches that the troops landed at. | 0:16:57 | 0:17:00 | |
Every dish is dedicated to all different troops | 0:17:00 | 0:17:03 | |
who landed on the beaches. | 0:17:03 | 0:17:05 | |
-Do your dishes reflect that? -Um, I'm trying to make them reflect that. | 0:17:05 | 0:17:09 | |
With the clock ticking, | 0:17:10 | 0:17:11 | |
Dominic deep fries his pane sweet breads and calves brains. | 0:17:11 | 0:17:15 | |
-Feeling the pressure? -Massively, massively, massively. | 0:17:15 | 0:17:18 | |
Then, places caramelised calfskin, tongue, and ham hock into bowls, | 0:17:18 | 0:17:22 | |
garnishing with pickled shallots, parsley, and lettuce. | 0:17:22 | 0:17:26 | |
-Dom, how's it looking? -Really good, I'm... -Are you on time, Chef? | 0:17:26 | 0:17:29 | |
I'm coming up right now, Chef. | 0:17:29 | 0:17:32 | |
He adds anchovy sauce... | 0:17:32 | 0:17:34 | |
..crispy brains and sweetbreads, and then... | 0:17:35 | 0:17:38 | |
it's the moment of truth. | 0:17:38 | 0:17:40 | |
-Are you happy with the consomme, Dom? -Yeah, it's all right. | 0:17:40 | 0:17:43 | |
OK. | 0:17:46 | 0:17:47 | |
OK, Dom, is this your finest hour on the plate? | 0:17:47 | 0:17:50 | |
Well, at the moment, yeah. | 0:17:50 | 0:17:51 | |
So, I think we should have a taste. I'll take the bowl. | 0:17:51 | 0:17:54 | |
Do you think it tells a story? | 0:17:58 | 0:18:00 | |
I think it does. Juno is one of the beaches in Normandy, | 0:18:00 | 0:18:03 | |
and this course is dedicated to the troops that landed at Juno. | 0:18:03 | 0:18:06 | |
So, do you think Juno has a connection with the dish? | 0:18:06 | 0:18:09 | |
I think what Dom's doing is paying respect. I think it looks beautiful. | 0:18:09 | 0:18:13 | |
It's exactly like Dominic Chapman on a plate. | 0:18:13 | 0:18:15 | |
It's got the old methods of doing it, but done to absolute perfection. | 0:18:15 | 0:18:19 | |
So, that's my mock turtle soup, that's my consomme. | 0:18:19 | 0:18:22 | |
The bottle's quite hot. | 0:18:22 | 0:18:24 | |
That's pretty hot...I don't know | 0:18:25 | 0:18:27 | |
whether people pouring that might struggle... | 0:18:27 | 0:18:29 | |
-I've tested this several times, and it worked. -I'll try this soup itself. | 0:18:29 | 0:18:34 | |
Do you think the consomme is clear enough? | 0:18:37 | 0:18:39 | |
Considering I had a few issues in the kitchen, | 0:18:39 | 0:18:41 | |
I'm really happy with how it's turned out. | 0:18:41 | 0:18:43 | |
Certainly enough flavour there. Um... What do you think? | 0:18:43 | 0:18:46 | |
It's got the anchovy sauce in there. | 0:18:51 | 0:18:53 | |
It's actually really nice having the contrast. | 0:18:53 | 0:18:56 | |
The anchovies just cut through it. | 0:18:56 | 0:18:58 | |
-We've got sweetbreads and brains here. -Delicious. | 0:18:58 | 0:19:01 | |
-Crispy enough for you? -Yeah, yeah. | 0:19:01 | 0:19:03 | |
It's amazing how light the flavour of the brain is. | 0:19:05 | 0:19:07 | |
It's not really...it's really nice. | 0:19:07 | 0:19:09 | |
Do you think that this is a good enough dish to see at the banquet? | 0:19:09 | 0:19:12 | |
I really love this dish. | 0:19:12 | 0:19:14 | |
-It's absolutely superb cooking, isn't it? -Are you a little worried? | 0:19:15 | 0:19:18 | |
Yes, to sum it up. | 0:19:18 | 0:19:19 | |
So, first course down, I hope you're not man down. | 0:19:19 | 0:19:23 | |
Yeah, me neither. Hope not. | 0:19:23 | 0:19:24 | |
Returner, Emily, is next to plate up, | 0:19:31 | 0:19:33 | |
with the first of two luncheon meat starters. | 0:19:33 | 0:19:36 | |
So, Josh, Emily's presentation is looking pretty good. | 0:19:36 | 0:19:39 | |
What have you got up your sleeve? | 0:19:39 | 0:19:40 | |
I'm going to be using a meat tin to present the fritters in. | 0:19:40 | 0:19:43 | |
Sounds quite similar. | 0:19:43 | 0:19:44 | |
Yeah, they are quite similar. The fact is, it's frightening. | 0:19:44 | 0:19:47 | |
I think Emily has been spying on me this week. | 0:19:47 | 0:19:50 | |
Emily tops her pressed pork belly rillettes with apple jelly, | 0:19:52 | 0:19:55 | |
and grinds pork crackling into a powder... | 0:19:55 | 0:19:58 | |
..to go on top. | 0:19:59 | 0:20:00 | |
-And whose crackling is the best? -I've done mine more like puffed pork. | 0:20:00 | 0:20:04 | |
Get plenty of crunch. | 0:20:06 | 0:20:07 | |
She starts her plate with slices of bacon, mustard, | 0:20:09 | 0:20:12 | |
and pickled baby onions. | 0:20:12 | 0:20:15 | |
Can I ask you to get those apples for me next door? | 0:20:15 | 0:20:18 | |
Emily adds butter and potato bread loaves... | 0:20:20 | 0:20:22 | |
..and finishes with the pressed pork belly rillettes, | 0:20:25 | 0:20:29 | |
and her tiny toffee crab apples. | 0:20:29 | 0:20:30 | |
OK, Emily, think you'll be flying the flag for Britain with this dish? | 0:20:35 | 0:20:38 | |
-Well, I'd love it if it was. -So, should we go on and get a taste? | 0:20:38 | 0:20:41 | |
Yes, please. | 0:20:41 | 0:20:42 | |
So, Emily, do you think this is celebratory enough | 0:20:48 | 0:20:51 | |
to actually give a work veteran? | 0:20:51 | 0:20:53 | |
For me is because it's kind of the nostalgic starter. | 0:20:53 | 0:20:56 | |
-Here we are. -OK, this is a direct competition for me. | 0:20:59 | 0:21:02 | |
Really cidery, that jelly. | 0:21:07 | 0:21:08 | |
The terrine is quite fatty, | 0:21:08 | 0:21:09 | |
so you've got something quite sharp that just goes straight through it. | 0:21:09 | 0:21:12 | |
And then you've got crackling on top. | 0:21:12 | 0:21:14 | |
Think there's enough crackling in there? | 0:21:14 | 0:21:16 | |
I wanted to crackling to be more of a seasoning to it, | 0:21:16 | 0:21:18 | |
to give it that lovely, rich pork flavour at the end. | 0:21:18 | 0:21:20 | |
I think the crackling might have been better if it was left whole... | 0:21:22 | 0:21:25 | |
-Yeah. -..rather than done as a dust. | 0:21:25 | 0:21:27 | |
And are you happy with the bread? | 0:21:28 | 0:21:29 | |
-Yeah, it's an authentic World War II recipe. -I love the bread. | 0:21:29 | 0:21:33 | |
The potato bread is really good. | 0:21:33 | 0:21:35 | |
-And these are the crab apples? -Toffee crab apples. | 0:21:35 | 0:21:38 | |
-It's quite sticky actually. -The glaze is getting stuck on my teeth. | 0:21:42 | 0:21:46 | |
I'm not sure about that. | 0:21:46 | 0:21:47 | |
Well, I'm so relieved that we've done the first course, | 0:21:54 | 0:21:58 | |
and I was happy with what I've puts on the plates... | 0:21:58 | 0:22:00 | |
the individual components. | 0:22:00 | 0:22:02 | |
I'm really nervous about how it was received, though. | 0:22:02 | 0:22:05 | |
Last to plate up is determined first timer, Josh. | 0:22:07 | 0:22:10 | |
And, Emily wants to know just what she's up against. | 0:22:10 | 0:22:14 | |
Yeah, so your terrine's come out well. | 0:22:14 | 0:22:15 | |
-It's not had any setting issues. -No, nice and firm, really happy with it. | 0:22:15 | 0:22:18 | |
-Would you like to try some? -I would. | 0:22:18 | 0:22:20 | |
I'm slightly terrified because this is what's so similar in our dishes. | 0:22:20 | 0:22:23 | |
It's really tasty, it's absolutely... | 0:22:25 | 0:22:27 | |
-Oh, my God, now I'm terrified. -I hope so. | 0:22:27 | 0:22:29 | |
Josh dips his sliced pork terrine in egg, flour, | 0:22:34 | 0:22:37 | |
-and breadcrumbs before deep frying. -Got to keep an eye on these. | 0:22:37 | 0:22:40 | |
He then carefully fills jars with | 0:22:40 | 0:22:42 | |
pickled onions, beets, and red cabbage, | 0:22:42 | 0:22:44 | |
and tops his pea soup with fresh peas and chives. | 0:22:46 | 0:22:48 | |
It's immaculate. It makes mine look really rustic. | 0:22:49 | 0:22:53 | |
Next is butter, | 0:22:53 | 0:22:54 | |
his mini loaves, | 0:22:54 | 0:22:56 | |
puffed pork crackling, | 0:22:57 | 0:22:58 | |
and crispy pancetta. | 0:22:58 | 0:23:00 | |
How're you feeling now seeing the other two? | 0:23:01 | 0:23:03 | |
Of course I'm worried. | 0:23:03 | 0:23:05 | |
Finally, Josh places the pigs head fritters into tins, | 0:23:06 | 0:23:10 | |
and finishes his presentation with a wartime ration box. | 0:23:10 | 0:23:13 | |
Would you say that's history on a plate? | 0:23:16 | 0:23:19 | |
-It is for me, yeah. -Let's go. -OK. | 0:23:19 | 0:23:20 | |
-Here we are. -Hey. -Wow. | 0:23:25 | 0:23:27 | |
-Wow. -That is incredible. | 0:23:28 | 0:23:30 | |
You happy with that smoothness of the soup? | 0:23:32 | 0:23:34 | |
Yeah, it's been blended well, | 0:23:34 | 0:23:36 | |
and I just wanted to get loads of texture for the top. | 0:23:36 | 0:23:38 | |
I got puffed pork, I've got some pancetta, and a few chives as well. | 0:23:38 | 0:23:42 | |
That pea soup is lovely. It's got a really nice minty flavour in it, | 0:23:42 | 0:23:45 | |
-and even the crackling in there... -Adds the texture. | 0:23:45 | 0:23:47 | |
-And the bread...this is the National loaf? -This is the National loaf. | 0:23:48 | 0:23:51 | |
So, this is just my take on it, you know. | 0:23:51 | 0:23:54 | |
Smells good. It is quite dense. | 0:23:54 | 0:23:57 | |
This is the brawn. | 0:23:57 | 0:23:58 | |
Seasoning OK? | 0:24:01 | 0:24:02 | |
It's on the high side. | 0:24:04 | 0:24:07 | |
The red cabbage and onions have been pickled in sweet sherry. | 0:24:07 | 0:24:10 | |
For me, the pickles just need a little bit more flavour, | 0:24:10 | 0:24:13 | |
maybe a little bit more vinegar, just a little bit more lift. | 0:24:13 | 0:24:17 | |
Yeah, I agree with that. | 0:24:17 | 0:24:19 | |
Do you think the pickling has had long enough? | 0:24:19 | 0:24:21 | |
The pickles are a real quick pickle, done today. | 0:24:21 | 0:24:23 | |
I just wanted it to lighten it up, not to be too heavy. | 0:24:23 | 0:24:26 | |
I've got to give it an eight. I think it's a good dish. | 0:24:28 | 0:24:30 | |
-I think it's probably worth a nine. -Nine? -I do think so. | 0:24:30 | 0:24:33 | |
-It's a good score. -I think it's amazing. | 0:24:33 | 0:24:35 | |
If you had to give yourself a score out of 10, what would that be? | 0:24:35 | 0:24:38 | |
Um...I don't know. I would give myself an eight for this one. | 0:24:40 | 0:24:44 | |
-There he is. -How was it? -Yeah, good. -Happy? | 0:24:47 | 0:24:50 | |
-Yeah, he gave me a 10. -Did he? | 0:24:50 | 0:24:52 | |
Yeah. | 0:24:52 | 0:24:53 | |
No. | 0:24:53 | 0:24:54 | |
-I'm looking forward to hear what Sat has got to say. -Yeah. | 0:25:00 | 0:25:03 | |
I really hope my score isn't so bad | 0:25:05 | 0:25:07 | |
that it's really hard to claw back from. | 0:25:07 | 0:25:09 | |
How's everyone feeling? | 0:25:16 | 0:25:18 | |
A little anxious. | 0:25:18 | 0:25:19 | |
Emily, for your luncheon meat and jelly with rillete of belly pork... | 0:25:20 | 0:25:24 | |
..the pork was lovely, the potato bread was very nice... | 0:25:26 | 0:25:29 | |
..and I like how you used an original wartime recipe. | 0:25:31 | 0:25:33 | |
It was a nice tasting plate of food, but... | 0:25:33 | 0:25:36 | |
..the meat lost something in texture. | 0:25:38 | 0:25:40 | |
You made some amazing crackling, but I don't know why | 0:25:41 | 0:25:43 | |
you didn't use it in its entirety instead of grinding it up. | 0:25:43 | 0:25:46 | |
The toffee crab apple stuck in my teeth, as it did with you. | 0:25:47 | 0:25:50 | |
I think the dish overall was a little bit safe. | 0:25:51 | 0:25:53 | |
I was a little underwhelmed by it. | 0:25:55 | 0:25:57 | |
Dom... | 0:26:01 | 0:26:02 | |
Mock turtle soup with sweetbreads and brain fritters... | 0:26:02 | 0:26:05 | |
..the consomme, | 0:26:08 | 0:26:10 | |
you were quite worried that it over boiled in the kitchen. | 0:26:10 | 0:26:12 | |
But it was perfectly clear | 0:26:13 | 0:26:15 | |
and had an amazing depth of flavour in there as well, so, well done. | 0:26:15 | 0:26:18 | |
The sweet bread and brain fritters, | 0:26:19 | 0:26:21 | |
delicious and really hit the brief. | 0:26:21 | 0:26:23 | |
And, a real throwback to wartime cooking. | 0:26:23 | 0:26:25 | |
But, the glass jar for the consomme was too hot. | 0:26:27 | 0:26:32 | |
Holding that was a real issue for health and safety. | 0:26:32 | 0:26:35 | |
The link to Juno Beach felt a little bit odd. | 0:26:35 | 0:26:37 | |
I couldn't see the correlation there. | 0:26:39 | 0:26:40 | |
I think you need to marry the nostalgia with the presentation. | 0:26:40 | 0:26:44 | |
OK. Thank you. | 0:26:44 | 0:26:45 | |
Josh... | 0:26:48 | 0:26:49 | |
for your rations on the home front with your pig's head terrine... | 0:26:49 | 0:26:52 | |
First up, just check your sharp edges on the tin | 0:26:54 | 0:26:56 | |
to make sure they are not dangerous. | 0:26:56 | 0:26:59 | |
The pickled veg was a little bit dry for me. | 0:26:59 | 0:27:00 | |
However... | 0:27:02 | 0:27:03 | |
..when you lifted the box off... | 0:27:05 | 0:27:07 | |
fantastic. | 0:27:07 | 0:27:09 | |
I loved the pea soup. The terrine was spot on. | 0:27:09 | 0:27:12 | |
Fantastic texture. You really hit the brief. Well done. | 0:27:12 | 0:27:16 | |
So the scores... | 0:27:17 | 0:27:19 | |
Emily... | 0:27:20 | 0:27:22 | |
For your luncheon meat and jelly... | 0:27:22 | 0:27:24 | |
I'm going to give you a five. | 0:27:27 | 0:27:29 | |
It was nicely cooked, | 0:27:29 | 0:27:30 | |
but this dish just wasn't special enough for a banquet. | 0:27:30 | 0:27:33 | |
Dom, for your mock turtle soup... | 0:27:34 | 0:27:37 | |
..I'm going to give you an eight. | 0:27:39 | 0:27:41 | |
Superb cooking, just make sure serving the dish really reflects | 0:27:42 | 0:27:45 | |
the nostalgia you're going for. | 0:27:45 | 0:27:47 | |
Josh...for your rations on the home front... | 0:27:48 | 0:27:51 | |
I'm giving you an eight. | 0:27:56 | 0:27:57 | |
Sort out the pickles and the practicality of eating it, | 0:27:58 | 0:28:01 | |
and this could be nudging onto a 10. | 0:28:01 | 0:28:03 | |
So, Emily, not a great start, but it's early days. | 0:28:04 | 0:28:07 | |
You know, you're a very talented cook, | 0:28:07 | 0:28:09 | |
so I want you to really push yourself and go for it. | 0:28:09 | 0:28:12 | |
-Thanks, Chef. -Good luck, guys. -Thank you. | 0:28:12 | 0:28:15 | |
-Well done. -Well done, guys. Good cooking. | 0:28:15 | 0:28:18 | |
It's a good start, you know, but there's still loads of work to do. | 0:28:18 | 0:28:23 | |
I was delighted...brilliant. | 0:28:23 | 0:28:24 | |
I don't think I could've hoped for more, really. | 0:28:24 | 0:28:26 | |
-Let's get on with it now. -Yeah. | 0:28:26 | 0:28:28 | |
I feel quite gutted, | 0:28:28 | 0:28:29 | |
so I'm going to try to do better on the next courses. | 0:28:29 | 0:28:31 |