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This week on Great British Menu, | 0:00:02 | 0:00:05 | |
three of the north-east's top chefs - | 0:00:05 | 0:00:08 | |
returning contender Colin McGurran... | 0:00:08 | 0:00:11 | |
G'day, mate. Chuck another shrimp on the barbie! | 0:00:11 | 0:00:14 | |
..ambitious newcomer Paul Welburn... | 0:00:14 | 0:00:17 | |
No added pressure there, yeah? | 0:00:17 | 0:00:18 | |
..and Michelin-starred Frances Atkins... | 0:00:18 | 0:00:21 | |
So, this is what's driving us to get to the banquet. | 0:00:21 | 0:00:24 | |
..are going head-to-head for the honour of saying thank you | 0:00:24 | 0:00:29 | |
to our World War II veterans | 0:00:29 | 0:00:32 | |
at a banquet commemorating the 70th anniversary of D-day | 0:00:32 | 0:00:35 | |
at the magnificent St Paul's Cathedral. | 0:00:35 | 0:00:38 | |
Yesterday, Frances's personal story hit the brief, | 0:00:40 | 0:00:43 | |
but failed on execution. | 0:00:43 | 0:00:46 | |
..and it was an unrefined plate of food. | 0:00:46 | 0:00:49 | |
And while Paul's dish also let him down, | 0:00:49 | 0:00:51 | |
Colin's technical masterclass stole the show. | 0:00:51 | 0:00:54 | |
About as technical as you'll get in a competition like this. | 0:00:54 | 0:00:57 | |
Today's the fish course, | 0:00:57 | 0:00:59 | |
and Frances needs to deliver to stay in the running. | 0:00:59 | 0:01:01 | |
I'm in a happier place. Yes, let's say that. | 0:01:01 | 0:01:04 | |
But with Colin aiming to stretch his lead... | 0:01:04 | 0:01:07 | |
Keep in mind that he's been to the banquet. | 0:01:07 | 0:01:10 | |
No added pressure there, yeah? | 0:01:10 | 0:01:11 | |
..and the competition hotting up, will the cracks begin to show? | 0:01:11 | 0:01:14 | |
LOUD BANG BLEEP | 0:01:14 | 0:01:17 | |
Banquet? THEY BOTH LAUGH | 0:01:17 | 0:01:19 | |
-Arrrhhh... -Yep, OK. | 0:01:19 | 0:01:22 | |
This year the chefs are paying tribute to the generation | 0:01:33 | 0:01:36 | |
whose efforts ensured our freedom | 0:01:36 | 0:01:38 | |
by commemorating 70 years since the D-day landings. | 0:01:38 | 0:01:42 | |
Hello, Tom. Pleased to meet you. | 0:01:42 | 0:01:44 | |
Absolute pleasure. | 0:01:44 | 0:01:46 | |
Their challenge? | 0:01:46 | 0:01:47 | |
To produce patriotic dishes that tell the story of wartime Britain. | 0:01:47 | 0:01:51 | |
Wow. | 0:01:51 | 0:01:53 | |
Inspired by personal memories of the Second World War. | 0:01:53 | 0:01:56 | |
That's lovely! | 0:01:56 | 0:01:58 | |
I think Grandad would've been blown away. | 0:01:58 | 0:02:00 | |
Give you a gold star. | 0:02:00 | 0:02:02 | |
Judging them all week | 0:02:05 | 0:02:07 | |
is two-Michelin-starred former fish course winner, Phil Howard. | 0:02:07 | 0:02:11 | |
There has to be a stunning piece | 0:02:11 | 0:02:14 | |
of pure fish on the plate - | 0:02:14 | 0:02:17 | |
simple, but with intelligence - | 0:02:17 | 0:02:20 | |
a brief-related twist. | 0:02:20 | 0:02:22 | |
Well, it's no secret I wasn't very happy with my starter course, | 0:02:26 | 0:02:30 | |
but onwards and upwards. | 0:02:30 | 0:02:32 | |
Three points different at this stage means nothing. I promise you. | 0:02:32 | 0:02:35 | |
I'm hoping I can get closer to you | 0:02:35 | 0:02:38 | |
-and put some water between myself and you. -I'll be on your heels. | 0:02:38 | 0:02:41 | |
First up is Michelin-starred Frances, | 0:02:46 | 0:02:48 | |
with a menu inspired by her soldier father's experience in World War II. | 0:02:48 | 0:02:52 | |
Yesterday nerves hit and she struggled with her execution of her starter, | 0:02:52 | 0:02:56 | |
scoring a disappointing five points. | 0:02:56 | 0:02:59 | |
Just think about service at work, | 0:02:59 | 0:03:02 | |
you have to get on with it | 0:03:02 | 0:03:03 | |
and make sure you don't have another one. | 0:03:03 | 0:03:06 | |
So, slightly rocky start. | 0:03:08 | 0:03:11 | |
You must now draw on your very considerable experience of cooking | 0:03:11 | 0:03:15 | |
at the very highest level. | 0:03:15 | 0:03:16 | |
So, what have you got in your box, and what are you cooking? | 0:03:16 | 0:03:19 | |
Well, this is called On The Boats, | 0:03:19 | 0:03:21 | |
and this is a continuation of my father's journey during D-day, | 0:03:21 | 0:03:26 | |
as he's sailing over the English Channel, | 0:03:26 | 0:03:29 | |
desperately trying to cheer himself up, | 0:03:29 | 0:03:32 | |
and thinks about a lovely dinner | 0:03:32 | 0:03:34 | |
that he had with his fiancee, | 0:03:34 | 0:03:37 | |
and it was a Dover sole | 0:03:37 | 0:03:40 | |
with squid and clams | 0:03:40 | 0:03:42 | |
-and these little cheery beech berries. -And these are...? | 0:03:42 | 0:03:47 | |
-These are buckthorn. -Buckthorn. | 0:03:47 | 0:03:50 | |
And I've got something else also going into all this - | 0:03:51 | 0:03:54 | |
kuzu dumplings - seafood dumplings. | 0:03:54 | 0:03:57 | |
And why did you choose kuzu? | 0:03:57 | 0:03:59 | |
Because the brief was to push boundaries. | 0:03:59 | 0:04:02 | |
There's some honesty. | 0:04:02 | 0:04:04 | |
Good. | 0:04:04 | 0:04:06 | |
Frances's is a collection of ingredients that I like. | 0:04:07 | 0:04:11 | |
Unfortunately, she needs to instil some belief in me | 0:04:11 | 0:04:14 | |
that she can actually deliver under the pressure of the competition. | 0:04:14 | 0:04:18 | |
Next, it's ambitious newcomer Paul, with a menu paying tribute | 0:04:19 | 0:04:23 | |
to his grandfather, a soldier in World War II. | 0:04:23 | 0:04:26 | |
Yesterday he scored a steady seven | 0:04:26 | 0:04:27 | |
and today he is focusing on going one better. | 0:04:27 | 0:04:30 | |
The fish course I'm confident with. I've practised many times. | 0:04:30 | 0:04:33 | |
There's a couple of pitfalls, and nothing will get past Phil. | 0:04:33 | 0:04:35 | |
It's got to be cooked perfectly. | 0:04:35 | 0:04:37 | |
Give me the title of your dish. | 0:04:37 | 0:04:38 | |
Title of the dish is Preservation Of British Waters. | 0:04:38 | 0:04:42 | |
OK. Explain. | 0:04:42 | 0:04:43 | |
It's my link to the preserving techniques during the war, | 0:04:43 | 0:04:46 | |
and how we can take those techniques | 0:04:46 | 0:04:49 | |
and use them in modern cooking. | 0:04:49 | 0:04:51 | |
The main part of it is some lovely Scottish salmon. | 0:04:51 | 0:04:54 | |
What's the thinking behind salmon? | 0:04:54 | 0:04:55 | |
For me, it's a banquet fit for veterans. | 0:04:55 | 0:04:58 | |
For me, I'm using the king of the fish. | 0:04:58 | 0:05:00 | |
So, I'm going to basically cure it in salt | 0:05:00 | 0:05:04 | |
and different citrus fruits. | 0:05:04 | 0:05:07 | |
Basically, complement that with some surf clams. | 0:05:07 | 0:05:11 | |
-Pickle those along with some cucumber. -Yep. Oysters? | 0:05:11 | 0:05:14 | |
-These will be served with a watercress puree. -Yeah. | 0:05:14 | 0:05:17 | |
This I'll do two ways - with a yoghurt, | 0:05:17 | 0:05:19 | |
and the claws in a brown crab butter. | 0:05:19 | 0:05:22 | |
So, Paul, you're middle of the ranks. | 0:05:22 | 0:05:24 | |
A simple one point behind Colin. | 0:05:24 | 0:05:26 | |
Fish course. Fresh opportunity. | 0:05:26 | 0:05:29 | |
Yeah, fingers crossed. | 0:05:29 | 0:05:31 | |
I understand where he's coming from. | 0:05:33 | 0:05:35 | |
I'm just not quite sure how it's all going to come together as a dish. | 0:05:35 | 0:05:38 | |
Needs some deft judgment to pull it off. | 0:05:38 | 0:05:42 | |
Last up is Colin, a former banquet winner | 0:05:42 | 0:05:44 | |
who failed on his second attempt in the competition. | 0:05:44 | 0:05:47 | |
Yesterday, he took the lead with a technical dish | 0:05:47 | 0:05:49 | |
inspired by a soldiers' ration packs and his grandfather, | 0:05:49 | 0:05:52 | |
who was a stoker on a ship on D-day. | 0:05:52 | 0:05:54 | |
I think my fish course is a strong contender. | 0:05:54 | 0:05:56 | |
It's going to hit the brief. | 0:05:56 | 0:05:58 | |
I've got all the best chance of staying ahead in this competition. | 0:05:58 | 0:06:02 | |
So, come on, tell me - the title of your dish? | 0:06:02 | 0:06:04 | |
From War To Peace. It's all about the beaches. | 0:06:04 | 0:06:06 | |
If you go back 70 years, to what the beaches were like then, | 0:06:06 | 0:06:09 | |
the monstrosity there, compared to - forward 70 years - | 0:06:09 | 0:06:13 | |
people enjoying them as beaches should be enjoyed. | 0:06:13 | 0:06:16 | |
So the fact we can get wonderful produce like langoustines | 0:06:16 | 0:06:19 | |
and we've got beautiful lobster. | 0:06:19 | 0:06:21 | |
Fantastic produce that perhaps we couldn't afford all those years ago. | 0:06:21 | 0:06:25 | |
So, with this dish, it's all about enjoying a barbecue on the beach. | 0:06:25 | 0:06:30 | |
We're going to barbecue the langoustines - or should I say, | 0:06:30 | 0:06:33 | |
YOU'RE going to barbecue the langoustines, as the diner. | 0:06:33 | 0:06:37 | |
Just talk me through that. How is that going to...? | 0:06:37 | 0:06:40 | |
Basically, in the plate, we'll have coal | 0:06:40 | 0:06:42 | |
so you can actually sit and barbecue your langoustine - | 0:06:42 | 0:06:45 | |
cook it how you like. | 0:06:45 | 0:06:47 | |
Next to that were going to have a savarin mould of shellfish, | 0:06:47 | 0:06:50 | |
which will be in linguini. | 0:06:50 | 0:06:52 | |
So we'll make a pasta with my squid ink, | 0:06:52 | 0:06:54 | |
and we'll have little textures - | 0:06:54 | 0:06:56 | |
little crackers and... to give the texture of the beach and the sand. | 0:06:56 | 0:07:00 | |
-So, good day yesterday? -Thank you, yes. | 0:07:01 | 0:07:03 | |
Although I appreciated it, and I'm glad to be ahead, | 0:07:03 | 0:07:06 | |
I know that it can turn like this in this competition. | 0:07:06 | 0:07:09 | |
You're absolutely right. | 0:07:09 | 0:07:10 | |
-I've seen the other baskets and they have some great stuff coming. -Yeah. | 0:07:10 | 0:07:14 | |
By Colin McGurran. | 0:07:18 | 0:07:19 | |
The barbecue element, I like. | 0:07:19 | 0:07:21 | |
It needs to be intelligently thought through, | 0:07:21 | 0:07:24 | |
otherwise it'll be clumsy, and certainly at banquet level, | 0:07:24 | 0:07:27 | |
just not viable. | 0:07:27 | 0:07:29 | |
There's an awful lot of labour going in to create a squid ink tyre. | 0:07:29 | 0:07:33 | |
Not quite sure what its relevance is. | 0:07:34 | 0:07:36 | |
Having yesterday failed to execute the technical aspects of her starter, | 0:07:41 | 0:07:45 | |
today Frances is pulling out all the stops | 0:07:45 | 0:07:48 | |
with her multi-element Dover sole dish. | 0:07:48 | 0:07:50 | |
I think, after the downs of yesterday, | 0:07:50 | 0:07:53 | |
Frances is a lot more focused today. | 0:07:53 | 0:07:55 | |
Are you confident today? | 0:07:55 | 0:07:58 | |
I'm in a happier place, yes. Let's say that. | 0:07:59 | 0:08:02 | |
-What about you? -Yeah, fantastic. Good. | 0:08:02 | 0:08:05 | |
Seeing your calmness has calmed me, as well. | 0:08:05 | 0:08:07 | |
Frances is attempting to elevate her dish to banquet standards, | 0:08:07 | 0:08:09 | |
with the inclusion of sea dumplings | 0:08:09 | 0:08:11 | |
and using an unexpected thickening agent - Japanese kuzu root. | 0:08:11 | 0:08:16 | |
-Frances, you're using kuzu in your dumplings? -Yep. | 0:08:16 | 0:08:20 | |
Another technical ingredient? | 0:08:20 | 0:08:22 | |
Stepping out of your comfort zone again? | 0:08:22 | 0:08:24 | |
Yes. Perhaps I shouldn't have done that. | 0:08:24 | 0:08:26 | |
HE LAUGHS | 0:08:26 | 0:08:28 | |
Got to give it a go, haven't you? | 0:08:28 | 0:08:30 | |
-Exactly. It's a competition. -Yes. -You got to take risks. | 0:08:30 | 0:08:32 | |
-Is that right, Colin? -It is. Yeah. | 0:08:32 | 0:08:34 | |
-This is the place to do it. -You're not, though, Colin. | 0:08:34 | 0:08:37 | |
You look really, erm... | 0:08:37 | 0:08:40 | |
-..sorted. -This is definitely not, erm... | 0:08:40 | 0:08:43 | |
relaxing and cool. | 0:08:43 | 0:08:45 | |
Returning champion Colin is cooking another highly technical dish, | 0:08:48 | 0:08:51 | |
lining savarin moulds with squid ink linguine, | 0:08:51 | 0:08:55 | |
ready for a seafood mousse - a fiddly process. | 0:08:55 | 0:08:59 | |
I'm looking forward to seeing this at the banquet. | 0:08:59 | 0:09:02 | |
You need a bit of patience and a bit of skill to do it, erm... | 0:09:03 | 0:09:08 | |
but it's all worth it in the end, I think... Oh. | 0:09:08 | 0:09:10 | |
Well, the reality is sometimes you have to put in a huge effort | 0:09:12 | 0:09:15 | |
-to achieve a very subtle effect. -Absolutely. | 0:09:15 | 0:09:18 | |
And it's tricky... Turn them out the wrong way and they all unravel | 0:09:18 | 0:09:21 | |
and you end up with spaghetti on the plate. | 0:09:21 | 0:09:23 | |
Yeah, yeah. I'll come back at that point, then! | 0:09:23 | 0:09:26 | |
That's very kind, thank you. A bit of pressure. | 0:09:26 | 0:09:28 | |
Aiming to hit the wartime brief using great British ingredients | 0:09:30 | 0:09:34 | |
is newcomer Paul and his dish, Preservation Of British Waters. | 0:09:34 | 0:09:37 | |
He's preparing crab two ways - | 0:09:37 | 0:09:39 | |
mixing the white meat with yoghurt, herbs and lemon, | 0:09:39 | 0:09:42 | |
and cooking the claws in a water bath with brown meat and butter - | 0:09:42 | 0:09:45 | |
processes veteran Phil is keen to question. | 0:09:45 | 0:09:48 | |
One thing I'm not quite sure about on your dish is temperature... | 0:09:48 | 0:09:51 | |
-How's it all coming together? -It'll all be room temperature. | 0:09:51 | 0:09:54 | |
The only item that will be slightly warm, or tepid, | 0:09:54 | 0:09:57 | |
will be crab claw in the butter. | 0:09:57 | 0:09:59 | |
It's not going to be hot. | 0:09:59 | 0:10:00 | |
-So you won't get a contrast of hot and cold. -OK. | 0:10:00 | 0:10:03 | |
But it all comes on one plate, does it? So to speak? | 0:10:03 | 0:10:05 | |
That's right. And I'll garnish it | 0:10:05 | 0:10:08 | |
-on those little decorative sandbags. -OK. | 0:10:08 | 0:10:10 | |
Brings that sort of feel of the beaches. | 0:10:10 | 0:10:12 | |
I know what Paul's doing. | 0:10:15 | 0:10:18 | |
It'll be lovely, but will the veterans get a little confused | 0:10:19 | 0:10:22 | |
as to whether it's a hot or cold dish? | 0:10:22 | 0:10:25 | |
Hoping his choice of salmon will win him the points, | 0:10:26 | 0:10:29 | |
Paul is using a traditional salt cure for his fish, | 0:10:29 | 0:10:32 | |
and to give it his own twist, | 0:10:32 | 0:10:34 | |
he's also adding lemon and orange zest for extra flavour. | 0:10:34 | 0:10:38 | |
Obviously, during the wars | 0:10:38 | 0:10:40 | |
they had to use techniques to preserve fish | 0:10:40 | 0:10:43 | |
because it was a luxury item. | 0:10:43 | 0:10:46 | |
I think that's why I have taken that idea of the luxury item | 0:10:46 | 0:10:49 | |
-to say it would be fit for a banquet. -Yes! | 0:10:49 | 0:10:52 | |
Honouring the soldiers. | 0:10:52 | 0:10:54 | |
Paul visited Billingsgate fish market in London to find out about | 0:10:57 | 0:11:00 | |
the fish trade during the war, | 0:11:00 | 0:11:02 | |
a subject with a direct link to the man who inspired his menu. | 0:11:02 | 0:11:05 | |
Yes, my grandfather, after the war, after the prisoner of war camp, | 0:11:05 | 0:11:08 | |
after everything he went through, | 0:11:08 | 0:11:10 | |
he actually supplied fish to many businesses in Scarborough and the area. | 0:11:10 | 0:11:15 | |
This is the real inspiration for me. | 0:11:17 | 0:11:19 | |
He met Roger Barton, a trader at the market for over 50 years. | 0:11:19 | 0:11:23 | |
So, what happened with the actual supply of fish during the war? | 0:11:23 | 0:11:26 | |
Well, there was still a supply of fish. | 0:11:26 | 0:11:28 | |
It was limited because they just didn't have the boats, | 0:11:28 | 0:11:32 | |
you didn't have the men. | 0:11:32 | 0:11:33 | |
You had to be so careful where you went. | 0:11:33 | 0:11:35 | |
I'm using salmon in my dish as one component. | 0:11:35 | 0:11:38 | |
-You can't beat wild salmon. -Fantastic. | 0:11:38 | 0:11:40 | |
-That's the finest in the world. -Fantastic. | 0:11:40 | 0:11:43 | |
To learn about the availability of his chosen fish | 0:11:44 | 0:11:46 | |
in World War II, Paul visited Lance Forman | 0:11:46 | 0:11:49 | |
at H Forman & Sons smokehouse, a family run business | 0:11:49 | 0:11:52 | |
which has been in continual operation since 1905. | 0:11:52 | 0:11:56 | |
Salmon has always been a scarce commodity. | 0:11:56 | 0:11:58 | |
Right the way through the '40s, '50s, '60s, '70s | 0:11:58 | 0:12:01 | |
cured salmon - smoked salmon - was that number one item | 0:12:01 | 0:12:04 | |
that you would see on any important banquet or feast. | 0:12:04 | 0:12:08 | |
But during the war, | 0:12:08 | 0:12:09 | |
what was a luxury became a super-luxury in many respects. | 0:12:09 | 0:12:12 | |
Obviously, knowing it was a luxury item then, | 0:12:12 | 0:12:14 | |
would be great for a banquet to celebrate the end of the war. | 0:12:14 | 0:12:17 | |
Absolutely. | 0:12:17 | 0:12:19 | |
With a better understanding of the history behind his dish, | 0:12:20 | 0:12:23 | |
Paul wanted Lance to taste-test his salmon. | 0:12:23 | 0:12:26 | |
Mm! It's really... I mean, you're getting the freshness of the salmon, | 0:12:30 | 0:12:33 | |
which is what you should be tasting. | 0:12:33 | 0:12:35 | |
Great. It's a perfect balance of flavours. | 0:12:37 | 0:12:39 | |
I don't see how you can better it, actually. | 0:12:39 | 0:12:41 | |
So much great feedback, | 0:12:41 | 0:12:43 | |
and I'm more confident than ever my dish is a winner. | 0:12:43 | 0:12:47 | |
With his fish element under control, | 0:12:55 | 0:12:57 | |
Paul's playing with the visual side of his dish. | 0:12:57 | 0:13:01 | |
Wow, dry ice. | 0:13:01 | 0:13:03 | |
Yeah, I'm just experimenting. | 0:13:03 | 0:13:05 | |
I wanted to get the effect of a sea fret | 0:13:05 | 0:13:07 | |
coming out of the sandbags. | 0:13:07 | 0:13:09 | |
To be honest, it's a last-minute addition. | 0:13:09 | 0:13:11 | |
I don't really want it to come out like Count Dracula's laboratory, | 0:13:11 | 0:13:15 | |
I just wanted little vapours. | 0:13:15 | 0:13:17 | |
Just put a little bit of water in there... | 0:13:17 | 0:13:20 | |
should get it started. | 0:13:20 | 0:13:22 | |
But Paul's attempt to bring theatre to his dish | 0:13:22 | 0:13:24 | |
isn't quite working out. | 0:13:24 | 0:13:26 | |
Paul, the dry ice, if you need any advice, | 0:13:26 | 0:13:28 | |
I've done it twice in the competition. | 0:13:28 | 0:13:30 | |
Normally stood me in good stead, actually, so... | 0:13:30 | 0:13:32 | |
Keeps reminding us that he's been to the banquet. | 0:13:32 | 0:13:35 | |
No added pressure, there, yeah? | 0:13:35 | 0:13:37 | |
At this level, he probably should have practised, | 0:13:38 | 0:13:41 | |
to make sure it was going to come out. | 0:13:41 | 0:13:43 | |
If he hasn't practised it, at this stage, it's kind of wasted, really. | 0:13:43 | 0:13:47 | |
Working with a different smoky effect is Frances, | 0:13:49 | 0:13:52 | |
who's smoking chervil root over oak chips. | 0:13:52 | 0:13:55 | |
Like all her menu, it's thoughtfully linked to her father. | 0:13:55 | 0:13:59 | |
-And why the oak smoke? -Because oak runs throughout all my dishes. | 0:13:59 | 0:14:05 | |
-My father was mentioned in military dispatches for bravery. -Oh, OK. | 0:14:05 | 0:14:10 | |
And for that, you get the tiniest little oak leaf, a bronze oak leaf. | 0:14:10 | 0:14:14 | |
OK. | 0:14:14 | 0:14:16 | |
Fascinating. Thank you. | 0:14:16 | 0:14:18 | |
It's nice. I'm still not convinced it has a place on that dish. | 0:14:20 | 0:14:24 | |
I'd love to have that with some loin of venison. | 0:14:24 | 0:14:27 | |
That's where that should be. | 0:14:27 | 0:14:29 | |
Not in a little trip to the seaside. | 0:14:29 | 0:14:31 | |
Also using a smoking technique is Colin. | 0:14:31 | 0:14:34 | |
He's incorporating a miniature do-it-yourself barbecue | 0:14:34 | 0:14:37 | |
on his technical shellfish dish, | 0:14:37 | 0:14:38 | |
and threading langoustines onto skewers | 0:14:38 | 0:14:40 | |
which will be served on the dish uncooked. | 0:14:40 | 0:14:42 | |
If it went to the banquet, I could see this being a grand part of it - | 0:14:42 | 0:14:46 | |
everyone sitting there, cooking their langoustines. | 0:14:46 | 0:14:48 | |
I understand they're going to cook their own langoustine. | 0:14:48 | 0:14:51 | |
Do you think they'll know how to do that? | 0:14:51 | 0:14:54 | |
I think everyone loves a barbecue, you know? | 0:14:54 | 0:14:56 | |
In my opinion, anyway. | 0:14:56 | 0:14:58 | |
Even if they don't know how, I'm sure they'll have a go. | 0:14:58 | 0:15:01 | |
It's a bit of fun. | 0:15:01 | 0:15:03 | |
It's a risk, obviously, in a banquet. | 0:15:03 | 0:15:05 | |
If they're going to cook them right. | 0:15:05 | 0:15:07 | |
Cook them over, cook them under, burn themselves... | 0:15:07 | 0:15:09 | |
But it'll be great theatre if he pulls it off. | 0:15:09 | 0:15:12 | |
First to plate up his Preservation Of British Waters | 0:15:12 | 0:15:15 | |
is ambitious newcomer Paul, who's hoping his combination | 0:15:15 | 0:15:18 | |
of great British ingredients and props will impress. | 0:15:18 | 0:15:22 | |
I hope you're not playing it too safe, Paul. | 0:15:22 | 0:15:25 | |
I'm playing it safe in the service of it, | 0:15:25 | 0:15:27 | |
but certainly not in the preparation of it. | 0:15:27 | 0:15:29 | |
He portions his cured salmon and places on the plate, | 0:15:29 | 0:15:32 | |
along with salted and pickled cucumber and pickled clams. | 0:15:32 | 0:15:35 | |
Next, the white crab and yoghurt mix, | 0:15:37 | 0:15:40 | |
finishing with a sprinkle of sea herbs | 0:15:40 | 0:15:43 | |
and dots of watercress and oyster puree. | 0:15:43 | 0:15:46 | |
Is the sea fret happening? Is it whizzing up? | 0:15:46 | 0:15:49 | |
Erm... I'll try it on the pass and see. | 0:15:49 | 0:15:51 | |
He serves the plates on mini sandbags. | 0:15:51 | 0:15:55 | |
I'm going to try this... see if it works. | 0:15:58 | 0:16:01 | |
Hmm... OK. OK. | 0:16:10 | 0:16:12 | |
Will victory be yours, with this dish? | 0:16:12 | 0:16:14 | |
-I hope so. -Come on, then. | 0:16:14 | 0:16:16 | |
There's only one way to find out. Let's go taste. | 0:16:16 | 0:16:18 | |
I don't think the dry ice has worked as much as he wanted it to. | 0:16:21 | 0:16:24 | |
It's not quite how I had it in my mind. | 0:16:24 | 0:16:29 | |
The salmon's just lovely. | 0:16:29 | 0:16:30 | |
It's got a nice outside-shell flavour to it. | 0:16:30 | 0:16:33 | |
The clams bring a bit of liveliness to the salmon. | 0:16:33 | 0:16:37 | |
Does the flavour of the oyster | 0:16:37 | 0:16:38 | |
come through enough in the watercress puree? | 0:16:38 | 0:16:41 | |
Could be maybe a touch more on the plate. | 0:16:41 | 0:16:43 | |
Do you think of everything being at the same temperature - | 0:16:43 | 0:16:47 | |
if it was to go to the banquet - it'd be welcomed? | 0:16:47 | 0:16:50 | |
I think anything that tastes well, is welcomed. | 0:16:50 | 0:16:53 | |
I tell you what, I've missed off the brown crab. | 0:16:53 | 0:16:57 | |
Obviously, with the pressure in the kitchen...timings... | 0:16:57 | 0:16:59 | |
..sometimes things slip your mind. | 0:16:59 | 0:17:01 | |
-You'd have thought he'd remember to put the brown crab meat on. -Yes. | 0:17:01 | 0:17:05 | |
But, having said that, it's a nice dish, | 0:17:05 | 0:17:07 | |
and it doesn't seem to have stopped you from eating it all, does it? | 0:17:07 | 0:17:11 | |
-Can you see veterans eating this at the banquet? -Definitely. | 0:17:11 | 0:17:13 | |
OK, so give it a score. | 0:17:13 | 0:17:16 | |
If it had the brown crab claw on there, | 0:17:16 | 0:17:18 | |
I'd probably say... an eight. | 0:17:18 | 0:17:20 | |
I think, for food, I would score it may be, give it seven or eight. | 0:17:22 | 0:17:26 | |
For me, there's no real brief there. | 0:17:26 | 0:17:29 | |
-I'd drop him a point and give him a six. -I'd agree with that. | 0:17:29 | 0:17:33 | |
-How did you get on, Paul? -Yeah... | 0:17:36 | 0:17:38 | |
Couldn't believe it. | 0:17:38 | 0:17:41 | |
Forgot me brown crab butter claw. | 0:17:41 | 0:17:44 | |
Actually, I thought, it maybe didn't need it, you know? | 0:17:45 | 0:17:48 | |
I didn't either. It was lovely. | 0:17:48 | 0:17:50 | |
Very diplomatic of you. I'm so frustrated at myself! | 0:17:50 | 0:17:53 | |
Next to plate up is returning contender Colin. | 0:17:55 | 0:17:58 | |
His dish From War To Peace | 0:17:58 | 0:17:59 | |
symbolises how the Normandy coastline changed | 0:17:59 | 0:18:02 | |
from the scene of conflict to a place of enjoyment, | 0:18:02 | 0:18:04 | |
with a DIY beach barbecue. | 0:18:04 | 0:18:07 | |
First on the dish is prawn and langoustine powder. | 0:18:09 | 0:18:13 | |
He breaks up crackers made from starch paper, dried seaweed | 0:18:15 | 0:18:19 | |
and shrimp, | 0:18:19 | 0:18:20 | |
and dresses the dish with nasturtium flowers and sorrel. | 0:18:20 | 0:18:24 | |
Did you have these designed specially? | 0:18:24 | 0:18:26 | |
Yeah, this is clay from the Humber Bridge. | 0:18:26 | 0:18:29 | |
Under the Humber Bridge there's a tile place, next to me. | 0:18:29 | 0:18:31 | |
Funnily enough, they look like a U-boat. | 0:18:31 | 0:18:33 | |
Not meant to be, but I'll take anything. | 0:18:33 | 0:18:36 | |
Colin then carefully places hot coals. | 0:18:36 | 0:18:39 | |
G'day, mate. Chuck another shrimp on the barbie. | 0:18:40 | 0:18:43 | |
FRANCES LAUGHS | 0:18:43 | 0:18:45 | |
He covers the coals with safety wire, | 0:18:45 | 0:18:48 | |
drizzles langoustine oil onto the skewers, | 0:18:48 | 0:18:50 | |
and adds the dish ready for cooking. | 0:18:50 | 0:18:53 | |
Finally, he removes his delicate shellfish mousse | 0:18:53 | 0:18:56 | |
from the savarin moulds, and adds... | 0:18:56 | 0:18:58 | |
Drum roll... | 0:18:58 | 0:19:00 | |
Ah, cool. Fantastic. | 0:19:01 | 0:19:03 | |
There we go. | 0:19:06 | 0:19:08 | |
How are we supposed to eat it? | 0:19:08 | 0:19:09 | |
You put it on there, cook it how you like, enjoy the aromas. | 0:19:09 | 0:19:13 | |
Let's go. Let's go and taste this thing. | 0:19:13 | 0:19:15 | |
I'll turn this over for you... | 0:19:20 | 0:19:22 | |
I don't want you shouting if it's overdone, chef. | 0:19:22 | 0:19:25 | |
Do you think you'd have to give any kind of instruction at all, with it? | 0:19:25 | 0:19:29 | |
I would hope that's quite self-explanatory. | 0:19:29 | 0:19:32 | |
FRANCES: It won't be chefs at the banquet cooking langoustine. | 0:19:32 | 0:19:35 | |
And they won't know how long to cook it for. | 0:19:35 | 0:19:37 | |
-And achievable for a banquet? -Yeah. | 0:19:37 | 0:19:40 | |
FRANCES: It's a fine line between what is beautiful | 0:19:41 | 0:19:43 | |
and what is sensible for a large party. | 0:19:43 | 0:19:46 | |
-How you wanted it? -Yeah. I think beautifully cooked. | 0:19:46 | 0:19:50 | |
FRANCES: Oh, look! It's so lovely. And he studied so accurately. | 0:19:50 | 0:19:55 | |
-The flavour of the mousse is fantastic. It's lovely. -Yeah. | 0:19:55 | 0:19:57 | |
And those small shrimps are amazing. | 0:19:57 | 0:20:00 | |
Barbecued langoustine? | 0:20:00 | 0:20:02 | |
Yeah. I think it's delicious. | 0:20:04 | 0:20:06 | |
So, do you think it hits the brief from the idea behind it? | 0:20:07 | 0:20:10 | |
No, I wouldn't understand it, if I hadn't been told. | 0:20:10 | 0:20:13 | |
Veterans... Do you think they'll...get it? | 0:20:13 | 0:20:16 | |
I think I love it. You know... | 0:20:16 | 0:20:18 | |
LOUD BANG | 0:20:18 | 0:20:19 | |
-Oh, hello. -Oh, that's nice...(!) | 0:20:19 | 0:20:22 | |
LOUD CLICK Oh! | 0:20:22 | 0:20:24 | |
-Well, obviously, it's just the heat. -Yeah. OK. | 0:20:24 | 0:20:27 | |
Banquet? PHIL LAUGHS | 0:20:27 | 0:20:31 | |
Arrhhh...! | 0:20:31 | 0:20:33 | |
-Oh, dear. -Bit of drama. | 0:20:34 | 0:20:36 | |
Final score? | 0:20:36 | 0:20:38 | |
Me? I really believe in this dish. | 0:20:38 | 0:20:40 | |
I would love to, you know, achieve a nine on this dish. | 0:20:40 | 0:20:42 | |
OK. | 0:20:42 | 0:20:44 | |
-What would you give it? Seven. -Yeah. Seven. | 0:20:46 | 0:20:49 | |
I hope that Phil can see through that, and judge me as a cook. | 0:20:51 | 0:20:54 | |
Very disappointed. | 0:20:54 | 0:20:56 | |
Here he is. | 0:21:00 | 0:21:01 | |
Your dish was a cracker! | 0:21:01 | 0:21:03 | |
Hehehe! | 0:21:03 | 0:21:04 | |
Last to serve is Michelin-starred Frances, | 0:21:07 | 0:21:09 | |
who's telling the story of her father's journey into Normandy. | 0:21:09 | 0:21:12 | |
Having failed with the execution of her starter, | 0:21:12 | 0:21:15 | |
it's imperative she gets her fish course right. | 0:21:15 | 0:21:18 | |
So, Frances, are you happier coming up last today, rather than...first? | 0:21:18 | 0:21:23 | |
It prolongs the agony! | 0:21:23 | 0:21:24 | |
Frances starts her plate with a brush of squid ink sauce, | 0:21:26 | 0:21:30 | |
the Dover sole, | 0:21:30 | 0:21:31 | |
and sea dumplings made with scallops, herbs | 0:21:31 | 0:21:34 | |
and the Japanese kuzu. | 0:21:34 | 0:21:36 | |
Next it's chopped squid, scallop, | 0:21:37 | 0:21:41 | |
and smoked chervil root. | 0:21:41 | 0:21:43 | |
She dresses the dish with buckthorn berries and samphire. | 0:21:44 | 0:21:47 | |
And finishes with clam sauce, razor clams | 0:21:49 | 0:21:53 | |
and shrimp powder. | 0:21:53 | 0:21:54 | |
"Darling, my orders were to take men across the waters to Normandy. | 0:21:59 | 0:22:03 | |
"It was June, and the sea rough, | 0:22:03 | 0:22:06 | |
"I thought of you as I stared at the cold sea, | 0:22:06 | 0:22:08 | |
"of the lovely fish that we shared together. | 0:22:08 | 0:22:11 | |
"You are with me constantly. Tom." | 0:22:11 | 0:22:13 | |
This is my father, again. | 0:22:13 | 0:22:15 | |
And he's going to arrive on the beaches at Normandy. | 0:22:15 | 0:22:18 | |
I have written these letters, but it was true. Obviously, I have... | 0:22:18 | 0:22:22 | |
-It's a bit of... -You've accessorised it for the banquet. | 0:22:22 | 0:22:25 | |
-That's fair enough. -Yes. Yes. | 0:22:25 | 0:22:27 | |
-I think we must go and taste this one. -Thank you. | 0:22:27 | 0:22:30 | |
Do you think they will understand its relevance to the brief? | 0:22:33 | 0:22:36 | |
Yes. I do. | 0:22:36 | 0:22:37 | |
I quite like the stories. Nice little touch, really. | 0:22:37 | 0:22:40 | |
Dover sole is a lovely fish. | 0:22:40 | 0:22:42 | |
Yes. Maybe I've cooked it slightly too much. | 0:22:42 | 0:22:45 | |
-She's managed to keep the razor clam tender. -And the sole? | 0:22:45 | 0:22:49 | |
Probably slightly overdone, for me. | 0:22:49 | 0:22:51 | |
So, the sea dumplings... | 0:22:51 | 0:22:52 | |
-You were a little apprehensive about them. -They're fine. | 0:22:52 | 0:22:55 | |
She's used that kuzu. | 0:22:55 | 0:22:57 | |
-It's tasty. -Very nice. -Mm. | 0:22:57 | 0:22:59 | |
Odd ingredient out, for me, was the chervil root. | 0:22:59 | 0:23:02 | |
That's still got a place on the plate for you? | 0:23:02 | 0:23:04 | |
It acts as an antidote, if you like, | 0:23:04 | 0:23:07 | |
to the saltiness, the sea flavours. | 0:23:07 | 0:23:10 | |
-Delicious. -Lovely. -I could eat it all day long. | 0:23:10 | 0:23:12 | |
The buckthorn berries, are they playing the role you intended? | 0:23:12 | 0:23:15 | |
Very much so. I love the flavour. | 0:23:15 | 0:23:19 | |
Whoa...! | 0:23:21 | 0:23:22 | |
-These sea buckthorn berries are very sharp! -Wow! | 0:23:22 | 0:23:25 | |
Are you confident it's a dish to help you catch up with the other two chefs? | 0:23:25 | 0:23:29 | |
I feel I'm back on track. | 0:23:29 | 0:23:31 | |
Cooking flavours - seven. | 0:23:31 | 0:23:33 | |
For the brief - six. | 0:23:33 | 0:23:35 | |
If you were in my shoes, what would you give your dish? | 0:23:35 | 0:23:37 | |
Hmm... Eight. | 0:23:39 | 0:23:41 | |
-Hello. -Hello, there. -How was that? | 0:23:48 | 0:23:50 | |
-OK. -Better? | 0:23:50 | 0:23:52 | |
Fine, yes. Yes, I feel in my heart that I cooked better. | 0:23:52 | 0:23:56 | |
I think we all cooked very good today. | 0:23:57 | 0:23:59 | |
It depends on the scores. | 0:23:59 | 0:24:00 | |
You might be a clear leader by the end of it all. | 0:24:00 | 0:24:03 | |
Well, I hope so. | 0:24:03 | 0:24:05 | |
Paul, start with you. | 0:24:24 | 0:24:27 | |
With your Preserving Our British Waters | 0:24:27 | 0:24:30 | |
with salmon, crab and clams. | 0:24:30 | 0:24:33 | |
Lots of positives. | 0:24:33 | 0:24:36 | |
The slow-cooked salmon... | 0:24:36 | 0:24:38 | |
It had that lovely translucent look of a cured piece of salmon. | 0:24:38 | 0:24:41 | |
Full of flavour. | 0:24:41 | 0:24:43 | |
The white crab meat from the body. | 0:24:43 | 0:24:45 | |
Those components came together well. | 0:24:45 | 0:24:46 | |
But - and we know there's a big "but" - | 0:24:48 | 0:24:50 | |
we were missing an exciting component of the dish. | 0:24:50 | 0:24:54 | |
The crab claw is a special and luxurious thing, | 0:24:54 | 0:24:57 | |
it was one of those dishes and perhaps, | 0:24:57 | 0:24:59 | |
because it didn't have all its components, | 0:24:59 | 0:25:02 | |
where the whole was slightly less than sum of the parts. | 0:25:02 | 0:25:06 | |
And again this was perhaps a little bit restaurant-y. | 0:25:06 | 0:25:09 | |
It has to have an element of extravagance or flair. | 0:25:09 | 0:25:12 | |
A very accomplished plate of food, | 0:25:12 | 0:25:14 | |
but to get to the banquet, it's got to be more than that. | 0:25:14 | 0:25:17 | |
Colin, next, for your War To Peace | 0:25:18 | 0:25:20 | |
of langoustine and shellfish mousse. | 0:25:20 | 0:25:23 | |
Again, another witty and strong take on the brief. | 0:25:25 | 0:25:30 | |
A stunning plate of food, in general. | 0:25:31 | 0:25:33 | |
It's not often that you put something in your mouth | 0:25:33 | 0:25:36 | |
that is really absolutely perfect, | 0:25:36 | 0:25:37 | |
and I thought that langoustine was just... | 0:25:37 | 0:25:40 | |
It was a cracking thing to eat! | 0:25:40 | 0:25:42 | |
On the downside, I think, you have to focus at the savarin... | 0:25:44 | 0:25:49 | |
For all the work and the labour that goes in there, | 0:25:49 | 0:25:52 | |
it just underwhelmed. | 0:25:52 | 0:25:54 | |
But most importantly, I think, is the logistics of it. | 0:25:55 | 0:25:58 | |
The plate cannot crack, | 0:25:58 | 0:26:00 | |
the coals have to stay hot enough, | 0:26:00 | 0:26:02 | |
We can't burn St Paul's down - | 0:26:02 | 0:26:04 | |
there's some very real issues with that dish to be addressed | 0:26:04 | 0:26:07 | |
to make it a genuine contender. | 0:26:07 | 0:26:09 | |
Frances, for your On The Boat with Dover sole, squid and scallops. | 0:26:11 | 0:26:16 | |
There is an undeniable deliciousness | 0:26:16 | 0:26:18 | |
about a piece of well-cooked fish | 0:26:18 | 0:26:21 | |
and a sauce made from the juices of shellfish with cream. | 0:26:21 | 0:26:23 | |
And it worked a treat. | 0:26:23 | 0:26:26 | |
I was unconvinced about the chervil root, | 0:26:26 | 0:26:28 | |
and I couldn't quite see how it was going to fit in, | 0:26:28 | 0:26:30 | |
but the truth was, the whole thing came together. | 0:26:30 | 0:26:33 | |
The downsides perhaps are, | 0:26:33 | 0:26:34 | |
I just find the buckthorn berries too much for me. Too aggressive. | 0:26:34 | 0:26:38 | |
I thought the squid got a little bit lost in there, | 0:26:38 | 0:26:41 | |
a little bit inconsequential. | 0:26:41 | 0:26:42 | |
If you're going to get a dish to the banquet, | 0:26:42 | 0:26:45 | |
it has to somehow out-dazzle and outshine | 0:26:45 | 0:26:47 | |
everybody else's dishes, and what it was was just a wonderful plate food | 0:26:47 | 0:26:51 | |
that was really fit for a restaurant. | 0:26:51 | 0:26:53 | |
So, to the scores. | 0:26:55 | 0:26:56 | |
Paul, for Preserving Our British Waters, I'm giving you... | 0:26:58 | 0:27:02 | |
..a six. | 0:27:05 | 0:27:07 | |
Colin, for your From War To Peace, | 0:27:08 | 0:27:11 | |
I am going to give you a score... | 0:27:14 | 0:27:17 | |
..of eight. | 0:27:20 | 0:27:21 | |
Frances, for your On The Boat, | 0:27:23 | 0:27:27 | |
I am going to give you a score... | 0:27:27 | 0:27:29 | |
..of seven. | 0:27:31 | 0:27:32 | |
OK, so next, the main course. | 0:27:34 | 0:27:36 | |
It's game on. | 0:27:36 | 0:27:37 | |
See you tomorrow. | 0:27:37 | 0:27:39 | |
Thank you. | 0:27:39 | 0:27:40 | |
-You can't question it. -You can't knock, can you? | 0:27:42 | 0:27:45 | |
I knew the crab claw would come back to bite me. | 0:27:45 | 0:27:48 | |
Quite literally! | 0:27:48 | 0:27:50 | |
Two courses down, and Colin stretches his lead, | 0:27:50 | 0:27:52 | |
with Paul three points behind | 0:27:52 | 0:27:54 | |
and Frances four points from the top spot. | 0:27:54 | 0:27:56 | |
I'm three points ahead. | 0:27:56 | 0:27:58 | |
I feel confident and I feel comfortable. | 0:27:58 | 0:28:00 | |
Disappointed with the score. | 0:28:00 | 0:28:02 | |
Hopefully, I can claw that back tomorrow. | 0:28:02 | 0:28:05 | |
I think that was fair, | 0:28:05 | 0:28:07 | |
but I want my scores to climb. | 0:28:07 | 0:28:10 | |
Tomorrow it's the main course, | 0:28:10 | 0:28:12 | |
and Colin is banking on his family connection to maintain his lead. | 0:28:12 | 0:28:15 | |
I'm feeling the pressure now - | 0:28:15 | 0:28:17 | |
this has got to be the best pie that Phil's ever eaten. | 0:28:17 | 0:28:19 | |
But with Paul and Frances out to catch him... | 0:28:19 | 0:28:22 | |
I'm determined to do the memory of my father proud. | 0:28:22 | 0:28:25 | |
Who will emerge victorious? | 0:28:25 | 0:28:27 | |
I'm going to give you a score of 10. | 0:28:27 | 0:28:29 |