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This week on Great British Menu, three of Scotland's finest chefs. | 0:00:03 | 0:00:08 | |
Two Michelin-starred Stevie McLaughlin... | 0:00:08 | 0:00:10 | |
You've got a little trick up your sleeve, have you, Stevie? | 0:00:10 | 0:00:13 | |
-Little trick. -..experienced Jacqueline O'Donnell... | 0:00:13 | 0:00:16 | |
My dish is the spirit of British people. | 0:00:16 | 0:00:18 | |
-..and unconventional Neil Rankin... -Nailing the brief! | 0:00:18 | 0:00:22 | |
That's got me a little bit worried. | 0:00:22 | 0:00:24 | |
..are battling it out to get their dishes to a banquet commemorating | 0:00:24 | 0:00:27 | |
the 70th anniversary of D-Day at St Paul's, | 0:00:27 | 0:00:30 | |
an iconic bastion of British wartime resilience. | 0:00:30 | 0:00:33 | |
Yesterday's main course saw Jacqueline lose her lead... | 0:00:36 | 0:00:39 | |
That was tough. I really struggled at the end. | 0:00:39 | 0:00:41 | |
-..and it was Stevie who triumphed. -You're my first ever ten. | 0:00:42 | 0:00:46 | |
BLEEP | 0:00:46 | 0:00:47 | |
Took the words right out of my mouth. | 0:00:47 | 0:00:49 | |
Today, it's the dessert course... | 0:00:50 | 0:00:52 | |
BLEEP | 0:00:53 | 0:00:54 | |
..and it's a battle to get to the judges' chamber... | 0:00:54 | 0:00:56 | |
-Little bit stressed. -I swear there's going to be a fight in this kitchen. | 0:00:56 | 0:01:00 | |
..as only two chefs will cook again tomorrow. | 0:01:00 | 0:01:04 | |
I don't want you to come anywhere near me. Thank you so much. | 0:01:04 | 0:01:07 | |
She's nice, huh? | 0:01:07 | 0:01:08 | |
This year, the chefs are paying tribute to those who | 0:01:23 | 0:01:26 | |
fought on D-Day 70 years ago. | 0:01:26 | 0:01:28 | |
They've been tasked with creating dishes which evoke | 0:01:30 | 0:01:32 | |
the unbreakable spirit that helped win World War II... | 0:01:32 | 0:01:36 | |
Makes me proud to serve that and proud to be British. | 0:01:36 | 0:01:39 | |
..and have been inspired by wartime memories to create their menus. | 0:01:39 | 0:01:43 | |
We went into the Blitz. There were all these terrible... | 0:01:43 | 0:01:46 | |
You've never seen it before. | 0:01:46 | 0:01:48 | |
Judging the chefs this week is a formidable | 0:01:52 | 0:01:55 | |
veteran of the competition - Jeremy Lee. | 0:01:55 | 0:01:58 | |
This will be the course that will decide who goes through to the | 0:01:58 | 0:02:01 | |
judges on Friday | 0:02:01 | 0:02:02 | |
and who does not, which means one of our brethren has to leave us. | 0:02:02 | 0:02:08 | |
I might be two points ahead but I'm going to still keep pushing forward. | 0:02:08 | 0:02:11 | |
I actually feel my dessert's stronger than my main course. | 0:02:11 | 0:02:13 | |
-You didn't say that yesterday. -Well, I'm pretty confident. | 0:02:13 | 0:02:17 | |
I'm, you know, trained in pastry. This might be my course. | 0:02:17 | 0:02:19 | |
I want to be in the judges' chamber, too, | 0:02:19 | 0:02:21 | |
so I think another battle awaits. | 0:02:21 | 0:02:24 | |
First up, in joint second place, is unconventional chef Neil Rankin. | 0:02:28 | 0:02:32 | |
His modern menu, celebrating the spoils of World War II, | 0:02:32 | 0:02:36 | |
has seen some high scores, | 0:02:36 | 0:02:37 | |
but he's lost points for not telling a clear story on a plate. | 0:02:37 | 0:02:41 | |
My dessert, fully on the money, you can't not read the story | 0:02:41 | 0:02:44 | |
out of this one, so let's hope it comes across. | 0:02:44 | 0:02:47 | |
There he is, the bold lad! How are you this morning, Neil? | 0:02:49 | 0:02:52 | |
-Good, thank you, Jeremy. -I'm very pleased to hear it. | 0:02:52 | 0:02:55 | |
So this is called Tea, Toast and Marmalade. | 0:02:55 | 0:02:58 | |
So breakfast becomes pudding, eh? | 0:02:58 | 0:02:59 | |
-Breakfast becomes pudding but the main focus here is tea. -Ah. | 0:02:59 | 0:03:03 | |
Tea was a big morality booster during the war. | 0:03:03 | 0:03:05 | |
-So it has to be part of this banquet. -Aha! | 0:03:05 | 0:03:08 | |
This is named Royal Air Force Blend | 0:03:08 | 0:03:09 | |
but it's a blend of many teas that were around in those days. | 0:03:09 | 0:03:14 | |
What we're going to do is we're going to make a sabayon out of this. | 0:03:14 | 0:03:16 | |
We're going to then top that with some marmalade to give it that | 0:03:16 | 0:03:19 | |
sort of breakfast feel when you eat it. | 0:03:19 | 0:03:21 | |
And then, you've got a kouign-amann cake, | 0:03:21 | 0:03:23 | |
which is basically a puff pastry that's | 0:03:23 | 0:03:25 | |
got yeast in it so it rises. | 0:03:25 | 0:03:28 | |
I'm infusing it with some bergamot, | 0:03:28 | 0:03:30 | |
which gives it the flavour of Earl Grey. | 0:03:30 | 0:03:33 | |
-And we're going to burn some bread. -Burn bread? -Burn the bread. | 0:03:33 | 0:03:38 | |
-Are we talking black toast? -Just the right side of black. -Brave. | 0:03:38 | 0:03:42 | |
Brave indeed! | 0:03:42 | 0:03:43 | |
Neil's Tea, Toast and Marmalade... | 0:03:45 | 0:03:48 | |
I'm going to be interested to see what he does with those | 0:03:48 | 0:03:50 | |
ingredients to make a pudding, but I hope he makes the story more clear. | 0:03:50 | 0:03:55 | |
Next up and level-pegging with Neil is experienced Jacqueline O'Donnell | 0:03:56 | 0:04:01 | |
who has so far hit the brief with modern takes on old-fashioned | 0:04:01 | 0:04:04 | |
dishes. But balancing flavours and her seasoning have let her down. | 0:04:04 | 0:04:08 | |
My dish is telling another emotional story and it tastes great! | 0:04:09 | 0:04:16 | |
Nice to see you again, Jac. What are you going to cook for us today? | 0:04:18 | 0:04:21 | |
My dish is named Candle of Remembrance | 0:04:21 | 0:04:25 | |
and my inspiration is to remember those who didn't come home. | 0:04:25 | 0:04:30 | |
It's basically a candle that I will build up with a lemon | 0:04:30 | 0:04:34 | |
-and ginger trifle inside. -Our trifle. -And we get to light it. -Oh, wow. | 0:04:34 | 0:04:41 | |
So there will be a wick? | 0:04:41 | 0:04:43 | |
So I'm going to be making the candle from white chocolate | 0:04:44 | 0:04:48 | |
and inside, we have dark brown sugar, we have ground cloves, | 0:04:48 | 0:04:55 | |
cinnamon and we have ginger, fresh ginger. | 0:04:55 | 0:04:58 | |
And to keep that sticky, I have some treacle, | 0:04:58 | 0:05:01 | |
and that's going to make my gingerbread. | 0:05:01 | 0:05:04 | |
And I'm going to use the lemons to make lemon | 0:05:04 | 0:05:07 | |
parfait for the base of the candle and also a lemon curd. | 0:05:07 | 0:05:12 | |
-And then, I'm going to make a ginger wine jelly. -Ooh! | 0:05:12 | 0:05:17 | |
I love ginger wine jelly! | 0:05:17 | 0:05:19 | |
So Neil, you're both in second place | 0:05:19 | 0:05:21 | |
and someone isn't going through to tomorrow. | 0:05:21 | 0:05:25 | |
-How are you both feeling about that? -I'm feeling confident in my dish. | 0:05:25 | 0:05:29 | |
Obviously, after hearing that, I think she's nailed the brief again! | 0:05:29 | 0:05:33 | |
The Candle of Remembrance is going to be a construction | 0:05:33 | 0:05:36 | |
out of white chocolate with lemon and ginger. | 0:05:36 | 0:05:39 | |
Jac has chosen quite an emotional journey | 0:05:39 | 0:05:41 | |
with her pudding and so, it would be | 0:05:41 | 0:05:44 | |
a grave misfortune should anything go wrong with this dessert. | 0:05:44 | 0:05:47 | |
Last up and two points ahead is classical heavyweight | 0:05:49 | 0:05:52 | |
Stevie McLaughlin. | 0:05:52 | 0:05:53 | |
After a slow start to the week, he leapt into the lead yesterday | 0:05:53 | 0:05:56 | |
-when he scored a perfect ten. -Judges' chamber's not far away now. | 0:05:56 | 0:06:00 | |
It's just round the corner. But I've still got a stiff fight on my hands. | 0:06:00 | 0:06:04 | |
Nice to see you. Well done after that epic main course. | 0:06:06 | 0:06:09 | |
Are you going to keep that momentum up with your pudding? | 0:06:09 | 0:06:12 | |
Yeah, absolutely. This one's a good 'un. | 0:06:12 | 0:06:14 | |
My dessert's called V for Victory, | 0:06:14 | 0:06:16 | |
-so it's a tribute to Sir Winston Churchill. -Ah, the great man himself! | 0:06:16 | 0:06:21 | |
-Yup. So we're making a dark chocolate cigar. -A chocolate cigar. | 0:06:21 | 0:06:26 | |
Well, I'm sure it's going to taste a lot better than the real thing! | 0:06:26 | 0:06:29 | |
So we're going to do a dark chocolate caramel with dark chocolate, | 0:06:29 | 0:06:33 | |
some eggs and cream. | 0:06:33 | 0:06:35 | |
We've got some freeze-dried raspberries, | 0:06:35 | 0:06:37 | |
-which would give the effect of being smoked or lit. -Oh, wow. | 0:06:37 | 0:06:41 | |
And also, we're going to do a vanilla parfait in the shape of his V | 0:06:41 | 0:06:45 | |
-for Victory sign. -Oh. -And then cover that with a shiny chocolate glaze. | 0:06:45 | 0:06:51 | |
-Oh, wow. Are you giving yourself a lot of work again? -Yes. | 0:06:51 | 0:06:54 | |
HE LAUGHS | 0:06:54 | 0:06:56 | |
How do you feel about this one, Jac? | 0:06:56 | 0:06:57 | |
Think that sounds pretty good. | 0:06:57 | 0:06:59 | |
There's a few toys that I've seen Stevie unpack from his box. | 0:06:59 | 0:07:02 | |
I hope that doesn't give him the edge. | 0:07:02 | 0:07:05 | |
It sounds delicious. | 0:07:05 | 0:07:06 | |
He pulled out a ten yesterday, so let's see what he can do. | 0:07:06 | 0:07:10 | |
-Any worries? -Yeah. | 0:07:10 | 0:07:12 | |
THEY LAUGH | 0:07:12 | 0:07:13 | |
-Plenty! -Honest as the day is long! | 0:07:13 | 0:07:15 | |
Stevie's V for Victory... | 0:07:18 | 0:07:19 | |
I think, once again, he's going for a showstopper. | 0:07:19 | 0:07:22 | |
Stevie's proved himself to be a real stealth bomber, | 0:07:22 | 0:07:24 | |
so I'll be interested to see what he pulls out the hat with this one. | 0:07:24 | 0:07:27 | |
Neil and Jacqueline are under no illusion that their double | 0:07:33 | 0:07:36 | |
Michelin-starred rival is the one to watch. | 0:07:36 | 0:07:39 | |
Stevie said earlier that his dessert was stronger than his main. | 0:07:39 | 0:07:43 | |
He got a ten for his main. Does that make you a teensy bit nervous? | 0:07:43 | 0:07:47 | |
Slightly on edge, shall we say? | 0:07:47 | 0:07:50 | |
But Stevie knows his competitors could be at an advantage today. | 0:07:51 | 0:07:55 | |
You guys are both trained pastry chefs, right? | 0:07:55 | 0:07:57 | |
Yeah, I've done a wee bit of pastry before. | 0:07:57 | 0:08:00 | |
-Are you pastry orientated? -Yeah. -Strong pastry? -Well, strong-ish. | 0:08:00 | 0:08:04 | |
I was popped into pastry because that's where the woman gets sent. | 0:08:04 | 0:08:08 | |
Stevie's trying to make out that he's not good at desserts | 0:08:10 | 0:08:12 | |
but he's head chef of a two Michelin-starred kitchen! | 0:08:12 | 0:08:15 | |
He's had to do desserts before at a very high level, | 0:08:15 | 0:08:17 | |
so I am worried about what he's going to put forward. | 0:08:17 | 0:08:20 | |
Stevie's final push to get to the judges is a tribute to | 0:08:26 | 0:08:29 | |
Sir Winston Churchill's V for Victory hand sign and signature | 0:08:29 | 0:08:33 | |
cigar, which he's recreating with a bitter dark chocolate cream. | 0:08:33 | 0:08:37 | |
-Am I allowed to take a wee spoonful of this, Stevie? -You certainly can. | 0:08:38 | 0:08:41 | |
-Help yourself. -How's it going? All to plan? -Yeah. | 0:08:41 | 0:08:44 | |
Just need to get this in the freezer. | 0:08:44 | 0:08:46 | |
Mm! | 0:08:48 | 0:08:49 | |
There is an interesting taste now for less sugar in desserts, | 0:08:49 | 0:08:53 | |
generally, and so, using a very bitter chocolate to make | 0:08:53 | 0:08:56 | |
the cigar is bang on trend, I think, as they like to call it these days. | 0:08:56 | 0:09:00 | |
Looks like a mighty Cohiba! | 0:09:00 | 0:09:02 | |
It's British. | 0:09:03 | 0:09:04 | |
British issue. | 0:09:06 | 0:09:07 | |
Also desperate to get through to the judges' chamber is | 0:09:09 | 0:09:12 | |
experienced chef Jacqueline, | 0:09:12 | 0:09:14 | |
who's once again pushing her culinary boundaries with | 0:09:14 | 0:09:16 | |
a technical white chocolate remembrance candle filled with | 0:09:16 | 0:09:20 | |
lemon and ginger layers, which she starts with a base of lemon parfait. | 0:09:20 | 0:09:23 | |
-Looks like an exciting point. -Scram! | 0:09:26 | 0:09:28 | |
I swear there's going to be a fight in this kitchen. | 0:09:30 | 0:09:32 | |
I'm really happy with the candles but I must make sure that that | 0:09:35 | 0:09:39 | |
parfait sets, otherwise it won't work. | 0:09:39 | 0:09:41 | |
Jacqueline's level-pegging with unconventional chef Neil... | 0:09:46 | 0:09:49 | |
BLEEP | 0:09:50 | 0:09:52 | |
None of my crockery, thank God! | 0:09:52 | 0:09:53 | |
..who's hoping his modern spin on the classic breakfast tea, | 0:09:53 | 0:09:56 | |
toast and marmalade will land him a place in tomorrow's regional final. | 0:09:56 | 0:10:00 | |
-What type of pastry's this? -This is kouign-amann. -Never heard of that. | 0:10:03 | 0:10:06 | |
No, it's a yeast-based puff pastry. | 0:10:06 | 0:10:09 | |
It's supposed to be very hard to make. | 0:10:09 | 0:10:11 | |
-Are you not a bit of a chance, then? -Yes, but if you don't take a chance, | 0:10:11 | 0:10:15 | |
-what are you doing here? -Yeah. | 0:10:15 | 0:10:17 | |
I've got to get everything perfect today. | 0:10:17 | 0:10:19 | |
This is really important, that I get past Jac. | 0:10:19 | 0:10:21 | |
Everything rides on this course. | 0:10:21 | 0:10:23 | |
In an attempt to tell a story on a plate and secure a place in | 0:10:24 | 0:10:27 | |
front of the judges, Neil's sourced a wartime-inspired ingredient. | 0:10:27 | 0:10:32 | |
So, I got a special World War II tea. | 0:10:32 | 0:10:34 | |
It was designed specifically for the way it was back then. | 0:10:34 | 0:10:37 | |
It sounds like he's on brief for this one, Stevie. What do you think? | 0:10:37 | 0:10:41 | |
-He's got me a bit worried. -Nailing the brief. | 0:10:41 | 0:10:43 | |
To find out more about the wartime significance of his key | 0:10:46 | 0:10:50 | |
dessert ingredient, Neil met up with tea expert Henrietta Lovell. | 0:10:50 | 0:10:55 | |
So, why was tea so important during the war? | 0:10:55 | 0:10:58 | |
There were U-boats all around our tiny country, | 0:10:58 | 0:11:01 | |
and it was difficult to get things in and out. | 0:11:01 | 0:11:03 | |
The Government thought tea was so important to morale, | 0:11:03 | 0:11:05 | |
they'd better take over supply. | 0:11:05 | 0:11:07 | |
It's fortifying in times of national peril. | 0:11:07 | 0:11:09 | |
On the beaches of the Second World War, tea was the thing that | 0:11:09 | 0:11:12 | |
kept you going. | 0:11:12 | 0:11:14 | |
A few years ago, to raise money for charity, Henrietta created | 0:11:14 | 0:11:17 | |
a special Battle of Britain blend for the Royal Air Force. | 0:11:17 | 0:11:21 | |
It's exactly what would have been, | 0:11:21 | 0:11:23 | |
a sort of old-school English breakfast tea. | 0:11:23 | 0:11:25 | |
It's got that deep, | 0:11:25 | 0:11:26 | |
comforting flavour that we're looking for in an English breakfast. | 0:11:26 | 0:11:30 | |
That's beautiful. Think that would go perfectly with my dessert. | 0:11:30 | 0:11:34 | |
During the Blitz of 1940-1941, | 0:11:35 | 0:11:38 | |
when London was subjected to eight solid months of bombing, | 0:11:38 | 0:11:41 | |
the nation's morale-booster became all the more essential. | 0:11:41 | 0:11:44 | |
There were tea wagons all through the city. | 0:11:44 | 0:11:47 | |
Volunteers would go out in the middle of the Blitz | 0:11:47 | 0:11:50 | |
with bombs dropping and the whole place flattened, | 0:11:50 | 0:11:53 | |
taking tea to people who really need it. | 0:11:53 | 0:11:55 | |
One of those volunteers was Joe Renshaw, who remembers just | 0:11:57 | 0:12:01 | |
how vital a warm cup of tea was during some of Britain's darkest days. | 0:12:01 | 0:12:06 | |
We went into the Blitz area where the docks were destroyed, | 0:12:06 | 0:12:11 | |
terrible sight, you'd never seen it before, all these houses destroyed. | 0:12:11 | 0:12:15 | |
And of course, the canteens that we had on the railway stations, | 0:12:15 | 0:12:19 | |
like at Waterloo station, they ran out of tea and sugar, | 0:12:19 | 0:12:24 | |
and so I had to take down a load of tea and sugar | 0:12:24 | 0:12:27 | |
to keep the troops happy with their tea. | 0:12:27 | 0:12:31 | |
So I assume tea during the war was a really, really important thing. | 0:12:31 | 0:12:35 | |
Well, it was something familiar that people could turn to. | 0:12:35 | 0:12:39 | |
I mean, not just your cup of tea. It's the conversation you have. | 0:12:39 | 0:12:44 | |
And to come and get tea and sympathy mattered to them | 0:12:44 | 0:12:47 | |
at that particular moment. | 0:12:47 | 0:12:50 | |
After meeting Joe today, it's just reinforced that tea was | 0:12:50 | 0:12:53 | |
important, and given my dish a little more meaning, which is a great thing. | 0:12:53 | 0:12:57 | |
Determined to create dessert fit for war heroes, Neil infuses | 0:13:00 | 0:13:04 | |
his specially-blended tea into an ice cream, which he leaves to chill. | 0:13:04 | 0:13:09 | |
He moves on to his controversial burnt-toast topping. | 0:13:10 | 0:13:14 | |
-Is this going to become a crumb? -Yeah, it is going to be | 0:13:14 | 0:13:17 | |
a crumb with the biscuit, a little bit of sugar with it. | 0:13:17 | 0:13:19 | |
Take is too far, and it becomes almost like charcoal, it becomes too bitter. | 0:13:19 | 0:13:23 | |
But it does offset the sweetness of everything really well. | 0:13:23 | 0:13:27 | |
I'm surprised he didn't butter it and bake it in the oven. | 0:13:27 | 0:13:30 | |
But he wants a dry bit of crumb. It sounds like ship's rations to me. | 0:13:30 | 0:13:35 | |
-What's the smell? -Jacqui, I think your gingerbread's done here. | 0:13:35 | 0:13:39 | |
No, it's the toaster. | 0:13:44 | 0:13:46 | |
That's my toast burning. It's all good. | 0:13:48 | 0:13:50 | |
Although a couple of points in the lead, | 0:13:53 | 0:13:55 | |
Stevie knows that only two chefs can go through to tomorrow's | 0:13:55 | 0:13:58 | |
regional final, and there's no guarantee of a place. | 0:13:58 | 0:14:01 | |
Pretty nervous, pretty pumped. The finishing line's almost there. | 0:14:01 | 0:14:04 | |
Just want to get through it. | 0:14:04 | 0:14:06 | |
He works on the vanilla and lemon parfait filling for his | 0:14:06 | 0:14:09 | |
V for Victory hand sign, which he'll later coat in chocolate. | 0:14:09 | 0:14:13 | |
With plate-up approaching, Stevie takes his parfaits | 0:14:13 | 0:14:16 | |
to the freezer to set, but space is at a premium. | 0:14:16 | 0:14:20 | |
And Jacqueline's delicate chocolate candles are taking up too much room. | 0:14:21 | 0:14:25 | |
-Have you got space in there? -I'll stick them on top of the candles. | 0:14:25 | 0:14:28 | |
That's why I chased you! | 0:14:29 | 0:14:31 | |
There's room in the bottom of my freezer just now if you want. | 0:14:32 | 0:14:36 | |
Luckily, Neil is first to plate up with his modern | 0:14:40 | 0:14:43 | |
interpretation of a breakfast classic, tea, toast and marmalade. | 0:14:43 | 0:14:47 | |
It's the moment of truth for his tricky puff pastry cakes. | 0:14:49 | 0:14:52 | |
-Yeah, it turned out OK. -Which he glazes with marmalade. | 0:14:53 | 0:14:56 | |
That looks good. Is it as good as you wanted? | 0:14:58 | 0:15:00 | |
I'm neck-and-neck with you, Jacqui, so it's got to be perfect, hasn't it? | 0:15:00 | 0:15:04 | |
Neil whisks his special tea into a frothy sabayon | 0:15:07 | 0:15:11 | |
with egg yolks and sugar, | 0:15:11 | 0:15:13 | |
flavours with bergamot zest and pours into vintage crockery. | 0:15:13 | 0:15:18 | |
He dollops marmalade into teacups, tops with burnt toast | 0:15:18 | 0:15:21 | |
and biscuit crumbs, | 0:15:21 | 0:15:23 | |
adds tea ice cream and finishes with more crumbs and marmalade. | 0:15:23 | 0:15:27 | |
OK, we need a trolley. | 0:15:27 | 0:15:29 | |
For a final 1940s presentation touch, his tea lady arrives. | 0:15:29 | 0:15:33 | |
-I think you would suit that outfit so much better. -Swap hats! | 0:15:36 | 0:15:39 | |
-Here's my tea, toast and marmalade. -So this is for four people? | 0:15:45 | 0:15:49 | |
-At the very least. -Neil, do you think this is your finest hour? | 0:15:49 | 0:15:53 | |
-I think doing a tea, yes! -Shall we? | 0:15:53 | 0:15:57 | |
How do you want me to eat this? Like this? | 0:15:59 | 0:16:02 | |
And then a little bit of the tea sabayon on top. | 0:16:02 | 0:16:04 | |
-It tastes like tea and burnt toast. -It does. | 0:16:11 | 0:16:13 | |
And does the tea come through strong enough for you with the marmalade? | 0:16:13 | 0:16:16 | |
Yes. I only put a little bit of marmalade in there. | 0:16:16 | 0:16:19 | |
It's all very sweet, but the burnt toast works well with it. | 0:16:19 | 0:16:21 | |
-Great skill there. -Great flavour balance. | 0:16:21 | 0:16:24 | |
This yeast dough, has that puffed up enough for you? | 0:16:24 | 0:16:29 | |
Absolutely. | 0:16:29 | 0:16:30 | |
-This is just the way I wanted it to be. -That pastry's lovely. | 0:16:30 | 0:16:33 | |
It's really flaky. It smells amazing. | 0:16:33 | 0:16:35 | |
And of course the question to be asked is, | 0:16:35 | 0:16:38 | |
-is sabayon breakfast for pudding? -It's not so much breakfast. | 0:16:38 | 0:16:41 | |
-It's the flavour of breakfast, which always makes a smile. -Love it. | 0:16:41 | 0:16:45 | |
Nice dish. | 0:16:45 | 0:16:47 | |
Do you think the story here is as clear as it can be? | 0:16:47 | 0:16:49 | |
This is about tea. You cannot not think this is about tea, so yes. | 0:16:49 | 0:16:53 | |
-I think this might be his best dish. -I would give it at least an eight. | 0:16:53 | 0:16:58 | |
-I'd even put it up to nine. For me, it's that good. -It hits the brief. | 0:16:58 | 0:17:01 | |
I haven't made any mistakes. I think it's a good nine or ten. | 0:17:02 | 0:17:08 | |
We'll see. | 0:17:08 | 0:17:10 | |
It was what I wanted to do, so if it doesn't work, | 0:17:10 | 0:17:12 | |
then I had the wrong idea. | 0:17:12 | 0:17:13 | |
I couldn't have done any more with it. | 0:17:13 | 0:17:15 | |
Stevie is hoping his tribute to Winston Churchill will earn him | 0:17:18 | 0:17:22 | |
another perfect ten. | 0:17:22 | 0:17:24 | |
He coats his V for Victory shaped lemon | 0:17:25 | 0:17:28 | |
and vanilla parfaits with a chocolate glaze. | 0:17:28 | 0:17:31 | |
-Like a posh choc ice. And then will that go back in the freezer? -Yes. | 0:17:31 | 0:17:36 | |
Stevie's parfaits go into the blast chiller. | 0:17:36 | 0:17:40 | |
And with time slipping away, | 0:17:40 | 0:17:42 | |
Jacqueline checks on the setting progress of her lemon parfait layers. | 0:17:42 | 0:17:45 | |
The base of her chocolate candles. | 0:17:45 | 0:17:48 | |
-Oh, -BLEEP. | 0:17:48 | 0:17:49 | |
The candles just aren't setting in that back freezer. | 0:17:49 | 0:17:53 | |
I need it to be frozen solid. | 0:17:53 | 0:17:55 | |
I really need to get into the blast freezer. | 0:17:55 | 0:17:58 | |
But now Stevie's parfaits are taking up too much space, | 0:17:58 | 0:18:01 | |
and there's no room for Jacqueline's candles in the blast chiller. | 0:18:01 | 0:18:05 | |
Stevie, can you give me | 0:18:05 | 0:18:06 | |
some sort of time that you are going to be done in that freezer? | 0:18:06 | 0:18:09 | |
Give me two minutes, I'll tell you exactly how long I'll be. | 0:18:09 | 0:18:13 | |
OK. | 0:18:13 | 0:18:14 | |
-All right, guys? -Aye. -A little bit stressed? -Tiny. | 0:18:14 | 0:18:18 | |
We all need to get things set. | 0:18:18 | 0:18:20 | |
Fortunately, it's time for Stevie to plate up his tribute | 0:18:21 | 0:18:25 | |
to Winston Churchill. | 0:18:25 | 0:18:27 | |
He starts his plate with a crunchy combination of crushed | 0:18:27 | 0:18:30 | |
hazelnut biscuits, white chocolate, toasted coconut and puffed rice. | 0:18:30 | 0:18:34 | |
He brings out his chocolate cigars, rolls them in patriotic paper, | 0:18:37 | 0:18:42 | |
dips them in dried raspberry powder and places on crushed poppy seeds. | 0:18:42 | 0:18:46 | |
He removes his parfaits, | 0:18:48 | 0:18:49 | |
finally leaving space in the blast chiller for Jacqueline's candles. | 0:18:49 | 0:18:53 | |
-Can I go in yet? -Yes, finito. | 0:18:53 | 0:18:57 | |
Stevie serves his V for Victory parfaits with chocolate | 0:18:58 | 0:19:01 | |
cigars topped with a bowler hat. | 0:19:01 | 0:19:05 | |
Stevie, I am looking here at a pair of top hats. What's this about? | 0:19:10 | 0:19:14 | |
-My tribute to Sir Winston Churchill. -Shall we doff his cap, then? | 0:19:14 | 0:19:18 | |
-The reveal. -How perfectly lovely. | 0:19:18 | 0:19:21 | |
Let's get next door and eat this before it melts, shall we? | 0:19:21 | 0:19:25 | |
Stevie, does this tell the story you want it to? | 0:19:27 | 0:19:30 | |
-For me it's really clear, very simple. -Looks great on the plate. | 0:19:30 | 0:19:34 | |
Everything looks great. | 0:19:34 | 0:19:35 | |
-Stevie, how has that worked for you? -Love it. Exactly. | 0:19:39 | 0:19:44 | |
It's delicious. | 0:19:44 | 0:19:46 | |
It's ice cream and chocolate. Who doesn't like that? | 0:19:46 | 0:19:49 | |
-The cigar, Stevie, did that work for you? -Yes, it worked for me. | 0:19:49 | 0:19:52 | |
It was very rich, but the raspberry's nice and sharp. | 0:19:52 | 0:19:55 | |
I would have done away with the cigar. | 0:19:55 | 0:19:58 | |
It's like chocolate, really rich. | 0:19:58 | 0:20:00 | |
It could've done with more of that raspberry stuff | 0:20:00 | 0:20:02 | |
underneath or something like that, to lift it up. | 0:20:02 | 0:20:05 | |
-Do you find this maybe too rich? -Not at all. | 0:20:05 | 0:20:08 | |
-I think it's perfectly in balance. -I think it needs more texture. | 0:20:08 | 0:20:11 | |
-Is there anything you might do to this dish to change it? -Not a thing. | 0:20:11 | 0:20:15 | |
-Do you see this being served at the banquet? -No, I don't. | 0:20:15 | 0:20:19 | |
I don't think the chocolate cigar is fitting, | 0:20:19 | 0:20:21 | |
and I think it's a little bit too heavy. | 0:20:21 | 0:20:23 | |
-What score would you give it, do you think? -Nine out of ten. | 0:20:23 | 0:20:26 | |
-What would you score this? -Six or seven. -I go six or seven, too. | 0:20:27 | 0:20:32 | |
Really glad it's over with. Feel great about it. | 0:20:33 | 0:20:36 | |
I thought it looked amazing. | 0:20:36 | 0:20:38 | |
Really did pack a punch and tell the story that I wanted to do. | 0:20:38 | 0:20:41 | |
Experienced chef Jacqueline is last to plate up with her white | 0:20:42 | 0:20:45 | |
chocolate remembrance candles, which she | 0:20:45 | 0:20:48 | |
needs to fill with the rest of her lemon and ginger layers. | 0:20:48 | 0:20:51 | |
But it will only work if the lemon parfait base has set. | 0:20:51 | 0:20:54 | |
-So, the lemon parfait is on the bottom? -Yeah. | 0:20:55 | 0:20:58 | |
That's what I needed to freeze, so that it would hold this chocolate. | 0:20:58 | 0:21:02 | |
-Has it worked out in the end? -It's set. Just. | 0:21:02 | 0:21:06 | |
Jacqueline tops the parfait with lemon curd and ginger wine | 0:21:06 | 0:21:09 | |
jellies, spiced gingerbread, and lemon mousse with ginger syrup. | 0:21:09 | 0:21:16 | |
Do you want me to come and put it down for you? | 0:21:16 | 0:21:18 | |
No, I don't want you to come anywhere near me, | 0:21:18 | 0:21:21 | |
thank you so much for your offer. | 0:21:21 | 0:21:23 | |
-That's nice(!) -I know. I was offering to help. | 0:21:23 | 0:21:25 | |
She finishes her candle with lemon mousse, | 0:21:25 | 0:21:29 | |
a white chocolate wax effect and finally, a wick. | 0:21:29 | 0:21:33 | |
For me, this dish is lest we forget, | 0:21:40 | 0:21:44 | |
and I just want to remember everyone that didn't come home. | 0:21:44 | 0:21:49 | |
Wow, that's a heartfelt, kind thought of yours. | 0:21:49 | 0:21:52 | |
-Has this come up as you wish it to have? -Yep. | 0:21:52 | 0:21:54 | |
I knew that I had to pull something pretty good out of the bag. | 0:21:54 | 0:21:57 | |
Shall we take this next door? | 0:21:57 | 0:21:59 | |
-She's good. -Yeah, she's really good, isn't she? | 0:22:03 | 0:22:05 | |
Jac, show us how we eat your pudding. | 0:22:05 | 0:22:08 | |
There you go. | 0:22:11 | 0:22:12 | |
Lemon curd's nice. Sharp. | 0:22:18 | 0:22:20 | |
All these different components, do these all complement | 0:22:20 | 0:22:23 | |
and work together? | 0:22:23 | 0:22:25 | |
I think you could make any sort of a cake out of that | 0:22:25 | 0:22:27 | |
-and it would still taste good. -I find it a bit cloying. -Really. | 0:22:27 | 0:22:31 | |
It's a strange eat. | 0:22:31 | 0:22:33 | |
It's just cream with cream, and the ginger is really sweet. | 0:22:33 | 0:22:37 | |
The thickness of the chocolate, correct for you? | 0:22:37 | 0:22:40 | |
White chocolate can be so sweet and overpowering. | 0:22:40 | 0:22:44 | |
So just enough to envelop the dish is enough for me. | 0:22:44 | 0:22:47 | |
-So, the chocolate casing around it, is that a problem? -For me, yes. | 0:22:47 | 0:22:52 | |
White chocolate is a bit sweet and it wasn't tempered. | 0:22:52 | 0:22:55 | |
All that said, there's something quite moreish about it. | 0:22:55 | 0:22:58 | |
Yes, there is. If there was something to offset it, it would be lovely. | 0:22:58 | 0:23:02 | |
Do you think you've done enough | 0:23:02 | 0:23:03 | |
to get you through to Friday with this dessert? | 0:23:03 | 0:23:06 | |
I feel this is my finest hour. | 0:23:06 | 0:23:08 | |
-I think this is a seven. -I think it's seven too. | 0:23:10 | 0:23:13 | |
What do you think you would give it? | 0:23:13 | 0:23:15 | |
I think I would be saying eight or nine. | 0:23:15 | 0:23:17 | |
-All right, Jac? -I am so delighted that's over, I can't tell you! | 0:23:21 | 0:23:27 | |
We're both two points behind Stevie. Have we done enough? | 0:23:30 | 0:23:33 | |
I think we've really pushed it. Caught your tail. | 0:23:33 | 0:23:36 | |
-Oh. -I don't know by how much. | 0:23:36 | 0:23:38 | |
-I didn't think it would be this tough. -It's a busy week. | 0:23:40 | 0:23:43 | |
-If we get through the tomorrow, it'll be a -BLEEP -busy one! | 0:23:43 | 0:23:46 | |
-Hello, how are you? -Good. -Good. -Nervous. -The final course. | 0:23:55 | 0:23:59 | |
Well done. I'm going to start with you, Neil. | 0:23:59 | 0:24:02 | |
And your tea, toast and marmalade with sabayon and ice cream. | 0:24:02 | 0:24:07 | |
The marmalade bun cake... | 0:24:08 | 0:24:10 | |
..lovely. | 0:24:11 | 0:24:13 | |
Tea sabayon and tea ice cream, both tasted delicious. | 0:24:14 | 0:24:18 | |
And the use of bergamot, very judicious. | 0:24:19 | 0:24:22 | |
And I'd have happily eaten this dish for elevenses. | 0:24:23 | 0:24:27 | |
However... | 0:24:27 | 0:24:29 | |
..it didn't blow my socks off... | 0:24:31 | 0:24:33 | |
..for a banquet dessert. | 0:24:34 | 0:24:36 | |
On to Stevie. | 0:24:38 | 0:24:40 | |
Your V for Victory of chocolate and vanilla. | 0:24:40 | 0:24:44 | |
As ever, your cooking was excellent, beautifully executed. | 0:24:44 | 0:24:49 | |
The vanilla parfait had a perfect texture | 0:24:49 | 0:24:52 | |
and your chocolate cigar, quite superb. | 0:24:52 | 0:24:55 | |
But... | 0:24:58 | 0:24:59 | |
..the two elements disconnected on the plate. | 0:25:00 | 0:25:03 | |
I don't like walking around the plate. | 0:25:04 | 0:25:08 | |
And the iconography on the plate slightly bamboozle me. | 0:25:08 | 0:25:12 | |
Because it came under a bowler hat when Churchill wore a homburg. | 0:25:13 | 0:25:17 | |
Jacqueline. Your candle of remembrance with lemon and ginger. | 0:25:19 | 0:25:24 | |
It was a great combination of flavours. | 0:25:25 | 0:25:28 | |
White chocolate, you handled it well, | 0:25:30 | 0:25:32 | |
not an easy thing to handle at all. | 0:25:32 | 0:25:36 | |
Gingerbread, liked it. | 0:25:37 | 0:25:39 | |
Lemon mousse and parfait, very fresh tasting and delightful. | 0:25:39 | 0:25:43 | |
However, overall, it was very sweet. | 0:25:43 | 0:25:48 | |
Maybe too sweet, possibly. | 0:25:49 | 0:25:51 | |
And I'm really not sure how practical it is for a banquet. | 0:25:53 | 0:25:57 | |
Saying all that, the scores. | 0:26:01 | 0:26:04 | |
With a score of nine... | 0:26:06 | 0:26:08 | |
..giving them the highest score across the week... | 0:26:09 | 0:26:13 | |
-..Stevie. -Thank you. | 0:26:16 | 0:26:18 | |
You will be cooking again tomorrow. | 0:26:20 | 0:26:22 | |
Neil, Jac, the two chefs left. | 0:26:24 | 0:26:26 | |
Alas, only one can go through tomorrow. | 0:26:28 | 0:26:30 | |
Neil, for your tea, toast and marmalade... | 0:26:31 | 0:26:35 | |
I'm giving you... | 0:26:35 | 0:26:37 | |
..seven. | 0:26:41 | 0:26:42 | |
Jacqueline... | 0:26:45 | 0:26:48 | |
for your candle of remembrance... | 0:26:48 | 0:26:50 | |
..I'm going to give you... | 0:26:53 | 0:26:55 | |
..eight. | 0:27:01 | 0:27:02 | |
Thank you. | 0:27:04 | 0:27:06 | |
So you go through to the judge's chamber tomorrow. | 0:27:06 | 0:27:09 | |
Congratulations and well done. How would you feel? | 0:27:09 | 0:27:13 | |
-Speechless. -Well, that would be the first time this week. | 0:27:14 | 0:27:17 | |
That's not appropriate at all. Neil, so, so close. One point in it. | 0:27:17 | 0:27:22 | |
Heartfelt commiserations. Hats off to all three of you. | 0:27:22 | 0:27:25 | |
Thanks very much. Goodbye. | 0:27:25 | 0:27:28 | |
Thank you. | 0:27:28 | 0:27:29 | |
-Well done, guys. -Unlucky, man. | 0:27:29 | 0:27:31 | |
-I know, I know. Well done. -Well done. -Well done. | 0:27:31 | 0:27:36 | |
Stevie and Jacqueline will cook for the judges tomorrow. | 0:27:36 | 0:27:39 | |
But Neil must leave the competition. | 0:27:39 | 0:27:42 | |
That's amazing. I'm so excited. | 0:27:42 | 0:27:45 | |
I didn't want to jump up and down in the kitchen. | 0:27:45 | 0:27:48 | |
I think it's time for a toast, boys. | 0:27:48 | 0:27:51 | |
-It's been hard week. -I agree with you, it's been a long day. | 0:27:51 | 0:27:54 | |
Got this far, chuffed to bits, really proud. | 0:27:54 | 0:27:56 | |
Can't wait to get into it and get on with it tomorrow. Team Scotland. | 0:27:56 | 0:27:59 | |
-Team Scotland. -Been great working with you guys. -Great week. | 0:27:59 | 0:28:02 | |
Yes, I'm upset. | 0:28:02 | 0:28:05 | |
It's not good to go out early, but these guys did a really good job. | 0:28:05 | 0:28:08 | |
There's next year, there's plenty of time | 0:28:08 | 0:28:10 | |
to come back and show them what I'm made of | 0:28:10 | 0:28:12 | |
Tomorrow, Stevie and Jacqueline fight it out... | 0:28:12 | 0:28:15 | |
It's got me a wee bit worried. | 0:28:15 | 0:28:17 | |
Anything I can do to get you worried today is surely a bonus. | 0:28:17 | 0:28:20 | |
..to impress the judges... | 0:28:20 | 0:28:21 | |
It's clearly been a pretty tough battle. | 0:28:21 | 0:28:24 | |
..who wants dishes worthy of our war heroes. | 0:28:24 | 0:28:26 | |
It is just wrong on all levels. | 0:28:26 | 0:28:29 | |
-This is divine. -And the winner is... | 0:28:29 | 0:28:32 |