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Please! | 0:00:02 | 0:00:03 | |
This week on Great British Menu, | 0:00:03 | 0:00:05 | |
three of Wales' finest chefs. | 0:00:05 | 0:00:08 | |
Ah! | 0:00:08 | 0:00:09 | |
Returning contender Mary Ann Gilchrist... | 0:00:09 | 0:00:12 | |
This is all-out war. | 0:00:12 | 0:00:13 | |
..ambitious young gun Andy Beaumont.... | 0:00:13 | 0:00:16 | |
Wahey. We're back on schedule. | 0:00:16 | 0:00:17 | |
..and former military man David Kelman... | 0:00:17 | 0:00:20 | |
-BLEEP -sake. -BLEEP. | 0:00:20 | 0:00:21 | |
..are fighting it out for the honour of cooking at a banquet | 0:00:21 | 0:00:24 | |
at the magnificent St Paul's Cathedral | 0:00:24 | 0:00:27 | |
to commemorate the 70th anniversary of D-Day. | 0:00:27 | 0:00:30 | |
Yesterday saw the battle of the main courses... | 0:00:33 | 0:00:36 | |
..with David coming out on top with the highest score of the week | 0:00:37 | 0:00:40 | |
so far... | 0:00:40 | 0:00:42 | |
I'm giving you... | 0:00:42 | 0:00:43 | |
a nine. | 0:00:43 | 0:00:45 | |
..leaving Mary Ann in last place, just a point behind Andy. | 0:00:45 | 0:00:49 | |
BLEEP. | 0:00:49 | 0:00:50 | |
Today, it's the dessert course. | 0:00:50 | 0:00:51 | |
The scores are close and the chefs are fighting for survival. | 0:00:51 | 0:00:55 | |
-I think it's my best dish. -You're scaring me. | 0:00:55 | 0:00:57 | |
But will the pressure become too much? | 0:00:57 | 0:00:59 | |
I can't put only half my dish out. | 0:00:59 | 0:01:01 | |
Time to pray. | 0:01:01 | 0:01:02 | |
The battle of the desserts, eh? | 0:01:02 | 0:01:03 | |
As one chef goes home. | 0:01:03 | 0:01:05 | |
Only two of you can go through to the judges' chamber. | 0:01:05 | 0:01:08 | |
This year, the chefs are paying tribute | 0:01:19 | 0:01:21 | |
to the World War II heroes who fought on the beaches of Normandy | 0:01:21 | 0:01:24 | |
70 years ago. | 0:01:24 | 0:01:26 | |
They've been challenged to produce dishes evoking the spirit | 0:01:26 | 0:01:29 | |
of wartime Britain... | 0:01:29 | 0:01:30 | |
Do you think this dish fits the brief and honours our veterans? | 0:01:30 | 0:01:34 | |
100%. | 0:01:34 | 0:01:35 | |
..and have researched their menus both at home... | 0:01:35 | 0:01:38 | |
They had all literally been shipped out, | 0:01:38 | 0:01:40 | |
and a lot of them must have got killed. | 0:01:40 | 0:01:42 | |
..and abroad. | 0:01:42 | 0:01:43 | |
I've just noticed one of the graves from my regiment. | 0:01:43 | 0:01:47 | |
I just need a little bit of time. It's...very sad. | 0:01:47 | 0:01:50 | |
Judging the chefs this week is a veteran of the competition, | 0:01:50 | 0:01:53 | |
one of Britain's most revered chefs, Michelin starred Angela Hartnett. | 0:01:53 | 0:01:58 | |
The dessert is the last course of this week | 0:01:58 | 0:02:00 | |
celebrating the fact that the war's ended. | 0:02:00 | 0:02:03 | |
It's for these veterans. | 0:02:03 | 0:02:04 | |
You know, it's got to be amazing. | 0:02:04 | 0:02:05 | |
Two points ahead of Andy and three ahead of you, Mary Ann. | 0:02:07 | 0:02:09 | |
Yes, I don't need reminding. | 0:02:09 | 0:02:11 | |
Come back today, and I'm ready for a big battle. | 0:02:11 | 0:02:14 | |
I think today is going to be quite fast and furious in the kitchen. | 0:02:14 | 0:02:17 | |
First up in last place is second timer Mary Ann Gilchrist. | 0:02:19 | 0:02:24 | |
She's been praised for her flavours in dishes inspired by | 0:02:24 | 0:02:26 | |
wartime austerity but has so far fallen down on presentation. | 0:02:26 | 0:02:30 | |
Having scored a seven for her main course, | 0:02:30 | 0:02:32 | |
she's desperate to go all the way today. | 0:02:32 | 0:02:34 | |
I have my sights set on entering the judges' chamber again. | 0:02:35 | 0:02:39 | |
It's a competition, and there's always a loser. | 0:02:39 | 0:02:41 | |
It isn't going to be me. | 0:02:41 | 0:02:43 | |
How are you feeling today? | 0:02:46 | 0:02:47 | |
I'm so pleased with my score yesterday. | 0:02:47 | 0:02:50 | |
THEY LAUGH | 0:02:50 | 0:02:51 | |
It was a delicious dish. | 0:02:51 | 0:02:52 | |
-I know but... You could have picked me up off the floor. -Really? -Yeah. | 0:02:52 | 0:02:55 | |
-Oh, that's good. -Gobsmacked. -What's the dessert called? | 0:02:55 | 0:02:58 | |
Queen Of Puddings. | 0:02:58 | 0:02:59 | |
Inspiration behind it? | 0:02:59 | 0:03:01 | |
-Again, the frugality that went right through the war. -Yeah. | 0:03:01 | 0:03:05 | |
So nothing wasted. | 0:03:05 | 0:03:06 | |
-The base is breadcrumbs, isn't it? -Stale breadcrumbs. -Yeah. | 0:03:06 | 0:03:09 | |
What are you doing with that? | 0:03:09 | 0:03:11 | |
-Heating up some milk infused with lemon rind. -OK. | 0:03:11 | 0:03:14 | |
The jam is to go on top of the breadcrumb custard. | 0:03:14 | 0:03:17 | |
And what's happening with the vanilla? | 0:03:17 | 0:03:19 | |
The vanilla is going into my ice cream. | 0:03:19 | 0:03:23 | |
OK. So you're making a vanilla ice cream? | 0:03:23 | 0:03:25 | |
-I'm making a raspberry ripple ice cream. -Ah. | 0:03:25 | 0:03:28 | |
And is that your modern twist? | 0:03:28 | 0:03:30 | |
Yes, because the stuff they had in the war was not ice cream. | 0:03:30 | 0:03:34 | |
-To contain the ice cream... -Right. | 0:03:34 | 0:03:36 | |
..I'm going to do a tuile basket. | 0:03:36 | 0:03:38 | |
-OK. And are using the glucose for that? -Glucose, sugar, flour, butter. | 0:03:38 | 0:03:43 | |
Think you're going to get through to the judges' chamber? | 0:03:43 | 0:03:46 | |
I'm going to do my damndest. | 0:03:46 | 0:03:47 | |
Is a classic English pudding, Queen Of Puddings. | 0:03:49 | 0:03:52 | |
Very basic dessert. | 0:03:52 | 0:03:53 | |
But it's something that can be, if it's made well, very delicious. | 0:03:53 | 0:03:58 | |
There's still enough in it for her to go through. | 0:03:58 | 0:04:01 | |
Next up, and just one point ahead of Mary Ann | 0:04:01 | 0:04:03 | |
is 28-year-old newcomer Andy Beaumont. | 0:04:03 | 0:04:06 | |
His menu pays homage to his farming family background | 0:04:06 | 0:04:09 | |
and the vital role they played in World War II. | 0:04:09 | 0:04:12 | |
I really want to be there representing Wales. | 0:04:12 | 0:04:14 | |
I live in Wales. Born and bred. | 0:04:14 | 0:04:15 | |
It just means so much to me to actually get to the final | 0:04:15 | 0:04:18 | |
and get to the banquet. | 0:04:18 | 0:04:19 | |
-How do you feel about yesterday? -A little disappointed. | 0:04:21 | 0:04:23 | |
-Yeah? -I thought you were a bit harsh but it's... | 0:04:23 | 0:04:25 | |
-it's all down to opinion at the end of the day. -Yeah, yeah. | 0:04:25 | 0:04:28 | |
But I've come back and... Fighting spirit. | 0:04:28 | 0:04:30 | |
What's the name of your dessert? | 0:04:30 | 0:04:32 | |
-Great British Blackberry. -What's the inspiration? | 0:04:32 | 0:04:34 | |
-My aunties were Land Girls during the war. -Oh, OK. | 0:04:34 | 0:04:36 | |
They ate whatever they could, | 0:04:36 | 0:04:38 | |
and blackberries grew in all the hedgerows | 0:04:38 | 0:04:40 | |
so I'm now going to do four different desserts | 0:04:40 | 0:04:42 | |
-out of blackberry. -What are the four different desserts | 0:04:42 | 0:04:44 | |
-you're going to do? -Well, first off, I'm doing a souffle. -OK. | 0:04:44 | 0:04:47 | |
I'm actually doing a rice pudding base for my souffle... | 0:04:47 | 0:04:50 | |
-Right. -..which is a bit different. | 0:04:50 | 0:04:51 | |
So that becomes your creme patissiere and thickening agent? | 0:04:51 | 0:04:54 | |
That's the idea, yeah. And then use some sliced bread | 0:04:54 | 0:04:56 | |
and a few fresh blackberries then to make a mini summer pudding. | 0:04:56 | 0:04:59 | |
Right, OK. | 0:04:59 | 0:05:00 | |
Some more of the fresh blackberries then are going to be used to | 0:05:00 | 0:05:03 | |
make a panna cotta. | 0:05:03 | 0:05:05 | |
-Yeah. -And the last bit then is a sorbet. | 0:05:05 | 0:05:08 | |
What do you think about this, Mary Ann? Lots to do? | 0:05:08 | 0:05:10 | |
-I think he's got a hell of a lot to do... -Yeah. -..in the time. -OK. | 0:05:10 | 0:05:14 | |
So, Andy's making a pudding called Great British Blackberry. | 0:05:16 | 0:05:20 | |
So for me, the big thing is his timing. | 0:05:20 | 0:05:22 | |
He's got four elements to a dessert. | 0:05:22 | 0:05:24 | |
He has to make sure his panna cotta's there, | 0:05:24 | 0:05:26 | |
his summer pudding and his sorbet | 0:05:26 | 0:05:28 | |
are all on his plate before the souffle comes out of the oven. | 0:05:28 | 0:05:31 | |
He's got a lot of pressure he's putting on himself. | 0:05:31 | 0:05:33 | |
Last up is ex-military man David Kelman who pushed | 0:05:35 | 0:05:38 | |
into the lead by two points yesterday | 0:05:38 | 0:05:40 | |
with an impressive score of nine. | 0:05:40 | 0:05:42 | |
After the main course yesterday I'm on a high. | 0:05:42 | 0:05:44 | |
I'm actually just a bit... | 0:05:44 | 0:05:46 | |
I want to just completely nail it today. | 0:05:46 | 0:05:48 | |
-Do you like doing pastry? -I started off as a pastry chef. | 0:05:50 | 0:05:53 | |
-That's my background. -OK. So what's the name of your dish? | 0:05:53 | 0:05:55 | |
It's called Lemon and Poppy. | 0:05:55 | 0:05:57 | |
-It's all about remembrance, this dish. -OK. | 0:05:57 | 0:05:59 | |
I've got a long line of history going back in my family | 0:05:59 | 0:06:01 | |
from the military. | 0:06:01 | 0:06:02 | |
This is the one I want to get right. | 0:06:02 | 0:06:04 | |
-What are you doing? -So what we'll do - | 0:06:04 | 0:06:06 | |
with the lemons we're going to do a lovely lemon mousse with the eggs, | 0:06:06 | 0:06:09 | |
with the sugar. We'll use a bit of freeze-dried powder, | 0:06:09 | 0:06:11 | |
make a lovely raspberry-hinted sponge to sit the mousse on. | 0:06:11 | 0:06:14 | |
What have you got? Condensed milk. What have you...? | 0:06:14 | 0:06:16 | |
-Oh, evaporated milk. -It was around a lot during the wartime | 0:06:16 | 0:06:19 | |
so we'll do a lovely evaporated milk ice cream. | 0:06:19 | 0:06:22 | |
Lemon and poppy seed shortbread biscuit with the butter and flour. | 0:06:22 | 0:06:25 | |
And what are all these little gadgets here? | 0:06:25 | 0:06:27 | |
I'm making edible poppies to go on the plate as well. | 0:06:27 | 0:06:29 | |
So lots of ingredients again, David. But this is a bit more simpler. | 0:06:29 | 0:06:32 | |
Is it?! Is it? How many elements? | 0:06:32 | 0:06:34 | |
-There's about four or five. -Five. Four or five? -Five. Five. | 0:06:36 | 0:06:39 | |
David's dessert is called Lemon And Poppy. | 0:06:40 | 0:06:43 | |
It rounds off his whole meal which is all about remembrance. | 0:06:43 | 0:06:46 | |
To me, my main worry is he's got too much going on. | 0:06:46 | 0:06:49 | |
And if he did what he did in his fish course and it goes against him, | 0:06:49 | 0:06:52 | |
then that's a worry. | 0:06:52 | 0:06:53 | |
BLEEP. | 0:06:55 | 0:06:56 | |
With just two places in tomorrow's regional final at stake, | 0:06:56 | 0:07:00 | |
all three chefs know that today it's do or die. | 0:07:00 | 0:07:04 | |
I'm going to do everything I can. | 0:07:04 | 0:07:07 | |
Think you can keep that one-point advantage, Andy? | 0:07:07 | 0:07:09 | |
I'll be hot on your heels and hopefully leave Mary Ann behind. | 0:07:09 | 0:07:11 | |
-This is all-out war. -The battle of the desserts, eh? | 0:07:11 | 0:07:14 | |
Even though I am only two points ahead of Andy and three points | 0:07:16 | 0:07:19 | |
of Mary Ann, all I've got to do is just make one big mistake, | 0:07:19 | 0:07:21 | |
and that's me gone completely. | 0:07:21 | 0:07:23 | |
But I don't plan to let that slip today. | 0:07:23 | 0:07:26 | |
Like David, | 0:07:27 | 0:07:28 | |
Andy's got various complex components to get right today. | 0:07:28 | 0:07:33 | |
His homage to the great British blackberry, | 0:07:33 | 0:07:35 | |
a fruit that was plentiful during the war features a summer pudding, | 0:07:35 | 0:07:38 | |
a sorbet, panna cotta and a souffle. | 0:07:38 | 0:07:41 | |
To do a souffle is not the easiest thing to do, Andy. | 0:07:41 | 0:07:44 | |
-You don't get nowhere if you don't take a risk. -Well, true. True. | 0:07:44 | 0:07:47 | |
Mary Ann's only doing two elements, she can make us all tea. | 0:07:47 | 0:07:49 | |
Excuse me. I'm doing two and a half elements. | 0:07:49 | 0:07:52 | |
Oh, I do apologise. | 0:07:52 | 0:07:53 | |
-Two and a half elements. -Quite. | 0:07:53 | 0:07:55 | |
I've got nothing to lose really. I'm giving it everything I've got, and | 0:07:56 | 0:07:59 | |
fingers crossed I'm going to come out of it on top. | 0:07:59 | 0:08:02 | |
Desperate to beat Andy to the judges' chamber, Mary Ann | 0:08:03 | 0:08:06 | |
is attempting to up her presentation today. | 0:08:06 | 0:08:09 | |
She's mixing glucose with flour and butter | 0:08:09 | 0:08:11 | |
to make the delicate tuile baskets for her take on the classic | 0:08:11 | 0:08:15 | |
English dessert, Queen Of Puddings. | 0:08:15 | 0:08:18 | |
Her tuiles go into the oven. | 0:08:18 | 0:08:20 | |
And she turns her attention to her vanilla ice cream which she'll | 0:08:20 | 0:08:23 | |
ripple with raspberry later, before moving on to her lemon custard base. | 0:08:23 | 0:08:28 | |
What's this? | 0:08:28 | 0:08:29 | |
That's the milk infused with the lemon rind vanilla pod. | 0:08:29 | 0:08:33 | |
-And when that's cooled down... -OK. -..I can add the egg yolks. | 0:08:33 | 0:08:37 | |
-Yeah. -Pour them into the moulds, and then straight into the oven. | 0:08:37 | 0:08:41 | |
It's a simple pudding but, you know, it's something that can be, | 0:08:41 | 0:08:44 | |
if it's made well, very delicious. | 0:08:44 | 0:08:46 | |
Determined to push past Mary Ann and David, young gun Andy | 0:08:50 | 0:08:53 | |
is working on the rice pudding base for his blackberry souffle... | 0:08:53 | 0:08:57 | |
..as well as his blackberry panna cotta mix, | 0:08:58 | 0:09:00 | |
to which he adds a special setting agent. | 0:09:00 | 0:09:02 | |
But after his mistakes in the main course, Angela wants to know | 0:09:02 | 0:09:05 | |
if he's on the right track. | 0:09:05 | 0:09:07 | |
-Is that the panna cotta? -Yeah. | 0:09:07 | 0:09:09 | |
Oh, so you're setting it on the plate? | 0:09:09 | 0:09:10 | |
Yeah, and then I've got to cut another small circle | 0:09:10 | 0:09:13 | |
-out of the top of that... -Right. | 0:09:13 | 0:09:14 | |
..to set the souffle in. | 0:09:14 | 0:09:15 | |
OK, so it's not a huge souffle. | 0:09:15 | 0:09:18 | |
He's cutting a bit of the panna cotta out | 0:09:18 | 0:09:19 | |
cos he's going to put the hot souffle next to it which makes me wonder | 0:09:19 | 0:09:22 | |
is that the right thing, unless this product he's using | 0:09:22 | 0:09:25 | |
to set his panna cotta will withstand the heat. | 0:09:25 | 0:09:28 | |
All I know is - put something hot next to something cold | 0:09:28 | 0:09:30 | |
it's going to melt it, so let's wait and see. | 0:09:30 | 0:09:33 | |
Current leader David is drawing on his training as a pastry chef | 0:09:34 | 0:09:37 | |
to hold on to his lead but he's got lots of elements | 0:09:37 | 0:09:40 | |
to bring together for his World War II remembrance dessert. | 0:09:40 | 0:09:44 | |
His lemon and poppy seed shortbread goes into the oven | 0:09:44 | 0:09:47 | |
but the stress is starting to show. | 0:09:47 | 0:09:50 | |
-Ah, you -BLEEP. | 0:09:50 | 0:09:51 | |
-BLEEP -sake. | 0:09:52 | 0:09:53 | |
BLEEP. | 0:09:53 | 0:09:55 | |
What are you making? | 0:09:57 | 0:09:58 | |
Just remaking my raspberry sponge. | 0:09:58 | 0:10:00 | |
Remaking? Why? | 0:10:00 | 0:10:01 | |
Schoolboy error. | 0:10:01 | 0:10:03 | |
-I dropped the shell into the mix. -Oh, the shell. -Yeah. | 0:10:03 | 0:10:06 | |
David's obviously feeling the pressure because | 0:10:06 | 0:10:08 | |
he's cracked shell into his mixture. | 0:10:08 | 0:10:10 | |
So, he's had to do something twice | 0:10:10 | 0:10:12 | |
which is a bit of a pain in the neck. | 0:10:12 | 0:10:13 | |
Across the kitchen, | 0:10:15 | 0:10:16 | |
returning chef Mary Ann is also beginning to feel the pressure. | 0:10:16 | 0:10:20 | |
BLEEP. | 0:10:20 | 0:10:21 | |
Excuse me. | 0:10:21 | 0:10:23 | |
She brings her tuiles out of the oven before moulding them | 0:10:23 | 0:10:26 | |
into basket shapes. | 0:10:26 | 0:10:28 | |
So far, Mary Ann's lost points on presentation so she needs to execute | 0:10:28 | 0:10:32 | |
every element of her Queen Of Puddings perfectly today. | 0:10:32 | 0:10:36 | |
-Did you let it cool slightly before? -Oh, yes. -OK. | 0:10:36 | 0:10:38 | |
-And then you mould it when it's just on the... -That's right. | 0:10:38 | 0:10:41 | |
That's too brittle. Not going to play ball. | 0:10:41 | 0:10:44 | |
-That one might. -Yet, but that's -BLEEP, -isn't it? -Oh, yeah. | 0:10:45 | 0:10:48 | |
Mary Ann has no choice but to remake her tuiles. | 0:10:48 | 0:10:52 | |
I've done tuiles a thousand times. These are giving me a problem | 0:10:52 | 0:10:55 | |
because I've got so many other things | 0:10:55 | 0:10:56 | |
to think about at the same time. | 0:10:56 | 0:10:58 | |
And the timing on each one is crucial. | 0:10:58 | 0:11:00 | |
-Mary Ann, your tuile's going everywhere. -Oh, dammit. | 0:11:00 | 0:11:04 | |
-Oh, -BLEEP. | 0:11:04 | 0:11:06 | |
I hate them. | 0:11:06 | 0:11:07 | |
-So is that your third batch in the oven now? -This will be, yeah. | 0:11:07 | 0:11:11 | |
It's not been third time lucky, then, Mary Ann? | 0:11:11 | 0:11:13 | |
Former army cadet and TA soldier David | 0:11:16 | 0:11:19 | |
has a strong military family background, | 0:11:19 | 0:11:21 | |
so getting to the commemorative banquet this year | 0:11:21 | 0:11:24 | |
means everything. | 0:11:24 | 0:11:25 | |
So I was really lucky enough to get over to Normandy | 0:11:25 | 0:11:28 | |
to go and have a look at the war graves. It's mind-blowing. | 0:11:28 | 0:11:30 | |
When you're walking through the massive graveyards, it's just... | 0:11:30 | 0:11:33 | |
-It takes your breath away. -< Yeah. | 0:11:33 | 0:11:34 | |
Makes me really feel...you know, | 0:11:34 | 0:11:36 | |
this dessert really pays tribute to these guys | 0:11:36 | 0:11:40 | |
and the people in this country who sacrificed so much for our country. | 0:11:40 | 0:11:43 | |
-Yeah. -It's amazing. -Really amazing experience. | 0:11:43 | 0:11:45 | |
Over 4,000 fallen Commonwealth soldiers are buried | 0:11:48 | 0:11:51 | |
at the Bayeux Cemetery in Normandy. | 0:11:51 | 0:11:53 | |
And for David, there were some very personal connections. | 0:11:53 | 0:11:56 | |
I've just noticed one of the graves from a soldier | 0:11:59 | 0:12:01 | |
who was in the Royal Welch Fusiliers from my regiment. | 0:12:01 | 0:12:04 | |
I... It's a little bit of time. It's very, very sad. | 0:12:04 | 0:12:07 | |
It's just mind-boggling really. | 0:12:10 | 0:12:12 | |
I just want to do the best I possibly can with the food | 0:12:12 | 0:12:15 | |
I put on the plate and be at the banquet at the end to pay ultimate | 0:12:15 | 0:12:18 | |
homage to the guys who are still here today, | 0:12:18 | 0:12:20 | |
and to say thank you really. | 0:12:20 | 0:12:21 | |
To find out more about the remarkable events | 0:12:25 | 0:12:27 | |
of that fateful day, | 0:12:27 | 0:12:29 | |
David visited the first house in France to be liberated | 0:12:29 | 0:12:32 | |
during the capture of Pegasus Bridge, | 0:12:32 | 0:12:34 | |
an objective that was imperative to the success | 0:12:34 | 0:12:36 | |
of the D-Day landings. | 0:12:36 | 0:12:38 | |
Owner, Arlette Gondree, has lived here all her life, | 0:12:40 | 0:12:43 | |
and has kept the cafe going | 0:12:43 | 0:12:44 | |
as a shrine of remembrance to which D-Day veterans regularly return. | 0:12:44 | 0:12:49 | |
What was it like during the time of occupation? | 0:12:49 | 0:12:51 | |
We had hardly anything to eat, we had no clothes, no shoes, | 0:12:51 | 0:12:57 | |
and we lived in fear. | 0:12:57 | 0:12:58 | |
You were four at the time when the British came. | 0:13:00 | 0:13:03 | |
What was the feeling like? | 0:13:03 | 0:13:04 | |
Very frightening. But the parents had warned us | 0:13:04 | 0:13:07 | |
that something was going to be very, very soon happening, | 0:13:07 | 0:13:10 | |
and we would have a better life. | 0:13:10 | 0:13:13 | |
During the battle for Pegasus Bridge, | 0:13:13 | 0:13:15 | |
the cafe was used as a makeshift medical refuge. | 0:13:15 | 0:13:18 | |
This table is the table that actually would receive | 0:13:18 | 0:13:22 | |
-the wounded on their stretchers. -Yeah. | 0:13:22 | 0:13:24 | |
They would bring them in here, two soldiers, lay them on here | 0:13:24 | 0:13:28 | |
and then straight into the dining room... | 0:13:28 | 0:13:30 | |
-God. -..where they would be operated on. | 0:13:30 | 0:13:32 | |
My mother was a trained nurse... | 0:13:32 | 0:13:34 | |
-Yeah. -..and there were two medics. -Yeah. | 0:13:34 | 0:13:36 | |
-It was a mean of survival, and we were lucky. -Yeah. | 0:13:36 | 0:13:38 | |
-We are extremely lucky to be alive. -Yeah. | 0:13:38 | 0:13:41 | |
To me, Madame Gondree, | 0:13:42 | 0:13:43 | |
with the story she had about the hardship | 0:13:43 | 0:13:45 | |
she had to go through is awe-inspiring. | 0:13:45 | 0:13:48 | |
I want to make this dish sing just to remember | 0:13:48 | 0:13:51 | |
the sacrifices that the French | 0:13:51 | 0:13:53 | |
and also the British soldiers went through on D-Day and Normandy, | 0:13:53 | 0:13:57 | |
and to have the remembrance there on the plate will be fantastic. | 0:13:57 | 0:14:01 | |
Focused on honouring D-Day and those who didn't return, | 0:14:10 | 0:14:13 | |
David's marching on with his lemon and poppy seed dessert. | 0:14:13 | 0:14:16 | |
He tops his lemon mousse with remade raspberry sponge | 0:14:16 | 0:14:19 | |
and leaves to chill... | 0:14:19 | 0:14:20 | |
..before rolling out the mix for his poppy seed brandy snaps | 0:14:22 | 0:14:25 | |
which need to both cool and set in time for plate up. | 0:14:25 | 0:14:29 | |
David, you've been criticised by Angela before | 0:14:29 | 0:14:31 | |
-about how many elements your dish has. -Yeah. | 0:14:31 | 0:14:33 | |
-Are you still happy to keep the five that you've got? -I think I'm fine. | 0:14:33 | 0:14:36 | |
You can talk, Andy. You've got four elements on yours. | 0:14:36 | 0:14:39 | |
And you got a souffle. | 0:14:39 | 0:14:40 | |
It's more pressure on you, Andy, than me, mate. | 0:14:40 | 0:14:42 | |
Ambitious Andy gets to work on his blackberry sorbet | 0:14:46 | 0:14:49 | |
before soaking bread in blackberry juice for his summer pudding. | 0:14:49 | 0:14:53 | |
Next, he checks the rice pudding puree which will form the base | 0:14:55 | 0:14:58 | |
of his souffle, but there's a problem. | 0:14:58 | 0:15:00 | |
-How's it going, Andy? -My rice pudding base has just split. | 0:15:00 | 0:15:03 | |
OK. So how are you going to rectify that? | 0:15:03 | 0:15:05 | |
I might have a little tiny bit of cream. | 0:15:05 | 0:15:07 | |
-I hope it'll bind it back together. -OK. | 0:15:07 | 0:15:09 | |
But I'm also going to start another one of those well, just in case. | 0:15:09 | 0:15:13 | |
Everybody's making mistakes today. | 0:15:13 | 0:15:15 | |
The pressure is just so high, and everyone wants to get to Friday. | 0:15:15 | 0:15:17 | |
With plate up nearing, Andy's not the only one struggling. | 0:15:19 | 0:15:23 | |
Mary Ann's got an ice cream issue. | 0:15:23 | 0:15:26 | |
Looks a bit hard and crumbly from here. | 0:15:26 | 0:15:28 | |
That can be remedied. | 0:15:28 | 0:15:30 | |
Please! | 0:15:33 | 0:15:35 | |
What are you up to, Mary Ann? | 0:15:35 | 0:15:37 | |
-BLEEP -up the ice cream. | 0:15:37 | 0:15:38 | |
It's curdled, Angela. | 0:15:38 | 0:15:40 | |
What will you do instead? Leave it off? | 0:15:40 | 0:15:42 | |
-No, I'm not. I'm going to make another batch. -OK. Good. | 0:15:42 | 0:15:46 | |
That can't be helped. I can't only put half my dish out. | 0:15:46 | 0:15:48 | |
OK, all right. | 0:15:48 | 0:15:49 | |
-Well, I'm going to let you get on with it. -Sorry. | 0:15:49 | 0:15:52 | |
With Mary Ann, she's split her ice cream. | 0:15:54 | 0:15:56 | |
The poor woman was near to tears. Basically split. | 0:15:56 | 0:15:59 | |
It's just turned into butter. | 0:15:59 | 0:16:01 | |
You know, is over-whipped and its overworked | 0:16:01 | 0:16:03 | |
so she has to make a fresh one. | 0:16:03 | 0:16:04 | |
Luckily, competitive chef David is first to serve his | 0:16:07 | 0:16:10 | |
Lemon And Poppy remembrance dessert. | 0:16:10 | 0:16:13 | |
-I think it's my best dish. -You're scaring me. | 0:16:13 | 0:16:15 | |
He starts his plate with a raspberry powder poppy | 0:16:17 | 0:16:20 | |
with a black icing centre and poppy seeds. | 0:16:20 | 0:16:22 | |
Next, smears of lemon curd followed by poppy seed brandy snaps, | 0:16:23 | 0:16:28 | |
topped with poppies made from icing. | 0:16:28 | 0:16:31 | |
He adds raspberry sponge covered with lemon mousse | 0:16:32 | 0:16:35 | |
and mini lemon and poppy shortbreads. | 0:16:35 | 0:16:38 | |
Can I just make one minor, tiny comment? | 0:16:38 | 0:16:41 | |
-Yeah. -You missed a shortbread biscuit. | 0:16:41 | 0:16:43 | |
I know, yeah, I've just seen that. | 0:16:43 | 0:16:45 | |
Finally, raspberries, raspberry gel and evaporated milk ice cream. | 0:16:45 | 0:16:50 | |
There we go. | 0:16:54 | 0:16:55 | |
-What do you think, Andy? -It looks really pretty. -Mary Ann? | 0:16:57 | 0:16:59 | |
-Scares the pants off me. -Scares the pants... Come on. | 0:16:59 | 0:17:02 | |
Let's go. | 0:17:02 | 0:17:03 | |
-This is exactly as you visualised it and practised it? -Yeah, yeah. | 0:17:08 | 0:17:11 | |
So, Mary Ann, what do you think? | 0:17:13 | 0:17:15 | |
I feel like it's a work of art and therefore shouldn't be touched. | 0:17:15 | 0:17:18 | |
With the sponge, you made it twice? | 0:17:20 | 0:17:22 | |
I was kind of just rushing and slipped and just got eggshell in. | 0:17:22 | 0:17:25 | |
And do you think that the fact that you've been a pastry chef before | 0:17:25 | 0:17:28 | |
has given you the edge here? | 0:17:28 | 0:17:29 | |
Yeah, it's helped me out a lot, yeah. | 0:17:29 | 0:17:31 | |
The shortbread buttery enough for you? | 0:17:31 | 0:17:33 | |
I feel, it breaks down really nice. | 0:17:33 | 0:17:34 | |
I think the little biscuit's lovely. | 0:17:36 | 0:17:38 | |
Yeah, it's nice. It's got a good crunch. | 0:17:38 | 0:17:40 | |
-And then what's this? -That's raspberry sugar. | 0:17:41 | 0:17:43 | |
-That's the colour you wanted? -I would have liked a bit more red. | 0:17:43 | 0:17:45 | |
It's a good little bit of artwork. | 0:17:46 | 0:17:48 | |
Certainly is. | 0:17:48 | 0:17:50 | |
-This is a poppy seed tuile? -It's a brandy snap mix. | 0:17:50 | 0:17:52 | |
And that's thin enough for you to eat or too thick? | 0:17:52 | 0:17:55 | |
-I think if I went thinner it'd be too, too delicate. -OK. | 0:17:55 | 0:17:58 | |
My teeth are sticking together. | 0:17:59 | 0:18:01 | |
I'm going to lose a filling. | 0:18:01 | 0:18:03 | |
Does this tell a story to you? | 0:18:04 | 0:18:06 | |
It's typical of remembrance for me. | 0:18:06 | 0:18:08 | |
If that got to the banquet, he would have done the veterans proud. | 0:18:08 | 0:18:12 | |
And what would you score? | 0:18:12 | 0:18:14 | |
-Between eight and nine, for me. -OK. | 0:18:14 | 0:18:16 | |
It's got to be a nine. | 0:18:16 | 0:18:17 | |
I'd give it an eight, personally. | 0:18:18 | 0:18:20 | |
Finished at last, I think. | 0:18:22 | 0:18:23 | |
Don't know what Angela's thinking. | 0:18:23 | 0:18:25 | |
I couldn't have done any better. | 0:18:25 | 0:18:26 | |
Next to plate up is returning contender Mary Ann. | 0:18:28 | 0:18:31 | |
She's desperate to leapfrog Andy's one-point lead | 0:18:31 | 0:18:33 | |
to land in the judge's chamber tomorrow. | 0:18:33 | 0:18:36 | |
Lovely. | 0:18:36 | 0:18:37 | |
She tops her lemon breadcrumb custards with | 0:18:37 | 0:18:39 | |
thick layers of hot raspberry jam... | 0:18:39 | 0:18:42 | |
-I'm under control. -..pipes meringue over the top... | 0:18:42 | 0:18:45 | |
..sprinkles with sugar, | 0:18:46 | 0:18:48 | |
and finishes in the oven. | 0:18:48 | 0:18:49 | |
-You are right there, Mary Ann? -Yeah. | 0:18:49 | 0:18:51 | |
Next, she makes the coulis for her raspberry ripple... | 0:18:52 | 0:18:55 | |
..before bringing out her puddings. | 0:18:58 | 0:19:00 | |
The Lord is with me. For this, at least. | 0:19:00 | 0:19:03 | |
It's the moment of truth for her new batch of ice cream. | 0:19:04 | 0:19:07 | |
Thank God it's worked! | 0:19:10 | 0:19:11 | |
Mary Ann ripples her raspberry coulis through the ice cream... | 0:19:13 | 0:19:16 | |
..and serves with raspberries in her third-time-lucky tuile baskets. | 0:19:18 | 0:19:23 | |
Wow, looks really nice, Mary Ann. | 0:19:23 | 0:19:25 | |
Well done, dear, calm down. | 0:19:31 | 0:19:32 | |
-So, you made it again then? -Yes. -Great. | 0:19:32 | 0:19:34 | |
-So, your dessert is called...? -Queen Of Puddings. | 0:19:34 | 0:19:37 | |
Lovely. Looks fit for a queen. Right. | 0:19:37 | 0:19:39 | |
Well, let go and eat it. | 0:19:39 | 0:19:41 | |
Is the presentation what you wanted to achieve? | 0:19:44 | 0:19:46 | |
You don't feel one overpowers the other? | 0:19:46 | 0:19:48 | |
The main ingredient is the Queen Of Puddings | 0:19:48 | 0:19:50 | |
-These are edible garnishes. -Sure. | 0:19:50 | 0:19:53 | |
-Simple, clean, tidy. -Yeah, simple | 0:19:53 | 0:19:55 | |
-but elegant. -Yeah. | 0:19:55 | 0:19:57 | |
-Had a little issue with the ice cream? -Not a little issue, Angela. | 0:19:57 | 0:20:00 | |
A very big issue. | 0:20:00 | 0:20:01 | |
It's a good flavour but I think it's got a funny feel like it's split. | 0:20:03 | 0:20:06 | |
The tuile, is that the size you wanted? | 0:20:08 | 0:20:10 | |
I would rather it was smaller but I left my tuile moulds at home. | 0:20:10 | 0:20:15 | |
Right. | 0:20:15 | 0:20:16 | |
The custard, in a way, with the bread, | 0:20:16 | 0:20:18 | |
that's the consistency you wanted? | 0:20:18 | 0:20:20 | |
-Exactly the consistency I wanted. -OK. | 0:20:20 | 0:20:22 | |
Bread's set lovely down the bottom. | 0:20:24 | 0:20:25 | |
Enough jam or too much jam? | 0:20:25 | 0:20:27 | |
I think it's possibly a little too much jam. | 0:20:27 | 0:20:29 | |
I've made it quite sweet. | 0:20:29 | 0:20:30 | |
A tad on the sweet side but I think it's really nice. | 0:20:30 | 0:20:33 | |
If you put that in front of someone | 0:20:33 | 0:20:34 | |
would they necessarily think that was linked to the Second World War? | 0:20:34 | 0:20:37 | |
Well, I would hope that people would remember, | 0:20:37 | 0:20:39 | |
-you're using up stale bread. -Yeah. | 0:20:39 | 0:20:42 | |
You're only using two eggs. | 0:20:42 | 0:20:44 | |
-I'm a little nervous. -I think it's going to be very close | 0:20:44 | 0:20:46 | |
between me and Mary Ann. | 0:20:46 | 0:20:48 | |
What would you score it? | 0:20:48 | 0:20:50 | |
After the disasters I've had today with this, I don't know. | 0:20:50 | 0:20:53 | |
-I think it should be a good seven. -I agree with you there. | 0:20:53 | 0:20:56 | |
It's a seven. | 0:20:56 | 0:20:58 | |
I'm not sure what Angela was thinking | 0:20:58 | 0:21:00 | |
but she did eat quite a lot of it. | 0:21:00 | 0:21:01 | |
Particularly the Queen Of Puddings itself. | 0:21:01 | 0:21:04 | |
But I have to confess, I was enjoying it too. | 0:21:04 | 0:21:06 | |
SHE LAUGHS | 0:21:06 | 0:21:07 | |
Last to plate up is young gun Andy who's determined to stay ahead | 0:21:08 | 0:21:12 | |
of Mary Ann and secure a place in front of the judges | 0:21:12 | 0:21:15 | |
with his Great British Blackberry dessert. | 0:21:15 | 0:21:17 | |
But having remade his rice pudding souffle base, | 0:21:18 | 0:21:21 | |
there's another problem. | 0:21:21 | 0:21:23 | |
-It's gone again. -BLEEP. | 0:21:23 | 0:21:24 | |
All right, use the first one. | 0:21:25 | 0:21:27 | |
-It split, the same as the first one did. -Oh, sweetheart. | 0:21:27 | 0:21:30 | |
Andy has no choice but to go back to his original rice pudding. | 0:21:30 | 0:21:34 | |
He adds blackberry puree... | 0:21:34 | 0:21:37 | |
before mixing in meringue... | 0:21:37 | 0:21:40 | |
and piping into small moulds. | 0:21:40 | 0:21:41 | |
Andy's souflees go into the oven. | 0:21:43 | 0:21:45 | |
Time to pray. | 0:21:45 | 0:21:46 | |
He assembles his mini summer puddings and places them | 0:21:47 | 0:21:50 | |
on his panna cotta, followed by boozy blackberries. | 0:21:50 | 0:21:54 | |
Andy keeps an eye on his souffles which must be timed to | 0:21:54 | 0:21:56 | |
perfection in order to rise. | 0:21:56 | 0:21:58 | |
This is the tense bit. | 0:21:58 | 0:22:00 | |
Blackberry sorbet goes onto his plates... | 0:22:00 | 0:22:04 | |
They're certainly coming up. | 0:22:04 | 0:22:06 | |
Yeah, they're coming. | 0:22:06 | 0:22:07 | |
And finally, it's time for the souffles to come out. | 0:22:09 | 0:22:12 | |
Andy finishes his poppy plate presentation with a glass lid. | 0:22:17 | 0:22:21 | |
-Andy, how are you doing? -So relieved, you would not believe it. | 0:22:24 | 0:22:28 | |
-Wow, risen. Happy with that? -Yeah, very happy. | 0:22:29 | 0:22:32 | |
Right, let's go and taste it. | 0:22:32 | 0:22:33 | |
-So, blackberry four ways, yeah? -Yes. | 0:22:36 | 0:22:38 | |
That looks like a stunning dessert. | 0:22:39 | 0:22:41 | |
Looks very nice, doesn't it? | 0:22:41 | 0:22:42 | |
Everything as you wanted? | 0:22:42 | 0:22:44 | |
I had a few issues trying to get the souffle absolutely right. | 0:22:44 | 0:22:47 | |
The base was splitting as I was making it. | 0:22:47 | 0:22:48 | |
It come together in the end luckily. | 0:22:48 | 0:22:50 | |
It's a little tiny bit dense. | 0:22:50 | 0:22:51 | |
It still rose which I was really happy about. | 0:22:51 | 0:22:55 | |
Maybe a little bit heavy for me for a souffle. | 0:22:55 | 0:22:57 | |
And is that the flavour you wanted for the panna cotta? | 0:22:58 | 0:23:01 | |
There's a lot of different blackberry elements | 0:23:01 | 0:23:03 | |
so I wanted something mellow. | 0:23:03 | 0:23:04 | |
I can barely detect any blackberry in there. | 0:23:04 | 0:23:06 | |
I wouldn't say it's blackberry or a panna cotta. | 0:23:06 | 0:23:08 | |
-It's more like a jelly, isn't it? -Yes. | 0:23:08 | 0:23:10 | |
-And sorbet? -Sorbet's beautiful. | 0:23:10 | 0:23:12 | |
It's the best part of the dish in my opinion. | 0:23:12 | 0:23:14 | |
It's nice, light. | 0:23:14 | 0:23:16 | |
-Oh, it's fabulous. -Yeah. | 0:23:16 | 0:23:18 | |
Then you've got your summer pudding here. | 0:23:18 | 0:23:19 | |
Is it too small or that's the size you wanted? | 0:23:19 | 0:23:22 | |
I think that's the size I wanted really. | 0:23:22 | 0:23:24 | |
Bit nondescript really, isn't it? | 0:23:26 | 0:23:28 | |
Do you think that tells a story on a plate for you? | 0:23:28 | 0:23:30 | |
First thing you think of when you see a poppy is remembrance. | 0:23:30 | 0:23:32 | |
Do you think he's done enough to overhaul you, Mary Ann? | 0:23:32 | 0:23:35 | |
I really don't know. | 0:23:35 | 0:23:36 | |
-You all right, Andy? -Yeah, it wasn't perfect | 0:23:40 | 0:23:42 | |
but I'm happy as I was able to put a souffle up | 0:23:42 | 0:23:44 | |
and get it finished. | 0:23:44 | 0:23:45 | |
It all comes down to the last course on this one, cos we're so close. | 0:23:48 | 0:23:51 | |
-Yeah. -Cos I can't call it who's going to go through. | 0:23:51 | 0:23:53 | |
Nor can I. | 0:23:53 | 0:23:55 | |
It's down to Angela now. We'll just have to see what she thinks. | 0:23:57 | 0:24:00 | |
-All done and dusted. -Finally. | 0:24:10 | 0:24:12 | |
Only two of you can go through to the judges' chamber. | 0:24:12 | 0:24:15 | |
I'm going to have to start with you, David. | 0:24:16 | 0:24:19 | |
For your Lemon And Poppy with raspberry, | 0:24:19 | 0:24:22 | |
a lot going on in this plate. | 0:24:22 | 0:24:24 | |
And for me, I didn't think the sort of purple poppy worked. | 0:24:24 | 0:24:27 | |
I understood how it looked on the plate but I thought, you know, | 0:24:27 | 0:24:30 | |
it's purple, really should be a red poppy. | 0:24:30 | 0:24:33 | |
Didn't really need it, in my opinion. | 0:24:33 | 0:24:35 | |
I also think the brandy snap could've been a bit thinner. | 0:24:35 | 0:24:39 | |
However... | 0:24:39 | 0:24:40 | |
all the elements did come together really well. | 0:24:40 | 0:24:43 | |
I thought your lemon and a poppy seed shortbread was delicious. | 0:24:43 | 0:24:47 | |
And likewise, with your lemon mousse and your raspberry sponge.... | 0:24:47 | 0:24:50 | |
and your theme of remembrance. You could see it on the plate. | 0:24:50 | 0:24:53 | |
Mary Ann. | 0:24:55 | 0:24:56 | |
Your Queen Of Puddings with raspberry ripple ice cream. | 0:24:57 | 0:25:01 | |
For me, it was your best looking dish of the week. | 0:25:03 | 0:25:06 | |
I also thought it tasted fantastic. | 0:25:06 | 0:25:08 | |
I loved the custard with the breadcrumbs. | 0:25:08 | 0:25:09 | |
I thought it was absolutely delicious. | 0:25:09 | 0:25:11 | |
And your meringue - exactly as you wanted it. | 0:25:11 | 0:25:14 | |
You know, crunchy on top, slightly chewy. | 0:25:14 | 0:25:17 | |
However... | 0:25:17 | 0:25:19 | |
your raspberry ripple ice cream, I know there are issues. | 0:25:19 | 0:25:22 | |
It was too buttery on the palate, | 0:25:22 | 0:25:24 | |
-there was not something right. It didn't... -No, I agree. | 0:25:24 | 0:25:26 | |
..do it justice. | 0:25:26 | 0:25:28 | |
So, Andy. | 0:25:28 | 0:25:29 | |
For your Great British Blackberry | 0:25:30 | 0:25:34 | |
you really set yourself a big challenge there. | 0:25:34 | 0:25:36 | |
And the souffle, despite what happened, made it in the end. | 0:25:37 | 0:25:40 | |
Your blackberry sorbet was absolutely delicious. | 0:25:41 | 0:25:45 | |
However... | 0:25:45 | 0:25:46 | |
For me, I think the souffle's too small a mould | 0:25:46 | 0:25:48 | |
and therefore the mixture too dense for it. | 0:25:48 | 0:25:51 | |
Your panna cotta - it was slightly too firm. | 0:25:52 | 0:25:54 | |
The summer pudding, for me, I didn't feel was a summer pudding | 0:25:56 | 0:25:59 | |
but I think if you took away the actual poppy plate, | 0:25:59 | 0:26:01 | |
would you look at that and think, "Does that say remembrance to me?" | 0:26:01 | 0:26:04 | |
So, for the scores. | 0:26:06 | 0:26:08 | |
With a score... | 0:26:11 | 0:26:13 | |
of nine... | 0:26:13 | 0:26:14 | |
..and going through to the judges' chamber... | 0:26:16 | 0:26:18 | |
..is David. | 0:26:21 | 0:26:23 | |
-Congratulations. -Well done. -Thank you. | 0:26:23 | 0:26:25 | |
So, two chefs left... | 0:26:27 | 0:26:28 | |
..but unfortunately only one of you can go through to the next level. | 0:26:30 | 0:26:34 | |
So, Mary Ann... | 0:26:36 | 0:26:37 | |
..for your Queen Of Puddings... | 0:26:40 | 0:26:41 | |
I'm giving you... | 0:26:43 | 0:26:44 | |
..a seven. | 0:26:46 | 0:26:47 | |
And, Andy... | 0:26:49 | 0:26:50 | |
For your Great British Blackberry... | 0:26:51 | 0:26:53 | |
..I'm giving you... | 0:26:54 | 0:26:55 | |
..a five. | 0:26:58 | 0:26:59 | |
So, Mary Ann, you're through to the judges' chamber. | 0:27:00 | 0:27:03 | |
Oh, you're joking! | 0:27:03 | 0:27:04 | |
Congratulations. | 0:27:04 | 0:27:05 | |
-Well done, my dear. -Commiserations, Andy. | 0:27:06 | 0:27:09 | |
-Oh, baby. -You've got to do it all again tomorrow now. | 0:27:09 | 0:27:11 | |
-I know! -BLEEP. | 0:27:11 | 0:27:13 | |
-Well done. Well done, Mary Ann. Well done. -Well done, my dear. | 0:27:13 | 0:27:17 | |
You know yourself, Andy, your pudding was your letdown. | 0:27:17 | 0:27:20 | |
-Back next year, yeah? -Oh, definitely, yeah. -Onwards and upwards, yeah? | 0:27:20 | 0:27:23 | |
I was convinced I was going home. | 0:27:23 | 0:27:25 | |
Well, if you carry on I might change, you know? So... | 0:27:25 | 0:27:27 | |
THEY LAUGH | 0:27:27 | 0:27:28 | |
-OK, Thank you, guys. -Thank you. -Thank you. -Thank you very much. | 0:27:28 | 0:27:31 | |
-MARY ANN: -God Almighty. | 0:27:31 | 0:27:33 | |
David and Mary Ann will cook for the judges tomorrow | 0:27:33 | 0:27:36 | |
but Andy must leave the competition. | 0:27:36 | 0:27:39 | |
It was so close and then it was just one point in it. | 0:27:40 | 0:27:42 | |
Somebody has to lose, and unfortunately it was me this time. | 0:27:42 | 0:27:45 | |
-Oh, Mary Ann, don't worry. -No, I know. | 0:27:45 | 0:27:47 | |
As far as I was concerned, you two were a shoo-in. | 0:27:47 | 0:27:50 | |
I'm actually bowled over. It's a brilliant result | 0:27:50 | 0:27:53 | |
at the end of the week. Started off a bit dodgy but | 0:27:53 | 0:27:55 | |
I got there in the end. | 0:27:55 | 0:27:56 | |
-I'm going to have a sleepless night. -Well, me too. | 0:27:56 | 0:27:58 | |
You got four judges there now, you know. | 0:27:58 | 0:28:00 | |
-Big critics, aren't they? So... -Oh, yes, they are. | 0:28:00 | 0:28:03 | |
'I've never been so shocked | 0:28:03 | 0:28:06 | |
'in my life.' | 0:28:06 | 0:28:07 | |
I've made it to the judges' chamber for the second time. | 0:28:07 | 0:28:10 | |
Wow. | 0:28:12 | 0:28:13 | |
Tomorrow, Mary Ann and David go head-to-head... | 0:28:15 | 0:28:17 | |
I'm a little bit nervous if I'm honest. | 0:28:18 | 0:28:20 | |
..cooking their dishes again for the judges. | 0:28:20 | 0:28:22 | |
-Oh. -BLEEP. | 0:28:22 | 0:28:23 | |
The food must be delicious... | 0:28:23 | 0:28:25 | |
It's awful. | 0:28:25 | 0:28:27 | |
It's awful food. | 0:28:27 | 0:28:28 | |
..as only one chef can win the last place in the finals. | 0:28:28 | 0:28:31 | |
The winner is... | 0:28:31 | 0:28:33 |