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Two rival amateur cooks are converting their homes into restaurants. | 0:00:02 | 0:00:05 | |
It's possible to see vegetarians as people who knit their own lentils. | 0:00:05 | 0:00:09 | |
It's a slight risk, yes, but where's the fun if there's no risk? | 0:00:09 | 0:00:14 | |
They've been given just one day and a budget of up to £200. | 0:00:14 | 0:00:18 | |
I'm panicking, I'm panicking. | 0:00:18 | 0:00:20 | |
20 strangers will be judging the results. | 0:00:20 | 0:00:22 | |
How stupid am I on a scale of 1 to 10? 11. | 0:00:22 | 0:00:26 | |
It'll be entirely up to the diners to decide how much or how little they pay. | 0:00:26 | 0:00:30 | |
That was the nicest thing I've eaten forever! | 0:00:30 | 0:00:34 | |
It was really blurgh! | 0:00:34 | 0:00:36 | |
So, can the cooks deliver the goods and will either of them make any money? | 0:00:36 | 0:00:40 | |
Hello and welcome to Instant Restaurant. | 0:00:46 | 0:00:50 | |
Now, it doesn't matter how good a cook you think you are, | 0:00:50 | 0:00:53 | |
creating an unforgettable menu for paying strangers | 0:00:53 | 0:00:57 | |
has got to be the ultimate challenge, | 0:00:57 | 0:01:00 | |
but today's rival cooks are confident | 0:01:00 | 0:01:03 | |
they've got what it takes to pull it off and make a profit. | 0:01:03 | 0:01:06 | |
First up, Paul Tobin from Taunton, | 0:01:08 | 0:01:10 | |
a social worker, life coach, reiki healer and committed vegetarian. | 0:01:10 | 0:01:17 | |
I've been a veggie since I was 21, so that's 32 years now. | 0:01:17 | 0:01:21 | |
It was his reiki teacher who put him on the path to meat free dining. | 0:01:21 | 0:01:25 | |
He said, "Be a vegetarian, it makes your vibes better," | 0:01:25 | 0:01:28 | |
and so I thought, "I can do that," | 0:01:28 | 0:01:30 | |
but I suspect I was one of those people who... | 0:01:30 | 0:01:32 | |
Who would have become a veggie anyway. | 0:01:32 | 0:01:35 | |
He's on a mission to give his diners the veggie vibe | 0:01:35 | 0:01:38 | |
and pay top dollar for his fare. | 0:01:38 | 0:01:40 | |
What I'm cooking tonight is... | 0:01:40 | 0:01:42 | |
Is wholesome, but simple food | 0:01:42 | 0:01:45 | |
and I think that's what will lift it out of this misconception | 0:01:45 | 0:01:50 | |
that vegetarian food is in some way, well, like, weird. | 0:01:50 | 0:01:55 | |
Oh, let's hope the diners won't find it weird. | 0:01:55 | 0:01:58 | |
Paul's rival restaurant is opening its doors | 0:01:59 | 0:02:01 | |
at imposing Chipley Manor on the edge of Dartmoor. | 0:02:01 | 0:02:04 | |
At the helm is 58-year-old management consultant Andrew Strigner | 0:02:04 | 0:02:09 | |
and when it comes to food, he's keen on the classics. | 0:02:09 | 0:02:13 | |
Certainly my cooking tonight is very much | 0:02:13 | 0:02:15 | |
traditional, | 0:02:15 | 0:02:18 | |
but with maybe a couple of little surprises, I hope. | 0:02:18 | 0:02:22 | |
His passion for food comes from his Italian grandmother. | 0:02:22 | 0:02:26 | |
She was, in fact, a tailor but she was also a very, very good cook. | 0:02:26 | 0:02:29 | |
I think, really, she taught me to love food, as well. | 0:02:29 | 0:02:33 | |
And he's got his own idiosyncratic way of doing things. | 0:02:33 | 0:02:38 | |
This is basically my mind map. | 0:02:38 | 0:02:42 | |
Little roadmaps all the way around, you know? | 0:02:42 | 0:02:44 | |
I have a torturous and convoluted mind, but... | 0:02:44 | 0:02:48 | |
So I need a map sometimes. | 0:02:48 | 0:02:50 | |
Good luck with navigating that, Andrew. | 0:02:50 | 0:02:52 | |
I hope you don't find yourself up a dead end. | 0:02:52 | 0:02:54 | |
Now, Andrew couldn't be further removed from veggie Paul. | 0:02:54 | 0:02:58 | |
He's serving food with a face, a rich mix of seafood, duck and offal. | 0:02:58 | 0:03:04 | |
The nightmare diner for me is the person who's not going to try | 0:03:04 | 0:03:08 | |
anything that I've got on my menu, who says... Is going to say, | 0:03:08 | 0:03:12 | |
"I don't like fish, can't eat offal, won't eat offal, | 0:03:12 | 0:03:15 | |
"this is an awful menu you've got here." | 0:03:15 | 0:03:18 | |
That's going to be my nightmare diner. | 0:03:18 | 0:03:21 | |
But this challenge is about a whole lot more than the menu. | 0:03:21 | 0:03:24 | |
It's about creating the perfect restaurant experience. | 0:03:24 | 0:03:28 | |
Over to you, Paul. | 0:03:28 | 0:03:30 | |
Well, my restaurant is called Gilliegants. | 0:03:30 | 0:03:33 | |
Gilliegants is an old Somerset dialect word for cavorting | 0:03:33 | 0:03:37 | |
with the opposite sex, which seems a great name for a restaurant, really. | 0:03:37 | 0:03:42 | |
Yes, this innocuous suburban terrace is going to play host to Paul's frolic themed restaurant. | 0:03:42 | 0:03:48 | |
That could get the curtains twitching. | 0:03:48 | 0:03:51 | |
Inside, the decor has a certain rustic charm about it. | 0:03:51 | 0:03:55 | |
The chairs are odd. Four of them come from my garden. | 0:03:55 | 0:04:00 | |
I have a camping table for half of it. | 0:04:00 | 0:04:02 | |
It is certainly a rustic restaurant. | 0:04:02 | 0:04:06 | |
Over at majestic Chipley Manor | 0:04:06 | 0:04:08 | |
they're rolling out the full, formal dining experience, | 0:04:08 | 0:04:12 | |
starched linen tablecloths and polished silver. | 0:04:12 | 0:04:16 | |
The concept is really to the manor born. | 0:04:16 | 0:04:20 | |
We are lucky to, sort of, have and live in | 0:04:20 | 0:04:23 | |
what is actually quite an elegant, I think, house | 0:04:23 | 0:04:26 | |
and what we're trying to do is actually sort of bring this elegance across | 0:04:26 | 0:04:31 | |
in our presentation and maybe a little bit in the cooking, as well. | 0:04:31 | 0:04:36 | |
Both cooks can have two assistants to help them prepare for the challenge. | 0:04:36 | 0:04:41 | |
At Gilliegants, Paul's roped in next door neighbour Bethan | 0:04:41 | 0:04:45 | |
and niece Gayle, who's a little bit nervous. | 0:04:45 | 0:04:48 | |
I've sort of been thrown in the deep end a bit and I'm just like, "OK, I'll do it." | 0:04:48 | 0:04:52 | |
That's the spirit! | 0:04:52 | 0:04:54 | |
I've been asked to come and be front of house this evening. | 0:04:54 | 0:04:57 | |
I'm just going to give it a go, | 0:04:57 | 0:04:59 | |
hopefully give them a nice warm greeting | 0:04:59 | 0:05:02 | |
and make them feel quite comfortable and then help with the waitressing. | 0:05:02 | 0:05:07 | |
At his grand manor house, Andrew's counting on his wife, Andrea. | 0:05:09 | 0:05:13 | |
Wow! That looks fantastic. | 0:05:13 | 0:05:16 | |
Well done, well done. Super! | 0:05:16 | 0:05:20 | |
Yeah, I just want to create a nice atmosphere and a nice... | 0:05:20 | 0:05:23 | |
That group is enjoying just the evening. | 0:05:23 | 0:05:26 | |
And also pitching in is long time family friend Helen. | 0:05:26 | 0:05:30 | |
-It's a very good team. -Thank you. Good team. -Good team. | 0:05:30 | 0:05:33 | |
So, it's the battle of the full blooded lord of the manor | 0:05:33 | 0:05:37 | |
versus the New Age vegetarian, | 0:05:37 | 0:05:40 | |
so how much of their £200 allowance have the rivals needed to spend? | 0:05:40 | 0:05:45 | |
Well, Andrew's decided he must have £160 to make the right impression, | 0:05:45 | 0:05:51 | |
so he'll be looking for more than £16 a head to go into profit. | 0:05:51 | 0:05:55 | |
Paul's managed on £40 less, | 0:05:55 | 0:05:58 | |
so he needs to take £12 a head if he's to break even. | 0:05:58 | 0:06:02 | |
It could be a close call, this one. | 0:06:02 | 0:06:04 | |
But of course it's up to the diners how much they'll pay, | 0:06:04 | 0:06:07 | |
and if they don't like what they get, | 0:06:07 | 0:06:10 | |
our cooks could end up with nothing at all. | 0:06:10 | 0:06:13 | |
Each instant restaurant will be judged by ten strangers drawn from different walks of life, | 0:06:13 | 0:06:17 | |
but with one thing in common, an appetite for a good night out. | 0:06:17 | 0:06:22 | |
At Paul's restaurant the guests are arriving, | 0:06:22 | 0:06:25 | |
not that anyone's noticed. | 0:06:27 | 0:06:30 | |
At Chipley, the team are standing by | 0:06:33 | 0:06:36 | |
and the diners are greeted by Andrea... | 0:06:36 | 0:06:39 | |
Welcome to Chipley Manor. | 0:06:39 | 0:06:40 | |
And shown into the parlour for drinks and nibbles. | 0:06:40 | 0:06:43 | |
Oh, nice! | 0:06:43 | 0:06:47 | |
But at Gilliegants, after a ten minute wait, | 0:06:47 | 0:06:49 | |
the diners are still on the doorstep. | 0:06:49 | 0:06:52 | |
Apparently there are three couples, or three sets of two. | 0:06:52 | 0:06:56 | |
-Three sets of two. -And one set of four. | 0:06:56 | 0:06:58 | |
Yes, we know, they're trying to get in! | 0:06:58 | 0:07:00 | |
Anyone going to answer? | 0:07:00 | 0:07:03 | |
-Hello. -Hello! -Now, have you been waiting long? | 0:07:03 | 0:07:06 | |
-No, really. -No. -You've not? | 0:07:06 | 0:07:08 | |
Oh, yes, you have. | 0:07:08 | 0:07:09 | |
Absolutely fine. | 0:07:09 | 0:07:10 | |
Oh, we couldn't hear a thing back there so I do apologise. | 0:07:10 | 0:07:13 | |
We waited rather longer on the doorstep than I would have imagined possible... | 0:07:13 | 0:07:17 | |
-It was funny though, wasn't it? -..for a dinner party. | 0:07:17 | 0:07:19 | |
-I did find that amusing. -Once inside it was very welcoming. | 0:07:19 | 0:07:22 | |
The lighting was nice, I liked that straight away and the colours. That was very welcoming. | 0:07:22 | 0:07:26 | |
-Yes. No, I agree. -Nice warm colours. | 0:07:26 | 0:07:28 | |
Meanwhile, over at Chipley Manor all the guests have managed | 0:07:28 | 0:07:31 | |
to make it through the front door in time for Andrew's welcome. | 0:07:31 | 0:07:35 | |
I think this is going to be quite an interesting evening for all of us. | 0:07:35 | 0:07:40 | |
Away from the rest of the crowd, | 0:07:40 | 0:07:42 | |
the guests get a chance to tell us what they really think. | 0:07:42 | 0:07:45 | |
When we first arrived we were really impressed, the building's really nice. | 0:07:45 | 0:07:49 | |
When we walked in we thought it was really good. | 0:07:49 | 0:07:52 | |
-We did, yeah. -We thought, "Wow, what a posh house! | 0:07:52 | 0:07:54 | |
"This can't be somebody's house it must be a hotel!" | 0:07:54 | 0:07:56 | |
Now they've decided to answer the front door at Paul's, | 0:07:56 | 0:08:00 | |
Gilliegants is filling up, too. | 0:08:00 | 0:08:03 | |
It was very friendly, | 0:08:03 | 0:08:05 | |
a bit small, but then their house isn't huge so that can't be helped. | 0:08:05 | 0:08:11 | |
I think I was expecting it to be tables of two, tables of four. | 0:08:11 | 0:08:15 | |
I wouldn't have said I walked in and felt it was a restaurant. | 0:08:15 | 0:08:18 | |
Well, all that Georgian grandeur at Andrew's seems to have made | 0:08:20 | 0:08:25 | |
a big impression, while Paul's eatery was a bit more homely, | 0:08:25 | 0:08:29 | |
but now it's all about the menus, | 0:08:29 | 0:08:31 | |
so knives and forks at the ready, it's time for starters. | 0:08:31 | 0:08:35 | |
Paul's hoping to get his guests gillieganting | 0:08:35 | 0:08:38 | |
with his choice of starters, | 0:08:38 | 0:08:40 | |
sweetcorn fritters served with a selection of homemade chutneys, | 0:08:40 | 0:08:44 | |
or goat's cheese and beetroot salad. | 0:08:44 | 0:08:47 | |
The sweetcorn fritters are new for us and we really like them. | 0:08:47 | 0:08:53 | |
Nice light introduction to the meal. | 0:08:53 | 0:08:55 | |
The goat's cheese and beetroot is a firm favourite. | 0:08:55 | 0:08:59 | |
It's a good classic combination. | 0:08:59 | 0:09:01 | |
Sweetcorn fritters, chutney? | 0:09:01 | 0:09:04 | |
That's OK, yes. | 0:09:04 | 0:09:05 | |
The goat's cheese with beetroot, | 0:09:05 | 0:09:07 | |
unusual combination, but I think that works, I think that works. | 0:09:07 | 0:09:11 | |
I'm going to do it myself and I think I've got competition here. | 0:09:11 | 0:09:15 | |
Well, we'll soon find out, Andrew. | 0:09:15 | 0:09:17 | |
Paul got cracking on his starters earlier in the day. | 0:09:17 | 0:09:20 | |
I'm just going to make the batter for the sweetcorn fritters, | 0:09:20 | 0:09:25 | |
so that's that in. What I'm going to add to this now | 0:09:25 | 0:09:30 | |
are some dried chillies from my sister-in-law's garden. | 0:09:30 | 0:09:34 | |
He shops the chillies in a rustic style and chucks the whole lot in the batter, seeds and all. | 0:09:34 | 0:09:39 | |
Oh, ho, that could certainly spice things up. | 0:09:39 | 0:09:42 | |
I'm hoping that people will find my menu adventurous. | 0:09:42 | 0:09:46 | |
It's not a fancy menu and I'm using the word rustic all day | 0:09:46 | 0:09:50 | |
in the hope that it covers many sins. | 0:09:50 | 0:09:52 | |
Well, that's one way of looking at it. | 0:09:52 | 0:09:54 | |
Next it's the beetroot for the goat's cheese salad | 0:09:54 | 0:09:58 | |
and assistant Gayle is in charge. | 0:09:58 | 0:10:00 | |
I'm just going to cut it really finely and it's... | 0:10:00 | 0:10:03 | |
It's really as rustic as that, to be honest. | 0:10:03 | 0:10:06 | |
There's that rustic word again! | 0:10:06 | 0:10:09 | |
I wonder what the diners will make of it. | 0:10:09 | 0:10:13 | |
-What we're looking at is five goat's cheese and five sweetcorn. -Right. | 0:10:13 | 0:10:19 | |
-Wonderful. -Well, half and half. | 0:10:19 | 0:10:21 | |
I'm feeling... Oh, yeah, I'm feeling quite cool about them. | 0:10:21 | 0:10:24 | |
That looks as though it's still not ready to turn over. | 0:10:24 | 0:10:27 | |
That looks as though it probably is. | 0:10:27 | 0:10:29 | |
That's perfect, actually. That's a nice one. | 0:10:29 | 0:10:31 | |
Well, the fritters fry in the pan, the beetroot | 0:10:31 | 0:10:34 | |
gets goat's cheese crumbled over it and then salad leaves on top. | 0:10:34 | 0:10:37 | |
Rather a lots of salad leaves! | 0:10:37 | 0:10:40 | |
The salads look marvellous, actually. | 0:10:40 | 0:10:42 | |
-That needs to swap over. -What can I say? | 0:10:42 | 0:10:45 | |
Plating up the sweetcorn fritters, | 0:10:45 | 0:10:47 | |
Paul adds a dollop of rhubarb and apple chutney | 0:10:47 | 0:10:50 | |
and then a spoonful of lime pickle, and not much else. | 0:10:50 | 0:10:53 | |
No garnish, no nothing. | 0:10:53 | 0:10:55 | |
Rustic, you see? | 0:10:55 | 0:10:57 | |
With presentation, I am not very good. | 0:10:57 | 0:10:59 | |
I cannot do the fine part of it at all. | 0:10:59 | 0:11:02 | |
Oh, dear. I hope that won't be a problem with your diners. | 0:11:02 | 0:11:07 | |
-Sweetcorn? -Yes. | 0:11:07 | 0:11:09 | |
Thank you. | 0:11:09 | 0:11:11 | |
Presentation wasn't that good. | 0:11:11 | 0:11:14 | |
It would have been good to have had a little bit of greenery with it | 0:11:14 | 0:11:18 | |
because it all just looked the same colour, rather dull on the plate. | 0:11:18 | 0:11:22 | |
It probably doesn't look as attractive as it could do, | 0:11:22 | 0:11:25 | |
but I'm sure it'll taste very good. | 0:11:25 | 0:11:27 | |
When they came my first thought was, | 0:11:27 | 0:11:30 | |
"Whoa, look at the size of the plate compared to what I'd been given," | 0:11:30 | 0:11:35 | |
but actually they were really tasty. | 0:11:35 | 0:11:38 | |
I'm not sharing this, it's too nice! | 0:11:38 | 0:11:40 | |
Any bleats about the beetroot and goat's cheese salad? | 0:11:40 | 0:11:43 | |
When it came it looked superb. | 0:11:43 | 0:11:45 | |
It was beautifully presented and it tasted as good as it looked. | 0:11:45 | 0:11:49 | |
I have to say I was very pleasantly surprised. | 0:11:49 | 0:11:52 | |
That's very nice. | 0:11:52 | 0:11:53 | |
If I'm honest, I'm a meat eater. | 0:11:53 | 0:11:55 | |
I would have never have eaten that before | 0:11:55 | 0:11:58 | |
-and having chosen that and eaten it, yeah, really nice. -Yeah, look. | 0:11:58 | 0:12:02 | |
-Oh, that looks... -Empty plates! | 0:12:02 | 0:12:04 | |
That looks wonderful. We're doing well. | 0:12:04 | 0:12:06 | |
-And with comments of, "That was lovely!" -Wonderful. -That was lovely. | 0:12:06 | 0:12:10 | |
-That's really music to my ears. -Good. | 0:12:10 | 0:12:12 | |
The fact that the plates are coming back empty makes me feel wonderful, actually. | 0:12:12 | 0:12:15 | |
I feel really good about that. It feels like we've got something right. | 0:12:15 | 0:12:18 | |
So, a pretty good start for vegetarian Paul, | 0:12:18 | 0:12:21 | |
but what's carnivorous Andrew got in store at Chipley Manor? | 0:12:21 | 0:12:25 | |
For his starters he's offering a choice of pan-fried duck liver with a walnut salad, | 0:12:25 | 0:12:31 | |
or a hearty seafood cocktail packed full of prawns, monkfish, | 0:12:31 | 0:12:34 | |
smoked salmon, crab, calamari, scallops and langoustine all smothered in Marie Rose sauce. | 0:12:34 | 0:12:40 | |
That's a bit of a mouthful! I hope his diners have got big appetites. | 0:12:40 | 0:12:44 | |
Living in South Devon close to Brixham, | 0:12:44 | 0:12:48 | |
fish and my seafood cocktail is a fantasy of fantastic fish. | 0:12:48 | 0:12:53 | |
And again we've got farming country, beautiful duck | 0:12:53 | 0:12:58 | |
and what better than duck liver as a starter? Fantastic. | 0:12:58 | 0:13:02 | |
This sounds like a man who really knows how to cook. | 0:13:02 | 0:13:07 | |
Let's hope so. Just an hour before his diners were due Andrew | 0:13:07 | 0:13:11 | |
began making the Marie Rose sauce for his fantasy seafood cocktail. | 0:13:11 | 0:13:17 | |
Mine is slightly different. | 0:13:17 | 0:13:19 | |
It's slightly sweeter, more refined, yes, of course. | 0:13:19 | 0:13:22 | |
First stage, mayo. Normally a labour of love | 0:13:22 | 0:13:25 | |
where the oil is usually slowly whisked into the egg yolks... | 0:13:25 | 0:13:28 | |
Just make sure we've got no shell in there. That's absolutely fine. | 0:13:28 | 0:13:33 | |
-Unless you're Andrew, in which case you dump it all in at once. -Right. | 0:13:33 | 0:13:37 | |
Add a dollop of tomato puree, | 0:13:37 | 0:13:38 | |
oh, and another dollop just for good measure. | 0:13:38 | 0:13:41 | |
A bit more, a bit more, bit more. | 0:13:41 | 0:13:43 | |
Nice and... Nice and deep. | 0:13:43 | 0:13:45 | |
And give it a quick blast. | 0:13:45 | 0:13:47 | |
Unconventional, but how does it taste? | 0:13:47 | 0:13:50 | |
Pretty good. | 0:13:56 | 0:13:57 | |
Perfect! | 0:13:57 | 0:13:59 | |
Well, we'll take your word for it. | 0:13:59 | 0:14:01 | |
But his starters have left Andrew with an awful lot to do at the last minute. | 0:14:01 | 0:14:06 | |
Once the diners' orders are in | 0:14:06 | 0:14:08 | |
he's got to cook the duck liver for one starter | 0:14:08 | 0:14:11 | |
and saute some of the ingredients for the sea food cocktail, as well. | 0:14:11 | 0:14:15 | |
The langoustines, prawns and scallops all hit the pan | 0:14:15 | 0:14:19 | |
and are then piled on top of cold ingredients. | 0:14:19 | 0:14:22 | |
Nice big langoustine poking through. | 0:14:22 | 0:14:25 | |
Then topped off with the Marie Rose sauce. | 0:14:25 | 0:14:27 | |
Isn't that a dainty dish to set before a king? | 0:14:27 | 0:14:31 | |
Yes, but I'm not sure you've got any royalty in the dining room, | 0:14:31 | 0:14:34 | |
and fiddling about with all that sea food means the duck livers | 0:14:34 | 0:14:38 | |
have been lingering in the pan for quite some time. | 0:14:38 | 0:14:41 | |
I hope it's not overdone. | 0:14:41 | 0:14:42 | |
And when it comes to plating up, | 0:14:42 | 0:14:44 | |
Andrew believes in being a hands on cook. | 0:14:44 | 0:14:47 | |
-OK. -Two sets. | 0:14:47 | 0:14:49 | |
-Good. -That's it? -That's it. -All right. -Thank you. | 0:14:49 | 0:14:52 | |
The cocktail was for the lady. | 0:14:52 | 0:14:54 | |
Yes, please. That looks lovely. Thank you very much. | 0:14:54 | 0:14:57 | |
-Thank you. -Enjoy it, yes. -Thank you very much, that looks lovely. | 0:14:57 | 0:15:01 | |
So, does Andrew's cuisine match up to the opulent surroundings? | 0:15:01 | 0:15:05 | |
For my starter I had a seafood cocktail, which I'd order in lots | 0:15:05 | 0:15:09 | |
of different restaurants, but this one was blurgh. | 0:15:09 | 0:15:13 | |
It was really blurgh. The whole thing. | 0:15:13 | 0:15:16 | |
All it tasted of was blurgh sauce. | 0:15:16 | 0:15:18 | |
The sauce is rather... I don't really know what the word is. | 0:15:18 | 0:15:22 | |
Will "blurgh" do? | 0:15:22 | 0:15:24 | |
It's not very pleasant, shall we say? | 0:15:24 | 0:15:26 | |
And, just generally, the taste wasn't too great. | 0:15:26 | 0:15:31 | |
It was just like a really rich tomato sauce | 0:15:31 | 0:15:34 | |
with lots of olive oil in it | 0:15:34 | 0:15:35 | |
and that really overpowered everything that was in there, | 0:15:35 | 0:15:39 | |
and the whole thing was odd. | 0:15:39 | 0:15:41 | |
Oh, dear, the seafood's nosedived, but what about the duck? | 0:15:41 | 0:15:45 | |
I had the duck liver and it was all right, | 0:15:45 | 0:15:48 | |
but I thought it was a bit dull to be honest. | 0:15:48 | 0:15:50 | |
It was a bit dry, the liver, and the little garnish of salad | 0:15:50 | 0:15:53 | |
could have done with some dressing to make it a bit more interesting. | 0:15:53 | 0:15:56 | |
And the presentation really did nothing at all for me | 0:15:56 | 0:15:59 | |
because I thought that eating, first of all, | 0:15:59 | 0:16:02 | |
was all about the smell and the visual | 0:16:02 | 0:16:04 | |
and none of those two worked for me | 0:16:04 | 0:16:06 | |
and the taste didn't work for me either, I'm afraid. | 0:16:06 | 0:16:08 | |
It's so wrong. | 0:16:08 | 0:16:10 | |
Oh, that's dive bombed, too, but Andrew remains unruffled. | 0:16:10 | 0:16:14 | |
OK, but... You know, you can't please everybody. Never mind. | 0:16:14 | 0:16:19 | |
What a shame. | 0:16:25 | 0:16:27 | |
All those gorgeous ingredients and hard work down the pan, | 0:16:27 | 0:16:30 | |
but there's still two courses to go, | 0:16:30 | 0:16:33 | |
so Andrew could turn things around. | 0:16:33 | 0:16:36 | |
In contrast, Paul's flavours are really doing the business | 0:16:36 | 0:16:40 | |
but his presentation isn't up to scratch, | 0:16:40 | 0:16:42 | |
so can he add a flourish or two to his mains? | 0:16:42 | 0:16:45 | |
At Gilliegants Paul's offering a choice of homemade tagliatelle | 0:16:45 | 0:16:50 | |
with fresh Somerset pesto, or mushroom Pan Haggerty, | 0:16:50 | 0:16:54 | |
an old English dish of potato, mushroom and onion, | 0:16:54 | 0:16:57 | |
topped with cheese and served with roasted root vegetables. | 0:16:57 | 0:17:02 | |
These two dishes really sum up my approach to food. | 0:17:02 | 0:17:05 | |
Locally resourced, good quality products, simply... | 0:17:05 | 0:17:10 | |
Simply prepared, give you a great taste. | 0:17:10 | 0:17:13 | |
The tagliatelle with pesto, | 0:17:13 | 0:17:15 | |
yes, but a bit simple, I think, for a restaurant main, | 0:17:15 | 0:17:18 | |
and the Pan Haggerty, I love the mushrooms, love the idea of it, | 0:17:18 | 0:17:22 | |
but I think, again, that would be an accompaniment | 0:17:22 | 0:17:26 | |
and not actually a dish in itself to me. | 0:17:26 | 0:17:28 | |
Well, Paul thinks it is | 0:17:28 | 0:17:30 | |
and set to work on the Pan Haggerty in the afternoon. | 0:17:30 | 0:17:34 | |
It's basically layer upon layer of potatoes, onions and mushroom. | 0:17:34 | 0:17:38 | |
Well, the wow factor for a dish like this I feel is in the... | 0:17:38 | 0:17:42 | |
Is in the taste. It does a long time in the oven. | 0:17:42 | 0:17:45 | |
It's... | 0:17:45 | 0:17:48 | |
It's unusual. It tastes wonderful. | 0:17:48 | 0:17:51 | |
So I'm hoping that that will be enough | 0:17:51 | 0:17:53 | |
to bring a smile to people's faces. | 0:17:53 | 0:17:56 | |
Well, if his diners were expecting posh nosh | 0:17:56 | 0:17:58 | |
they're in the wrong place. | 0:17:58 | 0:18:00 | |
I hope he doesn't lose out when it comes to pay up time. | 0:18:00 | 0:18:03 | |
Right, I'm going to just stick that in the oven | 0:18:03 | 0:18:06 | |
on the bottom shelf and leave it at that, actually. | 0:18:06 | 0:18:10 | |
For his Somerset pesto he's using rocket instead of basil. | 0:18:10 | 0:18:14 | |
Interesting, but, hang on a minute, that's not home grown salad! | 0:18:14 | 0:18:18 | |
It does actually come from Portugal. | 0:18:18 | 0:18:20 | |
This has been brought by road, I would imagine. | 0:18:20 | 0:18:23 | |
I'm 'fessing up to it straight away before we go any further. | 0:18:23 | 0:18:26 | |
So much for locally sourced dishes! | 0:18:26 | 0:18:29 | |
The other key ingredient is garlic, rather a lot of it. | 0:18:29 | 0:18:34 | |
The pesto also gets a glug of rapeseed oil, | 0:18:34 | 0:18:37 | |
which is locally sourced, and then a whiz in the blender. | 0:18:37 | 0:18:41 | |
Gosh, that is lovely, if I say so myself. | 0:18:41 | 0:18:44 | |
At 4.30pm he starts making fresh pasta. | 0:18:44 | 0:18:48 | |
It's a lengthy process, so after kneading, resting and rolling it, | 0:18:48 | 0:18:54 | |
his plan was to cut it after his diners had received their starters. | 0:18:54 | 0:18:59 | |
Sounds like that machine could do with a good oil! | 0:18:59 | 0:19:03 | |
Something's happened, it's too dry. | 0:19:03 | 0:19:05 | |
It's just not being picked up by the machine | 0:19:05 | 0:19:08 | |
as I'd have expected it to be. | 0:19:08 | 0:19:09 | |
So much for me saying, "Oh, you can do it earlier." That's it. | 0:19:09 | 0:19:13 | |
But eventually the pasta plays ball and he can get it in to boil. | 0:19:15 | 0:19:18 | |
This is the part that I'm really worried about | 0:19:18 | 0:19:21 | |
in case I overdo the pasta, but it's in the hands of the gods. | 0:19:21 | 0:19:25 | |
No, Paul, it's in the hands of ten hungry diners, | 0:19:25 | 0:19:28 | |
and chef's beginning to feel the pressure. | 0:19:28 | 0:19:30 | |
If you put that down over here, look, I need to drain... Just drop it in. | 0:19:30 | 0:19:34 | |
Just... No, just drop it in. Just leave it in, honestly. | 0:19:34 | 0:19:37 | |
I need five plates on the table ready for this. | 0:19:40 | 0:19:44 | |
And I need... | 0:19:44 | 0:19:47 | |
I need to be coherent. | 0:19:47 | 0:19:49 | |
I'm panicking, I'm panicking. | 0:19:49 | 0:19:50 | |
I'm realising that I have more plates, | 0:19:50 | 0:19:53 | |
but they are packed away somewhere | 0:19:53 | 0:19:55 | |
and I forgot to bring them out. How stupid am I? | 0:19:55 | 0:19:58 | |
On a scale of 1 to 10? 11. | 0:19:58 | 0:20:01 | |
-I would be worrying if it went smoothly. -Absolutely. | 0:20:01 | 0:20:04 | |
So, don't you be worrying. | 0:20:04 | 0:20:07 | |
Once again he's keeping it simple, rustic even. | 0:20:07 | 0:20:10 | |
A plate of pasta with a dollop of pesto on top. | 0:20:10 | 0:20:13 | |
No seasoning, no garnish. | 0:20:13 | 0:20:15 | |
But Bethan's tidying it up a bit. | 0:20:15 | 0:20:18 | |
His other main course, Pan Haggerty, simply needs to be plated up. | 0:20:18 | 0:20:23 | |
But that looks pretty damn good. | 0:20:23 | 0:20:25 | |
I think your guests will be the judge of that. | 0:20:25 | 0:20:28 | |
Hunks of roasted root veg and what have you got? | 0:20:28 | 0:20:31 | |
Ha-ha, rustic, that's what! | 0:20:31 | 0:20:34 | |
So, how's the pasta faring? | 0:20:36 | 0:20:40 | |
When it first came I was like, "Yes, fresh pesto, it's going to be lush." | 0:20:40 | 0:20:45 | |
And I smelled it, I was like, "Oh, that smells amazing." | 0:20:45 | 0:20:49 | |
When I first tasted it, it was so garlicky and I'm not a fan. | 0:20:49 | 0:20:54 | |
I'm really sorry, Paul, but, not... | 0:20:54 | 0:20:57 | |
I'd rather go to Tesco's. | 0:20:57 | 0:20:59 | |
I could have easily cooked that myself at home | 0:20:59 | 0:21:03 | |
and wouldn't have felt it was special enough to have had in a restaurant. | 0:21:03 | 0:21:09 | |
-There you go. -Thank you very much. | 0:21:09 | 0:21:11 | |
Oh, is the Pan Haggerty too homely? | 0:21:11 | 0:21:14 | |
I don't eat a lot of veggie stuff. | 0:21:14 | 0:21:16 | |
I kept lifting up the slices of potatoes | 0:21:16 | 0:21:18 | |
looking for a great chunk of meat inside, but it didn't happen! | 0:21:18 | 0:21:22 | |
Well, it is a vegetarian restaurant, sir! | 0:21:22 | 0:21:24 | |
It didn't hold together very well as a meal. It didn't... | 0:21:24 | 0:21:28 | |
The layers separated and didn't stack well, | 0:21:28 | 0:21:31 | |
but the flavours were good. | 0:21:31 | 0:21:32 | |
I think, with a little more attention to detail, | 0:21:32 | 0:21:35 | |
it could come up to restaurant standard. | 0:21:35 | 0:21:38 | |
The food has not looked as brilliant as... | 0:21:38 | 0:21:41 | |
As it, say, would do in a real restaurant. | 0:21:41 | 0:21:44 | |
I have to say it looks very, to use that overused word of mine, rustic. | 0:21:44 | 0:21:49 | |
But it's fine. It's working. | 0:21:49 | 0:21:51 | |
If they're enjoying it, I'm happy. | 0:21:51 | 0:21:52 | |
Will Andrew's diners be happy with what he's got in store? | 0:21:52 | 0:21:56 | |
He's serving pan-fried red mullet with home-grown veg from the garden, | 0:21:56 | 0:22:00 | |
or braised oxtail in Napoli sauce made with tomatoes, | 0:22:00 | 0:22:04 | |
olives, capers and anchovies all served with homemade pasta. | 0:22:04 | 0:22:09 | |
I love oxtail. It's fantastic. | 0:22:09 | 0:22:11 | |
Underrated. Everybody I know loves oxtail, they just never eat it. | 0:22:11 | 0:22:15 | |
Give it a little fantasy, a few olives, a little bit of tomato | 0:22:15 | 0:22:21 | |
and it's a fantastic dish. | 0:22:21 | 0:22:23 | |
As a vegetarian, you might be expecting me to turn round | 0:22:23 | 0:22:26 | |
and to be critical of this part of the menu. I'm not. | 0:22:26 | 0:22:30 | |
I think everybody has their own choice. | 0:22:30 | 0:22:32 | |
Both dishes require a great deal of expertise | 0:22:32 | 0:22:35 | |
that I'm sure Andrew has. | 0:22:35 | 0:22:37 | |
Diplomatic to the end, Paul, | 0:22:37 | 0:22:40 | |
and we'll soon see about that technical expertise. | 0:22:40 | 0:22:43 | |
Mid morning and Andrew was searing the oxtail | 0:22:43 | 0:22:45 | |
and waxing lyrical. | 0:22:45 | 0:22:47 | |
I think it's one of those forgotten dishes, really, | 0:22:47 | 0:22:50 | |
that old English cooking that my mother's mother used to do | 0:22:50 | 0:22:54 | |
and even my mother used to do. | 0:22:54 | 0:22:57 | |
And oxtail is one of those dishes. | 0:22:57 | 0:23:01 | |
On the other hand, | 0:23:01 | 0:23:02 | |
I'm giving this a sort of Mediterranean style also, | 0:23:02 | 0:23:04 | |
because I'm going back to the other grandmother as well, who's Italian. | 0:23:04 | 0:23:08 | |
Taking his cue from that Italian heritage, he'll slow cook the meat | 0:23:08 | 0:23:13 | |
in a rich tomatoey Napoli sauce until the meat falls off the bone. | 0:23:13 | 0:23:16 | |
So that has been in the oven now for about two hours | 0:23:17 | 0:23:21 | |
and it's just coming off the bone beautifully. | 0:23:21 | 0:23:24 | |
And I'm now going to make nice tidy little parcels of it | 0:23:24 | 0:23:28 | |
and to do that, I'm using... | 0:23:28 | 0:23:33 | |
caul fat. | 0:23:33 | 0:23:35 | |
This is what they call sometimes caul fat, | 0:23:35 | 0:23:37 | |
sometimes they call it the veil. | 0:23:37 | 0:23:39 | |
Whatever you call it, | 0:23:39 | 0:23:41 | |
it's the membrane surrounding a cow's internal organs | 0:23:41 | 0:23:44 | |
that Andrew is using to hold his oxtail parcels together. | 0:23:44 | 0:23:47 | |
I hope his diners have got the stomach for this sort of thing. | 0:23:47 | 0:23:52 | |
Apart from, you know, keeping it tidy, | 0:23:52 | 0:23:54 | |
the veil is actually going to help keep it all moist, | 0:23:54 | 0:23:58 | |
as that membrane there is just going to sort of seal it, | 0:23:58 | 0:24:03 | |
seal it all up | 0:24:03 | 0:24:05 | |
when I come to actually get this the final sort of roast off. | 0:24:05 | 0:24:08 | |
I wonder if it will be fatty? | 0:24:08 | 0:24:12 | |
Oh, now he's gone all Italian again, | 0:24:12 | 0:24:15 | |
making fresh pasta to accompany the oxtail dish. | 0:24:15 | 0:24:18 | |
I'm making my own pasta | 0:24:18 | 0:24:20 | |
because I think if you're going to a restaurant, it's a bit of a cheat | 0:24:20 | 0:24:23 | |
to actually have something thrown at you out of a packet. | 0:24:23 | 0:24:27 | |
Any fool can do that. | 0:24:27 | 0:24:28 | |
To get the thin sheets needed for tagliatelle, | 0:24:28 | 0:24:31 | |
Andrew breaks out his pasta machine. | 0:24:31 | 0:24:33 | |
Did everyone in the West Country get one of these for Christmas? | 0:24:33 | 0:24:36 | |
How long have I been making pasta? Crikey! | 0:24:36 | 0:24:39 | |
Certainly as long as I can remember. | 0:24:39 | 0:24:41 | |
I can't remember having learnt. | 0:24:41 | 0:24:43 | |
I remember doing, | 0:24:43 | 0:24:45 | |
but not learning. | 0:24:45 | 0:24:47 | |
That is just super! | 0:24:48 | 0:24:50 | |
Benissima! Perfetto! | 0:24:52 | 0:24:55 | |
Let's hope it's as perfetto as it looks. | 0:24:55 | 0:24:59 | |
As the starter plates are cleared from the dining room, | 0:24:59 | 0:25:02 | |
the oxtail and caul fat concoctions go in the oven to finish cooking. | 0:25:02 | 0:25:07 | |
Now Andrew can turn his attention to the fish. | 0:25:07 | 0:25:10 | |
What I've got here is red mullet fillet. | 0:25:10 | 0:25:13 | |
It's coated in flour, egg and breadcrumbs, | 0:25:13 | 0:25:16 | |
ready to be cooked in hot oil. | 0:25:16 | 0:25:17 | |
But it's slow going, with the fish hitting the pan | 0:25:17 | 0:25:21 | |
20 minutes after the starters were cleared. | 0:25:21 | 0:25:23 | |
Not that Andrew's worried. | 0:25:23 | 0:25:25 | |
Funny enough, I'm quite surprised at how I'm doing here. | 0:25:25 | 0:25:29 | |
You know, I thought I might be in more trouble than I actually am. | 0:25:29 | 0:25:33 | |
I wouldn't speak too soon, Andrew. | 0:25:33 | 0:25:35 | |
There are some very hungry and pretty restless diners out there. | 0:25:35 | 0:25:41 | |
We've just been discussing | 0:25:41 | 0:25:42 | |
how we've been waiting for our main courses for over an hour now. | 0:25:42 | 0:25:46 | |
I've gone past the point of hungry. | 0:25:46 | 0:25:48 | |
I'm just a bit cold and a bit tired, now. | 0:25:48 | 0:25:51 | |
If this was a restaurant, I'd have walked by now. | 0:25:51 | 0:25:53 | |
But in the kitchen, | 0:25:53 | 0:25:55 | |
Andrew and his team are still taking it at their own pace. | 0:25:55 | 0:25:59 | |
Yeah, we could have been a bit faster, but, you know, | 0:25:59 | 0:26:02 | |
everything's together, this is the main thing and that's my main worry. | 0:26:02 | 0:26:07 | |
In the dining room, things are going from bad to worse. | 0:26:07 | 0:26:10 | |
The waitresses haven't been around. | 0:26:10 | 0:26:13 | |
It's beginning to rumble, definitely. | 0:26:13 | 0:26:15 | |
Another five minutes, I think we'll go looking for the chef, so... | 0:26:15 | 0:26:19 | |
We're just ringing to say try not to let Sophie stay up, | 0:26:19 | 0:26:23 | |
because we've only just had our starter. | 0:26:23 | 0:26:26 | |
Sweet dreams, Sophie. Mummy could be some time. | 0:26:26 | 0:26:29 | |
Do you think I should apologise for the wait? | 0:26:29 | 0:26:34 | |
Er...you can do. | 0:26:34 | 0:26:36 | |
You can say is there anything... Is there any issues at the moment? | 0:26:36 | 0:26:40 | |
Yeah. | 0:26:40 | 0:26:41 | |
That's a definite yes. It's been an hour since they finished their starters | 0:26:41 | 0:26:46 | |
and one hungry diner is reduced to retrieving the pre-dinner nibbles! | 0:26:46 | 0:26:50 | |
There you go. Do you want crisps or nuts? | 0:26:50 | 0:26:52 | |
-I don't mind. What would you like? -You can have some nuts. | 0:26:52 | 0:26:55 | |
I'm very sorry for that. | 0:26:55 | 0:26:58 | |
But we'll start laying the plates out and, yes. | 0:26:58 | 0:27:01 | |
Cooking the food? | 0:27:01 | 0:27:03 | |
With his guests reduced to snacking, | 0:27:05 | 0:27:07 | |
Andrew is at last on the home straight | 0:27:07 | 0:27:10 | |
with the pasta going into the boiling water. | 0:27:10 | 0:27:12 | |
-Just hope for the best now. -Just to hurry things along a bit, | 0:27:12 | 0:27:15 | |
Andrea gives the potato salad to go with the fish | 0:27:15 | 0:27:18 | |
a generous glug of olive oil. | 0:27:18 | 0:27:20 | |
That should be absolutely fine. | 0:27:20 | 0:27:23 | |
Fish. | 0:27:23 | 0:27:24 | |
An hour and 23 minutes after the starters were served, | 0:27:24 | 0:27:28 | |
Andrew finally begins plating up the main courses. | 0:27:28 | 0:27:31 | |
First the fish, then the oxtail. | 0:27:31 | 0:27:34 | |
-Is it done? -Yes. | 0:27:34 | 0:27:36 | |
Right. | 0:27:36 | 0:27:38 | |
It's been languishing in the oven for over an hour. | 0:27:38 | 0:27:41 | |
-I hope it hasn't gone dry. -Do you want this with that or not? -No. | 0:27:41 | 0:27:45 | |
Hallelujah! | 0:27:45 | 0:27:47 | |
Exactly an hour and a half after polishing off their starters, | 0:27:47 | 0:27:50 | |
the diners can finally tuck into their mains | 0:27:50 | 0:27:53 | |
and they're so relieved, there's even a round of applause! | 0:27:53 | 0:27:56 | |
-Enjoy it. -Thank you. | 0:27:56 | 0:27:59 | |
-Thank you. -Thank you very much. | 0:27:59 | 0:28:00 | |
-Thank you. -Thank you. | 0:28:00 | 0:28:02 | |
Enjoy it. | 0:28:02 | 0:28:04 | |
It's cold! | 0:28:04 | 0:28:05 | |
Yours is cold, is it? Mine's hot. | 0:28:05 | 0:28:08 | |
I had the oxtail for my main. | 0:28:12 | 0:28:15 | |
After waiting an hour, you expect something pretty special | 0:28:15 | 0:28:18 | |
and unfortunately, it wasn't really that special. | 0:28:18 | 0:28:22 | |
With the main course, I thought this would be the dish | 0:28:22 | 0:28:25 | |
that really pulled it back, because the first course was appalling | 0:28:25 | 0:28:28 | |
and I was really looking forward to this, | 0:28:28 | 0:28:31 | |
but absolute failure, I'm afraid. | 0:28:31 | 0:28:33 | |
-No. -I can't eat any more. | 0:28:33 | 0:28:37 | |
Whoops! Well, maybe the fish dish is better. | 0:28:37 | 0:28:40 | |
The fish isn't too bad. | 0:28:40 | 0:28:42 | |
-The potatoes... -They're cold! -Cold. | 0:28:42 | 0:28:44 | |
Cold and I don't like them at all. | 0:28:44 | 0:28:47 | |
There was some potato concoction which was absolutely disgusting, I'm afraid. | 0:28:47 | 0:28:52 | |
Apart from the fact it was cold, | 0:28:52 | 0:28:53 | |
it was in some kind of congealed... | 0:28:53 | 0:28:56 | |
I can only assume | 0:28:56 | 0:28:58 | |
it was supposed to be a sauce, but tasted horrible. | 0:28:58 | 0:29:02 | |
The actual fish itself was OK. | 0:29:02 | 0:29:06 | |
I had the red mullet. I mean, I ate it | 0:29:06 | 0:29:08 | |
because I was pretty hungry, | 0:29:08 | 0:29:10 | |
but if it was that cold in the restaurant, I'd have sent it back. | 0:29:10 | 0:29:13 | |
The potatoes that it came on | 0:29:14 | 0:29:17 | |
I didn't really get on with. | 0:29:17 | 0:29:20 | |
Again, they weren't that warm. | 0:29:20 | 0:29:23 | |
Not a bad flavour, | 0:29:23 | 0:29:24 | |
but some of them were undercooked too, so that was a problem. | 0:29:24 | 0:29:27 | |
Well, at least one person seems to be happy, just not the right person. | 0:29:27 | 0:29:32 | |
That was a good one. | 0:29:32 | 0:29:34 | |
What's that? | 0:29:34 | 0:29:36 | |
-Vegetable. -That's OK, good. Fine. | 0:29:36 | 0:29:39 | |
So, reactions on the plates - | 0:29:39 | 0:29:41 | |
actually, most of the plates look fairly clean at the moment. | 0:29:41 | 0:29:44 | |
I am quite pleased with that. | 0:29:44 | 0:29:47 | |
Poor Andrew! "Horrible!" "Disgusting!" | 0:29:49 | 0:29:53 | |
Not exactly what you want to hear about your culinary labours of love, | 0:29:53 | 0:29:57 | |
and his diners look like they were on the verge of mutiny! | 0:29:57 | 0:30:01 | |
He's going to need nothing short of a miracle with his desserts, | 0:30:01 | 0:30:04 | |
and Paul is still getting stick for his lack of finesse, | 0:30:04 | 0:30:08 | |
so can he deliver the wow factor with his puds? | 0:30:08 | 0:30:12 | |
Well, Paul's relying on a three-shot extravaganza. | 0:30:12 | 0:30:15 | |
A chocolate shot, | 0:30:15 | 0:30:17 | |
and a seasonal sorbet of apples with a slug of apple brandy. | 0:30:17 | 0:30:21 | |
Or raspberry stacks made with orange, shortbread and cream. | 0:30:21 | 0:30:26 | |
Sorbets I adore and I will make them every chance I get. | 0:30:26 | 0:30:30 | |
The raspberry stack is a bit of a wild card, really. | 0:30:30 | 0:30:34 | |
I think his puds are fantastic. | 0:30:34 | 0:30:36 | |
The sorbets sound good and I love the idea of the raspberry. | 0:30:36 | 0:30:40 | |
I've got problems, haven't I? | 0:30:40 | 0:30:42 | |
You could have a point, Andrew. | 0:30:42 | 0:30:44 | |
Paul's prep began with the rich chocolate mousse | 0:30:44 | 0:30:47 | |
for his triple-shot dessert. | 0:30:47 | 0:30:49 | |
Just going to add all of this chocolate. | 0:30:49 | 0:30:51 | |
Chocolate is melted in warm cream and then gets a splash of brandy. | 0:30:51 | 0:30:56 | |
I shall use I would have probably thought that much to begin with, | 0:30:56 | 0:31:00 | |
which is a reasonable amount. | 0:31:00 | 0:31:02 | |
Then I think I'm going to have to taste it. Life is hard! | 0:31:02 | 0:31:06 | |
Hmmm... | 0:31:07 | 0:31:09 | |
What do you think, Paul? | 0:31:09 | 0:31:10 | |
I think it probably needs a bit more brandy, actually, to be honest. | 0:31:12 | 0:31:16 | |
-Oh, go on, then! -God, I sound like I know what I'm talking about! | 0:31:16 | 0:31:20 | |
Paul slops his luxurious mousse into the glasses | 0:31:20 | 0:31:23 | |
in what he might proudly describe as rustic. | 0:31:23 | 0:31:26 | |
I love that word. | 0:31:26 | 0:31:28 | |
I think rustic just means, well, yes, it's... | 0:31:28 | 0:31:32 | |
it covers part of that slapdashness. | 0:31:32 | 0:31:35 | |
Slapdash! Oh, perish the thought(!) | 0:31:35 | 0:31:38 | |
I'll put these in the fridge and then that part is really over. | 0:31:38 | 0:31:42 | |
Next the homemade apple sorbet. | 0:31:42 | 0:31:45 | |
Two dozen Somerset apples go into the juicer. | 0:31:45 | 0:31:48 | |
Icing sugar is added and it all goes into an ice cream maker. | 0:31:48 | 0:31:52 | |
40 minutes later, and hey presto, it's done its stuff. | 0:31:52 | 0:31:56 | |
So I'm just going to try this and see what it's like. | 0:31:56 | 0:31:59 | |
It's not bad, actually. | 0:32:02 | 0:32:04 | |
Next, Paul's raspberry wild card. | 0:32:04 | 0:32:06 | |
He's delegating the coulis to assistant Gayle. | 0:32:06 | 0:32:10 | |
The first task is to blitz the raspberries in the blender. | 0:32:10 | 0:32:14 | |
I could probably fit one more in. | 0:32:14 | 0:32:17 | |
Rather a lot of raspberries, by the look of it. | 0:32:17 | 0:32:20 | |
What I might do now is just add the other ones. | 0:32:23 | 0:32:26 | |
Are you sure? | 0:32:26 | 0:32:29 | |
Gayle, is that all of them? Because we don't coulis them all. | 0:32:29 | 0:32:34 | |
Why? | 0:32:34 | 0:32:35 | |
We need some whole ones. | 0:32:35 | 0:32:37 | |
-Yeah. Oh, no! -No, we'll just rescue these. | 0:32:37 | 0:32:39 | |
-Just stop this. -Yeah. -We've got a huge coulis now. | 0:32:39 | 0:32:42 | |
I'll have to go out and get some more. | 0:32:42 | 0:32:44 | |
-Yeah, don't worry. -We've got a huge coulis. -Yeah. | 0:32:44 | 0:32:47 | |
Sorry, Paul. | 0:32:47 | 0:32:48 | |
When things go wrong, I think, "Oh, well." | 0:32:48 | 0:32:51 | |
And I've probably made a pig's ear of it more times than anybody, | 0:32:51 | 0:32:55 | |
so I'm the least person in the world | 0:32:55 | 0:32:57 | |
who can turn round and say anything about things going wrong, | 0:32:57 | 0:33:00 | |
-so we just push through. -Oh, he's so laid back. | 0:33:00 | 0:33:03 | |
It must be all that relaxing reiki. | 0:33:03 | 0:33:05 | |
Unlike Chipley Manor, service at Gilliegants is certainly punctual. | 0:33:05 | 0:33:11 | |
By 8.30, Bethan's taking orders. | 0:33:11 | 0:33:13 | |
The raspberry stack. | 0:33:13 | 0:33:14 | |
And then Paul's plating up. | 0:33:15 | 0:33:18 | |
Shortbread biscuits get a rustic dollop of whipped cream | 0:33:18 | 0:33:22 | |
before the addition of those rescued raspberries, | 0:33:22 | 0:33:25 | |
and then another biscuit. | 0:33:25 | 0:33:27 | |
The apple and chocolate I feel is a bit of a wild card. | 0:33:27 | 0:33:32 | |
I'm not sure it'll work, but what the hell, you have to do these things. | 0:33:32 | 0:33:36 | |
It would work for me. | 0:33:36 | 0:33:38 | |
And as the triple shots make their debut, | 0:33:38 | 0:33:40 | |
it looks as though they're working for the diners, too. | 0:33:40 | 0:33:43 | |
Absolutely lovely. | 0:33:48 | 0:33:50 | |
-I know, this is what we were thinking. -I want that. | 0:33:52 | 0:33:55 | |
And then we've got... | 0:33:55 | 0:33:56 | |
Oh, they'll be Gillieganting before we know it. | 0:33:56 | 0:34:00 | |
It looks pretty seductive! | 0:34:00 | 0:34:02 | |
Oh, my God, that's to die for! | 0:34:05 | 0:34:09 | |
Oh, yeah. | 0:34:11 | 0:34:12 | |
That is very good. | 0:34:12 | 0:34:14 | |
Well, it certainly seems that rich chocolate mousse has hit the spot. | 0:34:14 | 0:34:21 | |
That was the nicest thing I've eaten forever! | 0:34:21 | 0:34:24 | |
It doesn't get much better than that. | 0:34:24 | 0:34:26 | |
Wonderful news for Paul! And how are the raspberry stacks slipping down? | 0:34:26 | 0:34:31 | |
Well, thank you darling. | 0:34:31 | 0:34:33 | |
I'm having the raspberry shortcake. | 0:34:35 | 0:34:38 | |
It's really, really lovely. | 0:34:38 | 0:34:41 | |
Unfortunately, it was a bit melted, | 0:34:41 | 0:34:43 | |
but it actually made it easier to eat. | 0:34:43 | 0:34:45 | |
Never had anything like this before | 0:34:45 | 0:34:47 | |
and I definitely want it again. It is amazing. | 0:34:47 | 0:34:50 | |
11 out of 10 for that one. | 0:34:50 | 0:34:53 | |
Well, I was going to share with my husband, | 0:34:53 | 0:34:55 | |
but it was too nice, so I ate it myself! | 0:34:55 | 0:34:59 | |
Thank you very much. I'm still going. | 0:34:59 | 0:35:02 | |
Hmmm. I think I would be. | 0:35:02 | 0:35:03 | |
So, can Andrew win over his diners with his desserts? | 0:35:03 | 0:35:08 | |
He's offering a concoction of fresh berries, lashings of cream, | 0:35:08 | 0:35:12 | |
amaretti and cassis liqueurs known as a Chipley Cup, | 0:35:12 | 0:35:16 | |
or a Devon favourite, an individual cream tea. | 0:35:16 | 0:35:20 | |
Something you might expect at, well, teatime | 0:35:20 | 0:35:23 | |
rather than at the end of a very, very, very, very long dinner. | 0:35:23 | 0:35:27 | |
Everybody who comes to Devon has got to have a cream tea | 0:35:27 | 0:35:30 | |
and our Chipley Cup, | 0:35:30 | 0:35:32 | |
well, that's our house dessert and it always goes down very well. | 0:35:32 | 0:35:36 | |
Nobody turns it away. | 0:35:36 | 0:35:38 | |
I love the idea of the Devon cream tea. | 0:35:38 | 0:35:40 | |
I think it's a really original spin. | 0:35:40 | 0:35:42 | |
The Chipley Cup, all that cream and booze, I'd have gone for that one. | 0:35:42 | 0:35:46 | |
Well, let's hope the diners do, too. | 0:35:46 | 0:35:48 | |
The scones for the cream tea were made at lunchtime | 0:35:48 | 0:35:51 | |
and Andrew has a little variation up his sleeve, Greek yoghurt! | 0:35:51 | 0:35:55 | |
I didn't have any milk in the fridge | 0:35:55 | 0:35:57 | |
and I didn't have any cream in the fridge | 0:35:57 | 0:36:00 | |
and so I decided to use something else. | 0:36:00 | 0:36:02 | |
Nice improvisation, Andrew, | 0:36:02 | 0:36:05 | |
but isn't this going to be a bit too heavy as a dessert? | 0:36:05 | 0:36:08 | |
There is a slight risk, of course, yes, but it's not a... | 0:36:08 | 0:36:12 | |
not a huge risk. It's a slight risk, yes. | 0:36:12 | 0:36:15 | |
I'm not sure you can afford any risk, Andrew. | 0:36:15 | 0:36:18 | |
And where's the fun if there's no risk? | 0:36:18 | 0:36:21 | |
There's no fun, is there? And away we go. | 0:36:21 | 0:36:24 | |
Into the Aga. | 0:36:25 | 0:36:27 | |
No, not yet. | 0:36:27 | 0:36:28 | |
The Chipley Cups are made to order and the girls are in charge. | 0:36:28 | 0:36:32 | |
Out in the restaurant it's 10.30 | 0:36:32 | 0:36:35 | |
and all the delays are taking their toll. | 0:36:35 | 0:36:38 | |
Someone's run out of time, if not patience. | 0:36:38 | 0:36:42 | |
-Andrea, I'm really sorry, but I need to leave now. -Really? | 0:36:42 | 0:36:45 | |
Yes, I have to go home, because I have a babysitter for my daughter. | 0:36:45 | 0:36:49 | |
I have a Chipley Cup ready. I'll bring it in for you. | 0:36:49 | 0:36:52 | |
Well, I've got to drive to Oakhampton | 0:36:52 | 0:36:54 | |
and that's a 45-minute drive. | 0:36:54 | 0:36:56 | |
I'm very sorry for that. It will be here in a second. | 0:36:56 | 0:36:59 | |
Well, I need to go now. I'm sorry. | 0:36:59 | 0:37:00 | |
Shall we wrap it? | 0:37:00 | 0:37:03 | |
-Are you able to wrap it? -We could try. | 0:37:03 | 0:37:05 | |
One Chipley Cup to go. | 0:37:05 | 0:37:06 | |
Do you want some almonds for that? | 0:37:06 | 0:37:08 | |
I'm not sure Andrew ever envisaged his fine-dining experience | 0:37:08 | 0:37:11 | |
turning into a takeaway. | 0:37:11 | 0:37:13 | |
I'm not sure the runaway is that keen on the takeaway. | 0:37:13 | 0:37:16 | |
-Bye, bye. -Bye, bye. | 0:37:16 | 0:37:18 | |
It's been a strange evening. | 0:37:18 | 0:37:19 | |
Not one that I would want to repeat. | 0:37:19 | 0:37:22 | |
I have quite enjoyed it, bizarrely, because of the company. | 0:37:22 | 0:37:27 | |
The food has been appalling. | 0:37:27 | 0:37:30 | |
I have not enjoyed it at all. | 0:37:30 | 0:37:31 | |
I'm leaving with a Chipley Cup, which I tried to avoid leaving with, | 0:37:31 | 0:37:36 | |
but it was foisted upon me, I'm afraid. | 0:37:36 | 0:37:38 | |
Any chance of paying anything? | 0:37:38 | 0:37:40 | |
It's over four hours, actually, since we arrived | 0:37:40 | 0:37:44 | |
and we hadn't had dessert! | 0:37:44 | 0:37:46 | |
Says it all. | 0:37:46 | 0:37:48 | |
You wouldn't put up with that in a normal restaurant, would you? No. | 0:37:48 | 0:37:52 | |
OK, we get the picture. | 0:37:52 | 0:37:54 | |
Back in the waiting room - whoops, sorry, dining room - | 0:37:58 | 0:38:01 | |
the rest of the guests finally get their desserts at 10.35. | 0:38:01 | 0:38:05 | |
Please, someone say something nice! | 0:38:05 | 0:38:08 | |
It was the only thing that I've enjoyed all evening. | 0:38:08 | 0:38:11 | |
It was really fresh, really light and had lots of alcohol in it. | 0:38:11 | 0:38:16 | |
Oh, bloomin' Nora! | 0:38:16 | 0:38:18 | |
Gordon Bennett! | 0:38:18 | 0:38:20 | |
Can I just drink it? | 0:38:20 | 0:38:23 | |
That I liked, which was the Chipley Cup, and it was delicious. | 0:38:23 | 0:38:27 | |
I think it's very good because there's no cooking involved. | 0:38:27 | 0:38:30 | |
And there's no olive oil in, which is absolutely wonderful so... | 0:38:30 | 0:38:35 | |
bottoms up! | 0:38:35 | 0:38:37 | |
Well, Andrea's Chipley Cups are clearly a hit, | 0:38:37 | 0:38:40 | |
so how's Andrew's interpretation of that Devon classic going down? | 0:38:40 | 0:38:44 | |
Surprisingly lovely. A little bit dry, | 0:38:44 | 0:38:47 | |
but it's the best course so far and I could probably ask for seconds | 0:38:47 | 0:38:50 | |
because you don't get very much, but it's lovely. | 0:38:50 | 0:38:53 | |
It's much better than the other two courses. | 0:38:53 | 0:38:56 | |
It's a little bit dry, but it's so much better. | 0:38:56 | 0:38:59 | |
Yeah, I'll give him a thumbs up for this, so happy at last! | 0:38:59 | 0:39:04 | |
Well, the Chipley Cups seems to have gone actually sort of splendidly, | 0:39:04 | 0:39:10 | |
in spite of the fact that I didn't put a finger on it! | 0:39:10 | 0:39:13 | |
The girls actually did that all by themselves. | 0:39:14 | 0:39:17 | |
Hooray, some happy guests! | 0:39:17 | 0:39:20 | |
But is one triumph with just nine diners | 0:39:20 | 0:39:22 | |
going to make up for everything else that's happened? | 0:39:22 | 0:39:25 | |
I have a horrible feeling that Andrew's chance of a profit | 0:39:27 | 0:39:31 | |
just disappeared like his diner. | 0:39:31 | 0:39:33 | |
But Paul's puds seem to have put his guests on a high, | 0:39:33 | 0:39:37 | |
but now it's up to the diners to decide how much or how little | 0:39:37 | 0:39:42 | |
they want to pay, and neither cook has any idea how much that might be. | 0:39:42 | 0:39:47 | |
Andrew spent £160, | 0:39:47 | 0:39:50 | |
but with one diner walking away and refusing to pay, | 0:39:50 | 0:39:53 | |
he's now looking for £18 from each of his other nine diners | 0:39:53 | 0:39:57 | |
to have a sniff of a profit. | 0:39:57 | 0:39:58 | |
The food was... The execution wasn't there, | 0:40:00 | 0:40:03 | |
but you could see the effort had gone in | 0:40:03 | 0:40:05 | |
and the ingredients and all that obviously cost quite a lot, | 0:40:05 | 0:40:08 | |
so, there we are, but the company was good, so not a total waste. | 0:40:08 | 0:40:12 | |
The food was very mediocre, but a great experience. | 0:40:12 | 0:40:18 | |
We came much earlier thinking it was going to be really nice | 0:40:18 | 0:40:22 | |
-and we ended up having a bit of a strange meal. -I thought it was awful. | 0:40:22 | 0:40:26 | |
The problem is, of course, that we haven't really sort of done this together before and so we... | 0:40:26 | 0:40:32 | |
We were sort of, again, sort of tripping over each other, | 0:40:32 | 0:40:35 | |
-but not too badly, actually. -No. | 0:40:35 | 0:40:37 | |
I think... I think we actually did quite well. | 0:40:37 | 0:40:39 | |
Well, you've got to hand it to him, he's confident if nothing else. | 0:40:39 | 0:40:43 | |
At Gilliegants Paul shelled out £120, | 0:40:43 | 0:40:46 | |
so if he's to go into profit | 0:40:46 | 0:40:48 | |
he must take more than £12 from each of his diners. | 0:40:48 | 0:40:52 | |
Night, guys. | 0:40:52 | 0:40:54 | |
-Night, everybody. -Bye! | 0:40:54 | 0:40:56 | |
The meal was great and the desert was amazing. | 0:40:56 | 0:40:59 | |
I was a bit disappointed with the standard of the food, actually. | 0:40:59 | 0:41:01 | |
I expected a little bit more, to be honest. | 0:41:01 | 0:41:04 | |
It was a really fun evening, wonderful food and great company. | 0:41:04 | 0:41:07 | |
Night! Thank you. | 0:41:07 | 0:41:09 | |
I think we have made a profit. I think we've made £15 a head. | 0:41:09 | 0:41:12 | |
I think we've done that, if we've... At least we've done that in goodwill. | 0:41:12 | 0:41:17 | |
Andrew, Paul, you did it! | 0:41:20 | 0:41:23 | |
You fed people, they were happy, and you lived through it! | 0:41:23 | 0:41:28 | |
Did it at any point feel like you might not? | 0:41:28 | 0:41:30 | |
No, I think once we got started. | 0:41:30 | 0:41:32 | |
Once we got started it was OK. | 0:41:32 | 0:41:34 | |
Oh, what made you most nervous? | 0:41:34 | 0:41:36 | |
The whole thing! | 0:41:36 | 0:41:39 | |
-Is it going to be... -Why did you do it, then? | 0:41:39 | 0:41:41 | |
I'm mad, I think. | 0:41:41 | 0:41:43 | |
What would you change if you did do it again? | 0:41:43 | 0:41:46 | |
Maybe speed up a bit? | 0:41:46 | 0:41:47 | |
Maybe speed up a bit, yes. | 0:41:47 | 0:41:49 | |
But then I quite like your cool, calm and collected, measured way. | 0:41:49 | 0:41:54 | |
It's the swan picture, really. | 0:41:54 | 0:41:56 | |
You know, the little legs underneath were going like mad, I tell you. | 0:41:56 | 0:42:00 | |
So, Paul, ten strangers in your own home. What was it like for you? | 0:42:00 | 0:42:04 | |
Quite hard to... To visualise until the people were in, | 0:42:04 | 0:42:07 | |
and then the people seemed very nice. | 0:42:07 | 0:42:09 | |
You're food actually was quite simple, the dishes. | 0:42:09 | 0:42:12 | |
-It was. -But you pulled it off. Was that a conscious decision? | 0:42:12 | 0:42:16 | |
It was things that I'd cook anyway. | 0:42:16 | 0:42:17 | |
Again, I would cook for... | 0:42:17 | 0:42:20 | |
For that many people, you know, on a regular basis so, | 0:42:20 | 0:42:23 | |
you know, that's the sort of food I would cook. | 0:42:23 | 0:42:25 | |
So, the name that you gave your restaurant, tell me about that. | 0:42:25 | 0:42:28 | |
Gillieganting is cavorting between the sexes, really. | 0:42:28 | 0:42:32 | |
We are going gillieganting, so what better name for a restaurant? | 0:42:32 | 0:42:37 | |
-And they did gilliegant? -Well, I imagine so. | 0:42:37 | 0:42:40 | |
From... From what I saw they did. | 0:42:40 | 0:42:42 | |
-So, a success. -I think it was, yes, yeah. | 0:42:42 | 0:42:46 | |
All right, well, I'm sure you're both waiting, | 0:42:46 | 0:42:49 | |
-dying to know whether you actually made any money or not. -Yes. | 0:42:49 | 0:42:53 | |
OK. So, I shall start with you, Andrew. | 0:42:53 | 0:42:55 | |
You spent £158, quite a lot. | 0:42:55 | 0:42:59 | |
You're diners donated 95. | 0:42:59 | 0:43:03 | |
You were minus 63! | 0:43:03 | 0:43:06 | |
THEY LAUGH | 0:43:06 | 0:43:08 | |
Was it worth it? | 0:43:08 | 0:43:11 | |
-Yes. -Yeah. OK. Paul, you spent 121, | 0:43:11 | 0:43:15 | |
-and your diners donated 180. -Good Lord. | 0:43:15 | 0:43:17 | |
-Which means you meant made a profit of 59. -Brilliant. | 0:43:17 | 0:43:20 | |
-So, there you go, that's for you. -Thank you very much. | 0:43:20 | 0:43:23 | |
-Well, done. -Gosh, I didn't think it would be that. | 0:43:23 | 0:43:26 | |
I didn't think I would... I wasn't sure whether I'd break even, | 0:43:26 | 0:43:29 | |
-actually, but that was marvellous. Thank you. -Well done, both of you. | 0:43:29 | 0:43:33 | |
Two great sports, thank you very much and thank you for watching | 0:43:33 | 0:43:36 | |
and I'll see you next time on Instant Restaurant. | 0:43:36 | 0:43:40 | |
Subtitles by Red Bee Media Ltd | 0:43:44 | 0:43:47 | |
E-mail subtitling@bbc.co.uk | 0:43:47 | 0:43:50 |