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Service, for the most part, in this country is pretty bad. | 0:00:03 | 0:00:07 | |
It is surly. It can be slap-dash. | 0:00:07 | 0:00:10 | |
Great restaurants need great front-of-house. | 0:00:10 | 0:00:14 | |
'Michel Roux is renowned for his passion for great food.' | 0:00:14 | 0:00:17 | |
And clear. Table eight, clear. | 0:00:17 | 0:00:20 | |
'Now, he's on another mission.' | 0:00:20 | 0:00:23 | |
I deal with 25 front-of-house and only one British maitre d. We need more British waiters. | 0:00:23 | 0:00:29 | |
Being unemployed is horrible. I want to have a career, hopefully. | 0:00:29 | 0:00:34 | |
I know what I'm capable of and how much I can achieve. | 0:00:34 | 0:00:38 | |
'Michel believes that working in front-of-house | 0:00:38 | 0:00:42 | |
'can be a lifelong and rewarding career.' | 0:00:42 | 0:00:44 | |
I want to take kids that have never been in a fine dining restaurant | 0:00:44 | 0:00:49 | |
and prove that it is possible to climb that ladder. | 0:00:49 | 0:00:53 | |
'In eight weeks, Michel will take his trainees from the basics through to the top, | 0:00:53 | 0:00:58 | |
-'from high-street cafes...' -One set breakfast, baked beans. | 0:00:58 | 0:01:03 | |
-'..to country house hotels..' -Welcome to Bovey Castle. | 0:01:03 | 0:01:06 | |
'..to the world of Michelin-starred formality.' | 0:01:06 | 0:01:10 | |
If we can do this, we can do anything. | 0:01:10 | 0:01:13 | |
Wonderful locations, great experiences, beautiful palaces. | 0:01:13 | 0:01:18 | |
That is what this industry can give you. | 0:01:18 | 0:01:21 | |
If you are dedicated enough, the world is your oyster. | 0:01:21 | 0:01:25 | |
'Michel will select the two outstanding trainees | 0:01:25 | 0:01:29 | |
'and award them life-changing scholarships, to launch them | 0:01:29 | 0:01:33 | |
'in careers in front-of-house.' | 0:01:33 | 0:01:35 | |
It's not just delivering food. | 0:01:35 | 0:01:37 | |
I want people to take pride in serving. | 0:01:37 | 0:01:41 | |
Perfect! | 0:01:41 | 0:01:43 | |
If you give your all as a waiter, what you get back is immense. | 0:01:43 | 0:01:48 | |
'Last time, the trainees began their waiting education, | 0:01:50 | 0:01:54 | |
'taking over service in a high-street chain.' | 0:01:54 | 0:01:57 | |
I just cleaned four of your tables and served three of your customers! | 0:01:57 | 0:02:03 | |
'He wants them to learn how family-run restaurants make customers keep returning.' | 0:02:03 | 0:02:08 | |
-Everything is easy. -You're in safe hands. | 0:02:08 | 0:02:11 | |
'..as they take over service in one of Birmingham's top curry houses.' | 0:02:11 | 0:02:16 | |
This is Indian fine dining and you have to serve it | 0:02:16 | 0:02:20 | |
with as much elegance as the chef put in these bowls. | 0:02:20 | 0:02:23 | |
They're vegetarians and I've just took a lamb to them. | 0:02:23 | 0:02:28 | |
'Two weeks into his mission, Michel Roux has a lesson for his trainees - | 0:02:35 | 0:02:40 | |
'how to get customers coming back again and again. | 0:02:40 | 0:02:44 | |
'He wants them to see how successful family-run restaurants do this - friendly, attentive service.' | 0:02:44 | 0:02:50 | |
There are many thousands of independent restaurants. | 0:02:50 | 0:02:54 | |
Their lifeblood is repeat custom. | 0:02:54 | 0:02:56 | |
They have to pamper and look after their customers almost like family. | 0:02:56 | 0:03:01 | |
That is the basic lesson I want my trainees to learn. | 0:03:01 | 0:03:05 | |
'To prepare them for the challenge, they're going back to basics | 0:03:09 | 0:03:14 | |
'to experience service in the raw.' | 0:03:14 | 0:03:16 | |
Set breakfast. Baked beans. | 0:03:16 | 0:03:19 | |
'Specialising in fry-ups, the Regency Cafe in London | 0:03:19 | 0:03:23 | |
'has been family-run since 1946.' | 0:03:23 | 0:03:26 | |
Good morning, everyone. This is a great cafe. | 0:03:29 | 0:03:33 | |
Not especially for its food - a bacon butty is a bacon butty. | 0:03:33 | 0:03:37 | |
The reason why this place is still open after so many years is repeat custom. | 0:03:37 | 0:03:43 | |
People come back because they're recognised. That is service. | 0:03:43 | 0:03:48 | |
It's similar to the service that I give in my restaurant. | 0:03:48 | 0:03:52 | |
I've just had a quick look at you all. What on Earth are they? | 0:03:52 | 0:03:58 | |
-Shoes. -There's no way you'll spend a day on your feet with them on. | 0:03:58 | 0:04:04 | |
And it's dangerous. They were the basics that we talked about. | 0:04:04 | 0:04:09 | |
Get the basics right. | 0:04:09 | 0:04:12 | |
'Service is run by owner Claudia Perotti. | 0:04:14 | 0:04:18 | |
Claudia's role is very similar to a maitre d. She is the focal point. | 0:04:19 | 0:04:25 | |
She is the one who is in control of all service in this cafe. | 0:04:25 | 0:04:32 | |
'Claudia is a one-woman waiting team. She takes orders, | 0:04:32 | 0:04:36 | |
'passes instructions to the kitchen and makes hot drinks and toast.' | 0:04:36 | 0:04:41 | |
All yours. I'll get your tea. | 0:04:41 | 0:04:44 | |
'With the customers seated, Claudia tells them clearly when their orders are ready.' | 0:04:44 | 0:04:50 | |
Set breakfast. Baked beans. | 0:04:50 | 0:04:52 | |
'Although relentless, Claudia finds time to engage with her regulars.' | 0:04:52 | 0:04:57 | |
-She can get 40 breakfasts out in half an hour. -40? | 0:04:57 | 0:05:01 | |
Sometimes the queue's out the door. | 0:05:01 | 0:05:03 | |
Hi, Eric. Cup of tea? | 0:05:03 | 0:05:05 | |
The customers here come back time and time again. Why? | 0:05:05 | 0:05:10 | |
Because she knows them by name, how many sugars they want in their tea. | 0:05:10 | 0:05:15 | |
She gives them a smile. She gives them a hug. | 0:05:15 | 0:05:18 | |
You want to be a good part of their working day. | 0:05:18 | 0:05:21 | |
They have to go off somewhere and be miserable. | 0:05:21 | 0:05:25 | |
They might as well be happy there. | 0:05:25 | 0:05:27 | |
'The trainees will be getting a taste of Claudia's job | 0:05:27 | 0:05:32 | |
'through the busy breakfast and lunch rush hours.' | 0:05:32 | 0:05:37 | |
Customers come in. We need to keep them rolling cos we get quite busy. | 0:05:37 | 0:05:42 | |
We get quite huge queues sometimes. | 0:05:42 | 0:05:45 | |
You want them to come and keep that motion going like that. | 0:05:45 | 0:05:49 | |
Tea or coffee? Make it straight away. Toast? Put it on. Cold drink? Get it. | 0:05:49 | 0:05:54 | |
-LOUDLY: -Two brown toasts. One set breakfast, baked beans! | 0:05:54 | 0:06:00 | |
That's the fun part. Don't be afraid. Anyone want to have a go? | 0:06:00 | 0:06:04 | |
Two sausage and hash brown! | 0:06:04 | 0:06:07 | |
'Taking his turn behind the counter, 20-year-old Yorkshire lad Ashley.' | 0:06:10 | 0:06:15 | |
That's 5.50, please. | 0:06:16 | 0:06:19 | |
-I'll make them the toast. -Yeah. | 0:06:21 | 0:06:24 | |
It's black. It's black. GIGGLES | 0:06:24 | 0:06:27 | |
-Start again. -Shall I put it back in? -Start again. -Sorry. | 0:06:27 | 0:06:31 | |
When it comes to service, he is totally lost. | 0:06:31 | 0:06:35 | |
-Where do you want me to write that? -On the bag. | 0:06:35 | 0:06:38 | |
He's got natural charm and he carries it off. | 0:06:38 | 0:06:41 | |
Are you all right? What would you like to order, sir? | 0:06:41 | 0:06:45 | |
He is looking the customer in the eye. | 0:06:45 | 0:06:48 | |
You can see that he is genuinely interested and he is genuine. | 0:06:48 | 0:06:52 | |
It's warm. | 0:06:53 | 0:06:55 | |
'Natural charm can go a long way in the industry, | 0:06:55 | 0:06:58 | |
'but knowing where to draw the line is important.' | 0:06:58 | 0:07:01 | |
GIGGLES FLIRTATIOUSLY | 0:07:01 | 0:07:04 | |
'After being told off for inappropriate footwear, | 0:07:04 | 0:07:07 | |
'Nikkita and Brooke seem more interested in looking good than doing the job.' | 0:07:07 | 0:07:13 | |
-Want a tea? -Go on, then. | 0:07:13 | 0:07:16 | |
-What's your name? -Joe. -I'm Brooke. -What's your number? | 0:07:16 | 0:07:20 | |
I haven't got a phone. | 0:07:20 | 0:07:23 | |
-You do it. -Me? -Give me your number cos I ain't got a phone. | 0:07:23 | 0:07:28 | |
077899... | 0:07:28 | 0:07:30 | |
'Given the task ahead of them, chatting up a customer is not what Michel expects from a trainee.' | 0:07:30 | 0:07:36 | |
In a few weeks, they are supposed to be running a Michelin-starred restaurant in Paris. | 0:07:36 | 0:07:43 | |
There isn't a hope in hell of that happening | 0:07:43 | 0:07:46 | |
if they start flirting with customers or not paying attention. | 0:07:46 | 0:07:51 | |
'18-year-old Brooke has had a number of jobs in the service industry.' | 0:07:51 | 0:07:56 | |
Really, my ambition is, when I'm old enough, | 0:07:56 | 0:08:00 | |
to run my own restaurant. | 0:08:00 | 0:08:02 | |
'Up until then, I want to do anything I can' | 0:08:02 | 0:08:07 | |
to gain my experience. | 0:08:07 | 0:08:09 | |
Waitressing is glamorous if you want to make it glamorous. | 0:08:09 | 0:08:13 | |
If you want it, you make it a nice job. | 0:08:13 | 0:08:17 | |
You know what's coming, don't you? | 0:08:17 | 0:08:19 | |
-Mm-hm. -Mm-hm. Look at me, at least. | 0:08:19 | 0:08:23 | |
Flirting with customers, exchanging phone numbers is not on. | 0:08:23 | 0:08:27 | |
You can do that in a night club or a pub. | 0:08:27 | 0:08:31 | |
Not whilst you are, supposedly, learning your trade or almost being employed. | 0:08:31 | 0:08:37 | |
-You've let me down, honestly. -I'm not going to argue. -Look at me. | 0:08:37 | 0:08:43 | |
Think of that guy. He may not be a regular customer. | 0:08:43 | 0:08:47 | |
He's walked away thinking, "I can come here and pick up some chicks." | 0:08:47 | 0:08:52 | |
It's a cafe, a restaurant. It's not a knocking shop. | 0:08:52 | 0:08:56 | |
Don't do it again. | 0:08:56 | 0:08:58 | |
'Trainees range from those who left school at 16 to university graduates. | 0:09:00 | 0:09:06 | |
'He hopes that Jarel, who has an NVQ in catering, will be a natural.' | 0:09:06 | 0:09:12 | |
-Jarel, you look tired. -I'm doing that through boredom. | 0:09:12 | 0:09:16 | |
You won't be up there. Let's go. | 0:09:16 | 0:09:19 | |
-You up for this? -SARCASTICALLY: How can I help you? | 0:09:21 | 0:09:25 | |
LOUDLY: Chips, tomatoes, a black pudding, bacon and egg. | 0:09:27 | 0:09:33 | |
JAREL: That's quick, ain't it? Oh, my gosh! | 0:09:33 | 0:09:36 | |
Help yourself to ketchup and brown sauce and mustard. Let me know if you want anything else. | 0:09:36 | 0:09:43 | |
Jarel has obviously got potential, | 0:09:43 | 0:09:45 | |
but he's got this streak that almost comes across as sarcastic. | 0:09:45 | 0:09:50 | |
Shake that off and I think we've got someone who's got huge potential. | 0:09:50 | 0:09:55 | |
Hi, how can I help? | 0:09:55 | 0:09:57 | |
'I wouldn't say that I would like to be a waiter.' | 0:09:57 | 0:10:00 | |
It's just within me to give somebody a happy experience. | 0:10:00 | 0:10:05 | |
Two bacon, um, sandwiches. | 0:10:07 | 0:10:10 | |
I just believe that if I'm providing a service to somebody, | 0:10:10 | 0:10:14 | |
I should give them what I would expect. | 0:10:14 | 0:10:17 | |
Let me know if you want anything. | 0:10:17 | 0:10:19 | |
'Initially, Claudia leaves the trainees unsupervised.' | 0:10:19 | 0:10:23 | |
I don't know how much tea is. Shall I just make it up? | 0:10:23 | 0:10:27 | |
Let's charge 30p for the chips. How about 10p? | 0:10:27 | 0:10:30 | |
10p for a portion of chips! | 0:10:30 | 0:10:32 | |
Shall we just make it all £4? | 0:10:32 | 0:10:35 | |
Jarel's making up the prices! | 0:10:35 | 0:10:37 | |
"It'll be 60p or 20p for chips." It's written up there! | 0:10:37 | 0:10:41 | |
Egg, bacon, chips and beans, please! | 0:10:41 | 0:10:45 | |
Here you go, gentlemen. Your food's here. Ha. Enjoy it. | 0:10:45 | 0:10:49 | |
We made up the price on that one. Ha-ha-ha. | 0:10:49 | 0:10:54 | |
That's not on, being sarcastic and making up prices. | 0:10:54 | 0:10:58 | |
Now, think. Think. | 0:11:00 | 0:11:02 | |
This gentleman's having a tea and what else? | 0:11:02 | 0:11:05 | |
With his egg and bacon sandwich, which I told them. | 0:11:05 | 0:11:09 | |
You've written it on the bag? Did he want any sauce? | 0:11:09 | 0:11:13 | |
-Did you tell the chef what sandwich it was? -Egg and bacon sandwich. | 0:11:13 | 0:11:17 | |
-Would you like any sauce, sir? -I don't want any attitude. | 0:11:17 | 0:11:21 | |
-These are my customers. -Would you like any sauce, sir? | 0:11:21 | 0:11:25 | |
-No, thanks. -OK. | 0:11:25 | 0:11:27 | |
He really is annoying, not only me, but annoying customers here today. | 0:11:27 | 0:11:32 | |
That just cannot happen. | 0:11:32 | 0:11:34 | |
I would probably walk out. I don't want to be addressed like that. | 0:11:34 | 0:11:39 | |
Cheers, see you later. Hiya... | 0:11:39 | 0:11:43 | |
She was saying that I put on a voice and I was trying to be funny. | 0:11:43 | 0:11:48 | |
She's got a bloody cheek. She turns into a man when she starts to shout. | 0:11:48 | 0:11:53 | |
GRUFFLY: One bacon butty! One set breakfast! | 0:11:53 | 0:11:58 | |
'It's been a morning of mixed results for Michel. | 0:11:59 | 0:12:03 | |
'The final trainee behind the counter is 19-year-old Tom.' | 0:12:03 | 0:12:07 | |
Hello, sir. | 0:12:07 | 0:12:08 | |
Sausage, chips and beans and a mug of tea. | 0:12:08 | 0:12:12 | |
OK, fantastic. 2.90 please, sir. | 0:12:12 | 0:12:15 | |
Fantastic. And that's 10 pence change. | 0:12:15 | 0:12:19 | |
'Tom's been working as a cleaner and has had a number of jobs.' | 0:12:19 | 0:12:23 | |
I've been fired from a few jobs. The estate agent's was one of them. | 0:12:23 | 0:12:28 | |
'I'm my own worst enemy, spoil things for myself.' | 0:12:28 | 0:12:32 | |
Being lazy and having the "can't be arsed" factor. | 0:12:32 | 0:12:36 | |
'I was late on quite a few occasions.' | 0:12:36 | 0:12:40 | |
Saturdays come in, smelled of alcohol. | 0:12:40 | 0:12:43 | |
'I wasn't focused on the job. I want to show all of these people' | 0:12:43 | 0:12:47 | |
that I've let down in the past that I am capable of doing it. | 0:12:47 | 0:12:51 | |
"Look at what I've achieved." | 0:12:51 | 0:12:53 | |
'It would mean a lot if I managed to push myself and get through it.' | 0:12:53 | 0:12:59 | |
Tom has definitely grasped the link that service, | 0:12:59 | 0:13:04 | |
even in a cafe, is very important. | 0:13:04 | 0:13:07 | |
But even more important because you need the repeat custom. | 0:13:07 | 0:13:11 | |
Some of you grasped it. Some of you less so. | 0:13:15 | 0:13:18 | |
I've seen things that I don't want to see again. I've spoken to Jarel. | 0:13:18 | 0:13:23 | |
Being over-the-top with your... | 0:13:23 | 0:13:25 | |
-You can't call anybody over-the-top. -..sarcastic look and tones. | 0:13:25 | 0:13:30 | |
I wasn't. I was being myself, but SHE found it sarcastic. | 0:13:30 | 0:13:34 | |
If you want to get on in life, you have to bite the bullet and just get on with people. | 0:13:34 | 0:13:41 | |
I know what's lying ahead for you. There's massive responsibilities. | 0:13:41 | 0:13:45 | |
How can I take you to these places if you behave | 0:13:45 | 0:13:49 | |
like you've behaved this morning? | 0:13:49 | 0:13:51 | |
Just a smidgen of respect, a smidgen of understanding | 0:13:51 | 0:13:56 | |
of what I want you to achieve. | 0:13:56 | 0:13:58 | |
Do it for yourselves, but for me, too, please. | 0:13:58 | 0:14:01 | |
'Michel will be taking his trainees to Birmingham, to provide service | 0:14:06 | 0:14:11 | |
'in a highly successful family-run Indian restaurant.' | 0:14:11 | 0:14:15 | |
It is worrying. | 0:14:15 | 0:14:17 | |
We are going to be giving them a huge amount of responsibility. | 0:14:17 | 0:14:23 | |
Yeah. It's VERY worrying. | 0:14:23 | 0:14:26 | |
I definitely want to get them all over that finish line. | 0:14:26 | 0:14:31 | |
-LAUGHS -That's tough. I don't know why I'm laughing. I should be crying. | 0:14:31 | 0:14:36 | |
'In seven weeks' time, Michel will be awarding two scholarships | 0:14:39 | 0:14:43 | |
'from The Academy of Food and Wine to the trainees with most potential. | 0:14:43 | 0:14:49 | |
'Throughout training, | 0:14:49 | 0:14:51 | |
'Michel's right-hand man is Michelin-starred general restaurant manager, Fred Sirieix.' | 0:14:51 | 0:14:57 | |
I want to teach them the chain of service, how to work as a team, | 0:14:57 | 0:15:02 | |
how to welcome the customer and create an important first impression | 0:15:02 | 0:15:07 | |
to the moment they leave the restaurant. | 0:15:07 | 0:15:11 | |
-Did you have a good morning? -Yeah. | 0:15:11 | 0:15:14 | |
We had a session in a high street restaurant. | 0:15:14 | 0:15:16 | |
This week, we're going to be serving in a restaurant that relies on repeat customers. | 0:15:16 | 0:15:22 | |
Jarel, when I'm talking, I like you to look at me. | 0:15:22 | 0:15:26 | |
If you're not interested, you don't have to be here. | 0:15:26 | 0:15:30 | |
That's something we have to change. | 0:15:30 | 0:15:32 | |
You have to get a grip on yourselves. | 0:15:32 | 0:15:35 | |
'Jarel's lack of attention is not Fred's only concern. | 0:15:35 | 0:15:38 | |
'Despite being told to change, Nikkita's not properly dressed.' | 0:15:38 | 0:15:43 | |
I'd like you to change your shoes now, Nikkita. | 0:15:43 | 0:15:46 | |
-I've got no other shoes here. -Get some. Off you go. | 0:15:46 | 0:15:50 | |
I'm going shopping! | 0:15:50 | 0:15:52 | |
OK. | 0:15:52 | 0:15:54 | |
'19-year-old mother-of-one Nikkita has had problems being told what to do.' | 0:15:54 | 0:16:00 | |
'I got expelled from school.' | 0:16:00 | 0:16:03 | |
Just for a number of reasons. | 0:16:03 | 0:16:05 | |
'Arguing with teachers to just being disruptive in the lessons.' | 0:16:05 | 0:16:11 | |
I jumped out of a window to get out of the lesson. I wish that I'd never got kicked out. | 0:16:11 | 0:16:17 | |
'I want to make the best' | 0:16:17 | 0:16:19 | |
of anything to make mine and my daughter's life better. | 0:16:19 | 0:16:24 | |
BROOKE AND NIKKITA CHAT | 0:16:24 | 0:16:27 | |
It's dangerous to have these shoes. You may hurt your back. | 0:16:27 | 0:16:33 | |
You may slip, break your neck. | 0:16:33 | 0:16:35 | |
You're not going to be able to work. | 0:16:35 | 0:16:37 | |
-Are you trying to test me? -I'm not trying to test you. -It's respect. | 0:16:37 | 0:16:43 | |
I want to give the best of me to you. You have to do the same to me. We're going to be friends. | 0:16:43 | 0:16:50 | |
In ten years, you'll show your daughter how you did. | 0:16:50 | 0:16:53 | |
She's going to be proud of you. | 0:16:53 | 0:16:56 | |
-At the moment, what you're teaching your daughter is not the right values. -What? | 0:16:56 | 0:17:02 | |
-Do you understand? -Mm-hm. -I'll see you in five minutes maximum, yeah? | 0:17:02 | 0:17:08 | |
'She's just a real big kid. She is 19.' | 0:17:08 | 0:17:11 | |
She is like 14. She needs to be told what to do. | 0:17:11 | 0:17:14 | |
What? He doesn't know me. | 0:17:14 | 0:17:17 | |
Does he watch me with my daughter? No, he doesn't. | 0:17:17 | 0:17:20 | |
She says please and thank you, helps me around the house. | 0:17:20 | 0:17:25 | |
She's got dressing-up high heels. I don't care. | 0:17:25 | 0:17:29 | |
'With Nikkita finally dressed as Fred expects, the lesson can begin.' | 0:17:29 | 0:17:34 | |
Very good. Very nice. | 0:17:34 | 0:17:37 | |
'He's hoping that his experiences will enthuse the trainees.' | 0:17:37 | 0:17:42 | |
When I was a kid in France, my parents loved to entertain. | 0:17:42 | 0:17:46 | |
Every time the guests were coming, we were waiting at the door. | 0:17:46 | 0:17:50 | |
If they were coming at 12 o'clock, at 11 o'clock, with my brother, | 0:17:50 | 0:17:55 | |
I was looking through the window like this. | 0:17:55 | 0:17:59 | |
When the customers are coming, this is what I feel. | 0:17:59 | 0:18:04 | |
This is where I got it from. | 0:18:04 | 0:18:07 | |
When special people come to your restaurant it makes your day. | 0:18:07 | 0:18:11 | |
You're going to talk about their son at university, | 0:18:11 | 0:18:15 | |
the new car, anniversary. | 0:18:15 | 0:18:17 | |
You're sharing a special moment with them. | 0:18:17 | 0:18:20 | |
'For Fred, welcoming people into your restaurant should be as special as welcoming them to your home. | 0:18:20 | 0:18:26 | |
'He wants the trainees to learn how providing a chain of service | 0:18:26 | 0:18:31 | |
'will create such an atmosphere.' | 0:18:31 | 0:18:33 | |
Mr James, how are you? | 0:18:33 | 0:18:35 | |
-Nice to see you again. -Thomas. Lovely to see you. | 0:18:35 | 0:18:38 | |
We've got you a lovely table. Brooke will take you through. | 0:18:38 | 0:18:42 | |
-Hello. How are you today? -Very well, how are you? | 0:18:42 | 0:18:46 | |
'For the chain of service to work, the customer must be pampered | 0:18:46 | 0:18:51 | |
'every step of the way.' | 0:18:51 | 0:18:53 | |
-Niki's going to be your waitress. -Lovely to see you. | 0:18:53 | 0:18:57 | |
Take a seat. | 0:18:57 | 0:18:59 | |
It's the simple things that make customers feel special. | 0:18:59 | 0:19:02 | |
One is the "magic touch". | 0:19:02 | 0:19:04 | |
It's the art of being at the right place at the right time. | 0:19:04 | 0:19:09 | |
Magic touch both of them. Get up. | 0:19:09 | 0:19:12 | |
Take a seat. | 0:19:12 | 0:19:14 | |
You see? The urgency in movement. | 0:19:15 | 0:19:19 | |
Maybe you can get conversation going. | 0:19:19 | 0:19:22 | |
"This is your champagne. Happy anniversary. | 0:19:22 | 0:19:25 | |
"It's a great day. Well done." Then you go away. | 0:19:25 | 0:19:28 | |
"I come back in a second. Great to see you." | 0:19:28 | 0:19:32 | |
They're your friends. They come all the time. | 0:19:32 | 0:19:35 | |
You just give them this warmth. | 0:19:35 | 0:19:38 | |
Nothing magic. It's just about you having people who are your friends. | 0:19:38 | 0:19:43 | |
When they come this often, they become your friends. | 0:19:43 | 0:19:47 | |
'At the Indian restaurant where the trainees will next be working, | 0:19:47 | 0:19:52 | |
'they may be required to provide silver service. | 0:19:52 | 0:19:56 | |
'Fred wants to make sure that it all ends up in the right place.' | 0:19:56 | 0:20:01 | |
Go to the level of the table. Make sure the customer's seen you. | 0:20:01 | 0:20:05 | |
You don't want anybody to go like this. | 0:20:05 | 0:20:08 | |
Release your finger. | 0:20:08 | 0:20:10 | |
Then you place the food here. I'm as close as possible to the plate. | 0:20:10 | 0:20:16 | |
You don't want to travel from here to there. Travel from here to here. | 0:20:16 | 0:20:21 | |
Imagine you've served everybody. "Enjoy. Bon appetit." You go away. | 0:20:21 | 0:20:26 | |
Jarel, can you stand up? You're going to serve Thomas, please. | 0:20:26 | 0:20:30 | |
Am I?! Well, brilliant! | 0:20:30 | 0:20:33 | |
Oh. Here we go. | 0:20:33 | 0:20:35 | |
Sir, I hope you are hungry. | 0:20:35 | 0:20:38 | |
-Do you think you're too high? -Well, I am very tall. | 0:20:39 | 0:20:43 | |
I can bend a bit more, Fred, but I think I just look ridiculous. | 0:20:43 | 0:20:48 | |
-It's better if I lower my arm. -Just do what I said to do. | 0:20:48 | 0:20:52 | |
-Is this a good stance? -What do you think? -That looks silly. | 0:20:52 | 0:20:57 | |
I'm going to give you a bit of sauce, sir. | 0:20:57 | 0:21:00 | |
This is a bit high. You should be spreading it a bit. | 0:21:00 | 0:21:04 | |
He said he liked it high. I asked him. | 0:21:04 | 0:21:07 | |
Enjoy. | 0:21:07 | 0:21:09 | |
'Jarel is so difficult. I don't know how I'll get through to him.' | 0:21:09 | 0:21:14 | |
He's very disrespectful, openly. | 0:21:14 | 0:21:17 | |
I have not seen somebody disrespectful to me like this for a really long time. | 0:21:17 | 0:21:23 | |
I don't really enjoy these sessions. | 0:21:23 | 0:21:26 | |
Fair enough, we have to do them cos, you know, to go back to basics, | 0:21:26 | 0:21:30 | |
to make you aware of what's coming next, but I find it a bit boring. | 0:21:30 | 0:21:36 | |
OK, guys. | 0:21:36 | 0:21:38 | |
Service in two days' time. | 0:21:38 | 0:21:40 | |
I'm a bit nervous. It's very scary. I've got butterflies in my stomach. | 0:21:40 | 0:21:45 | |
I don't know how they're going to handle it. They are so far away. | 0:21:45 | 0:21:49 | |
Half the group has the right attitude and half the group hasn't. | 0:21:49 | 0:21:55 | |
'To have any hope of succeeding, Fred needs the trainees working together.' | 0:21:55 | 0:22:01 | |
-What's very important in a group like this, Jarel? -Team work. | 0:22:01 | 0:22:06 | |
-Team work. -Yeah. -Also, some people have the ability to influence others. -Oh, you realise that(?) | 0:22:06 | 0:22:13 | |
-Ooh(!) -I definitely think that you have an influence on some people. | 0:22:13 | 0:22:18 | |
Everybody's of an age to take responsibility for their own actions. | 0:22:18 | 0:22:23 | |
At times today, it was tough. I'm very patient. | 0:22:23 | 0:22:27 | |
It was really testing my patience. You put a dagger in my heart because you talk to me without any respect. | 0:22:27 | 0:22:34 | |
I'm not going to take it for ever. It's not the person I am. | 0:22:34 | 0:22:38 | |
-I want to tell you it's not right. -To what? Not show any motivation? | 0:22:38 | 0:22:43 | |
You're not going to shine by being obnoxious, disrespectful, | 0:22:43 | 0:22:48 | |
just the way you were today. | 0:22:48 | 0:22:50 | |
You're not going to shine and I want you to be aware of that. | 0:22:50 | 0:22:54 | |
I can't be taking it for ever. Michel won't be taking it for ever. | 0:22:54 | 0:22:59 | |
Just be a good man, like you are. You've got a good heart. | 0:22:59 | 0:23:03 | |
You're smart. You're going to do well. It really is not a game. | 0:23:03 | 0:23:08 | |
There are some people dragging the group down. | 0:23:08 | 0:23:12 | |
Not even dragging it down. They're annihilating the group. | 0:23:12 | 0:23:17 | |
Treat it like a job. If we were in his environment, he'd send us home. | 0:23:17 | 0:23:23 | |
'The trainees are heading for Birmingham, | 0:23:23 | 0:23:27 | |
'and the family restaurant where they'll run a full evening service. | 0:23:27 | 0:23:31 | |
'With cracks appearing, Michel has two days to prepare his team for this major challenge.' | 0:23:31 | 0:23:38 | |
Yesterday was a turning point. | 0:23:49 | 0:23:51 | |
A couple of trainees showed their true colour in being argumentative. | 0:23:51 | 0:23:56 | |
It's make or break. I know what lies ahead. | 0:23:56 | 0:24:00 | |
Fine dining restaurants, where service has to be 100%. | 0:24:00 | 0:24:04 | |
'Birmingham is well known for authentic Indian food. | 0:24:12 | 0:24:16 | |
'Winner of numerous awards, Itihaas has built a reputation | 0:24:16 | 0:24:20 | |
'as one of the best curry houses in the city. | 0:24:20 | 0:24:23 | |
'A step up in price from most, customers pay around £40 a head. | 0:24:23 | 0:24:28 | |
'Founder Raj Rana adopted the Indian mantra, "the guest is god". | 0:24:28 | 0:24:32 | |
Service is paramount. | 0:24:32 | 0:24:34 | |
The client dining with me IS my guest. | 0:24:34 | 0:24:38 | |
They should receive all the courtesy and respect | 0:24:38 | 0:24:41 | |
that a guest would receive dining in my home with me and my family. | 0:24:41 | 0:24:46 | |
-Morning, guys. -ALL: Morning, Michel. | 0:24:46 | 0:24:49 | |
Welcome to Itihaas. | 0:24:49 | 0:24:51 | |
They've made their fame and fortune by delivering great service | 0:24:51 | 0:24:56 | |
and looking after their customers so well that they return in droves. | 0:24:56 | 0:25:01 | |
You, tomorrow night, will be in charge of this restaurant. | 0:25:01 | 0:25:07 | |
I want the customers to feel as loved | 0:25:07 | 0:25:11 | |
as if they've been taken care of by their regular staff here. | 0:25:11 | 0:25:15 | |
-Absolutely stunning. -I'm liking the decor. | 0:25:22 | 0:25:26 | |
The little shrine at the front. | 0:25:26 | 0:25:29 | |
'With no experience in restaurants before he opened five years ago, | 0:25:29 | 0:25:33 | |
'Raj now rubs shoulders with the industry's elite.' | 0:25:33 | 0:25:37 | |
That's amazing! Standing next to Gordon Ramsay! | 0:25:37 | 0:25:40 | |
Gordon Ramsay, Aldo Zilli. | 0:25:40 | 0:25:43 | |
I'm gob-smacked. It's amazing! | 0:25:43 | 0:25:45 | |
I'm proof that you can do it. | 0:25:45 | 0:25:47 | |
That's what makes it better for us. We can see that it can be done. | 0:25:47 | 0:25:53 | |
He's met the Queen! | 0:25:53 | 0:25:55 | |
It shows what's possible. | 0:25:55 | 0:25:57 | |
'When Raj started, he had a major problem. | 0:26:00 | 0:26:03 | |
'He couldn't find enough good waiters.' | 0:26:03 | 0:26:05 | |
My heart, my soul, my passion went into it, and when we were recruiting | 0:26:05 | 0:26:10 | |
I couldn't find that passion in this country. | 0:26:10 | 0:26:14 | |
"We're going to make this work. We've got just as much passion." | 0:26:14 | 0:26:20 | |
'So he had to bring them over from India.' | 0:26:20 | 0:26:23 | |
In India and across Asia and the Middle East, | 0:26:23 | 0:26:26 | |
the service industry is a career. | 0:26:26 | 0:26:29 | |
My chaps, they want to progress, to start as waiters, as barmen. | 0:26:29 | 0:26:33 | |
They want to travel the full journey. | 0:26:33 | 0:26:36 | |
I'm handing over my restaurant to you. | 0:26:36 | 0:26:39 | |
Michel had to convince me, extensively. | 0:26:39 | 0:26:43 | |
I like to think I'm a nice person. Please don't let my restaurant down. | 0:26:43 | 0:26:48 | |
I will make it known to you and I will pull you up on it. | 0:26:48 | 0:26:53 | |
'Michel believes it's essential that waiting staff know the food they're selling. | 0:26:53 | 0:26:59 | |
'And the best way to do that is to try as much of it as possible.' | 0:26:59 | 0:27:05 | |
This is Indian fine dining. It's presented beautifully. | 0:27:05 | 0:27:09 | |
Serve it with as much elegance as the chef has put it in these bowls. | 0:27:09 | 0:27:14 | |
Dive in. Help yourselves. | 0:27:14 | 0:27:16 | |
'With almost 70 dishes on the menu, Michel has asked | 0:27:16 | 0:27:19 | |
'that they try the most popular meals.' | 0:27:19 | 0:27:22 | |
This is rangey rice. | 0:27:22 | 0:27:24 | |
Coloured rice. The yellow colour you see is of the saffron. | 0:27:24 | 0:27:29 | |
Don't lean over. You'll get it all over you. | 0:27:29 | 0:27:33 | |
This is dhal makhani, a very traditional dish of Punjab. | 0:27:33 | 0:27:37 | |
The lentils are cooked all night. The next day we spice them. | 0:27:37 | 0:27:42 | |
-Has that got coconut in? -Coconut cream. -I can taste it. | 0:27:42 | 0:27:46 | |
ASHLEY: I can't think when I've tasted Indian food like this. | 0:27:46 | 0:27:50 | |
Taste these dishes and realise what dishes they are on the menu. | 0:27:50 | 0:27:55 | |
How hot they are, how spicy they are, what ingredients go into them. | 0:27:55 | 0:27:59 | |
'Tomorrow, the trainees will take charge of service on their own. | 0:28:01 | 0:28:06 | |
'Tonight, they'll have a chance to shadow the professional waiters. | 0:28:06 | 0:28:10 | |
'With repeat custom the lifeblood of their business, the staff treat all their guests like VIPs.' | 0:28:10 | 0:28:17 | |
They're greeted. They're brought to their table. | 0:28:17 | 0:28:21 | |
Poppadoms are there immediately. | 0:28:21 | 0:28:24 | |
They take the drinks order within three minutes. | 0:28:24 | 0:28:27 | |
Give them a little break of five minutes and then the food order. | 0:28:27 | 0:28:32 | |
That's the kind of service that my team have to aspire to. | 0:28:32 | 0:28:37 | |
-Hi, my name is Lekshmi. -I'm Brooke. | 0:28:37 | 0:28:40 | |
'The chain of service starts with reception. | 0:28:40 | 0:28:43 | |
'After her behaviour in the cafe, | 0:28:43 | 0:28:46 | |
'it's the place for Brooke to learn customer relations.' | 0:28:46 | 0:28:49 | |
It's good to make a good impression. You want to be smiling. | 0:28:49 | 0:28:54 | |
You don't want to be moody or anything like that. | 0:28:54 | 0:28:59 | |
-Not too talkative, just be nice. -Yeah. | 0:28:59 | 0:29:03 | |
Shake hands? | 0:29:03 | 0:29:05 | |
-No. You don't know them! -All right. That's good. I like you. | 0:29:05 | 0:29:10 | |
-DOOR OPENS -Hi. What name's your booking in? | 0:29:10 | 0:29:15 | |
'The hostess takes the customer to the restaurant floor, | 0:29:15 | 0:29:18 | |
'assuring that the chain of service continues. | 0:29:18 | 0:29:21 | |
'They are greeted by the maitre d, who seats them and introduces them to their waiter. | 0:29:21 | 0:29:27 | |
'Each waiter looks after no more than four tables. | 0:29:27 | 0:29:31 | |
'Once taken, the orders go into the kitchen. | 0:29:31 | 0:29:34 | |
'Michel's giving Niki a try on one of the most difficult jobs.' | 0:29:34 | 0:29:39 | |
Table 31. Karahi maha jingah spicy, with buttered mushroom rice. | 0:29:39 | 0:29:44 | |
'The pass is the focal point between the kitchen and the dining room. | 0:29:44 | 0:29:48 | |
'Mr Vermer has been doing it since the restaurant opened.' | 0:29:48 | 0:29:52 | |
The order comes out the machine. He calls it out to the chefs. | 0:29:52 | 0:29:57 | |
They cook the food. He lets the waiter know when to take it. | 0:29:57 | 0:30:02 | |
Same for the main courses. | 0:30:02 | 0:30:04 | |
He will ask the chef to get them ready. | 0:30:04 | 0:30:07 | |
He is literally organising the speed of service. | 0:30:07 | 0:30:10 | |
-Everything is easy. -You're in safe hands. | 0:30:10 | 0:30:14 | |
-CALLS OUT: -Number 24 is pick up. Karahi maha jingah, makhani murgh... | 0:30:14 | 0:30:20 | |
I can't emphasise how important that job of running the pass is. | 0:30:20 | 0:30:25 | |
If that person gets it wrong, the whole service is out the window. | 0:30:25 | 0:30:29 | |
-Do they just remember it all? -No. They've got a duplicate copy. | 0:30:29 | 0:30:34 | |
'History graduate Niki had never considered a career as a waiter | 0:30:34 | 0:30:40 | |
'but believes she should give her all as one of Michel's trainees.' | 0:30:40 | 0:30:44 | |
'It does annoy me a lot' | 0:30:44 | 0:30:46 | |
when staff look like they can't be bothered or they don't care. | 0:30:46 | 0:30:51 | |
You call them over and they're like... | 0:30:51 | 0:30:54 | |
Don't do the job if you think people coming in is an inconvenience. | 0:30:54 | 0:30:59 | |
-Kulfi is... -Kulfi is ice cream. | 0:30:59 | 0:31:02 | |
-I did know that! -Well done. | 0:31:02 | 0:31:04 | |
It's heartening that Niki recognises a few of the dishes | 0:31:07 | 0:31:11 | |
from her takeaway menu that she has every Saturday. | 0:31:11 | 0:31:15 | |
Which is great. She knew more about it than I did. | 0:31:15 | 0:31:18 | |
I was spilling it all over there. | 0:31:18 | 0:31:20 | |
GIGGLES I'm too short! | 0:31:20 | 0:31:25 | |
'After tonight, Michel will decide who gets what job tomorrow. | 0:31:25 | 0:31:29 | |
'Despite reservations about Jarel, he sees how HE does on the pass.' | 0:31:29 | 0:31:35 | |
-You've got to deal with Jarel. -I need a wee-wee. | 0:31:35 | 0:31:38 | |
You don't need a wee-wee. Behave. | 0:31:38 | 0:31:40 | |
Jarel, after all, has experience working in kitchens and in the industry. | 0:31:44 | 0:31:50 | |
He should find that job relatively easy and understand the motions. | 0:31:50 | 0:31:55 | |
That's what I'm hoping. | 0:31:55 | 0:31:57 | |
I am in the way here, I am. | 0:31:57 | 0:32:00 | |
'Despite the hectic atmosphere, | 0:32:02 | 0:32:05 | |
'it's the responsibility of the person on the pass | 0:32:05 | 0:32:08 | |
'to make sure food leaves on time | 0:32:08 | 0:32:11 | |
'so it doesn't back up or, worse, go cold.' | 0:32:11 | 0:32:14 | |
Chingari jingah. | 0:32:15 | 0:32:17 | |
JAREL: I can't see myself doing that job, to call out the order | 0:32:20 | 0:32:24 | |
and, um, to organise the plates. | 0:32:24 | 0:32:28 | |
I couldn't see it as my main position within a restaurant. | 0:32:28 | 0:32:32 | |
'After shadowing, Michel is concerned that not all his trainees are engaging with the training.' | 0:32:32 | 0:32:40 | |
I've taken on eight trainees | 0:32:40 | 0:32:42 | |
that were at a dead end. | 0:32:42 | 0:32:44 | |
I want to give them that career opportunity, to give them a goal. | 0:32:44 | 0:32:49 | |
Jarel doesn't seem to grasp that. | 0:32:49 | 0:32:51 | |
Part of the battle tomorrow is confidence. | 0:32:51 | 0:32:54 | |
If they pull this off it will be an almighty achievement. | 0:32:54 | 0:32:58 | |
'Today, Michel's trainees will be running service at one of Birmingham's top curry houses, | 0:33:11 | 0:33:17 | |
'taking the places of the waiters, they'll be serving 60 | 0:33:17 | 0:33:22 | |
'of Raj's regular diners, who are booked in.' | 0:33:22 | 0:33:25 | |
Morning, guys. Are you all right? | 0:33:25 | 0:33:28 | |
I'm really excited. I am really excited about this. | 0:33:28 | 0:33:32 | |
It's actually a mega challenge, a huge opportunity for you guys. | 0:33:32 | 0:33:37 | |
If you believe in yourselves and work as a team, you can do it. | 0:33:37 | 0:33:41 | |
'Michel has decided how he wants to split the roles up for tonight's service.' | 0:33:41 | 0:33:48 | |
Reception, I want Brooke. | 0:33:48 | 0:33:50 | |
-You did a good job yesterday. -Thank you. | 0:33:50 | 0:33:53 | |
Bar, we want Nikkita. | 0:33:53 | 0:33:56 | |
On the floor, | 0:33:56 | 0:33:59 | |
-I want James, Ashley... -Yeah. | 0:33:59 | 0:34:02 | |
Tom. On the floor as well, Danielle. | 0:34:02 | 0:34:05 | |
You're keen and you're eager. Keep that going. | 0:34:05 | 0:34:09 | |
On the pass, Niki. | 0:34:09 | 0:34:11 | |
What impressed me was that you weren't too fazed by it. | 0:34:11 | 0:34:15 | |
The guys in there were impressed by your attitude, as well. | 0:34:15 | 0:34:20 | |
'Michel decided to see how Jarel responds to being given more responsibility.' | 0:34:20 | 0:34:25 | |
Jarel, I want you as the maitre d tonight. | 0:34:25 | 0:34:28 | |
Thanks. APPLAUSE | 0:34:28 | 0:34:31 | |
Now is the time for you to impress. | 0:34:31 | 0:34:34 | |
OTHERS LAUGH | 0:34:34 | 0:34:36 | |
I'm glad you're finding it funny. I'm sure Jarel isn't. Neither am I. | 0:34:38 | 0:34:44 | |
I take every role as important. It doesn't really faze me. | 0:34:44 | 0:34:48 | |
You are the one they will report to if there's a problem. | 0:34:48 | 0:34:52 | |
You will solve that problem. | 0:34:52 | 0:34:54 | |
It also means that you will be helping to clear tables. | 0:34:54 | 0:34:58 | |
-Helping to do everything. -Helping to do everything. -I'm an octopus tonight. | 0:34:58 | 0:35:04 | |
'Still concerned, Michel takes his maitre d for a one-to-one meeting.' | 0:35:06 | 0:35:11 | |
How do you think you're doing? | 0:35:14 | 0:35:16 | |
I think some people might think I'm a bit too over-confident, maybe, but that's just me. | 0:35:16 | 0:35:22 | |
Most people, including myself, don't see it as being over-confident. | 0:35:22 | 0:35:27 | |
We see it as...confrontational. | 0:35:27 | 0:35:31 | |
Rude. | 0:35:31 | 0:35:32 | |
You don't need to play the fool. | 0:35:32 | 0:35:35 | |
You have got what it takes but at the moment you're not showing me. | 0:35:35 | 0:35:40 | |
I still question why you are here. | 0:35:40 | 0:35:43 | |
Do you want this scholarship? Do you want to work in the industry? | 0:35:43 | 0:35:48 | |
If I wasn't interested | 0:35:48 | 0:35:50 | |
in this industry as a career I wouldn't be talking to you now. | 0:35:50 | 0:35:54 | |
When the time has come to tone things down and serve, I feel that's what I've done. | 0:35:54 | 0:36:00 | |
I am aware that I'm probably a bit too strong for some people and I've got a big personality. | 0:36:00 | 0:36:06 | |
So, are you prepared to commit yourself 100% to this? | 0:36:06 | 0:36:10 | |
SARCASTIC SOUNDING: Yes. | 0:36:10 | 0:36:13 | |
Would you mind sounding a bit more sincere with that yes? | 0:36:13 | 0:36:17 | |
Yes. | 0:36:17 | 0:36:18 | |
Still not sincere, Jarel. | 0:36:18 | 0:36:21 | |
I'm prepared to change, if need be, when it's time for service. | 0:36:21 | 0:36:26 | |
It's now or never. As I said, you're maitre d. | 0:36:26 | 0:36:29 | |
You change your ways. No more disruption. | 0:36:29 | 0:36:32 | |
You act like an adult. You prove to me that you do want this. | 0:36:32 | 0:36:37 | |
Ultimatum, then. | 0:36:37 | 0:36:39 | |
If you don't change, I will tell you to walk out. | 0:36:39 | 0:36:44 | |
Because I'm not prepared to take this any more. | 0:36:44 | 0:36:48 | |
Not for the sake of the rest of them. Do you understand that? | 0:36:48 | 0:36:52 | |
-Yeah? -Yes. -Good. | 0:36:53 | 0:36:55 | |
'Michel asks Jarel to go back to the restaurant and focus on preparing for service.' | 0:36:57 | 0:37:03 | |
He was sitting like that. | 0:37:03 | 0:37:05 | |
He was like that. | 0:37:05 | 0:37:07 | |
"I don't know why you're here. Do you want to be successful?" | 0:37:07 | 0:37:11 | |
Yes, Michel. Yes, Michel. | 0:37:12 | 0:37:15 | |
I clean for you later, Fred. I clean for you later, Michel. | 0:37:15 | 0:37:19 | |
-And he said -I am, -not you two, | 0:37:19 | 0:37:22 | |
I'm a disruption to the group. | 0:37:22 | 0:37:26 | |
BLEEP them. We are a family. I'm not going to leave yous lot. | 0:37:26 | 0:37:31 | |
'When Michel becomes aware of this, he takes immediate action. | 0:37:33 | 0:37:37 | |
'Judging his ultimatum to have been ignored, | 0:37:37 | 0:37:41 | |
'he tells Jarel that he must leave the training programme.' | 0:37:41 | 0:37:45 | |
I feel really sad now. | 0:37:45 | 0:37:48 | |
Very upset with myself but I just had to take a decision. | 0:37:48 | 0:37:52 | |
Now, I have to live with that decision. Er... | 0:37:52 | 0:37:56 | |
I... There's just no way I could take any more. | 0:38:01 | 0:38:04 | |
'Michel's sudden decision provokes a mixed reaction from the group.' | 0:38:04 | 0:38:09 | |
Michel's the boss and he's not there to take BLEEP off us, but... | 0:38:11 | 0:38:16 | |
There's no way that he should be kicked off. | 0:38:16 | 0:38:19 | |
He's just given him the maitre d. | 0:38:19 | 0:38:22 | |
At least see if he can pull the stops out. | 0:38:22 | 0:38:25 | |
I'm gutted that he's gone but there has been times... | 0:38:25 | 0:38:29 | |
I'm not slagging him off. | 0:38:29 | 0:38:31 | |
There are times when we're trying to train where he does disrupt. | 0:38:31 | 0:38:35 | |
Things like that can cause... | 0:38:35 | 0:38:37 | |
You know, we won't learn what we need to learn. | 0:38:37 | 0:38:41 | |
Is the decision regarding Jarel final? | 0:38:46 | 0:38:49 | |
I understand fully your decision. | 0:38:49 | 0:38:51 | |
-I do understand it. -Jarel is a showman. | 0:38:51 | 0:38:55 | |
But he's a hard worker. He's been given the chance to be maitre d... | 0:38:55 | 0:39:00 | |
It's very admirable | 0:39:00 | 0:39:02 | |
that you guys are backing him up and have come to sing his praise. | 0:39:02 | 0:39:06 | |
I don't, for one minute, believe he is a bad guy. | 0:39:06 | 0:39:10 | |
But I have made my decision and I am not going back on it. | 0:39:10 | 0:39:15 | |
I'm afraid Jarel is gone. | 0:39:15 | 0:39:17 | |
And I'm now depending on you to turn this around. | 0:39:17 | 0:39:22 | |
It's fair enough. | 0:39:22 | 0:39:25 | |
'Too shocked to talk about what had happened, | 0:39:30 | 0:39:33 | |
'Jarel returned home later that day.' | 0:39:33 | 0:39:37 | |
Michel asking me to leave his training, I felt that... | 0:39:40 | 0:39:44 | |
it was slightly unfair. | 0:39:44 | 0:39:46 | |
I was very upset. I was very surprised. | 0:39:46 | 0:39:50 | |
I didn't think that I was going to be asked to leave, but I was. | 0:39:50 | 0:39:54 | |
I knew that I was a loud and big personality. | 0:39:54 | 0:39:57 | |
Now I've learned that there's a time and there's a place. | 0:39:57 | 0:40:01 | |
I know that I have to tone certain things down, when necessary. | 0:40:01 | 0:40:06 | |
I was sad and I had to come back to reality but I can move forward | 0:40:06 | 0:40:11 | |
and grow from here, and be successful. | 0:40:11 | 0:40:14 | |
'After losing a team member, the trainees have under two hours to get their fully booked restaurant ready. | 0:40:18 | 0:40:25 | |
'With the mood low, Michel hopes Fred can get them back on track.' | 0:40:25 | 0:40:29 | |
-I want you to go in and try and get them to bond again as a team. -Yeah. | 0:40:29 | 0:40:35 | |
Give them a boost. Tell them they're here to do a great job, which I think they can do. | 0:40:35 | 0:40:41 | |
No problem. It's for the best. | 0:40:41 | 0:40:43 | |
Good afternoon. | 0:40:46 | 0:40:48 | |
Seeing as we're one down, | 0:40:48 | 0:40:50 | |
we need one more on the floor. | 0:40:50 | 0:40:53 | |
That one more person on the floor is Nikkita. | 0:40:53 | 0:40:57 | |
maitre d for tonight is... | 0:40:57 | 0:40:59 | |
..Tom. I think that you're up for it now. | 0:41:00 | 0:41:05 | |
-You're going to be a good team leader. -Thank you very much. | 0:41:05 | 0:41:09 | |
I want you to think for tonight | 0:41:09 | 0:41:11 | |
that you are all workers in a magic factory. | 0:41:11 | 0:41:15 | |
You're working on a conveyor belt. You are making happy customers. | 0:41:15 | 0:41:20 | |
You will start at the door, take their coats. | 0:41:20 | 0:41:24 | |
We're going to take all their worries in the cloakroom | 0:41:24 | 0:41:27 | |
and make them happy all through the night. | 0:41:27 | 0:41:31 | |
Thomas, you catch things when they fall, make customers happy here and there. | 0:41:31 | 0:41:36 | |
We will have this finished product, the happy customers. | 0:41:36 | 0:41:40 | |
They will have a great time and you will have a great time with them. | 0:41:40 | 0:41:45 | |
We can do that. We need to start now. OK? | 0:41:45 | 0:41:48 | |
Brooke and Thomas, come with me. | 0:41:48 | 0:41:51 | |
'With only two hours to go before the restaurant opens, | 0:41:51 | 0:41:56 | |
'new maitre d Tom is keen to get everyone focused.' | 0:41:56 | 0:42:00 | |
Toilets need cleaning. Ash, I'd like you to do that for me. | 0:42:00 | 0:42:03 | |
Niki, make sure that we've got enough spare made-up cutlery. | 0:42:03 | 0:42:08 | |
Tables, how do they go? 24 there in the corner? | 0:42:08 | 0:42:11 | |
'For Fred, getting a restaurant up to his standard is the responsibility of the waiting staff. | 0:42:11 | 0:42:18 | |
'Which means, inside and out, everything needs to be gleaming.' | 0:42:18 | 0:42:23 | |
James is doing the layout of the tables. | 0:42:23 | 0:42:27 | |
The girls are sorting out the station. | 0:42:27 | 0:42:30 | |
And I'm cleaning the loo! | 0:42:30 | 0:42:32 | |
When I'm maitre d, Tom's cleaning the toilets. I'm not impressed. | 0:42:32 | 0:42:37 | |
There's one gone now. | 0:42:38 | 0:42:40 | |
We need to be stronger for Michel. | 0:42:40 | 0:42:43 | |
He's proud of us lot so we do need to work hard - work harder! | 0:42:43 | 0:42:48 | |
The first spare table is...? | 0:42:48 | 0:42:51 | |
'As maitre d, Tom works on a seating plan, so his waiters know | 0:42:53 | 0:42:57 | |
'who they'll be serving and when they're arriving. | 0:42:57 | 0:43:00 | |
'Each waiter will look after three tables each, | 0:43:00 | 0:43:04 | |
'personally serving up to 15 customers.' | 0:43:04 | 0:43:07 | |
'I just hope that my trainees can pull together as one. | 0:43:07 | 0:43:12 | |
'Raj's restaurant depends on repeat customers. | 0:43:12 | 0:43:16 | |
'He treats them like royalty. | 0:43:16 | 0:43:18 | |
'My trainees have to deliver that style of service.' | 0:43:18 | 0:43:23 | |
As long as they can keep their confidence, they can pull it off. | 0:43:23 | 0:43:28 | |
Can they keep it together, though? That's what I'm hoping for. | 0:43:28 | 0:43:32 | |
The restaurant is now open. Good luck. Let's do it for Raj. | 0:43:38 | 0:43:43 | |
For Raj! | 0:43:43 | 0:43:44 | |
Hello. Good evening. | 0:43:50 | 0:43:52 | |
-Have you got a reservation? -Yes. Under the name of Platt. -Mark Platt? | 0:43:52 | 0:43:57 | |
-Yeah. -Would you like to follow me? -Can I...? -I'll take that for you. | 0:43:57 | 0:44:03 | |
-Remind me on the way out. -I will remind you. | 0:44:05 | 0:44:08 | |
'As well as checking reservations, | 0:44:08 | 0:44:11 | |
'the key to Brooke's job is making them feel happy and welcome.' | 0:44:11 | 0:44:15 | |
-I LOVE your shoes. -Thank you. | 0:44:15 | 0:44:19 | |
'Then tell Tom who the guests are, | 0:44:19 | 0:44:21 | |
'so he can seat them on the correct table.' | 0:44:21 | 0:44:25 | |
Do you want to sit in the corner? | 0:44:25 | 0:44:27 | |
Lovely. | 0:44:27 | 0:44:29 | |
'Tom hands them over to their waiter.' | 0:44:29 | 0:44:32 | |
This is James. He'll be your waiter. I'll get these out of your way. | 0:44:32 | 0:44:38 | |
'As they've been taught, the waiters begin by taking drinks orders | 0:44:38 | 0:44:42 | |
'and serving poppadoms.' | 0:44:42 | 0:44:44 | |
Nikkita's very lucky. | 0:44:53 | 0:44:55 | |
She's got two friendly customers to start her off, which is great. | 0:44:55 | 0:44:59 | |
-Mm. It's nice. -That's all right, then. | 0:44:59 | 0:45:02 | |
-Good choice. -Thank you. | 0:45:02 | 0:45:05 | |
Nikkita's pouring was a bit unsteady, but she did manage. | 0:45:05 | 0:45:09 | |
She pulled it off because she's got charm. | 0:45:09 | 0:45:13 | |
She immediately engaged with the customers. | 0:45:13 | 0:45:17 | |
That's great. A good start. | 0:45:17 | 0:45:20 | |
'With the restaurant filling up, it's crucial that food orders start reaching the kitchen. | 0:45:20 | 0:45:27 | |
'Any delay will mean too many tables wanting food at the same time.' | 0:45:27 | 0:45:32 | |
There you are, gents. I'll just give you your wine menu. | 0:45:32 | 0:45:36 | |
'For Fred, this is the most critical time.' | 0:45:36 | 0:45:40 | |
James right now, if he wants to start a good service | 0:45:40 | 0:45:43 | |
he needs to take the order on that table, then after on that table. | 0:45:43 | 0:45:49 | |
If he takes them at the same time, he will be in trouble. He needs to be really quick. | 0:45:49 | 0:45:55 | |
'The trainees have been taught that if one link breaks in the chain, | 0:45:55 | 0:46:00 | |
'it causes problems down the line. | 0:46:00 | 0:46:02 | |
'Communication between reception and maitre d is essential.' | 0:46:02 | 0:46:06 | |
-There's seven of you, yeah? -Yeah. | 0:46:06 | 0:46:09 | |
Brilliant. Would you like to follow me? | 0:46:09 | 0:46:11 | |
'In reception, a large party of guests has arrived.' | 0:46:11 | 0:46:16 | |
TOM: Are there ten? BROOKE: Yeah. The Naz party. | 0:46:16 | 0:46:19 | |
TOM: The table ten, there? BROOKE: No. Yeah. | 0:46:19 | 0:46:23 | |
How are you doing? I'm Tom. Lovely to meet you. | 0:46:23 | 0:46:27 | |
If you'd like to follow me. | 0:46:27 | 0:46:29 | |
Would you like to take a seat? | 0:46:29 | 0:46:31 | |
'After talking to Brooke, Tom seats them on a table booked for ten.' | 0:46:31 | 0:46:36 | |
Table of ten. That's what I've just been told. | 0:46:36 | 0:46:39 | |
'But there's only seven of them. | 0:46:39 | 0:46:42 | |
'Across the restaurant, food orders are at last being taken.' | 0:46:44 | 0:46:48 | |
-Is that two? -No, just the one. | 0:46:48 | 0:46:52 | |
New order. Paapri chat, keema kebab, | 0:46:52 | 0:46:57 | |
murgh masala and three makhan naan, please. | 0:46:57 | 0:47:02 | |
'But upstairs, Tom's table for ten has just turned up.' | 0:47:02 | 0:47:07 | |
That table of seven is now on a table of ten. | 0:47:07 | 0:47:12 | |
I've got to find a table of ten. Sorry about that. | 0:47:12 | 0:47:15 | |
'With a full restaurant, there's nowhere for them to sit. | 0:47:15 | 0:47:19 | |
'It's up to Tom to sort out the seating mess.' | 0:47:19 | 0:47:23 | |
Guys, sorry. Can I interrupt? | 0:47:23 | 0:47:26 | |
I've made a mistake. This is a table for seven on my table for ten. | 0:47:26 | 0:47:31 | |
If I make up a table of four there, is it all right if I move you? | 0:47:31 | 0:47:37 | |
Thank you very much. | 0:47:37 | 0:47:39 | |
I'm going to create a table for them then take you to your table. | 0:47:39 | 0:47:43 | |
-Is that all right with you? -Yeah. -I apologise about that mistake. | 0:47:43 | 0:47:48 | |
'He decides to create a new table by the toilet and then asks two sets of guests to move.' | 0:47:49 | 0:47:56 | |
WOMAN: Is there not another table? TOM: Not at the moment. | 0:47:56 | 0:47:59 | |
WOMAN: I hope no-one wants to go to the toilet. | 0:47:59 | 0:48:04 | |
Move that over there for you. Is that all right? | 0:48:04 | 0:48:08 | |
'The party of ten get a big table, but it doesn't please everyone.' | 0:48:08 | 0:48:13 | |
You're obviously regular diners. How does it differ, the service? | 0:48:13 | 0:48:19 | |
It's not the best table, next to the toilet, I must say. | 0:48:19 | 0:48:23 | |
But they have looked after us. The waiter's really nice. | 0:48:23 | 0:48:27 | |
'With over 20 guests playing musical chairs, no-one's taking their food orders. | 0:48:27 | 0:48:34 | |
'Customers who HAVE ordered | 0:48:34 | 0:48:36 | |
'have been waiting over an hour for their starters.' | 0:48:36 | 0:48:41 | |
The service has been fairly slow. | 0:48:41 | 0:48:43 | |
We've topped up our own water and our own wine. | 0:48:43 | 0:48:46 | |
I don't think it's as attentive as it should be for the restaurant. | 0:48:46 | 0:48:50 | |
'The food eventually arrives, but one thing hasn't.' | 0:48:50 | 0:48:54 | |
We need... | 0:48:54 | 0:48:56 | |
..spoons. BOTH LAUGH | 0:48:57 | 0:49:00 | |
'It's not just late food that's coming out of the kitchen.' | 0:49:00 | 0:49:05 | |
The order's wrong. | 0:49:05 | 0:49:07 | |
-The order's wrong. -Which table number? | 0:49:07 | 0:49:10 | |
19. They're vegetarians. I've just took a lamb to them. | 0:49:10 | 0:49:14 | |
ASH: Tom took the starter order. NIKI: They're vegetarians... | 0:49:14 | 0:49:19 | |
Obviously, what came out wasn't a vegetarian dish. | 0:49:19 | 0:49:23 | |
It had a lot of bones on it, | 0:49:23 | 0:49:25 | |
but anyway, we'll tuck into this one while we wait. | 0:49:25 | 0:49:29 | |
He's put on the order, meat, by accident. | 0:49:31 | 0:49:34 | |
We're doing you a new one now. Would that be all OK? | 0:49:34 | 0:49:37 | |
-Yeah. That's fine. -I'm really sorry about that. | 0:49:37 | 0:49:41 | |
When you have an Indian person who's a vegetarian, | 0:49:41 | 0:49:45 | |
often, it's on a religious basis, not a healthy eating choice. | 0:49:45 | 0:49:50 | |
Put meat in front of them, call it vegetarian, and they eat it, | 0:49:50 | 0:49:55 | |
it's a critical mistake. | 0:49:55 | 0:49:57 | |
Mistakes that could have serious effects to my restaurant. | 0:49:57 | 0:50:02 | |
So I'm worried. I have to step in at some point. | 0:50:02 | 0:50:06 | |
Can you just write our starter first? | 0:50:06 | 0:50:08 | |
Yeah... Yeah, OK, then. | 0:50:08 | 0:50:10 | |
'The orders from the reseated tables have hit the kitchen. | 0:50:10 | 0:50:15 | |
'With 20 guests to serve at the same time, the pass is in meltdown.' | 0:50:15 | 0:50:20 | |
I'm not supposed to. How can I take this up? | 0:50:27 | 0:50:30 | |
-'How's Raj? -He's very stressed.' | 0:50:35 | 0:50:38 | |
He is very worried about his customers. | 0:50:38 | 0:50:41 | |
Because he sees the service going down, he thinks about the quality of the food. The food goes cold. | 0:50:41 | 0:50:48 | |
It's not going to taste the way it should and he's very worried. | 0:50:48 | 0:50:52 | |
Very, very stressed. | 0:50:52 | 0:50:54 | |
No, no. Put some onions. | 0:50:54 | 0:50:57 | |
I know that, but it's OUR restaurant. | 0:50:57 | 0:51:01 | |
That's been there for four minutes, they're getting onions. | 0:51:01 | 0:51:05 | |
-RAJ: -It's chaotic in here. I've never known it this bad. | 0:51:07 | 0:51:12 | |
Because of the way it's been ordered and the way it's been picked up | 0:51:12 | 0:51:16 | |
it's the knock-on effect. | 0:51:16 | 0:51:18 | |
Fred used the word perfectly, domino effect. | 0:51:18 | 0:51:22 | |
We're actually giving them a bad product now, sending them cold food. | 0:51:22 | 0:51:27 | |
Is the number 19 cooking now? | 0:51:27 | 0:51:31 | |
Is number 19 getting cooked? | 0:51:31 | 0:51:33 | |
-Now? -Yes. It's on there now. -Thank you. | 0:51:33 | 0:51:37 | |
-FRED: -I don't know what to say. | 0:51:37 | 0:51:40 | |
You think, how difficult is it to serve three tables? | 0:51:40 | 0:51:44 | |
It's obviously very, very difficult, and they just can't do it. | 0:51:44 | 0:51:49 | |
And I really feel sorry for Raj. | 0:51:49 | 0:51:52 | |
'Tom decides he needs all the help he can get. | 0:51:52 | 0:51:55 | |
'With no more guests due to arrive, he goes off in search of Brooke.' | 0:51:55 | 0:52:00 | |
I need you to come downstairs and just sort of float about. | 0:52:00 | 0:52:04 | |
Help Nikkita first. I've got a table I need to look after. | 0:52:04 | 0:52:08 | |
Is that all right, yeah? Come down for a couple of minutes. | 0:52:08 | 0:52:12 | |
'With Brooke's training being on reception, she's had little chance to see how the restaurant works.' | 0:52:12 | 0:52:18 | |
-Are you helping here? -Yeah. I've been told... | 0:52:18 | 0:52:22 | |
This table have got no spoons and forks to help themselves. | 0:52:22 | 0:52:26 | |
-Get two spoons, two forks. -Where are the spoons and forks? | 0:52:26 | 0:52:30 | |
Probably in there, behind Raj, or in the kitchen. Spoon and fork. | 0:52:30 | 0:52:35 | |
Have the table in the corner had anything to eat? | 0:52:44 | 0:52:48 | |
-Yes, I'm just waiting.... -In that corner? | 0:52:48 | 0:52:52 | |
I've no idea. That is... Speak to Nikkita. | 0:52:52 | 0:52:55 | |
-They're not her table. -Oh. Danielle, then. | 0:52:55 | 0:52:58 | |
I'm sorry. I don't know. I've got loads on. | 0:52:58 | 0:53:02 | |
'By 10pm, all the guests finally receive their main courses.' | 0:53:04 | 0:53:09 | |
VOICE BREAKING: I don't know who's who. I don't know what's what. | 0:53:09 | 0:53:14 | |
-They don't know what to do either. -It's pandemonium down there. It is. | 0:53:14 | 0:53:19 | |
But we don't expect you to go down there and take over somebody's job. | 0:53:19 | 0:53:24 | |
Just help out, that's all. | 0:53:24 | 0:53:26 | |
I was trying but I don't know, I just... | 0:53:26 | 0:53:29 | |
Finish your fag, quick. | 0:53:29 | 0:53:31 | |
Chew on a mint. | 0:53:31 | 0:53:33 | |
-And come down and give us a hand. -I will do. -Yeah? -Yeah. | 0:53:33 | 0:53:37 | |
-Cool? -Yeah. -Good. | 0:53:37 | 0:53:39 | |
There's a heart in there. | 0:53:43 | 0:53:45 | |
There is a heart in there. | 0:53:45 | 0:53:47 | |
'It may have been a chaotic evening, but as service draws to a close | 0:54:04 | 0:54:09 | |
'the trainees' enthusiasm and desire to please have not gone unnoticed.' | 0:54:09 | 0:54:14 | |
It looks like strawberry cheesecake with ice cream. | 0:54:14 | 0:54:17 | |
WOMAN: It's carrot cake! Oh, is it? | 0:54:17 | 0:54:20 | |
LAUGHTER > | 0:54:20 | 0:54:22 | |
-Strawberry cake! -What is he like?! | 0:54:22 | 0:54:26 | |
Carrot, then. | 0:54:26 | 0:54:28 | |
I understand that mistakes have been made, | 0:54:28 | 0:54:30 | |
but have they been attentive and polite? | 0:54:30 | 0:54:34 | |
Excellent. Really good, and we'd be honest with you. | 0:54:34 | 0:54:38 | |
They've trained for two days. It's pretty good. | 0:54:38 | 0:54:41 | |
I really liked them... | 0:54:41 | 0:54:43 | |
-She had a nice attitude. You can do anything with a smile. -Yeah. | 0:54:43 | 0:54:47 | |
Yeah, if people have a good attitude and make you feel welcome | 0:54:47 | 0:54:52 | |
you let those things slip but, other than that, it was brilliant. | 0:54:52 | 0:54:56 | |
And she had a nice tip at the end. | 0:54:56 | 0:54:59 | |
Look after yourself. Take care. Thank you very much. | 0:54:59 | 0:55:03 | |
'And Brooke is able to provide a good end to the chain of service.' | 0:55:03 | 0:55:07 | |
-Fantastic. Thank you very much. -I've been thinking about you. | 0:55:08 | 0:55:13 | |
-Thank you. -Thank you very much. -Bye. | 0:55:13 | 0:55:16 | |
You feel how I felt the other day. Beautiful. | 0:55:31 | 0:55:34 | |
First off... | 0:55:37 | 0:55:39 | |
-Well done. -Thank you very much. APPLAUSE | 0:55:39 | 0:55:42 | |
You have got beaming smiles on your faces. | 0:55:42 | 0:55:46 | |
You've achieved something tonight. It wasn't fault-free. You know that. | 0:55:46 | 0:55:51 | |
Because I think you're turning into professionals. | 0:55:51 | 0:55:54 | |
While mistakes were being made, it frustrated the hell out of me. | 0:55:54 | 0:55:59 | |
The thing is, you did what you could to pick up the pace. | 0:55:59 | 0:56:03 | |
And every single table that I spoke to commented on how polite you were | 0:56:03 | 0:56:08 | |
and you were doing what you could to make the guests feel good about being here. | 0:56:08 | 0:56:14 | |
Well done to Thomas. Thomas was really focused. | 0:56:14 | 0:56:18 | |
I was really impressed. Brooke was a bit stressed at the beginning. | 0:56:18 | 0:56:22 | |
But she blossomed and I really enjoy seeing you at reception. | 0:56:22 | 0:56:26 | |
You've got a beautiful smile. | 0:56:26 | 0:56:28 | |
James, one very positive comment. | 0:56:28 | 0:56:31 | |
You even recommended a bottle of wine. | 0:56:31 | 0:56:34 | |
You cheeky so-and-so. I bet you've never tried that wine. | 0:56:34 | 0:56:38 | |
-Did they like it? -They loved it. -That's all right, then. -Well done. | 0:56:38 | 0:56:43 | |
You have still got a long way to go, a real long way to go. | 0:56:44 | 0:56:49 | |
I think we should finish on a high note. | 0:56:49 | 0:56:52 | |
You deserve a round of applause. | 0:56:52 | 0:56:55 | |
BROOKE: We've all got these fronts. We're all larey and loud. | 0:56:57 | 0:57:01 | |
We're all over the place. | 0:57:01 | 0:57:04 | |
But when we've got to work, we put our working shoes on and we change. | 0:57:04 | 0:57:09 | |
Service tonight has just been incredible. | 0:57:09 | 0:57:13 | |
I'm feeling...I can't describe it. I just get such a buzz. | 0:57:13 | 0:57:17 | |
The whole night I just felt so confident, so at home. | 0:57:17 | 0:57:21 | |
It was great to be out there. I was just loving it. | 0:57:21 | 0:57:25 | |
On the evidence of tonight, I am 100% sure | 0:57:25 | 0:57:29 | |
that we have got, in these seven trainees, | 0:57:29 | 0:57:32 | |
potentially two scholars. | 0:57:32 | 0:57:34 | |
And possibly even seven trainees that will be good enough | 0:57:35 | 0:57:41 | |
to present to our industry. | 0:57:41 | 0:57:44 | |
'Next time, the trainees must take a major step forward, | 0:57:44 | 0:57:48 | |
'serving on the biggest day of one couple's life...' | 0:57:48 | 0:57:51 | |
Nikkita's opened up that big smile! The customers are laughing with her. | 0:57:51 | 0:57:56 | |
'..before they run service at an up-market brasserie where customers pay a lot and expect even more.' | 0:57:56 | 0:58:03 | |
You want room temperature? Right, I'll get them fixed for you. | 0:58:03 | 0:58:08 | |
-Keep smiling. Keep smiling. -She was just being really horrible. | 0:58:08 | 0:58:12 | |
They're not doing well. They get to the top, then suddenly, it's panic. | 0:58:12 | 0:58:16 |