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Raymond Blanc arrived in Britain in 1972 | 0:00:02 | 0:00:05 | |
as a 22-year-old unemployed French waiter with only a shaky grasp of English. | 0:00:05 | 0:00:10 | |
Ten years later, he was a chef with two Michelin stars which he still holds today. | 0:00:10 | 0:00:15 | |
Good texture. Lovely, lovely. | 0:00:15 | 0:00:18 | |
While he has been successful in his adopted home, | 0:00:18 | 0:00:21 | |
he has never forgotten his first love. | 0:00:21 | 0:00:24 | |
Food, food, glorious food. My God! | 0:00:24 | 0:00:26 | |
-The food and wine of France. -Beautiful! | 0:00:26 | 0:00:30 | |
Now, Raymond is back to his favourite French regions | 0:00:30 | 0:00:33 | |
so he can reconnect with the wonderful food and people that have inspired him. | 0:00:33 | 0:00:39 | |
Farmers in Burgundy, Chefs in Lyon, | 0:00:39 | 0:00:44 | |
winemakers in Alsace, good friends in Provence | 0:00:44 | 0:00:50 | |
-and cheese makers in Franche-Comte. -Fantastic! | 0:00:50 | 0:00:54 | |
In each region, he will take over a restaurant for one night only | 0:00:54 | 0:00:59 | |
and cook a feast inspired by his journey. | 0:00:59 | 0:01:02 | |
My beautiful Frenche-Comte. | 0:01:02 | 0:01:03 | |
He will be serving a menu that features his version of famous local dishes. | 0:01:03 | 0:01:08 | |
Helping the master in his homeland | 0:01:08 | 0:01:11 | |
will be two young chefs from his restaurant in Oxfordshire. Katy Beth and Kush. | 0:01:11 | 0:01:16 | |
Oh la, la! Oh la, la! | 0:01:16 | 0:01:19 | |
Despite 30 years at the top in the UK, | 0:01:19 | 0:01:22 | |
this will be the first time Raymond has had a chance to be chef in France. | 0:01:22 | 0:01:27 | |
Vive la France! | 0:01:27 | 0:01:29 | |
It's a daunting, nerve-racking and exciting task | 0:01:29 | 0:01:33 | |
but one perfectly suited to Raymond Blanc, the very hungry Frenchman. | 0:01:33 | 0:01:38 | |
When the black forest of Germany is on the horizon | 0:01:47 | 0:01:51 | |
and the Rhine which marks the border with France appears, | 0:01:51 | 0:01:55 | |
Raymond Blanc can only be in one place - Alsace. | 0:02:00 | 0:02:05 | |
Nestling in the north east corner of France, Alsace is unique. | 0:02:07 | 0:02:11 | |
It has spent as much time controlled by Germany as France. | 0:02:11 | 0:02:15 | |
That history is everywhere, from the street signs to the memorials. | 0:02:17 | 0:02:22 | |
Germany last had control here during World War II, | 0:02:22 | 0:02:25 | |
something Raymond's father would have remembered | 0:02:25 | 0:02:29 | |
as a veteran of the French resistance. | 0:02:29 | 0:02:31 | |
Raymond's home region is neighbour to Alsace and like all of France, | 0:02:31 | 0:02:36 | |
it was occupied through most of the Second World War. | 0:02:36 | 0:02:39 | |
And on the right here, you've got my country, | 0:02:39 | 0:02:42 | |
just on the west of it here. | 0:02:42 | 0:02:43 | |
Of course, this landscape tells me a story, a wonderful story. | 0:02:43 | 0:02:49 | |
Alsatian culture is enriched by France and by Germany | 0:02:49 | 0:02:52 | |
and of course you can find it in the food. | 0:02:52 | 0:02:54 | |
And for Raymond, the food story begins in the ground. | 0:02:54 | 0:03:00 | |
Fields of cabbage shout sauerkraut in German or choucroute in French. | 0:03:00 | 0:03:05 | |
While in the hills, the vineyards are home to a true French treasure, Alsatian wine. | 0:03:08 | 0:03:14 | |
What you see on the plate is so much more than the story in the kitchen or in the soul. | 0:03:14 | 0:03:19 | |
It is layering of cultures, | 0:03:19 | 0:03:22 | |
of influences which paints that beautiful food onto your plate. | 0:03:22 | 0:03:28 | |
One regional favourite, choucrote, tells all. | 0:03:28 | 0:03:31 | |
Fermented cabbage is cooked with spices and Alsatian wine | 0:03:31 | 0:03:36 | |
then served with German sausages and French charcuteries. | 0:03:36 | 0:03:41 | |
And the famous, kougelhopf. | 0:03:41 | 0:03:43 | |
Derived from the German for ball, kougel, | 0:03:43 | 0:03:47 | |
it shares the French' love for yeast baking and is similar to a brioche. | 0:03:47 | 0:03:52 | |
If I were to sum up Alsatian food, | 0:03:52 | 0:03:55 | |
I would say it's hearty, wholesome, big and delicious. | 0:03:55 | 0:04:01 | |
It's wonderful produce and you're not hungry for a couple of hours. | 0:04:01 | 0:04:06 | |
Beyond never feeling hungry, | 0:04:06 | 0:04:10 | |
Alsace's influence on Raymond has come more from people than recipes. | 0:04:10 | 0:04:14 | |
Oh, la, la. | 0:04:14 | 0:04:16 | |
He's always been drawn here | 0:04:17 | 0:04:19 | |
because Alsatians really know how to party and feast. | 0:04:19 | 0:04:22 | |
You need a big mouth, eh. | 0:04:22 | 0:04:23 | |
So, Raymond's next few days in Alsace will be a testing journey | 0:04:23 | 0:04:27 | |
as he tries to recreate their famous hospitality. | 0:04:27 | 0:04:31 | |
I've never seen people eating so much. | 0:04:31 | 0:04:34 | |
For one night only, | 0:04:34 | 0:04:35 | |
he will be taking over a restaurant in the old town of Riquewihr... | 0:04:35 | 0:04:39 | |
-Allez. -One second. | 0:04:39 | 0:04:40 | |
..to try and impress his Alsatian friends with a four-course feast | 0:04:40 | 0:04:44 | |
inspired by their region. | 0:04:44 | 0:04:46 | |
-Bon appetit. -Thank you. | 0:04:46 | 0:04:48 | |
He's hoping his attempt at cooking in Alsace | 0:04:48 | 0:04:51 | |
will leave his guests feeling satisfied, impressed | 0:04:51 | 0:04:54 | |
and full of joie de vivre. | 0:04:54 | 0:04:56 | |
Raymond has many great friends in Alsace | 0:05:02 | 0:05:05 | |
and, as he's planning to invite most of them to his feast, | 0:05:05 | 0:05:08 | |
he's keen to get it right. | 0:05:08 | 0:05:11 | |
The top restaurant in the region is the Auberge de L'Ill in Illhausern. | 0:05:11 | 0:05:16 | |
Ah, Raymond, bonjour. | 0:05:16 | 0:05:17 | |
Chef Marc Haeberlin has been a good friend for many years. | 0:05:23 | 0:05:26 | |
In the kitchen of his restaurant, | 0:05:26 | 0:05:29 | |
which has held three Michelin stars for the last 44 years, | 0:05:29 | 0:05:32 | |
he's putting together a local dish | 0:05:32 | 0:05:34 | |
to set Raymond's taste buds on the right, Alsatian road. | 0:05:34 | 0:05:38 | |
This is a specialty from the area and the dish is called.... | 0:05:38 | 0:05:42 | |
-Baeckeoffe. -It means... | 0:05:42 | 0:05:44 | |
-The baker oven. -Baker's oven. | 0:05:44 | 0:05:47 | |
Normally, this dish was done by the housewives | 0:05:47 | 0:05:50 | |
when they had a laundry day. | 0:05:50 | 0:05:52 | |
They'd prepare this pot and bring it to the baker | 0:05:52 | 0:05:55 | |
and when the man came home, | 0:05:55 | 0:05:57 | |
she had a very hot meal without cooking the whole day, | 0:05:57 | 0:06:01 | |
the whole morning. | 0:06:01 | 0:06:03 | |
-So, you are preparing my lunch? -Yes. -This is my lunch. | 0:06:03 | 0:06:07 | |
-What a gorgeous wife I've found. What a big hat she has. -Yeah. | 0:06:07 | 0:06:11 | |
The Baeckeoffe is a peasant dish and wouldn't normally grace the table | 0:06:11 | 0:06:16 | |
of Marc's refined restaurant. | 0:06:16 | 0:06:17 | |
That such a great chef is cooking it from Raymond is a huge treat. | 0:06:24 | 0:06:29 | |
I live a charmed life, getting always the best. | 0:06:29 | 0:06:31 | |
But what are friends for if not to share | 0:06:31 | 0:06:33 | |
the ordinary in extraordinary surroundings? | 0:06:33 | 0:06:37 | |
Here, Raymond. | 0:06:37 | 0:06:38 | |
I bring you the Baeckeoffe | 0:06:38 | 0:06:40 | |
-It should be a lady bringing it to me. -No. -It is a husband. -Yes. -Yes. | 0:06:41 | 0:06:45 | |
-Normally, it should be. -So, which meat did you put in? | 0:06:45 | 0:06:48 | |
-Can you remind me. -I put pork. | 0:06:48 | 0:06:50 | |
I put lamb, beef and pork feet and pork tails. | 0:06:50 | 0:06:55 | |
-And white wine. -Traditional dish that belongs to the heart of Alsace. | 0:06:55 | 0:06:59 | |
Yes. It's always cooked in a clay pot decorated with... | 0:06:59 | 0:07:02 | |
-Made in Alsace? -Made in Alsace, of course. Of course. | 0:07:02 | 0:07:06 | |
Why the dough around...? | 0:07:06 | 0:07:07 | |
The dough, they'd closed it, so the baker cannot eat the meat. | 0:07:07 | 0:07:11 | |
They should put a padlock, I would find a way in. | 0:07:11 | 0:07:14 | |
Raymond, it is a pleasure for me to have you here. | 0:07:14 | 0:07:18 | |
Same for me. Thank you. | 0:07:18 | 0:07:19 | |
Oh, la, la. Mmm. | 0:07:21 | 0:07:22 | |
That's delicious. That is really lovely. | 0:07:22 | 0:07:26 | |
And look at the tail. Look at the lovely, sweet, little tail. | 0:07:26 | 0:07:30 | |
-Look at that. -It's the best part. -Oh, it's lovely. Nice, little tail, here. | 0:07:30 | 0:07:34 | |
Oh, la, la. Mmm. | 0:07:34 | 0:07:36 | |
So, is it French or German? | 0:07:36 | 0:07:38 | |
-This is Alsatian. They don't do it in Germany. -You see, again, here, | 0:07:38 | 0:07:41 | |
we're talking about here the fundamental difference. | 0:07:41 | 0:07:44 | |
And you just said it yourself. | 0:07:44 | 0:07:46 | |
It's neither German, it's neither French, it is Alsatian. | 0:07:46 | 0:07:50 | |
Big difference. | 0:07:51 | 0:07:52 | |
With his hunger satisfied by the best of Alsace hospitality, | 0:07:52 | 0:07:56 | |
Raymond now has to think about | 0:07:56 | 0:07:58 | |
how his Alsatian feast should take shape. | 0:07:58 | 0:08:00 | |
So, Raymond, I wish you all the best for your dinner. | 0:08:00 | 0:08:04 | |
I'm sure you'll find nice products here in my Alsace to cook for, | 0:08:04 | 0:08:08 | |
to cook for all your friends in Riquewihr. | 0:08:08 | 0:08:10 | |
I know the Alsatian people love their food and a lot of it. | 0:08:10 | 0:08:14 | |
-So, I'll prepare double. -OK. -Double. -Don't make too small portions. | 0:08:14 | 0:08:18 | |
No, I know, I'm going to be in trouble. | 0:08:18 | 0:08:21 | |
I want to go with my honour, I want to go with a big smile on my face. | 0:08:21 | 0:08:25 | |
-And a lot of Alsatian guests beaming away. -Yeah. | 0:08:25 | 0:08:28 | |
-So, Raymond, on your success. -Merci. | 0:08:28 | 0:08:31 | |
It could be said that the food of Alsace is like a peace treaty, | 0:08:33 | 0:08:36 | |
uniting two culinary traditions. | 0:08:36 | 0:08:39 | |
German technique and French style have both joined together | 0:08:39 | 0:08:42 | |
to create what is uniquely Alsatian cuisine. | 0:08:42 | 0:08:45 | |
So, to draft Raymond's very own peace treaty, | 0:08:48 | 0:08:51 | |
he's burying himself in the old town of Riquewihr, | 0:08:51 | 0:08:55 | |
a mediaeval gem situated at the foot of the Vosges Mountains. | 0:08:55 | 0:08:59 | |
It is like a beautiful picture. It's a postcard picture. | 0:08:59 | 0:09:04 | |
It has been very much influenced by two great cultures. | 0:09:04 | 0:09:07 | |
Germany and France at all levels. Culture, food, architecture, art. | 0:09:07 | 0:09:12 | |
And you can see it everywhere. | 0:09:12 | 0:09:15 | |
Before he can cook anything, | 0:09:15 | 0:09:17 | |
Raymond and his assistants, Katie-Beth and Kush, | 0:09:17 | 0:09:19 | |
need to settle into his chosen restaurant, La Table du Gourmet | 0:09:19 | 0:09:23 | |
-in the oldest part of the town. -This is home for a week. | 0:09:23 | 0:09:26 | |
-Monsieur Brendel. -Bonjour! | 0:09:26 | 0:09:29 | |
-Bienvenue. -Merci beaucoup. | 0:09:29 | 0:09:31 | |
This will be Raymond's home for the next few days. | 0:09:31 | 0:09:34 | |
Oh, la, la. | 0:09:34 | 0:09:35 | |
-It may look old, dating from 1710... -The dining room is full of passion. | 0:09:35 | 0:09:41 | |
..but it holds a chef's surprise. | 0:09:41 | 0:09:44 | |
-It's a palace! -An ultramodern kitchen. | 0:09:44 | 0:09:47 | |
Every knob is big and hard and heavy and precise. | 0:09:49 | 0:09:54 | |
I know, you, dirty of mind. The restaurant is full of passion. | 0:09:54 | 0:09:57 | |
While the kitchen is minimalist, it's practical, it's pretty, | 0:09:57 | 0:10:00 | |
it's good-looking. | 0:10:00 | 0:10:02 | |
It's hard, coarse, in style. I like that. | 0:10:02 | 0:10:05 | |
-It's bleu, blanc, rouge, you have. It's a very French kitchen. -Oui. | 0:10:05 | 0:10:08 | |
THEY CONVERSE IN FRENCH | 0:10:08 | 0:10:12 | |
The restaurant's ambience is perfect | 0:10:14 | 0:10:16 | |
and has inspired Raymond wonderfully. | 0:10:16 | 0:10:18 | |
It feels right. It feels really good. | 0:10:18 | 0:10:20 | |
I think we're on for a good feast, I think so. | 0:10:20 | 0:10:22 | |
Now, it's all up to him, a Frenchman based in the UK | 0:10:22 | 0:10:26 | |
cooking in Alsace, to get the menu just right. | 0:10:26 | 0:10:30 | |
Drawing on his British side, he's going to start with a little drink. | 0:10:30 | 0:10:33 | |
Alsace is home to some of Raymond's favourite wines | 0:10:39 | 0:10:42 | |
and he's keen, not only to fill his guests' glasses with the best, | 0:10:42 | 0:10:45 | |
but also to include it in his cooking. | 0:10:45 | 0:10:47 | |
Alsace wines are fantastic for drinking on their own, | 0:10:47 | 0:10:52 | |
but mostly with food, | 0:10:52 | 0:10:53 | |
because that's how the French drink their wine here, with food. | 0:10:53 | 0:10:57 | |
And they really celebrate very well. They go very, very well together. | 0:10:57 | 0:11:01 | |
You have a beautiful choucroute, OK, with a beautiful Riesling | 0:11:01 | 0:11:04 | |
or spice with Gewurztraminer. You'll be in heaven, I can assure you. | 0:11:04 | 0:11:07 | |
Vines were probably first introduced to Alsace by the Romans | 0:11:10 | 0:11:13 | |
and the region has continued making wine through the centuries since. | 0:11:13 | 0:11:16 | |
Although Alsatian wines make up a very small proportion | 0:11:19 | 0:11:22 | |
of all UK wine sales, to connoisseurs, | 0:11:22 | 0:11:25 | |
these vines produce wines that are for true wine-lovers. | 0:11:25 | 0:11:28 | |
They are particularly loved by chefs. | 0:11:28 | 0:11:30 | |
One wine dynasty not going back quite as far as the Romans | 0:11:31 | 0:11:35 | |
is that of Leon Beyer, the family have wine making in their blood | 0:11:35 | 0:11:38 | |
and Raymond isn't going to pass up the chance to drop by and say hello. | 0:11:38 | 0:11:44 | |
-Hello, Marc. -Raymond. -The current head of the Beyer dynasty is Marc. | 0:11:44 | 0:11:49 | |
Why are you so big and I'm so small? Come on. Let's go. | 0:11:49 | 0:11:52 | |
Atop the Vosges Mountains, forts tell of the warring past | 0:11:58 | 0:12:02 | |
but those things don't worry Marc. The treasure here is in the soil. | 0:12:02 | 0:12:06 | |
Actually, two wines, divided by that path, | 0:12:07 | 0:12:11 | |
can be totally different and the definition, | 0:12:11 | 0:12:13 | |
the difference is the terroir. | 0:12:13 | 0:12:15 | |
The type of soil can change very quickly, you know, | 0:12:15 | 0:12:18 | |
in a few metres, a few yards, you know, become more or less sandy, | 0:12:18 | 0:12:22 | |
become more or less chalky. And that will give a totally different wine. | 0:12:22 | 0:12:26 | |
Show me, show me that. | 0:12:26 | 0:12:27 | |
Here you have, for example, | 0:12:27 | 0:12:29 | |
this grape and this leaf which, you see, is cut... | 0:12:29 | 0:12:32 | |
-Comment peut-on dire? Dentele. -Dentele, yeah. | 0:12:32 | 0:12:35 | |
Reisling leaf is light green. | 0:12:35 | 0:12:37 | |
A little big for a wine grape. The big grapes, | 0:12:37 | 0:12:40 | |
big berries are good to eat, never good for wine. | 0:12:40 | 0:12:43 | |
-Gewurztraminer grapes, is it? -That's Gewurztraminer. | 0:12:43 | 0:12:46 | |
So, that's my favourite grape, you know that. | 0:12:46 | 0:12:48 | |
The size of the grapes is smaller and small grapes are better and more concentrated, the vine will be. | 0:12:48 | 0:12:53 | |
That is, that's after the harvest. | 0:12:55 | 0:12:57 | |
After, after the harvest. Not now. Let's go. | 0:12:57 | 0:13:01 | |
Alsace is most famous for its four noble varieties. | 0:13:01 | 0:13:05 | |
Rieslig, Muscat, Pinot Gris and Gewurztraminer. | 0:13:05 | 0:13:10 | |
Their rich, spicy, but fresh notes | 0:13:10 | 0:13:13 | |
make them the perfect cooking wines. | 0:13:13 | 0:13:15 | |
I was probably one of the very first chefs to use Gewurztraminer | 0:13:15 | 0:13:18 | |
as a wine to cook. | 0:13:18 | 0:13:20 | |
And, normally, that goes totally against my views, | 0:13:20 | 0:13:24 | |
to use expensive wine to cook. | 0:13:24 | 0:13:26 | |
But that Gewurztraminer, you find the flora, | 0:13:26 | 0:13:29 | |
you can find the spice and the flavour. | 0:13:29 | 0:13:32 | |
Even when you've cooked it, its tastes linger inside. | 0:13:32 | 0:13:35 | |
Raymond is planning to create a very special sauce using Alsatian wine. | 0:13:39 | 0:13:43 | |
Under a vineyard, behind heavy doors, | 0:13:43 | 0:13:47 | |
Raymond is hoping to find the perfect wife for the dish. | 0:13:47 | 0:13:50 | |
Oh, la, la. | 0:13:51 | 0:13:52 | |
-Voila. -The deep wine cave used to be an ice house. | 0:13:55 | 0:13:59 | |
Marc's grandfather started cellaring here in the 1920s. | 0:13:59 | 0:14:03 | |
-These old bottles. -So clear, so clear. -Absolutely. | 0:14:04 | 0:14:07 | |
Today, it's testament to one wine myth. | 0:14:08 | 0:14:11 | |
That Alsace wines are best drunk young. | 0:14:11 | 0:14:13 | |
Great vintage, '53. | 0:14:13 | 0:14:16 | |
-Oh, '43. -'43. Here, you have Gewurz '34. | 0:14:16 | 0:14:21 | |
The oldest wine in my life I've drunk in Alsace was 1857. | 0:14:21 | 0:14:25 | |
-That's quite some age. -I would love to taste that now. -You see. | 0:14:25 | 0:14:30 | |
I feel young enough for it. Still. | 0:14:30 | 0:14:33 | |
Marc, I'll cook with it. | 0:14:33 | 0:14:35 | |
You'll get the best sauce you've ever done in your life. | 0:14:35 | 0:14:39 | |
Bit too expensive, mind you. | 0:14:39 | 0:14:41 | |
OK, so, we'll taste it one day when I feel rich. | 0:14:41 | 0:14:45 | |
-We need to try one. -Something truly special, Marc, OK? | 0:14:45 | 0:14:50 | |
It is tempting to try almost every wine in the cellar | 0:14:50 | 0:14:54 | |
but Raymond wants to find the perfect wine for a particular dish. | 0:14:54 | 0:14:58 | |
All in the pursuit of culinary excellence, of course. | 0:14:58 | 0:15:01 | |
You know, I'm bringing one little part of your plate | 0:15:01 | 0:15:04 | |
and you have the responsibility to make the decision here. | 0:15:04 | 0:15:08 | |
Marc's suggestions and not the most expensive | 0:15:08 | 0:15:12 | |
but they are two different Gewurztraminers. | 0:15:12 | 0:15:15 | |
First, a wine from 2009. | 0:15:15 | 0:15:17 | |
-Hmm. -Now, you see, this second wine is the same grape, Gewurztraminer. | 0:15:19 | 0:15:23 | |
-But stronger. -See, the colour. -Oh, big difference. | 0:15:23 | 0:15:27 | |
Then, a more mature bottle from 2003. | 0:15:27 | 0:15:28 | |
Beautiful. Amazing. I mean, I will take this one. | 0:15:31 | 0:15:35 | |
I'm going to cook my fish | 0:15:35 | 0:15:36 | |
with this wonderful Alsace Gewurztraminer. | 0:15:36 | 0:15:38 | |
I will use very little in my food and I'm not going to boil it | 0:15:38 | 0:15:41 | |
because I want to keep all that flavour, | 0:15:41 | 0:15:43 | |
all that flavour, all this fruit into my dish. | 0:15:43 | 0:15:47 | |
You know, the wine is so good I'm not sure your fish will stay quiet. | 0:15:47 | 0:15:50 | |
Ha-ha-ha! | 0:15:50 | 0:15:52 | |
For pleasure, we will now drink, aside of that, a very old bottle, | 0:15:52 | 0:15:57 | |
exactly the same wine from the same vineyard but 40 years old. | 0:15:57 | 0:16:03 | |
Do you have some interest for that? | 0:16:03 | 0:16:05 | |
Huge, come on, don't tease me, give me the bottle, OK. | 0:16:05 | 0:16:07 | |
Let's see if it's aged as well as I did. | 0:16:07 | 0:16:11 | |
-The colour looks very nice. Bright. -Oh, la, la. | 0:16:11 | 0:16:14 | |
There, oh, oh. | 0:16:15 | 0:16:17 | |
-This one is big. -C'est la noblesse. -Ah, it's wonderful. It's... | 0:16:17 | 0:16:23 | |
Marc, to your good health. | 0:16:23 | 0:16:25 | |
Oh, la, la. Ha-ha. Vive la France. | 0:16:28 | 0:16:32 | |
It would seem everyone in Alsace likes a party, | 0:16:33 | 0:16:36 | |
even the local fish supplier. | 0:16:36 | 0:16:37 | |
He's just dropped off some trout and isn't stopping there. | 0:16:37 | 0:16:41 | |
Well, that's one way to get your bill paid quickly. | 0:16:41 | 0:16:45 | |
# Da-da-da. # | 0:16:45 | 0:16:47 | |
Hey. | 0:16:47 | 0:16:48 | |
You are so stressed, no? You are going to cook in about two hours, a bit of fun is what you need. | 0:16:48 | 0:16:53 | |
Take it when it comes. Let's have a party. | 0:16:53 | 0:16:56 | |
Allez. Go, go. | 0:16:57 | 0:16:59 | |
Hey, Katie, viens. | 0:17:09 | 0:17:11 | |
KATIE LAUGHS | 0:17:11 | 0:17:13 | |
Thankfully, the fish he has left is a little fresher | 0:17:13 | 0:17:15 | |
than Raymond's dancing. | 0:17:15 | 0:17:17 | |
That's a trout which has been crossbred, probably, | 0:17:17 | 0:17:20 | |
with a salmon trout. | 0:17:20 | 0:17:21 | |
-OK. -Oui. -And you can see it especially here, OK. | 0:17:21 | 0:17:25 | |
With a salmon... | 0:17:25 | 0:17:26 | |
The Rhine runs through Alsace and has long provided it with fish. | 0:17:26 | 0:17:30 | |
It's a local speciality. | 0:17:30 | 0:17:32 | |
So, for the fish course, Raymond is going to cook a trout recipe | 0:17:32 | 0:17:36 | |
with a fragrant white wine sauce. | 0:17:36 | 0:17:38 | |
-Most wines, when you cook them, the molecules of flavour go away. -Oui. | 0:17:38 | 0:17:42 | |
But this one, you can find, | 0:17:42 | 0:17:44 | |
if you don't murder it by overcooking it, of course. | 0:17:44 | 0:17:46 | |
Raymond starts by making the sauce. | 0:17:48 | 0:17:50 | |
Voila. | 0:17:50 | 0:17:51 | |
Just a few moments in a hot pan intensifies the flavour. | 0:17:53 | 0:17:56 | |
I'm going to stop now, that's perfect. Let's keep that in here. | 0:17:56 | 0:17:59 | |
The sauce is very simple. | 0:17:59 | 0:18:01 | |
Melted butter and shallots form a strong base. | 0:18:01 | 0:18:05 | |
Voila. | 0:18:05 | 0:18:07 | |
A little bit of salt in there, chef? | 0:18:07 | 0:18:09 | |
Not yet, not now, just sweeten them first. OK, to remove the bitterness. | 0:18:09 | 0:18:13 | |
The bowls of the trout that have been chopped. | 0:18:13 | 0:18:16 | |
Add the mushrooms. Voila. | 0:18:16 | 0:18:17 | |
We can add the wine. | 0:18:17 | 0:18:19 | |
All the ingredients complement each other, it's a sauce of harmony. | 0:18:19 | 0:18:23 | |
OK. So, we're going to cook it, only for 15 minutes. | 0:18:23 | 0:18:27 | |
Marc's white wine is giving the whole kitchen an Alsatian aroma. | 0:18:27 | 0:18:31 | |
I like very much this incredible diversity within one, single, | 0:18:31 | 0:18:36 | |
one, single land, piece of land which is... | 0:18:36 | 0:18:40 | |
And my region is just... | 0:18:40 | 0:18:42 | |
about 100 miles, no 70 miles away from here. | 0:18:42 | 0:18:44 | |
Oh, my sauce. | 0:18:46 | 0:18:48 | |
Taste it. | 0:18:49 | 0:18:50 | |
The wine is present. That wine is there. | 0:18:50 | 0:18:54 | |
-Definitely, you get the taste of the wine coming through. -Yeah. -The mushrooms are cleaning it up. | 0:18:54 | 0:18:58 | |
It's perfect now. | 0:18:58 | 0:19:00 | |
Raymond then strains the sauce to create a rich liquor. | 0:19:00 | 0:19:03 | |
It takes a little muscle but the effort is worth it. | 0:19:03 | 0:19:07 | |
Now I'm going to cook our fish. | 0:19:07 | 0:19:09 | |
Before cooking, | 0:19:09 | 0:19:10 | |
Raymond brushes the trout with butter seasoned with lemon juice. | 0:19:10 | 0:19:14 | |
It's a little bit cold, ready to be cooked. | 0:19:14 | 0:19:17 | |
-And that can be kept in the fridge with the butter on? -Absolument. -Oui. | 0:19:17 | 0:19:20 | |
To add texture and to steam the trout, | 0:19:20 | 0:19:23 | |
Raymond lines the pan with more mushrooms and shallots. | 0:19:23 | 0:19:26 | |
The mushroom is going to be the support. | 0:19:26 | 0:19:28 | |
-So, the steam, the fish will be steamed and we'll use that jus. -Oui. | 0:19:28 | 0:19:32 | |
With the main sauce. We don't lose anything. | 0:19:32 | 0:19:35 | |
Now, we're going to add a dash of Gewurztraminer. | 0:19:35 | 0:19:39 | |
Voila. And now, place the fish on top. | 0:19:42 | 0:19:44 | |
OK. With the water. Cover it. Voila. | 0:19:47 | 0:19:50 | |
The fish is served on a bed of sauteed watercress, spinach | 0:19:50 | 0:19:54 | |
-and blanched parsley. -Beautiful. | 0:19:54 | 0:19:56 | |
Now, the fish is ready. | 0:19:56 | 0:19:58 | |
Voila. | 0:19:58 | 0:19:59 | |
This may be a simple dish | 0:19:59 | 0:20:01 | |
but foaming the sauce adds a chefy touch. | 0:20:01 | 0:20:03 | |
That is lovely. Look at that. | 0:20:03 | 0:20:07 | |
Look at that. Oh, la, la. | 0:20:07 | 0:20:08 | |
Now, thick and glossy, it's looking hearty and Germanic. | 0:20:08 | 0:20:12 | |
-I think my Alsatian friends will love it. -Oui. | 0:20:12 | 0:20:14 | |
Steaming the fish has produced a tasty jus | 0:20:14 | 0:20:17 | |
which has set Raymond thinking. | 0:20:17 | 0:20:20 | |
Tres bien. We're going to do two sauces now. | 0:20:20 | 0:20:22 | |
By adding two knobs of butter, he could create an alternative, | 0:20:22 | 0:20:25 | |
lighter, French-style sauce. | 0:20:25 | 0:20:28 | |
The most incredible jus just from the fish. | 0:20:28 | 0:20:32 | |
That, to me, is divine. | 0:20:35 | 0:20:36 | |
Here, you have a lovely, little jus. | 0:20:36 | 0:20:39 | |
A fantastic, little jus. | 0:20:39 | 0:20:41 | |
So, you've got two ways to do it. | 0:20:44 | 0:20:45 | |
This one. Light, fresh, clean, maybe a little less of Alsace. | 0:20:45 | 0:20:49 | |
That is Alsace. | 0:20:49 | 0:20:51 | |
Generous, rich, delicious. | 0:20:51 | 0:20:54 | |
In the courtyard, the trout dishes with their different sauces | 0:20:55 | 0:20:59 | |
are ready to be judged. | 0:20:59 | 0:21:00 | |
First, the French, buttery jus. | 0:21:00 | 0:21:04 | |
Yeah. The jus of the poisson is lovely | 0:21:04 | 0:21:06 | |
but maybe to do it a la carte for one person or two persons, fine. | 0:21:06 | 0:21:11 | |
-To do it for 20 or 30 people... -No, I mean... -Let's taste that one. | 0:21:11 | 0:21:15 | |
That is lovely. I like it very much. I think they will like that better. | 0:21:16 | 0:21:21 | |
Cos they love their food and they love a bit of richness. | 0:21:21 | 0:21:23 | |
It's really a great dish. | 0:21:23 | 0:21:26 | |
So, the choice is made. | 0:21:26 | 0:21:27 | |
The more creamy, rich sauce will be served at the feast. | 0:21:27 | 0:21:31 | |
It is only a few days | 0:21:38 | 0:21:40 | |
until Raymond will be acting as chef and host at his Alsatian feast. | 0:21:40 | 0:21:45 | |
And finding the right dishes to make the perfect party | 0:21:45 | 0:21:48 | |
is everything to Raymond. | 0:21:48 | 0:21:50 | |
With that in mind, he's hitting the road again. | 0:21:53 | 0:21:58 | |
-ENGINE CUTS OUT -At least he's trying to. | 0:21:58 | 0:22:01 | |
Ah. | 0:22:01 | 0:22:02 | |
ENGINE STARTS | 0:22:02 | 0:22:04 | |
There's nothing more cliched | 0:22:11 | 0:22:12 | |
than the image of a Frenchman selling onions. | 0:22:12 | 0:22:16 | |
But here in Alsace, they are a source of real pride. | 0:22:16 | 0:22:19 | |
It's the nature of the soil and colder climate | 0:22:25 | 0:22:28 | |
that makes the region a perfect onion-growing area. | 0:22:28 | 0:22:31 | |
OK. | 0:22:38 | 0:22:40 | |
Voila. | 0:22:41 | 0:22:42 | |
Ah, bonjour, monsieur. | 0:22:47 | 0:22:49 | |
IN FRENCH | 0:22:49 | 0:22:51 | |
Marcus is a fifth-generation farmer | 0:22:58 | 0:23:00 | |
who produces seven tonnes of onions a year. | 0:23:00 | 0:23:02 | |
Raymond is sure he must have a few perfect onions | 0:23:02 | 0:23:05 | |
to spare a travelling Frenchman. | 0:23:05 | 0:23:07 | |
My grandfather had also a grange like that | 0:23:20 | 0:23:22 | |
and we would basically bring all the onions and the shallots | 0:23:22 | 0:23:25 | |
and the garlic, all the alliums, basically, | 0:23:25 | 0:23:28 | |
to dry, to be kept during the winter. | 0:23:28 | 0:23:30 | |
But they are stunning, they are beautiful. | 0:23:30 | 0:23:33 | |
That one is a Roscoff, pink colour. | 0:23:33 | 0:23:35 | |
It's very delicate, good for salads. Not good cooking, no. This one. | 0:23:35 | 0:23:40 | |
This one, yes. Mulhouse onions. | 0:23:42 | 0:23:44 | |
Peel that one, chop it up, it will certainly make you cry. Oh, la, la. | 0:23:44 | 0:23:48 | |
Eh? | 0:23:48 | 0:23:49 | |
I've never seen such a... Is at a GM produce? Genetically modified. | 0:23:53 | 0:23:58 | |
I've never. First time I'd seen it, I've discovered something new this morning. | 0:24:01 | 0:24:05 | |
L'oignon. They call it the onion, chicken leg. A big chicken. | 0:24:05 | 0:24:10 | |
Bon, I want to do a beautiful onion tart | 0:24:10 | 0:24:12 | |
to really honour your county, L'Alsace. OK. | 0:24:12 | 0:24:15 | |
Which onion should I take? | 0:24:15 | 0:24:17 | |
Again, we go back to Alsace. I think he loves his county. I would do the same. | 0:24:21 | 0:24:25 | |
Knowing your onions is important in Alsace. | 0:24:26 | 0:24:29 | |
And with the Mulhouse recommendation made, Raymond needs to be sure. | 0:24:29 | 0:24:33 | |
Thankfully, Marc's farm store offers him the chance to try before he buys. | 0:24:33 | 0:24:37 | |
I think you definitely need to know your onions. | 0:24:38 | 0:24:42 | |
Four particular varieties. | 0:24:42 | 0:24:45 | |
Yeah. That's quite a light one, you can see. | 0:24:46 | 0:24:48 | |
Gentle. It's perfect for salad, perfect, perfect. | 0:24:50 | 0:24:54 | |
Roscoff variety. Ah. More acidity, more alkaline. | 0:24:54 | 0:25:00 | |
How do you call it yourselves, this one? | 0:25:00 | 0:25:02 | |
-C'est l'oignon blanc. -Oignon blanc. L'oignon blanc. | 0:25:02 | 0:25:05 | |
Much more delicate but strong, but really, | 0:25:05 | 0:25:08 | |
the mighty Mulhouse onion or the Alsatian onion, powerful. | 0:25:08 | 0:25:13 | |
And I can already smell it from here, it's aggressivity. | 0:25:13 | 0:25:16 | |
The juiciness. That it's ready to pow. | 0:25:16 | 0:25:20 | |
You know, to hit me in the eyes. OK. So, that's, that's Mulhouse onion. | 0:25:20 | 0:25:26 | |
Oh, la, la. I'm already crying. I really... | 0:25:26 | 0:25:31 | |
That one is so, so strong. | 0:25:31 | 0:25:33 | |
That's a serious onion. | 0:25:33 | 0:25:36 | |
I know exactly how this sulphur acidity is going to transcend | 0:25:36 | 0:25:40 | |
into the most fantastic onion and sweet flavour. | 0:25:40 | 0:25:43 | |
What a terrible life it would be without onions. Cos they are everything. | 0:25:47 | 0:25:51 | |
They are the fundamental basics, OK, of the Western cuisine. | 0:25:51 | 0:25:55 | |
They are our foundation. | 0:25:55 | 0:25:57 | |
And nowhere is that onion foundation more important | 0:25:57 | 0:26:01 | |
than on the region's favourite fast food. | 0:26:01 | 0:26:04 | |
Like many Alsatian dishes, it has two names. | 0:26:04 | 0:26:06 | |
Flammkuchen shows its German heritage | 0:26:06 | 0:26:10 | |
and tarte flambee, the French. | 0:26:10 | 0:26:12 | |
Thin slices of onion are generously scattered over a flatbread base | 0:26:12 | 0:26:17 | |
before it's cooked in a searingly hot oven. | 0:26:17 | 0:26:19 | |
A street stall in the nearby city of Colmar | 0:26:20 | 0:26:24 | |
serves some of the finest Flammkuchen. | 0:26:24 | 0:26:25 | |
The aroma attracts customers like a kebab shop on a Saturday night. | 0:26:25 | 0:26:31 | |
It's done the same, same, same, same way as pizza could be. | 0:26:31 | 0:26:35 | |
They used to be a snack for bakers. | 0:26:36 | 0:26:39 | |
These days, they are Alsace's most popular fast food. | 0:26:39 | 0:26:42 | |
Bon appetit, les enfants. | 0:26:43 | 0:26:45 | |
Voila. | 0:26:50 | 0:26:51 | |
Lovely. | 0:26:52 | 0:26:54 | |
If Flammkuchen is Alsace's fast food | 0:26:54 | 0:26:57 | |
than Raymond's next dish is the slow version. | 0:26:57 | 0:27:00 | |
Onion tart. | 0:27:02 | 0:27:03 | |
On average, Alsatians eat it twice a week. | 0:27:09 | 0:27:11 | |
Raymond is hoping his interpretation will fulfil at least one | 0:27:11 | 0:27:15 | |
of the locals' weekly cravings. | 0:27:15 | 0:27:17 | |
Merci bien. | 0:27:17 | 0:27:18 | |
A perfect tart will require beautiful, even slices of onion. | 0:27:20 | 0:27:25 | |
I cut quite thick because I want the texture. | 0:27:25 | 0:27:28 | |
Mulhouse onions are rarely exported to the UK | 0:27:28 | 0:27:31 | |
but a strong, white onion would work well. | 0:27:31 | 0:27:34 | |
And I'm going to put all of that in here. | 0:27:36 | 0:27:39 | |
And that looks a lot. That looks a lot. | 0:27:39 | 0:27:41 | |
Say, "My God, Raymond has got it all wrong." | 0:27:41 | 0:27:44 | |
90% of it is water. | 0:27:44 | 0:27:46 | |
It's going to melt down with the heat. OK. | 0:27:46 | 0:27:49 | |
So, to evaporate the... Oh. | 0:27:49 | 0:27:51 | |
Oh, la, la. | 0:27:53 | 0:27:55 | |
Sauteing the onions to the right shade of white | 0:27:55 | 0:27:58 | |
is the art of an Alsatian tart. | 0:27:58 | 0:28:01 | |
The onions are collapsing. The sulphur, it's evaporating. | 0:28:01 | 0:28:04 | |
It's miraculous. | 0:28:04 | 0:28:06 | |
That's what I love about this cuisine, | 0:28:06 | 0:28:08 | |
it's full of little miracles, constantly. | 0:28:08 | 0:28:12 | |
If you want to follow the tradition, | 0:28:12 | 0:28:14 | |
a little bit of nutmeg into the mix, here. | 0:28:14 | 0:28:17 | |
This spice, here, is very, very powerful. | 0:28:17 | 0:28:20 | |
It's like clove or even bay leaf. Be careful, gentle. | 0:28:20 | 0:28:23 | |
You taste. | 0:28:24 | 0:28:26 | |
Now, pleasant flavours are coming through. | 0:28:26 | 0:28:29 | |
You can see, now, we're getting there. The colour is slightly brown. | 0:28:30 | 0:28:34 | |
The trick is not to overcook the onions or they will become jammy. | 0:28:34 | 0:28:39 | |
And then, now, we're going to add a bit of flour and cook it. | 0:28:39 | 0:28:42 | |
And now, I'm going to add milk. | 0:28:42 | 0:28:45 | |
Flour, milk and creme fraiche give body. | 0:28:45 | 0:28:48 | |
Voila. Oh, it's lovely, beautiful. | 0:28:49 | 0:28:52 | |
Off the heat, a whisked egg with more creme fraiche | 0:28:52 | 0:28:56 | |
and the filling is ready. | 0:28:56 | 0:28:57 | |
The eggs would cook immediately in a very boiling pan. | 0:28:57 | 0:29:02 | |
So, by putting the sour cream into the eggs, I prevent that. | 0:29:02 | 0:29:06 | |
We don't want to end up with scrambled eggs. OK, tres bien. Let's taste, now. | 0:29:06 | 0:29:10 | |
It is lovely. Still, they've got so much texture. Kush, come here. | 0:29:10 | 0:29:15 | |
OK, tiens. Taste that. | 0:29:15 | 0:29:16 | |
Hmm. | 0:29:18 | 0:29:20 | |
-Yeah? -So much stronger than I thought it would be. | 0:29:20 | 0:29:22 | |
Yeah, because we're so used to onions, OK, | 0:29:22 | 0:29:24 | |
which are intensively farmed they've got no character, no flavour. | 0:29:24 | 0:29:27 | |
Also, they're about six months old. | 0:29:27 | 0:29:30 | |
That one has been dug out of the soil now. | 0:29:30 | 0:29:33 | |
Inspired by the use of bacon in the local Flammkuchen, | 0:29:33 | 0:29:37 | |
Raymond has decided to add some cured pork to the tart. | 0:29:37 | 0:29:41 | |
I don't want them gold because they'll be... Voila. | 0:29:41 | 0:29:44 | |
-That's perfect. The more you colour them, you overcook them. -Oui. | 0:29:44 | 0:29:49 | |
Cos bacon is so beautiful just like that. | 0:29:49 | 0:29:52 | |
Pre-cooking the pastry holds with tradition. | 0:29:53 | 0:29:56 | |
And, of course, avoids the dangers of a soggy bottom. | 0:29:56 | 0:30:00 | |
Oh! | 0:30:00 | 0:30:01 | |
Oh, la, la. I've forgotten my lardons. | 0:30:02 | 0:30:05 | |
I've done a little mistake here. | 0:30:07 | 0:30:08 | |
I should have put my lardons mixed into my mixture. | 0:30:08 | 0:30:13 | |
And I know, moving all that out would be disastrous. | 0:30:13 | 0:30:15 | |
So, I've mixed them up into my tart, here, like that. | 0:30:15 | 0:30:19 | |
So, not really a thing to do. | 0:30:19 | 0:30:21 | |
So, you see, we can all do mistakes. | 0:30:21 | 0:30:23 | |
-Home sweet home. Alsace home. -Very lucky home, chef. -I think so. | 0:30:33 | 0:30:38 | |
The deep, rich, golden colour is the signature of this tart | 0:30:38 | 0:30:42 | |
and the perfect home for the wonderful Mulhouse onion of Alsace. | 0:30:42 | 0:30:47 | |
It's not, of course, | 0:30:47 | 0:30:48 | |
as light as a cheese tart souffle from Franche-Comte. | 0:30:48 | 0:30:51 | |
-OK. -Cos that's a different dish. | 0:30:51 | 0:30:53 | |
With this onion tart, it's slightly heavier. | 0:30:53 | 0:30:56 | |
But it's two different styles. | 0:30:56 | 0:30:57 | |
It's like apple crumble and apple tart, | 0:30:57 | 0:30:59 | |
you don't compare them, they're different dishes. | 0:30:59 | 0:31:02 | |
Serious portions. They are famished, they are hungry. Tres bien. | 0:31:04 | 0:31:08 | |
These Alsatian onion tarts are robust and warm through perfectly. | 0:31:08 | 0:31:11 | |
So, that's the first course ready for the feast. | 0:31:11 | 0:31:15 | |
I think, Kush, every onion must dream to end up in an Alsatian onion tart. | 0:31:15 | 0:31:20 | |
-What do you think? -I think so, chef. | 0:31:20 | 0:31:22 | |
-Yeah? -Even the ones from your home, chef? | 0:31:22 | 0:31:24 | |
Yeah, why not? | 0:31:24 | 0:31:26 | |
Raymond's menu is developing into a showcase | 0:31:28 | 0:31:32 | |
for all that is classic in Alsatian cuisine. | 0:31:32 | 0:31:36 | |
It's now time to bring even more Alsatian unity to the feast. | 0:31:40 | 0:31:44 | |
And nothing brings people together like a sweet treat. | 0:31:44 | 0:31:48 | |
The French and Germans share a love of sweet pastry. | 0:31:48 | 0:31:51 | |
And nowhere is sweeter in Alsace | 0:31:51 | 0:31:53 | |
than Christine Ferber's beautiful shop and bakery. | 0:31:53 | 0:31:56 | |
Bonjour. | 0:31:59 | 0:32:01 | |
Christine is a wonderful baker and master patissiere. | 0:32:01 | 0:32:04 | |
But one thing has made her more famous than anything. | 0:32:04 | 0:32:07 | |
In the town of Niedermorschwihr and all over the world, she's the queen of jam. | 0:32:07 | 0:32:12 | |
Raymond is hoping that the den of sugary pots and pans holds his sweet inspiration. | 0:32:15 | 0:32:22 | |
Hi, there, Christine. Guate morye, Christine. | 0:32:22 | 0:32:24 | |
See, I have learned my Alsatian for you. | 0:32:24 | 0:32:27 | |
Long time ago. | 0:32:39 | 0:32:41 | |
No, no, no. Oh, this smells so lovely. Can I have a spoon? Can I taste it? | 0:32:41 | 0:32:46 | |
-Oh, la la. -Sehr schoen. | 0:32:49 | 0:32:51 | |
It just bursts in the mouth, all this freshness. | 0:32:55 | 0:32:58 | |
Christine sells 300 different types of jam in a year, | 0:32:58 | 0:33:01 | |
as well as local pastries, but her signature cake is a tradition | 0:33:01 | 0:33:05 | |
that has survived in Alsace for centuries - the crown-shaped Kougelhupf. | 0:33:05 | 0:33:10 | |
This Kougelhupf is so traditional. It represents so much Alsatian pastry. | 0:33:10 | 0:33:16 | |
Oh, you cut it sideways. | 0:33:17 | 0:33:19 | |
Of course. Silly me. | 0:33:19 | 0:33:21 | |
The Kougelhupf is often eaten on a Sunday | 0:33:21 | 0:33:24 | |
and considered better slightly stale, so Saturday's bake is perfect. | 0:33:24 | 0:33:29 | |
It's so delicious! I am just dribbling all over it! | 0:33:29 | 0:33:35 | |
Oh la la, it looks so beautiful. | 0:33:36 | 0:33:39 | |
That one is for me. Oh, beautiful! It's so light, it could float. | 0:33:41 | 0:33:47 | |
Oh la la, it's wonderful. | 0:33:47 | 0:33:49 | |
There is a richness. | 0:33:49 | 0:33:51 | |
The coolness as well. It's cool, it's not sweet. | 0:33:51 | 0:33:54 | |
The sweetness of the jam and freshness of the cream top of the Kougelhupf. | 0:33:54 | 0:33:59 | |
-It's a simple but perfect union. -C'est si bon. -Et pour toi? -J'adore... | 0:33:59 | 0:34:03 | |
Well, it's Sunday morning after all. | 0:34:03 | 0:34:06 | |
It's our treat. Can we have it? | 0:34:06 | 0:34:08 | |
You need a big mouth, huh? | 0:34:11 | 0:34:14 | |
THEY LAUGH | 0:34:16 | 0:34:18 | |
Raymond loves the Kougelhupf so much, he is hoping to persuade Christine to give him her recipe. | 0:34:18 | 0:34:24 | |
This is the first time, actually, I have to do a Kougelhupf. | 0:34:24 | 0:34:27 | |
-And I wanted Christine to do it for me. OK? I wanted to learn from you. -Yes. | 0:34:27 | 0:34:31 | |
A classic sweet yeast dough is the basis of a Kougelhupf. | 0:34:31 | 0:34:35 | |
Flour, milk, sugar, eggs and salt. | 0:34:35 | 0:34:38 | |
Christine's father was a fourth-generation baker | 0:34:43 | 0:34:46 | |
and the king of Kougelhupfs. | 0:34:46 | 0:34:49 | |
My father have to go to the hospital, and I asked him, | 0:34:49 | 0:34:52 | |
"How do you do the Kougelhupf? | 0:34:52 | 0:34:54 | |
"Did me your recipe." And he said, "Enough yeast, enough flour." | 0:34:54 | 0:34:57 | |
And I said to him, "But you are crazy. | 0:34:57 | 0:35:00 | |
"I cannot do your recipe if you don't tell me how much..." | 0:35:00 | 0:35:04 | |
I wanted to murder him at this time. | 0:35:05 | 0:35:08 | |
-And he was going to hospital! -You're not my father! You're not my father! | 0:35:08 | 0:35:12 | |
-All that for a Kougelhupf! -Only for a Kougelhupf! | 0:35:12 | 0:35:17 | |
Then he said to me, "Go and make and try. Kougelhupf is coming from the heart. | 0:35:17 | 0:35:23 | |
"It goes here and then it comes out." | 0:35:23 | 0:35:26 | |
The balancing act of ingredients is often unspoken amongst bakers. | 0:35:26 | 0:35:31 | |
The mysterious alchemy of ingredients, recipe and experience cloak the baker's craft. | 0:35:31 | 0:35:36 | |
So she's looking at the strengths. | 0:35:36 | 0:35:39 | |
Because that gives you the quality. | 0:35:39 | 0:35:42 | |
Gluten is worked beautifully. The temperature is right. That's when you can spread the dough, | 0:35:42 | 0:35:46 | |
and it is ready to prove now. | 0:35:46 | 0:35:50 | |
-Alcohol...with rum. -Rum...Malaga rum - I can smell it from here. | 0:35:50 | 0:35:55 | |
Raisins soaked in rum add a final touch. | 0:35:55 | 0:35:58 | |
Christine is accusing me of eating all the raisins. | 0:36:02 | 0:36:05 | |
Then the cake dough, with five generations of love and knowledge, | 0:36:05 | 0:36:10 | |
-is left to rise... -I love the way she touches it, is gentle. | 0:36:10 | 0:36:13 | |
..ready for the oven and more hungry mouths. | 0:36:13 | 0:36:17 | |
Every day, her father before her made it every day. | 0:36:17 | 0:36:19 | |
And her grandfather before her made it, and so on and so on. | 0:36:19 | 0:36:23 | |
So it is a very well-practised recipe. | 0:36:23 | 0:36:25 | |
Raymond will be returning to the restaurant with some seriously satisfying inspiration, | 0:36:25 | 0:36:32 | |
but Christine needs a little Raymond labour in return. | 0:36:32 | 0:36:34 | |
There is a saying, OK... | 0:36:34 | 0:36:37 | |
when you have somebody coming and helping you on Sunday, we call them a Sunday worker, | 0:36:37 | 0:36:40 | |
and usually that man is blessed. | 0:36:40 | 0:36:44 | |
I hope I get a pot of jam. It's what I want. Absolutely lovely. | 0:36:44 | 0:36:49 | |
Christine has given Raymond an idea for his dessert. | 0:36:56 | 0:36:59 | |
Her Kougelhupf is similar to the bun found in a rum baba. | 0:36:59 | 0:37:03 | |
A perfect end for the feast. | 0:37:03 | 0:37:05 | |
It has an Alsatian history too. | 0:37:05 | 0:37:09 | |
The story goes that a Polish king visiting nearby Lorraine thought | 0:37:09 | 0:37:13 | |
the Kougelhupf a little dry, so soaked it in his favourite tipple, | 0:37:13 | 0:37:17 | |
and so the rum baba was born. | 0:37:17 | 0:37:19 | |
In terms of making it, it's not too dissimilar than the Kougelhupf. | 0:37:19 | 0:37:22 | |
The big difference, of course, is that you soak it into a beautiful alcoholised syrup. | 0:37:22 | 0:37:29 | |
Raymond is going to add his own twist to the dish | 0:37:29 | 0:37:32 | |
and is sure his guests will love it. | 0:37:32 | 0:37:34 | |
Quite elastic texture. | 0:37:34 | 0:37:36 | |
Fortified with Christine's Kougelhupf secrets, | 0:37:36 | 0:37:39 | |
Raymond has made a similar dough for the base of the baba. | 0:37:39 | 0:37:43 | |
That used to be a very festive... | 0:37:43 | 0:37:45 | |
in my home, my mum didn't do baba au rhum very often. | 0:37:45 | 0:37:49 | |
It was quite a bit of work. And when she did it, that was special. | 0:37:49 | 0:37:54 | |
But there was no rum in my baba! | 0:37:54 | 0:37:56 | |
RAYMOND LAUGHS | 0:37:56 | 0:37:57 | |
Traditionally, baba is served in an individual portion. | 0:37:57 | 0:38:01 | |
Like the Kougelhupf, they will rise in their moulds, | 0:38:01 | 0:38:04 | |
which Raymond is careful not to overfill. | 0:38:04 | 0:38:07 | |
Voila! If you put more than a third, half, it will go boom, and then you have a disaster. | 0:38:07 | 0:38:15 | |
You have huge mushrooms invading your kitchen. | 0:38:15 | 0:38:17 | |
Let's go. Put them in. | 0:38:17 | 0:38:20 | |
Stop, stop, stop! Don't go up. Stop! | 0:38:20 | 0:38:24 | |
Arret! Enough. | 0:38:24 | 0:38:26 | |
Alsace is famous for its myriad of fruit alcohols, | 0:38:26 | 0:38:29 | |
-so instead of rum, Raymond is using one for the syrup. -I have got something quite good. | 0:38:29 | 0:38:34 | |
He's chosen by raspberry eau de vie, loved by the locals. | 0:38:34 | 0:38:37 | |
I'm going to take a framboise, OK? | 0:38:37 | 0:38:38 | |
I've chosen raspberry, but you can choose wild strawberry... | 0:38:38 | 0:38:43 | |
all sort of things, according to which dessert you do. | 0:38:43 | 0:38:46 | |
As the babas bake, there's time to make the syrup. | 0:38:46 | 0:38:49 | |
This syrup I want to do is a very, very simple syrup. 100 grams of sugar. | 0:38:49 | 0:38:54 | |
-Tres bien. Zest of lemon, very little. -Oui. | 0:38:54 | 0:38:59 | |
To add another layer of flavour, | 0:38:59 | 0:39:01 | |
Raymond adds lemon and orange peel. | 0:39:01 | 0:39:03 | |
Tres bien. | 0:39:03 | 0:39:05 | |
Voila! | 0:39:05 | 0:39:06 | |
Vanilla seeds bring warmth and sweetness. | 0:39:06 | 0:39:09 | |
Syrup here... | 0:39:09 | 0:39:11 | |
So a quick boil just to infuse, OK? Look! | 0:39:14 | 0:39:17 | |
It's all right. | 0:39:17 | 0:39:18 | |
The babas are beginning to show promise. | 0:39:20 | 0:39:23 | |
With a bit of alcohol inside, they soak it up. | 0:39:23 | 0:39:27 | |
The babas have to soak in the sweet citrus | 0:39:27 | 0:39:30 | |
and raspberry-scented syrup. | 0:39:30 | 0:39:32 | |
But Raymond's got an idea. | 0:39:36 | 0:39:39 | |
He escapes the kitchen and heads to the woods for a forage. | 0:39:39 | 0:39:43 | |
As a kid, from the age of five or six, | 0:39:45 | 0:39:47 | |
I would go with my big brothers deep in the forest... | 0:39:47 | 0:39:51 | |
Raymond is hoping to find something to finish the babas | 0:39:52 | 0:39:56 | |
here in the Vosges mountains. | 0:39:56 | 0:39:58 | |
There is an elusive wild fruit that would work really well | 0:39:58 | 0:40:02 | |
with his dessert - wild raspberries. | 0:40:02 | 0:40:04 | |
Tracking them down is really worth the effort. | 0:40:04 | 0:40:07 | |
Raymond's never been here before, so he's meeting foraging expert, Stephane. | 0:40:07 | 0:40:12 | |
Remember, always take expert guidance | 0:40:12 | 0:40:15 | |
if you're going to forage in the wild. | 0:40:15 | 0:40:17 | |
-Hi, Stephane, how are you doing? -Yes. | 0:40:17 | 0:40:19 | |
The way to pick them up, always from underneath. So you can see them. | 0:40:21 | 0:40:25 | |
From here, you see nothing. That one, look at that. Beautiful. | 0:40:25 | 0:40:30 | |
Oh, let's have one. Oh la la. We are in this amazing forest. | 0:40:30 | 0:40:35 | |
It's fresh, it's beautiful. | 0:40:35 | 0:40:37 | |
I'm the happiest man on earth, because I'm doing something which I have not done | 0:40:37 | 0:40:43 | |
for about 40 years or so. | 0:40:43 | 0:40:45 | |
Maybe more. 50. Long years. Or 55, actually! | 0:40:45 | 0:40:48 | |
I was the fastest picker. I could beat my friends at this always. | 0:40:48 | 0:40:53 | |
They were very jealous of my skills. There was a technique. | 0:40:53 | 0:40:57 | |
Don't pick up with one hand, but always with two hands. | 0:40:57 | 0:41:02 | |
Always, always. | 0:41:02 | 0:41:04 | |
This walk in the forest has taken me back, right back, to my childhood. | 0:41:05 | 0:41:09 | |
This wonderful hunting and gathering of fruit, of wild asparagus, | 0:41:09 | 0:41:14 | |
of wild mushroom. Any wild mushrooms. Frogs, snails, everything. | 0:41:14 | 0:41:17 | |
And we would hunt them in this amazing forest. | 0:41:17 | 0:41:20 | |
And I'm very happy, I'm really happy. | 0:41:20 | 0:41:23 | |
The forests of Raymond's home region were his playground. | 0:41:23 | 0:41:26 | |
His mother would send him out to find ingredients for the table. | 0:41:26 | 0:41:29 | |
What she didn't use, he would sell. The adventure could last all day. | 0:41:29 | 0:41:33 | |
I remember when we would get lost. Always. | 0:41:33 | 0:41:35 | |
Hello! | 0:41:35 | 0:41:37 | |
And when you hear nothing from your friend, you were really worried. | 0:41:37 | 0:41:41 | |
No-one and nothing comes back, but the echo. That big forest. | 0:41:41 | 0:41:47 | |
Hello? | 0:41:47 | 0:41:48 | |
I've got my friends, OK, I'm all right. | 0:41:48 | 0:41:51 | |
This small harvest of raspberries is a perfect touch for the dessert. | 0:41:54 | 0:41:58 | |
Back in the kitchen, Raymond brings the whole dish together. | 0:42:04 | 0:42:08 | |
So, we really... That's a seriously local flavour. | 0:42:08 | 0:42:13 | |
He nestles the chilled, soaked babas in a fruit coulis | 0:42:13 | 0:42:17 | |
and tops them off with sweet Chantilly cream. | 0:42:17 | 0:42:21 | |
Oh, mon dieu. | 0:42:21 | 0:42:22 | |
Raymond wants his team to try the baba, | 0:42:22 | 0:42:25 | |
so he's putting out two hungry-sized portions. | 0:42:25 | 0:42:28 | |
Voila. | 0:42:31 | 0:42:32 | |
-I think you're going to knock them out, chef. -I think so. Kush, look at Katie. | 0:42:36 | 0:42:39 | |
She's going for it. She's going for it. | 0:42:39 | 0:42:42 | |
Oh, I can see you love it, you. Lovely. | 0:42:44 | 0:42:47 | |
Raymond is confident his dessert will give his guests sweet dreams, | 0:42:47 | 0:42:51 | |
but he still needs to decide on a main course, | 0:42:51 | 0:42:55 | |
and this being Alsace, that can only mean one thing - pork. | 0:42:55 | 0:42:59 | |
ENGINE SPLUTTERS | 0:42:59 | 0:43:02 | |
No. I'm afraid, French engineering. | 0:43:05 | 0:43:09 | |
No - old French engineering. | 0:43:09 | 0:43:11 | |
This is a beautiful car, but she's as old as I am. | 0:43:11 | 0:43:13 | |
It's got a little bit of a tweak to bring it back to life. | 0:43:13 | 0:43:18 | |
Fortunately, Raymond doesn't need a car to get where he's going next. | 0:43:21 | 0:43:25 | |
Bonjour, bonjour. Bonjour, guten tag. | 0:43:25 | 0:43:28 | |
Freundlich, sehr gut! | 0:43:28 | 0:43:30 | |
He is back in Colmar, an old Alsatian town. | 0:43:32 | 0:43:35 | |
Voila. Fabulous. | 0:43:39 | 0:43:41 | |
For centuries, these canals brought the best local produce to market. | 0:43:41 | 0:43:46 | |
It makes you hungry, just looking at the produce. | 0:44:01 | 0:44:03 | |
But top of Raymond's shopping list is pork. | 0:44:03 | 0:44:06 | |
The British love a sausage, and the Alsatians adore their charcuterie. | 0:44:06 | 0:44:11 | |
Saucisson! Pig. More pig. | 0:44:11 | 0:44:14 | |
But Raymond's not in the market for that. | 0:44:15 | 0:44:17 | |
He wants pork on the bone. | 0:44:17 | 0:44:19 | |
He wants a beautiful, tender, tasty pork chop for his main course | 0:44:19 | 0:44:23 | |
and he wants it from a local pig. | 0:44:23 | 0:44:26 | |
Ooh, la, la. | 0:44:26 | 0:44:27 | |
There's no pork in Colmar. No local pork. | 0:44:42 | 0:44:47 | |
What frightens me is that this butcher doesn't know, | 0:44:53 | 0:44:57 | |
really, where it comes from. He's so generic about it, so vague. | 0:44:57 | 0:45:01 | |
What I don't understand, Kush, | 0:45:01 | 0:45:03 | |
Alsace was one of the great centres for the production of food, | 0:45:03 | 0:45:07 | |
some of the best meat, and yet, you know, the pork comes from Brittany, | 0:45:07 | 0:45:11 | |
but the butcher doesn't quite know where his food is made. | 0:45:11 | 0:45:15 | |
This pork at the market might be OK, | 0:45:15 | 0:45:17 | |
but this is a local feast for local people, | 0:45:17 | 0:45:21 | |
and it demands a local breed. | 0:45:21 | 0:45:23 | |
Alsatians may love their pork, but intensive farming | 0:45:23 | 0:45:27 | |
has meant that local breeds have all but disappeared. | 0:45:27 | 0:45:30 | |
Raymond gets on the phone to track down a butcher | 0:45:30 | 0:45:33 | |
who can get him the very special pork he wants. | 0:45:33 | 0:45:36 | |
I'm waiting at the entrance to the city, | 0:45:36 | 0:45:39 | |
it's a small city, you cannot get it wrong, OK? | 0:45:39 | 0:45:41 | |
It's taken a bit of persuasion, but finally, here comes the pork, | 0:45:43 | 0:45:47 | |
chauffeur-driven in its own white van. | 0:45:47 | 0:45:50 | |
-Bonjour, bonjour. -Bonjour. Bonjour, Raymond. | 0:45:50 | 0:45:53 | |
Christine Spicer is a master butcher | 0:45:53 | 0:45:55 | |
who's come all the way from Strasbourg | 0:45:55 | 0:45:57 | |
to give Raymond what he wants. | 0:45:57 | 0:45:59 | |
Ooh, la, la. | 0:46:04 | 0:46:06 | |
I know it's going to be special. I know. OK? | 0:46:09 | 0:46:11 | |
I've got two beautiful loins of pork, | 0:46:14 | 0:46:16 | |
that big, pork from Alsace, | 0:46:16 | 0:46:20 | |
locally done, locally fed... | 0:46:20 | 0:46:22 | |
Voila. | 0:46:33 | 0:46:35 | |
Regarde la couleur de cette viande. | 0:46:36 | 0:46:38 | |
Look at the colour of that meat. | 0:46:38 | 0:46:39 | |
Immediately you can see it's a pig which has run around. | 0:46:39 | 0:46:44 | |
That pig had a happy life. So, tell me about the breed of the piggy? | 0:46:44 | 0:46:48 | |
Perfect. Beautiful. | 0:46:50 | 0:46:52 | |
Cristine's executive briefcase turns out to hold more than her lunch. | 0:46:52 | 0:46:57 | |
The best part is from here, it's that part here... | 0:46:57 | 0:47:01 | |
right down to here. | 0:47:01 | 0:47:02 | |
That's too lean, so, these two pieces, like that, right? | 0:47:02 | 0:47:08 | |
Raymond can't wait to get his hands on Christine's chops, | 0:47:24 | 0:47:27 | |
but he'll have to wait until tomorrow. | 0:47:27 | 0:47:30 | |
The day of the feast has arrived. | 0:47:38 | 0:47:42 | |
All right, guys, how is it getting on? | 0:47:43 | 0:47:45 | |
Raymond spends a lot of time finding the best produce for his restaurant in Oxfordshire, | 0:47:45 | 0:47:50 | |
so he's pleased with what he's achieved | 0:47:50 | 0:47:52 | |
in just a few days in Alsace. | 0:47:52 | 0:47:55 | |
Who's interested in good? I'm not. I want to sublime. | 0:47:55 | 0:47:58 | |
I know my young people want the same. | 0:47:58 | 0:48:00 | |
He's particularly pleased with the local Lieselheim pork. | 0:48:00 | 0:48:04 | |
Quickly want to show how much fat you want left on? | 0:48:04 | 0:48:07 | |
I would suggest, see, leave some fat. | 0:48:07 | 0:48:09 | |
And keep that - we're going to use it. | 0:48:09 | 0:48:11 | |
You go ahead, eh? | 0:48:12 | 0:48:14 | |
Raymond has cut double chops. | 0:48:14 | 0:48:16 | |
A good layer of fat is important for flavour. | 0:48:16 | 0:48:19 | |
The best piece is that part, here. | 0:48:19 | 0:48:23 | |
It was a chine of pork rather than these lower ribs, here. | 0:48:23 | 0:48:27 | |
It's a much more succulent piece of meat, there's much more fat. | 0:48:27 | 0:48:31 | |
Much more flavour. Try to work as fast as possible, Kush. | 0:48:31 | 0:48:34 | |
-We are on time, but no more, OK? -Yes, chef. | 0:48:34 | 0:48:38 | |
-So let's take a bit of advance, eh? -Oui. | 0:48:38 | 0:48:40 | |
Raymond? | 0:48:42 | 0:48:45 | |
Raymond's foraging companion is a welcome sight at the door. | 0:48:45 | 0:48:49 | |
Some recent rain has meant that wild mushrooms have appeared, | 0:48:49 | 0:48:53 | |
a perfect taste of the forest to serve with the pork. | 0:48:53 | 0:48:55 | |
Fantastic. Look at that. Stunning. Thank you very much, Stefan. | 0:48:55 | 0:48:59 | |
The chops are browned in butter. | 0:49:02 | 0:49:04 | |
We're just slowly going to brown it in that foaming butter. | 0:49:04 | 0:49:07 | |
-You get the lovely nutty flavour that works well with the pork. -Yes. | 0:49:07 | 0:49:11 | |
But I start with my lovely pork, here. Nicely... Wow. | 0:49:11 | 0:49:15 | |
You can hear it gently... It's a song, it's quiet. We are blessed. | 0:49:15 | 0:49:20 | |
So, we are very lucky, Kush, | 0:49:20 | 0:49:21 | |
and I think that we'll prepare the most incredible feast, | 0:49:21 | 0:49:24 | |
cos when you have this produce, you cannot got wrong. | 0:49:24 | 0:49:27 | |
Yes, I can smell it. Take your time. | 0:49:27 | 0:49:31 | |
Don't touch it for about seven, eight minutes. And don't move it. | 0:49:31 | 0:49:35 | |
Why? That's why. | 0:49:35 | 0:49:36 | |
Look at that. Look at that. | 0:49:37 | 0:49:40 | |
That is why. Gentle, gentle. | 0:49:40 | 0:49:44 | |
Let's go. | 0:49:44 | 0:49:45 | |
Finishing in the oven helps make them tender | 0:49:45 | 0:49:48 | |
and keeps the pork succulent. | 0:49:48 | 0:49:49 | |
The rest of the chops can be cooked and held for later. | 0:49:50 | 0:49:53 | |
With 24 hungry mouths to feed, | 0:49:53 | 0:49:56 | |
this is a dish that allows the kitchen to get ahead. | 0:49:56 | 0:50:00 | |
To go with the pork, Raymond is making Spatzle, | 0:50:00 | 0:50:02 | |
a super-quick kind of pasta. | 0:50:02 | 0:50:05 | |
Unlike Italian pasta, | 0:50:05 | 0:50:06 | |
this pasta takes a few minutes of your time and it is delicious. | 0:50:06 | 0:50:09 | |
You wait, what we're going to do with it. | 0:50:09 | 0:50:11 | |
Tres bien. | 0:50:14 | 0:50:15 | |
Over boiling water, Raymond pushes the sticky dough through a colander. | 0:50:16 | 0:50:20 | |
It's just being cooked just underneath. Voila. | 0:50:20 | 0:50:24 | |
There's so many ways to make pasta. That's what's magic about food. | 0:50:24 | 0:50:27 | |
But I think, of all pasta, that's the simplest | 0:50:27 | 0:50:30 | |
and that is typically Alsatian. | 0:50:30 | 0:50:32 | |
It's like I've done some little jewels by hand, | 0:50:32 | 0:50:35 | |
like I've crafted them. It's magical. | 0:50:35 | 0:50:38 | |
The hot little dumplings are dropped into chilled water. | 0:50:38 | 0:50:42 | |
A light coating of olive oil keeps the spatzle in great shape, | 0:50:42 | 0:50:45 | |
ready for a final sautee before serving. | 0:50:45 | 0:50:48 | |
Which one has been put last? | 0:50:50 | 0:50:52 | |
The menu is almost complete. | 0:50:52 | 0:50:55 | |
From a deeply traditional onion tart to trout married with Alsace wine | 0:50:55 | 0:50:59 | |
and a celebration of the mighty pig, | 0:50:59 | 0:51:02 | |
Raymond is ready to cook an Alsatian feast. | 0:51:02 | 0:51:05 | |
The food we're going to offer sums up the beauty of Alsace, | 0:51:05 | 0:51:09 | |
the generosity of Alsace, the produce of Alsace, the wines of Alsace, OK? | 0:51:09 | 0:51:14 | |
And tonight, we're going to have, really, a wonderful feast. | 0:51:14 | 0:51:17 | |
As an aperitif snack, | 0:51:17 | 0:51:18 | |
Raymond is making a savoury bread popular in Alsace - the bretzel. | 0:51:18 | 0:51:24 | |
I've never done bretzel in my life. | 0:51:24 | 0:51:26 | |
Rumoured to be linked to the cult of the sun, | 0:51:26 | 0:51:28 | |
it forms a ring circling a cross. | 0:51:28 | 0:51:31 | |
These days, it's developed to look like a loose knot. Or not. | 0:51:31 | 0:51:36 | |
-I think we're going to offend the whole of Alsace. -That's right. | 0:51:36 | 0:51:40 | |
-I'm not sure. -It is! | 0:51:40 | 0:51:43 | |
-No, Katie, it's not that. -That's not it? -No indeed. | 0:51:43 | 0:51:46 | |
HE CHUCKLES | 0:51:46 | 0:51:49 | |
It's a nation, OK? It's a nation state you are offending, OK, Katie? | 0:51:49 | 0:51:52 | |
So don't do anything from Yorkshire or from Ireland. | 0:51:52 | 0:51:58 | |
The Irish bretzel. | 0:51:58 | 0:52:00 | |
It's not right. Katie is sent out to find something to inspire. | 0:52:00 | 0:52:03 | |
Bonjour, madame. Can I have deux bretzel, s'il vous plait? Merci. | 0:52:03 | 0:52:08 | |
-Or should that be copy? -Merci. | 0:52:08 | 0:52:11 | |
-I've got it. I've got it, Katie! -No! | 0:52:14 | 0:52:16 | |
-Oh, yes. -Is it the same as that? | 0:52:16 | 0:52:20 | |
Yeah. Exactly the same. | 0:52:20 | 0:52:22 | |
Like that...like that, see? | 0:52:22 | 0:52:25 | |
Like that... Voila. | 0:52:25 | 0:52:26 | |
-No, that's not mine. -Oh, yeah! | 0:52:26 | 0:52:29 | |
THEY LAUGH | 0:52:29 | 0:52:31 | |
That is not mine! Less lying to me, Katie! | 0:52:31 | 0:52:33 | |
-No, that one's mine. -I'm a bad loser, OK? -So am I! | 0:52:33 | 0:52:36 | |
Even being in England for 35 years, I hate to lose, OK? | 0:52:36 | 0:52:40 | |
24 guests are arriving. | 0:52:43 | 0:52:46 | |
Friends, suppliers and regulars, they are expecting a feast. | 0:52:46 | 0:52:50 | |
-I wish you a marvellous evening and bon appetit. -Thank you. | 0:52:52 | 0:52:56 | |
APPLAUSE | 0:52:56 | 0:52:58 | |
S'il vous plait, let's go. Sauce? Plates on. | 0:52:58 | 0:53:02 | |
Make sure they're hot, oui. | 0:53:02 | 0:53:04 | |
First to table, the onion tart. | 0:53:06 | 0:53:08 | |
OK, guys. These onions are perfect, guys. | 0:53:08 | 0:53:11 | |
-Chef. -Voila. | 0:53:11 | 0:53:14 | |
Bon appetit. | 0:53:15 | 0:53:17 | |
Mm. Excellent. | 0:53:22 | 0:53:24 | |
I thought it was great | 0:53:24 | 0:53:27 | |
and it was Alsatian. | 0:53:27 | 0:53:29 | |
-You place watercress on the plates. -Oui. | 0:53:29 | 0:53:32 | |
-Katie, you place the fish on the plates. -Oui, chef. | 0:53:32 | 0:53:35 | |
-And I will do the sauce and the trout, OK? -Oui, chef. | 0:53:35 | 0:53:38 | |
The fish course of trout with rich and creamy | 0:53:38 | 0:53:41 | |
Gewurztraminer sauce has two very interested parties. | 0:53:41 | 0:53:44 | |
Wine-maker, Marc Beyer, | 0:53:45 | 0:53:47 | |
and accordion-playing fisherman, Monsieur Vonarb. | 0:53:47 | 0:53:51 | |
Perfect! | 0:53:51 | 0:53:53 | |
Yellow wines which make that beautiful, spicy, delicious flavour. | 0:53:53 | 0:53:57 | |
I know, it was a great surprise for me and a good one. | 0:53:57 | 0:54:01 | |
It was unexpected but really successfully. | 0:54:01 | 0:54:05 | |
I really enjoyed it, very much. | 0:54:05 | 0:54:06 | |
Wait, wait, wait. Taste, taste, taste. | 0:54:06 | 0:54:09 | |
Voila. | 0:54:11 | 0:54:12 | |
To go with the pork, | 0:54:12 | 0:54:13 | |
Stefan's wild mushrooms are sauteed at the last minute. | 0:54:13 | 0:54:17 | |
Oh, look at that. Look at that. | 0:54:17 | 0:54:19 | |
Look! Look at this beautiful meat. | 0:54:19 | 0:54:21 | |
Could you start, please, doing these? Thank you very much. | 0:54:21 | 0:54:25 | |
The spatzle, fried until crispy. | 0:54:25 | 0:54:27 | |
It takes you ten minutes. | 0:54:27 | 0:54:29 | |
Ten minutes to make, and I mean ten minutes. | 0:54:29 | 0:54:32 | |
I mean ten minutes, not Raymond Blanc's ten, 20,000 minutes, no. | 0:54:32 | 0:54:36 | |
Ten minutes to make. | 0:54:36 | 0:54:37 | |
-Fantastic meat, eh? -Oui, chef. -OK, come on, let's go. Allez. Voila. | 0:54:41 | 0:54:45 | |
Oh, la, la. S'il vous plait. Allez, let's go, merci. | 0:54:45 | 0:54:50 | |
Will the pork be as succulent as Raymond hoped? | 0:54:50 | 0:54:54 | |
The flavour is intense. It's just...melting. | 0:55:09 | 0:55:13 | |
But I think we've got the best. | 0:55:13 | 0:55:15 | |
I mean, that's the best piggy I've ever had, | 0:55:15 | 0:55:18 | |
for a long, long, long, long time. It's even more tender. | 0:55:18 | 0:55:22 | |
It's worth searching for the best. | 0:55:22 | 0:55:25 | |
The pork has been a triumph. Will the same be said for the baba? | 0:55:41 | 0:55:45 | |
Completely dry. | 0:55:45 | 0:55:47 | |
Completely dry. You can see it. | 0:55:47 | 0:55:49 | |
But they've had two hours in there, soaking. | 0:55:49 | 0:55:52 | |
-There seems to be a problem. -And you can feel it. | 0:55:52 | 0:55:54 | |
-It should be heavier, chef. -It should be heavy, OK? | 0:55:54 | 0:55:57 | |
Some of the buns haven't soaked up as much syrup | 0:55:57 | 0:56:00 | |
as Raymond would have liked. | 0:56:00 | 0:56:02 | |
Yes, yes. It is so important, Kush. | 0:56:02 | 0:56:03 | |
Take a piece of dried biscuit out. It's not good. | 0:56:03 | 0:56:06 | |
Thankfully, they have more than enough to go round. | 0:56:06 | 0:56:09 | |
Disaster averted. | 0:56:09 | 0:56:12 | |
Just like that. One... | 0:56:16 | 0:56:18 | |
Oh, Kush, dear me! | 0:56:20 | 0:56:23 | |
Raymond is serving the babas with Christine Ferber's jam. | 0:56:23 | 0:56:27 | |
Rose and raspberry jam, and this woman is truly a magician. | 0:56:27 | 0:56:31 | |
You know, people have, truly, some gifts. | 0:56:31 | 0:56:34 | |
Gifts do exist, and that woman makes jams... | 0:56:34 | 0:56:37 | |
better than me, I must tell you. | 0:56:37 | 0:56:39 | |
You know, normally in Alsace, | 0:56:44 | 0:56:46 | |
people say that we have German portions of French quality. | 0:56:46 | 0:56:52 | |
It's a mixture. | 0:56:52 | 0:56:54 | |
But I think Raymond Blanc, tonight, has proved | 0:56:54 | 0:56:57 | |
that you can have French elegance and Alsatian traditions | 0:56:57 | 0:57:01 | |
in the same menu. Wonderful. Wonderful. | 0:57:01 | 0:57:05 | |
-APPLAUSE -It's the end of a very busy, | 0:57:05 | 0:57:08 | |
but rewarding few days in Alsace. | 0:57:08 | 0:57:10 | |
Now it's time to do what Alsatians do best. Have a party. | 0:57:10 | 0:57:14 | |
ACCORDION MUSIC PLAYS | 0:57:14 | 0:57:18 | |
For me, I say a big "thank you" for Monsieur Raymond Blanc | 0:57:20 | 0:57:25 | |
and the English people are very lucky to have a chef like that. | 0:57:25 | 0:57:31 | |
You realise how important it is to keep certain traditions, | 0:57:33 | 0:57:38 | |
because that's what gives character to a place, | 0:57:38 | 0:57:42 | |
and what gives character to people, | 0:57:42 | 0:57:44 | |
to landscapes, and it is something to protect and to cherish. | 0:57:44 | 0:57:47 | |
Simple philosophy, | 0:57:47 | 0:57:48 | |
but it's a philosophy which is at the heart of everything I do. | 0:57:48 | 0:57:52 | |
THEY CLAP | 0:57:52 | 0:57:54 | |
Thank you very much. Merci. Bravo! | 0:57:54 | 0:57:58 | |
Next time, Raymond continues his culinary journey in Provence. | 0:58:05 | 0:58:10 | |
I wish I would be a good picker. | 0:58:10 | 0:58:12 | |
Look at those teeth. | 0:58:12 | 0:58:13 | |
Regarde. Voila. | 0:58:13 | 0:58:16 | |
And if you knew the smell of this fennel, it is incredible. | 0:58:18 | 0:58:21 | |
You have all this fantastic fish. Grr! | 0:58:21 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:28 | 0:58:31 |